Search "new+look" 4793 Items

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP | 2020 | US | Original (Warner)

Mac Miller

Circles

Roy Porter Sound Machine '94

Release: 2020 / US – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: VG+

Clear Vinyl.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Includes poster.

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Generation

LP | 1994 | JP | Reissue (P-Vine)

Release: 1994 / JP – Reissue

Genre: Organic Grooves

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Roy Porter released two albums in the 70's, "Inner Feelings" and "Jessica", which are now highly sought after as important rare groove albums. After a brief absence from the scene, he entered the 90s and challenged the times with a new Sound Machine! The killer funk tracks "Panama" and "Party time," which have been featured as sampling sources on numerous occasions, have been reconstructed by Roy Porter himself, and brushed up to sound with the texture of the 90s. It is no exaggeration to say that this album embodies the fusion of jazz and hip-hop that Robert Glasper and others have shown since the 2010s, 20 years ago.

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Super-Sonic Family Volume 2

3LP | 2023 | EU | Original (Super-Sonic Jazz)

LP | 1980 | JP | Reissue (Groove Diggers)

Release: 2023 / EU – Original

Genre: Organic Grooves

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A snapshot of the rising Dutch jazz scene, the ‘Super-Sonic Family’ compilation captures a refreshed spirit of talented artists that are shaping the new musical directions within the Lowlands. For this second edition we have a 31 digital and 22 vinyl track collection that connects these unique artists that express themselves beyond the borders of genres. This compilation adds to the rise of this ascending scene and the physical album will be released in the light of the six day ‘Super-Sonic Jazz Festival’ in Amsterdam, organised by KC The Funkaholic & Jade Caballeros.

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Hilton Felton

A Man For All Reasons

LP | 2023 | EU | Original (Cadillac)

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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* Originally released in 1980 * New remastering * Japanese Obi-strip A Man For All Reasons' is classic album by American jazz keyboardist Hilton Felton released through his own label in 1980, and it is acclaimed not only for its musical reputation but also as an important work featured by many DJs and vinyl collectors in the rare groove culture since the 1990s. It is still a rare groove classic. P-vine Japan is pleased to announce the reissue of this masterpiece, featuring the superb jazz funk 'Bee Bop Boogie,' still considered a rare groove classic, with the latest re-mastering!

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Joy

LP | 2023 | EU | Original (Cadillac)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Rare 1970s British jazz from Joy: Chris Francis, James Dvorak, Frank Roberts, Ernest Mothle, Keith Bailey, featuring 2 extended tracks, new texts and photos.

Remastered from the original tapes by Keith Bailey and Lawrence Czoka. With insert featuring new pics by acclaimed photographer Jak Kilby, it's the first ever reissue of this cult British jazz LP.

The mid-70s should be seen as a vibrant and fecund period for British jazz includingSpear, Molongo, The Brotherhood of Breath, Keith Tippett and Elton Dean's groups and and others were bands such asThe Quintet (Joy's direct precursor),Keith Bailey's Orbit, Chris Francis' Naima, Maggie Nichols' Voice, Dave Defries' Lemonspiel, Gary Windo's I Dogu featuring Frank Roberts, Quincicasm, Landscape, Harry Becket's Joy Unlimited, Isotope - all working with the punk ethic and generating a special scene.

Joy were part of this: there was undoubtedly a buzz around this hip young multi-cultural band featuring London musicians from South Africa, The Caribbean, The US and UK. The LP that came out in 1976 only increased the buzz: one of the best of the bands playing in the contemporary post- bop style but with their own material.

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Jazz Doctors

Intensive Care

Standers Dark Feel Green Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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The Jazz Doctors or the Billy Bang Quartet toured Europe in the early 80s, featuring spiritual jazz pioneer saxophonist Frank Lowe and Vietnam vet turned free jazz violinist Billy Bang, the group recorded in 1983 and 1984 in London.

With legendary rhythm section Rafael Garrett and Dennis Charles, they recorded an album for Cadillac that fast became a sought after classic.

The '84 session, with the different but equally astonishing rhythm of Wilber Morris and Thurman Barker, never appeared. Studio problems led to half the album being rendered unusable. Here for the very first time is the music that remained, including a unique and astonishing suite composed by Billy Bang.

Newly remastered from the original tapes at Gearbox studio and including a previously unreleased session, and all on CD for the first time, with new sleeve notes and images by acclaimed author/photographer Val Wilmer.

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Craven Faults

2LP | 2023 | UK | Original (Leaf)

LP | 2024 | JP | Original (Tomohiro Mori)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Standers is the second full-length album by Craven Faults. It follows a trilogy of long sold out EPs, 2020"s Erratics & Unconformities LP, the Enclosures mini-album and a series of studio performances entitled Live Works.Meticulously curated, each release moves the Craven Faults story forward. Each one a self-contained analogue electronic journey across northern Britain, viewed through the lens of a century in popular music. Studios, venues and movements. Technology and ingenuity. Vibrations. Lines drawn to connect those moments of inspiration.On Standers, there"s a sonic shift. A new palette to paint from and further refinement of the craft. We"re no longer exclusively travelling overland. Familiar landscapes are viewed from a different perspective. There"s a growing obsession in how this island came to look the way it does, and how its ancient and modern history affects its current population. Landscapes shaped by the elements, and then by countless conquerors and settlers. Livestock and machinery. Money, religion and politics.

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Tomohiro Mori

Prana

35,69 €* 41,99 € -15%

There's A Riot Goin' On Vinyl Me, Please Edition

Release: 2024 / JP – Original

Genre: Organic Grooves

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Jazz musicians active in New York and around the world have gathered! Drummer/composer Tomohiro Mori's fullest effort to connect Japan and New York, the home of jazz. In 2020, Mori was forced to temporarily return to Japan from his base in New York due to the pandemic, but after returning to the New York jazz scene in 2022, he and his friends, including trumpet player Benny Benack III, further refined each song and finally decided to produce an album. In pursuit of "the expressive potential of bebop, a style of jazz unique to the olden days," he not only performed, but also composed, arranged strings, and produced all of his own music. The album is full of vitality by Mori, who has learned a lot in the past few years in both Japan and New York.

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Sly And The Family Stone

LP | 1971 | US | Reissue (Vinyl Me, Please)

Adrian Younge & Ali Shaheed Muhammad

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
With the ’60s coming to an end, the revolutionary spirit of the times was so ubiquitous that it simply demanded more from its artists. We started to see this shift in rock ’n’ roll (The Beatles, The Rolling Stones) and in jazz (Lee Morgan, Miles Davis, Herbie Hancock); it was time that pop and soul music followed suit. Marvin Gaye would release the seminal What’s Going On in May 1971, and while What’s Going On was pivotal in allowing Black artists to deliver popular music with a message that spoke to the times, There’s a Riot Goin’ On followed Gaye’s lead, but pushed the boundaries further. Sly Stone challenged what was possible for a Black artist in popular music, both lyrically and sonically.

Sly & The Family Stone’s There’s a Riot Goin’ On was synonymous with the anxiety felt by all alive at that time — how to navigate this new decade, after all the turmoil experienced in the last one. It’s a bit of a “purple haze,” really. Artistically, Sly managed to harness the confusion that not only he felt, but that most people were feeling then.

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Jazz Is Dead 021 Red Vinyl Edition

LP | 2024 | US | Original (Jazz Is Dead)

Curyman II Earl Of Lemon Wave Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Red Vinyl. Jazz Is Dead announces another offering of top-shelf recordings taking listeners on a journey through the funky sounds of Ghana all the way to down to the psychedelic soul and samba of Brazil. Produced by label founders Adrian Younge and Ali Shaheed Muhammad, Jazz Is Dead Series 3 features new analog recordings from living legends Ebo Taylor, Hyldon, Dom Salvador, Antonio Carlos e Jocafi, Carlos Dafé, Joyce e Tutty Moreno as well as an unreleased LP from The Midnight Hour: Lost Tapes.

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Roge

LP | 2024 | EU | Original (Diamond West)

Eternity Vinyl Me, Please Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Earl of Lemon Wave Vinyl.Latin Grammy-nominated and Brazilian Music Awards-winning artist Rogê hasbecome a pivotal figure in the resurgence of Música Popular Brasileira (MPB).With a rich career spanning over two decades, Rogê has released seven soloalbums that have solidified his place in the contemporary Brazilian musicscene. In March 2023, he released his U.S. debut album "CURYMAN" underDiamond West Records. Produced by Thomas Brenneck of the Budos Band_who has worked with artists like Lady Gaga, Beyoncé, Jay-Z, and AmyWinehouse_the album is a celebration of samba infused with messages ofresilience and redemption. "CURYMAN" not only marked the launch ofBrenneck's new label but also reflected Rogê's deep belief in the power ofmusic to inspire hope and perseverance.As Rogê looks to the future, he is gearing up to release "CURYMAN II" inNovember 2024. Building on the success of his U.S. debut, this upcomingalbum promises to deliver even more vibrant samba rhythms and thoughtprovokinglyrics. Exciting new singles are set to drop in the lead-up to thealbum's release, offering fans a preview of what's to come. As Rogê continuesto evolve his sound and push the boundaries of Brazilian music, he remainsdedicated to spreading the rich cultural heritage of Brazil to audiences aroundthe world.

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Alice Coltrane

LP | 1976 | US | Reissue (Vinyl Me, Please)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Eternity arrived at a transitional point in Coltrane’s artistic and spiritual journey after she had founded her Vedantic Center in 1975, but before she abandoned secular performance for a quarter-century; after she had somewhat shaken the relentless comparisons to her husband’s work (and those who would use “John Coltrane’s widow” in lieu of her name), but still long before she was universally recognized as a musical luminary. Also importantly, after she released a slew of unexpected pop collaborations and as she signed to a major label pouring money into building a new jazz catalog. Secular, agnostically spiritual, and Vedic songs mingle together, as do a range of different musical textures. In this kind of middle place, Eternity showcases Coltrane’s ambition and range, offering a glimpse at sounds and styles she would rarely revisit.

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Jazz Dispensary: The Golden Hour Black Friday Record Store Day 2024 Edition

LP | 2024 | US | Reissue (Craft)

2LP | 2020 | EU | Reissue (Music On Vinyl)

Release: 2024 / US – Reissue

Genre: Organic Grooves

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Coming Soon 2024-11-29, 12:00 CET

RSD First, Limitation: 4000

Get ready to immerse yourself in a world where the soundscapes of sunbaked sands and the cold sea breeze blend seamlessly to create one dank groove blast. The cratediggers of Jazz Dispensary present The Golden Hour -- a new stash of sizzlers that evoke the feeling of floating on a cool, lone wave while soaking in the last sunbeams of the day. Features tunes from renowned groove-masters Johnny Hammond, Sonny Rollins, Chico Hamilton, Vince Guaraldi, Catalyst, and more. With artwork by acclaimed visual artist Kamil Czapiga, who filmed special color inks reacting to songs from the album with microscopic cameras to create the cover art. Pressed on Golden Wave Swirl vinyl.

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James Brown

Collected

LP | 2024 | JP | Original (Bloom Music)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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In a career spanning over 50 years James Brown became known as a progenitor of funk music and influencing the development of many other genres. All his hit songs, hidden gems and collaborations are now bundled on 'Collected'. It contains 29 songs, including music from his early days with the Famous Flames, the J.B.'s and a wide collection of tracks from his solo career. Brown began his career as a gospel singer and joined a rhythm and blues vocal group, the Famous Flames, as the lead singer in the 1950s. Later on he formed his own band and released successful singles as 'Papa's Got a Brand New Bag', 'I Got You (I Feel Good)' and 'It's a Man's Man's Man's World'. While developing the funk to a new level he created the J.B.'s, with which he scored hits like 'Get Up (I Feel Like Being a) Sex Machine' and 'The Payback'. Brown was inducted into 1st class of the Rhythm & Blues Music Hall of Fame, the Rock and Roll Hall of Fame and Songwriters Hall of Fame. During the years he gained different honorific nicknames including 'Godfather of Soul', 'Mr. Dynamite', and 'Soul Brother No.1'. James Brown Collected includes an insert with liner notes, photo's and credits. The release is available as a pressing on 'Stone Cold' black vinyl.

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45trio

Soul Review

Trident Vinyl Me, Please Edition

Release: 2024 / JP – Original

Genre: Organic Grooves

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Led by self-proclaimed "soul keyboardist" Swing-o, the piano trio 45trio is finally releasing their debut album. Since moving to Bloom Music in 2022 and releasing their cover of Weldon Irvine's classic "I Love You," every 7-inch they've released has sold out instantly. Their impeccable track selection, arrangement skills, and solid musicianship have garnered them overwhelming support from core DJs to Black music enthusiasts. The album ‘soul Review’ features 9 tracks, some presented as singles and others re-arranged, along with 5 new songs, perfectly capturing their unstoppable energy. Get ready for the release!

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McCoy Tyner

LP | 2024 | US | Reissue (Vinyl Me, Please)

Release: 2024 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
With 1975’s Trident, McCoy Tynerfinally achieved his true vision for the piano trio. In an era that finally — and firmly — established Tyner in the upper echelon of jazz masters, adored by critics, set at the top of festival bills and heartily supported by the record-buying public, Trident stands at the pinnacle of his brilliant album run from that decade.

Trident might not seem as ambitious as Tyner’s other ’70s outings, but don’t let its near-monochromatic gray and silver cover of McCoy by the ocean fool you; just beneath its surface is the heaviest, most vivid and deep music of his career. Trident finds him coming full circle, realizing his — and just about any fantasy jazz fan’s — dream piano trio. Call it Money Jungle for the new decade, only one featuring cogent and telepathic alignment rather than clashing intergenerational conflict. Three titans, three defining masters of their instrument, with thousands of recording dates between them.

