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Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1988 | US | Reissue (Portrait)

When Lights Are Low

8,99 €*

Release: 1988 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | US | Original (Herbie Mann Music)

All Blues / Forest Rain

11,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Herbie Mann Featuring Cissy Houston

Surprises

LP | 1976 | US | Original (Atlantic)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

The Herbie Mann-Sam Most Quintet

The Mann With The Most

LP | 1977 | US | Reissue (Bethlehem)

Fondue Disco Cheddar Orange Vinyl Edition

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue from 1977.

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Joey Rico Sr.

7" | 2024 | US | Original (Cqql)

15,99 €*

LP | 2024 | UK | Original (Goddamn)

Release: 2024 / US – Original

Genre: Organic Grooves

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Unbridled Italo Disco legend Joey Rico Sr. emerges from obscurity to deliver a slice that'll have you melting on a stick above a candle and a porcelain pot. Some might say it's fake, but this is the Real Deal. Yodeling has never sounded better... never. Joey Rico Sr. presents "Melting in Switzerland" for Nobell Foods on a piece of nice cheezy wax, and if that wasn't enough for you, there's an extra cheezy mix on the flip. If you ain't dipping, you must be trippin'.

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Son Of Dave

A Flat City

22,79 €* 23,99 € -5%

CD | 1971 | US | Reissue (RCA)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Being back in the prairies after decades away opened up boxes of tightly wrapped insanity, delicate stuff, and bizarre things. The joy and sorrow of the place drives me into the Blues studio to make more art for you. It's made with big heart from way out West, to keep you alive and virile.”

Welcome back. Where's the party at? Son Of Dave's 11th album kicks off with homecoming outbursts. After 26 years in London UK he's back in the Canadian Prairies demanding as much attention as always. Themes of flat Midwest cities, classic-rock lovin' truckers, and a weird call for More Mayonnaise will keep his multitude of international fans chuckling. The usual Son Of Dave bag of tricks colours the album: Blues-harmonica, beat-box, cheap electric guitar, and that voice that shouts and croons his own brand of Blues infused old-school R&B.

As always, he messes with different rhythms: Funk, Boogaloo, Rock-Steady, or Techno, always doing it his own way. How do you categorize a Son of Dave album? He's become his own style, loved and shared by millions of fans worldwide. That's why you'll find his music in the Breaking Bad soundtrack and many more. You'll hear it on college radio or boomer generation blues radio programs from Switzerland to Argentina. A true maverick Bluesman.

Most of the record is done completely himself. All writing, instruments, editing, recording, mixing and artwork. You're welcome. Three exceptions are “Where's The Party At” , produced by long-time collaborator Tim Gordine in London, and two recorded on Vancouver Island by Zac Cohen at lovely Woodshop Studios, “Yahoos” and “I Told You All I Know”. The album will be released on July 12th. Four singles will lead up. Plenty of videos and fun coming. Shows and tours forthcoming.

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Gil Scott-Heron

Pieces of a man

I Am Black Vinyl Vinyl Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

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his groundbreaking debut!

- "Home is Where The Hatred Is" sampled by Kanye West & Common for "My Way Home"

- "Pieces of a Man" sampled by KMD for "What a Niggy Know"

- "The Revolution Will Not Be Televised" sampled by Masta Ace for "Take a Look Around",
Professor Griff for "Real African People 'Rap' pt 2",
Queen Latifah for "The Evil That Men Do" and
Salt-N-Pepa for "Whatta Man Luvbug Remix 1"

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Alice Russell

2LP | 2024 | UK | Original (Tru Thoughts)

29,99 €*

LP | 2024 | US | Original (Spin The Blues)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Alice Russell is universally acclaimed as one of the best modern soul voices of our time, while her raw talent and charisma commands attention and affection. The much-loved British soulstress returns with the most personal album of her career. 'I Am' is vulnerable and bold while addressing how we must all work on ourselves to heal – so that we can love and connect with those and the world around us more honestly and with depth.

Life, loss and grief have been a central part of this period and a new approach to creating music: “Two little ones have joined me, and one has left - my dad passed away the summer after ‘To Dust’ was released. The day after my Dad’s funeral, I found out I was pregnant with my first little one.” Alice continues: “The grief journey has cracked me open and created a more urgent need to be focused and try to go deeper with how I communicate creatively and who I AM today, and I welcome it with open arms”.

Written and produced alongside long-time collaborator TM Juke, 'I Am' is the first offering of new music from the iconic singer in over a decade and marks a new era in the remarkable career of the down-to-earth vocal powerhouse. This summer, Alice graced the main stage of Gilles Peterson’s We Out Here, supported Nile Rogers and performed as part of a tribute to Aretha Franklin across France, marking her return to the stage, where she belongs.

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Good Rockin' Charles

LP | 1974 | US | Original (London)

Release: 2024 / US – Original

Genre: Organic Grooves

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Japanese Obi-Strip Pressed on Black Vinyl Originally released in 1976 Note: artwork to be updated This is the only album released by Charles Edwards, also known as Good Rockin' Charles who was an American blues singer and harmonica player. Because he missed chances by own, he left behind very few recordings that have survived. In 1956, he was appointed to recording session of "Walkin' By Myself" with Jimmy Rogers. However, for reasons unknown, he got cold feet or left to have a drink and canceled the session. After all, as many blues fans know, Big Walter Horton filled in for him and delivered a memorable performance on that song. In 1957, Cobra Records arranged another recording opportunity, but he was not particularly fond of studio recording and didn't show up to the session.

However, his unique and powerful blues harmonica flavor cannot be found anywhere else. While influenced by Sonny Boy Williamson I, his singing has a distinct and forthright vocal style that sets him apart, delivering a unique and compelling performance.

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Bloodstone

I Need Time

6,99 €*

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

CD | 2023 | UK | Original (Mr Bongo)

Luke Una Presents

É Soul Cultura Volume 2

12" | 1985 | EU | Reissue (Disco Segreta)

Release: 2023 / UK – Original

Genre: Organic Grooves

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É Soul Cultura Vol.1 seemed to land at exactly the right moment. Post-lockdown, optimism was back on the rise and the dance floors swelled again. For many listeners, Manchester based DJ Luke Una’s intriguingly woven pattern of new, old, rare and under-discovered music from around the world became the soundtrack to rejuvenated positivity.

This second volume gives another opportunity for Luke to share his journey of the past four decades of staying up late and getting transcendental whilst listening to holy grail music as the city slept. It at times ventures into the deeper, spiritual, soulful, downtempo, experimental aspects of his tastes. From the conscious, street soul fusion gospel of Veronica Mickie's 'Lost Children', to an excursion into Swiss, psych, progressive rock in the form of Pyranha, then onto the classic Indian music-inspired electronic workout of Andi Otto's 'Bangalore Whispers'. Luke hints at his softer side in Avis; a sweet, obscure cover version of Minnie Riperton’s ‘Baby, This Love I Have’, as well as championing local heroes in the shape of Manchester’s Yargo and their driving, obscure, proto-house belter, ‘Marimba’. There’s also Japanese, electronic, slo-mo heaviness from 1979, courtesy of Bach Revolution. House music is integral to the É Soul sound and is represented by Nav Aktah’s deep remix of Mr Scruff, and then there’s Isis ‘In Essense’; a track of such majestic brilliance that it has never left Luke’s record bag.

The selection is eclectic, global, and plucked from different times and spaces. In theory, perhaps they shouldn't work together, but there is a mysterious link that makes them gel as a whole. That’s what Luke does best. He creates a sort of musical alchemy, unifying the diverse.

