Search "wood wood champion" 1564 Items

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | UK | Original (Countdown)

Fast Eddie

Shake A Tail Feather!

Nice To Meet Miss Christine Record Store Day 2022 Edition

Release: 2022 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Acid Jazz Group Label Countdown Records is proud to present 'Shake A Tail Feather' - a Vinyl/CD collection from Fast Eddie, one of the early '80s most exhilarating live groups, and a favourite of the Rhythm and Soul powered Mod scene of 1980s. Initially called 'The Investigators', Fast Eddie emerged from Billericay in the wake of Thames Delta Blues pioneers, Dr. Feelgood. Having gained a following playing the raw R&B of the Pub Rock circuit, the band diversified their sound to incorporate classic soul repertoire, alongside their own material, which is documented throughout this collection.

Significantly, the group was also managed and produced by a certain young Eddie Piller - our founder - in his first foray as a music Mogul. Consequently, this collection marks an important document in the formation of Well Suspect Records, Countdown Records and the wider Acid Jazz Story. The LP contains a sharp selection of 16 tracks from their recordings, while the CD and digital version extends this with 4 extra tracks. Their storming versions of 'Shake A Tail Feather' and 'Out Of Sight', show their love of classic club soul, while 'Help Me' and 'My Babe' prove that they could play the blues with plenty of rhythm and feeling.

Go to Item

Chris Harwood

12" | 1970 | EU | Reissue (Bonfire)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !

Go to Item

LP | 2022 | US | Original (Fat Possum)

This Is Ann Peebles

Release: 2022 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ronnie Wood & The Ronnie Wood Band

Mr.Luck Blue Vinyl Edition

2LP | 2021 | EU | Original (BMG Rights Management)

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Sam)

Billy Harper Quintet

Antibes '75

Horace Tapscott With The Pan-Afrikan People's Arkestra

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though "Black Saint" is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, "Antibes ’75" shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper’s signature tunes “Cry of Hunger” and “Croquet Ballet” reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer. We are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.

Go to Item

Flight 17

2LP | 1978 | EU | Reissue (Outernational Sounds)

Presenting... The Ad Libs Purple Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Available on vinyl for the first time in 40 years, Outernational Sounds proudly presents a cornerstone document from the Los Angeles jazz underground, Flight 17 – the first appearance on record of the legendary Pan-Afrikan Peoples Arkestra, led by their founder and mastermind, Horace Tapscott.

"The Arkestra would allow the creativity in the community to come together, would allow people to recognize each other as one people and ask, “Now what can we do to make this community better? What can we do for this community together?”...That’s how the Pan-Afrikan Peoples Arkestra – the Ark – began, with the knowledge that we wanted to preserve the black arts in the community."
Horace Tapscott

Horace Tapscott’s Pan-Afrikan Peoples Arkestra (P.A.P.A.) was one of the most transformative, forward-thinking and straight-up heavy big bands to have played jazz in the 1960s and 1970s. Countless musicians passed through its ranks, and in Tapscott it was led by a musical visionary who should be ranked with the very greatest names in the music. If P.A.P.A. doesn’t have the interstellar rep of that other famous Arkestra, and if the name Tapscott doesn’t ring bells like Monk or Tyner, there’s a reason why: in an industry dominated by record labels, a band that doesn’t record doesn’t count. And the Pan-Afrikan Peoples Arkestra didn’t record for nearly twenty years. But recording success was never their concern – they weren’t about that.

First formed as the Underground Musicians Association in the early 1960s, Tapscott always wanted his group to be a community project. From their base in Watts, UGMA got down at the grassroots. They played for the people, organising fundraisers in parks and coffee houses, hosting teach-ins and workshops for young and old, and mixing it with radical theatre groups, firebrand poets, political radicals, Black separatists, community groups and churches. They lived communally, supporting each other and their people, and built an ark for the Black arts in the heart of the city. The group was renamed the Pan-Afrikan Peoples Arkestra in 1971, and soon after they established a monthly residency at the Immanuel United Church of Christ which ran for over a decade, while still playing all over LA and beyond. But through all this, they never released a note of music.

It was the intervention of Tom Albach, a fan of Tapscott and the group, that finally got them on wax. Determined that their work should be documented, Albach founded Nimbus Records specifically to release the music of Tapscott, the Arkestra, and the individuals that comprised it. The first recording sessions in early 1978 yielded enough material for two albums, and the first release was Flight 17. From the surging avant-gardism of Herbie Baker’s title track to the laid- back summertime groove of Kamonta Lawrence Polk’s ‘Maui’, or Roberto Miranda’s uptempo Latin jam ‘Horacio’, Flight 17 showcased the radical voices of the Arkestra’s members. Led out by Tapscott’s hard-swinging piano, this is the first flight on wax of the West Coasts’ foundational community big band – energised, hip and together. Open up the gates and prepare for departure!

This edition of Flight 17 contains two tracks previously only available on the 1997 CD edition: ‘Coltrane Medley’ and ‘Village Dance’, recorded live at the Immanuel United Church of Christ. It is released as a limited vinyl-only edition on a 180g pressing by Pallas. Fully licensed from Nimbus West founder Tom Albach.

Go to Item

The Ad Libs

LP | 2018 | US | Original (ORG Music)

Jazz 251/2 Black Vinyl Edition

Release: 2018 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Go to Item

Persa

LP | 2024 | EU | Original (Put It Down)

2LP | 2018 | EU | Original (Earmusic Classics)

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wellcome to 2nd part of Persa Jazz251. Jazz life in a Persa World. A_Side is 13 studio tracks. B_Side is 4 tracks recorded in live act at Radio Relativa studios (Madrid) for cRRudo series with friends collaboration: -Scratches, GlueKids. -Bass, Damian Schwarzt.

Go to Item

Etta James

Live At Montreux 75-93

Release: 2018 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sunna Gunnlaugs Feat. Verneri Pohjola

Ancestry

LP | 2023 | Original (Sunny Sky)

Release: 2023 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | Original (Boomslang)

Edi Nulz

Meganan

Release: 2021 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

El Perro Grande White Marbled

Edi Nulz

LP | 2018 | Original (Boomslang)

Release: 2018 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Musiques En Balade)

Amin Al Aiedy

Shams

Water Made Us Arctic Swirl Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Shams is an ode to a captivating region of the world that truly fascinates me: Bilad al Sham “Land of the sun”, or the Levant. Drawing inspiration from this culturally rich and vibrant area, I aimed to create music that radiates brightness and warmth, blending jazz, modes, and Arabic rhythms without constraints. Melody takes central place, flowing through irregular beats and finding freedom in the musicians' improvisations, with whom I immensely enjoy playing. Amin.

Go to Item

Jamila Woods

LP | 2023 | US | Original (Jagjaguwar)

Release: 2023 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bassface Swing Trio Feat. Bruno Müller

Bossa, Ballads And Blues Vinyl Edition

LP (Stockfisch)

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Locomotive Suite Yellow & Grey Marble Vinyl Edition

Francesco Ciniglio

LP | 2021 | EU | Original (Whirlwind)

32,39 €* 35,99 € -10%

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1975 | UK | Reissue (Far Out)

Azymuth

Azimüth

Hung Up On You White Vinyl Edition

Release: 1975 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissued on 180 gram vinyl in gatefold sleeve!

Go to Item

The James Taylor Quartet

LP | 2024 | UK | Original (Jti)

Túnel Acústico Orange Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-01

Sales notes to follow
Sales notes to follow
Sales notes to follow
Sales notes to follow

Go to Item

Marcos Valle

LP | 2024 | WW | Original (Far Out)

