Search "Era – Ameno" 1060 Items

2LP | 2021 | EU | Original (Elkar)

Katebegiak

38,99 €*

Cavendish Series Volume 2: Frantic

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Music produced in the 70’s in the Basque Country got trapped between two earth shattering artistic currents; Ez Dok Amairu in the 60s and Basque Radical Rock in the 80’s, and unfortunately, most of the lovely discs and tunes created at that magical time have been pushed to a remote (and sometimes even despised) corner of our collective memory. 60’s and 80’s music currents are almost opposite, and both work as magnetic poles with a very strong power of attraction, and maybe also as a burden for any of the later artistic currents. 60’s generation of artists searched within their rich and ancient cultural roots to acknowledge and update them, in proud, hopeful and unforgettable folk songs. The 80’s one on the other hand, worked in a flammable environment in constant social and political conflict and found in punk the perfect way to express their anger and weariness for so many unfulfilled promises and the lack of opportunities into short, noisy, direct and corrosive songs, technically sparse but full of energy and expressive power. Most of the “classic” names engraved in our memory come from one or the other like Benito Lertxundi, Mikel Laboa, Lourdes Iriondo and Xabier Lete or Kortatu, Hertzainak, Zarama, Las vulpes, Eskorbuto or Cicatriz. 70’s generation and their music works somehow as the “missing link” (“katebegia” in Basque) between the two. They loved folky tunes and don’t forget their ancient roots, but they also look outside for inspiration and experimentation. Just as the 80’s boys and girls found punk the 70’s guys found a completely different sonic and aesthetic landscape in the works of Grateful Dead, Fairport Convention, King Crimson, Soft Machine, Gong,… and worked closely with keen souls in other neighboring regions such as Maquina!, Pau Riba or Sisa in Catalonia or Smash and Triana in Andalusia. This resulted in more abstract and poetic lyrical content, much longer psych-folk-prog-jazz tunes, full of complex instrumental passages and mesmerizing structures of sheer ambition and masterful execution in many cases. But, most important of all, they found a voice of their own, rich, unique, and fascinating, and that’s what makes them so valuable to us. Not only to us, but also to lots of vinyl collectors and crate-diggers around the world, who have in many cases paid fortunes for some of the original editions of LPs that are the source of tunes in this compilation. Mikel Unzurrunzaga Schmitz aka DJ Makala, Dj and producer of worldwide scope and wisdom, noticed this fact first and decided to pay homage to these wonderful tunes through this masterful and dedicated selection for your pleasure and as an open invitation to dig deeper into your adventures in the dark and hidden side of Basque popular music. The album Katebegiak, now published by Elkar, contains 13 tunes on double LP gatefold edition from Haizea, Izukaitz, William S. Fischer, Magdalena, Enbor, Itoiz, Koska, Itziar, Errobi, Lisker, Amaia Zubiria & Pascal Gaigne, Gontzal Mendibil & Taldea and Urria, and the CD-Book edition adds an extra bonus track by the great unknown artist Juan Arkotxa. Along with this compilation, and as a sample of the era, we reissued two more little gems of which we have included a track on the compilation.

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Sam Fonteyn

7" | 2021 | UK | Original (KingUnderground)

13,99 €*

The Best Of Vis-A-Vis In Congo Style

Release: 2021 / UK – Original

Genre: Organic Grooves

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KingUnderground to release a collection of 8 45s from the Cavendish Music catalogue. Paying homage to the genre of Library Music, furthering its exposure to a new generation of listeners. Library Music experienced its heyday in the 60s and 70s, as thousands of instrumental tracks were produced by musicians and composers for the purpose of placements in Radio, Television, and Film. This rich piece of European music history would go on to inform genres to come and speak heavily to the Jazz, Funk, and Hip Hop communities of the future.

This was often a musician’s first opportunity to become a composer, or what most would commonly know now as a producer of music. These composers would work with a stable of musicians to record 100s tracks that would go into a publishing Library. The pieces of music were recorded quickly and deliberately. The composers, musicians, and engineers understood their role in the process, it was an act of discipline amongst all involved. Often the composer was given a brief on what the end goal was for the client. The specifics would include tempo to lock into, song ending time, etc. In the early days of Library Music, there were 3 major companies that acted as publishers. KPM, De Wolfe, and Boosey & Hawkes, which is now known as Cavendish Music. None of this music was made commercially available, so these companies were collecting vaults worth of material, later to be discovered as some of the most influential music for current producers across experimental, dance, house, hip hop, jazz and more. This influence has no doubt infected the KU catalogue of music, and is present in such records as the 2020 release from Robohands ‘Shapes’.

Never before have these tracks from the Cavendish Music Library been pressed on 7” vinyl at 45rpm. In all there will be 8 individual 45s, licensed from Boosey & Hawkes & Cavendish Music Library. The collection includes compositions by Tony Kinsey, John Scott, Sam Fonteyn, Ray Davies, and more.

One of the unique things about the genre of Library music is the way that it has stood the test of time. One factor is that Library music was made up of so many different genres, but a key contributor to the timelessness and the reason why so many current DJs and producers have found this important and inspiring to their work is that the music was made over several decades and often depicted to times sonically. There’s a boldness to Library music. It’s in the forward nature of where the drums sit in the mix and the percussive playing of the keys that gives you something to grab hold of, it feels grounded yet exciting. Its music beamed in from a different galaxy! The second record in the Cavendish Music series is titled ‘Frantic’ and features 2 compositions by Sam Fonteyn. Frantic energy is no doubt present in the horns and percussion on the A-side of the 45 “One Way Trip (Warm)” but the high energy gives off a dancehall vibe, leaving you in a sweat as if you were in the club. Fonteyn was a key contributor to the Boosey & Hawkes Music Library. His output held a strong presence amongst other composers, there’s an “it” factor or a swagger to his productions. The compositions are timeless and feel hip in any era, especially on “One Way Trip (Cool)”. Which is appropriately titled, because it doesn’t get much cooler than the feel on this track!

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Vis-A-Vis

LP | 2021 | US | Original (We Are Busy Bodies)

33,99 €*

7" | 2021 | US | Original (Colemine)

Release: 2021 / US – Original

Genre: Organic Grooves

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We Are Busy Bodies returns with a remastered reissue of The Best of Vis-A-Vis in Congo Style. The album finds the the young band in great form, with six new songs. The album was one of three released by the band in 1976. The band continued to be the backing band of choice of some of Ghana's biggest and most famous musicians all while recording their own albums.

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Joey Quinones

For You

10,99 €*

LP | 2021 | US | Original (We Are Busy Bodies)

Release: 2021 / US – Original

Genre: Organic Grooves

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As the leader of the modern Chicano soul outfit, Thee Sinseers, and releasing a string of singles as a solo artist, Joey Quinones and his crew have recently been ushering in a new era of modern soul. It is the type of music that shares a genesis with the birth of soul and R&B sounds emitted from the classic lowrider cruising down Whittier Boulevard to the sunshine-y vibes of traditional ska and dancehall reggae. And with his debut 45 on Colemine, Quinones shows that he's adept at not just the slow and low, but also the mellow sounds of early reggae. We are proud to present "For You" by the ever-sweet and oh-so-talented Mr. Joey Quinones.For Fans of Durand Jones & The Indications, Frightnrs, Thee Sinseers, Jr. Thomas & The Volcanos, Bobby Orozo

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Vis-A-Vis

Di Wo Ho Ni

33,99 €*

LP | 2021 | EU | Original (Hot Mule)

Release: 2021 / US – Original

Genre: Organic Grooves

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We Are Busy Bodies exploration of Vis-A-Vis catalogue continues with a remastered reissue of their album Di Wo Ho Ni. The band continued to be the backing band of choice of some of Ghana's biggest and most famous musicians all while recording their own albums. The album has been remastered by Noah Mintz at Lacquer Channel, with art restoration completed by Steve Lewin.

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Teddy Lasry

Funky Ghost 1975-1987

Ron Holden / Jerry Fuller

Release: 2021 / EU – Original

Genre: Organic Grooves

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French multi-instrumentalist Teddy Lasry's story is noteworthy not just in regards to the music he released, but in the ways that he approached the craft of composing and experimenting with sounds and sonics. Always intrigued with the capabilities of instruments, their groove and their feel, it was very much his family’s influence that helped to fuel these life long affections. As a performer in a parisien cabaret, Teddy’s father Jacques would mingle with giants like Serge Gainsbourg and Charlie Chaplin (impressed by his ability to improvise, Chaplin wanted him to become his accompanist, but the pianist politely refused). Jacques and his wife (Teddy’s mother Yvonne), would later become members of the innovative experimental group Les Structures Sonores, and surround their children’s lives with sounds. Electronic music was still in its infancy and Les Structures Sonores, with their resonators that produced long, mysterious tones, were deemed ‘cosmic’. It was the era of the launching of the first Russian Sputnik and every time a radio or television station wanted music for their science fiction programs, they turned to one of their compositions. Showing a natural ability with multi instrumentalism, Teddy was rewarded with a spot in the band, allowing him to really explore unconventional methods of composition. Following a brief stint with Ariane Mnouchkine's avant-garde Théâtre du Soleil after graduating school, Teddy joined the pioneering prog band Magma, with whom he would record three groundbreaking records during the early 1970s (According to former member Laurent Thibault, their album Mëkanïk Dëstruktïẁ Kömmandöh and its sound were strong influences on David Bowie during the recording of Low and Iggy Pop’s The Idiot at Hérouville). Despite the successes with these projects, Teddy was constantly searching for new ways of expressing himself through music, leading him into the beginnings of a solo career that would last the better part of three decades. Teddy’s transition into his solo career came with contrasting fortunes, in that he was now becoming a music to image composer but with the unfortunate realisation that his eyesight was gradually worsening (due to being diagnosed with retinitis pigmentosa at an early age). Nonetheless, his solo career would begin in 1975, and for the rest of the decade his sound would become increasingly mired in electrified Funk-Fusion and its endless sonic possibilities. The resulting music would serve to highlight Teddy’s love affair with the possibilities found within tireless instrumentation, with the flute and particularly synthesisers becoming a mini-obession of his (he once spent a 7,000 Francs loan, which was meant to be spent on fixing his roof, on synths). To this day Teddy continues to record and experiment with music, a passion which in many ways has never left his side, even at the age of 75. His career was one that was fuelled by innate curiosity and an intrinsic desire to discover new methods of expressionism, be it through the realms of Jazz-Funk, ambient electronics, Swing music or indeed through the medium of instrumentation itself. On this compilation, we look to encapsulate the essence of his innovative sound, and from start to finish a sense of his ingenious approach to composing structure and mood is made abundantly clear. The funk-jazz fusion style that embodied the majority of his 70s work is on full display here, with the vibrant flute driven "Los Angeles", the Miles Davis inspired "Blue Theme", the progressive and driving "Chamonix", and the deeply intricate "Krazy Kat", along with one of his finest 80s slow jams, "Funky Ghost". Two cuts off the ‘Back To Amazonia’ album are also featured (Teddy’s last album including his Prophet T8, Yamaha DX7 and Oberheim drum machines). "Raising Sun in Bali" and the title piece both emphasise an ever present passion for synthesisers. "Birds of Space", a standout track off the e=mc2 album, closes the comp, and is a fitting way to end this journey. Pulled together in close collaboration with Teddy and his family, this collection of songs looks to introduce new listeners to his work and we are proud to present this limited and carefully remastered compilation on vinyl, including extensive liner notes.

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I'll Forgive And Forget / Double Life

7" | 2021 | EU | Original (Outta Sight)

17,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Madlib & Mamao Are Jackson Conti

Sujinho Black Friday Record Store Day 2021 Edition

2LP | 2021 | US | Reissue (Madlib Invazion)

32,39 €* 35,99 € -10%

Instrumental Modal Pop Of 1970's Egypt

Release: 2021 / US – Reissue

Genre: Hip Hop, Organic Grooves

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Limited to 4500 copies worldwide. Madlib reissues his long out of print collaboration with legendary Brazilian drummer Ivan “Mamao” Conti, propellant for lauded jazz fusion archetypes Azymuth, on his own imprint. Alternate cover artwork, photography by B+. When Madlib went to Brazil in 2002 with Mochilla to participate in the production of the Brazilintime documentary, his one mission was to meet Ivan “Mamao” Conti, the drummer of the legendary trio Azymuth. Madlib had made an Azymuth tribute record he wanted to play for him. On a rainy night in Rio, Mamao and Madlib went in the studio. Several hours later the rhythm tracks that make up Sujinho were laid and the process began. Featuring the music of Madlib, Mamao, Edu Lobo, Chico Buarque de Hollanda, Luiz Eca, Baden Powell, Vinicius De Moraes, Marcos Valle, Joao Donato, Dom Um Romao, Airto Moreira and even George Duke… and with guest vocals by Thalma De Freitas — Sujinho is a unique and classic record. Filled with the angularity and edge of a Madlib production and underwritten by the polyrhythmics of Mamao — Sujinho takes Brazilian music into places it has never been, bringing oft forgotten classics like “Upa Neguinho” to 21st century ears.

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Baligh Hamdi

CD | 2021 | EU | Original (Sublime Frequencies)

18,99 €*

Gil Ok-Yun, Lee Saeng-Gang, Lee Sung-Jin & Ryu Bok-Sung

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Sublime Frequencies finally unleashes it’s Essential compilation from 1970’s Egypt. Modal instrumental tracks from Baligh Hamdi - one of the most important Arabic composers of the 20th Century (writing for legends Umm Kalthum, Abdel Halim Hafez, Sabah, Warda, and many others). Features his legendary group the “Diamond Orchestra” with Omar Khorshid on guitar, Magdi al-Husseini on organ, Samir Sourour on saxophone, and Faruq Salama on accordion. All of these musicians were discovered and recruited by Hamdi to interpret his vision of a modernized, hybrid Arabic music. Under Hamdi’s direction, this orchestra charted a new melodic direction and created a new musical language. This compilation is culled from a specific era of Hamdi’s long career, a decade where he fully realized an international music which incorporated beat driven Eastern tinged jazz, theremin draped orchestral noir, tracks that feature searing guitar solos from none other than Omar Khorshid, and a selection of buzzing, sitar driven, Indo-Arabic tracks establishing a meeting of mid-east and eastern psychedelic exotica, and a vision that created some of the hippest music coming out of the Middle East from the late 1960’s and throughout the 1970’s.

