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12" | 2023 | UK | Original (Hudd Traxx)

Release: 2023 / US – Original

Genre: Soundtracks

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Video Game Lofi: Yoshi features chill lofi melodies by Save Point and Nokbient.

180 gram 1xLP Black 12" vinyl. Comes in a holographic jacket, discs in black polylined sleeves. Art by Save Point, Layout by Isa Alcántara. Also available on cd and cassette.

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Dfra

Blue Horizon EP

18,99 €*

Da Buze Bruvaz (Him Lo And Big Nawz)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The spectrum-spanning archive of Hudd Traxx grows at pace, and having rolled out jams from legends of the game on Hudd Influences Vol. 1, Eddie Leader’s acclaimed Manchester based imprint now hands a full debut to rising star… Dfra.

From label fan to label artist, Buenos Aires-based Colombian, Diego Ruiz, first featured on 2019’s ‘Out Of Order : Volume 3’ with ‘I Am House’. His new ‘Blue Horizon’ EP confirms that statement, as we’re presented with a trio of beautifully tailored tracks, highlighting a producer who is comfortable in his craft.

The shimmer and bump of the title track, evokes scenes of sun, sea and bodies moving in rhythm. A theme that runs throughout, as the perspiring vibes of ‘Hold Me’ roll us into the club with its warm bass, pulsing keys and vocal, while final cut ‘Fallin’’ with its hypnotic swing and thumping kick takes us deeper into the night.

Adding a final peak to the package is Real Tone boss, Franck Roger. Vocal flourishes, echoing keys and that renowned golden touch from the Frenchman round out this superb debut from Dfra.

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Crime Cuzzinz Black Vinyl Edition

LP | 2023 | US | Original (Grilchy Party)

Da Buze Bruvaz (Him Lo And Big Nawz)

Release: 2023 / US – Original

Genre: Hip Hop

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The soundtrack is made to listen to while cleaning your weapons and getting ready for a hunt. Da Buze Bruvaz own Him Lo is set to switch things up slightly with his co-host BIG NAWZ, who was last heard on Da Buze Bruvaz's critically acclaimed Drinkin Beerz wit Prostitutez LP with a rugged verse on the aptly titled track "Muscle". The duo has joined forces to be known as DA CRIME CUZZINZ and present a 7-track project titled "YELLOW TAPE N SHELL CASEZ." This project is laced with beats from some of Grilchy Party's imperial home team sound surgeons, including Wino Willy, Lord Beatjitzu, and Giallo Point. The only feature is from Clever One, the other half of Da Buze Bruvaz. Him Lo and NAWZ go back and forth slipping into black gloves mode for the duration. Adding to Da Buze Bruvaz's already prolific output, this one is presented with those who have an appreciation for rugged, hardbody HipHop in mind. Watch your step entering the crime scene and try to step over the yellow tape.

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Crime Cuzzinz Yellow Vinyl Edition

LP | 2023 | US | Original (Grilchy Party)

2LP | 2023 | EU | Original (Musica & Entretenimiento)

Release: 2023 / US – Original

Genre: Hip Hop

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Los Jaivas

Todos Juntos

57,99 €*

Heaven Vol.1 Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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"Todos juntos" (1972) by Los Jaivas is released now on double vinyl, from the original IRT masters! True finds that for the first time reach a disc."It is my favorite cover - says René Olivares in the book Cultura Alter-nativa - since it represents the loneliness that each of us felt when we were outside of Chile, but mainly, the poetic soul of the Chilean"."Todos Juntos" was recorded in Chile in 1972-1973 and was presented for the first time to the public in Argentina in 1976 by Record Parnaso S.A. This double album contains all the material that Los Jaivas recorded for IRT during 1972 - 1973, plus a supplement of three previously unreleased recordings.Disc 1 is the re-release of the album "Todos juntos", which appeared in Argentina in 1976 under the Parnaso record label, with a different repertoire and order from the LP known as "La ventana", released in Chile at the end of 1972. Disc 2 completes the catalog of works recorded for IRT, to which are added three unreleased tracks from the same period: the music that Los Jaivas made for the documentary "Descomedidos y chascones", made by Carlos Flores Delpino and produced by the experimental film department of the Universidad de Chile in Santiago, the theme "Ta hueca la vaca está loca", an improvisation recovered from a television special produced by UCV television in Valparaíso, and a live recording of the theme "Marcha al interior del espíritu", taken at the Chilean-French institute of culture in Valparaíso. At that time, the painter René Olivares, who is already part of the Jaivas family settled in Buenos Aires, creates a new cover design for the 1976 edition, which today we deliver to the public in a remastered version, restored and enriched with valuable archival documents.

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Mono

EP | 2023 | EU | Original (Pelagic)

19,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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MONO have long drawn equal inspiration from the light and dark of life, spawning more than two decades of musical turbulence and melodic transcendence. Heaven Vol. 1 marks the beginning of a new annual tradition from MONO: A new EP released on Christmas Day each year, leaning into the light at precisely the time when we need it the most - surrounded by loved ones and hopeful for what the turn of the calendar may bring us.Recorded by Takaakira `Taka' Goto at his home studio in Japan (with drums recorded by Amak Golden at Golden Hive Studio in Prague) - and mixed by Rafael Anton Irisarri and Jeremy deVine at Black Knoll Studio in New York - Heaven Vol. 1 finds MONO at their most hopeful and cinematic. Of each of Heaven Vol. 1's three tracks, MONO offers these words:Lucia:"This song was written when our beloved longtime partner Jeremy (the owner of our American label Temporary Residence Ltd.) welcomed his second child. The song is constructed with two parts; the first part celebrates the birth of a new life and the second part heads towards dreams and hope. We wrote this song with the feeling of Santa Claus riding a sleigh through the snowstorm, smiling, jumping into the swirl of pure white light and carrying many dreams."Smile:"We drew upon the snowy scenery of Christmas that we experienced when we were young. Your exhaled breath is white. Your heart is dancing in the endless silvery white world, and when you are about to grab the snow with your hands and turn around, your parents look back at you with a smile. We wrote this song whilst remembering moments like this."Silent Embrace:"Time passed and we became adults. Life is like climbing and descending many steep mountains, but the reason we're still able to continue walking is because of our loved ones, colleagues, friends and family who quietly stand by us and giving us courage and strength. We wanted to express our gratitude with this song."

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More Boss Black Rockers Volume 1 Guitar Pickin' Foo

LP | 2023 | EU | Original (Koko Mojo)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Heaven Vol. 1 Purple Vinyl Edition

Mono

10" | 2023 | EU | Original (Pelagic)

Not Ok White / Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Mono have long drawn equal inspiration from the light and dark of life, spawning more than two decades of musical turbulence and melodic transcendence. Heaven Vol. 1 marks the beginning of a new annual tradition from Mono: A new EP released on Christmas Day each year, leaning into the light at precisely the time when we need it the most - surrounded by loved ones and hopeful for what the turn of the calendar may bring us. Recorded by Takaakira `Taka' Goto at his home studio in Japan (with drums recorded by Amak Golden at Golden Hive Studio in Prague) - and mixed by Rafael Anton Irisarri and Jeremy deVine at Black Knoll Studio in New York - Heaven Vol. 1 finds Mono at their most hopeful and cinematic. Of each of Heaven Vol. 1's three tracks, Mono offers these words: Lucia: "This song was written when our beloved longtime partner Jeremy (the owner of our American label Temporary Residence Ltd.) welcomed his second child. The song is constructed with two parts; the first part celebrates the birth of a new life and the second part heads towards dreams and hope. We wrote this song with the feeling of Santa Claus riding a sleigh through the snowstorm, smiling, jumping into the swirl of pure white light and carrying many dreams." Smile: "We drew upon the snowy scenery of Christmas that we experienced when we were young. Your exhaled breath is white. Your heart is dancing in the endless silvery white world, and when you are about to grab the snow with your hands and turn around, your parents look back at you with a smile. We wrote this song whilst remembering moments like this." Silent Embrace: "Time passed and we became adults. Life is like climbing and descending many steep mountains, but the reason we're still able to continue walking is because of our loved ones, colleagues, friends and family who quietly stand by us and giving us courage and strength. We wanted to express our gratitude with this song."

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Mecha Maiko

LP | 2023 | US | Original (New Retro Wave)

22,94 €* 26,99 € -15%

LP | 2023 | EU | Reissue (Quartet)

Release: 2023 / US – Original

Genre: Electronic & Dance

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‣ It's Official....SEXY White w Black color in color vinyl in limited 150 copies. ‣ Printed on 1 180g sexy White with sleek Black color in color finishing. ‣ High duty jacket with spine. ‣ Audio remastered for vinyl. ‣ Vinyl will be shipped inside protective wrapping and padded with bubble wrap. ‣ Not OK Limited Collectors Edition Vinyl is available for Wholesale orders at a discounted price. All accounts/ purchasers must provide a valid tax id number, business name, address and wholesale license number. Max of 4 vinyls can be bought per wholesale customer. ‣ EU VAT + extra shipping costs may apply to all orders

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Ennio Morricone

OST Il Giustiziere

32,99 €*

7" | 2023 | US | Original (Holy Toledo)

Release: 2023 / EU – Reissue

Genre: Soundtracks

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Quartet Records presents the premiere vinyl edition of killer soundtrack by Ennio Morricone for the 1975 police thriller IL Giustiziere (aka THE Human Factor).

Directed by Hollywood veteran by Edward Dmytryk, the film stars George Kennedy, John Mills, Raf Vallone and Rita Tushingham. The plot is about John Kinsdale (Kennedy), a computer engineer whose family gets brutally murdered while he is working in Naples on a top secret project. Aided by fellow engineer Janice (Tushingham), Kinsdale uses a combination of his expertise as well as brute force to take revenge on the left-wing terrorists—Charles Bronson style!

Morricone’ score comes from the composer’s fertile period of poliziotteschi thrillers and “Years of Lead” dramas that he approached in a similar manner. The music features several variations on the beautiful family theme which eventually gains new meaning as Kinsdale must carry the burden on his own. The music for the terrorists features the psychedelic, percussion-heavy and often ostinato-based cues that Morricone typically reserved for the steamy chaos of his poliziottecshi titles.

The score of IL Giustiziere hasn’t ever been previously released on vinyl. This premeire edition has been produced and mastered by Chris Malone using the first-generation analogue stereo master tapes and pressed in 180 GM audiophile black vinyl.

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Canibus

16,99 €*

12" | 2023 | UK | Original (Astral Black)

Release: 2023 / US – Original

Genre: Hip Hop

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For the first time ever, lyrical heavyweight Canibus and producer extraordinaire Pete Rock have joined forces! Released as a 7-inch in highly limited quantities, this epic pairing showcases one of the genres best spitters, with arguably one of the most coveted boardsmen in the game. The duo kicks things off on the side A titled, “Princibly This,” a feel good groove that fuses soothing horns over a thumping drum track that sets the stage for ‘Bis to deliver his verbal onslaught. On the flipside, “Poet’s Palaquin,” Canibus continues to show and prove his lyrical dexterity with a head nodding banger courtesy of Soul Brother #1 who pairs ominous keys and sinister bass stabs over hard drums.

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Sustrapperazzi

Rationale EP

Frank Black And The Catholics

Release: 2023 / UK – Original

Genre: Hip Hop

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London producer SusTrapperazzi has been busy making a name for himself with productions for the likes of frequent-collaborator Novelist (inclding the pairs latest track 'Mercy'), K-Trap, Bxks & Tiny Boost, viral production videos, live sets alongside D Double E, not to mention his EP for German label Illan Tape. Here, SusTrapperazzi lands on London label Astral Black with 6-essential instrumentals in the form of his 'Rationale' EP. The sample at the top of EP opener 'Gospel Trappin' asserts the listener to "Listen to this!" before the prolific producer flips an anthemic gospel sample into a mesmorising trap instrumental. Elsehwhere on 'What's Wrong' - the producer stitches a a triumphant new jack swing sample together into a Houston-inspired pop ballad. Meanwhile on tracks like 'Through To You' & 'Gold Rain' Sus sits well and truly in his bag, fusing together all the elements of his sound into expertly crafter 808 laced trap instrumentals. SusTrapperazzi's 'Rationale' EP kicks off the labels 10 year anniversary which is set to see a string of releases ncluding a EP's from Jossy Mitsu (Rinse FM), Bruised Skies (Hoover Sounds) & NigelThreeTimes (Fractal Fantasy) as well as sample warper Eahwee's follow up to his 'Solitude' LP & a collaborative LP from prolific producer Samuel Organ & folk crooner Laucan.

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Snake Oil Black Vinyl Edition

LP | 2023 | UK | Original (Demon)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Fatal Encounter Black Vinyl Edition

Air Raid

LP | 2023 | EU | Original (High Roller)

Release: 2023 / EU – Original

Genre: Rock & Indie

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As-Shams Archive Vol. 1: South African Jazz, Funk & Soul 1975-1982

2LP | 2023 | EU | Original (As Shams)

Micky More & Andy Tee / Roland Clark / Cevin Fisher

Release: 2023 / EU – Original

Genre: Organic Grooves

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As-Shams Archive Vol. 1 introduces the core catalogue of As-Shams/The Sun, the independent record label that documented some of the most exciting developments in jazz, funk and soul from South Africa in the 1970s. With 10 tracks from 10 iconic albums featuring 10 different artists and 10 original compositions, this 2LP compilation delivers 85 minutes of South African music history.

Including essential tracks by the likes of Dick Khoza, Black Disco and Harari, remastered from the original analog tapes and housed in a gatefold art sleeve, As-Shams Archive Vol. 1 is an unbeatable introduction to South African rare groove for new listeners as well as a long-awaited first anthology for the label’s many devoted followers.

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All About The Culture / The Rhythm

12" | 2023 | UK | Original (Groove Culture)

15,99 €*

2LP | 2023 | EU | Original (Black Sweat)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Everyone's favourite Italian duo Micky More & Andy Tee joined in full force with house music icons Cevin Fisher and Roland Clark. The Logo side sees ‘All About The Culture’ feat. Cevin Fisher, a track doused in live bass, fiery grooving Rhodes chords and spoken word lines that shines a light on the freedom of expression and liberation found through the culture of house music. Already tested on the dancefloors of New York, London And Ibiza this track is ready to become a future classic! Flip it to find ‘The Rhythm’ feat. Roland Clark; a groove heavy concoction of live instruments from strings and guitar, to keys and bass that come together tp create a warm, uplifting, funk-disco-house heater topped off with those spine tingling spoken word vocals. A timeless original production.

Repressed on Black Vinyl.

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Langendorf United

Yeahno Yowouw Land

LP | 2023 | EU | Original (Black Sweat)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Spiritual Jazz paths always open up unexplored dimensions, this is the clear impression revealed by this superb and ambitious first double album by Lina Langendorf and her new band. The Swedish saxophonist (OK Star Orchestra, James Yorkston, Nina Persson & The Second Hand Orchestra) seems to be blowing in the lesson of the great sacred monsters of the instrument such as Wayne Shorter, Pharoah Sanders or Archie Shepp, but revising it in a melting pot of bolder contaminations. The secret lies in embracing different musical traditions and genres in the flow of a futuristic, psychedelic sound in constant metamorphosis. Ethio Jazz may marry Mali Blues, Afro Beat, Scandinavian melanolic melodies and tonalities from the Mandinka tradition. Everything, however, is focused toward a lysergic fury of rhythmic euphoria. Acid keyboards draw astral and hypnotic grooves, kaleidoscopic carpets, exotic intergalactic and satellite patterns; a hymn toward the Cosmos that still smacks of Sun Ra-like solar myths and Mulatu Astatke's East African winds. Co-produced with Sing a song fighter.

