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Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

In the magazine: Marshall Allen, Frank Chickens, Water Damage, IVTKYGYG, Seo, Callahan & Witscher, Kamilya Jubran, Invisible Jukebox: Pharmakon, Global Ear: Riga, Unlimited Editions: Reading Group, The Inner Sleeve: Eleni Poulou on Irdial, Epiphanies: David Borden on Bob Moog, and in the reviews sections: Blood Incantation, FaithNYC, Alan Lamb, Music From Elsewhere, Mark Ernestus’ Ndagga Rhythm Force, Mother Mallard’s Portable Masterpiece Co, MC5, BARK!, Stick In The Wheel, and more.

On the CD: 16 new tracks by Sealionwoman, Niton featuring John Butcher, Masayoshi Fujita featuring Moor Mother, Deaf Squad x Flowdan, Tristan Perich & Ensemble 0, and more.

ON THE Cover: Grace Jones BY Tamara Palmer: Palmer delves into the entire history of this remarkable artist, who will naturally deliver us a stunning cover image. Jones is even more of a one of a kind musician and persona than most of us realize, so we're extra excited to feature her on the cover of this issue.

Deep Archival Dives With Living Luminaries: Pulp: Peeling back the onion of time, we are graced with a fine selection of ephemera and rare images from the forthcoming Hat + Beard book on the cult band's cult band: I'm With Pulp, Are You?, by Mark Webber.

Mayo Thompson: Jasper Leach has delivered a stunningly good and very deep dive into the genesis and long life of Thompson's masterpiece Corky's Debt to His Father. We're not worthy!

Redd Kross: They've already had a great double album and documentary readied for summer but in the Fall there's also a definitive RK book so we enlisted Jen B. Larson to do a career-spanning feature on your favorite teen babes from Monsanto. Larson wrote Hit Girls: Women of Punk in the USA 1975-83.

Mary Timony: Mary Timony is one of the great guitar luminaries and songwriters of the indie era, but rarely does she get the credit she deserves. Audrey Golden, author of I Thought I Heard You Speak: Women at Factory Records, not only went into every nook and cranny of Timony's career, but the first question she asked Timony is one for the ages: ''Is that a lute?''

Dark Entries Collected Music Graphics Compiled by Josh Cheon and Eloise Shir-Juen Leigh To celebrate 15 years of Dark Entries, this zine showcases the label’s visual aesthetic, bringing together some of the most iconic designs that we’ve released. While Dark Entries’ sonic mission has included sounds as diverse as synth-pop, Italo disco, darkwave, house, and techno, it is equally staggering to see the breadth of visuals the label has encountered and collected over the years. Included here are selected typography, logos, and illustrations from the label’s extensive catalog — well over 300 releases to date. Designs have been created using DIY analogue techniques as well as more contemporary digital approaches. A full discography is included at the end for reference and an essay by Shawn O’Sullivan (Led Er Est, Further Reductions). This zine serves as a source of inspiration for artists as well as a means of preserving and documenting these distinct graphics. Dark Entries Records is a San Francisco-based record label that was born in July 2009. Helmed by Josh Cheon, a vinyl-focused DJ and collector, the label has focused largely on excavating the 1980s underground era – but releases have spanned from sultry vintage disco to bleeding-edge contemporary techno. Graphic designer Eloise Shir-Juen Leigh has been responsible for most of the label’s artwork, whether reproducing original designs accurately for reissues or creating exciting new ones. Much care and attention is given to each release to represent the music in a memorable way as well as tell the stories behind these projects. Hand-stamped and limited to 200 numbered copies. 64 pages with neon cardstock covers. Measures 5×7 inches.

On the cover of the magazine: 19 page special feature – inside the sound world of David Lynch, including a new interview with the director and his music collaborators Chrysta Bell Zucht and Dean Hurley + essays on Dune, Eraserhead, Twin Peaks, Lost Highway, The Straight Story, Wild At Heart, backwards speech, wind sounds, drones, finger clicks, lip-syncing, and more.

Also in the magazine: interviews with Copper Sounds, Miaux, and Theodora Laird & Caius Williams, plus: Invisible Jukebox: Dhangsha, Unlimited Editions: Discreet Music, Epiphanies: Lonnie Holley, The Inner Sleeve: Mabe Fratti, Global Ear: Monterrey, and 36 pages of reviews including Vijay Iyer, World Service, Joe McPhee, Paul Burwell, new histories of krautrock and free jazz, Chicago Jazz String Summit, and more.