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Spirit Junction: Korean Folk Music Meets Jazz

LP | 2021 | JP | Original (Beat Ball Music)

Release: 2021 / JP – Original

Genre: Organic Grooves

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Lyrical pop / gayo composer and saxophonist Gil Ok-yun was a central figure in Korea's golden age of gayo (1960s to 1980s), and has given us countless gems through his collaborations with greats such as Hye Eun-yi and others. Gil never did let go of his jazz roots, and would occasionally release gayo records in the jazz-tinged kayokoku style with the help of musical colleagues during his time in Japan such as Keitaro Miho and Shungo Sawada. It was through his meeting with Korean classical musician Lee Saeng-gang in the 1980s - an era in Korea that was characterized by experimental crossovers of Eastern and Western styles - that Gil's musical aspirations were finally realized in the form of a 'proper' jazz record.

Lee Saeng-gang's ensemble included himself as daegeum flautist and his brother, the janggu percussionist Lee Sung-jin. They were joined by Gil and a member of his jazz ensemble, the percussionist Ryu Bok-sung. Several live performances eventually led to a recording session. This album, which comprises just two tracks recorded in the form of improv jams, has often been referred to the only work of its kind in Korea's jazz scene. The mélange of two woodwind instruments (saxophone, daegeum) and various percussion elements (bongos, janggu, jing, & kkwaenggwari) come together to conjure a ritual-like confluence that is spiritual in nature and transcends the boundary between East and West.

For some reason, the album was initially released only on CD - the present reissue is the first-ever vinyl release. Though Gil was a jazzman through and through all his life, it was only in his later years that he finally got a 'jazz recording' to his name. Rediscover his legacy and gift to Korea's jazz scene, restored here in its full glory.

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The Paths Of Pain The Caife Label Quito 1960-68

2LP | 2021 | UK | Original (Honest Jon's)

LP | 2021 | EU | Original (One Little Independent)

Release: 2021 / UK – Original

Genre: Organic Grooves

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A dazzling survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national, before the oil boom and incoming musical styles — especially cumbia — swept away its achingly beautiful, phantasmagorical, utopian juggling of indigenous and mestizo traditions.

Forms like the tonada, albazo, danzante, yaravi, carnaval, and sanjuanito; the yambo, with roots in pre-Incan ritual, and the pasillo, a take on the Viennese waltz, arriving through the Caribbean via Portugal and Spain.

Exhumations like the astoundingly out-there organist Lucho Munoz, from Panama, toying with the expressive and technical limits of his instrument; and our curtain-raiser Biluka, who travelled to Quito from Rio, naming his new band Los Canibales in honour of the late-twenties Cannibalist movement back home, dedicated to cannibalising other cultures in the fight against post-colonial, Eurocentric hegemony. He played the ficus leaf, hands-free, laying it on his tongue. One leaf was playable for ten hours. He spent long periods living on the street, in rags, when he wasn’t in the CAIFE studio recording his chamber jazz-from-space, with the swing, elegance and detail of Ellington’s small groups, crossed with the brassy energy of ska — try Cashari Shunguito — and an enthralling other-worldliness.
Utterly scintillating guitar-playing, prowling double bass, piercing dulzaina, wailing organ, rollicking gypsy violin, brass, accordion, harps, and flutes. Bangers to get drunk and dance to. Slow songs galore to drown your sorrows in, with wildly sentimental lyrics drawn from the Generacion Decapitada group of poets (who all killed themselves); expert heart-breakers, with the raw passion of the best rembetica, but reined in, like the best fado.

Sumptuously presented, in a gatefold sleeve and printed inners, with a full-size, full-colour booklet, with wonderful photos and excellent notes. Limpid sound, too, courtesy of original reels in Quito, and Abbey Road in London; pressed at Pallas.

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Lomond Campbell

Lup

17,84 €* 20,99 € -15%

Release: 2021 / EU – Original

Genre: Organic Grooves

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2LP | 2021 | EU | Original (Verve)

Harry Connick Jr.

Alone With My Faith

33,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (180g X Disk Union)

Bruna Mendez

Corpo Possivel

Coming Yesterday-Live At Salle Gaveau 2019

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Following highly praised releases by Hermeto Pascoal & Grupo, Leonardo Marques, Xenia Franca, Moons, and Gus Levy, 180g and the legendary Disk Union continue to explore the best of today's Brazilian music scene with this wonderful album by Bruna Mendez. A chill, mellow and futuristic musical masterpiece with funky and electronic flavours, Corpo PossÃvel leads the way to the new era of Brazilian R&B.

Bruna Mendez is a female singer/songwriter from the inland city of GoiÃ¢nia, Brazil. Originally a lyricist, she began her musical career in 2008 to express herself as a musician, joining several bands in Rio as well as in her hometown GoiÃ¢nia. After releasing her debut EP "Pra Ela" in 2014, Bruna released her debut solo album "O Mesmo Mar Que Nega a Terra Cede Ã Sua Calma" in 2016, which received critical acclaim in Brazil.

After this first album, Bruna also finds interest in electronic sounds and textures, and starts incorporating these elements into her music. Her second album here, "Corpo Possivel", is the result of such an encounter between electronic beats, addictive melodies and a band and musicians playing a tight and propulsive sound. All of this makes Corpo Possivel an album standing out in today's Brazilian music scene, where many extraordinary talents are produced. 180g and Disk Union are proud to release Corpo Possivel for the first time outside of Brazil. This is an essential LP by an artist promised to a bright future on the Brazilian and international scenes.

This album comes on 180g vinyl format.

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Credits:

- Recorded in Curitiba / PR / Brazil, between April and July of 2019 by Pedro Soares (jack) at Chucreza Beats, Guigo Berger at Rec'n'Roll, Tiago BrandÃ£o at Voxdei, Vinicius Braganholo at Nico's Studio; in GoiÃ¢nia / GO by Braz Neme at UpMusic, and in Lisboa / Portugal by JoÃ£o de Carvalho at The LX Sound.

- Produced by Gianlucca Azevedo (jan) - Co-produced by Machado (tracks A3 and B1), Pedro Soares (jack - tracks A4 and B2) and Lucas Romero (track B3)

- Voices: Bruna Mendez, Lilian Soares, Layane Soares and Machado - Guitars: Bruna Mendez and Gianlucca Azevedo - Bass: Machado, Leomaristi dos Santos, Rayssa Almeida, Nikko Novak and Gianlucca Azevedo - Saxophone: Gianlucca Azevedo - Drums: Pedro Soares, Eli Lage and Jean Ramos - Vocal Producers: Lilian Soares and Gianlucca Azevedo

- Edit: Bruna Mendez, Gianlucca Azevedo and Amadeus Marchi - Post-production by Bruna Mendez - Mixed by Guigo Berger at Rec'n'Roll Studio (Curitiba / PR) - Mastered by Anderson Guerra at Bunker Analog (Belo Horizonte / MG)

- Art direction: Junior Ribeiro and Bruna Mendez - Album cover photo by Junior Ribeiro - Graphic design: FÃ©lix B. Perini - LP additional design by Nicolas Kerembellec (nker.fr)

- Executive Producer: CecÃlia Brito - LP vinyl production by Greg Gouty (180g) and Yusuke Erikawa (Disk Union)

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180gdulp06 - Manufactured and distributed by 180g in collaboration with Disk Union Japan, under license from Bruna Mendez.

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Martial Solal

LP | 2021 | EU | Original (Challenge)

LP | 2021 | EU | Original (Pessimist Productions)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Coming Yesterday is the recording of what turns out to be Martial's last concert, he decided to stop playing piano after that show:

Martial Solal
"When I walked onto the stage on January 23, 2019, I did not yet know that I would decide not to play piano anymore after this concert, more than seventy years after my debut. To maintain a certain level, this instrument requires your daily attention; it requires delicacy, brutality, and especially energy. I have lived with these demands all my life, with the joy of seeing the progress, the technical and musical advances, the rhythmic and harmonic enrichments that we acquire over time. Of course, everything goes very fast at first. As long as you are gifted, if you spend a little time on it, if you listen to what was done before you, if you choose a path, everything may seem easy. Progress is rapid, illusions are immense, and then walls arise, walls that you want to reach and overcome. Seventy years to achieve this is a minimum... When energy is no longer available, it is better to stop.

I had the impression on January 23 of having reached the beginning of a path that I would have liked to continue, after so many years of improvisation, of creation, based on what are called standards, which I call pretexts, challenges, essay topics that you can develop in a thousand and one ways according to the evolutions that arise in your mind or in your circle of musicians. The standards have gone out of fashion, replaced by other themes that most of the time may not have the qualities to become standards, the so-called “originals”. All musicians considered themselves composers, free jazz burst onto the scene and swept away old themes, eliminating the difficult rules of stability of tempo, harmony and melody. Some standards have survived, and those you will discover can be described as indestructible. They are always only pretexts for expressing ideas, but with relaxed rules, the rubato being entitled to be cited as well as accelerations, atonality or the absence of a continuous tempo.

That is what I was thinking on January 23. Part of this concert seems to reflect my knowledge to this date. For me, jazz remains that of the twentieth century, the one that saw the birth of New Orleans, middle jazz, be-bop, and free jazz. The first three of these jazz eras were built on ternary rhythms. Charlie Parker may have been the first to use sixteenth notes on a medium tempo, abolishing the necessity of this permanent balancing called swing that has disappeared in this form with the emergence of binary rhythms and phrasings. This style of rhythm no longer corresponds to what I considered essential. I preferred a greater freedom, playing on the melting of keys, rhythms, duration, style, rather than on the forced slavery of the “new” ones. Great freedom requires a lot of work. I’ve done my share. I want to thank those who helped me, who helped me progress thanks to their encouragement or criticism, to those who were kind enough to play alongside me, for me, who often played my compositions for years. Too bad for all those who have missed out what I have tried to offer them. Progress is a very selfish happiness. I feel as if I have sown a blade of grass during this concert, showing a direction that I would like to see continue. In some places, this grass has already grown enough to be considered a musical testament… improvised''

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Stigma

Too Long

LP | 2021 | EU | Original (Mushroom Hour Half Hour)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Kristian Jabs Is One Of Bristol's Favourite Sons In The Modern Era Of Electronic Music. As Pessimist, Boreal Massif And Soft Boi, Jabs Has Solidified His Position As A Leader Of A Generation Of Artists. In His Latest Carnation Jabs Presents 'Too Long', A New 7 Track Album Project Under A New Artist Moniker Of Stigma. Enlisting A Prolific Cast Of Collaborators In The Form Of L, Justin K. Broadrick (Godflesh, Napalm Death, Jk Flesh), Taylor E Burch (Tropic Of Cancer, Dva Damas) And Karim Maas, Too Long Clocks In At Almost 40 Minutes Of Personally Reflective, Intimately Authentic Cyber-Noir-Esque Trip Hop. Industrial Anarcho Breaks, Syncopated Sleaze, Analogue Call And Response. Too Long Is A Tale Of Texture, Feel And Tone. Unadulterated. Aiming To Shine A Light On The Relationship Between Poverty And Mental Health Issues In The Uk, All Proceeds From The Album Will Be Donated To Second Step Bristol, A Charity Dedicated To Supporting People With Mental Health Problems, Gently Acknowledging The Possibilities For Change.

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On Our Own Clock

Aaron Neville / Al Jarreau

Release: 2021 / EU – Original

Genre: Organic Grooves

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Pre-pandemic, there was a plan. The plan was for musicians from South Africa and Senegal to travel to London’s influential Total Refreshment Centre to make an album with musical kindred spirits in the UK. Like so many plans, it had to be adapted.

In the first heatwave summer of Covid, groups of heavy-hitting musicians met for a day of intense recording in their home cities then sent the music to their compadres across the oceans. They returned to the studio a month later to respond to the music they’d been sent. The result is ‘On Our Own Clock’, a sonic testament to trenchant and collaborative creativity which digs into layers of South African jazz, traditional Senegalese instrumental music and London’s rich diaspora-informed musicality. Individually these are powerful strands of music. Collectively, they are super-sized.

‘On Our Own Clock’ contains interludes titled ‘How To Make Art In A Pandemic’. The phrase became a byword and a prayer to keep the process going across the multiple hurdles that presented themselves: people getting Covid; the fear and fury that proliferates in the twin pandemics of Covid and racism; the practicalities of making music across two continents. It builds on another phrase, in the spirit of evolution and improvisation: two words used in the foreword to Toni Morrison’s novel Jazz in which she describes the ‘unreasonable optimism’ of musicians. Making this album was unreasonably optimistic even before the pandemic. To have created a deeply-rooted and warm-hearted gem like this is extraordinary.

Album highlights among the phenomenal 11 tracks include singles ‘Dune Dance’, which steps and hustles around a gorgeous groove that was written in Joburg and reflected back by the London players. ‘Ngikhetile’ (an isiZulu word which translates as ‘I Have Chosen’) fuses playing from across continents in an incrementally intense salutation to powerful optimism. ‘Be The Light’ draws deep from the endless well of feeling that the Senegalese kora provides, and builds up and outwards from a sweet-yet-solid bedrock and Grandmaster Cap’s vocals. Like he says:

If you are the light, you are the path. To all the bright motherfuckers out there, keep shining.

The release is a collaboration between South African label Mushroom Hour Half Hour and Total Refreshment Centre recordings. It comprises the single album with artwork by Senegalese designer Djib Anton; a fanzine which documents the process and will be included with the vinyl; and an experimental film made by South African filmmakers Nhlanhla Masondo and Tseliso Monaheng. It imagines a far-future post-pandemic world and also includes artist interviews, session footage and the inevitable Zoom recordings.

One day, the musicians will play together in person. But for now, On Our Own Clock is inspiration, dispersed positivity and eleven incredible pieces of musical togetherness.

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Hercules / Use Me

7" | 2021 | EU | Original (Ramrock Retro)

13,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Hot on the heels of Ramrock Retro’s debut release – Rrret001 – Gladys Knight & The Pips – Ramrock Retro is insanely delighted to present their next release – the superb double sider of Aaron Neville’s ‘Hercules’ and Al Jarreau’s ‘Use Me’. Recently covered by Ramrock artist, Ghetto Priest, Aaron Neville’s 1973 classic ‘Hercules’ needs no introduction but here’s a few facts. Originally released on Mercury, the track was co-produced by New Orleans luminaries, Allan Toussaint and Marshall E Sehorn. ‘Hercules’ enjoyed a massive renaissance in the mid 80’s on the ‘Rare Groove’ scene and was repressed 16 years ago in 2005 on Jazz Man Records. Al Jarreau’s ‘Use Me’ comes from his 1979 ‘Lonely Town, Lonely Street‘ and is a wonderful cover of the Bill Wither’s track. ‘Use Me’ has never previously been released as a 45 so this is its UK debut. Both tracks have been beautifully remastered by Darren Morris at North Street West.