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Nexus

The Call, For A New Life

23,99 €*

Wesley Music Danny Krivit Edits Parts 1 & 2

Release: 2023 / EU – Original

Genre: Organic Grooves

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Since the early 1980s, the Nexus creature has represented one of the most interesting realities of the Italian jazz scene. Daniele Cavallanti (Aktuala) and Tiziano Tononi (Moon On The Water/D.o.m Alia Orchestra) realize a sensational mix of orchestral praxis and impro-free jazz. The strength lies in the ensemble's variety of timbres, in that precise hybrid of styles reminiscent of the cross-sectional experiences of the 1970s of Zappa, Henry Cow or Charles Mingus. Thus electrifying phrasing, the most hermetic breaks in the plot prevail, which are sublimated, however, in a skillful balance between recognizable themes and more radical instrumental drifts. The choral openings of the woodwinds and the more abstract rhythmic trajectories of Tononi's drums, the abrupt swings of the vibraphone and drums, and the confusing, sparkling inserts of the violin are the dominant features. The drama of the sound also touches more Spiritual-Jazz peaks, evoking the sad story of the slave trade. Noura Tafeche's lysergic cover represents the transatlantic journey and the sincretic history that gave birth to Jazz culture, this drawing takes its cue from the artwork of Mati Klerwein (Miles Davis, Santana).

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RSL

12" | 2023 | US | Original (Most Excellent Limited)

9,79 €* 13,99 € -30%

Release Spirit Pink Vinyl Edition

Release: 2023 / US – Original

Genre: Electronic & Dance

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Most Excellent Unlimited teams up with Giant Step Records for this special release of a U.K. jazz-dance classic's Twentieth Anniversary.

Voted Track of the Year at Gilles Peterson’s 2003 Worldwide awards, RSL’s “Wesley Music” was an instant anthem on its release, combining a jazzy sensibility with heavy percussion, catchy brass riffs, and a building, hands-in-the-air chorus hook. The Manchester, UK-based band first released the single on their own label, but as the tune took off it was quickly released in the U.S. by Giant Step Records, long a pipeline for the freshest British new music. Most Excellent Unlimited has collaborated with Giant Step Records for this exclusive re-release to celebrate the twentieth anniversary of the original record. The A side swaps out the original mix with a never-released Danny Krivit “Part 1” mix, a slightly more extended and direct to-the-point punch of Latin percussion and chants. The B side features Krivit’s “Part 2” mix that lets the tune unfold in all its building-anticipation glory, gradually elevating to a thunderous pinnacle of an almost spiritual nature.

With RSL recently finding favor in the sets of Chicago deep disco don Rahaan and NYC’s globetrotting Ge-Ology, remaster & pressed on an attention to quality vinyl, ideal to celebrate the twentieth anniversary of this timeless iconic track.

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Khotin

LP | 2023 | US | Original (Ghostly International)

Release Spirit Black Vinyl Edition

Release: 2023 / US – Original

Genre: Electronic & Dance

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Canadian producer Dylan Khotin-Foote has kept his Khotin alias going for the better part of a decade; the impressionistic electronic project shifts with the movements in his life. Sometimes it leads, like when the club-friendly grooves of 2014's Hello World immersed him in the heart of Vancouver's underground dance scene, and sometimes it follows, like 2018's Beautiful You, a downtempo salve for DJ fatigue His melodic sensibility and playful ear for atmosphere remain the rippling core of the project's fingerprint; whether beat-driven or ambient, a foggy smear or a dusted and pristine print, a Khotin track has a distinct and instantly recognizable swirl. During and after the 2020 release of Finds You Well, his second LP on Ghostly International, Khotin-Foote settled back into a slower vibe in his hometown of Ed- monton. Even before the pandemic, his pivots to softer production, and away from DJing, left him with fewer opportunities in Vancouver and club bookings overall, and as a self-identifying introvert, he was fine with that. But the change of pace did open space for Khotin-Foote to grapple with concepts of adulthood and career. At his lowest, he almost walked off this musical path altogether; instead, he doubled down on the craft _ the tone, pacing, and dynamism of new material _ arriving at a definitive full-length. With Release Spirit, Khotin releases himself from the pressure of expectation, fusing and refining everything we know about his music. The warmth and familiarity of Khotin's dreamy, dulcet style meet new ideas and frameworks, a natural progression, a modest revelation; Khotin confirms it is okay to move slowly and he's never sounded better doing it. The album title borrows from the "release spirit" mechanic in the video game World of Warcraft. When players die, they are prompted to release their spirit and return as ghosts to find their corpses and come back to life. Khotin sees it as a worthy metaphor for the impending change his return home presented and the resulting process of purging artistic expectations to find his creative self again. On this go- around, he is freer, more playful, and more intentional within his palette of warped synth, breakbeats, and piano sounds _ including the classic Casio Sk-1 presets he's used since the start _ mingling with wistful samples, field recordings, and other abstract snippets. For the first time, he enlisted Nik Kozub to do the mix and assist with sequencing. Khotin-Foote has long worked with the Edmonton-based musician and engineer in the mastering phase, as well as their days co-running the label Normals Welcome, and this time was able to involve his ears earlier given their newfound proximity. "I think it's my best sounding record to date." We begin on "HV Road" or Happy Valley Road, where Khotin-Foote spent time during a family vacation in British Columbia's Okanagan Lake. His plans to record crickets at night are quickly foiled by his younger siblings; the cute exchange orients the listener to a core memory of sorts, setting the tone of universally understood warmth and wonder that has defined some of Khotin's most transportive tracks. Hazy percussion takes hold, and we are swept further into the wisp of "Lovely," a grooving, melodic standout built on the interplay between the beat and human voice-like hums. Khotin knows this zone well; equally suited for a reverie or a club warm-up. The bubbling atmosphere and absurdity of "3 pz" offer a cosmic/comic interlude and also speak to reflections on his family's move to Canada two generations ago, and the audio tutorials they used to learn English. "I can only imagine my grandpar- ents repeating some of the bizarre phrases." "Fountain, Growth" finds Khotin in collaboration with Montreal's Tess Roby (Dawn to Dawn) for the project's first-ever vocal track. Roby's soft cadence echoes atop spiraling air pockets of rhythmic production, lending a breezy, almost shoegaze pop feel. Throughout the single and the album, wind gusts between the compositional layers, akin to the roaming spirits of its namesake, curving around the birdsong of "Life Mask" and seamlessly reaching "Unlimited <3." The latter bumps in slow motion; disembodied whirrs from his Casio collide with 808 drums and sub-bass for a vibe that teeters on trap and instrumental hip-hop. Release Spirit rests in a dream sequence. Oscillating synth lines dance around the heartbeat of "Techno Creep," a hyperactive REM state before the digitized ambient sprawl of "My Same Size." In the final pass, Khotin imagines transcontinental travel from the glow of his screen. He recorded "Sound Gathering Trip" to soundtrack a genre of YouTube videos he's taken to that follows train routes through Europe and Japan. The scene is serene and moving; piano keys warble as static-filled sound design shimmers off the rails, from cityscapes to the countryside, an introspective ride through a world beyond his bedroom. It doubles as an apt parting image for Khotin's project as a whole: dreaming big but happiest when riffing on the details, shaping environments from the inside out. Over the last decade, he has stretched from his core in Edmonton, leaving a trace in Vancouver and beyond; but when all signs point home, he loops back to see it all from a different vantage, revitalized, refined, and free.

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Khotin

LP | 2023 | US | Original (Ghostly International)

Record Box - Vinyl Record Storage

Release: 2023 / US – Original

Genre: Electronic & Dance

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Schallplattenturm (2x110 & 1x100)

89,99 €*

Record Box - Vinyl Record Storage

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The RECORD BOX record tower is an innovative set of two record boxes and a register box, which are connected by means of practical adhesive points. In total, the record tower offers space for the storage and presentation of a maximum of 310 12'' records.

Ideal for DJs, record stores and the home record collection: The register box is the top component of the tower and gives you direct access to your most important records, which you can easily browse through. The stacked record boxes prove to be a space-saving storage option that keeps things tidy and organized.

Easy assembly and creative freedom: The set of three record boxes is part of RECORD BOX's unique furniture system, which allows you to make creative additions that perfectly suit your needs. The assembly is very easy, the connection is made with the non-slip glue dots, which were developed especially for this system.

Clever solutions for your individual needs: The Record Tower is available in white, grey and black. Buying the set offers you a saving compared to buying the boxes individually and gives you all the design freedom you need for your record furniture. The boxes are made of 15 mm MDF with melamine and offer you a lot of stability as well as a clear look at an excellent price-performance ratio.

Features:

• Record tower as a combination of two 12-inch 110 storage boxes and one 12-inch 100 storage register box
• Connection through non-slip silicone adhesive dots
• Favorable bundle price compared to single purchase
• Available in white, grey and black
• Space for more than 300 LPs
• Ideal for DJs, record stores, the home record collection
• Can be combined in many ways with the other products in the RECORD-BOX furniture series
• Boxes for self-assembly - screwdriver required!

Technical data:

• Material: MDF wood (15 mm) with melamine coating.
• Dimensions: approx. 36 x 36 x approx. 104 cm
• 1x 12-inch 100 storage boxes
• 2x 12-Inch 110 Storage Boxes
• 1x adhesive dots from RECORD BOX
• assembly instructions
• Weight: 12,7 kg

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Schallplattenturm (2x110 & 1x100)

89,99 €*

Record Box - Vinyl Record Storage

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Schallplattenturm (2x110 & 1x100)

89,99 €*

LP | 2023 | EU | Original (Far Out)

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Grupo Um

Starting Point

LP | 2023 | EU | Original (Wagram)

Release: 2023 / EU – Original

Genre: Organic Grooves

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In 1975, under the oppressive air of military dictatorship in Brazil, brothers Lelo and Zé Eduardo Nazario invited bassist Zeca Assumpção to join their musical experiments in a basement under Sao Paulo’s Teodoro Sampaio Street. As teenagers, the trio had already been playing together in Hermeto Pascoal’s Grupo, alongside guitarist Toninho Horta and saxophonist Nivaldo Ornelas, and it was while working together under Hermeto’s direction that the Paulista rhythm section (as they were then known) began to realise their own potential.

With many nightclubs and venues closed in the mid-70s and government censors dictating the output of radio, TV and art galleries, many Brazilian artists fled during the years of dictatorship. But underground, Grupo Um were fusing avant garde ideals with contemporary jazz and Afro Brazilian rhythm; making phenomenally free and expressive music - in stark contrast to the sterile, conservative conditions being imposed above ground.

Just like Hermeto Pascoal’s Viajando Com O Som from the following year, Starting Point was recorded over two days at Vice-Versa Studios, by revered engineer Renato Viola. The studio was one of the best in Sao Paulo and musicians communicated with engineers through cameras and a monitor, allowing the group complete immersion in the process. They also made use of the studio’s hemispherical tiled room, which served as an acoustic reverberation chamber.

The album begins with Zé Eduardo Nazario’s thunderous drum solo on “Porão da Teodoro”, before clearing the clouds with the lone Berimbau which opens “Onze Por Oito”. Built around a hypnotic electric bass line, heady Fender Rhodes improvisations, and more rip-roaring drums, it’s a rapturous, electrifying freak-jam in 11/8.

Like some invertebrate deep-sea curiosity, the free-form “Organica” is made up of Lelo Nazario’s playfully eerie prepared piano, with Zé Eduardo’s percussion flurries darting around Assumpçao’s double bass. The equally non-conformist, percussion-only piece “Jardim Candida” features many of Zé Eduardo’s home-made instruments, including a long saw blade played with vibraphone sticks and violin bow. While working with Hermeto, Zé Eduardo famously built his own all-in-one percussion set-up known as the “Barraca de Percussão” (Percussion Tent) - the first of its kind in Brazil, which he would also use on Hermeto Pascoal’s Viajando Com O Som and throughout his career.

“Suite Orquidea Negra'' (Black Orchid Suite) was written by Lelo Nazario as the score for an imaginary movie - the story of a rare, black orchid which produced a substance meant to cure all diseases, but which had mysteriously disappeared from the laboratory… “As a screenplay it’s not very good” reflects Lelo in jest, “but the music ended up being very interesting, the way its parts are chained to one another carries a little of the mystery I imagined for the movie.”

The album closes with the triumphant “Cortejo dos Reis Negros” (Procession of Black Kings) - a groovy variation on the Maracatu rhythm, with a two-note bassline underpinning piano improvisations, exultant wordless vocals, cuicas, slide-whistles and a very special guest appearance from Zé’s dog Bolinha.

Starting Point was to mark the inception of one of Brazil’s most daring instrumental groups. Their debut now sits in the lofty echelon of otherworldly 70s Brazilian music, alongside the likes of Marcos Resende & Index’s self-titled debut, Cesar Mariano & Cia’s Sao Paulo Brasil, Azymuth’s debut and indeed Hermeto Pascoal’s Viajando Com O Som. But just like all of those titles, which were either shelved or largely ignored at the time, Grupo Um - so radically ahead of their time - struggled to find a label to release their debut album. So Lelo kept the tapes safe in his archives, which is where they sat for almost half a century. Finally, almost fifty years later, this mesmerising piece of history is here, and it was only the beginning...

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Carl Perkins

Blue Suede Shoes

17,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Aufnahme + Wiedergabe)

Neu Rot

Halt An

29,99 €*

Brainwave Research Center

Release: 2023 / EU – Original

Genre: Electronic & Dance

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tapetopia 004 The Leipzig band Neu Rot represented a singular phenomenon within the alternative music reservoir of the GDR. As with so many bands that cultivated a more sophisticated sound in the late 80s, Neu Rot’s beginnings had been in punk rock. But, with a remarkable rigour against itself, the band steadily worked its way towards post-rock. This thorough process came to fruition in 1988 with the production of the tape “Halt An”. It had been preceded by the band’s struggle for its very own means and their technical feasibility. Neu Rot’s pilgrimage to its own centre was not unimpeded. The band’s name was perceived by the GDR’s cultural watchdogs as an erratic chain of associations between the suspicious word “Neu” and the ideological signal colour red. The band was legal, but its lyrics were deemed illegal. The edition of “Halt An” was somewhere between over fifty and under one hundred copies. Jörg Stein (voc, g, casio sk-1, yamaha ps-2) Karsten Maaß (bg, voc) Anke Mehlhorn (vl, casio sk-1) Henrik Eiler (dr, voc, casio sk-1) Produced by Mike Stolle & Jörg Stein Lyrics by Jörg Stein, except „Sometimes“ and for „Die Schlange“ by Christoph Wielepp Tape artwork by Daniel Schörnig Tape cover photos by Daniel Schörnig Published by Henryk Gericke Liner notes by Henryk Gericke Remastered by Black Flag Mastering/ Friedemann Kootz © Music by Neu Rot except „Sometimes“ (traditional) recorded Oktober 1988, Leipzig Thanks to: Mike Stolle, Adrian Neumann, Nikolaus Michael, Horst Pfaff, Andreas Berger, Christoph Wielepp, Daniel Schörnig and to the unknown roommate Lachmund Christian Andersen, Michael Barthel, Sarah Baumann, Ralph Gabriel, Ronald Galenza, Jakob Geisler, Ulrike Geisler, Gerd Gericke, Elke Grabinski, Gabriele Herzog, Egmont Hesse, Sabine Jansen, Siegfried Männer, Bettina Matten-Gericke, Christian Morin, Frank Siewert, Philipp Strobel, Christoph Tannert, Stefan Widdess, Margarete Wohlan In memory of Michael Pfaff.

