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Titelstory: Depeche Mode Anlässlich des neuen Albums „Memento Mori“ widmen wir uns auf 46 Seiten der Welt der Synthie-Pop-Pioniere Depeche Mode. Es gibt einen großen Vinyl-Guide zu Studioalben und Live-Bootlegs, dazu Interviews mit Sänger Dave Gahan, Bandentdecker und Mute-Gründer Daniel Miller und Stammdesigner Anton Corbijn. Zudem haben wir einem leidenschaftlichen Depeche-Mode-Fan einen Besuch abgestattet und blicken in Form von Historys auf die New-Romantics-Bewegung der frühen 80er und auf die Entwicklung der Remix-Kultur, die Depeche Mode geprägt haben.

Frauen und Vinyl Warum sind Frauen in der Vinyl-Welt immer noch Ausnahmeerscheinungen? Wir haben Sammlerinnen quer durchs Land interviewt und nach Antworten gesucht.

Coturn Ein neuer Plattenspieler setzt Maßstäbe für die mobile Wiedergabe. Der Weg dorthin war weit. Wir haben den Erfinder in seinem Atelier besucht.

Musik zum Lesen Von Pink Floyd über Prince bis Rory Gallagher: sechs aktuelle Bücher, in denen sich Schallplatten- und Musikfans verlieren können.

Master Class Frank Wonneberg widmet sich in der Reihe zu Albumklassikern „Surfer Rosa“, dem einflussreichen Debüt der Indierocker Pixies.

Enthüllt: Prince Die Ideen hinterm Cover von Prince’ „Around The World In A Day“, einem psychedelischen Meisterwerk, gestaltet von Doug Henders.

Soundtrack Of My Life Garbage-Sängerin Shirley Manson über „The Scream“ von Siouxsie And The Banshees

Weitere Themen der Ausgabe Praxistests zu Plattenspieler, Phono-Vorverstärker und Regallautsprecher, über 100 LP-Besprechungen auf 50 Seiten, die Rubrik „33 1 / 3 Cover“, News-Features, Dr. Mint, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

Maria Chávez, Mariam Rezaei & Victoria Shen Three experimental turntablists, from the UK and the US East and West coasts, come together in a new project which sets out on a European festival tour this April. By Emily Pothast.

Dorothy Moskowitz The vocalist in venerable US experimental/electronic rock band The United States Of America talks to Edwin Pouncey as she returns with new project The United States Of Alchemy.

Mihály Víg The Hungarian film composer, actor and close collaborator of film director Béla Tarr talks to Ilia Rogatchevski ahead of a major new Berlin screening and soundtrack performance of Tarr’s monumental Sátántangó.

Invisible Jukebox: Tatsuya Yoshida Japanese underground rock’s most prolific drummer takes times out from Ruins, KK Null, Korekyojinn, etc to take our mystery record test.

...

Phew One of Japan’s original punk generation, a collaborator with both Otomo Yoshihide and members of Can, has reinvented herself once again in the new millennium with recordings of her hardcore voice, electronic experiments, and collaborations with Jim O’Rourke and The Raincoats’ Ana Da Silva. Interview by Emily Pothast.

The Primer: Pauline Oliveros The sprawling discography of the Deep Listening innovator, including electronic compositions at Mills College, adventurous settings for improvisation, site-specific projects, experimental scores and her distinctive accordion drones, is mapped by Louise Gray. The Dream Syndicate The survivors of the 80s US Paisley Underground have flourished since their recent reformation, exploring cinematic influences, hypnotic songwriting, soundtrack collaborations, and with Steve Wynn as a wild card guitarist for hire in numerous collaborations. Joseph Stannard talks to them. Invisible Jukebox US guitar shredder Ava Mendoza tries to ID our mystery record selection. Global Ear Arthur Kuzmin of New New World Radio in Moscow describes the changes in Russia’s alternative music landscape following the country’s invasion of Ukraine. Unlimited Editions Pioneering broadcasting project Radio Art Zone aims to light up the airwaves in Luxembourg as part of this year’s European Capital of Culture Esch celebrations. By Ilia Rogatchevski. Unofficial Channels Inner Sleeve US rapper billy woods on Bigg Jus’s Black Mamba Serums. Epiphanies Former Magic Band and Jeff Buckley guitar hero Gary Lucas chronicles his 50 year obsession with the mesmerizing moves of Third Ear Band.