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Moon Ride: Uncut Cosmic Disco Diamonds From The T.K. Galaxy

2LP | 2021 | EU | Original (T.K. Disco)

CD | 2021 | EU | Original (Mr Bongo)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Presenting a collection of deep spatial gems mined from the ever impressive TK Disco vaults for your playback listening pleasure!

The TK Disco music empire has blessed our ears and minds with an endless stream of music since it's late 1960's inception. Countless soul and funk sides were produced, cut and released by label founder Henry Stone and his associates, in turn changing the face of contemporary black music in the USA and across the world forever. It is true that the TK story originated on America's 'Space Coast', the modern frontier of lunar exploration and galactic travel, the home of NASA and countless missions beyond the stars nestled on the East Coast of the United States.

'Moon Ride' - The compilation you hold in your hands, is merely one strand of the incredible music that was beamed out of Hialeah, FL over the decades. The focus on this collection is the idea of the 'cosmic' from the Disco era. These are records that emit a spacey vibe, either from their lyrical content or equally from their sonic qualities, imbibing synths and electronics to create otherworldly grooves. These records were big hits on underground music scenes such as Daniele Baldelli's cosmic movement in the 70's and 80's in Lake Garda, they were vehicles of escapism and hedonism on the discerning dancefloors of NYC in the hands of progressive DJs like David Mancuso and Nicky Siano and they were also essential building blocks in the creation of House and Techno music in the Midwestern cities of Chicago and Detroit, inspiring legendary artists such as Mr Fingers and Jeff Mills and countless others. An essential collection of music for listening, dancing, loving and travelling!

TK Disco's influence is still felt today and this carefully curated selection of tracks showcases some absolute classics, overlooked nuggets and rarities from the label's huge output. Mastered with love by Optimum Mastering, Bristol UK. Brought to you by TK Disco / Henry Stone Music & Above Board Distribution 2021.

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Joel Culpepper

Sgt Culpepper

LP | 2021 | EU | Original (Outre-National)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Hailing from south-east London, Joel Culpepper is an artist who’s been on Mr Bongo's radar for some time now. With a unique soulful voice and explosive showmanship, Joel’s star is rising. His sonic palette blends an array of genres and influences, that looks back to the greats whilst simultaneously absorbing London’s contemporary musical landscape. His charismatic Colors Studios performance of ‘Woman', the standout cut from Joel’s 2017 EP ‘Tortoise’, has amassed over 13 million views on YouTube (and counting). Joel's debut album, 'Sgt Culpepper’, is an incredible modern soul album and the product of a two-year undertaking which saw him attract an array of respected producers and musicians from the UK and beyond, a testament to the reputation he had already built as a dynamic songwriter and performer among his contemporaries. With executive production from Swindle (Ezra Collective, Mahalia), mastering from Joker (Stormzy, Kojey Radical) and with co-productions that include the likes of legendary pop producer Guy Chambers, Raf Rundell (The 2 Bears), Shawn Lee (Saint Etienne, Kelis), and Tom Misch, Sgt Culpepper is a demonstration of the power of community, mingling self-reflection with wider social commentary. The record is split into four chapters: The Battle, which includes previous singles ‘W.A.R’ and ‘Return’, The Surrender, embodied by recent single ‘Poetic Justice’; The Love and The Lesson. Joel’s desire to forge a sense of collectivism was the lifeblood for 'Sgt Culpepper', resulting in the diverse roster of talent attached to the project. As well as the aforementioned names, the record includes production from the likes of British multi-instrumentalist Redinho, South London rapper and Roc Nation signee Kay Young, Linden Jay (Poppy Ajudha, Rejjie Snow), and Grammy-award winning songwriter Jimmy Hogarth. "I've been inspired by how the UK jazz and Grime scene supports each other, it’s similar to what happens in the states. Collectives like Odd Future, Aftermath and the earliest being Motown. It’s soul’s turn to band together here, likeminded independent musicians working to support the scene and each other as a whole.” Through charismatic storytelling, personal epiphanies, and the formation of a new creative collective that underpins his craft, 'Sgt Culpepper' ushers in a new era for Joel as an artist.

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Hocine Chaoui

Ouechesma

Sgt Culpepper Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Chaoui is a genre of Berber music that originated in the Aurès region of Algeria. It is a mixture of Saharan and Atlas mountain music marked with dancing rhythms and is part of the oral living tradition of the Aurès region. The first recordings on magnetic tape date back to the 1930s when Aissa Jermouni’s music was introduced and published internationally. Over the years, Chaoui has given birth to various sub-genres. The genre was popularized in the 1930s and 1940s, and still generates a strong following of fans across the country and especially in the Aurès region in the 2000s. In its most frequent instrumental configuration, a chaoui music group includes a zorna, a gasba flute, a bendir and one or more singers.

Originally, Chaoui musicians were shepherds who lived in the Aurès mountains, and they sang their own localized poetry of personal and regional topics. But also, joyful themes such as local or religious festivals or in the context of Chaoui weddings.

Hocine Chaoui is one of the genre’s most famous and respected musicians and poets. ,Hocine modernized his sound with drum machines, incorporating intense and modern production techniques with phased gesba flute, reverbed out vocals, taking the genre to its logical new phase. This LP is a reissue of one of the most “in demand” of the genre’s cassettes originally released by Oriental Music Production, a cassette label dedicated to the some of the best regional releases during the heyday of the 80’s and 90’s golden era of rai and local Algerian music cassettes. These releases were only ever released on cassette and now command a premium on the collector’s market.

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Joel Culpepper

LP | 2021 | EU | Original (Mr Bongo)

7" | 2021 | EU | Original (Mr Bongo)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Sven Wunder

Impasto / Prussian Blue

15,99 €*

7" | 2021 | EU | Original (Nunorthern Soul)

Release: 2021 / EU – Original

Genre: Organic Grooves

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In collaboration with Piano Piano Records, Mr Bongo is thrilled to present a taster 7” single, ‘Impasto’ / 'Prussian Blue’. The single showcases the colourful palette of Sven Wunder's fabulous forthcoming third album 'Natura Morta’. The album is set to be released on Piano Piano Records later in 2021 with this 7” acting as the perfect prelude. Sven's 2019 album 'Eastern Flowers' took us into the world of Anatolian rock, European jazz, library, funk, psychedelia, and traditional folk melodies. The 2020 follow up, 'Wabi Sabi’, mixed jazz and Eastern and Southern Asian sounds to present an aural aesthetic of the Japanese ancient wisdom. 'Natura Morta’, "still life" in Italian, owes its inspiration to art. Sven Wunder explores it as a bridge between nature and the human ability to judge and observe through eleven unique musical compositions, each one brightly coloured and textured with an emphasis on vibrant melodies. As with previous Sven Wunder material the tracks here on this 7" are covered in lush orchestration, evoking the rich musical soundscapes of a previous era (think library music or the film scores of Morricone). First up is the beautiful ‘Impasto’ which refers to the technique used in painting where the paint is laid in very thick layers on a surface. With its lavish sweeping strings and melodies there are echoes of the arrangements of Arthur Verocai, but it then takes a turn into 60s detective movie territory. You can imagine it being the score to a scene in a Harry Palmer film which breaks for a romantic interlude in between the action and suspense. 'Prussian Blue’, is built on Sven’s ‘Shinrinyoku' from the 'Wabi Sabi’ album, sharing the same melody but here with an uptempo beat and another arrangement. It begins with a moment of calm with its soothing piano intro before it bursts into a percussive breakbeat workout. It skates and glides with the influences of Italian library music and Eastern melodies, yet at the same time it retains a unique element that can only be Sven Wunder. 'Prussian Blue' refers to the pigment that was imported to Japan. Once again, we are indebted to Sven Wunder and John Henriksson at Piano Piano Records for letting us share this melodious vision from one of our favourite contemporary musicians. The compositions on this 7" were produced with financial support from the Swedish Arts Council.

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El Turronero

New Hondo

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Those who pay close attention to DJ Harvey’s sets should already be familiar with NuNorthern Soul’s next single, a fully licensed reissue of a sought-after 1980 promotional seven-inch from legendary Spanish Flamenco singer Manuel Mancheño Peña, better known as El Turronero (‘The Nougat’). Both ‘Las Penas’ and ‘Si Yo Volviera A Nacer’ have long been secret weapons in the sets of dusty-fingered Balearic DJs, with Harvey regularly dropping the tracks during his sessions at Pikes Hotel on the White Isle. Both tracks first appeared on Pena’s 1980 album New Hondo, a set that updated the then veteran Flamenco artist’s sound for the disco era. Whereas most of his previous albums were more traditional Flamenco affairs, New Hondo combined his throaty, effervescent Flamenco singing style with the driving grooves, swooping orchestration and spacey synthesizer sounds of European disco. To promote the album, Spanish label DB Belter pressed up a promotional “45” featuring two of the most club-friendly cuts on the album. It’s this release that is being reissued for the very first time by NuNorthern Soul. A-side ‘Las Penas’ is undoubtedly an off-kilter, late-night disco classic. Built around a flanged, action-packed disco-funk bassline, metronomic beats. soaring and layered female backing vocals, intergalactic synth sounds and stirring strings, the track steps up a level when ‘El Turronero’ takes to the microphone to belt out an infectious, energetic vocal in his trademark Flamenco style. It’s the kind of cut that’s as haunting and intoxicating as it is funky and floor friendly. Flipside ‘Si You Volviera A Nacer’, another of New Hendo’s most sought-after tracks, is another unique and righteous concoction. Looser, groovier and warmer in tone, it sees another sublime, Flamenco style lead vocal from Pena accompanied by even funkier bass, spiralling ’70s synthesizer sounds, sweaty drums and some seriously exotic instrumental flourishes (think sitar and kalimba). It’s every bit as alluring as the more driving A-side, and equally as playable. Both tracks may be unusual in comparison to the artist’s other releases, but they expertly capture a moment in time, when disco dominated dancefloors all over the world and inspired even the most traditional and historic of European musical styles. Quite a number of flamenco-disco records were made in Spain during the late ’70s and early ’80s, but very few are quite as magical as these.

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You Can't Sit Down: Cameo Parkway Dance Craze Record Store Day 2021 Edition

2LP | 2021 | Original (WEA)

Ashes To Ashes / Island Girl

Release: 2021 / Original

Genre: Organic Grooves

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Record Store Day 2021 Drop 2 release limited to 500 ciopies worldwide. A crazy 22-track collection containing some of the biggest dance craze hits from the Philadelphia label that got the world dancing in the early 1960s / Includes tracks by Cameo Parkway’s biggest stars: Chubby Checker, Bobby Rydell, Dee Dee Sharp, The Orlons and The Dovells as well as R&B greats Don Covay and The Turbans / Twelve Top 40 hits including three number 1 chart toppers! / Chubby Checker’s original hit version of “The Twist,” which has the distinction of being the only single of the rock era to reach number 1 twice in two consecutive years, is included / Features an essay by acclaimed rock & roll and R&B historian John Broven / Mastered from the original master tapes from ABKCO’s Cameo Parkway archive / Bespoke printed inner bags including extensive liner notes and period photos

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Jahrukus

7" | 2021 | US | Original (Soul Messin')

15,99 €*

I Be Trying Black Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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Jahrukus (Jah-ruckus) are a soulful roots-reggae collective, paying homage to the early Tuff Gong era whilst forging their own musical identity. Active on the Melbourne club scene circa 2005-08, the five-piece ensemble won local and international acclaim via their exciting live shows. Featuring Jake Mason on keys (Cookin’ on 3 Burners), Jason Heerah on drums (Elecrric Empire) and Tona Kopa (INXS/Cold Chisel), their sole recorded output, their self-titled album released in 2008, sold out a limited run direct to fans at shows. For the first time, two incredible recordings from the original CD get a much over-due remaster and vinyl release courtesy of Soul Messin’ Records, Australia’s home of soul and jazz.

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Cedric Burnside

LP | 2021 | US | Original (Single Lock)

Spacecraft Green Record Store Day 2021 Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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I Be Trying might be the title of the new record from two-time Grammy nominee Cedric Burnside, but it's also a mission statement in an era when plenty of us have discovered what "the blues" really means. Recorded over three days at Royal Studios in Memphis (the home studio of Al Green and Hi Records in the 60s and 70s), this album is the ultimate statement of purpose for a critically acclaimed artist who has proudly carried the mantle of Mississippi Hill Country blues around the world. Over thirteen tracks, Burnside delivers his bruised but unfettered truth over blistering guitar and deep pocket drums-a sound birthed in his soul but developed and perfected on the road. But no matter how far he travels, the righteous sound he makes could only come from one place. I Be Trying is the sound of modern Mississippi. Produced by second-generation Memphis soul trailblazer Boo Mitchell ("Uptown Funk") and featuring guest appearances from Luther Dickinson (North Mississippi Allstars) and Zac Cockrell (Brittany Howard), I Be Trying takes the sound that Burnside learned from his grandfather, blues legend R.L. Burnside, and reinterprets it into a modern, bold Black American sound that expands the sonic landscape while respecting and honoring its roots.

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Musica Elettronica Viva

LP | 2021 | EU | Reissue (Our Swimmer)

26,99 €* 29,99 € -10%

Trujillo, Peru 1971 - 1974

Release: 2021 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Record Store Day 2021 Release.

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Manzanita Y Su Conjunto

LP | 2021 | Original (Analog Africa)

Revelation Remastered Edition

Release: 2021 / Original

Genre: Organic Grooves, Rock & Indie

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I was in Lima, hanging out with collector-extraordinaire Victor Zela, who had spent the previous few years pouring his passion for Peruvian Cumbia into the blog „la cumbia de mis viejos“, a trove of incredible music. But after the birth of his first child, his priorities shifted and he decided to part with some of his rarest LPs. I was one of the lucky few given an early chance to examine his treasures, and when I picked up the album Manzaneando com Manzanita, Victor said: “Take it! its one of the best LPs ever recorded in Perú … easily in the top five”. That was all the encouragement I needed … two years later many of the songs from that masterpiece have made it onto Manzanita y su Conjunto, a compilation of electrifying Cumbia sides from Manzanita’s golden era.

Berardo Hernández – better known as Manzanita – first surfaced during the psychedelic Cumbia craze. At the head of the scene were the magnificent Los Destellos, whose leader, Enrique Delgado, was such a six-string wizard that other guitarists found it impossible to escape his shadow. But when Manzanita arrived, his electric criollo style sent shockwaves through Lima’s music scene and posed a serious threat to Delgado’s dominance as king of the Peruvian guitar.

