Search "lil+wayne" 3412 Items

Tuxedo (Mayer Hawthorne & Jake One) & Zapp

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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One of London’s most loved underground parties, Tangent, celebrates its 10th birthday this year with a new compilation on Mr Bongo. Its residents, John Gómez and Nick the Record, have curated a selection of prized, rare and dancefloor-ready tracks that have soundtracked the past decade of their parties. Alongside remastered reissues of these original cuts, the CD version of the compilation also houses three incredible edits from Nick, John and Dan Tyler of the Idjut Boys. These were too good not to press onto vinyl, so we’ve given them the standalone 12" they deserve.

Contextualising their edits Nick states, “Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics.”

Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel’s ‘Quelle Drôle De Vie’. Basing their edit on the 1987 ‘Special Remix’, it does what any great re-work does, dropping the sections from the original that don’t quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.

John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of ‘80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.

Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought-after 1980 album, Got To Be Me. Celestial, gospel-infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12-minute edit. A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!

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Shy

7" | 2018 | US | Original (Stones Throw)

12,99 €*

Une Bien Curieuse Planète

Release: 2018 / US – Original

Genre: Organic Grooves

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Tuxedo is back with a new single, “Shy,” the follow up to their critically acclaimed “II” album. In collaboration with the iconic funk band, Zapp. Tuxedo delivers a highly addictive new funk single for the dance floor.

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François Jeanneau

LP | 1975 | EU | Reissue (Souffle Continu)

LP | 1981 | US | Original (MCA)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Paris, 1965. Pianist François Tusqueslaid the foundation stone of French-style free jazz with his first, soberly titled, album “Free Jazz”. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles SaudraisandFrançoisJeanneau) all of whom honed their skills at the beginning of the decade in JefGilson’s groups, althoughhe was none too fond of the turbulent new face of jazz at the time.Ten years later, Jef Gilsonhad obviously changed his tune, as the label Palmthat he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneauand “Une Bien Curieuse Planète”. His first album as leader (after brieflyerring into pop with Triangle) was recorded in 1975, a few months after “Watch Devil Go” by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clarkon bass and percussions, Lubatreplacing Tholloton drums and Michel Grailler(plucked out of Magma) was called in as a reinforcement for his completely ‘out of space*’ synthetiser sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde.From 1960 to nowadays, from Georges Arvanitasto Laetitia Shériff, from Manu Dibangoto “Mama” Béa Tékielski, everyone has wanted to play with François Jeanneauat some point. There is a good reason for this. The saxophonist is a formidable improviser, but alsoa solid composer, as he demonstrates on this record with, for example, the monumental “Droit d’Asile”, the spooky “Theme For An Unknown Island” or the Coltranesque “Mr J.C. For Ever”. Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Jérôme « Kalcha » Simonneau.

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One Way

Fancy Dancer

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 2020 | US | Original (Madlib Invazion)

The Heliocentrics

Telemetric Sounds

Julian Sartorius & Ensemble This | Ensemble That

Release: 2020 / US – Original

Genre: Organic Grooves

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The UK’s cosmic, psychedelic-funk ensemble issue their second album on maverick producer Madlib’s label, Madlib Invazion. The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music - pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends. They have been playing together for nearly two decades and their collective drive is to find an individual voice. The Heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde and “ethnic” music all revolve around “The One.” With Madilb’s label Madlib Invazion for Telemetric Sounds, the Heliocentrics have returned to develop their epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences – Latin, African, and more.

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Rllrlrllrrlrlrlrllrlrlr

LP | 2023 | UK | Original (-ous)

LP | 2024 | EU | Original (Astigmatic)

Release: 2023 / UK – Original

Genre: Organic Grooves

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"What you do is a fundamental question. But it's how you do something that ultimately determines the effect." — Julian Sartorius
With 'rllrlrllrrlrlrlrllrlrlr', Swiss drummer and sound artist Julian Sartorius presents his third album in three years. Together with 'Ensemble This | Ensemble That' Sartorius has created a mesmerizing 39-minute percussion album that conclusively expands his artistic output. For the first time, an ensemble plays an idea conceived by Sartorius, while he assumes the role of an interactive conductor, manipulating the sounds made.

Sartorius is known for his fluid and versatile solo performances in which he continually modulates the sound of his instruments, adding objects and progressively unfolding his sound world. The idea of expanding this practice was already gestating when the 'Ensemble This | Ensemble That' invited him for a collaboration. Together with the drummers and percussionists Brian Archinal, Victor Barceló, Miguel Angel Garcia Martin and Bastian Pfefferli the concept was further explored, elaborated upon in detail, and finally realized. 'rllrlrllrrlrlrlrllrlrlr' is both title and score for the ensemble's four percussionists. The pattern, consisting of 23 individual beats, is played continuously by the ensemble while Sartorius gradually makes alterations to the instruments played. The result is a piece that has a sustained rhythmic flow yet is perpetually changing. Sartorius' interventions and the precise musicality of the ensemble allows the listener to discover an expansive array of moods and intensities.

The album is structurally recursive but develops an almost mystical magnetism through an odyssey of diverse musical landscapes. Sartorius explains: "It amazes me deeply how much the sentiment can change based on a musical mood - this sense of curiosity is made audible with this album." The album recording itself is designed as an endless loop: at the end of the recording, the ensemble's sound has returned to its starting point, thereby completing an endless, self-contained cycle, with no beginning or end. In this way, Sartorius also echoes his 2021 album 'Locked Grooves'.

Julian Sartorius' precise and multi-layered rhythmical patterns are keen excursions into the hidden tones of found objects and prepared instruments, bridging the gap between organic timbres and the vocabulary of (experimental) electronic music. He has released numerous solo albums, creates audiovisual art works, collaborates with musicians, writers, and artists, and performs live in intimate venues and on festival stages.
Ensemble This | Ensemble That (et|et) have established themselves not only as interpreters of contemporary music, but also as collaborators to a wide range of artists including projects like Zimoun, Myriam Bleu, Strotter Inst., Lê Quan Ninh, Marko Ciciliani, Jürg Frey, and Michael Maierhof, amongst others.

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Bloto

Grzybnia

Give Me Your Love (Ben Liebrand Le Disco Mix)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Błoto’s bold 2020 debut brought forth three albums in just twelve months. This prolific creative burst, followed by an ongoing tour and involvement in other projects, meant that fans had to wait over three years for the next release. During this time, new ideas took shape, and the vision for their fourth LP crystallized. The wait for Błoto's new album is nearly over. As always, autumn signals the arrival of Grzybnia (Mycelium).

The idea for the album had been simmering within the band since the release of Kwasy i zasady and finally took shape in late January 2023 at Warsaw's Studio Pasterka, under the careful guidance of Piotr Zabrodzki. It was by far the most fruitful session in the group's history, with ideas flowing in abundance. The chosen tracks not only resulted in two well-received singles, Szlam / Ścieki and Bakteria, but also provided enough material for an EP set to drop next year.

The seemingly chemical title of the album Kwasy i zasady (Acids and Bases) ultimately referred to interpersonal relationships, describing traits that prevent harmony. The album embodied the polarization of societies in the 21st century. The metaphor of Grzybnia (Mycelium) goes a step further. It emphasizes the importance of cooperation as a fundamental skill that can yield various results (fruits, fungi)—both good and bad. Above all, it underscores the power of collective action beyond divisions.

In a complex, unstable modern world that is breaking apart into pieces, the concept of mycelium offers a powerful model. Mycelium thrives in degraded, seemingly lifeless environments created by humans. A key aspect of the broader significance of mycelium is that cooperation benefits all involved parties, where each contributes something and receives something in return. Mycelium is a symbiont, meaning it forms a symbiotic relationship with certain tree species through mycorrhiza, where the roots of the trees and the mycelium exchange essential life-sustaining substances. This results in mutual benefits. The world of mycelium exemplifies cooperation.

A single mushroom, like a person, dies, but mycelium endures, much like humanity itself. Thus, similar to culture, it is immortal. Błoto operates in a manner akin to mycelium. It undoubtedly belongs to the underground realm, embodying the essence of the underground. It is also a destructor of music. In what sense? The Polish Nobel laureate Olga Tokarczuk noted in her book Primeval and Other Times that “[...] Mycelium thrives by drawing the last remnants of life from what dies, decomposes, and seeps into the earth. Mycelium is the life of death, the life of decay, the life of what has died.” In the same way, Latarnik, Cancer G, Wuja HZG, and OlafSaxx, through their collaboration, process cultural products to create entirely new and surprising combinations. The result of this work is both edible and poisonous mushrooms, manifested in the form of fat beats, house, spiritual jazz, improvised music, illbient, organic techno, and genre-defying electronics.

The peak mushroom season in Poland occurs in autumn, which is why Grzybnia will be released on October 10, 2024, via Astigmatic Records. The limited edition vinyl, restricted to 500 copies, will be available for pre-order starting September 6, 2024, on Bandcamp. As always, mixing and mastering are handled by the mighty Kwazar, while the original visual representation of the mycelium metaphor is crafted by Sainer.

