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Joe Jackson's Jumpin' Jive

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Includes OBI and insert.

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Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

12,99 €*

LP | 1981 | US | Original (Capitol)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Includes OBI.
Includes original insert.

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Peabo Bryson

I Am Love

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

L.T.D.

Love Magic

LP | 1981 | JP | Original (RCA)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Big sticker on the cover front!

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Odyssey

I Got The Melody

Party In Me / Take My Love

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing with OBI

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Gene Dunlap

12" | 1981 | UK | Reissue (Selector Series)

7" | 1981 | US | Reissue (Star Creature)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Selector Series are back with more holy grail goodness, this time in the form of early 80’s boogie from Detroit.

Gene Dunlap was born and raised in Detroit, Michigan. He began his music career at age four when his father taught him to play the drums, honing his craft at Detroit Mumford High School. He went onto perform with Roy Ayers before releasing two solo albums in 1981, It’s Just The Way I Feel & Party In Me.

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I.N.D.

Stay Sweet

Release: 1981 / US – Reissue

Genre: Organic Grooves

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LP | 1981 | DE | Original (Ariola)

One Way

Fancy Dancer

Release: 1981 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | US | Original (Herbie Mann Music)

Herbie Mann

All Blues / Forest Rain

11,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1981 | US | Reissue (Jazz Man)

Dizzy Gillespie

The Giant

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

I Want To Thank You / Don't Stop What You're Doin'

Alicia Myers

7" | 1981 | UK | Reissue (South Street Soul)

I Ask Myself A Question / I Need Some Lovin'

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

Alicia Myers - I Want To Thank You & Don't Stop What You're Doin' are staple classics and for the first time since their initial release in 1981 are together on one piece of vinyl. A serious double header!

Both tracks are produced by Kevin ‘Mr Groove’ McCord, heralded as Dam Funk’s favourite producers and one of the founding members of Al Hudson & The Soul Partners & One Way before going on to contribute to hundreds of r&b, funk, disco, and boogie dancefloor movers in the ’70s and ’80s.

At the height of his career he produced his One Way band members, Alicia Myers debut solo album, Alicia featuring both tracks on this release. I Want To Thank You, a certified classic that never fails to elicit a joyous reaction anytime it’s played & Don't Stop What You're Doin' famously sampled by J Dilla for ‘What It’s All About’ by Slum Village feat. Busta Rhymes on the legendary ‘Fantastic Vol.2’ album.

Another fully licenced and remastered essential release from the South Street family!

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Little Johnny Taylor

7" | 1981 | US | Original (Ronn)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Generic

I'm Gonna Be Your Lover (24 Hours A Day)

J.D. Hall

12" | 1981 | US | Original (Sunfire)

Release: 1981 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl close to VG+

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11,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Tempo Jazz Men And The Hermanites

Confirmation • All Known Takes Collectively On Record For The First Time

LP | 1981 | UK | Original (Spotlite)

Release: 1981 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM

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LP | 1981 | EU | Original (A&M)

Release: 1981 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | US | Original (Jazz Man)

Stan Getz

Forest Eyes

LP | 1981 | EU | Original (A&M)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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L.T.D.

Love Magic

Release: 1981 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1981 | US | Original (Capitol)

Peabo Bryson

I Am Love

13,99 €*

LP | 1981 | DE | Original (Ariola)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US Los Angeles Pressing. Cracked corner.

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One Way

Fancy Dancer

18,99 €*

Release: 1981 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1981 | DE | Original (MCA)

One Way

Love Is... One Way

Release: 1981 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1981 | US | Original (Phase II Records Ltd.)

The Originals

Yesterday And Today

LP | 1981 | JP | Original (Atlantic)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy with white labels

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Herbie Mann

Release: 1981 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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LP | 1981 | JP | Original (King)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US pressing. Y labels. Original inner sleeve.

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Joe Farrell

Sonic Text

22,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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10,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

13,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Original Japanese pressing without OBI! With insert. Vinyl is close to NM.

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I Wantcha' Back / 12th House

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. With insert. close to NM.

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Delegation

12" | 1981 | DE | Original (Ariola)

5,99 €*

Release: 1981 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Magic Man

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original US Terre Haute Pressing.

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Magic Man

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US pressing.

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17,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Minor foxing only inside gatefold, otherwise NM cover. Comes with OBI and insert. Record seems unplayed.

