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I Come For Your Love / Witching Hour 2024 Concert Exclusive Test Press Edition

Release: 2001 / EU – Reissue

Genre: Organic Grooves

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Comet Records is so thrilled to present Psyco on Da Bus 20th Anniversary, for the occasion it will be reissued as a Double Vinyl LP and newly remastered.

Recorded in just few weeks in the US during Tony Allen's Black Voices album tour in Spring 2000, on Doctor L’s G3 in different places as hotels rooms, local studios (Nyc, Toronto) and the tour bus. Doctor L and the members of Tony Allen & Afrobeat 2000 band get the idea of making a collective album alltogether, co-writing both songs and music a nd creating a new spectrum that reflects their different musical backgrounds. Doctor L, Tony Allen, Jean-Phi Dary, Cesar Anot, Jeff Kellner are the “psyco bus” members. Completed later in Paris with guests artists like Smadj, Dom Farkas and Eric Guathier, Psyco On Da Bus project fill the gap between the 70's and the new millenium, blending afrobeat rhythms, gospel & soul vocals, jazz & funk licks with wicked electronics and astonishing production.

From the futuristic funk of “Afropusherman” to the eastern sounds of “Many Questions” or the killer floor filler “Push your mind Breakbeat” , from the underrated spiritual suite “Time To Take A Rest”, hybrid fusion of free jazz, poetry, rare groove and nu-beats, to the outstanding “Never Satisfied”. Last but not least the artwork was created and produced by the talented french graphist designer, filmmaker Edouard Salier. Tony told about his collaboration with Doctor L on this project in 2001: “Younger people are coming into Afrobeat right now. And I personally don't want to be past, I want to be future. Young people like hip-hop, and techno, which is what I must think about. It's the direction I want to take. It's an experiment I've wanted to try. That's why I wanted Doctor L to produce the album.”

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Psychic Mirrors

12" | 2019 | US | Reissue (Cosmic Chronic)

20,99 €*

I Got The Fever / I Got The Fever (2023 Retouch)

Release: 2019 / US – Reissue

Genre: Organic Grooves

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The 2019 reissue for Psychic Mirrors "I Come For Your Love" & "Witching Hour" has been approved and will be available for the first time in almost 10 years. Sounding as fresh as it did in 2011, and remastered by Stan Getz (Flaming Lips, Yoshitoshi, PPU). Stay tuned for more Mickey De Grand IV and Cosmic Chronic!

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Prophets / Creation

7" | 2024 | UK | Original (Charly)

18,99 €*

LP | 2023 | UK | Original (Jazzman)

Release: 2024 / UK – Original

Genre: Organic Grooves

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‘I Got The Fever’ was originally released on 7-inch vinyl by Smash Records in 1968 attributed to The Prophets. It was also featured on the bands lone album Fever in 1971, as The Georgia Prophets. It soon found its way to these shores as a remastered version credited to Creation, an invention of Eric label owner Bill Buster. It became an overnight dance floor hit and exploded nationwide when reissued by the Black Magic label in 1975.

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Prof. James Benson

The Gow-Dow Experience

31,99 €*

All That I Wanted Was You / Fantasy

Release: 2023 / UK – Original

Genre: Organic Grooves

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"Following my recent phone call with Prof. Benson, I left him to continue his 92nd birthday celebrations with his family. We'd talked about his life, his music, his achievements. Throughout our conversation it struck me what a kind, humble and pleasant man he was. I felt that I was in the presence of greatness – not the egotistical greatness that emanates so often from high achievers, but that of someone who had simply won at life.

""I was a music teacher. I wasn't trying to make a record to compete, I was trying to make a record so the students would have something to remember the experience that we had... I was doing it for the kids.""

It was 1973 that Prof. James Benson had self-funded his private press LP for the benefit of the teenage musicians he tutored at Cal Poly, California. The album was a momentous achievement for him and his young protegees, something they were all proud of, and rightly so. Taking inspiration from their recent trip to Africa and blended with the radical jazz associated with the young minds of early '70s black America, the Gow-Dow Experience is a unique foray into the enthusiastic mindset of up-and-coming jazz musicians, as encouraged by their mentor Prof. Benson.

We present the album as it was released in 1973 with a heavyweight tip-on jacket and 180g vinyl or on CD. We also include an insert with liner notes and photos provided courtesy of Prof Benson. The LP and CD come with 4 additional tracks taken from the recording session. Until now these tracks have never been heard since the day they were recorded - believe me, they're worth the wait!

Made with love from Jazzman - because we love to dig deeper!"

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Private Funk-Shun

7" | 2022 | UK | Original (Freestyle)

Mermaid's Tails / Kick Off The Road

Release: 2022 / UK – Original

Genre: Organic Grooves

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Another brit-funk single excavated by Freestyle Records, Private Funk-Shun's super-rare All That I Wanted Was You / Fantasy 7" originally released in 1986 has been officially licensed, remastered and pressed up in a limited 45 run for all those who can't jive with dropping hundres of pounds on an OG copy!
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Private Funk-Shun were a band formed in 1984 originating from the Loughton and Tottenham areas of north east London & Essex, and featured the vocal talents of Maxeen Edman-Messam - who would later go on to find fame in the early 1990s as key street soul artist Maxeen.
Originally performing under the name of Slipstream, but changing to Private Funk-Shun in 1985 after finding out another group were operating under with the same name, they toured around London & South East bringing a dedicated brit-funk following with them. Despite writing approximately 20 original tracks in their time, this self-released two-track 7" from 1986 was their only official output and has since become a certified rare groove, fetching upwards of £250 on the secondhand market.

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Principles Of Joy

7" | 2024 | EU | Original

Release: 2024 / EU – Original

Genre: Organic Grooves

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It's Soul That Counts 12 Page Booklet Edition

Principles Of Joy

2LP | 2024 | EU | Original (Q-Sounds)

31,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Q-Sounds)

Principles Of Joy

9-3

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Munster)

Principe Y Su Sexteto

Salsa De Guaguanco

12" | 1987 | UK | Original (Polydor)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Hard salsa with rocking tropical electric guitar! Príncipe's 1967 debut album, featuring powerful Afro-Latin rhythms like guaguancó and pachanga played with youthful exuberance and originality. Truly unique sound from the dawn of salsa in Venezuela. Príncipe y Su Sexteto, from Caracas, Venezuela, were early pioneers of "salsa con guitarra eléctrica" (salsa with electric guitar), a subset of the salsa genre where the electric guitar is the main melodic rhythm instrument, often taking the spotlight in place of the piano and brass section. They were the perfect combination arriving at the rightmoment, when salsa spontaneously emerged as a new musical movement coming from working-class youth of the barrios in Caracas. All the compositions are original to the band, and hold up really well more than 50 years later. Though the arrangements and playing are deceptively simple, the effect is both mesmerizing and energizing, like early rock 'n' roll fed through a Caribbean filter. This first time reissue has been remastered directly from the original tapes and licensed from Discomoda. With in-depth liner notes it has also been augmented by three smoking bonus tracks that were never released during Príncipe y Su Sexteto's existence as a band. 180g vinyl.

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Princess

I Cannot Carry On

3,99 €*

Release: 1987 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

I Don't Wanna Be Without You / Angel

Prime Cut

7" | 2024 | UK | Original (Epsilon)

17,99 €*

Preston Love / Brenda George

Release: 2024 / UK – Original

Genre: Organic Grooves

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I am very exciting to introduce Epsilon Record CO latest release Eps031 Prime Cut Two fantastic and previously unissued tracks, perfect for the summer vibes. In 2021, I was working on the T.A.X.I.E project with my good friend, the very talented Steve Fuji from Riverside CA, who later became Epsilon Record Co’s favourite sound engineer. Back in the 70’s, Steve Fuji worked as sounds engineer for several major studios in the Los Angeles area. He also made some appearances as an actor in a few movies and pursued his career as a solo artist, singing and playing guitar. He worked on hundred of recording sessions with many bands. Steve has always had a good ear for soul music artists. He made mastertape copies of his favourite recordings for himself which he kept securely for five decades. Four years ago I asked Steve if he had any interesting unissued material for Epsilon. He sent me these two tracks from Prime Cut. I was blown away by the quality of these recordings, both songs were originally about 6 minutes long. But I knew Steve could easily edit them for me. I started researching about Prime Cut Band and quickly realised that most of the members of the band were sadly no longer with us and put those projects aside hoping that one day I could find one of the remaining members.

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Cissy Popcorn / I Can't Stand It

7" | 2012 | UK | Reissue (BGP)

10,99 €*

Release: 2012 / UK – Reissue

Genre: Organic Grooves

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Preservation Hall Jazz Band

A Tuba To Cuba

LP | 2019 | US | Original (Sub Pop)

23,99 €*

12" | 1985 | UK | Original (Jive)

Release: 2019 / US – Original

Genre: Organic Grooves

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Single-pocket jacket with custom dust sleeve
Includes MP3 coupon

The legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls.
The New York Times said: “This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.” And, from the LA Times: “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.”