Finally: all copies of the August issue come complete with a free CD of The Wire Tapper 65 featuring 16 new tracks by Farida Amadou, Mettani, Landless, Noémi Büchi, Doc Sleep, TAU, and more.

eye_C Magazine's first cover this time is dedicated to the mag's legacy and their Spring 24 collection titled ‘Snow in April’. The cover shoot, shot in Tokyo is also accompanied by an interview with one Jockum Hallin, one of the label’s co-founders. Their second sees the return of norbit by Hiroshi Nozawa as a cover brand featuring an editorial shot in the mountains west in the Greater Tokyo area. Lastly a simple cover dedicated to eye_C Magazine's love of Navy featuring some of the latest pieces from the editor’s choice x SEE SEE.

eye_C Magazine also included several multi-brand editorials for this issue featuring a plethora of different labels alongside their regular product highlights.

The tenth and, at over 200 pages, largest issue of Carhartt WIP magazine to date is published with two different covers. While the first shows the New York musician CLIP, the second depicts an excerpt from the dossier 'Clockwatchers', which deals with the future of work in the context of the looming climate crisis. One of the two covers is selected at random when purchasing.

For Magazine Issue 10, Carhartt WIP spoke to Nourished By Time from Baltimore, Congolese sound and performance artist Cõvco, Brooklyn-based artist Diamond Stingily as well as skater Maria Navarro. In Cameroon, the Carhartt WIP editors observe how Jail Time Records is redefining how a label can function and in Taipei we meet Grillz artist Shiningmaker. Meanwhile, in Reading, Cieron Magat documents teenage boredom in England's inner cities. In addition, artist Anthony Coleman invited Carhartt WIP into his warped world populated by pop culture references, and with photographer Robert Leblanc, Carhartt WIP traveled to the most remote corners of the USA.

Meanwhile, the S/S24 collection is photographed by Catherine LoMedico, Den Niwa and Tolya Titaev. The Carhartt WIP Magazine Issue 10 ends with a conversation between author Geoffrey Mak and Hua Hsu, as well as an interview with Tokyo-based writer and theorist W. David Marx.

In the magazine: Darius Jones, Steve Roach, Clarissa Connelly, [Ahmed], Shovel Dance Collective, Arushi Jain, Kulku, Harmony Holiday, Richie Culver, Invisible Jukebox: Ka Baird, Global Ear: Dublin, Epiphanies: Aura Satz on the sound of sirens, Inner Sleeve: Raji Rags on D’Angelo, Unlimited Editions: Industrial Coast, Unofficial Channels: The Rest newsletter, plus 40 pages of reviews including Shabaka Hutchings, Eddie Prévost, Creation Rebel, Eugene S Robinson, hcmf 2023 and more.

On the CD: 16 new tracks by Jac Berrocal, Elaine Mitchener, Derek Piotr, Heejin Jang, Lori Vambe, Shit & Shine, The Phereomoans, A Lily, Dream Skills & GW Sok, and more.

The sixth issue of our quarterly underground hip hop magazine.

- 52 pages – no ads, full color, 5.5″ x 8.5″

- Featuring: N8noface, Kid Koala, MC Homeless, Mindbender, Art Morera, Dan Lactose aka DJ Eons One, and more.

- Includes a bonus 20 page zine dedicated to the late great Khari “Conspiracy” Stewart (limited to 100 copies)

- Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Eric Kneeland, Max Rodgers, Chaps, Homeboy Sandman, Id Obelus, DJ Jester the Filipino Fist, Jonathan Balazs, Matt Bomarr, Rajen Bhatt, and Werner von Wallenrod.

The sound of each individual’s voice is thought to be entirely unique. Like a fingerprint, its composition is distinct, nuanced, and one-of-a-kind. While all this is true, it’s a concept that has been challenged in recent times by the refinement of AI-powered systems which are able to emulate voices to a tee. And not only voices, for that matter, but whole styles and aesthetics: an AI-generated facsimile of Drake and The Weeknd’s voices titled “Heart on My Sleeve” made the rounds this year and was even submitted for Grammy consideration. It’s a legitimate song, and a proposal that does not only keep legal departments busy, but also allows for myriad reflections on originality and, bluntly, the future of music. But as the future of music is a broad and daunting topic to speculate on, we want to hone in on what’s been prefaced above: issue #28 ofzweikommasiebencenters the voice as means of expression, and wants to expand on what is meant by that: it’s not only what is heard, but also why a voice is used and by whom. This latest edition considers what it means to voice, and its physical, societal and political dimensions.