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24,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Comes with OBI and insert. Record looks unplayed.

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Magic Man

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI and insert.

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Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI

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Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | US | Original (MCA)

5,99 €*

12" | 1981 | UK | Reissue (Gold Mink)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Rick Holmes

Remember To Remember

12" | 1982 | US (Elektra)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Rick Holmes’ breath-taking track, ‘Remember To Remember’ gets its first ever officially licensed, remastered reissue on blue vinyl on Gold Mink Records. With prices of the original topping £60 this limited colour edition will be a welcome sight for many.

Title track, ‘Remember To Remember’ is a celestial, emboldening downtempo cut. Beginning with the timeless line, ‘Pass the information, extend the knowledge…’ Rick dives into a spoken word stream of inspirational black artists and key figures whose most memorable words and song titles are framed into snippets of wisdom that get ever more significant the greater in number they become. A powerful monologue, in Rick’s warm reassuring tones, shining a light on those men and women who have made ‘strong contributions to mankind because of their compassion and humanitarianism’, laid over instrumentation you lose yourself in just as easily.

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Pieces Of A Dream

MT. Airy Groove

12,99 €*

Release: 1982 / US

Genre: Hip Hop, Organic Grooves

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12" | 1982 | US (Profile)

Sharon Brown

I Specialize In Love

14,24 €* 14,99 € -5%

Release: 1982 / US

Genre: Organic Grooves

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Food Stamps / How Do I Know Green Vinyl Edition

Leaf

7" | 1982 | US | Reissue (Fraternity)

Release: 1982 / US – Reissue

Genre: Organic Grooves

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2LP | 1982 | UK | Reissue (Honest Jon's)

Company

Epiphany

27,99 €*

Iwishcan William Record Store Day 2020 Edition

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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Offcial info: Epiphany \ i-ˈpi-fə-nē \ (1) a manifestation of the essential nature of something (usually sudden) (2) an intuitive grasp of reality through something (usually simple and striking) (3) an illuminating discovery or disclosure.
All three definitions apply perfectly to this span of music recorded at London’s ICA in July 1982. It’s a miracle of group interaction, wonderfully paced, moving steadily between moments of mounting intensity and tension. The passage about halfway through — when Derek Bailey’s harmonics ring out above a sheen of inside piano tremolos and shimmering electronics, topped off by Julie Tippetts’ soaring vocalese — is simply sublime. After which it’s fun to try and tell the two pianists apart. Are those runs Ursula Oppens, with her formidable technique honed from years performing some of the twentieth century’s most difficult notated new music, or are those Keith Tippett’s crunchy jazz zigzags? Are those intriguing twangs from one of Akio Suzuki’s invented instruments or could they be Fred Frith’s or Phil Wachsmann’s electronics? Bah, who cares?

There’s plenty of room for the more delicate instruments too, like Anne LeBaron’s harp picking its way gingerly through a pin-cushion of pings and scratches from Bailey and bassist Motoharu Yoshizawa. Of course, some performers are instantly recognisable: Tippetts, as lyrical and flighty on flute as when she sings, Phil Wachsmann, sinuous and sensitive on violin, and trombonist George Lewis, who, as John Zorn once put it, swings his motherfucking ass off.

So many magical moments abound, from the opening dawn chorus of Tippetts’ voice and Frith’s guitar swooping through a rainforest of exquisite piano cascades, to the Zen calm of the closing moments.

Epiphany, indeed.

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The 3 Pieces

12" | 1982 | EU | Reissue (Rogue Cat Resounds)

13,99 €*

All I Want Black Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Record Store Day 2020 Release. Full printed sleeve - black 12” vinyl. Washington collective, The 3 Pieces, privately-pressed Iwishcan William on their own DL Records in 1982. Is it soul, rap, jazz, go-go, funk, electro, or educational? By nature of its birthplace and date of birth, it`s all of those. Synths shimmer in harp-like glissando. The bass grumbles, rumbles, machine-made. The beat pops and locks. The whole thing grooving and exuding positivity. One part the cosmic funk of say Cloud One`s Patty Duke. Another, the balearic chug of Will Powers` Adventures In Success. Like Brother D it looks to “agitate, educate, and organize”, and stirs in the sentiments of Razzy`s I Hate Hate. Imagine if the Last Poets jammed with sister Sarah Webster Fabio. Keys parp like car horns, a real trumpet blows a Don Cherry solo, but the track really revolves around its sweet Sesame Street call-and-response chorus: “I wish love. I can love. I will love. I am love.”