Plus one page interviews with Julmud, Black Glass Ensemble, Floris Vanhoof, and Deborah Walker & Silvia Tarozzi...

Highlights of our The Simple Issue issue include…

MIKE MILLS… His latest movie tells a story about the ties and strong interrelationship between kids and adults - and he does so in the most generous and truthful way. While “Beginners“ reflected on the life of his dad, and “20th Century Women“ put his mom and growing up in a matriarchal household in the spotlight, “C’mon C’mon“ is inspired by the relationship Mills has with his very own child, Hopper.

LISA VACCINO… The majority of us would initially refer to music, movies, family, and the friends we made when we think about our very own socialization. Some bright minds would then probably throw traveling and the brands we cherished at a specific time into the mix. And while Swedish artist Lisa Vaccino does all that, she adds a heavy dose of junk culture to her paintings as well that often feel like a trip down memory lane filtered through a messed-up dreamcatcher.

JAMES JARVIS… The body of work of London-based artist James Jarvis is constantly evolving, no matter if you like it or not. Having left his vector-friendly trademark style (partially) behind with “Spheric Dialogues“ already, the pandemic and connected lockdown saw him performing at his most free and adventurous: from static CGI through rather abstract collages to his latest series of consciously bad drawings.

CODY HUDSON… Chicago-based, heavily prolific artist Cody Hudson is constantly switching gears between a rather hectic life in the Windy City and finding a little peace and quiet in his small studio in Wisconsin - not necessarily trying to capture the essence of nature, but using it to find a place within himself.

- plus more elaborate features and visual awesomeness from the likes of: EVAN HECOX, ROB JABBAZ, RYAN SZULC, DANIELE VITA, ARTHUR LONGO, JULIEN BABIGEON and many others.

Cartoons about vinyladdicted cats.

On the cover: The Body & Dis Fig. Inside: Farida Amadou, Steve Beresford, Pavel Richter, Dialect, petals, Erica Dawn Lyle, H-Fusion, Invisible Jukebox: Melt-Banana, The Inner Sleeve: Eve Libertine, Epiphanies: Roy Claire Potter, Global Ear: Barcelona, Unlimited Editions: YOUTH, plus in the review sections: Laurie Anderson, Belong, Seefeel, Three Quarter Skies, Dhangsha, NicoNote, Laura Cannell, Primitive Percussion Youth Orchestra, Endon, Bobby Hutcherson, Harold Land, Red Kross, David Corio’s images of Black musicians, the Gnaoua & World Music Festival, Gary Stewart, Lonnie Holley, specialist columnists, and more.

On the cover: Tomeka Reid. Inside: KMRU, Gordan, Bodies in Motion: Malik Nashad Sharpe + NWAKKE + Bianca Scout, Tongue In The Mind, Nick Dunston, Nika Son, Henry Birdsey, Sisso & Maiko, Invisible Jukebox: Karl Bartos, Global Ear: Belgrade, Unlimited Editions: Notice Recordings, Unofficial Channels: A Moon Age Daydream, The Inner Sleeve: Alison Cotton on John Cale & Terry Riley’s Church Of Anthrax, Epiphanies: Jim Staley + 40 pages of reviews including Sun Ra, Chris Corsano, Skin Graft label, Nilotpal Das, Winter, Elton Dean, Cecil Taylor, Eno, Kim Gordon, Jeff Mills, Charles Curtis and specialist columnists including Steve Barker and Byron Coley + charts, letters, listings, and more.