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Fig. 1

LP | 2023 | US (Brainwave Research Center)

22,99 €*

Raven Clear Vinyl Edition

Release: 2023 / US

Genre: Electronic & Dance

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Brainwave research center is a new project from NYC-based house/techno producer, Chase Smith (W.T. Records, Apartment, is/Was), & documentary filmmaker, Christa Majoras (School of Visual Arts).

Conceived together over two years as musical thought experiments, brainwave research center’s debut album, figure 1, contains a genre-bending distillation of influences from experimental music (Steve Reich, Laurie Spiegel, Black Dice), 1990s ambient techno (The Orb, Pete Namlook/Fax Records), and Motorik/Kosmiche/Krautrock (Kraftwerk, Suicide, Manual Gottsching).

The songs embrace a raw, naive approach to sound design, instrumentation, and technical production to capture the feeling of experimentation of the works they are inspired by. Described by listeners as a mixture of Electronic, ambient, and kosmische/krautrock.

Recorded and produced in Greenpoint, Brooklyn in the back of Smith’s synthesizer/electronic repair shop, Specs Sales & Repair, Figure 1 is the first in a sequence of 4 works to be released.

Made primarily with Tr-606, OB8, Sh-101, Ms-20, Fizmo, H3000, Sde-3000

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Kelela

2LP | 2023 | UK | Original (Warp)

36,99 €*

Raven Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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In an age of constant engagement, silence and introspection can seem like the most daunting thing. For Kelela it was a necessary step, and a rewarding one. Her highly acclaimed 2017 debut album Take Me Apart helped to build a music world celebrating Black and queer club culture, and the following hiatus was a palpable one. Now, the wait for Kelela’s much anticipated return is over, with her second album Raven documenting not only her withdrawal, but also her magnificent rebirth.

Opening this era with the 'Washed Away' music video set in the stunning landscapes of her ancestral Ethiopia, it's clear Kelela has been on a journey. On Raven, she severs from relationships: friends, lovers, even herself, travelling as far as possible to come back even stronger. These themes stem from her feelings of “isolation and alienation as a Black femme in dance music”, resulting in renewing tracks where her vocals soar above nocturnal, pummelling techno beats and sunken, meditative ambient soundscapes. These two worlds collide in the duo of ‘Raven’ and ‘Bruises’ where Kelela defiantly stakes her claim on the four to the floor with a “crying in the club” feel, as enveloping baroque shimmers are broken apart by a thumping club storm.

Amidst the bangers are oceans of emotional expression. Club anthems produced alongside Lsdxoxo and Bambii like ‘Happy Ending’ and ‘On The Run’ depict the “push and pull dynamics of love” with heavenly harmonies and turbulent rhythms. The propulsive drum breaks of ‘Missed Call’ soundtrack the suspense lingering around the phone, waiting for a call or gathering the courage to make one. ‘Sorbet’ freezes an intimate moment in time, wistful vocals inhabit the sonic field, before scattering with the heavy, plunging plucks of ‘Divorce’.

Kelela explores her own identity and ancestry on Raven, displaying her incomparable artistry in full force.

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Kelela

2LP | 2023 | UK | Original (Warp)

36,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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OST Black Panther: Wakanda Forever Limited Black Ice Vinyl Edition

2LP | 2023 | EU | Original (Hollywood)

43,99 €*

Release: 2023 / EU – Original

Genre: Soundtracks

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LP | 2023 | EU | Original (Rustblade)

Morgue Ensemble

Black Scenario Vol.1

35,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Disco Arabesquo)

Moving Still

Moving Still Edits

13,99 €*

The Introspection Trilogy: 1994 - 2022 Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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We are honoured to have none other than Jamal Sul better known as Moving Still as the first artist to bless us with two ‘90s Kuwaiti edits on a 12” EP release, the first of the ‘Yallah Ya Ashab’ (Let’s Go Friends) series. The release is in collaboration with Kuwaiti cassette label Al Nazaer who have had a major impact on music from the Gulf region since the ‘80s. Moving Still follows on from his infectious disco floor-filler Sidi Mansour (Moving Still Edit), which took the festival circuit by storm, and his italo-esque edit of Egyptian pop star Azza Kamal’s Maadna Bkra in collaboration with Dutch producer Tjade. Both edits reached #1 in Rush Hour’s best-sellers chart and were played out across the world with support from Palms Trax, Hunee, Skatebård, David Vunk, CC:DISCO!, Esa Williams and Nabihah Iqbal. He recently came full circle with a beautiful 6 track EP Kalam Hub on close supporter Palms Trax’s label Cwpt. For the A side, Moving Still & Disco Arabesquo have combined forces to flip Omrena, a 1998 track from Kuwaiti singer and actor Bashar Ali Sultan, best known for his playful song El Galb El Mehtas. Omrena (‘our lifetime’) is a tale of longing to that time spent with our loved ones and the desire to unite with that lost love. The edit is brought to life with Moving Still’s signature arpeggiated bassline and drums, and masterfully arranged by Disco Arabesquo. The result is a percussive club banger, adding a sense of urgency to the yearning of the original. The B side Nerjaa (‘we return’) is a mystery of a one hit wonder by the obscure band Firkit el Lotus (the Lotus band). Recorded in 1994 in Kuwait, written by Sultan Johar and produced by Meshal Jumah, there are no further details on the band’s members or how long they were together. The original track was a Moving Still find from a Kuwaiti mahragan (festival) compilation, sharing it with Disco Arabesquo during their first in-person meeting in Amsterdam in 2019. The Arabic new-jack swing track has been a quiet obsession of the two ever since. This stripped back edit transforms the original with a refuelled and recreated 808 drum and sub-heavy bass, with crooning vocals to have you fall in love while dancing in the club.

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Stryke

12" | 2023 (Re:Discovery)

15,99 €*

Jazz Codes Limited Green & Orange Galaxy Colored Vinyl Edition

Release: 2023

Genre: Electronic & Dance

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On behalf of re:discovery records, it is with great excitement that we announce the release of Stryke – The Introspection Trilogy (1994-2022). rd011 features a track that is very close to my heart. My senior year in high school. I was heavily into chill-out music at the time. Labels like FAX, Instinct Ambient, Reflective, Astralwerks, em:t, Silent, Moonshine, Rising High, Warp, Exist Dance, Visible, Eye Q and others were giving me such a wide array of beautiful sounds of more subdued techno and rhythmic ambient music. I was buying every compilation I could at the time that looked remotely different based on the artwork, the unusual artist names or the tracks. I was soaking in everything I could under the chill-out style. That year 1994 I picked up the 2nd edition of Moonshine's 'United State of Ambience 2'.

It has so many good tracks on it. One track that always held a special place in my heart was Stryke's 'Introspection pt.1'. The simple but catchy melody layering. The easy atmosphere made me feel like I was floating in the ocean. The deep 808 bass notes (I hope one day you and I will hear this on an amazing sound system). The amazing strings reach a crescendo nearing the end. This track has so many simple but beautiful sounds on it. It's a great example of what I call sequencer-styled electronic music. At a time when producers layered tracks in more of a sequence then building or placing sounds. In 2021 I was able to get a hold of Greg Chin to see if he was interested in putting the track on my label and letting it breathe freely on its own side alone as the highlight of an EP. Greg was enthusiastic about the opportunity and told me that he always wanted to complete the trilogy he had in mind of a part 2 and 3. The ominous and eerie part 2 adds a terrific tension to the finale of part 3. The last being almost an updated part 1 really concluded the trilogy for me. Both parts melded together on side B pushing near 17 minutes. I want to thank Greg for letting us be a home to complete his journey.
It started as a little science fiction story where Kepler-129, a hot star located about 1200 light-years away from our Solar System, became the living environment of peculiar creatures, passionate about music, throwing parties to overcome their tedious routine.

Eventually, this story mirrors what Kepler-129 has grown to be: a concept of round-the-clock parties in unusual settings, simultaneously inspired by the rave culture and the cosier approach of small selectors clubs.

What the science-fiction story did not predict, however, is the Visolux project.

Parties don’t last, printed music does. Surrounded by talented and nerdy friends from both real life and the Internet, much keener to work out drums and machines than launching a start-up, we joined forces to craft a various EP that would echo our Kepler adventures.

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Moor Mother

LP | 2023 | EU | Original (Anti)

27,99 €*

The Wind Of 666 Black Hearts Volume 1

Release: 2023 / EU – Original

Genre: Organic Grooves

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Jazz Codes is Moor Mother"s second and latest album for Anti- and a companion to her celebrated 2021 release Black Encyclopedia of the Air. Jazz Codes uses free jazz as a starting point but the collection continues the recent turn in Moor Mother"s multifaceted catalog toward more melody, more singing voices, more choruses, more complexity. In its warm, densely layered course through jazz, blues, soul, hip-hop, and other Black classical traditions, Jazz Codes sets the ear blissfully adrift and unhitches the mind from habit. Through her work, Ayewa illuminates the principles of her multidisciplinary collaborative practice Black Quantum Futurism, a theoretical framework for perceiving and adjusting reality through art, writing, music, and performance, informed by historical Black ontologies.The songwriter, composer, vocalist, poet, and educator Camae Ayewa spent years organizing and performing in Philadelphia"s underground music community before moving to Los Angeles to teach composition at the University of Southern California"s Thornton School of Music. She released her debut album as Moor Mother, Fetish Bones, in 2016, and has since put out an abundance of acclaimed music, both as a solo artist and in collaboration with other musicians who share her drive to dig up the untold. She has performed and recorded with the free jazz groups Irreversible Entanglements and the Art Ensemble of Chicago, and made records with billy woods, Mental Jewelry, and YATTA.

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Darkthrone

LP | 2023 | EU | Original (Peaceville)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Reloop

RMX-95

949,00 €*

Suonando La Batteria Moderna

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STANDARD REDEFINED
The professional RMX-95 4+1 channel club mixer blurs the lines between analogue workflow and digital technology. The RMX-95 is a cutting-edge, extraordinarily versatile creative tool thanks to its dual-USB 2.0 interface, redesigned effects section, optional MIDI mapping of all controls, and smooth integration of the djay PRO AI DJ software. The club mixer has a familiar and user-friendly interface, making it suitable for both professional and hobby DJs.

SURGICAL SOUND MANIPULATION IN EVERY DETAIL
Will you go for "Classic" or "Kill"? The RMX-95's 3-band EQ can be adjusted to allow maximum sound control for unique results.
Echo, Reverb, Flanger, Phaser, Vinyl Brake, Loop Roll, Noise, Pitch Shift, Delay, Ping Pong Delay, Tape Delay, Bit Crusher and Transformer are just some of the many studio-quality effects included in the brand-new Beat FX unit. The dedicated FX frequency control (LPF/HPF) lets you apply the effects to a specific frequency range for a more unique sound.
And that's not all: Each channel also features a bipolar filter unit (LPF and HPF) with real-time resonance adjustment. This allows for even more complex sound productions.
Two digital displays show parameter changes in real time for precise control that goes beyond hearing.

CONNECTIONS GALORE
The RMX-95 also excels in terms of connectivity: Four CD, two line, and two phono inputs are available on the four input channels. The separate microphone channel has two microphone connections (1 x jack, 1 x jack/XLR combination jack) and an additional AUX input. The master output offers RCA or balanced XLR cable connections. The booth output has two jack connections for stereo operation. However, it can also be used in mono mode. A recording device can be connected to the Rec output via RCA jacks to record DJ sets – regardless of the master output level. Last but not least, the DJ mixer has two jacks for headphones.

MAXIMUM FLEXIBILITY: DUAL-USB AUDIO INTERFACE
Superior 24-bit sound quality is provided by the ten inputs and outputs of the high-quality dual-USB 2.0 interface. The two USB ports allow smooth transitions between DJs and maximum flexibility when using different setups in a single club night. In addition, the active USB hub enables the connection of additional USB devices.

FULLY DIGITAL ARCHITECTURE
The RMX-95's digital architecture transforms the DJ mixer into an individually mappable MIDI controller. As part of this, the setup menu provides a wealth of customisable options, such as EQ frequency range, Neural Mix™ EQ mode, audio interface routing, and zone routing for the booth output.

DVS-ENABLED FOR DJAY PRO AI & NEURAL MIX™
The RMX-95 works with Algoriddim djay PRO AI via plug and play. The DJ app's ground-breaking Neural Mix function lets you isolate beats, melodies, and vocals in the mix in real time. The RMX-95 supports djay PRO AI's advanced DVS integration with Mac, PC, iPhone and iPad. The DJ software is also compatible with streaming services like Tidal¹, Soundcloud¹, Beatport Link¹ or Beatsource Link¹.

CRISP CUTS AND SMOOTH BLENDING
The adjustable curve of all faders provides DJs with the creative flexibility they want while mixing. Turntablists and scratch wizzards can also upgrade the crossfader with the contactless RMX innoFADER.

INDESTRUCTIBLE DESIGN
The club mixer's sleek black metal surface is not only eye-catching but also highly durable. The solid metal housing and hard-wearing metal shafts in all of the built-in potentiometers and switches provide a long service life, even with heavy club use.

