Search "twit+one" 5739 Items

Joao Gilberto Clear Vinyl Edtion

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Dorothy Ashby album from 1961 that also features female vibes player Terry Pollard. Comes with a version of The Skatalites 'Guns of Navarone' which is a pretty surreal listening experience. From the original liner notes: "Dorothy Ashby may not be the first jazz harpist (Caspar Reardon) or the first female jazz harpist (Adele Girard), but her good feeling for time and ability to construct melodic, guitar-like lines, mark her as the most accomplished modern jazz harpist (...) Accompanying her was another Detroit girl, Terry Pollard. Terry's main instrument is the piano and she is one of the best in the country, bar none. She is also a pretty fair country vibraharpist and in this set, Miss Pollard plays vibes exclusively. With them is still another Detroiter, Herman Wright, who like Miss Pollard has worked with Terry Gibbs and Yusef Lateef, and who also served as Miss Ashby's regular bassist. (...) Completing the quartet is Jimmy Cobb, drummer for the Miles Davis group. During the proceedings, Cobb travels between brushes and sticks without upsetting the equilibrium of this essentially quiet set. There is wide range of material presented here, from blues like Benny Goodman's title number, 'Soft Winds', and Miss Ashby's 'With Strings Attached', to movie themes such as 'Laura', 'Wild Is the Wind', and 'The Guns Of Navarone'. Then there are works by such superior writers of standards as Kurt Weill ('My Ship'); Gershwin ('The Man I Love' and 'Love Is Here To Stay')"

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Joao Gilberto

LP | 1961 | EU | Reissue (Candid)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Joao Gilberto's self titled third album, is the fruit of the collaboration between Gilberto and the great composer and arranger Antonio Carlos Jobim and Walter Wanderley and his ensemble. This is one of the greatest pieces of work in the field of Brazilian music. Gilberto's delicate singing moves on top of extremely subtle, elegant orchestral arrangements of various songs from the classic repertoire, "Samba da Minha Terra" and "Saudade da Bahia" (Dorival Caymmi), "O Barquinho" (Roberto Menescal / Ronaldo Bôscoli) without forgetting essential numbers by Carlos Lyra, Vinicius de Moraes and Tom Jobim. A timeless masterpiece, period!

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Abbey Lincoln

Straight Ahead

31,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Blakey In Paris Feat. Bud Powell And Lee Morgan Clear Vinyl Edtion

Art Blakey

Roland Kirk With Jack Mcduff

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! This is Art Blakey and his Jazz Messengers, with guests Bud Powell - piano and Barney Wilen - alto sax, caught live at the Théâtre des Champs-Élysées in Paris in1959. At that time Blakey's Messengers were no less than Lee Morgan – trumpet, Wayne Shorter – tenor sax, Walter Davis Jr. – piano and Jymmy Meritt – bass. In other words one of the greatest Hard Bop combos ever, a pool of great young individuals under the direction of one of the most influential drummers and band leaders in the history of Jazz. No need to add that "Paris Jam Session" is regarded as an essential release in Blakey's extensive discography.

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Kirk's Work Clear Vinyl Edtion

Goodnight, It's Time To Go

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Roland Kirk was one of the most creative, extravagant figures in jazz history. A master multi instrumentalist with no boundaries in terms of language, style and technique. Here we find him co-leading a strong studio session with organ specialist Brother Jack Mcduff. Backed up by Joe Benjamin on bass and Art Taylor on drums, Kirk and McDuff give voice to a soulful post-bop set full of groovy riffs and highly inventive instrumental ping pong. Recorded by Rudy Van Gelder and released in 1961 by Prestige Records, this is a fine early step in Kirk's varied and intense career.

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Jack McDuff

LP | 1961 | EU | Reissue (Honeypie)

21,99 €*

LP | 1961 | EU | Reissue (Jazz Workshop)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1961 and released on Prestige records in the same year, this was Brother Jack McDuff's fourth studio effort and the first featuring his regular partners Harold Vick on tenor saxophone, Grant Green on guitar and Joe Dukes on drums. Vick and Green would soon become two prominent figures in soul jazz while McDuff stands as one of the key organ players in the genre. This is an absolute soul-jazz gem!

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Barry Harris Quintet

Newer Than New

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"A quick listen to the lively bop on 'Newer Than New' may enlist a perplexing question: Was this music really recorded 40 years ago? Apparently so, but the music still sounds fresh and exciting. If pianist Harris set out to show bop was still a vital force in 1961, he accomplished his task. Of course he didn't do this alone. Trumpeter Lonnie Hillyer, alto Charles McPherson, bassist Ernie Farrow, and drummer Clifford Jarvis join him on eight tunes that would've made Parker and Gillespie proud. The influence of bop pioneers is evident on tunes like "The Last One" and "Anthropology," both giving the horns lots of room to soar against the backdrop of dynamic rhythm. "Mucho Dinero," one of several Harris originals, has an exuberant Latin feel. After the horns set the piece in motion, Harris takes the first solo, creating colorful textures with his keen sense of harmony. Newer Than New also places special emphasis on the young horn players, providing McPherson and Hillyer lots of room to show what they've got. Both echo Parker and Gillespie without copying them. Hillyer displays a fat rich tone on numbers like "Easy to Love," while McPherson's resonant pitch, no matter how quickly he's playing, always comes across. Farrow and Jarvis keep the shifting rhythms heavy in the mix, pushing each soloist to create something vital. The title 'Newer Than New' perhaps mocks the obsession with the latest thing, as opposed to opting for the timelessness of high-octane improvising. Jazz styles, like all styles, come and go, but great music like 'Newer than New' transcends styles. It's also fun (and illustrative) to listen to an album like this back to back with the latest retro jazz. Barry Harris and his colleagues make great jazz without the least bit of self-consciousness."

