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Hip Hop 170 Organic Grooves 406 Funk | Soul 185 Contemporary Funk 14 Jazz | Fusion 145 Blues 25 Disco | Boogie 23 Latin | Brazil 31 Afrobeat 18 Rock & Indie 1178 Electronic & Dance 333 Reggae & Dancehall 72 Pop 90 Classical Music 1 Soundtracks 34
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Sydney Joe Qualls - So Sexy
Sydney Joe Qualls
So Sexy
LP | US | Reissue (Chi-Sound)
20,99 €*
Release: US – Reissue
Genre: Organic Grooves
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Dexter Wansel - Life On Mars / The Sweetest Pain
Dexter Wansel
Life On Mars / The Sweetest Pain
12" | US (Philadelphia International)
13,99 €*
Release: US
Genre: Organic Grooves
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2 stone cold classics - finally back in!
Nappy Brown - Goody Goody Gum Drop - The Savoy Collection
Nappy Brown
Goody Goody Gum Drop - The Savoy Collection
LP+7" | UK | Reissue (Sleazy)
20,29 €* 28,99 € -30%
Release: UK – Reissue
Genre: Organic Grooves
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On October 12, 1929, Kathryn Culp and Sammie Lee Brown had the idea to name their first-born baby Napoleon. With such a vital beginning, little Nappy was already predestined to hit the mark, so from a very young age he stood out for his vocal qualities, well cultivated in gospel, which he practiced assiduously in The First Mount Zion Baptist Church run by his father.

To Mr. Brown's chagrin, after his first forays into religious music participating in vocal gospel groups such as The Golden Crowns, Golden Bell Quintet and The Heavenly Lights, with whom he recorded his first single for Savoy in 1954, the young Napoleon decided to try his hand at secular music, convinced by Herman Lubinsky, the big boss man of the New Jersey label.

In this way, between 1954 and 1962, Napoleon recorded a total of 28 singles at Savoy, clearly marking the transition from Rhythm & Blues to Rock’n’Roll, and also his subsequent jump to Soul, being the natural link between the late 40s southerners like Wynonie Harris or Big Joe Turner and artists like Jackie Wilson or James Brown, who cemented the black sounds of the 60s.

This LP includes a compilation of some of his best songs at Savoy, high class rock'n'roll, with a lot of dancefloor favourites like Don't BE Angry, compiled in its two versions, or Just A Little Lovin ', but also his more Bluesy sides, with songs like the fabulous Down IN THE Alley, which would be recorded years later by that certain singer born in Tupelo, Mississippi, that many times declared how much he dug Nappy Brown’s Rhythm & Blues.

In the same bluesy way Nappy wrote the iconic THE Right Time, one of the first stones of the Soul cathedral, originally recorded by Nappy on 1957, and revised one year before by Ray Charles. Ray’s version, renamed Night Time Is The Right Time, would be included as the main theme of the award-winning film IN THE Heat OF THE Night. We´ve also included Nappy’s own answer to this song, recorded in 1961 and titled as ANY Time IS THE Right Time.

Finally can´t avoid to name some of the backing musicians you´ll hear in these tracks, Sam ‘The Man’ Taylor, Mickey Baker, Panama Francis… have a look on notes bellow, oh boy! the A-Team of the mid-century New York Rhythm & Blues!

Nappy disappeared from the music scene in 1962, remaining anonymous until 1969, when he would return to Rhythm & Blues on Elephant Records with an LP whose title could not be more eloquent: Thank YOU FOR Nothing.

Since then, Nappy was very active until his death in 2008, alternating his love for gospel and Rhythm & Blues, touring the United States and Europe and releasing no less than a dozen LPs.
Stan Getz - Big Band Bossa Nova Yellow Vinyl Edition
Stan Getz
Big Band Bossa Nova Yellow Vinyl Edition
LP (Waxtime In Color)
18,99 €*
Genre: Organic Grooves
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Sidney Bechet - The Rarest Sidney Bechet Vol. 1
Sidney Bechet
The Rarest Sidney Bechet Vol. 1
LP | US | Original (After Hours)
7,49 €* 9,99 € -25%
Release: US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Stan Getz - The Chick Corea / Bill Evans Sessions
Stan Getz
The Chick Corea / Bill Evans Sessions
2LP | US | Reissue (Verve)
22,99 €*
Release: US – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Faint ringwear on back cover.
Sidney Bechet - September Song - I Got Rhythm - Blues Improvisation
Sidney Bechet
September Song - I Got Rhythm - Blues Improvisation
LP | FR | Original (BYG)
5,99 €*
Release: FR – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Cover close to VG+
Stan Getz And The Oscar Peterson Trio - Stan Getz And The Oscar Peterson Trio
Stan Getz And The Oscar Peterson Trio
Stan Getz And The Oscar Peterson Trio
LP | US | Original (Verve)
39,99 €*
Release: US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Pedro Rodriguez And Orchestra - Bossa Nova
Pedro Rodriguez And Orchestra
Bossa Nova
LP | US | Original (Sutton)
9,99 €*
Release: US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
Cover with seam split and shelf wear
Leadbelly - Sings Ballads Of Beautiful Women & Bad Men
Leadbelly
Sings Ballads Of Beautiful Women & Bad Men
LP | US | Original (Sutton)
9,99 €*
Release: US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Sly & The Family Stone - Greatest Hits
Sly & The Family Stone
Greatest Hits
LP | US | Reissue (Epic)
22,99 €*
Release: US – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Cover with seam split on top spine. Vinyl with scuffs and hairlines
Miles Davis - Kind Of Blue Aqua Blue Marbled Vinyl Edition
Miles Davis
Kind Of Blue Aqua Blue Marbled Vinyl Edition
LP | Reissue
24,99 €*
Release: Reissue
Genre: Organic Grooves
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Ray Charles - Genius From Georgia Blue Marbled Vinyl Edition
Ray Charles
Genius From Georgia Blue Marbled Vinyl Edition
LP | Reissue (Magic Of Vinyl)
24,99 €*
Release: Reissue
Genre: Organic Grooves
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John Lee Hooker - Boogie Chillen' 75th Anniversary 45 Edition
John Lee Hooker
Boogie Chillen' 75th Anniversary 45 Edition
7" | 1948 | UK | Reissue (Ace)
13,99 €*
Release: 1948 / UK – Reissue
Genre: Organic Grooves
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This year marks the 75th anniversary of the release of John Lee Hooker’s ‘Boogie Chillen’. Recorded in Detroit in September 1948 by Bernard Besman – who had his own Sensation label – it was licensed to Modern Records in Los Angeles and released on 3rd November. The flip side was ‘Sally May’.

To say that the single caught fire is an understatement. It is believed that ‘Boogie Chillen’’ shifted in the region of a million copies in 1949 placing Hooker on the map as a blues guitarist and singer of the first rank – where he stayed until his death in 2001.

The original was, of course, released as a 78rpm single. In 2020 we issued ‘Boogie Chillen’ with ‘Boogie Chillen’ #2 on the flip as a limited edition of 500 copies that played at 78rpm.

We now present ‘Boogie Chillen’’ and ‘Boogie Chillen’ #2’ as a limited edition 7” single that plays at 45rpm. Despite being 75 years old, this classic recording still sounds so fresh and rhythmically propulsive it is hard to believe that you are listening to one man and his guitar playing live and stomping his feet in a room. Besman caught lightening as it flashed, just like Sam Philips did some years later with Elvis Presley in Sun Studios.