Preservation Hall Jazz Band’s Ben Jaffe said of “Kreyol,” the lead single from the soundtrack: “Every evening in Havana people gather along the waterfront to socialize. I’ve always been taken by the tempo at which people stroll, like New Orleans, there’s a very particular rhythm to their walk. That rhythm was the inspiration for ‘Kreyol.’ In fact, ‘Kreyol’ is the Cuban spelling of ‘Creole.’ You can feel that same Creole influence in New Orleans, it’s one of our many shared connections with Cuba.” (The film is available through Amazon Video, iTunes, DirecTV, Google Play, YouTube Movies and more. Check your local service provider for additional listings.)

About Preservation Hall Jazz Band:

At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band recently signed with Sub Pop Records, who are re-releasing the band’s 2013 album That’s It! (over 39,000 copies sold) and 2017’s So It Is on June 28th, with new music to follow.

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Precious Wilson

I'll Be Your Friend

3,99 €*

Release: 1985 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Compiled By El Dragon Criollo & El Palmas

PP's

LP | 2024 | EU | Original (Elpalmas Music)

LP | 2024 | US | Original (Astral Editions)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

The compilation edition recovers the memory of a very important moment for Venezuelan pop music. The appearance of Pp's (the acronym for Pedro Pérez Show, an original name that highlighted the leadership of the creator of an unexpected new wave scene in Venezuela) produced an explosion whose echo later resonated with the birth of a handful of bands that also renewed the country's musical panorama, in tune with what sounded strong in the Anglo market in those effervescent 80s (punk, post-punk, ska, even the funk that had expanded in the previous decade): Sentimiento Muerto, La Seguridad Nacional, Desorden Público, Caramelos de Cianuro, Los Amigos Invisibles (who recorded a cover of “Yo soy Así”, a Pp's song, on their cover album Super Pop Venezuela from 2005). Pp's recorded three albums in the 80s: Pp's (1981), En el aire (1982) and Tercera Guerra Mundial (1984), all with a clear pattern: putting the body in motion. It is music connected to its time that invites you to dance and listen to today, it builds a bridge to the past while opening a path to the future because Pp's is still in action. This compilation contains six songs from the first album, two from the second and three from the third, is an exclusive edition of El Palmas Music. It reaffirms the vocation of Maurice Aymard's label to preserve the heritage of Venezuelan popular culture and at the same time captures all the facets of a musical project that is a stainless symbol of the country's new wave, but also exceeds that label with music in which Flows of progressive, space rock and acid jazz filtered through. A colorful, diverse new wave, far from any type of corset. At just over 20 years old, Pedro Pérez lived in a city with a powerful cultural imprint like San Francisco. In the air was the fresh, uplifting sound of bands like Talking Heads, Devo and The B-52's. Also reggae and dancehall from a large group of Jamaican artists. Pérez also shared a date with Black Uhuru and with Ub40, a British reflection (white and more pop) of Rastafarian music. “I am like this / And what does it matter to you?”, the line that is repeated insistently in “Yo Soy Así”, one of the most emblematic songs of all that Pérez wrote, is a provocation and a declaration of principles. The new always wants to destroy the old, change the channel, change the station, head towards an alternative road.

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Powers Rolin Duo

Clearing

Changing Man / I'm Just Your Clown

Release: 2024 / US – Original

Genre: Organic Grooves

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Peridot' dives right in, and so I will. It’s a gemstone, peridot, and may become your favorite gemstone (as it has mine since I’ve dug in to its history and cultural significance). I like volcanoes and volcanic land formations. 'Peridot,' the musical piece presented here by Powers/rolin, is soundtrack to memories of in-person witnessed lava floes and the infinite parade of Herzogian docu-footage of rivers of fire and constructive destruction. There are edits or augmentations evident, creating (or revealing) form, in the tradition of Teo Macero’s work on In A Silent Way. Because rarely does the beauty of a musical moment survive the translation from performance to recording without losing that crucial thing that made it a once-in-a-lifetime happening without judicious and usually minimal manipulation. We overdub, we mix, we edit. We master, we distribute. If you’ve ever been out in the woods with some friends and come upon a little place in a creek that’s just big enough to get in for something resembling a ‘swim’ but is more like a ‘dip’, and no-one has brought costumes designed explicitly for swimming so some begin to disrobe completely, and then you do too even though you feel awkward and never really wanted to be naked around these people (or, really, almost anyone) but do it anyway, and the embarrassment never really goes away during the whole time you luxuriate in the cold water but almost does again and again as something in you realizes that this is the best and greatest juxtaposition of flesh with moving water that could ever have happened, if this has occurred to you in your life then now you have musical accompaniment for the sorting-through of that memory. In recent years, again and again, Powers/Rolin does it right & natural, and somehow I always think of sunlight and ’sunlight’ simultaneously when I listen to their recorded work. In the great tradition of deeper side twos, 'Albatross' feints at providing respite from the momentum when really it uses your newly-turned cognitive soil to sow the real seeds: be here now, again; stay stripped, start crying if you have to or want to; there are forces at play inside of you and outside of you (yes, in Ohio, of all places) that recognize and respect the value of nakedness in mind and body and can instinctually lash that value to timbre, tone and harmony in the service of beauty."—Will Oldham, April 2024.

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Power Of Attorney

7" | 2020 | EU | Original (Brewerytown)

Terrain Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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In the early 1970s, the funk / soul band Power Of Attorney was formed at the Pennsylvania State Correctional Institution at Graterford (30 miles northwest of Philadelphia). The story of their formation is just as powerful as the music that they left behind.

In late 1972, the prison’s Activities Director Theodore “Ted” Wing broke ground on a new recording studio. As part of the rehabilitative arts and music initiative, the space was built to offer a creative outlet for incarcerated individuals to express their musical talents. In November of ‘72, an audition was held throughout the prison to form a band. It has been reported that over 1,600 men auditioned for a spot in the band.

Wing ultimately settled on a lineup that consisted of William Smith (lead guitar), Charles McDowell (bass), Merion Wilson (tenor saxophone), Edward J.X. Smith (guitar), and Otis Graham (drums). With a lineup of gifted musicians and a fresh new recording studio to practice and lay down tracks in, the band Power Of Attorney was officially born.

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Portico Quartet

LP | 2021 | UK | Original (Gondwana)

27,99 €*

LP | 2023 | Original (Vampisoul)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Portico Quartet announce Terrain, a three-part suite drawing on American minimalism and ambient music alongside their own rich heritage as they explore new musical vistas

When Duncan Bellamy and Jack Wyllie – the driving force behind Portico Quartet got together in their East London studio in May 2020 and started work on the music that would become their new album, the world, or most of it, was in the midst of the first lockdown. The unique impact of the events of 2020 became the backdrop to their time composing and recording; causing them to take stock, re-think, and plot a new musical path.

Indian novelist Arundhati Roy expressed the sense of grief and rupture from the pandemic as "a portal, a gateway between one world and the next", and as they created the music that would become Terrain they were drawn towards longer, slowly unfolding pieces, which are perhaps the most artistically free and also the most beautiful they have ever made.

These are compositions more in the lineage of Line and Shed Song (Isla/2009), Rubidium (Portico Quartet/2012) and Immediately Visible (Memory Streams/2019). Wyllie expands: "We've always had this side of the band in some form. The core of it is having a repeated pattern, around which other parts move in and out, and start to form a narrative. We used to do longer improvisations not dissimilar to this around the time of our second record Isla. On Terrain we've really dug into it and explored that form. I suppose there are obvious influences such as American minimalism, but I was particularly inspired by the work of Japanese composer Midori Takada. Her approach, particularly on 'Through the Looking Glass', where she moves through different worlds incorporating elements of minimalism with non-Western instruments and melodies were at the front of my mind when writing this music".

Terrain I, II & III are all subtly different, but a short rhythmic motif that repeats is the starting point in all three movements. There is a sense of a shared journey to all these pieces, they move through different worlds, with a sense of horizontal movement that lends the music real momentum. Terrain I was the first piece they worked on and it started with a hang drum pattern, improvised by Bellamy, who added cymbals and synthesiser. From there on it grew, Wyllie adding saxophone, another synthesiser section, strings. For Bellamy "It felt more like filmmaking than music making, a bricolage of conflicting, shifting signs, subtle tension and multiple narratives. Andrei Tarkovsky's 'Mirror' and British artist John Akomfrah's incredible 'Handsworth Songs' were pivotal points of reference for me." Wyllie expands the point. "There is a sense of conversation between us both, in that someone presents a musical idea, the other person responds to it with something else, which would then be responded to again... until it feels finished. These responses are often consonant with each other but there is also a dissonance to some of this work. The music slowly evolves through these shared conversations."

It is this sense of dialogue, both between the composers, and between tranquillity and a subtly unsettling melancholy, that makes Terrain such a powerful statement. One that speaks to both our interior and exterior worlds, to our own personal landscape, to our Terrain.