zweikommasieben #28 includes


-interviews with / portraits on bela,Krista Papista,DJ Voices,Tianzhuo Chen,Meth Math,Rainy Miller,Honour,Ziúr, andNatural Wonder Beauty Concept
- an essay on fan culture
- columns on stimming and the work ofDjamil Image
- a contributionby Claudia Pagès with Nora Haddad and nara is neus

All content in English

In the magazine: Irreversible Entanglements, Vanishing Twin, Carol Robinson, Tom Mudd, Hearsay, Marina Herlop, The Primer: Jazz & Poetry, Invisible Jukebox: Matana Roberts, Global Ear: Oaxaca, The Inner Sleeve: Val Wilmer on Henry Grimes, Epiphanies: Raphael Rogiński on Neopolitan soul, Unlimited Editions, Gin&Platonic, Unofficial Channels: Chocolate Monk Top Tens, and in the reviews sections: Gong, Tricky, Neumusik, Supersonic, and much more.

On the CD: 16 new tracks by Martin Rev, Rebeca Omordia, Nick Dunston, Lucidvox, Nihiloxica, Sam Genovese, Dredd Foole & The Din, and more.

Highlights of our VEHICULAR issue include:

MATHEW ZEFELDT… The digital world is embedded in basically every aspect of our lives to irreversible effect. And American artist Mathew Zefeldt now transfers these spheres to the physical canvas. Heavily influenced by the GTA series, Adobe icons, Hollywood’s SFX factories, and current smartphone displays in equal measure, Zefeldt meticulously brings digital elements and repetitions onto canvas via acrylic techniques.

ARTURO + BAMBOO… When you travel, you are noticeably much more present once your sensory compass gets readjusted. And Dutch artistic duo Arthur Groeneveld and Bamboo van Kampen are masters at capturing these circumstances. Usually at ease with traveling to Mediterranean areas, they explored a very different scenery with their fourth project “Snow“, which basically pays homage to the timeless grandeur of the Alps.

MALCOLM MORLEY… The fundamental aspect, the motor that drove Malcolm Morley‘s (1931 - 2018) passion for painting, was sensation. Sensation being the unmediated bodily response to the outside world through the senses; in this case, the sense of sight. In the end, he lived and painted the seeming paradox of manifesting one’s innocence through a lifetime of experience.

JUSSI PUIKKONEN … In Finland, there is a tradition of gathering in the center of a small town with cars, for socializing. In the Finnish language, there is a word to describe it: “Pilluralli,” directly translated as “pussy rally.” The meaning of the word: driving without destination with an old banger decorated with Wunderbaums and fuzzy dices and having your friends in the backseat sipping alcohol. A fantastic photo documentary by Finnish artist Puikkonen.

- plus more elaborate features and visual awesomeness from the likes of: Motonori Uwasu, Bosozoku, Arnold Odermatt, Pink Flamingo USA, EJ Hill, Oliver Sperl, and many others.

“All in the Golden Afternoon We Glide” (Realia006) is the forthcoming record from Lathe 00, the new moniker under which Umbria-based artist Leonardo Carloni has recently started to operate.

Preceded by several collaborative undertakings, Lathe 00’s debut solo album is akin to an experiment in autotheory, where art-making practice and theoretical inquiry are entwined to the point of being virtually inseparable. Through the combined use of autobiographical and philosophical elements, “All in the Golden Afternoon We Glide” meditates on individuality, technology, and new forms of (post-)human existence.

The record has been conceived as a three-act project, with each act comprising four compositions that correspond to as many recurring themes: birth, love, death, and emptiness. Produced over the course of two years, the album has a total of twelve tracks, the majority of which run for less than two and a half minutes. Upon closer inspection, these tracks feel less like standalone pieces of music and more like outtakes of a single but continuously mutating continuum.

Lathe 00’s first feature is a work of rare beauty. As a one-person debut project, its stylistic variety, compositional maturity, and technical rigor are outstanding. By combining a forward-looking production style with references as varied as ambient, hyper-pop, instrumental post-rock, world-beat, and modern classical and folk music, Lathe 00 develops a mode of expression that transgresses genres and is distinctively his own.

