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This book is a journey – a ride through the depths of Germany’s modern musical roots:

At the beginning of the 1970s, experimental and progressive music in Germany developed far from the mainstream. Although few initially noticed it, it is now internationally celebrated as a cult phenomenon called „Krautrock“. Today, bands like Kraftwerk, Can, Amon Düül II, NEU!, Cluster, and Tangerine Dream are considered pioneers of groundbreaking sound experiments.

In order to understand the Krautrock era and its impact, it’s worth delving deeper into the history of German rock music and taking a closer look at the overall picture.Times & Sounds offers a comprehensive insight into the mechanisms of post-war Germany’s music industry and sheds light upon its diverse musical styles, as well as their mutual influences and connections, which have received little attention until now: From the onset of German Jazz and Swing orchestras to the first Rock ‚n‘ Roll bands around Hamburg‘s Star Club and electronic synthesizer pioneers. From the intact world of Schlager to agitprop and left-wing protest songs. From the avant-garde compositions of Stockhausen and his presumed disciples of Krautrock to the Neue Deutsche Welle.

This book is a journalistic diary tracing Germany’s dynamic culture from the late 40s to the early 90s. Those who take this journey experience the ups and downs of five decades, thus developing an understanding deeper than any other of the Krautrock phenomenon.

– Foreword by Hans-Joachim Roedelius (Kluster/Cluster/Harmonia)
– Hardcover with coloured headband and ribbon
– 536 pages including coloured endpaper with infographics

The question of control for Black women is a costly one. From 1986 onwards, the trajectory of Janet Jackson's career can be summed up in her desire for control. Control for Janet was never simply just about her desire for economic and creative control over her career but was, rather, an existential question about the desire to control and be in control over her bodily integrity as a Black woman.

This book examines Janet's continuation of her quest for control as heard in her sixth album, The Velvet Rope. Engaging with the album, the promotion, the tour, and its accompanying music videos, this study unpacks how Janet uses Black cultural production as an emancipatory act of self-creation that allows her to reconcile with and, potentially, heal from trauma, pain, and feelings of alienation. The Velvet Rope's arc moves audiences to imagine the possibility of what emancipation from oppression--from sexual, to internal, to societal--could look like for the singer and for others. The sexually charged content and themes of abuse, including self-harm and domestic violence, were dismissed as “selling points” for Janet at the time of its release. The album stands out as a revelatory expression of emotional vulnerability by the singer, one that many other artists have followed in the 20-plus years since its release.

As seen in Vanity Fair, Car and Driver, Architectural Digest, British GQ, and The Times

A ground-breaking survey of more than 650 of the most exceptional cars ever designed, organized geographically

The Atlas of Car Design is a global survey of the world’s greatest car designs, featuring more than 650 of the most revered (and occasionally reviled) models, from more than 190 manufacturers and more than 30 countries.

Organized geographically then chronologically by decade, the book covers more than a century of exceptional and noteworthy car design – from Japanese cult classics, French Art-Deco masterpieces, German iconic models, Italian icons, and British performance machines, to American styling sensations, and pop culture and family favorites.

This fresh take on an eternally popular subject, charts car design’s evolution across centuries and continents. Packed with images, combining period photography, studio shots, and original car advertising, the book’s oversized format generously displays the cars in all their remarkable detail.

With captivating texts that tell stories of engineering feats, economic twists and turns, high-society lifestyles, and the desires of the masses, this book is a must-have for car and design fans of every kind.

About the author
Jason Barlow is a motoring, design, and culture journalist, a broadcaster, and a long-standing columnist for British GQ. He’s also editor-at-large for BBC Top Gear magazine. Barlow has written for The Times, Guardian, and Independent newspapers, and was nominated for a British Press Award for his weekly car column in the Daily Telegraph. He has also presented numerous television programmes during his 30-year career.

Guy Bird is a London-based writer and editor specializing in cars and car design, as well as aviation, architecture, street art, sneakers, and music.

Brett Berk is a freelance writer and automotive journalist, whose work has appeared in Architectural Digest, Car and Driver, New York Times, Road & Track, Vanity Fair, and Vogue, among many others.

Specifications:
Format: Hardback Size: 340 × 240 mm (13 3/8 × 9 1/2 in)
Pages: 568 pp
Illustrations: 750 illustrations

Two and a half decades on, Jawbreaker's 24 Hour Revenge Therapy (1993-94) is the rare album to have lost none of its original loyalty, affection, and reverence. If anything, today, the cult of Jawbreaker-in their own words, "the little band that could but would probably rather not"-is now many times greater than it was when they broke up in 1996. Like the best work of Fugazi, The Clash, and Operation Ivy, the album is now is a rite of passage and a beloved classic among partisans of intelligent, committed, literary punk music and poetry.

Why, when a thousand other artists came and went in that confounding decade of the 90s, did Jawbreaker somehow come to seem like more than just another band? Why do they persist, today, in meaning so much to so many people? And how did it happen that, two years after releasing their masterpiece, the band that was somehow more than just a band to its fans-closer to equipment for living-was no longer?

Ronen Givony's 24 Hour Revenge Therapy is an extended tribute in the spirit of Nicholson Baker's U & I: a passionate, highly personal, and occasionally obsessive study of one of the great confessional rock albums of the 90s. At the same time, it offers a quizzical look back to the toxic authenticity battles of the decade, ponders what happened to the question of "selling out," and asks whether we today are enriched or impoverished by that debate becoming obsolete.

Strange Things Behind Belgian Windows is exactly whatits title describes: a series of photos of the strange andintriguing objects people display behind their windows, for passers-by to look at. These tableaus will make you smile, or maybe even stop and reflect. A stuffed fox, a portrait of Christ, a dusty Egyptian bust, a globe with gaudy colours...They are exhibited like treasures behind a glass screen, inviting you to wonder about the stories behind them, or about the daily lives going on behind the facade. Photographer Jean-Luc Feixa roamed the streets and avenues of Brussels for months, with his camera in hand, curious about the hidden spots and the unique colors of his new hometown.

Ac/dc 1973–1980 The Bon Scott Years. Key Points A unique record of the formative years of one of the world’s biggest rock bands. Written by an Australian author with an insider’s perspective on Ac/dc. A beautifully produced collectible edition, illustrated throughout with rare images. To fans and critics alike, the years 1973 to 1980 – the Bon Scott era – are the most significant of Ac/dc’s five-decade career.

In a prolific and frequently brilliant run, they recorded six studio albums, established a diehard fan base that stretched from Australia to the UK, Europe to North America, toured relentlessly, and created no small amount of controversy and chaos.

Illustrated throughout with rare photographs from the era, this book documents all the key events of this frenetic time, beginning with the band’s very first shows in the bloodhouses of suburban Sydney – even before the name Ac/dc had been dreamed up by Margaret Young, Malcolm and Angus’s big sister – and culminating with 1979’s Highway to Hell, the album that paved the way for the mammoth success of Back in Black and all that was to follow, and the untimely death of Bon Scott, both an end and a new beginning for the band. Ac/dc’s Aufstieg zu einer der erfolgreichsten Rockbands.

A streetwear collab and sneaker legend, Jeff Staple is known the world over for his work with brands, including Nike, The Fader, and Hypebeast. This monograph documents the past twenty-five years of Staple’s most iconic work.

In 1997, Jeff Staple walked into a boutique in New York City wearing a shirt he printed in his silk-screen class at Parsons School of Design. What started as a small, handmade T-shirt line grew organically and began to garner a serious following in New York. In the process of building this burgeoning brand, Staple was asked by Nike in 2005 to create a special commemorative sneaker that would represent New York. The Staple Pigeon Dunk SB was conceived and led to much fanfare upon its release. It exposed Staple—as well as sneaker culture—to a mass audience. In Staple’s words, to understand is to see and to see is to have clarity of mind. That clarity has helped develop his iconic Pigeon logo (and brand) into a global force that has graced the heels of almost every major footwear brand imaginable.

This book offers readers a history lesson in his enormous contributions to streetwear and the sneaker industry while also uncovering design context to a series of Staple’s most crucial projects. A beautiful visual reference, this book invites the reader to travel down an intricate maze of streetwear history told through an insider’s point of view. Archival sketches, drawings, magazine covers, and contributions by Hiroshi Fujiwara and Futura make this an indispensable volume for lovers of streetwear and design.

A streetwear collab and sneaker legend, Jeff Staple is known the world over for his work with brands, including Nike, The Fader, and Hypebeast. This monograph documents the past twenty-five years of Staple’s most iconic work.

In 1997, Jeff Staple walked into a boutique in New York City wearing a shirt he printed in his silk-screen class at Parsons School of Design. What started as a small, handmade T-shirt line grew organically and began to garner a serious following in New York. In the process of building this burgeoning brand, Staple was asked by Nike in 2005 to create a special commemorative sneaker that would represent New York. The Staple Pigeon Dunk SB was conceived and led to much fanfare upon its release. It exposed Staple—as well as sneaker culture—to a mass audience. In Staple’s words, to understand is to see and to see is to have clarity of mind. That clarity has helped develop his iconic Pigeon logo (and brand) into a global force that has graced the heels of almost every major footwear brand imaginable.