It is best described by Luke himself, “It’s not about showing off, collector rarity, or ego-strutting, it’s all about telling stories, sharing the music, and making life’s journey mean something. In the end, of course, it’s just a compilation of other people’s music, but hopefully it’s more than that, adding something back to the pot.”

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L.S. Manera

Sombrero

12" | 1989 | EU | Reissue (Discotheque Tropicale)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Feeling the summertime vibe over here at Disco Segreta, and we're ecstatic to revive one of the rarest summer-themed Italo disco tunes ever dropped! L.S. Manera, the alias of the studio ensemble helmed by musician Leonardo Del Vita and vocalist Sabrina Anselmi, epitomized the sun-soaked italo grooves of the 1980s. This short-lived group unleashed only a handful of singles between 1985 and 1988. Their debut single, "Sombrero" surfaced in 1985 as a promo-only 12” on the Roman label LGO, in exceedingly limited quantities, garnered relatively little attention. Fast forward nearly four decades, it has become one of the most coveted Italo 12”s, fetching exorbitant sums in collector's circles. “Sombrero” stands out among aficionados of obscure Italo-disco, embodying a distinct vein: that of summer-themed tracks. With its tantalizing blend of airy arpeggios, Juno 60 synth lines and bass, punchy percussions adorned with claps, DX 7 cowbells and a seductive saxophone solo. “Sombrero” has it all to seduce new discerning listeners, also thanks to the infectious alternating vocals in English and Spanish, featuring hilariously sultry hooks such as "Te quiero, Sombrero!" or "I love muchachas!" Disco Segreta fulfils another Italo disco dream by reissuing this absolute gem for a broader audience, presented in a meticulously remastered 12” edition featuring the original vocal and instrumental versions, along with the stellar “Estate Dub” by the Chilean-Swedish maestro of Italo-disco, Claudio Burgos, aka Mr. Fantasy, which we are sure will become an absolute dance classic. Sombrero, te quiero!

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Manix

Voyager

20,99 €*

Why I Came To California / What You Won't Do For Love

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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Words from Discothèque Tropicale: Guadeloupe’s Manix is a self taught musician drawing inspiration from traditional Caribbean Folk and Beguine, to Salsa, Reggae and beyond. In 1980 Manix met the group ‘Tamtam 2000’ in Mulhouse, France. Embarking on many worldwide tours, Manix cemented his place in the group with 'Ti Cherie’ becoming a global hit beloved throughout the Antilles, Cape Verde, and La Réunion. Describing his singular philosophy of inciting joy ”At this moment I realised quickly that the simple act of playing wasn't just about one’s own satisfaction, but rather the need to create and share music”.

Browsing the French Football Federation's website, Dijon’s ‘Under Radaar’ was able to track down Manix as he was once the match report coordinator for his club ‘Red Star Richwiller’. It’s now our pleasure to share his music once again.

Words from Manix: "Now in my 70s, what a joy it is to discover my songs now being loved in new parts of the world that I could never have imagined them spreading to in the mad 80s. A reissue is like a renaissance, a second wind that reaffirms my believe that both music and love will never die”

We are so excited to share our debut release which has already received support from Antal, Hunee and Palms Trax.

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Nautilus

7" | 2024 | EU | Original (Oonops Drops)

Durand Jones & The Indications

Release: 2024 / EU – Original

Genre: Organic Grooves

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Right in time before the second European Tour and Nautilus' new studio album »Pacific Voyage« this little secret 45 has landed. It's a pure gem with a song which didn't make it on the album due to time problems and now shines like a jewel in full and mature quality. Backed with a Soul Supreme Remix with consistently highest quality.

The A-side starts with a jazzy version of Leon Ware's soulful masterpiece »Why I Came To California« sung by Californian vocalist, multi-instrumentalist, and physician Eki Shola in her unique interpretated way backed with fresh vocals by German tv actress and singer Denise M'Baye. In harmony with the strongly grooving instrumental framework by Tokyo-based Jazz trio Nautilus, them all together create their own refreshing version of the original and catapult the song into the present.

On the B-side the »Pacific Voyage« album song »What You Won't Do For Love«, an absolutely classic by Bobby Caldwell which was sampled by 2 Pac and Aaliyah gets the Nautilus treatment, in this case a funky forward 90's feel remix with heavy basslines for big soundsystem by Amsterdam-based, keyboardist, DJ & producer Soul Supreme. The vocals are sung by uprising Japanese star R&B and Soul singer-songwriter Ryuto Kasahara who worked together with Grooveman Spot and DJ Mitsu The Beats on this latest releases.

You know the deal: get this limited doubled-sided heat on black and exclusive yellow recycled vinyl before it's gone.

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American Love Call Black Vinyl Edition

LP | 2019 | US | Original (Dead Oceans)

23,99 €*

Release: 2019 / US – Original

Genre: Organic Grooves

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Durand Jones & the Indications aren't looking backwards. Helmed by foil vocalists in Durand Jones and drummer Aaron Frazer, the Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions. Even with an aesthetic steeped in the golden, strings-infused dreaminess of early `70s soul, the Indications' sophomore LP, American Love Call, is planted firmly in the present, with the urgency of this moment in time. The Indications' 2016 self-titled debut was the product of friends who met as students at Indiana University in Bloomington, In., recorded for $452.11, including a case of beer. American Love Call, the band's sophomore LP is instead the record the Indications dreamed of making, fleshed out with strings, backing vocals, and a newfound confidence in songwriting. Blending a slew of influences from years spent crate-digging, guitarist Blake Rhein says the Indications approach songs in the same way hip-hop producers do, as likely to pull inspiration from `70s folk-rock or classic R&B as they are Nas' Illmatic. "Did I expect to do this shit once I got out of college? Hell no," Jones relays, laughing. "Totally not. But this is what God is telling me to do - move and groove. So I'm gonna stay in my lane."

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Brothers Johnson

Look Out For #1

LP | US | Original (A&M)

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Crying In Iran / Keep On Tryin' Record Store Day 2022 Vinyl Edition

Fir-Ya

7" | 1980 | UK | Reissue (Star-Glow)

13,99 €*

LP | 1978 | US | Original (A&M)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Another independent Rare Soul 7" which has shot up in price lately, is the brilliant and anthemic "Keep On Tryin'" by the curiously-named Fir-Ya, otherwise known as the backing band for Soul veteran George Perkins. Released on the tiny Star-Glow imprint from Baton Rouge, Louisiana, original copies are currently around the £300 mark and rising. Hopelessly obscure but such an incredible and uplifting record really does deserve to a reach a wider audience.

A nice socially conscious flip too with the soul searching "Crying In Iran". Expect significant action from Modern Soul and Rare Disco audiences alike and watch this feel-good anthem ignite the dance-floors again.

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Gino Vannelli

Brother To Brother

6,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1975 | US | Reissue (Reprise)

Richard Pryor

That Nigger's Crazy

LP | 1983 | US | Original (Elektra)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US pressing.

- "Have Your Ass Home by 11:00" sampled by Def Jef for "Give it Here",
Nice & Smooth for "Ooh Child",
ODB for "Shimmy Shimmy Ya" and
Tupac for "Late Night"

- "Flying Saucers" sampled by Jeru for "Thoughts of a Frustrated Nigga"

- "Niggers vs. the Police" sampled by NWA for "Appetite for Destruction"

- "The Back Down" sampled by Eazy-E for "Eazy-Duz-It",
King T for "Act a Fool",
Thug Life for "Don't Get it Twisted" and
Tupac for "Heartz of Men"

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Pieces Of A Dream

Imagine This

4,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1978 | US | Original (A&M)

Gap Mangione

Suite Lady

5,99 €*

LP | 1968 | US | Original (A&M)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover wiht punch hole!