The result is a signature sound that feels equally primordial and hyper-contemporary, fleshly visceral and detached. The inclusion of the artist's own vocals in the music is a notable aspect of this style. Alongside sampled materials, his non-lexical vocalisations appear as both an affirmative and negative act, simultaneously gesturing towards bodiless dissolution and a desire to reclaim one’s all-too-embodied presence in this world.

Despite being a concept album grounded in a profound theoretical substrate, “All in the Golden Afternoon We Glide” surprisingly relies on wordless communication only. As such, in it, song titles become key vectors of information. Appealing primarily to the listener’s sense of sight, they are used in a way that seamlessly blends the aesthetics of the digital (“Loading of Image Aborted!”), nature (the title track), and ritual (Pouring Blood into the Lake).

The album will be released in digital format alongside a limited-edition printed publication conceptualised and designed by Lidia Ginga Cozzupoli and Bernardo Berga.

As the team behind zweikommasieben takes its latest edition to ponder the essence of longevity, they arrive at several questions which they have worked through with their featured artists and writers. On the one hand, artistic traditions might be useful to lean on, to conjure an image and an accompanying gut feeling of a recent past. On the other hand, investing in the knowledge of traditions might allow to bend and twist them to explore ones own expression. Whether that is consciously incorporating sounds from the past to evoke historical resonances, as Courtesy did for her most recent album Violence of the Moodboard, or propelling the presentation of music forward into new traditions, such as in the work of Xzavier Stone who has recently started pairing scent with sound during his live performances. In a similar manner, Lateena Plummer proposes new traditions for a dancehall scene which finally makes space for marginalized identities and voices, a purpose directly derived from her experiences in the past, which she openly speaks about in conversation with Anna Froelicher. When Beatriz de Rijke decided to work under the moniker Bea1991, she did this as a conscious anchoring in time, with the latter part of the name being a direct reference to her year of birth. One can imagine that a birthdate might be one of the only constants in life: one that will forever connect someone to a certain generation, and maybe even to a global cultural zeitgeist.

zweikommasieben #27 includes

-interviews with / portraits on Bea1991, Christian Marclay, Courtesy, Divide and Dissolve, DJ Loser, Lateena Plummer, Somatic Rituals, and Xzavier Stone -essays on “New Moon” by Children of the Light for Darkside - a column on Rike Scheffle's work - a contribution by Lou Lou Sainsbury

All content in English; 92pages; 230x305mm zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.

Highlights of our Savages issue include… - Ricky Powell... It’s probably a truism, and doubly true for those of us invested in the idea of culture, that when we finally go, we have a nagging fear that others will eulogize us with half-baked notions about who we were, what we cared about, what we brought to the party. A lot of empty pontificating, getting the important details all wrong. Well, lemme tell you, Ricky wasn’t just interested or invested in culture, it was his lifeblood, his *‘raisin dead rat’*. Rest In Peace, brother!

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

This issue features interviews with Pete Brown, Dana Gillespie, Gruff Rhys, Alex Merry and Benjamin Myers, as well as features about the lesser-known UK free festivals, Argentinian underground magazine Expreso Imaginario, Gwawr Records, The New Eves, Burd Ellen, Aphex Twin, album/live music reviews & much more...

Highlights of our fifth VEHICULUM issue include…

PAUL WHITE… In this day and age, where everything and everyone is expected to be a disposable commodity, life is about performance only and not necessarily about permanence. It’s a shallow world ruled by limited shelf-life and the false hope of being obsolescent-immune. And the highly-detailed drawings of Australian artist Paul White capture the phased-out goods of that very process.

THE KRAGE LEGACY… Did you know that West-Berlin felt like the worldwide capital of Speed Boat racing in the 70s and 80s? Hans Georg Krage co-founded the MCR in 1973, and organized races on the upper and lower Havel river for the next two decades. His son Peer opened his impressive photo archive for this impressive (and speeding) trip down memory lane.

BODY KIDS… Photographer Bernardo Aviles Busch came across the Tokyo-based Lowrider scene rather accidentally. Luckily, he carried his trusted camera with him and captured the spectacle on the streets of late night Shibuya.

NEW YORK CHRONICLES … Brooklyn-based photographer Luc Kordas has managed to become an expert of dichotomy over the years. On the one hand he’s the creative mind behind the popular “You Live Only Twice“ travel blog, on the other hand he’s known as a street photographer who’s capturing the ever-bustling inner city life of NY.

- plus more visual stimulations and awesomeness from the likes of: Craig Steck III, Chris Labrooy, Kenton/Davey, Karl Hab, Ant Farm Collective, Tom Sachs, Jason Rhoades and many others.