"The Sacred Game" is the fifth issue of the Arcipelago magazine published by C.P. Company. It focuses on C.P. Company's relationship with football (aka soccer for y'all US guys). In this romantic and idyllic journey, a number of life stories are told that underline a shared social identity beyond sport. The C.P. Company Arcipelago Issue 05 includes a series of articles, photos and interviews that shed light on the various facets of the world of soccer. Everything revolves around three main themes: Goods, People and Crossroads. The cover story is dedicated to soccer legend Roberto Baggio. In an interview with his daughter Valentina, we learn more about his illustrious career and his life off the pitch. 152 pages; Dimensions: 240 x 300 mm; English. ISSN 2813-1223.

** warehouse find price ... nice!

The iconic digger's journal Wax Poetics returns in a beautiful, heavyweight format. Each issue features 148-pages of deep music insight, unique stories, lush photo spreads, and inspiration for your record collecting. The first issue in the relaunch features Motown stars Marvin Gaye on the front cover, and Tammi Terrell on the back cover. You'll also find articles on hip-hop ground zero Harlem World, Sergio Mendes, Herb Alpert, Cymande, Toots Hibbert, and much more within.

Also included with each purchase is three months of digital access to Wax Poetics. Expect weekly stories, music, insight, members-only offers, and more!

FULL CONTENTS

Re:Discovery: Timothy Leary & Ash Ra Tempel

Re:Discovery: Light of the World

Re:Discovery: Leon Huff

Re:Discovery: Superb DJ K-Nyce ft. Supreme Nyborn

Feature: High Art - Lee Quiñones

Feature: The Hip-Hop Shangri-La - Harlem World

Feature: Patta Cover Story - Steven Julien

Feature: See Me - Tammi Terrell

Feature: The Fire From Within - Marvin Gaye

Feature: The Maestro - Sergio Mendes

Feature: Beyond Boundaries - Herb Alpert

Feature: Native Sons - Redbone

Feature: Mighty Heavy Load - Cymande

Feature: Perpetual Glory - Toots Hibbert

Third Man Records & Books is excited to announce Issue #5 of Maggot Brain, a full-color quarterly magazine containing over 100 pages packed with art, music, literature, interviews, and archival stories. The June/July/August issue is available now Here, and yearly four-issue subscriptions can be purchased Here.

Contents:

We’re very excited about our new cover story: Why feminist punk pioneers the Raincoats still matter and finally, we hinted at this in the previous issue and now it’s here - unseen, amazing photos of Ac/dc from their first US tour in 1977. You’ll get rare look at celebrated indie auteur filmmaker Jim Jarmusch’s playful newspaper collages -- great interview plus lots of never before seen images!

We have brilliant Americana guitarists Marisa Anderson and William Tyler on their debut collaboration and then composer Terry Riley and percussionist Hamid Drake on the importance of husband and wife spiritual jazzers Moki and Don Cherry. We continue our unstapled series with 14 pages of rare comics by Pee Wee's Playhouse designer Gary Panter -- Jimbo goes to jail! Mike Turner talks to rising Colombian BMX star Julian Molina. And there’s a Spectacular tribute to jazz drummer Milford Graves by Detroiter Ben Hall.

Plus features on vocalist Merry Clayton; New Hampshire's neo-shoegazers Headroom; The Clean's fiery 1980s offshoot band Stephen; catching up with the great band Califone's main force Tim Rutili; a three-page comic on electronics weirdo Mort Garson, who made music to talk to your plants; America's finest essayist Luc Sante takes a gallows turn in this issue's column; and way more.

Also Featuring:

Our recurring reminder to the world that cassettes, just like vinyl, aren’t dead. Check out reviews by Dwight Pavlovic on some of his favorites.

Thought provoking short stories told by Mathias Svalina, dive into the dreamscape…

Yet another editor's note, that will leave you feeling like you know more about Mike than you needed to.

New artwork by Nathaniel Russell, that's out of this world.

Tim Rutili catches us up on his life and what he's been working on during the past year, in an amazing interview with Mike McGonigal.