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2LP | 2024 | CH | Original (Les Disques Bongo Joe)

Elsewhere CC

Look-Ka Py Py Green Vinyl Edtion

Release: 2024 / CH – Original

Genre: Organic Grooves

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Les Disques Bongo Joe are proud to be home of the new volume of DJ soFa"s well known curation work Elsewhere series with Elsewhere CC! This ninth exploration of our beloved Bruxelles based cratedigger and producer (Mameen 3, Nyati Mayi & The astral Synth Transmitters, ...) is an ode to summer and groove!The ninth edition in the Elsewhere series is a real digger"s paradise of tropical gems, from Trinidad to Brazil, Poland, Dominica, and beyond. The compilation is an eclectic mix of outernational, tropical-wave, Calypso, multi-rhythmic percussive beats, lo-fi disco jams, and other such styles that lie somewhere in that magical in-between zone. Compiled by Brussels-based DJ, tastemaker and producer soFa, Elsewhere Vol.9 CC is a perfect collection of Balearic, good-vibe, sunshine rarities, to soundtrack a cocktail session on a reclusive, tropical beach, featuring rare tunes and some of the artist"s own unique productions and collaborations.

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The Meters

LP | 1970 | US | Reissue (Jackpot)

Kristjan Randalu /New Wind Jazz Orchestra

Release: 1970 / US – Reissue

Genre: Organic Grooves

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1970 Seminal 2nd Album by The Meters. Featuring the hit track: "Look-Ka Py Py" Pitchfork: "10/10" Sourced From the Original 1970 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Limited Spring Green Vinyl LP.

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Sisu

LP | 2023 | EU | Original (Whirlwind)

2LP | 2023 | EU | Original (Jazzaggression)

Release: 2023 / EU – Original

Genre: Organic Grooves

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"Sisu" marks the beginning of a new chapter for esteemed Estonian pianist and composer Kristjan Randalu - as his first large ensemble project recording. It"s also the debut outing for the New Wind Jazz Orchestra conducted by Wolf Kerschek and features special guest trumpeter Ingrid Jensen and guitarist Ben Monder.

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Aleksi Heinola Quartet

Release: 2023 / EU – Original

Genre: Organic Grooves

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The Aleksi Heinola Quartet presents a new take on vintage hard-bop with their latest record, featuring original compositions and reinterpretations of works by iconic jazz greats. Impeccable musicianship, groovy swing, and a distinct sense of style are on display, with Gábor Bolla on tenor sax, Jukkis Uotila on piano, and Daniel Franck on double bass. This quartet date is not to be missed!

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Welcome To Zamrock Volume 2

2LP | 2017 | US | Reissue (Now-Again)

The Ornette Coleman Double Quartet

Release: 2017 / US – Reissue

Genre: Organic Grooves

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By the mid-1970s, the Southern African nation known as the Republic of Zambia had fallen on hard times. Though the country’s first president Kenneth Kaunda had thrown off the yoke of British colonialism, the new federation found itself under his self-imposed, autocratic rule. Conflict loomed on all sides of this landlocked nation. Kaunda protected Zambia from war, but his country descended into isolation and poverty. This is the environment in which the ’70s rock revolution that has come to be known as Zamrock flourished. Fuzz guitars were commonplace, as were driving rhythms as influenced by James Brown’s funk as Jimi Hendrix’s rock predominated. Musical themes, mainly sung in the country’s constitutional language, English, were often bleak. In present day Zambia, Zamrock markers were few. Only a small number of the original Zamrock godfathers that remained in the country survived through the late ’90s. Aids decimated this country, and uncontrollable inflation forced the Zambian rockers that could afford to flee into something resembling exile. This was not a likely scene to survive - but it did. Welcome To Zamrock!, presented in two volumes, is an overview of its most beloved ensembles, and a trace of its arc from its ascension, to its fall, to its resurgence.

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Free Jazz

LP | 1961 | EU | Reissue (Speakers Corner)

2LP | 2012 | US | Reissue (Karma Chief)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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The term 'free jazz' was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album "Free Jazz", however, was intended to lend its name to a quite different style of jazz. 'Free' playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal. Coleman thought big: he brought two quartets into the studio at the same time, both with two wind instruments and no piano, and let them play together for 36 minutes without a break – a collective improvisation. There aren’t any precise themes, although short, fanfare-like motifs do exist in which the winds come together. A continuous dense rhythmic beat underlies the music almost throughout – and the pulse is felt rather than heard. One musician after the other comes into the foreground to improvise, almost like at a jam session. First Coleman, then Dolphy, then the two trumpeters. The other winds, however, never remain silent, then make comments and support one another continually – the energy level is immense the whole time (it was cold in the studio ...). Only when it is the turn of the bass and drum players do the winds remain silent for about eleven minutes. This album is not only a historic caesura, but a truly great experience over and over again.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: December 1961 in A&R Studios, New York City, by Tom Dowd Production: Nesuhi Ertegun

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Kendra Morris

Banshee

The Meters Red Vinyl Edtion

Release: 2012 / US – Reissue

Genre: Organic Grooves

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Kendra Morris' stellar and soulful debut album 'Banshee' is finally back on vinyl for the first time since 2012. Originally released via Wax Poetics, Colemine Records is now proud to make this album widely available again on record shop shelves, right where it should be. Pulling influences from late-60s and early-70s psychedelic R&B and funk, Kendra adds her own rock twist in collaboration with producer/guitarist Jeremy Page. The album is a rich sonic tapestry, with hip-hop references and beats weaving throughout. All of this sets the perfect backdrop for Kendra's known powerhouse vocals. 'Banshee' effortlessly blurs the lines between sounding old and new, and has left a lasting impression over the last decade. Kendra, in her own words, "howls like a banshee... and roars like a wolf."

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The Meters

LP | 1969 | US | Reissue (Jackpot)

LP | 2014 | EU | Reissue (Chinese Man)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Debut 1969 Album by New Orleans Funk Legends: The Meters. Sourced From the Original 1969 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Features the hit song "Cissy Strut". Limited Red Apple Vinyl LP.

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Chinese Man

The Groove Sessions 3

LP | 2009 | UK | Reissue (Ancient Archive Of Sound)

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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To celebrate the 10th anniversary of the C.M.R label, the third instalment of Groove Sessions is here. In 7 tracks, CHINESE MAN revives the sound that made them such a success. Classic hip-hop with South African rapper TUMI on "Once Upon A Time", or piano and mariachi trumpets on "Scatter" with rapper Ex-I.DELUXE offers 2 productions in line with the success of "The Deluxe Family Show" and the label also invites its new signings. S.O.A.P and TAIWAN MC invite Indian singer Tritha for a broken beat track combining electro bass and ragga flow.The mysterious Tomapam and LeYan invite OfNazareth on the track "Rosita", and Cyph4 on the track "A.M. Horrorscope", one of the label's best-known voices, on a track mixing traditional Turkish music and Hip Hop beat.

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Nat Birchall

Akhenaten

LP | 1972 | US | Reissue (ORG Music)

Release: 2009 / UK – Reissue

Genre: Organic Grooves

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Akhenaten was the first album Nat released on the fledgling Gondwana label back in 2009, it was the second release on the label and has remained a hugely popular and much sought after album ever since. Jazzman Records issued a vinyl version in 2016 (which quickly sold out and is now a collector’s item) and Nat reissued a CD version a few years later, but this is a much needed and long awaited new vinyl pressing. Featuring four original compositions the album is a deeply meditative offering of heartfelt Spiritual Jazz, in the classic mode of late 1960s/early 1970s John & Alice Coltrane and Pharoah Sanders.

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Velvert Turner Group

LP | 2022 | JP | Reissue (P-Vine)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Velvert Turner is largely known for being a protégé and student of Jimi Hendrix, who he met as a teenager in New York in the late '60s. The influence is immediately clear, with respect to both Turner's guitar work and vocals. Some have even mistaken his only album for a "lost" Hendrix recording. Velvert Turner Group's self-titled 1972 release, which aptly closes with a tribute to Hendrix (a cover of "Freedom"), is now back on vinyl, remastered by Dave Gardner. This reissue features an alternate mix of the first song, "Madonna (of the Seven Moons)", as a bonus track.

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Edbl

South London Sounds

Release: 2022 / JP – Reissue

Genre: Organic Grooves

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Ed Black, better known as "edbl" is a hip hop~R&B artist / composer and one of the most noticeable talents in the independent music scene of South London along with Jorja Smith, Jamie Isaac etc... The sound influenced by lo-fi soul / hip hop following in the wake of artists like Jordan Rakei and Tom Misch, has also attention when Spotify UK picked him up as cover artist of their popular playlist "New Music Friday", and he was also nominated for "The Hottest Independent Artists In The World" by Music Business Worldwide Magazine. The LP and CD compiles his finest works published in digital platforms. P-vine will present his music in physical form for the first time in the world!

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America Dream Reserve 2023 Edition

2LP | 2023 | EU | Original (Smiling C)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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2023 edition with new artwork and sleeve. Come with insert/liner notes.

"Welcome to the America Dream Reserve, home to husband & wife duos, pub legends, one-man-bands, preachers’ sons, and country-lounge entertainers..."

About: America Dream Reserve is a home for kindred souls. An hour-long journey into the world of lo-fi drumcomputer folk, disco-pop-lounge, haunting ballads, obscure vanity pressings, and synthesized string ensembles. A collaborative compilation between Charles Bals, creator of the inimitable Club Meduse, and Smiling C.

Compiled by: Charles Bals & Henry Jones.

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Behind The Dykes 3 Record Store Day 2023 Blue & Red Vinyl Edition

2LP | 2023 | US | Original (Music On Vinyl)

Masahiko Togashi / Don Cherry / Charlie Haden

Release: 2023 / US – Original

Genre: Organic Grooves

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Behind The Dykes 3 (Even More, Beat, Blues And Psychedelic Nuggets From The Lowlands 1965-1972) presents another 34 rare and much-sought-after Dutch bands such as Golden Earring, The Spectacles and artists from the era 1965-1972, many of which have not seen reissues since their original, often limited single releases. All tracks have been newly transferred from tape for optimal quality. The gatefold sleeve features unique new artwork with photos and tape box scans on the inside. The printed inner sleeves contain track-by-track liner notes and single artwork.

Behind The Dykes 3 (Even More, Beat, Blues And Psychedelic Nuggets From The Lowlands 1965-1972) is available for Record Store Day 2023 as a limited worldwide edition of 2500 individually numbered copies on 180g double vinyl: LP 1 on solid Blue and LP 2 on solid Red.

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Song Of Soil

LP | 1979 | EU | Reissue (Wewantsounds)

James Knight & The Butlers

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce a special edition of the legendary 1979 Masahiko Togashi album "Song of Soil," recorded in Paris with Don Cherry and Charlie Haden and released on Japanese label Paddle Wheel. Supervised by Parisian producer Martin Meissonnier - then Don Cherry"s right hand man - "Song of Soil" reaches heights of spirituality mixing Eastern influences with jazz and deep ambient soundscapes. The album is reissued here with its original artwork and remastered by King Records in Japan. It includes the original Japanese 2-p insert plus a deluxe 8-page booklet featuring new notes (Eng/Fr) by Martin Meissonnier in conversation with Jacques Denis and also an Togashi Biography by Paul Bowler and never-seen photos by cult French photographer philippe gras who witnessed this unique session.

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Black Knight Clear Vinyl Edition

LP | 1971 | EU | Reissue (Regrooved)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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* Originally released in 1971 * Handmade Tip-On Sleeve * Analogue Remastered * Insert: Band Photo * Limited edition: black (300 copies), red (100 copies), and crystal (100 copies) vinyl

History is full of once-in-a-lifetime experiences. No, let us rephrase that: once-in-the-span-of-human-history experiences. Because if you weren’t there when James Knight & the (Fabulous) Butlers made their claim to fame, then all you can do is try to get hold of a copy of their only record: Black Knight. And that is exactly what we here at ReGrooved enable you to do!

This was the very first release on the Cat sublabel of TK Records. It is noted for its very psychedelic funk and soul sound, which is extremely evident in ‘Uncle Joe’, with its distorted guitar sounds, reverb and screams. Think of Jimi Hendrix and/or Arthur Brown who decided to dabble in soul! The tone was already set by the preceding track, ‘Funky Cat’, in which Knight introduces the various artist of his band, building up the groove. That was the precise moment in which we as listeners are ensnared by the band’s inescapable funky mood, that fortunately continues the rest of this precious gem of a record. It alternates the more psychedelic sounds with slightly more conventional and calmer tracks, making the album accessible to a wide variety of music fans. Still, are you looking for soul and funk with a touch of acid? Then our reissue of Black Knight by James Knight & the Butlers is a disc that deserves to be a regular guest on your record player!

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LP | 1977 | US | Reissue (Etats-Unis)

Blorp Esette Volume One

Adrian Younge & Ali Shaheed Muhammad

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. In 1977, Lafms released Blorp Esette, one of several compilations tracking the collective's growth and wild-eyed experimentation. Ace Farren Ford, an early Lafms recruit from the Poo-Bah circle, produced the album and solicited cover artwork by Don Van Vliet (Captain Beefheart). Ford appears in various configurations alongside members of Smegma, Le Forte Four and "unknown artist" (as the credit for more than one piece reads). The Residents, showing their affinity with Lafms, contributed "Whoopy Snorp" for their first non-Ralph Records release. Blorp Esette shows the artists grasping for new, non-idiomatic voicings and collaborative modes, anticipating Lafms affiliates and offshoots such as Airway, Human Hands and Monitor. A second volume would come out in 1980, featuring Ford's punk band The Child Molesters. If you're looking for the missing link between mid-'70s art practice and outsider music, then look no further. This first-time vinyl reissue is limited to 500 numbered copies. Comes with inserts.

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Jazz Is Dead 11 Black Vinyl Edition

2LP | 2022 | US | Original (Jazz Is Dead)

2LP | 2022 | EU | Original (INFRACom!)

Release: 2022 / US – Original

Genre: Organic Grooves

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With Jazz Is Dead Series 2, Younge and Muhammad have once again, together with a roster of world-renowned legends, crate digger patron saints, and an exciting vanguard of young talent, delivered another unimpeachable collection of fresh and captivating recordings inspired by jazz's past, present, and future. There are names that some may already be familiar with, such as Lonnie Liston Smith, Jean Carne, and Tony Allen, and those less so, like Henry Franklin, Phil Ranelin, Wendell Harrison, Garrett Saracho, & Katalyst. What unites each new collaborator is their unbent dedication to remaining original, preserving their creativity, and sharing it with the world.