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George Benson

Shape Of Things To Come

Earl Hines / Budd Johnson

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

- "Face it Boy, It's Over" sampled by Abstract Rude for "Switch the Station",
Brand Nubian for "Stip into Da Cipher",
Champ MC for "Keep it on the Real",
DJ Jazzy Jeff for "For Da Love of Da Game",
Ed OG for "Love Comes and Goes",
Pete Rock & CL Smooth for "I Get Physical" & "In the Flesh"

- "Shape of Things to Come" sampled by B Love for "Lucy",
Karlito for "T'inquietes" and
Ras Kass for "Soul on Ice"

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The Dirty Old Men

LP | 1974 | FR | Original (Black And Blue)

Release: 1974 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | US | Original (Atlantic)

Super Mann

7,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Original US pressing. Promo copy with big sticker and golden stamp on the front!

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LP | 1983 | US | Original (Atlantic)

Astral Island

5,99 €*

LP | 2022 | EU | Original (E2 Music)

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Promo copy with big promo sticker on the front and a golden promo stamp on the back.

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Daniel Herskedal

Out Of The Fog

2LP | 2024 | Original (O-Tone Music)

Release: 2022 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: G+, Cover: VG+

White Marbled Vinyl.

Record is slightly warped but still enjoyable.
Still shrink wrapped but opened.
Cover as new with slightly worn corners.
Includes original inner sleeve.

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Markus Group Stockhausen

Celebration

Release: 2024 / Original

Genre: Organic Grooves

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Lee Tracy & Isaac Manning

Foxy Lady

7" | 2024 | UK | Original (Athens Of The North)

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Unreleased lo-fi goodness from the Lee Tracy & Isaac Manning catalog with a little drum work in the studio from Ecla to give it a little more oomph. Fliiped with 'Jesus Going To Clean House', one of the most popular tracks from the LP, a track is so insanely good I had emails from heads who refused to believe it was not a concocted fake rarity, but no, this is the real deal and on 45 now, one time deal 500 only, pic sleeve, you know what to do.

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Tony Joe White

The Train I'm On

28,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Aynsley Lister

Everything I Need

LP | EU | Original (Ruf)

Release: EU – Original

Genre: Organic Grooves

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LP | 2023 | UK | Original (O-Tone Music)

Cristina Branco

Mäe

Release: 2023 / UK – Original

Genre: Organic Grooves

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12" | 2023 | EU | Original (Aweh)

Esa & Kamazu

Shukuma

2LP | 2021 | US | Original (Dead Oceans)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Aweh is back to present Shukuma, the highly anticipated collaboration between label head Esa and South African Kwaito legend Kamazu from Soweto. This record, created between 2020 and 2022, is a testament to the power of musical synergy and South African cultural aweh-ness.

As part of Shukuma, the title track and the EP also lies the future Kwaito classic, Muntu. This dance floor banger not only showcases the creative prowess of Esa and Kamazu but also features a collaboration with Dirty Bungalow, adding a unique touch to the overall EP. Muntu has already been featured in the esteemed podcast series, The Invisible Hand.

To further enhance the experience, Esa has collaborated with talented artists Floating B_strd and Sanoy to create an exquisite art piece that perfectly captures the essence of Shukuma. The final artwork will be revealed on the official release day, adding an element of surprise and anticipation. This is a Kwaai Collab you don't want to miss.

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Khruangbin

Mordechai Remixes

We've Only Just Begun / I'll Do Anything For You Record Store Day 2021 Edition

Release: 2021 / US – Original

Genre: Organic Grooves, Electronic & Dance

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“The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named `Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing its first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Sott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' `Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled `White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out." - Bill Brewster

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Lee McDonald

7" | 1981 | EU | Reissue (Selector Series)

12,99 €*

12" | 2024 | US | Original (Albina Music Trust)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. 40 year anniversary release of this in demand modern soul masterpiece. For their third vinyl outing, Selector Series dig into the Archives of New Jersey’s Debbie Records from 1981 to re-issue this storming boogie re interpretation of The Carpenters standard, which found itself a legion of fans in the UK thanks to Gary Dennis’s championing of it. In a pre Discogs era, this record attracted a £400 price tag amongst serious collectors back in the late eighties, with the original pressings still going for £500+ even now. The album has been re issued by several different labels over the ensuing years, but this double header is being made available for Record Store Day on a seven inch format for the first time officially, featuring the original album sleeve artwork.

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Shades Of Brown

21,59 €* 23,99 € -10%

12" | 2022 | US | Original (Albina Music Trust)

Release: 2024 / US – Original

Genre: Organic Grooves

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n 1969, a transformation in Albina was underway. Displaced by the Vanport flood two decades prior, an influx of Black residents had settled in the area after redlining practices among the city’s realty boards provided few other options. A local economy among Albina’s Black residents had flourished for a time, but soon declined due to chronic disinvestment by the city’s elites. As with many urban centers in America, the impending ghetto-ization of the neighborhood developed as the civil rights movement was in full swing. And the citizens of Albina had something to say about it.

During this time, Shades Of Brown came together at the Albina Arts Center - a community hub for practicing artists of all stripes. A product of the Model Cities initiative, the center was established to develop the cultural and intellectual resources in the neighborhood amid the protests and civil unrest of the times. Paul Knauls’ Cotton Club had shuddered its doors in the wake of Martin Luther King Jr.’s assassination. Albina’s Black residents had been forcibly displaced from their homes to make way for urban renewal projects conceived by the Portland Development Commission. And Williams Avenue, the once-vibrant hub for Oregon’s jazz music with myriad Black-owned businesses lining the streets, was at risk of becoming a blighted shell of itself. Left to their own devices, Black artists were organizing to convey truth through their work and the Albina Arts Center was ground zero.

Rehearsing at the Albina Arts Center, members of the Shades Of Brown found one other as a variety of Albina’s musical acts were shifting, separating, reconstituting, and forming anew. The group would feature members of the Cavaliers Unlimited, Little Nolan & The Antoine Brothers, Youthsound, Upepo, and the Norman Sylvester Band. And as luck would have it, Free Meal Ticket - renowned soul singer Wilson Pickett’s group - would disband while on tour in Portland. This left director, composer, and future Grammy recipient Thara Memory en route to the Albina Arts Center. He was quickly recruited to become the bandleader for Shades Of Brown.

Equipped with the ephemeral resources flowing from the Model Cities initiative, Memory organized youth and adults into a variety of ensembles, and with a penchant for results-driven rigor he would furnish his pedagogy via musical boot camp with the Shades Of Brown. The band was required to read and write their music. Before a note was to be played, members were summoned to the blackboard to chalk out their parts on a musical staff. And it was not uncommon that rehearsals consisted of the band being drilled with marching routines, as was common in the tradition of Memory’s southern upbringing. This went on for months. When the results were in, Memory gave the green light for the band to perform. And the Shades Of Brown would have something to say about it.

Celebrating Albina Music Trust’s tenth vinyl release, the story of Shades Of Brown circles back to the label’s first outing, The Gangsters. Both records spotlight the impact of Thara Memory’s tutelage while highlighting the legacy of community-powered arts education in Albina. Even the label’s logo mark is an inspired interpretation of the Albina Arts Center’s motif.

