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This work was released in 1970 as part of Victor's Japanese Jazz series. "We are Japanese, so we have to create something that only we, as Japanese, can create," said Miyazawa during this period. Inspired by the landscapes of his childhood, "Kiso," "Asama," "Hakuba," and "Hida" are reflective of his reverence for nature's grandeur. This album is a peak of artistic expression for Miyazawa, blending his personal roots with his heartfelt imagery.

Sleeve has light foxing.

Copy is close to NM!

Columbia 2-eye mono pressing.

"Psychic Welfare" was produced by Pink Skull and Jeff Zeigler (Kurt Vile, War On Drugs) between the band's Philadelphia studio and Brooklyn, NY. Contending with the seismic swells in both the macro and micro worlds around him, Grefe refracted the polluted waves in a fantastical fit to write the 13 songs of "Psychic Welfare". The album is a map of time and space portals in which the listener can navigate from the corroded corners of machinated life to boundless, amorphous space in mere seconds. Across the album's pull-out poster artwork for "Psychic Welfare" is a hand-scrawled poem by the late NYC sage Ira Cohen entitled "Blind Assemblage". In the poem, Cohen describes the decay of society and struggles to find civility within tragedy, a sentiment mirrored in Grefe's lyrical content of Psychic Welfare, if not masked by a new found pop propensity. The lead track on the album, "Hot Bubblegum," a Television-inspired piece of pop perfectly pushes this dichotomy of psychotic playfulness. "Mu" is a sprawling instrumental spread of blissed-out 80s funk, complete with a tin rooftop sax solo by Billy Dufala (Man Man). "Janine Aubergine" fictionalizes Grefe's girlfriend's bluegrass fiddle-playing aunt as a psychedelic maven over a tango groover, while "Bee Nose (Put Yr Face On)" is a woozy, hazy late-night phone call from the warped Scottish countryside circa 1998. "Summer Reading" feels like a Transformer-era Lou Reed bullying Mark E. Smith around a disco bouncey castle. Tracks from Psychic Welfare were remixed by Brassica, Higamos Hagamos, Ray Mang, and Worst Friends. Each of these remixes will be released as single support and included alongside additional original tracks as bonus downloads. The artwork of Psychic Welfare is taken from a a series of visual synth feedback experiments conducted by the band and video artist Adam Carrigan. The LP edition features a 48" x 96" heavy-stock pull out poster.

Cover with seam split, slight wear and yellowing on the back!

Japanese pressing without OBI!

Beautifully produced German Disco release with an environmental edge. Originally released in 1979 on a Contemporary Christian Music Label called Lord, this rarity is remastered and brought back to life with a respectful extended, previously unreleased, edit.

Vinyl closer to VG+. Cover with sticker

Cover has slight ring wear.

Miss Louistine’s version of ‘Con Me’ was one of the best Deep Soul finds of recent years. The Paragons smooth Chicago reading of Dees’ composition that came out in 1975 has long been admired, but this southern soul treatment of the now-classic is jaw-dropping.

To really focus on the masterpiece of a song, we have added Dees own take as the flip. That also remained unissued until Kent accessed the tapes in 1998 and is finally a single.

Soul connoisseurs are adventurous folk and the emergence of a previously unknown singer/songwriter is big news among the cognoscenti. The only trace of Atlanta’s Kenneth Wright is a handful of unrecorded song titles on BMI represented by Aware’s publishing company Act One. At least a dozen of his recordings have recently been found in the Aware tape vaults and ‘The Souls Of Black Folks’ is the pick of them. It features Kenneth’s vocals and an equally impressive unknown female lead who adds more mystery to the project.

From the same Atlanta label source comes Miss Louistine’s take on the Sam Dees’ song ‘Extra, Extra’. Originally recorded by Ben E King as an album track, Louistine’s punchier take featured on a recent 100 Club Anniversary 45 and is well in-demand.

Original inner sleeve with seam splits

Tiny stain on front cover.
Record is close to VG+.
Includes original inner sleeve.

Copy close to VG+

Vinyl close to NM

Cover with a dented corner and seam split at the upper edge.
Records are close to VG+

Copy is close to NM!

Note: INCOMPLETE!
Record 1: Side A is missing!