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Matthias Vogt

Pianissimo

SAAM (Spanish American Art Museum)

Release: 2022 / EU – Original

Genre: Organic Grooves, Classical Music

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For his twelfth studio album, Pianissimo, Matthias Vogt ([re:jazz], Motorcitysoul) makes a clear political statement in symbiosis with his well-placed notes and the stylishly experimental and pronouncedly eclectic electro-jazz sound. Pianissimo does not only mean playing very softly but also playing very intensively. It is definitely not an album to skip through. Matthias Vogt combines great music with current socio-political attitudes and issues for this new album. He conducted interviews on topics like “climate change” with people from his circle of friends and acquaintances - creatives, artists, activists and musicians who tick similarly to himself and with whose voices he could give expression and form to his own thoughts. With this material, he created this hybrid piece of music and socio-political reflexion. His companions are Demian Kappenstein (ätna & Massa) on drums & guitarist Daniel Stelter (Sing mein Song, TV-Total Heavytones). Vinyl incl. the outer packaging will be produced on a completely recycled basis by INFRACom! which starts its 30 years celebration with this release.

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Marta Sanchez

2LP | 2022 | EU | Original (Whirlwind)

Soul Greatest Hits Series

Release: 2022 / EU – Original

Genre: Organic Grooves

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Marta Sanchez's creative voice is strikingly original - circling rhythms, elaborate forms and criss-crossing counterpoint distinguishes her sonic signature on the crowded New York contemporary music scene. Following three critically acclaimed quintet releases, the Madrid-born pianist-composer presents 'saam (Spanish American Art Museum)' on Whirlwind Recordings, an album driven by emotional candour and boundary-pushing compositions. A talented cast realises her knotty, technical writing - frontline partners Alex Lore and Roman Filiu meet Sanchez, Rashaan Carter and Allan Mednard on backline duties.

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Earth, Wind & Fire

LP | 1977 | JP | Original (CBS/Sony)

LP | 2014 | US | Reissue (Ubiquity)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Minimal shelf/ring wear, hardly notcieable. Comes with OBI and insert. Record looks barely played.

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Ikebe Shakedown

Stone By Stone

LP | 2017 | US | Reissue (Verve)

Release: 2014 / US – Reissue

Genre: Organic Grooves

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Originally released in 2014. Ikebe Shakedown’s powerful instrumental soul takes “big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from '70s-style horn-driven funk (WNYC Soundcheck).” The Brooklyn-based collective is set to follow up their well-received self-titled debut album with the heavier, more mature sound of their second full-length Stone By Stone. The self-produced album was recorded at the famed “House of Soul” Daptone Studios in Bushwick, Brooklyn. Notes bassist Vince Chiarito, "Thinking of all the great music that has come out of the Daptone Studio really pushed us to refine our songs and grow as a band. It was really inspiring to record there." The band adds that, “Stone By Stone is a much more layered and arranged album. The self-titled debut captured the raw energy of us playing live and the new record is much more of a studio effort. Psychedelic textures weave in and out of the grooves while the horn section offers an explosive response. The songs are heavy and danceable and show our moodier, more melodic side.” The seven-piece band—named after a favorite Nigerian boogie record and pronounced “ee-KAY-bay”—formed in 2008 and has developed a mighty horn section anchored by tight, deep-pocketed grooves. Following 2009’s debut EP Hard Steppin', the band released their self-titled debut full-length LP on Ubiquity Records in 2011 that Okayplayer called “an adventurous trip through time” and “one of the best releases of the year.” Their music has also been featured on a number of television shows and commercials including HBO's Eastbound and Down, Mini Cooper and Vans.

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Miles Mosley

Uprising

2LP | 2024 | US | Original (Blue Note)

Release: 2017 / US – Reissue

Genre: Organic Grooves

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Now reissued on Verve Records.

Miles Mosley is a vocalist, upright bassist, guitarist, pianist, composer and arranger from Hollywood, California. He was named after Miles Davis. A founding member of the acclaimed collective, The West Coast Get Down, Mosley has released albums containing his own solo work, in addition to recording and touring with artists including Jonathan Davis (Korn), Miss Lauryn Hill (as her Musical Director and bassist), Harvey Mason, Kendrick Lamar, India Arie, Chris Cornell, Mos Def, Common and Andra Day. Now he releases his new album in cooperation with Alpha Pup Records. The genre-defying and otherworldly core six-piece band consists of the best musicians taking over the scene today-including saxophonist Kamasi Washington, trombonist Ryan Porter, keyboardist Brandon Coleman, pianist Cameron Graves, and drummer Tony Austin. On “Uprising” they are joined by trumpeter Dontae Winslow and the late saxophonist Zane Musa along with a full orchestra and choir. The members all hail from Los Angeles as a family of musicians that Mosley helped bring together during their formative years, and have imprinted their stamp on the world unlike any other musical collective in recent times. Mosley combines his deep love of songwriting with his innovative, mind-bending, effects-laced upright bass.

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Julian Lage

Speak To Me

Companion Rises (Twig Harper Remix)

Release: 2024 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM. Black vinyl edition.

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Six Organs Of Admittance

LP | 2024 | US | Original (Drag City)

Endless Questions And Answers Magenta Marble Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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6OOA"s 2020 opus is reunmanaged by sound composer Twig Harper, whose unlimited brief takes this REMIX places no other remix record could dare to go. In the process, it affords the wizard of Six Organs, Ben Chasny, the chance to re-present the record in a form as insane as the world into which the record was - and is - headed. A soundtrack to California chaos, done two ways, sometimes at the same time! RIYL: Electronic, New Age, Modern Classical

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Kristina Barta

LP | 2024 | EU | Original (Second)

LP | 2003 | US | Reissue (Luv N'Haight)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP - 180 Gram Vinyl / Handnumbered Edition limited to 150 UnitsCritics have described Czech pianist Kristina Barta as "fiery, expressive, eloquent, and stubborn." This new album, "Endless Questions and Answers," features nine original compositions created for her new quartet, in collaboration with the world-renowned tenor saxophonist Jure Pukl. It signifies a fresh chapter in Barta's musical evolution.

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Don Cunningham

Something For Everyone

Music For Zen Meditation And Other Joys

Release: 2003 / US – Reissue

Genre: Organic Grooves

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Ridiculously rare vinyl, superb musicianship, and a Playboy Club are ingredients that make the Don Cunningham Quartet's Something For Everyone album so tasty. Luv N'Haight is proud to preserve and re-issue one of the most collectible, highly sought-after jazz-dance records.

"Bunnies plus food and drink equals good time."Brad Holiday's original liner notes (featured on the back of this album) tell it like it was. Don Cunningham, Marion Miller, John Mixon, and Manny Quintero formed the Don Cunningham Quartet and played ‘The Living Room’ at Hugh Hefner's St. Louis branch of the Playboy Club between 1965 and 1968. Their music was different from that of the jazz mainstays playing in ‘The Penthouse Room’. It was also different from any act in St. Louis at the time.

"Before forming the Quartet, I traveled to Fiji, Australia, the Caribbean and beyond as part of the Johnny Mathis group," explains Cunningham. "On these tours I discovered the "island sound," which was something I'd never been exposed to before. It was enchanting, mysterious and sexual."

The Quartet's unique blend of exotica, Latin and Brazilian rhythms, jazz and easy listening was a perfect fit for the Playboy Club. "I was influenced by having seen Arthur Lyman, Cal Tjader, Willie Bobo, Mongo Santamaria, and Harry Belafonte play live. Not to mention that I was buying all the Les Baxter I could get!" adds Cunningham. The band's sound caught the attention of Bob Webb, a wealthy local businessman. As a friend of piano player Marion Miller he'd learned of the Quartet’s popularity. "I don't want to work, you work, I'll put up the money," Miller recalls Webb 's words. Webb fronted the funds for Miller to create Exclusive records, releasing three albums and two 45rpm singles, including the Something For Everyone LP.

"The music was only sold locally. We never looked up a distributor and we really didn't have a regular record deal," says Miller. Don Cunningham only remembers selling and giving-away the album at Playboy appearances and to a few friends outside of club hours. Only 500 copies were ever printed, some mono, some stereo, it's not known how many of each format.

Of all the tracks on the album "Tabu" has been the biggest hit with the jazz-dance crowd. That track is the reason many collectors have the album on their wants lists. It remains a tune worthy of heavy DJ play. "Something For Everyone" has been at the top of my wants list for about 10 years now. All my other wants I have managed to track down over the years, but to own an original copy of the Don Cunningham album is as illusionary as driving a Rolls Royce," says producer/DJ Rainer Truby of Compost Records. "Not only is it a rare album it is also a good one. "Tabu" to me is the mother of all jazzdance records! A welcome release! I'm curious to check the rest of the LP, but "Tabu" is more than enough of a reason to stroll down to your local record dealer," he adds.

Miller and Cunningham are surprised but obviously very happy with the current interest in the album. Both are still active musicians and hope that this re-issue may stimulate even more work for them. At time of writing Cunningham was on the road with his wife, appearing as The Cunninghams on tour with the Count Basie band. "It's great that the album is being re-issued. There's truly a quality of music on it that has been missed for so long. In a way it's world music - Polynesian, samba, Brazil, jazz, West Indian. It has the energy of Latin and funk records. It's inspired by - but is not really - easy listening, you couldn't exactly sleep in our "Quiet Village!"" says Cunningham.

Andrew Jervis. Ubiquity, February 2003.

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Tony Scott

LP | 1964 | EU | Reissue (Verve)

Look To The Rainbow Verve By Request Edition

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Mostly improvised by clarinettist Scott, backed by Hozan Yamamoto and Shinichi Yuize — on the Japanese instruments shakuhachi and koto — this 1964 album is a precursor to later movements in ambient and new age music, from in and out of the jazz world.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve.

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Astrud Gilberto

LP | 1966 | EU | Reissue (Verve)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Viva El Sabado: Hits De Disco Pop Peruano 1978-1989

LP | 2023 | EU | Original (Buh)

LP | 2023 | EU | Original (Astigmatic)

Release: 2023 / EU – Original

Genre: Organic Grooves

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This compilation brings together for the first time diverse Peruvian musical groups that immersed themselves in dance music following the codes brought by the disco revolution. Include songs by Rollets (composed of members from the rock group Laghonia) or Santodomingo Kid (led by experimental musician Luis David Aguilar). As a phenomenon of a new culture, the global dissemination of disco music had various variations and reformulations. The way it took root in Peru constitutes a fascinating yet underexplored history, despite the numerous recordings that came to light, mainly in the 1980s, running parallel to the boom of Peruvian tropical music, the emergence of a new pop rock scene, and the widespread use of synthesizers and electronic drums. And even though the groups were eclectic and moved across various musical genres, their dance music hits have now become cult pieces. From Lima to Trujillo, from Iquitos to Tarapoto, this compilation presents a wide range of sounds designed for the dance floor: unrestrained, eclectic, and high-energy. From pioneering groups with brief yet foundational trajectories like Rollets (composed of members from the rock group Laghonia) or Santodomingo Kid (led by experimental musician Luis David Aguilar), who range from boogie to soul disco with electrifying synthesizer sounds. But also, the exotic arrangements of Grupo América and Grupo Cremolada, to the tropical disco pop sound of Grupo San Francisco or Los Roller's de Tarapoto. From the space disco ventures of Grupo Swing to the synthesized pop sound of Pepo Rock, Jaque Mate, or Annie. Viva el sábado: Hits de disco pop peruano (1978-1989) constitutes a fabulous and unique document to delve into Peruvian dance music and initiates a new series at Buh Records that will present in various volumes some of the treasures of disco music in Peru. Compilation and research by Luis Alvarado. The album includes a booklet with extensive information and visual documentation. Mastered by Alberto Cendra. Art and desi...

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Tomasz Stanko Quintet

Wooden Music II

Gard Nilssen's Supersonic Orchestra

Release: 2023 / EU – Original

Genre: Organic Grooves

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The discovery of Tomasz Stańko's archive recordings from 50 years ago at Radio Bremen demonstrated the dynamic development of this shrouded in mystery quintet, which was a blank spot in the history of Polish jazz. Released by Astigmatic Records, the album turned out to be a surprise and a huge musical treat for many fans who no longer remember such a fiery period in the career of the outstanding trumpeter. The record received much critical acclaim and sold out in a blink, and Jazz Forum magazine recognised Wooden Music I as the historic album of the year. Now the time has come for the 2nd and final installment of wooden music.

It takes more than one album to fully illustrate the evolution of the band with which Tomasz Stańko, as its leader, recorded Music for K, one of the most important albums in Polish jazz. It is the early 1970s, Zbigniew Seifert gives up the saxophone in favour of the violin, so the band's sound becomes more 'wooden', and around this expression Stańko builds the foundations of a philosophy, which he wrote down on four small sheets of paper, still kept by Bronisław Suchanek, the quintet's bass player: We seek to create the kind of music that, while operating with all the elements of the most genuine jazz, attempts to look at it from a different angle, from a different mental plane. We do not experiment with the material, but with the form. For the form does not have to be a logical and strict construction of the entire piece, it can be free, improvised while playing, resulting from the mood, or atmosphere existing at a given moment, or random things, creating with their free fluidity that specific "magical mood". This, of course, excludes compositions in the traditional sense - Tomasz Stańko wrote at the time.

Wooden Music is therefore like a postcard - not so much of a specific gig, but of the entire period of the quintet's activity. It opens with compositions featured on Jazzmessage from Poland. Wooden Music I recorded in Bremen on 15 June 1972 is its peak - when the band plays free, vigorous music, but more sensitively planned, as the group is more in-tune after hours of joint stage encounters. Wooden Music II, recorded in Hamburg on 9 November 1972, is the conclusion of their vision of free-jazz - the final phase where composed pieces ("Calme" and "6 & 8") begin to emerge from wild improvisation. Some of these would, a few months later, find their way onto an iconic piece in Tomasz Stańko's discography - the Purple Sun album (e.g. "Flute's Ballad")... but with a slightly different line-up. When the band decides to wrap up, they are at the peak of their form, each feeling the need to develop on their own. They know when to step off the stage. They are invincible.

