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Original Japanese pressing.

Limited edition for Record Store Day 2016!

Jr. Thomas & Cutlass Cream drift into a storm of love drenched loneliness with their first single "Reflections". With "Reflections", Jr. Thomas pivots away from the Jamaican inspired songs he recorded with Jr. Thomas & The Volcanos (Truth & Soul Records / Colemine Records) and collaborates with old friend Albert Perez Jr. from Minneapolis. “We had a true bond when it came to writing thought provoking songs that faced our truths directly in the eye. We were completely exposed to one another without compromise during these songwriting sessions."

The late Abbey Lincoln was one of the greats in jazz singing and composition. 65 at the time of this recording, the singer performs a fiery musical statement and maintains her own distinctive manner of delivering a lyric. This 1998 Verve release mostly emphasizes slow tempos and melancholy moods. Seven of the nine tracks on Who Used To Dance are ballads that serve to demonstrate the graininess in Lincoln's voice, with highlights such as the nostalgic "Who Used to Dance" (featuring Savion Glover's tapdancing) "Street of Dreams" and an exceptionally charming "Mr. Tambourine Man". Alto saxophonists Frank Morgan, Steve Coleman, Oliver Lake, Justin Robinson, and Riley Bandy III provide feature work and several insightful solos, and the rhythm team of pianist Marc Cary, bassist Michael Bowie, and drummer Aaron Walker provide finest ballad accompaniment.



This 140-gram vinyl is the first international vinyl reissue, pressed at Optimal, and is presented in a wide-spine, single-sleeve jacket.

The second album of Sault follows their debut "5" which came out just three months prior to this one. Heads all over the world were still in awe of "5", when all of a sudden "7" dropped. Now, by the end of 2020, they are four critically acclaimed albums deep into buiding their own legacy.

This is the limited Digisleeve edition that contains 13 tracks.

Mosaic is a heavy new three tracker from a band whose reputation exploded this spring with the release of debut album Murmuration. Lead track Mosaic is full of the warmth of this heatwave-summer, syncopation and groove in abundance. Driving melodic lines and keyboard atmospherics suddenly give way to one of James O'Keefe's most powerful guitar solos to date, wild and psychedelic. Transcoso brings the band to the downtempo magic that they have become much loved for. Heavily inspired by Azimuth, an hypnotic beat from drummer Jonny Drop eventually builds to a euphoric, almost slow disco climax for the final section. Maripose is a timely tribute. Debuted at their London album launch this take on the Freeez classic (although the live version in particular) explored a little more of the South London, Brit Funk influences that really drive the band.

Japanese pressing without OBI, with insert. Vinyl with a couple of light scuffs, close to VG+.

Record Store Day 2021 Release. Two Ike & Tina Turner sought-after classics on either side of a 7 inch. The A side sees the ice cold early funk jam ‘Bold Soul Sister’ featuring the trademark funk guitar stylings of Albert Collins, originally released on the Blue Thumb in 69 and favoured by hip hop producers for its wealth of sampling gold. The flip side houses ‘Somebody (Somewhere) Needs You’ a rare and pricey Northern Soul number penned by Motown songwriter Frank Wilson that goes for £150+ on Discogs. A 50 year anniversary release in a picture sleeve.

With the "Trios" album project, saxophonist Charles Lloyd is fulfilling himself an unusual dream: three thematically related albums, each with a different trio line-up, a "Trio of Trios". The first album "Chapel" he recorded with guitarist Bill Frisell and bassist Thomas Morgan, followed by "Ocean" with guitarist Anthony Wilson and pianist Gerald Clayton. "Sacred Thread" with guitarist Julian Lage and drummer Zakir Hussain is now the crowning glory.



1-lp, 180g, padded inner sleeve.