—Ronnie D. Lankford, Jr. (All Music Guide)

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Olé Coltrane Crystal Clear Vinyl Edition

LP | 1961 | EU | Reissue (Warner)

31,99 €*

At The Five Spot Volume 1 Clear Vinyl Edtion

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. The final album recorded by Coltrane under his own supervision for Atlantic Records, Ole Coltrane features several of the players from Africa/Brass, which was recorded two days earlier, and is widely considered one of the premiere statements of Avant Garde jazz as well as the moment that Coltrane moved from an accessible artist to a more daring and complicated one. (Original RD: November 1961)

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Eric Dolphy

Free Form Clear Vinyl Edtion

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Recorded live by Rudy Van Gelder this is one of a pair of Dolphy's albums documenting the 1961 historical residency at the Five Spot, the New York's major temple of the early avantgarde. This is timeless music performed by one of the essential lineups in modern Jazz. A marvelous quintet featuring the great Booker Little on trumpet and the amazing rhythm section of Mal Waldron — piano, Richard Davis — double bass and Ed Blackwell — drums plus, of course, master Eric Dolphy on alto saxophone, bass clarinet and flute. "All forward thinking and challenged listeners need to own these epic club dates" Allmusic

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Joe Harriott Quintet

LP | 1961 | EU (Destination Moon)

17,99 €*

Little Johnny C Blue Note Classic Vinyl Edition

Release: 1961 / EU

Genre: Organic Grooves

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The West Indian-born alto saxophonist Joe Harriott was one of the most convincing boppers outside of the USA, though by the end of the 1950s he was exploring freer musical pastures, and the quintet with which he undertook the exploration was an outgrowth of the hard bop band with which he'd made a name on the British scene. Often in the past the group's music, in which trumpet and flugelhorn player Shake Keane figured alongside Harriott in the front line, has been compared with that of the early Ornette Coleman quartets, but here it's far more interactive, a fact borne out most obviously by the lack of soloists. Here on Free Form (1961) is where the rhythm of that indigenously West Indian form is extraordinarily maintained in the midst of characteristic group exchanges.

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Johnny Coles

LP | 1961 | EU | Reissue (Blue Note)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Under-recognized trumpeter Johnny Coles recorded only one album for Blue Note but 1963’s Little Johnny C is a little-known treasure of the catalog featuring Coles at the helm of a dynamic sextet with tenor saxophonist Joe Henderson, alto saxophonist Leo Wright, pianist Duke Pearson, bassist Bob Cranshaw, and drummers Walter Perkins & Pete La Roca.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.

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Charles Mingus

Mingus

Release: 1961 / US – Reissue

Genre: Organic Grooves

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At the time of this recording, Mingus had been working regularly with the piano-less quartet of Eric Dolphy, Ted Curson and Dannie Richmond. The same group featured on the 1960 Candid release, Charles Mingus Presents Charles Mingus. The Mingus album, also recorded that year, features one track, "Stormy Weather," recorded with that same quartet, and two tracks recorded with a larger group featuring piano and additional horns. Of note, "mdm (Monk Duke & Me)” consumes the majority of this album. The piece consists of three intertwining themes - Duke Ellington's “Main Stem”, Thelonious Monk's “Straight, No Chaser”, and Mingus' “Fifty First Street Blues.” Released in 1961, and recorded in the fall of 1960 by Candid A&R and Producer Nate Hentoff at the Nola Penthouse Sound Studios. The LP includes extraordinary liner notes written by Hentoff, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Phil Woods

Rights Of Swing

Midnight Special (Blue Note Classic Vinyl)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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When he first came on the scene, Phil Woods was often referred to as “The New Bird,” in a nod to the legendary Charlie Parker. A testament to his genius on the saxophone to be sure. But while obviously indebted to Parker - as all modern jazz saxophonists of a certain era were - there is no question that Phil Woods was an original. After earning a degree in music from Juilliard in the early 1950’s, Woods found himself in the orbit of the great Quincy Jones. At Jones’ invitation Woods joined Dizzy Gillespie’s infamous Jazz Ambassadors - a tour sponsored by the US State Department as part of a global cultural diplomacy initiative - and subsequently became a member of Jones’ own touring band. This recording, his 9th album as a band leader, consists entirely of Woods’ five-part Rights of Swing Suite. An ambitious large-scale composition based solidly on jazz traditions. A culmination of the influences the then 30 year artist had absorbed. Arguably considered one of Woods finest recordings, the record features a stellar section made up of Wood’s fellow Quincy Jones band members. (It should be noted that these same musicians, for the most part, are also the section on Benny Bailey’s Candid Records recording, Big Brass, recorded a a few months prior in November of 1960). Recorded at the Nola Penthouse Studios in New Your City on two dates in January and February of 1961, and conducted by Quincy Jones. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and in-depth commentary from Woods himself, giving a context and insight that adds to the experience of hearing these extraordinary performances.

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Jimmy Smith

LP | 1961 | EU | Reissue (Blue Note)

LP | 1961 | EU (Destination Moon)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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It’s a testament to Jimmy Smith’s volcanic creativity that the Hammond B3 organ firebrand recorded not one but two soul jazz classics—Midnight Special and Back at the Chicken Shack—in a single day when he entered Van Gelder Studio on April 25, 1960 with Stanley Turrentine on tenor saxophone, Kenny Burrell on guitar, and Donald Bailey on drums. Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

Jimmy Smith (Hammond B3 organ); Stanley Turrentine (tenor sax); Kenny Burrell (guitar); Donald Bailey (drums)

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Mance Lipscomb

Trouble In Mind

Release: 1961 / EU

Genre: Organic Grooves

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The son of a slave and of part-Native American heritage, Texan blues songster Mance Lipscomb began recording albums in 1960 after the Arhoolie label became aware of his talents, the work coming at the start of the country blues revival, which he became a key part of. The excellent follow-up Trouble In Mind, released by Reprise in 1961, has top-notch renditions of favourites such as ‘Alabama Bound,’ ‘Ballad of the Boll Weevil’ and ‘Motherless Children,’ the latter with great slide guitar work, yet somehow the LP sold poorly, rendering it a sought-after rarity. Definitely one of Mance Lipscomb’s best!