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Poppy Y Sus Piranas

Quiero

34,99 €*

Bound / Remember You Opaque Yellow Vinyl Edition

Release: 2023 / Original

Genre: Organic Grooves

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First time reissue of “Quiero…” by Peruvian-Cuban singer and composer Króffer Jiménez, leader of Poppy y sus Pirañas, one of the key figures in Peruvian tropical music.Recorded in 1969 but not released until 1972, this album comprises guarachas and cumbias that were ahead of their time, mostly original compositions. Unfortunately the album went almost unnoticed back in the day, becoming a sought-after collector’s item in recent times. Quintets such as Compay Quinto, Pedro Miguel y sus Maracaibos and Los Totos were the stars of the Peruvian tropical scene at that time, winning over listeners with their powerful rhythm section and fast-paced melodies. In contrast, the dozen guarachas and cumbias on "Quiero..." are slower and more relaxed, where the elegant intonation displays Króffer’s Cuban roots, with the Pirañas contributing during the more festive moments. The cumbia 'Mala mujer' and the guarachas 'Amar en el mar' and 'El sortilegio' were ahead of their time, as the singing style adopted would only become fashionable from 1971 onwards. 180g vinyl.

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Ponderosa Twins Plus One

7" | 1971 | US | Reissue (Numero Group)

New Walls Colored Vinyl Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

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An American soul vocal group that would go on to shape the sound of pop music much farther beyond their imaginations, Numero is proud to present the first official American 45' repressing of the Ponderosa Twins + 1 original 1971 release of Bound b/w I Remember You.

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Polyfunktional

7" | 2023 | EU | Original (The Sleepers Recordz)

18,99 €*

Anomalia (Green Transparent Vinyl, 200g)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Polyfunktional returns with his second single off "New Walls" album, this time the sound is more bouncy, the influences are from early Roger Troutman or Prince to more contemporary bands like Tuxedo, with fat claps, moog synth bass lines, funky guitars and the never disappointing Talkbox for some vocal inserts. Wut Bout is the mood that you have everytime you're in a new relationship, like: ok I'm ready to be the best lover that I can, but "What about you?"

1st single off "New Walls" album, soundwise the title "Smooth Like Honey" is self explanatory, the mellowness of guitars and jazzy chords of the rhodes piano accompanies the un-quantized rhythm of the drums, while the opalescent artist-producer Polyfunktional tells you the story of his relationship with music, singing his melodies first with the vocoder, then with the talkbox, paying homage to some of his early influcences from Delagation to Roger Troutman, in a whole new mixture of a Modern Funk mid-tempo ballad.

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Polski Piach

LP | 2024 | EU | Original (Gusstaff)

12" | 2024 | EU | Original (Holuzam)

Release: 2024 / EU – Original

Genre: Organic Grooves

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"Who am I to myself? Just one of my impressions." by F. PessoaThe new album of the Polski Piach trio is titled Anomalia (Anomaly) and is the band"s third album.After Poludnie and Pólnoc (South/Noon and North/Midnight - thematically referring to the time of day and night as well as geographical directions), the band recorded a fully acoustic album, raw but brighter than Pólnoc. The songs contain the title anomalies and are narrative, even cinematic. They flow. The music of Polski Piach is a journey, both through the listener"s imagination and musical styles.The album was recorded live in Piotr Zabrodzki"s analog studio. The music was recorded on tape and mixed in analogue way.The cover was designed by Pawel Ryzko using drawings by Patryk Zakrocki.

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Polido

Hearing Smoke

Central Time / St. Louis Crawl

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Tip!

Polido has been fantasizing with the idea of free music throughout his artistic career. Free from restraints, logos, musical genres, but also from this modern obsession with narratives, plans, business plans, algorithms and bubble wrapped ideas for comfort of those of you that can’t breathe without everything making sense.
“Hearing Smoke” has nothing of that. It has been four years since Holuzam released the double album “A Casa e os Cães / Sabor a Terra” and for four years I have been daydreaming about what would come next. This is it, eleven new pieces about the future of the future of music. It is the result of years of study, research and sound consolidation. Sound as matter, mutating, transforming, absorbing all around, a shapeshifting entity connecting with the principles of freedom.

"Polido has been researching Portuguese contemporary composition, its very own sounds and ideas. Its origins, the web of repression, tension and censorship before the April 25th revolution in 1974; secondly, as an afterthought, freedom, equality and a unique sense of community and belonging screaming through the music. He absorbed those states of mind and made an album that listens to the current world and presents globalization as a mental trap.
If the music that inspired him somehow comes from a post-colonial world, “Hearing Smoke” questions how we can create something new in this permanent state of cultural colonization, where new trends or forms of music only thrive if they are accepted by the dominant cultures. The physical world has been transformed, but ideas like “world music” or “ghetto music” still show that dominance, the Strange can only be accepted if it incorporates the rules and codes of that dominant force. What I am saying is that it is hard for Portuguese musicians to present themselves as original. They will never have that credit unless the music relates to something that exists in another

realm. Never for their benefit, but for the power of association. I may sound arrogant here, but Polido is unique, original, one of a kind (all those words, all those redundant synonyms). I knew it four years ago when I got lost in the way “A Casa e os Cães” is assembled and how he makes something memorable out of the most commonplace conversations. “Hearing Smoke” continues the flow and puts us in the centre of these ever evolving masses of sound.
Somehow his music finds you, it starts speaking with you until it asks you to be a part of it. Polido’s beats and harmonics are combined in such a tender way that you mellow out while listening to these beats - thinking of the brilliant “Saque”. Even when he exposes you to something more harsh - “Canto D’Amorte” or the closing moments of the last track “Custa A Crer” - there’s still a cradle effect.
But what keeps me returning to this album is how it seems to transform in my ears. Not every time I listen to it, but while I am listening to it. The sound seems to move, embracing me and controlling my inner thoughts. These start to move along at the same pace, with the same feeling of cloudiness. Nothing new here, the thing is how it feels different from time to time, how the music, because of something that changes or moves, comes as a catharsis/revelation. It drives me nuts how the beats come and go in tracks like “Fogo Firme (Encomendação)” or “The More I Think, The Less I Can Speak“, leaving everything suspended and, simultaneously, relieved. When dramatic - ”Prova De Existência“ - it is sad af and gorgeously epic.

Trap, bass music, dubstep, ambient, hauntology and contemporary music flow side by side here, no pushing around, free of interpretation, and you are free to feel or listen to whatever you want in “Hearing Smoke”. That’s free music for you. Not a hard concept, something for you to enjoy, feel, reflect about. This is what the future will sound like."

André Santos // Holuzam

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Pokey LaFarge

7" | 2013 | US | Original (Third Man)

10,99 €*

Point Of View / Cliff Holmes

Release: 2013 / US – Original

Genre: Organic Grooves

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Pride of St. Louis Pokey LaFarge pays homage to his home city on this first single!

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I'm Superman / I Need Ya' Baby

7" | 2019 | EU | Original (Charly)

LP | 1988 | EU | Reissue (Arabusta)

Release: 2019 / EU – Original

Genre: Organic Grooves

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TWO RARE AND HIGHLY COLLECTIBLE MODERN SOUL DANCEFLOOR FILLERS FROM INSTANT RECORDSTAKEN FROM THE SOPHISTICATED SHADES OF SOUL AND NORTHERN SOUL ALL-DAYER LP's"Crossover... a bridge between Northern Soul and Philly Disco" The Modern Soul Collective'Shades of Soul' (CHARLYL317) explores the sophisticated side of Northern Soul with a smooth collection of sixteen mid and up-tempo grooves that showcase the crossover from Northern to Modern Soul. The sound of the 'All-Dayer' (CHARLYL307) evolved from a time when rare club soul was moving away from its roots in Detroit and experimenting with a new beat that coalesced at the legendary Manchester Ritz, which reigned supreme as the country's most forward-thinking All-Dayer. This created a melting pot of the very best of the underground soul scene, attractive to a wider, younger audience, leading to a national interest in Soul All-Dayers, and eventually heralding the rave era. These two singles from 1975 on the standout Instant Records label showcase the power that high-heat Modern Soul had, and still has, on dancefloors across the UK. Point of View's rarest-of-rare and fantastic in-demand single "I'm Superman" and Cliff Holmes' "I Need Ya' Baby" are both essential cuts for any discerning Northern Soul collection and are now available as one 7" in a single sleeve featuring replica Instant labels.

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Pluto Shervington

Rhythm Of The City

7" | 1979 | AU | Original (WEA)

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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* First ever official reissue * LP includes insert featuring lyrics and liner notes with artist bio and album story * Pressed on black vinyl

Rhythm Of The City

The time was 1988, and urban life in Miami was at its apex. After having moved from Jamaica to The Magic City in the summer of 1977, Pluto saw the future. Rhythm Of The City fully expresses this forward thrust, where technology, nightlife, love and urban vibes mingle in an exciting vision of a past future. Recorded at Earthman Studio in Miami, and produced by Geoffrey Chung, the album overthrows the normal rules of reggae, mixing it together with funk, soul and disco, and giving birth to what Pluto himself describes as urban reggae folklore.