This book offers readers a history lesson in his enormous contributions to streetwear and the sneaker industry while also uncovering design context to a series of Staple’s most crucial projects. A beautiful visual reference, this book invites the reader to travel down an intricate maze of streetwear history told through an insider’s point of view. Archival sketches, drawings, magazine covers, and contributions by Hiroshi Fujiwara and Futura make this an indispensable volume for lovers of streetwear and design.

Spaces of Worship

A Journey Through Spiritual Landscapes

Taking us on a journey through the history of sacred art and architecture, Sacred Sites explores the myriads of ways in which we imbue our environments with profound and enduring meaning. From our early designation of nature and the body as temple to our futuristic embrace of imaginary realms, we travel the vast and mystical landscapes of myth, religion, and imagination.

Through gathering, we ignite our spaces with spirit, we circle the bonfire, bow down at the forest altar, give praise at the temple to our chosen divinities. Through pilgrimage, we carve indelible pathways, making our meditative way across continents, generations of footsteps treading, again and again, upon sacred grounds. And through our creative offerings to spirit - we envision new worlds, wildly imaginative odes to what we deem as holy; golden temples hewn of rock, enormous spirals sculpted from sand and soil, silent sanctuaries hidden among wooded groves. We paint the ancient cave walls, carve petroglyphs to mark the way, place roses in veneration at the candlelit shrine.

Slowly, stone-by-stone, we build monuments to our gods, a cosmic geometry held within our sacred architecture of worship. These hidden patterns can be found in the mysterious, towering pyramids found across the globe and throughout an astounding diversity of cultures, in the marble sanctuaries built to house the Greek and Roman goddesses, and in the windblown mountain monasteries of ancient Asia and the indigenous cliff-dwellings of the American Southwest.

Nature, art, beauty, these are the common elements found both within the places made sacred by our ancestors and in the multitude of environments where we strive to connect to source, and to ourselves. Tracing a hallowed route from rugged stone temples to transcendent works of modern architecture, the fifth volume in The Library of Esoterica celebrates the collective history of spaces made sacrosanct through human worship.

A visual pilgrimage through holy mountains, great pyramids, and golden shrines, Sacred Sites celebrates the ways we transform the world around us through ritual, creativity, and worship. Essays, interviews and more than 400 images explore spaces ranging from ancient temples to modern works of spatial art.

“From Machu Picchu to the Louvre—the book journeys through sacred sites in art and ancient history.”
Artnet News

“Sacred Sites celebrates how we traverse and transform the world around us through ritual and art. Compiled by Jessica Hundley, [the book] surveys a remarkable array of places and artworks through more than 400 images centered around pilgrimage, performance, and devotion.”
This is Colossal

“A decadent feast for the eyes, laced with belladonna.”
The New York Times

The editor and author
Jessica Hundley is an author, filmmaker and journalist. She has written for the likes of Vogue, Rolling Stone, and The New York Times, and has authored books on artists including Dennis Hopper, David Lynch, and Gram Parsons. Hundley often explores the counterculture in her work, with a focus on metaphysics, psychedelia, and magic.

Sacred Sites. The Library of Esoterica
Hardcover, quarterbound, 17 x 24 cm, 1.77 kg, 520 pages
ISBN 978-3-8365-9060-0
Edition: English

The official photobook commemorating the 50th anniversary of The Dark Side Of The Moon.

March 2023 marks fifty years since the release of Pink Floyd's classic album The Dark Side Of The Moon. Designed by Pentagram to high specifications, this celebratory publication brims with rare and unseen photographs and reveals the visual conception of the original iconic album artwork. It will be a covetable package for the legions of Floyd fans out there – new and old.

• Presents rare and unseen backstage and onstage photography of the band during the album tours of 1972 to 1975. • 129 candid photographs by Storm Thorgerson, Jill Furmanovsky, Aubrey Powell and Peter Christopherson document the soundchecks, the shows and the after shows. • A review of the October 1972 Wembley gig, originally published in Melody Maker, provides insight into one of the Floyd’s most celebrated performances. • Reveals the visual conception of the iconic album artwork. • Includes a complete listing of the tour dates.

'Lavish... Amazing photos...in crystal-clear, black-and-white...show the band rehearsing, performing around the globe, playing squash, and enjoying life on the road... Pink Floyd fans will enjoy this handsome collection' Library Journal

'Combines striking layouts with rare and unseen images' Creative Boom

'Beautifully presented … the images are deeply revealing' Buzz

'In typical Floyd style, they let the images do the talking … a stately addition to the Pink Floyd bookshelf, that allows its audience free rein to interpret its content, just like the album itself did 50 years ago' Prog Magazine

'A beguiling glimpse of the group and supporting cast on tour' Record Collector

'Every image has obviously been carefully selected and each one is immaculately presented on the highest quality art paper to make this coffee table book a real thing of beauty' The Afterword

'This really is a treasure trove of Pink Floyd images, most of which won’t be found elsewhere. It proves a very diverting trip down memory lane, to simpler times, and a real insight into a world that very few people would have had access to. Couple that with the exemplary presentation, and you have a wonderful publication fitting for the occasion' Brain Damage

About the Author: Jill Furmanovsky has photographed some of the greatest musicians in the world, including the Rolling Stones, Bob Dylan and Oasis. She made her name as the official photographer of the band during the recording of The Dark Side Of The Moon and during the UK album tour. Aubrey ‘Po’ Powell co-founded the design agency Hipgnosis with Storm Thorgerson in 1968, creating over the next 15 years some of the most iconic record covers for artists such as Pink Floyd, Led Zeppelin, Paul McCartney and Genesis. Powell is currently art director for Pink Floyd, responsible for designing and curating the record-breaking exhibition ‘Pink Floyd: Their Mortal Remains’, which premiered for five months in 2017 at the V&A in London.

Format:Hardback Size:30.5 x 30.5 cm Extent:160 pp Illustrations:143 Publication date:24 March 2023 ISBN:9780500025987

Jim Ottewill’s exploration of UK club culture and the urban landscapes that have housed it returns in a newly remixed form. This extended version features a new chapter exploring hidden histories and untold stories within Birmingham’s nocturnal scene to provide more insights into the past, present and future of electronic music culture.

“We don’t want more unaffordable flats. We want somewhere to dance…”

Since the dawn of time, humans have had the urge to come together and move to music. It may have started in caves but these days it happens in clubs often found in the shady corners of our towns and cities.

Or at least it did until these places succumbed to the beat of property developers rather than DJs. In London in the five years to 2016, half of the clubs were lost while a further quarter have disappeared in the devastation of Covid. So what now?

At this critical moment, Out of Space plots a course through the different towns and cities club culture has found a home. From Glasgow to Margate via Manchester, Sheffield and unlikely dance music meccas such as Coalville and Todmorden, this book maps where electronic music has thrived, and where it might be headed to next while exploring other shades of club culture too, such as pirate radio, dance music festivals, and sound system culture.

As our lives become increasingly digitised and real estate more valuable, we’ll look at the new clubbing models emerging in the 21st century. Rather than an epitaph, this is a rallying cry and celebration of the club’s resilience based on a lifetime of getting wide-eyed inside them.

Quotes:

“As gentrification, lack of funding, stifling politics and the pandemic continue to pummel nightlife, it feels all the more poignant to chart the past and present of raving, while questioning what’s next. With lively and forensic research, clarity of thought and a passion for keeping clubbing’s resilient spirit alive, Out of Space is less of a commemoration and more of a rallying cry.” – The Face

“Ottewill’s book is tireless in its seeking out of new buzzes in grassroots clubland, LGBT collectives and local scenes, all of them ensuring euphoric highs for future generations of ravers.” – The Wire

“Jim Ottewill lands in Glasgow, South Yorkshire and beyond to write this comprehensive rave chronicle ‘Out of Space’. In an era where nightlife spaces are increasingly endangered, Ottewill posits his record of the past as a pugilistic rallying cry.” – Resident Advisor

“Most importantly, the book goes beyond the four walls of each club to the urban sprawl that surrounds it as we’re taken on a local history tour. The author reminds us that clubs and parties, despite operating on the fringes of society, are an integral part of our culture, and many of us have gone through our own rights of passage, often travelling miles to experience our favourite clubs. Clubs and their supporting infrastructure not only have a heritage worth saving but also one worthy of capturing for posterity in a book – something which Ottewill has done justice to.” – Now Then

“Jim Ottewill’s look into urban rave culture defies expectations.” – The National

The book comes with inlaycard signed by Jimi Tenor.