FEATURES:
• Professional 4+1-channel DJ club mixer
• DUAL 10 In/Out USB 2.0 audio interface with superb, 24-bit sound quality
• New Beat FX unit with multiple effects in studio quality: Echo, Reverb, Flanger, Phaser, Vinyl Brake, Loop Roll, Noise, Pitch Shift, Delay, Ping Pong Delay, Tape Delay, Bit Crusher,Transformer
• FX frequency control (LPF/HPF) for manipulating effects in selected frequency band
• Sound filters: Bi-polar filter unit with LPF and HPF
• Realtime resonance control for channel filters
• Active USB hub to connect USB accessories
• 3-band EQ with adjustable behaviour (classic/kill)
• Two digital displays showing real-time information of parameter changes
• Digital mixer architecture with extensive adjustment options
• Extensive setup menu, including:
• EQ frequency range (low, high)
• Neural Mix™ EQ mode
• Audio interface routing
• Booth output zone routing (matrix)
• CUE solo option
• RMX innoFADER compatible
• Adjustable linefader and crossfader curves
• MIDI-compatible control elements
• 2x High-retention USB 2.0 port, especially durable
• 2x Mic inputs with dedicated MIC ON button
• 2x Headphone outputs via 6.3/3.5 mm stereo jack with split cue
• 2x Mic inputs with dedicated MIC ON button
• Booth output in stereo or mono
• High-quality and hard-wearing, pure black metallic finish
• Sturdy construction in a metal housing with bolted metal shafts
• Kensington lock to secure the device
• Incl. manual, power cord, and USB cable

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Tullio De Piscopo

LP | 2023 | EU | Reissue (Dialogo)

3LP | 2023 | EU | Original (Esprit De La Jeunesse)

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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A Brief History OF THE Drums Jazz Drums as we know them today are a complex group of percussive instruments that reveal the inventive genius of the first jazz-band players of New Orleans, on Mississippi show-boats and later, in Chicago. In their actual form (which is substantially the same as that used in the first New Orleans groups ) they are none other than the como ination into one single instrument of all the percussive units used by the Southern blacks. Let us examine the drums in their single parts: the bass drum is a percussion instrument without definite pitch, normally beaten by a stick that has a large, felt-covered knob on one end, while the other end is attached to a pedal played by the right foot. It is the same instrument used in parades with brass bands, when it is worn around the neck and can also be played with regular drumsticks if a drum roll is required. Also a descendant of the traditional New Orleans brass bands are the Charlestons, two superimposed metal plates which are also played by pedal. Drumsticks or brushes are used to play one or two cymbals, large, slightly cupped disks of brass which when struck together loudly, also produce a crashing, dramatic effect. Drumsticks are also used to play the snare drum, of military origin, and the tom tom, of African descent, which can also be played by beating the drum-head with the fingers and the heel of the hand to accompany dancing. Other supplementary instruments such as the castanets, cow-bells, etc., are also played with drumsticks. In early jazz formations and in all New Orleans jazz, drums were used to rhythmically sustain the group, in other words, to furnish the beat, particularly with the bass drum playing the strong beats; the Charlestons would follow on the weak beats and the other parts would more or less ‘fill in’ depending on the player’s ability, by playing syncopation and off-beats. Rarely were the drums used as a solo instrument in New Orleans or traditional jazz bands; at the most, the drums would perform during a break, that is, a brief solo that filled in a pause left by the other melodic instruments between two stanzas or refrains. In jazz history the most important representatives of this ‘archaic’ jazz style are considered to be Warren ‘Baby’ Dodds (brother of the famous clarinet player Johnny Dodds ) and Zutty Singleton; both can be heard on the historical recordings of the Hot Five and the Hot Seven where they played under Louis Armstrong. During the swing era the drums were somewhat modified and perfected (it was during the ’30s that they assumed their standard and present form), thus requiring players to develop a more refined, sophisticated playing technique. In fact, during the swing era the small groups that had made up the backbone of New Orleans and Chicago jazz moved momentarily into the background and attention was focused on the first big, commercial dance bands, then to small, experimental groups that consisted of trios and quartets. But while the New Orleans drummer had been accustomed to playing with musicians he knew personally and with them performed music with which he was completely familiar and could therefore easily provide rhythmic support to, during the ’30s the drummer found himself in the new situation of having to play with a large number of musicians who played written music that had been selected for commercial reasons and part of complicated, orchestral arrangements. In addition, because of continuous changes in orchestral personnel, he seldom had time to familiarize himself with his fellow musicians; he was forced, by necessity, to adapt himself to the needs of the group at a short time notice and it was not unusual for the band leader to expect an exceptionally long break during which the drummer had to demonstrate his particular virtuosity. Naturally the technical superiority of this generation of musicians found supremacy in small groups in which the drums sustained first place together with the melodic instruments. An example of two such outstanding drummers of the swing era were Chick Webb and Gene Krupa. Around and immediately following World War II there took place, gradually and not as suddenly as one is led to believe, a so-called ‘revolution’ that initiated what was the ‘modern jazz’ trend, to which the preceding jazz style was superimposed and defined as ‘traditional’ jazz. While it would be impossible to analyze here all the melodic, harmonic, rhythmic and timbric innovations created by modern jazz musicians, two considerations can be made about the drums. The first is that in modern jazz there is no longer any distinction between ‘melodic’ and ‘accompanying’ instruments, thus leveling all instruments of the group to equal importance, all with solo possibilities (just think of what a classic accompanying instrument like the guitar becomes, in the hands of Charlie Christian!). The second is that while in traditional jazz the beat, i.e., the basic rhythmic scansion of a piece, offered the possibility of rhythmic balance, in swing, rhythm became explicitly an element of sound, while in modern jazz the beat is implicit and despite its prominence throughout an entire piece, whether solo or group playing, no instrument has the specific job of sustaining the others. It is clear therefore, that when the drums have been given equal value to the other instruments, they are freed from the obligation they once had to sustain rhythmically an orchestra or group and in modern jazz find enormous expressive possibilities. The musician most responsible in giving the drums their prominence in this era was Kenny Clarke, and among his many followers two of completely different styles but both with supreme technical skills, were Shelley Manne and Max Roach.

THE Drums AND POP Music The introduction of drums in European pop music occurred at the same time as the transformation of dance bands and was conditioned by the popularity of jazz. In the first dance orchestras that offered American dance music in Europe (the fox trot, one-step, and later the Charleston), the drummer often gave his name to the entire group, which was called a ‘jazz band’. The pop music drummer, in general, was not just a pale image of his jazz colleagues. If he performed any virtuoso passages they were certainly not the result of an expressive need, but rather, well-calculated effects created by an arranger for purely commercial reasons. The drums in pop music were also liberated from their secondary role, however, in another change similar to that brought on by the modern jazz revolution: it was with rock ‘n’ roll and the experiments of the new American groups that followed the Beatles and the Rolling Stones that re-evaluated the possibilities of the drums in new forms of instrumental ‘sounds’ and added to the wealth of technical capacity and the actual physical make-up of the instrument, adding other percussive instruments from both Afro-Cuban origin (bongos) and classical music (tympani), as well as oriental instruments like the gong, Chinese bells, Korean blocks, etc. For those who are fascinated by the virtuosity of some jazz or pop musician and have undertaken the study of the drums with the intention of imitating them, it is well to remember that it is no longer possible to do so with just a good sense of rhythm, musical sensitivity and the physical capacity to play. The modern drummer must also have a thorough theoretical background and a good teacher to guide him. Sightreading is of course indispensable particularly for playing the drums and a music school diploma certainly helps. This record, therefore, does not pretend to offer more than a series of modern rhythms that anyone with a good musical background can learn from and have fun with. The rest is up to you!

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Rob Acid

Acid Chronicles

36,99 €*

Jerr Teel And The Big City Stompers

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Robert Babicz started his musical career under the Rob Acid moniker in 1992 and this triple 12â€œ vinyl pack is a compilation of 12 of his most essential tracks of all times. In this bundle you can find the iconic club tracks like â€žHomeless Part 1â€œ and â€žAndroidâ€œ, rare material like â€žHerz aus Goldâ€œ Rob released on Force Inc. and his melodic acid UK chart hit â€žHappy answerâ€œ. But also RobÂ´s collaboration with Marc Romboy â€žWall of soundâ€œ and of course the deep, dark and pumping Detroit techno influenced â€žAcid Warriorâ€œ. This vinyl package was drafted in collaboration between Rob, Marc Romboy and their Marotopia community who were responsible for the tracklisting and name of this release.

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Crazy Dreams

LP | 2023 | EU | Original (Bang!)

Oily Echoes Of The Soul Red & Green Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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BANG! Records present "Crazy Dreams", the unreleased album by Jerry Teel and The Big Stompers.Limited edition of 600 copies.Here it is, the unreleased album by JERRY TEEL AND THE BIG CITY STOMPERS, recorded more than 20 years ago at Funhouse Studio in NYC.The Big City Stompers, lead by Jerry Teel and Pauline Teel knew how to mix the hillbilly and country sounds of rural America with the dirty sound of NYC as Jerry Teel's historical membership in bands such as THE CHROME CRANKS, THE HONEYMOON KILLERS, KNOXVILLE GIRLS_And check this: this record, features THE SADIES as backing band in some tracks.Limited edition of 600 copies.

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Øresund Space Collective

2LP | 2023 | EU | Original (Space Rock Productions)

Oily Echoes Of The Soul Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Øresund Space Collective (øsc), formed in 2004, is a totally improvising Scandinavian space rock band and has been releasing albums since 2006. The band has played concerts & festivals all over Europe. Their music is quite diverse and influenced by the ever-changing line up in the collective. The material on this LP was recorded in October 2010 on the 2nd day of recording and features a lot of different musicians from days 1 and 3. A lot of the material has a funky nature, but it is a very diverse album with a nice chillout sitar number and a lot of space rock!! Some of the tracks have been edited for the vinyl edition. Recorded at the Black Tornado Studios in København, Denmark in Oct. 2010 by Lars Lundholm Mixed & mastered by Dr Space at Estúdio Paraíso Nas Nuvens, Portugal in 2020 with sonic advice from Hasse Horrigmoe Artwork / layout by David Graham

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Øresund Space Collective

2LP | 2023 | EU | Original (Space Rock Productions)

30,99 €*

12" | 2023 | UK | Original (Mr Bongo)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sadar Bahar & Marc Davis

Disco Gospel

17,99 €*

LP | 2023 | EU | Original (Acel)

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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It is a huge honour to present the Disco Gospel 12”, curated and edited by Chicago's Marc Davis and Sadar Bahar. Featuring two under-the-radar disco / gospel fusion tracks that have been given a new lease of life courtesy of these masters of their craft.

We first came to know Marc through his always on-point Black Pegasus record label, which he’s been running since 2006. As a renowned international DJ, record collector, and an integral part of Chicago's underground music scene, we knew anything he sent our way was going to be serious and he didn’t disappoint. Joining forces with Sadar Bahar (Soul in the Hole), who is himself a gospel and disco legend and a DJ's DJ favourite across the globe, they dug deep and put us onto two absolute gems from their beloved collections. As DJs who play a wide range of genres, their ability to spot the real heat within any sound has placed them at the top of their game. As Sadar puts it, "We are always digging for records and these fit the criteria of disco and happen to be gospel”.

First up is the feel-good joint 'I'm So Happy' by Fountain of Life Joy Choir Under The Direction of Kevin Yancy. Originally released in 1978 on a subsidiary label of T.K. Productions entitled Gospel Roots, the clue is in the title with this one. It's an unadulterated, uplifting, joyous dancer. Marc and Sadar’s fizzing edit brings out the best elements of the song and extends them. Working the addictive vocal hooks and building the funky instrumental grooves produces a spirit-lifting mood that is bursting with enough energy to light a fire under any dancefloor.

'Optical Illusion' on the flip, takes the tempo down, but doesn’t let up on the vigour. It’s a driving, stomping anthem that features another lung-busting vocal performance. Working with a live recording of Rev. Charles H. Nicks and The Baptist Assembly Of Free Spirit Churches Mass Choir, this one proves to be the perfect accompaniment to the ecstatic vibe of the A-side. The duo has condensed and heightened the drama of the song and added some light-touch production elements to clean up and enhance the sound. We guarantee this will be filtering its way into the sets of discerning DJs worldwide.

Marc described the selections best when he succinctly put it like this, “We both knew these were two heaters on our first listen”.

We completely agree, and with recording and engineering contributions from Tone B. Nimble (Soul Is My Salvation) and Rahaan, here we have Chicago royalty creating an unmissable release that celebrates the crossover of dance music with the musical traditions of the church.

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Jean-Baptiste Favory

Des Sphères

39,99 €*

California Poppy 1 + 2 Vinyl Me, Please Edition

Release: 2023 / EU – Original

Genre: Classical Music

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Des Spheres is inspired by the movement of the planets closest to the earth. the Sun,which begins the piece, is positioned in the central axis. Each planet is represented bytwo sounds: one from a natural recording (Water-Air-Earth-Fire), the other from atiny analog synthesizer. This involves a cross synthesis, in which natural soundsremain inaudible, but modulate synthetic sounds by varying their amplitudes andfrequencies over time in order to obtain an evolving, and partly random timbre.The relative orbits of each planet around the solar axis have been reproduced instereo space. To make them audible, I have had to greatly accelerate thesemovements. The 51 minutes of the piece represent over 100,000 years. Likewise, theambits of the stereo pans for each planet/track correspond to the relative distances ofthe planets in the solar system from the Sun. Saturn therefore undergoes a left/rightmovement over several minutes, while it takes Mercury only a fraction of a second forthe same movement.Each planet corresponds to a pair of different sounds (natural/synthetic), composedfrom distinct pitches, textures, and timbral colors. It is these differences which, bycoming together in the same listening space, express an auditory vision of the solarsystem.Most of the time, I worked in a daze, feeling that the mixer was becoming anextension of myself. I composed daily according to the star which corresponded tothe day of the week (Monday: the Moon - Tuesday: Mars - Wednesday: Mercury etc.).Des Spheres is therefore a piece recorded over 8 days, but involving more than a yearof preliminary research.Far from being music for relaxation, Spheres has a quasi-hypnotic effect, due to thefact that the piece consists of a single large chord of 8 notes, but whose timbres varyin tone and duration. It is not uncommon for listeners to fall asleep on this trip,which is fine with me...Refusing to reproduce an existing astronomical model in which models of reality aretaken for reality itself, the piece refers instead to an organic vision, which in oldentimes was called “the spheres”, the idea that the forces expressed in humans arelinked to the movements of celestial objects.

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Rexx Life Raj

2LP | 2022 | US | Original (Vinyl Me, Please)

41,99 €*

En Ar For Mycket Och Tusen Aldrig Nog Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Hip Hop

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Why you'll love it...
Rexx Life Raj, praised for their intimate songwriting and sweet, confident tone, released California Poppy 1&2 in 2018 and 2020 respectively. He combines clever wordplay and masterful flow to express what it means to him to be a Black man in America through his life's ups and downs.

Limited to 1000 copies, the VMP exclusive version of Rexx Life Raj's California Poppy 1&2 is pressed on AAA Clear with Orchid & Evergreen Splatter vinyl at Precision Record Pressing (PRP). The 2LPs will arrive in a gatefold, foil-stamped and numbered jacket.

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Dungen

LP | 2022 | US | Original (Vinyl Me, Please)

The Art Of Metal Covers Volume 2

Release: 2022 / US – Original

Genre: Rock & Indie

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Why you'll love it...
En Är För Mycket och Tusen Aldrig Nog is the astonishing new album by Dungen. The Swedish rock band includes Gustav Ejstes, Reine Fiske, Mattias Gustavsson and Johan Holmegaard. The beginning stages of this masterpiece were recorded in Gothenburg, Sweden, in 2017. The nine-track album was recorded with producer Mattias Glavå, who combined his creativity with the compelling sounds of Dungen. With decades of being a band, Dungen is not afraid to bring their sound to new heights.

En Är För Mycket och Tusen Aldrig Nog takes listeners on a journey to ‘’find their emotional center,'' which ties to bandmate Gustav Ejstes' journey of sobriety. Esjstes shared ‘’Some artists, you feel like, ‘stick to your guns, the first three albums were so much better.’ But I can’t stay in one box.''

Limited to 1,000 copies, the VMP exclusive edition of Dungen's En Är För Mycket och Tusen Aldrig Nog is pressed on 1LP Black and White Marble vinyl at GZ Vinyl. The record will arrive in a single direct-to-board, foil stamped and numbered jacket along with a download code. The album is mastered by Mattias Glavå of Kungsten Studios.