Tomasz Stańko Quintet was one of the most outstanding European free jazz ensembles of its time. The Polish musicians, plus a plethora of individuals such as Brötzmann, Mangelsdorff, Schlippenbach, Vesala or Surman, contributed to a movement which, while co-operating with the American avant-garde, had its own specificity and its own unique audience. Polish jazzmen, newcomers from behind the Iron Curtain, were seen as carrying a message of freedom to the countries of the region. It took many years for this message to come true. Today, European jazz seems to be far more erudite, emotionally restrained, intellectual, seeking links with contemporary avant-garde and ethno music. It's all very beautiful, but sometimes one would like to discard all of this extra wrapping and bring out the essence of jazz - the synergic energy and striving for the limits of expression, even if it poses the risk of a musical explosion - Tomasz Szachowski states in Jazz Forum. Therefore, it is time to see if we are dealing with explosive material in the case of the second installment of wooden music.

Thus, the Wooden Music series culminates with its second part coming from the archives of NDR radio, which recorded the footage in a small club in Hamburg called Jazzhouse. This time, the additional stem-mastering was done by Marcin Cichy, who perfected the sound on the album even more. The infallible Matt Colton is once again responsible for the half-speed cut of the vinyl matrix. Wooden Music II will be released on Astigmatic Records in digital, CD and LP versions, as well as in a limited edition on purple vinyl, with a B2-size poster designed by Natalia Łabędź. The premiere of the album will take place on 27 October, and pre-orders for the disc will start on 6 October 2023.

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Family

2LP | 2023 | EU | Original (We Jazz)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Norwegian drummer/composer Gard Nilssen debuts on We Jazz Records with his major new album "Family" with the 17-piece Supersonic Orchestra. A veritable who"s who of Scandinavian jazz (and beyond), the Supersonic Orchestra is one of the most exciting large groups in the current international jazz circuit. Captured at Mondriaan Jazz Festival in Den Haag, Netherlands, "Family" presents the ensemble in top form across the 8 tracks, all of which are original compositions by Gard Nilssen and André Roligheten.

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Jackpot Plays Pinball Volume 2 Blue Vinyl Edition

LP | 2023 | US | Original (Jackpot)

Release: 2023 / US – Original

Genre: Organic Grooves

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The 80s and 90s was an innovative and exciting time for pinball as the music and playfields evolved to incorporate the electronic innovations rising from the reign of the video game and computer industry. A time when music moved from the background to the forefront of game play becoming an integral element of the feel and kinetic nature of pinball where no two games will ever be exact. These collections of original electronic music from classic BallyTM/WilliamsTM pinball tables feature songs from many of the most popular games of this era. The pinball industry exploded during the pandemic with new companies and games entering the market. Making Pinball the new hot throwback resurgence with barcades, tournaments and arcade museums opening across the globe.

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Jackpot Plays Pinball Volume 1 Red Vinyl Edition

LP | 2023 | US | Original (Jackpot)

LP | 1975 | EU | Reissue (Musica & Entretenimiento)

Release: 2023 / US – Original

Genre: Organic Grooves

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Fusion

Top Soul

LP | 2023 | JP | Original (Kissing Fish)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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"Top Soul" (1975) by Fusion is released now on vinyl, from the original IRT masters! The experience of the group Fusion, historically considered the first Chilean electric jazz project, according to musicologist Alvaro Menanteau in his book Historia del jazz en Chile (History of jazz in Chile). Luna was the son of Peruvian diplomats settled in Chile. He had lived and studied art in New York and for that reason he had first-hand knowledge of the current jazz scene: the last years of John Coltrane in the avant-garde and the mutation of Miles Davis to electric jazz. He had studied at the Boston school of Berklee and had an important collection of records by Davis himself and his disciples: Joe Zawinul, Herbie Hancock, Chick Corea, Wayne Shorter, Miroslav Vitous. While Pizarro, who had appeared in the mid '60s as a very young pianist, of outstanding technique, advanced ideas and notorious musical culture, was also returning from a period of study at Berklee. The workshop meetings, jam sessions and auditions of new music were held at Pizarro's house, on Hernando de Aguirre and Eliodoro Yánez streets, and there was no jazz musician during those years who did not go through the experience of attending the initiation sessions. According to Chilean musicologist Alvaro Menanteau in his book Historia del jazz en Chile (2003), from the youngest (pianists Manuel Villarroel and Mario Lecaros or drummers Patricio Villarroel and Pedro Greene), to the most experienced (saxophonists Patricio Ramírez and Sandro Salvati or drummer Jaime Farfán), they frequented Pizarro's house and consolidated the core of musicians that faced the hard decade of the 70s. That was the seed of the foundation of Fusion, a group that adopted its name directly from the generic topic that began to understand and describe the music promoted mainly by Miles Davis in those years. In 1972, Fusion launched its project with the Luna-Pizarro-Salvati trio, using electric instrumentation, experimenting with rhythmic patterns of soul, funk and rock, but keeping intact the impulse of the original jazz improvisation and an important factor of Afro-Latin music, full of percussion. Although to record the album "Top Soul" (1975), the band ended up with soloists like David Estánovich (tenor sax) and Lautaro Rosas (guitar), plus a rhythm trio with Mario Lecaros (electric piano, ex Village Trio), Enrique Luna (bass) and Orlando Avendaño (drums, ex Nahuel Jazz Quartet), plus guests like trumpeter Daniel Lencina, and the young percussionist Santiago Salas (from the group Santa y su Gente). But it was, in any case, a brief history with few live appearances. One of them took place in 1972 at the Chile Stadium, with some members of Fusion as Luna, Pizarro and Greene, joined Los Jaivas for a free collective improvisation session, under the name of La Banda, and of which there is a valuable filmed testimonial record, although without audio. Fusion's life ended definitively after the release of the album, with Matías Pizarro living in Paris since 1977, Mario Lecaros in Barcelona in 1976, Orlando Avendaño retired from music, Enrique Luna back in Peru after working with the fusion group Almandina, and a hostile reality for the development of music during the first years of the military dictatorship.

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Mime

Bloom

Release: 2023 / JP – Original

Genre: Organic Grooves, Pop

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"Bloom", the first new album in a year and 10 months by the four-piece Japanese indie R&B band "Mime", will be released simultaneously on LP and CD from Kissing Fish Records! This album is the third album in total, first since their last album "Yin Yang," in which they restarted with four members. The lead song "Seed" features guest appearances by Soulflex singer ZIN.

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Portrety 2 Colored Vinyl Edition

LP | 2023 | UK | Original (U Know Me)

2LP | 2024 | EU | Original (We Release Jazz)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Vinyl is available in two versions - classic black or various color limited "Indie Shop Edition".
Both versions have 180g record and printed inner sleeve.

The idea for "portrety" was simple - to invite esteemed drummers to record a song that will be signed with their name. There was no musical framework - they could invite guests or record everything themselves - no need to necessarily use drums. This is how the first Portraits in 2019 were created, and now we present their next installment.

" 'Part two' seems to suggest a series, so just as with the bad joke from four years ago, I'll lead with the short, age old adage: "10 musicians and a drummer". Admittedly, it is rudimentary and unfunny, however, it is significant: It's easy to forget an instrumentalist's other specialities, but here, the drummers don't let themselves to be forgotten.
This series - the brainchild of Marcin "Groh" Grośkiewicz - is composed of up-close portraits. A task which not only shifts accents, but also changes the lives of those normally considered the unsung heroes of the background. One of the tracks from "Portraits" was picked for an advertising campaign for a well known smartphone producer, others topped industry charts and inspired new bands where drums were in the spotlight.
Part two brings us eight drummers who are among the most multifaceted musicians on the Polish music scene. What are they doing here? Teo Olter tells a complex story, asking in the very title, where he is going? Wiktoria Jakubowska, known for backing big stars, shines through with her own composition. Miłosz Pękala - an interpreter of avant-garde composers and an academic lecturer - thoroughly entertains. Famous from Immortal Onion, Wojtek Warmijak energetically explores high tempos, while Wojtek Sobura - those slower, patiently sculpting a club beat with sonoristic* abstraction. Macio Moretti surprises, as expected, stylistically moving towards his hero: Zappa. Tymoteusz Papior impresses, effortlessly juggling accents and chopping time signatures. And Inferno, despite being associated with the group Behemoth, shows he can do it… drum-less. Some invite other musicians, but they always remain - as their studies or professional experience taught them to be - the musician with the widest set (be it drums or skills) on the team.
So, how does the second part of the series compliment the first? It further completes the gallery of collector's cards with Polish Percussion's superheroes and heroines. Each a different personality and an individual set of features. But does it satisfy? Strikingly.
Enough, I won't drum it into you."
Bartek Chaciński

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Mo Kolours

Original Flow

36,09 €* 37,99 € -5%

LP | 2014 | UK | Reissue (First Word)

Release: 2024 / EU – Original

Genre: Organic Grooves

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We Release JAZZ is very happy to announce an exciting new body of work by Joseph Deenmamode aka Mo Kolours. The singular musical spirit’s new 21-track album Original Flow is available as a double LP housed in a heavy 350gsm sleeve with original artwork by Mo Kolours himself and the classic WRJ obi strip, as well as in digipack CD and digital formats.

A catalog of critically acclaimed records, including his self-titled debut (2014), ‘Texture Like Like Sun’ (2015), 2018 album ‘Inner Symbols’ and three companion EPs, established Deenmamode as a prodigious musician and vocalist. Pitchfork extolled his “hypnotic, tribal-infused dance grooves”, DJ Mag appreciated the “colourful celebration of soundsystem culture”, and Resident Advisor advocated that “no one sounds quite like Mo Kolours”. Musical analogies were drawn by The Guardian as “The best album Curtis Mayfield never made with A Tribe Called Quest and Lee Perry” and Mojo as “like Marvin Gaye produced by J Dilla”.

Five years ago, Deenmamode moved to the Japanese countryside. Far away from familiarity, he contemplated his place and further questioned his identity. “I had none of my ‘own’ people around. I had time to really find what makes me tick musically. Japan has helped me go back to those subconscious leanings, really go deep, and reflect the aspects that make up my story”.

The tracks on ‘Original Flow’ have been constructed from sessions, improvisations and soundbites captured around the world during this time; collecting contributions from musicians including Deenamode’s brothers Reginald Omas Mamode and Jeen Bassa plus Andrew Ashong, Charles Bullen, Dwaye Kilvington, Eddie Hick, Stefan Asanovic, Myele Manzanza, Ross Hughes, and Tom Dreissler. Deenamode says “I’m proud of this album’s creative process. Coming from a tradition of scouring through hours of records, I wanted to create my own samples, to find that perfect loop that no other producer could put their hands on. I decided to invite a group of friends and acquaintances, who also happen to be incredible musicians, to a studio in Crystal Palace to improvise based on some loose ideas I had. We spent all day, and recorded everything”.

‘Original Flow’ is an album of UK street-soul nouveau, future indigenous jazz fusion, Rasta Segga, Nyahbinghi jazz, Malagasy Hebrew hip hop. While retaining a spirit of exploration and improvisation, it sees Deenmamode grow and flex beyond beat tape brevity, expanding composition and stretching his musical muscle to play live with other musicians. Themes of empowerment, overcoming adversity, and mental liberation coexist with notes from ancient history, futurism, and science, as well as musings on family and togetherness.

‘Magik Momentum’ springs from a discussion that features at the start of the song, an inspiring mentor answering a question from Deenmamode about improvisation and what role it plays in life when planning and manifesting the future. ‘Rockets to Mars’ questions the lack of care for the billions of people with nothing, while governments plan to explore space. “This sparked a comparison in my mind to a Sonny Okuson song that I would reference when performing. Okuson’s song talked of the lack of resources in many communities in the world, while governments go to the moon”.

He says the music behind ‘The News These Days’ is “possibly my favourite on the album”. Looped like he would a late sixty jazz-fusion sample, there was nothing added and the track was complete within a matter of minutes. “It was the first and best moment from the entire Crystal Palace session”, he adds. The album’s contrasting title track with minimal instrumentation played solo by Deenamode. While frustratingly searching for gems in past recordings, he thought in a burst of ego, “I don’t need no-one else to make a dope beat!” picked up his ravanne, (the traditional frame drum of his fathers home-land of Mauritius), pressed record, and started to play. He says, “In my thoughts were the rhythms of the Nubians in Upper-Egypt and Sudan, the swing of the huge drums played by Mauritanian women, of-course the Sega beat of Mauritius, and the ever inspiring beat of James Yancey”.

Driven by UK broken beat, Cuban congas, Nigerian and Mauritian inflections, ‘Love Vibration’ follows the concept that all emotions carry a vibratory frequency and pays homage to the frequency of creation and the power of love. The two part ‘Tatamaka’ tells of the history of Deenmamode’s ancestors, the maroons of Mauritius. “We are people who managed to run from our oppressors and find refuge in a corner of the island called ‘Le Morne’ where they could not reach us. One bloody day they came in numbers to re-capture, to revenge. Many of us chose to jump to our deaths, rather than be taken back into subjugation. The poem by Creole Richard Sedley Assonne says; “there were hundreds of them, but my people, the maroons chose the kiss of death over the chains of slavery”. Tatamaka was the name of a famed maroon leader who was murdered for claiming his, and our people’s freedom. The song is the imagined journey of escape and freedom by an ancestor of the maroons of Le Morne”.

Born in the west midlands and raised on the traditional sega music of his father’s Indian Ocean homeland of Mauritius alongside records by the likes of Jimi Hendrix, Santana and Michael Jackson; his influences expanded with late 90s jungle and drum and bass nights in Bristol, experiments at art college in Camberwell, and the rich culture of Peckham, “at the time we called it the Afro Quarters of London” says Deenmamode, adding hip hop, dub, soul and soundsystem styles to his individual sound.