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LP | 1961 | EU | Reissue (20th Century Masterworks)

Lush Life

18,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Jon Hendricks With The Ike Isaacs Trio And Ben Webster

Evolution Of The Blues Song

LP | 1961 | US | Original (Columbia)

9,99 €*

Little Johnny C Blue Note Classic Vinyl Edition

Release: 1961 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

US original.
Sleeve has heavy wear.

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Johnny Coles

LP | 1961 | EU | Reissue (Blue Note)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Max Roach

We Insist (Mono)

We Insist Clear Vinyl Edition

Release: 1961 / US – Reissue

Genre: Organic Grooves

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An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Max Roach

The John Coltrane Quartet

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Africa/Brass

LP | 1961 | US | Original (Impulse!)

79,99 €*

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

US original.
Sleeve has taped edges, heavy wear.
LP has hairlines and surface marks.

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Lush Life Black Vinyl Edition

LP | 1961 | EU | Reissue (SAAR)

25,99 €*

Jazz Portrait Of Frank Sinatra Verve By Request

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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« Lush Life » (1958) is among John Coltrane’s best endeavors on the Prestige (and Music) label.

One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material.

Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass) and Art Taylor (drums). The intimate setting is perfect for ballads such as the opener ‘Like Someone in Love ».

John Coltrane doesn’t have to supplement the frequent redundancy inherent in pianists, so he has plenty of room to express himself through simple and ornate passages. Unifying the slippery syncopation and slightly Eastern feel of « I Love You » is the tenor’s prevalent capacity for flawless, if not downright inspired on-the-spot « head » arrangements that emerge singular and clear, never sounding preconceived. Even at an accelerated pace, the rhythm section ably prods the backbeat without interfering. A careful comparison will reveal that « Trane’s Slow Blues » is actually a fairly évident derivation (or possibly a different take) of « Slowtrane ». But don’t let the title fool you as the mid-tempo blues is undergirded by a lightheartedness.

May provides a platform for Coltrane’s even keeled runs before the tenor drops out, allowing both Earl May and then Art Taylor a chance to shine. The fun cat-and-mouse-like antics continue as Taylor can be heard encouraging the tenor player to raise the stakes and the tempo – which he does to great effect.

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Oscar Peterson

LP | 1961 | Reissue (Verve)

Exotic Percussion Sea Glass Colored Vinyl Edition

Release: 1961 / Reissue

Genre: Organic Grooves

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Oscar Peterson's Frank Sinatra tribute features his trio with bassist Ray Brown & drummer Ed Thigpen. The renditions are all under four minutes and are highlighted by "Come Dance with Me," "Just in Time," "I Get a Kick Out of You," and "How About You?" This is one of Oscar Peterson's most essential dates—swinging and enjoyable.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve

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Martin Denny

LP | 1961 | US | Reissue (Jackpot)

25,99 €*

Blakey And His Jazz Messengers Verve By Request

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Sourced From The Original Master Tapes; Out of print since the 1960s

Now joining Jackpot Record's ever-expanding collection of Martin Denny re-issues is the hypnotic "visual sound" of Exotic Percussion, which has not been on vinyl since its original release in 1961.

His production on Exotic Percussion is ambitious, adventurous, and fascinatingly futuristic, especially when a tumbler with ice was still the preferred way to let loose. Xylophones and chimes swim from ear to ear; traditional jazz instrumentation collides with such musical oddities as boo bas, shamisens, Manga harp, and Burmese gongs.

As always, the choice of compositions on a Martin Denny record is a bizarre yet exciting spin around the globe, but this one is even weirder than usual. From the faster-than-light of "Cumana" to the luscious groove of "Moonlight On The Ganges" (made famous by Frank Sinatra and a track that is still being played on a loop at Disneylan's Jungle Cruise attraction), it's a whiplash of a ride. But the stand-out on the record is the combo of "Misirlou" (which would be made famous a few years later by Dick Dale and even decades later with its appearance in Pulp Fiction).

So join the conga line and head out into the street as Martin Denny once again creates a world we yearn to return to and an album we can always revisit.

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Art Blakey

LP | 1961 | EU | Reissue (Impulse)

Duke Ellington & Johnny Hodges

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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1961 Art Blakey and his Jazz Messengers made their only recording for the label Impulse! Records. It marked a turning point for the popular hard bop formation as it was their first appearance as a sextet with trombonist Curtis Fuller, and secondly their last recording with pianist Bobby Timmons. Also unusual is the fact that only one piece by a band member was on the program and otherwise only standards were played.
VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve.

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Back To Back (Duke Ellington And Johnny Hodges Play The Blues)

LP | 1961 | US | Original (Verve)

14,99 €*

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Slightly torn spine, age wear and minor writing on back cover. Seamsplit bottom. Plays without skipping but with audible crackling throughout.

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LP | 1961 | US | Original (Atlantic)

My Favorite Things

90,99 €*

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US mono MGM pressing.

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LP | 1962 | US | Reissue (Impulse!)

Coltrane

37,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Riverside)

Johnny ''Hammond'' Smith

Black Coffee

14,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Paul Desmond & Gerry Mulligan

Two Of A Mind

LP | 1962 | EU | Reissue (Speakers Corner)

34,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Although the beautiful sound, mutual understanding and harmonic balance mostly predominate, the music of alto saxophonist Paul Desmond performing together with baritone saxophonist Gerry Mulligan is far from what one calls 'easy listening'. For many, it is even difficult to identify the melody of evergreens such as "Stardust" and "The Way You Look Tonight". (And what theme is tucked away in "Two Of A Mind"????)
The recording in the RCA Victor Studio took place over several days in 1962, and this is why different bass players and percussionists are heard – Wendell Marshall, Joe Benjamin and John Beal each take their turn on the bass, while Connie Kay and Mel Lewis change places behind the drum set. These musicians form a brilliant team, and that there is no piano is both deliberate and inevitable for Gerry Mulligan recordings of the day. By the way, the second saxophonist in "The Way You Look Tonight" is Paul Desmond – by means of over-dubbing in the middle of the stereo recording!
The present LP could certainly take a rightful place in a 'Best Of' collection alongside the other recordings by Gerry Mulligan with Ben Webster and Stan Getz.