There are classics. There are stone cold classics. And there is ‘Boogie Chillen’’.
Sidney Bechet, Humphrey Lyttelton And His Band - Sidney Bechet with Humphrey Lyttelton And His Band
Sidney Bechet, Humphrey Lyttelton And His Band
Sidney Bechet with Humphrey Lyttelton And His Band
7" | 1955 | UK | Original (Melodisc)
3,99 €*
Release: 1955 / UK – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Cover slightly yellowed.
Record has some hairlines and a few superficial scratches.
The Modern Jazz Quartet - Fontessa
The Modern Jazz Quartet
Fontessa
LP | 1956 | EU | Reissue (Speakers Corner)
34,99 €*
Release: 1956 / EU – Reissue
Genre: Organic Grooves
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The famous critic and jazz expert Ralph J. Gleason quite rightly mentioned two highly distinctive men in his liner notes – John Donne and Pablo Picasso. Almost four hundred years and a great deal of seawater separate the two exceptional artists from England and Spain. Nevertheless the four black US-Americans who make up the Modern Jazz Quartet bridge the gap between time and continents effortlessly.
And what’s more, blues is also to be heard – and bebop! And evergreens from the Broadway shows of the Thirties too!
In contrast to some of the other rather more dawdling and laid-back MJQ LPs, "Fontessa" offers diversified and intense music. Nothing is routine, perhaps because the drummer Connie Kay had replaced Kenny Clark just one year previously. But maybe too because Milt Jackson’s blues influence inspired John Lewis perceptibly to forget all about discipline. All seven numbers are true gems. But if you want a special hint, just listen to "Bluesology". Well, perhaps the present author is too much of a Milt Jackson fan. Be that as it may, the music magazine "Rolling Stone" gave this LP a five-star rating!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.
Stan Getz & Horace Silver - Pair Of Kings
Stan Getz & Horace Silver
Pair Of Kings
LP | 1956 | US | Reissue (Baronet)
22,99 €*
Release: 1956 / US – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
1962 US Reissue Mono
Picture
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Otis Rush
I Can't Quit You Baby
7" | 1956 | JP | Reissue (P-Vine)
21,99 €*
Release: 1956 / JP – Reissue
Genre: Organic Grooves
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Preorder shipping from 2025-01-31
It's hardly necessary to say at this point, but Otis Rush holds a very special place for modern blues fans. The period when he recorded for Chicago's Cobra Records from 1956 to 1958 can be seen as the birth of a new era of urban blues following B.B. King. From these timeless blues treasures, the first single from his Cobra Records era and Rush's signature song, "I Can't Quit You Baby," is being reissued on a 7-inch vinyl. The A-side features the original version, where Willie Dixon's craftsmanship boldly cuts the intro, starting with Rush's powerful roar for a striking impact. The B-side includes an alternate take, featured on the British Blue Horizon compilation This One’s A Good ‘Un, which gained attention when the Rolling Stones covered it in 2016. This will be a special record that allows listeners to savor the essence of Otis Rush and the blues.
Stan Getz / Oscar Peterson - Stan Getz Meets Oscar Peterson Orange Vinyl Edition
Stan Getz / Oscar Peterson
Stan Getz Meets Oscar Peterson Orange Vinyl Edition
LP | 1957 | EU | Reissue (20th Century Masters)
18,99 €*
Release: 1957 / EU – Reissue
Genre: Organic Grooves
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Stan Getz And The Oscar Peterson Trio - Stan Getz And The Oscar Peterson Trio
Stan Getz And The Oscar Peterson Trio
Stan Getz And The Oscar Peterson Trio
LP | 1957 | CA | Original (Verve)
9,99 €*
Release: 1957 / CA – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: G
Stan Getz Meets Gerry Mulligan - Getz Meets Mulligan In Hi-FI
Stan Getz Meets Gerry Mulligan
Getz Meets Mulligan In Hi-FI
LP | 1957 | US | Original (Verve)
14,99 €*
Release: 1957 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: F
Stan Getz & Chet Baker - Stan Meets Chet
Stan Getz & Chet Baker
Stan Meets Chet
LP | 1958 | EU | Reissue (Intermusic)
21,99 €*
Release: 1958 / EU – Reissue
Genre: Organic Grooves
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Cal Tjader - Stan Getz Sextet - Cal Tjader-Stan Getz Sextet
Cal Tjader - Stan Getz Sextet
Cal Tjader-Stan Getz Sextet
LP | 1958 | US | Original (Fantasy)
33,99 €*
Release: 1958 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: VG+
Red Translucent Vinyl.
Ornette Coleman - The Shape Of Jazz To Come
Ornette Coleman
The Shape Of Jazz To Come
LP | 1959 | EU | Reissue (Speakers Corner)
34,99 €*
Release: 1959 / EU – Reissue
Genre: Organic Grooves
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It was John Lewis, pianist of the Modern Jazz Quartet, who brought Ornette Coleman to the renowned Atlantic label, having heard him play in Los Angeles. »Ornette Coleman is doing the only really new thing in jazz …« he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album – "The Shape Of Jazz To Come". After the rather worn-out hard bop routine of the past years, this music was like a breath of fresh air. The fast numbers ("Eventuality", "Chronology") remind one of wildly hyped-up bebop. Other numbers ("Congeniality", "Focus On Sanity") juggle with catchy, almost folk like short motifs. This album contains two of Coleman’s most beautiful compositions: "Peace" and "Lonely Woman", which was later given lyrics and often heard in its vocal version. The Mulligan-Baker Quartet provided the model for the pianoless quartet – and when the band swings along once in a while with a moderato tempo, it is truly reminiscent of cool jazz. Be that as it may, the two wind instrumentalists just love the frenetic 'cry' and the intentionally 'imprecise' interplay. Clearly defined stanzas or traditional harmonic forms were not for them. The jazz musicologist Peter N. Wilson wrote: »A record, which is not unjustifiably so entitled« about this LP which was given 5 stars by the magazine Rolling Stone.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May 1959 at Radio Recorders, Hollywood, CA, by Bones Howe Production: Nesuhi Ertegun
Ella Fitzgerald - Wishes You A Swinging Christmas
Ella Fitzgerald
Wishes You A Swinging Christmas
LP | 1960 | EU | Reissue (Verve)
28,99 €*
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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On top of tree and cookies, a successful Christmas should also include proper music. If your household only holds one Christmas album, it should definitely be “Ella Wishes You A Swinging Christmas”. Ella Fitzgerald sings like an angel and swings so hot that it's barely allowed at that celebration. The classic album from 1960, which Rolling Stone placed at number 10 on its “25 Greatest Christmas Albums of All Time” list, is now available in the most appealing edition ever, as a festive red, remastered LP with a fresh new cover design. Give it to your loved ones - or to yourself.
Stan Getz - Big Band Bossa Nova
Stan Getz
Big Band Bossa Nova
LP | 1962 | EU | Reissue (Jazz Images)
23,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Stan Getz & Charlie Byrd - Jazz Samba
Stan Getz & Charlie Byrd
Jazz Samba
LP | 1962 | Reissue (20th Century Masterworks)
18,04 €* 18,99 € -5%
Release: 1962 / Reissue
Genre: Organic Grooves
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Stan Getz & Charlie Byrd - Jazz Samba
Stan Getz & Charlie Byrd
Jazz Samba
LP | 1962 | Reissue (Not Now)
26,99 €*
Release: 1962 / Reissue
Genre: Organic Grooves
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Stan Getz & Charlie Byrd - Jazz Samba Acoustic Sounds Vinyl Edition
Stan Getz & Charlie Byrd
Jazz Samba Acoustic Sounds Vinyl Edition
LP | 1962 | EU | Reissue (Verve)
33,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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When Charlie Byrd toured South America in 1961, Bossa Nova—a melding of Brazilian samba rhythms with the harmonic structures and cool sound of West Coast jazz—was booming. He brought back records for Stan Getz to hear and they planned a session. The result was Jazz Samba—the first album of Bossa Nova music by jazz artists and the one that created the Bossa Nova wave.



VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.
Booker T. & The M.G.'s - Green Onions Clear Vinyl Edtion
Booker T. & The M.G.'s
Green Onions Clear Vinyl Edtion
LP | 1962 | EU (Destination Moon)
17,99 €*
Release: 1962 / EU
Genre: Organic Grooves
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The house band at Memphis's legendary Stax Records, Booker T. & the M.G.'s played on some of the most legendary and unforgettable soul recordings in history. Originally released in 1962, the title-track of their debut LP Green Onions is arguably the most recognizable piece of instrumental pop and soul ever to be released; an absolute stone classic of a jam, with Booker T.'s organ at the fore. In addition to being a classic group, Booker T. & the M.G.'s were one of the first soul and rock groups to have both white and black members, and understandably their music is often associated with the Civil Rights Movement that was going on all around them in the American south of the 1960s. Essential American originals from Booker T. & the M.G.'s.
Stan Getz & Joao Gilberto - Getz / Gilberto
Stan Getz & Joao Gilberto
Getz / Gilberto
LP | 1963 | EU | Reissue (Verve / Acoustic Sounds)
42,99 €*
Release: 1963 / EU – Reissue
Genre: Organic Grooves
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Jorge Ben - Samba Esquema Novo Clear Vinyl Edtion
Jorge Ben
Samba Esquema Novo Clear Vinyl Edtion
LP | 1963 | EU | Reissue (Sowing)
24,99 €*
Release: 1963 / EU – Reissue
Genre: Organic Grooves
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Limited Clear Vinyl edition, 300 copies! First released in 1963 on Phillips Records, this was Jorge Ben's debut album. "Samba Esquema Novo", which translates to 'New Style Samba' deliberately sets a new standard in Brazilian music. A beautiful, fresh and vital combination of Ben's percussive guitar and smooth/rough voice backed by Big Band style horns, percussion (the great Dom Um Romao) and strings. In 2007, it was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history, but It would be enough to remind you that this is the album containing the first original version of "Mas Que Nada' one of the most popular songs in the world!
Orkes Angklung Padaeng, Daeng Soetigna - Angklung
Orkes Angklung Padaeng, Daeng Soetigna
Angklung
LP | 1963 | ID | Original (Lokananta)
9,95 €*
Release: 1963 / ID – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: G+, Cover: VG
Record has many scuffs and some superficial scratches, an audible one on A2. Sleeve is splitting on top and bottom seam.
Stan Getz & Joao Gilberto - Getz / Gilberto #2
Stan Getz & Joao Gilberto
Getz / Gilberto #2
LP | 1963 | EU | Reissue (Elemental Music)
31,99 €*
Release: 1963 / EU – Reissue
Genre: Organic Grooves
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Ike Turner - Rock The Blues
Ike Turner
Rock The Blues
LP | 1963 | JP | Reissue (P-Vine)
36,99 €*
Release: 1963 / JP – Reissue
Genre: Organic Grooves
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Ike Turner, a guitarist, pianist, band leader, producer, talent scout... With his diverse talents, he excelled in many fields. In a recent announcement from Rolling Stone magazine, he was ranked 148th in the "250 Greatest Guitarists of All Time," highlighting his undeniable talent as a guitarist. His 1st album "Rock The Blues," recorded in the 1950s and released on Crown Records in 1963, serves as proof of his exceptional skills and originality as a guitarist. P-vine is delightfully reissuing the important album on Japanese edition vinyl with Obi-strip for the first time.
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Stan Getz & Joao Gilberto
Getz / Gilberto Yellow Vinyl Edition
LP | 1963 | UK | Reissue (Ermitage)
19,99 €*
Release: 1963 / UK – Reissue
Genre: Organic Grooves
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Sonny Criss, Gerald Wiggins, Erroll Garner, Stan Getz - Sonny Criss - Gerald Wiggins - Erroll Garner - Stan Getz
Sonny Criss, Gerald Wiggins, Erroll Garner, Stan Getz
Sonny Criss - Gerald Wiggins - Erroll Garner - Stan Getz
LP | 1963 | US | Original (Crown)
9,99 €*
Release: 1963 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Punch hole and seam split. Original US mono pressing.
Stan Getz / Joao Gilberto - Getz / Gilberto
Stan Getz / Joao Gilberto
Getz / Gilberto
LP | 1964 | EU | Reissue (Verve)
28,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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The Latin Jazz classic that started it all! Mandatory!
Stan Getz - A Stan Getz Sampler: An Introduction To The World Of Stan Getz
Stan Getz
A Stan Getz Sampler: An Introduction To The World Of Stan Getz
LP | 1964 | US | Original (Verve)
7,99 €*
Release: 1964 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Writing on back cover. punch out hole.
The New Stan Getz Quartet Featuring Astrud Gilberto - Getz Au Go Go
The New Stan Getz Quartet Featuring Astrud Gilberto
Getz Au Go Go
LP | 1964 | US | Original (Verve)
19,99 €*
Release: 1964 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Original US pressing.
Stan Getz Quartet - Getz Au Go Go
Stan Getz Quartet
Getz Au Go Go
LP | 1965 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1965 / EU – Reissue
Genre: Organic Grooves
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Although the name Stan Getz (tenor sax) was initially synonymous with the West Coast cool scene during the mid-to-late 1950s, he likewise became a key component in the Bossa Nova craze of the early 1960s. Getz Au Go Go (1965) is Stan Getz in his prime, recorded with perhaps one of the best quartets of his career, featuring Bossa Nova singer Astrud Gilberto.

180g vinyl.
Billy Preston - The Most Exciting Organ Ever
Billy Preston
The Most Exciting Organ Ever
LP | 1965 | EU (Trading Places)
20,99 €*
Release: 1965 / EU
Genre: Organic Grooves
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Billy Preston’s mastery of the organ was such that he was commissioned for collaboration by The Beatles, The Stones and countless others, his classic Hammond work a defining element of ‘Get Back.’ Released in 1964 when Preston was still 19, The Most Exciting Organ Ever mixes swinging originals such as ‘Low Down,’ ‘Soul Meetin,’ ‘The Octopus’ and ‘Billy’s Bag’ with expressively soulful covers of standards such as ‘If I Had A Hammer’ and ‘Don’t Let The Sun Catch You Crying,’ ably showcasing Preston’s awesome dexterity and unmatched ability on his chosen instrument. With every track a winner, the title rings true!
Sidney Bechet & Claude Luter Et Son Orchestre - Olympia Concert
Sidney Bechet & Claude Luter Et Son Orchestre
Olympia Concert
LP | 1966 | DE | Original (POP Schallplatten)
4,99 €*
Release: 1966 / DE – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Vinyl is Close to VG+.
The Charles Lloyd Quartet - Love-In
The Charles Lloyd Quartet
Love-In
LP | 1967 | UK | Reissue (Pure Pleasure)
34,99 €*
Release: 1967 / UK – Reissue
Genre: Organic Grooves
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Four-and-a-half decades after the event, saxophonist Charles Lloyd's "Love-In", recorded live at San Francisco's Fillmore Auditorium in 1967, the counterculture's West Coast music hub, endures as much as an archaeological artifact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone photographer Jim Marshall's cover shot, through the album title and some of the track titles ("Tribal Dance", "Temple Bells"), and the inclusion of John Lennon and Paul McCartney's "Here There And Everywhere", "Love-In's" semiology reeks of the acid-drenched zeitgeist of the mid 1960s, a time when creative music flourished, and rock fans were prepared to embrace jazz, provided the musicians did not come on like their parents: juicers dressed in sharp suits exuding cynicism.
It is likely that more joints were rolled on "Love-In's" cover than that of any other jazz LP of the era, with the possible exception of saxophonists John Coltrane's "A Love Supreme" (Impulse!, 1965) and Pharoah Sanders's "Tauhid" (Impulse!, 1967). Chet Helms, a key mover and shaker in the West Coast counterculture, spoke for many when he hailed the Lloyd quartet as »the first psychedelic jazz group«.
It is to Lloyd's credit that, at least in the early stages of his adoption by the counterculture, he resisted dumbing down his music. The adoption stemmed from Lloyd's espoused attitude to society, his media savvy, his sartorial style and his sheer nerve in playing jazz in the temples of rock culture. He took the quartet into the Fillmore West three years before trumpeter Miles Davis took his into the Fillmore East.
So "Love-In" comes with a load of baggage, some of it less than fragrant. But as 45 minutes of music, it still has legs. Lloyd's vocalized tenor (and flute on two tracks) has Coltrane-derived muscle; the young Jarrett's lyrical and funky solos, particularly on his 07:55 showcase, the gospel-ish "Sunday Morning", his two featured originals ("Sunday Morning" and the soul jazz-ish "Is It Really the Same?"), and his playing the strings of the piano directly with his hands, all remain compelling; McClure and DeJohnette are solid and inventive.
Stan Getz - Sweet Rain Acoustic Sounds Edition
Stan Getz
Sweet Rain Acoustic Sounds Edition
LP | 1967 | US | Reissue (Verve)
38,99 €*
Release: 1967 / US – Reissue
Genre: Organic Grooves
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Sly & The Family Stone - Dance To The Music
Sly & The Family Stone
Dance To The Music
LP | 1968 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Sly & the Family Stone came into their own with their second album, Dance to the Music, released in 1968. It contains the Top Ten hit single of the same name. "Dance to the Music" peaked at #8 in The Billboard Hot 100, and reached 9th place in the R&B Singles of 1968. The song propelled Sly & The Family Stone into the stratosphere. This seminal album helped lay the groundwork for the development of Funk music.