He explains, “I love drum music, from hand-drums to 808s. I love music from the ancient past, heritage music, indigenous music, traditional music passed down from the beginning of time. Music from the body, hand claps, grunts and foot stomps. Music with audible depth, busy, bustling, highly charged. Music from the soul, the music from beyond. I love music from the islands and the mountains. The music of the streets, hustle music, alleyway beats. Club music”.

He describes the creative process as thinking in images. “The visual world and the world of sound seem to intermingle in my thought process. When I play the drum with my eyes closed, a world of imagery dances and moves with beat. Improvised drumming feels like I am listening to what I want to hear, rather than trying to play what I want to hear. Following the rhythm and finding new pathways to walk within the patterns is what I experience. In this way I often feel I am just a listener, instead of the player”.
Original Flow is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

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Takuya Kuroda

Rising Son

LP | 2024 | Reissue (Sam)

Release: 2014 / UK – Reissue

Genre: Organic Grooves

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First Word Records is incredibly proud to bring you an exclusive vinyl-only re-issue of Takuya Kuroda's highly-sought after album 'Rising Son'.

'Rising Son' was first released on the seminal Blue Note Records imprint 10 years ago in 2014, with Takuya being the first Japanese artist to sign to the label. The record received widespread critical acclaim, hitting No.1 on Japan's jazz charts at the time, with original copies now fetching hundreds of pounds on Discogs and the like. There has long been high demand for a re-press of this album, and we're very pleased to say it's finally here, a decade on.

The re-issue is to be released via London-based Worldwide Award-winning label First Word Records, who coincidentally celebrate their 20th year running in 2024. First Word released Takuya's highly-revered previous two albums, 'Fly Moon Die Soon' (2020) and 'Midnight Crisp' (2022).

For those that don't know, Takuya Kuroda is a Kobe-born, Brooklyn-based trumpeter and musician, who was also a longtime player for Akoya Afrobeat as well as DJ Premier's Badder band. Initially playing on the Japanese circuit with his trombonist brother, Takuya went on to relocate to New York City, where he has largely remained to this day, becoming a prominent player in the jazz scene there.

The original album featured several Roy Ayers covers, including the all-time classic 'Everybody Loves The Sunshine', and this 2024 pressing also includes a brand new remix of the track from keys player & producer, Joe Armon-Jones. Joe is hugely-acclaimed in his own right as a solo artist, as well as his recent collaborations with Mala (who has a track named after him on this very project, as Takuya was influenced heavily by his 2012 Brownswood album 'Mala in Cuba'), and as an integral member of the legendary Ezra Collective, winners of the 2023 Mercury Music Prize in the UK.

Flitting between the genres of jazz fusion, soul, r&b, hip hop and afrobeat, the album was predominantly produced by a previous Takuya collaborator, vocalist José James, while also featuring phenomenal accompaniment from Nate Smith (drums), Solomon Dorsey (bass), Corey King (trombone) and Kris Bowers (keys).

In the words of José James, "no one sounds like Takuya. His tone, warmth and most of all his storytelling have inspired me for years. His writing is soulful, modern, and effortlessly bridges the gap between jazz and soul, and between history and tomorrow."

Previous reviews and accolades for Takuya's third album 'Rising Son' include AllMusic's Best of 2014, NPR Music, Jazz Weekly, Leo Weekly, All About Jazz, Icon, Relix, Pop Matters, Jay Z's Life + Times, Wbgo, Upscale, The Revivalist, East Bay Express and The Jazz Line, to name just a few.

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Mal Waldron

Rat Now Paris 70

Release: 2024 / Reissue

Genre: Organic Grooves

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Nobody Can Live Forever: The Existential Soul

Tim Maia

2LP | 2012 | US | Original (Luaka Bop)

LP | 1981 | JP | Reissue (P-Vine)

Release: 2012 / US – Original

Genre: Organic Grooves

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15 newly remastered tracks. Great psychedelic brazilian soul!

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Wendell Harrison

Organic Dream

Soul Jazz Records presents

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Originally released in 1981, the second release from Wendell Harrison’s Wenha label (following Dreams of A Love Supreme), Organic Dream is one of the finest records to come out of Detroit’s DIY jazz scene in the 80’s. Album opener “Ginseng Love” is as smooth as butter, with warm analog synth strings and a gentle groove, over which Harrison plays saxophone, clarinet, and flute. His playing is as energetic as ever, with his free jazz tendencies tempered by mellow R&B influenced phrases. This is followed by “Winter”, a ballad that sees Harrison on clarinet playing with acoustic backing, showing off a softer side of Harrison’s playing that rarely gets the attention it deserves. However, things quickly pick up with “Love Juice”, a disco-boogie number perfect for any dance party. Staccato guitar rhythms, and a bouncing bassline combine to create a groove so perfect you’ll be nodding your head even just thinking about it. Harrison’s playing is louder and freer, with lines clearly inspired by the great R&B and pop saxophonists of the 80’s. “The Wok”, highly regarded by many as one of Harrison’s best compositions, is a mellow funk track, and despite its brevity, contains some of the deepest grooves in Harrison’s 80’s discography. As the name would suggest, oriental sounds are incorporated with funk grooves to create a sound that defies immediate characterization, but is fantastic nonetheless. With modern remastering and an obi-strip this album has never looked or sounded this good! Don’t miss Wendell Harrison’s Organic Dream, from P-vine Records!

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Cuba: Music And Revolution 1975-85 (Compiled By Gilles Peterson & Stuart Baker)

3LP | 2021 | UK | Original (Soul Jazz)

LP | 1978 | UK | Reissue (Spiritmuse)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is a new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state. The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba - and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states. The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s - who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album has never been heard outside of Cuba. Cuba: Music and Revolution is the third book that Gilles Peterson and Stuart Baker have collaborated on together and follows on from their two earlier critically acclaimed books, Freedom, Rhythm and Sound (Revolutionary Jazz Music in the 1960s and 1970s) and Bossa Nova and the Rise of Brazilian Music in the 1960s, both of which also had related album releases on Soul Jazz Records.

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Abdullah Sami

Peace Of Time

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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An ultra-rare, spiritual jazz Holy Grail from Abdullah Mudon Sami and
New York’s & Chicago’s late 70s underground jazz scene, that has acquired
mythical status.

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2LP+7" | 2024 | EU | Original (Tramp)

Movements Volume 12

LP | 2022 | UK | Original (R2)

Release: 2024 / EU – Original

Genre: Organic Grooves

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** Initial 400 LPs Contain A Bonus 7" Single **
Movements Vol.12 – A bag full of rare rhythm & blues, mod-jazz, and mid 70s funk.

Side A starts with rhythm & blues from the 1960s. Most of the tracks were pulled from hopelessly obscure 7" singles. The only names of which some of you might be familiar with are most likely Mat Mathews and Lu Elliott. However, both original 45 RPM singles are pretty hard to find these days, especially in playable condition.

Side B is all about deepfunk this time. "Hipper Snapper " is a prime example of that genre. Some say its groove is reminiscent of Charles Wright's "Express Yourself. Agreed! The Villagers are responsible for the first 'aha' moment. Their (previously unreleased!) version of "Funky Broadway" would have certainly astounded even Dyke & The Blazers. Representing Germany on this volume: The Rippers, also called the "Offenburg Beatles"! Back in the USA, John Fogerty has probably never heard of this heavy school-funk cover of "Proud Mary". Drum breaks galore!

Side C begins with another German contribution. Saxophonist Gus Brendel delivers a mod-jazz belter of the highest order as do The Hornets. Definitely sure-shots for any dance floors! High time for 'aha' moment #2. Many bands have tried their hands on a cover version of the Nat Adderley jazz classic, incl. vibraphone player Bret Breitinger! The perfect choice to finish this side is Downtown Trio's smooth and groovy cover of Gershwin's "Summertime ".

Side D is reserved for proper 1970s funk. ONYX's "Break It Loose " has become a certified Rare Groove classic. Here you can enjoy it for the first time with the blessing of the band! Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Watch out, "Shake and Bake " will be re-released on a good old 45 RPM single, too!

Those of you who have been enjoying the detective work of the people behind the label over the past 21 years know that the Movements series can be easily considered as the flagship compilation series on Tramp. So, after having listened to the entire selection of this brand new volume we sincerely hope that we will have achieved our aim to surprise, delight, and enlighten you once again!

Key selling points:
- initial 400 LPs contain a bonus 7" of a Superrare funk 45
- incl. full album download code - deluxe double-gatefold LP with detailed liner notes & unseen photographs
- ALL but three songs appear on CD, LP & digital for the very first-time

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Don Pascal

The Mindelo Experience

Soul Jazz Records presents

Release: 2022 / UK – Original

Genre: Organic Grooves

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Don Pascal’s new album The Mindelo Experiment, a fusion of Cape Verdean jazz and Broken-Beat. Features original recordings alongside remixes by Afronaut, Atjazz, Evm128, Haze City and Karmasound. Already getting support from the likes of Patrick Forge, Kev Beadle, Colin Curtis, Lefto, Laurent Garnier, Rob Luis etc

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Cuba: Music And Revolution 2 1975-85

LP | 2021 | UK | Original (Soul Jazz)

Release: 2021 / UK – Original

Genre: Organic Grooves

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3LP | 2018 | EU | Original (Analog Africa)

Dur-Dur Band

Dur Dur of Somalia

Release: 2018 / EU – Original

Genre: Organic Grooves

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Analog Africa are proud to present the 27th release of their Analog Africa Series. A fantastic, hypnotic and funky compilation from the Dur-Dur Band of Somalia that comes out on a Triple LP.

When Analog Africa founder Samy Ben Redjeb arrived in Mogadishu in November of 2016, he was informed by his host that he would have to be accompanied at all times by an armed escort while in the country. The next morning, a neighbour and former security guard put on a military uniform, borrowed an AK-47 from somewhere and escorted him to Via Roma, an historical street in the heart of Hamar-Weyne, the city’s oldest district. Although previous Analog Africa releases have demonstrated a willingness to go more than the extra air-mile to track down the stories behind the music, the trip to Mogadishu was a musical journey of a different kind. It was the culmination of an odyssey that had started many years earlier.

In 2007 John Beadle, a Milwaukee-based musicologist and owner of the much loved Likembe blog, uploaded a cassette he had been handed twenty years earlier by a Somalian student. The post was titled ‘Mystery Somali Funk’ and it was, in Samy’s own words, “some of the deepest funk ever recorded.” The cassette seemed to credit these dense, sonorous tunes to the legendary Iftin Band. But initial contact with Iftin’s lead singer suggested that the ‘mystery funk’ may have actually been the work of their chief rival, Dur-Dur, a young band from the 80s.

Back then, Mogadishu had been a very different place. On the bustling Via Roma, people from all corners of society would gather at the Bar Novecento and Cafe Cappucino, watch movies at the famous Supercinema, and eat at the numerous pasta hang-outs or the traditional restaurants that served Bariis Maraq, a somali Beef Stew mixed with delicious spiced rice. The same street was also home to Iftinphone and Shankarphone, two of the city’s best known music shop. Located opposite each other, they were the centre of Somalia’s burgeoning cassette distribution network. Both shops, run by members of the legendary Iftin Band, would become first-hand witnesses to the meteoric rise of Dur- Dur, a rise that climaxed in April of 1987 with the release of Volume 2, their second album.

The first single ‘Diinleya’ had taken Somalian airwaves by storm in a way rarely seen before or since. The next single, ‘Dab,’ had an even greater impact, and the two hits had turned them into the hottest band in town. In addition to their main gig as house band at the legendary Jubba Hotel, Dur-Dur had also been asked to perform the music for the play “Jascyl Laba Ruux Mid Ha Too Rido” (May one of us fall in love) at Mogadishu’s national theatre. The play was so successful that the management had been forced to extend the run by a month, throwing the theatre’s already packed schedule into complete disarray, and each night, as soon as the play had finished, Dur-Dur had to pack their instruments into a Volkswagen T1 tour bus that would shuttle them across town in time for their hotel performance.

The secrets to Dur-Dur’s rapid success is inextricably linked to the vision of Isse Dahir, founder and keyboard player of the band. Isse´s plan was to locate some of the most forward-thinking musicians of Mogadishu´s buzzing scene and lure them into Dur-Dur. Ujeeri, the band’s mercurial bass player was recruited from Somali Jazz and drummer extraordinaire Handal previously played in Bakaka Band. These two formed the backbone of Dur-Dur and would become one of Somalia’s most extraordinary rhythm sections.

Isse also added his two younger brothers to the line-up: Abukar Dahir Qassin was brought in to play lead guitar, and Ahmed Dahir Qassin was hired as a permanent sound engineer, a first in Somalia and one of the reasons that Dur-Dur became known as the best-sounding band in the country.

On their first two albums, Volume 1 and Volume 2, three different singers traded lead-vocal duties back and forth. Shimaali, formerly of Bakaka Band, handled the Daantho songs, a Somalian rhythm from the northern part of the country that bears a striking resemblance to reggae, Sahra Dawo, a young female singer, had been recruited from Somalia’s national orchestra, the Waaberi Band. Their third singer, the legendary Baastow, whose nickname came from the italian word ‘pasta’ due to the spaghetti-like shape of his body, had also been a vocalist with the Waaberi Band, and had been brought into Dur-Dur due to his deep knowledge of traditional Somali music, particularly Saar, a type of music intended to summon the spirits during religious rituals. These traditional elements of Dur-Dur’s repertoire sometimes put them at odds with the manager of the Jubba Hotel who once told Baastow “I am not going to risk having Italian tourists possessed by Somali spirits. Stick to disco and reggae.”

Yet from the very beginning, Dur-Dur’s doctrine was the fusion of traditional Somali music with whatever rhythms would make people dance: Funk, Reggae, Soul, Disco and New Wave were mixed effortlessly with Banaadiri beats, Daantho and spiritual Saar music. The concoction was explosive and when they stormed the Mogadishu music scene in 1986 with their very first hit single, ‘Yabaal,’ featuring vocals from Sahra Dawo, it was clear that a new meteorite had crash-landed in Somalia. As Abdulahi Ahmed, author of Somali Folk Dances explains: “Yabaal is a traditional song, but the way it was played and recorded was like nothing else we had heard before, it was new to us.” ‘Yabaal’ was one of the songs that resurfaced on the Likembe blog, and it became the symbolic starting point of this project.