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The Armed Gang

12" | 1982 | EU | Reissue (Espacial Discos)

17,99 €*

7" | 1982 | EU | Reissue (Fantasy Love)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Exclusive edition on golden vinyl limited to 100 copies worldwide. Only available through hhv.de

Killer disco-boogie-funk from 1982! Featuring Italo-Disco legend SANGY (Firefly) and co-produced by Tony Valor.
Originally released in the US on the Chaz Ro label with generic sleeve, here’s the first ever vinyl reissue with new artwork.

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Bernard Walker

My Lover / Sexy Thang

7" | 1982 | EU | Reissue (Ice City)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Junei, the guitarist behind The Space Army Band, who would team up with his brother, General Lee, to form The Lost Weekend remains a pivotal character amongst the music scene of his hometown, Gary, Indiana.

Working closely with local indie groups & producers, such as Gordon Keith of Steeltown (Jackson 5's first manager), Junei would spend the 70s writing & recording whilst touring with artists such as The Emotions, Curtis Mayfield & Albert King.

Junei's calling card came to be in 1987, when he released his single 'Let's Ride' & 'You Must Go On' on local imprint, Pharoah's Records. The following year, he teamed up with Bernard Walker to produce a signature of that late-80s bedroom indie sound, cemented by the ideology & instruments used.

As Junei recalls..

"Bernard Walker approached me based on my reputation around town. He told me about this song that he wrote called "My Lover." Initially, he wanted to record a demo but I convinced him that I could do an actual finished production of his song, right from my small project "tape based, 8-track" basement studio. The sessions took place in Gary, Indiana in the basement of my parents home inside my... more

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Fate

I'm In Love Again

LP | 1982 | UK | Reissue (Shadow World Archive)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Ice City makes its return and it's another excursion into the world of obscure one-shot bands. Revered by crate-diggers worldwide, it's a long overdue 7" reissue of the elusive band Fate and its one and only record from 1982.

The dreamy "I'm in Love Again" is a rhodes-led, bass heavy groover crescendoing with an eyes-closed guitar solo, drenched in pure, raw passion.

Not to be undone by the A-side, flip the 45 over for the psych-soul slow burner "Without You Girl" for an extra dose of heart-melting emotion.

Icy City kicking off the year strong with another limited 7" that's not to be missed!

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Lining Time

Strike

19,19 €* 31,99 € -40%

LP | 1982 | JP | Reissue (P-Vine)

Release: 1982 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Here I AM is the first thing. A powerful incantation sung in full choral style at Dartington College of Arts in 1982 and captured on tape, now in 1s and 0s for all eternity. It’s a bold phrase, this assertion of existence, this permanent claiming of space in time; these three words we were made to sing in church, that we used to recite one after another at the beginning of class. Doing so might seem mundane, or easy, but it’s not. What’s easy is not. Not declaring one’s presence, not showing up at all. Claire Bushe, Cathy Frost, Lisa Halse, Cathy Josefowitz, and Mara de Wit showed up, took a side. They called themselves Lining Time. They were here. ANY Woman CAN SAY I’M A Witch, they said. Strike is the album Lining Time made. It plays out like a freedom spell, like liberatory healing magic. Reveling in the power of the voice, Lining Time sing. Not at us, but for us. As if by putting voice to the traumas inflicted by the patriarchy and capital, they could be made right. As if the whole world might join in and sing along, might join in and take action - might join in and strike.There’s nothing exclusive about the music Lining Time made. Like many of the best and weirdest records of the post-punk era, Strike wears its amateurism as a badge of honour, flies it like a flag to rally around. It is inclusive to the extreme. Which isn’t to say anyone could’ve made Strike. That’s the thing. The music preserved here is too weirdly spare and idiosyncratic - and wildly overconfident in the way that only the young and young at heart can be. Sometimes it’s almost protest folk, acappella or accompanied by a single acoustic guitar, as on ‘It’s Possible’. Sometimes schoolroom auxiliary percussion clunks out a cyclical, ritual rhythm, as on the title track. At no point does it feel less than singular. Still, this is music about and for universal sisterhood. It invites solidarity. Take up an instrument for the cause and sing your own song. Time Passes Time Passes Time Passes Time Recorded music often functions like a time capsule. It’s not rare that an album is “lost”. Rather, it’s rare that a work is heard widely at the time it was made. Often, it’s barely heard at all. It just exists somewhere, a cave painting or an ancient piece of graffiti, waiting to be stumbled upon for whatever reason. The reason, in Strike’s case, is a wonderful posthumous exhibition of Cathy Josefowitz’s artwork, The Thinking Body, a cooperative effort between Kunsthaus Langenthal, Centre Culturel Suisse, Paris, Macro Roma, Les Amis de Cathy Josefowitz, and Elise Lammer. It’s possible that some might be tempted to think of Lining Time as a sideshow curiosity to the main event, but that’d be foolish. Strike, nearly forty years old, is as alive and relevant as it was when it was recorded in the wake of the Reclaim the Night march. If anything, it’s shocking how potent and necessary its message remains today.