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

Tyshawn Sorey
In the magazine: Tyshawn Sorey, Joyce, Horse Lords, Devin Townsend, Invisible Jukebox: Big Joanie, Andrew Poppy, Backxwash, Xhosa Cole, Camille Émaille, BLTNM, No Choice, Adrian Corker, Glasgow Improvisers Orchestra, OM, High Castle Teleorkestra, Dickie Landry, The Advisory Circle, Björk, John Carpenter, Eno, Charles Lloyd, Jessica Pavone, Senyawa, Can, Dead Kennedys, Gnawa Music Of Marrakesh, Main Source, Mal Waldron, Robert Fripp, Little Annie, Adam Rudolph, Alice Coltrane, Trevor Mathison, Cory Arcangel & Stine Janvin, Grimalkin festival and more.

On the CD: 16 new tracks by Lucrecia Dalt, Lady Aicha & Pisco Crane, Reiko & Tori Kudo, Balka Sound, OISEAUX-TEMPÊTE, Dave Clarkson and more.

Joyce
The Brazilian musical prodigy, a favourite of Antonio Carlos Jobim, enjoyed a stellar 1970s before her career was diverted by domestic political struggles and the disco era. As her 1977 New York album Natureza finally sees the light of day, she talks to Joshua Minsoo Kim.

Horse Lords
Baltimore’s rock trio put the ‘tune’ into ‘tuning’ through their mantric rock minimalism which collides Just Intonation harmonic systems and the energy of West African guitars. By Dan Wilson

Devin Townsend
The rogue operator of avant rock has forged a unique career as both first choice collaborator for metal groups and lone psychonaut exploring the outer corners of the guitar. He talks to Joseph Stannard about his new twin release Lightwork/Nightwork.

Invisible Jukebox
Radical punx and founders of London’s Decolonize festival Big Joanie take The Wire’s mystery record test.

Global Ear
Memories of a coastal town destroyed in 2011 by the Japanese tsunami live on through field recordings and songs in the hands of one of its former residents.

One page interviews with Backxwash, Andrew Poppy, Xhosa Cole and Camille Emaille.

Unlimited Editions: Ramallah based label BLTNM.
Unofficial Channels: DJ M-TRAXXX.

Epiphanies: Raymond McDonald of Glasgow Improvisers Orchestra.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Jungle Volume 1 features the likes of Dread, Legend, Moving Shadow, Rugged Vinyl, White House and many more.

This book touches on some the most important labels responsible for the scene’s foundations - along with some rare, hard to find & more recent labels that are keeping the Junglist movement rolling on.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Lewis Joyce (Sicknote)

Regardless if you’re doing it for the purpose of relaxation or for releasing a lot of stress, having a night out could have an almost purifying effect. Things then will certainly look even more peachy when your name is on the guest list. It’s just perfect in case you want to have a life but it shouldn’t be too real.
People who aren’t on the guest list are officially uninvited. At least that’s how you should feel when your name made it on one. You put so much energy, smalltalk, omnipresence and social media action into it, you deserve to be treated like royalty. If there’s one constant you can count on, then it certainly is that being on the guest list still is the ultimate status check.

For our GUEST LIST issue, Lodown was hanging out backstage, enjoyed private views, got drunk at uncountable vernissages, took a closer look at flyer culture, high-fived a few bouncers - and even let a few guest art directors take over a couple of pages.
All for the simple reason that you don’t have to queue. You’re welcome. Now let’s dance.

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

Highlights of our GUEST LIST issue include…

DAVE SWINDELLS… In the UK, some people refer to the London of 1988 as “Year Zero“, because it seemed to have kickstarted a club scene in a way that hadn’t existed before. It was the year Acid House was hitting England’s capital (and beyond) big time. It was the time of clubs like Future, Shoom and Spectrum. And luckily East London-based photographer Dave Swindells was there to capture it all.

CIVILIST… Everybody’s favorite Skate Shop in Berlin opened its diary for us. In the end, it basically felt like chronicling the last years of skateboarding of Germany’s capital. It’s a Lodown exclusive, by the way.

NIKITA TERYOSHIN… Berlin-based photographer Nikita Teryoshin invites us to visit the back office of war with him, as his awarded, ongoing project “Nothing Personal“ takes a look at global defence business. Shot (so far) at fourteen different defence exhibitions worldwide between 2016 and 2020 the images capture a parallel world unknown to the vast majority of us ordinary mortals.

