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HHV Records 375 Vinyl, CD & Tape 371 Used Vinyl 45 Print & Design 4
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Search "nelson carhartt"
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Zeca Do Trombone - Rota-Mar Feat. Azymuth
Zeca Do Trombone
Rota-Mar Feat. Azymuth
LP | 1983 | EU | Reissue (Altercat)
22,99 €*
Release: 1983 / EU – Reissue
Genre: Organic Grooves
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Mainly known to DJs for the funk groover "Te Queria", Rota-Mar is the first solo album by the charismatic Zéca do Trombone. During a vertiginous career which started in the late 60s, Zéca was a permanent member of Wilson Simonal's band, toured with Luiz Eça's Sagrada Família (alongside Joyce, Naná Vasconcelos, Nelson Angelo and others), recorded the seminal Brazilian funk "Coluna do Meio" for his joint effort with Roberto Sax, and played and recorded for some of the big names of Brazilian music such as Tim Maia or Martinho da Vila. Particularly for samba artists such as Alcione, Leci Brandão or Moreira da Silva, Zéca do Trombone was the trombonist of choice.

Rota-Mar displays the work of an established musician who has nothing to prove. Impregnated with Zéca's characteristic voice, the songs draw inspiration from the sea, love and bohemian life, and let us all dream of what life in Rio the Janeiro was during that time. "Te Queria", penned by Zéca's childhood friend Elízio de Búzios (known for his highly collectable funk/boogie single "Tamanqueiro") is the obvious highlight, although we believe the real beauty of the album lies in the relaxed sea-side groove and MPB in the rest of the songs, including Zéca's superb take on Martinho da Vila's "Manteiga de Garrafa".

As bonus tracks to this reissue, we include both sides from Zéca's rare 1977 single, featuring the allmighty trio Azymuth.

Comes with an 8-page booklet with bilingual (Portuguese / English) liner notes by Brazilian journalist Marcelo Pinheiro and previously unpublished pictures from the artist's archive.
Zbigniew Preisner & Lisa Gerrard - It's Not Too Late
Zbigniew Preisner & Lisa Gerrard
It's Not Too Late
LP | 2023 | Original (Preisner Productions)
24,99 €*
Release: 2023 / Original
Genre: Electronic & Dance
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Yong Yandsen/Christian Meaas Svendsen/Paal Nilssen-Love - Hungry Ghosts
Yong Yandsen/Christian Meaas Svendsen/Paal Nilssen-Love
Hungry Ghosts
LP | 2019 | EU | Original (Nakama)
16,49 €* 21,99 € -25%
Release: 2019 / EU – Original
Genre: Organic Grooves
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Witherfall - Sounds Of The Forgotten Silver Vinyl Edition
Witherfall
Sounds Of The Forgotten Silver Vinyl Edition
2LP | 2024 | EU | Original (Deathwave)
38,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Los Angeles-based dark melodic metal outfit Witherfall proudly presents their fourth full-length, “Sounds Of The Forgotten”, via DeathWave Records. With predecessor "Curse Of Autumn" garnering high praise in Metal Insider, Deaf Forever, and KNAC.com, as well as admirable positions on Germany’s Top 20 Albums chart and Billboard’s Top New Artist Albums and Billboard 100 chart, “Sounds Of The Forgotten" advances Witherfall to legendary status with its epic, foreboding expanse. The album is supported by an ambitious schedule of seven singles, each with an official video linking the album’s story of heartbreak, anger, and tenacity. This is genuinely Witherfall, always willing to go the extra mile to outclass the past.

Witherfall was formed in Los Angeles in 2013. Joseph Michael (also of Sanctuary fame) and Jake Dreyer (ex-Iced Earth/Demons & Wizards) built their new band around drummer Adam Sagan (rip) and accomplished bassist Anthony Crawford (Allan Holdsworth, Chon). Since then, the group have released three highly regarded albums: "Nocturnes And Requiems" (2017), "A Prelude To Sorrow" (2018), and "Curse Of Autumn" (2021) and an EP "Vintage" (2019). Not one to cut corners, Witherfall enlisted famed drummer Marco Minnemann (The Aristocrats, Steven Wilson, Jordan Rudess) on "Curse Of Autumn", ensuring the foundations of singles 'As I Lie Awake', 'The Other Side Of Fear', and 'The River' were second to none. On "Sounds Of The Forgotten", Minnemann returns to the fold with an album-only appearance, while drummer Chris Tsaganeas (Wax Owls) and multi-instrumentalist Gerry Hirschfeld (Willie Nelson) Witherfall’s newest permanent members.

Every Witherfall album is a defining moment. From the moment "Nocturnes And Requiems" thundered across metaldom to the group’s wine endeavours (Tempest Red Blend) with Charlie & Echo Winery, their video collaboration with Cig Neutron (Devil’s Workshop) on 'The Other Side Of Fear', a beer partnership with Adroit Theory Brewing Company (Shadows Black Ipa), and custom Funko Pop set, Michael and Dreyer have made Witherfall their mission. The journey to this point hasn’t been without toil and upheaval. Determination, however, is the key. Today, Witherfall brings “Sounds Of The Forgotten" to the masses. Experience it all with them.
Witherfall - Sounds Of The Forgotten Purple Vinyl Edition
Witherfall
Sounds Of The Forgotten Purple Vinyl Edition
2LP | 2024 | EU | Original (Deathwave)
32,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
Los Angeles-based dark melodic metal outfit Witherfall proudly presents their fourth full-length, “Sounds Of The Forgotten”, via DeathWave Records. With predecessor "Curse Of Autumn" garnering high praise in Metal Insider, Deaf Forever, and KNAC.com, as well as admirable positions on Germany’s Top 20 Albums chart and Billboard’s Top New Artist Albums and Billboard 100 chart, “Sounds Of The Forgotten" advances Witherfall to legendary status with its epic, foreboding expanse. The album is supported by an ambitious schedule of seven singles, each with an official video linking the album’s story of heartbreak, anger, and tenacity. This is genuinely Witherfall, always willing to go the extra mile to outclass the past.

Witherfall was formed in Los Angeles in 2013. Joseph Michael (also of Sanctuary fame) and Jake Dreyer (ex-Iced Earth/Demons & Wizards) built their new band around drummer Adam Sagan (rip) and accomplished bassist Anthony Crawford (Allan Holdsworth, Chon). Since then, the group have released three highly regarded albums: "Nocturnes And Requiems" (2017), "A Prelude To Sorrow" (2018), and "Curse Of Autumn" (2021) and an EP "Vintage" (2019). Not one to cut corners, Witherfall enlisted famed drummer Marco Minnemann (The Aristocrats, Steven Wilson, Jordan Rudess) on "Curse Of Autumn", ensuring the foundations of singles 'As I Lie Awake', 'The Other Side Of Fear', and 'The River' were second to none. On "Sounds Of The Forgotten", Minnemann returns to the fold with an album-only appearance, while drummer Chris Tsaganeas (Wax Owls) and multi-instrumentalist Gerry Hirschfeld (Willie Nelson) Witherfall’s newest permanent members.

Every Witherfall album is a defining moment. From the moment "Nocturnes And Requiems" thundered across metaldom to the group’s wine endeavours (Tempest Red Blend) with Charlie & Echo Winery, their video collaboration with Cig Neutron (Devil’s Workshop) on 'The Other Side Of Fear', a beer partnership with Adroit Theory Brewing Company (Shadows Black Ipa), and custom Funko Pop set, Michael and Dreyer have made Witherfall their mission. The journey to this point hasn’t been without toil and upheaval. Determination, however, is the key. Today, Witherfall brings “Sounds Of The Forgotten" to the masses. Experience it all with them.
Winston Fergus - In Ting Sound
Winston Fergus
In Ting Sound
12" | 2024 | EU | Reissue (Jamwax)
20,99 €*
Release: 2024 / EU – Reissue
Genre: Reggae & Dancehall
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Jamwax presents the resurrection of a hard-hitting space synth masterpiece that's set to ignite your senses and shake the very foundations of sound systems worldwide. 'In Ting Sound' is a sonic juggernaut, a hard-as-nails sound bwoy killer that refuses to be confined to the constraints of time. With its pulsating beats and infectious rhythms, this track commands attention from the moment the first note hits. But it's the heavy drums that truly set it apart, pounding with relentless force and driving the groove forward with unstoppable momentum. Get ready to embark on a sonic journey like no other as this reissue comes with three exclusive unreleased tracks : 'Mandela': Feel the pulse of liberation with this uptempo digital killer, featuring Winston's impassioned plea to "Free Nelson Mandela...he never done no wrong, he is just a conscious man..." Let the rhythm of justice resonate as you groove to this powerful anthem of freedom. 'Life All Over': Flip over to the B-side for a digital roots tune that- hits hard with its strong bassline and conscious lyrics. "Life AllOver" dives deep into the essence of existence, delivering a message of hope and resilience that reverberates with every beat. 'Finnegan' aka 'Life All Over Dubwise': Prepare to enter the realm of dub mastery. The second part of "Life All Over" takes you on a journey through the echoes of space and time, where the music transcends boundaries and the spirit of dub reigns supreme. About Winston Fergus : Winston Fergus, a stalwart of the UK reggae scene whose career spans over four decades. Winston kickstarted his journey in 1976 as the vibrant lead singer of The Equators, renowned for their iconic track 'Father Oh Father' released under Joe Sinclair's esteemed Klik label. Not only did The Equators make waves in their own right, but they also provided the musical backdrop for rising star Pablo Gad, solidifying Winston's reputation as a mentor in the industry. In 1977, Winston ventured into solo territory with the soulful release 'Give Me Love' on Jah Jah Bus, marking the beginning of a prolific solo career. Lightning Records recognized his talent and signed him, resulting in the release of 'African Woman'. Throughout the '80s, Winston remained a prominent figure, collaborating with luminaries like Clement Bushay, Clive Stanhope, and John Dread, producing hits such as 'Jezebel Woman', 'Keep On Dancing', and 'Hope For The World'. In the late 80's, Winston's entrepreneurial spirit led him to establish his own imprint, Fergie Music label, marking a new chapter in his illustrious career.
Willie Nelson - Willie Nelson And Family Vinyl Me, Please Edition
Willie Nelson
Willie Nelson And Family Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
Sound-wise, 1971’s Willie Nelson & Family is no different than the 11 studio albums that precede it: They are awash in the Countrypolitan sound, with strings, horns and backing singers. But the version of ‘’Sunday Mornin,'' complete with its guitar solo — one of the first on Nelson’s legendary Trigger guitar — feels like the first act of defiance and a statement of intent. ‘’If Kris Kristofferson can do this, I can do it too,'' Nelson seemed to be saying. Within 18 months, he’d be in New York making Shotgun Willie, free to follow his muse wherever he went, cementing Kristofferson’s outlaw country jumpoff point. And that’s why Willie Nelson & Family is such an interesting artifact: It’s the last album Willie made in his ‘’Before'' timeline; it’s the point where he started putting it all together and asserting his creative ideas in tangible ways.
Willie Nelson - Willie And The Wheel
Willie Nelson
Willie And The Wheel
LP | 2010 | EU | Reissue (Bismeaux)
26,99 €*
Release: 2010 / EU – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
Willie Nelson - The Words Don't Fit The Picture Translucent Blue Vinyl Edition
Willie Nelson
The Words Don't Fit The Picture Translucent Blue Vinyl Edition
LP | 1972 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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180 GRAM AUDIOPHILE VINYL
FEATURING NELSON’S FIRST SOLO RECORDING OF “GOOD HEARTED WOMAN”
LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON TRANSLUCENT
BLUE COLOURED VINYL
Willie Nelson - The Great Divide
Willie Nelson
The Great Divide
LP | 2023 | EU | Original (Mercury)
12,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Willie Nelson - The Border
Willie Nelson
The Border
LP | 2024 | EU | Original (Sony Music Catalog)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Willie Nelson - That's Life
Willie Nelson
That's Life
LP | 2021 | US | Original (Sony Legacy)
29,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Willie Nelson - That's Life
Willie Nelson
That's Life
LP | 2021 | EU | Original (Sony)
26,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Willie Nelson - Texas Willie
Willie Nelson
Texas Willie
LP | 2024 | Original (Sunset Blvd)
33,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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2CD Set / 40 songs - Contains 20 Tracks not available on CD or Streaming. The breadth and scope of Willie Nelson’s career is staggering.
He first established himself as part of a new generation of progressive country songwriters in the early ‘60s. Here are the obscure and rarely heard demo recordings he made prior to signing to Liberty and before RCA. All of these recordings are both musically and historically significant. Includes "Man With The Blues," "Misery," "Undo The Right," "One Step Beyond," "Any Old Arms Won't Do," "Blame It On The Times," "The End Of Understanding," "Slow Down Old World," "A New Way To Die," "Home Motel," "Right From Wrong," "Slow Down Old World," "Happiness Lives Next Door," "I Feel Sorry For Him," "Where My House Lives," and more.
Willie Nelson - Teatro
Willie Nelson
Teatro
LP | 1998 | UK | Reissue (UMR)
36,99 €*
Release: 1998 / UK – Reissue
Genre: Rock & Indie
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Willie Nelson - Stardust
Willie Nelson
Stardust
LP | JP | Reissue (CBS/Sony)
26,99 €*
Release: JP – Reissue
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Willie Nelson - Shotgun Willie Atlantic 75 Series
Willie Nelson
Shotgun Willie Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
69,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Willie Nelson's breakthrough solo album!
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.

Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country — a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time

The album — the first to feature Nelson with long hair and a beard on the cover — gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at Nos. 60 and 22 on Hot Country Songs respectively.

We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported!
Willie Nelson - Shotgun Willie 50th Anniversary Deluxe Black Friday Record Store Day 2023 Vinyl Edition
Willie Nelson
Shotgun Willie 50th Anniversary Deluxe Black Friday Record Store Day 2023 Vinyl Edition
2LP | 1973 | Reissue (Rhino)
44,99 €*
Release: 1973 / Reissue
Genre: Rock & Indie
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Quantity: 5500
Release type: RSD Exclusive Release

2nd LP contains all of the session outtakes, included in the 2006 4CD box set The Complete Atlantic Sessions.
Willie Nelson - Shotgun Willie
Willie Nelson
Shotgun Willie
LP | 1973 | US | Reissue (Atlantic)
55,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
2009 reissue. Few paper scuffs.
Willie Nelson - Red Headed Stranger
Willie Nelson
Red Headed Stranger
LP | 1975 | EU | Reissue (Sony Music Catalog)
26,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Willie Nelson - Rainbow Connection
Willie Nelson
Rainbow Connection
LP | 2001 | Reissue (Island)
41,99 €*
Release: 2001 / Reissue
Genre: Rock & Indie
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Willie Nelson - Pretty Paper
Willie Nelson
Pretty Paper
LP | 2023 | EU | Original (Sony Music Catalog)
26,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Willie Nelson - Phases And Stages Vinyl Me, Please Edition
Willie Nelson
Phases And Stages Vinyl Me, Please Edition
LP | 1974 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1974 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Willie Nelson wants it known, despite being divorced twice and married thrice before writing the album — including one that was spurred by his second wife finding a maternity ward bill from his eventual third — that Phases and Stages is and was not autobiographical. “The overall theme was not a reflection of my own life,” he said in his 2015 biography It’s A Long Story: My Life. “I was simply making up a story. Sure, I’d gone through breakups and heartaches of my own. What human soul hasn’t?” But when you make an album like Phases and Stages, the most devastating, humanistic divorce record of all time — and be beaten by an ex-wife after she sews you into your sheets — people begin to believe the album is about you and your ex-wives.
Willie Nelson - Phases And Stages Record Store Day 2024 Vinyl Edition
Willie Nelson
Phases And Stages Record Store Day 2024 Vinyl Edition
LP | 1974 | Reissue (Rhino Atlantic)
53,19 €* 55,99 € -5%
Release: 1974 / Reissue
Genre: Pop
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Nelson’s 1974 classic, celebrating its 50th Anniversary in March, just prior to RSD If Shotgun Willie played a bit like a concept album, Phases and Stages was a full-blown one, tracing the dissolution of a marriage and devoting one side to the wife's perspective, the second to the husband's….Phases and Stages is easily the equal of its remarkable predecessor, a wonderful set of music that resonates deeply, as deeply as the words. Make no mistake -- the deceptively relaxed arrangements, including the occasional strings, not only highlight Nelson's clever eclecticism, but they also heighten the emotional impact of the album. And this is a hell of an emotional record, where even each side's celebratory honky tonk numbers (the medley "Sister's Coming Home/Down at the Corner Beer Joint" and "Pick Up the Tempo," respectively) are muted by sadness. Then, there are the centerpieces: "Walkin'," where the woman decides it's time to move on; "Pretend I Never Happened," perhaps the coldest ending to a relationship ever written; "Bloody Mary Morning," a bleary-eyed morning-after tale that became a standard; "It's Not Supposed to Be That Way," a nearly unbearably melancholy account of a love gone wrong; and "Heaven and Hell," a waltz summary of the relationship. Any two of these would have formed a strong core for an album, but placed together in a narrative context, their impact is even more considerable. As a result, this is not just one of Willie Nelson's best records, but one of the great concept albums overall.
Willie Nelson - Phases And Stages
Willie Nelson
Phases And Stages
LP | 1974 | EU | Reissue (Rhino)
31,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Willie Nelson - Pages Of Time: The Early Chapters Orange Coke Bottle Vinyl Edition
Willie Nelson
Pages Of Time: The Early Chapters Orange Coke Bottle Vinyl Edition
3LP | 2024 | Original (Golden Lane Rec.)
82,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Willie Nelson - Milk Cow Blues
Willie Nelson
Milk Cow Blues
2LP | 2000 | US | Reissue (Island)
49,99 €*
Release: 2000 / US – Reissue
Genre: Rock & Indie
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Milk Cow Blues is the 48th studio album, released in 2000, by American country music singer Willie Nelson. It contains several duets and musical collaborations with artists such as B. B. King and Dr. John. Available for the first time on vinyl. 180-gram 2 LP.

Tracklisting

Side A: 1. Milk Cow Blues 2. Outskirts Of Town 3. Black Night 4. Funny (How Times Slips Away) Side B: 5. Rainy Day Blues 6. Crazy 7. The Thrill Is Gone 8. Wake Me When It's Over Side C: 9. Kansas City 10. Fool's Paradise 11. Ain't Nobody's Business 12. Night Life Side D: 13. Sittin' On Top Of The World 14. Lonely Street 15. Texas Flood
Willie Nelson - Long Story Short: Willie Nelson 90 Live At The Hollywood Bowl Volume 2 Record Store Day 2024 Vinyl Edition
Willie Nelson
Long Story Short: Willie Nelson 90 Live At The Hollywood Bowl Volume 2 Record Store Day 2024 Vinyl Edition
2LP | 2024 | EU | Original (Sony Music Catalog)
35,14 €* 36,99 € -5%
Release: 2024 / EU – Original
Genre: Rock & Indie
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Quantity: 4500
Release type: RSD Exclusive Release

Exclusively to RSD retailers, is the 2nd vinyl volume of highlights from these legendary shows with 19 performances. Feat: The Avett Brothers, Edie Brickell, R. Cash, Sheryl Crow, Emmylou Harris, Warren Haynes, Daniel Lanois, Lyle Lovett,Booker T. Jones, Kris Kristofferson, Margo Price, N. Rateliff,Keith Richards, Charlie Sexton, Snoop Dogg, George Strait, Billy Strings ect
Willie Nelson - Live From Austin TX Red Cassette Edition
Willie Nelson
Live From Austin TX Red Cassette Edition
Tape | 2006 | US | Reissue (New West)
17,99 €*
Release: 2006 / US – Reissue
Genre: Rock & Indie
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Willie Nelson - Live From Austin TX Baby Blue Eyes Crying Vinyl Edition
Willie Nelson
Live From Austin TX Baby Blue Eyes Crying Vinyl Edition
2LP | 2006 | US | Reissue (New West)
37,99 €*
Release: 2006 / US – Reissue
Genre: Rock & Indie
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Willie Nelson - Live At The Texas Opryhouse, 1974 Record Store Day 2022 Vinyl Edition
Willie Nelson
Live At The Texas Opryhouse, 1974 Record Store Day 2022 Vinyl Edition
2LP | 1992 | US | Reissue (Atlantic)
38,99 €*
Release: 1992 / US – Reissue
Genre: Rock & Indie
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Limited to 8500 copies.

First Time on Vinyl. Recorded over the course of two nights in 1974, just a few months after Phases and Stages was released, these early concerts by the newly-minted Willie Nelson Family Band was meant to capture the sound and feel of the burgeoning Outlaw Country scene in Austin, TX. Produced by Jerry Wexler, the album was scrapped at the time and was only released on CD in 1992 and in this complete form in 2006 on the The Complete Atlantic Sessions. The set captures a rising star twelve years in the making, whose fame and fortune lurked just around the corner.
Willie Nelson - Live At Budokan Black Friday Record Store Day 2022 Edition
Willie Nelson
Live At Budokan Black Friday Record Store Day 2022 Edition
2LP | 2022 | EU | Reissue (Legacy)
30,99 €*
Release: 2022 / EU – Reissue
Genre: Rock & Indie
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Black Friday Record Store Day 2022 Edition. Color: unknown. Limitation: 9100 copies. This performance finds Willie and Family at a monumental point of their powers and includes a 27-song, hit-filled set across two LPs.
Willie Nelson - Last Man Standing
Willie Nelson
Last Man Standing
LP | 2018 | US | Original (Sony Legacy)
26,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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Willie Nelson - Last Leaf On The Tree Colored Vinyl Edition
Willie Nelson
Last Leaf On The Tree Colored Vinyl Edition
2LP | 2024 | EU | Original (Sony Music Catalog)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Willie Nelson - Last Leaf On The Tree
Willie Nelson
Last Leaf On The Tree
CD | 2024 | EU | Original (Sony Music Catalog)
20,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Willie Nelson - It Always Will Be
Willie Nelson
It Always Will Be
LP | 2023 | EU | Original (Mercury)
31,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Willie Nelson - Greatest Hits
Willie Nelson
Greatest Hits
2LP | 2023 | EU | Original (Sony Music Catalog)
31,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Willie Nelson
Brah, Humbug! Xmas In Nola Black Friday Record Store Day 2024 Edition
LP | 2024 | Reissue (Tipitina's Record Club)
TBA
The final price is not yet known.
Release: 2024 / Reissue
Genre: Rock & Indie
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Coming Soon 2024-11-29, 12:00 CET
RSD First, Limitation: 1000
Willie Nelson & Bobbie - December Day Willie's Stash Volume 1 White Vinyl Edition
Willie Nelson & Bobbie
December Day Willie's Stash Volume 1 White Vinyl Edition
2LP | 2014 | EU | Reissue (Music On Vinyl)
22,39 €* 31,99 € -30%
Release: 2014 / EU – Reissue
Genre: Rock & Indie
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Talk about a talented family: Willie Nelson and his Sister Bobbie Nelson each achieved massive success in country music. Even in their late 80’s, the Nelsons continue to make music and their influence can be heard through many artists in the genre. December Day, Willie’s Stash Vol. 1 is a collaboration album between the two, and upon release in 2014 it was met with positive reviews from music critics. The album spawned three singles: “Who’ll Buy My Memories”, “Laws of Nature” and “Summer of Roses / December Day”. The liner notes were written by Willie’s frequent collaborator Mickey Raphael. This record comes as a limited edition on snowy white vinyl.
Willie Nelson - Bluegrass Marbled Vinyl Edition
Willie Nelson
Bluegrass Marbled Vinyl Edition
LP | 2023 | EU | Original (Sony Music Catalog)
26,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Willie Nelson - ...And Then I Wrote Colored Vinyl Edition
Willie Nelson
...And Then I Wrote Colored Vinyl Edition
LP | 2017 | EU | Original (Jackpot)
27,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Willie Nelson - And Then I Wrote 180g Edition
Willie Nelson
And Then I Wrote 180g Edition
2LP | 2022 | US | Reissue (Analogue Productions)
75,99 €*
Release: 2022 / US – Reissue
Genre: Rock & Indie
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Willie Nelson - And Then I Wrote
Willie Nelson
And Then I Wrote
LP | 2023 | EU | Original (Pan Am)
16,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Wild Billy Childish & The Singing Lions - Song Of The Medway
Wild Billy Childish & The Singing Lions
Song Of The Medway
7" | 2022 | EU | Original (Damaged Goods)
10,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Billy & The Loins reunite for a tribute 7" to founding Singing Loins member Chris Broderick!Billy recorded the first two Singing Loins LPs with Chris Broderick and Arf' Alan in his bathroom at May Road, Rochester in 1991 and 1993. The lads then decided to record an LP of folk variations of Billy's own tunes, called At The Bridge. The Singing Loins then went their own way recording many LPs. Fast forward to late 2021 and the singer Chris was diagnosed with blood cancer. Before his passing in January 2022, he let Arf (and later Loin Rob), know that he wished them to carry on the group. That said Billy proposed a memorial 45 (and an LP to follow). "Song of the Medway" is about their hometowns of Rochester, Chatham, Strood and Gillingham, all on the banks of the River Medway. Chatham's ancient Dockyard was where Nelson's Victory was built. "The Broken and the Lost of the Old Long Bar" celebrates a drinking hole on Chatham High Street (which once boasted more pubs and brothels in a single mile than anywhere in the world). Especially written by Billy for this return of The Singing Loins, the songs are at once brand new and ancient.
Whitney K - Two Years
Whitney K
Two Years
LP | 2021 | EU | Original (Maple Death)
19,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie, Pop
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Rolling through life, an open mind like an ocean, an infinite ride that comes furiously crashing to a halt. This is Whitney K’s ‘Two Years’, a deep dive into the Canadian songwriter’s journey through vulnerability, change and ultimately letting his guard down.