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Home Boy And The C.O.L.

31,99 €*

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Two years after his debut album Stone Free, Chicago-native Cecil Lyde followed up with a second album of mesmeric modern soul and boogie with his group Home Boy And The Col. Released in 1982, this album possesses the same jagged and electric playfulness of the original while developing a taste for electronic production - his flirtations of a digital kind fill the air in instrumental moments like the electro floor-filler “Time to Change”. Make no mistake though, Lyde’s rich vocals are the highlight on many of the tracks here, and kick into motion the timeless hits “I’ll Make It On My Own” and “Love Was The Cost”. P-vine is thrilled to be reissuing the album for a world first limited edition LP pressing with an iconic Japanese obi strip attached.

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LP | 1982 | JP | Original (Atlantic)

11,24 €* 14,99 € -25%

2LP | 1982 | EU | Reissue (Universal)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

No OBI, foxing on insert.

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Stevie Wonder

Original Musiquarium I

38,99 €*

Spray Orchestra Max Manuel

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Back in print!

"Stevie Wonder's Original Musiquarium I" is a compilation album by R&B/soul musician Stevie Wonder that was released in 1982 by Tamla Records.

It collects eleven Top 40 hit singles and five album tracks, including four tracks from 1972 to 1980. The album peaked at No. 4 on the Billboard 200, at No. 1 on the Top R&B Albums chart in the U.S.

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Transilvania / Energy

12" | 1982 | EU | Reissue (Miss You)

12" | 1982 | EU | Reissue (Be With)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Sound Metaphors' collaboration with Constantino Paolini opens the Italian classics vaults yet again to bring back two more anthems of Italian dancefloor history. This time a selection of two Instrumental versions of the productions done with Patrizia Pellegrino. Spray Orchestra's “Transilvania” is the instrumental version of Patrizia Pellegrino's “Il Mondo Da Una Nuovola” and Max Manuel's “Energy”, an abstracted instrumental version of Patrizia Pellegrino's “Automaticamore”, both highly coveted in digger circles and originally released as 7”. Now brought to your collections in hefty 12” 45rpm remastered versions. Complemented with a slowed down acid remix of “Transilvania” by DJ Asshole.

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Swamp Children

Taste What's Rhythm

Under The Influence Of Love White Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Manchester's Avant-Jazzy-Funk outfit Swamp Children were enviably eclectic and Taste What's Rhythm is their mini masterpiece. Flitting gracefully through a feast of genres with consummate ease, the band were almost indefinable and, accordingly, nigh-on impossible to market. So whilst this cult EP, originally out in 1982 on Factory Benelux, remains in demand for those in the know, it has also glided under the radar of many otherwise clued-up heads for over 40 years. If you don't know, get to know...

The Taste Whats Rhythm EP was originally released in 1982 on Factory Benelux (an informal partnership between the legendary Manchester-based Factory Records and Belgium-based Les Disques du Crépuscule). With it's kaleidoscopic brightness, silky panache and superb execution, it remains one of the most startling documents of a remarkable time and place.

The EP opens with the oh-so-Balearic title track. "Taste Whats Rhythm" gently unfolds with a Spanish guitar, hazy, drifting vocals and sun-bleached Latin percussion. After this most sumptuous of intros, the tempo is raised, the rhythms grow in complexity as horns jostle amidst the restrained chaos quite wonderfully. And then it winds down again. Proper fluctuating rhythms and tempos throughout. I guess that was the point - taste the variety!

