Search "peaking+lights+936" 1070 Items

LP | 1974 | US | Original (Brunswick)

Toby

10,99 €*

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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LP | 1973 | US | Original (Brunswick)

Chi-Lites

18,99 €*

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover close to VG+

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LP | 1973 | US | Original (Brunswick)

A Letter To Myself

5,99 €*

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LA Pressing.

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LP | 1969 | US | Original (Brunswick)

Give It Away

18,99 €*

LP | 1973 | US | Original (Musik Produktion Schwarzwald)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl with scuffs and hairlines. Cover with heavy ring, shelf wear

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Don Ellis

Soaring

27,99 €*

LP | 1970 | US | Original (Capitol)

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs, close to VG+. Cover with ring wear

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Nancy Wilson

Now I'm A Woman

7,99 €*

John Harris And The Soul Sayers

Release: 1970 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Hangin' In / What Can I Do

7" | 2013 | DE | Reissue (Cree)

144,99 €*

A Little Togetherness / Beginning Of The End

Release: 2013 / DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with light scuffs and hairlines. Cover with a bent corner and light creasing. Copy n° 323 / 500

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The Younghearts

7" | 1967 | US | Original (Canterbury)

219,99 €*

LP | 1975 | DE | Original (Polydor)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with light scuffs and hairlines

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James Last

Non Stop Dancing 1976

3,99 €*

LP | 2024 | US | Original (Candid)

Release: 1975 / DE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Simon Moullier

Elements Of Light

27,99 €*

Someday We'll All Be Free

Release: 2024 / US – Original

Genre: Organic Grooves

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A Singular Blend of Dynamic Post-Pop & Electronic Production
Featuring The Vibraphonist’s Remarkable Quartet
Special Guests Gerald Clayton and Marquis Hill
Named One Of Downbeat's 25 For The Future

“His music is fresh, it speaks to everyone. Never heard anyone play vibes like that before.” -Herbie Hancock

“Best vibes player I’ve heard...” -Quincy Jones

In discussing Elements of Light, his fifth album as a leader, the vibraphonist-composer Simon Moullier often returns to a specific term: unfolding.

“This is an important word — the unfolding of a song,” says Moullier, who was born in France and lives in New York. “It’s something I’m very attached to, and something I’m always working on.” As he explains, many of his essential influences —Wayne Shorter, Milton Nascimento, Toninho Horta, Radiohead’s Thom Yorke, Ravel, — have been masterful unfolders in their writing. Moullier admires the movement and design in their music and harmony, the way one section of a tune leads into the next, everything flowing in a natural, beautiful, inviting way. Even the most serious intellectual musical concepts are rendered with a directness, a simplicity that can captivate a general audience. “For me, no matter how complex an idea can get,” he says, “clarity is always key.”

That’s a mature, evolved outlook for a millennial jazz musician to embrace, and it’s shared among Moullier’s youthful quartet featuring pianist Lex Korten, bassist Rick Rosato and drummer Jongkuk “JK” Kim. What’s more, these musicians of astonishing technical facility interact with the selflessness and good taste that Moullier’s song-focused music requires; to say it another way, they use their virtuosity to make the bandleader’s compositions sound as human and affecting as possible — never to preen.

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Bobby Womack

LP | 1985 | US | Original (Beverly Glen Music)

13,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with light wear

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LP | 1976 | US | Original (Mercury)

Happy Being Lonely

8,99 €*

Duke Ellington And His Orchestra

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US Terre Haute pressing. Promo stamp on back cover.

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Ellington At Newport

LP | 1956 | US | Original (Columbia)

29,99 €*

Klaus-Werner Pusch Quintet & Klaus-Werner Pusch - Kirk Lightsey Ensemble

Release: 1956 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs, closer to VG+. Cover with seam split on top spine, writing on the back, corner and shelf wear

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My Destination Crystal Clear Vinyl Edition

LP | 2024 | WW | Original (Unisono)

39,99 €*

Release: 2024 / WW – Original

Genre: Organic Grooves

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LP | 1983 | US | Reissue (Philadelphia International)

The Intruders

Super Hits

7,99 €*

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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LP | 1974 | US | Original (Brunswick)

Toby

LP | 1961 | US | Original (ABC-Paramount)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Promo copy. Cover close to VG+

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Ray Charles

...Dedicated To You

LP | 1972 | US | Reissue (Cobblestone)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has slight wear, seam split in bottom spine,Vinyl has some scuffs and light scratches. Original US mono pressing.

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Bob Freedman

The Journeys Of Odysseus

LP | 1971 | US | Original (Columbia)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

Vinyl with a couple of light scuffs. Cover with long open seam split on bottom and tape, close to VG

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John Williams

Changes

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1971 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Still in shrink, but opened

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Harold Land

West Coast Blues!

LP | 1972 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Record is slightly warped but still enjoyable.
Small light scuff on side B.
Still shrink wrapped but opened.
Cover as new with faintly worn corners.

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Miles Davis

On The Corner

73,99 €*

LP | 1975 | JP | Reissue (P-Vine)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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SOURCED FROM THE ORIGINAL MASTER TAPES: MOBILE FIDELITY 180G 33RPM SUPERVINYL LP
REVEALS MULTIPLE LAYERS OF RHYTHM, VISCERAL BASS, AND PIONEERING PRODUCTION TECHNIQUES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analogue noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.

New degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production — and the trumpeter's cutting-edge aural collages — in definitive fashion.

Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support.

With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

Exotic, intrepid, and filled with Davis' "jungle sound," On the Corner remains daringly hip more than four decades later.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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The Copeland Davis Group

Smouldering Secrets

36,99 €*

House Party New Orleans Style - The Lost Sessions 1971-1972

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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This album is the work of Copeland Davis with his own band, released in 1975. He continues to perform energetically as a pianist to this day, and later gained attention and popularity in Japan during the Free Soul and Rare Groove movements. The opening track, "NO Arms CAN Ever Hold YOU," features a beautiful melody played by Davis's refreshing piano. In contrast, the instrumental numbers are also superb, including "PERFIDIA," where light, lively touches intertwine with percussive beats, and the high-tempo, driving groove of "SO IN LOVE." Additionally, the medium-tempo soul track "JET," where Davis himself takes on the vocals, and the mellow "Morning Spring" (m6), famously sampled in Pase Rock's "It's About Time" produced by Nujabes, are standout tracks.For this reissue, the vocal version of "NO Arms CAN Ever Hold YOU," which was previously only available on a 7-inch single, has been included on an LP for the first time. This album is marked by its solid sound quality and a rich variety of songs.

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Professor Longhair

LP | 1987 | DE | Original (Zensor)

LP | 1987 | US | Original (Wilbe Recording Corporation)

Release: 1987 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with light edge wear

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Jerome Roberson & Prayz

Sing In The Spirit

5,99 €*

The Cosmic Sound Orchestra

Release: 1987 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Fly Some Funk Up To The Moon

LP | 1978 | DE | Original (EMI)

74,99 €*

LP | 1988 | UK | Original (Creation)

Release: 1978 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with light shelf wear, close to VG+

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Felt

Train Above The City

32,99 €*

LP | 1975 | NL | Original (CBS)

Release: 1988 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with light ring wear

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Gwen McCrae

Soul From Miami USA

13,99 €*

Release: 1975 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with edge wear

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LP | DE | Original (Not On Label)

Hohe Ufer Konzerte

66,99 €*

LP | 2022 | DE | Original (Roof Music)

Release: DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with tear and writing on the front, light ring wear.