Pluto Shervington

Leighton “Pluto” Shervington was born in Kingston, Jamaica on August 13th 1950. Determined to be a musician for as long as he remembers, Pluto built his very first guitar with his own hands, and in 1966, at the age of sixteen, joined his first band: The Presidents. After The Presidents came The Hurricanes, and in 1968 he became a member of the showband Tomorrow’s Children.

After releasing hits like I Man Bitter, Ram Goat Liver, Dat, Your Honour and I Man Born Ya, Pluto climbed the charts, both in Jamaica and overseas, and established his solo career, selling tens of thousands of copies with every album release. In 1972 he founded Sound Associates Limited, a recording studio which provided radio, TV and advertising agencies with original jingles produced on a sixteen-track reel to reel recorder and a twenty-four-track mixing board which Pluto had bought from Byron Lee.

In 1977, due to political shifts in Jamaica, Pluto moved to Miami, where he formed Pluto & Co. The band played regularly for eighteen years at Sunday’s On The Bay in Key Biscayne, Florida, and in June 1982 toured throughout England, Wales, Scotland, and Ireland. In August 1984, Pluto returned to Jamaica on tour, performing at the Reggae Sunsplash in Montego Bay. Through the years, Pluto continued his musical career between the United States and Jamaica, and is yet to stop experimenting and exploring what he can do with reggae music.

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Player [1]

Space Invaders

5,99 €*

Release: 1979 / AU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2016 | CH | Original (Les Disques Bongo Joe)

Pixvae

20,99 €*

LP | 1980 | NL | Reissue (Records We Release Records)

Release: 2016 / CH – Original

Genre: Organic Grooves

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A fresh project from the Nilamaye crew — crossing currulao, art-rock and jazz.

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Piry Reis

18,99 €*

LP | 1984 | NL | Reissue (Records We Release Records)

Release: 1980 / NL – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. 2020 reissue. Deluxe edition.

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Piry Reis

Caminho Do Interior

22,99 €*

Piper Y Su Orchestra Pimienta

Release: 1984 / NL – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

2021 reissue.

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Pensamiento

7" | 2024 | EU | Original (Vampisoul)

15,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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When Everything Is Better, I'll Let You Know

Pip Millett

2LP (Columbia)

35,99 €*

Genre: Organic Grooves

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When Everything Is Better, I'll Let You Know

Pip Millett

2LP (Columbia)

40,99 €*

Genre: Organic Grooves

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When Everything Is Better, I'll Let You Know

Pip Millett

2LP (Columbia)

35,99 €*

Genre: Organic Grooves

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Dark Forecast White Vinyl Edition

Piotr Schmidt Quartet

2LP | 2021 | EU | Original (O-Tone Music)

34,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Piotr Schmidt International Sextet

Komeda Unknown 1967

LP | 2023 | UK | Original (O-Tone Music)

30,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves

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Pierre-Alain Dahan & Slim Pezin

Neo Rythmiques

LP | 1976 | Reissue (Be With)

27,99 €*

Release: 1976 / Reissue

Genre: Organic Grooves

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Pierre-Alain Dahan & Slim Pezin's Neo Rythmiques is an absolute KILLER Tele Music library classic from 1976. It's absolutely sensational throughout, all scorching, uptempo jazzy soul funk that Mr James Brown himself would've been envious of. This is serious business with breaks for days. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet. With Neo Rhythmiques, he's joined by his eternal guitar colleague Slim Pezin (Voyage, Manu Dibango, Nino Ferrer), so you know this Be With reissue is fundamentally vital.

Opener "Soul Car" is a swaggering, horn-drenched jazz-funk beast whilst the slick JBs funk of "Happy Penalty" is just plain irresistible. Definitely influenced by American funk flavours, it stands alone on its own right as a brilliant piece of music, no question about that. The blazing "Kuzi-Kuza" is again horn-fuelled but has a more exotic, Latino feel, all loose grooves and bastard blues with funky organ and shredding guitars. The stomping, proto-disco of "Mercy Boa" is a guitar-sizzled Bohannon-esque hypno-groove for adventurous dance floors the world over. Outstanding. And if all that wasn't enough from one half of a 70s French library LP, the A side ends with the monumental, stratospheric "Slim Bertha"! I mean, what can you even say about this absolute monster?! Slo-motion, deep drama funk breaks with jazzy guitar and gleaming percussion. Just sensational.

Side B opens with "Country + Country", a rather forgettable slice of piano driven bluegrass funk (?!) Aaaaannyway, "Super Airship" follows and is a driving fuzz-guitar psych-rock workout of the highest order. We're back on track now. The brilliantly titled "Electronic Mutation" is a total highlight, the funk most definitely returning and, indeed, strong in this one with its deep clean breaks (with some particularly ace hi-hats), echoey effects and funky clavs. "Africa Semper" follows, all funky percussion, trippy echo and distorted, psychy guitar licks. To close out the set, "Neo Rythmiques 1 and 2" form a great salvo of top-tier, percussion-heavy synthy-funk-fusion. For our money, the bugged-out echoey space-soul of "N° 2" just about edges it.

One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member - alongside his partner here, Slim Pezin - in the legendary Arpadys, Disco & Co and Voyage. Dahan also featured in Tumblack (with Wally Badarou, Sauveur Mallia et al) and Jef Gilson Septet (alongside Henri Texier), whilst the CCCP Pezin backed, among others, Manu Dibango and Nino Ferrer. Some pedigree.

The audio for Neo Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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2LP | 1973 | EU (Blind Faith)

To-Day's Sound

40,99 €*

Release: 1973 / EU

Genre: Organic Grooves

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The sound of today. A very strong statement. Yet, fifty years later, it remains undisputed. Today’s sound is Piero Umiliani's manifesto, his will to demonstrate to the world that he always has his finger on the pulsating vein of the world, ready to embrace the heartbeat of the future. In the summer of 1973, Piero Umiliani, in his futuristic recording studio in Rome, much like Miles Davis for his 'Bitches Brew,' gathered an extraordinary collective of musicians, both old and new guard to measure themselves against some of his compositions. Besides strongly emphasizing the backbeat, what stands out the most is the timbre provided by his 'electronic instruments,' as he liked to call them. Minimoog, Arp 2600, Fender Rhodes, EMS Vcs3, Clavinet, Lowrey organ, Space Echo, self-built envelope filters—machines impossible to see all together in an Italian recording studio at the time and made available to the musicians. The line-up is stellar; under the name 'Sound Workshoppers,' the 'Wrecking Crew all'Amatriciana' is hidden an impossible mix where Marc 4, Gres and Perigeo are blended, along with a brass section of veterans and pioneers of Italian jazz, all members of the RAI Symphonic Rhythm Orchestra. Comparing the recordings from the original scores, one can also understand the space left by Piero Umiliani for his musicians. They are free to move, to contribute solutions, to enrich the maestro's music. The perfectly preserved original masters, once transferred at the maximum possible sampling frequency, allowed for the recovery of many lost frequencies, restoring brilliance and the remarkable low end expertly captured in recording by engineer Claudio Budassi. Today’s sound was extremely difficult to control and fully render with the mastering technology of that time. Paradoxically, Today's sound could not sound as I have managed to make it sound today: urgent, majestic, more alive than ever.

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The Complete - Sound Work Shop Heritage

Box Set | 2024 | EU | Original (Schema)

164,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves, Soundtracks

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For the first time ever, the whole Piero Umiliani’s production on his Sound Work Shop Record label is collected in a unique 17-Cd Boxset! The boxset includes a set of 17 CD’s enclosed in faithful reproductions of the original sleeves, plus a 72-page booklet with rare photos, two essays about Umiliani and his music production written by Maurizio Corbella and Niccolò Galliano, and a detailed discography and full tracklist section. This release has been fully approved by the Umiliani family. Without Umiliani’s contribution, Italian jazz, film music and library music would lack some of the key identifying features we associate them with today, thanks to his ability to carve out a distinctive sound identity from his personal craft, the studio he built and the trust he gained from his collaborators. This identity for many simply encapsulates the cipher of an unrepeated age of Italian popular music. At the Sound Work Shop studio (opened in 1968) Umiliani conceived the majority of his projects and hosted the recording sessions for numerous movie soundtracks, pop hits and library music albums by the most remarkable musicians in Rome — including himself. In this exciting environment, he had the opportunity to experiment with many different styles, from funk to psychedelic rock, from disco to avant-garde, from easy-listening to electronic music, following the ever-changing needs of the soundtrack and library music industries. He therefore mastered an extreme variety of genres, moods and atmospheres, often mixing up their peculiar features to achieve unusual combinations in albums conceived both for production purposes and for home listening. Umiliani’s ability to reinvent the concept of musicianship in the fast-moving society of his time made him a modern musician in the most complete sense of the term, by putting himself in charge of every facet of his work, from the conception to the production, the recording, the publishing and even the packaging of his own music. In less than two decades, Umiliani released almost 80 records on the three labels he established between the mid-1960s and the early 1970s: Omicron, Liuto, and Sound Work Shop, besides all the music he was simultaneously composing for movie productions, licensed and published by Italian major companies. This box set allows us to fully appreciate this little-known side of Piero Umiliani in an unprecedented way: his ability to seamlessly intertwine his musical creativity with his vision as a producer and publisher emerges clearly from this series as a unique feature of this composer. This corpus altogether constitutes a remarkable contribution to the so-called Italian sound of the 1970s, covering areas such as library music and film music and a plethora of genres such as jazz, funk, psychedelia, prog, easy listening, electronic music and much more!