Manzanita had come to Lima from the coastal city of Trujillo, five hundred miles up the coast – a place where Spanish, African and indigenous populations had been living and making music together for centuries – and came of age at a time when the first wave of psychedelic rock from the US and UK was starting to sweep the airwaves. But the sounds of Cream and Hendrix disappeared from the radio just as quickly in 1968 when Juan Velasco seized control of the country in a military coup. The new regime, which favoured local traditions over cultural ‘imports’ from the north, was a blessing in disguise for the Peruvian music scene.

Record labels flourished as new bands, raised on a hybrid diet of electric guitars and Cuban rhythms, rushed in to fill the vacuum created by the lack of imported rock. A new genre, known as Peruvian cumbia, was born and Manzanita quickly became one of its most original voices.

Starting in 1969, Manzanita y su Conjunto released a steady stream of singles that used Cuban guaracha rhythms as the foundation for dazzling electric guitar lines. After countless 45s and several years on the touring circuit, the band signed to Virrey, an important Peruvian label, and recorded two LPs acknowledged as masterpieces among aficionados of tropical music. Most of the songs on Analog Africa’s new compilation Manzanita y su Conjunto are drawn from those legendary sessions of 1973 and 74.

Although he scored a few more hits in the later 70s, his dissatisfaction with the music industry caused him to withdraw from the scene for several years; and when he finally retired for good, the golden age of Peruvian cumbia was a distant memory. But when Manzanita was at the top of his game he had few equals. Victor Zela was right: this is some of the best music ever recorded in Perú.

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Doug Carn

CD | 2021 | US | Reissue (Real Gone)

7" | 2021 | EU | Original (Record Prayer)

Release: 2021 / US – Reissue

Genre: Organic Grooves

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Aside from McCoy Tyner’s “Contemplation,” John Coltrane’s “Naima,” and René McLean sic McClean’s “Jihad,” Doug Carn himself takes the composing reins on this masterful 1973 release, which further integrates Jean Carn’s ethereal yet soulful vocals into the his impressive stylistic vision. And this time the band includes such heavyweights as trumpeter Olu Dara, bassist Walter Booker, and drummer Ira Williams. All of Carn’s albums for Black Jazz are classics; this one might just be first among equals. In the late ‘60s and early ‘70s, the art form we call jazz exploded into endless permutations, including free jazz, spiritual jazz, soul jazz, fusion, and funk. At that time, a number of black-run collectives organically sprang up across America, including Watts-based Ugmaa (Union of God’s Musicians and Artists Ascension), Chicago’s Aacm (Association for the Advancement of Creative Musicians), Brooklyn’s CBA (Collective Black Artists), and Detroit’s The Tribe. And from Oakland came Black Jazz Records, founded by pianist Gene Russell and percussionist Dick Schory, with a mission statement “to promote the talents of young African American jazz musicians and singers.” Under Russell’s artistic direction, the label only put out 20 albums during its short, 4-year (1971-1975) tenure; and then, due to ownership issues and general neglect, the label went underground. Way underground, in fact… but not so far down that a new generation of crate diggers and DJ’s weren’t able to discover the label’s incredible array of modal, soul, funk, and free jazz, much of it imbued with the political and spiritual concerns of the day (and selling for a pretty penny online). Finally, in the ‘90s and early ‘oughts, the Black Jazz catalog emerged on CD in Japan; but for the most part, the entire label’s output was never reissued on vinyl anywhere. After years of trying, we at Real Gone Music finally were able to connect with the rights-holders in early 2020…right before quarantine and the subsequent events that triggered worldwide protests for racial equality. Obviously, the release of this politically aware material, originally recorded in an era of similar social and cultural ferment, couldn’t be more timely. But this music succeeds on a deeper level than just a reminder that the struggle against prejudice continues unabated 50 years later. It offers manifold moments of beauty that remind all of us of our common humanity and the love that, if we let it, binds us all. We are very, very proud to present the Black Jazz catalog on LP, remastered by Mike Milchner at Sonic Vision Mastering, and pressed on black vinyl at Gotta Groove Records with lacquer cutting by Clint Holley and Dave Polster at Well Made Music. Produced by Real Gone Music’s own Gordon Anderson, each vinyl reissue features the original black-and-white Black Jazz album artwork, which, on early releases, featured an identical front and back cover, with the back cover turned “upside down,” allowing for the album title to be visible regardless of how the LP was sitting in the record store rack. And, both our vinyl and CD releases will feature added liner notes by Pat Thomas, author of Listen Whitey! The Sounds of Black Power that draw a straight line between what was happening then…and what is happening right now. Real Gone Music will donate $500 to the Equal Justice Initiative with the release of each Black Jazz album

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Timi Yuro

Timi Yuro EP

9,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (We Are Busy Bodies)

Eboni Band

36,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | US | Original (Out Of Your Head)

Scott Clark

This Darkness

Release: 2021 / US – Original

Genre: Organic Grooves

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LP | 2021 | US | Original (Out Of Your Head)

Curt Sydnor

Deep End Shallow

Release: 2021 / US – Original

Genre: Organic Grooves

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Hailu Mergia & The Walias Band

Tezeta

LP | 2021 | US | Original (Awesome Tapes From Africa)

Vijay Iyer / Oh, Linda May Han / Sorey, Tyshawn

Release: 2021 / US – Original

Genre: Organic Grooves

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Unknown recording outside Ethiopia which documents Mergia Hailu & The Walias legendary early period. Beautifully-rendered instrumentals of classic Ethiopian standards, "Tezeta"is the follow-up reissue of the hugely popular seminal Ethiopian instrumentals LP "Tche Belew" (atfa012). It was a Cassette-only release in 1975 on the band's in-house label, to fund their record store. From their genesis as members of the Venus club in-house band in the early 70s, Hailu Mergia and the Walias Band were at the forefront of the musical revolution during an era where modern instruments and foreign styles superseded the traditional fare to become the staple sound of Ethiopia. No one would argue that the Walias were the trailblazing powerhouse of modern Ethiopian music. They were the first band to form independently without affiliation to a theatre house, a club or a hotel; unprecedented and risky as they had to raise all funding for expenses by themselves including buying equipment. They were the first to release full instrumental albums, considered to be commercially unviable at the time. They opened their own recording studio, with band members Melake Gebre and Mahmoud Aman doubling as technical buffs during sessions. They were also the first independent band to tour abroad. In short, they were the pioneers every band tried to emulate; some more successfully than others. Odds are, any Ethiopian over the age of 35 who had access to TV or radio by the early 90s, will instantly recognize the sound of Walias. What is not a given is, how many would actually identify the band itself. Barely a day went by without hearing the Walias either in the background on radio or as an accompaniment to various programs on TV. This Tezeta album, the band's second recording, released in 1975, is one of those that have been impossible to find for nearly three decades. Sourced by Awesome Tapes From Africa and expertly remastered by Jessica Thompson, its unique and funky renditions of standards and popular songs of the day are so quintessentially Walias, flavorful and evocative. Hailu's melodic organ, unashamedly front and center in every track, makes even the complex pieces accessible. Profoundly engaging; it's an immersive trip down memory lane for those of us getting reacquainted with it, while also an enthralling and gratifying experience for fresh ears.

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Uneasy

2LP | 2021 | EU | Original (ECM)

34,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Our Swimmer)

Billy Harper

Black Saint

12" | 2021 | UK | Original (Wah Wah 45s)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Billy Harper is one of the great tenor saxophonists in the post-Coltrane mold. Originally from Houston, TX and with a degree from the venerable University of North Texas College of Music, Harper emerged on the New York City jazz scene in the late 1960s performing with Art Blakey, Max Roach, Lee Morgan and others. Known for his soulful and propulsive tone, Harper was already a highly regarded and prolific session man before the release of his debut album as a leader on the cult favorite Strata-East label in 1973. Recorded in 1975, Black Saint was the second album for Billy Harper as bandleader and is the most acclaimed and fully realized of his long career. The inaugural release of the Italian label Black Saint – to which the album lent its name – is comprised entirely of Harper compositions; the peaceful and subdued opener “Dance, Eternal Spirits, Dance!,” the swinging and fiery “Croquet Ballet” and the side-long epic “Call Of The Wild And Peaceful Heart.” Harper’s group features trumpeter Virgil Jones - a graduate of Roland Kirk’s mid-60s groups and session player for McCoy Tyner, Charles Tolliver and others - along with Joe Bonner on piano, David Friesen on bass and Malcom Pinson on drums. Black Saint is too melodic and swinging to be free jazz but too forward-thinking to be described as modal post-bop; Harper’s advanced compositional sense and galvanic tenor work make this an album of pure fire music. This is a beautiful album back into print on its original format for the first time in over 40 years.

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SAM

American Cars

15,99 €*

LP | 2021 | EU | Original (Vampisoul)

Release: 2021 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Wah Wah 45s make a welcome return to the world of re-issues. Having started out over two decades ago releasing dance floor funk from Benny Poole, Cheyenne Fowler and The Googie Rene Combo, and later re-releasing obscure Kompa-funk from Haitian pianist Henri Pierre Noel, they now turn their attention to an overlooked early 90s acoustic soul gem.
About thirty years ago, music teacher and budding producer Alex Boyesen found himself working as part of the Haringey Music Workshop - a community programme and outreach project funded by the local council in Haringey, North London (coincidentally the area in which the Wah Wah head office is now based!).
"Anyone could come and get lessons for free - ranging from piano, sax, guitar, drums, bass, singing and workshops including choral, jazz band and more." Alex Boyesen
It was during that time that Alex came across a young Sam Edwards.
"One day I went into one of the rehearsal rooms and there, by herself, was this girl playing a piano and singing. It was the most incredible voice I had ever heard."
Before long, the pair were playing all over London as a duo with Alex on guitar and Sam on vocals.
"Sam had never had professional training, she was simply an utter natural."
The Haringey Music workshop was connected with other projects in the borough, in particular a community project called the Selby Centre. Here they ran training programs for young people and one of these was a music business course. The idea was that they found an artist, recorded them and then promoted them. One way or the other they ended up picking Alex and Sam to be on their roster.
"My good friend Nixon Rosembert was brought in to oversee the recordings and they hired the Islington Music Workshop to do the recording. We got musicians from the Haringey Music Workshop to play on the sessions and spent a day recording two songs -American CarsandLife. The training workshop had created a label called Progression Music and out the record went."
Three decades later and out of the blue Alex started to get interest again in the record he'd almost forgotten about all those years ago. It had become something of a sought after gem on Discogs, and there seemed to be an interest in that 'acoustic soul' sound once again.
"I got three people asking if they could re-release it and finally here we are with Wah Wah 45s doing the business after all these years."
It was Hospital Records and Wah Wah 45s founder, Chris Goss, who first brought the idea of releasing this record to the table.
"This is a really special record for me, picked up 30 years ago, from a young James Lavelle at Honest Jon's in Ladbroke Grove. Sam Edwards would go on to perform and write songs with North London's Izit, the acid jazz collective fronted by Tony Colman - with whom I have built a music company, these past 25 years. Alex Boyeson worked with Tony at the Haringey Arts Project, who produced a one-off vinyl release of Alex's two compositions back in 1991. Thanks to Alex and Tony, we have been able to clean-up the original audio, uncover photos and lyric sheets to present, with real love and affection, these two lost gems from a bygone era." Chris Goss, Feb 2021.
The project was then expanded by Dom Servini, who got heavy disco legend Ashley Beedle and co-label owner and erstwhile producer Adam Scrimshire in to take on remix duties.
"When approached by Dom Servini to reworkAmerican CarsI had no idea about the history of the original song. After a good listen myself and studio partner Darren Morris set to work and all I can say that it was a lovely experience keeping the vibe of the original but giving it a spaced out feel in true Afrikanz On Marz fashion." Ashley Beedle, Feb 2021.
"Remixing without multi-tracks always brings a bunch of challenges, getting the balance between the bass and drums in the original and what you want to do with your own version. The song really dictates certain things to you.
But it was such a pleasure to explore that with this beautiful song and vocal performance. So many ways to approach it. I just wanted to draw out more of the melancholy in the original and make it an absorbing experience." Adam Scrimshire, Feb 2021.
Perhaps the last word should be given to Alex himself, who's very much enjoying the new lease of life that his music with Sam is getting.
"As I write this we are trying to locate her, she's somewhere singing something, that's all she ever did. Thanks for being part of my life Sam and I am so glad that this small bit of that time is being remembered." Alex Boyesen, Feb 2021.

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Adalberto Cevasco

Pajaros Electricos

17,99 €*

LP | 2021 | EU | Original (Vampisoul)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Former Member Of Rodolfo Alchourrón And Gato Barbieri's Bands, Cevasco's First Solo Effort Is A Combination Of Fusion Jazz With A Pinch Of Unexpected Brazilian Flavours And Electronic Sounds That Now, More Than 30 Years After The Original Release Of The Album, Still Evoke A Refreshing Feel Of Modernity In The Same Vein As Many Other Experimental Argentine And Uruguayan Artists From The Same Era. Includes Guest Appearances From Artists Such As Litto Nebbia Or Ruben Rada. Reissued On Vinyl For The First Time, Including Insert With Liner Notes And Previously Unseen Photos. Details: Few Musicians Can Boast Of Having Played With "The Greatest" Without Some Eyebrows To Be Raised. The Bass Of Adalberto Cevasco Has Been Heard In Multiple Concerts And Recording Sessions Of Artists As Diverse As The Spanish Divas Rocío Jurado And Isabel Pantoja, Tango Genius Astor Piazzolla Or The Cream Of The Argentine Jazz Scene -From Pocho Lapouble, Gustavo Kerestezachi, Rubén López Furst Or Andrés Boiarsky To The Great Gato Barbieri- With The Latter, As Part Of A Dream Band That Included Artists Like Nana Vasconcelos As Well As Other Argentines Such As Lapouble Or Domingo Cura, He Recorded Two Fundamental Pieces In The Impulse! Label Catalogue In Sessions Held In Argentina And Los Angeles And Also Toured Across Various Countries. The Daily Sold-Out Shows At The Regina Theater In Buenos Aires And Their Overwhelming Performance At Montreux Festival Are Still Well Remembered. It Is Therefore Out Of Question That Adalberto Cevasco Belongs To That Top-Level League Of Musicians Whose Talent Has Also Contributed To Enhance Those Who Accompany Them. The History Of This Album Begins With An Encounter. Adalberto Cevasco Joins Rodolfo Alchurrón's Jazz-Funk Project Sanata Y Clarificación As Bassist And Meets Litto Nebbia, Who Is Invited To Sing Along. Some Years On, When Nebbia's Melopea Record Company Was Developing, He Would Receive A Cassette With A Collection Of Demos Recorded By Cevasco Over The Years. Some Of...