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Fun Fun

12" | 2024 | EU | Original (High Fashion)

2LP | 2023 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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After the success of Fun Fun’s “Happy Station”, Ben Liebrand brings his Le Disco Mix series and flavor to the Fun Fun’s Italo-classic “Give Me Your Love. He has transformed “Give Me Your Love” into an ultimate 80s Italian disco gem again, a true “Le Disco-“ masterpiece. The tracks feature infectious funky disco bass, high-powered strings, and brass that combine to take Fun Fun’s vocals and sound on an epic DJ-friendly disco house journey with global appeal. “Give Me Your Love” is taken from the forthcoming “Greatest Fun” 2CD reissue, now including this remix, The Le Disco remix of “Happy Station” and all other singles, extended versions only.

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Frank Sinatra

Collected

35,99 €*

I'm Always Dancin' To The Music Green Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Frank Sinatra was one of the greatest performers and the first musical superstar of the last century. His voice, timing and performance created the standards for vocalists ever since. Even today’s performers like Michael Bubble, Jamie Cullum and Robbie Williams are highly inspired by “Ol’ Blue Eyes.” On Frank Sinatra Collected, his career and musical legacy is celebrated on 2 LPs, spanning over 5 decades. In association with Frank Sinatra Enterprises, the 31 recordings on Collected include not just his most famous songs, but also delves into some of his best album tracks and collaborations with Count Basie, Quincy Jones and his daughter Nancy, all showcasing the versatile artist he was. Frank Sinatra Collected is available as a 2LP on black vinyl.

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Benny Golson

LP | 1977 | EU | Reissue (Music On Vinyl)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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El Michels Affair & Black Thought

Glorious Game Sky High Blue Vinyl Edition

LP | 2023 | US | Original (Big Crown)

Release: 2023 / US – Original

Genre: Hip Hop, Organic Grooves

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Includes 60 x 60 cm poster of the album artwork! The poster is only available at HHV!

When Leon Michels and El Michels Affair released their rst record, Sounding Out The City, in 2005, it was hard to guess what was next for Michels and his then-introduced, now-patented "cinematic soul" sound. Now, four EMA studio albums and scores of tribute and remix projects later - all while producing for some of the biggest names in the industry - Michels has trademarked his sound, with each project taking audiences somewhere new and pushing the boundaries of what he is known for. The man is a river, not a lake and this time he takes his golden touch into the realm of hip-hop laying down a musical bed for one of the greatest to ever rhyme into a microphone: Black Thought of The Roots crew. Releasing on Big Crown Records, the LP is called Glorious Game and it is a remarkable debut partnership in more ways than one. Michels provides his bottom-heavy, soul-tinged production for Black Thought who gives us some of the more personal and transparent verses we've ever heard from him. Michels and Black Thought have been in each other's orbit for a while now. The two first met in the 2000s when Thought was first getting familiar with the contemporary soul scene. "Out of that whole world, Menahan Street Band was probably my favorite," recalling the funk and soul group Michels was a founding member of back in 2007. Fast forward a few years and musicians from that collective - Dave Guy on trumpet and Ian Hendrickson-Smith on sax - are now full time players with The Roots. This connection eventually led Leon and Thought to doing a few fundraising events around NYC and Philly together. "Before long, Black Thought was coming around the studio and would jam with us from time to time," Michels explains. "Then, fast forward to 2020 and Covid lockdowns, he just hit me up out of the blue, wanting me to send him stuff to write to. We both were looking to stay busy." Being that Black Thought is the co-founder and emcee for, hands down, the best live-band group in hip-hop. Michels took a decidedly different approach to this project and instead of sending recorded tracks of live compositions, he pulled out the sampler and sampled himself and some records from his collection. "I'm a big fan of soul music," as if Michels has to remind us. "And part of hip-hop's appeal to me has always been the sample-based production" For Glorious Game, Michels would make wholly composed and recorded soul songs in his studio, sample himself, then chop and/or loop up his sounds and create instrumentals for Black Thought. On some tracks he took a more traditional hip-hop approach, starting from samples of other people's music but then adding live instrumentation on top. But for the most part, it's him reinterpreting his own compositions into something new. The result is an organic feel of loop-based tracks that breathe and uctuate enough for Black Thought to ex on. "What I write about is determined by the equation of the producer's energy and my energy," Black Thought says. "It's about where we meet." So armed with Michels sampled and re-sampled soul cinematics, Black Thought rhymes through personal memories.

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Ballads (Acoustic Sounds)

LP | 2020 | UK | Original (Verve)

55,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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LP | 1974 | IT | Reissue (Four Flies)

Alessandro Alessandroni

Spontaneous

27,99 €*

Perak Clear Merah Colored Vinyl Edition

Release: 1974 / IT – Reissue

Genre: Organic Grooves

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Maybe the best Alessandroni’s album ever. A true holy-grail for any collector and worldwide music lover, which we can consider nowadays as the most sought-after record of the whole legendary RCA SP 10000 series, and as the rarest album from the king of Italian libraries.
Jazz, mellow-funk, downtempo breaks, and incredible rock blends, make this record a refined portrait of the 70’s American way of life, viewed through the fully Italian lens of Alessandroni’s sensitivity.
The magic around Spontaneous is that this album is not only beautiful and astonishing, but is certainly on of those amazing records to which time gives new life and freshness, making it sounds unbelievably contemporary.
After five years of exhausting research, and three years later the finding of the original master tapes of the album, finally Four Flies can give a light to this obscure and fascinating mystery, rescuing it from the darkness. It’s not just another piece of Alessandroni’s legacy that is finally put back in the right place. This should be considered as the definitive act to re-estabilsh Alessandroni's leadership into the library music scene, and beyond.
Available again from July 19, coming in 180gr black vinyl, housed in a hard tip-on sleeve cover.
Limited Edition 500 copies

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Thee Marloes

LP | 2024 | US | Original (Big Crown)

7" | 2023 | US | Original (Dynamite Cuts)

Release: 2024 / US – Original

Genre: Organic Grooves

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Big Crown Records is proud to present Perak, the debut album from TheeMarloes.When you rst hear Thee Marloes, their particular soul sound may seemfamiliar enough. There are the weighty drums, a crooning guitar, and a beautifulvoice singing about unrequited love and the complications inherent in affairs ofthe heart. But then there is something undeniably different about Thee Marloesand their music, something new and distinct. And while you may be acquaintedwith soul music, you've probably never heard it from Surabaya, Indonesia_theplace they call home.Thee Marloes are Natassya Sianturi singing and playing keys, Tommy Satwickon drums, and Sinatrya ("Raka") Dharaka on guitar and handling production.Their sound has the universal appeal of soul, jazz, and pop, but with a distinctapproach attributable to their local culture and global inuence. The world'sintroduction to Thee Marloes' debut album Perak, started with "MidnightHotline" the scorching A side to their debut 7" on Big Crown. A punchy dance-oor number with an infectious chorus, vibey piano, and jazzy guitar licks.Contrasting that energy in the classic plug and ballad pairing dynamic, the Bside "Beri Cinta Waktu" has all the makings of a beloved soul ballad but thelyrics are in Indonesian. Regardless of any language barrier, the sentiment intheir music is palpable, helping to make their songs relatable and heartfelt. Therest of Perak ts perfectly in between those bookends of both energy andlanguage, "I Know" is a mid-tempo burner that talks about pulling the veil oflies off a love affair founded on falsehood. "Not Today" is right up there with thegrooviest feel good songs you could ever play on a Sunday morning withNatassya reminding us to make space for ourselves no matter what life throwsour way. "Mungkin Saja" brings the tempo back up with another dance oorsmoker while "True Love" nds Thee Marloes dipping into the soulful side ofjazz with a beat ballad that could soundtrack a Tarantino dance scen...

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Little Beaver

Concrete Jungle

Knowbody's Gonna Love You

Release: 2023 / US – Original

Genre: Organic Grooves

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Dynamite cuts 45s series is proud to release this classic rare groove dancer by the one and only Little Beaver. "Concrete Jungle" & "I Just love the way you do your thing" both taken from the "When was the last time" album and first time on 7" vinyl. The iconic sleeves and release are now added the our amazing 7" series of Muiscal delights

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George & Joanne

7" | 2023 | US | Original (Dynamite Cuts)

Release: 2023 / US – Original

Genre: Organic Grooves

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I Got The Feeling / Space Bass

Two Tons Of Fun / Slick

12" | 1981 | US (Fantasy)

14,99 €*

Release: 1981 / US

Genre: Organic Grooves

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Kind Of Blue UHQR 45rpm Vinyl Edition

2LP | 2022 | US | Original (Analogue Productions)

201,99 €*

7" | 2021 | UK | Original (Names You Can Trust)

Release: 2022 / US – Original

Genre: Organic Grooves

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Pressed on 2x 200g

Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl!
Definitive limited run reissue Ultra High Quality Record!
45 RPM double LP release limited to 25,000 copies
Best-selling album in jazz history; mastered by Bernie Grundman from the original 3-track master tapes
Pressed at Quality Record Pressings using Clarity Vinyl®
Purest possible pressing and most visually stunning presentation and packaging!
Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history

Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording — a five-track masterpiece of melancholy mood and melody.