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Bernd Jonkmanns

Seltmann Publishers

25,00 €*

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The Somberlain Limitedcoloredpop-Up Gf Re-Mastered

Dissection

LP | 2022 | EU | Original (Sound Pollution / Black Lodge)

47,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Somberlain Re-Mastered

Dissection

LP | 2022 | EU | Original (Sound Pollution / Black Lodge)

35,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Vengeance Is Mine Limited Clear Violet Vinyl Edition

Serious Black

LP | 2022 | EU | Original (AFM)

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Liberate The Unborn Inhumanity Limited Yellow Vinyl Edition

Mors Principium Est

2LP | 2022 | EU | Original (Afm)

23,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Leaders And Liars Limited Clear Red Vinyl Edition

Billybio

Release: 2022 / EU – Original

Genre: Rock & Indie

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Rise Of The Dragon Empire Clear Blue Vinyl Edition

Bloodbound

Release: 2022 / EU – Original

Genre: Rock & Indie

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Purgatorio Limited Gold Vinyl Edition

Manimal

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Stormborn Clear Yellow Vinyl Edition

Bloodbound

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sounds Of Violence Limited Red Vinyl Edition

Onslaught

23,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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The 8th Floor Black Vinyl Edition

C.A.M.P.O.S.

LP | 2022 | EU | Original (Sounds And Colors)

34,99 €*

2LP | 2022 | US | Original (Blackground)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Further adventures in psychedelic disco cumbia from one-man-band C.A.M.P.O.S. on the much-awaited second studio album

C.A.M.P.O.S. is a one-man tropical electronic psych band consisting of multi-instrumentalist, singer and composer Joshua Douglas Camp. Though C.A.M.P.O.S. stands for Cumbias And More Psychedelic Original Sounds, there are no limits to Camp’s musical creativity, with the project taking cues from everything from Americana and pop rock to Cuban son and German electronica. This is no surprise as Camp has been involved with many diverse groups over the years, including Latin-flavored outfits Chicha Libre, Locobeach and Los Crema Paraíso, but also his country band Westwork, the Eastern-European klezmer quintet Litvakus and literary rockers One Ring Zero.

Since releasing his debut double LP as C.A.M.P.O.S., Miracles & Criminals, on Peace & Rhythm in 2016, Camp has developed his repertoire into a live show that has garnered a devoted following, and which has also seen the live band he assembled evolving into its own distinct entity, Locobeach.

When the pandemic forced Camp into exile he used the time to once more focus on C.A.M.P.O.S. and his one-man-band skills. This initially resulted in two albums, Shake Up The World: Live In The Studio Vol. 1 and Vol. 2, both performed live and recorded in one take at his home studio (and both digitally released by Peace & Rhythm, in 2020 and 2021 respectively).

In addition, he continued to work on the long-awaited follow-up studio album to Miracles & Criminals, which had begun years prior and progressed in the fleeting moments when his other projects allowed. With time to once more concentrate on C.A.M.P.O.S., the album soon began to take shape, eventually coalescing into The Eighth Door. Though catalyzed by isolation, it is far from a solo effort, with Camp enlisting collaborators including pianist and arranger Marlysse Simmons (Bio Ritmo, Miramar), who had initially told Peace & Rhythm about Camp’s unreleased backlog of tropical tracks from back in the Chicha Libre days (which became Miracles & Criminals), to other Chicha Libre band mates Neil Ochoa and Karina Colis, as well as Gabo Tomasini (Yotoco), who was a founding member of Bio Ritmo and played in C.A.M.P.O.S.’s first live appearance in 2016.

As with all C.A.M.P.O.S. releases, The Eighth Door takes you on a cosmic trip to a multi-dimensional landscape of the mind where the body also knows the pleasures of dance and sensuality, but this time there is more focus, with fewer songs and a fuller sound. Yes there is a dark side to planet C.A.M.P.O.S., to which the album sometimes ventures, but ultimately the record is a voyage of self-discovery, making connections between sounds and sentiments that, on paper, appear unlikely companions. Yet, once bound together by the intimate circuitry of Joshua Camp’s creativity and serious songwriting skills, all elements gel in a gravity-defying way. Exotic-sounding electronic keyboards, jangly, fuzzy guitars and percolating percussion loops seamlessly carry the listener through two sides of galaxy-spanning mini epics, sometimes with vocals, sometimes instrumental, and often infused with the shuffling beat of Colombia’s cumbia rhythm with a few disco, rock or salsa accents thrown in for good measure.

Camp juxtaposes the raw and the smooth, destructive and redemptive, sweet and ominous, digital and analog, organic and synthetic, intimate and expansive, all of which combine into an apt metaphor for where we find ourselves today. On The Eighth Door C.A.M.P.O.S. pulls the great unknown to a realm just within our grasp.

Album cover art by Selina Josephs and photo of Joshua Camp by Julian Parker Burns. Released in conjunction with Calle de Campos, Hyperopia Records (Canada) and Sounds and Colours (uk). Digital album has five bonus tracks, which also come with download card for vinyl purchase.

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Jojo

Loros Locos Sinfonías Destrozadas en Tenerife

Release: 2022 / US – Original

Genre: Hip Hop

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First Ever Vinyl Pressing Widespine Jacket, Black Vinyl. The debut self-titled album by singer JoJo. Originally released in 2004 by Da Family Entertainment and Blackground Records, the album features pop and R&B influenced tracks and vocal maturity well beyond typical thirteen year olds. Featuring the explosive single, "Leave (Get Out," the platinum selling album debuted at number four on the Billboard 200, and established JoJo as a pop force for years to come.

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Hannibal Chew IV

Tape | 2022 | EU | Original (Sucata Tapes)

12,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tenerife, 2054: The parrots of a local zoo inexplicably go mad, spreading a deadly virus that only affects humans. Unable to contain the disease, authorities were forced to isolate the island completely, sealing its fate in a perpetual quarantine.

Over time, the island transformed into a sanctuary for wildlife that now roams freely across its territories. Orcas and dolphins claimed the surrounding waters, while gorillas found their home in the mountains around Teide, once a popular tourist destination. The population of parrots and birds multiplied, filling the air with a cacophony of colours and sounds.

The remaining humans on the island adapted to their new reality, living in isolated communities and learning to survive in a world where they are the minority. Meanwhile, the virus continues its advance in the outside world, pushing humanity to the brink of extinction.

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LP | 2022 | EU | Original (Mawimbi)

Mawimbi Volume 2

19,99 €*

Sweep it S2 - Mitlaufbesen

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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We are really proud to introduce a new release on Mawimbi Records: "Mawimbi, Vol. 2”. Its title is a nod to “Mawimbi, Vol. 1”, which was the inaugural release of our record label back in 2015. A new compilation, at last, after a decade of music activism and a handful of EPs and albums which have helped unearth some of today’s talents from the new global music scene (Onipa, Loya, Afriquoi, Raz & Afla). It stays true to the driving principles of our artistic direction: support upcoming artists, e ncourage the breaking down of musical frontiers, help make happen new encounters between electronic music and so-called “afro” music. While these encounters can now be witnessed anywhere in pop music’s current zeitgeist, from Beyoncé to South African’s vibrant amapiano scene, we think there’s still plenty to explore.
“Mawimbi, Vol. 2” truly feels like the culmination of a long path for our record label. Because it includes artists who have been actively contributing to the Mawimbi adventure over the years, and also because it’s another convincing testimony of the fruitfulness of this musical intuition we have so heartily been defending for the last decade. Indeed, the 8 tracks of “Mawimbi, Vol. 2” resist all the usual labels. They sound like they stem more from human encounters and artistic dialogues launched in the moment than attempts to be associated with any music scene in particular. Each of the 8 pieces of this compilation presents in a unique way the search for this cross-pollinating sound.
The compilation opens with a really engaging rework of James Stewart’s classic track “Cotonou” by Lyon-based tropical music enthusiasts Voilaaa, who took Peter Solo’s voodoo soul lines on a trip across the Black Atlantic beginning with a horn-heavy cuban cha-cha-cha before falling into a savory triple time dance. As tireless sonic adventurers, Amsterdam-based duo Umoja have brought back a handful of hits from their numerous trips to Kenya meeting with local benga musicians. “Avana Va” is one of their compelling tunes, featuring Kenyan musician and producer Sidney Simila. This urge to collaborate with musicians from across the African continent is also to be found in Village Cuts’ ever expanding discography. On “Sentima”, they showcase their trademark London funky sound, introducing us to the talents of Congolese guitarist and singer Kissangwa.

Afriquoi’s 2020 hit “Ndeko Solo” is presented in a brand new shape, sprinkled with some French Touch flavours. “Djansa”, by Toulouse-based producers Mr. Boom, rides a distinct South African-inspired groove, while inviting us to a nighttime dance by the Balearic sea. On “Silent Runner”, French producer and musician Ozferti moulds his own musical galaxy where East African scales meet cutting edge global club beats. With “Nabi Kumi”, Anglo-Ghanaian duo Raz & Afla delivers their deepest piece, once again inducing a state of trance with a triple-time beat and an hypnotic kora loop. Closing the compilation, “It's Holy” is a unique collaboration between Tom Excell (Onipa, Nubiyan Twist, David Walters) and Dizraeli, one of the most interesting voices in British rap, which by making connections between broken beat, jazz and african music, illustrates the precious mixture of musical aesthetics that make up the current UK musical landscape

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Pro-Ject

129,00 €*

2LP | 2022 | EU | Original (Golden Robot)

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Magnetically Stabilized Record Broom

Easy and effective cleaning arm

Record brooms have been around since the early 1970s. Some of them do a good job, some rather not. In many cases the brush rushes towards the middle of the platter, running out of sync with the tonearm. This phenomenon is known as skating. Recent developments aim to tackle this problem. Here the highly efficient neodymium magnet comes into play. These magnets are used to stabilize the record broom of the Sweep it S2. Sweep it S2 is constructed in collaboration with Klaus Mick and uses his patented technology to stabilize the record broom. Extensive theoretical and empirical research has been put into the development of this product.
The magnetic attraction between the neodymium magnet – based in the top part of the cylinder – and the [Fe] core/counterweight stabilizes the record brush. Moreover, the distance between the neodymium magnet and the [Fe] core/counterweight is carefully chosen to ensure a specific magnetic stabilization force. As the aluminium of the brusharm is paramagnetic, it acts like an additional space between the neodymium magnet and the [Fe] core/counterweight.
Sweep it S2 is height adjustable within a range of about 1cm. The position can be locked with the set screw on the base. With this mechanism, it is possible to adjust the height of the arm of the record broom in order to align it horizontally with the platter. A correct horizontal alignment ensures the correct tracking force of about 6g.
Flexible placement

The record broom can be placed in one of two left hand side corners of the turntable. The placement is depending on the type and shape of your turntable. At the optimal position the brush should align with the spindle (i.e. the center of the platter). Deviations (relative to the spindle) between 1,5 to 2 cm are well compensated by design of the Sweep it S2. Higher deviations can cause more drastic skating effects.

Features:
• Neodymium magnet stabilization
• Avoids the common record broom phenomenon known as „skating“
• Height adjustable
• Flexible placement
• Natural hair brush with extremly low electronegativity
• Cleans your records during playback
• Constructed in collaboration with Klaus Mick
• Available in silver and black metal finish

Technical Specifications:
• Weight: 430 g
• Total arm length: 226 mm
• Total height: 65 mm - 75 mm
• Base diameter: 46 mm
• Arm material: Aluminium

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Smashed Gladys

Raw

25,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Farewell To The Welfare Teal Vinyl Edition

Wendell Harrison

LP | 2022 | US | Reissue (Now-Again)

Release: 2022 / US – Reissue

Genre: Organic Grooves

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"Farewell To The Welfare Is Now Available In A Limited Edition Teal Vinyl Pressing
The Tribe Records co-founder’s lost album, rumored to exist no more.
Mastered from the original tapes and lacquered by Bernie Grundman.
“As I thought about re ecting on an aggregate of music for this album, I projected my attitude
and spirit while living and working here, in Detroit, Michigan. We are earning and learning a
new way of life, which explicitly tells us to become self-reliant in taking care of our families
and each other. Government hand-outs are not an option for us.”
-Wendell Harrison
The first ever issue of this Spiritual Jazz album.
The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment.
This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century
Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves,
“Music is the healing force of the universe.”
Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe,
in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American
empowerment in the latter half of the 20th Century.
The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday."
.

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2Tape | 2022 | UK | Original (Kashual Plastik)

Field Of Progress

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Wind and cars hum in harmony. Ancestors croon in the factories of the future. Hippos in swimming pools, dancing on mechanical milker rhythms. Cows rehash in the melodic air of church bells. A melodeon sobs in a vague radio broadcast. Someone warps a present, while a data processor calculates his own death. Can frogs talk to the machine? Sacred chants sang about their conversation. That night when the jungle cried. That night when whales hummed waves of sadness. A klaxon symphony on tribal grooves, street talks in Brics countries. Someone flushes the gig economy, while the dishwasher gently weeps. Kashual Plastik been in the fields, bringing home the true fake, that surrounds us every day, everywhere, hidden in the sounds of many. A phonography compilation, that comes in two chapters: Document 1 and Document 2. Nothing authentic, yet genuinely realistic. Recorded in the global economy grasslands. On the fly and thoroughly planned. Netted by mindful observers, who respire the ambient noise for a better tomorrow, that might never come. Snow reaches out to the Tuatara, while in Berlin Spandau trains plow through the afternoon. Somebody comes home from a walk, engines squeal, tailpipes buzz in distance. Let’s fill up a glass of rum and toast on organ harmonics, sitting on a random platform at Tokyo’s Chōfu railway station, seduced by train announcements. Does a quiescent room breed noise? Analogue living in old towns, down there, where working on Sunday is the new Monday. At London’s Kingsland High Street religious rhythms cut the street noise. Nearby, in a local pub, a beer concert cheers millions. A Method To Exist, Malvern Brume, Susannah Stark, Jamie Burke, Laura Not, ML, Nika Son, Felix Kubin, or Red Brut, they all listened and absorbed. And many more too. How does the ambient sound to you? Never asked yourself this question? “Field Of Progress” hands out 28 ethnomusicological answers. They can polish the senses. For the fables of the environment. For the folklore of atmosphere. Bio music for data bodies. Wind and cars hum in harmony …

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Ultimate Pick Foam Flight Case Wolfmix W1

169,99 €*

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UDG Ultimate Flight Case Wolfmix W1 Black not only transport your Wolfmix W1 easily & securely, but also facilitates the Wolfmix W1 to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black colored combination.

We, at UDG have further fined-tuned already a great design concept of our flight case into one specially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal “Stage Grip” pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminum profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Wolfmix W1 Black also features heavy duty spring loaded handles for a secured lift & load.

UDG Ultimate Flight Case Wolfmix W1 Black not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black colored combination.

Weight 4,15 kg / 9.13 lbs
Outer Dimensions (W x H x D) 31.7 x 22.6 x 13.4 cm | 12.5 x 8.9 x 5.3 inch
Inner Dimensions (W x H x D) 22.2 x 19.6 x 5.5 cm | 8.7 x 7.7 x 2.2 inch
Material Heavy duty construction of 9 mm thick plywood
Protection Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminum profiles
Secure stacking due to stackable ball corner
Extra's Convenient 80 mm space at rear for connections & PSU storage
Fits Wolfmix W1

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Ultimate Flight Case Set PLX9/SL1200 MK2 Plus (Laptop Shelf + Wheels)

419,99 €*

Stylophone S-1 Carry Case

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UDG Ultimate Flightcases not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incoporated, the UDG Ultimate Flightcases provides premium professional quality in a very stylish modern black/silver colored combination.