“You’ve Got Me Beat” is a *perfect* piece of post-punk pop-jazz. A mysterious, after dark jazz-dancer, the aching vocals serve as a touching, tender resignation to love. A guitar hook which seems to elegantly reference The Blackbyrds' "Rock Creek Park" and a flowing pulse from New York's No Wave scene. It still sounds so fresh all the years later.

Closing out this most perfect of EPs, the twisted synths and nimble rhythms of bass-heavy roller "Softly Saying Goodbye" combine to create a super-slinky gem; Brit-Funk of the highest order.

Swamp Children formed in Manchester in 1980, around core members Ann Quigley (vocals), Tony Quigley (bass, metalaphone, percussion), John Kirkham (electric & acoustic guitars, metalaphone, percussion), Ceri Evans (keyboards, bass, percussion, background vocals), Cliff Saffer (saxaphone, clarine) and Martin Moscrop (drums, percussion, trumpet). They initially practised at a rehearsal space shared with fellow post-punk funkers A Certain Ratio and Joy Division/New Order. Young and relatively inexperienced upon getting together, the ages of Swamp Children's members ranged from just 16 to 19. Talk about the brilliance of youth.

From the outset, Swamp Children shared DNA with A Certain Ratio. Martin Moscrop was a founder member of Ratio, while Ann provided artwork for them. Although the close association with ACR led some to assume that Swamp Children were simply a splinter group, the new band pursued a more overt latin and jazz tinged direction, at the same time adopting a post-punk attitude towards making music, influenced by the records they were listening to at the time: Miles Davis, Brazilian jazz fusion and heavy funk dancefloor sides.

The band made their live debut at Manchester's infamous Beach Club in May 1980. Thanks to a double-booking blunder another support band turned up and were turned away, having travelled all the way from Dublin for a string of British dates. The name of the unlucky band was U2...

With arrangements that emphasised Tony Quigley’s darkly-coloured basslines (and Ann Quigley’s impressionistic vocals as another instrument in the mix) Swamp Children possessed an easygoing grace and a bubbling energy which indicated that the band's true strength was as an ensemble. The band’s musical sophistication (a fusion of funk, jazz, and bossa nova) would prove to be a strong influence on later UK acts like Sade. Indeed, Swamp Children themselves later mutated into the more known and acclaimed latin jazz outfit Kalima.

Working directly with James Nice, custodian of Factory Benelux, means that the audio for this re-issue of the classic EP comes from the original tapes. Cut at 45 RPM and released in the house Be With disco sleeve, we’ve made sure this record is well up to the job of having a permanent place in every DJ’s bag. As far as we’re concerned, this is essential stuff.

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Karin Jones

LP | 1982 | US | Reissue (Tidal Waves Music)

