Search "giant steps" 786 Items

Talking About The Love I Have For You / It's Not Safe To Mess On Me

Release: 1979 / Reissue

Genre: Organic Grooves

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* Classic Jazz Album from 1979 * Featuring an all-star line-up * First ever vinyl reissue since 1985 * Released for the first time in the UK & North America * 180g Clear vinyl limited to 100 copies (lita Exclusive) * 180g Black vinyl limited to 500 copies (w/obi strip) / George Coleman (born March 8, 1935) is an American jazz saxophonist best known for his work with Miles Davis and Herbie Hancock in the 1960s. Coleman was born in Memphis, Tennessee and learned to play the alto saxophone in his teens. After his work with Ray Charles, George started working with B.B. King in 1953 and switched to playing the tenor saxophone. George Coleman was a member of legendary outfits such as Max Roach’s quintet, The Slide Hampton Octet, Miles Davis’ Quintet and The Chet Baker Quintet. The list of his collaborations is impressive to say the least, Mr. Coleman recorded and performed with greats such as Freddie Hubbard, Herbie Hancock, Charles Mingus, Ahmad Jamal, Idris Muhammad, Pharoah Sanders, Ornette Coleman, Melvin Sparks, Art Blakey…and many others. Coleman was named an NEA Jazz Master, was added to the Memphis Music Hall of Fame in 2015, and received a brass note on the Beale Street Brass Notes Walk of Fame. George Coleman’s performances were included on classic recordings released by prominent labels from the likes of Blue Note, Atlantic, Prestige, Strata-East, Muse, Verve and Impulse! On the album we are proudly presenting you today: Amsterdam After Dark (Recorded in 1978 at the famous NY Sound Ideas Studio and released on Timeless Records in 1979) the listener is treated to six majestic tracks of the highest caliber and features a remarkable outing of advanced musicianship by jazz-giants in their prime, delivering an inspirational gem of an album. The all-star line-up includes Sam Jones (Dizzy Gillespie, Duke Ellington, Ben Webster) on bass, Billy Higgins (Donald Byrd, Thelonious Monk, John Coltrane) on drums and Hilton Ruiz (Roy Brooks, Rashaan Roland Kirk, Sonny Rollins) on piano. Most players featured here were also part of the legendary ‘Eastern Rebellion’ collective responsible for releasing multiple ground-breaking albums over several decades. Amsterdam After Dark shows off George Coleman’s mastery of the sax, his brilliant vintage techniques and deep soulful tones. Coleman plays from the heart and is on top of his game. Expect both original compositions as well as standards, beautiful ballads with elegant (yet fierce) solos alternating between the instruments, growling blues-oriented themes…this is a contemporary sounding Hard Bop & Post-bop crossover album and a must have for any self-respecting jazz fan or collector! Tidal Waves Music now proudly presents a much-needed and long overdue vinyl reissue of this classic jazz album (originally released in 1979 and out of print on vinyl since 1985). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) featuring the original artwork. This will also be the the first time the album is being released in North America and in the UK.

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George Jackson

7" | 2019 | UK | Original (Kent Dance)

8,99 €* 11,99 € -25%

LP | 2013 | UK | Original (Kent)

Release: 2019 / UK – Original

Genre: Organic Grooves

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George Jackson’s beautiful ‘Talking About The Love I Have For You’ has become increasingly in-demand in recent years and the original pressing is now fetching hundreds of pounds. To make this release even more tempting we have added his late 60s recording ‘It’s Not Safe To Mess Over Me’, a real southern soul stomper that was a star track on our “Fame Northern Soul” CD and debuts here on vinyl.

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George Jackson

The Fame Sessions

Georgia Anne Muldrow & Madlib

Release: 2013 / UK – Original

Genre: Organic Grooves

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One of the finest voices in Southern Soul, George Jackson’s success as a writer meant he wasn’t pushed as an artist and so his vinyl output is disappointingly small. Kent Records is rectifying that with this 12-track LP.

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Seeds

LP | 2012 | US | Reissue (Someothaship)

2LP | 2023 | EU | Original (Schema)

Release: 2012 / US – Reissue

Genre: Hip Hop, Organic Grooves

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On Seeds, Georgia Muldrow takes a step back and leaves the beatmaking to Otis Jackson Jr., aka Madlib. As producers, Muldrow and Jackson are not worlds apart, so the switch requires no adjustment on the part of the listener. That said, this is one dense and tight set, barely over half-an-hour in length, and it's definitely in contention for Muldrow's most focused, funkiest, and (somewhat ironically) personal release to date. Throughout the record, the emphasis remains heavily fixated on her family as a unit of salvation and purpose. The most direct track of the lot is "Husfriend," where she honors her relationship with Dudley Perkins (a/k/a Declaime, who appears on “The Few”). Muldrow can't quite divorce the planetary and personal issues, heard vividly on "Best Love," which sounds just like a simple, sweet, straight-ahead love song until she starts asking her other half for money to build water wells on three continents ("We can make a difference if we try now"). Overall, Seeds is another left-field deviation in Muldrow's career: it's one of her most captivating and immediate front-to-back statements of purpose as a singer, but it's also the first album where she's handed over all the production duties to somebody else. In celebration of this album’s decenary run, Someothaship Connect is pleased to reintroduce an anniversary edition repress of this captivating release in partnership with Fat Beats.

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Gerardo Frisina

Joyful Sound

CD | 2023 | EU | Original (Schema)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Heralded by the “Soul Drum” 12” EP (scep507, 2022), Gerardo Frisina’s new double record “Joyful Sound” represents another step forward on his ongoing travel towards new musical paths. Joyful sounds narrate a journey made of wisely distilled notes, bright and sometimes mysterious atmospheres, harmonies that wander through shadows, silences, and lights. A chameleonic Gerardo enchants with every release, mixing jazz, Latin, Afro-Cuban sounds, oriental fragrances, electronic beats, tribal percussions, funky variations and, to summarize, elegant symphonic arrangements with refined mastery. “Joyful Sound” once again sees the participation of the late Enzo Frassi (double bass), Fabrizio Bernasconi (piano, Rhodes), Gendrickson Mena (trumpet, piano), Alfonso Deidda (sax, flute) and Ernesto Lopez (drums, percussion), with the addition of Piero Perelli on drums and Giovanni Guerretti on piano, Hammond and Rhodes. This new record, carefully orchestrated and produced by Gerardo, required over a year of intense work, however it is worth every second of its 75 minutes of music. As the great Charles Mingus once said, “Play it in the key of your soul”. Without a doubt, Gerardo always gives his soul in full!

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Gerardo Frisina

Joyful Sound

2LP | 2020 | EU | Original (Schema)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Gerardo Frisina

Moving Ahead

25,99 €*

Giant Panda Guerilla Dub Squad

Release: 2020 / EU – Original

Genre: Organic Grooves

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As the album title suggests, this work represents a big step forward for Gerardo Frisina, an artist that has always been open to any influence and whose unstoppable creativity has given birth to a 2-LP’s worth of new material! Nu-latin, Afro and electronic beats merge with Afro-Cuban rhythm into a massive dancefloor groove!

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Love In Time

LP | 2023 | EU | Original (Easy Star)

26,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Lady Day And John Coltrane / See-saw Affair

Gil Scott-Heron / Cesar

7" | 2013 | UK | Original (Kent)

10,99 €*

LP+CD | 2017 | EU | Original (Schema)

Release: 2013 / UK – Original

Genre: Organic Grooves

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This might be the Gil Scott-Heron track next to 'The Bottle' that lights up dancefloors everywhere. Now reissued on a handy 45!

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Gino Conte

Nell’Anno Della Luna

Gladys Knight And The Pips

Release: 2017 / EU – Original

Genre: Organic Grooves

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A deep mystery surrounds the movie “Nell’anno della Luna” (In the year of the Moon) and its soundtrack, which was released one year later. A beautiful work that lingers in between swing and melodies, in a fad that was popular a few decades earlier, complemented by some elements of novelty borrowed from beat and rock. The title track, “Alla brasiliana” and “Samba Querida” sound more traditional, while titles like “Afro Swing”, “Underground”, “Beatmania” (all featuring the vocal ensemble I 4+4, led by Nora Orlandi) represent a more adventurous side of this soundtrack.

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Greatest Hits

LP | 1977 | CA | Reissue (Motown Records, Canada Ltd.)

Glenn Fallows & Mark Treffe

Release: 1977 / CA – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Sticker on label. Cover has corner cut and writing on back. Vinyl close to VG+

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Fear Me Now

7" | 2022 | UK | Original (Mr Bongo)

13,99 €*

LP | 2024 | UK | Original (La Sape)

Release: 2022 / UK – Original

Genre: Organic Grooves, Soundtracks

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2021 saw the release of 'The Globeflower Masters Vol.1'. An album released on Mr Bongo and born from the fruitful collaboration between Glenn Fallows (The Impellers / Andres y Xavi) and Mark Treffel (Blue States / The Soul Steppers).

Taking inspiration from classic 60s and 70s soundtrack and cinematic composers such as Axelrod, Morricone, Gainsbourg, Jean-Claude Vannier and Piero Umiliani, the album was very well received upon its release and struck a chord with the scene’s connoisseurs.

We all felt the next logical step was to make their music available on 45 too. The release features an album track ‘Fear Me Now’ on the A-side and is paired on the B-side with two new tracks that channel the sound of library music giants such as Hawkshaw and Bennett.

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Godtet

LP | 2021 | UK | Original (La Sape)

Release: 2024 / UK – Original

Genre: Organic Grooves

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7 years since it's release; the iconic debut from Godtet.

First repress since 2018.

Godtet is the debut LP and live band project from Sydney guitarist, Producer & Beat-maker Godriguez. Praised for his production on 'The Great Mixtape' for Sampa the Great, Godtet sees Godriguez stepping back into the live format of production with a full band.

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Godtet

Meditations & Suite

It Looks Like Love / Super Jock

Release: 2021 / UK – Original

Genre: Organic Grooves

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After releasing their aptly titled first three LPs (I, II & Iii) Godtet concluded their
triptych with the idea of a 'clean slate'. To allow the universe of Godtet to grow
the band hit reset somewhat. Returning to their original conception of the band;
Hitting record in the studio without preconceived thought or discussion on the
outcome.