FEATURES:
• Fits: 2x Pioneer PLX-1000 / Technics SL1200 turntable and 1x Pioneer DJM-S7 Mixer + 1 x Laptop + Accessories
• Improved powder coated and anodized hardware
• High density diamond embossed EVA foam & carpeted protective padding
• Dual anchor rivets with included washer
• Convenient 80 mm space at rear for connections & PSU storage
• Cable access hole with removable UDG emblem cover
• Removable cable & PSU storage cover panel
• Removable front access panel
• Built-in corner wheels with high quality in-line skate bearings for convenient transport
• Adjustable laptop shelf
• Heavy duty construction of 9 mm thick plywood
• Laminated in a black finish with a honeycomb/hexagonal "Stage Grip" pattern
• Extra-wide solid aluminum profiles
• High grade aluminium UDG logo plate
• UDG heavy-duty spring-loaded handles
• Secure stacking due to stackable ball corners
• Sturdy construction
• Recessed butterfly twist latch lock

DIMENSIONS:
(Width x Height x Depth)

Outer: 134,5 x 51 x 23 cm
Inner turntable compartment: 45,4 x 38,7 x 7,6 cm
Inner mixer compartment: 47 x 27,7-39,5 x 7,6 cm

Weight: 25 kg | 55 lbs

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Dubreq

13,49 €* 14,99 € -10%

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PICK UP AND PLAY ON THE GO

Stylophone S1 Carry Case

EMBOSSED LOGO: Embossed logo on front
PERFECT FIT: Your Stylophone fits neatly and securely into the case.
PROTECTION: The Carry Case is made of EVA to protect your Stylophone
ZIP TAGS: with Stylophone logo
MESH: The Stylophone Carry Case has an internal black mesh which can store accessories

The Stylophone S1 fits perfectly into this carry case.

Please note: CASE ONLY. Does not include the Stylophone S1 synthesizer

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Dual

CS 329

399,00 €*

Gnavhol Blue Vinyl Edition

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FULLY AUTOMATIC PLUG & PLAY-TURNTABLE

The uncomplicated one from Dual with aspirations. The CS 329 uses sophisticated technology for entry-level analogue music playback.

With Plug & Play, you get a complete, ready-to-use package; all components are pre-assembled and permanently set. Plug in and get started!

As a fully automatic machine, the CS 329 offers ideal convenience. The tonearm swivels, lowers and raises autonomously at the touch of a button. All you have to do is put on the record and press the start button.

DETAILS:
Plinth: MDF - Plastic
• Elastomer vibration absorber integrated inside the feet
• Removable dust cover
Platter: Aluminium Die-cast
• Precise aluminium die-cast
• Heavy rubber mat for resonance damping
Tonearm: Straight, Plug and Play
• Plug & Play: all adjustments are factory fixed
• All functions can be fully automatic or manual
Drive: DC- Motor / Belt
• Rubber mountings for vibration decoupling
• Precision cut belt for lower wow & flutter

TECHNICAL SPECIFICATIONS:
Motor:
• Drive: Belt
• Speed settings: 33/45
• Wow & Flutter: < ±0,12 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: Automatic
• Bearing: Ball-bearing
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: Fixed
• Cartridge Weight Range: N / A
• Factory installed pick up: Audio-Technica AT91

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle Brass bushing (inverted)
• Diameter: 297 mm
• Weight (incl. Mat): 667 g

Plinth:
• Material: Plastic / MDF
• Surface finish: Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA cable (fixed)
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: ✕
• Dimension, closed dustcover: 435 x 372 x 132 mm
• Dimension, open dustcover: T: 405 mm / H: 390 mm
• Weight: 5 kg
• Power plug AC / DC: External power supply

Manual: https://hifi.dual.de/wp-content/uploads/2022/09/BDA-CS-329_manual_V1_DE_EN.pdf

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Nordjevel

LP | 2022 | EU | Original (Indie)

58,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Conceptually, Nordjevel evolves further and ventures into even more sinister territories. Gnavhòl is driven by war, destruction and hellish esoteric beliefs, they have created an album that is even darker and more brutal than their previous releases. About the album Nordjevel states: “Gnavhòl is darker, more dynamic and tecnhically on another level than before. This is how we want Nordjevel to sound.” Nordjevel entered the international black metal scene in 2015 and spread like a plague, capturing audiences at festivals such as Inferno, Kaltenbach Open Air, Wacken, Hellfest, Bloodstock, Maryland Deathfest and In Flammen Open Air. The band was founded by Doedsadmiral, and consists of established musicians from bands such as Ragnarok, Myrkskog and Dark Funeral. Through distinctive vocals set to a brutal and instrumental sonic desert, Nordjevel leads the listeners into an empire of infernal rage filled with an obscure, barbaric darkness. Their self-titled debut album was released in 2016, and Nordjevel entered the field like a freezing storm, and quickly became a force to be reckoned with. Nordjevel`s brutal and true take on black metal impressed. The band’s atmospheric and committed sound paired with high technical finesse, unique interplay and raw, unfiltered imagery, has the power to give any black metal fan the chills. In 2019, Nordjevel released the follow-up album Necrogenecis, and in 2021 they released the EP Fenriir. Both releases show the hugeness Nordjevel is capable of, receiving raving reviews and top scores from press and fans all over the world. All of Nordjevel’s releases has made it to numerous “best of the year lists”, and they have quickly proved their position on the international black metal scene.

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Ultimate Flight Case Wolfmix W1

152,99 €* 169,99 € -10%

Contact Colored Vinyl Edition

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Stilz & Castroe

LP | 2022 | US | Original (New Retro Wave)

17,39 €* 28,99 € -40%

Digital Bullet - ReAction Figure

Release: 2022 / US – Original

Genre: Electronic & Dance

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Red vinyl w Black smoke effect in limited 180 copies. ‣ Printed on 1 180g RED vinyl w Black Smoke Effect with sleek finishing. ‣ Audio mastered for vinyl. ‣ High duty jacket with spine ‣ Vinyl will be shipped inside protective wrapping and padded with bubble wrap. ‣ Contact Limited Edition Sentient Vinyll is available for Wholesale orders at a discounted price. All accounts/ purchasers must provide a valid tax id number, business name, address and wholesale license number. Max of 4 vinyls can be bought per wholesale customer. ‣ EU VAT + extra shipping costs may apply to all orders going into Europe. These extra fees are not covered in this order.

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RZA

Super7

20,89 €* 21,99 € -5%

Wilds Black Vinyl Edition

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You “can’t lose” with the newest ReAction Figure of RZA’s alter-ego, Bobby Digital! Inspired by his second studio album, Digital Bullet, this new Bobby Digital ReAction Figure features the classic Wu-Tang Clan black & yellow color scheme and comes with Wrist Bee and a Wrist Shield accessory with articulated wings. Fans will “build strong” their collection of Hip-Hop icons with the addition of the Bobby Digital ReAction Figure of Digital Bullet!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Wrist bee, Wrist shield
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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The Soundcarriers

LP | 2022 | UK | Original (Phosphonic)

29,99 €*

Dump Gawd: Shot Clock King Volume 1 & 2

Release: 2022 / UK – Original

Genre: Rock & Indie

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Limited edition on colored vinyl.

We've always done things our own way and without any outside pressure,” says Paul Isherwood of The Soundcarriers. “Making music like this keeps things fresh, you always lose something and gain something as you go along but I think of it as just another chapter.”

There have been many chapters in the life of the band to date and each one is defined by the singular approach and style of the group. Since forming in 2007 the band - comprised of Isherwood, Adam Cann, Dorian Conway and Leonore Wheatley - have released three albums that position them as a distinct and unique force in British music. Eschewing fads and trends that come and go, they have instead focused on honing their own sonic world that glides between woozy psychedelia, immersive grooves, subtle pop and rich, enveloping soundscapes. They’ve consistently moved at their own pace and on their own terms and on their fourth album, Wilds, they return after seven years since their last. “The sessions started in a cottage in the wilds so there's a literal meaning,” Isherwood says of the title. “But figuratively we've pretty much been in the wild for the last few years as far as a lot of people are concerned.”

The recording was staggered over a few different locations, from cottages to primary schools, before finishing in an art gallery. “The beauty of recording in non-studio studios is you have the time for the unexpected to happen,” says Isherwood. “Which is really what keeps you coming back for more.” As a result of the timeframe of the album, it’s one that has changed and grown a lot over the years. “The record has been through a lot of stages,” says Isherwood. “It's almost been circular. We started off wanting to do an album of more shorter, concise tracks and then sort of sidestepped into some more spacey ambient ideas so in a way the album is kind of a synthesis of the two phases, overall carrying on with many of the themes and influences of the first three but with a more focused approach.”

The opening ‘Waves’ leaps out the gate with an infectious hook kissed by a touch of French pop before leaping into a devilishly catchy chorus and into a mini prog-like flute breakdown. It sets the tone for an album that is rich in adventure and unpredictability that manages to balance experimentation with accessibility. ‘At The Time’ is almost unrelenting in its grinding charge, managing to create a groove that cracks and pulses at the same time, ‘Wilds’ is a gorgeously floating piece of music that skips along with strutting bass as Wheatley’s vocals merge melody with texture magically. The closing ‘Happens Too Soon gently stirs to life with an almost pastoral folk air to it, as it slowly builds into swirling psych pop rich in texture before reaching a rousing crescendo. “I feel this album sums up a lot of our influences,” says Isherwood. “There’s a strong folk influence in the sense of the actual songwriting but musically we wanted to create songs that were like those rare oddities you find on a bizarre charity shop record. A collection of "one offs" capturing a moment rather than trying to make a hit song.”

This sense of it being an album of unique songs is clearly apparent throughout but it also maintains a natural flow and cohesion. This is something that stems from the band’s approach to songwriting for the record. “A lot of the tracks started with a feel or groove,” says Isherwood. “Then building it into a more concise arranged piece. We were conscious that we didn't want the recording to sound too over-polished so although a lot of the tracks were quite painstaking in how they evolved we wanted the actual recording to be quite raw and not be reliant on cutting things up or overly editing things. We wanted it to sound natural rather than perfect.”

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Tha God Fahim

Tape | 2022 | US | Original (Nature Sounds)

CD | 2022 | US | Original (Fake Four Inc.)

Release: 2022 / US – Original

Genre: Hip Hop

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Two-color cassette: Side A red (Volume 1), Side B white (Volume 2)

Atlanta emcee Tha God Fahim remains a true outlier, releasing new music at a remarkable pace without sacrificing depth or quality. Recently, the talented artist linked with Montreal producer Nicholas Craven for two masterful new EPs within the span of a month, drawing widespread praise in the process. Now, both volumes of Dump Gawd: Shot Clock King are available in one physical release. Featuring guest vocals from Your Old Droog, this two-part collection unites powerful creatives forces, with Fahim weaving consistently inventive street parables over Craven’s cinematic, soul-drenched production.

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Aj Suede And Televangel

Metatron's Cube

17,99 €*

Release: 2022 / US – Original

Genre: Hip Hop

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Seattle, Washington's AJ Suede teams up with Televangel (of Blue Sky Black Death) for 'Metatron's Cube,' an album of psychedelic, biting rhymes with smooth flows over brooding, nostalgic beats with a touch of noir that will hit you hard and envelop you in their world.

Multi-faceted artist, rapper, designer, animator, and producer AJ Suede has been praised in & featured on Spin, Kexp, The Seattle Times, and many more outlets for his growing loyal fanbase and distinct rhyming style. "Suede’s low yet forceful tenor and his discursive stream-of-consciousness rhymes...contain everything from socio-political commentary and blunted cinematic allusions to psychedelic visions." - Spin Magazine

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Ultimate Pick Foam Flight Case Multi Format XL

159,99 €*

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We, at UDG have further fined-tuned already a great design concept of our flight case into one specially for the most discerning DJ/producer. Constructed from aluminum thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam that consists of two separate layers, each allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for various-sized DJ-controllers and providing the additional option of creating another slot underneath the controller for laptop or cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Cases are designed to keep your gear protected from accidental damage when you transport it to and from gigs. They’re compact and lightweight yet tough enough to keep your gear safe.

FEATURES:
• Fits: NI Kontrol S3, S4 MK3, S8, Pioneer DDJ-800/ RX/ SX3/ SR2, XDJ-RR, Reloop Mixon 4, Numark NS6II, NVII
• Lighter weight than traditional flight cases
• Black Diamond finishing surface
• Corrosion resistant aluminum profiles with strong rounded corners
• Fully-lined with high density foam protective padding
• Ergonomic & sturdy carry handle
• Pick & pluck foam with two separate layers
• Replacement pick & pluck foam is available to purchase
• Removable front access panel
• Fully lined interior egg-crate foam on lid
• Two side strong butterfly lock and solid metal hinges
• Rubber feet at the bottom for support in standing position
• Several rivets for more solid

DIMENSIONS:
(Width x Height x Depth)

Outer: 69,2 x 46,7 x 18,1 cm
Inner: 68,2 x 45,7 x 17,1

Weight: 6,3 kg | 13,8 lbs

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Ultimate Flight Case Pioneer DDJ-1000

299,99 €*

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UDG Ultimate Flightcases not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incoporated, the UDG Ultimate Flightcases provides premium professional quality in a very stylish modern black/silver colored combination.

FEATURES
• Fits: 1x Pioneer DDJ-1000
• Improved powder coated and anodized hardware
• High density diamond embossed EVA foam & carpeted protective padding
• Dual anchor rivets with included washer
• Convenient 80 mm space at rear for connections & PSU storage
• Cable access hole with removable UDG emblem cover
• Removable cable & PSU storage cover panel
• Removable front access panel
• Heavy duty construction of 9 mm thick plywood
• Laminated in a black finish with a honeycomb/hexagonal "Stage Grip" pattern
• Extra-wide solid aluminum profiles
• High grade aluminium UDG logo plate
• UDG heavy-duty spring-loaded handles
• Secure stacking due to stackable ball corners
• Sturdy construction
• Recessed butterfly twist latch lock

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Ultimate Flight Case Multi Format CDJ/MIXER MK3

209,99 €*

7" | 2022 | EU | Original (Ra Ra Rok)

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We, at UDG have further fined-tuned already a great design concept of our flight case into one specially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal “Stage Grip” pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminum profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. This flight case also features heavy duty spring loaded handles for a secured lift & load.

U92021SL3 UDG Ultimate Flight Case Multi Format CDJ/MIXER Silver MK3 not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incoporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black colored combination.

