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Search "shearwater+animal+joy" 10748 Items

HHV Records 10748 Vinyl, CD & Tape 10551 Used Vinyl 1967 Merchandise 82 DJ Equipment 37 Print & Design 82
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Joya Landis / Alton Ellis, Phyllis Dillon - Angel Of The Morning / Love Letters
Joya Landis / Alton Ellis, Phyllis Dillon
Angel Of The Morning / Love Letters
7" | 1968 | UK | Original (Trojan)
89,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / UK – Original
Genre: Reggae & Dancehall
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: Generic
Record in excellent condition with clean labels and just a few hairlines. Plays with very faint surface noise in the run-ins, far from over powering the music. Prong has been removed.
Go to Item
Jay & The Techniques - Love, Lost & Found
Jay & The Techniques
Love, Lost & Found
LP | 1968 | US | Original (Smash)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1968 / US – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG+
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Sérgio Mendes & Brasil '66 - Fool On The Hill
Sérgio Mendes & Brasil '66
Fool On The Hill
LP | 1968 | US | Original (A&M)
11,99 €*
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Release: 1968 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Sticker rip off on back cover.
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3's A Crowd - Christopher's Movie Matinee
3's A Crowd
Christopher's Movie Matinee
LP | 1968 | US | Original (Dunhill)
18,99 €*
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Release: 1968 / US – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
US original. Small tears in spines. Tiny drill hole.
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George Benson - Shape Of Things To Come
George Benson
Shape Of Things To Come
LP | 1968 | US | Original (A&M)
24,99 €*
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Release: 1968 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
- "Face it Boy, It's Over" sampled by Abstract Rude for "Switch the Station",
Brand Nubian for "Stip into Da Cipher",
Champ MC for "Keep it on the Real",
DJ Jazzy Jeff for "For Da Love of Da Game",
Ed OG for "Love Comes and Goes",
Pete Rock & CL Smooth for "I Get Physical" & "In the Flesh"

- "Shape of Things to Come" sampled by B Love for "Lucy",
Karlito for "T'inquietes" and
Ras Kass for "Soul on Ice"
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Joe Tex - You Need Me, Baby / Baby, Be Good
Joe Tex
You Need Me, Baby / Baby, Be Good
7" | 1968 | DE | Original (Atlantic)
5,99 €*
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Release: 1968 / DE – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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Joe Tex - Keep The One You Got
Joe Tex
Keep The One You Got
7" | 1968 | DE | Original (Atlantic)
3,99 €*
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Release: 1968 / DE – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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Sérgio Mendes & Brasil '66 - Herb Alpert Presents Sergio Mendes & Brasil '66 = 豪華盤 セルジオ・メンデスとブラジル'66
Sérgio Mendes & Brasil '66
Herb Alpert Presents Sergio Mendes & Brasil '66 = 豪華盤 セルジオ・メンデスとブラジル'66
LP | 1968 | JP | Reissue (A&M)
21,99 €*
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Release: 1968 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Japanese pressing without OBI. Vinyl with scuffs and hairlines. Cover closer to NM
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Improved Sound Limited - OST - Engelchen Macht Weiter
Improved Sound Limited
OST - Engelchen Macht Weiter
LP+7" | 1969 | EU | Reissue (Wah Wah)
20,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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The soundtrack to this 1969 German sexual comedy was produced by Improved Sound Limited, showcasing their killer blend of experimental pop, blues, rock, jazz, funk and easy listening, augmented with tape effects, phasing, distorted guitar... Groovy songs influenced by 60's beat and psychedelia.

Newly mastered sound by Jörg Scheuerman. Comes complete with an insert with photos and liner notes. Limited to 500 copies only.
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The Who - Tommy Deluxe Edition
The Who
Tommy Deluxe Edition
2LP | 1969 | EU | Reissue (Polydor)
38,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Kevin Ayers - Joy Of A Toy
Kevin Ayers
Joy Of A Toy
LP | 1969 | EU | Reissue (Music On Vinyl)
29,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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As the Soft Machine's first bassist and original principal songwriter, Kevin Ayers was an overlooked force behind the group's groundbreaking recordings in 1967 and 1968. Joy Of A Toy is his debut solo album, its whimsical and unique vision is a clear indication of how Soft Machine might have progressed under Ayers' tenure. On the LP he is accompanied by his Soft Machine colleagues Robert Wyatt, Mike Ratledge and Hugh Hopper.