"Willie "Junei" Lee spent the first half of the 1970s playing guitar with his older brother Robert Lee in the self-contained band Lost Weekend, recording a handful of singles and a still unreleased LP. The back half of the decade was spent touring with Albert King, Curtis Mayfield, and The Emotions, before returning home to Gary, Indiana, to focus on his own sound. In 1985, Junei's girlfriend brought home a suite of Fostex home studio gear, including a 12 channel board, 8-track tape machine, and a halftrack for mix downs. He added a Yamaha drum machine and a Maestro echoplex and started his solo project. "The only artists I listened to was Hendrix and Santana," Junei said. The emissions coming from his home studio were entirely different, however, as "Let's Ride" channels the Euro sensibilities of Kraftwerk or Italo over virtuosic guitar. "I just didn't want to sound like anyone else," he continued. "Let's Ride" achieved that differentiation, and managed to anticipate Chicago house by a few years. Pressed in minuscule numbers in 1987 on Pharaohs Records, the 45 never connected with the nearby scenes in Chicago and Detroit where it might have found purchase in fertile soils. Decades later "Let's Ride" found new life as the bed for KAYTRANADA's "Scared To Death," and the track has slowly worked its way through the algorithm to a new generation of vapor huffers. "I am all for experimentation, trying new things, etc," Junei said. "Kaytranada is a visionary and a talented producer. He has my respect.""

Sticker on front.

Few paper scuffs.

The "Weimar EP" from singer/songwriter Albyrd is not only his first release under a new moniker; as his first self-produced record, it also marks one of many new beginnings. The end of the pandemic, the blossoming and withering of relationships - and of course, a tribute to his time in the city and how life's perspectives change.

In 8 songs, Albyrd shows not only the range of his magnificent voice, but also how well soul and RnB can be interwoven with electronic music. With a feature from Miles Bonny, Mr. Lumberjack Soul himself, this tape is definitely one for the shelf.

One of the most interesting young names within the Bergen and Norwegian jazz scene is saxophonist Aksel Røed. He’s playing with many different bands and constellations, including General Post Office and Dag Arnesen, and he is in high demand as a player. With Other Aspects, Aksel Røed has put together an 8-piece ensemble of his friends from different bands, and he draws on his inspirations from the old saxophone recordings of Ornette Coleman, Albert Ayler and Pharoah Sanders, but also in the composing mind of Django Bates and Charlie Haden’s Liberation Orchestra. As he explains himself: Other Aspects allows me to constantly drift into different directions and usually with short notice. The music is composed but not set, meaning it’s perfectly acceptable, and even encouraged to think and play outside the box. Most of the magic within the band lies in the free improvisation. Recorded in Duper Studio in Bergen, “Do You Dream in Colours?” is a massive piece of an album. And as a proper old jazz album, it comes with liner notes from the old Norwegian jazz veteran Knut Kristiansen.

In the 1950s and 60s, the Cincinnati recording scene was dominated by Syd Nathan’s King label, whose R&B catalogue made it a major player among post-war independents. In its shadow was Fraternity, a smaller concern launched by Harry Carlson in 1954.

The well-respected Carlson set about building an artist roster which reflected his conservative musical taste, scoring smash hits by Cathy Carr and Jimmy Dorsey a couple of years later which established the label as an indie to be reckoned with.

Here, though, we spotlight decidedly non-MOR Fraternity recordings by influential guitar hero Lonnie Mack, soulful girl group the Charmaines, bluesy singer-guitarist Albert Washington, and female duo the 2 Of Clubs.

For those with appetites whetted by this old-fangled 7-inch vinyl sampler, further Fraternity recordings by each of these artists can be found elsewhere in the Ace Records catalogue. For now, though, here’s your chance to enjoy four fine examples of the sound of mid-60s Cincinnati.

First single from Alex Fernet's debut 2023 album entitled, Lucidanotte. Produced at Overdrive Recording Studio with Edoardo "Dodi" Pellizzari Drums by Diego Dal Bon Cp80 by Little Albert Artwork by Riccardo Michelazzo

No obi.

Original US pressing.

Original US Terre Haute pressing.

A new three track 7" single featuring the radio favourite 'It Came Out Of The Wilderness' from his second album 'A Virtual Landslide' plus 'The Ghost Of Greenwich Village' from his debut album 'Walking Off The Map' and an exclusive, previously unreleased acoustic track, 'Ballad On The Milk Train'. This will be limited to 1000 copies. 'AN EARLY CONTENDER FOR ONE OF 2008'S LANDMARK ALBUMS' - MOJO FEB 2008

Japanese pressing, comes with Obi and inserts.

White Vinyl.

Record is slightly warped but still enjoyable.
Cover as new with slightly dented corners.

Japanese pressing, comes with Obi and inserts.