After recording Meditations Godtet were asked to pay homage to the great John
Coltrane at The Sydney Opera House during their lockdown web series in 2020. To
celebrate the 50 year anniversary of 'Giant Steps' Godtet reimagined the seminal
body of work into one long set. The band collaborated with local artists Chris Cooper
& Sam Whickham who designed the audio visual aspect of the show. And after an
astounding reception, decided to utilise the two artists to build upon Meditations.
The 'Suite' EP (which features on the B side of 'Meditations') is the amalgamation of the earlier Godtet LP sounds and Godriguez's produced albums, through-composed as a 15 minute suite. To be true to the long-form, through-composed piece, the band recorded this release live; one take, no over-dubs and straight to
tape much like the 'Meditations' sessions, but composed.
The cathartic opening of 'Suite' awakens the gods with a sombre Welsh men's choir.
Their vibrato ripples across the ocean as the second movement lands the listener in
the Solomon Islands where bamboo sticks are tapped against rock. As the band
nods to 'Struck Bamboo Pipes' from their last LP. Dub Horns blaze out of the
calming movements, fractured polyrhythmic, post-dub-step energy takes hold. 'The
sounds bleed into a neighbouring Trinidadian street festival as they march across
the Atlantic. The end is nigh, Moroccan percussion and vocals dance as Godriguez's
roots shine bright. What it all a dream? A Ghanian 'Women's Choir' lulls back
consciousness. The 5-piece bids us farewell, sounds of the forked harp and Baoule
men singing is all that remains. And just like that, the trip is over.

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Goody Goody

12" | 2019 | EU | Original (South Street Disco)

Graciela Maria & Robot Koch

Release: 2019 / EU – Original

Genre: Organic Grooves

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Endlessly sampled across the board, for those dreamy guitar licks, killer Rhodes keys and luscious strings, Goody Goody ‘It Looks Like Love / Super Jock’ is a 1978 masterpiece of disco gold. Original copies of the Atlantic Promo 12” sell for upwards of £65 so it’s about time a remastered, officially reissue landed.
Produced by Vince Montana of MFSB and The Salsoul Orchestra fame, ‘It Looks Like Love’ was a Larry Levan / Paradise Garage classic and still commands dancefloors the world over. Flowing flutes, sultry vocals and xylophone twinkles open up proceedings, as those iconic, funk-flavoured staccato guitars and rising strings step up to the plate. Combined they produce a glistening groove that captures the feel-good factor of NYC’s disco apogee.
Delectable disco, fuelled by an undeniable funk that continues to be harnessed, chopped and sampled by some of house music’s biggest players from Nick Holder and Armando, to Tom Trago and Glenn Underground.
On the B side, soul-searching cosmic fluctuations via ‘Super Jock’, with interplanetary vocal refrains stretching out above a full-bodied bass, tight drumming and spacey Rhodes. Montana’s world class arrangement sees bongo-led percussive interludes and dancing keys solos take listeners to a mesmerising galaxy, far far away.
A double dose of that good stuff!

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Many Places

CD | 2010 | EU | Original (Project: Mooncircle)

6,99 €*

Graciela Maria & Robot Koch

Release: 2010 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

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Many Places

LP | 2010 | EU | Original (Project: Mooncircle)

12,99 €*

Live At Club Mozambique Black Vinyl Edition

Release: 2010 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Grant Green

2LP | 2006 | US | Reissue (Blue Note / Third Man)

48,99 €*

Release: 2006 / US – Reissue

Genre: Organic Grooves

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Seek & Destroy / Russian Steps

Great Revivers

7" | 2022 | US | Original (Funk Night)

18,99 €*

Release: 2022 / US – Original

Genre: Organic Grooves

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Seek & Destroy / Russian Steps

Great Revivers

7" | 2022 | US | Original (Funk Night)

17,99 €*

The Jazz Day Recordings Part I-VIII

Release: 2022 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Record is close to NM.

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Green Dolphin Orchestra

LP | 2024 | Original (Enjoy Jazz)

12" | 2024 | EU | Original (Markotaz)

Release: 2024 / Original

Genre: Organic Grooves

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In the midst of the pandemic, Enjoy Jazz Festival has developed a musical project whose members will be recruited new every year and then debut at a concert on UNESCO International Jazz Day, April 30. The members come from the jazz scene of the German state of Baden-Württemberg. "We wanted," festival director Rainer Kern stresses, "not only to revitalize the fragile network of outstanding creative minds, but also to rethink it artistically as a rolling system." Two experienced and renowned band leaders, Alexandra Lehmler and Erwin Ditzner, now curate an annually changing ensemble of outstanding artists of the most diverse provenance. As part of a voluntary commitment, the ensemble is to be organized in a sustainable, diverse, and, in three years at the latest, completely gender-equal
and climate-fair manner. Thus, as a commitment to the goals of the "European/Local Green Deal" (and with reference to the jazz standard "On Green Dolphin Street"), the name Green Dolphin Orchestra was created. Another special feature: The renowned Oriental Music Academy Mannheim (OMM), a long-standing partner of the Enjoy Jazz Festival, receives a white card, so that musicians with a migration background or protagonists from other musical cultures are always part of this "orchestra of many" and constantly expand its sound language.

The project has a free improvisation approach with changing personnel. "We actually even thought of drawing lots for the different formats within the band pool," explains saxophonist Alexandra Lehmler. "We decided against it in the case of the first concert and instead put together curated formations." And drummer Erwin Ditzner adds, "In principle, however, this procedure remains an option." It was important to the two of them to also mix the genres represented by the individual musicians in such a way that free space for something truly new could emerge. "We wanted to challenge ourselves," Lehmler sums it up. The only restriction: a time code was assigned to each sub-project. "Each formation was given a time limit, although it was possible to virtually override this limit by spontaneous
reshuffling," says Ditzner, explaining one central of the few rules. "In concrete terms, this meant that after eight minutes, the improvisation in progress was either ended or new musicians simply joined in the ongoing creative process, while others took themselves out of the game."

Alexandra Lehmler summarizes the artistic impact of the ensemble as follows: "We really cross-fertilize each other. In order to push this process even further, we forced ourselves when putting together the ensemble not to fall back on our 'favorite playing partners', i.e. musicians with whom one feels particularly at home. In other words, we consciously wanted to step out of our comfort zone with this project." The present pieces were recorded live in Heidelberg during the ensemble's premiere concert on the occasion of International Jazz Day on April 30, 2022.

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Grèn Sémé

Maloya Gazé EP

Straight From The Decks Volume 3

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Reunion's major musical genre, Maloya, becomes "gazé" (crazy) through the sounds composed by Grèn Sémé for this new EP. A gassed maloya that combines direct inspiration from the purest line of this traditional réunionese music with the highly contemporary evolution that is the Grèn Sémé group's signature. Composed during the studio sessions for their latest album, "Zamroza", the first three tracks on this new EP reveal the sunny side of the Creole band. You can taste their love of lyrics and their thirst for discovery. And the right mix of compositions. Inspired by the tradition of the greatest song/percussion pieces in the island's history, Grèn Sémé offers three anthems that lend themselves perfectly to the remix exercise.

Deluxe bonus: the 3 Remixes of Voilaaa + La Dame + Guiss Guiss Bou bess Voilaaa and the fabulous Bruno Patchworks take on "Siko" to create a Cape Verdean ballroom hit. funana with its heady melodies, it's ultra danceable! La Dame, producer and DJ from Belgium, remixes the eponymous track into an effective batida for the dancefloor, DJs and dancers alike.

Guiss Guiss Bou Bess take remixing a step further, adding Senegalese sabars and the vocals of group leader Mara Seck to Carlo de Sacco's Alkol.

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Guts

CD | 2023 | EU | Original (Heavenly Sweetness)

17,99 €*

Straight From The Decks Volume 3 Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

All DJs have their own way of building their set. Some pick records entirely on the spur of the moment and trust their instincts, others write down a precise list on a piece of paper and never stray from it; the set is a kitchen where the DJ is the Chef. It doesn't matter how it’s done, as long as it's done properly and enjoyed by everyone, that's what matters the most.

I think I'm combining these two methods when building my set, except that instead of a meal, I'm talking about a story. A story that crosses styles, countries, atmospheres, and that I tell in a different way every night. With, however, a method that I respect.

Between the new stuff I get from the labels, the stuff that friends and fans send me, and what I dig myself, I have enough to make a different set from A to Z, every night! However, before these treats can delight the dancefloor, each of them has to go through a quite precise process.

The first step is to digitalize my tracks in high quality. I can play several dates in a week, so carrying boxes of records to places that are sometimes far apart is out of the question. The WAV format has become my best friend. With it, I can edit some tracks, cut parts or lengthen others. Sometimes, an interminable intro is not necessary, while a furious break needs to repeat itself a bit longer.

Then, the second step consists in classifying the tracks by genre and origin. A real library is thus created where each title has its own place. Accessible (almost) without searching. I know all too well the experience of getting lost in one's own collection, trying to read the spines, pulling out a record halfway from its shelf only to put it back in it immediately. No, that's not the one... where did I put that other one then?...

From these folders I then draw the titles which will be part of the third stage: the selection for the DJ set. Nothing is set in stone, tracks come and go on a regular basis. I have year-round squatters as well as residents passing through for a few weeks. Or days. It is from there that I begin to elaborate the story that I will be telling for three or four hours.

The beginning of the set is always the same. Welcoming the dancers gently. Letting them take their marks with a musical aperitif of tracks at 80/90 BPM, something that many DJs don’t do or no longer do.

The end is always the same. Parting with the dancers gently. Letting them go down peacefully. Their evening with me is over, but it is perhaps another one, more intimate, that will be starting for them.

In between these two moments, it’s all about the story itself, with its cumbia, reggae, hip hop, lusophone music, funk, soul-jazz twists... A rich story which tells itself in the mood of the moment and back on the dance floor. Depending on the general atmosphere, the rise in musical power can start after an hour and thirty minutes of preliminaries, or it can happen only after 45 minutes. The climax is reached with the Afro-house part, a furious passage that makes overexcited music from Zimbabwe and punk music from South Africa confront each other along a total experimentation with tracks so disturbing that they put the dancers' legs out of sync. This represents a moment of rupture in the narrative, its only purpose being to help reconnect with the dance floor as soon as it is over and to re-launch the story with even greater interest.

Those who have already come to see my DJ set know this: each of my stories is unique.

I hope you’ll enjoy the one I’m telling you in this third volume.