Live From Brooklyn Paramount

Release: 2024 / WW – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-08

“It sounds amazing!” - Gilles Peterson (BBC 6 Music)
“This is pure bliss” **** SHINDIG!
“Yuhuuu” - Coco Maria (NTS Radio)
“Just copped doubles!” - DJ Spinna
No one has lived a life quite like Marcos Valle. He became an overnight international sensation, fled a military dictatorship, dodged the Vietnam war draft, had his music sung by Homer Simpson, made enemies with Marlon Brando, and became an unsuspecting fitness guru for multiple generations. But to truly understand the great Brazilian composer, arranger, singer and multi instrumentalist, one must listen to his music.
Between the release of his first album in 1962 and today, Marcos Valle has released twenty-two studio albums traversing definitive bossa nova, classic samba, iconic disco pop, psychedelic rock, nineties dance and orchestral music. He has also had his songs recorded by some of the all time greats, including Frank Sinatra, Sarah Vaughn, Sergio Mendes, Elis Regina, and (last but not least), Emma Button of the Spice Girls. He has also had his music sampled by Jay-Z, Kanye West, Pusha T and many more.
With his twenty-third studio album Túnel Acustico, Valle set out to bring it all together.
“I believe my music is many things. It goes in different directions. I have many different ways of writing music, sometimes it’s melodies and harmony, sometimes the groove is the focus. But all the music I have made over my sixty year career is unified. It is all natural and it is all sincere. And this is what I wanted to bring to my new album.”
A prominent feature of Valle’s career has been his dual residence between Brazil and the USA. Originally moving over in the mid-sixties on the back of bossa nova’s international proliferation, Valle toured with Sergio Mendes and became hugely in demand as a composer and arranger. But the Vietnam War loomed and the threat of being drafted saw him return to Brazil. He spent the following years in Rio writing music for TV and film, as well as four cult favourite albums in collaboration with some of Brazil’s most groundbreaking musicians including Milton Nascimento, Azymuth, Som Imaginario and O Terco.
By 1975, Brazil's military dictatorship was at its most oppressive, making living and working increasingly difficult. Valle moved back to the US where he would reside in LA, writing songs for, and collaborating with the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, amongst others.
Túnel Acústico features two songs originally conceived during Valle’s time on the West Coast: “Feels So Good”, a stirring two-step soul triumph written in 1979 with soul icon Leon Ware, and the sublime AOR disco track “Life Is What It Is”, composed around the same time, with percussionist Laudir De Oliveira from the group Chicago.
Built around an unfinished demo Marcos found on a shelf in his house 44 years after it was made, the “Feels So Good” demo was restored with the help of producer Daniel Maunick, who also utilised AI stem-separation to remove the placeholder vocal ad-libs. Valle added Portuguese lyrics to sit alongside Ware’s vocal hook, as well as extra keyboards and percussion.
Also written in late seventies LA, “Life Is What Is It” was co-penned by Laudir De Oliveira from the band Chicago and first released on the bands’ Chicago 13 album with lyrics by Robert Lamb. Another nod to his good times in LA, Valle recorded his own version for Túnel Acústico, upping the tempo and deepening the groove for a blast of irresistible summer soul.
On Túnel Acústico, Valle's core band features two members of the renowned Brazilian jazz-funk group Azymuth: Alex Malheiros on bass and Renato Massa on drums. The rhythm section is completed by percussionist Ian Moreira, with additional contributions from guitarist Paulinho Guitarra and trumpeter Jesse Sadoc.
The contemporarily composed music on Túnel Acústico features an impressive lineup of guest lyricists, including renowned Brazilian artists: Joyce Moreno (Bora Meu Vem), Céu (Nao Sei), and Moreno Veloso (Palavras Tão Gentis) as well as Valle's brother Paulo Sergio Valle (Tem Que Ser Feliz).
The album closes with "Thank You Burt (For Bacharach)", a tribute to the legendary composer who passed away in 2023.

Go to Item

Black Pumas

2LP | 2024 | UK | Original (ATO)

Release: 2024 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-22

LP | 1973 | EU | Reissue (Be With)

Ian Carr With Nucleus

Labyrinth

LP | 2024 | UK | Original (ATA)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Labyrinth is dark, brooding, beat-heavy, melancholic mood music courtesy of Ian Carr and the Nucleus crew. A favourite of Madlib, it goes without saying that this is one magnificent record. Originally released on Vertigo in 1973, Labyrinth was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

At this point Carr had parted ways with guitarist Alan Holdsworth and as a result the Nucleus sound found itself returning to the core elements of groove and melody. Carr had become bolder and more self-confident in his compositions and it shows in the sheer ambition of Labyrinth. Composed by Carr, and with lyrics written by his wife Sandy, Labyrinth was the result of a commission from the Park Lane Group and funded by the Arts Council of Great Britain. Originally a live performance by an augmented Nucleus, some of the expanded cast were brought back for the recording sessions, including vocalist Norma Winstone. So as the front cover of the finished album says, this is literally “Nucleus Plus”.

Labyrinth is presented as a suite, based on the ancient Greek legend of the Minotaur with musical instruments representing the various elements of the mythology. According to the LP’s original sleeve notes, the bass clarinet represents the tragic element, the trumpet represents the heroic element and the voice represents the human element. The rest of the musicians represent the two societies of Athens and Crete and their comments on the story as it unfolds.

The album opens with the experimental, sumptuously dissonant “Origins”. Teasing strands of atmospheric bass clarinet introduce the first theme before swiftly fading out with a startling blast of staccato fanfares and big drums. Heavy. The album soon finds its rhythm as it alights on the spell-binding and groove-friendly “Bull-Dance”, showing off the best Nucleus has to offer: subtle trumpet melodies, compelling rhythms, a psych-rock vibe and tight soloing. And of course there’s Norma Winstone’s stunning wordless vocals, that also take the lead in the next track “Ariadne”, a spacey-jazz song with beautiful piano, flute and clarinet, and the only recognisable lyrics on the album. You might recognise a snatch of it being looped by Madlib on Quasimoto’s “Astro Travellin”. The first part of the improvised “Arena” closes out the first side of the album, a short experimental piece with piano and horns.

Over on the flip-side, the powerful second part of “Arena” introduces a new theme. It swiftly builds, with vocal melodies, piano and horns all pronounced over the thick drums snapping your neck. It comes on like an alternate take on “Bull-Dance”, noisier, with a looser rhythm. The triumphant, shuffling Latin-jam “Exultation” leans on more scintillating vocals from Winstone, and a chunky counter melody from the rhythm section. It’ll get you moving.

The final track, the haunting, twelve minute “Naxos”, is an incredible way to close out this remarkable record. A circling bass guitar loop inspiring the group to a meditative psychedelic jazz rock improvisation in a silent, Miles kind of way, with a great flugelhorn solo from Carr and an ace synth climax.

This Be With edition of Labyrinth has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. Another great Keith Davis sleeve has been restored in all its airbrushed Golden Age of comics, gatefold splendour. Complete with Minotaur of course.

Go to Item

The Sorcerers

I Too Am A Stranger

LP | 1976 | AU | Reissue (The Roundtable)

Release: 2024 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

ATA Records are proud to announce the new album I Too Am A Stranger from The Sorcerers, following previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, which garnered high praise from Mulatu Astatke Who's this? The Sorcerers? It's cool! This is great. Give me the CD man!" and recent Radio 6-listed 7" single Exit Athens, of which Giles Peterson said, "Great Stuff as always".
Recorded wholly at ATA Studios and produced by label head, Neil Innes, I Too Am A Stranger features the Sorcerers trio, (lead by Neil Innes) of Joost Hendrickx/Neil Innes/Richard Ormrod, with assistance from regular percussion collaborator Danny Templeman and up-and-coming Leeds trumpeter Olivia Cuthill. Joost and Neil's drum and bass bond is tighter than ever, and Richard is given free rein on baritone and alto saxophones, flutes, bass clarinet, vibes, and the wonderland that is the ATA vintage keyboard collection.
I Too Am A Stranger is a resolutely maximal endeavour, a layered recording both sonically and via many interwoven influences: as ever, the Ethiopique sound is front and centre [Bebaynetu, Kid Mahout, She Who Perceives The Sounds Of The World], but there are also references to the declamatory baritone sax-heavy chanbara soundtracks of Fumio Hayasaka [Yasuke In Roppongi, Oromo Moon], the fuzzed-out vibes sound of Vibrafinger-era Gary Burton [side openers The Warrior Code and He Who Kills With One Leap], and Moondog's popping woodblocks [Moth, The Dao Of The Sorcerers].
In truth, there is so much on this album to appeal to so many different listeners: tight – and new! – beats, exotic melody, far-out horns, references from within and without the worlds of Jazz, Library, Ethio, etc etc, as well as the wholly analogue ATA sound that satisfies DJs and audiophiles alike.

Go to Item

Judy Bailey Quartet

Colours

Chet Baker With Bobby Jaspar

Release: 1976 / AU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-15

- First vinyl reissue of the 1976 Australian Jazz-Funk album.- Featuring the Jazz-Dance anthem Colours Of My Dream.- Replica Gatefold sleeve with new liner notes.

Behind the deceptive veneer of the demure monotone artwork, something unassuming lies within this long-play waiting to be explored. Intrigued by the ironic title, enticed by the elegant text positioned alone on the beautifully tactile matte canvas, the listener will experience musical wonderment at odds with the presentation and discover that the 1976 album Colours is a powerful yet sophisticated set of electric soul-jazz. An inspired recording that bursts with warmth and texture, the pivotal recording from an exceptional jazz musician. HER name - Judy Bailey.

Over the course of a 70 year career, the pianist and composer established herself as one of the central figures of Australian jazz. Her crowning achievement Colours is a spirited and ambitious recording that captured the maturation and shifting jazz landscape of the mid 1970s Australia. Alongside other notable albums recorded mid decade including the 1975 self titled album by Melbourne's Arena (see Roundtable SIR014)) and Jackie Orszaczky's Beramiada (1975), the album signalled the countries transition from semi-acoustic jazz to electric jazz-funk. Regularly compared to the albums released on Creed Taylor's CTI label, Colours parallel these recordings with their clean production and spacious soul-jazz arrangements. In particular the crisp drums and processed bass heard on Bob James and Joe Farrell albums, the sprightly flute of Hubert Laws or perhaps the more sensual side of Flora Purim's vocals could all be suggested as a source of influence.