180g vinyl.
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Andre Tanker Five - Afro Blossom West
Andre Tanker Five
Afro Blossom West
LP | 1969 | EU | Reissue (Cree)
16,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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When this album was first released in 1969, the young combo around vibraphonist and singer Andre Tanker conveyed a new style mix, which apparently naturally merged quite different musical influences into a new whole. At the centre of the music of the Andre Tanker Five was jazz in its Caribbean, Trinidadian style, a combination of the modern jazz of those days and the sounds of the extremely popular steeldrum bands of the time. A very decisive addition is typical for Trinidad: Calypso. Calypso stands for the attitude to life of this young generation of musicians, for the 'Good Time Feeling' and the desire to incorporate danceable Caribbean rhythms and Afro-Latin grooves into their individual style.
Although the original sounds of the young Andre Tanker Five are deeply rooted in the music of the West Indies, Afro-American elements always remain in the foreground. The young combo is musically equally at home in the Caribbean as in the 'hip' jazz clubs of the US megacities and the juke joints of the south with their sultry blues as well as the soul dance halls in Detroit or Memphis. The combination of vibraphone and electric guitar plus bass/drums is also rather unusual in those days. Not a pure instrumental album, 'Afro Blossom West' delivers some surprising vocals - rather unusual for a groove-jazz-based project with a sophisticated rhythmic sound.
Bandleader and vibraphonist Andre Tanker is considered a very creative and versatile musician. His exciting improvisations are a dominant feature of this group. Party In The City, Lena and Swahili are original compositions of which he sings the first two himself. Guitarist Clarence Wears is a gifted accompanist and effective soloist. His sometimes 'funky soul style' is more reminiscent of 'Memphis' than 'Trinidad'. Bass player Clive Bradley, who also plays piano and guitar, is a fine all-round musician who knows his music to the limit, and the rhythm section around Kester Smith (drums and timbales) and Mikey Coryat (congas) are able to provide the necessary power, but they can also play softly and subtly when the mood demands it.
As the album's name suggests, the combo refers deeply to the music and rhythms of Africa, whose roots - when shifted to the West - have produced the calypso, blues and Afro-Latin rhythms heard on this LP. We have had the album reworked from the original master tapes for this limited high quality LP edition by mastering expert Tom Meyer. New liner notes by Ron Reid shed light on the history of Andre Tanker, his combo and the circumstances that led to this creative product!
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Alfredo Linares Y Su Sonora - Yo Traigo Boogaloo Record Store Day 2020 Edition
Alfredo Linares Y Su Sonora
Yo Traigo Boogaloo Record Store Day 2020 Edition
LP | 1969 | EU | Reissue (Vampisoul)
17,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Record Store Day 2020 Release.
Limitation: 500 copies.

Long sought after by collectors, DJs and lovers of hard salsa and boogaloo alike, 'Yo Traigo Boogaloo' is now lovingly reissued in replica form with the original cover art, remastered from the studio tapes, reproducing that magical MAG stuio sound for today's aficionados to enjoy like it was 1969 all over again.
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Tony Joe White - Black And White
Tony Joe White
Black And White
LP | 1969 | US | Reissue (Analogue Productions)
46,99 €*
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Release: 1969 / US – Reissue
Genre: Organic Grooves
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"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!
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Sage And Seer - Sage And Seer
Sage And Seer
Sage And Seer
LP | 1969 | EU | Reissue (Wah Wah)
24,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Although this amazing U.S. popsike gem seems to have remained under the radar since it was first released in 1969, copies of an original pressing of this LP fetch several hundreds of dollars among the small circle of collectors that have managed to discover the amazing works of Don Beckmann and David Rea.

Their only LP was originally released on their hometown Denver’s Stylist Records label back in 1969. The production is amazing: to the strength of the duo’s compositions and their guitar and vocal talents, a complete band is added, plus impressive orchestrated arrangements with scores provided by Dan Goodman and Mark Schuster and conducted by Ben Kaufman, the result being a deliciously beautiful album that could be a missing link between the works of Simon & Garfunkel and those of soft pop maestros like The Free Design or Harper's Bizarre or baroque pop legends The Left Banke.
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Marvin Peterson And The Soulmasters - In Concert
Marvin Peterson And The Soulmasters
In Concert
LP | 1969 | JP | Reissue (P-Vine)
31,99 €*
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Release: 1969 / JP – Reissue
Genre: Organic Grooves
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An impressive live album by Marvin Peterson who was one of the finest trumpetersin the 60's-70's is making its return on vinyl format. These tracks were performed by the band led by Hannibal Marvin Peterson, though he had yet to add "Hannibal" to his name at the time of recording. Here, he performed with eight musicians in his hometown of Texas, and theirperformance crossed the boundaries of jazz, soul and funk with skilled musicians. These included organistEugene Carrier who also participated in the BB King Band and drummer Emry Thomas who would later participate in the band led by Johnny "Guitar" Watson.