27,99 €*

Get It Right / Standard Man Ep Collection

Release: 1982 / US – Reissue

Genre: Organic Grooves

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* North American White Vinyl Edition * Limited 180g Vinyl Edition (500 copies) with obi strip * Rare Philadelphia Soul-Funk Album From 1982 * First Ever Official Vinyl Reissue since 1982Karin Jones (born and raised in Philadelphia) took her first musical steps singing in church. She was gifted with an extremely talented ear, and an accomplished pianist, percussionist and drummer, mostly developed without formal training. In her pre-teens Karin and her two older sisters formed a soul group called The Jonesettes that was managed by their father. They released a single titled 'Once I Had Love / Stop, Look & listen' on Cougar Records in 1971 and participated on the gospel classic “After While” by 'Rev. Arvetra Jones And The Jonesettes' released on HSE Records in 1975. In 1976 a friend of Stevie Wonder told her that Marvin Gaye was looking for backing singers for his new record and subsequent tour. Karin auditioned for Marvin and was instantly hired. They recorded the “Got To Give It Up” EP and she hit the road for Marvin Gaye’s London Palladium tour (later released as a double live album on Motown in 1977). Soon after Karin Jones started doing session work for the renowned label Jobete Records where Teddy Pendergrass got really impressed with her unique musical style. She signed with him for management in 1979, but with Teddy's own frantic schedule, the arrangement dissolved a year later. At a convention of the Black Music Association in Philadelphia, Karin met with Jim Tyrrell, who at the time was establishing his own label, T-Electric. Karin signed with T-Electric Records and recorded an album in 1980. However, the album was shelved because the label run out of money. After collecting dust for two years producer Jim Tyrrell brought it under the attention of industry veteran Ron Alexenburg who was president of Handshake Records. Alexenburg heard the album and very much liked it. He got Karin Jones to sign with his label and 'Under The Influence Of love' finally got its well-deserved release in 1982. “Under The Influence Of Love” is a monster of an album arranged by Dunn Pearson Jr (known for his work with Roy Ayers, Lou Ragland, Mary J. Blige, D’Angelo) and Bruce Hawes (Stevie Wonder, Kool And The Gang, The Temptations). All of this carefully supervised and produced by Jim Tyrrell. Also worth mentioning is that the duet on the album is the one and only time Eddie Levert, of the legendary O'Jays sang with a female artist. Sadly (and shocking) Karin Jones suddenly passed away in 1984 from a diabetic coma. Strangely, she predicted an early demise while preparing her photo shoot for the album. Karin Jones was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is her “Under The Influence Of Love” album. The entire album is filled with heart breaking modern soul, deep disco, boogie-funk and a great range of tempos…all of this is topped off with Karin’s trademark vocals. Also included is the hit ‘Ready, Ready Love’ which was one of the biggest songs of the London steppers scene (or more fashionably known as 'rare groove') and almost impossible to get a hold of (unless you had deep pockets). To this day it remains a much sought-after gem and a 'holy grail' for fans and collectors alike. Tidal Waves Music now proudly presents the First ever Official vinyl reissue of this rare Philadelphia album that goes for hefty amounts on the second-hand market (it was originally released on Handshake Records And Tapes back in 1982 and plagued by inferior bootlegs ever since). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Animal Magic

LP | 1982 | EU | Reissue (Lantern)

24,69 €* 25,99 € -5%

I'm Not In Love (Girl, You're In Love)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Re-issued for the very first time on vinyl, finally we have the chance to collect the only two EP's published by the influential post-punk combo from Bristol. Both records have been released on Recreational in 1982 and still sound fresh and highly influential. Their infectious hybrid of d.i.y. punk attitude and straight funk rhythms made the difference throughout the local club scene. A mandatory re-issue ! Also heard on the incredible Cherry Red box set ‘Shake The Foundations: Militant Funk & The Post-Punk Dancefloor 1978-1984’

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Scherrie Payne

12" | 1982 | UK | Original (Record Shack)

2,79 €* 3,99 € -30%

Release: 1982 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Jeffrey Osborne

Fred Frith & Totsuzen Danball

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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LP | 1982 | JP | Reissue (P-Vine)

34,99 €*

Joe Sample - David T. Walker

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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The combined powers of Fred Firth (ex. Henry Cow) and Totsuzen Danball! Originally released on cassette in 1982, the collaborative album is getting its first release on vinyl!

The first album from Totsuzen Danball, Can I? (1981) made waves with its experimental new wave sound, and the band suddenly found themselves with more overseas fans than they knew what to do with. Chief among them was Fred Frith, guitarist and co-founder of British art-rock group Henry Cow, who played with Totsuzen Danball during what was no doubt a legendary live show at Shinjuku Loft on July 23rd 1981. The recording from that night, originally released on cassette from Totsuzen Danball’s own label Floor - is finally getting an analog release! Listen as the sounds, and occasional noises, of two guitars, a pump organ, and drums intermingle to create something that’s never been heard before or since!

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Swing Street Cafe

LP | 1982 | JP | Reissue (Crusaders)

16,14 €* 16,99 € -5%

LP | 1982 | UK | Reissue (A&M)

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert. Cover close to VG+

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Joan Armatrading

Back To The Night

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Under The Influence Of Love HHV Exclusive Hot Pink Vinyl Edition

Karin Jones

LP | 1982 | US | Reissue (Tidal Waves Music)

26,99 €*

I'm The One / Don't Lose Control

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies, exclusively available at HHV! Only 2 per customer!