Being the sole recorded output of Shades Of Brown, the album reflects the group’s sense of fellowship as well as the sentiments of its contemporaries in Albina - makers, dreamers, activists, and youth - under-resourced and confounded by the City Of Portland’s blatant disregard. As vocalist Gregg A. Smith lays bare on “Searchin’ For Love”, one can’t help but hold the image of this community and its cry for decency in light of limited services and harm. Over half a century later, we now have this document to ponder. What are we doing to prevent this from happening again?

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Lights Out

25,99 €*

Is This Love Or Desire Black Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves

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"There was no internet, no cell phones. We didn't have streaming services, cable television, or even VCRs. People in Portland were out to see music seven nights a week"

In 1982, it seemed club nightlife in downtown Portland had reached its zenith. Musicians could make a living in a multitude of clubs throughout the city. And they made music on their own terms. Calvin Walker's recollection above speaks to the sovereignty of an independent community devoid of the recording industry's bottom line.

Lights Out gained traction when Pleasure wasn't in the studio or on the road. They were led by Pleasure's trumpeter Tony Collins, whose agenda involved prodding his group with gnarled fusion covers, complex horn arrangements, and masterful wardrobe flexing. "We wanted to be better at what we did," claims Collins. "Everybody grew."

But even with platinum level players holding recording contracts a la Fantasy Records, Lights Out struggled to find bookings in Portland's white-owned club circuit. "There were rules to these things and you had to play by them," remembers Walker. "They had to push up against that."

"I remember it being tough to get this band booked on the West side of the Willamette River back then," remembers bassist John Mazzocco. "When Peter Mott at Last Hurrah called to book us on a Tuesday, I was elated."

Knee-deep in the jazz fusion sound made popular throughout the city, Lights Out soon evolved into a synthesizer-fueled funk group fronted by vocalist Andy Stokes and featuring guitarist Greg "Gee Mack" Dalton. It's this era of Lights Out that made converts of the haters and annihilated 800-capacity dancefloors. It’s this era of Lights Out that is being celebrated on this release.

Recorded in 1982 at Wave Sound Studios - a facility that housed local punk acts such as The Wipers and The Rats - the material on this LP was intended as a demo for Solar Records. As a touring trumpeter for The Whispers, Collins was to pass the reel up the chain. When Solar fumbled it, Collins and Dalton left Portland for Los Angeles signaling the end of the group.

Forty years later, the legacy of this canonical Stumptown act has been remembered in devastating detail. The vinyl package includes a 12-page booklet of the band's oral history and deluxe archival photography. With tape restoration and mastering by Gus Elg, this painfully obscure recording has been waxed and buffed by one of the reissue industry's greatest.

Lights Out personnel have since made waves beyond the Pacific Northwest. Collins founded NDN Records in Atlanta. Andy Stokes has received the Grammy nod, releasing singles with Snoop Dogg and Battlecat. John Mazzocco toured with John Lee Hooker and was recently inducted into the Oregon Music Hall Of Fame. Damian Dillon went on to a successful radio career in Germany. And Greg Dalton has sessioned relentlessly, working with everyone from Patrice Rushen to Kamasi Washington to Tupac.

As Stokes puts it, "Being in this band gave me the strength to branch out. You don’t just do that by yourself. You have a family. This a family.” credits released July 15, 2022

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Betty Davis

LP | 1976 | US | Reissue (Light In The Attic)

39,99 €*

LP | 1973 | UK | Reissue (Westbound)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Betty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (Betty Davis and They Say I’m Different), and Nasty Gal for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.

Is It Love Or Desire is a little-known gem in the Davis catalog. Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes, the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band Funk House.

Never bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sisters contributions to music and popular culture. Its time to get down…

Long live Betty Davis!

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Ohio Players

Ecstasy

Under The Influence Of Love White Vinyl Edition

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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The final part of our vinyl trilogy of the Ohio Players’ Westbound albums is the “Ecstasy” LP from 1973.

A gatefold sleeve featuring one of photographer Joel Brodsky’s famous photographs. This time a bondage woman is chained to two scantily dressed men.

The music was brilliant. The mix of funk, soul and sheer joyous invention found its outlet in what is probably the strongest overall set by the band. ‘Sleep Talk’, ‘Food Stamps Y’All’ and the title track all pack a mighty punch, while songs such as ‘You And Me’ show the band’s deft touch with the more soulful material.

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Karin Jones

LP | 1982 | US | Reissue (Tidal Waves Music)

LP | 2023 | EU | Original (Les Disques Bongo Joe)

Release: 1982 / US – Reissue

Genre: Organic Grooves

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* North American White Vinyl Edition * Limited 180g Vinyl Edition (500 copies) with obi strip * Rare Philadelphia Soul-Funk Album From 1982 * First Ever Official Vinyl Reissue since 1982Karin Jones (born and raised in Philadelphia) took her first musical steps singing in church. She was gifted with an extremely talented ear, and an accomplished pianist, percussionist and drummer, mostly developed without formal training. In her pre-teens Karin and her two older sisters formed a soul group called The Jonesettes that was managed by their father. They released a single titled 'Once I Had Love / Stop, Look & listen' on Cougar Records in 1971 and participated on the gospel classic “After While” by 'Rev. Arvetra Jones And The Jonesettes' released on HSE Records in 1975. In 1976 a friend of Stevie Wonder told her that Marvin Gaye was looking for backing singers for his new record and subsequent tour. Karin auditioned for Marvin and was instantly hired. They recorded the “Got To Give It Up” EP and she hit the road for Marvin Gaye’s London Palladium tour (later released as a double live album on Motown in 1977). Soon after Karin Jones started doing session work for the renowned label Jobete Records where Teddy Pendergrass got really impressed with her unique musical style. She signed with him for management in 1979, but with Teddy's own frantic schedule, the arrangement dissolved a year later. At a convention of the Black Music Association in Philadelphia, Karin met with Jim Tyrrell, who at the time was establishing his own label, T-Electric. Karin signed with T-Electric Records and recorded an album in 1980. However, the album was shelved because the label run out of money. After collecting dust for two years producer Jim Tyrrell brought it under the attention of industry veteran Ron Alexenburg who was president of Handshake Records. Alexenburg heard the album and very much liked it. He got Karin Jones to sign with his label and 'Under The Influence Of love' finally got its well-deserved release in 1982. “Under The Influence Of Love” is a monster of an album arranged by Dunn Pearson Jr (known for his work with Roy Ayers, Lou Ragland, Mary J. Blige, D’Angelo) and Bruce Hawes (Stevie Wonder, Kool And The Gang, The Temptations). All of this carefully supervised and produced by Jim Tyrrell. Also worth mentioning is that the duet on the album is the one and only time Eddie Levert, of the legendary O'Jays sang with a female artist. Sadly (and shocking) Karin Jones suddenly passed away in 1984 from a diabetic coma. Strangely, she predicted an early demise while preparing her photo shoot for the album. Karin Jones was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is her “Under The Influence Of Love” album. The entire album is filled with heart breaking modern soul, deep disco, boogie-funk and a great range of tempos…all of this is topped off with Karin’s trademark vocals. Also included is the hit ‘Ready, Ready Love’ which was one of the biggest songs of the London steppers scene (or more fashionably known as 'rare groove') and almost impossible to get a hold of (unless you had deep pockets). To this day it remains a much sought-after gem and a 'holy grail' for fans and collectors alike. Tidal Waves Music now proudly presents the First ever Official vinyl reissue of this rare Philadelphia album that goes for hefty amounts on the second-hand market (it was originally released on Handshake Records And Tapes back in 1982 and plagued by inferior bootlegs ever since). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Yalla Miku

32,99 €*

LP | 2022 | US | Original (Albina Music Trust)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Bongo Joe Records is pleased to announce the release of Yalla Miku"s debut album. It is a new way of combining African, European, electronic, acoustic and electric music and cultures. The project was launched by Cyril Cyril duo, then joined by Simone Aubert and Vincent Bertholet from Hyperculte and three musicians with migrant backgrounds: the Moroccan Anouar Baouna, the Eritrean Samuel Ades and the Algerian Ali Bouchaki.