Although originally released in the mid 80's, Carmen's work needs little introduction amongst contemporary dancefloors. Ever since “Throw Down” first surfaced on the maps of music lovers with Chromeo's DJ Kicks selection back in 2009, it's been a choice cut by top selectors world wide such as Hunee and Palms Trax to name a few. By popular demand, after the first re-isssue on Sound Metaphors, we decided to quench the thirst with this double dose of Carmen featuring both the “Throw Down” and “Time to Move” singles in one EP. Both falling well in the 130bpm range with a fast paced assertiveness to the rhythm, characteristic of the productive influences of Kevin McCord (from Al Hudson & The Partners). 2 for 1, digitally restored and remastered to perfection, now with full cover artwork featuring Carmen and some of her current passions.

Record Store Day. Limited Edition. Orange Vinyl.

Cover has slight ring wear.

Nara Leão is known as "the muse of bossa nova”. Already as a teenager in the late 1950s, she became friends with several singers and composers who took part in Bossa Nova's musical revolution, including João Gilberto, Vinicius de Moraes, and Antônio Carlos Jobim. By 1963, after singing as an amateur for a few years, she became a professional and toured with Sérgio Mendes. In 1968 she appeared on the album “Tropicália: ou Panis et Circenses” together with artists including Gilberto Gil, Caetano Veloso, Os Mutantes and Gal Costa, performing "Lindonéia”, which appears as first track in this album, published in the same year.

Mazz Swift (they/them), the composer, conductor, bandleader, educator, singer, and Juilliard-trained violinist who weaves classic African-American musics, electronica, and mindfulness into their music, releases "No More" from their upcoming debut solo album The 10000 Things: PRAISE SONGS for the iRiligious via New Amsterdam Records.

OBI is missing!

Ofamfa by Children OF THE SUN

Original released in 1971 by the BAG groups (Black Artist Groupe) own label "Universal Justice Records" this album has for years been an impossible to find/listen to album, and this is its first reissue ever ..
Ofamfa by The Children Of The Sun, a band lead by poet/musicien Ajule/aka Bruce Rutlin Is a heady mix of poetry/jazz/political songs/ and a document of a comunity avent. The BAG group being about all the arts theater and dance.

The Muse/icians on the album are….
Rashu Aten / conga, small instruments
Oliver Lake / soprano &Alto sax, flute, poems, small instruments
Floyd LeFlore/ trumpet, small instruments
Ishac Rajab/ Trumpet
Arzinia Richardson/ bass, small instruments Vincent Terrell / cello
Charles "bobo" Shaw / drums, small instruments
Ajule / poetry, arrangements, small instruments, drums

Vinyl with a couple of light scuffs, close to VG+. Cover with bumped corner

Includes original inner sleeve.

Oakland's own Ritmos Tropicosmos follow up their excellent debut single with another pair of cumbia groovers. Since their first release, ELI Reyes and Lesli Rodriguez have joined the lineup and are featured on vocals in this latest offering of bass heavy Bay Area psychedelic cumbia!

This is the supreme duo work that Akira Miyazawa left with Takeshi Shibuya under the production of Maki Asakawa in 1992. This is the first LP release of this infinitely beautiful collection of masterful performances, in which the painstaking exchanges between the duo are deeply moving! This is the first of the precious records left behind by Maki Asakawa, who named it the "zero Hour" Series. The lively performance of Akira Miyazawa in his later years and the soft touch of Takeshi Shibuya are somewhat melancholy, and the performance, filled with the charm of jazz that has not faded away yet, is a work that can be leaned on by all kinds of people.

Two gypsies with pedigree backgrounds in Flamenco got together with a drum machine in a studio during the early 80's and the result was Chipen, a somewhat poppy chart oriented project featuring Peret Reyes the grandson of legendary Catalan Gitano musician Peret (aka "El Rey de la Rumba") and Johnny Tarradellas. "Volao" is a mid tempo effort to bridge Pop and Rumba, mixing catchy funk guitar riffs with elements of Flamenco in unprecedented ways. "Chiribiri" sounds like it could be the theme song to a Catalan morning show or even a Japanese 80's Toyota Camry ad, reeks of stereotype and cliche, except that Chipen is the real deal, as real as the darkness of the hair dye on the cover photo. Extended version of Volao on the B side. Remastered at Manmade Mastering in Berlin.