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Figur Lemur

Politik und Liebe

17,99 €*

LP | 2025 | EU | Original (Latin Big Note)

Release: 2022 / DE – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Colored Vinyl with a couple of light scuffs. Cover signed by the band on the back. Copy n° 061/300

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Setenta

Apollo Solar Drive

CD | 2025 | EU | Original (Latin Big Note)

Release: 2025 / EU – Original

Genre: Organic Grooves

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10, 9, 8, 7, 6… the countdown to blastoff has started! Paris-based band Setenta is preparing for their upcoming 20th anniversary by releasing their sixth album, Apollo Solar Drive. The record is poised to be their best yet and is the culmination of an odyssey of artistic discovery. Setenta has been constantly striving for illumination through the years, yet also exploring the dark side of the human condition along the way. As the band describes it, this record is an Afro-Latin retro-futurist tribute to the sun. If their previous album, Materia Negra, launched the Setenta space shuttle crew into the void of “dark” matter and black holes, they now change course and valiantly approach the sun at full warp speed, taking us from darkness into the light. Miraculously, Setenta manage to bring some of the rhythmic and harmonic material they’ve explored on Earth with them, yet boldly dare to go where no one has gone before, challenging themselves to take their music, and their audience, to uncharted dimensions and new realms of existence.

In keeping with the themes of Materia Negra, FIP (Radio France) selection in 2020, Setenta’s sixth mission to explore “the great beyond” of “inner space” is aptly titled Apollo Solar Drive, emphasizing the band’s turning to the life-giving light of the sun for inspiration while playfully echoing the title of Eddie Palmieri’s Latin funk and social commentary masterpiece, Harlem River Drive. The overall vibe is warm and positive, propelled by the dual energy thrusters of funky, fierce beats and deceptively complex arrangements, yet going down smooth in the best sense of the word, like your favorite tropical cocktail or classic jazz dance fusion record of the 1970s. Of course this delicious treat is served with a special Setenta flavor all its own.

This time around, Apollo Solar Drive celebrates the trajectory of the band’s unique interstellar journey by deploying a resolutely jazzy, “funkadelic” angle to their beloved Afro-Latin music. Setenta’s band members tell their truths as a collective, with an emphasis on instrumental sections, focusing on the interweaving of multiple keyboards and guitars, while condensing the vocals to group choruses, as opposed to the solo voices of the past. The overall approach is more futuristic in its conception and realization, from the arrangements to the sonic engineering, although the rhythmic base still remains rooted in Afro-Cuban traditions as well as those of other Caribbean nations.

Pablo E. Yglesias (DJ Bongohead) of Peace & Rhythm (usa)

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Setenta

Apollo Solar Drive

Release: 2025 / EU – Original

Genre: Organic Grooves

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Be With 10 Years : Joyride + Labour Of Love

LP | 2024 | EU | Original (Be With)

59,99 €*

Quinteto Ternura / Trio Ternura

Release: 2024 / EU – Original

Genre: Organic Grooves

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Housed together in a stunning 380gsm board slipcase with a matt laminate soft touch finish and a UV spot varnish on the beloved Be With logo, we proudly present the Be With 10 Years record and book package.

Record contains 10 exclusive never-before-on-vinyl tracks from 10 Be With family members. 310mm square softcover book printed on a 350gsm woodfree uncoated board. Book block printed on 120gsm Dadong Lucky Bird woodfree uncoated paper. 140gram vinyl with a 380gsm jacket. 1000 copies only for the world, no repress!

THE RECORD: JOYRIDE

10 tracks for 10 Years of Be With from 10 of our favourite artists we've ever worked with over the past decade. As a happily "all over the place" label, the music, accordingly, had to be varied in vibe and style.

We start with a gorgeous acoustic folk track from Thomas Almqvist. I first heard this when our dear friend Andre Allday - who first suggested and then facilitated the Nyanser reissue - played it during our release party for the record at the amazing Hosoi in Stockholm. As something to grab your attention from the off, it's a pretty good opener, I reckon - it'll stop you in your tracks.

We move into an almost totally "lost" Lewis Taylor track, known to and beloved by only his hardest of hardcore fans. Before now, it has only ever seen the light of day on some obscure late 90s CD of "lullabies" compiled by Joan Armatrading. Us neither!

Mic Murphy from Sass/The Mighty Soulmates/The System (!!!) allowed us to use an unreleased track from his mysterious late 90s period. He sent over 7 stunning tracks and, over breakfast one winter morning with my two sons, Rocco and Bruno, the 3 of us selected the track that made us bounce the most while chomping on our cereal.

In deep fall of 2023, myself and Steven (The Funky Paramedic™) had the great pleasure of visiting Tony Henry, leader of the legendary Manchester 80s soul-funk act 52nd Street (those who "put the dance into Factory") to speak some more about a forthcoming retrospective that's been in the works for 5 years now. Fear not - it's coming! Anyway, we went into Tony's amazing studio and he played us the track you hear, here. A demo originally meant for Phyllis Hyman (I mean, come on!), he's very kindly let us use it for this record. A thousand thank yous. It's sensational.

Side A closes out with an elegant exclusive from our favourite Japanese duo, Coastlines, a tropical jazz-funk-fusion track that only they can so effortlessly craft. Sublime.

Side B opens with another total exclusive, and the title track of this compilation. "Joyride" is like some kind of swinging, G-Funk library from the Californian master of modern cinematic soul - Maston. We love everything about this dude. Speaking of California, next up is possibly the coolest ex-pat Manc in all of the Golden State.

Kenny Dickenson's instant classic "Stupid Rain" knocked me out the first time I heard it. The way it starts as a beautifully ornate ambient piece before introducing the barest of pulses to then segue into a full slo-mo cosmic chugger just gets me every time. Man's a genius.

Our great friends from Wilco, Pat and John, comprise The Autumn Defense. Two of the nicest humans in the game and "Bluebirds Fall" is chiming folk-rock at its finest. What they do best and, beyond a tiny-run CD EP decades ago, this is the only way to own this majestic stunner.

Stimulator Jones is a Stones Throw artist who we've loved ever since the epochal "Soon Never Comes" graced our ears. We're putting out his archive beats and when I asked if he had anything fresh that hadn't yet found a home, he sent over a modern / spiritual jazz movement that just blew me away. It's here.

We round out the compilation with a staccato funk-rock track from a Prince alumnus, the one and only Andre Cymone. If this track isn't blasting from radio stations from Dublab to Gilles to NTS then there's no justice in the world.

Of course, as is our way, none of these tracks have ever appeared on vinyl before. This is the only way to own them on wax. Pretty cool. As ever, all we ever want to hear is music with soul and personality. And that's what's contained here. We think we've nailed it. We think you'll like it too.

THE BOOK: LABOUR OF LOVE

Created in conjunction with the editor and design team behind Disco Pogo, Labour Of Love is our first ever book and serves as a brilliantly rich and varied document of Be With's first 10 years. It surveys our entire catalogue with the artwork for every single release faithfully reproduced in full colour accompanied by Rob's inimitable reviews.