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The Complete - Liuto Records Heritage

Box Set | 2024 | EU | Original (Schema)

164,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves, Soundtracks

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FOR THE FIRST TIME EVER, THE WHOLE* PIERO UMILIANI’S PRODUCTION ON HIS LIUTO RECORD LABEL IS COLLECTED IN A UNIQUE 19-CD BOXSET!

The boxset includes a set of 18 albums for a total of 19 CD’s (the last one in the series is a double CD) enclosed in faithful reproductions of the original sleeves, plus a 72-page booklet with rare photos, two essays about Umiliani and his music production written by Maurizio Corbella and Niccolò Galliano, and a detailed discography and full tracklist section. This release has been fully approved by the Umiliani family.
* * *
Without Umiliani’s contribution, Italian jazz, film music and library music would lack some of the key identifying features we associate them with today, thanks to his ability to carve out a distinctive sound identity from his personal craft, the studio he built and the trust he gained from his collaborators. This identity for many simply encapsulates the cipher of an unrepeated age of Italian popular music.
At the Sound Work Shop studio (opened in 1968) Umiliani conceived the majority of his projects and hosted the recording sessions for numerous movie soundtracks, pop hits and library music albums by the most remarkable musicians in Rome — including himself. In this exciting environment, he had the opportunity to experiment with many different styles, from funk to psychedelic rock, from disco to avant-garde, from easy-listening to electronic music, following the ever-changing needs of the soundtrack and library music industries. He therefore mastered an extreme variety of genres, moods and atmospheres, often mixing up their peculiar features to achieve unusual combinations in albums conceived both for production purposes and for home listening.
Umiliani’s ability to reinvent the concept of musicianship in the fast-moving society of his time made him a modern musician in the most complete sense of the term, by putting himself in charge of every facet of his work, from the conception to the production, the recording, the publishing and even the packaging of his own music.
In less than two decades, Umiliani released almost 80 records on the three labels he established between the mid-1960s and the early 1970s: Omicron, Liuto, and Sound Work Shop, besides all the music he was simultaneously composing for movie productions, licensed and published by Italian major companies.
This box set allows us to fully appreciate this little-known side of Piero Umiliani in an unprecedented way: his ability to seamlessly intertwine his musical creativity with his vision as a producer and publisher emerges clearly from this series as a unique feature of this composer. This corpus altogether constitutes a remarkable contribution to the so-called Italian sound of the 1970s, covering areas such as library music and film music and a plethora of genres such as jazz, funk, psychedelia, prog, easy listening, electronic music and much more!

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7" | 1958 | EU | Reissue (Rearward)

OST I Soliti Ignoti

Release: 1958 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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4 jazzy cuts.

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Warm Weather / Mt.Airy Groove (Instrumental)

12" | 2019 | EU | Original (Groovin)

13,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Early 80's Soul classic! These tracks have never been released on one 12" before.

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12" | 2019 | IT | Reissue (Groovin)

Warm Weather

Release: 2019 / IT – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 1981 | US | Original (Elektra)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1982 | US (Elektra)

MT. Airy Groove

Release: 1982 / US

Genre: Hip Hop, Organic Grooves

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LP | 1986 | US | Original (Manhattan)

Joyride

Release: 1986 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | US | Original (Manhattan)

Joyride

Release: 1986 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | US | Original (Manhattan)

Joyride

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1983 | JP | Original (Elektra)

Imagine This

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing, comes with Obi and inserts.

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LP | 1983 | US | Original (Elektra)

Imagine This

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1983 | US | Original (Elektra)

Imagine This

6,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Y Esa Pava Que? | Pa' Los Rumberos

Phirpo Y Sus Caribes

7" | 2024 | UK | Original (Matasuna)

Phillip Mitchell / Ray Godfrey

Release: 2024 / UK – Original

Genre: Organic Grooves

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Exactly three years ago, "Matasuna Records" released a hot Latin 45 feat. two songs by the Venezuelan band "Phirpo y sus Caribes", led by musician, arranger and conductor "Porfi Jiménez". Now, fortunately, two more tracks from the band's only album, "Parrilla Caliente", are being reissued on vinyl by Matasuna - and for the first time, on a 7-inch! The original pressing of the 1972 album on "Philips" is a rare and valuable collector's item. Officially licensed by the family of the late musician. Don't miss this gem! "Y Esa Pava Que?" on the A-side of the single is an explosive Latin funk joint written by Porfi Jiménez. An irresistible groover, opulently and densely orchestrated with virtuoso musicians showing off their musicality. Heavy drums, powerful horns, funky & slightly psychedelic keys & guitars are the basic ingredients, enriched with solo parts and vocal interludes. A real treat! The B-side features "Pa' Los Rumbero", a cover version of the song by New York Latin maestro "Tito Puente". In 1972, Puente recorded a great new version of his original 1955 composition. Phirpo y sus Caribes used this new version as the basis for their cover, compressing the Puente song to about two and a half minutes. The result is an energetic and upbeat song that proves that Porfi Jiménez and his bandmates were among the continent's finest musicians. Vamos que la rumba ya va empezar!

Artist info
"Porfi Jiménez", whose real name was "Porfirio Jiménez Núñez", was born in 1928 in Hato Mayor del Rey in the "Dominican Republic". He began his musical training at the early age of 9. After studying at the Municipal Academy of Music he became a member of an orchestra at the radio station "Voz Dominicana". Its director "Enrico Cabiatti" introduced him to the art of arranging.
Due to the Trujillo dictatorship, he left the country in 1954 and went to "Venezuela", where the young musician became famous as a trumpeter and played in the most important groups of the time. The quality of his original arrangements opened the doors of the most famous record companies of the time in Venezuela. Porfi also became one of the most outstanding composers and arrangers of those years, rebuilding Cuban "José Pagé's" Cuban label "Velvet" in Venezuela and working for all the label's national and international singers.
At the end of the 50's until the beginning of the 60's, he worked in orchestras of various TV stations in the Venezuelan capital Caracas. In 1963, Jiménez founded his own orchestra, which became known as one of the most important musical groups in Venezuela throughout Latin America.
In the 70's, musical transformations resulted from the emergence of new musical styles & rhythms. Porfi Jimenez, as a contemporary artist and passionate jazzman, began to incorporate new musical elements into his songs that distanced him from the prevailing commercial style. This resulted in the album "Parrilla Caliente", which was released as the band "Phirpo y sus Caribes" and remained the band's only album. The production, practically unknown, allowed him to experiment and express his artistic creativity, distancing himself from the traditional style of his dance orchestra.
Salsa music and its orchestras lost importance in the 80s and were displaced by new music. However, another Caribbean rhythm filled the gap: the "Merengue", which triggered an international boom. Porfi also embarked on this path, releasing an album that immediately catapulted him back to fame. It was a period in which he received numerous awards, such as two gold and one platinum disc.
Shortly before his death, on June 9th 2010, Porfi Jiménez managed to realize his lifelong dream: the formation of his jazz big band, with which he performed at numerous festivals in Caracas. With it, he left an important musical legacy, with several original compositions and arrangements of the most prominent names in jazz history. In 2007, Porfi Jiménez was honored by the "United Nations" as one of the most outstanding musicians of the continent.

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I'll See You In Hell First / I Ain't Givin' Up

7" | 2019 | EU | Original (Kent)

What A Heat & Philip's Calypso

Release: 2019 / EU – Original

Genre: Organic Grooves

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Phillip Mitchell only cut one single for Spring’s Event subsidiary in 1975 – despite the beautiful ballad ‘There’s Another In My Life’ being an R&B hit, he did not have a follow-up. However, there were three songs recorded at the Brad Shapiro-led Muscle Shoals session, and ‘I’ll See You In Hell First’ was the superb mid-tempo track that lay dormant until compiled on an Ace CD in 1990. It features Mitchell singing at his best on an inspired, self-penned song and is long-overdue a vinyl pressing as originally hoped for.

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Phillip Bodden

12" | 1976 | EU | Reissue (Miss You)

Philippe Maté / Jef Gilson

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Tiny stain on front cover.
Record is close to VG+.
Includes original inner sleeve.