With a glance at the cover art, you can get a sense of the powerful and passionate live recording that brought joy to its many fans. The opening "Groove for Otis" (m1) with a jazz-funk whose edgy beat excites rare groove fans. "Our Groove" (m4) is also a fine track whichhas a slick bassline and Eugene'sorgan fusing in harmony. P-vine are very proud to be repressing this record with its intimate feeling akin to being there in the crowd as the mighty Peterson walks up to take center stage.
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Zito Righi E Seu Conjunto - Alucinolandia
Zito Righi E Seu Conjunto
Alucinolandia
LP | 1969 | EU | Reissue (Mr Bongo)
22,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Some things take time to happen, some things perhaps take a bit longer than they should but, finally, we are delighted to present an issue of the iconic, and sought-after, Brazilian album 'Alucinolândia' by Zito Righi e Seu Conjunto from 1969.

The trippy, surrealist 60s cover design with hands holding eyeballs is somewhat confusing. Rather than the stoner acid rock record that the art may suggest, 'Alucinolândia' is actually a quintessential 60s gem, mixing samba, MPB, bossa nova, quirky organ-led mod-jazz groovers and easy-listening crooners with a relaxed cool swagger.

Zito Righi aka Isidoro Righi, the Brazilian saxophonist, instrumentalist, conductor and composer brought together an illustrious cast for this masterpiece, including the much-loved vocalist Sônia Santos. Sônia delivers a masterclass on the album's opener, and maybe its crown-jewel 'Poema Ritmico Do Malandro’. The song is fierce and driving with an enticing funk intro that bursts into a Samba / Batucada workout. A real monster that works magic on the dancefloor. Sônia would later re-visit this track in 1971 on a recording for Copacabana Records, which Mr Bongo released as part of the Brazil45 series. The Brazilian songwriter Roberval penned three tracks on the record, including another highlight and the far too short 'Birimbau'; a catchy Brazilian jazzy-samba dancer at its finest. Other musicians include the drummer Fernando who also recorded with the greats Dila & Guilherme Coutinho.

The fact the record was released in 1969 meant it was probably a bit out of step with its contemporaries in comparison to the works of artists such as Os Mutantes, Gilberto Gil et al. The core of 'Alucinolândia' is that of a more optimistic early to mid-sixties party feelgood vibe rather than the angsty, psychedelia, and rebellion of the Tropicália movement. Over 50 years since its release, the work can finally be judged on its own merit; and what a beauty it is.
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Hugo Y Osvaldo - La Bossa Nova De ...
Hugo Y Osvaldo
La Bossa Nova De ...
LP | 1969 | EU | Reissue (Sommor)
23,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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After the demise of LOS Shakers, brothers Hugo & Osvaldo Fattoruso released in 1969 "La Bossa Nova de Hugo & Osvaldo".

Here, they paid homage to the music they grew-up with: jazz, bossa nova and candombe but adding Beatlesque pop-psych and Brazilian/Latin sounds to the mix, following what they had already done with Los Shakers in songs like "Never Never" or "Adorable Lola".

Cool covers of Burt Bacharach, George Harrison and candombe pioneer Manolo Guardia blend together with lovely self-penned songs and even new, bossa-styled versions from Los Shakers catalogue.

Recorded in 1968 mostly by Hugo and Osvaldo playing all the instruments by themselves, it was originally released in 1969 in a tiny edition of 400 copies, making it one of the most desirable collectable albums related to Los Shakers.

The missing link between "Toto's Bar" and OPA's "Goldenwings"?
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Yuya Uchida & The Flowers - Challenge!
Yuya Uchida & The Flowers
Challenge!
LP | 1969 | EU | Reissue (Cosmic Rock)
19,99 €* 24,99 € -20%
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.
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Andromeda - Andromeda Black Vinyl Edition
Andromeda
Andromeda Black Vinyl Edition
LP | 1969 | EU | Reissue (Guerssen)
26,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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One of the key albums when talking about psychedelic hard-rock and early proto-metal, originally released in 1969. Featuring the great John Du Cann (The Attack, Atomic Rooster, Hard Stuff…) on guitar plus Mick Hawksworth (Fuzzy Duck, Alvin Lee) on heavy bass plus the powerful drumming of Ian McLane (Neat Change, Ray Owen’s Moon).

Andromeda was formed during the final days of Du Cann’s previous band The Attack, when he decided to go in a full heavier & proggier musical direction. Recruiting his friend/room mate Mick Hawksworth on bass plus drummer Jack McCulloch (of One In A Million, soon to be replaced by Ian McLane), the power-trio was born. After initial interest from John Peel (Dandelion) and Kit Lambert (Track Records), Du Cann decided to go with a major label, RCA, who offered him the chance to self-produce their first album. Recorded at Advision Studios, the impressive Andromeda debut was released in 1969, housed in a sleeve designed by John with photos by Gered Mankowitz. But despite receiving excellent reviews and the band playing lots of gigs (some of them billed above bands like Black Sabbath), RCA didn’t know what to do with such a heavy rock band. Tired of the lack of promotion and support, John accepted an offer to join Atomic Rooster… but that’s another story.
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Jimmy Thomas - (We Ain't Here Looking For) No Trouble
Jimmy Thomas
(We Ain't Here Looking For) No Trouble
7" | 1969 | EU | Reissue (You Are The Cosmos)
9,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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First official reissue of this Soul classic originally released in 1969 by Spark label.
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Jim Sullivan - U.F.O. Black Vinyl Edition
Jim Sullivan
U.F.O. Black Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
30,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
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Jim Sullivan - U.F.O. Blue Splatter Vinyl Edition
Jim Sullivan
U.F.O. Blue Splatter Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
32,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
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Eero Koivistoinen Kvintetti & Sekstetti - Odysseus Black Vinyl Edition
Eero Koivistoinen Kvintetti & Sekstetti
Odysseus Black Vinyl Edition
LP | 1969 | EU | Reissue (Svart)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Masterful Finnish jazz available on wax again!