The book contains fresh, exclusive interviews with Ned Doheny, Leon Ware, Lewis Taylor, Tommy Guerrero, Wally Badarou, Steve Moore, Pete Fowler, Kimiko Kasai, Tony Henry (52nd Street), The Autumn Defense, Coastlines and The Mighty Soulmates.

There's also fantastic contributions from a whole host of well regarded fans of the label. We have Gilles Peterson on Ned, Trevor Jackson on Nucleus, Efficient Space on Steve Hiett and the joy of collaboration in a competitive industry, Bill Brewster on Marti Caine, Balearic Mike on Kylie and Lou Hayter on her beloved Air.

We explore the development of the Be With logo and also take an insider's look at the journey of a typical Be With record; from the mastering stage with Simon Francis, cutting it up with Cicely Balston, the artwork ordeals with Chris Stevenson, pressing matters with Record Industry, slinging product with ace distributors Word And Sound, stocking product with our favourite London record shop When Spaceships Appear and even packing records for direct orders with our very own Funky Paramedic.

There's also an irreverent look at the legendary Reissue Request Line over on Facebook, with many hints at things to come.

Beautifully designed and printed, the book is a large format (310mm square) softcover gem, printed on a 350gsm woodfree uncoated board. It's been block printed on 120gsm Dadong Lucky Bird woodfree uncoated paper. It's housed in a stunning 380gsm board slipcase with a matt laminate soft touch finish and a UV spot varnish on the beloved Be With full colour logo.

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Baby / Filho De Zambi

7" | 2016 | UK | Reissue (Mr Bongo)

LP | 2024 | EU | Original (Al Dente)

Release: 2016 / UK – Reissue

Genre: Organic Grooves

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We’ve taken a selection of the most in-demand and asked-for titles in our Brazil 45’s catalogue and given them a loving remaster and repress.

This edition takes two hugely sought-after tracks from Quinteto Ternura, and their original outfit Trio Ternura, and cuts them loud and proud on either side of a seven inch.

First up, a hit of pure sunshine from Quinteto Ternura. Trio Ternura, who were made up of two sisters, Jussara, Jurema and their brother Robson, also formed Quinteto Ternura by joining forces with Léo and Zé Roberto. ‘Baby’ is an absolutely killer, blissful Brazilian modern soul jam written by Caetano Veloso, arranged by Arthur Verocai, covering Gal Costa. Once a real rarity in Brazil, this beauty is now accessible for all to enjoy and is one that rarely leaves our record bags. Taken from the Quinteto Ternura self-titled LP from 1974.

On the flip side, ‘Filhos De Zambi’ is an exquisite, uptempo samba-funk cut from the same year, but released as the siblings original Trio Ternura lineup. Infectious, feel-good fire from the trio, co-written by their father Umberto Silva and José Ribamar. Contains a brilliant, harmonised chorus and wondrous key change that is sure to light up any dancefloor.

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Alex Puddu

Deliria

30,99 €*

LP | 2024 | US | Original (Leaving)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Multi-instrumentalist, composer and producer Alex Puddu (Al Dente/Schema Records) with a solo release discography of 16 albums, among which stand out the three original volumes of the red-light soundtracks of Danish films ” The Golden Age Of Danish pornography", and also known for his collaborations with Edda Dell'Orso (Maestro Ennio Morricone's legendary vocalist,) Joe Bataan, Lonnie Jordan of L.A funk band War, and Gene Robinson Jr of Breakwater.

Alex Puddu will follow the previews singles Texas Blonde and Pullover Grigio releasing after the summer, for the first time a brand new album in Italian language, called ”Deliria” proposing a new sound that drags us into the Italian funk music of the late seventies and early 80s, and the new music from the italian indie pop and new disco scene, within names like, Nu Genea, Pellegrino. Viscardi & Il Duo Magnetico, Frah Quintale, Marco Castello and up to the electronic sounds, between adult oriented soul and disco that are part of the unmistakable style of Alex Puddu's writing and production.

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Sharada Shashidhar

Soft Echoes

Exotic Percussion Sea Glass Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Los Angeles-based vocalist, composer, and producer Sharada Shashidhar has a deep awareness of the cosmos. There’s a distinct tug-of-war in her music, an understanding that scanning the heavens to answer existential queries isn’t quite enough; there are internal depths to plumb as well. Shashidhar’s first album, 2020’s Rahu, found her voice billowing out of smoky, post-beat-scene soundscapes, meditating on the collective unconscious and the energy exchange between all living things. Her newest work, Soft Echoes (out September 27th on Leaving Records), is a bold step forward, eschewing her previous work’s hip-hop tilt for expansive compositions that blend jazz and Indian classical influences into a swirling, spiritual whole.

Though she has an extensive resume as a collaborator in LA’s experimental jazz scene, notching work with the likes of Carlos Niño, Zeroh, and the Pan Afrikan Peoples Arkestra, Soft Echoes marks Shashidhar’s first outing as a bandleader.

Gathering an ensemble thatincludes Anna Butterson bass, Julian Rodriguezon keys, Devin Danielson saxophone, and Timothy Anguloon drums, Shashidhar sought to create a band that ostensibly functioned asan extension of herself. Her primary goals in writing these songs were to “let [her] body do whatit wanted to do,” to trust her intuition, and “play without judgment.” Through that process, making Soft Echoes became a practice of presence and exploration, a chance to unlearn rigidstructures and rediscover the joy of creating for oneself. Recording took place over three brief, distinct sessions at Altamira Soundin Alhambra, California.

She describesthe album as having “two poles,” illustrated by the whimsical, buoyant opener “Soft Echoes” and the darker, more anxiety-ridden closer, “New Echoes.” The songs in betweenmay come from different emotional spaces, but “it’s all really reflective,” she explains. The album can play like a loop, with Shashidhar entering a portal “into the endlessness” during “NewEchoes,” only to be transported back to the beginning, full of gratitude and pondering “howstrange it is to be alive.” ”

She describesthe album as having “two poles,” illustrated by the whimsical, buoyant opener “Soft Echoes” and the darker, more anxiety-ridden closer, “New Echoes.” The songs in betweenmay come from different emotional spaces, but “it’s all really reflective,” she explains. The album can play like a loop, with Shashidhar entering a portal “into the endlessness” during “New Echoes,” only to be transported back to the beginning, full of gratitude and pondering “howstrange it is to be alive.”

On Soft Echoes, Shashidhar leads us on a journey through her mind,traversing its peaks and canyons in search of greater connection. “I want to take people places,”she says, pausing thoughtfully. “I can’t always guarantee that they’re good places, [but] hopefully you’ll feel something.”

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Martin Denny

LP | 1961 | US | Reissue (Jackpot)

LP | 1992 | UK | Original (About Time)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Sourced From The Original Master Tapes; Out of print since the 1960s

Now joining Jackpot Record's ever-expanding collection of Martin Denny re-issues is the hypnotic "visual sound" of Exotic Percussion, which has not been on vinyl since its original release in 1961.