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Alfredo Linares

Mi Nuevo Ritmo

17,99 €*

Too Slow To Disco Neo Presents

Release: 2021 / EU – Original

Genre: Organic Grooves

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This Highly Collectible Lp From 1974 Is A Nonstop Salsa Dura Party Album From Start To Finish, Comparable With Any Of New York's Finest Like Ray Barretto And Willie Colón From The Same Era, But With Its Own Unique Sound And Joyful Vibe. Includes The Anthems 'Mi Nuevo Ritmo' And 'Alma Y Sentimiento/ Soul And Feeling' Recorded At Different Sessions In Colombia And Peru. Presented In Its Original Artwork And Pressed On 180g Vinyl. The Highly Collectible Lp Alfredo Linares Y Su Salsa Star "Mi Nuevo Ritmo" (1974) Is A Nonstop Salsa Dura Party Album From Start To Finish, Comparable With Any Of New York's Finest Like Ray Barretto And Willie Colón From The Same Era, But With Its Own Unique Swinging Sound And Bright, Crisp, Joyful Vibe. There Are Plenty Of Straight Up Cuban-Roots Based Salsa Tunes, Plus Some Latin Jazz And Latin Soul And A Bolero. Trumpets, Hand Claps, Loud Cowbell, And Vigorous Vocals All Make For A Great Listen And An Even Better Dance Experience. As The Track 'La Música Brava' Proclaims, "Yo No Quiero Que Pare La Música Brava!" (I Don't Want The Badass Music To Stop!). The Record Is Actually A Patchwork Of Different Recording Sessions Made In Peru And Colombia, Featuring Differing Studio Sound And Musician Lineups. Linares Had Just Returned To His Adopted Home Of Medellín From A Period Spent In Peru And Was Looking For A Record Deal. He Had Brought Master Tapes With Four Songs Recorded In Lima And Was Shopping Them Around In The Hopes Of Securing An Album Contract. Linares Also Cut Some Colombian Sessions Which Feature Roy "Tayrona" Betancourt As Well As Henry Castro And Enrique Fabián. Unfortunately, Neither Discos Fuentes Nor Sonolux Or Codiscos Were Interested. At That Time, Vinyl For Making Records Was Scarce And Over-Priced Due To The Petroleum Crisis And Hence The Labels Were Reluctant To Try Out A New Artist. "There Was Nothing To Be Done. The Only Company That Had Vinyl Stock Was Ins. So I Did The Business With Them Even Though They Didn't Have A Known Name In...

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Manifesto

12" | 2021 | EU | Original (How Do You Are?)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Circles - The Ultimate Fleur De Lys Colored Vinyl Edition

Fleur De Lys

2LP | 2021 | UK | Original (Acid Jazz)

31,99 €*

Release: 2021 / UK – Original

Genre: Organic Grooves

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We’re delighted to present Circles - The Ultimate Fleur De Lys - a definitive compilation centred around one of the greatest 60s bands.

Atlantic Records, Andrew Loog Oldham, Shel Talmy, Cream, Isaac Hayes and er Tony Blackburn, all these and so many more turn up in the story of Southampton band the Fleur De Lys and so many more. You may not have heard of them, and if you have it may be just because of their glorious cover of the Who’s Circle’s – an ultimate freak beat anthem which this compilation is named after – but the singles they released in the second half of the 1960s are one of the greatest collections of singles by any band, ranging from R&B through freakbeat and psych and back into club soul.

Emerging from the English South Coast’s competitive club scene they signed to Rolling Stones’ manager Andrew Loog Oldham’s pioneering indie label Immediate where they recorded two singles before being taken under the wing of Frank Fenter who worked out of the UK Polydor office running the UK arm of Atlantic. The group went through numerous line-up changes as they recorded a series of singles which are now some of the most collectible of the era.

Acid Jazz and Countdown Records have been the custodians of the Fleur De Lys catalogue for the last decade and this compilation is the culmination of that work containing all the singles that they released for Immediate, Polydor and Atlantic (where they pipped Led Zepplin to become the first UK signed band to that legendary label). Issued digitally, on CD and in a limited edition gatefold coloured double vinyl, it has been produced with the full co-operation of the group’s Keith Guster, allowing us to use previously unseen photos and illustrations. Compiled by Eddie Piller and Dean Rudland and the band’s official biographer Paul ‘Smiler’ Anderson, who has contributed an extended note that tells the band’s story in compelling detail.

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2LP | 2021 | EU | Original (Dekmantel)

Profondo Nero

LP | 2021 | EU | Original (Morr Music)

Release: 2021 / EU – Original

Genre: Organic Grooves, Pop

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Profondo Nero compiled by Cinema Royale Profondo Nero narrates a storyline that goes beyond the borders of Italy’s musical legacy. Cutting across the face of Italo disco’s leftfield musicians between the early and late ‘80s, Profondo Nero champions a multi-faceted sound that nods to the blueprint of Italo disco but tries to dig deeper. The music is unmistakably Italo disco but moves away from the familiar classic sound. Amsterdam based collector Cinema Royale stitches together eleven tracks from 1983 – 1989, celebrating a sound he fittingly describes as ‘leftfield Italo’. The compilation connects the dots between soulful disco (Louise Freeman – Mirage), synth-pop (Mark – Dreamland), electro-rap (Loukas Thanos – Jazzburger), breaks (Santoro – Lover Message), 80s dub disco (Jet Set – Love Break), Balearic (Isamar & Compañia - No Estas), boogie (Tom Hooker – Talk With Your Body) and proto-house (International Music System - An English ’93). Profondo Nero’s title salutes the legendary oeuvre of Italian horror director Dario Argento. His Profondo Rosso (1975) is a classic example of exquisite cinematic storytelling, boasting courageous colors, expressionist camera angles and an unforgettable Goblin score forming the ingredients for an intriguing piece of art. Profondo Rosso’s music, created the spark for a new Dekmantel Records endeavor led by Amsterdam based experimental film score connoisseur, record collector and DJ Cinema Royale. For those in the know of underground Amsterdam music culture, Arne Visser aka Cinema Royale is among the city’s longest standing record collectors. Born to an Italian mother and Dutch father, Arne was brought up on a diet of Italo disco in the 80s. Cinema Royale explains: ‘For Profondo Nero I took a plunge into the lesser known fringes of Italo disco. From there I tried to connect, among others, San Francisco boogie, Balearic, Japanese late era Italo-electro and synth-pop funk. I hope you can hear what I had in mind: an infectious showcase of my take on traditional Italo disco that will hopefully get a lot of listeners itching for a spin. It’s fair to say that lately this particular sound has seen a reappraisal and renewed interest. As a party-starting collection for entry-level connoisseurs or suave but lazy types, I hope Profondo Nero can be an education. I’m not claiming I’m the first DJ or collector to do so, but I did try do present something special by digging deep.’ It wasn’t my goal to unearth the most obscure tracks, instead I wanted to compose a compilation that takes you on a journey. ‘In my opinion the best DJs create something extraordinary out of illogical selections by combining music against all odds and showing different kind of moods along the way. There’s a certain amount of arrogance involved: you take the music out of its original context. But by doing so in a very conscious way, you might be able to enhance the power of the individual records. Hopefully each song on Profondo Nero provides an intimate and memorable experience.’

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Dntel

The Seas Trees See

18,99 €*

LP | 2021 | EU | Reissue (We Are Busy Bodies)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Hailing from Los Angeles, Jimmy Tamborello has been a key figure in refining what today is considered electronica for over 20 years. "The Seas Trees See" is the first of two Dntel albums to be released in 2021 by Morr Music in collaboration with Les Albums Claus: a free-floating and rather loose stroke of musical genius, giving ambience a whole new meaningful context. It combines crackles and hiss with deep, yet modest, synths and poignant, yet elegant, vocals and lyrics. "Away", its counterpart album, will follow later in 2021. It will showcase Dntel's unapologetic love for pop music from a long-gone era, presenting yet another aspect of his multi-faceted personality. Dntel has always covered many musical grounds - from the pop-infused hits on "Life Is Full Of Possibilities" (Plug Research, 2001) to his much more abstract works on "Aimlessness" (Pampa Records, 2012), "Human Voice" (Leaving Records, 2014), and his electronics for The Postal Service (Sub Pop). Whatever his style - Tamborello has retained his very own musical voice.When it comes to producing music, it can be a good idea to get away from the studio and find a more relaxed environment. Inspiration does not necessarily require huge bass bins. Fewer pieces of gear make it easier to really focus on ideas first and let them be. After recording "Hate In My Heart" - his most recent album, released in 2018 - this way, Tamborello continued working in that fashion, mainly jamming and getting ideas together for upcoming live shows. One of the first results of this creative process was the opening track of "The Seas Trees See" - a cover version of "The Lilac and the Apple", originally recorded by Californian folk singer Kate Wolf in 1977. Tamborello turns the acapella song into a vocoder-like extravaganza. Working with the original recording, the track perfectly sets the tone for what "The Seas Trees See" turns out to be - a quiet yet mesmerizing journey through sound and emotion, bringing together his very own sound design, disguised samples and an...

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The Drive

Can You Feel It

30,99 €*

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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North East Ska Jazz Orchestra

Stompin' & Rollin'

LP | 2021 | EU | Original (Brixton)

The Best Of Ray Charles:The Atlantic Years White Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Vinyl Lp Release Of The Debut Album Of Italian Maestros North East Ska*Jazz Orchestra, Originally Released In Cd Format In 2015.Nesjo Delivers In This First Album, Stompin' & Rollin', 10 Remakes Of Jazz And Swing Classics Performed In The Jamaican Style Of The 60's. From Original Ska To Rocksteady And Reggae, The Young Big Band From Triveneto (North East Italy) Conveys In This Work Energetic Enthusiasm For Jamaican Music, Stylishly Enriched By The Coolness Of The Dance Music Of The Golden Era Of Swing. Stompin' & Rollin' Features Two Outstanding Collaborations: Mr. T-Bone (Africa Unite, Bluebeaters) And Olly Riva (Shandon, Olly Riva & The Soul Rockets) Who Join Forces With The Voices Of Freddy Frenzy, Rosa Mussin And Michela Grena, The Ten-Piece Brass Section And The Sound Rhythm Base Of This Young Big Band. The Album Was Recorded At Studio Jork In Koper (Slovenia) In March 2015 And Mixed And Mastered In The Volcano Lounge, Sherman Oaks (California) By Brian Dixon (Ex The Aggrolites).

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Ray Charles

2LP | 2021 | EU | Reissue (Rhino)

38,99 €*

Breezin Blue Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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The 1994 compilation featuring Charles’ Atlantic era hits such as “What'd I Say, Pt. 1 & 2”, “The Right Time”, and “I've Got a Woman”.

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George Benson

LP | 2021 | EU | Original (Rhino)

32,99 €*

The Soul Vegetable Orchestra

Release: 2021 / EU – Original

Genre: Organic Grooves

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Pressed here onto Blue vinyl, this classic Grammy winning album, containing 2 sought after classics, “This Masquerade” and “Breezin’” is the fifteenth studio album from the jazz/soul guitarist, George Benson. Marking the beginning of Benson’s most commercially successful era, the album won Best Pop Instrumental Performance and was also nominated for Album of The Year, while “The Masquerade” won Record of The Year and was nominated for Song of The Year at the 19th annual Grammy Awards.

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Ajax Tow

LP | 2021 | EU | Original (Stereophonk)

LP | 2020 | EU | Original (Act Music)

Release: 2021 / EU – Original

Genre: Hip Hop, Organic Grooves

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When Ajax Tow travels in his Pop Western landscapes, you can be sure there’s always a perfect 70’s road trip soundtrack. Italians cowboys meeting the legendary Miriam Makeba in Rennes suburbs... For his 3rd album The Soul Vegetable Orchestra, Ajax Tow is bringing us on a ten tracks sonic adventure, where many inspirations and references collide. The succession of tracks inspires many feels and moods from sipping a good old bourbon, dance in the kitchen, or gallops though the plains of Napoli. We can found the influence of Danger Mouse paying hommage to the late Ennio Morricone (Roma, 2011), a cinematic side of Shawn Lee and Misha Panfilov, from music library à la JeanClaude Vannier to the Band Voilaa, a little glimpse of pimped Ninja tune, a reworked organic Mo’Wax vibe, all mixed up and spiced up with a Tricky style. This album is also the result of a collaboration with Dan Voisin (Modul-Club, Eighty…) at the production and drums with Rennes city scene musicians who gives a hand on this album: Romain Baousson (Coupe Colonel, Bikini Machine…) on drums, Sax Machine and Racecar (Saxtoys Records) on horns and vocals, Dj Marrrtin (Funky Bijou, Lord Paramour) on beatmaking, Medline (My Bags) on Flûte. As a special guest, the late and legendary Miriam Makeba appears on “Magic Miriam”. “Feel it” is definitely setting a west coast on the LP with a Jurassic 5 inspiration, accompanied by a spicy rhythm, MC Racecar (Sax Machine) flows and lyrics brings even more energy to the track. On “Movie” and “Silence”. Ajax Tow give us a nice taste of his favorite psychedelic blends, romantic and intimate at the same time, where we found back Fuzz guitar with 60’s Eric Clapton style (Cream era) and Pink Floyd synths Flavors. The cinematic style and first notes of “So What” reminds Air first EP and the beautiful bass of “Melody Nelson”. For the dessert, “Smallville” is a kind of wedding cake with 70’s loops sprinkling that brings us to Phillipe Sarde’s La Grande Bouffe soundtrack, but with a more contemporary feeling.

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Iiro Rantala

Playing Gershwin

Release: 2020 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Ourra & The Gravity Drive

Supernatural

12" | 2020 | US | Original (Star Creature)

Release: 2020 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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The Ladies Of Too Slow To Disco Volume 2 Black Vinyl Ediiton

2LP | 2020 | EU | Original (How Do You Are?)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | US | Original (Out Of Your Head)

Curt Sydnor

Deep End Shallow

The Du-Rites (J-Zone & Pablo Martin)

Release: 2020 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

slight seam split.