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Transport

25,19 €* 27,99 € -10%

LP | 1980 | EU | Reissue (Holy Basil)

Release: 2022 / US – Original

Genre: Organic Grooves

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In the summer of 1979, a Chicago DJ started a riot that killed disco overnight. Inciting fans to blow up disco records during a nationally televised major league baseball game, the cultural impact of Disco Demolition Night was felt globally. It even made waves in Portland, Oregon.

In the months to follow, clubs in the City of Roses were out to hire anything but disco. For Transport, hot nights as a stage-ready show band would fade to memory. First went the horns, then the vocalists, until all that remained was the rhythm section. The band's days were numbered or so it seemed.

But keyboardists Jimmy and Johnny Sanders were fiercely experimental. Freed from the disco formula, the brothers' exchange over synthesizers and other keyed instruments was electric. With drummer Towner Galaher, the group bore songs in homage to the fusion music ever present in Portland. Inspired by the national success of local groups like the Jeff Lorber Fusion, Tom Grant, and Dan Siegel, the band was reborn.

Months before signing a multi record deal with Geffen, Quarterflash's Marv and Rindy Ross offered Transport a shot at recording in their home studio. The group recorded over two sessions and soon shelved the tapes. Band members were summarily recruited by other acts shortly thereafter. The tapes have continued to sit.

Now over four decades later we hear this music. With tape restoration and mastering by Gus Elg, a calculated spitshine envelops the recording and positions listeners in the shag carpet-lined haze of a 1970s fusion session. With design by Eric W Mast, viewers can check out the aforementioned period upholstery through archival photography in the album's insert, depicting wall-to-wall shag gracing the booths at Mel Brown's Drum Shop.

Out of the gate, "Latin Summer" burns through with an urgency akin to The Gangsters - an album recorded by members of this band a decade prior. On the Funkadelic-fused "Chrome Dome," Jimmy Sanders continues to make use of the synthesizer, through squiggling tones and fried bursts, as well as on “Gospel Bridge,” a track that evokes Heavy Weather in its Pollock-like splashes of melody. Jeff Bruce's fretless bass brings a psych-propelled elasticity to the groove, adding a sinful undercurrent to “Time of My Life” - a languorous tune that could be a Head Hunters outtake - while giving “Song For Valerie” a playful Peaches & Herb-like wiggle.

Transport's output is staggering for a group entirely unreleased and but a drop in the bucket for Portland's cottage industry recording business of yesteryear. This installment in the group's catalog probes a layer deeper.

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Silvano Chimenti

Disco Music

LP | 1989 | EU | Reissue (Mono Jazz)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Composed by legendary library guitarist and founding member of I Gres, Silvano Chimenti, and accompanied by his orchestra, "Disco Music" is an essential release of the Usignolo catalog and probably one of the most sought after titles of the series. This album displays a broad range of styles masterfully blended together by Chimenti, going from disco-funky bangers "Happy California" and "Autostrade Americane" that lead way to the more dramatic and suspenseful vibes of "Society Problem" and "Tragedy", finishing off with the rock vibes of "Indian Summer" and the mellow atmospheres of softer, lounge-like songs such as "Lady Primavera" and "Chiara". One of the most complete and well-rounded library albums of its era, "Disco Music" is finally available on vinyl once again after a very long time as a limited edition pressing of 500 copies.

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Chet Baker

Chet On Poetry

The Jimmy Castor Bunch Featuring The Everything Man

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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Long time hard to find and long awaited reissue of Chet Baker’s last studio album. Lyrical, poignant, it shows Chet Baker at his best. Included the original version of Elvis Costello’s “Almost Blue”. Which has become an all-time classic masterpiece in Chet’s repertoire, also heard on the “Let’s Get lost” soundtrack. HQ re-matsering

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E-Man Groovin'

LP | 1976 | US | Original (Atlantic)

Y-Otis 2 Black Vinyl Edition

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with saw cut

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Otis Sandsjö

LP | 2020 | EU | Original (We Jazz)

20,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 1988 | US | Original (Capitol)

Al Hudson And One Way

A New Beginning

12,99 €*

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Can't Shake It Loose / I'll bet You

Funkadelic

7" | 2017 | UK | Original (BGP)

8,49 €* 9,99 € -15%

Release: 2017 / UK – Original

Genre: Organic Grooves

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Originally scheduled to be the second Funkadelic 45, ‘Can’t Shake It Loose’ was cancelled before release. The song had been a single (and northern soul classic) by Pat Lewis, whilst the Supremes had recorded it for Motown. It’s fascinating to hear George and the boys’ treatment released on 45 for the first time. It is backed by one of the great breakbeats – Funkadelic’s actual second single ‘I’ll Bet You’. The opening break sounds amazing on this newly mastered 45.

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LP | 1978 | DE | Original (Atlantic)

Super Mann

5,99 €*

Release: 1978 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1986 | EU | Original (MCA)

One Way

One Way IX

3,99 €*

Release: 1986 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1981 | DE | Original (Ariola)

One Way

Fancy Dancer

Release: 1981 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Karmello Brooks / Carla Thomas

Tell Me Baby / I'll Never Stop Loving You

7" | 2009 | UK | Reissue (Kent)

10,99 €*

Release: 2009 / UK – Reissue

Genre: Organic Grooves

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Timo Lassy & Teppo Mäkynen

Live Recordings 2019-2020

2LP | 2021 | FI | Original (We Jazz)

12" | 1993 | UK | Original (A&M PM)

Release: 2021 / FI – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Sounds Of Blackness

I'm Going All The Way

3,99 €*

Release: 1993 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Y-Otis Tre Orange Vinyl Edition

Otis Sandsjö

LP | 2024 | EU | Original (We Jazz)

29,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Kidambi Amirtha / Elder Ones

New Monuments Red Vinyl Edition

LP | 2024 | EU | Original (We Jazz)

31,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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12" | 2023 | UK | Original (Athens Of The North)

East Coast Love Affair

I Can't Wait

Detroit-New York Junction Opaque White Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves

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East Coast Love Affair is back with a 9-minute epic late-night mid-tempo deep disco chugger featuring Shetland-born and Edinburgh-based R&B Singer and songwriter Philomenah. Hanna (Philomenah) has done some great backing vocals for Ecla in the past but takes front-and-center Vocal and lyric writing duty on this Epic 12". It's Like a modern-day Onda with a sprinkle of pop.

On the flip two percussive house dub workouts with maybe a little hint of MAW 90s major label work (we have been revisiting these in the club recently) with our own Athens of the North studio special sauce.

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Thad Jones

LP | 1956 | US | Reissue (Blue Note / Third Man)

48,99 €*

Release: 1956 / US – Reissue

Genre: Organic Grooves

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The Only Angel I Ever Saw Wore Black Vinyl Edition

Bastien Keb

LP | 2023 | UK | Original (Def Presse)

34,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves

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2LP | 2023 | UK | Reissue (BBE Music)

Maulawi

Orotunds

44,99 €*

Tesserae Feat. Petter Eldh & Elias Stemeseder

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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Although there is an element of mystery to almost all jazz musicians, few are ever quite as enigmatic as Maulawi Nururdin. A legendary band leader and reedist to his disciples, information about Maulawi’s personal life and early years is so scarce that even his birth name remains unknown. What is known is that Maulawi was a tougher-than-nails Chicagoan by birth, inescapable mentor to others, and a virtuoso jazz musician unlike any other.