It initially seemed that Dur-Dur’s music had only been preserved as a series of murky tape dubs and YouTube videos, but after Samy arrived in Mogadishu he eventually got to the heart of Mogadishu’s tape-copying network – an analogue forerunner of the internet file-sharing that helped to keep the flame of this music alive through the darkest days of Somalia’s civil strife – and ended up finding some of the band’s fabled master tapes, long thought to have disappeared.

This triple LP / double CD reissue of the band’s first two albums – the first installment in a three-part series dedicated to Dur-Dur Band – represents the first fruit of Analog Africa’s long labours to bring this extraordinary music to the wider world. Remastered from the best available audio sources, these songs have never sounded better. Some thirty years after they first made such a splash in the Mogadishu scene, they have been freed from the wobble and tape-hiss of second and third generation cassette dubs, to reveal a glorious mix of polychromatic organs, nightclub-ready rhythms and hauntingly soulful vocals.

In addition to two previously unreleased tracks, the music is accompanied by extensive liner notes, featuring interviews with original band members, documenting a forgotten chapter of Somalia’s cultural history. Before the upheaval in the 1990s that turned Somalia into a war-zone, Mogadishu, the white pearl of the Indian Ocean, had been one of the jewels of eastern Africa, a modern paradise of culture and commerce. In the music of the Dur-Dur band – now widely available outside of Somalia – we can still catch a fleeting glimpse of that golden age.
Listen & Enjoy!

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Disco Not Disco 25th Anniversary Edition

3LP | 1998 | EU | Reissue (Strut)

LP | 2009 | US | Reissue (Now Again)

Release: 1998 / EU – Reissue

Genre: Organic Grooves

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Strut introduces a new special edition repress of the influential first volume of "Disco Not Disco", compiled by Dave Lee and Sean P, pressed on translucent yellow vinyl 3LP as part of the label"s 25th Anniversary.

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Whitefield Brothers

In The Raw

Albert Mangelsdorff, Arild Andersen, Pierre Favre

Release: 2009 / US – Reissue

Genre: Organic Grooves

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Reissue! Poets of Rhythm founding members first crucial piece of the funk spectrum recorded as The Whitefield Brothers. A wear-your heart-on-your-sleeve, hypnotic, defiantly psychedelic funk album that is as modern as it is grounded in the great musical traditions from both sides of the Atlantic Ocean. Featuring members of the Dap Kings, El Michels Affair and Poets of Rhythm. “The Whitefield Brothers In The Raw remains as potent in 2022 as the day it dropped twenty years ago. Originally released in 2002, and later reissued via Now-Again, the LP’s panglobal brew of ragged psychedelic funk dripped different, defying easy markers of genre, era, and locality...live breakbeat drums and tribal chants...anchor the set’s twelve tracks. Hypnotic and humid, come for the polyrhythms, stay for the swirling dub adjacent blasts of trumpet.” - Aquarium Drunkard

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Triplicity

2LP | 2017 | DE | Original (Skip)

Charm Black Vinyl Ediiton

Release: 2017 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new condition, records seem unplayed.

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Naya Baaz

LP | 2024 | EU | Original (Whirlwind)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 1976 | JP | Reissue (P-Vine)

Phil Ranelin

Vibes From The Tribe

An Evening With The Devil

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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The final release from Tribe! Released in 1976, shortly before Phil Ranelin’s departure to Los Angeles, Vibes from The Tribe is a spiritual jazz / rare groove classic!

By 1976, Tribe had grown to be something much different than what it had started out as. A popular magazine and releases from a cadre of the most promising musicians Detroit had to offer had allowed the collective the space and finances needed to develop, and by the time of their final release, they had changed both in shape and scope. Yet their philosophy of “getting out the message” remained the same.

Since the early days of the Tribe, the influence of funk and popular music had been more evident in Ranelin’s music than that of his partner, Wendell Harrison. Even on Message From The Tribe’s first edition, Ranelin’s love for funk was clear, with songs such as “What We Need” featuring a mellow groove and horn lines that would sound at home on any Motown record. Phil Ranelin’s second album as a leader, Vibes From The Tribe sees those funk influences on full display. Opening track “Vibes From The Tribe (Prelude)” has the kind of steady snare beat that hip-hop producers would later kill for, and a bassline so groovy that you won’t be able to stop yourself from nodding along.

For The Children is breezy bossa nova of the finest degree. Ranelin’s voice is subdued and relaxed, probably taking more notes from Joao Gilberto than any of the poetry readings on Message From The Tribe. But when he begins his trombone solo, the edges of his more avant-garde past start to peek through. Lines that would sound right at home on any post-bop album are a-plenty, and as a sunny riff closes out the album, it seems like the perfect soundtrack for a warm summer night.

But the heart of the album lies in the closing track “He The One We All Knew (Parts 1 & 2)”. Here, Ranelin’s smorgasbord of influences seem to come together, creating an 18 minute long track that combines elements of Indian classical music, free jazz, funk, and more. The track begins with the gentle psychedelic sitar playing of Daud Abdul Kahafiz, creating a drone over which layers of percussion, piano, bass, and horns combine. Frequent collaborator and Tribe co-founder Wendell Harrison’s solo comes first, with the sparse arrangement giving him space to stretch out beyond the limits of conventional harmony or rhythm. It’s clear that these musicians were improvising in the truest sense of the word, and as they go from playing over ambient sitar, to what can only be described as “swing”, they never lose count or break rank. You can practically picture each of the musicians in the studio, deeply concentrated but supremely in tune with one another, communicating with nods and eye movement. Vibes From The Tribe takes everything that made the Tribe great: free jazz, funk, pop influences, and a tight-knit community and preserves it as one of the greatest spiritual jazz albums of all time.

With modern remastering and an obi-strip, this album has never looked or sounded this good! Make sure to get your copy while stock lasts!

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Wendell Harrison

LP | 1973 | JP | Reissue (P-Vine)

É Soul Cultura Orande Vinyl Edition

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Tribe co-founder and saxophone legend Wendell Harrison’s 1973 leader debut!

Following the 1972 release of Message From The Tribe, the second release from vaunted spiritual jazz label Tribe, was co-founder Wendell Harrison’s solo debut, An Evening With The Devil. Originally included on the A-side of Message From The Tribe’s first version (the edition featuring a photo of a quay on the cover), the release of An Evening With The Devil in 1973 saw the suite fully realized, with two additional songs and studio knowhow making the album a true spiritual jazz masterpiece. Opener “Mary Had An Abortion” is part-spoken word poetry and part-free jazz freak out, but as Harrison’s gravelly baritone intermingles with atonal piano lines, it transcends the limitations of both. “Consciousness” is in a similar vein, with cymbal crashes and drum fills serving as a backdrop for a poem with references to police brutality and racism that seem as relevant now as they were 50 years ago.

“Angry Young Men”, originally recorded on Message From The Tribe, is now split into two parts and placed at the end of the A-side and opening of the B-side, physically and musically bridging the original suite with the new compositions. A horn line that could only be described as angry descends over an aggressive drum pattern, and as Tribe regulars Marcus Belgrave, Phil Ranelin, Charles Moore, and William Austin take turns soloing, the rhythm section seems to get more aggressive, undulating under these solos that take the song’s message and express it through simple notes. But it’s Harrison’s extended solo on the B-side that truly makes the song. He starts out almost subdued, playing fairly standard hard-bop lines over minimal accompaniment. But he quickly picks up, letting his horn honk and screech, with flurries of notes that almost sound like screams. The rhythm section matches him, building and building until Harrison plays the head once more - finally allowing the band to return to normalcy.

In comparison, album closer “Rebirth” is almost calm, with Marcus Belgrave playing a somber melody over a bed of rumbling percussion. It practically sounds like a requiem, until five major chords are struck by the band, ending the album on a literal joyous note. If Harrison hoped to express death and rebirth with this final song, the juxtaposition of the two completely disparate sections does a perfect job.

The hallmarks of a Tribe album are all over An Evening With The Devil. It’s spiritual and technical, and words simply don’t do it justice (despite my best attempts). Yet it also stands out among the Tribe releases by being one of the first. The DIY aesthetic and iconic design language are all there, but when presented with a sound that could only be described as raw, these early recording techniques are just right. The only way to truly experience the album is to put the needle to the groove, and let the music of Wendell Harrison wash over you. P-vine is proud to be reissuing Wendell Harrison’s An Evening With The Devil with modern remastering and an obi-strip on limited edition black vinyl.

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Luke Una Presents

2LP | 2023 | UK | Original (Mr Bongo)

Discovers Hoagy Carmichael's Music Shop

Release: 2023 / UK – Original

Genre: Organic Grooves

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Limited special edition indies only orange vinyl + very special zine to celebrate the success of Luke Una’s first compilation and Kartel’s compilation of the year for 2022 !With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo. Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of “E-Soul Cultura”.

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene, and later Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to E soul, house, disco and techno. Luke’s much loved, long running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s Lgbtq cultural landscape.

Luke’s Friday evening show on Worldwide FM has captured imaginations and has already become a cult four hour must-listen monthly journey with fans all over the world. Today Luke remains, as ever, at the forefront of a changing scene, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.

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Stark Reality

2LP | 1970 | US | Reissue (Now-Again)

LP | 1985 | JP | Reissue (P-Vine)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Definitive reissue of the album Mojo Magazine called “one of the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes. Contains an extensive, oversized booklet with rare photos, liner notes and annotation. The story of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop begins in Boston the late 1960s, with a wild jazz – as psychedelic as they were modal, as funky as they were swinging - band based in Boston landing a deal with Ahmad Jamal’s nascent AJP imprint after the legendary jazz pianist heard their demo recordings. They had been tasked by the great American songsmith Hoagy Carmichael’s son, Hoagy Bix Carmichael, to create interpretations of the elder Carmichael’s children songs for a Mr. Rogers-themed show that the younger Carmichael was producing for local PBS affiliate Wgbh. The quartet - Monty Stark on vibes, Phil Morrison on bass, Vinnie Johnson on drums and a very young John Abercrombie on fuzz guitar – recorded an album that flopped upon its initial release and went on to become one of – as Mojo Magazine noted - “the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Now-Again Records, who has kept the Stark Reality’s music in print since 2002, presents the definitive reissue of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop. Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes maintained by the Stark Reality’s photographer Jim Bourne, it’s presented in a replica gatefold sleeve, and contains an extensive, oversized page booklet with rare photos, liner notes and annotation.

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Wendell Harrison

Reawakening

Night Lands Colored Vinyl Edition

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Established in 1985 by Tribe co-founder Wendell Harrison, Rebirth Records would become something of a rebirth for Harrison. The label’s inaugural release, ‘Reawakening’ saw him expressing a renewed interest in jazz, beginning with album opener ‘Winter’. Tribe and Wenha contemporary Harold McKinney’s magnificent piano playing, forms the basis of the rhythm section, over which Harrison plays fiery clarinet lines previously unheard of outside of New Orleans. In sharp contrast to the energizing spiritualism of ‘Winter’, ‘Love Dream’ is a laid-back bossa. The brawny baritone of Leon Thomas, Harrison’s sunny flute, and backing vocals from a who’s who of Detroit’s Jazz scene all combine to make the ultimate Bossa tune. Throughout the album, Wendell Harrison leads a rotating cast of musicians, including Tribe co-founder Phil Ranelin, Harold MicKinney, and Pamela Wise (Harrison’s second wife and the , bringing together their immense talents to create a spiritual jazz album quite unlike anything else. Remastered with contemporary technology and techniques, and reissued with an Obi-strip ‘Reawakening’ is a record you absolutely must not miss!

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Sunda Arc

2LP | 2022 | UK | Original (Gondwana)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Sunda Arc are brothers Nick Smart and Jordan Smart, best known as two-thirds of jazz-influenced minimalists Mammal Hands, and on the 18thNovember, they are set to release their sophomore album 'Night Lands' via Gondwana Records, home to such artists as GoGo Penguin, Portico Quartet, Hania Rani and Forgiveness.

Releasing their debut EP 'Flicker' in 2018, Sunda Arc have performed live at AB Brussels, Blue Dot Festival, The Roundhouse, Jazz Café, Reworks Festival, the Royal Albert Hall and Albert Hall, Manchester with GoGo Penguin. Their debut album 'Tides', released in 2020, received high praise from numerous tastemaker media including DJ magazine who described their music as "sounding like John Hopkins' long-lost sibling".

Sunda Arc channels Nick and Jordan's love of electronic and dance music, without losing any of their deep musicality. Drawing on techno, electronica, neo-classical and post-rock influences, Sunda Arc compose and perform using both electronic and acoustic instruments, including analogue synthesisers, home-made software patches, piano, saxophones and bass clarinet – all finessed and channelled through their own unique creative strategies. Integrating electronic elements and experimentation with the expressiveness and energy of acoustic instruments and live performance, Sunda Arc's music is expansive and compelling. "We wanted 'Night Lands' to be an exciting listen, deliberately keeping some elements under control and having other elements of the tracks feeling like they were on the edge of tipping over into being pretty chaotic. There was also the idea of generally keeping the drums and bass pretty heavy sounding when they kick in, imaging how they would sound over a big system and then holding back and focusing on melody and texture when they weren't needed."

From the warm, melodic textures of 'Distant Siren' and 'Beacons' to the ethereal rumblings of 'Endless Fields' and 'Night Lands', Sunda Arc immerse and engulf the listener, expanding simple melodies into bold rhythmic patterns, allowing the acoustic sounds to submerge with the electronic for maximum emotional and dramatic effect. A common theme for 'Night Lands', the duo's enthusiasm to incorporate digital and analogue sounds seamlessly and blur the line between the two, results in a sound world that has both the warmth of analogue sounds and the cold, crispness of digital. "We wanted to manipulate acoustic instruments to make them sound more like samples or older recordings at points, like with the Turkish Ney flute on 'Neon Forest' that we pitch shifted and saturated to sound more like we'd sampled an old 70s recording."