Whitney K is the wandering stalwart Konner Whitney, a Whitehorse Yukon resident who has spent time in Vancouver, Montreal, Burnaby and Los Angeles. We met the character in 2016 through his intoxicating 4-track recorded manifesto ‘Goodnight’, a head on collision into 24 hours of illusioned romance and modern day escapism. Fast forward to 2021, lift those curtains, aptly titled ‘Good Morning’ is the opening track on ‘Two Years’, a different cracker, a deliberate record about transformation, where to put it simply, Whitney K has arrived. Enlisting the aid of main collaborator and bandmate Josh Boguski and drummer Avalon Rossignol-Tassonyi, the focus has been shifted, folklore and realism becoming reckoning and truthfulness, what was outsider folk is now political poetry, life in motion delivered through a freeway ridden baritone voice that transforms the mundane into extraordinary. Written with a completely different mindset and a conscious effort to break with the traditions of a corrupt, hypocritical, and hateful society/lineage, Konner’s pen is precise and daring, uniting the earnestness of Willie Nelson and the comedy relief of Harry Nilsson on the beautiful ‘Me Or The Party #165’, or when painting Canada’s colonial past and heartland image on the primitive rock’n’roll anthem ‘Trans-Canada Oil Boom Blues’. There is no avoidance, no excuses, whether your self portrait in the mirror resembles a five dollar caricature sold on a boardwalk, the John Cale-esque opener ‘Good Morning’, or whether you learn you are worthy of love like on the poignant vignette ‘Maryland’, the beautifully arranged album closer that echoes Tin Pan Alley with Lou Reed’s grit. ‘Two Years’ also presents plenty of fun, the perfectly stumblin’ garage rocker ‘Last Night #2’, the honky tonk blues coming-of-age episode ‘Cowboy City Rocker’ and the cello/violin belter ‘Hit This Pipe’. One of Whitney K’s many gems is ‘The Weekend’ a minimalist spectral ode to hope where the band’s restriction brings out the pure force and vocal command of the ramblin’ troubadour. Time to open your arms, he’s coming out of no fun city and aiming straight for you.
Whispers - Yom-Ma-Lok Opaque Aqua Vinyl Edition
Whispers
Yom-Ma-Lok Opaque Aqua Vinyl Edition
LP | 2024 | US | Original (Flatspot)
44,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Self-designated as “Bangkok Evilcore,” WHISPERS, based out of Thailand, are bringing an immense sound to modern metallic hardcore. Originally formed in 2014, the band picked up steam in 2021 with the release of their Narok Bon Din EP grabbing international attention. Now WHISPERS join the growing roster of pivotal heavy-music label Flatspot Records for the release of Yom Ma-Lok!Hitting the studio in spring 2024, WHISPERS set out to make a heavy, intense record that connects on an emotional level. The band worked with Suchai at Sixthirty Recording Studio in Bangkok to hone in on their sound, before sending the EP to Andy Nelson at BrickTop Recording for mixing and Brad Boatright at Audiosiege for mastering. Influence from bands like ALL OUT WAR and MEARAUDER comes through across the seven songs, giving a tough-as-nails delivery packed with menacing riffs. Thematically, Yom-Ma-Lok addresses realism and human nature through a global perspective. With the release of Yom-Ma-Lok, WHISPERS are setting out to spread the message and sound of Asian hardcore far and wide. 1. Bangkok Evilcore2. A Choice To Survive3. Retribution4. Close Your Eyes5. This Is Not The End6. Weisenheimer (You Were Never One Of Us)7. Yom-Ma-Lok
Weasel Walter Large Ensemble - Igneity: After The Fall Of Civilization
Weasel Walter Large Ensemble
Igneity: After The Fall Of Civilization
2LP | 2024 | EU (Improved Sequence)
29,99 €*
Release: 2024 / EU
Genre: Rock & Indie
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Another incredible document from Weasel Walter / The Flying Luttenbachers career, too good and too absurd to not have in on a monster double LP. The cast assembled and legendary names speak for themselves.

The Weasel Walter Large Ensemble debuted on Igneity - After The Fall Of Civilization (april 2015): Brandon Lopez and Tim Dahl on double bass, Alan Licht, Henry Kaiser and Chris Welcome on guitars, the quartet sax of Chris Pitsiokos, Jim Sauter, Matt Nelson and Michael Foster, Steve Swell on trombone, Peter Evans on trumpet and Dan Peck on tuba.

“‘Igneity’ was composed in response to Henry Kaiser asking me if I would assemble a big band, rather than a small group, for us to play a concert with in New York. I had previously included him in the large ensembles I had led when I lived in Oakland, California. However, I had not yet tackled the format in New York City. There is certainly no shortage of excellent players around here, but unlike the Bay Area, logistics tend to be somewhat more complicated, especially when it comes to rehearsal. As such, I set about devising an hour long structure which would allow me to control the general momentum and the various densities inherent in the orchestration while granting the individuals maximum freedom.”
Virgil Shaw - At The Time I Didn't Care
Virgil Shaw
At The Time I Didn't Care
LP | 2021 | US | Original (Rocks In Your Head)
14,29 €* 25,99 € -45%
Release: 2021 / US – Original
Genre: Rock & Indie
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Beginning his career as a member of the high-energy, speed-pop band Brent’s T.V. (who recorded two albums for Lookout Records), he later moved to San Francisco where he was a founding member of the band Dieselhed (Bongload Records) from 1992-2000. From there is work as a solo artist became laded with rich, evocative imagery, gothic storytelling and painterly detail. Recorded in San Francisco and the headlands north of the city, Virgil's new album captures the songwriter in a self-reflective awareness, touching on topics from dead and gone love to an absorbing recount of a feveristic dream. It features Henry Nagle (guitar/petal steel), Rusty Miller (drums/guitar/bass), Atom Ellis (vocals/bass), Danny Heifetz (vibraphones), and Whitney Shaw (vocals). Virgil's arc angel yodelistic soul-singing can sound like a cross between Gram Parsons and Jimmie Rogers, and beneath that the band plays anything from the laid-back downer country of Kris Kristofferson or Fred Neil to a psychedelic ethereal dreamscape country sound. At the Time I Didn’t Care reminds one of outlaw country, particularly early and eerie Willie Nelson. It’s a straight country record, nor a folk record, but something original and intangible between.
Verbz, Nelson Dialect & Mr Slipz - Sight Beyond Sight Colored Vinyl Edition
Verbz, Nelson Dialect & Mr Slipz
Sight Beyond Sight Colored Vinyl Edition
2LP | 2023 | UK | Original (High Focus)
35,99 €*
Release: 2023 / UK – Original
Genre: Hip Hop
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Due for release on July 28, 2023 on High Focus Records, a new collaborative LP ‘Sight Beyond Sight’ from the powerhouse trio of producer Mr Slipz with rappers Verbz & Nelson Dialect. This new LP is a continuation and culmination of the sounds heard on their previous records. The dynamic rhyming partnership of Nelson Dialect & Verbz going back and forth with relentless wordplay over the signature hard hitting drums & jazzy samples of Mr Slipz production. Showcasing a variety of moods throughout the record from neck snapping, classic rap joints like 'Strike Back’ & the album title track 'Sight Beyond Sight’ to more reflective & personal songs about loss and relationships heard on 'Homecoming’ or 'Beside Me’. To vivid storytelling and conceptual cuts like 'Cause and Effect’ Verbz and Nelson communicate the aspirations and the choices of young artists in the modern world like a roadmap any individual can reference; ‘Sight Beyond Sight’ truly offers something for every listener. There are notable features on the album including the deeply reflective cut 'Homecoming’ with Hiatus Kaiyote back up vocalist Jace XL on the chorus. There is also the blistering posse cut 'Starting 5’ featuring UK Hip Hop legend King Kashmere, NuphZed & Renelle 893, who recently signed to High Focus. Having already released critically acclaimed albums on the cult UK Hip Hop label High Focus, the anticipation is brewing and stage is set for another landmark release for the label from this exciting new trio with ‘Sight Beyond Sight’.
Verbz, Nelson Dialect & Mr Slipz - Sight Beyond Sight Black Vinyl Edition
Verbz, Nelson Dialect & Mr Slipz
Sight Beyond Sight Black Vinyl Edition
2LP | 2023 | UK | Original (High Focus)
32,99 €*
Release: 2023 / UK – Original
Genre: Hip Hop
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Due for release on July 28, 2023 on High Focus Records, a new collaborative LP ‘Sight Beyond Sight’ from the powerhouse trio of producer Mr Slipz with rappers Verbz & Nelson Dialect. This new LP is a continuation and culmination of the sounds heard on their previous records. The dynamic rhyming partnership of Nelson Dialect & Verbz going back and forth with relentless wordplay over the signature hard hitting drums & jazzy samples of Mr Slipz production. Showcasing a variety of moods throughout the record from neck snapping, classic rap joints like 'Strike Back’ & the album title track 'Sight Beyond Sight’ to more reflective & personal songs about loss and relationships heard on 'Homecoming’ or 'Beside Me’. To vivid storytelling and conceptual cuts like 'Cause and Effect’ Verbz and Nelson communicate the aspirations and the choices of young artists in the modern world like a roadmap any individual can reference; ‘Sight Beyond Sight’ truly offers something for every listener. There are notable features on the album including the deeply reflective cut 'Homecoming’ with Hiatus Kaiyote back up vocalist Jace XL on the chorus. There is also the blistering posse cut 'Starting 5’ featuring UK Hip Hop legend King Kashmere, NuphZed & Renelle 893, who recently signed to High Focus. Having already released critically acclaimed albums on the cult UK Hip Hop label High Focus, the anticipation is brewing and stage is set for another landmark release for the label from this exciting new trio with ‘Sight Beyond Sight’.
Verbz, Nelson Dialect & Mr Slipz - Sight Beyond Sight
Verbz, Nelson Dialect & Mr Slipz
Sight Beyond Sight
Tape | 2023 | UK | Original (High Focus)
11,99 €*
Release: 2023 / UK – Original
Genre: Hip Hop
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Due for release on July 28, 2023 on High Focus Records, a new collaborative LP ‘Sight Beyond Sight’ from the powerhouse trio of producer Mr Slipz with rappers Verbz & Nelson Dialect. This new LP is a continuation and culmination of the sounds heard on their previous records. The dynamic rhyming partnership of Nelson Dialect & Verbz going back and forth with relentless wordplay over the signature hard hitting drums & jazzy samples of Mr Slipz production. Showcasing a variety of moods throughout the record from neck snapping, classic rap joints like 'Strike Back’ & the album title track 'Sight Beyond Sight’ to more reflective & personal songs about loss and relationships heard on 'Homecoming’ or 'Beside Me’. To vivid storytelling and conceptual cuts like 'Cause and Effect’ Verbz and Nelson communicate the aspirations and the choices of young artists in the modern world like a roadmap any individual can reference; ‘Sight Beyond Sight’ truly offers something for every listener. There are notable features on the album including the deeply reflective cut 'Homecoming’ with Hiatus Kaiyote back up vocalist Jace XL on the chorus. There is also the blistering posse cut 'Starting 5’ featuring UK Hip Hop legend King Kashmere, NuphZed & Renelle 893, who recently signed to High Focus. Having already released critically acclaimed albums on the cult UK Hip Hop label High Focus, the anticipation is brewing and stage is set for another landmark release for the label from this exciting new trio with ‘Sight Beyond Sight’.
Verbz, Nelson Dialect & Mr Slipz - Sight Beyond Sight
Verbz, Nelson Dialect & Mr Slipz
Sight Beyond Sight
CD | 2023 | UK | Original (High Focus)
14,99 €*
Release: 2023 / UK – Original
Genre: Hip Hop
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Due for release on July 28, 2023 on High Focus Records, a new collaborative LP ‘Sight Beyond Sight’ from the powerhouse trio of producer Mr Slipz with rappers Verbz & Nelson Dialect. This new LP is a continuation and culmination of the sounds heard on their previous records. The dynamic rhyming partnership of Nelson Dialect & Verbz going back and forth with relentless wordplay over the signature hard hitting drums & jazzy samples of Mr Slipz production. Showcasing a variety of moods throughout the record from neck snapping, classic rap joints like 'Strike Back’ & the album title track 'Sight Beyond Sight’ to more reflective & personal songs about loss and relationships heard on 'Homecoming’ or 'Beside Me’. To vivid storytelling and conceptual cuts like 'Cause and Effect’ Verbz and Nelson communicate the aspirations and the choices of young artists in the modern world like a roadmap any individual can reference; ‘Sight Beyond Sight’ truly offers something for every listener. There are notable features on the album including the deeply reflective cut 'Homecoming’ with Hiatus Kaiyote back up vocalist Jace XL on the chorus. There is also the blistering posse cut 'Starting 5’ featuring UK Hip Hop legend King Kashmere, NuphZed & Renelle 893, who recently signed to High Focus. Having already released critically acclaimed albums on the cult UK Hip Hop label High Focus, the anticipation is brewing and stage is set for another landmark release for the label from this exciting new trio with ‘Sight Beyond Sight’.
Velocity Girl - Ultracopacetic (Copacetic Remixed And Expanded) Red Vinyl Edition
Velocity Girl
Ultracopacetic (Copacetic Remixed And Expanded) Red Vinyl Edition
2LP | 2024 | EU | Original (Sub Pop)
33,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Velocity Girl
Ultracopacetic (Copacetic Remixed And Expanded)
LP | 2024 | US | Original (Sub Pop)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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V.A. - This Is Flying Dutchman 1969-1975
V.A.
This Is Flying Dutchman 1969-1975
2LP | 2023 | UK | Original (BGP / Flying Dutchman)
24,99 €*
Release: 2023 / UK – Original
Genre: Organic Grooves
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Bob Thiele is one of the great producers. For his work with John Coltrane alone, where he gave free reign to the saxophone great's wildest musical visions including “A Love Supreme”, ignoring the usual cost consciousness of a major label, he deserves to be lauded. In addition to this, his eight years at Impulse! saw him recording seminal works by scores of musicians including late-blooming masterpieces by Duke Ellington and Johnny Hodges, and a whole wave of 'new thing' jazzers such as Archie Shepp and Pharoah Sanders. He didn't stop there and when he launched his own label, Flying Dutchman in 1969, he continued to innovate and record music that reflected its times, but that also resonates down through the ages. It is to Flying Dutchman that we are paying tribute on this compilation.