The earliest notes in Maulawi’s history begin on the south side of Chicago as a close associate of the Association for the Advancement of Creative Musicians with Aacm pioneers Muhal Richard Abrams, Fred Anderson, Billy Brimfield and Roscoe Mitchell. From the beginning, Maulawi was a self assured leader, unafraid to boot other musicians off stage, commandeer their instrument, and give them an impromptu lesson on how to play it right. An intimidating figure in his signature beret and goatee, Maulawi wasn’t a stranger to the streets, and often spent his free time driving around, hipping his protégés to real life on the Chicago south side. But it would be his reputation as a musician, and not a streetwise bandleader, that would bring Maulawi to the doors of Strata Records.

“Maulawi could really, really play,” says percussionist Adam Rudolph, who, at 16 years old, began practicing and playing with Maulawi in the early 1970s. It was Rudolph who would introduce Maulawi to Strata’s Charles Moore, a meeting which would lead to Maulawi’s selftitled 1973 debut, the first album recorded by Strata by an artist from outside of Detroit.

True to the mysterious nature of Maulawi, even the story behind the recording of Ortunds is in dispute. They were either part of the 1973 sessions for Maulawi, recorded in a single night in Chicago, or from an unmixed session that took place in the Streeterville neighborhood at a later date. History aside, Ortunds never fails to astonish. Composed by Maulawi himself, Ortunds is an album of mostly Pop and R&B songs, all elevated by tip-toe funk tempos and Maulawi’s wildly inventive soprano saxophone. Tracks include Thom Bell and Linda Creed’s “People Make The World Go Round,” as well as the Burt Bacharach and Hal David-penned classic, “I Say A Little Prayer.” The title track is a drum and bass driven showcase, the perfect platform for Maulawi to strut his sublime expressionist style on the Saxophone. The album ends with a real find – a rarely heard spoken recording of Maulawi himself, introducing the players and defining the title Ortunds as “full, clearness, strength and smoothness.”

This deluxe edition of Maulawi Nururdin’s previously unknown and unreleased album has been painstakingly recovered and remastered from the original master tapes, and features cover art by Ge-ology (G Young).

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Tilo Weber

LP | 2023 | EU | Original (We Jazz)

Release: 2023 / EU – Original

Genre: Organic Grooves

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7" | 1981 | US | Reissue (Star Creature)

I.N.D.

Stay Sweet

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Maceo & All The King's Men

Doing Their Own Thing

LP | 1970 | WW | Reissue (House Of The Fox)

28,99 €*

Release: 1970 / WW – Reissue

Genre: Organic Grooves

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You're Gonna Miss Me / I'll Be Around

Billy Jones & Solat

7" | 2019 (Pseudonym)

11,99 €*

Release: 2019

Genre: Organic Grooves

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Party In Me / Take My Love

Gene Dunlap

12" | 1981 | UK | Reissue (Selector Series)

I Want You For Myself (Tom Moulton Mix) / Brazilian Love Affair

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Selector Series are back with more holy grail goodness, this time in the form of early 80’s boogie from Detroit.

Gene Dunlap was born and raised in Detroit, Michigan. He began his music career at age four when his father taught him to play the drums, honing his craft at Detroit Mumford High School. He went onto perform with Roy Ayers before releasing two solo albums in 1981, It’s Just The Way I Feel & Party In Me.

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George Duke

12" | 2018 | UK | Original (Epic)

15,99 €*

LP | 2023 | EU | Original (Wagram)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Two all-time George Duke greats, ‘I Want You for Myself’ & ‘Brazilian Love Affair’, get the official remastered, reissue treatment. First up, ‘I Want You For Myself’ Duke’s 1979 jazz funk, R&B tinged gem has got all the ingredients of classic from his illustrious catalogue. A funked up guitar and exuberant percussion, compliment Lynn Davis’ fabulously soulful vocals perfectly to make this a love song that’s sweeter than most. A Duke classic wouldn’t be complete without a killer, keys solo and ‘I Want You For Myself’ shows off his talents in abundance. The infamous Tom Moulton takes on edit duties splicing it into a 10-minute exploration of this fusion powerhouse, extending and enhancing elements in the mix, alongside adding an epic breakdown in a way that only he knows how. On the B side, the stone-cold killer ‘Brazilian Love Affair’ is a Latin American, jazz funk classic. Recorded in Rio de Janeiro, Duke drafted in a host of greats to guest on the track, each bringing something unique to the table. From Airto Moreira’s expert latin drumming, to Byron Miller’s heavyweight bass and Roland Bautista’s overdriven guitar. Duke supplements this to a tee with his blissful vocals and an otherworldly Rhodes solo. Much sampled, much loved, this is a masterpiece that needs a place in the collection.

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Ben E. King

Stand By Me

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Altin Village & Mine)

Cloud Management

22,99 €*

2LP | 2021 | EU | Original (Dekmantel)

Release: 2022 / EU – Original

Genre: Organic Grooves

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The debut of Hamburg trio Cloud Management stages the meeting of three proven exceptional figures: Thomas Korf and Sebastian Kokus have been responsible for some stunning leftfield neo-kraut releases with their band Love-Songs in recent years; Ulf Schütte has been one of the most productive, and innovative protagonists of experimental electronic music in Germany for many years (see Datashock, Phantom Horse, or his most recent collaboration with G. Steenkiste/Hellvete on Umor Rex, for example). Following Love-Songs" highly acclaimed collaboration with Schütte, "[Spannende Musik]", released in 2021, the formation of Cloud Management as a group in its own right marks a new beginning, which is celebrated with the long player on Altin Village & Mine.

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V.A.