Pressed to 180g audiophile vinyl.

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Standard Coltrane Back To Black Edition

LP | 1962 | EU | Reissue (Prestige)

21,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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180g vinyl including download code.

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Ole Coltrane - The Complete Session

LP | 1962 | EU | Reissue (Waxtime)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Standard Coltrane 200g Vinyl Edition

LP | 1962 | US | Reissue (Analogue Productions)

46,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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John Coltrane brought a new sound and style to jazz, and he applied it in his own unique way to the standard material of the storehouse of American music gathered from Broadway, Hollywood and Tin Pan Alley. With the excellent rhythm team of Red Garland, Paul Chambers (both of whom had done so many concert, club and recording dates with him) and Jimmy Cobb and the Miles-directed flugelhorn of Wilbur Harden, Trane puts his personal stamp on numbers not done that often like Henry Nemo's "Don't Take Your Love from Me", Fred Ahlert's "I'll Get By" and two more familiar yet still not overdone songs, Richard Rodgers' "Spring Is Here" and Bronislau Kaper's "Invitation."

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LP | 1962 | EU | Reissue (Jazz Images)

Plays The Blues

18,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Speakers Corner)

Herbie Mann

At The Village Gate

34,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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"Comin’ Home Baby" – that’s how the LP begins and that’s what catapulted it right into the charts. Not to one of the top places, but from this time on Herbie Mann was one of the superstars in Atlantic’s collection of jazz musicians. He was known as 'our man with the flute', and the critics in the early Sixties were full of praise for him. He became even more famous, and probably richer, through soundtracks and later on sometimes rather commercialised productions. Well, good for him. 'The Man' serves up jazz pure on this recording, made live at the legendary Village Gate club, which is no wonder considering the rhythm group that includes Ahmad Abdul-Malik and Rudy Collins. The composer of "Comin’ Home Baby", Ben Tucker, also makes an appearance as a guest soloist before the two Gershwin numbers from "Porgy And Bess" offer a wealth of rhythm pure. On the cover text of the LP, Willis Conover, who hosted the Newport Jazz Festival as a sideline (older jazz fans will know his baritone voice from AFN broadcasts), describes in detail the ethnic background of the musicians who come from all over the world – from Romania to Puerto Rico. The three numbers are by no means commonplace. Perhaps a tasty flute cocktail would be a good description. This true rarity from Atlantic’s treasure trove in the early Sixties has long been marked down on the wish list of many fans and at long last it’s available again.

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Live At The Village Vanguard Acoustic Sound Edition

LP | 1962 | EU | Reissue (Impulse)

37,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Jazz Workshop)

John Wright

Mr. Soul

LP | 1962 | EU | Reissue (Not Now)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7233)
Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7233)

The John Wright Trio
John Wright (piano), Wendell Roberts (bass), Walter Perkins, Jr. (drums).
Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, April 10, 1962

Engineered & mastered by Rudy Van Gelder
Cover photo & design: Don Schlitten
Back-liner notes: Tom Wilson
Recording supervised by Esmond Edwards

180 Gram Newly Remastered Vinyl Reissue of the original Prestige Prlp 7233 Limited edition in Solid carton sleeve

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The Bill Evans Trio

Moon Beams

26,99 €*

Soul Trombone And The Jazz Clan

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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There have been many great Jazz Pianists, but foremost amongst them is Bill Evans. Accepted by all fans as being supremely influential for defining the format and scope of the Jazz trio, Evans entered his first purple patch in the mid to late fifties and refined his playing with a series of album. Over the years he recorded many trio albums with frequent changes of members, with the most lauded being his first and second line-ups. By May 1962 Evans cut what would be his seventh album for Riverside . New Bassist, Chuck Israels, joined the group, and together this second classic line-up cut two albums in the same sessions. The first was Moon Beams which contained ballads, while the second one, How My Heart Sings, had the up-tempo numbers. These were recorded as a mixture during the sessions as producer Orrin Keepnews wanted to release an album of just ballads from Evans, and so made up the album from the varied session tracks. During the recordings, Evans only revealed the tracks to his trio at the session itself. Fans and critics alike were more than appreciative of Chuck Israels' ability to meld into the trio with his punchy lines, meshing in especially well with Motian.

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Curtis Fuller

LP | 1962 | EU | Reissue (Sowing)

21,24 €* 24,99 € -15%

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Originally released on Impulse in 1962 "Soul Trombone and the Jazz Clan" was a major statement from one of the great trombone players in American jazz. Here Fuller displays an outstanding hard-bop ensemble based on a bunch of great individuals all at the top of their game. Fuller himself is part of a super strong horn section with trumpeter Freddie Hubbard and tenor saxophonist Jimmy Heath, while the groove is assured by a hard swinging rhythm section with pianist Cedar Walton, bassist Jimmie Merritt and drummer Jimmy Cobb. Fuller gives lots of space to his musicians who naturally respond and empathize with great solos.In one word: an outstanding record!

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LP | 1962 | DE | Reissue (Impulse)

Ballads

23,99 €*

Release: 1962 / DE – Reissue

Genre: Organic Grooves

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Twistin' The Night Away Clear Vinyl Edtion

Sam Cooke

LP | 1962 | EU | Reissue (Sowing)

LP | 1962 | EU | Reissue (Dialogo)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Twistin' the Night Away is Sam Cooke's eighth studio album. Released in April 1962 by RCA Victor, the album shows how the one and only Sam Cooke approached the twist dance phenomenon and as a result became one of Cooke's most successful releases. In fact Twistin' the Night Away peaked while the single of the same name charted high at number nine on the Billboard Hot 100. Twistin' the Night Away stands as one of the great dance albums of its period,"and "a brilliant soul album as well.