FEATURES
• Fits: 1x CD-Player: Pioneer CDJ-3000/ 2000NXS2/ 900NXS/ 2000, XDJ-1000, Denon DJ SC5000 Prime, etc. Or 1x Mixer: Denon DJ X1800 Prime, Pioneer DJM-S7/ S9/ 900NXS2/ 900 SR/ 850/ 700/ 750/ 600/ 500, NI Kontrol Z2, Reloop Elite, KUT, etc.
• Improved powder coated and anodized hardware
• High density diamond embossed EVA foam & carpeted protective padding
• Dual anchor rivets with included washer
• Convenient 80 mm space at rear for connections & PSU storage
• Removable cable & PSU storage cover panel
• Removable front & rear access panel
• Heavy duty construction of 9 mm thick plywood
• Laminated in a black finish with a honeycomb/hexagonal "Stage Grip" pattern
• Extra-wide solid aluminum profiles
• High grade aluminium UDG logo plate
• UDG heavy-duty spring-loaded handles
• Secure stacking due to stackable ball corners
• Sturdy construction
• Recessed butterfly twist latch lock

OUTER DIMENSIONS

WIDTH
54,80cm

HEIGHT
38,00cm

DEPTH
23,00cm

INNER DIMENSIONS

WIDTH
50,90cm

HEIGHT
33,50cm

DEPTH
7,80cm

WEIGHT
7,90kg

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Teeth Machine

Gumball

14,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" Black Vinyl in Fold-out Concertina Sleeve, 500 copies only. 'Gumball', their first release on RaRaRok (Wulu, The Goa Express) was self-produced, mixed by Dilip Harris (King Krule, Mount Kimbie). It's a song that conveys the tension and impossibility of communication and language, even when attempting to connect with those closest to us. Despite this, and however much the track itself bristles with an unmistakable air of friction, the listener gets the strong sense that there has not been a love lost, but rather one renegotiated, even expanded. Speaking about 'Gumball', Teeth Machine said: "'Gumball' is about the impossibility of talking.

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Pro-Ject

Tube Box S2

399,00 €*

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Tube phono-preamplifier

Innovative miniature sized phono preamplifier with tube output and high end sound!

Tube Box S2 is our very first product to feature a fully discreet circuit design without using any operational amplifiers (OpAmps). It also is the first product to come with replaceable tubes for tube rolling and sound-shaping. This gives the customer many options to pick from and alter the sound signature to his preference. Tube Box S2 will give a full and relaxed laid back sound with lush mids, just like you would expect it from a much bigger high end tube phono pre-amplifier. It offers support for both MM and MC cartridges and comes with many gain settings to be switched on the front panel. Five variable input impedance settings are available to adjust to any MM cartridge, the 47k ohm input impedance setting is fixed and suited for high output MC cartridges. The aluminium/metal casing is adapted to our DS2 line in looks and protects against vibrations and electromagnetic interferences for superior sound.

Compatible upgrade power supply: Accu Box S2

Features:
• Suitable for MM and MC cartridges
• Precise RIAA equalisation in two parts, passive/active
• Fully discreet circuit design without OpAmps
• 2x ECC83 tubes (replaceable)
• Front-sided Subsonic filter button
• Front-sided Gain control
• Ultra low noise circuitry with FET input stage
• Dual mono circuitry for optimized channel separation
• Polystyrene capacitors used where possible
• Gold-plated RCA in- and outputs
• External power adaptor and multiple internal power supplies
• Well-filtrated high-voltage anode power supply
• Sandwich alu/metal casing protects from vibrations and electromagnetic interference
• Available in silver or black

Technical Specifications:
• Tubes: 2 x ECC83 (12AX 7A)
• Input impedance: 10 ohms, 100 ohms, 1 kohm, 2 kohms
• Input capacitance/impedance: 47pF, 147pF, 267pF, 367 pF, 487 pF and 587 pF* / 47 kohms, Together with other input impedance settings without any influence!
• Input gain: 40 dB, 43 dB / 50 dB, 60 dB und 63 dB
• Noise floor: 80 dB (A weighted) at 40 dB input gain, 75dB (A weighted) at 50 dB and 63 dB input gain
• THD: <0.02% at 40 dB input gain <0.05% at 50 dB and 63 dB input gain
• RIAA-equalisation curve accuracy: +/- 0.4 dB/20 Hz - 20 kHz
• Subsonic filter: at 20 Hz with 18 dB/octave
• Input: 1 pair RCA/phono sockets
• Line-level output: 1 pair RCA/phono sockets
• Outboard power supply: 18 V / 1.000 mA DC, suitable for your country's mains supply
• Power consumption: 470 mA DC, <1W in standby
• Dimensions W x H x D with sockets: 103 x 73 x 131 mm
• Weight: 410 g without power supply

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Video Game Lofi: Deltarune, Chapter 2

LP | 2022 | US | Original (Curaga)

Hyd EP Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Soundtracks

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Return to Toby Fox's music of Deltarune Chapter 2 with chill lofi versions by Curaga Records artists Tofie, Floopy, High Tide Lofi, Lofi Lia, 88bit, Nokbient, bLiNd, Richie Branson, Besso0, GlitchxCity, Save Point, lost:tree.

180 gram 1xLP Black 12" vinyl. Comes in a holographic jacket, discs in black polylined sleeves. Art by Save Point, Layout by Isa Alcántara. Also available on cassette tape and CD.

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Hyd

12" | 2022 | UK | Original (PC Music)

21,99 €*

Release: 2022 / UK – Original

Genre: Pop

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Today, internationally acclaimed interdisciplinary artist Hyd, nee Hayden Dunham, announces her first solo musical project, along with the announcement of her self-titled EP that arrives November 5th via PC Music. More disclosure than debut, Hyd’s four-track offering lets us feel the heat that’s been building underneath, calling us back down to earth. Written on an island formed from underground volcanic eruptions 15 million years ago, the EP is produced by A. G. Cook, Caroline Polachek & umru. The EP follows Hyd’s robust career as a sculptor and conceptual artist. Deeply enmeshed in the art world and music communities, she has dedicated her practice to reinventing systems - systems of communicating, systems of sexuality, systems of interacting with our environments. Her large-scale sculptural practice, where she creates fluid, transformative art installations, has been exhibited in museums and galleries across America, Asia and Europe. Past works include GEL, a vapor that travelled through the air vents of Andrea Rosen Gallery in NYC, and 7 Sisters, a seven-act performance at MoMA PS1 that incorporated dance, music, poetry, video and scents, with additional exhibitions and performances at Fondation Louis Vuitton, Paris, the Irish Museum of Modern Art, Dublin, etc. Apart from appearances on A. G. Cook's recent Apple LP, "No Shadow" marks the first time we've seen Hayden step out musically since Hey QT, the enigmatic and controversial project she created in collaboration with A. G. Cook and Sophie. The EP cover and singles’ artworks were photographed by renowned artist, Torbjørn Rødland, whose images are saturated with symbolism, lyricism and eroticism. The graphic design identity is by Bureau Borsche, celebrated for their work with clients including Balenciaga, Supreme and The Face, among others. Creative direction by Hyd and Jordan Richman.

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Crosley

C62 Turntable + Speaker

274,99 €*

Tape | 2022 | EU | Original (Phobia)

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Top quality made affordable
This is the best kid in class, the Crosley C62 is a unique straight-out-of-the-box turntable that's unmatched on the market. It comes with external speakers, aluminum platter, tone arm and adjustable counterweight, built-in Bluetooth receiver and a stylish Walnut finish. This turntable is the perfect way to step up your vinyl game without breaking the bank.
The C62 is designed by Crosley to give record collectors the opportunity to upgrade their record player system for an accessible price.
Created with an eye for interior design the (ready to go, straight out of the box) C62 record player and speakers have a veneer finish and a matt black aluminium tonearm with counter weight. The three anti vibration control feed and sturdy steel platter make the design complete. You can pump up the volume because of the two great quality speakers and NP5 diamond needle.

• 2-speed turntable (Speed 331/3, 45 RPM)
• Plays 7”, 10” or 12” records
• 2 External Full-range speakers: 8Ω 10W x 2 4” speakers
• NP5 Diamond needle
• Adjustable Tonearm Counterweight
• Aluminium Tonearm
• Low-Vibration Synchronous Motor
• Switchable Preamp
• Built-in amplifier
• Bluetooth input
• Belt-driven
• Anti-skate adjustment
• Special turntable feet for effective vibration control
• Dust cover
• Dimensions: 41.9 cm (l), 35.8 (w), 13.3 (h)
• Weight: 5.5 kg
• EU & UK AC Power adapter, DC output 15 V 2.4A
• Power Consumption 70W
• Speed Variance +1.5%
• Wow and Flutter < 0.15%
• Signal to Noise 72 dB
• Downforce Range 3.0-6.0g
• Effective Tonearm Length 8.6” (218.5mm)
• Overhang 0.73

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War//Plague

Manifest Ruination

12,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Shika Shika)

Barrio Lindo

Espuma De Mar

King Gizzard & The Lizard Wizard

Release: 2022 / EU – Original

Genre: Organic Grooves

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In 2019, whilst touring Japan, Barrio Lindo found himself moving away from the dance floor, instead getting lost in his headphones while listening to music that dismissed genre, oscillating between jazz, chamber orchestras and electronica. As a producer at the forefront of Latin America’s folktronica scene over the last 10 years, Agustín Rivaldo, to give Barrio Lindo his given name, has proven himself more than adept at crafting soundscapes that can transport listeners, full of detail and nuance, but they always had to pander to the club and its duty to keep revellers energised. The epiphany in Japan necessitated a change in direction, to make music that people could get lost in,and which also meant he could revert to his younger self, that guy in his twenties playing guitar with his friends, just for fun. So he booked a studio on the outskirts of Buenos Aires in early 2020 and invited some friends over; the idea was simple, let’s play some music and see where it takes us.
Espuma de Mar is the result, those initial sessions refined over the intervening years, new collaborators brought in where necessary, the production crafted in the same manner as his previous electronic-focused output, but the feel here, the ambience, is completely different. Like the espuma de mar, the sea foam that gives the album its name, this music has a fleeting quality, it arrives, imperfectly, and never stops transforming; it replenishes, it diminishes, it breathes.

The biggest difference between this album and Rivaldo’s previous works is the increased tension, and the sense of space; whereas beats and sequencers, as per their design, propel constant rhythm, here every note has intent, only played if necessary to the composition. This is felt on “Llegada”, a minimal groove soothed by kalimba thumb piano and fidgety synths while layers of trumpet take the lead until a surprisingly sombre piano motif brings the song to a close. The title track has a similar feel, whereby the music sounds improvised, each instrument free to roam, yet each note hits you in the stomach; here, we get an ominous opener, spare notes of trumpet, charango, snare drum and heavily-reverbed piano taking their turn until a rhythm begins to develop, albeit a rhythm that refuses to retain its form, flutes, synths, bass and detached vocals all playing their part as the song refuses to stand still.
Rivaldo has stated that it was the sounds of German-Senegalese group Mark Ernestus' Ndagga Rhythm Force and the UK-based project Hidden Orchestra that had the biggest impact on the album’s sound, and it is certainly possible to see the affect of the latter in the mixture of field recordings and percussive symphonic jazz. For this record, Rivaldo has worked with a small ensemble of Nicolás Lapíne on trumpet, Ignus and drums and Federico Estévez on percussion, as well as invitees such as flautist Mariana Iturri and violinist Alex Musatov. With Rivaldo himself adding guitar, synth, bass and piano, the effect is of a modern chamber orchestra and the drama that can bring. Opening track “Seguí” is a great example with its crashing piano chords and pulsating violin, and there’s no denying the euphoria of a track like “Oasis”, whose woozy trumpets can’t help but recall prime Beirut.
But there’s a reason Rivaldo is thought of so highly within the folktronica scene, and it’s for his attention to detail. No two tracks on the album are the same, it goes from the percussion-heavy “Migrante”, whose breakbeat and jerky synths show a love for hip-hop and 80s funk, to a beguiling track like “Azufre” that has a vaguely-Caribbean cadence until a tenor sax solo from Camila Nebbia takes it into more overtly-jazz territory. Then there’s a track like “Periferia” whose use of close- mic’d percussion makes it feel like the speaker is literally shaking with rhythm, alongside “Tac Tac Tac” that is full of warm, reverberant bass notes, albeit offset by hand claps and the only-discernible vocal on the album. With this in mind, it should be no surprise that Rivaldo is also a luthier, using some of the instruments he’s created on the album; there is a meticulous mind at work. Espuma de Mar is that rare beast, an example of an artist reinventing themselves, yet somehow sounding completely like they’ve always sounded. As Bandcamp once said in a feature on Barrio Lindo, his music is “carefully composed, revealing an underlying sense of wonder and joy”, and this continues on his latest, an album that is destined to provide someone else with an epiphany as they get lost in the music on their headphones, whether that be in Japan or elsewhere.

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Live At Levitation '14 And '16 Crumbling Castle Edition

3LP | 2022 | US | Original (Needlejuice)

53,99 €*

King Gizzard & The Lizard Wizard

Release: 2022 / US – Original

Genre: Rock & Indie

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Triple LP version. Does NOT CUT ANY Songs. Entirely new vinyl master remastered by Angel Hair Audio Triple Gatefold Jacket Disc 1: Quad (Pac-Man Style) with Blood Red and Grimace Purple, with Grimace Purple and White splatter Disc 2: Butterfly with Blood Red and Grimace Purple, with Hot Pink and Oxblood splatter Disc 3: AB TriColor with Blood Red, Grimace Purple and Oxblood, with Oxlood, Hot Pink, Black and Gray splatter Download card Entirely new cover artwork by Gonzalo Sepulveda

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Demos Vol. 3 + Vol. 4 Swamp Green / Blood Red Vinyl Edition

2LP | 2022 | US | Original (Needlejuice)

38,99 €*

LP | 2022 | US | Original (Spiritual Pajamas)

Release: 2022 / US – Original

Genre: Rock & Indie

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Disc 1: Swamp Green with Olive Green smoke, with Olive Green and Evergreen splatter

Disc 2: Black/Blood Red/Bone swirl with Red and Magenta splatter Gatefold jacket Download card

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Nico Georis

A Rainbow In Curved Air

25,19 €* 27,99 € -10%

Riviera Meets Detroit Feat. Javonntte

Release: 2022 / US – Original

Genre: Rock & Indie

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“It was never supposed to happen. No one was supposed to reimagine Terry Riley’s A Rainbow In Curved Air—a piece of music that, until now, has existed in its own class of expression. No one was supposed to scale the perilous heights of the citadel and come back with another document of the strange festival scenes within. With the release of Nico Georis’s A Rainbow In Curved Air it’s clear now that this piece of music is a place that you can go to, a kind of astral sanctum that can be visited again and again so long as you know the mysterious paths that lead to it.

“Doing away with the production tricks used on Riley’s original recording (just intonation, mirror image delay, half-speed tracking of all lead parts) Nico Georis confronts the central seven time theme with a new transparency that gradually complexifies into astonishing Persian carpet displays of patterned musical awareness. This is music of the plenum and not the void: it is teeming with forms that behave in ways that recall descriptions of elaborately jeweled DMT hyperspace; sonic shapes that are driven by the pure uplift and force of infinite, unconstrained autotransformation. In this way it is similar to the original but the pace is way less manic, way more listenable as it rides forward on a calm surge of dazzling zero point energy.