Gil Scott-Heron's recordings for the label ran to three records, which sold well but not spectacularly at the time. They have since taken on a resonance that makes the album "Pieces Of A Man" in particular one of the most important recordings of the last century, and its opening track 'The Revolution Will Not Be Televised' an anthem. Pianist Lonnie Liston Smith had been on Thiele's final important Impulse! Recording, Pharoah Sanders’ "Karma", and continued to appear on Flying Dutchman, first as a sideman and then as a leader. His 1975 album "Expansions" was the perfect encapsulation of his 'cosmic jazz' and the title track is a moment of near perfection which has become one of the foundation pieces of modern dance music.

Flying Dutchman's other great discoveries are here. Vocalist Leon Thomas found a new route for jazz vocals in the early 70s, which made him a star and earned him a place in Santana. Gato Barbieri became one of the major saxophone stars of the era, after Thiele enabled him to meld his free jazz leanings to the rhythms of South America. The label also made important recordings with Tom Scott (featured on Thiele's own 'Head Start'), Ornette Coleman and Oliver Nelson, whilst interesting records appeared by Esther Marrow, Harold Alexander and many more.

This is Flying Dutchman is a considered tribute to the label, and features in depth and fully illustrated sleeve notes. In the year when Bob Thiele's son is gearing up to release the first new music on the label since 1976, it is an apt and timely reminder of the power of the music.
V.A. - The Best Songs From Quentin Tarantino's Films
V.A.
The Best Songs From Quentin Tarantino's Films
LP | 2023 | EU | Original (Wagram)
42,99 €*
Release: 2023 / EU – Original
Genre: Soundtracks
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THE VINYLBOX COLLECTION IS BACKREDISCOVER ALL THE BEST SONGS FROM THE CULT MOVIES OF QUENTIN TARENTINO.STARRING : JOETEX, ISAAC HAYES, DICK DALE, ELVIN BISHOP, JOHNNY CASH, AL GREEN, RICKY NELSON, LINK WRAY, ...
V.A. - Summertime - Journey To The Center Of The Song Volume 3
V.A.
Summertime - Journey To The Center Of The Song Volume 3
10" | 2017 | EU | Original (Stag-O-Lee)
16,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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V.A. - Soul Sega Sa! Volume 2
V.A.
Soul Sega Sa! Volume 2
LP | 2019 | EU | Original (Les Disques Bongo Joe)
25,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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Still untouched by human settlement barely 500 years ago, the islands of the Southwest Indian Ocean, Mauritius, Reunion Island, Rodrigues and the Seychelles were colonized by Europeans (French, English and Dutch) from the end of the 16th century on and operated as trading posts on the Indian route. Slaves were deported from Africa and Madagascar to cultivate coffee, spices and sugar cane. On the margins of the plantations, during clandestine gatherings, they exorcised their daily lives through percussion, singing and dancing. It is the tschiéga, chéga or sega, from Mozambique and Malagasy influence.

The gradual appropriation by the Creole populations of Western instruments and European melodic traditions (quadrilles, waltzes, polkas, scottish, romances, mazurkas), as well as the cultural contribution of committed workers from India laid the foundations of the modern sega.

This crossroads of influences was to continue to grow, especially from the 1950s, when the first phonographs arrived, playing all kinds of varieties but also jazz, soul, rock'n'roll, and even Cuban or Brazilian music.

For the Sega, these were the first steps towards a period of intense creativity that would cover the 1960s and 1970s. Amplified instruments arrived, and electric guitars, basses, drums and keyboards quickly replaced violins and accordions. Record production exploded and saw the advent of many micro-labels featuring genius arrangers such as Marclaine Antoine, Gérard Cimiotti, Eric Nelson, Claude Vinh San, or Narmine Ducap who explored the Sega in its many facets. Psychedelic keyboards, fuzz guitars and undulating basses invited themselves on the furious ternary polyrhythms of drums, ravannes, bongos, claves, triangles and maracas, to produce a unique style.

Here are some pearls from this golden age of the segas of Mauritius, Seychelles and Reunion Island that are compiled in this volume 2 for our greatest pleasure!
V.A. - Saturday Night: South African Disco Pop Hits
V.A.
Saturday Night: South African Disco Pop Hits
LP | 2021 | US | Original (Cultures Of Soul)
26,99 €*
Release: 2021 / US – Original
Genre: Organic Grooves
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The 1980s were an epoch of upheaval and rapid change in South Africa. The decade began with the country’s apartheid government fighting to maintain its institutionalized racial segregation in the face of global protests and demands for the release of human rights activist Nelson Mandela, who had been jailed since the early 1960s. By 1990, Mandela was free, and apartheid was on the way to being dismantled. On the music front, things were changing too; At the beginning of the decade, the main music style of black South Africans was the jazzy indigenous jive of mbaqanga, a provincial style that had held its place as the sound of South Africa since Mandela was first imprisoned. By the end of the decade, South African music stars were making international waves with bubblegum, a flashy variety of Afro-techno-pop. In Saturday Night: South African Disco POP Hits, Cultures of Soul explores this period of change, and the intermediary forms that filled the gap between mbaqanga and bubblegum. The years when South African musicians and producers wrestled with the incursion of foreign disco and formulated their own style of homegrown disco-pop. Starting from the early 80s, when bands like Varikweru, Black Five and Soundburger essayed local attempts at boogie and jazz-fusion, through experiments like the Madonna-cloned diva Margino, who domesticized the burgeoning Italo-disco and NYC electro sounds, up through the massive breakthrough of Brenda and the Big Dudes, who arrived at the right mix between native and international influences to point the way forward for South African pop. The sound on these records is ostensibly familiar, drawing heavily on models from the 1980s dance culture in Europe and America, but if you listen closely enough you can hear the distinct South African-ness of it all—from the deep, burbling basslines, the brightly hypnotic melodies, and chant-like lyrics—and with sounds as intoxicating as these, you will sure want to listen closely. And often!
V.A. - Saturday Night: South African Disco Pop Hits
V.A.
Saturday Night: South African Disco Pop Hits
CD | 2021 | US | Original (Cultures Of Soul)
14,39 €* 17,99 € -20%
Release: 2021 / US – Original
Genre: Organic Grooves
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The 1980s were an epoch of upheaval and rapid change in South Africa. The decade began with the country’s apartheid government fighting to maintain its institutionalized racial segregation in the face of global protests and demands for the release of human rights activist Nelson Mandela, who had been jailed since the early 1960s. By 1990, Mandela was free, and apartheid was on the way to being dismantled. On the music front, things were changing too; At the beginning of the decade, the main music style of black South Africans was the jazzy indigenous jive of mbaqanga, a provincial style that had held its place as the sound of South Africa since Mandela was first imprisoned. By the end of the decade, South African music stars were making international waves with bubblegum, a flashy variety of Afro-techno-pop. In Saturday Night: South African Disco POP Hits, Cultures of Soul explores this period of change, and the intermediary forms that filled the gap between mbaqanga and bubblegum. The years when South African musicians and producers wrestled with the incursion of foreign disco and formulated their own style of homegrown disco-pop. Starting from the early 80s, when bands like Varikweru, Black Five and Soundburger essayed local attempts at boogie and jazz-fusion, through experiments like the Madonna-cloned diva Margino, who domesticized the burgeoning Italo-disco and NYC electro sounds, up through the massive breakthrough of Brenda and the Big Dudes, who arrived at the right mix between native and international influences to point the way forward for South African pop. The sound on these records is ostensibly familiar, drawing heavily on models from the 1980s dance culture in Europe and America, but if you listen closely enough you can hear the distinct South African-ness of it all—from the deep, burbling basslines, the brightly hypnotic melodies, and chant-like lyrics—and with sounds as intoxicating as these, you will sure want to listen closely. And often!
V.A. - Sabor Surf
V.A.
Sabor Surf
LP | 2021 | EU | Original (Elpalmas Music)
24,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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The album that you now enjoy has been compiled by El Palmas & El Drágon Criollo an begins with the theme that every afternoon, starting at 6 O´clock, all the youth of Caracas waited anxiously: “Introduction Theme” by Los Supersónicos was the wake-up call to introduce the charge of surfing that that later it would explode in El Club Musical.

And from the same group, another of their greatest hits is included, such as “Rosas Rojas para una Dama Triste”.

The Dangers were in charge of entertaining many youth parties in Venezuelan society. Their great success was “Congratulations”, an obscure Ricky Nelson song, of which they made an excellent cover. And to demonstrate the great influence of the British group The Shadows - present in all the youth bands of the time - here they shine with their recreation of the song “González” The Blonders were by far the possessors of the purest and most crystalline sound among the surf groups in Venezuela. A bold and highly imaginative arrangement of the classic “Lamento Borincano” is enough to justify its inclusion in this compilation.