Profondo Nero

Lightnin' (The Blues Of Lightnin' Hopkins) Clear Vinyl Edtion

Release: 2021 / EU – Original

Genre: Organic Grooves, Pop

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Profondo Nero compiled by Cinema Royale Profondo Nero narrates a storyline that goes beyond the borders of Italy’s musical legacy. Cutting across the face of Italo disco’s leftfield musicians between the early and late ‘80s, Profondo Nero champions a multi-faceted sound that nods to the blueprint of Italo disco but tries to dig deeper. The music is unmistakably Italo disco but moves away from the familiar classic sound. Amsterdam based collector Cinema Royale stitches together eleven tracks from 1983 – 1989, celebrating a sound he fittingly describes as ‘leftfield Italo’. The compilation connects the dots between soulful disco (Louise Freeman – Mirage), synth-pop (Mark – Dreamland), electro-rap (Loukas Thanos – Jazzburger), breaks (Santoro – Lover Message), 80s dub disco (Jet Set – Love Break), Balearic (Isamar & Compañia - No Estas), boogie (Tom Hooker – Talk With Your Body) and proto-house (International Music System - An English ’93). Profondo Nero’s title salutes the legendary oeuvre of Italian horror director Dario Argento. His Profondo Rosso (1975) is a classic example of exquisite cinematic storytelling, boasting courageous colors, expressionist camera angles and an unforgettable Goblin score forming the ingredients for an intriguing piece of art. Profondo Rosso’s music, created the spark for a new Dekmantel Records endeavor led by Amsterdam based experimental film score connoisseur, record collector and DJ Cinema Royale. For those in the know of underground Amsterdam music culture, Arne Visser aka Cinema Royale is among the city’s longest standing record collectors. Born to an Italian mother and Dutch father, Arne was brought up on a diet of Italo disco in the 80s. Cinema Royale explains: ‘For Profondo Nero I took a plunge into the lesser known fringes of Italo disco. From there I tried to connect, among others, San Francisco boogie, Balearic, Japanese late era Italo-electro and synth-pop funk. I hope you can hear what I had in mind: an infectious showcase of my take on traditional Italo disco that will hopefully get a lot of listeners itching for a spin. It’s fair to say that lately this particular sound has seen a reappraisal and renewed interest. As a party-starting collection for entry-level connoisseurs or suave but lazy types, I hope Profondo Nero can be an education. I’m not claiming I’m the first DJ or collector to do so, but I did try do present something special by digging deep.’ It wasn’t my goal to unearth the most obscure tracks, instead I wanted to compose a compilation that takes you on a journey. ‘In my opinion the best DJs create something extraordinary out of illogical selections by combining music against all odds and showing different kind of moods along the way. There’s a certain amount of arrogance involved: you take the music out of its original context. But by doing so in a very conscious way, you might be able to enhance the power of the individual records. Hopefully each song on Profondo Nero provides an intimate and memorable experience.’

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Lightnin' Hopkins

LP | 1969 | EU (Destination Moon)

LP | 1972 | US | Original (Dial)

Release: 1969 / EU

Genre: Organic Grooves

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Texan country blues kingpin Lightnin’ Hopkins was rated one of the top 100 guitarists of all time by Billboard, and was a notable influence on Stevie Ray Vaughan, among others. Recordings for Aladdin and Gold Star cemented his reputation, and after performing at Carnegie Hall with Pete Seeger and Joan Baez, ‘Mojo Hand’ was a breakthrough hit. The superb 1961 LP Lightnin’ (The Blues of Lightnin’ Hopkins) benefits from the understated presence of King Curtis’ drummer, Belton Evans, and jazz bassist Leonard Gaskin, placing Hopkins’ guitar licks and raspy voice at centre stage, playfully relating heartbreak and woe.

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Joe Tex

I Gotcha

7,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

7" | 2021 | US | Original (Dunham)

LaRose Jackson

How Did I Get Here

10,99 €*

LP | 2019 | US | Original (Peoples Potential Unlimited)

Release: 2021 / US – Original

Genre: Organic Grooves

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LaRose Jackson, who you may remember from "Luv Jones" - the 2014 party-cer tified smash duet with the incomparable Charles Bradley - steps into the spotlight with her funky solo debut, "How Did I Get Here ". Born and raised in Coney Island, LaRose's rich timbre and asser tive vocal deliver y caught the attention of producer Tommy "tnt" Brenneck one night when he was in attendance at Charles Bradley's legendary "Black Velvet" show at Club Essence - where Jackson was also a regular performer. The two hit it of f and began collaborating on several sides, the fruit of which we humbly of fer up here. LaRose's tough-as-nails delivery coupled with the infallible groove and sure-shot horn arrangement courtesy of the Menahan Street Band distills the track down to Soul in its purest form, without sacrificing any of the rawness one comes to expect from a TNT production. Expect much more on the horizon from LaRose and Co.. This is just the tip of the iceberg!

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Maryn E Coote

Welcome To My World

21,99 €*

LP | 1985 | US | Original (A&M)

Release: 2019 / US – Original

Genre: Organic Grooves

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Super soulful new PPU from Maryn Coote.

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Al Green

He Is The Light

8,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Beyond The Sun Black Vinyl Edition

Orgone

2LP | 2016 | US | Original (Colemine)

33,99 €*

12" | 2024 | EU | Original (Stroom)

Release: 2016 / US – Original

Genre: Organic Grooves

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Orgone is one of the most exciting bands in the new generation
of funk bands; led by the powerhouse vocals of Adryon de Leon,
Orgone recalls such legendary groups as Rufus and Sly & The
Family Stone at their best! The band has backed Alicia Keys on her
As I Am album and Cee Lo Green on his Grammy-winning track Fool
for You.
Beyond The Sun is the most complete fulfillment of Orgone s full
spectrum of sound, ranging from the in the pocket funk of Don’t Push
Your Luck to the evocative balladry of No Pain to the clubby-jam
of the title track and the scorching instrumental workouts on Meat
Machine and Sabi. A highlight is a hot version of Rufus I m A Woman
(I m A Backbone).

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Anton Friisgaard

Teratai Akande

28,49 €* 29,99 € -5%

I Can See Our House From Here

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Teratai Åkande' explores electronic techniques transforming sounds, melodies, and rhythms from balinese gamelan. It's an interaction and synthesis of acoustic and electronic expressions, exploring an imagined territory between two otherwise separate cultural worlds.

On 'Teratai Åkande' the Copenhagen-based producer and electronic musician Anton Friisgaard travels new paths, as he explores gamelan music from his own artistic perspective in close collaboration with Balinese musicians, afliated with Ubud’s acclaimed Gamelan scene. After experiencing a concert with the Gamelan ensemble 'Gamelan Salukat' at Roskilde Festival in 2018, Friisgaard became inspired to contact Dewa Alit from the ensemble. With the aim of bringing forth a unique expression through the meeting of two distinct musical traditions, Friisgaard traveled to Ubud, Bali to record, compose and improvise in close collaboration with artists from the esteemed Gamelan scene in Ubud. The result is 'Teratai Åkande', which features Pande Made Gangga Sentana, I Nyoman Suwida, Dewa Badukz, Suryana Putra and Pande Made Gangga of Gamelan Salukat.

Anton Friisgaard (fka Hviledag) is an electronic producer and musician based in Copenhagen. Known primarily for his experimental work with tape loops and ambient soundscapes, he’s become an established figure both in the Danish music scene as well as internationally.

Composed, edited and processed in Copenhagen, Denmark from 2018 - 2024. Here, the recordings and compositions changed shape multiple times over the years, until finally reaching their current state.`

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Sun

LP | 2024 | EU | Original (Alien Transistor)

Junko Ohashi & Minoya Central Station

Release: 2024 / EU – Original

Genre: Organic Grooves

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Known as a long-time member of The Notwist and various other bands/projects (Alien Ensemble, AMEO, jersey, Ditty etc.), Berlin-based drummer/composer Andi Haberl has also worked with My Brightest Diamond, Till Brönner, Owen Pallet, and Kurt Rosenwinkel, to name a few. "I Can See Our House From Here" is his first solo offering.it"s about finding a personal frequency, an overlapping of sounds and samples, an open space that mirrors and extends whatever frequencies felt right at different points in time.

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Full House Milky Pink Vinyl Edition

LP | 1979 | JP | Reissue (Universal Music Japan)

In Your Corner / Bewilderment Black Vinyl Edition

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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The elegant City Pop album released in 1979, which shines with Junko Ohashi's unchanging overwhelming singing and the sophisticated performance of the second generation Minoya Central Station, which added new members, is available exclusively on milky pink vinyl. Re-release!