Continuing to celebrate and re-document Australia's jazz music legacy, The Roundtable are pleased to offer the first vinyl reissue of this seminal Australian Jazz recording. Presented in a replica gatefold sleeve with new liner notes, the full palette can once again be appreciated including the moody funk of Fall Down Dead, the Iberian Waltz Toledo, the Jazz-Dance anthem Colours Of My Dream and the spacey impressionist piece The Eleven Eight Song.

Go to Item

Chet Baker In Paris/Vol 3/Barclay/1956

LP | 1986 | EU | Reissue (Sam)

Release: 1986 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Far Out)

Joyce & Mauricio Maestro

Natureza

2LP | 2022 | EU | Original (Brainfeeder)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Feat. fellow Brazilian musicians Mauricio Maestro (who wrote/co-wrote four of the songs), Nana Vasconcelos and Tutty Moreno, and some of the most in-demand stateside players including Michael Brecker, Joe Farrell and Buster Williams, the recordings for Natureza took place at Columbia Studios and Ogerman produced the album, provided the arrangements and conducted the orchestra. “This album was going to be Joyce's international breakthrough release… but it never came out…” - Wax Poetics

Go to Item

Louis Cole

Quality Over Opinion

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | EU | Reissue (Far Out)

Dila

LP | 1975 | EU | Reissue (Far Out)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Far Out Recordings proudly presents the first and only album from the mysterious Brazilian vocal sensation Dila (pronounced “Jee-la”). With original LPs extremely hard to come by, this rare treasure of Brazilian soul, which fans of Gal Costa, Celia, Evinha and Elis Regina will love, gets a much-deserved official reissue: remastered and pressed to 180g vinyl.

Go to Item

Emilio Santiago

The Fish Factory Sessions Record Store Day 2024 Colored Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The release comes 180g vinyl. Far Out Recordings proudly presents the 1975 self-titled debut album from Brazilian vocalist and bossa nova luminary Emilio Santiago. One of his best know is album opener ‘Bananeira’, a party-starting version of the song originally written by Joao Donato and Gilberto Gil. ‘Brother’ is a smooth-grooving killer with great horn arrangements and a huge backing choir, while ‘La Mulata’ is a soulful, swinging salsa stepper.

Go to Item

Greg Foat / Gigi Masin

LP | 2024 | EU | Original (Strut)

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Library Archive Volume 3

V.A.

LP | 2023 | UK | Original (ATA)

La Clave Verve By Request Edition

Release: 2023 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Taking heavy inspiration from Jungle Obsession 9 by Roger Roger, and The Feed-back, as well as Blaxploitation era composers such as Willie Hutch and Melvin Van Peebles, and the masterful and ingenious Roy Budd, "The Library Archive Vol. 3" draws deeply from the well of library greatness.

Each track has been lovingly crafted with a keen ear for authenticity and the same eye for detail shown on 'The Library Archive’ Vol. 1 & 2, recorded on the same instruments and equipment and with the same techniques as the music that inspired it, with a focus throughout on stripped-back rhythm sections topped by flute, vibes and vintage synths.

With three volumes now out and another currently in R&D, The Library Archive will stand as a testament to the love the ATA producers and artists have for the original composers and performers.

Go to Item

La Clave

LP | 2023 | EU | Reissue (Verve)

LP | 2023 | EU | Original (Far Out)

Release: 2023 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The White Stripes' Elephant Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 200-gram 45 RPM double LP limited to 10,000 copies! Mastered from the original analogue master tapes by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12-page booklet featuring liner notes from Ben Blackwell (co-founder and minority owner at Third Man Records and the official archivist of The White Stripes) and never-before-seen session photos by David Swanson Purest possible pressing and most visually stunning presentation and packaging!

The fourth studio album by the American rock duo the White Stripes was an extraordinary success. It peaked at No. 6 on the Billboard charts and topped the U.K. Albums Charts. To date it's sold 4 million copies worldwide, achieving platinum-sales certification from the Recording Industry Association of America and 3x platinum from the British Phonographic Industry. It spawned the hit single "Seven Nation Army," the band's signature track that's become a sports anthem, plus the hits "I Just Don't Know What to Do with Myself," "The Hardest Button to Button" and "There's No Home for You Here." Elephant has received critical acclaim and it's often cited as the White Stripe's best work, including receiving a nomination for Album of the Year and a win for Best Alternative Music Album at the 46th Grammy Awards in 2004.

Rolling Stone ranked the album No. 449 on its 2020 list of the 500 Best Albums of All Time. The Stripes, it said, exploded out of Detroit with a minimalist garage-blues attack: just Jack White on guitar and Meg White on drums, taking on the world.

To give Elephant the sonic perfection and signature packaging it deserves, Analogue Productions and Third Man Records have teamed up for the ultimate reissue edition. We present in Uhqr format on Clarity Vinyl this rock masterpiece, limited to 10,000 copies. It comes with gold foil numbered jackets, housed in a premium slipcase with a wooden dowel spine.

Jack and Meg insisted they were a brother and sister, even after people learned they were secretly a divorced couple. But against all odds, the low-budget duo became a global sensation for their sheer rock power. Rolling Stone says Elephant "seethes with raw desperation and lust" in "Seven Nation Army," "Hypnotize," and "The Hardest Button to Button." Jack plays guitar hero in the seven-minute jam "Ball and Biscuit."

More About Clarity Vinyl

The off-white color of the record you are receiving is the color of raw vinyl in its purest form (un-tinted vinyl). To make the ultimate record, we decided to enhance sound quality by removing potential sources of noise contamination or sonic interference. By not adding traditional carbon black colorant, we eliminate that potential due to carbon black particles, instead allowing your stylus to effortlessly slide down a silky smooth groove wall.

Go to Item

Nicola Conte

Umoja

LP | 2022 | EU | Original (Eddie Bongo)

Release: 2023 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Renowned Italian spiritual jazz lover, DJ, producer, guitarist, and bandleader Nicola Conte proudly presents his new album Umoja via London based label Far Out Recordings.

A joyous exultation across ten tracks, Umoja taps into the abundant well of knowledge Conte has amassed over his career as connoisseuring compiler and archivist of deep jazz, latin, afrofuturist, bossa-nova and soul music from around the world. Expressing unity, oneness and harmony in Swahili, Umoja coalesces universal feelings through the multifaceted global music Conte has spent his life studying and researching.

Having released music with Blue Note, Impulse! and Schema records, Nicola Conte’s relationship with Far Out began over a shared love of hard-edged bossa-nova and swinging samba-jazz. Between 2009-2013 Nicola Conte compiled five volumes of forgotten 60s Brazilian music for his Viagem series. He then released his critically acclaimed Natural album: a collaboration with vocalist Steffania Dippiero, featuring jazz standards alongside covers of lesser known Brazilian gems.

The music of Umoja draws on the deep-dug 70's independent spiritual and free jazz sounds, private-press soul records, and African and Afro Caribbean rhythms in Conte’s collection. But he equally recognises his debt to many of the decade’s more celebrated musical icons, such as North American cosmic jazz masters Lonnie Liston Smith and Gary Bartz, and Afrobeat originators Fela Kuti and Tony Allen.

Since founding the Bari-based bohemian cultural movement and club night Fez at the dawn of the nineties, Conte has proven to be a pillar of the contemporary, international soul-jazz scene. Composed alongside his long time friend, guitarist Alberto Parmegiani, Conte brings together a dazzling host of guests from around the world, including award winning British vocalist Zara Mcfarlane, acclaimed Finnish saxophonist Timo Lassy, french vibes player Simon Mullier, US vocalist Myles Sanko, rising South African drummer Fernando Damon, former Roy Hargrove bassist Ameen Saleem and Serbian flute sensation Milena Jancuric.

A joyous exultation across ten tracks, Umoja taps into the abundant well of knowledge Conte has amassed over his career as connoisseuring compiler and archivist of deep jazz, latin, afrofuturist, bossa-nova and soul music from around the world. Expressing unity, oneness and harmony in Swahili, Umoja coalesces universal feelings through the multifaceted global music Conte has spent his life studying and researching.

Having released music with Blue Note, Impulse! and Schema records, Nicola Conte’s relationship with Far Out began over a shared love of hard-edged bossa-nova and swinging samba-jazz. Between 2009-2013 Nicola Conte compiled five volumes of forgotten 60s Brazilian music for his Viagem series. He then released his critically acclaimed Natural album: a collaboration with vocalist Steffania Dippiero, featuring jazz standards alongside covers of lesser known Brazilian gems.

The music of Umoja draws on the deep-dug 70's independent spiritual and free jazz sounds, private-press soul records, and African and Afro Caribbean rhythms in Conte’s collection. But he equally recognises his debt to many of the decade’s more celebrated musical icons, such as North American cosmic jazz masters Lonnie Liston Smith and Gary Bartz, and Afrobeat originators Fela Kuti and Tony Allen.