“20 years ago, I dreamed a dream of creating a family of like-minded, crazy individuals from all corners of the planet. That dream was Crosstown Rebels. Over these years, I have forged beautiful friendships, discovered very talented artists and tried my best to help, advise and support some of the most colourful characters in dance music. It’s been 20 years of madness, magic and music. Now it’s been distilled into our own book to mark this milestone. I’m honestly surprised at how much I remembered!” - Damian Lazarus

For 20 years Crosstown Rebels has forged a path as one of the world’s leading electronic music labels.

Established in 2003, Damian Lazarus’ label manifesto has not changed. Discovering and nurturing new talent has always been the beating heart of the label, with a mission to soundtrack the future of the dancefloor and beyond. Introducing the world to the likes of Jamie Jones, Seth Troxler, Maceo Plex and Art Department was just the beginning. Today the roster is gloriously international, showcasing the truly global scene that Crosstown has shaped over the years.

Of course, there’s the parties too. The early Slash & Burn and Rebel Rave parties paved the way for Damian to create two of the world’s most cherished experiences, Get Lost and Day Zero, and in turn setting a benchmark for electronic music events worldwide.

Now the Crosstown Rebels story is told in a new 240 page book. 20 years of madness, magic and music. Starting right back before the beginning and taking us through to the present day, acclaimed electronic music writer Joe Muggs dives into the label’s history, interviewing Damian at length and revealing Crosstown’s story as never told before. The book brings together countless unseen photographs and artwork taken from the last two decades. It tells the story of how the dance underground battled and triumphed. This is a unique publication, not only for fans of Crosstown Rebels and Damian Lazarus, but also for anyone with an interest in independent label culture and the evolution of dance music over the last 20 years.

To Live is to Die — The Life And Death Of Metallica’s Cliff Burton This is the revised and updated new edition. Metallica, the seventh-biggest recording act in American history, are consummate musicians—but it wasn’t always that way. A significant proportion of their playing expertise was acquired from a pivotal three-year period in their history—1983 to 1986—during which their music, a potent variant of thrash metal, evolved from garage level to sophisticated, progressive heights thanks to the teachings of their bass player, Cliff Burton.

Step into a world of magic and wonder with the Fantasy Forest Coloring Book: John Bauer's World of Fairies and Trolls.

Fantasy Forest Coloring Book pays homage to the captivating artistry of the renowned Swedish artist, John Bauer, inviting you to embark on a creative adventure like no other. Immerse yourself in the mystical landscapes and whimsical creatures that have become John Bauer's signature style. With every turn of the page, you'll encounter enchanting forests, towering trolls, and mystical fairies, all ready for your creative touch. The

Fantasy Forest Coloring Book offers you the perfect canvas to let your imagination run wild. Whether you're an experienced colorist or just starting your coloring journey, these intricate illustrations provide hours of relaxation and creative expression. Each page is a new opportunity to experiment with colors, blending techniques, and bring your visions to life.

Fantasy Forest Coloring Book is a tribute to the legendary John Bauer, whose work is celebrated for its ability to transport us to otherworldly realms. Bauer’s illustrations have not only shaped the way we visualize fantasy but have also played a pivotal role in the enduring popularity and cultural significance of the fantasy genre in literature, art, and entertainment. The Fantasy Forest Coloring Book can be enjoyed by everyone in the family. Bond with your kids as you introduce them to the magic of John Bauer's world, or lose yourself in its charm as you rediscover your own inner child.

We are in the middle of one of the greatest periods in music packaging. Collectible packaging is back at the cultural vanguard: physical records are coveted by millennials, and hip clothing outlets devote massive amounts of space to record players and racks of LPs.

Album Art profiles thirty-three designers at the forefront of this movement, among them Braulio Amado, Chris Bigg, Brian Roettinger and Jonathan Barnbrook. They reveal and analyse the creative process behind each design, offering exclusive insights into how they are able to elevate the simple record cover into something more, something special, something unique, something memorable. Exclusive interviews with some of the biggest names in the field, including Stefan Sagmeister and Paula Scher, accompany the profiles. The designers aren’t the only stars of the show – the book reproduces and discusses sleeve designs for such artists as David Bowie, Tame Impala, Kesha, Kim Deal, David Sylvian, The Flaming Lips, Queens of the Stone Age, and more.

Packed with innovative artworks by one-of-a-kind designers, this is the definitive guide to album cover design in the 21st century.

The definitive inside story – told in revelatory detail – of the making of the legendary album and all that surrounded it: the locations, the artworks, the film, the documentary and the people who were there.

In 1971, John Lennon & Yoko Ono conceived and recorded the critically acclaimed album Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, in the state-of-the-art studio they built in the grounds, and at the Record Plant in New York. The lyrics of the title track were inspired by Yoko Ono’s ‘event scores’ in her 1964 book Grapefruit, and she was officially co-credited as writer in June 2017.

Imagine John Yoko tells the story of John & Yoko’s life, work and relationship during this intensely creative period, featuring 80% exclusive, hitherto-unpublished archive photos and footage sequences of all the key players in situ, together with lyric sheets, Yoko’s art installations, and exclusive new insights and personal testimonies from Yoko and over 40 of the musicians, engineers, staff, celebrities, artists and photographers who were there – including Julian Lennon, Klaus Voormann, Alan White, Jim Keltner, David Bailey, Dick Cavett and Sir Michael Parkinson. It transports readers to home and working environments showcasing Yoko’s closely guarded archive of photos and artefacts, using artfully compiled narrative film stills, and featuring digitally rendered maps, floorplans and panoramas that recreate the interiors in evocative detail. John & Yoko introduce each chapter and song; Yoko also provides invaluable additional commentary and a preface.

All the minutiae is examined: the locations, the key players, the music and lyrics, the production techniques and the artworks – including the creative process behind the double exposure polaroids used on the album cover.

With a message as universal and pertinent today as it was when the album was created, this landmark publication is a fitting tribute to John & Yoko and their place in cultural history.

'Tells their love story like never before' Rolling Stone

'A luxurious scrapbook … Beatles geeks will salivate over it' Observer

'Deeply desirable … especially for [those] who covet the rare and beautiful … to see how this avant-garde duo lived and created art is powerfully inspiring' Harper's Bazaar Australia

'A Lennon fan could hardly ask for more' Washington Post

'Fans will be particularly enchanted' USA Today

'This book is near perfect' Spill

'Here, in a new book of interviews past and present, we see how their love affair, the making of the album and their pacifism intertwined' Financial Times

About the Author: John Lennon (1940–1980) was an English singer, songwriter and peace activist who co-founded the Beatles, the most commercially successful band in the history of popular music.

Yoko Ono is a globally renowned multimedia artist, singer, songwriter and activist. She married John Lennon in 1969 and became his creative partner and muse. She continues to work to preserve his legacy, funding, among other projects, Strawberry Fields in Manhattan’s Central Park, the Imagine Peace Tower in Iceland and the ‘Imagine There’s No Hunger’ campaign.

Format:PLC (no jacket) Size:30.8 x 24.0 cm Extent:320 pp Illustrations:1362 Publication date:9 October 2018 ISBN:9780500021842

The definitive exploration of John Lennon’s first major solo album after the break-up of the Beatles.

Described by Lennon as ‘the best thing I’ve ever done’, and widely regarded by critics as his best solo album, John Lennon/Plastic Ono Band was released alongside the remarkable Yoko Ono/Plastic Ono Band on 11 December 1970. With first-hand commentary by John & Yoko, members of the Plastic Ono Band and other key figures in their lives, and packed with evocative and revealing letters, artworks and photographs, this incisive volume offers new insights into the raw emotions and open mindset of Lennon after marriage to Ono and the break-up of the Beatles.

Following their wedding in March 1969, Lennon and Ono decided that their future musical endeavours should be credited to a conceptual vehicle, the Plastic Ono Band. The band featured an ever-changing line-up of musicians, including Eric Clapton, Klaus Voormann, Ringo Starr, Alan White, George Harrison, Billy Preston and Jim Keltner, all of whom played live with Lennon and Ono, and contributed to their recordings. The fearless honesty that John & Yoko inspired in one another in their search for truth, meaning and peace had a huge impact on Lennon’s song writing, resulting in the creation of tracks that are intensely personal and unlike anything previously heard in popular music, including ‘Mother’, ‘Working Class Hero’ and ‘God’. This book takes those lyrics as a starting point and explores Lennon’s life, relationships and world view during this transformative period.

'A comprehensive, fascinating, well-produced, and finely printed publication that captures a moment of contemporary culture with breadth and depth. It brings then into now – and shows how similar and different life is today' Will Gompertz

'A handsome tome… never less than fascinating… The album was a high point in an astonishing career and the book does it justice' The Sun

'A hardback compendium of first-hand accounts about the band drawn from interviews over the years… It contains photos, lyrics, drawings and letters, and will be as interesting to Lennon completists as The Beatles Anthology was to general fans 20 years ago' Daily Telegraph

'A fine tribute to this intensely creative time in the couple’s joined-at-the-hip lives… A sumptuous and lovingly created example of the bookmakers’ art, an encyclopaedic extravaganza of reminiscences and memorabilia' The Budapest Times

About the Author: John Lennon (1940–1980) was an English singer, songwriter and peace activist who co-founded the Beatles, the most commercially successful band in the history of popular music. Yoko Ono is a globally renowned multimedia artist, singer, songwriter and activist. She married John Lennon in 1969 and became his creative partner and muse. She continues to work to preserve his legacy, funding, among other projects, Strawberry Fields in Manhattan’s Central Park, the Imagine Peace Tower in Iceland and the ‘Imagine There’s No Hunger’ campaign.