Pura Vida

Guts

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Guts

2LP | 2023 | EU | Original (Heavenly Sweetness)

26,99 €*

Straight From The Decks Volume 3 HHV x Guts Exclusive Yellow Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Guts

2LP | 2023 | EU | Original (Heavenly Sweetness)

Soul Station Blue Note 85 Blue Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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This Edition is limited to 500 copies and shared with Guts. 350 are available via HHV and 150 via Guts.

"All DJs have their own way of building their set. Some pick records entirely on the spur of the moment and trust their instincts, others write down a precise list on a piece of paper and never stray from it; the set is a kitchen where the DJ is the Chef. It doesn't matter how it’s done, as long as it's done properly and enjoyed by everyone, that's what matters the most.

I think I'm combining these two methods when building my set, except that instead of a meal, I'm talking about a story. A story that crosses styles, countries, atmospheres, and that I tell in a different way every night. With, however, a method that I respect.

Between the new stuff I get from the labels, the stuff that friends and fans send me, and what I dig myself, I have enough to make a different set from A to Z, every night! However, before these treats can delight the dancefloor, each of them has to go through a quite precise process.

The first step is to digitalize my tracks in high quality. I can play several dates in a week, so carrying boxes of records to places that are sometimes far apart is out of the question. The WAV format has become my best friend. With it, I can edit some tracks, cut parts or lengthen others. Sometimes, an interminable intro is not necessary, while a furious break needs to repeat itself a bit longer.

Then, the second step consists in classifying the tracks by genre and origin. A real library is thus created where each title has its own place. Accessible (almost) without searching. I know all too well the experience of getting lost in one's own collection, trying to read the spines, pulling out a record halfway from its shelf only to put it back in it immediately. No, that's not the one... where did I put that other one then?...

From these folders I then draw the titles which will be part of the third stage: the selection for the DJ set. Nothing is set in stone, tracks come and go on a regular basis. I have year-round squatters as well as residents passing through for a few weeks. Or days. It is from there that I begin to elaborate the story that I will be telling for three or four hours.

The beginning of the set is always the same. Welcoming the dancers gently. Letting them take their marks with a musical apéritif of tracks at 80/90 BPM, something that many DJs don’t do or no longer do.

The end is always the same. Parting with the dancers gently. Letting them go down peacefully. Their evening with me is over, but it is perhaps another one, more intimate, that will be starting for them.

In between these two moments, it’s all about the story itself, with its cumbia, reggae, hip hop, lusophone music, funk, soul-jazz twists... A rich story which tells itself in the mood of the moment and back on the dance floor. Depending on the general atmosphere, the rise in musical power can start after an hour and thirty minutes of preliminaries, or it can happen only after 45 minutes. The climax is reached with the Afro-house part, a furious passage that makes overexcited music from Zimbabwe and punk music from South Africa confront each other along a total experimentation with tracks so disturbing that they put the dancers' legs out of sync. This represents a moment of rupture in the narrative, its only purpose being to help reconnect with the dance floor as soon as it is over and to re-launch the story with even greater interest.

Those who have already come to see my DJ set know this: each of my stories is unique.

I hope you’ll enjoy the one I’m telling you in this third volume.

Pura Vida

Guts"

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Hank Mobley

LP | 1960 | Reissue (Blue Note)

28,99 €*

Idle Hands / Seeds Of Life

Release: 1960 / Reissue

Genre: Organic Grooves

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Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder’s studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station.
The crystalline six-song set was a showcase for Mobley’s lyrical flow from the breezy opening take on Irving Berlin’s “Remember” through bluesy originals like “Dig Dis” and the title track, and the swinging up-tempo numbers “This I Dig of You” and “Split Feelin’s.” Soul Station endures as a jazz classic for the ages.

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Harlem River Drive

7" | 2017 | UK | Original (Soul Brother)

13,99 €*

LP | 1972 | EU | Reissue (Demon)

Release: 2017 / UK – Original

Genre: Organic Grooves

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Check out this in demand Latin Funk floor fillers from the group that launched the careers of Eddie and Charlie Palmieri, two giants in the field of Latin fueled jazz fusion playing tohether with one of the most prolific players of the day Bernard Purdie, providing the drums appearing here on 7-inch for the first time in full length versions

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Harrison Kennedy

Hypnotic Music

25,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1979 | EU | Reissue (Isle Of Jura)

Harry Mosco

Peace & Harmony

Henrik Gunde, Jesper Bodilsen & Morten Lund

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Official LP reissue of 'Peace & Harmony' by Nigerian funk royalty Harry Mosco, Originally released in 1979. Incl the big tracks ''Sexy Dancer'', ''Step On'' and ''Do It Together'' Isle Of Jura digs deep going back 40 years for the reissue of Harry's 1979 album which is something of an undiscovered gem that touches upon Disco, Funk, Boogie, Soul and Dub. Harry passed away in 2012 and we’ve worked closely with his son on the reissue.
Harry Mosco is best known as the founder of legendary 1970s Nigerian Afro-Funk band The Funkees. Originating as an Army band after the Nigerian Civil War they lead the wave of upbeat music produced by young artists in Nigeria in response to the darkness of the recently concluded civil conflict. Following a notable hit single ‘Akula Owu Onyeara’ the band split in 1977 and Harry pursued a solo career.
‘Peace & Harmony’ was Harry’s third LP continuing the rich vein of form found in previous albums ‘Country Boy’ and ‘Funkees’ (For You Specially). He was a visionary who wrote, arranged and produced each song on the LP assisted by Mark Lusari on engineering duties (P.I.L, Jah Wobble & Prince I), whose Reggae and Dub influence can be felt on title track ‘Peace & Harmony’ and ‘Peaceful Dub’. The LP contains two certified floorfillers of Studio 54 era Disco Funk in the shape of ‘Sexy Dancer’ & ‘Step On’ and two slow jams, the soulful ballad ‘She’s Gone’ and horn lead album closer ‘Do It Together’. Mr Funkees was printed on the cover to help record buyers make the connection between Mosco and his former band

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Moods

LP | 2024 | JP | Original (Terashima)

44,99 €*

Henrik Gunde, Jesper Bodilsen & Morten Lund

Release: 2024 / JP – Original

Genre: Organic Grooves

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Limited edition LP release of Scandinavian piano trio works by leading Scandinavian bassist Jesper Bodilsen, drummer Morten Lund, and pianist Henrik Gunde! Two pieces that Yasukuni Terashima had been eagerly awaiting to release on LP are finally being released on LP for the first time in the world. The beauty of the music is like that of a sculpture or a painting. Each note they play, each stroke, is captivating. "Moods" and "Moods Vol. 2" are two simultaneous releases for lovers of Scandinavian jazz and piano trios.

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Moods Volume 2

LP | 2024 | JP | Original (Terashima)

44,99 €*

Henry Threadgill Very Very Circus

Release: 2024 / JP – Original

Genre: Organic Grooves

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The sequel to the Scandinavian piano trio work "Moods," featuring leading Scandinavian bassist Jesper Bodilsen, drummer Morten Lund, and pianist Henrik Gunde, is now available on limited edition LP! Two pieces that Yasukuni Terashima had been eagerly awaiting to release on LP are finally being released on LP for the first time in the world. The beauty of the music is like that of a sculpture or a painting. Each note they play, each stroke, is captivating. "Moods" and "Moods Vol. 2" are two simultaneous releases for lovers of Scandinavian jazz and piano trios.

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Spirit Of Nuff... Nuff

LP | 1991 | EU | Reissue (Black Saint / Eargong)

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1991 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1991 this was Henry Threadgil's new band's debut release. That's where Threadgill introduced the unique concept of dual tubas and dual electric guitars. In Very Very Circus's ultra-layered sound world all roles melt equally into an unprecedented sound experience. A big step forward in modern jazz from one of the greatest composers of our time. Henry Threadgill - alto saxophone, flute, Curtis Fowlkes - trombone, Brandon Ross - electric guitar, Marcus Rojas, Edwin Rodriguez - tuba, Gene Lake – drums

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Herbie Hancock

Crossings

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Crossings is the second album in the experimental sextet trilogy Herbie Hancock released early
1970s. His electronic movements are further explored and the whole sound comes alive in the three
long tracks this album consists about. The album opens with some African drums before moving on
the to some of the unearthed sounds the sextet created for this album. Centerpiece "Sleeping Giant" is
nearly 25 minutes long and is divided into five funky and groovy parts. A transcendent experience that
has grown over time into one of the most moving, powerful and innovative artistic statements of the
modern era. Over forty years later this album still sounds incredibly ahead of its time.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

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Herbie Hancock

Mwandishi

28,99 €*

Mutual Attraction Volume 3 Black Friday Record Store Day 2021 Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Mwandishi is one of Herbie Hancock's first departures from his traditional jazz sounds. The album
which was recorded in a single session on New Year's Eve is a much more spacier effort compared to
his earlier works, created by Hancock's us of electronic effects devices. His sextet is the most
progressive ensemble he played with and he took the next step in the future of jazz. The music on
Mwandishi is beautifully atmospheric and the long tracks leave plenty of space for improvisations by
the group. A fantastic recording with sonic layers of earth, existence and expression.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

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High Pulp

LP | 2021 | UK | Original (KingUnderground)

The Kings Tun / Hidden Port

Release: 2021 / UK – Original

Genre: Organic Grooves

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While the first 2 volumes in the series pay homage to free and experimental jazz legends that have informed the lens of the Seattle, Washington-based band. Volume 3 steps into the R&B/Hip Hop world, as the band performs their fresh takes on 3 Frank Ocean tracks, from the ‘Endless’ album.

A Frank Ocean record that flew under the radar for some but didn’t miss with the High Pulp crew. The 3 arrangements are a homage and a thank you to Frank, who has had such a heavy impact on the band and the way they think about writing music. Mutual Attraction 3 challenged the band to think critically about these compositions and how they could deliver a similar sentiment that they were born out of, but also put it through the High Pulp lens.

Along with digging into a different genre of music and focusing on just one artist to pay tribute to for this volume in the series. MA 3 also has the band performing as their largest ensemble yet. A 15-piece band, including a 5-piece string section. Giving no limits to these reimagined versions of Frank Ocean tunes.