Since founding the Bari-based bohemian cultural movement and club night Fez at the dawn of the nineties, Conte has proven to be a pillar of the contemporary, international soul-jazz scene. Composed alongside his long time friend, guitarist Alberto Parmegiani, Conte brings together a dazzling host of guests from around the world, including award winning British vocalist Zara Mcfarlane, acclaimed Finnish saxophonist Timo Lassy, french vibes player Simon Mullier, US vocalist Myles Sanko, rising South African drummer Fernando Damon, former Roy Hargrove bassist Ameen Saleem and Serbian flute sensation Milena Jancuric.

Go to Item

Rémi Dumoulin

La Ligne De Démarcation

Let's Emerge Translucent Yellow Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Stimulating and ambitious jazz!The saxophonist Rémi Dumoulin has written a repertoire of demarcations on traditional standards that are dear to him. If the harmonic framework of the compositions is reminiscent of a musical, the melodic line of the saxophone induces a completely different proposition for the soloists. On familiar ground and stimulated by these demarcations, the musicians can throw themselves without a net into improvisation.The line of demarcation draws the course of a byway rather than that of a highway.Both traditional and modern, the music mixes improvised melodic drawings of a beautiful coherence.

Go to Item

Pye Corner Audio

LP | 2022 | EU | Original (Sonic Cathedral)

LP | 2022 | UK | Original (CMG)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Pye Corner Audio releases a new album, Let's Emerge!, for Sonic Cathedral. It's his first studio outing for the label following the acclaimed live recording Social Dissonance, which came out earlier this year, and it features Ride guitarist Andy Bell playing on five of its ten tracks. From the first glimpse of the artwork to the first note of the music it's a marked deviation from Pye Corner Audio's more traditional shadowy sounds. Whereas his last outing for Ghost Box (2021's Entangled Routes) was inspired by the underground fungal pathways through which plants communicate, this one is very much above ground, bathed in sunlight and acid-bright psychedelia. "This is a departure to sunnier climes, but a departure nonetheless," says Pye Corner Audio, aka Martin Jenkins. "It's something that I'd been thinking about for a while. I try to tailor my work slightly differently for the various labels that I work with, and this seems to fit nicely with Sonic Cathedral's ethos." Designer Marc Jones' bold and ultra vivid artwork consciously references the likes of LFO, Spacemen 3 and the early output of Stereolab. "I think it mixes together many of my earliest influences," explains Martin. "I've been a long-time fan of Spacemen 3 and Stereolab. Their moments of repetition and drone have always seeped into what I've tried to create. "I was living in a small apartment and I'd stripped down my studio set-up when I was recording this album. This enabled me to focus on a few key pieces of equipment and explore them fully." The recordings were fleshed out by Andy Bell, who Martin first met at the Sonic Cathedral 15th birthday party at The Social in London back in 2019 - the same show that became the live album Social Dissonance. "New alliances were formed and friendships made in that basement in Little Portland Street," recalls Martin. "When I met Andy, we agreed that we needed to work together in some way. After I'd remixed a few tracks from his album The View From Halfway Down, he kindly repaid the favour." The end r...

Go to Item

Judi Jackson

Grace

Siamo Sicuri Di Essere Giovani? Blue Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sony CMG label release. Pitch perfect whether hitting magnificent highs or sliding into sultry depths, Judi’s voice recalls some of music’s great divas. The majority of this album was recorded in London or Milan between 2019 and 2021, with all fifteen songs written or co written by Judi. Other notable collaborators include Reuben James (John Legend, Nile Rodgers),Tim Baxter (Jasmine Thompson, Muse) and Tom Excell, leader of the UK’s acclaimed afro jazz collective Nubiyan Twist. Specialist promo/marketing activity across all media outlets.

Go to Item

Jacopo Et

LP | 2021 | EU | Original (Garrincha)

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Kensuke Ide with His Mothership

Contact From Exne Kedy And The Poltergeists

LP | 2021 | EU | Original (P-Vine)

Rocks The House Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Everything is mysterious! This is the second full-length from Japanese talented artist "Kensuke Ide and his mother ship" which was acclaimed by listeners as the one of the best albums in 2020. P-vine is presenting it as the long-awaited LP version! Is the innovative sound that will surprise all listeners the madness of Devil or Taoyuan Township? No, that's exactly the "mystery of 2020" !

Go to Item

Etta James

LP | 1963 | US | Reissue (Jackpot)

Big Time Lover - Soul On The Real Side

Release: 1963 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Best known for the lush 1961 rendition of the ballad “At Last”– a slow-dance staple at wedding celebrations everywhere,she is also celebrated for having recorded one of the bestlive albums of all time, “Rocks the House.” Recorded in 1963at the New Era Club in Nashville, James is captured at her performance peak. The foundation for her reputation as a fiery no-holds-barred performer was firmly established in this recording.

Blues, soul, jazz, R&B, and rock vocalist Etta James, needs no introduction. An icon from early rock’n’roll’s pantheon of divas, she has inspired 5 decades of listeners and fellow artists with her vocal stylings. From Janis Joplin to Beyonce, her expressive and guttural style has been imitated but never quite matched.

Jackpot Records is honored to release this momentous record on stellar blue vinyl, with the original album artwork and including 3 bonus tracks which have only ever been released previously on CD. Her powerful version of “Something’s Got a Hold on Me” will shake you. Her impassioned version of “All I Could Do Is Cry,” will break you.

Go to Item

V.A.

LP | 2023 | UK | Original (Outta Sight)

Release: 2023 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | UK | Original (Blue Crystal)

Greg Foat & Ayo Salawu

Interstellar Fantasy

Clark Terry & His Orchestra

Release: 2023 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A concept album of Analogue Electronic Sci Fi Library Grooves for Synthesisers and Percussion. Commissioned by Sonoton and inspired by the 70's & 80's Sonoton music Library Catalogue. Featuring Ayo Salawu on Drums (Kokoroko) and Greg Foat with his impressive collection of vintage Synthesisers. File under Library Music

Go to Item

Clark Terry

LP | 1960 | EU | Reissue (Sam)

LP | 2021 | EU | Reissue (Sam)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-mastered from a copy of the Mono Master Tapes. Limited edition 2000 copies. 180 gr vinyl pressed by Pallas in Germany. Deluxe high-gloss flipback album jacket. Facsimile reissue using the original photo by JP Leloir. Double insert using an original photo by JP Leloir from 1959. Each record has been visually checked to prevent defects.

Recorded October 1959, Paris.

Original LP issue: Decca 153.924

Critics often complain that small-group sessions comprised of members of the Duke Ellington Orchestra are somewhat disappointing; this is definitely not the case with this session led by Clark Terry, recorded during a 1959 tour of Europe in the final month of the trumpeter’s almost eight-year tenure with the band. Fellow Ellington sidemen Paul Gonsalves, Jimmy Woode, and Sam Woodyard are present, along with Raymond Fol at the piano. Terry was one of the most gifted trumpeters to grace the Ellington band and he blossoms when he has more opportunities to solo in a small group setting like this one. Gonsalves proves to be the perfect foil for Terry as they trade lines on several of the numbers. Unlike many dates led by Ellington veterans, this one doesn’t rely heavily on songs from the vast Ellington songbook; instead, Terry includes only ‘Satin Doll’, a Monk’s tune, one by Babs Gonzales and three of his own compositions, with ‘Serenade to a Bus Seat’ (a remake of his upbeat instrumental interpretation of the hectic life of a touring musician) proving to be the most memorable.

This studio date was recorded for French Decca label and was almost impossible to find until now.

Clark Terry (Trumpet) Paul Gonsalves (Tenor saxophone) Raymond Fol (Piano) Jimmy Woode (Bass) G. T. Hogan (Drums)

Go to Item

Billy Harper Quintet

Antibes '75

Turkish Delite Türk Lokumu

Release: 2021 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Produced by François Lê Xuan and Fred Thomas for Sam Records/Saga. Mastered from the original stereo master tapes. Limited edition 2000 copies. Cut by SST (Schallplaten Schneid Technik). 180g vinyl LP pressed by Pallas in Germany. 6-page booklet . Each record has been visually checked to prevent defects.

Sam Records and Saga present:

A never-before released Billy Harper 1975 live recordings.

First official release with the full permission and cooperation of the Billy Harper & INA (Institut National de l’Audiovisuel).

Billy Harper Quintet – Antibes ‘75

Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further.

That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper’s signature tunes “Cry of Hunger” and “Croquet Ballet” reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer.

We are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.

Virgil Jones (Trumpet) Billy Harper (Tenor saxophone) Joe Bonner (Piano, arranger) David Friesen (Double Bass) Malcolm Pinson (Drums)

Go to Item

Nyofu Tyson

LP | 2023 | Original (Seismographic)

LP | 2023 | UK | Original (Native Rebel)

Release: 2023 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Official re-release, retrieved from original cassette tape (1988). First time on vinyl! Includes Turkish musicians like jazz & percussion star Okay Temiz.
Brought to you by the compiler of the Saz Beat series as well as the Bosporus Bridges series.