180g vinyl.
Dr. John - Gris Gris
Dr. John
Gris Gris
LP | 1968 | EU | Reissue (Speakers Corner)
34,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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His grandmother is purported to have transported objects using her spiritual powers and it is said that she sometimes floated through the room. Her grandson Malcolm Rebenneck was fully aware of his unique features when he appeared under the name of Dr. John, a voodoo healer in the 19th century, and was the first person to transcend from pitch-black spheres to psychedelic music as its high priest, so to speak.
In the seven magical musical numbers of "Gris-gris", the root doctor conjures up a potent mixture of creole melodies, primeval heathen sounds, a pinch of mardi-gras and New Orleans jazz and even undreamt-of sounds. "Gumbo Ya Ya", a dragging procession with archaic sing-song, shows that suggestive Afro sounds are what rule in this album. And to play with them, to soften them here and there, or to enhance them with dance-like expression and voices from afar ("Danse Fambeaux") is all part of the programme in this collection of artistic treasures. In between raspy sounds there are flattering, intimate tones such as the springy, gentle and forward-looking "Croker Courtbullion".
The equation Witchcraft = Masterwork certainly applies to this unrivalled album, which is listed at No. 143 in the 500 Greatest Albums of all Time by the magazine Rolling Stone.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1967 at Gold Star Studios, Los Angeles
Production: Harold Battiste
Senor Soul - Plays Funky Favourites
Senor Soul
Plays Funky Favourites
LP | 1968 | EU (Survival Research)
16,99 €*
Release: 1968 / EU
Genre: Organic Grooves
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Before there was War there was Señor Soul, which saxophonist/flutist Charles Miller formed in Long Beach, California; he played on Brenton Wood sessions for Double Shot, who released their loose interpretation of Miriam Makeba’s ‘Pata Pata,’ the hit that led to this blinding debut LP. Blending funk, Latin jazz and psychedelic soul, the group makes a range of material their own, led by Miller and vibraphonist Edwin Stevenson; everything from Heard It Through The Grapevine to Psychotic Reaction gets the Señor Soul treatment, rendered with equal doses of sensitivity, humour and funky flavour. Long before Miller recruited members of Nightshift to morph Señor Soul into War, this top-notch debut is a stone-cold winner from first note to last, a must-have for all funk and Latin jazz afficionados.
Piero Umiliani - Preistoria
Piero Umiliani
Preistoria
LP | 1968 | EU | Reissue (Holy Basil)
26,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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Originally released in 1968 as part of the "Serie Sonorizzazioni" series on Piero Umiliani's iconic Omicron label, "Preistoria" is the perfect example of a library music collection perfectly tailored to a theme. Through the use of orchestral accompaniment, jazzy arrangements, and tribal experimentation thrown in for good measure, the legendary Italian composer brings you back to the stone age, creating and ominous and primitive landscape, rich of caveman-style drums and deep bass lines. This extremely sought after gem is now available on vinyl for the first time since its original release, officially licensed by Piero Umiliani's family and available as a limited edition pressing of 500 copies.
Ike & Tina Turner - So Fine
Ike & Tina Turner
So Fine
LP | 1968 | EU (Trading Places)
20,99 €*
Release: 1968 / EU
Genre: Organic Grooves
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Among the most famous husband-and-wife soul duos of all time, Ike & Tina Turner scored an incredible array of hits in the 1960s and 70s, before Tina finally exited the partnership. The debut LP on the Pompeii label, So Fine dates from 1968, a couple of years after a support slot on a Rolling Stones tour boosted their profiles; in addition to a remake of early hit ‘A Fool In Love,’ there’s an awesome take of Johnny Otis’ ‘So Fine’ and a competent rendition of ‘Shake A Tail Feather.’ Tina is fully in her element, the Ikettes keep up the harmonic pressure, and producer Ike handles the rest. Recommended listening for all soul fans!
Mankunku Quartet - Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition
Mankunku Quartet
Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition
LP | 1968 | UK | Reissue (Mr Bongo)
29,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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Limited edition of 200 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

The Mankunku Quartet's 1968 album 'Yakhal' Inkomo’ clocks in at just over 30 minutes of jazz perfection. This compact, and to-the-point, album would sit comfortably in amongst some of the best works in the catalogues of any of the quintessential jazz labels such as Blue Note, Prestige and Impulse. 'Yakhal' Inkomo’, however, was originally released on the South African record label World Record Co., which resulted in it becoming an elusive and sought-after piece for jazz collectors. First press copies sometimes fetch as much as £1,000 on the collectors' market. It has been long regarded as one of the finest South African jazz albums and DJ / broadcaster Gilles Peterson cemented this when he included it in his "best of genre" focussed radio show, 'The 20 - South African Jazz'. Tenor saxophonist Winston "Mankunku" Ngozi recorded the session on 23rd July 1968 at the Manley van Niekerk Studios, in Johannesburg. It was recorded by Dave Challen and produced by Ray Nkwe. The session is built up of two original works by Mankunku on the A-side, 'Yakhal' Inkomo' & 'Dedication (To Daddy Trane and Brother Shorter)', and on the B-side, the Horace Silver composition 'Doodlin', and a John Coltrane number 'Bessie's Blues'. What is striking is how the Mankunku-penned compositions not only hold their own next to Silver and Coltrane but they are, arguably, the better tracks on the record - a testament to the beautiful writing and playing of Mankunku. 'Yakhal' Inkomo' features the great musicians; Agrippa Magwaza on bass, drummer Early Mabuza, and pianist Lionel Pillay. Pillay was of Indian descent, making this a mixed-race group, thus the very recording of the album was an act of resistance as it broke the apartheid restrictions of the time. The title of 'Yakhal’ Inkomo' means “the bellow of the bull”, the Black audience would have understood this as coded community symbolism and an act of protest but it escaped the attention of the white government. For this edition, we have enlisted the services of Abbey Road Studios mastering, and lacquer-cutting engineer Miles Showell to cut a special half-speed master from the audio taken off the original master tapes. Miles has previously worked on our Arthur Verocai, Marcos Valle and Ian Carr re-issues, and once again we are blown away by the richness and clarity of Miles' work. We have also presented it as a replica copy using the cover artwork and labels from the primary World Record Co. original version. On the sleeve notes, Ray Nkwe the producer and the President of the Jazz Appreciation Society of South Africa writes "This is the LP that every jazz fan has been waiting for" and Ray was not wrong, it's a stone-cold timeless jazz classic.
Sly & The Family Stone - Dance To The Music
Sly & The Family Stone
Dance To The Music
LP | 1968 | US | Original (Epic)
39,99 €*
Release: 1968 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Cover with shelf wear
Sly & The Family Stone - Stand
Sly & The Family Stone
Stand
LP | 1969 | EU | Reissue (Epic)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Zito Righi E Seu Conjunto - Alucinolandia
Zito Righi E Seu Conjunto
Alucinolandia
LP | 1969 | EU | Reissue (Mr Bongo)
22,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Some things take time to happen, some things perhaps take a bit longer than they should but, finally, we are delighted to present an issue of the iconic, and sought-after, Brazilian album 'Alucinolândia' by Zito Righi e Seu Conjunto from 1969.

The trippy, surrealist 60s cover design with hands holding eyeballs is somewhat confusing. Rather than the stoner acid rock record that the art may suggest, 'Alucinolândia' is actually a quintessential 60s gem, mixing samba, MPB, bossa nova, quirky organ-led mod-jazz groovers and easy-listening crooners with a relaxed cool swagger.

Zito Righi aka Isidoro Righi, the Brazilian saxophonist, instrumentalist, conductor and composer brought together an illustrious cast for this masterpiece, including the much-loved vocalist Sônia Santos. Sônia delivers a masterclass on the album's opener, and maybe its crown-jewel 'Poema Ritmico Do Malandro’. The song is fierce and driving with an enticing funk intro that bursts into a Samba / Batucada workout. A real monster that works magic on the dancefloor. Sônia would later re-visit this track in 1971 on a recording for Copacabana Records, which Mr Bongo released as part of the Brazil45 series. The Brazilian songwriter Roberval penned three tracks on the record, including another highlight and the far too short 'Birimbau'; a catchy Brazilian jazzy-samba dancer at its finest. Other musicians include the drummer Fernando who also recorded with the greats Dila & Guilherme Coutinho.