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V.A.

Passaporto Per L'italia

53,34 €* 96,99 € -45%

Miss Nelson / Bruce Haack

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Dance Sing And Listen Again!

LP | 1962 | EU | Reissue (Honeypie)

Don't Play That Song Crystal Clear Vinyl Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Canadian composer Bruce Haack one of the true pioneers in the field of electronic and children's music. Originally released in 1962 "Dance, Sing & Listen" was Haack's debut album. Following instructions from children dance teacher Esther Nelson the album comes as a hyper-eclectic work based on a great variety of sound material. A hybrid soup of medieval, country, classical, and pop styles including tons of electronic effects, guitars, banjos and other acoustic string instruments and bongos!!! This is open minded music for children at its best.

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Ben E. King

LP | 1962 | UK | Reissue (Rhino Atlantic)

38,99 €*

LP | 1962 | EU (Destination Moon)

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Although Ben E King's name is synonymous with The Drifters, he only actually sang on a dozen tracks with them, most of which were recorded concurrent with the start of his own solo career. This compilation anthologises Ben's solo recordings between 1960-62, presenting his early singles plus a handful of standout album tracks.

All his early hits are here, including the Drifters-like First Taste Of Love, his first million-seller Spanish Harlem, his signature song Stand By Me, the lilting Latin shuffle of Amor, the dramatic, bluesy Here Comes The Night/Young Boy Blues, his Sex'n'Soul double-sider Ecstasy/Yes, the explosive Don't Play That Song, the soulful Too Bad, the haunting I'm Standing By and Goffin & King's Tell Daddy.

Ben E. King’s ‘Don’t Play That Song!’ album is pressed on a single clear LP and is a one time pressing.

This vinyl release is a part of Atlantic Records' 75th Anniversary vinyl collection.

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Charlie Mingus

Town Hall Concert

17,99 €*

Jazz Samba Acoustic Sounds Vinyl Edition

Release: 1962 / EU

Genre: Organic Grooves

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Charles Mingus brought together an amazing lineup spanning the totality of the nation's jazz scene with such luminaries as Eric Dolphy, Buddy Collette, Clark Terry, Zoot Sims, Pepper Adams, Jaki Byard, Grady Tate, and more. Brought together to perform new Mingus compositions for the first time in public, the recording was initially considered weak due to limited rehearsal time but the years have been kind to this recording and it's a fantastic set of Mingus compositions, including the powerful "Freedom" which rivals the works on Mingus Ah-Um (1959) for its strength of purpose and message, in a similar vein to Max Roach's legendary We Insist! album (1960). Mingus is one of the most important figures in 20th century music and this live recording documents his compositional and arranging process as well as sheer swinging joy.

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Stan Getz & Charlie Byrd

LP | 1962 | EU | Reissue (Verve)

Green Onions Clear Vinyl Edtion

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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When Charlie Byrd toured South America in 1961, Bossa Nova—a melding of Brazilian samba rhythms with the harmonic structures and cool sound of West Coast jazz—was booming. He brought back records for Stan Getz to hear and they planned a session. The result was Jazz Samba—the first album of Bossa Nova music by jazz artists and the one that created the Bossa Nova wave.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Booker T. & The M.G.'s

LP | 1962 | EU (Destination Moon)

17,99 €*

Frank Frost With The Night Hawks

Release: 1962 / EU

Genre: Organic Grooves

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The house band at Memphis's legendary Stax Records, Booker T. & the M.G.'s played on some of the most legendary and unforgettable soul recordings in history. Originally released in 1962, the title-track of their debut LP Green Onions is arguably the most recognizable piece of instrumental pop and soul ever to be released; an absolute stone classic of a jam, with Booker T.'s organ at the fore. In addition to being a classic group, Booker T. & the M.G.'s were one of the first soul and rock groups to have both white and black members, and understandably their music is often associated with the Civil Rights Movement that was going on all around them in the American south of the 1960s. Essential American originals from Booker T. & the M.G.'s.

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Hey Boss Man! Clear Vinyl Edtion

LP | 1962 | EU (Destination Moon)

The Straight Horn Of Steve Lacy

Release: 1962 / EU

Genre: Organic Grooves

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"Legendary Sun Records producer Sam Phillips knew talent when he saw it, and when he started up his new Phillips label in the early 1960s, one of the first acts he signed was Frank Frost and his electric Delta blues trio. Now known as one of the greatest harp players of his generation, Frost learned his trade playing with none other than Sonny Boy Williamson and his influence can be heard whenever he blows. Originally released in 1962, Hey, Boss Man! is one of the last great electric blues albums."

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Steve Lacy

LP | 1962 | US | Reissue (Candid)

LP | 1962 | EU | Reissue (Honeypie)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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The “straight horn” referred to in the title of this superb album from 1961 is the soprano saxophone, and Lacy is recognized as one of the greatest to ever play the instrument, ranking alongside John Coltrane and Sidney Bechet. Because of the difficulty involved in mastering it’s pitch challenges, very few jazzmen concentrated on it. Lacy is widely considered the first “modern” musician to specialize on the instrument. Lacy had long and prolific career and a fascinating style trajectory. At sixteen he began playing Dixieland with the likes of Pee Wee Russell. In the mid 1950’s he played free jazz with Cecil Taylor, and appeared with his groundbreaking quartet at the 1957 New Port Jazz Festival. He made a notable appearance on the 1959 Gil Evens, Great Jazz Standards album. Along the way, Lacy became obsessed with the music of Thelonious Monk, working with him several times including the 1963 Big Band and Quartet in Concert album, and devoted much of this life’s work to the interpretation of Monk’s materiel

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Ahmad Jamal

All Of You

LP | 1962 | US | Reissue (Jackpot)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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All of You is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at Jamal's own club in Chicago in 1961 and released originally on the Argo label. Jamal's group had a personal sound of its own, often playing quietly and leaving space but never losing the passion. These versions of "Time on My Hands," "Star Eyes" and "All of You" in particular are well worth hearing. On the cover, photographed by Don Bronstein, one of the first staff photographers for Playboy magazine, Jamal sits in an MAA chair, designed by George Nelson.