Format:PLC Size:30.8 x 24.0 cm Extent:288 pp Publication date:29 October 2020 ISBN:9780500023433

He is known as the Mark Twain of American songwriting, a man who transformed the everyday happenings of regular people into plainly profound statements on war, industrialization, religion, and the human condition. Marking the 50th anniversary of the album's release, John Prine chronicles the legendary singer-songwriter's Middle American provenance, and his remarkable ascent from singing mailman to celebrated son of Chicago.“Illegal Smile,” “Hello in There,” “Sam Stone,” “Paradise,” “Your Flag Decal Won't Get You Into Heaven Anymore,” “Far from Me,” “Donald and Lydia,” and “Angel from Montgomery” are considered standards in the American Songbook, covered by legions of Prine's peers and admirers. Through original interviews, exhaustive research, and incisive commentary, author Erin Osmon paints an in-depth portrait of the people, places, and experiences that inspired Prine's landmark debut.

After exploring his roots in rural Western Kentucky and suburban Maywood, Illinois, the book takes readers on an evocative journey through John Prine's Chicago. Its neighborhoods, characters, and clubs of the 1960s and 70s proved a formative and magical period in Prine's life, before he was a figurehead of the new Nashville scene. It's both a journalistic inquiry and a love letter: to Prine's self-titled debut and the Midwestern city that made him.

Love music? Love illustration? Want to know more about some of the best musicians ever to record&;from Bowie and the Beastie Boys to The Smiths and St. Vincent? Then A Guide to Music's Cult Artists is for you.

Featuring 100 of the coolest artists from the last five decades, A Guide to Music's Cult Artists reveals the influencers and tastemakers who have helped to shape the contemporary music scene. Award-winning illustrator and comic artist John Riordan profiles cult musicians from genres including punk, indie, alternative, hip-hop, and electronic music. Not only does John create amazing illustrations, he also outlines key works from the artists and provides engaging trivia to accompany each entry. Enlightening, often amusing, and always stunning to look at, A Guide to Music's Cult Artists is a unique blend of the esthetic and the acoustic and is an essential addition to any music fan&;s collection.

• Showcasing new photography of more than 100 one-of-a-kind guitars whether now owned or once owned by Johnny Marr, each paired with detailed captions and fascinating personal reflections by Marr. • Featuring influential guitars that have shaped the sound of Marr and other iconic musicians, including Pete Townshend, Nile Rodgers, Chrissie Hynde and Noel Gallagher. • Tells the story of rock and pop of the last 40 years through the unique prism of Marr’s personal experiences and guitar playing. • Johnny Marr has pledged commitment to publicizing the book.

A stunning photographic presentation of the guitars that defined the distinctive sounds and style of Johnny Marr with personal reflections and insights from the legendary guitarist himself. ’Guitars have been the obsession of my life ... they’ve been a mission and sometimes a lifeline’ – Johnny Marr The guitarist’s guitarist, Johnny Marr redefined music for a generation. His ringing arpeggios and chordal innovations helped elevate The Smiths to be one of the most influential and important British bands of all time. Tracing Marr’s career from his teenage years to his recent work on the Bond soundtrack, Marr’s Guitars showcases the most significant of Marr’s superb collection of electric and acoustic guitars, revealing through them the evolution of his iconic sound and style of playing. Each guitar is identified with a crucial moment, a specific song or a particular sound, and each embodies a key aspect of Marr’s lifelong passion. Renowned photographer Pat Graham presents each instrument as a full portrait, supported by micro shots highlighting the specific details that make each one unique, while Johnny Marr himself reveals in his accompanying commentary on what tracks and at which shows the guitars were played. Many of the guitars are closely associated with Marr, such as the Rickenbacker 330, the Gibson Es-355 and the Johnny Marr Signature Fender Jaguar. Some were passed down to him, including Nile Rodgers’ Stratocaster, Bryan Ferry’s Roxy Music Hagstrom and Bert Jansch’s Yamaha. Others are guitars once owned by Marr that have since been passed on to the next generation of guitar heroes, including the Stratocaster used by Noel Gallagher on ‘Wonderwall’ and the Gibson Les Paul Goldtop used on In Rainbows by Radiohead’s Ed O’Brien. Punctuating the photography of the guitars and the accompanying commentary are contextual studio, backstage and onstage shots. Together, they make Marr’s Guitars a unique cultural history of modern music and guitar playing told through the prism of Johnny Marr’s experiences and achievements.

Johnny Marr was co-creator and lead guitarist of The Smiths. He went on to join The The and The Pretenders and collaborated with Talking Heads and the Pet Shop Boys before forming Electronic with Bernard Sumner. In the 2000s he joined Modest Mouse and The Cribs before launching a successful solo career. He has added his distinctive sound to film soundtracks, collaborating with Hans Zimmer on Inception, The Amazing Spider-Man 2 and the latest James Bond film, No Time to Die, which won the Oscar for Best Song. In 2014 Marr developed and launched a guitar with Fender: the Johnny Marr Signature Fender Jaguar has gone on to be one of Fender’s most popular models.

Very limited edition document to accompany the Various Artists - Noho EP: Turning THE Crank EP. 68 page, A5 size 'Zine' Printed with Risograph in grey scale.

Northampton, Massachusetts. The Five Colleges. Hampshire College. Forward-thinking education. Electronic Music studies. A vast student population created and sustained a vibrant cultural scene. This is but a snapshot of a fraction, but a fertile and significant one that impacted the lives of many who came in contact with it. The book follows a tight group of people who got together, made music, promoted and released it, created the conditions for others to record and release music, booked bands and then scattered throughout the Midwest and East Coast.

First person memories and memorabilia from Christopher Vine, Craig O'Donnell, Elliott Sharp, James Whittemore, Nicholas Brown, Sean Elias and others, patch up a story of joyous action, firm and enthusiastic DIY endeavours to make things happen as they would like them to happen. It is about a local scene and some key protagonists and it communicates values and methods that are still current — and probably will always be in some form or another among young people with a serious drive to act upon their artistic inclinations. This is also a depiction of what was in fact a model of a music scene. A complete ecosystem was in place during this period. Northampton, sure, but extended across the whole of Pioneer Valley in Western Massachusetts. Bars, music and record stores, live music, College radio, electronic music studios, written press and a lot of energy going into creative work. The immediate "punk effect" motivated the appearance of numerous bands, many short lived, others evolving into New Wave / Power Pop territory, eventually crossing into Post-Punk experimentation.

Turning The Crank is also a companion to an EP of the same title, including music played, produced and recorded in Northampton between decades (1970s going into the 1980s) by different combinations of individuals resulting in The Higher Primates, The Scientific Americans and Human Error. Music in turns mechanical and austere, gorgeously loose, in love with Dub.

A practical and inspirational guide to planning every kind of off-road cycling experience, based on the author’s first-hand experience of cycling from the UK to Hong Kong.

Joshua Cunningham spent eleven months cycling from the UK to Hong Kong, a journey that took him through twenty-six countries and across 21,000 kilometres of the Eurasian landmass. He captured thousands of breathtaking photographs and acquired the wealth of invaluable experience he shares here, from how to arrange travel and select the best bike to what to pack for each climate and terrain, and how to choose and navigate the route. Equal parts travelogue and practical guide, this exhilarating account divides the stages of his tour into five chapters, each focusing on a specific geographical environment: forest, desert, mountain, tropical and urban.

Packaged in a travel-friendly format, Escape by Bike will be an essential source of inspiration to cyclists, outdoor enthusiasts and anyone who is interested in planning their own cycling adventure, large or small.

'You’ll struggle not to be captivated by Joshua’s recollection of his eleven months on the road … his down-to-earth style is refreshing and easy to read … you’ll return to look over the photos again and again' Advntr

About the Author: Joshua Cunningham is a writer, photographer and consultant who specializes in cycling, fitness, travel and adventure. He has worked in the editorial teams for Cyclist magazine and Bikes Etc, and his photography appears online and in print for both sport and travel magazines.

Format:Flexibound PLC (no jacket) Size:24.0 x 18.0 cm Extent:264 pp Publication date:22 March 2018 ISBN:9780500293508

"Showcasing the mastermind behind some of the most iconic rave flyers and record covers of the late eighties and early nineties, Junior Tomlin: Flyer & Cover Art is a comprehensive insight into Junior Tomlin’s incredible back catalogue.