DAN WITZ… Embracing the possibility of a collective high through clubbing or a proper show can have an almost cleansing effect - because letting loose within the community of kindred spirits is something very comforting. And there hardly is any other artist capturing these moments of crowds going blissfully berserk than Brooklyn-based genius artist Dan Witz.

- plus more elaborate features and visual awesomeness from the likes of: EIKE KÖNIG, KUEDO, MARCELOA CANEVARI, PVA, LISA WASSMANN, LYZZA, DAVID HENRY BROWN JR. and many others.

Phew One of Japan’s original punk generation, a collaborator with both Otomo Yoshihide and members of Can, has reinvented herself once again in the new millennium with recordings of her hardcore voice, electronic experiments, and collaborations with Jim O’Rourke and The Raincoats’ Ana Da Silva. Interview by Emily Pothast.

The Primer: Pauline Oliveros The sprawling discography of the Deep Listening innovator, including electronic compositions at Mills College, adventurous settings for improvisation, site-specific projects, experimental scores and her distinctive accordion drones, is mapped by Louise Gray. The Dream Syndicate The survivors of the 80s US Paisley Underground have flourished since their recent reformation, exploring cinematic influences, hypnotic songwriting, soundtrack collaborations, and with Steve Wynn as a wild card guitarist for hire in numerous collaborations. Joseph Stannard talks to them. Invisible Jukebox US guitar shredder Ava Mendoza tries to ID our mystery record selection. Global Ear Arthur Kuzmin of New New World Radio in Moscow describes the changes in Russia’s alternative music landscape following the country’s invasion of Ukraine. Unlimited Editions Pioneering broadcasting project Radio Art Zone aims to light up the airwaves in Luxembourg as part of this year’s European Capital of Culture Esch celebrations. By Ilia Rogatchevski. Unofficial Channels Inner Sleeve US rapper billy woods on Bigg Jus’s Black Mamba Serums. Epiphanies Former Magic Band and Jeff Buckley guitar hero Gary Lucas chronicles his 50 year obsession with the mesmerizing moves of Third Ear Band.

Plus one page interviews with Julmud, Black Glass Ensemble, Floris Vanhoof, and Deborah Walker & Silvia Tarozzi...

Reynols As one of the most singular groups in rock release a new album, and following drummer Miguel Tomasin’s Henry Viscardi Award for achievement in the disability community, the Argentinian trio talk to Emily Pothast about their mission to acknowledge all sounds, experiences and abilities, and the emancipatory power of noise and jamming.

Valentina Magaletti One of the most prolific and sought after percussionist-composers in the London music scene tells Ilia Rogatchevski about her role laying down the rhythm for psychedelic rock groups like Vanishing Twin, participation in London Improvisers Orchestra, and her growing reputation as timekeeper for hire for Gruff Rhys, Can Project, Bat For Lashes, and many more.

Ivo Perelman The Brazilian saxophonist has forged his own uncompromising and hardcore approach to the instrument that’s now being heard across a dizzying range of collaborations and projects. He tells Phil Freeman about his epic plans for 2022 including a dozen recordings with fellow saxophonists, a trio with Joe McPhee and Matthew Shipp, and a new documentary about his work.

Invisible Jukebox: King Jammy Reggae and dancehall godfather King Jammy takes our mystery record test as he revisits his 1980s and 90s catalogue in dub style on a new release.

Global Ear Two reports from the underground music scenes of Kyiv and Moscow as their communities are left reeling by Russia’s invasion of Ukraine.

Unlimited Editions Nathan Evans tunes into unorthodox transmissions from Blackpool with Lancashire’s guardians of the weird and the occult Fonolith Records.

Unofficial Channels Marc Weidenbaum surveys eclectic and groundbreaking uses of sound to represent information via the Data Sonification Archive.

The Inner Sleeve Dennis Bovell on The Slits’s Cut.

Epiphanies Composer and writer Edward Henderson discovers the true meaning of experimentation watching two people cover themselves in tape in an East London flat. Plus full page interviews with Ailbhe Nic Oireachtaig, oksana linde, Helms Alee, and Blod.

Highlights of our Savages issue include… - Ricky Powell... It’s probably a truism, and doubly true for those of us invested in the idea of culture, that when we finally go, we have a nagging fear that others will eulogize us with half-baked notions about who we were, what we cared about, what we brought to the party. A lot of empty pontificating, getting the important details all wrong. Well, lemme tell you, Ricky wasn’t just interested or invested in culture, it was his lifeblood, his *‘raisin dead rat’*. Rest In Peace, brother!