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Bill Evans & Jim Hall

Undercurrent

29,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro. Eventually, he was persuaded to return to music, and this was one of the first recordings upon his return. Guitarist Jim Hall - who had worked with Ella Fitzgerald, Sonny Rollins, and Chico Hamilton - started his partnership with Evans during this time. Recorded over two sessions in April and May 1962, the two have that beautifully unspoken musical language of give and take; their recordings are refreshingly busy but also incredibly sparse. These two giants understand that intertwining their personalities and harmonic styles could create greatness. This notable re-issue is an all-analog production affair—AAA Mastered and cut live by audio guru Kevin Gray (Miles Davis, Herbie Hancock, Charles Mingus)—and it’s never sounded better. So dim the lights and let this music breathe with you; it’s an incredible listen and an essential album for both the novice listener wanting to dip their toe into the genre or the audiophile who needs to replace their well-worn vinyl copy. And depending on your day, it will color your mood in any emotive shade you desire.

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"Live" At The Village Vanguard

LP | 1962 | US | Original (Impulse!)

114,99 €*

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Plays with faint surface noise but far from overpowering the music.
Upper and lower seam are split. Sticker on back cover.

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"Live" At The Village Vanguard

LP | 1962 | US | Reissue (Impulse!)

36,99 €*

European Concert : Volume One

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1971 US stereo reissue.

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The Modern Jazz Quartet

LP | 1962 | US | Original (Atlantic)

11,99 €*

One More Chance / Don't Go Away

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has slight water damage on back to VG+

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Teddy Randazzo

7" | 1962 | JP | Original (ABC-Paramount)

3,99 €*

Release: 1962 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Snap Your Fingers / If You See Me Cry

Joe Henderson

7" | 1962 | US | Original (Todd)

3,99 €*

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: Generic

Coltrane Hq Ltd 200g Editionmono Numbered

LP | 1962 | US | Reissue (Analogue Productions)

53,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | EU (Survival Research)

Jeanne Lee And Ran Blake

The Newest Sound Around

Release: 1962 / EU

Genre: Organic Grooves

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LP | 1962 | Reissue (20th Century Masterworks)

Plays The Blues

18,99 €*

Release: 1962 / Reissue

Genre: Organic Grooves

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LP | 1962 | JP | Reissue (P-Vine)

Lightnin' Hopkins

Mojo Hand

34,99 €*

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Forget lightning in a bottle, we have Lightnin' on a vinyl! Recorded in New York in 1960 with famed producer Bobby Robinson, Mojo Hand is considered by many to be one of the finest blues records of all time. Since P-vine reissued it for the first time ever in 1983, word of the record’s quality quickly spread, with original copies now selling for thousands of dollars on the second hand market! Whether it’s the boogie of title song “Mojo Hand”, or the low and slow blues of “Have You Ever Loved a Woman”, the Lightnin’s acoustic blues is soulful. Don’t miss Mojo Hand, available for the first time ever on limited edition red vinyl with an obi-strip, only from P-vine Records.

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Plays The Blues 180g Vinyl Edition

LP | 1962 | EU | Reissue (Dol)

15,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Honeypie)

Dizzy Reece

Asia Minor

Odetta And The Blues Vinyl Me, Please Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Jamaican-born jazz trumpeter Dizzy Reece recorded one of his best opus in 1962. Released on the New Jazz label the album featured greats such as bassist Ron Carter, renowned saxophonist Cecil Payne and pianist Hank Jones. It’s a beautifully recorded and sequenced album, the compositions reflecting Reece’s interest in the music of the Asian continent and regions of North Africa, with each piece transitioning nicely into the next. Asia Minor would be the last session Reece would lead until 1967/68. A fixture of the European jazz scene of the Fifties, Reece came to New York in 1959. This intriguing, Eastern-flavored date, is still regarded has one of the best example of cross-pollination in the jazz genre.

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Odetta

LP | 1962 | US | Reissue (Vinyl Me, Please)

The Big Soul Of John Lee Hooker

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
The songs that populate Odetta and the Blues are 1920s blues and jazz standards sung by the likes of Bessie Smith, Gertrude “Ma” Rainey, Mississippi John Hurt, Leroy Carr and other titans of the time and genre. Most are traditional, unattributable to any one songwriter — but all are linked to Black musicians. In this way, the album feels like an important (and understandable) aspect of Odetta’s quest to show America the myriad ways this country’s music wouldn’t be what it is without Black Americans.

Odetta makes each track sound timeless and true, but also utterly, entirely her own. I think that’s the hallmark of a true and truly unique talent — and a sign that the artist in question understands the assignment, as it were: to find the throughlines between their perspective and the art itself; to preserve the original message and add one of your own, like a constructive game of Telephone. There’s an art to being a cover artist and an art to being an archivist.

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John Lee Hooker

LP | 1963 | US | Reissue (Vee Jay)

15,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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LP | 1963 | EU | Reissue (Music On Vinyl)

Thelonious Monk

Monk's Dream

LP | 1963 | EU | Reissue (Music On Vinyl)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Monk's Dream is the first album jazz musician Thelonious Monk released on Columbia Records. Jazz scholars and enthusiasts alike also heralded this combo as the best Monk had been involved with for several years.

180g audiophile vinyl.

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Chet Baker

Chet Is back!