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Workshop

LP | 1973 | EU | Reissue (Souffle Continu)

2LP | 2018 | US | Original (Funk House Blues)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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In October 1974, the first number of “L'Indépendant du Jazz”, a small self-produced magazine DIY -before punk supposedly invented the concept- was launched by Jef Gilson, Gérard Terronès, Jean-Jacques Pussiau and a few other specialists of a different kind of jazz in France, it looked at the already long career of Jef Gilson and in detail at the album with saxophonist Philippe Maté : “The ‘Workshop’ is, with Philippe Maté (alto-sax), an undeniable success. Maté is genuinely ‘the’ most inventive French saxophonist since Michel Portal burst onto the jazz scene (who has also worked with Jef Gilson on both “Enfin” and “Gaveau”).” Even though the author of the article is a mysterious I.H. Dubiniou, and it is difficult to know if it is a real person or a pseudonym used by one of the merry bunch, it is also tempting to hear it as what Jef Gilson really thought about his new discovery. Even more so as the two men would work together over a long period, as Maté became one of the key figures of Gilson’s Europamerica orchestra up until the 1980s. Philippe Maté had started to make a name for himself with the Acting Trio when they released an album on the BYG label in 1969, and he was also one of the regular sidemen for the Saravah studios (he can notably be heard on albums by Higelin, Fontaine or his cult duo album with Daniel Vallancien). The album was recorded on 4 February 1972, at the Foyer de Montorgueuil, where Gilson had set up his studio, with more or less the same team found on “La Marche Dans Le Désert” by Sahib Shihab + Gilson Unit (recorded ten days later). This was drummer Jean-Claude Pourtier and pianist Pierre Moret (regular Gilson accomplices since “Le Massacre Du Printemps”), alongside Maurice Bouhana and Bruno Di Gioa on various percussions and/or wind instruments. On bass is Didier Levallet, of the now mythical Perception, (Jean-François Catoire would replace him with Shihab) and Philippe Maté who took top billing, rather than the American saxophonist afterwards. The two albums are however quite different. This “Workshop” is more abrasive, more free. Made up of two long improvisations each of over 22mn, “L'Œil” on side A and “Vision” on side B (Gilson specialists would recognise the nod to one of his albums from the 60s), the album plunges you into the depths, attempting to drown you in electronic waves, dragging you back to the surface by the collar, giving you a good shakedown, before showing you the light, leaving you breathless on the shore after 46mn of the most intense music French has to offer. “An undeniable success”, they said.

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Philipp Fankhauser

I'll Be Around

Release: 2018 / US – Original

Genre: Organic Grooves

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Tape | 2018 | US | Original (Funk House Blues)

Philipp Fankhauser

I'll Be Around

15,99 €*

Release: 2018 / US – Original

Genre: Organic Grooves

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Infinite Expressions Vinyl Me, Please Edition

Phil Ranelin

LP | 2024 | US | Original (Vinyl Me, Please)

33,99 €*

Petter Eldh, Koma Saxo & Sofia Jernberg

Release: 2024 / US – Original

Genre: Organic Grooves

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Why you'll love it...
Phil Ranelin recently suffered a debilitating stroke. His family and friends have started a GoFundMe to support his recovery, which you can donate to here.

He's back, and he's here with a dazzling album that puts his talents right at the forefront. Phil Ranelin's Infinite Expressions is the first album he has released in 10 years. A trombonist and co-founder of Detroit's TRIBE Records, Ranelin is a cornerstone to the jazz community. Throughout his long career, he has worked with artists like Freddie Hubbard, Stevie Wonder, Ella Fitzgerald and more.

Phil Ranelin shared, "In the 1970's, I composed a album entitled 'The Time Is Now', so once again time is the theme, motivation & inspiration...

"="">here.
He's back, and he's here with a dazzling album that puts his talents right at the forefront. Phil Ranelin's Infinite Expressions is the first album he has released in 10 years. A trombonist and co-founder of Detroit's TRIBE Records, Ranelin is a cornerstone to the jazz community. Throughout his long career, he has worked with artists like Freddie Hubbard, Stevie Wonder, Ella Fitzgerald and more.

Phil Ranelin shared, "In the 1970's, I composed a album entitled 'The Time Is Now', so once again time is the theme, motivation & inspiration..." data-full="

Phil Ranelin recently suffered a debilitating stroke. His family and friends have started a GoFundMe to support his recovery, which you can donate to here.

He's back, and he's here with a dazzling album that puts his talents right at the forefront. Phil Ranelin's Infinite Expressions is the first album he has released in 10 years. A trombonist and co-founder of Detroit's TRIBE Records, Ranelin is a cornerstone to the jazz community. Throughout his long career, he has worked with artists like Freddie Hubbard, Stevie Wonder, Ella Fitzgerald and more.

Phil Ranelin shared, "In the 1970's, I composed a album entitled 'The Time Is Now', so once again time is the theme, motivation & inspiration for a Phil Ranelin project All of the positive flow of energy and love that surrounded me, gave me the courage to precede with the idea of recording a album that would represent a 2020 version of myself; Infinite Expressions is in fact , a true labor of Love!"

" >

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Koma West Colored Vinyl Edition

LP | 2022 | EU | Original (We Jazz)

Petter Eldh, Koma Saxo & Sofia Jernberg

Release: 2022 / EU – Original

Genre: Organic Grooves

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Petter Eldh's explosive ensemble Koma Saxo continues their adventures with a new album "Koma West", out on We Jazz Records. The album sees Koma Saxo expand on their previous sound with the addition of vocalist Sofia Jernberg and a strong cast of featured artists, including cellist Lucy Railton, violinist Maria Reich, pianist Kit Downes and accordionist Kiki Eldh (Petter's mom!). The hard-hitting key quintet remains, including Eldh on bass and assorted instruments, Christian Lillinger on drums, plus saxophonists Otis Sandsjö (of Y-otis), Jonas Kullhammar and Mikko Innanen bringing the Saxo to the Koma operation.

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Koma West Black Vinyl Edition

LP | 2022 | EU | Original (We Jazz)

Live Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Petter Eldh & Koma Saxo

LP | 2021 | EU | Original (We Jazz)

22,99 €*

LP | 2021 | EU | Original (We Jazz)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Koma Saxo, the explosive quintet led by Berlin-based Swedish bassist/producer Petter Eldh, returns on We Jazz Records with their new album, cut live at We Jazz Festival in Helsinki, December 2019. Whereas their lauded debut was a triumph of remapping the goal posts for an acoustic jazz combo for the 2020's, "live" takes you right to the heart of the actual ensemble sound, with 5 musicians tearing the place down, no post production. From the fiery opening sequence kicking off with "Euro Koma", on to the much calmer beauty of "Waltz Me, Waltz Me Baby, All Night Long" and the first single "Fiskeskärsmelodin", the 8-song set is pure fire, never failing to convey the extraordinary intensity of the group: Eldh on bass, Otis Sandsjö (y-otis), Jonas Kullhammar and Mikko Innanen on saxes, and Christian Lillinger on drums.

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Petter Eldh & Koma Saxo

Live Black Vinyl Edition

20,99 €*

Koma Mate / Jagd (Feat. Jameszoo)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Petter Eldh & Koma Saxo

7" | 2020 | EU | Original (We Jazz)

9,99 €*

Peter Herbolzheimer Rhythm Combination & Brass & I

Release: 2020 / EU – Original

Genre: Organic Grooves

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Producer/bassist Petter Eldh's celebrated Koma Saxo returns with a fresh single release on We Jazz Records, June 12. "Koma Mate" is a new look on "Koma Tema" from Koma Saxo's 2019 debut album. The track's anthemic quality remains, but with an extra 10% bangerism added for good measure. On the flip, Eldh invites Jameszoo to tear apart and reassemble Koma Saxo's elements, making for an extra tasty serving of spicy Koma Soup, filled with criss-crossing saxes and odd grooves. Lightning in a bottle, times two. "Koma Mate / Jagd (Feat. Jameszoo)" will be released by We Jazz Records on June 12 as a 7" single and digitally. True to We Jazz style, the 7" comes with an old school heat-pressed labels and a generic brown paper sleeve.

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Hip Walk

LP | 2024 | EU | Original (MIG)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (We Jazz)

Peter Evans

Extra

LP | 2020 | EU | Original (Trost)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Peter Evans makes his We Jazz Records debut with Extra, a new album out 25th October. The band formation includes Evans on trumpet, Petter Eldh (Koma Saxo / Post Koma) on bass and Jim Black on drums. Peter Evans, an acclaimed trumpet player, improvisor, and composer based in New York City presents a gutsy new band that gets right to work with his eight new compositions.