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine: bringing anything to life usually is a collective effort. Our world and its culture thrives on collaboration, be it between artists or the number of people involved to get a release ready and out into the world. Given the abundance of collaborations, a deep(er) dive into their internal structures is warranted. For example, a recent EP by Phillip Jondo, which features Maxwell Sterling and DJ Plead, clearly designates these collaborations as such. However, the details of how this three-way-constellation developed into a shared practice are not as obvious. With the new issue of zweikommasieben, these details are being addressed in a conversation. Despite being a common practice in the scene, the modus operandi of collaboration is far from clear or pre-determined. :3lon explains in an interview that they often rely on intuition in choosing how to go about working together with others instead of deliberately weighing up interests. Swiss-Congolese producer Soraya Lutangu Bonaventure goes one step further by questioning the differentiation between solo and collaborative efforts: “Everything I share as a ‘solo project’ is in fact never experienced as such,” she explains in the pages of this magazine. The things we do are as much enabled by as they facilitate the connections we share with other people. zweikommasieben #24 highlights the conditions, intricacies, and consequences of collective efforts in the featured interviews, essays, columns, and artist contributions.

List of contents: -interviews with Soraya Lutangu Bonaventure & Bobby Kolade, Milyma, Yegorka, :3lON, Phillip Jondo, Maxwell Sterling & DJ Plead -portrait on Nazar -essays on Sound Archives and Rave Variants -columns: Soundtexte (poetry), “Art Review” (art review), and Formations (photography) -further contributions by Elbis Rever and Martina Lussi

8 x 11” black and white printing with Pantone CMS 877C accents on front and back covers, 28 pages. Edition of 3,000.

Participating contributors and artists include Aaron Clark, Ari Robey-Lawrence, Ash Lauryn, Barbie Bertich, Cesar Toribio, Cy X, Gavilán Rayna Russom, Heidi Sabertooth, Hue Hallums, Kristin Malossi, Mauro Baiocco, Nathaniel Jay, Paul Raffaele, Rich Medina, Ron Like Hell, Ryan Smith, Tad Hayes, Terrence Edgerson, The Carry Nation. Designed by Paul Raffaele. Photos by Guarionex Rodriguez Jr.

Features:
- 10 Years of Wrecked: Q&A with Ron Like Hell & Ryan Smith by Kristin Malossi
- Q&A with Rich Medina by Cesar Toribio
- Q&A with Synth Library NYC ft. Cy X & Heidi Sabertooth
- Bandcamp Charts June 2021
- Chosen Family: A Halloquium Conversation Part II ft. Ash Lauryn, Gavilán Rayna Russom, Ari Robey-Lawrence
- ACIEEEEEEEEEEEEEEED! By Adam X excerpt from Under One Sky, Oct '92
- Love Notes From A Displaced New Yorker by Nathaniel Jay
- "Spaces & Places: Re-opening" by Love Injection Staff

Amazing unseen image of Bikini Kill live at Cbgb in 1990, by Mike Galinsky -- the accompanying feature is a lengthy photo essay exploring indie-rock in the early 1990s, with tremendous behind-the-scenes, unpublished black-and-white film images of Sonic Youth, Unwound, Mary Timony, Sleepyhead, Half Japanese, and more. In addition to Luc Sante’s ridiculously good ‘Pinakothek’ column where he goes off on one image, we have: John Colpits AKA Kid Millions on Miles Cooper Seaton (rip); the forgotten brilliance of bluesy hip-hop pioneers New Kingdom; the tape column on new tape releases; Susan Bernofsky on her Robert Walser bio; The Clean's singer and guitarist David Kilgour on the long-awaited Stephen reissue plus a lot more; the enduring goofy excellence of ELO’s ‘Out of the Blue’; Legendary Japanese hardcore guitarist Zigyaku from Gudon talks with Takeshi from Boris for the ‘One on One’ column; a look at Peter Williams (rip)’s installation at Mocad; and strange and delightful vernacular dome-shaped roadside architecture, just because.