Rocks The House Blue Vinyl Edition

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Recorded in Rome, Italy at RCA's studios, Chet Is back! is the 1962 studio album by the undisputed master of the trumpet, Chet Baker. Backed by a group of up-and-coming European jazz musicians, which included Belgian saxophonist Bobby Jaspar, Belgian guitarist Rene Thomas, Italian pianist Amedeo Tommasi, French bassist Benoit Quersin, and Swiss drummer Daniel Humair, according to critics Chet Baker may have never sounded better.

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Etta James

LP | 1963 | US | Reissue (Jackpot)

31,99 €*

Samba Esquema Novo Clear Vinyl Edtion

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Best known for the lush 1961 rendition of the ballad “At Last”– a slow-dance staple at wedding celebrations everywhere,she is also celebrated for having recorded one of the bestlive albums of all time, “Rocks the House.” Recorded in 1963at the New Era Club in Nashville, James is captured at her performance peak. The foundation for her reputation as a fiery no-holds-barred performer was firmly established in this recording.

Blues, soul, jazz, R&B, and rock vocalist Etta James, needs no introduction. An icon from early rock’n’roll’s pantheon of divas, she has inspired 5 decades of listeners and fellow artists with her vocal stylings. From Janis Joplin to Beyonce, her expressive and guttural style has been imitated but never quite matched.

Jackpot Records is honored to release this momentous record on stellar blue vinyl, with the original album artwork and including 3 bonus tracks which have only ever been released previously on CD. Her powerful version of “Something’s Got a Hold on Me” will shake you. Her impassioned version of “All I Could Do Is Cry,” will break you.

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Jorge Ben

LP | 1963 | EU | Reissue (Sowing)

LP | 1963 | US | Reissue (Real Gone Music)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! First released in 1963 on Phillips Records, this was Jorge Ben's debut album. "Samba Esquema Novo", which translates to 'New Style Samba' deliberately sets a new standard in Brazilian music. A beautiful, fresh and vital combination of Ben's percussive guitar and smooth/rough voice backed by Big Band style horns, percussion (the great Dom Um Romao) and strings. In 2007, it was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history, but It would be enough to remind you that this is the album containing the first original version of "Mas Que Nada' one of the most popular songs in the world!

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Doris Troy

Just One Look

36,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Go Away With Me / Time Will Tell

Hollis Dixon

7" | 1963 | UK | Reissue (Fame)

11,99 €*

Orkes Angklung Padaeng, Daeng Soetigna

Release: 1963 / UK – Reissue

Genre: Organic Grooves

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Fame collectors know how rare this 45 is to find in the wild; it hardly ever happens. ‘Go Away With Me’ is a fabulously, catchy dance number from 1963 when the little-known Dixon wandered into the Fame Studios in Muscle Shoals and laid these track down. It is one of Dan Penn’s very early compositions and the nascent talent of the writer is in evidence here. The tuneful self-penned ‘Time Will Tell’ flip reveals another accomplished musical bent to the singer who, though he only cut two 45s, was revered as a major Muscle Shoals influence by the likes of Jimmy Johnson, Donnie Fritts and David Hood.

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Angklung

LP | 1963 | ID | Original (Lokananta)

9,95 €*

O Bem Do Amor Clear Vinyl Edtion

Release: 1963 / ID – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Record has many scuffs and some superficial scratches, an audible one on A2. Sleeve is splitting on top and bottom seam.

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Ellis Regina

LP | 1963 | EU | Reissue (Sowing)

LP | 1963 | EU | Reissue (Honeypie)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Elis Regina one of the greatest Brazilian interpreters of all time! Originally released in 1963 when she was not even 20 years old, this was her fourth album and second for Columbia records. Still a few steps before she became a star, here Elis Regina's fresh and extremely ductile voice shines on top of sophisticated Jazz arrangements by Astor Silva and a mixed repertoire based on charming romantic songs and vibrant sambas, all composed by Brazilian authors, among them a couple of highlights such as Baden Powell's "Se Você. Quiser" and "O Ben do Amor" the title track composed by guitarist Rildo Hora. This is an an early and fine statement in Regina's fast way to the peak of Brazilian music history.

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Duke Ellington

Afro Bossa

LP | 1963 | EU | Reissue (Honeypie)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1963, this is a majestic piece of work. Considered as one of Ellington's best studio recordings of the Sixties this is also an essential mosaic piece within Duke's open wide afro-centric vision. Performed by a top version of his famous big band, Afro Bossa sounds as a sophisticated, sensual blend of orchestral Jazz arrangements and black bossa flavoured grooves. Among the players, many of Duke's historical sidemen such as trumpeter Ray Nance, sax giants Paul Gonsalves and Johnny Hodges, drummer extraordinaire Sam Woodyard and last but not least, Ellington's alter ego Billy Strayhorn, what else?

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Ike & Tina Turner

It’s Gonna Work Out Fine

LP | 1963 | JP | Reissue (Think!)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Originally released on Sue Records in 1963 this was Ike & Tina Turner fourth album, the one that earned them a first grammy nomination and a further step in the consolidation of their international success. Most of the tunes here are highly energetic up-tempo numbers while the whole album comes as the fruit of a unique combination of raw R&B and highly energetic Rock n Roll.

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Mighty Sparrow

The Outcast

38,99 €*

LP | 1963 | EU | Reissue (Honeypie)

Release: 1963 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Originally released in 1963, "The Outcast" is a masterpiece that includes "Tour of Jamaica", the strongest jazzy calypso song that continues to captivate many DJs and music lovers!! No other song makes the listener dance with such happiness! The quality of the album as a whole is excellent, and this is truly one of Mighty Sparrow's masterpieces! Please enjoy these two historical masterpieces by the god of calypso, Mighty Sparrow, together with "Tattoo Woman", which will be released at the same time on analog LP!!

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Krzysztof Komeda

Ballet Etudes

One World Concert - Vol. 1

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Slavic lyricism. For many years considered a rare collector item "Callet Etudes" comes back to life as a major statement in East-European music history.” Allan Botschinsky - trumpet, Jan Wróblewski - tenor sax, Krzysztof Komeda - piano, Roman Dylag - bass, Rune Carlsson drums.