A Danish-Lebanese Afro-American who has learned Turkish and knows how to play the saz? Who entered the Anatolian Pop scene in Istanbul right in the heyday, the early 1970s? And who got so much musical credit that the renowned Turkish producer Nazmi Şenel released a solo album with him in 1988, recorded in Istanbul and including musicians like Turkish percussion star Okay Temiz? Sounds pretty unlikely. Sometimes miracles happen and highly improbable music gets released. A person with a diverse heritage as Nyofu Tyson can be seen as a ‘melting pot’, as a ‘synthesis’. Yet, he can be also seen as someone who is able to step out for new paths.
This is the case for TÜRK LOKUMU – TURKISH DELITE. Like nobody before, Tyson connects and opens up Anadolu Pop towards a whole range of styles: Synth-Pop, New Wave, Reggae, Hip Hop/Break, Latin, Disco Boogie… He shows us how vital, compatible and versatile one could think Anadolu Pop at the end of the 1980s. The compositions are basically all Türkü-s, traditional Anatolian folk songs, yet updated with a poly-cultural music practice, which involved a lot of the then current musical trends. So, this is Turkish folk music and it has at the same time all what you like about the late 1980s pop music: cold electronic drum sounds, crisp-flashy synths, crunchy bass – all in contrast with warm distorted saz tones, wooden Turkish wind instruments, and a disco-soul proven female choir. This is crazy music. This is a miracle. This is Anatolian-Synth.

Go to Item

Kofi Flexxx

Flowers In The Dark

31,49 €* 34,99 € -10%

2LP | 2009 | US | Reissue (Seebedon)

Release: 2023 / UK – Original

Genre: Hip Hop, Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

As with all albums on Shabaka Hutchings' Native Rebel Recordings the plan was the same: the musicians gather at the RAK Studios for three days, without rehearsal and consider the rehearsals part of the recording, with Shabaka producing

The performers featured here are Jas Kayser who has performed with Alfa Mist, Nubya Garcia and Jorja Smith among others, Alexander Hawkins of the Convergence Quartet and Decoy, Daisy George, and Ross Harris of Speakers Corner Quartet.

The features on the album are incredible too, and highlight the eclectic nature of Native Rebel. We have billy Woods on album opener “Apothecary", TS Elliot prize winning poet Anthony Joseph on "By Now", Confucius MC of Speaker's Corner Quartet and Con & Kwake on "Flowers In The Dark", Elucid on "Show Me", ganavya on "Increase Awareness", and Siyabonga Mthembu of The Brother Moves On and Shabaka and The Ancestors on “Aim".

As always with Native Rebel releases, the physical product is on double heavyweight vinyl, in high quality sleeves with printed inner sleeves and with side D on this release featuring etched artwork.

Go to Item

Tigran Hamasyan

Red Hail

31,19 €* 38,99 € -20%

Got A Story To Tell Magenta Vinyl Edition

Release: 2009 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is Tigran Hamasyan's 3rd album as a leader. Most of the compositions on this album are originals except for a few Armenian folk song's that Tigran has arranged. The band features Areni Agbabian on vocals, Ben Wendel on saxophones and bassoon, Sam Minaie on bass and Nate Wood on drums. Red Hail was originally released in 2009.

Go to Item

Thee Sacred Souls

LP | 2024 | US | Original (Daptone)

LP | 2024 | US | Original (Daptone)

Release: 2024 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The highly anticipated follow-up to Thee Sacred Souls's breakout 2022 self-titled debut, Got A Story To Tell, features 12 all original new songs, a soaring statement of exquisite craftsmanship from this young band from San Diego whose story grows bigger by the day. Recorded and produced by Gabriel Roth at Penrose Recorders, in Daptone’s Riverside, CA studio, and written in the throes of supporting their 2022 album, which was met with significant excitement and major touring that brought them across the world. What swirls together on Got A Story To Tell is an appreciation of decades of soul music, and beyond - a sound and feel that is timeless, lived in, and very much in the now. Album opener “Lucid Girl” champions independent women, set to some of the toughest sounding drums and bass the band has yet to put to tape. “Waiting On The Right Time” slinks with a touch of slow-burning psychedelia. A plea for empathy punctuates “One and the Same,” with Lane singing: “We’re one and the same, I feel one day / We learn to live with each other / In love, not fear / Just for a moment, why can’t we be together.” “On My Mind” is a sweeping orchestration, with Lane navigating the complexities of finding happiness while balancing the good with the bad. The album is punctuated with strings and squelching guitar, trundling piano, pops of conga, horns - it makes for a thrilling, layered listen that rewards with multiple spins.

Go to Item

Thee Sacred Souls

Got A Story To Tell

Release: 2024 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Enter The 37th Chamber 15th Anniversary Yellow & Black Vinyl Edition

El Michels Affair

LP | 2009 | US | Reissue (Fat Beats)

Eddie Gale's Ghetto Music

Release: 2009 / US – Reissue

Genre: Hip Hop, Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released on Fat Beats Records in 2009, El Michels Affair’s landmark album “Enter the 37th Chamber” is celebrating its 15th Anniversary in 2024. Featuring reinterpretations of hip hop anthems from the Wu-Tang Clan, the album took stripped-down, raw hip hop bangers and flipped them into richly-arranged instrumentals. Cover versions of tracks such as “C.R.E.A.M.” and “Can It All Be So Simple” instantly sounded as vintage as the records that RZA had sampled to create the originals, with the familiar melodies and driving rhythms elevated by expertly-arranged horns and strings. The gritty and bottom-heavy style of these analog recordings—dubbed “Cinematic Soul”—has been both widely celebrated and often imitated. El Michels Affair namesake Leon Michels has since gone on to produce for and collaborate with artists as diverse as Adele, Black Thought, Lana Del Rey, and The Carters (Beyonce & Jay-Z). Now 15 years from its initial release, “Enter the 37th Chamber” has proven to be one of the true classic instrumental albums of its era, every bit as enduring as the music it had meant to pay homage to.

Go to Item

Eddie Gale

LP | 1968 | EU | Reissue (Elemental)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2005 | UK | Original (The Drop)

Fat Freddys Drop

Based On A True Story

Samba Is Our Gift Record Store Day 2024 Edition

Release: 2005 / UK – Original

Genre: Organic Grooves, Electronic & Dance, Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1st studio produced album by the New Zealand group from 2005. The album utilized the band's trademark dub, reggae, soul and funk influenced sound, and has been successful both in terms of sales and of critical reception. 7 times platinum in New Zealand!

Go to Item

The Ipanemas

LP | 2024 | UK | Original (Far Out)

Chronicles Of A Diamond Clear Vinyl Edition With Poster

Release: 2024 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Far Out Recordings kicks off its 30th anniversary celebrations with the long awaited first ever vinyl pressing of The Ipanemas’s Samba is Our Gift. Originally released in 2006, the album combined Afro-Brazilian-bossa grooves with classic vocal samba: a step back in time to 1960s Rio de Janeiro.

The Ipanemas, aka drummer and vocalist Wilson Das Neves and guitarist Neco, were instrumental in breaking bossa nova in the 1950s. In the decades following, they recorded with practically every Brazilian great there is, including Elis Regina, Antonio Carlos Jobim, Wilson Simonal, Chico Buarque & Elza Soares to name a small few. Bringing together jet-set swinging bossa, with the roots samba and Candomble music of the religious black Brazilian working class, ‘Samba is our Gift’ united two sides of Brazilian culture that rarely met.

Alongside Wilson Das Neves and Neco, the album featured Azymuth’s original drummer Ivan Conti who helped put the project together and shared drum and percussion duties with Das Neves. Neco passed away in 2008, Wilson Das Neves in 2017 and Conti in 2023 but between the three of them, they left us with an enormous body of beautifully joyous music spanning over half a century.

With a remaster and vinyl cut by Stuart Hawkes at Metropolis Music, Samba is our Gift will be released on vinyl LP for the first time ever for Record Store Day 2024 via Far Out Recordings.

Go to Item

Black Pumas

LP | 2023 | EU | Original (ATO)

LP | 1970 | EU | Reissue (Be With)

Release: 2023 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited Edition - comes on clear vinyl including an art print.

As they set to work on their highly awaited sophomore album, Black Pumas broadened their palette to include a dazzling expanse of musical forms: heavenly hybrids of soul and symphonic pop, mind-bending excursions into jazz-funk and psychedelia, starry-eyed love songs that feel dropped from the cosmos. The debut was nominated for 7 Grammys and reached one million album equivalents. Chronicles Of A Diamond arrives as the fullest expression yet of their frenetic creativity and limitless vision.

Go to Item

Nucleus

Elastic Rock

Nova Bossa Nova 20th Anniversary Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.