The fact the record was released in 1969 meant it was probably a bit out of step with its contemporaries in comparison to the works of artists such as Os Mutantes, Gilberto Gil et al. The core of 'Alucinolândia' is that of a more optimistic early to mid-sixties party feelgood vibe rather than the angsty, psychedelia, and rebellion of the Tropicália movement. Over 50 years since its release, the work can finally be judged on its own merit; and what a beauty it is.
Sly & The Family Stone - Stand!
Sly & The Family Stone
Stand!
LP | 1969 | US | Original (Epic)
28,99 €*
Release: 1969 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: G+, Cover: VG
Vinyl is Close to VG. Original US Pitman pressing. Unipak has a seam wear.
Ray Barretto - Acid Vinyl Me, Please Edition
Ray Barretto
Acid Vinyl Me, Please Edition
LP | 1969 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
Ray Barretto’s songs are cinematic. Artfully composed, richly orchestrated, each one feels like something deserving of big-screen wonderment. And, indeed, from Martin Scorsese’s Mean Streets (''Ritmo Sabroso'') and Oliver Stone’s JFK (''El Watusi'') to Lee Daniels’ Precious (''Teacher of Love'') to Tom McCarthy’s Spotlight (''Cocinando Suave''), his music as a bandleader made it into movies of major importance across the decades. Of course, you don’t need to be a card-carrying cinephile to appreciate the moods and magnitudes expressed by his work, especially his seminal 1968 album Acid for Fania Records.

It takes more than a minute into ‘’Acid'' before Barretto begins showing off on the congas, leading into a nearly three-minute solo marked by fabulous flourishes that culminates with the full band, including pianist Cruz, showing their united might. Elsewhere on Acid, the group would have dutifully jumped headfirst into this mode, but here it is just a spectacular finish to a rhythmic story — Barretto’s story — told like the best film you’ve never seen.
The Temptations - Puzzle People (Limited Edition)
The Temptations
Puzzle People (Limited Edition)
LP | 1969 | EU | Reissue (Elemental)
32,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Produced entirely by Norman Whitfield, The Temptations’s "Puzzle People" takes the next step along the path that Cloud Nine started, and takes the Detroit band further away from a classic soul sound, and more towards the realm of psychedelic soul. Although a few ballads, including “Running Away (Ain’t Gonna Help You),” are still present, the album is primarily composed of Sly & the Family Stone/James Brownderived proto-funk tracks such as the lead single “Don’t Let the Joneses Get You Down,” and the number-one Billboard Pop hit “I Can’t Get Next to You.” Also included are psychedelic-styled covers (recorded with distorted guitars, clavinets, and spacy reverb and sound effects) of contemporary songs such as The Isley Brothers’ “It’s Your Thing,” The Beatles’ “Hey Jude,” and Roger Miller’s “Little Green Apples.” "Puzzle People" was released on the same day (September 23, 1969) as "Together", a duets album of covers by The Temptations and label mates Diana Ross & the Supremes. It peaked into the Top 5 on the Billboard Pop Albums chart, and spent fifteen weeks at number one on the R&B Albums chart.
Antonio Carlos Jobim - Stone Flower
Antonio Carlos Jobim
Stone Flower
LP | 1970 | EU | Reissue (Speakers Corner)
34,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.
That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".
With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said!
Noah Howard - Space Dimension
Noah Howard
Space Dimension
LP | 1970 | EU | Reissue (Amercia)
41,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Noah Howard was born in 1943 in New Orleans and, like many of his contemporaries, first played music in church as a child. In his 2010 book, 'Music in My Soul', Howard reflected upon his childhood in New Orleans and the influence the city had on him: “Growing up in New Orleans was like receiving a steady diet of music, and my taste in music became increasingly more sophisticated. In the neighborhood where I grew up kids around me were listening to Rhythm and Blues and Jazz; Rock came only much later. One of the great moments of my life was when I was around 13 years old and heard Duke Ellington with Paul Gonsalves playing a twenty-some minutes chorus solo on tenor sax at Newport. We had never heard anything like this before; a saxophone player doing so many choruses, this was years before Coltrane opened up. That experience meant there was no turning back; my ears were open and my desire was burning for music.”
He first learned to play the trumpet before moving on to alto, tenor and soprano saxophone. And his musical journey initially took him to Los Angeles where he worked with Dewey Johnson and then later moved to New York to join the Sun Ra Arkestra. Like most forward thinking saxophonists of the time, Howard was influenced by the evolving expressionism of John Coltrane and Albert Ayler and it wasn't long before he became a key member of the mid-60s free jazz movement, a stepping stone to his elevation into one of the world’s most notable saxophonists.
Howard's debut LP as leader, 'Noah Howard Quartet' was recorded in 1965, and the follow up, 'Noah Howard at Judson Hall', in 1966 but not issued until 1968, both for the groundbreaking ESP Records label (incidentally, both albums featured British trumpeter Ric Colbeck). However, Howard's view of ESP was not positive, calling it “ a monster of deception... I am aware of ESP's adventures...they continue to make money off the artists and they refuse to pay any royalties.”

Like many of the black jazz musicians of the 60s, Howard left the USA and settled in Europe (making the permanent move to Paris in 1972). In an interview in 2005, Howard explained his move: “When I first came to Europe it was 1969 and I came to play in a big festival and after that we had a lot of concerts, recalls Howard. "Then we left and we came back to the States, I was based in New York at that time. About six months later, we had some more concerts, we came back and this went on for years, going back and forth and back and forth and back and forth... I decided that instead of going back and forth all the time, it was more advantageous for me to stay over here and live and work.”
It was in Paris that Howard took part in sessions for the Frank Wright albums 'One For John', cut for the leading French free jazz label BYG Actuel and another Wight session, 'Uhuru Na Umoja', for the America label. Another album on America that featured Howard was Archie Shepp's 'Black Gipsy'. This session also featured , among others, Sunny Murray on drums and Clifford Thornton on trumpet.
America Records was to be home to Howard's third album, 'Space Dimension'. On this album, Frank Wright was reunited with Howard once more, and Wright also composed one track, 'Church Number Nine' (Wright would also do his own version as the title track on his 1970 album, initially only released in Japan. That album would also feature Howard.) 'Space Dimension' also features bop drummer Art Taylor on three tracks, with Muhammed Ali (brother of Rashid), on one. They're joined by alongside pianist Bobby Few, longtime member of Frank Wright's group and an alumnus of Archie Shepp's band.
'Space Dimension' has never seen an official reissue since its original release in 1970 and remains, among a few aficionados, one of the most in demand - and little known - albums in Howard's discography. The blend of free improvisation with a tough rhythmic foundation make for an edifying listening experience. The spectral disjointed afro-blues of the title track, with Howard's soaring, searing horn, introduces an exceptional album of weight and significance, a real statement piece. 'Viva Black' starts as a lush groove, rich with texture and tone. Bobby Few's piano is sparse and disciplined, allowing space for the interweaving angles of the horns and drums to cross and jostle and build in intensity, with Muhammad Ali's drum solo acting as a cathartic release.
'Song for Poets' is blistering in its attack, an intense assault from the whole group – urgent and imperative, a call to action that seemed to resonate with the tumult of the late 60s and early 70s and, perhaps, still resonates now. The album closes with the extended piece 'Blues for Thelma'. It starts like a sort of angular, shattered New Orleans first line march band; Howard visceral horn and Few's piano joust and punch like fighters in a ring; Ali's drums hammer a solid undertow of power and energy, relentless in its fire.
All in all, 'Space Dimension' announced Howard's arrival into a new decade, a decade that was to see not just jazz but music and wider society undergo profound change.
Howard's third record was the widely acclaimed 'Black Ark', which featured Arthur Doyle on his first recording. 'Black Ark' soon became a landmark free jazz recording and elevated Howard into the first division of globally renowned free jazz players.