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Erroll Garner

7" | 1963 | UK | Original (Philips)

3,99 €*

Release: 1963 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1963 | EU (Destination Moon)

Impressions

The Isley Brothers And Marvin & Johnny

Release: 1963 / EU

Genre: Organic Grooves

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A grab-bag of hot John Coltrane performances executed in the early 1960s, Impressions is comprised of four Trane killers, all highlighting his versatility and a concerted effort not to be constrained by any given form, the music delivered with aplomb by Trane and an impressive supporting cast that includes the unfettered drummer Elvin Jones. The extended versions of ‘India’ and the title track were taken from Coltrane’s celebrated residency at the Village Vanguard with bass clarinettist Eric Dolphy in the fold; ‘Up Against The Wall’ holds a kind of tense optimism and ‘After The Rain’ is a melancholic classic. Top-notch Coltrane, superb!

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LP | 1963 | US | Original (Crown)

6,99 €*

Release: 1963 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Ballads UHQR (Ultra High Quality Record) 2LP 200g 45rpm Vinyl Deluxe Limited Edition Box Set

2LP | 1963 | US | Reissue (Analogue Productions)

201,99 €*

Johnny Guitar Watson (Debut Album)

Release: 1963 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — Ballads
Analogue Productions' UHQR, the pinnacle of high-quality vinyl!
45 RPM Ultra High Quality Record release limited to 5,000 copies
Mastered from the original tape by Ryan K. Smith at Sterling Sound
Pressed at Quality Record Pressings using Clarity Vinyl®
Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.

You're about to experience Ballads at its peak of vinyl perfection — in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a !2" x 12" 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.

The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All," "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety."

While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.

Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.

"It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more." — The Jazz Record

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Johnny Guitar Watson

LP | 1963 | EU | Reissue (Pan Am)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Country Blues Of John Lee Hooker

John Lee Hooker

LP | 1963 | US | Reissue (Craft)

35,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Kenny Burrell & John Coltrane

Kenny Burrell & John Coltrane (Original Jazz Classics Series)

LP | 1963 | EU | Reissue (Craft)

59,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | EU | Reissue (Blue Note)

Joe Henderson

Page One

25,99 €*

I Just Dropped By To Say Hello Verve By Request

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2021 reissue.

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Johnny Hartman

LP | 1963 | EU | Reissue (Impulse)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Midnight Blue Blue Note 85 Blue Vinyl Edition

Kenny Burrell

LP | 1963 | Reissue (Blue Note)

LP | 1964 | US | Reissue (Vee Jay)

Release: 1963 / Reissue

Genre: Organic Grooves

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Guitarist Kenny Burrell debuted on Blue Note Records in 1956 and over the following seven years made a series of excellent albums for the label that culminated with his masterwork Midnight Blue. Recorded in 1963, the album waded deep into the blues, conjuring an alluring late-night vibe with a profoundly soulful cast including tenor saxophonist Stanley Turrentine, bassist Major Holley, Jr., drummer Bill English, and Ray Barretto on congas.
Burrell originals including “Chitlins con Carne,” “Midnight Blue,” “Saturday Night Blues,” and the stunning solo guitar piece “Soul Lament” set the tone for this timeless classic adorned by one of the all-time great Reid Miles cover designs.

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John Lee Hooker

On Campus

21,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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New York Eye & Ear Control

Albert Ayler

LP | 1964 | US | Reissue (Esp Disk Ltd.)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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One of the key 60s free jazz recordings!

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LP | 1964 | US | Reissue (Waxtime)

Coltrane's Sound

19,99 €*

LP | 1964 | US | Reissue (Analogue Productions)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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180g vinyl.

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Booker Ervin

The Freedom Book

46,99 €*

LP | 1964 | EU | Reissue (Music On Vinyl)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Booker Ervin's recordings with Charles Mingus and Randy Weston brought him good reviews and a bit of notoriety. But it was his series of Song Books for Prestige Records that broadcast the stentorian announcement that a jazz orator of gigantic stature had arrived. Ervin's tenor saxophone sound was haunted by the loneliness and spaciousness of the Texas plains where he was raised. The Southwest moan was an integral part of his playing. But his style went beyond the classic Texas tenor tradition to incorporate the intricacies of bebop and suggestions of the free jazz that was initiating one of the periods of self-renewal that keeps jazz fresh and interesting. "The Freedom Book", recorded at the end of 1963, was one of Ervin's masterpieces. He is abetted by the power and drive of Jaki Byard, Richard Davis, and Alan Dawson.

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Solomon Burke

Rock 'N Soul

Albert Mangelsdorff Quintet

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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The album Rock 'n Soul was originally released in 1964 by Grammy Award winning Solomon Burke (†2010). 7 tracks ended up in Top 100 Billboard Hits at the time. "If You Need Me" went as high as #2 in the Black Singles Chart. This extraordinary album is not only soulful but a confirmation that Burke is a genius when it comes to writing music and making it happen in a studio!

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Now Jazz Ramwong

LP | 1964 | EU | Reissue (Tiger Bay)

20,99 €*

Alexis Korner's Blues Incorporated

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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The virtuoso trombonist Albert Mangelsdorff was one of the prominent figures of European Jazz of the 60s – 70s. Eastern influences with a perfect blend of Western culture characterized this album recorded in Frank- furt after the groups Asian tour. “Now Jazz Ramwong” sees the group in its best shape: alto saxophonist Gunther Kronberg, tenor saxophonist Heinz Sauer, bassist Gunter Lenz and drummer Ralf Hubner. A really mind-blowing mix of jazz, folk and Eastern sounds. The album contains “Three Jazz Moods”, a jazz adaptation of Ravi Shankar’s music.

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Red Hot From Alex

LP | 1964 | UK (Trading Places)

29,99 €*