And although The Impala came to have the most aggressive and rock-and-roll sound, here they show another facet of their music with the songs “Triste” and “Desafinado”.
V.A. - OST Deathloop Multicolored Vinyl Edition
V.A.
OST Deathloop Multicolored Vinyl Edition
2LP | 2022 | US | Original (Laced)
48,99 €*
Release: 2022 / US – Original
Genre: Soundtracks
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The visionaries at Bethesda, Arkane and Laced are bringing the twisted ’60s soundtrack for award-winning looper-shooter Deathloop to wax. This double LP set features a 19-track selection specially mastered for vinyl and pressed on heavyweight LPs in solid blue and orange, with printed inner sleeves and a wide-spined outer sleeve. Tracklist curation and stunning original sleeve artwork is by the team at Arkane Lyon. Lead composer Tom Salta has built an enviable credits list, with entries in the Prince of Persia, Tom Clancy and Halo universes to his name. For Deathloop’s original score, he immersed himself in the music of Jimi H endrix, Pin k Floyd, Nelson Riddle and a host of other late-’60s influences. Layers of period-appropriate organs, synths and other instruments (including Rhodes, Wurlitzer and Hammond B3) help maintain the tension as Colt picks off Eternalists from the shadows. As things get dicey, or Julianna intervenes with extreme prejudice, tracks explode into furious guitar and drum grooves that propel the zany, supernaturally enhanced gunplay. Ross Tregenza’s multi-genre diegetic cues perfectly complement the psycho-sophisticate stylings of Blackreef’s artistically aspirational inhabitants, while songwriter Erich Talaba and singer Jeff Cummings brought to life the vicious visionary Frank Spicer with catchy in-universe songs. Music agency Sencit teamed up with powerful yet soulful vocalists for trailer and credits songs, including Bond-ish banger “Déjà Vu” (featuring Fjøra), “Pitch Black” (featuring Lady Blackbird) and “Down the Rabbit Hole” (featuring Samantha Howard & Haqq.)
V.A. - OST Deathloop Boxset
V.A.
OST Deathloop Boxset
4LP | 2022 | US | Original (Laced)
110,99 €*
Release: 2022 / US – Original
Genre: Soundtracks
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The visionaries at Bethesda, Arkane and Laced are bringing the twisted ’60s soundtrack for award-winning looper-shooter Deathloop to wax. The complete 59-track soundtrack has been specially mastered for vinyl and will be pressed onto heavyweight discs. These will come in spined inner sleeves housed in a rigid board slipcase. Tracklist curation and stunning original sleeve artwork is by the team at Arkane Lyon.

This Standard Edition quadruple LP box set features traditional black discs. Lead composer Tom Salta has built an enviable credits list, with entries in the Prince of Persia, Tom Clancy and Halo universes to his name. For Deathloop’s original score, he immersed himself in the music of Jimi He ndrix, Pi nk Floyd, Nelson Riddle and a host of other late-’60s influences. Layers of period-appropriate organs, synths and other instruments (including Rhodes, Wurlitzer and Hammond B3) help maintain the tension as Colt picks off Eternalists from the shadows. As things get dicey, or Julianna intervenes with extreme prejudice, tracks explode into furious guitar and drum grooves that propel the zany, supernaturally enhanced gunplay. Ross Tregenza’s multi-genre diegetic cues perfectly complement the psycho-sophisticate stylings of Blackreef’s artistically aspirational inhabitants, while songwriter Erich Talaba and singer Jeff Cummings brought to life the vicious visionary Frank Spicer with catchy in-universe songs. Music agency Sencit teamed up with powerful yet soulful vocalists for trailer and credits songs, including Bond-ish banger “Déjà Vu” (featuring Fjøra), “Pitch Black” (featuring Lady Blackbird) and “Down the Rabbit Hole” (featuring Samantha Howard & Haqq.)
V.A. - OST Big Little Lies Music From Hbo Series
V.A.
OST Big Little Lies Music From Hbo Series
2xLP | 2019 | Original (ABKCO)
51,99 €*
Release: 2019 / Original
Genre: Soundtracks
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Double vinyl LP pressing. Soundtrack to the second season of the critically acclaimed and eight-time Emmy winning HBO series, starring Reese Witherspoon, Nicole Kidman, Shailene Woodley, Laura Dern and Meryl Streep. Big Little Lies: Music from Season 2 of the HBO Limited Series showcases an eclectic mix of soul, folk, blues, country and rock from Charles Bradley, the Spinners, Cassandra Wilson, Elle King, Willie Nelson and more. Several previously unreleased tracks are premiered, including "Piece of My Heart" by Christina Vierra and The Ryam Rehm Band (made famous by Janis Joplin's Big Brother and the Holding Company), "Why Can't We Live Together" by Jim James (originally by Timmy Thomas), and "That Was Yesterday" by Leon Bridges.
V.A. - Music For The Stars (Celestial Music 1960-1979) Colored Vinyl Edition
V.A.
Music For The Stars (Celestial Music 1960-1979) Colored Vinyl Edition
2LP | 2022 | EU | Original (Two-Piers)
31,99 €*
Release: 2022 / EU – Original
Genre: Pop
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V.A. - Music For The Stars (Celestial Music 1960-1979) Black Vinyl Edition
V.A.
Music For The Stars (Celestial Music 1960-1979) Black Vinyl Edition
2LP | 2022 | EU | Original (Two-Piers)
31,99 €*
Release: 2022 / EU – Original
Genre: Pop
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V.A. - Mirwood Northern Soul
V.A.
Mirwood Northern Soul
LP | 2017 | UK | Original (Kent Dance)
19,99 €*
Release: 2017 / UK – Original
Genre: Organic Grooves
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Mirwood Records’ second release was Jackie Lee’s ‘The Duck’, an uptempo soul swinger that became a big hit and established the Mirwood sound. The house team of producer Fred Smith, arranger James Carmichael, songwriter and backing voices arranger Sherlie Matthews, along with contributions from veteran singer/songwriters Bobby Relf and Earl Nelson (Bob & Earl), made for uptempo soul perfection and they played that beat throughout 1965 and 1966.

More US chart action occurred for Mirwood with the Olympics and Bob & Earl but much of their superlative work fell on deaf American ears. It was the British soul aficionados of the early 70s who discovered these masterpieces and played them on the burgeoning Northern Soul scene with dancers revelling in the relentless beats, pleading vocals and sassy female backing. Virtually any Jackie Lee track was a worthy contender and although they never repeated his ‘Duck’ success, the company created soul classics like ‘Do The Temptation Walk’, the later master tape discovery ‘Anything You Want (Any Way You Want It)’ and the anthemic ‘Oh My Darlin’’.

Bob & Earl’s hottest number was actually the backing track to Bob’s speedy ‘My Little Girl’, discovered as an accidental LP track in the late 60s. Under the same alias, Bobby Garrett, he had another monster sound with ‘I Can’t Get Away’. Sherlie Matthews composed the hit ‘Mine Exclusively’ for the Olympics and, in a similar stomping vein, wrote ‘The Same Old Thing’ for the group. She penned ‘Don’t Pretend’ for mystery trio the Belles, a studio group consisting of herself along with the Holloway sisters Brenda and Patrice, who were moonlighting while under contract at Motown and Capitol, respectively.

Another Los Angeles stable under the auspices of Henry “Hank” Graham threw the Performers into the mix with ‘I Can’t Stop You’ and renamed singer Jimmy Conwell as Richard Temple for a 45 that epitomises Northern Soul ‘That Beatin’ Rhythm’; a credo for a cult. More indie productions came from Eddie LaShae with the Sheppards’ redoubtable ‘Stubborn Heart’ and Sonny Knight’s production of Curtis Lee on his own ‘Is She In Your Town’.

Ex-Ike Turner sideman Jimmy Thomas landed at Mirwood in 1966 where Bob Relf recorded him on his own ‘Where There’s A Will (There’s A Way)’. Thomas brought the Ikettes along with him; the company switched their name to the Mirettes for the Sherlie Matthews’ song ‘I Wanna Do Everything For You Baby’.

14 vital mid-60s dance records which exemplify why Mirwood is a byword for the best of Northern Soul.
V.A. - Long Story Short: Willie Nelson 90: Live At The Hollywood Bowl
V.A.
Long Story Short: Willie Nelson 90: Live At The Hollywood Bowl
2LP | 2023 | EU | Original (Sony Music Catalog)
31,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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V.A. - Light In The Attic & Friends Black Friday Record Store Day 2023 Colored Vinyl Edition
V.A.
Light In The Attic & Friends Black Friday Record Store Day 2023 Colored Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
71,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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* 20–track collection includes Charles Bradley & The Menahan Street Band covering Sixto Rodriguez, Iggy Pop & Zig Zags performing a Betty Davis classic, Ethan & Maya Hawke interpreting Willie Nelson, and Angel Olsen paying homage to Karen Dalton * Double LP pressed on special limited edition color wax * Featuring new cover art by renowned British artist Sophy Hollington * Booklet with track–by–track notes by Lydia Hyslop For more than 20 years, acclaimed reissue label Light in the Attic Records has shined a spotlight on some of music’s most unique — and often forgotten — voices. But reviving these long-out-of-print recordings is only half of the process. “We believe that an essential component of archival work, aside from simply honoring the music, is to seek ways in which to bring fresh perspectives, context, and reverence to the original artists and their work,” says Lita founder, Matt Sullivan. Thus, Lita’s acclaimed cover series was born, in which contemporary acts pay homage to their favorite Lita artists and songs. Spanning more than a decade, 20 of these inspired cover songs will be available together for the very first time, exclusively for Black Friday (November 24) on the 2xLP Light in the Attic & Friends. From Charles Bradley & The Menahan Street Band covering Detroit singer-songwriter Sixto Rodriguez and Mac DeMarco performing a song by Japanese icon Haruomi Hosono, to Iggy Pop & Zig Zags honoring funk queen Betty Davis, and Ethan & Maya Hawke covering country great Willie Nelson, these performances bridge the gap between generations, languages, and musical traditions.
V.A. - Leon Gardner's Igloo Records
V.A.
Leon Gardner's Igloo Records
LP | 2021 | UK | Original (Athens Of The North)
25,99 €*
Release: 2021 / UK – Original
Genre: Organic Grooves
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Dancer and B3 Hammond player Leon Gardner moved from his Texas to Los Angeles sometime in the mid '60s. Soon after arriving he set up his own Igloo records.

While in LA, Gardner befriended arranger and pianist Arthur Monday, Monday had settled in LA with his friend and co-musician Gabe Fleming, and they shared arranging credits for a few of the igloo releases. Fleming was credited for 'Farm Song' while Monday was credited for 'Honest Song' on the flip. 'Igloo Records' ie Leon Gardner was credited as producer. In reality, it's likely that the three of them worked together on both sides of the record and others on the label. Leon also arranged and produced other bands on the label such as the deep soul classic by the Jhamels 'I've Cried' and Wallace Petty Combo's Petty Cash but never reached the success he had hoped for.

A Decade later and Gardner became frustrated by his lack of recognition, and became increasingly more reclusive, which in turn led to a rift between him and his family. Drummer Edward 'Apple' Nelson (see Tracks 2 and 12), remembers his first impressions of Leon, "I met Leon a few times here and there as him and Monday were real tight. I didn't get to know him that well or nothing as he could came across as very much into his own thing". Leon's son Darrell recalls his father's music, saying "I always knew his music was special even back then and am truly surprised that he never really got any recognition for it until now". Looking back, LA bandleader Charles Wright concurs, "We didn't think of him as being very significant but I guess he was. He did come out with some good lyrics".

As well as his other 45s released on Igloo, there were other recordings made for several other independent labels between 1965 and 1974, after which Gardner seemed to disappear under the radar.. The general consensus is that he is currently was no fixed address and living somewhere in the Hollywood district of Los Angeles, yet all attempts to contact at this point were unsuccessful.