His production on Exotic Percussion is ambitious, adventurous, and fascinatingly futuristic, especially when a tumbler with ice was still the preferred way to let loose. Xylophones and chimes swim from ear to ear; traditional jazz instrumentation collides with such musical oddities as boo bas, shamisens, Manga harp, and Burmese gongs.

As always, the choice of compositions on a Martin Denny record is a bizarre yet exciting spin around the globe, but this one is even weirder than usual. From the faster-than-light of "Cumana" to the luscious groove of "Moonlight On The Ganges" (made famous by Frank Sinatra and a track that is still being played on a loop at Disneylan's Jungle Cruise attraction), it's a whiplash of a ride. But the stand-out on the record is the combo of "Misirlou" (which would be made famous a few years later by Dick Dale and even decades later with its appearance in Pulp Fiction).

So join the conga line and head out into the street as Martin Denny once again creates a world we yearn to return to and an album we can always revisit.

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Willie Clayton

Open The Door

29,99 €*

7" | 2017 | Original (Plane Jane)

Release: 1992 / UK – Original

Genre: Organic Grooves

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Miles Bonny

Hello Jesus

Gran Serie - Beny Moré - Sonero Mayor - Vol. VII

Release: 2017 / Original

Genre: Organic Grooves

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Beny More

LP | 1982 | CU | Original (Areito)

Transfiguration Vinyl Me, Please Edition

Release: 1982 / CU – Original

Genre: Organic Grooves

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Alice Coltrane

2LP | 1978 | US | Reissue (Vinyl Me, Please)

43,99 €*

A Little Touch Of Schmilsson In The Night Vinyl Me, Please Edition

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Recorded live at a UCLA concert hall in April 1978, Coltrane plays piano and organ accompanied by Roy Haynes on drums and Reggie Workman on bass. The trio conjures both a universe and a universal consciousness; Coltrane has no qualms with the commingling of exhilaration and asceticism it demands of listeners. In fact, she demands that you come closer, to its tone and to your natural self.

What this feels like in one aspect is Black music’s Bonnie and Clyde fantasy realized. What if we escape from mundane language and commune fully in these codes of light and frequency? It doesn’t have to be strange or timid. What if we pragmatically exceed ourselves and gather in silhouette as light bodies, here, on stage in plain sight?

Alice and John were both fugitives from received values and ideas that felt too limiting, and their shared refuge was this sound that can only culminate in the spirit displacing and becoming the body through a series of collective gestures made both into song and a live ritual as is this album. There are very few pieces in the so-called American Songbook with stakes this high and encompassing in their insistence on transformation. One is John Coltrane’s A Love Supreme, another, Transfiguration.

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Harry Nilsson

LP | 2024 | US | Reissue (Vinyl Me, Please)

35,99 €*

The Don Rendell / Ian Carr Quintet

Release: 2024 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
The phrase “standards album” was unheard of in 1973, yet within 20 years it had become common parlance in the careers of artists going back to the basics to underscore their vocal prowess. With A Little Touch of Schmilsson in the Night, Nilsson created the template of the solo contemporary singer accompanied by a live orchestra, which set the bar for what followed from Rod Stewart, Linda Ronstadt, Bryan Ferry, and countless others. The decision to make an album like this one would have been unusual for any contemporary artist around at that time, but it was especially strange for Nilsson. His two most recent rock albums had been incredibly successful, and RCA was surely clawing for another guaranteed hit, but, for Nilsson, this was just another twist and turn in his career.

It is mind-boggling how far ahead Harry Nilsson was in recording A Little Touch. But where other musicians have turned to a standards album as a way to extend or even resurrect their career, Nilsson made one at his absolute artistic peak. No one has had the guts to do it like he did, before or since — and Nilsson knew it.

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Shades Of Blue

LP | 2019 | UK | Reissue (Jazzman)

LP | 2022 | EU | Original (Blue Note)

Release: 2019 / UK – Reissue

Genre: Organic Grooves

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Wayne Shorter

Adam's Apple

LP | 2024 | US | Original (Aaron Abernathy Music)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Aaron Abernathy

From The Throne Room

28,99 €*

LP | 2016 | US | Reissue (Scepter)

Release: 2024 / US – Original

Genre: Organic Grooves

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Aaron Abernathy has been firmly established in the modern soul scene for almost two decades, and he continues to elevate his craft as a songwriter and performer. His latest LP “From the Throne Room” once again demonstrates a rare ability to seamlessly shift between lyrical themes and musical styles, and it is his most inspired and uplifting album to date. The turmoil caused by the pandemic was especially hard on touring musicians, and as a veteran musical director and bandleader who has regularly traversed the globe, Abernathy was certainly affected. Instead of wallowing in grief and darkness, he tapped into his gifts as a songwriter and lyricist to manifest light and optimism in his own life. As expressed on the opening track “New Relationship,” this “new way of seeing” kicked open some new creative doors for him as a musician and producer, with a wide variety of influences. The four-to-the-floor push of “A Reason to Smile” brings to mind 80’s post-disco boogie, “Show Off” shows off a modern rock edge, and the booming, driving energy in tunes like “Hope Song” and “Joy” is reminiscent of the electric 60’s soul of Wilson Pickett and Otis Redding. With its catchy hooks, powerful lead vocals, and slick self-produced arrangements, “From the Throne Room” proves that Aaron Abernathy remains one of the most talented singer/songwriters of his generation in contemporary soul music.

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Allen Toussaint

Toussaint

58,99 €*

Sun Ra Arkestra Under The Direction Of Marshall Allen

Release: 2016 / US – Reissue

Genre: Organic Grooves

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Medium: VG+, Cover: Near Mint

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Lights On A Satellite Black Vinyl Edition

2LP | 2024 | EU | Original (In + Out)

38,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Sun Ra Arkestra Under The Direction Of Allen Marsh

Lights On A Satellite

2LP | 2024 | EU | Original (In + Out)

42,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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7" | 1998 | CH | Original (Wowsville International)

The Mercy Sluts

600$ Tune

54,99 €*

Katharine Whalen's Jazz Squad

Release: 1998 / CH – Original

Genre: Organic Grooves

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Let's Get Lost: Songs Chet Sang

LP | 2024 | US | Original (Modern Harmonic)

30,99 €*

LP | 2007 | US | Reissue (Now-Again)

Release: 2024 / US – Original

Genre: Organic Grooves

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Katharine Whalen of Squirrel Nut Zippers fame, makes a triumphant return with her Jazz Squad featuring Austin Riopel on guitar, Danny Grewen on trombone, and the great Griffanzo on pianos. This time the chanteuse delivers an entire album of breezy west coast jazz sounds in the form of a tribute to Chet Baker.

It was around 1996 when Katharine Whalen first made her grand entrance onto culture’s collective radar as the sultry, yet effervescent voice of the Squirrel Nut Zippers, where she remained until their initial disbandment around the turn of the century. In addition to the Zippers putting dixieland jazz on the pop charts in the 1990s, they sneakily introduced an unsuspecting "alternative" crowd to jazz music. Her cultural impact was also felt when she voiced the song "You You You You You" a standout track from Stephin Merritt's (The Magnetic Fields) project titled The 6ths. That song would also find its way into commercials and the film Pieces of April.