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Pale Jay

7" | 2024 | US | Original (Karma Chief)

11,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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This new 45 from Karma Chief Records showcases two tracks from Pale Jay's latest LP, Bewilderment.The A side, In Your Corner is an Afrobeat inspired song that addresses a conversation with the self. An uplifting tune at first glance, the lyrics lay bare the internal struggle for self-acceptance. The song explores the push and pull between self-love and self-judgement that can often leave us feeling lost and uncertain.The B side and title track to Pale Jay's latest LP 'Bewilderment' showcases the main elements of his unique sound palette: silky falsetto over soulful harmonies and dusty hip hop beats. 'Bewilderment' tells the story of the disintegration of a family, creating a captivating and soulful musical experience and a journey into self discovery.

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LP | 2024 | EU | Original (Squama)

Release: US

Genre: Organic Grooves, Electronic & Dance

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nice disco-edits of Donna Summers I Feel Love!

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Damian Dalla Torre

I Can Feel My Dreams

23,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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12" | 2024 | EU | Original (De W.E.R.F.)

Early Life Forms

12" | 2023 | EU | Reissue (Blanco Y Negro)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Early Life Forms is a new quartet fronted by Belgian guitarist and sound wizard Vitja Pauwels, and on the 26th January, they are set to release their self-titled debut album via W.E.R.F. Records; a stunning, one-off live show recorded with American guitarist Marc Ribot (Robert Plant, Tom Waits, Wilson Pickett, Marianne Faithfull, The Black Keys, John Zorn).

Having already earned his spurs as a sideman with artists including Naïma Joris, Bombataz and Lara Rosseel, rising Belgian star Pauwels released his debut album 'Day at Half Speed' in 2019, which explored the possibilities of acoustic guitar and live electronics. This experiment became a new artistic path for Pauwels and showcased his musical versatility, with second album 'Drift By, Sink In', released to critical acclaim in 2022.

The same year, Pauwels was invited as special guest by the Brand! Festival, Mechelen, to showcase new material and he came up with the idea of putting together his 'dream' live band which included his hero Marc Ribot, one of world's most accomplished and acclaimed guitar players. Reaching out to him via videos and early demos for this new recording project, Ribot liked what he heard and agreed to perform with Pauwels and his new project Early Life Forms in what would be the band's first ever live show.

Joined by Frederik Leroux (baritone guitar), Laurens Dierickx (Hammond organ) and Casper Van De Velde (drums), during the lead up to the festival, Pauwels wrote a number of songs he felt would work for the live show, with the only agreement being that there would be no rehearsals ahead of the performance, only a brief soundcheck beforehand with Ribot. The music was stripped down to its essentials - compelling melodies, themes, and clear forms but with the possibility to change direction at any given moment. "The music was played and heard for the first time, and it felt like a birth of something that needed to be alive. We felt connected in the right state of mind - relaxed and focused - and it all happened in a rush of shared energy. No ego's or fear, only connection and the music", states Pauwels.

Drawing on latin, jazz, cuban, and rock with a touch of exoticism and cinematic explorations, 'Early Life Forms' cites Ry Cooder, Henry Mancini, Los Lobos, Ennio Morricone and of course Ribot, as heavy influences. There is something existential, primary, something epic and at the same time youthfully uncomplicated, which is strongly associated with the music. From the mischievous and imaginative 'My Little Renaissance' to the adventurous and hypnotic 'Latin Dancer', 'Early Life Forms' is overflowing with sharp twists and turns, with Ribot's heavily rhythmic, distorted guitar amplifying the cinematic feel to the sound. The on-stage relationship between each member of the band and Ribot is childishly uncomplicated, something primary but always epic. The music is left to the moment and the magic of their first encounter with their hero Ribot. "Marc's commitment in the music was better than I could have hoped for. What he played was with 200% intention, putting the rest of us in a state of hyperfocus. Given the fact that it was a one-time thing and a recording, we took risks without 'overplaying' or overthinking it. Right before the gig, we felt an urge to play, Marc said, "Let's rock!!" and we hit the stage", says Pauwels.

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Albert One

For Your Love

23,99 €*

Barbara Acklin / Young-Holt Unlimited

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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Reissue of this italo disco classic from 1986 by the late Albert One Reissue of this italo disco classic from 1986 by the late Albert One Reissue of this italo disco classic from 1986 by the late Albert One

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Am I The Same Girl / Soulful Strut

7" | 2021 | EU | Original (Outta Sight)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Jazzlab)

We Don't Suck, We Blow!

In Vitro

22,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (We Are Busy Bodies)

Eboni Band

Release: 2021 / EU – Original

Genre: Organic Grooves

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Milda Döden Hämtar Oss Alla Till Slut

Eric Malmberg

7" | 2021 | UK | Original (We Jazz)

12" | 1986 | EU | Original (Paisley Park)

Release: 2021 / UK – Original

Genre: Organic Grooves

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We Jazz Records is delighted to present the first ever vinyl release for two modern classic tracks by Swedish organist Eric Malmberg. Originally released in 2007 by the label HÃ¤pna on Malmberg's second solo album "Verklighet & Beat", the pair of tunes herein serve as proof of Malmberg's remarkable artistic vision, echoing both the pure pastoral beauty and the irresistible groove of his work. This release, part of the ongoing 7" series by We Jazz Records, follows the label's Artistic Director Matti Nives's 10+ years of obsession with the aforementioned Malmberg album after an initial chance encounter with the side A track on a Wire Magazine compilation in 2007.
"Eric Malmberg's music is a small miracle. I don't want to call him a genius, because I don't want to jinx him. But I will say that he's a complete original, in addition to being a vastly talented musician. I will also say that his recordings and the two performances that I saw by Sagor & Swing merit a place on a short list of most enjoyed musical experiences of the last half decade. I could bleat about the quality of the work, but "most enjoyed" to me carries the stronger charge." â€“ David Grubbs, New York, March 2007
"A special mention needs to go out to the phenomenal and totally bonkers 'Till minne av Lilly LindstrÃ¶m' a track which starts with a clean break, builds into dancefloor abusing Hammond-hammering mayhem and then ends up with lush string orchestrations and disco-lite sweeps. Insane and more enjoyable than you could possibly imagine - an album to totally lose yourself in, and one for anyone looking for something just that little different. Huge recommendation." â€“ Boomkat

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Sheila E.

Hold Me

4,99 €*

Release: 1986 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

2LP | 2020 | US | Original (Numero Group)

Tommy McGee

I'm A Stranger

Release: 2020 / US – Original

Genre: Organic Grooves

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Pata Pata (Definitive Remastered Edition)

Miriam Makeba

2LP | 1967 | EU | Reissue (Strut)

LP | 2019 | EU | Original (Discom)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Includes both the mono and stereo versions of the album!

Strut presents an all-time classic of South African music, the definitive remastered edition of Miriam Makeba's 'Pata Pata', her first album recorded for Reprise in 1966.
The album marked a significant international breakthrough for Makeba. Moving to the US after the anti-apartheid film 'Come Back, Africa' gained international attention and staying there in exile, she quickly built her career in New York during the '60s, mentored by Harry Belafonte. Signing with Reprise after a period with RCA, she returned to one of her older songs: "I wrote 'Pata Pata' back in 1956, back in South Africa", remembered Makeba in her autobiography. "It was a fun little song and I was thinking of a dance that we do at home ("pata" means 'touch" in Zulu and Xhosa)".
The track peaked on the Billboard Hot 100 at no. 12 and the album. Other songs on the album included a version of the traditional Xhosa classic, 'Click Song Number One' ('Qongqothwane'), the atmospheric 'West Wind', later famously covered by her friend Nina Simone, and a version of Tilahun Gessesse's 'Yetentu Tizaleny' which Makeba learned on a trip to Addis to perform for Haile Selassie at the Organisation Of African Unity.

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Du Du A

Du Du Archive 1984-1989