Rave culture transformed the way people experienced music, sparking a revolution in British society and spreading across the globe during the late eighties. Its influence is still being felt today, as millions of people around the world attend clubs and festivals that embody the spirit of rave culture. Intrinsic to the spread of the culture in those pre-internet days was the dissemination of flyers, giving ravers information on where and when their favourite promoters would be organising parties. In order to stand out from the competition, it was imperative that the most respected events had distinctive flyer artwork.

Junior Tomlin’s visionary capabilities led to a long-running career as a flyer artist. His fantastical projections of the future and often surreal imagery earned him the title The Salvador Dali of Rave. Tomlin’s iconic work was highly sought after, with ravers collecting his remarkable work and promoters queuing up to commission him to produce imagery for their flyers. Junior’s imagination conjured up alternate worlds, references to outer space and gave us a peek into the endless possibilities presented by an unknown future. It was the perfect representation of the brave new world being cultivated by rave promoters and the community that sprung up around the culture.

Junior worked with a range of seminal rave promoters from 1992 onwards including Telepathy, Dreamscape, Slammin’ Vinyl, One Nation, Dream Odyssey and Ravealation. 30 years since he designed his first flyer Junior Tomlin: Flyer & Cover Art documents his work across 160 pages, with commentary and draft sketches provided by Junior himself. Divided into two distinct sections – Record Covers and Flyers – the book also features an in-depth interview with Junior and a foreword by Chelsea Louise Berlin (artist, flyer collector and author of Rave Art) plus words from former clients.

Chronicling the work of a pioneering artist whose art was intrinsic to early rave culture, Junior Tomlin: Flyer & Cover Art marks a critical time in British history. In a time where division and conflict seem to be more prevalent than ever, the book allows us to escape into Junior’s fantasy worlds and travel back in time to an era when social barriers were being broken down.

The book is 25cm x 25cm, printed on premium 130gsm full-colour paper. It is the first time his work has been documented and presented in such a comprehensive, cohesive fashion.

“His record sleeves are classic examples of a hugely important artform now sadly deceased in the digital age.”
Danny Briottet (Renegade Soundwave)

“When I think of music and the concept of what I wish to express, I always want the visual representation to be in total synergy with that I am creating. Artwork is so important! This is why I did not hesitate when it came to choosing an artist and legend like Junior for specific work projects I had in mind.”
DJ Rap"

The Radio Phonics Laboratory explores the intersection of technology and creativity that shaped the sonic landscape of the 20th century. This fascinating story unravels the intricate threads of telecommunications, from the invention of the telephone to the advent of global communication networks.

At the heart of the narrative is the evolution of speech synthesis, a groundbreaking innovation that not only revolutionised telecommunications but also birthed a new era in electronic music. Tracing the origins of synthetic speech and its applications in various fields, the book unveils the pivotal role it played in shaping the artistic vision of musicians and sound pioneers.

The Radio Phonics Laboratory by Justin Patrick Moore is the story of how electronic music came to be, told through the lens of the telecommunications scientists and composers who helped give birth to the bleeps and blips that have captured the imagination of musicians and dedicated listeners around the world.

Featuring the likes of Leon Theremin, Hedy Lamarr, Max Matthews, Hal 9000, Robert Moog, Wendy Carlos, Claude Shannon, Halim El-Dabh, Pierre Schaeffer, Pierre Henry, Francois Bayle, Karlheinz Stockhausen, Vladimir Ussachevsky, Milton Babbitt, Daphne Oram, Delia Derbyshire, Edgar Varese & Laurie Spiegel.

Quotes:
“From telegraphy to the airwaves, by way of Hedy Lamarr and Doctor Who, listening to Hal 9000 sing to us whilst a Clockwork Orange unravels the past and present, Moore spirits us on an expansive trip across the twentieth century of sonic discovery. The joys of electrical discovery are unravelled page by page.” Robin Rimbaud aka Scanner

“Embark on an odyssey through the harmonious realms of Justin Patrick Moore’s Radio Phonics Laboratory echoing the resonances of innovation and discovery. Witness the mesmerising fusion of telecommunications and musical evolution as it weaves a sonic tapestry, a testament to the boundless creativity within the electronic realm. A compelling pilgrimage for those attuned to the avant-garde rhythms of technological alchemy.” Nigel Ayers (Nocturnal Emissions)

“In this captivating exploration of electronic music, Justin Patrick Moore unveils its evolution as guided by telecommunication technology, spotlighting the enigmatic laboratories of early experimenters who shaped the sound of 20th century music. A must-read for electronic musicians & sound artists alike—this book will undoubtedly find a prominent place on their bookshelves.” Kim Cascone

From a talented young journalist on the rise, a deeply reported, timely new biography of the Notorious B.I.G., publishing for what would have been his 50th birthdayThe Notorious B.I.G. was one of the most charismatic and talented artists of the 1990s. Born Christopher Wallace and raised in Clinton Hill/Bed Stuy, Brooklyn, Biggie lived an almost archetypal rap life: young trouble, drug dealing, guns, prison, a giant hit record, the wealth and international superstardom that came with it, then an early violent death.

Originating from the Latin for deity or goddess, the term diva has evolved to become a far more complex – and loaded – term. Delving into the public and private personas of performers from Jenny Lind to Sarah Bernhardt, Nina Simone to Rihanna, this book looks at what it means to be a "diva" and how this has been subverted and embraced over time. Kate Bailey opens the book with an essay on the transformation of the diva from 19th-century opera and stage star to 20th-century silent screen siren. Six thematic chapters then focus on different aspects of diva-dom: ‘Performing the Diva’ looks at how Hollywood Icons Elizabeth Taylor and Bette Davis cultivated their personas through their approach to costume and attitude, and how this has been taken up by performers such as Cher, Elton John, and Mariah Carey; ‘Voice for Change’ discusses the political activism of artists such as Billie Holiday and Miriam Makeba; ‘Status, Power, and Freedom’ explores the agency and brand acumen shown by artists including Dolly Parton and (...)

The ingenious physical and augmented reality artworks from the most viewed art exhibit in history by the acclaimed artist Kaws

Based on the blockbuster 2022 solo show in London, Kaws: NEW Fiction documents the groundbreaking, multi-layered exhibition that presented the artist’s new and recent works in physical and augmented reality.

A unique collaboration between the acclaimed artist Kaws, the Serpentine Galleries, digital art platform Acute Art, and the online video game phenomenon Fortnite, Kaws: NEW Fiction bridges the gap between the physical and virtual worlds, showcasing Kaws’s artworks as they’ve never been seen before. This one-of-a-kind book chronicles the iconic Kaws figure as it journeys through viewing the exhibition’s paintings, sculptures, site-specific additional artworks revealed via augmented reality (visible at the show through a dedicated AR app), and the virtual recreation of the physical gallery simultaneously featured in Fortnite. Kaws: NEW Fiction is a celebration of the unprecedented exhibition, and Kaws’s creative influence, as it was experienced in physical, virtual, and augmented realities.

About the author:
Kaws is a New York-based artist and designer and one of the most popular living artists, known for his paintings, prints, sculptures, and limited-edition toys. His extensive list of projects in renowned institutions include solo exhibitions at The Mori Arts Center Gallery, The Brooklyn Museum, The National Gallery of Victoria, Yorkshire Sculpture Park, Longside Gallery, Centro de Arte Contemporáneo, Pennsylvania Academy of Fine Arts, and Aldrich Museum of Contemporary Art.

Contributions by Daniel Birnbaum, Hans Ulrich Obrist, Bettina Korek and Alexandra Kleeman.

Specifications:
Format: Hardback Size: 241 × 196 mm (9 1/5 × 7 3/4 in)
Pages: 280 pp
Illustrations: 230 illustrations

Drawing from Pop art traditions, Kaws’s work straddles the line between fi ne art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and neverbefore- seen images of Kaws at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist’s unique ability to reshape the ways we think about contemporary art and culture today. - Daniel Birnbaum is a contributing editor to Artforum, art critic, curator, and director of Acute Art, an art and technology laboratory in London. Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

‘His work is universal, and it transcends the traditional market. It bridges fi ne art and commercial art, and that taps into a global, deep audience.’ – David Galperin, Sotheby’s New York ‘Kaws has gotten approval from an artworld establishment that he felt would never take his guerrilla act as its own.’ – Interview ‘Neither a fi ne artist who does commercial work, nor a commercial artist who does fi ne art, Kaws is decidedly both at once and emphatically neither as he refuses to parse those distinctions of high versus low.’ – Paper ‘There hasn’t been an artist over the last 25 years who exists in his own stratosphere, his own singular universe, quite like the artist we know as simply, Kaws. ... From toys to graffi ti, fi ne art to fashion, art collecting and public art that bridges American pop culture to an international audience, Kaws has defi ned an era where the artist can be whatever he or she wants to be without compromise.’ – Juxtapoz

From his own adolescence, when his allegiance was to punk rock, to his work as one of the essential voices of our time on music and culture at the New York Times and the New Yorker, Kelefa Sanneh has made a deep study of how our popular music unites and divides us. Distilling a career’s worth of knowledge, Sanneh explores the tribes music forms, and how its genres, shape-shifting across the years, give us a way to track larger forces and concerns. He debunks cherished myths, reappraises beloved heroes and upends familiar ideas of musical greatness, arguing that sometimes the best popular music isn’t transcendent: it expresses our grudges as well as our hopes, and is motivated by greed as well as inspiration. Throughout, race is a powerful touchstone: just as there’s always been a ‘Black’ audience and a ‘white’ audience (with some overlap) there is Black music and white music and a whole lot of expropriation. This is a book to shock and awe the deepest music nerd, and at the same time to work as a heady gateway drug for the uninitiated.