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Go Funk Me / Bucket

7" | 2020 | US | Original (Old Maid Entertainment / Ilegalia)

13,99 €*

John Mayall & The Bluesbreakers

Release: 2020 / US – Original

Genre: Organic Grooves

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We’ve all heard of crowd-funding, but what about crowd-FUNKing? A play on a popular donation portal inspires the title of NYC funk band The Du-Rites’ eighth 7” single, “Go Funk Me”. Drummer Jay Mumford’s syncopated, off-kilter groove counters a ‘60s drum machine pattern, taking a page from Sly Stone’s 1973 Fresh LP. Pablo Martin’s bass and rhythm guitar lock it all together, while guest flautist Seth Hachen and haunting synths float on top melodically. Then the funk kicks up a notch with breaks, stops, turns and funky counterpoint between the whole band, before breaking into heavy dance floor funk. “Go Funk Me” channels it all from ‘70s Jeremy Steig; to film score orchestration; to expensive private press jazz-funk from the same era. Intermittent “funk banter” from Du-Rites mainstay Broughamin’ Fred brings it all home to cement the band’s trademark sound, with a funky flute twist.

The B-Side belongs to “Bucket,” a tip jar anthem any band can relate to, but Mumford’s “put it in the bucket, and pass it around” hook can apply to whatever the listener chooses. The drum groove walks the line between Afro-Beat and New Orleans funk, setting the deep groove early. Then bridge takes it to a whole ‘nother universe, before settling back in while the guitar, bass, clavinet, and even a kalimba get a piece of the action with brief solos. Another double-sided deep funk entry for The Du-Rites, who individually have worked as session and live musicians for artists from Danger Mouse; to Tom Tom Club, to Dan Auerbach; to Kelly Finnegan, Adrian Quesada, Just Blaze and countless others.

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Padlock On The Blues

2LP | 2020 | EU | Reissue (Ear Music)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Music From Patch Cord Productions Orange Vinyl Vinyl Edition

Mort Garson

LP | 2020 | US | Reissue (Sacred Bones)

Release: 2020 / US – Reissue

Genre: Organic Grooves

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No doubt you know the name Mort Garson from his myriad writing, conducting, and arranging credits, topping a thousand in total: the Kim Sisters, Gi Sönne, Lola Novakovic, Pfc. Craig Brown, Emilio Pericoli. Or failing that, his sides for Patti Page, Mel Tormé, Rosemary Clooney, Percy Faith, and Mr. Magoo himself. Which is to say, Mort Garson's road to cool cultural caché and the sublimity of Plantasia meant a decades' long journey through an underworld of sophisticated, international, string-laced dreck (ie, your great-grandparents' record collection) to arrive at Music From Patch Cord Productions, this set of queasy-listening you now hold. Juilliard-educated and active as a session player in the post-war era, Garson seemingly never said no in the decades ahead. You could say he was an early adopter to the gig economy, taking any and every job that came his way. He cranked out lounge hits, scored plush arrangements, rendered jingles and TV themes and more, from the late 1940s into the swinging `60s. As his daughter Day Darmet put it: "The joke about my dad is he would wake up and work all day until dinner. He would eat dinner, then take a 2-hour nap, then work all through the night again. He was constantly on it." That meant putting those weeping countrypolitan strings around Glen Campbell's "By the Time I Get to Phoenix," making the Simon & Garfunkel catalog sound even more mellow, and making guitar duo Santo & Johnny cover a slew of Beatles' hits. His charts made Doris Day's Sentimental Journey even more deliriously mawkish. Garson's penned hit "Our Day Will Come" moved from Ruby and the Romantics to elevate to the ranks of standard: James Brown, Amy Winehouse, k.d. lang, Isaac Hayes, Tony Joe White, Max Romeo, Yasuaki Shimizu have all covered the song.At the point in life when a 40-year-old man might undergo a midlife crisis, Garson had a transformation of another sort. He encountered Robert Moog's early prototype synthesizer at the Audio Engineering Society's West Coast convention in 1967, purchasing on...

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7" | 2020 | EU | Original (Action Women)

Action Women Volume 5

Release: 2020 / EU – Original

Genre: Organic Grooves

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7" | 2020 | EU | Original (Action Women)

Action Women Volume 6

Release: 2020 / EU – Original

Genre: Organic Grooves

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7" | 2020 | EU | Original (Action Women)

Action Women Volume 4

Release: 2020 / EU – Original

Genre: Organic Grooves

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CD | 2020 | EU | Reissue (Astigmatic)

Bloto

Kwiatostan

LP | 2020 | EU | Original (No Format)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Despite the Covid-19 outbreak disrupting promotional and concert plans of the band Błoto, the three pressings of the debut album ‘Erozje’ have quickly sold out. Instead of leaving fans with old (recorded in 2018) material, the quartet decided to build the momentum and release the second album in 2020, entitled ‘Kwiatostan’ (‘Inflorescence’).

The streets of Warsaw in the first half of 2020 smelled of rain, disinfectant and electrical tension, caused by storms that broke out repeatedly. The black door of the elevator leading to the newly opening Jassmine club was reflected in the puddles. The faces of people passing by were covered with masks, and in street noise, one could hear the soft pulse of bass coming from somewhere below the ground... Two floors below, four musicians known from the Eabs group met for the first time since the global pandemic began.

Based on the collective improvisation, they recorded their new material for three days. Despite their previous success, the team did not try to recreate proven patents from ‘Erozje’, but rather treated them as a starting point. We can still hear the influence of the golden era’s hip-hop, but this time the inspiration goes deeper to the connotations with club music (house, juke), and everything, as usual, is based on jazz music. Anthony Mills' unexpected cameo in his rap incarnation as Toni Sauna completes the album entitled ‘Kwiatostan’.

It cannot be ignored that the entire globe at the beginning of the 21st century stinks of smog, tear gas used to break up protests, and the sour sweat of politicians. The earth is eroding not only due to water, wind, sun or gravity, but mainly as a result of human activity. The Błoto quartet communicated these problems on their first album. It turned out that we operate in a world in which the cover of ‘Erosion' quickly turned out to be prophetic. Inflorescence grows on the ruins of a world devastated by erosion - a new system of branching shoots ending with flowers. In 2020, most of the petals, pistils and stamens are surprisingly pale as they are constantly suppressed by the system in which they thrive, preventing flowers their lush colours and right to diversity. Just like police states that keep an eye on society. ‘System’ is a keyword around which Błoto’s second album revolves.

Błoto’s new album - ‘Kwiatostan’ will be released on September 11, 2020, on Astigmatic Records in collaboration with the Jassmine club in Warsaw. The album will be available on a unique vinyl, limited to 600 copies, and on all streaming platforms.

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Koki Nakano

Pre-Choreographed

Asp Nimbus Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Koki Nakano has spent time in the worlds of both classical music and electro-rock (with his band Gas Law). After training at the prestigious Toho Gakuen music school and the Tokyo University of the Arts, he embarked on his career with the strength and serenity of a man who had already ditched all those qualms about identity and heritage that often hobble young musicians.It was back in 2016 that Koki Nakano first came to the attention of those who hunger for the wondrous and unprecedented. The nine pieces on his first album Lift, recorded for No Format! with help from cellist and admirer Vincent Segal, revealed a composer of singular talents. His work displayed a subtle versatility, a high-wire delight in floating above established musical genres. The title of the album evokes a move well-known to ballet dancers: the porté, and conveys the deep relationship, both physical and spiritual, that Koki's music maintains with dance, a bond he's been cultivating ever since he moved to Paris in 2015.Pre-Choreographed is the sequel to that beautiful opening chapter, a new episode in No Format's adventures with the emancipated genii of the piano, which began fifteen years ago with the release of Chilly Gonzales's classic Solo Piano. This project evokes the strong "saudade" for the era when the music and the dance were very close to each other, when they used to function congenially in the society. It also means the state of the music such as "awaiting" or even "missing" the choreography. That is to say, the character of the music is yet very "raw", no direction is given. Koki Nakano's basic intention resides in the urge to re-transcribe the intimate topography of a man's life, whilst remaining deliberately detached from fashions, slogans, from a binary vision of the history of music in which modernity and past, avant-garde and classicism, new and old stand in opposition to each other as a matter of principle. For that reason, his creations never emit the dusty odour of schools and lecture halls, or the perfum...

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Christopher Hoffman

LP | 2020 | US | Original (Out Of Your Head)

Release: 2020 / US – Original

Genre: Organic Grooves

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Bai Kamara Jr. & The Voodoo Sniffers

Salone

LP | 2020 | EU | Original (MIG)

Release: 2020 / EU – Original

Genre: Organic Grooves

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2LP | 2020 | EU | Original (Bordello A Parigi / Slow Motion)

Franz Scala

Mondo Della Notte

12" | 2020 | EU | Original (Bordello A Parigi / Slow Motion)

Release: 2020 / EU – Original

Genre: Organic Grooves

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As head of Italian (centric) Slow Motion label (and international artist sister imprint, Wrong Era), and through his own productions and remixes, Franz Scala has been pioneering the retro-futuristic aesthetic of club culture weaving together elements of proto-house, wave and Italo for the nuovo contemporary dancefloor long before it’s current vogue. Now alongside Bordello A Parigi, and supported by Sameheads, Slow Motion presents Scala’s euphoric debut album Mondo Della Notte. A homage to the world of the night where Franz plies his trade. Solid production and understanding of the various references informing the contemporary dancefloor imbues this set with a quality of permanence. Each track clocks-in at around the seven minute mark accommodating all Scala’s retro influences providing the space for walls of sounds to expand and unfold along these infectious rhythm voyages.

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Franz Scala

Mondo Della Notte I EP

12" | 2020 | EU | Original (Bordello A Parigi / Slow Motion)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Franz Scala

Mondo Della Notte II EP

Just A Closer Walk With Thee

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Emotional Carpenters

LP | 2020 | EU | Original (Radio Bongo)

13,29 €* 18,99 € -30%

Release: 2020 / EU – Original

Genre: Organic Grooves

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Saga: Ólafur Stephensen 01.02.1936 – 28.04.2016 Wife: Klara Stephensen Children: Ingibjörg “Día” Ambonguilat Stephensen, Stephan Stephensen, Magnús Stephensen & Ólafur Björn Stephensen

Ólafur was born in Reykjavik. His parents were Stephan Stephensen, a shopkeeper at Verðandi, and Ingibjörg Stephensen, a housewife.

Ólafur graduated from The Commercial College of Iceland on June 16, 1956 and then studied public relations as well as marketing and propaganda at Columbia University in New York where he graduated in 1962.

Ólafur was a pioneer in the advertising services in Iceland which with him turned away from being solely a profession of illustrators to a new era of marketing. Ólafur touched on many subjects through his career. Alongside his study Ólafur worked for NBC News and Meta educational TV. He reported for UN Radio and Voice of America as well as for Afrts under the pen name of Sonny Greco. Ólafur was the managing director of The Icelandic Red Cross, a jazz pianist in Harlem, the spokesperson for the media center of the Nato ministerial summit in Reykjavík in 1968 and hosted a program on the Icelandic National Television. Ólafur was the first Scandinavian citizen to become a member of the Advertising Club of New York, the first president of the Reykjavik chapter of JC as well as the first vice-president of JC International, the host of a jazz program on Icelandic National Radio, a judge for the American Advertising Awards and an active Freemason in Iceland as well as Portugal. Ólafur was awarded a Badge of Honour by the Finnish Red Cross in 1967.

Ólafur founded both ÓSA advertising agency and later Gott Fólk and was the first elected president of the Icelandic Advertising Association. He wrote a large number of published newspaper and magazine articles on his trade of advertising and marketing and released a book on the subject, “New and Better”, in 1987. Ólafur Stephensen released three jazz albums with his jazz trio named Tríó Óla Steph, played music both in Iceland as well as internationally with various jazz combos and was a big fencing enthusiast.

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Actions For Free Jazz (Edited By Lasse Marhaug)

LP | 2020 | UK | Original (Actions For Free Jazz)

Release: 2020 / UK – Original

Genre: Organic Grooves

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“Smalltown Superjazzz was a free-jazz subsidiary label to Smalltown Supersound from 2005-2012. The label has been dormant in the years 2012 to 2019, but is now reborn as the AFJ-Serie. The AFJ-Series represents a new start - built on the foundation and heritage of the Superjazzz label. AFJ-Series is short for Actions for free jazz. This was the slogan for Smalltown Superjazzz and was borrowed at the time from Don Cherry & Krystzof Penderecki’s The New Eternal Rhythm Orchestra track “Actions For Free Jazz Orchestra” from the 1971 album “Actions”. AFJ-Series is a series and a subsidiary label within Smalltown Supersound.

AFJ-Series is proud to release this compilation which features music from 40 releases, spanning almost 20 years on Smalltown Supersound, Superjazzz and the AFJ-series. The idea with the compilation is to bring the Superjazzz era into the AFJ-Series, but also to leave it behind - and start fresh. A requiem and rebirth combined. The idea came from Mats Gustafsson and was inspired by the famous 1964 ESP Disk sampler, which with its hard edit approach has become a classic in its own right.

The task of selecting, editing and structuring the material was given to Lasse Marhaug, who has been part of the Smalltown family for more than 20 years. Marhaug spent months plowing through the entire catalogue, and while the main goal was to give a total overview of Smalltown's wide range of releases in the improvised/jazz/free music field, Marhaug's choices and juxtapositions almost plays as a new piece of music.

So here it is - 40 tracks of total freedom. Or the universality in music of improvisation as Derek Bailey called it.”

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Turn It Loose, Ain't No Good Savoy Gospel 1970-1979

2LP | 2020 | UK | Original (Honest Jon's)

Release: 2020 / UK – Original

Genre: Organic Grooves

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Jerry Williams / Swamp Dogg

Oh Lord, What Are You Doing To Me / If You're Leaving (Take Me With You)

7" | 2020 | US | Original (Soul 4 Real)

12,79 €* 15,99 € -20%

LP | 2020 | US | Original (Yazoo)

Release: 2020 / US – Original

Genre: Organic Grooves

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Limited to 400 copies worldwide on Soul4Real

Collectors of black American music have long revered maverick genius Jerry Williams Jr. a.k.a. Swamp Dogg. His brilliant songwriting and unique voice have left indelible imprints on soul for decades, and Soul 4 Real Records are proud to add a Swamp 45 to their ever-growing catalogue.

Both these tracks make their vinyl debut here. If you saw Swamp perform “Oh Lord” at 2019’s Soul 4 Real weekender, it’s a memory you’ll treasure forever. Swamp’s exquisite studio version of the soul standard was recorded in 1967 as a follow-up to “Baby You’re My Everything”, but inexplicably stayed unissued for 40 years.

Almost 40 years have also passed since Swamp recorded his demo of “If You’re Leaving”, a song from his “lost” country album on Mercury. Never issued anywhere before, it’s a rare chance to hear work-in-progress from one of soul’s most beloved artists.

As he enters his seventh decade of recording, Swamp continues to be active and musically provocative. A man of many names and many talents, here’s Swamp Dogg at his vintage best!