Rare Philadelphia Soul-Funk Album From 1982 * First Ever Official Vinyl Reissue since 1982Karin Jones (born and raised in Philadelphia) took her first musical steps singing in church. She was gifted with an extremely talented ear, and an accomplished pianist, percussionist and drummer, mostly developed without formal training. In her pre-teens, Karin and her two older sisters formed a soul group called The Jonesettes that was managed by their father. They released a single titled 'Once I Had Love / Stop, Look & listen' on Cougar Records in 1971 and participated on the gospel classic “After While” by 'Rev. Arvetra Jones And The Jonesettes' released on HSE Records in 1975. In 1976 a friend of Stevie Wonder told her that Marvin Gaye was looking for backing singers for his new record and subsequent tour. Karin auditioned for Marvin and was instantly hired. They recorded the “Got To Give It Up” EP and she hit the road for Marvin Gaye’s London Palladium tour (later released as a double live album on Motown in 1977). Soon after Karin Jones started doing session work for the renowned label Jobete Records where Teddy Pendergrass got really impressed with her unique musical style. She signed with him for management in 1979, but with Teddy's own frantic schedule, the arrangement dissolved a year later. At a convention of the Black Music Association in Philadelphia, Karin met with Jim Tyrrell, who at the time was establishing his own label, T-Electric. Karin signed with T-Electric Records and recorded an album in 1980. However, the album was shelved because the label run out of money. After collecting dust for two years, producer Jim Tyrrell brought it under the attention of industry veteran Ron Alexenburg who was president of Handshake Records. Alexenburg heard the album and very much liked it. He got Karin Jones to sign with his label, and 'Under The Influence Of love' finally got its well-deserved release in 1982. “Under The Influence Of Love” is a monster of an album arranged by Dunn Pearson Jr (known for his work with Roy Ayers, Lou Ragland, Mary J. Blige, D’Angelo) and Bruce Hawes (Stevie Wonder, Kool And The Gang, The Temptations). All of this carefully supervised and produced by Jim Tyrrell. Also worth mentioning is that the duet on the album is the one and only time Eddie Levert, of the legendary O'Jays sang with a female artist. Sadly (and shocking) Karin Jones suddenly passed away in 1984 from a diabetic coma. Strangely, she predicted an early demise while preparing her photo shoot for the album. Karin Jones was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is her “Under The Influence Of Love” album. The entire album is filled with heartbreaking modern soul, deep disco, boogie-funk and a great range of tempos…all of this is topped off with Karin’s trademark vocals. Also included is the hit ‘Ready, Ready Love’ which was one of the biggest songs of the London steppers scene (or more fashionably known as 'rare groove') and almost impossible to get a hold of (unless you had deep pockets). To this day, it remains a much sought-after gem and a 'holy grail' for fans and collectors alike. Tidal Waves Music now proudly presents the First ever Official vinyl reissue of this rare Philadelphia album that goes for hefty amounts on the second-hand market (it was originally released on Handshake Records And Tapes back in 1982 and plagued by inferior bootlegs ever since). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Material

7" | 1982 | DE | Original (Celluloid)

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Chaka Khan / Freddie Hubbard / Joe Henderson / Chick Corea / Stanley Clarke / Lenny White

Echoes Of An Era

LP | 1982 | US | Original (Elektra)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The cover has slight wear and a cut corner.
Vinyl shows a few scuffs.
Cops is between VG and VG+!

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LP | 1982 | JP | Original (Atlantic)

18,99 €*

Joe Sample - David T. Walker

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Cover and vinyl are close to NM.

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Swing Street Cafe

LP | 1982 | JP | Reissue (Crusaders)

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1982 | US | Original (A&M)

Jeffrey Osborne

Release: 1982 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | DE | Original (Woolfe Recs)

Pee Wee Bluesgang

Red Socks

Release: 1982 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Joe Sample - David T. Walker

Swing Street Cafe

LP | 1982 | JP | Reissue (Crusaders)

Chaka Khan / Freddie Hubbard / Joe Henderson / Chick Corea / Stanley Clarke / Lenny White

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover has ring-wear.
No obi.

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Echoes Of An Era

LP | 1982 | JP | Original (Elektra)

12" | 1982 | UK | Reissue (Backatcha)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Includes OBI and insert.

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Intrigue

I Like It

LP | 1982 | US | Original (A&M)

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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First ever official reissue of this 1982 boogie funk classic cut from the master tapes including the original mix / instrumental and previously unreleased mix from the same session.

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Jeffrey Osborne

Release: 1982 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Greatest Hits

LP | 1982 | EU | Original (Lotus Eye Music)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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3Rasa

Universal Forum

Release: 1982 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1982 | DE | Original (Jupiter)

Claudja Barry

If I Do It To You

Release: 1982 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with faint ring wear.