Odysseus, Eero Koivistoinen's first proper jazz album, gets its title from the wandering spirit of its songs, traveling from one mood to another. Performed by the Eero Koivistoinen Quintet & Sextet, because Koivistoinen wanted to extend his standard quartet (Koivistoinen-Sarmanto-Laine-Hietanen) to a quintet and invited trumpetist Bertil Lövgren to join. Also Juhani Aaltonen is questing on two tracks. Odysseus is an excellent, youthful package of forward-thinking jazz played by ambitious young jazz superstars-to-come. The compositions are at times lyrical, at others furious and complex, but ever captivating.

The original Odysseus LP, released by the book publisher Otava Kustannus in 1969, is among the ten most expensive pieces of Finnish vinyl. Jazzpuu/Sähkö Recordings reissued Odysseus in 2006 as did we in 2016, yet both of these releases have been hard to find ever since. This time around Svart brings the masterful album back on the market on a limited Svart exclusive transparent red vinyl edition, classic black vinyl and CD.
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Country Joe McDonald - Thinking Of Woody Guthrie
Country Joe McDonald
Thinking Of Woody Guthrie
LP | 1969 | US | Original (Vanguard)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
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The Checkmates Ltd. - Love Is All We Have To Give
The Checkmates Ltd.
Love Is All We Have To Give
LP | 1969 | US | Original (A&M)
5,99 €*
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Release: 1969 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Sticker on sleeve.
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Joe Henderson - Power To The People
Joe Henderson
Power To The People
LP | 1969 | US | Reissue (Craft)
33,99 €*
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Release: 1969 / US – Reissue
Genre: Organic Grooves
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Chris Montez - Nothing To Hide / Day By Day
Chris Montez
Nothing To Hide / Day By Day
7" | 1969 | JP | Original (A&M)
4,99 €*
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Release: 1969 / JP – Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG, Cover: VG+
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Pesky Gee! - Exclamation Mark
Pesky Gee!
Exclamation Mark
LP | 1969 | EU | Reissue (Wiseraven)
28,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Who - Tommy
The Who
Tommy
2LP | 1969 | US | Original (Decca)
19,99 €*
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Release: 1969 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Indianapolis Pressing.
Cover with ring wear.
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Sérgio Mendes & Brasil '66 - Fool On The Hill
Sérgio Mendes & Brasil '66
Fool On The Hill
LP | 1969 | JP | Original (A&M)
14,99 €*
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Release: 1969 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
No obi.
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Paul Desmond - Summertime
Paul Desmond
Summertime
LP | 1969 | US | Original (A&M)
24,99 €*
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Release: 1969 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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Stefan Gnys - Horizoning
Stefan Gnys
Horizoning
LP | 1969 | Reissue (We Are Busy Bodies)
26,99 €*
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Release: 1969 / Reissue
Genre: Rock & Indie
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Bossa Rio - Bossa Rio
Bossa Rio
Bossa Rio
LP | 1969 | JP | Original (A&M)
19,99 €*
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Release: 1969 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing without OBI, with insert. Gatefold cover with foxing on the inside, otherwise VG+.. Vinyl close to VG+
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Quincy Jones - Walking In Space
Quincy Jones
Walking In Space
LP | 1969 | US | Original (A&M)
30,99 €*
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Release: 1969 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Original US pressing.
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Wes Montgomery - Road Song
Wes Montgomery
Road Song
LP | 1969 | JP | Original (A&M)
11,99 €*
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Release: 1969 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
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Joe Bataan - Riot Black Friday Record Store Day 2024 Edition
Joe Bataan
Riot Black Friday Record Store Day 2024 Edition
LP | 1970 | US | Reissue (Craft)
TBA
The final price is not yet known.
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Coming Soon 2024-11-29, 12:00 CET
RSD First, Limitation: 1000