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Blind Willie McTell

1927-1935

25,99 €*

12" | 2020 | EU | Original (Rare And Or Interesting)

Release: 2020 / US – Original

Genre: Organic Grooves

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Like so many other Delta blues musicians of the 1930s and 40s, rock music owes a debt of gratitude to the works of Blind Willie McTell. Considered one of the finest guitarists and vocalists of the era, noteworthy for his then unheard of usage of a 12-string guitar, artists and bands from The Allman Brothers to The White Stripes to Taj Mahal have listed the blind bluesman as a key influence. From the start of his career in 1927, McTell cut numerous singles for Victor Records, and maintained a noteworthy level of popularity in his home of Atlanta, but like many of his contemporaries, his career skidded to a halt during World War II. McTell left music during the 1950s and later passed of a brain hemmorage in 1959. Not long after his passing would come the British blues explosion, which would not only make household names of Eric Clapton and John Mayall, but spark a renewed interest in the material of classic bluesmen like McTell. It wasn't long before innumerable collections of such material came into being. 1927-1935 is one such collection, covering the beginning years of McTell's career, pre-World War II. Many of McTell's earliest recordings for Victor Records are present here, many of which were recorded with his future wife Ruth Day providing duet vocals. Songs such as "Cold Winter Day", "Razor Ball", and "Ticket Agent Blues", which famously would be covered by The White Stripes decades later.

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Joe Sembene

7" | 2020 | EU | Original (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Newborn french label Raoi Records is proud to release for the first time a remastered and fully licensed compilation of the two sought after records of Joe Sembene: Heart of Africa & Weur Di Dane/Le P’tit Quinquin. Side A is "Heart of Africa" with the songs "Gorelle" & "Autrefois", two timeless and unparalleled afro/electronic tracks. The first song on Side B is "Weur Di Dane", a perfect blend of afro and boogie vibes. The voice of Joe's wife, Josy Sene, stands out all along the track, a pure bliss! This is followed by a cover of a traditional song from the north of France called "Le P'tit Quinquin", but Joe gives it a strong reggae twist in the vain of Serge Gainsbourg’s "Aux Armes Et Cætera"! However, it had little success at the time... After recording these two remarkable and hard-to-find 7 inches at September Records in Lille (Fr), Joe suddenly disappeared… Who knows where Joe Sembene is right now?

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Jorge Ben

Curumin Chama

LP | 2020 | US | Original (Awesome Tapes From Africa)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Our much in-demand series of classic Brazilian 45s are back! Featuring a vibrant new design, we’ve curated yet more wants-list regulars and unearthed fresh finds from Brazil that are destined to become collector’s items in their own right. Number 80 in our Brazil.45 series, aptly sees a double-sider focusing on the awesome 80's recordings by one of the giants of Brazilian music, Jorge Ben. First up is the addictive, building groove of 'Curumin Chama Cunhãtã Que Eu Vou Contar (Todo Dia Era Dia De Índio)’. Taken from the 'Dádiva' album from 1981, and originally released on Som Livre Records. A homage to the indigenous people and tribes of Brazil. The flip features one of Jorge's most beloved Brazilian-Boogie joints, 'Rio Babilônia’, which celebrates life in Rio, partying, the beach, and the city’s iconic monuments. The song was originally released on a compacto and taken from the 'Dádiva' album from 1983, it features arrangements by the late-great, Lincoln Olivetti.

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Penny Penny

Yogo Yogo

2LP | 2020 | UK | Original (Forever Living Originals)

Release: 2020 / US – Original

Genre: Organic Grooves

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The rags-to-riches chronicle of Penny Penny's life would be remarkable if he had only released his smash debut Shaka Bundu and packed houses for a few years. But the inimitable South African singer and dancer known for his trademark top ponytail and emphatic anthems was no one-hit wonder. In the aftermath of Shaka Bundu's nationwide explosion, far beyond his country the album resonated with ever bigger audiences. He performed up and down the continent, building fanbases in more than a dozen countries. So his sophomore album Yogo Yogo - released in 1996 - solidified Penny Penny's standing in pop music nationally and provided new energy to his pan-African stadium-filling adventures."I was very busy between Shaka Bundu and Yogo Yogo. Shows every week, local and outside the country. There was no relaxing from 1995 until 1999."The album also reflects the era in which it emerged. If Shaka Bundu arrived triumphantly amid newfound political freedom in South Africa with the end of Apartheid and Nelson Mandela's election, Yogo Yogo was a next level expression for the maturing artist. He wanted to get a message out. Composed with Joe Shirimani, who also produced the album, the sound and compositional style echoes the earlier recording but the topical nature of the lyrics became more deliberate, more didactic. In the song "Ingani" Penny proclaims, we are all one people even though we may speak different languages, we are all NguniâÇ"a larger historical grouping that includes many of the ethnic groups in modern South Africa. "Kulani Kulani," which means grow up, urges young people to say no to drugs and yes to education. Ama Owners, referring to the public transport drivers involved in violent rumbles, asks the nation's drivers to relax because we need them for our safe arrival. Penny's success as a Xitsonga artist should not be under-estimated in the context of popular music at the time in South Africa. "When I started with my own style and image, first time in Shangaan we had artist like me," Pen...

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Sault

Untitled (Black Is)

40,99 €*

Carlos Nino & Miguel Atwood Ferguson

Release: 2020 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Preorder shipping from 2024-12-20

Last chance, last repress.

“We present our first ‘Untitled’ album to mark a moment in time where we as Black People, and of Black Origin are fighting for our lives. RIP George Floyd and all those who have suffered from police brutality and systemic racism. Change is happening… We are focused.”

Sault - Untitled (Black Is), released in June 2020, is one of the most celebrated albums from the collective Sault. The album came out during a pivotal moment in global discussions about race, equality, and justice, particularly following the murder of George Floyd and the resurgence of the Black Lives Matter movement. This context significantly shapes the thematic and emotional resonance of the record.

Untitled (Black Is) blends a wide array of genres, including soul, R&B, Afrobeat, funk, spoken word, and gospel, creating a sound that feels both timeless and contemporary. The album is deeply rooted in Black identity, pride, and struggle, making it a powerful statement on racial injustice and resilience. Lyrically, the album addresses themes of systemic racism, police brutality, Black empowerment, community, self-love, and the importance of unity.

The production, helmed by the collective’s enigmatic core (likely led by producer Inflo), features stripped-down yet layered instrumentation, with driving basslines, handclaps, and rhythmic percussion forming the backbone of many tracks. The vocals are often communal, with group chants and harmonies giving the album a spiritual, anthemic quality.

Key Tracks:
"Stop Dem" – A politically charged track with a pounding Afrobeat rhythm, addressing police violence and systemic racism head-on.
"Hard Life" – A soulful, melancholic reflection on the hardships faced by Black people, with haunting vocals and minimal production that highlights the emotional weight of the message.
"Wildfires" – A standout song on the album, this track blends silky, understated vocals with a powerful message about injustice and violence against Black lives. Its soulful and reflective tone gives it a timeless feel.
"Miracles" – This track offers a sense of hope and redemption, emphasizing the resilience and strength found within the Black community, despite the hardships faced.
"Black" – A declaration of Black pride and power, this track serves as one of the album’s central anthems, celebrating Black identity and culture while recognizing the challenges that come with it.
Cohesion and Impact: The album flows like a meditation on Blackness, weaving together not just music, but spoken word interludes and chants, creating a narrative arc that goes from pain to empowerment, from struggle to solidarity. The use of group vocals, chants, and Afrocentric rhythms throughout gives the record a communal and collective feel, emphasizing the idea of togetherness and unity.

One of the most distinctive aspects of Untitled (Black Is) is how it balances anger and frustration with hope and healing. While it directly addresses the oppression and violence faced by Black people, it also offers moments of joy, strength, and affirmation. The album is a call for action, but also for love and understanding.

As with previous releases, Sault maintained their air of mystery with Untitled (Black Is), releasing the album without much fanfare or explanation about the contributors. However, it's widely speculated that key figures like Inflo, Cleo Sol, and Kid Sister played significant roles in its creation. The album's timing and thematic focus made it especially impactful, with its messages resonating deeply during a time of global reflection on race and justice.

Untitled (Black Is) was met with critical acclaim, hailed as one of the most important albums of 2020. Critics praised its boldness, its timely themes, and its ability to mix protest music with a sense of spiritual uplift. The album was seen as not only a response to the times but as a work that stands in a long lineage of Black music addressing societal ills, from civil rights-era soul to modern-day protest anthems.

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Chicago Waves

LP | 2020 | US | Original (International Anthem)

25,99 €*

LP | 2020 | US | Original (Karma Chief)

Release: 2020 / US – Original

Genre: Organic Grooves

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In late November of 2018, long-time collaborators (& life-long Los Angelenos) Carlos Niño & Miguel Atwood Ferguson flew to Chicago to participate in the album release performance of Makaya McCraven's Universal Beings. Just 11 months prior, Carlos & Miguel were part of recording the 'Los Angeles Side' of Universal Beings at Jeff Parker's house in Altadena, California, and this performance in Chicago would be the first time that all of the musicians reunited to re-learn and perform the music they'd collectively composed during those sessions. The Universal Beings performance and preceding days of rehearsal took place at the iconic South Shore Cultural Center - a historic gilded-era urban club-turned-public facility deep on Chicago's Southside and right along the reedy shore of Lake Michigan, giving the building's backdrop an infinitely blue Northern expanse.

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Rudy De Anda

Tender Epoch

The Jerry Granelli Trio Plays Vince Guaraldi And Mose..

Release: 2020 / US – Original

Genre: Organic Grooves

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Conceived in the 1980s in Mexico and brought to California through the border inside of his 6-month-pregnant mother, Rudy de Anda's debut solo record is a love letter to the long historical lineage of rock 'n roll music as interpreted through his multicultural lens. "I write my own story, I don't want to be defined by any scene" de Anda proclaims of his personal journey, and his ability to adapt and flit between cities and cultures is part of why L.A. Record has called his sound "deliberately difficult to classify, familiar but novel at the same time."Since 2005, De Anda has played thousands of shows in various musical projects, but with 'Tender Epoch', tellingly the first recorded under his own name, he has clearly found his own voice with a wealth of stories to spotlight. It's exquisitely crafted pop, with universal messages of heartbreak and loss that still feel appropriate played speeding windows-down on the highway in the coastal sunshine. Above all, De Anda likes to keep people guessing: from the album artwork to the multi-faceted textures of sound, 'Tender Epoch' feels ambiguous to any era, a perfect collusion of old and new that showcases a music historian's knowledge of both past greats and influential peers. Sculpting his own path through a wild ride that feels unlikely to let up, De Anda refuses to settle down or get comfortable, instead carving out a classic record that is sure to set a standard for songwriting to come.

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The Jerry Granelli Trio

LP | 2020 | EU | Original (Rare Noise)

27,89 €* 30,99 € -10%

Release: 2020 / EU – Original

Genre: Organic Grooves

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7" | 2020 | US | Original (Peoples Potential Unlimited)

Central Ayr Productions

Dirt Music

10,99 €*

Presents Motown State Of Mind

Release: 2020 / US – Original

Genre: Organic Grooves

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Return of the dirt. Two versions from the earth, from the dirt, our music includes that "what's in this pipe mix", the original home recordings of Orlando Florida session players directed by Tony Cole for Central AYR. This is PPU's teaser for their 10 track album coming this summer.

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Lord Finesse

7x7" | 2020 | EU | Original (Motown)

107,99 €*

12" | 2020 | EU | Original (Omena)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Motown State of Mind is a 7” box set of Motown classics remixed by the legendary golden era Rapper, Hip-Hop Producer, and D.I.T.C. member Lord Finesse. The set not only includes the remixes but also the original tunes.

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Dee Tree

Remixes

Very Special Girl / Never Fall In Love Again

Release: 2020 / EU – Original

Genre: Organic Grooves

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Up next in the Omena remix series we got Dee Tree from Minsk and four sparkling and effortlessly soulful re-makes from FloFilz, Harry Wolfman, Saine and Lipski. All bringing a beautiful and soulful touch to the bands soul-flecked originals.

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Earl White Jr.

7" | 2020 | UK | Original (Soul Brother)

Release: 2020 / UK – Original

Genre: Organic Grooves

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12" | 2020 | EU | Original (La Casa Tropical)

The Bees

Mamezala / Never Give Up

San Francisco Christian Center Choir

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The Bees are a textbook case of the chew and spit cycle that was the late 80’s South African music industry. Although their unknown story is likely unique, it is just as likely that it is no different to that of many other young artists who dreamed of getting their music heard at the time. By 1988, the independent record label was no longer as uncommon as it had been at the beginning of the decade. As the 80s went on, more seasoned A&R reps and Producers that had gained experience and connections from their work under major labels would be trying to cash in on a market they helped create. Without the need of big rooms or expensive recording equipment, the digital advancements allowed many Producers to open or work in smaller studios and promote unknown artists under their own imprints. They would then have their catalogs marketed and distributed by the same major labels they had been working for just years prior. This would open up the possibility of a new era of stars as potential talent no longer had to be pitched to major labels in hopes of them taking a chance on a new signee over their already established artists. With the market growing and a struggle to keep up with the demand for new sounds this agreement would allow the major labels to put new emerging artists or groups on their catalog with little investment and high reward if it happened to be a hit. ON Records was just one of the independent players at the time. Ronnie Robot had just signed the unlikely trio The Bees in hopes of adding a hit group to his label roster that consisted of solo acts. Despite the debut’s fresh house inspired sound, it failed to catch on was outsold by the bubblegum disco the label was known for. Over the years unsold back stock and promos would build up with the distributor. Luckily this allowed sealed copies from the label’s catalog to survive into the 90s when the distributor’s stock was unloaded and picked up by legendary Johannesburg jazz shop Kohinoor. Here sealed copies of the Bees first attempt sat under appreciated for over 20 years before becoming a hot title after they started circulating online and became club staples. This is how the first album of an unknown group with no success was able to become a collectors item and earn a reissue over 25 years later. With their first record behind them The Bees were ready move forward and get back into the studio. A suggestion from producers had the trio change camps and go work with the newly formed Creative Sound Recordings, the label that promised “Music for the Future” and ended up being an essential studio in the early years of Kwaito. They would work with producer Chris Ghelakis and guitarist George Vardas, while a young Marvin Moses sat behind the desk. Musically the sophomore album was as good as a follow up as you could get. Building on the first album, Mashonisa delivers catchy melodies backed by heavy drum programming that would score points with any Pantsula. The Black Box inspired “ Never Give Up” was one of two tracks chosen to be pressed as the promo for the album, hoping to trick listeners with their catchy version of the hit( A year later the label would release their first volume of Black Box covers sang by neo soul diva BB, it would be a great seller). The label printed up an unknown amount of these in a last attempt to push the release in Shabeens and on Radio. The cheaper route of flooding the market with promo copies would only pay off 25 years later when unplayed copies started being rediscovered and had survived the years in a quantity that original run of the full album could not. Once again it was clear that with no mainstream appeal, the quality of the music on its own was not enough to garner any success at the time. The album flopped worse than their first and failed to make it past it’s initial run, making it one of the harder titles to get from the CSR catalog. Mashonisa would be the last attempt from the Bees. They would disappear from the scene as quickly as they appeared. Of the three members it is only known that lead Singer Solomon Phiri continued in music fronting a wave dance group before he mysteriously vanished in 1993, never to be heard from again. Through a combination of luck and circumstance the group, which is unknown in South Africa to even the most plugged in musicians, producers and radio hosts of the time, managed to finally get some of the recognition they deserved 30 years later. Unfortunately this small blip of fame would happen with none of the band members present to give their side of the story, or even aware of how their two albums became popular enough to be printed on different continents in a new millennia. The Bees suffered the same fate as countless other artists of the time, who thanks to emerging independent labels and willing producers were given an opportunity to have a short career, only to be replaced by the meat grinder of the music industry when they failed to produce a hit.