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Peter Brötzmann

14 Love Poems

31,99 €*

I'm Not Your Toy Pink Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Inspired by a poetry booklet by Kenneth Patchen (from which it takes it's title), this album focuses on expression and emotion. Recorded and first released by FMP in 1984. Peter Brötzmann: alto, tenor & baritone saxophone, a-,e-flat & bass clarinet, tarogatoCover by Peter Brötzmann Producer: Jost Gebers, Peter BrötzmannMix: Jost Gebers, Peter Brötzmann. All compositions by Peter Brötzmann, except * Nr. 1 "Lonely woman" by Ornette ColemanSIDE A1 Nr. 1 baritone-sax / Lonely woman (5:32)* 2 Nr. 2 a-clarinet (0:35) 3 Nr. 3 alto-sax (2:58)4 Nr. 4 bass-clarinet (3:07) 5 Nr. 5 a-clarinet (4:51)6 Nr. 6 tenor-sax (0:24) 7 Nr. 7 baritone-sax (4:38)SIDE B1 Nr. 8 tenor-sax, mouthpiece (3:34) 2 Nr. 9 bass-clarinet (3:47) 3 Nr. 10 tarogato (2:41)4 Nr. 11 e-flat-clarinet (2:17) 5 Nr. 12 tenor-sax (1:40) 6 Nr. 13 e-flat-clarinet (3:50)7 Nr. 14 tenor-sax (4:55)

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Peter Barclay

LP | 2023 | US | Original (Numero Group)

I'm Not Your Toy Black Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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The diminutive Peter Barclay was guy in early '90s Oakland, the eccentric with the most style, the most talent, the local magician. This self-taught musical wizard recorded at home and produced two barely-released albums, 1990's dreamlike Acceptance and 1992's synth pop What Kind Of World, winning over the few who heard them. But fame outside his small circle was not to be, and Barclay was lost in the late-'90s crest of the Aids epidemic. Rediscovered for a new generation, this is queer music at its finest... Welcome to the world of Peter Barclay.

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Peter Barclay

LP | 2023 | US | Original (Numero Group)

LP | 1976 | EU | Original (A&M)

Release: 2023 / US – Original

Genre: Organic Grooves

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Peter Allen

Taught By Experts

Release: 1976 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

I Could Have Been A Sailor

Peter Allen

LP | 1979 | NL | Original (A&M)

6,99 €*

Release: 1979 / NL – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

I Could Have Been A Sailor

Peter Allen

LP | 1979 | JP | Original (A&M)

9,49 €* 9,99 € -5%

LP | 1984 | EU | Reissue (Dig This Way)

Release: 1979 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original inserts.

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Peter Abdul

Get Down With Me

19,99 €*

I Just Want To Spend My Life With You / Hands

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Dig this way records is proud to present its first official reissue: a marvelous Nigerian disco boogie album by Peter Abdul - Get Down With Me.
Impossible to find on the original EMI press is now finally back into the market for everybody to enjoy it and make the hips move!
Originally released in 1984 it’s an outstanding experimentation of Nigerian disco boogie - heavily influenced by western artists –
played by talented musician that follows with their monster cosmic sounds the tiny and strong voice of Peter Abdul in his only officially released LP.
The luck of this work came from the collaboration with Nkono Teles at keyboards ; Sole at bass guitar; Ganiyu Bello , Emmanuel Akoko Jr. and Tolu Gayas as backup vocalists –
arranged and produced by Odion Iruoje and assisted by some good engineers like Bayo Aro, Monday Oki and Edward Jatto. All together they created this insane disco- boogie LP.
For the 2018 reissue, the audio was carefully restored by Colin Young - Liner notes that come with a interview and some unseen and raw original pictures of Peter Abdul back in the days-
these photos are printed separately on tick quality paper insert (from a small studio of Milano called Legno).
As Peter Abdul said:
“Music to me it's a pure natural instinct, a natural gift which i grew to love so much” -
I was lucky and pleased to collaborate with great artists like Nkono Teles, a Cameroon born multi-instrumentalist and producer based in Nigeria;
Ganiyu Bello, who came for a visit from London and joined me as a backup vocalist along with Emmanuel Akoko Jr.;
and Tolu Gay – the woman vocalist and romantic flavor on “Baby I Love You”.
Some great musicians played on the tracks, interested in making music with a talented teenager with a tiny voice – but one that sang to the beat and with a good sense of tonality.
It was like a great adventure, and from that symbiosis, “Get Down With Me” was born.
And fun: people started calling me the Michael Jackson of Nigeria at live shows, especially at the University of Ibadan, the Alfa Club and others.
So many pretty girls wanting to win my heart.

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Pete Warner

7" | 1975 | UK | Reissue (Expansion)

17,99 €*

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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2LP | 2020 | Original (Sonar Kollektiv)

Pete Josef

I Rise With The Birds

Release: 2020 / Original

Genre: Organic Grooves

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2LP | 2020 | Original (Sonar Kollektiv)

Pete Josef

I Rise With The Birds

19,99 €*

7" | 2022 | EU | Original (Jai Alai)

Release: 2020 / Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover has one small corner bump.

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Pete Belasco

One / Sweeter

13,19 €* 21,99 € -40%

LP | 2022 | EU | Original (Buh)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Not a great deal is known about this talented artist having released only 4 albums in a recording career that started in 1993. Raised in a musical family by piano playing parents he began learning the instrument at an early age, later concentrating on the saxophone, but became a multi-

instrumentalist by the time was signed to Verve Records, playing most forms of keyboards, synths, vibes, as well as sax and flute. He moved to Florida, from his native New York, shortly after graduating from studying music at university in New Jersey, and played in local rock bands whilst developing his love for jazz, and was working on a demo to try and get a record deal. Disaster struck when he was involved in a serious boating accident in which both hands were badly crushed and he was unable to play an instrument for many months, during which time he developed a skill for singing and composing. Turning adversity into opportunity is the best way to describe the outcome. So why is a soul label interested in releasing some of his material? Both tracks selected, "One" and "Sweeter", are released on vinyl for the first time and come from his third album, "Lights On", released on his own label Eaak Records following a break of 7 years which was devoted to raising his children. The sounds are undeniably late night make-out music, lush, sophisticated and sensuous. The majority of plaudits for his work previously came from the world of contemporary jazz and, dare I say it, smooth jazz, and was largely ignored by the soul magazines and radio stations. His captivating falsetto vocal style, reflects his influences by Curtis Mayfield, Smokey Robinson and Marvin Gaye. All his material is self-penned and the albums were co-produced with drummer Guy Eckstine. There is an underlying 70’s feel to the contemporary arrangements and his work is clearly deserving of greater recognition. Steve Hobbs (Solar Radio, Totally Wired Radio)

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Perkutao

Mis Ancestros

33,99 €*

Peregoyo Y Su Combo Vacana

Release: 2022 / EU – Original

Genre: Organic Grooves

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If, among the Afro-Peruvian music groups that have emerged in recent years, there is one that has dared to take the sound to new dimensions, it is Perkutao. Heirs to the best Afro-Peruvian tradition, they have been able to integrate Afro-Cuban elements and various contemporary popular styles, which they play with amazing with speed and precision. "Mis ancestros", is their debut album for Buh Records.Perkutao is an Afro-Peruvian percussion ensemble founded in 2005, directed by Percy Chinchilla, musician, percussionist, zapateador and teacher of young generations of percussionists. "Mis Ancestros" (My ancestors) is their first record under the production of Manongo Mujica and is the fourth title of the collection "Perspectivas de la Música Afroperuana" (Perspectives on Afro-Peruvian Music). Chinchilla shares the artistic direction of Perkutao with William Nicasio 'Makarito', another outstanding percussionist. Both grew up in the famous Callejón del Buque, in the district of La Victoria, a spot preferred by bohemians and known by local music partying -jaranas criollas. Both were also formed in Perú Negro, an emblematic Afro-Peruvian ensemble, and both carry in their blood the cult of percussion and Afro tradition. Chinchilla comes from a family of Afro-Peruvian musicians including Caitro Soto and Ronaldo Campos. And Makarito is the son of Macario Nicasio and grandson of El Niño, legendary Cuban percussionist in charge of introducing congas and bongo to Afro-Peruvian rhythms. Perkutao arose precisely from the merging of these traditions, Afro-Peruvian, Afro-Cuban and Caribbean music, and have become one of the most sought-after percussion ensembles due to the intensity of their sound and their powerful performances that include stage movements and surprising acrobatic skills. In addition to Chinchilla and Makarito, the ensemble is completed by Edu Campos, Andree Liendo and Víctor Sánchez Pitín."I follow in the footsteps of my ancestors, to the beat of the cajita, the quijada and the cajón, to the...

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Mi Buenaventura

LP | 1989 | EU | Reissue (Vampisoul)

17,99 €*

LP | 1973 | UK | Reissue (Souffle Continu)

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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The second release for Discos Fuentes by Peregoyo y su Combo Vacaná, recorded
circa 1967, is rich with diverse sounds and festive rhythms, from the exotic tranceinducing
coastal Afro-Colombian polyrhythmic syncopations of the currulao, abozao
chocoano, porro, cumbia and aguabajo to the more well-known genres of Cuban and
Puerto Rican origin like descarga, bomba, guaracha and son montuno. The ninemember
combo was formed by composer and tenor saxophonist Enrique "Peregoyo"
Urbano Tenorio in the Pacific coastal city of Buenaventura. His stated mission was to
modernize the folkloric music traditions of his region, proudly displaying AfroIndigenous
origins and spotlighting previously marginalized musical roots yet playing in
a contemporary way with Cuban-inspired instrumentation and arrangements, uniting
disparate genres into a commercially viable whole, thus contributing to the foundation
of future developments in transnational tropical Latin music. Presented in facsimile
artwork and pressed on 180g vinyl.