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Hillside

12" | 2019 | UK | Original (Claremont 56)

16,99 €*

High Flying Clear Purple Vinyl Edition

Release: 2019 / UK – Original

Genre: Organic Grooves

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Over the years, Claremont 56 has played host to some memorable collaborative
projects, most notably Bison, an unlikely super-group whose members included
Holgar Czukay, Ursula Kloss, Liquid Liquid’s Sal Principato, Ben Smith and label
boss Paul ‘Mudd’ Murphy. Now Murphy is at the helm of another collaborative
outfit, Hillside, whose seductive debut single contains two deliciously pie eyed
instrumental workouts.
Hillside is very much a family affair, with Murphy joining forces with two old
friends: bassist/guitarist Alex Searle and percussionist Patrick Dawes. The trio
has a collaborative history that stretches right back to Murphy’s time in Akwaaba
in the mid nineties. For their debut outing, Hillside has also welcomed a very
special guest musician: award-winning jazz violinist and long-time Bert Jasch
collaborator Mike Piggott.
As opening gambits go, “Hidden Port” is an emphatic statement of intent. The
audio equivalent of sailing slowly around a cluster of sun-baked islands in
search of shelter from an approaching storm, the track sees Searle wrap bluesy,
Peter Green style guitar passages around a shuffling, Latin-tinged groove rich
in Dawes’ distinctive percussion patterns and Murphy’s languid electric piano
and synthesizer lines. As the track progresses, Piggott steps up to make his
mark, with his undulating electric violin lines complimenting Hillside’s impeccable
instrumentation while adding extra emotional weight to proceedings. It’s a
stunning beginning to the Hillside story.
Piggott also makes a big impression on accompanying cut “The King’s Tun”,
delivering fluid and energy-packed solos that weave in and out of a bright
and breezy instrumental track rich in jangling acoustic guitars, subtly spacey
electronics, fireside-warm bass and more sparse-but-intricate percussion
courtesy of the effervescent Dawes. Searle’s eyes-closed, rock style guitar solos
cap another memorable excursion from Claremont 56’s latest in-house band.

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Hiromasa Suzuki

LP | 1976 | JP | Reissue (Nippon Columbia)

54,99 €*

7" | 2022 | UK | Original (Kent)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Hiromasa Suzuki is a composer, arranger, and keyboardist who has worked in many genres, including jazz, pop, movies, TV, and commercials. From the late 1960s to the mid-1970s, he worked with Terumasa Hino, Akira Ishikawa, and Jiro Inagaki, who were at the forefront of their time. This 1976 album is the result of his innovative work, which was always one step ahead of the times. This pre-fusion/crossover album also features Shuichi "Ponta" Murakami, Akira Okazawa, and Masayoshi Takanaka.

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Hodges, James & Smith

Wishful Thinking

Release: 2022 / UK – Original

Genre: Organic Grooves

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Hodges, James & Smith were the mainstays of Mickey Stevenson’s post-Motown recordings and he gave them this fabulous Mikim Publishing song, written by Vicki Basemore and the redoubtable Leon Ware. Superbly orchestrated, after a dramatic intro, it hits an uptempo rhythm that epitomises the great girl soul sounds of the early 70s – somewhat reminiscent of the Supremes’ ‘Up The Ladder To The Roof’.

Kim Weston was Mickey’s most prolific solo act throughout his career and ‘It Takes A Lotta Teardrops’ is another triumph for her, albeit one that has only surfaced recently. It is another Basemore/Ware song from the late 60s which imitates the Motown sound exquisitely.

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CD | 2024 | US | Original (Big Crown)

Ensatina

14,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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Homer Steinweiss has an incredibly storied career in music that started when he was just a teenager. He's drummed for nearly every "retro soul" group that mattered and his distinctive stickwork helped blend the raw-but-receptive soul sound back into the mainstream via the likes of Amy Winehouse & Sharon Jones. He's now one of the most in demand drummers in the world, playing with Jonas Brothers, Clairo, Solange, Adele, and Bruno Mars to name a few. With his debut solo release Ensatina, Homer is stepping to the forefront as both musician and producer. His new record is a reection of who he is now and a testament to how struggle often brings about a needed change. In 2020 Homer had to reckon with considerable emotional turbulence; at the same time that his band Holy Hive broke up, a personal relationship of 20+ years fell apart putting Homer in an uncertain place mentally. The fallout was signicant enough for him to seek professional help. "I was going through these super manic highs and then very depressive lows," Homer describes. "And being in all that, it's just so tough to imagine that the other side is there, that it'll be ok." But, with time, professional help, and support from friends and family, Homer made it through and has been forever changed. This album is a product of that period of his life. The rst song from these sessions, "Now That It's Over" perfectly sums up Homer's triumph through those tough times. It's a song of changing perspective and contemplation with haunting vocals from Hether and Flikka. "Paul (Castelluzzo_ aka, Hether), as a friend, saw me through these highs and lows," Homer points out. "I only had the one line, 'Now that it's over, I'm alright,' but he felt that lyric so much that he wrote all these sections and lyrics and basically completed the song. It was like he was writing to me." Hether also features on album standouts "Deep Sea", a modern love song, "Start Select", a juxtaposition of inspiration and melancholy, and "Forever and Ever and Ever and Ever" which is an incredible contemporary take on the B side soul ballad. Homer uses his innate gift for bringing seemingly opposing energies together on "Racecar Driver", pairing the vocals of Hether & long time friend and collaborator KIRBY to make a genre challenging banger. KIRBY also graces the album opener "Rollin'", an airy, warm-weather invoking song that her raspy voice perfectly compliments. He puts his drumming front and center on "So Get Up!", a bottom heavy infectious track that MINOVA's vocals turn into an instant hit that is sure to smash speakers. On "Wishing Well" & "Hide It Behind the Light I'm Shining Through" Homer is joined by girl named GOLDEN, who's unique voice effortlessly nds the pocket in each tune. The man on trumpet, and fellow Big Crown label mate Dave Guy, puts his incomparable playing on the album closer "Goldie" which Homer says is the part of the movie where the credits roll. Making this album was a refuge for Homer and it put him back on track. Ensatina is a glimpse into the different energies and inuences that make Homer tick. To say he was always much more than a drummer would be an understatement, and this rst solo offering is just the beginning of his next chapter.

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Tape | 2024 | US | Original (Big Crown)

Ensatina

Release: 2024 / US – Original

Genre: Organic Grooves

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Ensatina Black Vinyl Edition

LP | 2024 | US | Original (Big Crown)

Release: 2024 / US – Original

Genre: Organic Grooves

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Ensatina HHV Exclusive Marsh Green Smoke Colored Vinyl Edition

LP | 2024 | US | Original (Big Crown)

Release: 2024 / US – Original

Genre: Organic Grooves

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Limited to 150 copies, only available at HHV!

Homer Steinweiss has an incredibly storied career in music that started when he was just a teenager. He's drummed for nearly every "retro soul" group that mattered and his distinctive stickwork helped blend the raw-but-receptive soul sound back into the mainstream via the likes of Amy Winehouse & Sharon Jones. He's now one of the most in demand drummers in the world, playing with Jonas Brothers, Clairo, Solange, Adele, and Bruno Mars to name a few. With his debut solo release Ensatina, Homer is stepping to the forefront as both musician and producer. His new record is a reection of who he is now and a testament to how struggle often brings about a needed change. In 2020 Homer had to reckon with considerable emotional turbulence; at the same time that his band Holy Hive broke up, a personal relationship of 20+ years fell apart putting Homer in an uncertain place mentally. The fallout was signicant enough for him to seek professional help. "I was going through these super manic highs and then very depressive lows," Homer describes. "And being in all that, it's just so tough to imagine that the other side is there, that it'll be ok." But, with time, professional help, and support from friends and family, Homer made it through and has been forever changed. This album is a product of that period of his life. The rst song from these sessions, "Now That It's Over" perfectly sums up Homer's triumph through those tough times. It's a song of changing perspective and contemplation with haunting vocals from Hether and Flikka. "Paul (Castelluzzo_ aka, Hether), as a friend, saw me through these highs and lows," Homer points out. "I only had the one line, 'Now that it's over, I'm alright,' but he felt that lyric so much that he wrote all these sections and lyrics and basically completed the song. It was like he was writing to me." Hether also features on album standouts "Deep Sea", a modern love song, "Start Select", a juxtaposition of inspiration and melancholy, and "Forever and Ever and Ever and Ever" which is an incredible contemporary take on the B side soul ballad. Homer uses his innate gift for bringing seemingly opposing energies together on "Racecar Driver", pairing the vocals of Hether & long time friend and collaborator KIRBY to make a genre challenging banger. KIRBY also graces the album opener "Rollin'", an airy, warm-weather invoking song that her raspy voice perfectly compliments. He puts his drumming front and center on "So Get Up!", a bottom heavy infectious track that MINOVA's vocals turn into an instant hit that is sure to smash speakers. On "Wishing Well" & "Hide It Behind the Light I'm Shining Through" Homer is joined by girl named GOLDEN, who's unique voice effortlessly nds the pocket in each tune. The man on trumpet, and fellow Big Crown label mate Dave Guy, puts his incomparable playing on the album closer "Goldie" which Homer says is the part of the movie where the credits roll. Making this album was a refuge for Homer and it put him back on track. Ensatina is a glimpse into the different energies and inuences that make Homer tick. To say he was always much more than a drummer would be an understatement, and this rst solo offering is just the beginning of his next chapter.

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Ensatina Orange Vinyl Edition

LP | 2024 | US | Original (Big Crown)

Hopkins,Lightnin' & Terry, Sonny

Release: 2024 / US – Original

Genre: Organic Grooves

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Last Night Blues 3 Tracks Limited Edition

LP | 2024 | EU | Original (Blues Joint)

Release: 2024 / EU – Original

Genre: Organic Grooves

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CD | 2022 | UK | Original (Mr Bongo)

Horace Tapscott Quintet

The Quintet

14,99 €*

LP | 2022 | UK | Original (Mr Bongo)

Release: 2022 / UK – Original

Genre: Organic Grooves

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This previously unreleased album by the Horace Tapscott Quintet was unearthed from master tapes in the Flying Dutchman archives. Recorded in 1969 and was intended to be a follow-up album to the classic 'The Giant Is Awakened' which was released that year.

The iconic pianist and composer Horace Tapscott was one of the most unique and important figures in LA’s jazz world. This lost recording was produced by one of the pivotal figures in jazz, Bob Thiele, a leading behind-the-scenes star who worked with many of the greats in jazz, such as Quincy Jones, Duke Ellington, John Coltrane, Della Reese, Shirley Scott, Gil Scott-Heron, the list goes on. His name can be seen gracing, arguably the best, Impulse! releases and those released on his own Flying Dutchman imprint set up in 1969.