Embodying a chic casualness that is uniquely American, the Polo shirt is a cultural symbol, worn by everyone from movie stars and presidents to athletes and artists. The Polo shirt is to Ralph Lauren what Mickey Mouse is to Disney or the Empire State Building is to New York City. Whether worn with the collar popped up, open and untucked, or dressed up under a suit jacket, the Polo embodies the optimism of American style. In Lauren’s words, “It’s honest and from the heart and hopefully that is what touches the diversity of all who wear it. It was never about a shirt, but a way of living.” Featuring a gallery of stars from the worlds of sports, politics, film, and music—from Leonardo DiCaprio and Spike Lee, to Bill Clinton and Oprah Winfrey, to Pharrell Williams and Venus Williams—as well as everyday people who make the Polo their canvas for self-expression, The Polo Shirt looks at the enduring cool of a wardrobe classic. Included are the full range of colors, styles, and fits the shirt has been produced in during its more than 50 year history. From the classic white to the weathered Polo, from the striped Polo to the US Olympic, US Open, and Wimbledon Championship collaborations, this catalogue celebrates the full spectrum of the Polo, making it a collector’s dream. Ralph Lauren began his career in 1967, designing neckties under the label Polo. He has received numerous awards for his work in fashion, philanthropy, and humanitarian causes and is the only designer to receive the CFDA’s four highest honors: Womenswear Designer of the Year; Menswear Designer of the Year; Retailer of the Year; and Lifetime Achievement. In 2019 he received an honorary KBE for Services to Fashion from the Prince of Wales. Ken Burns is an Academy Award–winning filmmaker. David Lauren is the Chief Innovation Officer of Ralph Lauren, Vice Chairman of the Board, and President of the Ralph Lauren Foundation.

Transformative Visions - An illustrated history of the Twelve Step program

Through art, literature, and scientific research, delve into the history of the Twelve Steps – the path of recovery that has helped millions radically change their lives. Using symbolism and myths, this unique visual edition honors the transformative power of these universal principles and thoughtfully explores ways of aligning with them.

Drawing on art, literature, and scientific research, scholar and therapist Kikan Massara delves into the Twelve Steps – the widely used and respected program of recovery. Developed in the early 20th century to address alcoholism, the Twelve Step program was later found to be an effective tool in aiding recovery for all types of addictions and compulsive behaviors.

Now for the very first time, Twelve Step recovery is linked to a visual narrative. This inspiring edition features over 150 timeless and compelling works of art — from antiquity to the present day — to metaphorically describe a soulful path toward healing and transformation using these principles of recovery that continue to help millions.

Featuring in-depth studies by leading experts in several converging fields, the book examines the history behind the Twelve Steps, from the program's origins in Depression-era America to building a foundation for recovery that incorporates concepts identified by psychologist C. G. Jung. The volume also offers relevant insight into the meaning of addiction in today's society. With striking imagery, literary quotations, and psychological references, the Twelve Step program is reintroduced to a wider audience as timely, accessible, and constructive. At a time of radical change and opportunity, this visual edition honors the transformative power of these universal principles and thoughtfully explores ways of aligning with them.

The author Kikan Massara is a psychotherapist, author, and creative. A passionate researcher of consciousness studies, meditation, and emotional health, she has long used visual arts, symbols, and myths in her practice to facilitate access to the empowering resources of the inner world.

The editor Jessica Hundley is an author, filmmaker and journalist. She has written for the likes of Vogue, Rolling Stone, and The New York Times, and has authored books on artists including Dennis Hopper, David Lynch, and Gram Parsons. Hundley often explores the counterculture in her work, with a focus on metaphysics, psychedelia, and magic.

“In all chaos there is a cosmos, and in all disorder a secret order.” C.G. Jung

Hardcover, quarter-bound, 17 x 24 cm, 1.51 kg, 384 pages

First published in 1963 and updated in 1979, this classic was an essential handbook for anyone who studies, surfs, protects, or is fascinated by the ocean. The original author, Willard Bascom, was a master of the subject and included a wealth of information, based on theory and statistics, but also anecdotal observation and personal experience. It brought to the general public understanding of the awesome and complex power of the waves.

This revision from Kim McCoy adds recent facts and anecdotes to update the book’s relevance in the time of climate change. One of the most significant effects of global warming will be sea-level rise. What will this mean to waves and beaches, and what effects are we already seeing? New text and photos cover events such as the Indian Ocean tsunami of 2004, Hurricane Katrina flooding of 2005, and the 2011 earthquake and resulting devastation in Fukishima.

As well as students, surfers, and the general public, this updated edition of a beloved classic is an essential handbook for climate scientists and ocean activists, providing clear explanations and detailed resources for the constant battle to preserve the shore.

This is the story of streetwear. Authors King ADZ and Wilma Stone recount how a long line of subcultural movements have taken over both the high street and high-end fashion, and explore just how a revolutionary sartorial trend has evolved to encompass a vast range of disparate tribes, offering a powerful sense of belonging and identity to all.

The story begins in 1972, in Jersey City, USA, with the birth of the first ever streetwear shop, Trash and Vaudeville. The journey then encompasses punk, Ivy League preppies, the hip-hop kings and queens of Harlem, the dresser/casual movement born out of British football culture, the skater scene of California, the Paninari scooter-brats of Milan, and much more. Whether focusing on major brands such as Stüssy, Carhartt, Tommy Hilfiger and SHUT or today’s up-and-comers from South African townships or downtown Seoul, this dynamic study surveys the scene. It also takes a look at how the internet era has changed the ways streetwear is sold and consumed, and how the field may evolve in the future.

Packed with profiles of industry pioneers, Q&As with key figures and over 300 illustrations, this is the complete history of the fastest-growing and most influential movement in contemporary clothing.

"Legendary drum & bass magazine Knowledge returns for a one-off special book to celebrate their 25th anniversary. It's been ten years since the last issue and five years since they called it a day and over the years people have clamoured for its return but Knowledge always resisted the temptation. So why are they bringing it back now? Well, they feel they have unfinished business. Reaching 20 years was such an important milestone but it was a bittersweet moment and they didn't celebrate it at all because they knew the end was coming. What better way to mark their 25th anniversary than with one last issue?

Knowledge Magazine returns with a special one-off book celebrating their 25th anniversary. There have been some special issues in the past but this is the biggest and best Knowledge ever. This is one for the collectors:

10” x 10” large format book
Hardback material cover with debossed logo
Premium 130gsm matt art paper
160 full-colour pages featuring new and classic long-form features and interviews"

Koji Takahashi, who loves The Clash, shares his love on the Clash and over 250 items from his vast collection of items from around the world! This is a book that can be enjoyed as a reading material, a buyer's guide, or a collection book, all wrapped up in the love of The Clash! Koji Takahashi says, "I always liked to collect movie flyers, so I had a habit of collecting them," but it is obvious that he is no longer at that level. The contents are overwhelming just looking at the photos of these items, including original albums, singles, country-specific discs, merchandise, apparel, posters, and more. Some of the items are one-of-a-kind.

Kraftwerk's most concise and focused conceptual statement, Computer World, was also their most influential album, paving the way for a range of new musical styles and genres. This book explores the band's revolutionary sonic template, and their lyrical obsessions in detail.

An analysis of the bands work reveals a unifying theme, overlooked by other writers, of movement and transition. While many remarked on the prevalence of travel within Kraftwerk's art: Autobahn (1974) – cars, Trans-Europe Express (1977) – trains, The Man- Machine (1978) – space, and Tour De France (1982) – bicycles, Francis contends that this is a surface manifestation of a deeper theoretical subtext in their work. Movement is really a reflection of the concept of transition, through time and space, from one physical, emotional, or existential state of being to another. The book explores transition, as expressed on Computer World, via theories of post-humanism, cybernetics and the anthropology of transnationalism.

Second edition of the long-out-of-print book which Bun B declared ".... defines Houston hip-hop." Includes 32 new pages of never before seen photos and text, Northside/Southside Houston maps, and a complete index of the timeline and oral history of the scene. Houston Rap is an immersion into the everyday life of the Houston hip hop community. The second edition, hardcover 304 page book features the photography of Peter Beste, who spent 9 years documenting the culture alongside writer Lance Scott Walker. Houston Rap profiles noted artists such as Bun B of UGK, Z-Ro, Big Mike, K-Rino, Willie D of the Geto Boys, Lil’ Troy, and Paul Wall, alongside reflections on the lives of departed legends such as DJ Screw, Pimp C, and Big Hawk. The book also features community leaders, rappers, producers, businessmen, and family members, all providing important insight into a great American cultural narrative, and the second edition features even more details into this astonishing and influential scene.