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The Sound Of The San Francisco Christian Center

LP | 2020 | US | Original (Cultures Of Soul)

Simurg Feat. Murat Ertel & Esma Ertel

Release: 2020 / US – Original

Genre: Organic Grooves

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When most people think of the musical legacy of San Francisco, the first thing that usually comes to mind is the Summer of Love. Much less likely are you to hear about the City by the Bay’s rich heritage of gospel music. Cultures Of Soul is proud to revisit this chapter in the city’s history with the reissue of The Sound Of The San Francisco Christian Center. The San Francisco Christian Center was one of the first churches to open its doors to disaffected hippies searching for a deeper spiritual substance. This era saw new, youth-driven forms of “Jesus music” that fused gospel messages with rock aesthetics. Chief amongst these new-style gospel artists was the San Francisco-based Andraé Crouch, who was one of the influences behind this recording. As a historical document, it provides a breathtaking view into the roots of contemporary gospel music, but as just pure music, it is a transcendent listening experience.

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Compro Oro

LP | 2020 | EU | Original (Sdban Ultra)

The Dancing Devils Of Djibouti

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP in printed innersleeve. Belgian psychedelic jazz collective Compro Oro are pleased to announce a new collaboration with Murat Ertel, co-founder and frontman of Istanbul's cult psychedelic folk band BaBa ZuLa and his singer partner Esma Ertel. Entitled 'Simurg', the album follows Compro Oro's critically acclaimed sophomore album 'Suburban Exotica', released last year.

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Groupe RTD

LP | 2020 | US | Original (Ostinato)

LP | 2020 | EU | Original (Outernational)

Release: 2020 / US – Original

Genre: Organic Grooves

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The first ever international album from Djibouti and Ostinato's first studio recorded album. This ain't a compilation or reissue!

A stunning collision of Indian Bollywood, Jamaican dub and reggae, sleek horns inspired by Harlem’s jazz era, Somali funk, and the haunting and joyous synthesizer melodies of the Red Sea by Groupe RTD, one of East Africa’s best kept secrets.

Recorded in three days -- as per the strict limit set by Djibouti's national radio authorities -- with a state-of-the-art mobile recording studio replete with the very best audio interfaces and carefully positioned microphones around a less than soundproof room to achieve a vibrant, professional sound while maintaining the analog warmth of decades prior.

A portion of Bandcamp sales will be donated in equal parts to:

• The Djiboutian Embassy in Germany to purchase masks and other essential supplies for Djibouti.

• Amref Health Africa Covid-19 Fund (amref.org/donations/covid19/)

-------------

More than one news report refers to Djibouti as “a place where nothing ever happened” that “would not register significantly in the global consciousness except for its strategic location in East Africa."

These deeply ill-informed observations could not be further from the truth.

While the music of Somalia is widely celebrated, its neighbor, the Republic of Djibouti, formerly known as French Somaliland, is home to an equally deep reservoir of its own unique Somali music.

The small but culturally grand country on the mouth of Red Sea remains one of the few places in the world where music is still entirely the domain of the state. Since independence in 1977, one-party rule brought most music under its wing, with almost every band a national enterprise.

No foreign entities have been permitted to work with Djibouti’s rich roster of music — until now.

In 2016, Ostinato Records met with senior officials of Radiodiffusion-Télévision Djibouti (rtd), a.k.a. the national radio, to discuss a vision for lifting the shroud on Djiboutian music as the young country of less than a million people increasingly opens up to the world. Three years later, in 2019, Ostinato became the first label granted full authorization to access the national radio’s archives, one of the largest and best preserved in Africa, home to thousands of reels of Somali and Afar music.

But just next door, in RTD’s recording studio, a world class band entirely unknown outside the country, whose songs are a living embodiment of the archives, lay in waiting. Composed of sensational new, young talent backed by old masters, the band — Groupe RTD — is the national ceremony outfit. By day, they perform for presidential and national events and welcome foreign dignitaries.

By night, when no longer on official duty, Groupe RTD is clearly one of East Africa’s best kept secrets.

Helmed by Mohamed Abdi Alto, possibly the most unheralded saxophone virtuoso in all of Africa, a Djiboutian national treasure, and the horn maestro on track 8 of our Grammy-nominated Sweet As Broken Dates compilation, and mentored by Abdirazak Hagi Sufi, originally from Mogadishu and composer of track 9 on the same compilation, Groupe RTD is the finest expression of Djibouti’s cosmopolitan music style.

Situated on the Bab El Mandeb (Gate of Tears) strait, a historic corridor of global trade connecting the Suez Canal and the Red Sea with the Indian Ocean, Djibouti is blessed with influences from East Asia, the Arabian peninsula, India, and even more distant sounds.

Djiboutian music, particularly the addictive brand wielded by Groupe RTD, is, by their own admission, the juncture where Indian Bollywood vocal styles, offbeat licks of Jamaican dub and reggae, sleek horns inspired by Harlem’s jazz era, Somali funk and the haunting and joyous synthesizer melodies of the Red Sea collide.

Sax player Mohamed Abdi Alto — so talented that they added “Alto” to his legal name — honed his trade from a steady diet of John Coltrane and Charlie Parker. Abdirazak’s guitar style draws heavily from his love affair with Jamaican music. Young singers Asma Omar, who won a youth talent contest to join the band, and Hassan Omar Houssein are fluent in the classic hits of Bollywood and Indian music. Synth player Moussa Aden Ainan brings a distinctly dexterous Somali touch, reminiscent of the exceptional keys work of Somalia’s Iftin and Waaberi Band. Their sound is kept afloat by measured Tadjouran rhythms, courtesy of drummer Omar Farah Houssein and dumbek player Salem Mohamed Ahmed’s perfect interplay.

But recording this album was Ostinato’s biggest challenge yet. A web of bureaucracy and strict rules had to be navigated. Djibouti’s authorities gave us only three days to record the entire set, with no extension. Up for the task and eager to deliver, the musicians promptly tore down the “no smoking or chewing khat” sign in RTD’s recording studio and began a heated, three-day, khat-fueled devilish feast of music amid a smokey haze, unleashing the very reason the band was founded: to strut Djibouti’s majestic music on the world stage when the opportunity arrived.

The recording equipment in the radio had not been upgraded in decades and technical neglect meant we had to devise a novel approach to ensure the highest quality recording possible. With the help of Djibouti’s head of customs, we flew in a state-of-the-art mobile recording studio replete with the very best audio interfaces and carefully positioned microphones around a less than soundproof room to achieve a vibrant, professional sound while maintaining the analog warmth of decades prior.

This game-changing setup, a far cry from the old days of field recordings, is Ostinato’s vision for the future: to capture the contemporary sounds of Africa and the world flawlessly, in any environment or circumstance.

We proudly present Ostinato’s premier studio recorded album and the first ever international album to emerge from Djibouti — Groupe RTD: The Dancing Devils of Djibouti.

This album, if listened to at an inappropriate volume, should firmly register Djibouti in the global consciousness, shifting its image from a strategic outpost of geopolitical games to cultural powerhouse.

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Jaman

Sweet Heritage

Release: 2020 / EU – Original

Genre: Organic Grooves

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7" | 2020 | UK | Original (Action Women)

Action Women Volume 2

Release: 2020 / UK – Original

Genre: Organic Grooves

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Dux Orchestra - Dave Sewelson / Mats Gustafsson / Susie Ibarra / Will Connell Jr. / Dave Hofstra / Walter "Sweet" Perkins / Jc Morrison

Duck Walks Dog (With Mixed Results)

LP | 2020 | EU | Original (NoBusiness)

18,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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7" | 2020 | UK | Original (Action Women)

Action Women Volume 3

Release: 2020 / UK – Original

Genre: Organic Grooves

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7" | 2020 | UK | Original (Action Women)

Action Women Volume 1

Release: 2020 / UK – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (WRWTFWW)

Motohiko Hamase

#Notes Of Forestry

CD | 2020 | US | Original (Mofunk)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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WRWTFWW Records is excited to announce the official reissue of Motohiko Hamase’s remarkable ambient/environmental/minimalism project #Notes of Forestry, available for the first time since 1988. The album is sourced from original masters and available on vinyl and CD with liner notes from the artist. This marks the third release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano. One of the most fascinating and peculiar works from the golden era of Japanese ambient, #Notes of Forestry was initially released in 1988 by Newsic, the cult label started by Tokyo’s Wacoal Art Center (also known as Spiral), home, notably, of Yoshio Ojima who co-produced the album. Conceived by Jazz bassist turned experimentalist Motohiko Hamase, the magnum opus offers an enchanting mix of free-form pastoral electronics, otherworldly percussions by Yasunori Yamaguchi, and delightfully allusive piano played by none other than Satsuki Shibano (Sound Process’ Wave Notation 3).

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Moniquea

Los Robles & Washington

I'm Always Right (The WDR Tapes 1977)

Release: 2020 / US – Original

Genre: Organic Grooves

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For her third release on the MoFunk label, Moniquea takes to the streets on a certified west coast ride. Named after the corner she resided at in Pasadena, California, during the mid 90’s, Los Robles & Washington is equal parts tribute to her hometown, ode to the laid back Los Angeles lifestyle, and a forward-thinking envisionment of how the g-funk sound of nearly three decades past fits perfectly with the modern funk sound of the present day. Uptempo offerings such as “All The Time,” “Under Control,” & the Mofak-produced “Who Is That Girl” (feat. XL Middleton & Kevin “Slow Jammin” James) channel boogie-era funk legends and Venice Beach pop lock battles, while more medium-paced tracks like “Get Away With My Lovin,” “Put Your Trust In Me,” or the album’s title cut evoke liquor store runs in hot weather and tendrils of chronic smoke trailing from Buick Regal windows. Indeed, the straightforwardly titled “House Party” paints a portrait of a bygone era so vividly it feels like it just happened last weekend - The backyard boogie, the pregame beforehand, the thrill of cutting loose at someone’s house as if it was the Century Club. Finally, the tracks “Believe Me” (feat. Zackey Force Funk & Polyester The Saint) & “Always On The Run” carry nods to contemporary west coast rap & ‘future R&B’ respectively. The bulk of production on Los Robles & Washington is handled by XL Middleton, who continues to serve up varied platters of funk, from “G” to “modern.”

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Imagination

LP | 2020 | EU | Original (The Outer Edge)

19,99 €*

Nick Of Time Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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We are proud to present "I'm Always Right" by Imagination, an unreleased jazz rock LP from 1977. Comprised of five tracks with a playtime of roughly 30 minutes, you will hear one of the finest German late-70s rock-tinged electric jazz albums of the era. The recording is a delightful stand-out with unique compositions, aspiring solo work, and a soulful spirit throughout. Additionally, the album veritably glows with exceptional sound quality, as it has been remastered from original tapes that were cut more than four decades ago at the WDR Funkhaus, Cologne.
Here is the story of how label founder John Raincoatman became aware of these lost tapes:
"I first got in touch with members of Imagination from Düsseldorf (not to be confused with the UK disco band under the same name) in 2017 for licensing the track "Strawberry Wine" from their collectible "Shake It" album from 1980. A couple of months later, when I was speaking with Willi Hövelmann, the guitarist for Imagination, he told me about some recordings the band had made a couple of years before, when they had been invited to to the studio of the WDR, a major German broadcaster. A couple of weeks later, when Hövelmann finally sent me the files that he had requested from the WDR, I could not believe... more

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The James Hunter Six

LP | 2020 | US | Original (Daptone)

25,99 €*

LP | 2019 | EU | Reissue (Rrgems)

Release: 2020 / US – Original

Genre: Organic Grooves

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Back in the spotlight with a sublime new rhythm and blues record, James Hunter follows up six critically acclaimed albums with his latest recording, Nick of Time, set for release on Brooklyn’s renowned soul label Daptone Records.

Nick of Time is a shining testament of how a master songsmith continually draws fresh water from a bottomless well. Recorded and produced by Bosco Mann, Nick of Time features one of today’s foremost soul singers at the top of his game performing with musicians who’ve backed some of the biggest contemporary music stars including Daptone artists Sharon Jones and Charles Bradley. Nick of Time will be internationally released on March 6, 2020.

For Nick of Time, Hunter and Daptone co-founder Bosco Mann hunkered down in the label’s Penrose Studios in Riverside, California for what certainly will be one of 2020’s standout soul recordings. Unmistakably another stunning James Hunter album, Nick of Time is a voyage between beautiful, mid-tempo rumba recalling early King/Federal releases, while lush arrangements summon lost tracks from early '60s Burt Bacharach sessions. Nick of Time is steeped in an era when soul records were driven by earth-shattering vocal performances. James Hunter hands down ushers classic soul music into the 21st Century with a sense of timelessness that’s rare these days.

James Hunter is an everlasting writer of compelling narratives sung with true grit while backed by an ace band of New York City’s finest musicians. Nick of Time finds Hunter in the company of Victor Axelrod (piano), Adam Scone (organ), Rudy Petschauer (drums), Myles Weeks (bass), Michael Buckley (baritone saxophone), and Freddy DeBoe (tenor saxophone). On the road for an extensive U.S., U.K., and European tour in support of Nick of Time, Matt Slocum (keyboards) takes the reins on keys for a hearty James Hunter Six ensemble ready to electrify soul music fans as they hit venerable stages in a city near you.

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Brahja

Brahja Edition #3