After recording one solo album for Mammoth Records shortly after leaving the Zippers, Whalen stepped out of the public eye. However, she’s remained very much in the spotlight of one unique small town; Hillsborough, NC, which has been referred to as Twin Peaks meets Northern Exposure. It’s a surreal literary, liberal Mayberry. If you find yourself in this Southern portal, you can find Katharine Whalen's Jazz Squad playing monthly in a cocktail bar appropriately named Yonder.

The album was recorded in an old chapel in Hillsborough by North Carolinian royalty, Jerry Kee (Polvo, Superchunk, The Kingsbury Manx). Each song was recorded with the band all playing together in the same room, the way the old jazz records used to be put to tape.

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East of Underground

East Of Underground

2LP | 2024 | UK | Original (Riaz)

Release: 2007 / US – Reissue

Genre: Organic Grooves

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Jaubi

A Sound Heart

30,99 €*

LP | 1977 | US | Reissue (Superior Viaduct)

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The core members of Jaubi are true masters of their craft, coming from a rich lineage of accomplished musicians. Kashif Ali Dhani is a classically trained tabla master from the Punjab gharana, and is the accompanist of choice on the local scene for some of Pakistan's great classical vocalists and instrumentalists, as well as in Europe and the USA. Zohaib Hassan Khan is a 7th generation sarangi master, who has performed globally, and is one of only 3 professional sarangi players left in Pakistan. Multi-instrumentalist, composer and Jaubi bandleader Ali Riaz Baqar aka Ila Zair began his musical journey as a hip-hop enthusiast, evolving into a jazz guitarist following the exposure to the genre’s rich sampling culture. He then became a disciple of the Senia-Shahjahanpur gharana, a lineage of musicians specialising in the sarod. His playing now focuses on merging North Indian classical music with modern jazz harmony on a traditional, unaltered 6-string electric guitar.

The collaborative relationship between the core group and wider collaborators dates back to April 2019, when 22a label founder and multi-instrumentalist Tenderlonious and EABS/Bloto keyboard and synth maestro Marek ‘Latarnik’ Pędziwiatr travelled to Lahore, Pakistan to take part in some improvised recording sessions with Jaubi. Nothing whatsoever was written down during the recording sessions – no sheet music, no song titles. It was sincere, bottled lightning. All egos were left behind, with hearts and souls being opened and poured into the music. The result has been described as spiritual jazz-fusion meets psychedelic Hindustani classical with nods to golden era hip hop.

An adventurous and absorbing record ‘A Sound Heart’ is the next chapter for Jaubi, both sonically and spiritually. The title is inspired from a verse in the Holy Qu’ran (26:89), where one comes to God with a spiritual or sound heart (Qalb) which is sincere, without doubts and free of materialistic attachments. Importantly it refers to a state where the heart is spiritually healthy and content with only God. A Sound Heart’s basis is goodness, rooted in love. In this case, it is the love for one’s creator. The album also acts as a tribute to fallen heroes, paying respect to the greatness that has come before, casting new light via cross-cultural collaboration and improvisation.

Throughout this incredible journey, meditative ragas blend with Herbie Hancock-esque motifs, joined by lament-filled contemporary melodies intertwining with the intricate sounds of the sarangi and earthy layering of the tabla. A true masterpiece of composition from start to finish.

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Joe McPhee

Tenor

LP | 1976 | US | Reissue (Superior Viaduct)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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“There are lots of outstanding Joe McPhee LPs. Nation Time being chief among them, but there’s also Pieces Of Light, Oleo and Topology. The Poughkeepsie, New York-based multinstrumentalist, by now an international star of free music, has amassed a daunting discography, no doubt. If you want to peer deeply into the soul of Joe McPhee, however, there’s no way around it, you need to spend some quality time with Tenor. “Tenor is McPhee’s first solo record. He did not set out to make it. It was an afterthought, quite literally, born of a gathering of friend s at the Swiss farmhouse of cellist Michael Overhage. A beautiful meal, some drinks, warm conversation, and ... why not, an impromptu recital. Hat Hut producer Werner X. Uehlinger was there and a year later issued it as McPhee’s third LP for the label (Hat Hut C in their famed letter series). “The existential blues ‘Knox’ sets the stage, indicating that this will not just be a toss-off postprandial singalong. ‘Good-Bye Tom B.’ carries on with aching melancholy, through burred notes and hushed harmonics. The relatively jaunty ‘Sweet Dragon’ is also emotionally loaded with Ayler-esque vibrato, slurs, wipes, and blasts of tone. The side-long title track comes without a theme, as a kind of pure investigation of the horn, its potential, its limits, its expressive capacity. There have been few solo sessions as comprehensive and devastating as this spontaneous after-dinner diversion in rural Switzerland in 1976. We’re very lucky someone pressed record.” John Corbett (excerpt from the liner notes)

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Joe McPhee

The Willisau Concert

LP | 1982 | US | Original (Cotillion)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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“Joe McPhee’s first international release, Black Magic Man, was issued on the newly formed Hat Hut imprint in 1975. It was a watershed moment for the 35-year-old musician. Based in Poughkeepsie, New York, he was too far away from Manhattan to have participated extensively in the Loft Jazz happenings of the decade. European exposure, however, would give McPhee an alternative circuit, something of an escape route from the trappings of American cultural myopia. “In support of the new record for this Swiss label, McPhee invited John Snyder on a European tour in October 1975. Snyder was a synthesizer player with whom McPhee had made the duet LP Pieces Of Light, released a year earlier on CjR. The two musicians developed an extensive repertoire, playing diverse spaces in the Hudson Valley. Geographically close gigs were a plus, since it took extra energy to hoist Snyder’s ARP 2600. “McPhee and Snyder were invited to play at the Willisau Jazz Festival in Switzerland. If you compare this live record with Pieces Of Light, a studio effort, it’s considerably more open. South African drummer Makaya Ntshoko is rolling thunder on the choral ‘Voices,’ shuffling under Snyder’s bubbly beat on ‘Bahamian Folksong.’ It is quite a special combination, enough so that Hat Hut chose to release it as their next LP, Hat Hut B in their alphabetical series. The Willisau Concert represents the sound of Joe McPhee opening up, opening out, expanding his field of operations to include new figures, fresh experiences, new continents of sound.” John Corbett (excerpt from the liner notes)

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Stacy Lattisaw

Sneakin' Out

6,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves

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LP | 1959 | US | Original (Mercury)

Jimmy Cleveland

A Map Of Jimmy Cleveland

7" | 2024 | UK | Original (Ace)

Release: 1959 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Sticker stain on front and back cover. Storage and corner wear. Surface marks and lighter scratches.
Original US deep groove pressing!

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John Lee Hooker

Beginnings

Release: 2024 / UK – Original

Genre: Organic Grooves

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Celebrating the 75th anniversary of three top 10 R&B singles - “Hobo Blues”, “Hoogie Boogie” and “Crawlin’ King Snake.” This 4-track EP includes the bonus track, “Hastings Street Boogie,” which is also celebrating its 75th anniversary.

It was sixty years ago, in June 1964, when John Lee Hooker entered the British singles charts for the first time with “Dimples,” peaking at #23. The track had been cut for the Vee-Jay label in America some eight years prior in Chicago. “Boom Boom,” issued in the UK in 1963, had already caught the ears and feet of the nascent mod movement. Both songs became live staples on the British blues scene, with The Animals covering both on their debut UK LP issued later in 1964.