Go to Item

Marcos Valle

LP | 1997 | EU | Reissue (Far Out)

Release: 1997 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A download code is included. Marking sixty years of Bossa Nova, and twenty years since Marcos Valle’s first release for Far Out Recordings, what better time to bring back this era-defining classic from the Brazilian master composer?

Go to Item

LP | 1971 | US | Reissue (Fat Possum)

Straight From The Heart

LP | 2009 | US | Reissue (Fat Possum)

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Vinyl reissue of 1972 R&B classic.

Go to Item

Al Green

Let's Stay Together

LP | 1970 | EU | Reissue (Far Out)

Release: 2009 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180g vinyl

- "Let's Stay Together" sampled by Little Brother for "Light it Up"

Go to Item

Agustin Pereyra Lucena

In And Out Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Following Far Out’s reissue of Agustin Pereyra Lucena Quartet’s La Rana, the label continues its memorialisation of the late, great Argentinian guitarist’s music, with the first ever direct from tape, audiophile reissue of Pereyra Lucena’s self-titled debut album from 1970.

One of the outstanding South American guitarists, Agustin Pereyra Lucena commanded a unique position in Latin music history. He hailed from Buenos Aires, but was obsessed with the music of Brazil. A disciple of Antônio Carlos Jobim, Baden Powell and Vinicius De Moraes, the nature of Agustin’s Argentinian roots combined with the nurture of Brazil and its music to give Agustin a sound entirely his own.

After being scouted in a nightclub, by musician and guitar craftsman Jorge Demonte, Agustin was invited for an audition at Argenitinian label Tonodisc. Before he knew it, aged 22, he was in the studio recording his first album.

Agustin enlisted fellow Argentinian Brazilophiles Mario "Mojarra" Fernandez who played bass and drummer Enrique "Zurdo" Roizner. He had first heard the duo backing Vinicius de Moraes, Toquinho and Maria Creuza on their legendary La Fusa live album, also recorded in Buenos Aires. For vocals, Agustin brought in his old friend, a French teacher called Helena Uriburu, who at the time had (unbelievably) never sung in a studio before.

The atypical bossas and spiritual swinging sambas, composed by many of Agustin’s aforementioned heroes, were elevated to new heights by Agustin’s dazzling arrangements and phenomenal guitar playing. The almost cosmic reaches Agustin achieved with his sound are balanced against the stylish sophistication and breezy nature of the music.

Moments of calm serenity include Agustin’s own composition “Nina No Divagues”, Durval Ferreira and Pedro Camargo’s “Chuva” and the Brazilian bossa classic “Tristeza Nos Dois”, which feels like it draws equally upon exotica and early library records. Accompanied by Roizner’s shuffling samba jazz drums, opener “O Astronauta” is Agustin’s cover of the Brazilian guitar standard composed by Baden Powell. Another Baden Powell classic, “Consolacao” is an extended full-band set, which features Agustin’s crisp guitar dancing around a hypnotic rhythm section. Upright bass is swapped out for a big, round-sounding electric one, which sits loud in the mix for almost seven minutes of deep, groovy, distinctively early-seventies magic.

Agustin passed away in 2019, and it is only in recent years that he is starting to gain his plaudits as one of South America’s greats. On the liner notes of the album Vinicius De Moraes writes: “I think I never saw, with the exception of Baden Powell and Toquinho, anyone more linked to his instrument than Agustín Pereyra Lucena. It would give the impression that if the guitar were taken away from him, he would fade into music as one dies from the amputation of an arm.”

Agustin Pereyra Lucena will be released on audiophile vinyl LP, CD and digitally on the 26th January 2024 via Far Out Recordings.

Go to Item

James Blood Ulmer

2LP | 2023 | EU | Original (In + Out)

Release: 2023 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | US | Original (Shifting Paradigm)

Righteous Rooster

Fowl Play

LP | 2024 | AU | Original (Northside)

Release: 2024 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Righteous Rooster is a jazz-groove organ trio from Chicago, featuring Henry Dickhoff on organ, Kenny Reichert on guitar, and Luke Sagadin on drums and cymbals. Their debut album, 'Fowl Play,' is out October 25 on Shifting Paradigm Records. Influenced by the Delvon Lamarr Organ Trio, Soulive, Medeski Martin & Wood, and Goldings/Bernstein/Stewart, the trio blends improvisation, imaginative compositions, and a love for the history of organ trios to create a distinct and engaging sound.

Go to Item

Picture
Coming Soon

Cool Out Sun

A Lion Is A Lion

Release: 2024 / AU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-08

We'll Talk About It Later

Nucleus

LP | 1971 | EU | Reissue (Be With)

LP | 1971 | EU | Reissue (Be With)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.

Go to Item

Nucleus

Solar Plexus

LP | 2023 | EU | Original (Fat Possum)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."

Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.

The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.

The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.

This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package.

Go to Item

Joanna Sternberg

I've Got Me

Release: 2023 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Lalabeam)

Ada Morghe

Lost

Release: 2023 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Richard Galliano & Ron Carter

An Evening With

LP | 2022 | EU | Original (In & Out)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Pape Nziengui Et Son Groupe

Kadi Yombo

2LP | 2022 | US | Original (Awesome Tapes From Africa)

2LP | UK | Original (Hive Mind)

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Kadi Yombo, published in 1989, is the most successful album in the quest for a fusion between tradition and modernity in Bwiti harp music of the Tsogho people of Gabon. Combining beating rattles with a layer of synthesizers, Papé Nziengui blends in a contrapuntal dialogue characteristic of harp playing: male song in appeal and female choir in response, male voice of the musical arc and rhythms of female worship. But above all it's Tsogho ritual music and modern studio orchestration. The result is an initiatory itinerary of 10 musical pieces which are all milestones likely to be simultaneously listened to, danced, meditated on, and soon acclaimed. In the years since, Nziengui has traveled he world from Lagos to Paris, from Tokyo to Cordoba, from Brussels to Mexico City to become a true icon, the emblem of Gabonese music. Like Bob Dylan, "electrifying" folk and Bob Marley mixing rock with reggae, some purists have criticized Nziengui for having distorted the music of harp by imposing a cross with modern instruments. They even went so far as to claim that Nziengui was just an average harpist covering his shortcomings with stunts that were only good for impressing neophytes; like playing a harp placed upside down behind his back or playing two or three harps simultaneously. Sincere convictions or venomous defamations, in any case, Nziengui never gave in to such attacks, imposing himself on the contrary to pay homage to the elders (Yves Mouenga, Jean Honoré Miabé, Vickoss Ekondo) while instructing the maximum of young people. He is thus the promoter of many young talents, the most prominent of which is certainly his nephew Jean Pierre Mingongué. In a conservative society where the sacred is confused with secrecy, exposing the mysteries of Bwiti in broad daylight can be punished by exclusion or even execution. Papé Nziengui has always claimed that he faces such risks because he never felt enslaved to a community that governs his life, that regulates his conduct, that has a right of censorship over his activities. Like Ravi Shankar, the famous sitarist, Papé Nziengui is a man of rupture but also of openness, a transmitter of culture. As proof, he has established himself in Libreville, Gabo's capital, as the main harpist for sessions and concerts, accompanying the greatest national artists (Akendengué, Rompavè, Annie-Flore Batchiellilys, Les Champs sur la Lowé, etc.) as well as foreign artists (Papa Wemba, Manu Dibango, Kassav', Toups Bebey, etc.). In 1988, he was the first harpist to release an album in the form of a cassette produced by the French Cultural Center (Papé Nziengui, Chants et Musiques Tsogho). At the same time, he created his own group (Bovenga), combining traditional music instruments (musical bow, drums, various percussion instruments, etc.) in the framework of a true national orchestra, which gave the first concert and the first tours of a traditional music that was both modern and dynamic, thus "democratizing" the harp, to the dismay of certain purists. On the other hand, in modern music, dominated by the logic of profit or even commercialism, artistic creation must often be adjusted for a specific audience based on reason rather than heart. But instead of allowing himself to be distorted, Papé Nziengui has always tried to produce music that is not a caricature, worthy in its expression as in its content, of the sacredness and transcendence of the music of the Origins. This is what makes Nziengui-not only the musician, but the man-someone whose age hasn't altered any of his freshness or authenticity.

Go to Item

King Champion Sounds

Between Two Worlds

LP | 2021 | US | Original (Sola Terra)

Release: UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

‘Hive Mind Records are excited to announce a new album from King Champion Sounds, the shifting Holland based collective centred around Ajay Saggar and Oli Heffernan (University Challenged), GW Sok (The Ex), Mees Siderius, Holly Habstritt Gaal & Elsa van der Linden.

On “Between Two Worlds”, the band bring the same insatiable appetite for experimentation and exploration that made their previous four albums so special. This is music as an open conversation. An opportunity to exchange ideas. To be open-minded. To push boundaries and explore new worlds. Whereas elements of krautrock, electronica, free jazz and dub have always been part of the KCS armoury, they have never stuck to a formula in the music making process, occupying instead the open space that lies between musical worlds. The core members have brought their different experiences into this rich new album that draws influence and inspiration from a dizzying range of sources - from ambient guitar experiments, noisy avant-rock workouts, spidery gothic pop, otherworldly folk inflections - and pulls them all together into a unique and coherent whole.