Elsewhere, 'Static Waves' and 'Forgotten Dream' use familiar and foreign sounds with an emphasis on tone and atmosphere to create a soundscape that feels like home and alien at the same time. ""We were trying to make sure the ambient moments felt really alive on this record, like a living, breathing sound world, trying to avoid things sounding too placid. We wanted them to feel just as engaging as the tracks with heavy beats so were always looking at ways to inject as much life and character into them as we could, often recording things to tape and using real tape delays to add a bit of character and fuzzy warmth to things and combining that with more cold, clinical elements."

At times, Sunda Arc create a harsh, brutal world allowing the sound to manipulate the listener's emotional response to each track. "We were talking about dystopian themes a fair bit when we were writing the tunes and I think being in London during the lockdown definitely had an impact on our mindset at the time. The two radio samples on 'Neon Forest' and 'Static Waves' are both just random stations we found on fm radio and recorded some short sections but I both were talking about Covid related stuff. We definitely didn't feel like making a celebratory or joyful record at that point, it was much more of an introspective and moody set of tracks we were focusing on and I guess the feeling of missing being able to go out or see friends and family played a part in this."

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Penny Goodwin

Live

The Edbl × Kazuki Sessions

Release: 2022 / JP – Original

Genre: Organic Grooves

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We’re not called Groove Diggers for nothing! This previously undiscovered live recording was first uncovered by the Groove Diggers team in 2004, and issued on a CD - it’s taken 18 years, but this essential live recording is finally getting an analog release!

Much like her studio album, “Portrait of a Gemini”, “Live” contains a collection of covers; from the Aretha Franklin penned “Day Dreaming”, to Marvin Gaye’s legendary “What’s Goin’ On”. A lesser singer may be intimated by the immensely popular songs, but Goodwin sounds as light as a feather, her iconic vocals soaring freely above the sparse sounds of the jazz trio backing her. What this record may lack in studio finesse, it more than makes up for in intimacy. The clinking of glasses, the chattering of the audience, the unplanned mmhmm’s of approval. Close your eyes and you’ll be able to picture the dark, smoky club in which this album was recorded.

This essential live album from Penny Goodwin is finally available on limited edition vinyl. With modern remastering and one of our iconic Obi-strips, this album has never looked or sounded better!

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Edbl & Kazuki Isogai

Release: 2022 / JP – Original

Genre: Organic Grooves

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South London’s hottest young producer, Ed Black, known around the world as edbl, has teamed up with session legend and Youtube guitar sensation (his cover of Just the Two of Us has amassed over 5.5 million views!) Kazuki Isogai to create the perfect modern soul album!

As the first chords on album opener “Worldwide” warble, and Kazuki’s twinkling guitar starts to play, you can almost picture the two musical masterminds sitting across from one another, smiling as they recognize a riff or chord shape. It’s almost impossible to imagine that this album was created by two musicians on opposite sides of the world, in the middle of a pandemic. Their chemistry is undeniable, as Kazuki’s jazzy, slinky guitar solos dance across beats created by the singular talent that is edbl.

Yet, tracks like “Lemon Squeezy” show just how adaptable Kazuki is, as he backs down, letting “Nostalgia” (from South London Sounds) vocalist Taura Lamb take the spotlight. A riff here, and a reverb-drenched lick there is enough to showcase Kazuki’s talent, elevating edbl’s mellow beats to a whole new level.

Kazuki’s sweet guitar, and edbl’s soulful, mellow beats. What more could you possibly want? Don’t miss the long-awaited collaboration between two of modern soul’s most talented musicians, available on limited edition vinyl, only from P-vine Records.

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W.C.Karasu

LP | 1963 | US | Reissue (Real Gone Music)

Release: 2022 / JP – Original

Genre: Organic Grooves

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The music of instrumental-folk quartet NRQ seems to defy categorization. Drawing their influences from styles as disparate as free jazz, Chinese folk songs, Calypso music, and the music of the Appalachians, every song presents a new twist or turn, and every album succeeds in defying expectations. Their third album, ‘was here’ saw the band welcome trumpeter and steel pan player MC. sirafu (The Natsuyasumi Band, Kataomoi, etc.), keyboard player Emerson Murakami (mmm, Kisel, etc.), and percussionist Okyon to create a sound quite unlike anything else they’ve ever done. The album was recorded exclusively with vintage tape machines, and the result is a warm, analog sound, with just the barest amount of hiss gently enveloping each track. Combined with the oddly mesmerizing artwork, this album has been practically begging for an analog release. P-vine is proud to be giving ‘was here’ the analog treatment it has long deserved!

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Doris Troy

Just One Look

Release: 1963 / US – Reissue

Genre: Organic Grooves

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LP | 2022 | US | Original (Roundtable/Votary/Dual Planet)

Amancio D'Silva

Sapana

Descendants Of Mike And Phoebe, The

Release: 2022 / US – Original

Genre: Organic Grooves

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It is widely accepted that the recorded musical output of Indian-born British guitarist Amancio D’Silva came to a premature closure with the landmark 1972 albums, Cosmic Eye and the unreleased masterpiece Konkan Dance. The Roundtable are here to prove otherwise, announcing the discovery of an extraordinary lost recording. Forty years after it was recorded we proudly present Sapana, the forgotten piece of a remarkable musical legacy, the final recording from one the most singular artists to emerge from the British Jazz scene of the 1960s/70s. Recorded in 1983 and released here for the first time, Sapana is thematically akin to Cosmic Eye, a further musical impression of the subconscious (Dream Sequences), vividly imagined with traditional Hindustani and western improvisation. A spellbinding fusion of Indian raga and New-Age jazz. Celebrated as a pioneer of the ‘Indo-Jazz’ movement of the 1960s, D’Silva’s adventurous synthesis of modal jazz and Indian classical music defined the seminal 1969 Lansdowne jazz recordings Hum Dono and Integration. Here we find D’Silva fifteen years later, removed from the jazz scene and musically in place of deep introspection and meditative tranquility. The recording features Sitarist Clem Alford, a collaborator from the Konkan Dance sessions plus renowned Tabla player, Millar and Saxophonist/Flautist Lyn Dobson, a musician who had previously worked with Soft Machine, Third Ear Band, and Henry Lowther. Together the quartet construct a deeply evocative set transcending the realm of both jazz and Indian music. Pressed on 180g vinyl and packaged in a custom flip-back sleeve.

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A Spirit Speaks

Release: 2022 / JP – Original

Genre: Organic Grooves

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Active during the prime years of New York jazz label Strata-East, The Descendants of Mike and Phoebe was one of the various projects on the label spearheaded by bassist Bill Lee. Together with siblings Cliff Lee on the flugelhorn and A. Grace Lee Mims adding enchanting soprano vocals to four of these tracks, the group composed hypnotic works of socially astute spiritual jazz on their only record A Spirit Speaks. P-vine is delighted to present the 1974 classic as a limited edition LP with an iconic Japanese obi strip attached.

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Positive Force

Tba Feat. Leslie Page

LP | 1972 | JP | Reissue (P-Vine)

Release: 2022 / JP – Original

Genre: Organic Grooves

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Positive Force has steadily earnt its credentials amongst rare groove collectors through their 1983 self-titled album featuring Denise Vallin. Bearing no relation to the eight-piece funk band that signed to Sugar-Hill Records, the band put out a record of buttery smooth AOR, with lush arrangements and exemplary singing from Denise Vallin. Almost forty years after its release, the band has returned with a surprise Japanese release of new material. With direction from Japanese music journalist Toshi Kanazawa under his Light Mellow Arches imprint, P-vine is delighted to present the original line-up once again featuring Leslie Page on vocals. This limited edition Japanese release ships with an iconic obi strip attached.

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Four-Um

Just Us

LP | 1976 | JP | Reissue (P-Vine)

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Ordinarily, private press albums by groups of unknown musicians don’t make their way back into circulation - they are lost due to their inaccessibility for public consumption and routine home clearouts. Little is known about Four-Um, the group who released the covers album Just Us in 1972, other than their association with Buffalo, New York and their own short-lived label Libra 7 Records. Just Us, however, has clung onto record collector shelves owing to the creativity of its jazz and soul-packed interpretations of classic tracks, and its strong cult-following.

Be prepared to be surprised by the shape of these reimagined classics. Aretha Franklin’s 'Day Dreaming' with its lush vocal arrangements echoes through halls of reverb, and sounds spritely psychedelic. Simon & Garfunkel’s 'Scarborough Fair' is stretched over seven minutes with warm break-out organ solos. Other highlights include covers of The Spiral Staircase's 'More Today Than Yesterday' and Burt Bacharach’s 'What The World Needs Now'. P-vine is delighted to reissue Just Us on limited edition vinyl for the first time ever with an obi strip attached.

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Ingram

The Ingram Kingdom

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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History tends to look back kindly on musicians unafraid to proudly wear their music on their sleeves. On the cover of their 1976 debut album The Ingram Kingdom, the members of Ingram stand united in front of a banner that reads "the funk is in our music," and the transfixing image of the cover flows deep in the body of the album’s audio landscape.

The title track opener further reinforces the foundations of the group's sanctuary with a sprawling funk jam; fit with crunching guitar solos and towering vocals. These moments of funk euphoria are matched evenly with pauses for thought and calm in the spacious soul ballads 'Tried It and Liked It' and 'She’s All Alone (I Need A Man)'. P-vine is delighted to present The Ingram Kingdom as a limited edition reissue with obi strip attached.

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V.A. - Chicha Popular: Love & Social Political Songs From Peru's Discos Horoscopo 1977-1987

2LP | 2022 | EU | Original (Rebel Up)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Deluxe Gatefold Vinyl 2LP, 12 page booklet with liner notes, lyrics in Spanish / English, and rare photographs from that era). This compilation brings together 24 iconic songs from that era, with a focus on the theme of love songs (A + B side) as well as social political songs (C + D side), highlighting the emotions that this music brought to the popular working classes of Lima, nationwide and the diaspora. More than 30 years later, these songs continue to resonate like the mirror of a country that was reborn but this time is looking at itself and its own identity.

From the mid-1960s onwards, there was a unique moment of fusions in Peruvian culture brought about by Andean migration from the countryside to the city which gave rise to adaptations and intercultural mixing. The culture and music they brought created the powerful genre of Andean tropical cumbia, via electric instruments and arrangements along with modern, popular pop sounds, creating a legacy that is alive to this day. Musical revolutions are often born from the people. Peruvian “chicha” cumbia is the music born in the "barrios bajos” (slums), alleys, hills and the peripheries of Lima on the coast and cities on the edge of the Andes mountains in the late 70’s and 80’s. The true new Peruvian sound was not played with folk instruments but with guitars and timbales. In the 60’s and 70’s Peruvian tropical music was characterized by psychedelic hybridity and instrumentals for mass delight, by the mid-70s the appearance of a "class consciousness" and therefore a subaltern narrative. “Chicha” is perhaps the genre that has most emphasized its pride in being proletariat, itinerant, provincial and hardworking.

Founded in Lima by Juan Campos Muñoz, a businessman, dreamer, and also a lover of music, Discos Horóscopo was a label company on the margins of the official Peruvian music industry. Learning the ins and outs of capitalism in the 80’s was hard because it was the decade where the wildest neoliberal policies and the most extreme Maoist sendero luminosa revolt began simultaneously. On Juan Campos’s end, it was the moment to initiate this new venture of Chicha music, which would allow Chicha to emerge symbolically (and then economically) to a new social class composed mostly of migrants, landless peasants, and proletarians without a factory.

Between 1977 and 1987, the Discos Horóscopo label produced the largest wave of Andean tropical cumbia in the world; Chicha, a reference to the fermented alcoholic drink from the Andes. The label was filled with contemporary icons such as Chacalón y La Nueva Crema, Los Shapis, Pintura Roja, Los Ovnis, Grupo Alegría and other groups which today still have a cult status in Peru and beyond. Together they created a unique style with the capacity to talk about both love and uprooting, unemployment, struggle of classes, internal violence and impossible loves.

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3LP | 2021 | EU | Original (SVBKVLT)

Cache 02

Quintessence Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Shanghai’s Svbkvlt throw down a killer 2nd ‘cache’ compilation bristling with exclusive new zingers from the extended label firm, including Slikback, Hyp11E, Tzusing, Hodge, Gabber Modus Operandi, 33emybw, Gooooose, Nahash and more. Chasing up one of the definitive club comps of recent years, ‘Cache02’ finds Shanghai’s best label is in rude health with a full spectrum coverage of styles from hyperpop to clobbering hardcore rave, mutant drill and back-alley EBM techno by some of the most crucial artists in operation right now. Gooooose does wicked slow/fast footwork with Memphis rap cowbells and jibber-jawed edits in ‘Cows,’ and the Sbvkvlt/Hakuna Kulala axis twysts out a properly fwd kongo-tekno thriller in ‘Mushen’ by Slikback & Hyph11E. Indonesian mentalists Gabber Modus Operandi go ham with the possessed vox and thunderous kicks of ‘Pedas,’ and 33emybw nails Photek-levels of martial dance moves on ‘Coupling.’ Tzusing & Hodge supply the set’s big-room peak with a steaming EBM hammer tune ‘LCD,’ and Shanghai-based UK producer Swimful makes his mark with the glyding drill synths and knifepoint grime drums of ‘Muckle.’ Impressive introductions are also made to Seoul’s NET Gala with the vivid trance futurism of ‘Alternet,’ and the weird, scorched drill soul of Nahash on ‘The Way That I.’

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JPQ

LP | 1983 | US | Reissue (Tidal Waves Music)

Athena Black Vinyl Edition

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Rare Private Pressed NC Funk/Soul from 1983
First vinyl reissue since 1983
Comes with insert
Black Vinyl Edition Limited to 500 copies, comes with obi strip

JPQ (Jimmy Person Quintet) was a short-lived soul & funk band from the Greensboro, North Carolina area who released just one album in 1983. Their only album (Quintessence) would become a much sought-after private pressed holy grail within the record collecting community.