Joining Horace for this three-track, deep, heavy, avant-garde session is the same stellar cast featured on 'The Giant Is Awakened'; Arthur Blythe on Alto Sax, Everett Brown Jr on Drums, with David Bryant and Walter Savage Jr. on Bass. Kicking things off we have 'World Peace’, which starts with an almost baroque-esque melody, leading to an eruption in sound, it then ends in the same manner it began. The beautiful 'Your Child' is the jewel in the crown, skirting modal, deep jazz and introducing elements of free jazz. 'For Fats' with its bow bass and piano intro takes you on a journey, dropping into, at times dark, stormy melodies and developing a driving energy as the composition progresses.

After recording this album, Horace was said to be wary of the music industry, so he retreated and distanced himself from this world, recording only for the independent labels Ugmaa, Interplay Records, and Nimbus West Records. He set up The Pan-Afrikan People’s Arkestra and reintroduced the pan-African-roots sound back into the heart of jazz. He also developed and promoted the art form through performances and recordings.

Thankfully, this session from these wonderful musical pioneers was preserved and finally has its time to shine.

Featuring brand-new artwork by the illustrious artist/designer/musician Raimund Wong (Total Refreshment / Floating World Pictures)

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Horace Tapscott Quintet

The Quintet

LP | 2019 | EU | Reissue (Outernational Sounds)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Horace Tapscott

The Call

Ain't No Telling / It's No Fun Being Alone

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Available on vinyl for the first time in 40 years, Outernational Sounds is proud to present a masterpiece from the Los Angeles jazz underground – Horace Tapscott’s burning, spiritualised 1978 set, The Call.

One of the unsung giants of jazz music, the composer, bandleader, arranger, pianist and community activist Horace Tapscott was the undisputed keystone in the grassroots Los Angeles jazz scene. Throughout the 1960s and 1970s, his radical community arts and music formations the UGMA (Underground Musicians Association, later changed to UGMAA – Union of God’s Musicians and Artists Ascension), and his protean big band, the Pan Afrikan Peoples Arkestra, were at the epicentre of music, culture and politics in the Los Angeles area.

From their 1960s base at the Watt’s Happening Coffee House on 103rd St, to their decade-plus- long 1970s residency at the Immanuel United Church of Christ on 85thE St and Holmes Ave, Tapscott’s groups were the beating heart of underground music in LA. Hundreds of musicians passed through and played their part. Major figures in LA jazz such as Arthur Blythe, Azar Lawrence, Jimmy Woods, John Carter, Bobby Bradford, Sonny Criss, Ndugu Chancler and dozens of others all paid dues or just got down with Tapscott, not to mention the core Arkestra regulars who have since become celebrated names – Nate Morgan, Jesse Sharps, Adele Sebastian, Dadisi Komolafe, Gary Bias, to mention only a few.

Tapscott and the Arkestra were down on the ground – playing fundraisers in park and street, organising teach-ins and workshops for young and old, mixing it with radical theatre groups, firebrand poets, political radicals, Black separatists, community groups and churches. They lived communally, and built an ark for the Black arts in the heart of the city. But as a result of this grassroots community focus and Tapscott’s antipathy to the music industry, the Arkestra didn’t record for nearly two decades. That only changed when long-time jazz fan Tom Albach started Nimbus Records. The label was initiated specifically in order to document Tapscott and his circle, and the first three records showcased Horace and the Arkestra.

The Call was put together from two studio sessions in April 1978, one at Hollywood Sage and Sound, one at United Western – the latter session had the addition of a string section, who can be heard on the moody Cal Massey composition ‘Nakatini Suite’ and Jesse Sharps' swinging modal trip, ‘Peyote Song No. III’, with its swirling soprano solo. In keeping with the communal nature of the Arkestra, the other two compositions, ‘The Call’ and ‘Quagmire Manor at Five A.M.’ are also by Arkestra members. But at the centre of the music is the builder of the Ark, the visionary whose original call to action started a movement whose legacy continues to this day – Horace Tapscott.
Heed The Call!

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Houston Outlaws

7" | 2023 | UK | Original (Kent Dance)

LP | 2023 | EU | Original (Blues Joint)

Release: 2023 / UK – Original

Genre: Organic Grooves

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The Houston Outlaws ‘Ain’t No Telling’ is re-released due to the constant demand for this atmospheric dance track. It has been coupled with their in-demand harmony ballad ‘It’s No Fun Being Alone’ from the same year; though they were originally two separate US releases.

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Howlin' Wolf

Little Red Rooster

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 1959 | EU | Reissue (Blues Joint)

Howlin Wolf

Moanin In The Moonlight

18,99 €*

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Idris Ackamoor & The Pyramids

Afro Futuristics Dreams

2LP | 2023 | EU | Original (Strut)

Boogie to the Top Young Pulse Remix

Release: 2023 / EU – Original

Genre: Organic Grooves

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Idris Ackamoor & The Pyramids are back with their first major new studio album in over 3 years, an epic, sprawling new work exploring the future, the past and the urgent reality of the present, "Afro Futuristic Dreams". Recorded between San Francisco and London and brought together by the genius of Malcolm Catto at his analogue Quatermass Studio, the new recording represents another bold step in Ackamoor's ever-evolving journey in jazz, adding full, intricate scores including string sections and choral elements to the Pyramids' trademark spiritual Afro-jazz sound; Driven by the core Pyramids members Ackamoor (sax, keytar, organ), Margaux Simmons (flute), Sandra Poindexter (violin) and Bobby Cobb (guitar), tracks range from hard-hitting commentaries about police brutality ("Police Dem") to celebrations of the ancestors and departed loved ones ("Requiem For The Ancestors", "Re-Memory") and hazy cosmic journeys, including the album's title track and the sparkling, experimental closer, "Nice It Up".

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Idris Muhammad

12" | 2018 | EU | Original (Kudu)

International Family Affair

Release: 2018 / EU – Original

Genre: Organic Grooves

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A much welcomed reissue of the 1978 Idris Muhammad gem 'Boogie To The Top'. Released a year after, arguably, Idris' most well-known anthem, 'Could Heaven Ever Be Like This' the similarities in style and composition are clear. Expertly produced, rich instrumentation, expansive drum fills, gospel tinged full-bodied vocals, all the while epic and life affirming in it's nature - what more could you want?
Young Pulse steps up on the b-side, to add his own subtle touches and tweaks to the original. Looping the guitar and echoing out the vocals whilst working in more of the synth lines. The addition of a crisp clap and extra percussion add an element more vibrancy into this mix, keeping the original feel intact whilst revitalising it for 2018.

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IFA

2LP | 2020 | EU | Original (Nbn Archives)

12" | 2021 | EU | Original (Wisdom Teeth)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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NBN Archives’ second reissue is the debut - and sole - LP of Bay Area group – i.f.A aka International Family Affair. A lethal fusion of G-Funk and R&B, this self-titled album was first released on Rollin Record Enterprises in 1997. After having dropped their first single on Capitol in 1996 and being shelved right after, band-leader Derrick Shaw had the plan to start over his i.f.A project independantly. With roots in and around Oakland, East Palo Alto and Stockton, it was only a matter of time before these musical minds would meet to form their own “Family Affair.” Derrick Shaw aka D-shoot was a vocalist and musician with a well-known band called Kashmir before he met the self-dubbed Godfather. After an introduction on the basket-ball court, the two became friends and immediately went to work flushing out many of D.’s musical concepts. In stepped Bias, a rapper born into the game. His versatile rap styles blended perfectly with i.f.A.’s old school Funk and R&B vibe. SOS, a rapper from the streets of Oakland with a unique cadence, added his “gangsta rap” and “rough edge” background which compliments the style of i.f.A. Produced by D-Shoot and Ivan Johnson this LP is loaded with rapping and singing backed with smoothed-out instrumentals that gives off that "laid-back/bumping" vibe with that "something for the ladies". “It’s so different you can’t help but like it. We will appeal to a wider fan base because we’re not trying to sound like every other act coming out.” - D-Shoot.

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Iglew

Light Armour

LP | 1963 | EU | Reissue (Honeypie)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Cult Uk Producer Iglew Returns With His Highly Anticipated Sophomore Record After A Six Year Hiatus, Finding A Perfect Home On Facta And K-Lone's Label, Wisdom Teeth. Iglew First Burst Through During The Instrumental Grime Boom Of The Mid-'10s, Debuting On Mr Mitch's Gobstopper Imprint With The Now-Verified Classic 'Urban Myth' Ep. A Run Of Massive Edits, Remixes, Radio Rips, Plus A Feature On Legendary Label Boxed Followed - And Then He Went Into Hiding. Six Years On, His Follow-Up Ep Expands And Consolidates His Sound Into Something Truly Unique And Distinct. His Central Talents - Glacial Synth Work, Timeless Melodies, Pristine Sound Design - Are All On Show Here In Abundance, But Twisted To Fit New, Refreshed Patterns And Structures. 'Caffeine Dream' Is Mutant Uk Techno That Offsets Distorted Bass And Glitching Synths Against Warm Chords And A Noodling Melody. 'Gold' Is Cool And Stepping, Sitting Somewhere Between Early Night Slugs And The Refracted Deep House Of DJ Python. Title Track 'Light Armour' Is The Ep's Understated Climax - A Lowlit And Psychedelic Take On Modern Pop, Sounding Something Like A Charli Xcx Record A&R'd By The Freerotation Crew. To Close, 'Microfunk Lament' And 'Hakwsworth Woods' Lean Into Microhouse And Reich-School Minimalism, Putting Iglew's Immense Knack For Melody And Soul On Full Display.

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Ike & Tina Turner

It’s Gonna Work Out Fine

13,99 €*

Mega Misses from the Manctalo Diskoteque

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Originally released on Sue Records in 1963 this was Ike & Tina Turner fourth album, the one that earned them a first grammy nomination and a further step in the consolidation of their international success. Most of the tunes here are highly energetic up-tempo numbers while the whole album comes as the fruit of a unique combination of raw R&B and highly energetic Rock n Roll.