’Hauntological’ genius curator/ musician Kristen Gallernaux in conversation.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine: bringing anything to life usually is a collective effort. Our world and its culture thrives on collaboration, be it between artists or the number of people involved to get a release ready and out into the world. Given the abundance of collaborations, a deep(er) dive into their internal structures is warranted. For example, a recent EP by Phillip Jondo, which features Maxwell Sterling and DJ Plead, clearly designates these collaborations as such. However, the details of how this three-way-constellation developed into a shared practice are not as obvious. With the new issue of zweikommasieben, these details are being addressed in a conversation. Despite being a common practice in the scene, the modus operandi of collaboration is far from clear or pre-determined. :3lon explains in an interview that they often rely on intuition in choosing how to go about working together with others instead of deliberately weighing up interests. Swiss-Congolese producer Soraya Lutangu Bonaventure goes one step further by questioning the differentiation between solo and collaborative efforts: “Everything I share as a ‘solo project’ is in fact never experienced as such,” she explains in the pages of this magazine. The things we do are as much enabled by as they facilitate the connections we share with other people. zweikommasieben #24 highlights the conditions, intricacies, and consequences of collective efforts in the featured interviews, essays, columns, and artist contributions.

List of contents: -interviews with Soraya Lutangu Bonaventure & Bobby Kolade, Milyma, Yegorka, :3lON, Phillip Jondo, Maxwell Sterling & DJ Plead -portrait on Nazar -essays on Sound Archives and Rave Variants -columns: Soundtexte (poetry), “Art Review” (art review), and Formations (photography) -further contributions by Elbis Rever and Martina Lussi

The Tories Are The Real Criminals is an A5 zine of Matt Smith’s images of non-violent direct action from demonstrations against the Criminal Justice and Public Order Act 1994. The legislation was invented to criminalise the culture of free parties, festivals, squatters, travellers and peaceful protest which had grown, flourished and thrived over the previous decade attracting vast public support.

Three national demonstrations took place in London during 1994’s long, hot summer that transformed the nature of peaceful protest forever. In May, July and October hundreds of thousands of people from all over the country travelled to England’s capital city to dance their way through its streets. The common intention was to just say no to new laws designed to outlaw the lifestyle choices of a generation. For the first time, the spirit of carnival fused with rave culture to combine celebration and opposition.

In a modern liberal democracy standing up for liberty, freedom and voicing dissent at injustice is supposed to be a valuable tradition with immense social worth. A judge called Hoffman even said so at the time. The Tories disagreed and passed their laws anyway with a little help from their secret inside weapon, the new leader of the “opposition.”

1994 was a year of fervent resistance against the encroaching Criminal Justice Act in the UK. Amidst the clamour of dissent, three historic demonstrations echoed through the streets of London, challenging the very fabric of authority and transforming the nature of peaceful protest, forever.

Through the lens of Matt Smith (Exist To Resist), witness the raw energy and unity of the protests that shook the capital. Each image in this zine is a testament to the power of the people, capturing not just moments frozen in time, but the spirit of a generation refusing to accept oppressive legislation.

Pages: 68
Size: A5 (21cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Front cover design: Tom Booth Woodger
Interior design: Jez Tucker

“All in the Golden Afternoon We Glide” (Realia006) is the forthcoming record from Lathe 00, the new moniker under which Umbria-based artist Leonardo Carloni has recently started to operate.

Preceded by several collaborative undertakings, Lathe 00’s debut solo album is akin to an experiment in autotheory, where art-making practice and theoretical inquiry are entwined to the point of being virtually inseparable. Through the combined use of autobiographical and philosophical elements, “All in the Golden Afternoon We Glide” meditates on individuality, technology, and new forms of (post-)human existence.

The record has been conceived as a three-act project, with each act comprising four compositions that correspond to as many recurring themes: birth, love, death, and emptiness. Produced over the course of two years, the album has a total of twelve tracks, the majority of which run for less than two and a half minutes. Upon closer inspection, these tracks feel less like standalone pieces of music and more like outtakes of a single but continuously mutating continuum.