It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wyton Kelly playing piano on "Freddy the Freeloader."

Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of every single record.

The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to centre. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition we've set the bar for excellence higher. Lifelike distinct detail that was palpable enough in 33 1/3 RPM is holographic at 45. Four glorious sides of 200-gram vinyl from QRP, the best presser in the business, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.

Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick," Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them." Kind of Blue is, in a sense, all melody — and atmosphere.

None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.

Miles remained proud of the album, performing at least two of its tracks — "So What" and "All Blues" — for years after, until his musical path took him in a different direction.

History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records — LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day — Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.

A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3-track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What," "Freddie Freeloader" and "Blue in Green," making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records — or their latter-day parent, Sony Music — on a CD reissue in the late '90s.

Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.

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Mancha 'E Platano

No Me Da Pena

14,99 €*

Dramma Giocoso / Vaudeville

Release: 2021 / UK – Original

Genre: Organic Grooves

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For Mancha 'E PlÃ¡tano, la bomba is a transformative exercise, a way for this group of transplanted young women to teleport to the other side of the Atlantic Ocean, and step into the land of their birth, la isla de encanta, Puerto Rico. Bomba has become a way to be in two places at once for them, a tool of expression in their adopted city of Barcelona, itself a Mediterrean melting pot filled with diverse cultures and countless musical influences. Formed in 2018, the group has been studying and performing the bomba tradition alongside an adoring collective of multi-national musicians and collaborators, strengthening their reverential pride in this uniquely Caribbean cultural tradition. Their debut release was produced and recorded together with Names You Can Trust while in Barcelona at NaciÃ³n Funk Studios, and contains one original composition, "No Me Da Pena," and one traditional, "Remigio TombÃ©." This balance of tradition and new growth represents their life and musical movements within the bustling borders of Barcelona. It is also a dedication to all those who are constantly fighting for their own representation and a thank you to those who have accompanied these talented women on their journey thus far, both on and off the island of Puerto Rico.

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Ital Oscilazzioni

7" | 2021 | EU | Original (Epoche D'autore)

11,99 €*

LP | 2020 | EU | Original (Funkiwala)

Release: 2021 / EU – Original

Genre: Organic Grooves

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During this difficult situation where we are forced to see beautiful theaters empty and quiet, the eclectic Ital Oscillazioni (Elvio Seta), best known for his bulky live instrumental performances, in the long wait for the release of his 2 first albums offers us a couple of unpublished tracks “obscure-italo” on vinyl, in which he clearly expresses his New Romantic nature. These two releases blend the raw and pure sound of his vintage synths, with the surprising theatricality of the Opera represented here by Gioacchino Rossini’s “L’Equivoco Stravagante”. A retrofuturistic Concept-italoDisco that, while we are sweaty and busy dancing it in a dirty nightclub, will transport us for a few moments to an elegant Italian theater of 1982, surrounded by heavy red velvet curtains.

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Lokkhi Terra

Cubangla

Release: 2020 / EU – Original

Genre: Organic Grooves

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Funkiwala Records presents Cubangla - the sixth album by London fusionistas LoKkhi TeRra. Following on from their hugely successful collaboration with UK afro-beat ambassador Dele Sosimi on 2018's "Cubafrobeat"(mixing afrobeat and Cuban Rumba/Timba), this album sees them return to their Bangla-Afro- Latin-Jazz-Roots. 8 tracks of 21st century London groove â€“ from Sufi Samba to Baul Blues to Bengali folk-Son to Bangla Roots Reggae to London Descargas - recorded in between tours, sessions and collaborations â€“ a true celebration of traditions taking on new forms as they travel and co-exist. In these divided times, their collective musical journey has never been so relevant.
Background Kishon Khan's Lokkhi Terra have been blending the musical traditions that surround them in London, for many years now. "Stunning Headliners... A majestic multi-cultural blend of sounds... effortlessly builds bridges between rolling Indian raga rhythms, Afro-Cuban grooves, Acid Jazz/funk and free flowing improvisation" (Timeout London).

The band is composed of musicians who take seriously the different languages of the different genres they mix. Each in their own right play with calibre purist outfits. Members have collaborated with the likes of Hugh Masekela, Tony Allen, Ibrahim Ferrer, Johnny Clarke, Orlando Poleo, Africa Express, Jazz Jamaica, Ska Cubano, Giles Peterson's Havana Cultura, Kyle Eastwood, Bellowhead, Akram Khan to name a very few. The tracks on this album were gigged for a number of years before being recorded, with the exception of the last 2 tracks which were recorded in 2015 just before performing at Womad and Songlines Encounters. With Cubangla the band has come round full circle â€“ a journey that started a decade ago with their debut No Visa Required (2010). An urban London view on the musical world.
Songlines Review
"Acclaimed groovesters Lokkhi Terra continue their creative roll, returning to their Bangla-Afro-Latin-Jazz roots after a wildly successful colaboration with Afrobeat keyboardist Dele Sosimi. Featuring a who's who of London based players from, variously, Bangladesh, Brasil, Cuba, Spain and Nepal, Cubangla offers more sparkling genre crossing. Its eight tracks veer from fresh takes on traditional Bengali folk tunes to unlikely but sophisticated pairing including Baul blues, Sufi Samba and Cubangla funk. Keys player and main man Kishon Khan â€“ here on piano, Fender Rhodes, microKORG and (on root-reggae remake "Bhandari Revisited") wah-wah harmonium â€“ has written and/or arranged a clutch of tunes that respect tradition while forging new pathways. "Badaam"jumps off the Cuban standard "El Manisero" into a suhg conversatio between Cuban sonero Javier Camilo and Bangladeshi songbirds Sohini Alam and Aanon Siddiqua.
The albums title-track is a glorious descarga jam riffing on themes Cuban and Bengali, stoked by piano, percussion, trumpet and Jalal Ahmed's snaking Bansuri (flute). An upbeat variation on a legendary Sufi song, "Lal Mere" finds Alam and Siddiqua in powerful form and Khan deploying a fiery Rhodes solo. Originally performed at a Songlines Encounters festival, "Kon Kole Revisited" features the rough-hewn voice of the late Baul musician Rob Fakir, his lyrics celebrating Bengali philosopher Lalon and his attitude of religious tolerance. Deep, laced with joy and a masterly lightness of touch, Cubangla rewards repeated listening"
John Armstrong review
Despite Latin and Afro-Cuban music's longstanding popularity in the UK, there have been relatively few UK based artists who have pushed the limits of convention, adding novel elements whilst remaining (more or less) 'en clave' . Alex Wilson is one, and another is the formidably talented pianist, keyboardist, arranger and producer Kishon Khan with his band Lokkhi Terra. Kishon can play straight afrobeat, timba and Afro-Cuban descarga with the best, but his musical curiosity leads him in other directions, too- most specifically, to Bangladeshi music. To these ears, Lokkhi Terra's third (fourth?) outing, Cubangla, is their crowning glory to date. Lazy reviewers will call this a 'fusion' album: i don't know about you, but I find the term 'fusion' as meaningless as the term 'world music': all modern music is a fusion of something or other. This is Afro-Cubano-Bangladeshi music, please don't call it 'fusion'.
Khan's real arranging achievements here can be heard immediately in one of the shortest tracks, 'Bhromor' - described as a 'son cubangla'. The melancholy traditional Bangla song is subjected to the strict conventions of the Eastern Cuban son format, but nevertheless finds space and time for the strong improvisational elements in Bangla singing, a space that the singer Aneira Khan fills to perfection. The rest of the album is equally arresting, with a couple of instrumental descargas and more of that beautiful Bangla melody and vocal impro rising above the Afro-Cuban bedrock. Almost thirty musicians and singers...studios in London, Dhaka, Brooklyn..this must have been a helluva logistical feat (well done Kishon!), as well as being one of the outstanding albums of the year so far for me."
Jazzwise Review
London-based collective Lokkhi Terra have been blending sounds from around the globe since 2010. They describe their music as Bangla-Afro-Latin-Jazz, but even that doesn't do justice to the range of traditions that find their way onto Cubangla, which weaves in everything from funk grooves and Afrobeat hornlines to bluesy guitar and the music of the Bauls, a group of musician-mystics from Bengal. Lots of bands mix African and Latin sounds with jazz and it's these Indian influences that really set Lokkhi Terra apart. Among the highlights is 'Bhromor', a traditional Bengali song about the love between Radha and Krishna that drifts over lilting Cuban guitar, fluttering tabla and delicate flutes. 'Lal Mere' sets a traditional Sufi song to breezy samba percussion and 'Badaam' has an easy-going reggae feel with both Spanish and Bengali vocals. Remarkably, the blend of styles always sounds natural, never forced or cluttered, which is testament to the ingenuity of the arrangements and the standard of the playing. Flautist Finn Peters and trumpeter Graeme Flowers are on particularly good form.
John Warr Review (AfroBase)
"Tracks like Como with its Cachao phrasing, hats off to Graeme Flowers and Justin Thurgur for some stunning solos, the Spanish/Bangla tinges, not forgetting your inspiring piano work and arrangements. Love the percussion throughout and especially on Cubangla, the beautiful Banzuri flute solos from Jalal Ahmed, the joyous vocals on Kalare, and not forgetting the very radio friendly Bandari although I really want to play Como!
This album is a true high point in the work of Lokkhi Terra and its worldly mix of influences. I hope I get to see the band play this live whenever that is."