This Leon Gardner / Igloo records LP was originally a project Gerald Short of Jazzman Records. Gerald worked on this over 10 years ago and spoke to many involved with the label who are no longer with us. He finally managed to track Leon down to a care home in LA but unfortunately, Leon passed away soon after Gerald reached out to him. Gerald decided not to continue with the LP out of respect, the information and text here is kindly supplied by Gerald so thanks to him for that.
V.A. - Discomoda Salsa De Venezuela 1964-1977
V.A.
Discomoda Salsa De Venezuela 1964-1977
2LP | 2024 | EU | Original (Olindo)
25,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Established in 1948 by César Roldán, Discomoda is one of the earliest record labels of Venezuela and the oldest family operated label in the country. Home to one of the most complete folkloric and popular music catalogues of Venezuela, the label also invested heavily in Afro-Caribbean and tropical rhythms that became popular in the 60s and 70s. In the 1960s and before the Salsa era truly kicked off, Venezuela had a significant dance orchestra and big band movement. Unlike local record competitors dedicated to selling foreign productions, Discomoda achieved its leading position by recording the most important national bands, including Los Megatones de Lucho, Orquesta Sonoramica and Super Combo Los Tropicales; all featured in this compilation. Later on, surrounding the festivities for the 400th anniversary of Caracas in 1967, the word "Salsa", which had been recently coined by famed radio host Phidias Danilo Escalona, was formalized to identify an Afro-Caribbean musical style with growing popularity in Venezuela and beyond. By then, the country was among the top 20 music markets in the world, with the local label Discomoda leading the way, responsible for one out of every five records sold in the country. With the prolonged celebrations approaching due to the 400 years of the city, Discomoda and other labels began to capitalize on this new musical style by betting on both established and new local bands, such as Nelson y sus Estrellas, Los Kenya, Principe y su Sexteto and Los Satélites. As a result, this would kick off what could be considered a golden era of Salsa in Venezuela and which lasted until the mid-70s. As we approach the 80s and with the emergence of new musical styles and bigger multi-national record labels funded by larger pockets, a lot of the previously popular bands begin to disband or choose to leave the country. Nonetheless, a few artists, like Rodrigo Mendoza, La Renovación and Grupo Yakambu, were still pushing out quality music. We are thrilled and honored to celebrate one of Venezuela's and, equally, Latin America's most significant record labels, and to share a slice of their enduring influence in advancing Venezuelan-made Salsa music.
V.A. - Country Funk Volume 3 1975-1982 Clear Vinyl Edition
V.A.
Country Funk Volume 3 1975-1982 Clear Vinyl Edition
2LP | 2021 | US | Original (Light In The Attic)
23,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Volume 3 in LITA’s acclaimed Country Funk series! Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others Includes previously unreleased track by Tony Joe White Newly remastered audio New original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band) Description: The horse still bucks, the band still funks, and well…the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (lita 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975-1982 (lita 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co-producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.
V.A. - Color De Trópico
V.A.
Color De Trópico
LP | 2020 | EU | Original (El Palmas Music)
27,54 €* 28,99 € -5%
Release: 2020 / EU – Original
Genre: Organic Grooves
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Color de Trópico is a carefully-compiled work of healing and reconstruction, documenting a special moment in the history of Venezuelan music, when the country’s democracy was just a few years old and the profound impact of the oil industry on society had only just begun. DJ El Palmas and El Dragón Criollo have chosen eight impossibly hard-to-find jewels, originally released between 1966 and 1978, reissued here for the first time on vinyl. In this period, Venezuelan musicians assimilated a wide range of influences and styles, both local and global, to generate something new, a “modern” identity for Venezuelan music; artists who set their eyes on the future without giving up the search for their own sabor (flavour). This is how jazz, rock, salsa, funk, psych, prog and disco, sat next to guajira, cumbia, cha-cha-cha and even the hugely-popular Venezuelan style of joropo. It started a long tradition of Venezuelan musical pioneers, many of whom are still to get the recognition they deserve. Seconds after the needle drops on the vinyl, “El Despertar” (“The Awakening”) kicks off things with a goodbye for it was the last single Los Darts released before their dissolution in 1974. In the 60s they became the youthful face of pop, however, “El Despertar” settles into a later maturity, having digested the tumult of the times. A cha-cha-cha rhythm with bossa nova piano, bluesy stylings and a Caribbean context – a blueprint for tasty miscegenation – with the use of electric guitar, arriving in waves of chords, signalling the onset of modernity. “Guajira con Arpa” by the pioneering Hugo Blanco, who lists the creation of countless rhythms and his early adoption of rhythms like ska amongst his claims to fame, is a fusion that arrives without complexities. It approaches indigenous forms from a multitude of different angles, yet in the middle of its Caribbean approach it creates a melody so close to the pajarillo that the song seems to flip on its head. With “Zambo” the party is on. Here we have an all-star line-up comparable to master Cortijo’s brief project with his Time Machine in Puerto Rico. Alex Rodríguez, one of the most important jazz guitarists in Venezuela and his Retreta Mayor give a twist to the fusion by daring to venture into Latin jazz, funk and salsa. “Gaita Universal” by El Combo Los Capri, gives us a moment of solace, recalling the cultural, rhythmic and even spiritual brotherhood of Venezuela not only with the Caribbean but with the continent, South America and neighbouring Colombia. This cumbia is special, it interweaves musical phrases in the style of a popular party wanting to propose the permanence of culture. Rhythm is the point of union between all human beings and, as its name indicates, its proposal goes beyond the physical and particular. It’s pure tropical hedonism. Nelson y sus Estrellas reminds us once again of the Caribbean wave but here under his “urban” outfit. Nelson plays guaguancó in the style of original salsa, specifically in this version (the theme evolves over time) with a disco-soul twist on “Fantasía Latina”. It takes the sound of early masters like Eddie Palmieri but is developed with eclectic elements, a climatic structure in which a trumpet with vibrato, salsa-rock riffs with acoustic guitars and a flute that, unlike the charangas in those that Johnny Pacheco partook at the same time, rather have a cinematic character. The cosmic “Tu y Yo” from Almendra plots a journey between soul-jazz and psychedelia that sails over a Moog until ending as a P-Funk descarga. Despite the fact that the principal instruments are an organ and a synthesizer, the acoustic guitar provides a unique colour. A tropical psychedelic journey from beginning to end seasoned with congas. The album closes with Tulio Enrique León y Su Organ playing “Bimbom”, a European pop-styled track from 1975. It’s a version of Bimbo Jet’s Eurodisco “El Bimbo” that immediately became famous among popular easy listening orchestras throughout summer in Europe. Tulio Enrique shines by turning it into an enigmatic and spectral cumbia. Tulio was an organist whose blindness did not prevent him from becoming one of the most popular artists in the world, as cited by Billboard in 1965. We have left the politically-incorrect “Socorro, Auxilio” by Germán Fernando for the end. According to music journalist Alfredo Churión “those who saw him attested to having witnessed something indescribable”, a mysterious man who doubted even his sanity and of whom today practically nothing is known. He was someone who dared to show a completely foreign effrontery, signing unintelligibly, moving frantically and throwing himself to the ground before the stunned gaze of his audiences. Venezuelan writer Luis Armando Ugueto states: “his art could go from the sublime to bad taste – and it was craved by the press – when he subjected viewers to strange songs where he pleaded for socorro and auxilio [help].” Germán Fernando had a histrionic proposal that was a thousand times misunderstood and that even popular presenters of the time like Renny Ottolina dubbed “his follies”. A theme close to the jazz orchestra soundtracks of James Bond and Batman accompanies the showman here who comes across like a creole Screaming Jay Hawkins. He creates a whirlwind of sound that, while as agile as a featherweight, is also capable of knocking out all the old ideas we had about Venezuelan music.
V.A. - Bobby Gillespie Presents: I Still Can't Believe Yo
V.A.
Bobby Gillespie Presents: I Still Can't Believe Yo
2LP | 2023 | UK | Original (Ace)
33,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Following on from the Primal Scream frontman’s brilliantly-received previous release for Ace, ‘Sunday Mornin’ Comin’ Down’ (accolades included being short-listed for Rough Trade’s compilation of the year), Bobby Gillespie brings us another slice of the music that soundtracks his life. And in this case, it’s his touring life. Drawing on the experience of ‘the way that the noise and clamour of the road can tire you out, wear you down and frazzle your nerves to shattered fragments of jangled exhaustion’, these are the records Bobby turns to for solace, for comfort, for empathy and for resourcefulness.

The compilation features an introduction from the man himself, talking us through his personal choices as though he’s sitting cross-legged on the carpet going through records with you in his lounge. Also long-time cohort of the band, Kris Needs has written extensive liner-notes, serving up an intensive track by track insight and analysis.

Titled after and kicking off with the Willie Nelson track of the same name, ‘I Still Can’t Believe You’re Gone’ leads us through a darker and deeper exploration than its predecessor, featuring Nick Cave’s funereal version of ‘By The Time I Get To Phoenix’ and Ry Cooder’s sparse and beautiful reworking of ‘Dark End Of The Street’. And we get there via such greats as Bob Dylan, JJ Cale, Donnie Fritts, Crazy Horse, Lee Hazlewood, Al Green, Thin Lizzy and so many more.

In Bobby’s own words: ‘These songs are soul savers to soothe frayed and battered nerves and to ease and settle the heart. They work on me like medicine every time. I would like to share this wonderful music that has given me strength, joy and inspiration over the years with you the listener, so that you too might get the same feelings of protection and inspiration that I do whenever I listen to these songs. We're all travellers on some kind of road through this life, and we all need respite from time-to-time - the music on this compilation is soul food of the highest order - I hope you enjoy it.’.
V.A. - Bob Stanley & Pete Wiggs Present Paris In The Spring Colored Vinyl Edition
V.A.
Bob Stanley & Pete Wiggs Present Paris In The Spring Colored Vinyl Edition
2LP | 2018 | EU | Original (Ace)
32,99 €*
Release: 2018 / EU – Original
Genre: Pop
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"The events of May ’68 are seen as a turning point in France’s social history - pictures of the barricades are still potent images. Lines were drawn politically, culturally, socially, and pop music was not exempt.

“Paris In The Spring” is a collection of the new music, put together by Saint Etienne’s Bob Stanley and Pete Wiggs, that emerged from France between 1968 and the mid-70s, an extraordinary blend of several previously independent strains – French chanson and yé-yé, American jazz and funk, British chamber pop – shot through with the era’s underlying mixture of optimism, uncertainty and darkness. This is the first collection of its kind, released on the 50th anniversary of the Paris uprising.

Serge Gainsbourg – a jazz pianist with a chanson past and a pop present – was in a position to play a key role in soundtracking France in flux over the next five years. His “Histoire de Melody Nelson”, with its heavily atmospheric arrangements by Jean-Claude Vannier, was the acme of this new, unsettling French sound. “Paris In The Spring” includes other equally dazzling Vannier arrangements (for Léonie) and Gainsbourg compositions (for Jane Birkin and Mireille Darc).

Prior to 1968, 60s French pop had been dominated by yé-yé, the country’s unique brand of upbeat pop, a world of primary colours, mini-jupes and discothèques (a French invention, after all). Its stars either faded fast after May ’68 or adapted to the new era: Jacques Dutronc (‘Le Métaphore’) and France Gall (‘Chanson Pour Que Tu M’aimes un Peu’) discovered a moody side they had previously kept hidden, while Françoise Hardy released the Brazilian-influenced, after-hours classic “La Question”, from which we have picked ‘Viens’.

New bands like Triangle emerged, influenced by Soft Machine and Gong who became regulars on the Paris club scene. French library music from Janko Nilovic and film soundtracks (François De Roubaix, Karl-Heinz Schäfer) reflected the era’s edginess. All are represented on “Paris In The Spring”, making it a continental cousin to Stanley and Wiggs’s hugely popular 2017 Ace compilation “English Weather”..
"
V.A. - Bio Rhythm (Re-Indulge)
V.A.
Bio Rhythm (Re-Indulge)
12" | 2021 | EU | Original (Network)
13,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Taken from the digital version of bio-rhythm 3 and not included on the vinyl version of the album.

Network’s two groundbreaking bio-rhythm albums in 1990 were each accompanied by much loved 12” preview samplers of tracks from the iconic compilations.

For the third release - a mere 31 years after the first sets - Network have added a fresh twist. The sampler this time around contains 2 tracks from the bio-rhythm 3 vinyl release and 2 that will only be otherwise available on digital format.

It makes the sampler a must have for all electronica vinyl junkies.

Nexus 21 “Silicon”, a mainstay of the duo’s much acclaimed live sets, was recorded in 1991 but not released at the time. Memories are thin as it why such a gem was ignored but the most probable explanation is that the transformation of Nexus 21 into Altern 8 took attention away from the track. After being found in the tape vaults it has been remastered for the bio-rhythm 3 project.

It is joined on side A by the Octave One remix of 10th Planet “Strings Of Life” - which is not on the album vinyl. There is a proper labyrinthe story behind this remake of the Rhythim Is Rhythim classic of classics. Kool Kat, the predecessor to Network, arranged for Rhythim Is Rhythim to play live supporting Inner City at a London Town And Country Club concert in September 1989. The label recorded the show which featured Derrick May and his guest Carl Craig.

Fast forward to 1995 and the tapes were handed over to Ashley Beedle to reconstruct and remix for a release on Network under Ashley’s 10th Plane moniker, . On to 2003 and Network’s Neil Rushton was running the suSU label where an attempt to record a vocal of Strings Of Life with none other than Shara Nelson on vocals was made using the 10th Planet parts. That never came to completion, but at the time Neil was working with Octave One and they conjured up this recreation, which has only ever been previously released as a track on a suSU compilation. First Time ON Vinyl Anywhere FOR This Amazing Version OF “strings OF Life”.