Jimmy Person started performing as a singer/guitarist in the early 70’s in Greensboro…after appearing at several local events and multiple appearances on Wfmy-tv, he was approached to perform regularly at a restaurant (named Sammy’s) that featured live music. By the mid 70’s Jimmy began working with his sister (Rhoda Randolph) and his then wife (Marilyn Person) both featuring as background singers. Other skilled musicians began to sit in on Jimmy’s performances…starting with Charles Carlton (guitar), followed by Cirt Gill (bass guitar) and then finally by Larry Clay (drums). The group gained quick popularity and played to a regular packed house. After Talib Din (keyboards) joined…JPQ was now complete!

Offers for gigs started coming in fast and the group began giving regular performances at a larger restaurant named Huck’s. With a fast growing fanbase, the group started evolving beyond just being Person’s “backup band” to a serious outfit with strong lead-vocals by Jimmy, Larry, and Cirt. The group started traveling to perform at dances, wedding receptions, concerts, clubs, and outdoor jazz events. The group performed as an opening act for many national artists from the likes of Melba Moore, Archie Bell and The Spinners as their popularity increased. JPQ is still remembered today for their memorable live performances in North Carolina, South Carolina, and Virginia!

JPQ’s first recording was, “Have A Little Faith in Me” released as a 45 single. The 7inch got radio airplay on stations in North Carolina and this then led to the production of the “Quintessence” album (released on Jam-A-Ditty Records in 1983). The name of the label was a reference to Cirt’s father who was a radio pioneer (and the first Black DJ at Wgbg Radio) from 1949 to 1960. He was known on the air as ‘Jam-A-Ditty’.

After JPQ disbanded in the mid 80’s, members went their own way… Cirt Gill started his work as a band director in the Guilford County School system where he directed marching bands & jazz bands at different schools and in numerous concerts/performances. He has been busy teaching academic music production, playing in regional bands (that were opening acts for major artists such as Earth, Wind & Fire, Millie Jackson, Bobby Womack, The Isley Brothers, etc.) and has performed on tours both at home as abroad (from Iceland to Japan). In 1985 Gill was cast as the ‘Juke Joint Musician’ by Quincy Jones to star in Steven Spielberg’s 1985 film ‘The Color Purple’ and got the chance to work with Whoopi Goldberg, Laurence Fishburne & Oprah Winfrey.

JPQ was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is their “Quintessence” album. The entire album is filled with sexy (yet strong) vocals, groovy bass lines & even cosmic/bluesy guitar touches …one can clearly hear the influences of artists like George Benson, The Crusaders, as well as several Motown acts like Marvin Gaye softly slipping in. If you like your tracks either slow, sexy and groovy or prefer them fast paced and more experimental…look no further, “Quintessence” has it all. This is THE perfect combination of slick soul, timeless funk, smooth jazz and melancholic R&B.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this fantastic private pressed North Carolina soul/funk album (originally released in 1983 on Jam-A-Ditty Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition complete with the original artwork and insert.

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Sudan Archives

LP | 2019 | US | Original (Stones Throw)

Texas Thunder Soul 1968-1974

Release: 2019 / US – Original

Genre: Organic Grooves

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She first emerged as an avant-garde violinist who channeled her playing through loop pedals. Then songwriter, vocal performer, and beatmaker. She's captivated audiences at festivals around the world, touring her trail-blazing EPs Sudan Archives (2017) and Sink (2018). Sudan's many identity coalesces in her debut album, Athena: a psychedelic, magnetic take on modern R&B.

"When I was a little girl, I thought I could rule the world," Sudan Archives announces in the sparse, string-plucked opening bars of Athena, on the strident "Did You Know". Her musicality and sense of self-belief developed as a young child in the church. Born Brittney Parks, but called Sudan from a young age, she moved around Cincinnati, Ohio many times as a child; religion and music were the most stable forces in her life. It was in church that Sudan began learning to play the violin by ear, participating in ensemble performances. "I remember begging my mom to get me a violin," she says. "From there I just never let it go – it felt like I had a purpose."

Growing up with a twin sister, Sudan also learned young that she was the "bad twin". Her stepdad – a one-time music industry executive – tried to turn the two into a pop duo when they were teenagers, but Sudan would miss rehearsals and curfew so frequently that the project was abandoned. Still, the experience was valuable: "My stepdad basically planted this whole idea of artistry as a career," she remembers. Though she left the band behind, Sudan clung onto the idea of pursuing music when she moved to Los Angeles at age 19. While studying and holding down two jobs, she would spend her spare time "fucking around with some beats and making some weird shit", which she released tentatively under the name Sudan Moon – a combination of her childhood nickname and her love of Sailor Moon. The ethereal quality of those early lo-fi, G-funk-inspired beats would eventually make its way into Sudan's current sound.

It was once she discovered ethnomusicology, and learned to incorporate the violin into her beats, that she really unlocked a new level. Cameroonian electronic music pioneer Francis Bebey was an early inspiration: "His music is so simple, and the way he combines strings and electronic music is such a vibe.” From there, she educated herself about other artists and ethnomusicologists, learning about the history of one-string fiddling in Ghana, Sudan, and all over the world, which "blew my mind". Now a fervent crate-digger with ambitions of studying ethnomusicology, she changed her artist name to Sudan Archives.

After she met with Stones Throw A&R and Leaving Records founder Matthewdavid, Peanut Butter Wolf signed her to Stones Throw. Her self-titled debut EP introduced the world to Sudan's fusion of North African-style fiddling, layered R&B harmonies, and pared-back production. Her second EP Sink was a resounding six-track statement that, according to Jenn Pelly at Pitchfork, saw Sudan "level up as a songwriter" — especially true of the bold self-love song "Nont For Sale".

Those EPs, Sudan says, were "like a haiku of what the album is". Athena is "more in your face, more confrontational – and that's also how I've grown as an artist. I used to be a hermit who would make beats in her bedroom, but now I'm working with other writers, producers and instrumentalists, I've learned how to communicate. It feels like I'm almost back in church." At first, it was tough for Sudan to cede any control in her creative process, but as she got stuck into the sessions with producers Wilma Archer (Jessie Ware, Nilufer Yanya), Washed Out, Rodaidh McDonald (The xx, Sampha, King Krule), and Paul White (Danny Brown, Charli XCX), she opened up. The resulting album, whittled down to 12 taut tracks from around 60, is her most ambitious work yet.

On the album's cover, she poses as a Greek goddess sculpted in bronze. Simultaneously at her most powerful — channelling the energy of her princess warrior heroes Xena and Sailor Moon — and her most vulnerable, Sudan challenges the viewer to see what's under the surface. "I'm naked!" she says. "I don't have anything to hide at all, it's all out there."

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Kashmere Stage Band

2LP | 2006 | EU | Reissue (Now-Again)

Release: 2006 / EU – Reissue

Genre: Organic Grooves

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LP | 2018 | EU | Original (Fresh Sound New Talent)

Robert Glasper

Mood

Release: 2018 / EU – Original

Genre: Organic Grooves

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“In Passing” began as an elegy for Glasper’s Houston friend, Scooby, who died in 1999. “I never could finish the tune, but I started working on it again when Aliyah died,” Glasper says. “Not too long after that, 9/11 happened. That made me finish the song. It’s about how your time on earth is passing.” Glasper ends the program with the incendiary “L N K Blues,” setting up a John Ellis-Marcus Strickland tenor battle that implicitly affirms his connection to and extensions of the idiom that defined the sound of jazz in Houston from the ‘40s through the ‘60s. —Ted Panken, Downbeat, Jazziz, WKCR, 2003 The trio embarks on their own voyage with Glasper’s “Lil’ Tipsy,” using compression-expansion techniques to explore in painstaking detail a disjunctive dance of inebriation. Glasper uses the concluding vamp as a spur-of-the-moment opportunity to segue directly into “Alone Together.” There ensues an avid triologue, Hurst holding down the bottom as Glasper and Reid, with nonchalant confidence, weave through of an obstacle course of rhythmic signatures. On “Mood,” a quintet track, Moreno and Ellis offer beautiful contrapuntal section playing and pungent solos, capturing the composer’s intent to resolve from a melancholy opening to an impassioned feelgood vamp. Bilal ratchets the intensity on “Don’t Close Your Eyes,” a bluesy jazz ballad to which Glasper wrote the melody and the lyric. Glasper says: “I have a certain feel, a certain way of thinking and imagining of and hearing harmony, and it all descends from coming up in and playing music in the church.” Glasper returns to ebullience on a creative and virtuosic treatment of Irving Berlin’s “Blue Skies.” There was a detergent commercial that used it during my first year in school,” he relates, “and I was singing all the time. Then someone told me it was a jazz tune. I arranged it for a concert at school. A year later, I came up with this arrangement. “‘Interlude’ happened because we kept playing after I faded out from the drum solo, and when I listened to the tape I thought the hip-hop part was hot. Hip-hop is a part of me, too, and I wanted to have that influence on the album.”

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Nigeria Soul Fever! - Afro Funk, Disco and Boogie: West African Disco Mayem!

3LP | UK (Soul Jazz)

2LP | 2014 | EU | Original (Heavenly Sweetness)

Release: UK

Genre: Organic Grooves

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Soul Jazz Records’ new Nigeria Soul Fever is their first release to explore the vast wealth of Nigerian music recorded in the 1970s. The new album comes with introductory sleeve-notes by Bill Brewster (author of Last Night A DJ Saved My Life).
Packed-full with Afro-Funk, Disco and Boogie all from Nigeria, this triple album/double CD set brings together a stunning collection of diverse West African sounds. Whilst a small handful of the artists featured (Joni Haastrup, Tee Mac, Christy Essien) have seen the light of day outside Africa, this is essentially a collection of killer tracks by an array of artists completely unknown outside of Nigeria. Artists such as Don Bruce & The Angels, Akin Richards & The Executives, Angela Starr, Jimmy Sherry & The Music Agents. It’s no surprise that these records are extremely rare and expensive to buy individually so this album will save you going broke trying to find them.
These recordings were made at a time when Nigeria’s trade restrictions banned imported records. Whilst new musical trends (such as American soul, funk, disco etc) entered and influenced the country, the local music scene remained just that – local. Consequently, these recordings remain practically unknown to anyone outside of the country.

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Guts

Hip Hop After All

Release: 2014 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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The profile of French producer Guts has grown steadily in recent years and he is now considered to be one of the leading producers in France and a recognised name on the European beats scene. ‘Hip Hop After All’ features an array of stellar MCs and vocalists, including Grand Puba, Masta Ace and Cody Chestnutt. Double LP gatefold sleeve with insert & download card, exclusive content for the download card.

His hit "Brand New Revolution" was played by many radio stations worldwide and was used in Grand Theft Auto V. His compilation series ‘Beach Diggin' is now a reference point for summer and quality music in general.

After three instrumental albums, Guts decided to come back to his Hip Hop roots (he created the French rap band Alliance Ethnik in the 90's) and invited quality MCs and singers to join him in the studio. You can find on this album, Hip Hop legends such as Grand Puba, Masta Ace, Bob Power, Rah Digga, plus singers such as Cody Chestnutt, Patrice and a batch of new talent - Leron Thomas, Lorine Chia, Quelle Chris & Denmark Vessey and Dillon Cooper.

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LP | 2013 | EU | Original (Nonesuch)

OST Inside Llewyn Davis

LP | 1966 | US | Reissue (Blue Note)

Release: 2013 / EU – Original

Genre: Organic Grooves, Soundtracks

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The album includes 12 new recordings made especially for the film and soundtrack plus an existing recording by Dave Van Ronk. Also featured is a never-before-released version of Bob Dylan performing his song “Farewell,” which was recorded during the sessions for his album The Times They Are A-Changin' and is available exclusively on this soundtrack.

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Lee Morgan

Search For The New Land

Sueddeutschland & Der Untergang Des Hauses H. Red Vinyl Edition

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

2015 reissue. Still in shrink but opened. Vinyl is close to NM.

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Familie Hesselbach

LP | 2024 | EU | Original (Play Loud)

LP | 2024 | EU | Original (Play Loud)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Süddeutschland & Der Untergang des Hauses H.
by Familie Hesselbach

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Süddeutschland (Lautt Sampler, 1983) 00:00 / 04:09
Digital Album
Streaming + Download
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Buy Digital Album €8 EUR or more
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Limited Edition 12" Red Vinyl
Record/Vinyl + Digital Album
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Includes unlimited streaming of Süddeutschland & Der Untergang des Hauses H. via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 10 days
edition of 300
Buy Record/Vinyl €26 EUR or more
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1.
Süddeutschland 05:12
2.
Das Bild 04:46
3.
Rimini 03:34
4.
Zur Kur 04:10
5.
Süddeutschland (Lautt Sampler, 1983) 04:09
6.
Siechtum (Der Untergang des Hauses H. Tape, 1985) 02:41
7.
Fred (Der Untergang des Hauses H. Tape, 1985) 03:57
8.
Paul (Der Untergang des Hauses H. Tape, 1985) 03:14
9.
Susi (Der Untergang des Hauses H. Tape, 1985) 03:26
10.
Barbara (Der Untergang des Hauses H. Tape, 1985) 03:55
11.
Baden (Der Untergang des Hauses H. Tape, 1985) 02:31
about
TEXT ENGLISH
"40 years after six students from the prestigious university of Tübingen were latecomers to the German new wave (...), it is once again the turn for Familie Hesselbach, who have always been called "The German Talking Heads", something we could agree with, if we add to their sound the rhythm schemes of A Certain Ratio, the groovy bass of Bush Tetras, the skronky disco-esque of James White, and turns Byrne's voice to a more spastic and cons ice one. Berlin´s play loud! label reissued in vinyl this early 80s German new wave gem, and if you think of all the bands we've named, you know this is going to blow your mind!" (Tremendo Garage about the first LP "1982").

After re-releasing "1982" (first LP) and the double LP "Froh zu sein & 8-EP-Sampler", play loud! now completes the Familie Hesselbach catalog (1980-1985) with the third vinyl LP "Sueddeutschland & Der Untergang des Hauses H." Enjoy!

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Limpe Fuchs

Amor