But in 1952, way before the sharp-suited mods were attracted to John Lee Hooker’s equally well-cut look and infectious music, the British Vogue label had issued “Hoogie Boogie,” recorded in 1949, on a 78rpm disc. Blues music was for the aficionado back then, and the four tracks on this EP hark back to those earliest recordings by John Lee Hooker. “Hobo Blues,” “Hoogie Boogie,” and “Crawlin’ King Snake” all went Top 10 in the US R&B chart in 1949.

This is unadorned John Lee Hooker, getting to the heart of his blues and boogie, just guitar, vocal, and tapping foot, 15 years before his music caught the ears of a wider and enthusiastic British audience. Decades may have passed, but the music remains fresh and vital.

This EP is housed in a beautiful period-era sleeve drawn and designed by Niall McCormack.

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The Living Word: Wattstax 2

2LP | 2023 | US | Original (Craft)

Disco Tex & His Sex-O-Lettes

Release: 2023 / US – Original

Genre: Organic Grooves, Soundtracks

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Medium: VG, Cover: Near Mint

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Disco Tex & The Sex-O-Lettes Review

LP | 1975 | US | Original (Chelsea)

4,99 €*

LP | 1988 | US | Reissue (Portrait)

Release: 1975 / US – Original

Genre: Organic Grooves

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Medium: G+, Cover: VG

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Herbie Mann

When Lights Are Low

8,99 €*

Release: 1988 / US – Reissue

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

Ravi Shankar & André Previn - London Symphony Orchestra

Concerto For Sitar & Orchestra

LP | 2023 | DE | Original (Warner Classics)

7" | 2024 | US | Original (Cold Busted)

Release: 2023 / DE – Original

Genre: Organic Grooves

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Medium: VG, Cover: Near Mint

Small light scuff on side A.
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Goodge

Sunday Soul

15,99 €*

LP | 2024 | JP | Original (P-Vine)

Release: 2024 / US – Original

Genre: Organic Grooves

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In his latest EP, Sunday Soul, Goodge takes listeners on a four-track journey through the heart of funk, masterfully blending elements of R&B, jazz, and chilled lo-fi. Released as part of Cold Busted's Jet Set series, this four-song offering follows Goodge's 2023 album Echoes Of Yesterday and showcases his dedication to crafting timeless music. "Lights Out" kicks off the EP with heavy funk and stirring breakbeats, accompanied by a scratchy guitar that summons the revolutionary spirit of the '70s. Horns serve as a call to action, while a rollicking bass line and chunky electric piano might inspire listeners to go out and fight crime. "Promised Land" follows, featuring a formidable funk bass guitar and lead guitar chords that rhythmically play off the delightfully busy drums, creating an atmosphere reminiscent of the city's bustle. The title track, "Sunday Soul," is a rowdy affair with a speech-over-beats leading to crispy snare rolls and chiming electric piano. Shaker magic, staccato horn bleats, and spiral flute bits combine to create a swirling vintage-hued photograph of sound. The EP concludes with "Within Myself," a spacier sonic experience that could serve as the soundtrack for chasing someone across rooftops. It's funk spelled with a capital K. Sunday Soul is a must-listen for fans of of the heavier side of funk, solidifying Goodge's position as a master of his craft, creating a nostalgic yet fresh soundscape that keeps listeners grooving back for more.

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Maurice White

Manifestation

34,99 €*

LP | 1980 | US | Original (Cotillion)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Maurice White, the founder and leader of Earth, Wind & Fire and an undisputed soul legend, left us in 2016, leaving behind a treasure trove of unreleased recordings. Teaming up with producer and singer-songwriter Preston Glass, Maurice White's hidden gems come to light in the form of the collection "Manifestation." Although he only officially released one solo album during his lifetime, it turns out that he had recorded numerous wonderful tracks. This collection is like a set of precious demo tracks, akin to uncut diamonds waiting to be polished. If Maurice were still with us, it's undeniable that several hit songs and classics would have been born from these recordings. Filled with catchy melodies showcasing Maurice's genius musical sense, "Manifestation" is a testament to his enduring legacy, reminding us of the many chart-topping songs he brought into the world.

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Stacy Lattisaw

Let Me Be Your Angel

LP | 2023 | DK | Original (April)

Release: 1980 / US – Original

Genre: Organic Grooves

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Little North

Wide Open

LP | 1979 | US | Reissue (Stax)

Release: 2023 / DK – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG+

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Bar-Kays

Gotta Groove

23,99 €*

LP | 1980 | US | Original (Capitol)

Release: 1979 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Sun

Sun Over The Universe

LP | 1987 | DE | Original (Solar)

Release: 1980 / US – Original

Genre: Organic Grooves

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Lakeside

Power

4,99 €*

LP | 1989 | Reissue (Westbound)

Release: 1987 / DE – Original

Genre: Organic Grooves

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Ohio Players

Pain

LP | 1989 | EU | Original (Elektra)

Release: 1989 / Reissue

Genre: Organic Grooves

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Sharp

4,99 €*

LP | 1974 | US | Original (Strata-East)

Release: 1989 / EU – Original

Genre: Organic Grooves, Pop

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Juju

Chapter Two: Nia

289,99 €*

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G

Vinyl with a couple of very small and light scuffs. Cover with ring, shelf wear and completely open top spine.

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Ensatina HHV Exclusive Marsh Green Smoke Colored Vinyl Edition

LP | 2024 | US | Original (Big Crown)

23,99 €*

LP | 1980 | JP | Reissue (Pony Canyon)

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

Limited to 150 copies, only available at HHV!

Homer Steinweiss has an incredibly storied career in music that started when he was just a teenager. He's drummed for nearly every "retro soul" group that mattered and his distinctive stickwork helped blend the raw-but-receptive soul sound back into the mainstream via the likes of Amy Winehouse & Sharon Jones. He's now one of the most in demand drummers in the world, playing with Jonas Brothers, Clairo, Solange, Adele, and Bruno Mars to name a few. With his debut solo release Ensatina, Homer is stepping to the forefront as both musician and producer. His new record is a reection of who he is now and a testament to how struggle often brings about a needed change. In 2020 Homer had to reckon with considerable emotional turbulence; at the same time that his band Holy Hive broke up, a personal relationship of 20+ years fell apart putting Homer in an uncertain place mentally. The fallout was signicant enough for him to seek professional help. "I was going through these super manic highs and then very depressive lows," Homer describes. "And being in all that, it's just so tough to imagine that the other side is there, that it'll be ok." But, with time, professional help, and support from friends and family, Homer made it through and has been forever changed. This album is a product of that period of his life. The rst song from these sessions, "Now That It's Over" perfectly sums up Homer's triumph through those tough times. It's a song of changing perspective and contemplation with haunting vocals from Hether and Flikka. "Paul (Castelluzzo_ aka, Hether), as a friend, saw me through these highs and lows," Homer points out. "I only had the one line, 'Now that it's over, I'm alright,' but he felt that lyric so much that he wrote all these sections and lyrics and basically completed the song. It was like he was writing to me." Hether also features on album standouts "Deep Sea", a modern love song, "Start Select", a juxtaposition of inspiration and melancholy, and "Forever and Ever and Ever and Ever" which is an incredible contemporary take on the B side soul ballad. Homer uses his innate gift for bringing seemingly opposing energies together on "Racecar Driver", pairing the vocals of Hether & long time friend and collaborator KIRBY to make a genre challenging banger. KIRBY also graces the album opener "Rollin'", an airy, warm-weather invoking song that her raspy voice perfectly compliments. He puts his drumming front and center on "So Get Up!", a bottom heavy infectious track that MINOVA's vocals turn into an instant hit that is sure to smash speakers. On "Wishing Well" & "Hide It Behind the Light I'm Shining Through" Homer is joined by girl named GOLDEN, who's unique voice effortlessly nds the pocket in each tune. The man on trumpet, and fellow Big Crown label mate Dave Guy, puts his incomparable playing on the album closer "Goldie" which Homer says is the part of the movie where the credits roll. Making this album was a refuge for Homer and it put him back on track. Ensatina is a glimpse into the different energies and inuences that make Homer tick. To say he was always much more than a drummer would be an understatement, and this rst solo offering is just the beginning of his next chapter.