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Round About Midnight Transparent Blue Vinyl Edition

LP | 2019 | EU | Original (Waxtime In Color)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Birth Of The Cool Transparent Red Vinyl Edition

LP | 2018 | EU | Original (Waxtime In Color)

Release: 2018 / EU – Original

Genre: Organic Grooves

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A Love Supreme Uhqr Limited Edition Box Set

LP Box | 1964 | US | Reissue (Analogue Productions)

201,99 €*

12" | 2000 | US (Not On Label (James Brown))

Release: 1964 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — A Love Supreme Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 10,000 copies. Mastered from the original tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swing-journal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in Uhqr format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.

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James Brown

DJ Tool: Volume 1

2LP | 2020 | EU | Original (Fun In The Church)

Release: 2000 / US

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

promo

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Tau 5

Kreise

Release: 2020 / EU – Original

Genre: Organic Grooves

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State Of The Tenor Volume 1 Tone Poet Vinyl Edition

Joe Henderson

LP | 1986 | EU | Reissue (Blue Note)

38,99 €*

2LP | 2005 | EU | Reissue (Music On Vinyl)

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.

Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).

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Buddy Guy

Bring 'Em In

Dance To The Drummer's Beat Record Store Day 2024 Blue Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Organic Grooves

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Bring 'Em In is the 13th studio album by blues musician Buddy Guy, originally released in 2005.
The album is made up almost entirely of covers and features renditions of songs by artists from Bob Dylan to Otis Redding.
Bring 'Em In features Tracy Chapman, John Mayer, Keb Mo, Keith Richards, Carlos Santana and many more.

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Herman Kelly & Life

12" | 1992 | EU | Reissue (Music On Vinyl)

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Music On Vinyl)

Weather Report

Tale Spinnin'

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | US | Original (Atlantic)

My Favorite Things

90,99 €*

LP | 2021 | EU | Reissue (Astigmatic)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US mono MGM pressing.

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Jaubi

Nafs At Peace 6th Press

23,99 €*

LP | 2023 | EU | Original (Nyege Nyege Tapes)

Release: 2021 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.

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Nakibembe Embaire Group

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Organic Grooves

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In Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.Nakibembe Embraire Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.Undulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing u...

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Ken Boothe

Let's Get It On

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (International Anthem)

Jeff Parker

Suite For Max Brown

Transmissions From Total Refreshment Centre

Release: 2020 / US – Original

Genre: Organic Grooves

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"I'm always looking for ways to be surprised," says composer and multi instrumentalist Jeff Parker as he explains the process, and the thinking, behind his new album Suite for Max Brown, released via a new partnership between International Anthem and Nonesuch Records.
"If I sit down at the piano or with my guitar, with staff paper and a pencil, I'm eventually going to fall into writing patterns, into things I already know. So, when I make music, that's what I'm trying to get away from-the things that I know." Despite its musical departures, in presentation Suite for Max Brown is an informal companion piece to The New Breed, Parker's debut release on International Anthem, which was honored as one of the "Best Albums of 2016" by New York Times, Observer, and Los Angeles Times.
"I made The New Breed based off these old sample-based compositions and mixed them with improvising," Parker says. "That's in a nutshell how I make a lot of my music; it's a combination of sampling, editing, retriggering audio, and recording it, moving it around and trying to make it into something cohesive... With Max Brown, it's evolved." Though Parker collaborates with a coterie of musicians under the group name The New Breed, theirs is by no means a conventional "band" relationship.
Parker is very much a solo artist on Suite for Max Brown. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams-warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.

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Total Refreshment Centre

LP | 2023 | EU | Original (Blue Note)

LP | 2024 | US | Original (Madlib Invazion Music Library Series)

Release: 2023 / EU – Original

Genre: Organic Grooves

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All the best music has a community underneath it. The extended family around London’s Total Refreshment Centre (trc) connects continents and generations, creating the rich relationships in full effect on Transmissions From Total Refreshment Centre. It’s an eclectic and electric collection that draws from new school jazz, hip hop, dub, soul, funk, and drill: sounds you’ll hear trailing out of cars as they spin up the Kingsland Road or spiraling out of doorways like so much smoke. Turn it up loud to hear the widescreen young cousins of Guru’s landmark Jazzmatazz in full effect: top players from London, Chicago, and Melbourne seeking out new collaborations, new ways of working, or just new tunes, always coming back to that central truth – that we all need each other.

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Henkel

Slow Down

Release: 2024 / US – Original

Genre: Organic Grooves

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Psycho 2000 / White Spiritual Purple Vinyl Edition

Pleasurewood

7" | 2023 | EU | Original (Farfalla)

13,99 €*

LP | 2022 | EU | Original (Ktba)

Release: 2023 / EU – Original

Genre: Organic Grooves, Soundtracks

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Psycho 2000 - A dark but funky theme that begins with an occulting Italian echo-oscillator drone that is soon followed by pulsating bass and breakbeat drums, leads to tremolo guitars, an ostinato on electric mandolas, strings climbing eloquent ladders, otherworldly electronics, and a cinematic finale. An evocation of a parade of wooden nutcracker soldiers elaborately dressed in gold-trimmed black uniforms down a wide avenue decorated with mardi gras beads and animal skulls upon golden cobblestones toward a tornado spiralling out purple-hued glissandos and curlicues of elephant smoke. White Spiritual - Head nod action, the twinkling of a late 60’s Vox Continental II with sickly transistors, the noodling matrix of an intergalactic telephone exchange carried on a bed of bouncy bass with a firm backbeat. The Johnny Guitar Watson-esque bite and sting of a ‘67 Teisco guitar preludes slabs of unison dark brown moog and organ giving way to the dance of fingers over the black naturals and white sharps of the Continental II.

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Joanne Shaw Taylor

Nobody's Fool

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 1981 | US | Reissue (Get On Down)

The Man With The Horn

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Warte Mein Land, Warte Black Vinyl Edition

Ozan Ata Canani

LP | 2021 | EU | Original (Fun In The Church)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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James Brown's Funky People Part 1

LP | 1986 | US | Reissue (Get On Down)

31,99 €*

Zackey Force Funk / XL Middleton

Release: 1986 / US – Reissue

Genre: Organic Grooves

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Some have made the claim that Get On Down may love James Brown just a little too much. To which the label replies, it’s not possible to love James Brown too much. The label’s welcome obsession with Mr. Brown and the incredible line up of talent found on his People Record imprint continues with the reissue of “Funky People Part 1”. Long out of print on vinyl, “Funky People Part1” features the top tier of artists from Brown’s People Records label, including The J.B.’s, Lyn Collins, Fred Wesley and Maceo Parker. Some of the James Brown organizations all-time best material is collected here, including The J.B.’s “Pass The Peas” and “Hot Pants Road”, Fred Wesley’s in your face politics through funk statement “Damn Right, I Am Somebody”, Lyn Collins smash hit “Think (About It)” and many more. Newcomers and diehard fans alike continue to dig into the James Brown and People Records vaults, and the more they do so, the more they realize that it’s a nearly never ending source of truly next-level funk and soul music. And you can be sure this aural goodness will keep flowing to the public, thanks to the exhaustive efforts of Get On Down.

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Blue Blade Piranha Purple Galaxy Vinyl Edition

LP | 2024 | UK | Original (Mofunk)

The Ritual Of The Savage Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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It's the collaboration that the modern funk world has been waiting for - Blue Blade Piranha is basically a Zackey Force Funk album, produced in its entirety by XL Middleton. You've already heard the first single "Jam Likely," originally released pre-covid, and the subsequent previews "Commando" & "Tie Me Up." Now, get ready for the full-length, which takes the journey from the streets to the stars.