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Il Bosco

2LP | 2024 | UK | Original (Red Laser)

30,59 €* 33,99 € -10%

Isaac Birituro & The Rail Abandon

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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As the fable goes: pre-discogs, intrepid disc jocks would often take trips to Italy (many tricking their spouse into believe it was a ‘holiday’!) to source records from the seemingly endless supply of top tier Italo, disco and cosmic record shops across the country. According to legend, the classified sections of local yellow pages and information booklets which would contain the addresses of the record shops and dealers in the area would often be ripped out unscrupulously, thwarting – or at least making it more difficult for – the next vinyl tourist to source out the rare gems amongst the rich seams – a wild west vinyl gold rush if you will.

Such stories are a rarity these days, with youtube making some of the most underground tracks common knowledge, and discogs almost making any record obtainable – at a price of course. Upgrading his digging methodology, Bosco has developed a secret New Technique to side-step the machine and in doing so obtained a clutch of amyl-soaked fluffers that are so rare, that upon writing they aren’t even listed online! Seriously, he must be communicating with some interdimensional, upper echelon Italo overlords; taking us on a primo-thrust tour through the most unexposed recesses of the Italo disco galaxy.

Don’t be hoodwinked by their sheer obscurity however; we wouldn’t give a toss if they couldn’t tear the arse off the dancefloor. But they’re all fuckin rhodium grade tackle peeps! Eight neon-drenched late night roman candles of Italo disco decadence that’ll defo have you jizzing rainbow skittles over the dancefloor as you search desperately through the fog for another huff of poppers off Darren.

Total Discogs market value: as yet undetermined

Pharoah Brunson’s Pyramid Points: 9999999999999

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Small Small

LP | 2022 | EU | Original (Wah Wah 45s)

26,99 €*

12" | 2017 | EU | Original (Far Out)

Release: 2022 / EU – Original

Genre: Organic Grooves

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This summer sees the return of the unique cross-continental collaboration between Ghanain xylophonist Isaac Birituro and his band of live international musicians, The Rail Abandon. Having created something of a buzz back in 2019 with their debut albumKalba- gaining support along the way fromGilles Peterson,Cerys MatthewsandTom Ravenscroftto name but a few - and after something of a hiatus, the duo teased us earlier this spring with theLapaz EPin preparation for their new LP,Small Small.

Small Smallis a very Ghanaian saying, a direct translation to English, which is used in a wide variety of contexts to mean 'bit by bit,' 'one step at a time' or 'slow and steady'. Vocalist and musician Sonny Johns, from The Rail Abandon, was first introduced to the phrase on his initial trip to Ghana in 2016, when he met Isaac in Kalba, and the phrase has popped up over and over ever since.

"Any second album is a difficult process –how do you make something that follows on from the first but is different enough? It's particularly difficult when your first album was made under the unique conditions of having never played together, in unusual surroundings. It is also difficult when you live on different continents from each other. To add to those difficulties, we had to make a record in the middle of a pandemic. Fortunately, just before the world was locked down, we'd written and recorded the basis of the album over 3 days while on tour in Germany, October 2019. Then Isaac and the Rail Abandon went about adding their own musicians to the recordings in Ghana and the UK respectively, bringing everyone together via the internet instead of physically. Everyone involved had been hit dramatically during this period, some physically, some financially, all emotionally.

The rise of the BLM movement during this period also made a big impact on a project designed to unite people, bring equality and encourage mutual respect. The death of Tony Allen also hit us hard early in this period too -Tony (also of maternal Ghanaian heritage) was a person who united West African and European musics and cultures seamlessly and was instrumental in bringing together (indirectly) the music of Isaac Birituro & The Rail Abandon. So, we finished this albumSmall Smallover the intense year of 2020 influenced by the difficulties that we, and the world, have been through. The album is about loss, frustration and struggle, but it's also about the light at the end of the tunnel; about overcoming difficulties to find a brighter future and no matter what separates us, whether that be language, culture, continents or borders, when we listen to each other and learn from each other, there's really not much that can keep us apart. So from everyone involved, here's to a brighter future." Sonny Johns from The Rail Abandon.

The Rail Abandon is a play on the name Rail band - the short title ofThe Super Rail Band of the Buffet Hotel de la Gare, Bamako -a band from Bamako, Mali including such greats as Salif Keita and the more importantly the guitarist Dejimady Tounkara. Inspired by his playing the group were given the moniker The Rail Abandon as a way to release music without a face, specific name or singer. The line up is different depending on the music. Due to a joint love of African musics from across the continent, the core at the moment is Sonny Johns on vocals and guitar, Raph Clarkson on trombone and keyboards, and Israeli musician Yuval Wetlzer on drums and percussion, but it can incorporate any, all, none or more than these people.

As well as the core group, the album also features a number of special guests, including Ghanaian powerhouse vocalist Wiyaala; UK based Afrobeat Ambassador Dele Sosimi; the incredible Queen Ayesha and South African singer Nosihe.

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Ivan Conti

Azul

Ivan Makvel & Maya Killtron

Release: 2017 / EU – Original

Genre: Organic Grooves

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For the second 12” of the series Far Out has enlisted two of the most on-fire producers in Germany: Max Graef and Glenn Astro, along with one of the UK’s brightest ascendant producers.

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Like Water / Step It Up

7" | 2023 | EU | Original (The Sleepers Recordz)

18,99 €*

Azul Max Graef, Contours & Glenn Astro Remixes

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Ivan Makvel & Maya Killtron join forces to create two fresh powerful Nu-Funk anthems with Like Water & Step It Up. The music in Like Water takes influences from the best funk songs of the early 80's 'till the more modern funk of Bruno Mars, with strong edgy bass lines, synth brass and real horns mixed to the elegance and power of the voice of Maya Killtron. Step It Up, is a tribute to the electronic funk of the 80's that will make you dance all night.

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Ivan "Mamao" Conti

12" | 2017 | EU | Original (Far Out)

11,19 €* 13,99 € -20%

2LP | 2023 | UK | Original (Brownswood)

Release: 2017 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The release comes on 180g vinyl. For the second 12” of the series we’ve enlisted two of the most on-fire producers in Germany: Max Graef and Glenn Astro, along with one of the UK’s brightest ascendant producers. Back fighting, kicking and beating as strong as or perhaps even stronger than ever before, Ivan ‘Mamao’ Conti is releasing a brand new solo album next year. Now fitted with a new iron hip- thanks to the immense generosity of his fan base who crowdfunded the operation – the Azymuth drummer still remains one of the greatest and outright funkiest drummers alive anywhere in the universe as he enters this new bionic era. As people of earth are not yet quite ready to hear the explosively ethereal cosmic samba of his new album just yet, we’re easing into it with a series of appropriately propulsive percussive jazz-headed remixes. For the second 12” of the series we’ve enlisted two of the most on-fire producers in Germany: Max Graef and Glenn Astro, along with one of the UK’s brightest ascendant producers.

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IzangoMa

Ngo Ma

38,99 €*

Ngo Ma HHV Summer Of Jazz Exclusive Green Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves

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The fifteen-piece kaleidoscopic ensemble IzangoMa might only be releasing its debut offering on the esteemed UK-based label Brownswood Recording this coming Northern Hemisphere Spring, but the collective’s roots stretch back to the meeting of Sibusile Xaba (vox/keys) and Ashley Kgabo (synths/snare drum/drum machine) in 2016. The album is the logical next step in a journey. Sibusile Xaba reveals a side to his virtuosic talent at cardinal opposites with the familiar folk sound the largesse knew him for. Kings rejoice in laughter on album opener “Agenda Re-member”, while the music cascades carefree over frequencies expressing joy and positive living. In this world, IzangoMa’s world, the moon sings sweet melodies and the children rejoice in laughter. Worries are but a distraction, and joy is the ultimate quest. It’s a declaration of love in its highest, lucid, uninhibited form.

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IzangoMa

2LP | 2023 | UK | Original (Brownswood)

35,99 €* 39,99 € -10%

LP | 2020 | EU | Original (do you have peace?)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Limited edition of 300 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

The fifteen-piece kaleidoscopic ensemble IzangoMa might only be releasing its debut offering on the esteemed UK-based label Brownswood Recording this coming Northern Hemisphere Spring, but the collective’s roots stretch back to the meeting of Sibusile Xaba (vox/keys) and Ashley Kgabo (synths/snare drum/drum machine) in 2016. The album is the logical next step in a journey. Sibusile Xaba reveals a side to his virtuosic talent at cardinal opposites with the familiar folk sound the largesse knew him for. Kings rejoice in laughter on album opener “Agenda Re-member”, while the music cascades carefree over frequencies expressing joy and positive living. In this world, IzangoMa’s world, the moon sings sweet melodies and the children rejoice in laughter. Worries are but a distraction, and joy is the ultimate quest. It’s a declaration of love in its highest, lucid, uninhibited form.

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Jabu

Sweet Company

7" | 2012 | UK | Original (Kent)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Sweet Company Is The Second Album By Jabu. Where Their First Lp, Sleep Heavy, Was An Unflinching Exploration Of Grief, Dark And Disembodied, Sweet Company's Deep, Sedative Soul Feels Like More Of A Lovers' Outing: Optimistic, Becalmed, Looking Outwards As Well As Inwards, And Longing For The Kind Of Human Connections Where Ego And Self-Consciousness Might Dissolve. It Is Perhaps Also An Exhortation To Love And Accept Yourself, To Recover A Lost Innocence And Peace - That Paradise Which Has Always Been Lost. Released Via Their Own Do You Have Peace? Label, Sweet Company Is On The One Hand A Very Intimate And Private-Sounding Work - The Sound Of Life Played Out In A Room, A Bubble, A Home, A Head. The Rhythms Of Everyday Domesticity: Listening To The Plants, Cars In The Street, Voices Through The Wall_. Going To Work, Not Going To Work, Sleeping Heavy Or Not Sleeping At All. Wavering On The Brink Of A Revelation, Of Something Just Beyond The Material World, While You Wait For The Kettle To Boil. The Core Jabu Trio Of Producer Amos Childs And Vocalists Jasmine Butt And Alex Rendall Is Present And Correct. Sweet Company Has The Exhilarating Sweep And Confidence Of A Collaboration Between People Who Trust And Understand Each Other Implicitly, And, Secure In That Knowledge, Are Able To Give The Absolute Best Of Themselves To Us. As Before, Jasmine's Voice Is A Textural, Painterly Instrument, Layered And Blurred Into Abstraction, Resisting The Limits Of Language; The Songs She Sings On Are Portals Into Vast Internal Landscapes Where The Normal Rules Of Gravity Are Suspended, Every Sound Is Smothered In A Cathedral-Like Resonance, And You're Both Fearful And Hopeful That You Might Never Find Your Way Back Out Again. Alex Takes A More Narrative, Confessional And No Less Engaging Pop Tack: As On The Gauzy, Decelerated 2-Step Of 'Lately', With His Masochistic, Self-Mocking Entreaties To "Be Cruel To Me [_] I Like It When You Make A Fool Of Me". Childs Has A True Hip-Hop Fiend's Ear For A Striking Sample, And How...