Classic 1968 sophomore album from the King of Latin Soul, accompanied by the Latin Swingers band. This RSD Black Friday release was pressed at Memphis Record Pressing on 180g black vinyl and comes in a paper-wrapped jacket.
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Joe Pass - Intercontinental
Joe Pass
Intercontinental
LP | 1970 | EU | Reissue (Musik Produktion Schwarzwald)
24,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Joe Pass (born Joseph Passalaqua) knew how to conjoin melody and chords. Moreover, he brought the walking bass line into the jazz guitar repertoire, as heard in his duo performances with Ella Fitzgerald. Deftly accompanied by German bass virtuoso Eberhard Weber and English drummer Kenny Clare, the music runs the gamut of genres – a meditative Jobim bossa nova, a lusciously relaxed version of the jazz standard, “Stompin' at the Savoy”, a blues-drenched rendition of the Bobby Gentry pop classic, “Ode to Belly Joe”, and a display of dynamically controlled guitar pyrotechnics on the exhilarating “I Love You”.
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107-34-8933 - Numbers
107-34-8933
Numbers
LP | 1970 | EU | Reissue (Wah Wah)
20,99 €*
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Release: 1970 / EU – Reissue
Genre: Electronic & Dance
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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Numbers was the first reference in the Narco catalogue (NR101), each of the three tracks it contains is named after a drug: Cannabis Sativa, Methedrine and Lysergic Acid Diethylamide. The album was credited to 107-34-8933, there is no date of release on the disc, some sources take it as back as 1968 - in any case, this is the same record that was issued on Buddah in 1970 credited to Head and eponymously-titled. The Wah Wah reissue features the original cover artwork from the Narco edition.
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Siloah - Siloah
Siloah
Siloah
LP | 1970 | EU | Reissue (Wah Wah)
20,99 €*
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Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually moved to an abandoned farm on the outskirts of town.

Their first LP is a trippy acid psychmasterpiece recorded in 1970 and privately issued on German Blues and Undergrund. It showed a strong influence from US West Coast psychedelic music and has a lovely acoustic approach. It's sound is free, full of improvisation and with a charming amateurish feel all through it. It will appeal to lovers of free spirits like Amon Düül themselves, Kalacakra or even Música Dispersa.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has original artwork (improved by printing it over a mirror finish silver cardboard), has two bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.
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Wynder K. Frog - Into The Fire
Wynder K. Frog
Into The Fire
LP | 1970 | EU | Reissue (Wah Wah)
20,99 €*
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Release: 1970 / EU – Reissue
Genre: Rock & Indie
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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.
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Noah Howard - Space Dimension
Noah Howard
Space Dimension
LP | 1970 | EU | Reissue (Amercia)
41,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Noah Howard was born in 1943 in New Orleans and, like many of his contemporaries, first played music in church as a child. In his 2010 book, 'Music in My Soul', Howard reflected upon his childhood in New Orleans and the influence the city had on him: “Growing up in New Orleans was like receiving a steady diet of music, and my taste in music became increasingly more sophisticated. In the neighborhood where I grew up kids around me were listening to Rhythm and Blues and Jazz; Rock came only much later. One of the great moments of my life was when I was around 13 years old and heard Duke Ellington with Paul Gonsalves playing a twenty-some minutes chorus solo on tenor sax at Newport. We had never heard anything like this before; a saxophone player doing so many choruses, this was years before Coltrane opened up. That experience meant there was no turning back; my ears were open and my desire was burning for music.”
He first learned to play the trumpet before moving on to alto, tenor and soprano saxophone. And his musical journey initially took him to Los Angeles where he worked with Dewey Johnson and then later moved to New York to join the Sun Ra Arkestra. Like most forward thinking saxophonists of the time, Howard was influenced by the evolving expressionism of John Coltrane and Albert Ayler and it wasn't long before he became a key member of the mid-60s free jazz movement, a stepping stone to his elevation into one of the world’s most notable saxophonists.
Howard's debut LP as leader, 'Noah Howard Quartet' was recorded in 1965, and the follow up, 'Noah Howard at Judson Hall', in 1966 but not issued until 1968, both for the groundbreaking ESP Records label (incidentally, both albums featured British trumpeter Ric Colbeck). However, Howard's view of ESP was not positive, calling it “ a monster of deception... I am aware of ESP's adventures...they continue to make money off the artists and they refuse to pay any royalties.”