"Glide Through Galaxy" has been remixed in the way it was originally intended to be - a miscommunication led to the track being released on Zackey's "4x4 Scorpion" album before it could be fully fleshed out. It's hitting harder than ever now! ZFF & XL even take their brand of modern funk & blend it with house on "Rude Sensation." ZFF's first stepper (read: a more mellow, easy going take on funk) appears in the form of "Don't Be Late"; we get a vaporwavey, slow motion, thick-as-molasses cruiser on "Girls And Gangsters," and the duo even take it to minimal wave territory on "Cocaine Cream."

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Les Baxter

LP (Waxtime In Color)

Genre: Organic Grooves

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2LP | 2023 | Original (Verve)

Jon Batiste

World Music Radio

29,99 €*

LP | 2023 | US | Original (Now-Again)

Release: 2023 / Original

Genre: Organic Grooves

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Jon Batiste is a jazz multi-talent, late-night legend, convincing protest song protagonist (Best Album Grammy 2022 for "We Are") and Oscar winner (Pixar's "Soul"). With his new, most pop-oriented album to date, he wants to prove that there is one thing that can connect everyone on this planet: the magic of music. To his “World Music Radio” he has also invited Jon Bellion, Lil Wayne, Lana Del Rey, Fireboy Dml, J.I.D, Camilo, Newjeans and others.

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Fabiano Do Nascimento

Lendas

LP | 2022 | EU | Original (Officehome)

Release: 2023 / US – Original

Genre: Organic Grooves

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Lendas is the Brazilian guitarist Fabiano do Nascimento’s fifth album for Now-Again Records. Like his previous albums Prelúdio and Ykytu, Lendas features do Nascimento’s compositions, this time with orchestral arrangements by Vittor Santos and also special participation by Arthur Verocai. Vittor Santos is a composer, arranger, trombonist and music producer from Rio de Janeiro, who has worked in Brazilian music for over thirty years. Do Nascimento and Santos met in Rio in 2017 during the recording of Do Nascimento’s hero, and 70s and 80s Brasilian guitar catalyst Carioca Freitas album Aquarelas. The two bonded over a mutual appreciation for Do Nascimento’s uncle Lúcio and the Bossa Nova star Leny Andrade, both of whom largely influenced Do Nascimento’s musical foundation. In Santos, Do Nascimento found an arranger who was sensitive enough in his orchestrations that he could create an orchestral dialogue between stacks of strings and Do Nascimento’s plaintive plucking. It was only natural to invite the highest regarded, now legendary, 1970s Brasilian arranger, Arthur Verocai, to contribute. Verocai, who had worked with Do Nascimento on his forays in Los Angeles, was pleased to participate. In this way, the circle of old and new, so crucial in Do Nascimento’s work, comes together and flows outwards. “Lendas” translates from Portuguese as "legends,” but the literal translation itself doesn’t describe this album. With Lendas, Do Nascimento recalls memories from places that no longer exist; from fever dreams in the Amazon; from parts of the world we might never see or engage, but can imagine through music. Fabiano Do Nascimento’s Brazilian guitar meets a full orchestra arranged by Vittor Santos and with special participation by Arthur Verocai and his string quartet. Lush yet lively, standing alongside Jorge Ben’s work with Verocai, and Tom Jobim and Baden Powell’s work with Vinicius de Moraes.

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Roforofo Jazz

Running The Way

Don Cherry & Jean Schwarz

Release: 2022 / EU – Original

Genre: Organic Grooves

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The unbreathable air saturated with moisture, the soggy soil that swallows every step like a starving death, the hostile nature and, finally, the remote swamp. The one they invested in composing Fire Eater. The one they left a few traces in. Tracks that can talk. Six men heavily armed with instruments, a seventh fastest, only weighted by a microphone. They left the inhospitable vegetation, leaving behind a succession of footprints. As we try to follow them, the afrobeat that made it easy to spot them now dissipates into a floating mist. So, we have to connect the radars and try to capture the vintage waves of equipment that emit more than one point but several. Be attentive to jazz solos and funk scarifications, as much as to what could chant and tap on the times of these tight rhythms. Because their blending has become a personal style as much as hybrid, and it is to avoid being watched by asphyxiation that they left the stagnant waters. Escaped from the car sound systems or plastered on the walls announcing their many concerts, it is in the city that they are now detected. Infiltrating them is a daunting task. A track where you have to avoid the vigilance of the electric and venomous keyboards, escape the copper flames and the guitar shears. Enter the choking groove to finally enjoy a purely instrumental passage, sneak in and dance. Progress outside the Afro mangrove, Running The Way nevertheless retains many cables still connected. The bottom of the jeans still ‘Roforofo’. ‘Muddy’ in Yoruba. Just 2 years after the first EP Fire Eater released in 2021, Radio Nova’s crush (title Helelyos enthroned 3 months in playlist), the Roforofo Jazz returns with the LP Running The Way, 8 tracks even more ambitious, with careful production, marking a clear progression in its quest for an increasingly more personal sound and writing. Putting the listener immediately in the tone of his atypical afro jazz rap fury, Love In Time and its sharp rhythmic appeal to the power of the music, in an ultra-energetic piece yet smelling with jazz via well-felt keyboard surges. Side To Side is a rearrangement of a piece by Togolese artist Bella Bello and Manu Dibango, yet glancing towards Motown and resonating like a anthem to life and directions to take to counter the negativity of our modern societies. Then on Stand Up in a more deepfunk US style like Breakestra or The Greyboy Allstars, MC Days (aka RacecaR) switches between fast flows and downtempo in an injunction to all fight for what we believe in. An epic piece concluded with a nod to Master Hendrix… Gas punctuates the A side with a light but saving rhythmic lull, coming closer to a nu-soul atmosphere and punctuated with an explosive refrain in which rap, rock and jazz clash, tending to prove as Days chants that by being more realistic our differences can only fade…Title Shawarma has nothing to do with a Kebab sandwich, although…! Life unfolds like a menu, in which everything is not always to our liking but which teaches us to accept judicious and juicy mixes, and combinations. The result is a joint with an oriental touch, almost ethio, a rhythm that perfectly matches the hip-hop flow and the Roforofo Jazz style.The Big Hustle is a UFO. Articulated around a 20 bars loop that gives it a communicative energy, punctuated by a bass line reminiscent of Fela Kuti’s Colonial Mentality, this title sounds like a highway for frantic breakbeat dancers; epic! From Here To Benin brings us back to the group’s Afro-inspired origins, while injecting a slight dose of well-felt pop music. A piece that encourages travel to learn to share, universally. And finally, Mode For DD, a cover of the instrumental title of the obscure jazz funk of The Awakening, with added voice of Days telling the meaning of life and its mysteries, our beliefs and certainties, as human beings as well as artists.

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Roundtrip - Live At Théatre Récamier - Paris 1977

LP | 2023 | EU | Original (Transversales Disques)

29,99 €*

LP | 2021 | EU | Original (Ktba)

Release: 2023 / EU – Original

Genre: Organic Grooves

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After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M. This concert was recorded in 1977 at the Paris MIX festival (Théatre Récamier) organised by G.R.M and hosted by director François Bayle. An elegant mix of spiritual jazz and electronic sounds around this astounding quintet made up of JF Jenny Clark, Nana Vasconcelos and Michel Portal. Remastered from the original master tapes. Exclusive pictures and liner notes

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Joanne Shaw Taylor

The Blues Album

Release: 2021 / EU – Original

Genre: Organic Grooves

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7" | 2021 | US | Original (Big Crown)

Bobby Oroza

I Got Love / Loving Body

11,99 €*

CD | 2020 | US | Original (Madlib Invazion)

Release: 2021 / US – Original

Genre: Organic Grooves

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The Finnish Crooner, Bobby Oroza, Is Back With A New Set Of Tunes That Pick Up Right Where His Glorious 2018 Debut Album, This Love, Left Off.The A Side 'I Got Love' Is A Sweet Soul Anthem For Those With Their Priorities Straight And An Encouraging Reminder To Those Who May Have Lost Sight Of What Is Truly Important In Life. Bobby Has Penned Another Hit. He Sings About Choosing Love Over All Things Material And Recognizing What You Have When You Have It. Bobby Sings An Earworm Of A Chorus That Sums It Up Perfectly, "I Got Love, And That's Enough".The B Side, 'Loving Body', Is As Seductive As It Is Profound. Bobby Proposi- Tions His Love Interest Over A Gorgeous Cold Diamond & Mink Production For More Than A Light Hearted Love Affair. Mr. Oroza Is Not Your Average Joe, And This Is Not Your Average Roses And Candy Song. Bobby Lays Out His Desire To Become One Loving Body In The Way Two Rivers Become Part Of The Sea. A Beautiful Song About Attraction And Desire That Will Be An Instant Staple In The Sweet Soul World And Beyond.