Also Featuring:

Michael Klausman on the great new age synth Christian hippie slowpop duo Planetary Peace; Sarah Cozort on the works and lasting influence of artworld heroes THE Guerilla Girls; RJ Smith investigates Endless Boogie on the eve of the release of what’s probably the year’s best record; Andy Beta on percussionist Valentina Magaletti; infamous Japanese hardcore punk guitarist Zigyaku interviewed by Takeshi of Boris; guitarist Sarah Louise gets down and spiritual with saxophonist Archie Shepp; Adam Woodhead chats with the storied (sorry) bookseller and publisher Aaron Cometbus; Australian writer Peter Doyle really lets loose on classic Country Drinkin’ Songs; Kelley Stoltz and David Buick in conversation with Echo and the Bunnymen’s Will Sergeant and Primal Scream’s Bobby Gillespie on the eve of Third Man Books’ publication of their debut memoirs; “New Narrative” alum Camille ROY interviewed by Sara Jaffe; and a solid selection of Christine SHIELDS’s genius fantasy face paintings. Whew.

Magazine + Download Code. Another year has passed, and so it’s time for the latest installment in TAU’s huge compilation series, Spektrum. The Adana Twins have been collecting and curating hot new productions from a variety of sources, new and more established, compiling a V/A that distills that ineffable TAU sound into 16 diverse cuts. A few familiar names are representing alongside some fresh faces, introducing new talent as we do with each Spektrum release. With this special release you’ll receive the Spektrum zine, a printed publication with features on all of the artists who’ve contributed to this release (+dl Code). As a record label it’s our intention to innovate and entertain our supporters with creative treats and alternate ways of reppin’ our artists and music. We hope you enjoy it, and we’re sure this Spektrum release will keep you rocking, whether you’re at home or on the dance floor

GRRRLS BY LODOWNMAGAZINE
it’s not just a buzz. It’s for real this time. Slowly but steadily, it’s gonna happen. That thing called change. And it will be a predominantly female-centric one.
You shouldn’t expect any kind of elaborate superstructure in this very issue though. There is no men vs women and its implicit over-simplified presentation format of evil vs good - because reality proved itself to be a lot more complex than that. Instead, Lodown’s latest issue GRRRLS presents itself as a celebration of all the uncountable female talent out there that’s dedicating their craft to turn this planet into something more beautiful, smart, reflecting and overall rad again. That’s it, really. It’s a celebration of those individuals with an intact moral and intellectual compass. The days where girls have to be something other than themselves altogether are finally numbered.


Highlights of our GRRRLS issue include…

- SARAH MAPLE... Celebrated British artist Sarah Maples certainly is no stranger to challenging your beliefs about society, gender roles, religion, Internet culture, the art circuit, and whatnot - she smoked in a hijab, got beaten live on tape, transferred Disney-princesses into the academic world, and is pro-orgasm while wearing a burqa. What usually would be considered as being downright smart and deliciously provocative immediately got incredibly scandalized because Maple’s not only pro-feminist but of mixed Islamic background.

- MENTRIX... All it needs to snap out of the current state of ignorance is reminding ourselves that it’s actually quite simple to become bigger than we’ve been recently - greater in spirit and more courageous. And Berlin-based Samar Rad aka Mentrix could be just the right musical catalyst for bringing this endeavor into fruition. At this point, the multidisciplinary artist is far from being exhausted from fighting the good fight, even though she basically spent the last four years working on the accurate transition to introduce her artistic vision to the world - and the result is nothing less than breathtaking.

- SHAUNA TOOHEY... When the cultural landscape becomes a drag, it is high time to create a new narrative. Multidisciplinary artist, designer, The Changes member and mother, Shauna Toohey advocates living joyously through community engagement, inclusive creativity, collective wah-wah and a decent dose of subversive rupture. The status quo has no choice but to mutate. Toohey is all for making culture collective and (psy) active in the here and now, not stuck in yesterday’s rut, but brandishing future vision and grounded in today’s fun.

- COMPUTER GRRLS... The first computers were programmed by women, 75 years ago, and women wrote the software behind Neil Armstrong’s ‘giant leap for mankind’. Since then, IT has become ever more important and gradually turned into a field for nerds where women seem out of place altogether. But the tide is turning: a new wave of Computer Grrrls presents itself through a fantastic exhibition at Rotterdam’s MU, which highlighted the historical role women played in the development of computer science.

- plus more elaborate features and visual awesomeness from the likes of: Abigail Varney, Mia Haggi, Brijean, Agnes Denes, Karen Hackenberg, Midsoomar, Issy Wood, The Paranoyds, The Evolution of IT Girls and many others.