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Jackie Day

Naughty Boy

7" | 2023 | UK | Original (Kent)

Release: 2012 / UK – Original

Genre: Organic Grooves

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‘Naughty Boy’ was one of the key records in reviving the Northern Soul scene in the 80s and has remained a £1000+ trophy ever since. ‘Get To Steppin’ is another on the fours dancer that has only graced a 100 Club anniversary single prior to this release.

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Jackie Dee

Who

2LP | 2008 | NL | Original (Kindred Spirits)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Jackie Dee’s ‘Who’ was one of many great tape finds from Detroit producer Dave Hamilton’s vault in the 90s and first came out on CD in 1999. In 2015 Ace licensed that version to Colemine Records in the USA who issued it on their First Light subsidiary. That disc is now deleted and fetching a high price. In recent years we have found the multi-track tape with an extended version of the recording and an instrumental take on it that features Dave Hamilton’s vibes-playing. The vocal side is a full one minute and forty seconds longer than the original release.

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Jackson Conti

Sujinho

111,99 €*

Madremonte Red Vinyl Edition

Release: 2008 / NL – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Cover is close to NM! Records with scuffs and some scratches!

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Jaguar

LP | 2021 | EU | Original (Elpalmas Music)

The Man In The Jaguar Mask

Release: 2021 / EU – Original

Genre: Organic Grooves

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Jaguar mine the sounds of the Colombian Caribbean and global dance sub cultureson a debut album that veers between psychedelic salsa, taut cumbia-disco and zouk party jams.

Rave culture never hit Colombia in the 90s – an internal civil war and a music industry fixated on blandness and payola made sure of that – but if it had then Jaguar would have been one of its leading lights. On their debut album this Colombian duo excavate the sound of their country’s dance floors, uniting the classy, brassy sounds of cumbia, porro and salsa with the earthier DIY vibrations coming from Afro-Colombian street parties on the coast, melodies and guitar lines learnt from imported African vinyl filtered through drum machines and hand-painted picó sound systems with the bass so high it threatens to knock you over.

The twosome mark out their stall on album opener “Bailalo Tu También” (“You Dance It, Too”), urging all to come and dance on a tune that references champeta (the #1 sound of Afro-Colombian block parties), zouk and calypso, as well as doffing a cap to disco and Brit funk, uniting the underground dance cultures of Colombia, the Caribbean, New York and London in one fell swoop. The cumbia card comes out on “Contra La Corriente” (“Against The Tide”), which with its subtle influences of global bass and minimal post-disco gives this classic rhythm even more thrust. “Ten Presente” (“Keep In Mind”) represents another side step, a salsa orchestra stripped down to just vocals, percussion, killer horn section and raspy charango, with the groove never in doubt.

Yet, if 90s rave culture represented a response to the darkness of the 80s, then something similar is at play here, the image of the Caribbean as a warm, happy and danceable place coming in contrast with the poverty that is the reality for many living there, and this dark underbelly is not ignored by Jaguar. “Is it possible that the people united could become invincible?” they ask on “Guadalupe”, offering a message of hope that one day the inequality, poverty and neglect that is everyday life for many people in Colombia will be diminished by getting behind the same cause. Driven by an 80s-inspired zouk beat, they dream of there one day being a united people with the strength to fight back against the authorities. “¿Será posible, será posible?” they sing, “Could it be possible, could it be possible?” This dichotomy of emotions crops up again on “Siguele El Paso” (“Keep Up”), a pure Caribbean groove that is impossibly infectious with lyrics that speak of keeping those hips moving but can’t help but mention reality, the protagonist of the song dodging bullets and nefarious forces while still keeping their rhythm on the dance floor. It’s a perfect encapsulation of Jaguar’s modus operandi, this is music to make you dance, but it remains grounded, in Colombian and Caribbean musical idioms as well as the hard times that many Colombians are living through. It’s a rhythmic elixir, but with bite; rum straight from the bottle.

Jaguar are two Colombians based in Europe, Paulo and Raúl. Since the 90s their paths crossed, their names mentioned by mutual friends, but it would not be until 2017 that they finally got to know each other. Quickly they established a musical rapport, forming a band with some friends that fell apart just as quickly, but they knew that wasn’t the end, and they continued working on songs, finding their musical language; a path that led them to Madremonte and a sound that imbibes cumbia, salsa, bolero, rock, zouk and champeta, music from across Colombia, from the Caribbean, its Pacific Coast and high into the Andes, all the while transposing these sounds to the dance floor.

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Jaguar Skills

LP | 2022 | UK | Original (Nope23)

Jaime Alem & Nair De Cândia

Release: 2022 / UK – Original

Genre: Organic Grooves

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Time to hit the accelerator! Released in association with the classic label KPM, Jaguar Skills has produced his own film soundtrack, 'The Man In The Jaguar Mask', released on his label Nope23. Using the same equipment and recording methods of the classic ‘70s film soundtracks, Jaguar Skills & his orchestra, have channelled the sounds of the great action film composers into this project. With intricate detail, Jaguar Skills made sure, every step of the way, that this project was going to be as authentic as possible, so he invited some of the very best session musicians in the world to work on the record. The all-star players on the album include; Simon Katz (Gorillaz, Jamiroquai) on guitar, Drew Horley (Stevie Wonder Band) on keys, Zoltan Renaldi (Funkadelik) on bass, Bill Ware (Steely Dan) on vibes, conductor Jonas Peterson (Marvel Soundtracks) on strings, Patrick Gorce (Tony Allen Band) and Andy Findon (Lala Schifrin Band). Each track instantly takes the listener through a different scene in the movie, 'The Man In The Jaguar Mask' is a love letter to the b-movies and kung-fu flicks Jag Skills grew up on.

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Jaime & Nair

LP | 2020 | ES | Reissue (Vampi Soul)

12" | 2020 | EU | Original (Orfeo)

Release: 2020 / ES – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM.

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Jaime Roos

Siempre Son Las Cuatro

LP | 2017 | UK | Original (Kent)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Candombe fusion, art rock and psychedelia with punk attitude. With a unique mix of music roots and cosmopolitan sounds Jaime Roos would become one of the most successful and significant artists of Uruguayan music. Siempre son las cuatro, his fourth album, recorded in 1982 in Montevideo after a long stay in Europe, was the work that started to build Roos’ artistic personality and the first step towards mass appeal in his country. A psychedelic album with dark and somber tones but also full of groove and punk defiance, that is quintessentially Uruguayan. 500 copies. 140 gramms vinyl, Poster included

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James Carr

The Best Of

20,99 €*

Release: 2017 / UK – Original

Genre: Organic Grooves

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2LP | 2005 | UK | Reissue (Late Night Tales)

Jamiroquai

Late Night Tales

LP | 2021 | EU | Original (Teranga Beat)

Release: 2005 / UK – Reissue

Genre: Organic Grooves

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Late Night Tales reissues the classic and hard-to-find ‘Late Night Tales: Jamiroquai’, compiled by none other than Jay Kay himself. The 10th edition of what is now a classic series of compilations was originally released 20 years ago, and hasn’t been available on vinyl for over 15 years. A blissful collection of soul, disco, jazz, rare groove, and funk, this collection is an electrifying journey through the aural influences of one of the UK’s most seminal jazz bands. Jay Kay showcases a wealth and breadth of inspiration that wouldn’t be amiss on the late-night dancefloors of the Loft (or Giant Steps, for that matter). From The Pointer Sisters’ uplifting and soulful ‘Happiness’ and jazz funk legend Johnny ‘Smith’ Hammond’s ‘Fantasy’ to the anthemic ‘Stay Free’ by Ashford & Simpson and mellifluous ‘Music Of The Earth' by Patrice Rushen, these two discs form a rite of passage into the creative mind of a true musical legend.

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Jan Van Angelopoulos

Streams

LP | 1986 | US | Original (A&M)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Teranga Beat proudly presents the drummer-composer Yannis Angelopoulos, aka Jan Van and his last project "Streams". A well known musician in the Athens jazz scene, accompanied by three fellow musicians, he created an album with a tough= background story. Jan Van started as a drummer in clubs playing popular greek music (laïka) even before he was 18, a typical first step for a musician in Greece. In this way he experienced the underground and in fact the surrealistic atmosphere of the laïka greek clubs. At the age of 20, he started working as a roadie (installing drums) and it was then that he realised a drummer can be a musical directorproducer and not just a session musician. So he decided to continue his education and in 1996 he went to study at the Rotterdam’s Conservatorium's (Codarts) Jazz Department, where he stayed for seven years. Soon after his return to Athens he started wondering how to fuse jazz with laïkodimotiko (lumpen, popular music), something detectable in his recent discography. Since the mid ‘00s, Jan Van has been working on various jazz projects in Athens, even though the years preceding the 2010s were something of a tough period for the local scene, with limited live opportunities. Furthermore, since 2010, Greece has famously been at the epicentre of the global financial crisis. In an already dysfunctional cultural system during this decade, culture eventually became a luxury. Following ten years of recession, in March 2020, the Covid-19 pandemic destroyed the efforts of the country that was struggling to recover and took away any hope. Under high psychological pressure, Jan Van had the idea of a jam session as a way-out for expression. At the same time, the particular concept of water and its properties were stuck in his mind. Water’s fluidity and momentum and the idea of a quiet streaming state, shaped the only concept he eventually shared with his fellow musicians before starting to play. He only wanted them to have the energy of the water as a reference. By the end of May, a few days after the end of the lockdown, they gathered in a studio and recorded a live session of spontaneous compositions and improvisations. During that session each musician took a step back to listen and give space to one another. None of the tracks was composed before the recording. The result is a deep album which consists of organic beats with spiritual jazz vibes, sometimes exploring fusions with demotika (traditional) elements, sometimes leaning to cinematic atmospheres. The recording was mixed on 2 inch reel tape with analog equipment, to achieve the best possible sound quality. The LP version of the album is a Deluxe Edition and comes with a high gloss laminated gatefold cover and a digital download code.