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The Heliocentrics

Telemetric Sounds

Art Blakey & The Jazz Messengers

Release: 2020 / US – Original

Genre: Organic Grooves

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Buhaina's Delight

LP | 1963 | EU | Reissue (Blue Note)

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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The drum hero’s classic 1963 album
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, during November and December 1961
The Jazz Messengers’ 11th Blue Note album
Featuring the classic Messengers line-up of Freddie Hubbard (trumpet/flugelhorn), Wayne Shorter (tenor), Curtis Fuller (trombone), Cedar Walton (piano) and Jymie Merritt (bass)
Showcasing three classic Shorter compositions (‘Backstage Sally’, ‘Contemplation’, ‘Reincarnation Blues’) plus Fuller’s ‘Bu’s Delight’, Walton’s ‘Shaky Jake’ and a take on Henry Mancini’s ‘Moon River’
Produced by Blue Note co-founder Alfred Lion
Includes photography by BN co-founder Francis Wolff and liner notes by esteemed writer Leonard Feather

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The Meters

Struttin'

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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2LP | 1971 | EU | Reissue (Music On Vinyl)

Curtis Mayfield

Live! Expanded Edition

Dreamin' Wild Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Curtis/ Live! is Curtis Mayfield's first live album, after leaving The Impressions. Many critics feel Live! is a powerful demonstration of Mayfield's pre-Superfly accomplishment, and some even said it's one of the greatest concert albums ever cut on a soul artist, and one of the legendary live albums of all time.

180g vinyl.

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Donnie & Joe Emerson

LP | 2012 | US | Reissue (Light In The Attic)

34,99 €*

LP | 2024 | EU | Original (Blanc Manioc)

Release: 2012 / US – Reissue

Genre: Organic Grooves

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Essential pick! These buddy's "Baby" was recently covered by Hype Williams on their "Ebony" album, and both tunes are hella fresh!

Pacific Northwest isolation mixed with wide-eyed ambition, a strong sense of family and the gift of music proved to be quite the combination for teenage brothers Donnie and Joe Emerson. Originally released in 1979, Dreamin’ Wild is the sonic vision of the talented Emerson boys, recorded in a family built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock.

Spurred on their high school’s music program, Donnie and Joe received a further push from their lifelong farmer father, who drew up a contract stating that he’d support his sons lofty ambitions with their very own recording studio as long as they focused on original material, sage advice for a man with zero experience in the music business. After taking out a second mortgage to help cover costs, Don Sr. also built his children a 300-capacity concert hall (dubbed Camp Jammin’) replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled “The Rock And Roll Farmers” from nearby Spokane, Washington. Even the Emerson brother’s school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not as far as Seattle, five hours away from their rural home. Somewhat rejected by the muted response, but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today.

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Ibaaku

Joola Jazz

Seasons Clear Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Eight years after the critically acclaimed Alien Cartoon, Senegalese producer Ibaaku returns with Joola Jazz LP! An alchemy of jazz, electronic sounds and Casamance music in the tradition of Touré Kunda and Xalam in their day. The album is also accompanied by a short film: a manifesto of resilience in the face of the sound poet's personal history but also a questioning of the way in which technologies technologies and cultures come together to reinitialize our imaginary. Identity: The meeting point of electronics, jazz and the musical tradition of Casamance. The realization of this new project is associated with a research approach to traditional Casamance rhythms, vocals and instruments. A reference to Spiritual Jazz is also present, through stories and approaches ; while the skeleton of Ibaaku's tracks remains experimental, with strong influences from the emerging African club scene.

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Pete Jolly

LP | 1970 | US | Reissue (Future Days)

31,99 €*

I Feel Good Blue Vinyl Edition

Release: 1970 / US – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this rare masterpiece - Remastered from the original analog tapes by Kevin Gray at Cohearent Audio - Includes new liner notes by Dave Segal interviewing Herb Albert and Chuck Berghofer - Pressed at RTI on Clear Amber Wax & Clear Light Green Wax - Originally released on A&M in 1970 - Featuring session heavyweights Chuck Berghofer (bass), John Pisano (guitar), Milt Holland (percussion), Paul Humphrey (drums), Emil Richards (percussion) and Herb Albert (producer) - Sampled by Cypress Hill, Jay Dee, & Busta Rhymes Organic, electric, freeform. Pete Jolly's Seasons is comprised of melodies and textures composed live and without pretense—its grooves contain a complete and divine listening experience that surpasses all others of the era in which it was originally released, coming as close to transcendent musical meditation incarnate as one could possibly imagine. Seasons is an unsung masterpiece of ensemble groove and stellar musicianship, equally unsurpassed and inspired in its quiet excellence.

While Seasons never had significant commercial success upon its release, it has since amassed a cult following, leading collectors to pay top dollar for copies of the rare record. Out of print since 1971, it has only been reissued once on CD. In his liner notes accompanying this release, Dave Segal puts the album’s massive demand in perspective: “British label owner Jonny Trunk put up an original pressing of the LP for sale for an undisclosed but large sum on Instagram in January 2023, and it sold in five minutes. With Seasons back in circulation, maybe Pete Jolly will finally gain the broader audience that his phenomenal skills merit,” writes Segal. “If nothing else, it serves as a valuable lesson to artists: venturing outside of your comfort zone can bring the most interesting, enduring results.”

Remastered from the original analog master tapes by Kevin Gray at Coherent Mastering, this record not only foreshadows the roots of hip-hop but manages to embody the richness of a full album listening experience that few records can offer. Its timeless appeal is rare—and its dynamic range sets it apart as an album that straddles both the jazz and pop worlds in a way that almost no others can. Sit back, relax, and enjoy the changing and complex colors of Seasons for the first time ever since its initial release.

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John Lee Hooker

LP | 1970 | US | Reissue (Friday Rights Mgmt)

44,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Sonora De Lucho Macedo / La Logia Sarabanda

Guayaba

7" | 2023 | EU | Original (Vampisoul)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Tito Puente's classic 'Guayaba' has been recorded by so many artists over the years and these two covers by Sonora de Lucho Macedo and La Logia Sarabanda are undoubtedly among the best ones. Here you are two proper dance floor shakers for the tropical heads out there, recorded under the influence of the early 70s Latino rock sounds, reissued on a 45 for the first time. Our series of tropical 45s aimed to shake up the dance floors presents two incredible versions of one of the best songs ever composed by maestro Tito Puente: Guayaba. In the late 1950s, rock'n'roll shook the foundations of music in Peru, and orchestras rushed to cover hit songs and explore the possibilities of mixing them with tropical music. Lucho Macedo followed this trend, even many years later. In 1972 his version of 'Guayaba' was published, combining elements of the emerging Chicano rock sound, popularized internationally by bands like Santana or Malo, blended with a Latin flavor loaded with elements of mambo, son montuno, boogaloo... Timbales and distorted guitars shaking hands in this very dance floor friendly version. La Logia Sarabanda would arrive all the way from Rio de la Plata but -despite their origin- they'd release their records exclusively in Peru and Mexico. Their only single opened with another very interesting version of 'Guayaba' that highlights the sounds of fierce and psychedelic guitars while keeping the Latin essence of the original song.

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LP | 2020 | US | Reissue (Numero Group)

Eccentric Funk

LP | 2023 | EU | Original (Music On Vinyl)

Release: 2020 / US – Reissue

Genre: Organic Grooves

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Twelve unstoppable deep funk burners from across the Numerosphere. A smorgasbord of sounds from R&B's dapper younger cousin. Loose guitars and chunky drums lie in wait for discerning break-makers to finely chop and flip. The only funk record you'll ever need to own.

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Miami Sound Machine

Eyes Of Innocence

Release: 2023 / EU – Original

Genre: Organic Grooves

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Golden Dog (Original Soundtrack)

Yuji Ohno

LP | 2020 | EU | Reissue (Mitsuko & Svetlana)

27,99 €*

Release: 2020 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

I'll Give You Something To Remember Me By Black Vinyl Edition

John Hicks Trio

LP | 1988 | US | Reissue (Tidal Waves Music)

19,99 €*

LP | 2022 | EU (JazzSick)

Release: 1988 / US – Reissue

Genre: Organic Grooves

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* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.

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Philipp Van Endert

Moon Balloon

Release: 2022 / EU

Genre: Organic Grooves

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Saturday Night: South African Disco Pop Hits

LP | 2021 | US | Original (Cultures Of Soul)

LP | 2019 | US | Original (Now-Again)

Release: 2021 / US – Original

Genre: Organic Grooves

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The 1980s were an epoch of upheaval and rapid change in South Africa. The decade began with the country’s apartheid government fighting to maintain its institutionalized racial segregation in the face of global protests and demands for the release of human rights activist Nelson Mandela, who had been jailed since the early 1960s. By 1990, Mandela was free, and apartheid was on the way to being dismantled. On the music front, things were changing too; At the beginning of the decade, the main music style of black South Africans was the jazzy indigenous jive of mbaqanga, a provincial style that had held its place as the sound of South Africa since Mandela was first imprisoned. By the end of the decade, South African music stars were making international waves with bubblegum, a flashy variety of Afro-techno-pop. In Saturday Night: South African Disco POP Hits, Cultures of Soul explores this period of change, and the intermediary forms that filled the gap between mbaqanga and bubblegum. The years when South African musicians and producers wrestled with the incursion of foreign disco and formulated their own style of homegrown disco-pop. Starting from the early 80s, when bands like Varikweru, Black Five and Soundburger essayed local attempts at boogie and jazz-fusion, through experiments like the Madonna-cloned diva Margino, who domesticized the burgeoning Italo-disco and NYC electro sounds, up through the massive breakthrough of Brenda and the Big Dudes, who arrived at the right mix between native and international influences to point the way forward for South African pop. The sound on these records is ostensibly familiar, drawing heavily on models from the 1980s dance culture in Europe and America, but if you listen closely enough you can hear the distinct South African-ness of it all—from the deep, burbling basslines, the brightly hypnotic melodies, and chant-like lyrics—and with sounds as intoxicating as these, you will sure want to listen closely. And often!