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Perception

Perception & Friends

Pepe Ahlqvist & Jukka Gustavson

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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“After their first album which came out in 1971 on Futura Records, Perception wanted to rapidly record a second, but Gérard Terronès did not want to produce another, especially so soon after the first. Therefore, the only solution was to produce it themselves. It is thus completely logical that it came out on the label of the Association for the Development of Improvised Music (A.D.M.I.) created by Didier Levallet with the aim of promoting creative music ( and, on this subject, it was this same label which also produced the excellent Inter Fréquences by the Free Jazz Workshop).

As the album was entirely created from A to Z by Perception, they decided on a more ambitious project, exploring a wider palette of colours by augmenting the original quartet with additional instruments. So, it was with numerous guests including Teddy Lasry, Jean-Charles Capon, Kent Carter and Jean-François Jenny-Clark, that Perception developed still further the apparently contradictory directions which were their specificity. This is further highlighted by the fact that Siegfried Kessler, largely absent on this recording, is temporarily replaced by Manuel Villaroel, a pianist from Chile with a completely different temperament (and, by-the-by, already the name behind the superb Terremoto with the Matchi-oul Septet).

Contrary to the first album, which seems in comparison much more compact and united this second (and second-to last, not counting the live recordings), with the many different options proposed, would seem to predict the different directions that musicians from Perception would subsequently take. One track, by Yochk'O Seffer, who had already been part of Magma two years previously, looks forward to the more structured Neffesh Music, whilst, in the opposite direction, another track, by Didier Levallet, is more evocative of the future arrangements on Swing Strings System. It is, to sum up, a nice paradox that all these different elements, from tightly written pieces to wild improvisation, work so well together and are one the key attributes of a group free like few others.”

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Stovall Coahoma - A Tribute To Eddie Boyd

LP | 2024 | EU | Original (Bluelight)

34,99 €*

7" | 2019 | EU | Original (AOE)

Release: 2024 / EU – Original

Genre: Organic Grooves

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To honor a particularly significant Chicago blues legend, the elder statesman of Finnish blues, Pepe Ahlqvist, has returned to the studio together with the legendary keyboardist Jukka Gustavson and an accompanying line-up consisting of top musicians. The new long player "Stovall Coahoma - A Tribute to Eddie Boyd" includes ten songs from Eddie Boyd's repertoire plus the newly written title song of the album. 1. Stovall, Coahoma2. Reap What You Sow3. She Is Real4. I Cried5. Nothin'6. Five Long Years7. The Blues Is Here to Stay8. Let It Be Me9. Brotherhood10. Backslack11. Praise to Helsinki

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People In The News

Color Me

LP | 2020 | US | Original (Awesome Tapes From Africa)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Killer 2 sider deepfunk classic from Indiana's very obscure Knap Town Records. Whilst 'Color Me' is the more "well known" track on the rare 45s scene i mostly play the instrumental flip 'Misty Shade Of Pink', the whole 45 has a cool loose psychey barnstorming vibe that just works. 500 Copies only no repress.

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Penny Penny

Yogo Yogo

23,99 €*

7" | 2024 | EU | Original (Mocambo)

Release: 2020 / US – Original

Genre: Organic Grooves

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The rags-to-riches chronicle of Penny Penny's life would be remarkable if he had only released his smash debut Shaka Bundu and packed houses for a few years. But the inimitable South African singer and dancer known for his trademark top ponytail and emphatic anthems was no one-hit wonder. In the aftermath of Shaka Bundu's nationwide explosion, far beyond his country the album resonated with ever bigger audiences. He performed up and down the continent, building fanbases in more than a dozen countries. So his sophomore album Yogo Yogo - released in 1996 - solidified Penny Penny's standing in pop music nationally and provided new energy to his pan-African stadium-filling adventures."I was very busy between Shaka Bundu and Yogo Yogo. Shows every week, local and outside the country. There was no relaxing from 1995 until 1999."The album also reflects the era in which it emerged. If Shaka Bundu arrived triumphantly amid newfound political freedom in South Africa with the end of Apartheid and Nelson Mandela's election, Yogo Yogo was a next level expression for the maturing artist. He wanted to get a message out. Composed with Joe Shirimani, who also produced the album, the sound and compositional style echoes the earlier recording but the topical nature of the lyrics became more deliberate, more didactic. In the song "Ingani" Penny proclaims, we are all one people even though we may speak different languages, we are all NguniâÇ"a larger historical grouping that includes many of the ethnic groups in modern South Africa. "Kulani Kulani," which means grow up, urges young people to say no to drugs and yes to education. Ama Owners, referring to the public transport drivers involved in violent rumbles, asks the nation's drivers to relax because we need them for our safe arrival. Penny's success as a Xitsonga artist should not be under-estimated in the context of popular music at the time in South Africa. "When I started with my own style and image, first time in Shangaan we had artist like me," Pen...

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Peki Momes

GÖÇ MEVSİMİ / Rüya

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Wagram)

Peggy Lee

Fever

15,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Genre: Organic Grooves

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LP | 1982 | DE | Original (Woolfe Recs)

Pee Wee Bluesgang

Red Socks

9,99 €*

Release: 1982 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1985 | DE | Original (Woolfe Recs)

Pee Wee Bluesgang

Cool Man's Burning

6,49 €* 9,99 € -35%

LP | 1987 | DE | Original (Teldec)

Release: 1985 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM!

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Pee Wee Bluesgang

A Soft Suicide

9,99 €*

Release: 1987 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2017 | US | Original (Musique Plastique)

Pedro (Peter Mekwunye)

One Kind Of Love

16,79 €* 27,99 € -40%

LP | 1981 | US | Original (Capitol)

Release: 2017 / US – Original

Genre: Organic Grooves

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Peter Mekwunye, who had moved from Nigeria to the United States, self-released 'One Kind Of Love' as a small run cassette in 1993 under the moniker Pedro. His songs were influenced by traditional Nigerian music, as well as the popular tunes he heard on the radio while growing up, f.i. by Fela Kuti and William Onyeabor. Now 'One Kind Of Love' is available on vinyl for the first time ever.

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Peabo Bryson

I Am Love

13,99 €*

LP | 1981 | US | Original (Capitol)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US Los Angeles Pressing. Cracked corner.

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Peabo Bryson

I Am Love

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Pauli Lyytinen Magnetia Orkesteri

10" | 2017 | EU | Original (We Jazz)

Paula Parfitt / Jeannie Dee

Release: 2017 / EU – Original

Genre: Organic Grooves

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Diego Krause is next on Blind Box Series with three originals and the usual Blind Box mix from the label heads.

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Love Is Wonderful / Come See About Me

7" | 2024 | UK | Original (Outta Sight Soul Essentials)

16,99 €*

Paul & The Tall Trees / Mattison

Release: 2024 / UK – Original

Genre: Organic Grooves

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Paula Parfitt signed to Milton Samuels’ Beacon label in 1969, age twenty, and released her debut single, “I’m Gonna Give You Back Your Ring,” on 26th September. Previously she had toured with Jeannie and The Boyfriends and appeared, unwittingly, on the populare TV hoax show Candid Camera. The company had faith in what they considered a catchy pop song but it failed to chart. Of course, they promoted the wrong side and as the UK Northern Soul scene bloomed “Love Is Wonderful” exploded onto the dancefloor where it has remained for over 50 years. Paula cut a second single for the Beacon subsidiary UpFront to no avail. She later married an Italian and recorded two further singles for Ricordi and Bella before setttling into Meditorianian life.

Jeannie DEE hailed from Brixton, London, and signed to Beacon Records in 1968 as one half of the duo Jon (aka Terry) and Jeannie. Often confused with the American soul singer of the same name, and not surprisingly, since the duo covered Peggy Scott & Jo Jo Benson’s “Lover’s Holiday” and Chris Kenner’s “Something You Got” for their first release. Their follow-up 45 carried on the soul beat with a cover of Jimmy Delph’s “Don’t Sign The Papers” and, here, we showcase her fine solo cover of the Supremes’ classic “Come See About Me” produced by Donnie Elbert.

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I Explained It All / Watch Out

7" | 2018 | Original (Big Crown)

6,99 €*

Paul Ortiz Y La Orquesta Son

Release: 2018 / Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl close to NM

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Los Que Son Splatter Record Store Day 2021 Edition

LP | 2021 (Nature Sounds)

46,99 €*

Paul Ortiz Y La Orquesta Son

Release: 2021

Genre: Organic Grooves

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Record Store Day 2021 Release.

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Los Que Son

LP | 2021 | US | Reissue (Nature Sounds)