Guest appearances on the album come from Gerry Love (formerly of Teenage Fanclub) adding beautiful vocals and instrumentation to "I'm In Between Two Worlds", Mia Doi Todd bringing her incredible voice to "Easby Abbey Remembered", Sally Timms of The Mekons takes lead vocals on "Thou Hurricane" with Jon Langford (The Mekons) and Janet Beveridge Bean (Eleventh Dream Day) on backing vocals. Finally, the Glasgow poet Marieke McKenna brings words from her diary to “Seasick” on which she recalls a surreal escape to a millionaires yacht and the stark contrast it provided to the"real" world outside.

We're very excited to help bring this urgent, transcendent and wonderfully varied music out into the world in a beautifully designed gatefold package.’

Go to Item

Gabo

Jungle Fever

2LP | 1996 | EU | Reissue (Be With)

Release: 2021 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Glasgow African Balafon Orchestra (gabo) is a cocktail of musicians of all different backgrounds, bringing together the distinct flavours of the world through the joy of orchestral music. It is a unique blend and fusion of musicians, folklorists and storytellers representing the best musical flavours and stories of our shared humanity. The infectious energy of Gabo is built around Ambatarian Philosophy—a past-present which is secretly woven and embedded in Jang-da—the traditional African wooden xylophones. The Jang-da tradition – a folklore and oral convention of passing messages of hope within the stories of everyday life through the vortex of music – is an almost forgotten ancient African philosophy that teaches us to celebrate life as an endless opportunity of eternal joy. Gabo’s philosophy is sharing the ripple effects of joy in communal music, storytelling and group bonding—a great source of mutual energy exchange that brings people together on a fair playing ground where every soul’s desire can be fully realised through music. In Gabo’s world; no one is left out feeling isolated, unappreciated, unrelated or unloved. We are never alone because we all belong to a shared experience of music. Gabo believes that there is more love in the world today than hatred, and we are inspired by this belief. We focussed our best creative healing energies on sharing the love of Afrobeat, global jazz, soul, funk, and some traditional tunes from rural Africa and other parts of the world that have not been previously heard by the rest of the world.

Go to Item

Lewis Taylor

LP | 2020 | EU | Original (Fat Possum)

Release: 1996 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

D’Angelo lost his shit over it. Aaliyah’s 3rd favourite track of all time is on it. David Bowie rocked up with it to a TV interview, declaring it “the most exciting sound of contemporary soul music”. In 1996, Lewis Taylor released his self-titled masterpiece. A true modern classic, it’s an album that was years ahead of its time. Forget 25 years ago, it could easily have been made in 2021. An effortless blend of neo-soul, sophisticated pop, smart grooves and laid-back white funk, it enjoyed rapturous reviews from critics and music legends alike. But the album never managed to make an impact and given what was likely a token vinyl release at the time, the original records have long since been near-impossible to find. Lewis Taylor’s Lewis Taylor remains a holy relic for some and criminally unknown to most. Lewis Taylor’s impeccable influences created a dazzling sonic palette: the LP as a whole suggests the visionary brilliance of Prince; the vocal stylings evoke the yearning power of Marvin Gaye; the effortless guitar playing shares the virtuosity of Jimi Hendrix; the haunting tones conjure Tricky; the innovative production and engineering invite comparisons to studio mavericks like Todd Rundgren and Brian Eno; the multi-layered, complex harmonies flash on Pet Sounds-era Brian Wilson; the dark, drama is reminiscent of both Scott Walker and Stevie Wonder; the complex arrangements create textures and moods with the feel of Shuggie Otis on Inspiration Information; the bold experimentation is akin to progressive artists like Faust and Tangerine Dream; the atmosphere is in conversation with Jeff Buckley’s Grace and we could go on.

Go to Item

Cassowary

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2019 | EU | Original (Far Out)

Milton Nascimento

Maria Maria

2LP | 2019 | EU | Original (Be With)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180g Double LP released on vinyl only. Recorded in 1974 and unreleased until almost thirty years later, the album was written as the soundtrack to a ballet which dealt with the legacy of slavery in Brazil.Raw, atmospheric and emotionally charged, Maria Maria reveals one of Brazil's greatest ever songwriters at his creative peak

Go to Item

Leon Ware

Rainbow Deux

LP | 2017 | US | Original (Fat Possum)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The melodically adventurous soul of Leon Ware continues its expression in his final opus Rainbow Deux, released on double vinyl on September 13th. The album features new songs recorded and performed by Leon before his health turned, leading to his transition on February 23rd 2017. Co-produced by Taylor Graves, it has stellar musical contributions from the likes of Kamasi Washington, Thundercat, Ronald Bruner Jr, Rob Bacon and Wayne Linsey.

Go to Item

R.L. Burnside

Worried Blues

Release: 2017 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2017 | US | Original (Fat Possum)

Don Bryant

Don't Give Up On Love

Release: 2017 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2015 | US | Original (Fat Possum)

Greatest Hits

Release: 2015 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A delicate, slinky figure with a powerhouse voice, Ann Peebles occupied a special place among the many great talents that roamed the halls of Memphis' iconic Hi Records in the 1960s and 1970s. While producer Willie Mitchell was the company's heart, musicians the Hodges Brothers its soul, and Al Green its top star, it was Peebles who gave the label its first national success, and a lasting female identity. Over the course of seven albums and dozens of singles for Hi, Peebles expressed a complex range of moods and emotions in her music. Her songs were alternately pleading and defiant and destructive, but always, utterly soulful.

Go to Item

LP | 1971 | US | Reissue (Fat Possum)

Part Time Love

Cuffed Collared And Tagged

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

There were so many competent records coming out of Memphis that any burgeoning greatness can only be detected by a careful listening. Ann Peebles deserves that kind of extra care. Her style is so subtle and economical that the finer qualities of her talents might be passed over as being merely competent. This would be a crime because little Ann has so very much to offer. Ann stresses the melody (rather than rhythm for its own sake). This is not to say she can’t sing funky; she can and does very effectively. It just means Ann shines extra brightly on the slower bluesy numbers. For example “Give Me Some Credit” is such a moving lament, filtering faint traces of early Smokey Robinson and the album’s two most tender cuts, “I Still Love You” and “Steal Away” are the places where Ann Peebles makes such a great impression. These are the kinds of song that become “personal” classics. Ann sings seven up-tempo numbers on which she illustrates her tight, full-bodied voice and shows why she’s presently way up on R&B charts all over the country. Her renditions of “It’s Your Thing,” “Part Time Love,” and “Make Me Yours” are unfettered delights. Ann Peebles goes past the apparent and into the sublime. She stands beyond the predictably competent. And you know that’s where it’s at.

Go to Item

Swamp Dogg

LP | 2013 | US | Original (Fat Possum)

LP | 2013 | US | Original (Fat Possum)

Release: 2013 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One of the great characters in rock and soul music is Jerry Williams, better known as the eccentric, idiosyncratic, and always entertaining Swamp Dogg (no relation to Snoop Doggy Dogg). A Virginia native, Williams invented his own legend by claiming that he had little proper schooling, only to wake up one day and find himself a musical genius (his words). Actually, Williams is very talented, and an early association with Jerry Wexler and Phil Walden led to him working for a number of years as a producer, engineer, and occasional songwriter with Atlantic in the '60s. At decade's end, however, he decided that the time was right to unleash Swamp Dogg's singular view of the world on an unsuspecting public. The initial result was one of the most gloriously gonzo soul recordings of all time, Total Destruction to Your Mind. The album's charm may have to do with Dogg's world view: part libertarian politics; part Zappa-style critiques of commerciality and capitalism; and part horny male, the latter defining for better and worse his view of women. Although he spent years working in the industry, Dogg was simply not the standard-issue soul type. And that was good. Dogg continued to make records, albeit infrequently, after 1969, some good, a few great, and most all extremely difficult to find. With contemporary soul sounding increasingly mannered and sterile, Dogg's yelling, screaming, and general craziness is missed. Thankfully, he hasn't disappeared for good, although he only makes records when he feels like it. It would be wise to not count him out; just when you think this Dogg is down and out, he sneaks up and bites you.