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Lloyd Miller

Oriental Jazz

2LP | 2017 | EU | Original (Resistant Mindz)

Release: 2019 / US – Original

Genre: Organic Grooves

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Born in 1938, and raised in Glendale, California, Lloyd Miller has had one of the most unusual careers in all of jazz. By age 12 he had declared an
intent to make his living as a jazz musician, and by high school he had already begun to experiment, shunning swing music's mechanical perfection,
and chafing at his parents’ desire for him to nurture his talents with formal training. This tumultous relationship with his parents would eventually
lead to a stint in a psychatric hospital, before reuniting with them in moving to Iran, his father having accepted a job working for the Shah.
Stops in Hong Kong, Japan and Pakistan on the way to Iran deepened Miller's connection to other cultures he’d first felt while listening to old world
music compilations. He felt a definite calm and peace, an immense respect from everyone towards everyone else, and immersed himself in other
cultures and languages immediately. Miller spent a year in Iran with his family, picking up Farsi after a few short months, and steadily gaining more
and more of an appreciation for how deep the roots of Persian art run. However, still committed to his decision forge a career in jazz, Lloyd left Tehran
in 1958 to head to Europe to see if he could make a living from jazz music.
Miller kicked around the continent, first in Germany, then in Switzerland, Sweden and Brussels. He collaborated and performed alongside 60s jazz
legend Jef Gilson, and experimented with exotic instrumentation before returning to America to resume his studies at Brigham Young University in
Utah. In the years following his stint with Gilson, Miller had become more and more disillusioned with both modern music and modern society, which
had ashewed jazz for rock music, which he detested. In Miller’s conception, for a music to have value it had to have a deep connection to a tradition,
specifically connecting jazz to African lore. To Miller, something like “Tuareg African music is blues, just with no chord changes.”
Oriental Jazz was recorded, compiled and self-released in 1968 while Miller was studying at Brigham Young. The record, originally pressed in
a quantity of 300 copies, sought to combine a cool, modal style with the exotic arrays of instruments and styles that Miller had picked up during
his travels. Miller included songs he’d cut with Gilson in his Parisian studio years before, and a solo piano piece that he recorded in one of the
school’s practice rooms. Despite Lloyd’s professed aversion to modernity, there nevertheless is something strikingly new sounding about this
music, which fits together in startling juxtapositions. Traces of Bill Evans, Stan Getz and Jimmy Giuffre rub shoulders with Persian santur, Arab oud
and Turkish saz music.
Copies of Oriental Jazz languished in Miller's home for years after numerous failed bids for record contracts, before finally ending up in the hands of
record collectors decades later. After its release however, he would find a second life after returning to Iran, doing field recordings, and eventually
hosting a weekly television show that programmed both American jazz and the best traditional Persian musicians he could find. It was not to last
however, as he abruptly abandoned the country to return to the US in the late 1970s, predicting the arrival of the Islamic Revolution.

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The Brothers Nylon

Bitches Cold Brew

27,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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“Bitches Cold Brew” by The Brothers Nylon is a collabo project with the amazing and gifted Shawn Lee! Music from NY to LON. Across the pond. A tiger and three lions set out to make musical adventures. Cinematic type tuneage with the freedom to overdub whatever you want. Most of these tracks were served up hot and fresh off the reel to reel, digitized, and sent across the pond. 10 Tracks, 10 videos, once in a lifetime experience. Absolutely thrilling collaboration with Shawn and the Rufolo Brothers! On their way to Europe for their "Euro Touro" in March, 2017.

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Round About Midnight Mono

LP | 2013 | EU | Original (Music On Vinyl)

Ed Wynne (Ozric Tentacles)

Release: 2013 / EU – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2013!

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Tumbling Through The Floativerse

LP | 2022 | EU | Original (Kscope)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Golden Dog (Original Soundtrack)

Yuji Ohno

LP | 2020 | EU | Reissue (Mitsuko & Svetlana)

Release: 2020 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Only Way Out Is Through

Cumulus Frisbee

LP | 2024 | EU | Original (Radio Juicy)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Cumulus Frisbee’s latest album, “The Only Way Out is Through”, is a musical journey of self-discovery and transformation. Drawing from his own personal experiences of overcoming escapism and embracing the challenges and joys of life, Cumulus Frisbee delivers a powerful and honest message that resonates with listeners of all backgrounds and situations. The album features a diverse range of genres and styles, from ambient and electronic to rock and pop, creating a dynamic and immersive sonic landscape that reflects the complexity and richness of human emotions. Whether it is the uplifting atmosphere of “Fall into It”, the mysterious progressions of “Fuse Sync”, or the exhilarating soundscape of “Fogroller”, each track offers a unique and captivating perspective on the theme of the album. “The Only Way Out is Through” is not just an album, but a manifesto for living fully and authentically, and a testament to the resilience and creativity of Cumulus Frisbee.

Cumulus Frisbee's own words about his albums: The title "The Only Way Out is Through" is a theme that has shown itself to me very consistently over the past few years. There is ultimately no true escape from ourselves and what happens to us. I'd previously spent years of my life consumed by escapism, thinking that was the best method to circumvent suffering. The fact is suffering is unavoidable. The only way out of it all is to move through it. And this isn't just about suffering either. The only way to arrive at pleasure and peace is to move towards it. It's just so easy to stay in place, not moving in fear of being hurt. But it just inevitably suffocates your capacity for joy in doing so. This record is a soundtrack for "moving through it" - whatever that may be. It's hardly just the sounds of struggle and suffering - it is also the sounds of true relief and joy. It is an attempt to reconcile these dualities as a singular experience, rather than viewing them as separate. There is no separation between our joy and our suffering - and my belief in that is what makes moving through life feels more like a dance and less like a fight. It feels a bit vulnerable to put all this into words rather than wordless music - but what's the point of making art that isn't vulnerable? That isn't an honest depiction of our inner world? This is just my take on an idea that is far older than me, that I am merely rehashing rather than inventing: the only way out is through.

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Shades Of Oshu HHV Summer Of Jazz Exclusive Vinyl Edition

2LP | 2024 | EU | Original (Oshu)

34,99 €*

Art Blakey & The Jazz Messengers

Release: 2024 / EU – Original

Genre: Organic Grooves

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Collaborations From the New Berlin Jazz Underground, recorded live at Badehaus Berlin, The 2xLP gatefold vinyl will be exclusively available in a limited edition of 200 copies through HHV as part or their “Summer Of Jazz” campaign.

The Shades Of Oshu event series grew out of a need to create a platform for the re-emerging post-Covid Berlin music scene, to showcase new talent from both the international and local multi cultural creative community, fostering dialogue and collaboration. A joint venture between Oshu Records and Badehaus Berlin, under the curation of Szabolcs Bognár and Katerina “Temkina” Stanislevikj the series combined improvised music performances with special guests, producer showcases and DJ sets with the aim of providing a platform for emerging musical expressions. Every performance you hear on this record was captured between September 2021 and July 2022 during the series. With post production and editing handled by Szabolcs Bognár, the project features artists such as the Moses Yoofee Trio, Àbáse, Wayne Snow, Zeitgeist Freedom Energy Exchange, Magro, K’boko, Dumama, Ori Jacobson, Kechou, King Owusu and Aduni from the Berlin scene as well as international projects Jazzbois, SunMa (Budapest), Alexander Flood (Australia) or Thamsanqa Vuthela (South Africa).