He spent much of the next decade or so exploring new ideas and places to work, including Europe and Africa, moving to Nairobi in 1982 and finally Brussels, where he had a studio and ran a jazz club.
In his autobiography, Howard described going to Africa: “It was a Sunday morning with bright blue skies and I reached down and grabbed a handful of earth, holding it in my hands. It was red earth. As the first of my family to make this voyage back to my community, I was filled with emotion and started to cry – thinking about all those before me who didn’t survive the middle passage and slave trade. I thanked the few strong survivors of which I’m a descendant and was grateful to be a live and to make it back to Africa in my lifetime. The feeling of coming back home, after generations had gone through abuse and suffering, was upon me. I would put some of this into music later on when recording with James Emmanuel, the poet on 'Middle Passage'”
He recorded steadily through the 1970s and 1980s, mostly with his own label AltSax and continued to expand his repertoire, exploring a range of sounds from ethno-funk to world music in his latter decade. He returned to his free jazz roots in the 90s, mixing the myriad of influences and styles he had encountered throughout his journey.
Noah Howard recorded 35 albums, and their styles reflect the ceaseless musical searcher he was: blues, free jazz, world music. He covered it all.
Noah Howard died on September 3rd, 2010 while on holiday in the South of France. He died a day before finishing the first draft of his autobiography.
Esther Marrow - Newport News, Virginia
Esther Marrow
Newport News, Virginia
LP | 1970 | UK | Reissue (BGP / Flying Dutchman)
22,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Esther Marrow began singing professionally in the early 60s. Her big break came in 1965 when she was asked by Duke Ellington to take part in his ground-breaking Concert of Sacred Music at the Grace Cathedral in San Francisco. Marrow toured with the Duke Ellington Band as well as Harry Belafonte and came to the attention of Bob Thiele who recorded and released this debut album on his Flying Dutchman label in 1969.

Musically, it’s a compelling mix of funk and soul, occupying similar terrain to Alice Clark’s great album that was released on Mainstream in 1972. For example, Jesse Stone’s ‘Money Honey’ is given a crunching funk arrangement and is one of three tracks that tempt collectors to pay big money for an original copy; ‘Walk Tall’ and ‘Chains Of Love’ are the other two. ‘Chains Of Love’ was originally recorded in Detroit by J.J. Barnes and became a Northern Soul classic. ‘Walk Tall’ is one of the album’s highlights and features music originally written by pianist Joe Zawinul and performed by Cannonball Adderley, with lyrics by James Rein and Morrow. It has become something of a jazz standard, but no version ever bettered this original track.

Add to the mix the lush string driven power of ‘Peaceful Man’, ‘Mama’ and a tilt at the classic ‘What A Wonderful World’ and you have a truly wonderful album.

Pressed on 180gm vinyl, we have remained faithful to the original pressing replicating the Flying Dutchman label style and gatefold sleeve.
Antonio Carlos Jobim - Stone Flower
Antonio Carlos Jobim
Stone Flower
LP | 1970 | EU | Reissue (Endless Happiness)
21,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Antônio Carlos Jobim was a primary force behind the evolution of bossa nova and his 6th studio release Stone Flower is an absolute classic. The album is emblematic of 70’s bossa with it’s seductive samba beat fused with elements of modern jazz provided by a star-studded supporting cast of Ron Carter, Hubert Laws, Airto Moreira, and Joe Farrell. Stone Flower was recorded by Blue Note engineering virtuoso Rudy Van Gelder and arranged by fellow pianist and guitarist Eumir Deodato; the fidelity and musicality is so well cared for that it effortlessly carries listeners away.
Eddie Lebron - Ghetto Records Presents Eddie Lebron
Eddie Lebron
Ghetto Records Presents Eddie Lebron
LP | 1970 | US | Reissue (Now-Again)
28,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. First up in the series - Heavy Salsa and Latin Soul from Puerto Rico-born pianist Eddie Lebron and Orquesta Suave, the album that kickstarted Ghetto Records. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.
Herbie Mann - Stone Flute
Herbie Mann
Stone Flute
LP | 1970 | US | Original (Embryo)
15,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl with scuffs and hairlines
Herbie Mann - Stone Flute
Herbie Mann
Stone Flute
LP | 1970 | US | Original (Embryo)
8,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Swamp Dogg - Rat On
Swamp Dogg
Rat On
LP | 1971 | EU | Reissue (Alive)
23,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Friday, Saturday And Sunday (Clarence Reid) - Potato Salad / There Must Be Something
Friday, Saturday And Sunday (Clarence Reid)
Potato Salad / There Must Be Something
7" | 1971 | UK | Reissue (Dig)
13,99 €*
Release: 1971 / UK – Reissue
Genre: Organic Grooves
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Co-producered by Clarence Reid & Willie Clarke in 1971 this is another gem from the vaults of Henry Stone's Miami funk empire.
Repressed and re mastered in conjunction with the rights holders on a dinked 7" for 2016.
Curtis Mayfield - Live!
Curtis Mayfield
Live!
2LP | 1971 | US | Reissue (Antarctica Starts Here)
30,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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Recorded in early 1971, Curtis/Live! finds Curtis Mayfield in top form at the intimate Greenwich Village club The Bitter End. With veterans from Chicago’s soul and jazz scene, Mayfield runs through a superb setlist of Impressions classics (“Gypsy Woman,” “People Get Ready”), gems from his first solo LP (“We The People Who Are Darker Than Blue,” “The Makings of You”) and fierce originals that would make their recording debut here (“I Plan To Stay A Believer,” “Stare And Stare,” and “Stone Junkie”).

As author Lloyd Sachs writes in the liner notes for this vinyl reissue, “All of the songs are lovingly reworked – in some cases stretched out and in others, brightened with humor. The band redefines groove via the West African polyrhythms of conga and bongo great Henry Gibson and the intertwined guitars of Mayfield – whose dulcet, vocal-like tone was a revolution in and of itself – and Craig McMullen. The group creates excitement through tension and release, through building up and letting go.”

Curtis/Live! was originally issued on Mayfield’s own Curtom label just before his second studio album, 1971’s Roots, and his influential Super Fly soundtrack. While the singer would continue to establish himself as one of the key voices of his generation, the powerful anthems and in-the-pocket perfection on this double-LP live set demonstrate how brilliant Curtis truly was – a master class in restraint and fearless expression.
Funkadelic - Maggot Brain 50th Anniversary Deluxe Edition
Funkadelic
Maggot Brain 50th Anniversary Deluxe Edition
LP+12" | 1971 | UK | Reissue (Westbound)
37,99 €*
Release: 1971 / UK – Reissue
Genre: Organic Grooves
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1971 and Black America was luxuriating in the soft soul of the O’Jays, the Temptations had just left behind their flirtation with psychedelia, James Brown was explaining Soul Power, Sly & the Family Stone were having a Family Affair, and Marvin Gaye was asking ‘What’s Going On’.

In their own inimitable way, Funkadelic were laying down their own statement about the ecology of the planet in the opening of lead and title track ‘Maggot Brain’, turning it into an elegy for the Earth in the ensuing heart-wrenching extended Eddie Hazel guitar solo – one of the most radical records of the period.

The album also spawned two Top 50 singles with the usual Funkadelic wry observational humour of ‘You And Your Folks, Me And My Folks’ and ‘Can You Get To That’. And just in case you think things have normalised, the set closes with nine minutes of the chaotic sound collage ‘Wars Of Armageddon’.

This 50th anniversary edition includes a second 12” with two versions of the title track. Side A features the live version from Meadowbrook from the same year that the studio album came out. Jump forward 46 years to the “Reworked by Detroiters” release and side B has the BMG Dub, showing the enduring quality of one of the great guitar records of all time.

This issue is mastered from fresh transfers of the tape.