“Neurosilence” - Doggy is previously unreleased recording by Birmingham’s Peter Duggal. His bleep classic “Labyrinthine” would have been totally at home on Kool Kat/Network and in recent months both label and artist have both been shaking their heads as to how it didn’t happen. The release of the stark “Neuroslince” finally sees an 0121 alliance bond together.

The 4th track “In The Presence Of Beauty” is taken from the digital release of bio-rhythm 3 and is a truly beautiful “Reprise” take on the version on the vinyl album.
V.A. - Attack The Dancefloor Volume 22
V.A.
Attack The Dancefloor Volume 22
12" | 2023 | UK | Original (Z)
15,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Two little ducks, it's 22! You asked so we have delivered, with this mind and groin boggling 12''. Kicking things off with some monsterous uptempo garage courtesy of Grant Nelson’s Remix of Dave & Omar 'Starlight'. Next up is a forthcoming DJ Fudge production ‘Everything' by Chocolate Fudge Band, featuring lots of live instrumentation and a Curtis Mayfield style vocal. Flip it over for Dave’s super soulful 4/4 workout of 'Look at the Stars' featuring Maurissa Rose and the brand new Opolopo - 'Looking For You', a deep and bouncy cut filled with soulful Motown vocal chops and an Organ workout worthy of any Sunday service. Take your trousers off, lie back and enjoy.
Tr One - Remixes Of
Tr One
Remixes Of
12" | 2023 | EU | Original (Intrinsic Rhythm)
12,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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The new EP cruises into the aforementioned track with the Lerosa remix of "The Swim Meet" which applies Italo and melodic electro influences while maintaining a booming kick-drum and elastic bassline throughout.

Next up is a 10 minute hardware based acid house remix of "I'm Dreaming Again" by Detroit house luminary Scott Ferguson. This track builds from start to finish where slick and emotional production breathes life throughout.

Next up and for their first released remix legendary Irish electronic music duo Dechord (Decal + Americhord) provide a hypnotic and club ready techno/electro remix of "Stay Offline" where glistening emotional synths combine with a pulsing kick and percussion section to create a dynamic remix.

Maintaining the EP's variation Westcoast Goddess provides a crisp and intelligent instrumental deep house remix of "Pitchshift" featuring musical interplay between deep bass. jazz influenced chords and the Sh101.

Rounding off the EP Toby Kaar contributes an organic downtempo remix of "Minimal Nelson" where clever formulation of various elements eases out the EP in fine style.
Tr One - From The Studio Of Ep 2
Tr One
From The Studio Of Ep 2
12" | 2022 | EU | Original (Intrinsic Rhythm)
11,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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Landing this winter is EP 2 from the debut Tr One “From The Studio Of” . Continuously inspired by the greats, and drawing influence from an array of sounds of the past whether that be, Chicago, Detroit and beyond, Tr One has now found himself with a cohesive series of tracks that speaks with power and creativity. Providing early morning bliss is “We Must Continue” a classy and sophisticated track, pulling on all the right heart strings. Spaced out electro shows its fine face in “What Kind Of Dreams Do You Have”, utilising trippy vocal samples transcending the listener to a dream like atmosphere. Faux Outrage” one of the most driving tracks from the selection is next, a thunderous kick, and crisp hi-hats brush past you enveloped with eternal strings“ “Minimal Nelson” is an almost six minute journey of glistening synths and pads, making this another emotive encounter from the album. Mihail P dives in with a remix of “Minimal Nelson”, bumping work from the Macedonian. A personal encounter of cuts from start to finish, each of them telling their own tale, working together to write the whole story. Over a decade of exploring and developing his sound, Tr One has signed and sealed off some of his most well rounded and accomplished work to date, creating what is sure to be a soundtrack of a dancefloor near you in 2023.
Toy - Songs Of Consumption
Toy
Songs Of Consumption
LP | 2019 | EU | Original (Tough Love)
19,79 €* 21,99 € -10%
Release: 2019 / EU – Original
Genre: Rock & Indie
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Townes Van Zandt - For The Sake Of The Song
Townes Van Zandt
For The Sake Of The Song
LP | 1968 | US | Reissue (Fat Possum)
27,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Originally released in 1968 For The Sake Of The Song is a reissue of Townes Van Zandt's well-known debut album. Produced by Jack Clement (Charley Pride, Chet Atkins, U2, etc.) and featuring original liner notes by Mickey Newbury, Van Zandt went on to cement his status as a cult icon among gifted songwriters such as Willie Nelson, Merle Haggard, and Emmylou Harris who eventually recorded their own covers of Towne's songs. Eleven tracks.
Tiptoes - Moxy Muzik Editions Volume 4
Tiptoes
Moxy Muzik Editions Volume 4
12" | 2023 | UK | Original (Moxy Muzik)
14,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Darius Syrossian’s Moxy Muzik Editions is fast becoming a firm favourite for all manner of reasons, from the consistently top-level tracks from some of the scene’s best producers, to the bespoke hand-drawn artwork from artist Charlotte Archer that decorates each new volume's sleeve. A must have series for any vinyl head out there and volume four is no different. From Glasgow via Leeds through to Southampton, Syrossian shines a light on some of the UK’s rising stars in the world of house music.

Up first Glasgow’s Tiptoes who provides one of Darius’ tracks of the summer, ‘Cuss Tomato’. Driving, soulful and skippy with nods to Grant Nelson and king Kerri that has been doing damage everywhere it’s been played.

Next, Syrossian remixes fellow Leeds producer Tomrob with his track ‘Professor Shellington’, taking the original’s minimal grooves, upping the tempo, filling the breaks with hands in the air pianos and injecting another dose of bounce into the beats.

The flipside has not one, but two tracks from Southampton’s Ronnie Spiteri, a double header of peak time bombs, one of which entitled ‘Scorpion’ had its first play at Creamfields by Alan Fitzpatrick and Darius in Manchester, leading to a flurry of track ID requests and Darius' TikTok post of the track going viral. A monster of a cut with an Enzo Siragusa style bass, a heavy thundering kick and a solid groove.

Four absolute winners once again from Moxy Muzik.
Tin Tin Out With Shelley Nelson - Sometimes
Tin Tin Out With Shelley Nelson
Sometimes
12" | 1998 | UK | Original (VC)
3,59 €* 3,99 € -10%
Release: 1998 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Tilly & Larry / T Nelson & Food Clothe & Shelter - Jah Gave Us Everything / Dub Three Queens In Mourning (Alasdair Roberts/Jill O'sullivan/Alex Neilson) / Bonnie 'Prince' Billy - Hello Sorrow / Hello Joy
Three Queens In Mourning (Alasdair Roberts/Jill O'sullivan/Alex Neilson) / Bonnie 'Prince' Billy
Hello Sorrow / Hello Joy
2LP | 2020 | EU | Original (Textile)
31,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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"Three Queens in Mourning first gathered in summit to sing celebration of the publication of Will Oldham’s book of collected lyrics, Songs of Love and Horror. Alasdair Roberts (Appendix Out) , Jill O’ Sullivan (Jill Lorean), and Alex Neilson (Trembling Bells, Alex Rex) each arrived provisioned with a small armful of selections nearest and dearest from Bonnie Prince Oldham’s far-reaching catalogue. On this back to back records, The Bonnie ‘Prince’ Billy LP is a collection of three cover versions from Ali, Jill and Alex directory and one original track." (label info)
Three Queens In Mourning (Alasdair Roberts/Jill O'sullivan/Alex Neilson) / Bonnie 'Prince' Billy - Hello Sorrow / Hello Joy
Three Queens In Mourning (Alasdair Roberts/Jill O'sullivan/Alex Neilson) / Bonnie 'Prince' Billy
Hello Sorrow / Hello Joy
2LP | 2020 | EU | Original (Textile)
28,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
The Wombats - Fix Yourself, Not The World Eco Vinyl Edition
The Wombats
Fix Yourself, Not The World Eco Vinyl Edition
LP | 2021 | UK | Original (The Wombats)
23,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Since it's eco vinyl every single item is unique and has a different color.
The Wombats - Fix Yourself, Not The World Blue Vinyl Edition
The Wombats
Fix Yourself, Not The World Blue Vinyl Edition
LP | 2021 | UK | Original (The Wombats)
25,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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The Skatalites - Ska-Boo-Da-Be
The Skatalites
Ska-Boo-Da-Be
LP | 2023 | EU | Original (Pressure Sounds)
30,99 €*
Release: 2023 / EU – Original
Genre: Reggae & Dancehall
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a Sino/Japanese twist.

In the early 1960s Justin Yap and his brother Ivan [aka ‘Jahu’] ran the Top Deck sound system from their family’s ice cream parlour and restaurant in Barbican, Kingston. The local success of the sound system encouraged them to venture into the recording business, and by 1962 Justin had recorded singers Larry Marshall, Ephraim ‘Joe’ Henry and Ferdie Nelson. The fledgling label enjoyed a modest local Jamaican hit in 1963, with trumpeter Baba Brooks and the Trenton Spence Orchestra's “Distant Drums” issued on Top Deck Records as the b-side to Larry Marshall’s hit “Too Young To Love”. As a fan of exotica composer Martin Denny, Justin had heard “Jungle Drums” on Denny’s 1959 LP “Afro-Desia”. His liking for Martin Denny would prove fruitful later, when Justin recorded the Skatalites in a mammoth all-night session in 1964 at Clement Dodd’s Studio One on Brentford Road.

By 1963-1964, hundreds of ska tracks were being recorded by Clement Dodd, Arthur ‘Duke’ Reid, Vincent Edwards, Vincent Chin, Leslie Kong and Prince Buster and others. Justin had linked up with Allen ‘Bim Bim’ Scott, a friend of Clement ‘Coxson’ Dodd, owner of the Studio One label who had already recorded the musicians who became the Skatalites.

Justin and Ivan organised a session in November 1964 at Studio One; it lasted 18 hours. The length of the session allowed for alternate takes to be recorded, but the highlights of the sessions were the five original compositions by Don Drummond – “Marcus Junior”, “The Reburial”, “Confucious”, “Chinatown” and “Smiling”. The first two are in tribute to the Pan-Africanist Marcus Garvey; “The Reburial” refers to the occasion of his interment in Jamaica in 1964, his remains having been brought from the cemetery in Kensal Green London, where he was originally buried in 1940, and reburied in King George VI Memorial Park Kingston [later renamed National Heroes Park].

Along with these originals were some well-chosen cover versions. Two came from the Duke Ellington songbook: “Ska-Ra-Van” is of course Ellington and his trombonist Juan Tizol’s classic composition “Caravan”, while “Surftide Seven” is Ellington’s “In A Mellotone”. The LP title track “Ska-Boo-Da-Ba” is a version of Bill Doggett’s 1958 “King” US 45 “Boo-Da-Ba”. “Ringo” had also appeared on Arthur Lyman’s “Taboo” LP [1958] as “Ringo Oiwake”. Originally it was sung by Hibari Misora – a very famous vocal song in Japan, recorded in 1952, the melody composed by Masao Yoneyama. Yet another tune copped from Lyman’s “Taboo” LP is “China Clipper”, composed by the pianist / arranger / orchestrator Paul Conrad.

The last track on this fine LP is “Lawless Street”, a feature for Roland Alphonso. Unlike the other Skatalites, Roland wasn’t a graduate of the celebrated Alpha School, like many of Jamaica’s top musicians from Bertie King to Yellowman. Alphonso was a graduate of Boys Town School in Denham Town. “Lawless Street” was another tune that was recorded twice at the session – the second version features vocal ‘peps’ and exhortations by DJ King Sporty.

By late 1966, Justin emigrated to the USA, settling permanently in New York. There he took up US citizenship and was called up to serve in the US Army in Vietnam, In the early 1970s he worked in computers and eventually drove a New York cab. In his all too brief involvement in the competitive Jamaican music business he certainly left his mark as a producer. He produced some of the best ska ever made, and the LP reissued here is perhaps the most coherent LP in that genre, deriving as it does from a single session.

The celebrated record producer at Randy’s Studio, Clive Chin:

“It wasn’t the fact that they [the musicians] really love Justin; it was the fact that Justin used to pay them the right money and make them comfortable. Make sure them have them smoke, them food, them drink, and after them finish they got paid.” Unlike many other producers, Justin actually attended the sessions.