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Fandango

5,99 €*

Release: 1982 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Count Basie Orchestra Featuring Joe Williams

Breakfast Dance And Barbecue

LP | 1982 | JP | Reissue (Roulette)

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1982 | JP | Reissue (P-Vine)

Casual-T

Prescriptions For Love

36,99 €*

Call Me (Disconet R.E.M.I.X.) / Let's Celebrate (Special R.E.M.I.X.E.D. Disco Version)

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-12-27

Released in 1982 by Rita Marley Music, the label owned by Bob Marley's wife, Rita Marley, CASUAL-T's "Prescriptions For Love" is a record shrouded in mystery. Its mellow feeling, charming visuals, and extreme rarity due to limited pressing make it a coveted item among diggers, representing modern soul and rare groove. The album is packed with the essence of early '80s US modern soul and disco, starting with the invigorating opening number "Don't Play With Sparks" (m1), reminiscent of Ew&f with its horn and chorus work. Other highlights include the disco-infused groove of "Hands Off" (m2), the breezy "All Out Of Breath" (m3), and the urban soul track "Thank You For Your Love" (m7) with its quintessential '80s synthesizer work. The only reggae-style track from Rita Marley Music, "I Want You Here With Me" (m8), features sophisticated chorus work, leading into the sweet soul tracks "Let's Hold On" (m9) and "You Never Walk Alone" (m10) that conclude the album. This exceptional modern soul album has been newly remastered and is available on CD for the first time in the world, along with its first official LP reissue!

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Skyy

12" | 1982 | NL | Original (Rams Horn)

Release: 1982 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Stanley Clarke, Chick Corea, Joe Henderson, Freddie Hubbard, Lenny White

The Griffith Park Collection

LP | 1982 | US | Original (Elektra Musician)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | US | Original (Elektra Musician)

Joe Albany

Portrait Of An Artist

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Sonny Stitt, Harry Edison & Eddie "Lockjaw" Davis

Sonny, Sweets & Jaws

LP | 1982 | US | Original (Who's Who In Jazz)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | US | Original (Atlantic)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

May I Have This Dance (Concede-Me Esta Danca?)

Azymuth

7" | 1982 | US | Original (Milestone)

LP | 1982 | UK | Original (A&M)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Atlantic Starr

Brilliance

Double Piano Jazz Quartet In Concert At Carmelo's (Vol.2)

Release: 1982 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover is close to VG+!

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Shelly Manne

LP | 1982 | US | Original (Trend)

Charlie Parker, Coleman Hawkins, Georgie Auld

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl closer to NM

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Unearthed Masters - Volume I

LP | 1982 | US | Original (Jam)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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LP | 1982 | US | Original (Atlantic)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

The Best Of Quincy Jones

22,99 €*

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Original Japanese pressing with OBI!

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Fandango

Release: 1982 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Copy without OBI! Original Japanese pressing.

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LP | 1982 | DE | Original (Atlantic)

Release: 1982 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Full Moon Feat. Neil Larsen And Buzzy Feiten

Full Moon

LP | 1982 | JP | Original (Warner)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Incredible Rock City Band

Invasion Of The Rock-O-Mites

12" | 1983 | EU | Reissue (Peoples Potential Unlimited)

18,99 €*

12" | 1983 | EU | Reissue (Best Record Italy)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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long overdue reissue with rock city pioneer Billy Jones.. here's what he had to say about his crew.

...in the early 80's Billy Jones was the lead guitarist for an outstanding group of touring musicians who called themselves 'The Incredible Rock City Band'. They performed on military installations all over the United States for the U.S. Dept. of MWR for more than ten years during the 80's and 90's. ...I'm sure that there are many veterans out there who remember seeing this band at NCO and Officer's clubs back in the day.

'The Incredible Rock City Band' members :
Justice "Jay" Little ...drums/vocal
Karl "Drac" Lane ...bass/vocal/keyboards/guitar
Morris "Mo" Moore ...percussion/vocal/synthesizer
Jerry Herd ...mini-moog/trumpet/keyboards/vocal
James "Whimpy" Cross ...sax/vocal/keyboards
Jerrold Lewis ...vocal/keyboards/bass
Billy Jones ...guitar/vocal

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Stopp

I'm Hungry