Facsimile gatefold sleeve.
Marvin Gaye - What's Going On
Marvin Gaye
What's Going On
LP | 1971 | EU | Reissue (Motown)
22,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Siegried Kessler / Gus Nemeth / Stu Martin - Solaire
Siegried Kessler / Gus Nemeth / Stu Martin
Solaire
LP | 1971 | EU | Reissue (Souffle Continu)
26,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Paris, 1965. Pianist François Tusqueslaid the foundation stone of French-style free jazz with his first, soberly titled, album “Free Jazz”. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles SaudraisandFrançoisJeanneau) all of whom honed their skills at the beginning of the decade in JefGilson’s groups, althoughhe was none too fond of the turbulent new face of jazz at the time.Ten years later, Jef Gilsonhad obviously changed his tune, as the label Palmthat he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneauand “Une Bien Curieuse Planète”. His first album as leader (after brieflyerring into pop with Triangle) was recorded in 1975, a few months after “Watch Devil Go” by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clarkon bass and percussions, Lubatreplacing Tholloton drums and Michel Grailler(plucked out of Magma) was called in as a reinforcement for his completely ‘out of space*’ synthetiser sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde.From 1960 to nowadays, from Georges Arvanitasto Laetitia Shériff, from Manu Dibangoto “Mama” Béa Tékielski, everyone has wanted to play with François Jeanneauat some point. There is a good reason for this. The saxophonist is a formidable improviser, but alsoa solid composer, as he demonstrates on this record with, for example, the monumental “Droit d’Asile”, the spooky “Theme For An Unknown Island” or the Coltranesque “Mr J.C. For Ever”. Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Jérôme « Kalcha » Simonneau.
Funkadelic - Maggot Brain
Funkadelic
Maggot Brain
Tape | 1971 | UK | Reissue (Ace)
20,99 €*
Release: 1971 / UK – Reissue
Genre: Organic Grooves
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1971 and Black America was luxuriating in the soft soul of the O’Jays, the Temptations had just left behind their flirtation with psychedelia, James Brown was explaining Soul Power, Sly & the Family Stone were having a Family Affair, and Marvin Gaye was asking ‘What’s Going On’.

In their own inimitable way, Funkadelic were laying down their own statement about the ecology of the planet in the opening of lead and title track ‘Maggot Brain’, turning it into an elegy for the Earth in the ensuing heart-wrenching extended Eddie Hazel guitar solo – one of the most radical records of the period.

The album also spawned two Top 50 singles with the usual Funkadelic wry observational humour of ‘You And Your Folks, Me And My Folks’ and ‘Can You Get To That’. And just in case you think things have normalised, the set closes with nine minutes of the chaotic sound collage ‘Wars Of Armageddon’.
Nucleus - We'll Talk About It Later
Nucleus
We'll Talk About It Later
LP | 1971 | EU | Reissue (Be With)
30,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.
Papo Felix And Ray Rodrguez - Papo Felix Meets Ray Rodriguez
Papo Felix And Ray Rodrguez
Papo Felix Meets Ray Rodriguez
LP | 1971 | US | Reissue (Now-Again)
31,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. Next up in the series - one of the label’s most lauded recordings containing epic examples of Big Band Salsa, Horace Silver-flavored Modal Jazz and Soulful Grooves - masterminded by a young Bobby RodrÌguez with vocals by Papo Felix. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.
Friday, Saturday And Sunday (Clarence Reid) - Potato Salad / There Must Be Something 2024 Repress
Friday, Saturday And Sunday (Clarence Reid)
Potato Salad / There Must Be Something 2024 Repress
7" | 1971 | UK | Reissue (Dig)
12,99 €*
Release: 1971 / UK – Reissue
Genre: Organic Grooves
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2024 Repress

Co-producered by Clarence Reid & Willie Clarke in 1971 this is another gem from the vaults of Henry Stone's Miami funk empire.
Repressed and re mastered in conjunction with the rights holders on a dinked 7" for 2016.
Clarence Reid - Miss Hot Stuff / Mr. Hot Stuff
Clarence Reid
Miss Hot Stuff / Mr. Hot Stuff
7" | 1971 | UK | Reissue (Alston)
14,99 €*
Release: 1971 / UK – Reissue
Genre: Organic Grooves
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Catch this blistering funk rarity from 1971 - Do not sleep!

Clarence Reid should need no intro, but for the uninitiated he's one of the voices and creative forces behind numerous Miami funk and soul sides from the 1960s onwards. Known for his deep, soulful, rough and ready style and bugged out take on things (see Blowfly for example.... but be careful!) Reid recorded 100s of sides during his illustrious career. This particular record, originally released in 1971 on Henry Stones mighty Alston Records serves us up some red hot raucous funk. One side for the ladies, one side for the dudes! This one has long been a favourite of serious diggers and DJs hunting for breakbeats, and one spin of this 45 will tell you why, this one has it all.

Unmissable, rare as hen's teeth and now freshly restored and repressed for your 7" box! Clarence Reid's "Miss Hot Stuff / Mr. Hot Stuff", available again in repress form for the first time in over a decade. Fully licensed and agreed by Henry Stone Music / TK Disco and boasting some fresh new artwork for 2024.
Sly And The Family Stone - There's A Riot Goin' On Vinyl Me, Please Edition
Sly And The Family Stone
There's A Riot Goin' On Vinyl Me, Please Edition
LP | 1971 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
With the ’60s coming to an end, the revolutionary spirit of the times was so ubiquitous that it simply demanded more from its artists. We started to see this shift in rock ’n’ roll (The Beatles, The Rolling Stones) and in jazz (Lee Morgan, Miles Davis, Herbie Hancock); it was time that pop and soul music followed suit. Marvin Gaye would release the seminal What’s Going On in May 1971, and while What’s Going On was pivotal in allowing Black artists to deliver popular music with a message that spoke to the times, There’s a Riot Goin’ On followed Gaye’s lead, but pushed the boundaries further. Sly Stone challenged what was possible for a Black artist in popular music, both lyrically and sonically.

Sly & The Family Stone’s There’s a Riot Goin’ On was synonymous with the anxiety felt by all alive at that time — how to navigate this new decade, after all the turmoil experienced in the last one. It’s a bit of a “purple haze,” really. Artistically, Sly managed to harness the confusion that not only he felt, but that most people were feeling then.
Buddy Guy & Junior Wells - Play The Blues
Buddy Guy & Junior Wells
Play The Blues
LP | 1972 | EU | Reissue (Speakers Corner)
34,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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The blues is perhaps one of the most private things from which a human being can suffer. However, to play the blues, and thus to express a man’s innermost feelings and state of mind, is probably the most important task of black music. With Buddy Guy and Junior Wells, we have two disciples from the world of the blues who express their highly personal blues with profound instrumental proficiency. The enormously talented, self-taught guitarist Buddy Guy was ranked 23rd in Rolling Stones magazine’s list “100 Greatest Guitarists of All Time”, and several times he was awarded one of the coveted Grammy awards. Junior Wells entered Muddy Waters’ 'academy' at the tender age of 18 and played the blues harp with enormous passion and virtuosity. In this recording, the musicians condense their rock playing over a bone-dry bass line to create a mantra-like funky style ("A Man Of Many Words"), passing on with fleet-footed steps to a slender chirping sound on the mandolin with a 12-bar blues construction and creating an earthy groove ("T-Bone Shuffle"). Then the duo works perseveringly on an unrelenting chord ("A Poor Man’s Plea"), only to return to two numbers that pulsate forcefully with a snappy and jagged offbeat ("This Old Fool"). The handpicked band, among them being co-producer Eric Clapton who is eternalized on the rhythm and bottleneck guitar, and the voodoo rocker Dr. John who occasionally contributes his magic on the keyboard, make this album a truly collectible sound experience.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: October 1970 at Criteria Studios, Miami (fl), by Ron Albert and April 1972 at Intermedia Studios, Boston (ma), by Richard Oulleppe Production: Ahmet Ertegun, Eric Clapton, Michael Cuscuna, Tom Dowd
Millie Jackson - Millie Jackson Black Vinyl
Millie Jackson
Millie Jackson Black Vinyl
LP | 1972 | UK | Reissue (Southbound)
21,99 €*
Release: 1972 / UK – Reissue
Genre: Organic Grooves
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Millie Jackson’s second album “It Hurts So Good” is a stone cold classic and climbed into the US Top 30 when released in 1973. Not only does the album contain the evergreen ‘I Cry’ but other smoking tracks like ‘Good To The Very Last Drop’ and ‘Now That You Got It.’

Recorded at her first session at Muscle Shoals, the title track and ‘Love Doctor’ not only appeared on this LP, but on the big screen in the film Cleopatra Jones starring Tamara Dobson. Issued as a single, ‘It Hurts So Good’ became Jackson’s biggest US chart hit peaking at #24. ‘Help Yourself’ and The Ashford and Simpson-penned ‘Don’t Send Nobody Else’ were also recorded at Muscle Shoals. The balance of the album was recorded in New York sessions with tracks like the finger-popping ‘Close My Eyes’ equal to anything Holland-Dozier-Holland were putting out at that time.