Like many of the black jazz musicians of the 60s, Howard left the USA and settled in Europe (making the permanent move to Paris in 1972). In an interview in 2005, Howard explained his move: “When I first came to Europe it was 1969 and I came to play in a big festival and after that we had a lot of concerts, recalls Howard. "Then we left and we came back to the States, I was based in New York at that time. About six months later, we had some more concerts, we came back and this went on for years, going back and forth and back and forth and back and forth... I decided that instead of going back and forth all the time, it was more advantageous for me to stay over here and live and work.”
It was in Paris that Howard took part in sessions for the Frank Wright albums 'One For John', cut for the leading French free jazz label BYG Actuel and another Wight session, 'Uhuru Na Umoja', for the America label. Another album on America that featured Howard was Archie Shepp's 'Black Gipsy'. This session also featured , among others, Sunny Murray on drums and Clifford Thornton on trumpet.
America Records was to be home to Howard's third album, 'Space Dimension'. On this album, Frank Wright was reunited with Howard once more, and Wright also composed one track, 'Church Number Nine' (Wright would also do his own version as the title track on his 1970 album, initially only released in Japan. That album would also feature Howard.) 'Space Dimension' also features bop drummer Art Taylor on three tracks, with Muhammed Ali (brother of Rashid), on one. They're joined by alongside pianist Bobby Few, longtime member of Frank Wright's group and an alumnus of Archie Shepp's band.
'Space Dimension' has never seen an official reissue since its original release in 1970 and remains, among a few aficionados, one of the most in demand - and little known - albums in Howard's discography. The blend of free improvisation with a tough rhythmic foundation make for an edifying listening experience. The spectral disjointed afro-blues of the title track, with Howard's soaring, searing horn, introduces an exceptional album of weight and significance, a real statement piece. 'Viva Black' starts as a lush groove, rich with texture and tone. Bobby Few's piano is sparse and disciplined, allowing space for the interweaving angles of the horns and drums to cross and jostle and build in intensity, with Muhammad Ali's drum solo acting as a cathartic release.
'Song for Poets' is blistering in its attack, an intense assault from the whole group – urgent and imperative, a call to action that seemed to resonate with the tumult of the late 60s and early 70s and, perhaps, still resonates now. The album closes with the extended piece 'Blues for Thelma'. It starts like a sort of angular, shattered New Orleans first line march band; Howard visceral horn and Few's piano joust and punch like fighters in a ring; Ali's drums hammer a solid undertow of power and energy, relentless in its fire.
All in all, 'Space Dimension' announced Howard's arrival into a new decade, a decade that was to see not just jazz but music and wider society undergo profound change.
Howard's third record was the widely acclaimed 'Black Ark', which featured Arthur Doyle on his first recording. 'Black Ark' soon became a landmark free jazz recording and elevated Howard into the first division of globally renowned free jazz players.

He spent much of the next decade or so exploring new ideas and places to work, including Europe and Africa, moving to Nairobi in 1982 and finally Brussels, where he had a studio and ran a jazz club.
In his autobiography, Howard described going to Africa: “It was a Sunday morning with bright blue skies and I reached down and grabbed a handful of earth, holding it in my hands. It was red earth. As the first of my family to make this voyage back to my community, I was filled with emotion and started to cry – thinking about all those before me who didn’t survive the middle passage and slave trade. I thanked the few strong survivors of which I’m a descendant and was grateful to be a live and to make it back to Africa in my lifetime. The feeling of coming back home, after generations had gone through abuse and suffering, was upon me. I would put some of this into music later on when recording with James Emmanuel, the poet on 'Middle Passage'”
He recorded steadily through the 1970s and 1980s, mostly with his own label AltSax and continued to expand his repertoire, exploring a range of sounds from ethno-funk to world music in his latter decade. He returned to his free jazz roots in the 90s, mixing the myriad of influences and styles he had encountered throughout his journey.
Noah Howard recorded 35 albums, and their styles reflect the ceaseless musical searcher he was: blues, free jazz, world music. He covered it all.
Noah Howard died on September 3rd, 2010 while on holiday in the South of France. He died a day before finishing the first draft of his autobiography.
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Farmyard - Farmyard
Farmyard
Farmyard
LP | 1970 | EU | Reissue (Wah Wah)
24,99 €*
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Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Hailing from Wellington, the windy city and capital of New Zealand, Farmyard's initial line up consisted of Rick White on bass and vocals, Tom Swainson on drums, Milton Parker on lead guitar, Andy Stevens on sax and Paul Curtis on rhythm guitar and lead vocals. Rick White who formed the band, and Milton Parker were originally in fledgling beat combo The Relics. After being kicked out of the Relics, Rick went on to form Tom Thumb. Tom Thumb moved from R&B, to pop, to progressive rock, and their 1970 Ludgate Hill EP is considered one of the first prog recordings in the country.

After a successful single, Polydor issued Farmyard’s first LP in 1971 which came housed in a silk screened plastic bag, and is an amazing prog-rock killer, with superb musicianship, great tunes and a splendid production by Peter Dawkins.