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A Night In Tunisia Blue Note Classic Vinyl Series

LP | 1960 | EU | Reissue (Blue Note)

LP | 2017 | US | Reissue (Lewis)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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One of the great line-ups of Art Blakey & The Jazz Messengers coalesced when saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons, and bassist Jymie Merritt, as heard on the 1960 album "A Night In Tunisia". Opening with a fiery version of Dizzy Gillespie’s famous piece, the rest of the set showcased new bandmember originals.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Skinshape

Life & Love

Ella Fitzgerald & Louis Armstrong

Release: 2017 / US – Reissue

Genre: Organic Grooves

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Re-issued and remastered. Genre - Funk/Jazz/Soul/Psyche. 'Life & Love' is the third album from Skinshape (with 'Filoxiny' being his fourth). Written, Recorded and Produced by Will Dorey at the Arch Studio, London, and in his bedroom. Great melting pot of styles and tunes, D.I.Y. Funk Soul Jazz. Recommended if you're into Khruangbin. Skinshape is the project of British musician William Dorey. The sound has roots in many genres but in particular 1960s-0s Funk, Soul, Reggae, Psychedelic Rock, Afrobeat and Folk. Skinshape grew out of a love for old music and the way it sounded. Initially Dorey experimented with samples (especially drum breaks) to create instrumental Hip-Hop/Trip-Hop tracks but then later started to play around with tape machines as a means to create his own 'samples'. This process gave birth to Skinshape with all elements being recorded by Dorey since the first self-titled album released in 2014. Aside from the Skinshape project Dorey was bassist for the band Palace from 2014-2017 and runs a reggae label called Horus Records based in North London.

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Ella And Louis

LP | 1956 | EU | Reissue (Verve)

2LP | 2020 | EU | Reissue (Music On Vinyl)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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Vinyl LP repressing of this collaborative album between to of Jazz's greatest starts. The evening before Louis Armstrong recorded this album, both he and Miss Fitzgerald were appearing in an all-star concert also featuring Art Tatum and Oscar Peterson that was recorded for an album entitled Live at the Hollywood Bowl (1956). The following day the two singers, along with the Oscar Peterson Trio, were in a Los Angeles studio to record this gem of an album. With no time for rehearsals the songs were all set in Louis' key to make it easier, but this in no way inhibits Ella's performance. Another challenge for Pops was the fact that the material was not his normal repertoire, meaning he had to learn things on the fly in the studio. Again there's no hint of any issues, which all goes to highlight Armstrong's innate musical ability.

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James Brown

Collected

35,99 €*

2LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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In a career spanning over 50 years James Brown became known as a progenitor of funk music and influencing the development of many other genres. All his hit songs, hidden gems and collaborations are now bundled on 'Collected'. It contains 29 songs, including music from his early days with the Famous Flames, the J.B.'s and a wide collection of tracks from his solo career. Brown began his career as a gospel singer and joined a rhythm and blues vocal group, the Famous Flames, as the lead singer in the 1950s. Later on he formed his own band and released successful singles as 'Papa's Got a Brand New Bag', 'I Got You (I Feel Good)' and 'It's a Man's Man's Man's World'. While developing the funk to a new level he created the J.B.'s, with which he scored hits like 'Get Up (I Feel Like Being a) Sex Machine' and 'The Payback'. Brown was inducted into 1st class of the Rhythm & Blues Music Hall of Fame, the Rock and Roll Hall of Fame and Songwriters Hall of Fame. During the years he gained different honorific nicknames including 'Godfather of Soul', 'Mr. Dynamite', and 'Soul Brother No.1'. James Brown Collected includes an insert with liner notes, photo's and credits. The release is available as a pressing on 'Stone Cold' black vinyl.

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Bill Withers

Live At Carnegie Hall

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Pressing / Gatefold Sleeve

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Plays The Blues 180g Vinyl Edition

LP | 1962 | EU | Reissue (Dol)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Roberta Gambarini & Hank Jones

You Are There Black Vinyl Edition

2LP | 2024 | EU | Original (In + Out)

38,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP | 2023 | EU | Original (Ndeya)

Jon Hassell

The Living City

36,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 1980 | US | Reissue (We Are Busy Bodies)

Lionel Pillay

Deeper In Black

LP | 2022 | EU | Original (Warner)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Lionel Pillay’s broad list of associations is a testament to how widely respected he was in South Africa’s diverse jazz scene. In addition to his work with Mankunku, he played with Hugh Masekela in the early 1960s, produced the exquisite long-form recordings “Shrimp Boats” and “Cherry” with Basil Coetzee in the 1970s and collaborated with trumpeter Murray Campbell and saxophonist Bez Martin in the 1980s. However, is it with his 1980 album Deeper in Black, backed by core members of the jazz-fusion supergroup Spirits Rejoice, that his legacy was cemented.Deeper in Black was inspired by the 1969 Blue Note recording of American trumpeter Blue Mitchell entitled Collision in Black and took its name from Pillay’s cover of the album’s Peggy Grayson composition. Pillay’s album featured another two compositions from Collision in Black by way of the Monk Higgins track “Keep Your Soul,” with distinct arrangements straddling Side A and Side B, and Vee Pea’s “Jo Ju Ja” closing out the set. Although the source material was over a decade old when Pillay recorded his album, Collision in Black had struck a chord in South Africa with its first pressing in 1969 and even seen a local repressing in 1978. Blue Mitchell owed much of his popularity in South Africa to a six-week tour with saxophonist Harold Land in 1976. It was during this time that As-Shams/The Sun producer Rashid Vally seized the opportunity to record the Dollar Brand album Blues for a Hip King with Mitchell and Land backing Abdullah Ibrahim. Although the recording and release of Pillay’s Deeper in Black coincides with Blue Mitchell’s death in May 1979, the album was not explicitly promoted as a tribute but did certainly offer a respectful nod to the esteemed trumpeter who was among the few American jazz heavyweights who managed to connect with the South African scene during the Apartheid era.

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Youn Sun Nah

Waking World

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 1976 | UK | Reissue (Matsuli Music)

Harari (The Beaters)

Rufaro

LP | 1966 | EU | Reissue (Mr Bongo)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Top reissue of their in demand 1976 LP by the super group. Includes the long jam ''Oya Kai'', keeps on going.. Also holds their known tune ''Musikana'', killer groove. Alec Khaoli, Selby Ntuli and Sipho Mabuse with their first album as Harari made a great debut channeling a raw energie following up their LP as the beaters. The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).

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Marcos Valle

Braziliance!

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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To call Marcos Valle 'a legend' of Brazilian music is much more than just easy press-release hype. As singer, writer, musician and record producer, Marcos has played an integral role shaping the sound of the country’s music from the 'golden era' of the 60s and 70s, through to the modern day. Alongside his brother, Paulo Sergio Valle, they have penned a huge catalogue of classic songs, not just for themselves but for other greats such as Elza Soares, Astrud Gilberto, Claudia to name a few.
‘Braziliance!’ takes things back to the early heady days of Marcos’ career with the bright and optimistic sound of Rio's Bossa Nova scene. It includes an instrumental version of ’Crickets Sing For Anamaria’ or 'Os Grilos’ in Portuguese, which would also be re-recorded with
vocals. Though only in his early twenties at the time, ‘Braziliance!’ depicts very sophisticated production for a musician so young. Recorded in 1966, produced by Louis Oliveira and Ray Gilberts with arrangements by the very talented Emir Deodato, the album was released on Warner Bros. Records. The artwork presents a very clean-cut, wholesome looking Marcos but darker things were around the corner for Brazil. The ‘Tropicalica’ movement was on its way and about to shake thighs up both musically and politically. Unlike some of his Bossa Nova contemporaries, Marcos continued to stay relevant, surfing the changes and adapting to the musical developments that culture and society projected and needed, without comprising his art.
Under exclusive license to Light In The Attic Records & Distribution, LLC | Mr Bongo Records.

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Idris Muhammad

Power Of Soul

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Idris Muhammad was an American jazz drummer who recorded extensively with many musicians, including Bob James, Ahmad Jamal, Lou Donaldson, Pharoah Sanders, John Scofield, George Benson, Lonnie Smith and Tete Montoliu.

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LP | 1961 | EU | Reissue (Waxtime)

My Favorite Things

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Blue Train 180g Vinyl Edition

LP | 1967 | EU | Reissue (Dol)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Music On Vinyl)

Nina Simone

Here Comes The Sun

LP | 1963 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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180g vinyl.

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Thelonious Monk

Monk's Dream

LP | 1966 | EU | Reissue (Music On Vinyl)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Monk's Dream is the first album jazz musician Thelonious Monk released on Columbia Records. Jazz scholars and enthusiasts alike also heralded this combo as the best Monk had been involved with for several years.

180g audiophile vinyl.

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Herbie Hancock

OST Blow Up

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks.

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Ascenseur Pour L'echafaud

LP | 2011 | EU | Reissue (Music On Vinyl)

35,99 €*

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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John Mayall & The Bluesbreakers

Crusade

LP | 2023 | EU | Original (Proper)

31,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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The Commodore Master Takes

Billie Holiday

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Psychogeography [Zones Of Feeling]

Jon Hassell

2LP | 2023 | EU | Original (Ndeya)

36,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Essential Works: 1956-1962

John Lee Hooker

2LP | 2022 | EU | Original (Masters Of Rock)

38,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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2LP | 2008 | UK | Reissue (KingUnderground)

The New Mastersounds

Plug & Play

29,99 €*