Featuring never-before-seen unit photography, storyboards, costume and concept designs, and behind-the-scenes photos from Academy Award–winning director Steven Spielberg’s first musical, West Side Story: The Making of the Steven Spielberg Film is a loving chronicle of the years of effort that went into bringing a beloved story back to the screen for a new generation. Author Laurent Bouzereau was embedded with the film’s cast and crew and conducted original interviews with director and producer Steven Spielberg, screenwriter and executive producer Tony Kushner, Tony Award–winning choreographer.

"The first decades of the 21st century saw dramatic changes in the music industry as new technology transformed creation, communication, and consumption. Amid this turmoil one change occurred relatively quietly, almost naturally: so-called bedroom producers, music makers raised on hip-hop and electronic music, went from anonymous, often unseen creators to artists in their own right.

In Bedroom Beats & B-sides: Instrumental Hip Hop & Electronic Music at the Turn of the Century, Laurent Fintoni details the rise of a new generation of bedroom producers at the turn of the century through the stories of various instrumental hip-hop and electronic music scenes. From trip-hop, jungle, illbient, and IDM in the 1990s to just “beats” in the late 2000s, the book explores how these scenes acted as incubators for new ideas about composition and performance that are now taken for granted.

Combining social, cultural, and musical history with extensive research, the book tells the B-side stories of hip-hop and electronic music from the 1990s to the 2010s and explores the evolution of a modern beat culture from local scenes to a global community via the diverse groups of fringe idealists who made it happen and the external forces that shaped their efforts.

Includes quotes and stories drawn from more than 100 interviews with producers, DJs, label owners, and more including James Lavelle, Charlie Dark, Luke Vibert, Mark Pritchard, Flying Lotus, Georgia Anne Muldrow, El-P, Hudson Mohawke, Kode9, Prefuse 73, Anti Pop Consortium, Dabrye, Waajeed, Tekilatex, Ghislain Poirier, Kutmah, LuckyMe, Benji B, The Bug, and many more.

Bedroom Beats & B-sides is the first comprehensive history of the instrumental hip-hop and electronic scenes and a truly global look at a thirty-year period of modern music culture based on a decade of research and travel across Europe, North America, and Japan.

Laurent Fintoni says: “This book is a deeply personal project that has consumed me for over 20 years. I hope it can do some justice to the vibrancy and importance of the culture it seeks to celebrate and its people. I am grateful to Velocity Press for taking a chance on me as a first-time author and giving me space and support to tell the first, but hopefully not the last, version of this story.”

Quotes

“Laurent Fintoni has created an epic tome of information. It’s one of the best examples of connecting the dots between many facets of electronic music. He writes similar to a DJ seamlessly transitioning from one point to the other, with visual vigour. Not since Kwodo Eshun’s More Brilliant Than The Sun, has someone delved this deep between the beats.”

King Britt

“As hip-hop has erupted over four decades to become the dominant genre of the 2020s, this work casts essential analysis on an influential set of producers who rose from obscurity to influence pop culture. It’s a story of changes in music technology and musical education, but crucially of how a small set of outsiders sought to hack, adapt, and break their technology in pursuit of making something expressive and new. In appropriation of tech and genre, the beat scene is a worthy analogue to consider a culture facing the failures of postmodernism, and the opportunities of a new age in media.”

Dominic Flannigan (LuckyMe)

“Finally a deep dive into one of the more interesting new musical trajectories of the modern era.”

Sam Valenti IV (Ghostly)

“The music industry was caught looking the other way, head in the sand, handing out golden parachutes. In the used bins we would marvel at their trash, what they couldn’t sink their teeth into, upcycling it in our way.”

Daedelus (Brainfeeder)

When LCD Soundsystem broke up in 2011, they left behind a small but remarkable catalog of music. On top of the genius singles and a longform composition for Nike, there was a trilogy of full-length albums. During that initial run, LCD Soundsystem-and the project's mastermind, James Murphy-were at the center of several 21st century developments in pop culture: indie music's growing mainstream clout, Brooklyn surpassing Manhattan as an epicenter of creativity in America, the collision and eventual erosion of genre perceptions, and the rapid and profound growth and impact of digital culture. Amidst this storm, Murphy crafted Sound Of Silver, the centerpiece of LCD's work.

At the time of Sound Of Silver's creation and release, Murphy was a man closing in on 40 while fronting a critically-adored band still on the ascent. This album was the first place where he earnestly grappled with questions of aging, of being an artist, and the decisions we make with the time we have left. Anchored by a series of colossal, intense dance-rock songs, Sound Of Silver called upon the rhythms of New York City in order to draw out, dissect, and ultimately rip open these meditations. By the time LCD Soundsystem reunited in 2016, Sound Of Silver had already proven to be a generational touchstone, living on as a document of what it's like to be alive in the 21st century.

What a beautiful book...a great presentation and wonderful insight into these historic guitars." -Nils Lofgren on 108 Rock Star Guitars From the photographer of the critically acclaimed 108 Rock Star Guitars comes a new collection of guitar photos, including B.B. King, Kurt Cobain, and Prince as well as more than one hundred legendary rock icons. Lisa S. Johnson's journey into the world of rock and roll photography began more than seventeen years ago when she photographed the legendary Les Paul and his beloved Gibson during one of his famed.

The birthplace of graffiti, New York City, has evolved into a global center for street art. Its public surfaces host a range of media from handmade stickers and wheatpastes to huge installations and murals. Artists from across the globe routinely travel to New York City to grace its walls as they refashion the city into one huge never-ending unofficial street art festival. Among these are such contemporary urban legends as Shepard Fairey, Ron English, Okuda, MaClaim, Faith Xlvii, Stik, Nick Walker, JR and Swoon. Street Art NYC showcases both sanctioned and unsanctioned works captured in the course of a transformative decade that saw the emergence of over a dozen distinctly engaging projects. The hugely popular Bushwick Collective, L.I.S.A Project NYC and Welling Court Mural Project are highlighted with introductory essays. Local community-based projects and festivals, as well as those responding to specific environmental and social issues, are also represented. Banksy’s one month 2013 residency, “Better Out than In” is documented with words and images. And homage is paid to the legendary 5 Pointz graffiti and street art mecca. Street Art NYC is is a beautifully designed hardcover book. The full color photographs by Lord K2 captures the art in the city, printed on thick coated paper, and Lois Stavsky’s text provides the context. This is the only book to spotlight the transformational decade that marked the shift from largely unsanctioned to widely curated street art throughout New York City’s five boroughs. This book is a collaboration between Lord K2, an award-winning photographer and curator of the online Museum of Urban Art and Lois Stavsky, a noted street art documentarian and editor of the popular blog, Street Art NYC.

Erased Tapes presents Continuous Music: Selected Works, the first printed collection of scores from prolific pianist and Continuous Music pioneer Lubomyr Melnyk, making his unique technique available to piano lovers all around the world. This first volume contains selections from each of Melnyk's releases on Erased Tapes, including Corollaries (2013), Evertina (2014), Rivers and Streams (2015) and a very special handwritten score of Pockets of Light, serving as an entry point to his technique. Continuous Music: Selected Works also contains a previously unreleased score, The Moving Window, plus detailed notes from the composer himself. Every copy comes with audio recordings of all six pieces including a new version of Butterfly, specially recorded for the reader.
Melnyk's mission with this sheet music book is for musicians and piano enthusiasts to gain a greater love and understanding of the instrument, while being inspired to delve further into the world of Continuous Music.

The bedroom wall and what to cover it with has always been a dilemma through the ages as we revelled in our teenage / rebellious glory. Posters, flyers, ticket stubs badges tour programmes and record sleeves. Items we gathered, begged and stole were carried home after sweaty nights in clubs and pubs. Tape and blu tack in hand we tried to find a place to add our new additions.



I always thought it would be great to show the Punk Rock items of what I call ‘the class of ‘76’ groups I had gathered over the years in a bedroom setting. Each room could have a different theme. Blondie, Buzzcocks, The Clash, The Damned, Generation X, The Jam, Ramones, Sex Pistols, Siouxsie and The Banshees, The Stranglers, and maybe a mixed Punk Room with all the above and some smaller bands to fill out the story.



Maybe I could then put all that in a book to show the beauty of it all. So I did and here it is. I hope all this madness might bring back some fond memories for you as you flick through these pages.

A unique monograph of over 50 collections created by the fashion designer Marc Jacobs in the past 25 years and illustrated by Grace Coddington

In 2016, internationally acclaimed designer Marc Jacobs commissioned his friend and talented illustrator Grace Coddington to select and draw her personal selection from his collections dating back to 1992, the year he presented his now-infamous grunge-inspired collection. Sofia Coppola contributes an introduction and the illustrations are punctuated with Jacobs's written commentary about the collections. Personal and insightful, this is the first look back on Jacobs's groundbreaking career.