“The three other songs on the record are Georis originals. “Vapor” is a moment of twilight abstraction, a plant music duet that features Nico playing along with the plaintive washes of sound produced by a cannabis plant connected to a Plant Wave device. This song was composed spontaneously as it was broadcast live over Nico’s Big Sur based pirate channel, Milky Way Radio. Side B contains two remarkable songs, “Hot Slots” and “777”, that are built mostly out of samples of slot machine sounds. They are both lush holograms of hallucinated beauty and convey something about the spirit of luck, abundance and possibility.” —Matt Baldwin

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Hill

12" | 2022 | EU | Original (Skylax)

12,99 €*

Violate Consensus Reality Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The mysterious hill producer makes a sensational comeback on the cult label Skylax Records with 4 high-flying tracks ! On this occasion, he joined forces on 2 wonderful slices of spiritual house with the legendary Detroit born Javonntte. But let's start at the beginning, on A1 we find the magic of the first releases he did under the Hill moniker, namely a punchy, borrowed and sample loving disco house via "land of funk", a whole program ! The same goes for the fantastic "Summer holidays in Rimini" which reminds us the glorious hours of the French touch, Thomas Banglater in the lead. On the B side, he delivers us with "Away" a more contemplative and sensual house with the ultra talented Javonntte, it is a real technical prowess to bring together on the same record the universes of soundstream AND Franckie Knuckles, for their fans, this 12 inch is clearly for you and the mystery remains completely unresolved. Note that on the label's bandcamp, with the purchase of the vinyl, you can get 1 exclusive bonus track : Hill "It's a jam"

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Psychonaut

2LP | 2022 | EU | Original (Pelagic)

40,99 €*

12" | 2022 | EU | Original (KNTXT)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The immense success of Psychonaut's Pelagic debut album Unfold The God Man, which has been repressed 3 times throughout the pandemic and sold close to 3.000 vinyl copies to date, has proven that Psychonaut are a force to be reckoned with. Now, with the release of their sophomore album Violate Consensus Reality, the Belgian three-piece take you on a visceral trip into our collective human consciousness. A journey marked by explosive riffs, soaring vocals and intricate yet catchy compositions. An impressive album which cements Psychonaut's standing as aspirants to the throne of the contemporary European progressive / post metal community. Violate Consensus Reality engages the senses in a way that is quite rare for concept albums, it is raw and brutal, unlike the lofty concept albums of yore with their endlessly repeating motifs and needlessly complex song structures. It stands in a long tradition of activism in music, but it also deconstructs this tradition by taking its loud and admonishing tone and providing it with a thoughtful base rooted in philosophy and spirituality. Violate Consensus is not for the faint hearted, concept-wise but also music-wise as it contains some of the most gnarly riffs and technical playing on any Psychonaut record to date. Violate Consensus Reality constitutes a wild ride from the breakneck paced riffing of «A Pacifist's Guide To Violence», through the undulating neo-classical piano passages of «Hope» to the glorious finale of «Towards the Edge». The mantric title track opens with the angelic voice of Stefanie Mannaerts (Brutus) and slowly builds up to erupt in an explosive sermon delivered by Colin H. van Eeckhout (Amenra, Chve, Absent in Body), the appearance of both gifted musicians affirming Psychonaut's stature in the Belgian metal scene and beyond Psychonaut have played big Belgian open air festivals like Alcatraz, Rock Herk or Boomtown Festival and boutique festivals like Soulcrusher, Roadburn Redux or A Colossal Weekend. The band has supported bands like Amenra or Brutus and they just concluded a European tour with Pelagic label mates The Ocean and PG.Lost

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Alignment

Attack EP

16,99 €*

Kyle Dixon & Michael Stein

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Alignment is back on Charlotte de Witte's Kntxt label for a fourth time with his Attack EP. It offers four more forward-thinking tracks of trance infused techno.

Berlin-based, Italian-born artist Alignment, whose real name is Francesco Pierfelice, has emerged as a real force in the techno world in recent years. He has had an outstanding array of vital productions, and his sound helps carry forward the diversity and musical identity Kntxt stands for. His sound has smartly evolved since as he continues to pick up new influences. All that comes out on this superb new release.

Says the artist, ‘I am more than happy to contribute with ‘Attack EP’, another release on such a renowned imprint like Kntxt. Charlotte has supported me since day one, and I am hugely grateful to release for the fourth time on her label. Four tracks that are straight to the floor, they are the outcome of touring clubs and festivals again now in 2022. Enjoy this selection and see you soon on the dance-floor!’

Says label boss Charlotte de Witte, ‘Alignment is one of my favourite producers out there. His high energy style and sound always deliver on the dancefloor. I'm very proud and honoured to have him once again on board for another four killer tracks on Kntxt.’

Attack opens up with hammering drums and turbo-charged synths. It is an all powerful track that drills deep and brings a real sense of rave to the club. There is an ever present sense of euphoria to Dream State as the trance synth loops bring real light and emotion to the flat footed and slamming drums. Some steamy vocals add that all important hook and ensure real dance floor destruction. Multiverse brings bouncing techno funk beneath edgy synth stabs and industrial percussion design for soot-black warehouse spaces. Last of all is The Way, another unstoppable and supersized techno offering with hands-in-the air synth designs and drums that just don't quit.

This is another fiery offering of new school techno from Alignment.

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Stranger Things 4: Volume 1 Original Score Black Vinyl Edition

2LP | 2022 | UK | Original (Invada)

35,99 €*

When Humans Ruled The Earth

Release: 2022 / UK – Original

Genre: Soundtracks

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Der Soundtrack zur vierten Staffel von der Netflix Erfolgsserie Stranger Things, komponiert von Kyle Dixon und Michael Stein. Die vier Staffeln Stranger Things sind die bisher meist-geschaute Netflix-Serie weltweit und gewann u.a. sieben Emmys. Der Soundtrack umfasst über drei Stunden Musik und erscheint in zwei Teilen. Dies ist Volume 1.

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W1B0

2LP | 2022 | UK | Original (U-Trax)

22,99 €*

Born Ultra Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Debut album by Dutch producer w1b0, who passed away in August, to be released in November on U-trax.

Wibo Lammerts' sudden death on August 15thshocked the worldwide electro community, and also left the record label, that had been working on the debut album with the artist known as w1b0 for the past two years, dumbfounded and in grief.
Wibo had jokingly always called his upcoming debut album 'his legacy', which now sadly has become a painful truth. With the support of Wibo's family, U-trax is now doing the only thing that doesn't feel totally wrong: proceed as planned, and release 'When Humans Ruled The Earth' on November 11.

W1b0 made quite a name for himself with heavy electro tracks that he released on labels like Bass Agenda, Hilltown Disco and Discos Antónicos. Standing at 202 meters, and combined with a cheerful character, most people remember him as the gentle giant of electro. For this album, Wibo wanted to steer away from the dark and heavy electro he mostly made until then. The idea of having a platform to create delicate electronic music in different styles, and make it a showcase of his versatility, was very appealing to him. And that is where he and U-trax found each other.

The full-length album (over 75 minutes on cd and digital) comes after 'The Pilex Program EP', released in October, that featured a remix by Detroit's Ectomorph of 'Pilex Driver' and saw 'Program Yourself To Feel' remixed by a well-known Dutch producer that recently created the new 'techno alias' Human Form. As usual with U-trax, the album comes in three different editions, with the 11-track double vinyl version containing the Ectomorph and Human Form remixes. The CD and digital version boast original versions only, plus four additional tracks: 'Alternate Reality Interface', 'Mixed Matter Fluctator', 'Synthetic', and 'In There'. The cassette version more or less has the same track list as the CD/digi version, but has both aforementioned remixes and a bonus track in the incredibly hypnotizing 'I Wanted You', a track that unfortunately couldn't be on the CD and vinyl versions.

Buyers of the physical releases get treated on superior quality products, another trademark of U-trax. The vinyl edition boasts over one hour of music, on two 180 grams, green vinyl discs, in a black & white & neon green gatefold sleeve. The eye-catching artwork is created by Utrecht artist Leffe Goldstein, known amongst others for his psychedelic beer can designs for Utrecht brewery Maximus. Wibo, being the beer lover he was, had zero doubts about having Leffe Goldstein do the cover for his album. The CD has a total playing time of 75 minutes and comes in a beautiful 6-panel digipack, while the cassette will have full-color on-body print and comes in a plastic-free Maltese cross fold-up sleeve.

Buyers of the physical releases get treated on superior quality products, another trademark of U-trax. The vinyl edition boasts over one hour of music, on two 180 grams, green vinyl discs, in a black & white & neon green gatefold sleeve. The eye-catching artwork is created by Utrecht artist Leffe Goldstein, known amongst others for his psychedelic beer can designs for Utrecht brewery Maximus. Wibo, being the beer lover he was, had zero doubts about having Leffe Goldstein do the cover for his album. The CD has a total playing time of 75 minutes and comes in a beautiful 6-panel digipack, while the cassette will have full-color on-body print and comes in a plastic-free Maltese cross fold-up sleeve.

Opener 'Acid Whip' is one of the oldest compositions on this album, in which a dark 303 bassline hums over layers of spacey strings. Wibo named it after the legendary Whip It party in Amsterdam's De Melkweg. 'Alternate Reality Interface' then presents bouncy rhythms toying around with all sorts of analog (bass) synthesizers, before we go really deep with the epic ambient techno track 'Wandering Souls'. Then things get a little lighter spirited: 'Mixed Matter Fluctator' is an electro track that builds on sounds created by Matt Buggins. It has very strong Detroit influences, the city Wibo loved so much and that he made a pilgrimage to with a group of friends that called themselves 'The Techno Tourists'. The tempo goes up a notch in 'Program Yourself To Feel', that halfway opens up in wide science fiction strings that evoke memories of Star Wars, the movie series that Wibo was a great fan of, and that was the source of many of his tracks' names. The Human Form remix opens the vinyl edition of this album and is a downright belter of a track.

Next is a somewhat experimental intermezzo named 'Synthetic'. Erratic beats and pounding bassdrums get accompanied by very subtle eerie-sounding strings, before melancholic synthesizers and piano chords take over. This is an excellent prelude to the epic 'Hologram Computing', a track that is one of our favorites. It slowly and softly builds and builds, before a pounding bassdrum breaks loose and a hypnotic arpeggio takes you to higher planes. Not ready to letting the listener relax, w1bo then serves 'Beilstein Reference', which again presents his trademark cocktail of down-to-earth electro rhythms and catchy melodies, covered in all sort of little sounds and noises, giving the song a lot of energy. What follows is 'Hit me', a track loosely based on a song by Dutch indie rock band Mr. Joe Abe. Wibo met the band's singer on a camping site while being on holidays and the two decided Wibo should do a remix of one of their songs. Nothing was left of the original except the vocals, and the result is a remarkable cheerful, poppy electro song.

'Anticipated Input' is one of the more recent tracks Wibo made for this album, combining electro, acid and, yes: epic strings. But not all is peace and quiet on this album, as 'Pilex Driver' shows. This is w1b0 going experimental in a danceable fashion: Industrial sounds make the track sound like we're passing a construction site that is playing loud electro music. On the vinyl version of this album, Ectomorph totally decomposed the original and made it into a mysterious, almost subdued, and totally brilliant electro track that sees a main role for the retro Roland CR drum machines sounds.

TFHats, Wibo's fellow member of the Transhumanism collective, added lyrics to 'Cartesian Coordinates'. His vocals add a pleasant New Wave flavor to this song, that has breaks that remarkably reminds one of Nirvana's 'Smells Like Teen Spirit'. What follows is the most personal track on this album. 'Fornan' is a song that Wibo made for his wife Nanette, and was added as the last piece of the puzzle that creating an album is. The warm Detroit techno atmosphere in this electro song couldn't be a more beautiful tribute to his love, and mother of their two young boys. The album then takes a surprising detour through a 1980s landscape with 'In There', that features the Joy Division-esque vocals of another one of Wibo's friends, indicated only as Vincent. The super slow and gloomy track is a treat for anyone that loved the darker side of New Wave. The album has a worthy closer in the sensitive, yet playful 'Schlegel Diagram'.

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Birth

LP | 2022 | UK | Original (Bad Omen)

25,99 €*

LP | 2022 | UK | Original (Cold Spring)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Birth evolved from Astra, whose two albums for Rise Above Records - 2009’s ‘The Weirding’ and 2012’s ‘The Black Chord’ - had already reinvented classic sonic textures and mind-melds in lucid and intoxicating style. Conor Reilly and Brian Ellis nonetheless found themselves seeking out new life and new civilisations. Initially this led to a collaboration with Psicomagia’s Trevor Mast and Paul Marrone, although later Marrone (while he does play on ‘Born’) was replaced by Thomas DiBenedetto (of Sacri Monte, Joy and Monarch) as sparks began to fly in earnest. The result has been a debut which combines a questing spirit with a dystopian take on the here and now. Musically, whilst traces can be discerned of the dark and magisterial King Crimson of ‘Red’ herein, as well as the yearning cadences of early Yes and the delirious contortions of Van Der Graaf Generator, a whole host of influences made their presence felt in these mournful cadences, joyful solo passages and kinetic freakouts, from '70s mainstays like Aphrodites Child, Premiata Formeria Marconi and Area to the primitive folk of Robbie Basho and the symphonic soundtrack work of Osanna. Yet far from the trappings of retro chic and fashion-aligned classicism, these five celestial serenades stake their claim in a different headspace to most other exponents of the form. Certainly, it’s true that many of the audial shapes manifesting themselves here - the exploratory jazz-rock diversions, Mellotron and Hammond-abetted textures and the rich melancholia of the song-writing - may recall moments from progressive rock’s past and the listener may be forgiven for losing themselves in a gatefold-sleeved reverie. Nonetheless, this is a band which was thrown into life via the constrictions and temporal shifts of a global pandemic, as well as one which has largely set about chronicling a reality in which the surrounding world appears to be hurrying its own demise. Alchemical forces have done their considerable work with ‘Born’, in creating an uplifting album for the ages, 42 minutes in which past, present and future are blurred; an album haunted by earthly concerns even whilst its sonics aim for the stars.

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Kollaps

Until The Day I Die

Presents Otta5 X Korghettini Electronics

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Until The Day I Die" is the third album from Australian post-industrial outfit Kollaps.

"Until The Day I Die" is a merciless and visceral assault on the senses and continues the trajectory of the band's idiosyncratic approach in their creation of sound. The album showcases an uncompromising force of harsh post-industrial music narrated by overarching themes of condemnation and redemption; of violence, romanticism, sexuality, and addiction. Much of the creation and lyrical conceptualisation of the record has been stylised and presented using William S. Burroughs' cut-up method.

A wide variety of metals and raw materials were used in the creation of the album including metal grates, a rusted hoist, cement cylinders, field recordings, hammering of various decrepit objects, broken amplifiers, an exposed reverb tank, various synthesizers, and the infamous metal coil; a crudely self-constructed artifice that has become iconic in its use across Kollaps' triptych of releases and lengthy touring history in Europe, Australia, and New Zealand.

"Until The Day I Die" has had a tectonic shift in production methods compared to its predecessors and was entirely written, recorded, and mixed internally the self-constructed ILoveHeroin Studios built above a sculpture museum in Lugano, Switzerland. All instrumentation was handled by Wade Black except for bass guitar by Andrea Collaro recorded at Hangar 121 in Lenate Pozzollo, Italy on all tracks except "d-ix" and "I Believe In The Closed Fist", handled by Black, and additional sound design and percussion by Giorgio Salmoiraghi.

The album was mastered by James Plotkin and completed with cover artwork by Nullvoid (Thomas Ekelund | Trepaneringsritualen)

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Pancratio

12" | 2022 | EU | Original (One Trip To Avyon)

13,99 €*