It stands as his defining legacy in Jamaican music history.
The Paranoid Style - The Interrogator
The Paranoid Style
The Interrogator
LP | 2024 | US | Original (Bar None)
26,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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From the Dolls-meets-the-devil opening title track to thedesperate Sister Lovers-adjacent finale "The Findings," TheInterrogator is thirteen vibrant, crackling, scary and hilarious songs which taken together represent nothing less than a thorough and thrilling moral inventory of our decadentand depraved times. Following up and doubling down on the themes of last year's lionized cult favorite For ExecutiveMeeting, Elizabeth Nelson has authored an album as politically potent and pointedly hilarious as antecedents like The Mekons' Rock `n' Roll and Neil Young's On the Beach and wed it to the sound of ZZ Top's Eliminator. As writers like Rob Sheffield and Robert Christgau have known for years, Elizabeth Nelson has been one of our very best songwriters for going on a decade. On the charged anthem "Bad Day for the Group Chat" she reassesses the current state of affairs: "I have bested all my peers.
The Paranoid Style - For Executive Meeting
The Paranoid Style
For Executive Meeting
LP | 2022 | US | Original (Bar None)
24,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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For Executive Meeting begins with an elegy for the radical, tragic Pop Art titan Barney Bubbles and ends with a revved-up cover of Rosanne Cash's peerless "Seven Year Ache." Throughout the ten songs in-between, Elizabeth Nelson weaves together stories about figures like Steve Cropper, P.G. Wodehouse, and Doug Yule, laments the loss of David Berman and Adam Schlesinger, and duets with Patterson Hood from the Drive-By Truckers on an infectious tribute to John Prine. Loaded with vivid detail and memorable riffs, it proves what in-the-know critics have been saying for years: Elizabeth Nelson is one of our best songwriters. "Elizabeth Nelson showcases the simultaneously fraught and giddy frequency of our weird, wired world. The Paranoid Style may be the bearer of bad news, but at least the band bears it smashingly." - NPR
The Nelson Family - Filled With His Spirit
The Nelson Family
Filled With His Spirit
LP | 1986 | EU | Reissue (Rain & Shine)
15,99 €* 19,99 € -20%
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Official re-release of The Nelson Family's Gospel LP from 1986. Essential for any serious collectors of Gospel. Quality from end-to-end, including the cuts Thank You Lord (firm favorite of Floating Points and Skymark), Filled With His Spirit and Everlasting Love.
The Last Poets - Understand What Black Is
The Last Poets
Understand What Black Is
LP | 2018 | EU | Original (Studio Rockers)
37,99 €*
Release: 2018 / EU – Original
Genre: Reggae & Dancehall
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On the 50th anniversary of the band's inception at an event in Harlem, NY to commemorate Malcolm X's birthday on 19 May 1968, influential spoken word artists, poets and commentators The Last Poets are set to make a glorious and relevant return with their first album in over 20 years, 'Understand What Black Is'.
Produced by Ben Lamdin (Nostaglia 77) and Brighton legend Prince Fatty, whose speciality is traditional reggae and dub production's, 'Understand What Black Is' is a ten-track album which speaks of a revolutionary struggle defined by both race and identity, that has never sounded more relevant. Released on Studio Rockers, there will also be an accompanying single featuring remixes of the title track "Understand What Black Is" by Mala (South London collective Digital Mystikz) and UK Dance music innovators Dego and Kaidi.
Since the initial line-up of Dahveed Nelson, Gylan Kain and Felipe Luciano formed in East Harlem's Marcus Garvey Park, The Last Poets have produced under various guises over the subsequent years. However, it was their seminal output, namely 1970's 'The Last Poets' under both Umar bin Hassan and Abiodun Oyewole that secured their legacy, becoming one of the most important influences in early hip hop.
Throughout the last 20 years, the band have remained largely on hiatus. But their influence could still be felt with their tracks being sampled by The Notorious B.I.G, NWA, A Tribe Called Quest, Dr.Dre and Snoop Dogg. Umar has recorded various solo albums and featured on Common and Kanye West's Grammy Nominated 'The Corner'. Abiodun appeared on the Red Hot Organization's album, Stolen Moments which was named "Album of the Year" by Time. He also conducts weekly open house poetry readings, where he constructively critiques upcoming poets, helping to nurture them. He has also conducted classes at Columbia University, where he teaches creative writing.
The inauguration of Donald Trump as US President in 2016 inspired Hassan and Oyewole to resurrect the group to create a brand new record, modern and edgy, and deeply relevant and reflective of our times.
Tracks on 'Understand What Black Is' include 'How Many Bullets', which bridles with defiance as Oyewole works through a litany of injustices suffered by black people in the US: " You've Tried
To Blow My Brains Out With Bigotry, Chopped Off My Wings, So I Couldn't Fly Free, And Dared Me To Be Me, Took My Drum, Broke My Hands, Yanked My Roots Right Up Out Of The Land, And Riddled My Soul With Jesus" 'What I Want To See' describes a utopia - a refuge from hurt and those who'd make "our vision blurred, and our faith obscure", whilst the title track 'Understand What Black Is' aims to transcend ethnicity: "understand what black is….It's the source from which all things come...black is a hero, not a villain."
The album even takes reference from Prince's 2003 album of instrumentals, 'News', which Hassan drew comparisons from with his own childhood experiences: "That poem took me about a year to write….I just kept writing and writing but not getting too far and then I heard that album and the musicianship was amazing. I was left wondering if it was jazz, classical, rock or maybe something new but all those images that I write about came to me from listening to that album. I loved Prince in that movie Purple Rain because my father was a talented musician but he was into brutalising Mama at times and in the movie there's a Jerome and my name is Jerome, so it was like he was telling my life story as well."
The album acts as a body of work between individual members each speaking of their own personal journeys, but feeding into the much larger narrative of struggle and oppression, alongside a fervent hunger for social change. These are struggles and tests of personal resolve that have directly shaped and moulded the bands' unique sound over the course of an impressive 50 years, and their powerful and influential commentary remains as relevant as ever.
The Jazz Clan - Dediction
The Jazz Clan
Dediction
LP | 1973 | UK | Reissue
24,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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One of the rarest and most sought after South African recordings of the early 1970s, available again for the first time since its original South African release – the swinging township groove of The Jazz Clan’s 1973 debut LP, Dedication

Die-hard fans of South African jazz speak about The Jazz Clan in hushed tones. One of the dozens of South African groups who styled themselves as ‘jazz dignitaries’ – like the Jazz Giants, the Jazz Ambassadors, or the Jazz Ministers, for instance – their two widely separated studio albums for Gallo (Dedications and Makwenkwe, released in 1973 and 1976 respectively) are extremely hard to find, and were never repressed after their initial runs. Until now their work has graced neither re-release nor compilation. But they were no also-rans. They may have left a small recorded footprint, but it was an impressive one, epitomised by their hard-swinging 1973 debut, Dedication – a tough, swinging soul-jazz set with distinct African touches which is counted by those in the know as among the best South African jazz recordings of the era.

Once you dig down into the history of the group, this is no surprise: the players that comprised the Jazz Clan were veterans. And they thought big – their first incarnation during the 1960s had been as a 16-piece, and they had held down a residency at one of Nelson Mandela’s regular haunts, the Planet Hotel in Fordsburg. The original leader, drummer Gordon ‘Micky’ Mfandu, had been a regular on the Johannesburg jazz scene since the early 1960s and had recorded with figures including Gideon Nxumalo, and the famous Blue Notes; along with bassist Mongezi Velelo he had also been a member of the revered Soul Giants unit. Baritone player Cornelius Khumalo had also played with Chris McGregor and the Blue Notes in the pit band of the musical play Mr Paljas, and had also recorded with township legend Zakes Nkosi. Also in the line-up, and handling most writing duties on this disc, was the great trumpeter Peter Segona – a quicksilver hornsman, Segona later sought exile in Europe, where he played with musical luminaries across the continent including Chris McGregor’s Brotherhood of Breath, Cymande, and Manu Dibango.

By the 1970s Mfandu was dead, murdered in Soweto, and the group had consolidated as a septet – the late drummer is memorialised here on closer ‘Micky’. South African jazz was moving toward electrified funk and bump, and the new township style of Dollar Brand was just around the corner. But Dedication captures the acoustic jazz sound of the early 1970s in its pomp – a handful of tightly wound songs jostling for space, blending uptempo soul-jazz sensibilities with Latin influences and pronounced township jazz accents, the latter especially audible in Dimpie Tshabalala’s piano vamps, Jeff Mpete’s pattering hi-hat emphases, and the unmistakably South African swagger and dip of the horns on cuts like ‘Rabothata’. It is music on the brink of a transition, looking ahead but still dedicated to the sound of the golden years, and it could have been made nowhere else on earth but in Soweto.'

Transferred from the master tapes by Gallo in South Africa. Mastered for release by D&M. Pressed at Pallas. Fully licensed from Gallo South Africa.
Terence Etc. - V O R T E X
Terence Etc.
V O R T E X
2LP | 2022 | UK | Original (Brainfeeder)
31,99 €*
Release: 2022 / UK – Original
Genre: Electronic & Dance
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Tami Neilson - Don't Be Afraid
Tami Neilson
Don't Be Afraid
LP | 2016 | US | Original (Outside Music)
27,99 €*
Release: 2016 / US – Original
Genre: Rock & Indie
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"It's the most personal album I've ever written, and it is very daunting to put such a raw, exposed, vulnerable part of yourself out there," remarks Tami Neilson of her new album Don't Be Afraid. Don't Be Afraid was nearly left unfinished. With two songs completed and six weeks left to write Tami Neilson unexpectedly lost her father, the patriarch of The Neilson Family band who Tami had toured across Canada with as a young girl opening for the likes of Johnny Cash. It was with her mother and brother's encouragement that she finished the record as a way of honouring her dad. "I actually inadvertently wrote the title track (without realizing it would be for the album) the week Dad died. 'Don't Be Afraid' was the last song Dad wrote, while in the hospital. He had written the melody, lyrics and everything, but he was on oxygen and could barely breathe to speak. He told me that it was driving him crazy that he had this new song stuck in his head, but had no way of offloading it. It's an awful feeling, I know, so I said I would bring him in his guitar so he could play it and I'd record it on my phone. He did a verse, so I got the melody, but then his levels dropped dramatically (that's the hidden track on the album, Dad's Demo'), but we didn't get the chorus, or the melody for the chorus." Don't Be Afraid finds the soul taking precedence over the country as Tami found herself listening to a lot of gospel around the time of her father's death and finding a kinship with the legendary singer Mavis Staples: "I've always been a massive Staples fan. I had ordered the new Pops album, it was released days before Dad died, and I ordered it in Canada so I could take it into the hospital for him to listen to. It arrived the day after he died, and of course I sobbed about that, but I will always be so grateful for that album helping me get through that grieving process." Recorded in Ben Edwards' New Zealand Sitting Room studio, the songs were again recorded live, the musicians all in the room playing together. The album features Delaney Davidson and all the boys that were on Dynamite! including harmonies from Marlon Williams on the soon-to-be classic 'Lonely'. The album features a Tina Turner throwback, 'Holy Moses', the swinging country of 'Only Tears', a bluesy swagger in `So Far Away' and the southern soul of 'Burn My Body'. The album is bookended by the title track, including the haunting hidden demo track sung by Tami's father. "There are a lot of reasons I chose Don't Be Afraid as the title, and one of them is that, musically, as an artist it's a departure for me. There are definite moments where I have had to go, 'Don't be afraid of this, this is who you are,- Neilson says. "This album is the guts of me. I guess 'departure' is the wrong word because it's all the same palette and same family, but whereas Dynamite! was a lot of light, bright colours, Don't Be Afraid is deeper, richer colours - still in that same family but a different level." Tami moved to New Zealand from Canada 8 years ago and has become one of the country's biggest acts. Tami is the most highly awarded artist of any genre in New Zealand, having just picked up NZ's highest songwriting honour, the APRA Silver Scroll, for 'Walk (Back To Your Arms)' off 2014's Dynamite!, which also won her (yet another) Best Country Album Tui in May this year. Don't Be Afraid marks Tami as a new soul staple. It's a raw, deep and hopeful album that finds Tami singing out her grief. "Last year was an insane year, I had the highest of the highs and the lowest of the lows all in one year," she recalls. "And I guess that is what the album is, it reflects that constant cycle of life."
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