About the author: Marc Jacobs is a globally acclaimed designer. He has been designing under the Marc Jacobs label since 1994 and was the creative director of Louis Vuitton from 1997 to 2014.

Grace Coddington became a fashion editor at British Vogue in 1968. In 1988 she joined American Vogue with Anna Wintour where she was the magazine’s creative director until 2016 when she became a contributing editor.

Sofia Coppola is an award-winning screenwriter and director.

Reviews: "Another must-have fashion book is on the way."—The Daily Front Row

"There's something delightfully charming and personal about this skinny Marc Jacobs career retrospective... Coddington draws some of his most memorable looks across over 50 collections, dating back to his infamous '90s grunge moment at Perry Ellis, all of which are neatly summarized with footnotes and fun facts from Jacobs."—New York Magazine

"Dive into the history of Marc Jacobs. [The book] combines illustrations by Grace Coddington with an introduction by Jacobs's friend and muse Sofia Coppola."—The Sunday Times Style

"Celebrates the designer's storied career."—Marie Claire

"Grab this highly-personal monograph of over 50 collections (from the grunge 1990s to contemporary Spring/Summer 2019) created by Marc himself, illustrated by artist and fashion goddess Grace Coddington."—Hypebae

"A unique monograph of more than 50 beautifully drawn collections to pore over... Oh and the hot pink cover? Now, that will definitely dress up your book shelf."—Marie Claire

"A season-by-season journey through the 50 collections Jacobs has [since 1992] created for his own eponymous label. Brought to life by former US Vogue Fashion editor Grace Coddington's illustrations... The fuchsia pink cover of this XL monograph conveys the fun to be had inside... The looping design invites us to turn the pages and tilt our heads for the candid recollections Jacobs has provided for each collection."—The Financial Times

Specifications: Format: Hardback Size: 370 × 296 mm (14 5/8 × 11 5/8 in) Pages: 88 pp Illustrations: 250 illustrations

The story of Eames furniture told in unparalleled detail on 800 pages with more than 2,500 images.

In this unique publication, Marilyn and John Neuhart tell the story, to paraphrase Charles Eames himself, of how Eames furniture got to be the way it is. The Story of Eames Furniture is a biography —not of an individual person, but of arguably the most influential and important furniture brand of our time.

Brimming with more than 2,500 images and insider information, this two-volume book in a slipcase sheds new light on the context in which the furniture of Charles and Ray Eames was created. It documents in unparalleled detail how the design process in the Eames Office developed as well as the significant roles played by specific designers and manufacturers. Volume 1 presents the early years of the Eames Office and its method of furniture design and development. It introduces not only Charles and Ray Eames, but also key members of their design team including Eero Saarinen, Harry Bertoia, Herbert Matter, and others. This volume also focuses on Charles Eames’s early work with plywood and how he adapted plywood-molding techniques into a system to mass-produce furniture.

Volume 2 features the period from the aftermath of the Second World War through 1978, the year of Charles Eames’s death and of the effective, functional end of the Eames Office. It provides incomparable insight into how new technologies served as the genesis for the most interesting pieces of Eames furniture. This volume also focuses on the role of the Herman Miller Furniture Company in the evolution of furniture design at the Eames Office and investigates the influence of Don Albinson, who was Charles Eames’s primary designer and technician from the mid-1940s to 1960.

Format: 25.5 x 29.2 cm Features: 800 Pages, full cover, hardcover, 2 volumes in slipcase Isbn: 978-3-89955-230-0

The Story of Eames Furniture was written and designed by Marilyn Neuhart together with her husband John Neuhart. Both worked personally with Charles and Ray Eames at the Eames Office in various capacities starting in the 1950s. More familiar with the material and protagonists than almost any other, Marilyn Neuhart spent more than 15 years compiling the stories, images, and recollections featured in this book.

An original coloring book for all ages!
After the overwhelmingly popular Hip Hop Coloring Book, Mark 563 is back with Hip Hop Coloring Book: East Coast Edition.
It’s a fun activity book for kids and adults. The book features a selection of Mark 563’s own illustrative takes on some of Hip Hop’s most important figures – from early pioneers like Busy Bee, to 90s NYC profiles like Nine and newer stars like ASAP Rocky – all ready to be colored in.
The 50 pages are packed with legendary East Coast rappers, spanning from the Golden Era through to today’s rap superstars.
A perfect gift for anyone interested in Hip Hop and popular culture. Hip Hop Coloring Book: East Coast Edition is marker friendly! Use your favorite markers without the risk of ruining the illustration on the other side of the paper.
Hip Hop Coloring Book: East Coast Edition is the latest in Dokument Press popular coloring book series, with themes such as graffiti, skateboarding and lowriders.
I went to the High School of Art & Design for illustration, so it’s a particular honor to be immortalized in the hip hop coloring book. My advice when coloring me is never stay within the lines, be free! – Pharoahe Monch
Enjoy Hip Hop and Have Fun.
–Chiefrocker Busy Bee

• The magnum opus on Bob Dylan’s life and career all Bob Dylan fans have been waiting for since the 60s. • More than 600 images, mostly never seen before. • The book spans Bob Dylan’s life from the early 40s to the Nobel Prize to today. • Essays written by the most illustrious cultural figures of our times, such as Joy Harjo, Michael and Griffin Ondaatje, Peter Carey, Amanda Petrusich, Lucy Sante, Ed Ruscha, and many more. • Created in collaboration with the Bob Dylan Center in Tulsa, Oklahoma. • More than 20 foreign language editions will be released on the same date maximizing global PR

Bob Dylan: Mixing Up the Medicine is the landmark magnum opus every Bob Dylan fan has been waiting for since the 60s: lavishly illustrated with hundreds of previously unseen photographs and spanning from Dylan’s childhood in Hibbing, Minnesota, to the Nobel Prize for Literature and beyond, this is a treasure trove that promises to be of vast interest to Bob Dylan musical fans as well as a broader cultural audience. This is a landmark publication for the ages that will be supported by a substantial PR & marketing plan and is slated to become a lead title for Fall 2023. Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera — comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan’s early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate’s many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan’s working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists, and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan’s creative process, but also their own.

Authors: Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibits for American Song Archives in Tulsa, Oklahoma, which manages the Bob Dylan and Woody Guthrie Centers. Mark earned his PhD in musicology from the University of California, Santa Cruz in 2015, with a dissertation titled “Recording the Nation: Folk Music and the Government in Roosevelt’s New Deal, 1936–1941.” In 2014, he earned his Master’s in Science in Information Studies from the University of Texas at Austin, with a focus on archiving and library science. Mark has published numerous articles and essays on music, archiving, and Bob Dylan, including Blood in the Stacks: On the Nature of Archives in the Twenty-First Century, published in The World of Bob Dylan (Cambridge University Press, 2021). Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the aegis of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the legendary Chelsea Hotel (Vinyl Me, Please), and several volumes of the Grammy Award–winning Bob Dylan’s Bootleg Series

Edited by Mark Holborn and Dimitri Levas, with a new poem by Patti Smith and a new introduction by Andrew Sullivan.

A revised and updated edition of the most comprehensive survey published of Mapplethorpe's photography

Robert Mapplethorpe was one of the twentieth century's most important and influential artists, known for his groundbreaking and provocative work. He studied painting, drawing, and sculpture in Brooklyn in the 1960s and started taking photographs when he acquired a Polaroid camera in 1970. This comprehensive monograph is an overview of the artist's black-and-white photography of floral still lifes, nudes, selfportraits, and portraits, among other subjects—and also includes a selection of his color images.

About the author: Arthur C. Danto was a revered critic, philosopher, and author.

Mark Holborn is a writer, editor, and book designer. He collaborated with the Robert Mapplethorpe Foundation on the original volumes of Mapplethorpe's work.

Dimitri Levas is an art director who worked closely with Mapplethorpe for years, and with the Robert Mapplethorpe Foundation on numerous publications.

Patti Smith is a writer, performer, and visual artist.

Andrew Sullivan is an author, editor, and political commentator.

Reviews: 'A wide survey of the boundary-pushing artist's work, including his erotica, infamous floral images and portraits of his lifelong companion Patti Smith – who has written a poem for the book.' – Sunday Times Style

'He was a rebel, an artist, a provocateur and a genius whose work transcends time.' – Royal Photographic Society (rps)

'If you are a fan of classic photography and want the ultimate collection this is a fantastic book ... it's a beautiful thing.' – Amateur Photographer

'Arthur C. Danto explores Mapplethorpe’s unique vision in [a] brilliantly insightful essay.' – Hedge Magazine

Specifications: Format: Hardback Size: 308 × 292 mm (12 1/8 × 11 1/2 in) Pages: 384 pp Illustrations: 250 illustrations