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Janet Jackson

Control

36,99 €*

LP | 2024 | EU | Original (Broc)

Release: 1986 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve. Club edition.

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Janko Nilovic

Cosmos Giants

LP | 2021 | EU | Reissue (Astigmatic)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Broc Recordz is thrilled to announce the imminent release of our latest album, Cosmos Giants!

This cosmic fusion is the result of an epic collaboration between maestro Janko Nilovic, JJ Whitefield of the Poets of Rhythm, and Igor Zhukovsky of the Soul Surfers. Together, they've crafted a musical universe where genre boundaries blur, giving way to a transcendent sonic experience.

Immerse yourself in a musical journey where funk, psyche, and soul intertwine to create something truly magical!

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Jaubi

Nafs At Peace 6th Press

7" | 2016 | EU | Original (Record Shack)

Release: 2021 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.

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Jeanette Baby Washington

Let Love Go By

12,34 €* 12,99 € -5%

3LP | 2023 | US | Original (Impex)

Release: 2016 / EU – Original

Genre: Organic Grooves

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In Demand Floorpackin' Early Soul/R'n'B/Popcorn/Mod Tune Self-Written By The Artist b/w Fantastic Texas Uptempo R'n'B Mover Which Is A Driving Version Of The Bobby Bland Classic!

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Jennifer Warnes

Famous Blue Raincoat

212,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Ilusion De Amor / The Sparkle In Your Eyes

Jensine Benitez

7" | 2022 | US | Original (Penrose)

10,99 €*

LP | 2023 | US | Original (Sunnyside)

Release: 2022 / US – Original

Genre: Organic Grooves

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It is our distinct pleasure to announce the debut solo effort from Thee Sacred Souls' own Jensine Benitez. Anyone who has had the privilege to catch Thee Sacred Souls live is already well familiar with Jensine. On a nightly basis, when she gracefully steps into the spotlight for one of her solos, her mellifluous voice and commanding stage presence sends the crowd into a frenzy of adoration and unadulterated joy. With this single she enriches that charm with honeyed melodies set to floaty rhythms that are sure to have you bobbing your head with the windows rolled down. "Ilusión de Amor" is a lilting lament sung en español about a forlorn lover whose deep, brooding sadness has left them yearning well beyond any hope of reconciliation. On the flip is "The Spar kle in Your Eyes," a vibey, mid-t empo mover that will have couples crowding dance-floors for decades to come. A stunning two-sider that epitomizes the kind of soul music we dig. Snatch this one up quick, or tears may fall..

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Jerome Sabbagh

Vintage

57,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Jesse Davis / Gus Jenkins

Night Bloomin' Jasmin' / Tricky Too

7" | 2024 | UK | Original (Kent Dance)

12,99 €*

LP | 1967 | EU | Reissue (El Palmas Music)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Best known for ‘Gonna Hang On In There’, its storming Northern Soul flip side, the more subtle ‘Night Bloomin’ Jasmin’’ also has admirers on the rare soul scene. Modernists, in particular, will go for the suave jazz-elegance of this recording which is even scarcer than its original A side - due to being one of two different flips.

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Jesus Gomez Y Su Grupo

Jesús Gómez Y Su Grupo

22,39 €* 27,99 € -20%

LP | 1964 | UK | Reissue (Kent)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Jesús Gómez y su Grupo has been a vinyl jewel impossible to find for decades, a musical treasure ahead of its time with a prodigious voice. Jesús Gómez had not even reached the age of majority when he embarked on the adventure of recording and producing his own album, bringing together songs from the main Afro-Latin rhythms of the moment to which he contributed all his fantastic explosion of creativity. Not long ago, he had earned the epithet of "The Child Prodigy of the Song" which led him to explore and gain experiences in the paths of music since his youth, a passion, but also a craft, that his mother had instilled in him since his childhood and that he shared with other members of his family. Different rhythms, styles, and learnings hardened Jesús so that at only 17 years old he could deliver such a fantastic work, a clairvoyant sound of pure “Salsa” even before it became fashionable to call this type of music that way.

Mythical visits by artists and orchestras from the Caribbean were a catalyst for the appearance of national Venezuelan representatives with a higher professional level who had been working on Afro-Caribbean and Venezuelan rhythms since the 1930s, leaving an indelible mark such as Sonora Caracas, among others. Almost 40 years later, in 1967, as a result of this tradition, a modern and fierce work like this album would be possible, a direct, energetic, rhythmic declaration full of flavors of Guaguancó, Bolero, Descarga, Rumba, and even Guaracha. This base is the hyper fertile ground for the even more fantastic voice of Jesús, with high tones and extreme clarity, perfectly tuned and colorful, a characteristic that will accompany him throughout his life, a blessing, one could say.

Typical of the restless spirit that can be glimpsed on this album, he intertwines rhythms within rhythms, as happens in the singular and mythical “Loca ilusión” that goes from Bolero to Salsa Brava, a turn that leaves a reasonably psychedelic feeling. Let's not forget that we are in a period prior to what would be the canonical Salsa, even since then, this young Venezuelan, at the sound level, was already fluttering over the molasses of the trombones. A gem like “False Love” could get any dance floor on fire right now, a hot guaguancó that should be part of the vault of any Latin music DJ along with the greatest classics like “Tirándote Flores”.

Jesús Gómez is not one to fall short, neither in style nor in rhythm, a true artist from the beginning he also includes Surf and Bossanova pieces, taking his work to other territories without fear. Jesús Gómez y su Grupo was perhaps the definitive step that opened all the doors of a brilliant career for this young man, he would go on to collaborate almost from that moment with countless nationally and internationally renowned orchestras and artists, including Sonora Caracas itself, already historic and still standing at the moment.

If this album reaches your hands, you will have a treasure in it, since it is among the most sought-after in the history of Caribbean music, it has taken El Palmas Music more than 1 year of work to be able to reissue this jewel so that it can finally be accessible to the world while possible, a key piece in the history of salsa in Venezuela and a jewel for the world available maybe for a limited time.

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Jimmy Hughes

Steal Away

I Sat And Cried / She's My Baby (Smokey's In Town)

Release: 1964 / UK – Reissue

Genre: Organic Grooves

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colored vinyl

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Jimmy Nelson

7" | 2022 | UK | Original (Kent)

12,99 €*

LP | 2024 | EU | Original (Blues Joint)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Some records are irresistible. Jimmy Nelson’s ‘I Sat And Cried’ is an easy-going swinger of a disc that you feel you’ve always known – even on first hearing. It is a future classic that somehow has managed to stay a secret for decades. That is likely down to it being so rare (for whatever reason) that it doesn’t feature on Discogs and only two sales have ever been recorded on the Popsike website; they were cheap too!

We’ve coupled it with another great mover, ‘She’s My Baby (Smokey’s In Town)’, which debuts on a 45 – it was unreleased until an Ace LP way back in 1987. Two killer tracks on a lovely Repro design of that colourful early 60s label.

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Jimmy Reed

Rockin With Reed

20,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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10" | 2002 | US | Original (Giant Step)

Jiva

Love Chooses Lovers

4,74 €* 4,99 € -5%

Release: 2002 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2024 | US (Now-Again)

Joe Bataan

Drug Story

28,99 €*

7" | 2022 | UK | Original (Kent)

Release: 2024 / US

Genre: Organic Grooves

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Now-Again Records presents catalog-wide reissues of Latin music propellant Joe Bataan’s legendary Ghetto Records. The series concludes with Drug Story - Rare and unreleased material from Joe Bataan and his Ghetto Records vaults, including an entire side of Bataan’s neverbefore- issued Latin Funk that spans the gamut from Salsa to Soul. Drug Story was inspired by true events and ranks highest among Bataan’s finest achievements as the poet laureate of El Barrio. Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.

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Joe Buckner & Major Iv

I Wish I Knew

Joe Graham / John Edwards

Release: 2022 / UK – Original

Genre: Organic Grooves

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Joe Buckner was lead singer of the Major IV, a Chicago group who recorded in Los Angeles in the late 60s. ‘I Wish I Knew’ had been issued by the Ballads on Venture in 1969 and that outfit later re-cut it as ‘Butterfly’ in 1975. Joe and the Majors give an equally impressive performance on this great Leon Ware/Susaye Greene song. ‘I Stand Blue’ is another Ware composition that we first featured by writer/producer Mickey Stevenson on the Kent 100 Club Anniversary single of 2019. Big-voiced Hal Frazier also gives a top performance on the excellent beat ballad.

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Higher Than High / It's Gitta Be The Real Thing For Me

7" | 2023 | UK | Original (Kent Dance)

Joe Williams, Dave Lambert , Jon Hendricks, Annie Ross Plus Count Basie Orchestra

Release: 2023 / UK – Original

Genre: Organic Grooves

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The recent find of four Joe Graham recordings in the GRC/Aware tapes has shown there was much more to Joe’s talents than the southern soul of his 60s Chant recordings and the synthesiser, electro pop he recorded for various Atlanta labels in the 80s. ‘Higher Than High’ is a soulful disco number featuring a relentless beat. The track already has a strong following, thanks to advance plays in Europe and the UK from DJ Dave Thorley. This track, along with three other numbers, were recorded around 1976 for the GRC stable – just as the company was floundering so badly that the songs were left as unmixed multi-track tapes. Now mixed the demand for this one will be high.

We’ve taken the opportunity of including another excellent, unreleased at the time, recording from the revered John Edwards. ‘It’s Got To Be The Real Thing For Me This Time’ is an uptempo Sam Dees song, unheard until the 1990s release of the first batch of GRC/Aware tapes

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LP | 1972 | JP | Original (Roulette)

11,24 €* 14,99 € -25%

Joe Williams, Dave Lambert , Jon Hendricks, Annie Ross Plus Count Basie Orchestra

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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LP | 1958 | JP | Reissue (Roulette)

9,99 €*

Joe Williams, Lambert, Hendricks & Ross, Count Basie Orchestra

Release: 1958 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing!

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LP | US | Reissue (EMUS)

5,99 €*

Joe Williams, Lambert, Hendricks & Ross, Count Basie Orchestra

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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LP | US | Reissue (EMUS)

7,99 €*

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

A Love Supreme Uhqr Limited Edition Box Set

John Coltrane

LP Box | 1964 | US | Reissue (Analogue Productions)

201,99 €*