Go to Item

R.L. Burnside

Bothered Mind

Release: 2013 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2011 | US | Original (Fat Possum)

R.L. Burnside

Burnside On Burnside

Release: 2011 / US – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Rockin Dopsie Jr & Zydeco Twisters

More Fun With Rockin Dopsie Jr & Zydeco Twisters

LP | 2024 | US | Original (ATO)

Greatest Hits Live Eco Mixed Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Celebrated as one of New Orleans' greatest entertainers, Rockin' Dopsie, Jr. Continues the zydeco tradition forged by his father (accordionist Rockin' Dopsie) and his legendary band, The Twisters. Having collaborated with Beyoncé, Paul Simon and Tina Turner, and featured in the 2024 film, "Roadhouse," Dopsie, Jr. #and his band continue sharing the joy of zydeco with a soul-stirring, body-moving album led by the powerful vocals and singular washboard stylings of David Rockin' Dopsie, Jr. [Translucent Purple LP]

Go to Item

Marvin Gaye

LP | 2024 | UK | Original (Get Yer Vinyl Out)

LP | 2024 | EU | Original (Take It Easy Agency)

Release: 2024 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-22

One of the most gifted, visionary, and enduring talents ever launched into orbit by the Motown hit machine, Marvin Gaye blazed the trail for the continued evolution of popular black music. Moving from lean, powerful R&B to stylish, sophisticated soul, to finally arrive at an intensely political and personal form of artistic self-expression. His work not only redefined soul music as a creative force, but also expanded its impact as an agent for social change. We present hits and highlights from two classic live performances where Gaye delivers a forceful retrospective that takes the audience back and forth across an impeccable career.Get Yer Vinyl Out presents a stellar selection of hits performed live, culled from two vintage broadcasts, professionally remastered and lovingly restored. Presented with background notes and timeline photos. Side 11 What’s Going On? 4.11 * 2 I Heard It Through The Grapevine 1.45 ** 3 I’ll Be Doggone (medley) 1.11 * 4 Let’s Get It On 2.46 * 5 Come Get To This 3.48 * 6 Trouble Man 5.41 * 7 Too Busy Thinking About My Baby 2.22 ** 8 How Sweet It Is (To Be Loved By You) 1.38 * 9 Ain’t That Peculiar / You’re A Wonderful One 2.15 **Side 21 Can I Get A Witness 1.12 * 2 Got To Give It Up 9.33 ** 3 Inner City Blues (Makes Me Wanna Holler) 6.51 ** 4 Stubborn Kind Of Fellow 1.37 * 5 Distant Lover 5.18 ** 6 Hitch Hike 1.04 **

Go to Item

Polylogue From Sila

Supertales

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | EU | Original (The Last Music Company)

Hannah White

Sweet Revolution

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Arnett Cobb And Eddie "Lockjaw" Davis

Blow Arnett, Blow

LP | 1959 | US | Original (Prestige)

Nenad Vasilic Feat. Wolfgang Puschnig & Bojan Z

Release: 1959 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: G+

Taped top spine.

Go to Item

Live In Theater Akzent

LP | 2018 | Original (Galileo Vertrieb)

Release: 2018 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2024 | EU | Original (ADA)

Terry Adams

Terrible

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2005 | EU | Original (Fat Possum)

Paul "Wine" Jones

Pucker Up Buttercup

Release: 2005 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2016 | EU | Original (Fat Possum)

Johnny Farmer

Wrong Doers Respect Me

Release: 2016 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2005 | EU | Original (Fat Possum)

Junior Kimbrough

God Knows I Tried

Release: 2005 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2005 | EU | Original (Fat Possum)

Elmo Williams

Takes One To Know One

Release: 2005 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1961 | US | Reissue (Candid)

Phil Woods

Rights Of Swing

Jazz 251/2 Blue Vinyl Edition

Release: 1961 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

When he first came on the scene, Phil Woods was often referred to as “The New Bird,” in a nod to the legendary Charlie Parker. A testament to his genius on the saxophone to be sure. But while obviously indebted to Parker - as all modern jazz saxophonists of a certain era were - there is no question that Phil Woods was an original. After earning a degree in music from Juilliard in the early 1950’s, Woods found himself in the orbit of the great Quincy Jones. At Jones’ invitation Woods joined Dizzy Gillespie’s infamous Jazz Ambassadors - a tour sponsored by the US State Department as part of a global cultural diplomacy initiative - and subsequently became a member of Jones’ own touring band. This recording, his 9th album as a band leader, consists entirely of Woods’ five-part Rights of Swing Suite. An ambitious large-scale composition based solidly on jazz traditions. A culmination of the influences the then 30 year artist had absorbed. Arguably considered one of Woods finest recordings, the record features a stellar section made up of Wood’s fellow Quincy Jones band members. (It should be noted that these same musicians, for the most part, are also the section on Benny Bailey’s Candid Records recording, Big Brass, recorded a a few months prior in November of 1960). Recorded at the Nola Penthouse Studios in New Your City on two dates in January and February of 1961, and conducted by Quincy Jones. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and in-depth commentary from Woods himself, giving a context and insight that adds to the experience of hearing these extraordinary performances.

Go to Item

Persa

LP | 2024 | EU | Original (Put It Down)

30,59 €* 35,99 € -15%

LP | 2022 | EU | Original (Blue Crystal)

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The Greg Foat Group

Blue Lotus

30,39 €* 31,99 € -5%

Túnel Acústico Pink Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Classic Greg Foat Group line-up returns with special guests Art Themen on Soprano Saxophone and Morgan Simpson (Black Midi) on Drums. Heavy Synth and percussive Grooves

Go to Item

Marcos Valle

LP | 2024 | WW | Original (Far Out)

29,99 €*

Steve Leach With The Crystal Grass Orchestra

Release: 2024 / WW – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-01

No one has lived a life quite like Marcos Valle. He became an overnight international sensation, fled a military dictatorship, dodged the Vietnam war draft, had his music sung by Homer Simpson, made enemies with Marlon Brando, and became an unsuspecting fitness guru for multiple generations. But to truly understand the great Brazilian composer, arranger, singer and multi instrumentalist, one must listen to his music.
Between the release of his first album in 1962 and today, Marcos Valle has released twenty-two studio albums traversing definitive bossa nova, classic samba, iconic disco pop, psychedelic rock, nineties dance and orchestral music. He has also had his songs recorded by some of the all time greats, including Frank Sinatra, Sarah Vaughn, Sergio Mendes, Elis Regina, and (last but not least), Emma Button of the Spice Girls. He has also had his music sampled by Jay-Z, Kanye West, Pusha T and many more.
With his twenty-third studio album Túnel Acustico, Valle set out to bring it all together.
“I believe my music is many things. It goes in different directions. I have many different ways of writing music, sometimes it’s melodies and harmony, sometimes the groove is the focus. But all the music I have made over my sixty year career is unified. It is all natural and it is all sincere. And this is what I wanted to bring to my new album.”
A prominent feature of Valle’s career has been his dual residence between Brazil and the USA. Originally moving over in the mid-sixties on the back of bossa nova’s international proliferation, Valle toured with Sergio Mendes and became hugely in demand as a composer and arranger. But the Vietnam War loomed and the threat of being drafted saw him return to Brazil. He spent the following years in Rio writing music for TV and film, as well as four cult favourite albums in collaboration with some of Brazil’s most groundbreaking musicians including Milton Nascimento, Azymuth, Som Imaginario and O Terco.
By 1975, Brazil's military dictatorship was at its most oppressive, making living and working increasingly difficult. Valle moved back to the US where he would reside in LA, writing songs for, and collaborating with the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, amongst others.
Túnel Acústico features two songs originally conceived during Valle’s time on the West Coast: “Feels So Good”, a stirring two-step soul triumph written in 1979 with soul icon Leon Ware, and the sublime AOR disco track “Life Is What It Is”, composed around the same time, with percussionist Laudir De Oliveira from the group Chicago.
Built around an unfinished demo Marcos found on a shelf in his house 44 years after it was made, the “Feels So Good” demo was restored with the help of producer Daniel Maunick, who also utilised AI stem-separation to remove the placeholder vocal ad-libs. Valle added Portuguese lyrics to sit alongside Ware’s vocal hook, as well as extra keyboards and percussion.
Also written in late seventies LA, “Life Is What Is It” was co-penned by Laudir De Oliveira from the band Chicago and first released on the bands’ Chicago 13 album with lyrics by Robert Lamb. Another nod to his good times in LA, Valle recorded his own version for Túnel Acústico, upping the tempo and deepening the groove for a blast of irresistible summer soul.
On Túnel Acústico, Valle's core band features two members of the renowned Brazilian jazz-funk group Azymuth: Alex Malheiros on bass and Renato Massa on drums. The rhythm section is completed by percussionist Ian Moreira, with additional contributions from guitarist Paulinho Guitarra and trumpeter Jesse Sadoc.
The contemporarily composed music on Túnel Acústico features an impressive lineup of guest lyricists, including renowned Brazilian artists: Joyce Moreno (Bora Meu Vem), Céu (Nao Sei), and Moreno Veloso (Palavras Tão Gentis) as well as Valle's brother Paulo Sergio Valle (Tem Que Ser Feliz).
The album closes with "Thank You Burt (For Bacharach)", a tribute to the legendary composer who passed away in 2023.
Túnel Acústico will be released on 20th September 2024 via Far Out Recordings. Valle is set to tour Europe and America in support of the album.

Go to Item

Ocean Potion

LP | 1976 | Reissue (Be With)

29,99 €*