For fans of soul and Millie Jackson this album is essential.
Candido Y Su Movimento - Palos De Fuego
Candido Y Su Movimento
Palos De Fuego
LP | 1972 | US | Reissue (Now-Again)
31,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. Next up in the series - Joseph “Candido” RodrÌguez - Candido was mentored by Tito Punete, and his debut features a fantastic mix of fiery Salsa, Latin Jazz and Sweet Latin Soul. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.
Miles Davis - On The Corner
Miles Davis
On The Corner
LP | 1972 | US | Reissue (Mobile Fidelity Sound Lab)
73,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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SOURCED FROM THE ORIGINAL MASTER TAPES: MOBILE FIDELITY 180G 33RPM SUPERVINYL LP
REVEALS MULTIPLE LAYERS OF RHYTHM, VISCERAL BASS, AND PIONEERING PRODUCTION TECHNIQUES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analogue noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.

New degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production — and the trumpeter's cutting-edge aural collages — in definitive fashion.

Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support.

With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

Exotic, intrepid, and filled with Davis' "jungle sound," On the Corner remains daringly hip more than four decades later.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
Stan Getz - Stan Getz
Stan Getz
Stan Getz
2LP | 1972 | US | Original (Prestige)
12,99 €*
Release: 1972 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Stan Getz - Stan Getz
Stan Getz
Stan Getz
2LP | 1972 | US | Original (Prestige)
14,99 €*
Release: 1972 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Original US Hollywood pressing.
Sly & The Family Stone - Fresh
Sly & The Family Stone
Fresh
LP | 1973 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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The Metro-Tones Inc. - Get Together
The Metro-Tones Inc.
Get Together
10" | 1973 | UK | Reissue (Honest Jon's)
11,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Dedicated ‘to the United Nations and especially young people’, this is slow-burning, steeply screwed, early-seventies Atlanta funk by James Conley and co, spun out of a line from Eliza Hewett’s nineteenth-century hymn, When We All Get To Heaven.

The flip is deadly, too: a super-soulful blend of Sly & The Family Stone with Kool & The Gang, movingly confused and sincere in its pleading (without threats or machismo) to be loved back.

Both sides come with instrumentals. Check part two of Get Together.

Beautifully sleeved.
Sly & The Family Stone - There's A Riot Going On Red Vinyl Edition
Sly & The Family Stone
There's A Riot Going On Red Vinyl Edition
LP | 1973 | UK | Reissue (Sony)
35,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Sly & The Family Stone are celebrating their 50th anniversary of There’s a Riot Goin’ On released December 10th 1971. The album was a commercial success featuring the hit single “Family Affair” reaching number 14 on the official UK chart. This was a departure from the optimistic psychedelic soul of previous records and shifted to a more political and militant vibe, perfectly encapsulating the turbulent political climate in the United States at the turn of the 1970s. To this day the album is highly regarded and continues to rank in many publications’ best-album lists, including 500 Greatest Albums of All time. This year There’s a Riot Goin’ 50th anniversary features a limited edition red 1LP, which will supported with a PR and marketing campaign.
Betty Davis - Betty Davis Coke Bottle Clear Vinyl Edition
Betty Davis
Betty Davis Coke Bottle Clear Vinyl Edition
LP | 1973 | US | Reissue (Light In The Attic)
43,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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* New Pressing On Blue Colored Vinyl *In 1973, Davis Would Finally Kick Off Her Cosmic Career With An Amazingly Progressive Hard Funk And Sweet Soul Self-Titled Debut. Davis Showcased Her Fiercely Unique Talent And Features Such Gems As "If I'm In Luck I Might Get Picked Up" And "Game Is My Middle Name." The Album Betty Davis Was Recorded With Sly & The Family Stone's Rhythm Section, Sharply Produced By Sly Stone Drummer Greg Errico, And Featured Backing Vocals From Sylvester And The Pointer Sisters.
Herbie Hancock - Headhunters
Herbie Hancock
Headhunters
2LP | 1973 | US | Reissue (Analogue Productions)
69,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Black Nasty - Talking To The People Vinyl Me, Please Edition
Black Nasty
Talking To The People Vinyl Me, Please Edition
LP | 1973 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
“There’s always a risk you run, when championing a record like Talking to the People, of overstating your case. There’s generally an easy-to-grapple-with reason why something that the vast majority of the listening public hasn’t listened to hasn’t been heard. Poor distribution, something slightly missing in the singles, critical misunderstanding, bad timing; all those things have coalesced to make many deserving records lose out on their just desserts.

But pressing play on Talking to the People really does feel like something revelatory, something transcendent. It’s like if the Bar-Kays of the early ’70s had a woman on the mic, or if Funkadelic leaned more into rock, or if Sly Stone had half the budget. It’s an album that feels contemporary — it almost predicts Black genre experimentalists like SAULT — but also fits so neatly in with everything happening in Detroit and Memphis funk in 1973. It failed to find an audience because the audience it predicts — the musical omnivore who could see the strands between everything — hardly existed in earnest by then.

But listening today, it’s almost too easy to find something to love.”
Sly & The Family Stone - Fresh
Sly & The Family Stone
Fresh
LP | 1973 | US | Original (Epic)
29,99 €*
Release: 1973 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Sly & The Family Stone - Fresh
Sly & The Family Stone
Fresh
LP | 1973 | US | Original (Epic)
66,99 €*
Release: 1973 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Original US Santa Maria Pressing. Original inner sleeve.
Sidney Joe Qualls - I Enjoy Loving You
Sidney Joe Qualls
I Enjoy Loving You
12" | 1974 | US | Reissue (Brunswick)
14,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
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Betty Wright - Danger High Voltage (Henry Stone Records)
Betty Wright
Danger High Voltage (Henry Stone Records)
LP | 1974 | EU | Reissue (Wagram)
21,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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Phil Ranelin - The Time Is Now!
Phil Ranelin
The Time Is Now!
LP | 1974 | JP | Reissue (P-Vine)
45,59 €* 47,99 € -5%
Release: 1974 / JP – Reissue
Genre: Organic Grooves
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After Motown left Detroit for Los Angeles in 1972, trombonist Phil Ranelin was largely left without work or direction, until he co-founded Tribe with Wendell Harrison later that same year. Two years after forming Tribe, Phil Ranelin would release his first album as a solo leader, The Time Is Now! The record contains all of the hallmarks of the best Tribe recordings: spiritual-leaning improvisations, soulful grooves, and appearances from Tribe regulars: Wendell Harrison, Marcus Belgrave, Reggie Fields, and more! The album opens with a 13 minute improvisation titled “The Time Is Now For Change”. As Ranelin , Belgrave, and Harrison exchange flurries of notes and squeaks over improvised chaos from the rhythm section, the group builds to a spiritual high that calls to mind the best Albert Ayler recordings. Bebop lines and unison phrases occasionally rise to the surface, offering a glimmer of familiarity in what is largely a harsh soundscape. Yet what sets Ranelin (and indeed, all of his Tribe contemporaries) apart from the larger free and spiritual jazz scene at the time is their sense of rhythm. Even as Harrison evokes sounds that would make a Meditations era Coltrane blush, the drums stay in time, and the looping bass and piano riffs take on an almost hypnotic quality, repeating quietly under a whirlwind of sound. Later tracks see the ensemble veer into soul jazz, and jazz-funk, with “Black Destiny” perfectly highlighting the group’s ability to meld the avant-garde with grooves that you won’t be able to stop yourself from tapping your foot to. Members of the Tribe were well known for their appreciation of African American popular music, and the influence of groups such as Sly And The Family Stone is clear in the song’s edgy rhythms and dense sound. This double LP reissue also contains alternate versions and outtakes that are so good you’ll be wondering why they were originally left out! With modern remastering, three bonus tracks, and an obi-strip, you don’t want to miss the definitive version of Phil Ranelin’s The Time Is Now!
Dizzy Gillespie / Charlie Parker / Stan Getz - In Concert.....Carnegie Hall
Dizzy Gillespie / Charlie Parker / Stan Getz
In Concert.....Carnegie Hall
LP | 1974 | US | Original (VJ International)
9,99 €*
Release: 1974 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Sly & The Family Stone - Small Talk
Sly & The Family Stone
Small Talk
LP | 1974 | US | Original (Epic)
22,99 €*
Release: 1974 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Original US Santa Maria pressing.
Stan Getz - Return Engagement
Stan Getz
Return Engagement
2LP | 1974 | US | Original (Verve)
17,99 €*
Release: 1974 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl is close to NM.
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