Lathe 00’s first feature is a work of rare beauty. As a one-person debut project, its stylistic variety, compositional maturity, and technical rigor are outstanding. By combining a forward-looking production style with references as varied as ambient, hyper-pop, instrumental post-rock, world-beat, and modern classical and folk music, Lathe 00 develops a mode of expression that transgresses genres and is distinctively his own.

The result is a signature sound that feels equally primordial and hyper-contemporary, fleshly visceral and detached. The inclusion of the artist's own vocals in the music is a notable aspect of this style. Alongside sampled materials, his non-lexical vocalisations appear as both an affirmative and negative act, simultaneously gesturing towards bodiless dissolution and a desire to reclaim one’s all-too-embodied presence in this world.

Despite being a concept album grounded in a profound theoretical substrate, “All in the Golden Afternoon We Glide” surprisingly relies on wordless communication only. As such, in it, song titles become key vectors of information. Appealing primarily to the listener’s sense of sight, they are used in a way that seamlessly blends the aesthetics of the digital (“Loading of Image Aborted!”), nature (the title track), and ritual (Pouring Blood into the Lake).

The album will be released in digital format alongside a limited-edition printed publication conceptualised and designed by Lidia Ginga Cozzupoli and Bernardo Berga.

Record Time No 2 hits the bargain bins and neglected corners of the local record store to find great records that are still affordable to average folks. And, as with the first issue, we dig into the back stories of these records and artists, with a focus on good writing. This time around we do a deep dive into the life and career of Ray (Rae) Bourbon, a pre-Stonewall drag artist and comedian; jazzman Charles Lloyd's "wilderness" albums; Catalan folk legend and politico Lluis Llach; oddball rockers the Hampton Grease Band; finding the South African country music holy grail; Canadian cabaret rocker Louis Furey; the weird world of Polka; hard rocking should-have-been-huge Birtha; actor & music pusher Jack Webb; Sex Pistols and Pistols-inspired novelty records; patron saint of smart asses Rick Johnson; and more! Contributors this time are TOM Hyland, Owen Maercks, Stella Beratlis, Steve Silverstein, Nathanel Amar, Adam Taub, Nate Knaebel, Laurent Bigot, Mike Trouchon, Greg Pshaw, Johnny Sunshine, Dennis Worden, Fred DE Vries, Stan Appleton, Billups Allen, and Todd Trick Knee, with guest appearances by Lali Donovan, Larry Hardy, Tony Coulter, and Dana Katharine. Edited by S Soriano.

The sound of each individual’s voice is thought to be entirely unique. Like a fingerprint, its composition is distinct, nuanced, and one-of-a-kind. While all this is true, it’s a concept that has been challenged in recent times by the refinement of AI-powered systems which are able to emulate voices to a tee. And not only voices, for that matter, but whole styles and aesthetics: an AI-generated facsimile of Drake and The Weeknd’s voices titled “Heart on My Sleeve” made the rounds this year and was even submitted for Grammy consideration. It’s a legitimate song, and a proposal that does not only keep legal departments busy, but also allows for myriad reflections on originality and, bluntly, the future of music. But as the future of music is a broad and daunting topic to speculate on, we want to hone in on what’s been prefaced above: issue #28 ofzweikommasiebencenters the voice as means of expression, and wants to expand on what is meant by that: it’s not only what is heard, but also why a voice is used and by whom. This latest edition considers what it means to voice, and its physical, societal and political dimensions.

zweikommasieben #28 includes


-interviews with / portraits on bela,Krista Papista,DJ Voices,Tianzhuo Chen,Meth Math,Rainy Miller,Honour,Ziúr, andNatural Wonder Beauty Concept
- an essay on fan culture
- columns on stimming and the work ofDjamil Image
- a contributionby Claudia Pagès with Nora Haddad and nara is neus

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