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Junko Hirotani

Blendy

45,59 €* 47,99 € -5%

LP | 1975 | JP | Reissue (Pony Canyon)

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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DJ Yoshizawa dynamite.jp, an avid record digger and "wamono" style expert who has been active as a professional DJ, remixer, composer, and producer in Japan since the late 80s, published his record guidebook "Wamono A to Z" in 2015. The book introduced many classic and rare Japanese Groove records that were not yet known at the time.

Now, DJ Yoshizawa dynamite.jp recommends four rare light mellow funk and soft rock LPs by Junko Hirotani, Kyoko Omiya & Orange, and Chie Sawa. These LPs were released on the independent Japanese label Pony Canyon from 1974 to 1980.

These albums feature the participation of Haruomi Hosono, Ken Sato, Masaki Matsubara, Masataka Matsutoya, Masayoshi Takanaka, Shigeru Suzuki, Taeko Onuki, Tatsuo Hayashi, Tatsuro Yamashita, Tetsuji Hayashi, Yuji Toriyama, Yukihiro Takahashi, and others.

All songs have been digitally remastered and reissued on translucent color vinyl with a Japanese obi.

Put the needle on the record, turn up the volume, and dig into "Wamono A to Z" right now!

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Junko Hirotani

Sono Ai Ni..

45,59 €* 47,99 € -5%

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Ensatina Orange Vinyl Edition

LP | 2024 | US | Original (Big Crown)

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

Homer Steinweiss has an incredibly storied career in music that started when he was just a teenager. He's drummed for nearly every "retro soul" group that mattered and his distinctive stickwork helped blend the raw-but-receptive soul sound back into the mainstream via the likes of Amy Winehouse & Sharon Jones. He's now one of the most in demand drummers in the world, playing with Jonas Brothers, Clairo, Solange, Adele, and Bruno Mars to name a few. With his debut solo release Ensatina, Homer is stepping to the forefront as both musician and producer. His new record is a reection of who he is now and a testament to how struggle often brings about a needed change. In 2020 Homer had to reckon with considerable emotional turbulence; at the same time that his band Holy Hive broke up, a personal relationship of 20+ years fell apart putting Homer in an uncertain place mentally. The fallout was signicant enough for him to seek professional help. "I was going through these super manic highs and then very depressive lows," Homer describes. "And being in all that, it's just so tough to imagine that the other side is there, that it'll be ok." But, with time, professional help, and support from friends and family, Homer made it through and has been forever changed. This album is a product of that period of his life. The rst song from these sessions, "Now That It's Over" perfectly sums up Homer's triumph through those tough times. It's a song of changing perspective and contemplation with haunting vocals from Hether and Flikka. "Paul (Castelluzzo_ aka, Hether), as a friend, saw me through these highs and lows," Homer points out. "I only had the one line, 'Now that it's over, I'm alright,' but he felt that lyric so much that he wrote all these sections and lyrics and basically completed the song. It was like he was writing to me." Hether also features on album standouts "Deep Sea", a modern love song, "Start Select", a juxtaposition of inspiration and melancholy, and "Forever and Ever and Ever and Ever" which is an incredible contemporary take on the B side soul ballad. Homer uses his innate gift for bringing seemingly opposing energies together on "Racecar Driver", pairing the vocals of Hether & long time friend and collaborator KIRBY to make a genre challenging banger. KIRBY also graces the album opener "Rollin'", an airy, warm-weather invoking song that her raspy voice perfectly compliments. He puts his drumming front and center on "So Get Up!", a bottom heavy infectious track that MINOVA's vocals turn into an instant hit that is sure to smash speakers. On "Wishing Well" & "Hide It Behind the Light I'm Shining Through" Homer is joined by girl named GOLDEN, who's unique voice effortlessly nds the pocket in each tune. The man on trumpet, and fellow Big Crown label mate Dave Guy, puts his incomparable playing on the album closer "Goldie" which Homer says is the part of the movie where the credits roll. Making this album was a refuge for Homer and it put him back on track. Ensatina is a glimpse into the different energies and inuences that make Homer tick. To say he was always much more than a drummer would be an understatement, and this rst solo offering is just the beginning of his next chapter.

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Ensatina Black Vinyl Edition

LP | 2024 | US | Original (Big Crown)

23,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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CD | 2024 | US | Original (Big Crown)

Ensatina

Release: 2024 / US – Original

Genre: Organic Grooves

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Tape | 2024 | US | Original (Big Crown)

Ensatina

CD | 2024 | UK | Original (Mr Bongo)

Release: 2024 / US – Original

Genre: Organic Grooves

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Dora Morelenbaum

Pique

15,99 €*

LP | 2021 | UK | Original (Warp)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Pique is the sensational debut solo album from Dora Morelenbaum, one of the key talents spearheading Brazil’s new musical wave. A member of the Latin Grammy award-winning band, Bala Desejo, Dora showcases a new side to her solo productions on this special LP. Whereas Dora’s first solo EP, Vento de Beirada, was a leap of faith, Pique sees her soaring as one of Brazil’s standout stars, emboldened, emphatic but ever elegant. Building bridges between past and present, it’s a funkier, more groove-based affair, weaved together with those signature, slower, celestial tracks. Touching on disco, MPB, soul, R&B and jazz, the album is enriched with an indie pop aesthetic courtesy of fellow Brazilian star and co-producer, Ana Frango Elétrico.

With an ethereal, enveloping air few can match, Dora’s gift shines through both the serene and the spirited songs contained within. The blissful, sun-soaked ‘Não Vou Te Esquecer’ opens, before the funk-fuelled, feel-good ‘Venha Comigo’ and ‘Sim, Não.’ give a glimpse of the creativity bursting from the production partnership between Dora and Ana Frango Elétrico. Elsewhere, the album reclines into hazy lean-back realms via ‘A Melhor Saída’ and ‘Petricor’, virtuoso jazz funk in the form of ‘VW Blue’ and radiant MPB through the album’s title track ‘Pique’.