This is a 500 copies only reissue, housed in its original ‘gimmick’ artwork in a silk screened plastic bag, printed inner sleeve and insert.
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Underdogs, The (Pig, Mann & Edwards) - Wasting Our Time
Underdogs, The (Pig, Mann & Edwards)
Wasting Our Time
LP | 1970 | EU | Reissue (Wah Wah)
24,99 €*
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Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Wah Wah is proud to release the first ever legit vinyl reissue of New Zealand's legendary Underdogs' second LP. By the time of this album, originally released in late 1970, The Underdogs line-up had changed. The original Underdogs had disbanded in 1969, and original guitarist Harvey Mann and bass player Neil Edwards decided to rebirth it with the help of Glen 'Pig' Absolum on drums - hence the band's nickname Pig, Mann & Edwards. This power trio line-up also saw the initial Underdogs UK flavoured R&B sound get heavier and evolve towards a more Cream-ier - Hendrix influenced territory. It was recorded under the production of former Brew man Bob Gillett in their native Auckland and saw its original release on the PYE label.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and featuring gatefold poster insert.
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Luiz Eça Y La Familia Sagrada - La Nueva Onda Del Brasil Record Store Day 2020 Edition
Luiz Eça Y La Familia Sagrada
La Nueva Onda Del Brasil Record Store Day 2020 Edition
LP | 1970 | EU | Reissue (Vinilisssimo)
25,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Record Store Day 2020 Release.
Limitation: 1000 copies.

180g vinyl reissue of the mega rare Mexican-only Luiz Eτa album from 1970 in facsimile artwork and remastered sound.The Brazilian pianist and founder member of Tamba Trio is accompanied here by a large group of top-notchBrazilian musicians.
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Storyteller - Storyteller Black Vinyl Edition
Storyteller
Storyteller Black Vinyl Edition
LP | 1970 | EU | Reissue (Svart)
26,99 €*
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Release: 1970 / EU – Reissue
Genre: Rock & Indie
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A Svart Mondo release. Black vinyl, gatefold jacket.

First released by Britain’s then foremost folk label, Transatlantic Records in 1970, Storyteller’s first album is a forgotten gem of Psychedelic Folk Prog Rock. Warm and silky production courtesy of Andrew Bown and Peter Frampton, fabulous dual vocals and a wistful arrangement of top-drawer UK Folk Prog, make Storyteller a diamond worth digging into.

Around 1969, after being a part of the band The Other Two on Decca Records, working with people like Chuck Berry, Duane Eddy and Jerry Lee Lewis, and touring with Chuck Berry and The Animals, Caroline Attard joined a new band that was being formed; Storyteller. A quintet who followed their own inclination, ignoring current fashions and just doing what seemed to come naturally, Storyteller is a crate-digger’s delight. Up there with Fairport Convention, Jefferson Airplane and Steeleye Span, Storyteller were steeped in folklore tales such as on ‘Ballad Of The Three Laps’, bringing the true spirit of folk alive in their own unique way. With songs written primarily by Roger Moon, and Terry Durham as muse of inspiration with his paintings and wonderful Yorkshire stories, Storyteller’s debut has the authentic and honest vibe of the real McCoy.