The drumming is tight, fresh and swung, the horns and strings deftly arranged, as funk-driven basslines and strutting guitars mesh with playful production touches that give an added vibrancy to the record. It is an album that exhibits every side of Dora and one she has been involved in from the ground up, from the songwriting, singing, arrangement and production to booking the studio time and sourcing the artwork designer, Maria Cau Levy.

An exchange of musical ideas powers every great scene and Rio’s contemporary landscape is no different - a family of interconnected musicians and friends that collaborate on each other’s productions. Pique is graced by a wealth of these leading Brazilian lights including her Bala Desejo bandmates Lucas Nunes, Julia Mestre and Zé Ibarra, as well as Guilherme Lirio, Alberto Continentino and Tom Veloso to name just a handful. This exchange crosses generations merging tradition with modernity. In a full circle moment, Dora’s parents Paula and Jaques Morelenbaum, who featured in countless recordings from Tom Jobim's Nova Banda and Ryuichi Sakamoto to Gal Costa and Gilberto Gil, join on the album through backing vocals and arrangement.

Pique sees Dora embrace a freedom through fresh forms, showcasing the depth and diversity of her creative artistry. An infinitely listenable release that nods to Brazilian greats like Gal Costa, Banda Black Rio and Lincoln Olivetti, fused with the indie pop edge of Ana’s production. The result is truly unique and sure to be a future Brazilian classic.

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Flying Lotus

Yasuke

28,99 €*

LP | 2021 | UK | Original (Gondwana)

Release: 2021 / UK – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Portico Quartet

Terrain

34,99 €*

12" | 1986 | BE | Original (Jade)

Release: 2021 / UK – Original

Genre: Organic Grooves, Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: Near Mint

Blue Vinyl with a couple of light scuffs

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The Three Ladies

Spanish Harlem

29,99 €*

Release: 1986 / BE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1978 | US | Original (DiscReet)

Frank Zappa

Studio Tan

12,99 €*

LP | 1964 | US | Reissue (Prestige)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Don Patterson

Hip Cake Walk

2LP | 2004 | EU | Original (Strange Ways)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Near Mint

Small light scuff on side 2.

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Kari Bremnes

Norwegian mood

Pagaia (Feel Fly Versions) Black Vinyl Edition

Release: 2004 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Cover as new with slightly worn corners.
Small light scuff on side 4.

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Tony Esposito

12" | 1983 | EU | Original (Archeo)

Release: 1983 / EU – Original

Genre: Organic Grooves

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Archeo Recordings' rewarding relationship with Tony Esposito continues on AR027, as the label provide a remastered reissue of his transcendent fusion-pop masterpiece "Pagaia" alongside a trio of brand new reworks from Perugia's mighty Feel Fly. Whether you're looking for cosmic house, mellow acid, trancey techno or dubby downbeat, these remixes have you covered, and the original remains a true work of art. Available in all good record stores on 12th July as a 50 copy super limited edition on Solid Blue Vinyl (including gadget scarf) and limited black vinyl edition.
50 copy Solid Blue Vinyl Edition (including gadget scarf), and also limited black vinyl run "Pagaia" hails from the Neapolitan percussionist's 1982 LP Tamburo, his first release for the brilliant Bubble imprint. Though the album delights and excites from start to finish, dancing through jazz-funk, Mediterranean pop, slow disco and smooth fusion, it's "Pagaia" which is first among equals. Esposito's nuanced hand drums lay the foundation for Claudio Pizzale, Sara Borsarini and Simona Pirone's wordless vocals, a life affirming chorus which carries us onto the swell of bass, piano and horns which drive the track through four and a half minutes of emotional release. Emphatic and expressive, the track transports the listener into a state of body moving rapture, all driven by Tony's rhythmic fluency. The song found its way into Italian living rooms over the credits of TV show Domenica In, and found its way into club culture thanks to fanatical support from the likes of Daniele Baldelli, who even included it on his first official Cosmic compilation.
Following a string of essential releases for the likes of Internasjonal, International Feel and New Interplanetary Melodies, Daniele Tomassini, better known as Feel Fly, now joins the Archeo family with a trio of contemporary club translations of the killer "Pagaia". The Perugian's "Cosmical Remix" extends that familiar introduction into a deep and DJ-friendly blend of drum and voice, awash with airy reverb and augmented by additional percussion, building through the original piano and bass into the churn of a dance floor wormhole. Driven by an unstoppable sequencer throb, the interpretation skirts the dark side of space before landing in the light of the miracle, those heavenly vocals and lush keys leading the way. The "Instrumental Cosmical Remix", not entirely instrumental, but utterly cosmical nonetheless, sees Daniele serve a tense and tracky arrangement of his first rework, perfect for deep space exploration. Stripped of the joyful exuberance of the original, this variation is a complex blend of shadowy trance idents and the mature techno we'd expect from the likes of François K. Not content with soundtracking either side of the peaktime, Feel Fly serves up a third version, following the Compass Point through a musical map of club-dub to turn out an immersive interpolation of deep bass, spring reverb and stabbing keys that sits perfectly beside the Rhythm & Sound catalogue. Each interpretation is an emphatic demonstration of Tomassini's musical talent, production prowess, and stylistic range, and furthermore a fitting tribute to the lasting genius of Esposito's original.

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2LP | 2009 | DE | Original (Analog Africa)

Legends Of Benin

49,99 €*

LP | 2007 | US | Reissue (Blue Note)

Release: 2009 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs, closer to NM

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Donald Byrd

Blackjack

34,99 €*

Shinobi III - Return Of The Ninja Master

Release: 2007 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Near Mint

US reissue from 20017. Vinyl with a couple of light scuffs, outer rim has a couple of small dents that don´t affect the grooves. Still in shrink, but opened

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The Analog Music Project

LP | 2019 | PT | Original (VMP)

LP | 1996 | US | Reissue (Blue Note)

Release: 2019 / PT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover closer to NM. Vinyl with a couple of light scuffs

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Sonny Clark

Cool Struttin'

54,99 €*

2LP | 2016 | US | Original (Dunham)

Release: 1996 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with light wear

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Charles Bradley

Changes

51,99 €*

LP | 2017 | DE | Original (Out Here)

Release: 2016 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover close to NM. With photo.

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Mokoomba

Luyando

2LP | 2013 | US | Original (Luv N' Haight)

Release: 2017 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs, close to NM

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Geater Davis

Lost Soul

Emahoy Tsegue Maryam Guebrou

Release: 2013 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with corners slightly dented and a beginning seam split at the upper seam. Small light scuff on side C.

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Spielt Eigene Kompositionen

LP | 2016 | US | Reissue (Mississippi/Change)

59,99 €*

5LP | 2018 | EU | Original (Young Turks)

Release: 2016 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue from 2016. Black labels. Vinyl with a couple of light scuffs. Copy close to NM

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Kamasi Washington

Heaven And Earth

44,99 €*

The Horace Silver Quintet

Release: 2018 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with light wear

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Song For My Father = Cantiga Para Meu Pai

LP | 2014 | US | Reissue (Blue Note)

27,99 €*

LP | 2012 | US | Original (Innovative Leisure)

Release: 2014 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs. Still in shrink, but opened, with hype sticker

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Nick Waterhouse

Time's All Gone