No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!
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Ian A. Anderson - Royal York Crescent Record Store Day 2022 Vinyl Edition
Ian A. Anderson
Royal York Crescent Record Store Day 2022 Vinyl Edition
LP | 1970 | EU | Reissue (Bonfire)
29,99 €*
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Release: 1970 / EU – Reissue
Genre: Rock & Indie
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When we talk about british folk revival we should not forget a key figure as Ian A. Anderson, a songwriter on its own and a truly prime mover in the local scene. Currently editor of the ‘world music magazine’ fRoots, Ian A. Anderson first performed in his home town of Weston-super-Mare as a member of the Backwater Jook Band and came to prominence as a member of the Bristol based country blues scene of the mid to late 1960s, performing live and on record, both solo, with Al Jones and Elliott Jackson as the trio Anderson Jones Jackson, and as a duo with ‘globetrotter’ and long time friend Mike Cooper. After two EPs, he recorded his first album, Stereo Death Breakdown, as Ian Anderson’s Country Blues Band, which was released by Liberty/United Artists in 1969. In December 1969, with John Turner, he conceived the record label The Village Thing, for which he was also a producer. The label released two dozen albums by mostly between 1970 and 1974 including influential albums by Wizz Jones, Sun Also Rises, Pigsty Hill Light Orchestra, Steve Tilston, Dave Evans, Lackey & Sweeney, Chris Thompson, Dave Peabody and more, as well as three by Anderson himself. ‘Royal York Crescent’ is proper solo debut was licensed the 13th of Novemebr 1970 and is still considered as a forerunner of the acid folk movement . His lightly fingerpicking was backed by bongos – Ian Turner – and bass/piano – John Turner – providing a dynamic effort for his spectacular lyricism. This long lost classic is finally backing in print for your necessary uplifting entertainment.
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Jiro Inagaki & Soul Media - Woodstock Generation Colored Vinyl Edition
Jiro Inagaki & Soul Media
Woodstock Generation Colored Vinyl Edition
LP | 1970 | EU | Reissue (Cinedelic)
30,99 €*
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Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Finally this Ghost Gem left by Jiro Inagaki's Soul Media has been repressed on vinyl for the first time thanks to Cinedelic Records. ‘Woodstock Generation’ is a masterpiece of Japanese jazz/rock funk/soul that for some it even considered better then the acclaimed "Head Rock" in terms of perfection; surely there are many points in common between the two albums having been made a few months later, in 1970. Behind "The Soul Medium" name hides saxophonist Jiro Inagaki, an iconic figure of the japanese Jazz Rock scene during the late sixties to the early seventies. Jiro is supported by his legendary quintet "Soul Media" under its first incarnation featuring Ryo Kawasaki (g) Yasuo Arakawa (b) Masaru Imada (org) Sadakazu Tabata (ds) with Tetsuo Fushimi & Shunzo Ohno on trumpet in addition. "Woodstock Generation" is a tribute album to the Woodstock Festival including cover of songs performed on the stage by Sly & Family Stone (I Want To Take You Higher) The Who (Summertime Blues) or Ten Years After (Spoonful) but also Woodstock (written by Joni Mitchell in honor of the Festival) and Mamma Told Me (Not To Come) written by Randy Newman for Eric Burdon and The Animals. Titles include also variations on the "Head Rock" theme "The Ground For Peace” and original composition of Masahiko Sato "Knick Knack". All tracks arranged by Jiro Inagaki.
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Jiro Inagaki & Soul Media - Woodstock Generation Black Vinyl Edition
Jiro Inagaki & Soul Media
Woodstock Generation Black Vinyl Edition
LP | 1970 | EU | Reissue (Cinedelic)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Finally this Ghost Gem left by Jiro Inagaki's Soul Media has been repressed on vinyl for the first time thanks to Cinedelic Records. ‘Woodstock Generation’ is a masterpiece of Japanese jazz/rock funk/soul that for some it even considered better then the acclaimed "Head Rock" in terms of perfection; surely there are many points in common between the two albums having been made a few months later, in 1970. Behind "The Soul Medium" name hides saxophonist Jiro Inagaki, an iconic figure of the japanese Jazz Rock scene during the late sixties to the early seventies. Jiro is supported by his legendary quintet "Soul Media" under its first incarnation featuring Ryo Kawasaki (g) Yasuo Arakawa (b) Masaru Imada (org) Sadakazu Tabata (ds) with Tetsuo Fushimi & Shunzo Ohno on trumpet in addition. "Woodstock Generation" is a tribute album to the Woodstock Festival including cover of songs performed on the stage by Sly & Family Stone (I Want To Take You Higher) The Who (Summertime Blues) or Ten Years After (Spoonful) but also Woodstock (written by Joni Mitchell in honor of the Festival) and Mamma Told Me (Not To Come) written by Randy Newman for Eric Burdon and The Animals. Titles include also variations on the "Head Rock" theme "The Ground For Peace” and original composition of Masahiko Sato "Knick Knack". All tracks arranged by Jiro Inagaki.
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Richard Twice - Richard Twice
Richard Twice
Richard Twice
LP | 1970 | EU | Reissue (Cosmic Rock)
22,49 €* 24,99 € -10%
Incl. VAT plus Shipping Costs
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Fuzz guitars, organ, celestial vocal harmonies, a single effort and then…eternity (or obscurity if you look at the other side of the coin). In 1968 leader Richard Atkins - Richard Manning his artistic partner & co-writer, hence the name - was building toward success, his musical adventures and philosophy not that far from the likes of The Byrds or the more eccentric Simon & Garfunkel. He’d won a contract with Mercury Records, and recorded with the Wrecking Crew members, a group of Los Angeles session musicians famous for their work with the Beach Boys, Elvis, Frank Sinatra, and hundreds more. But stage fright triggered a disastrous make-or-break performance in a small Hollywood nightclub, and everything abruptly fell apart. Atkins gave up music in the prime, and for 50 years he refused even to listen to a radio, so painful were his memories of a career he was convinced could have been. Featuring top-notch backing from musicians such as Drake Levin (Paul Revere & the Raiders), Larry Knechtel (Bread), Mark Tulin (the Electric Prunes) and Rusty Young (Poco), the album - nonetheless - it's bound to appeal to all fans of high-quality early '70s US pop-rock. In 2017 the short history of this unlucky but brilliant combo was featured in a short animated movie of 10 minutes !
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Virgilio Armas - De Repente
Virgilio Armas
De Repente
LP | 1970 | US | Reissue (We Are Busy Bodies)
19,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Nirvana - Dedicated To Markos III (A.K.A. Black Flower)
Nirvana
Dedicated To Markos III (A.K.A. Black Flower)
LP+7" | 1970 | EU | Reissue (Wah Wah)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Nirvana's third LP is a masterpiece of late UK sixties popsike turning into symphonic pop, but not having received proper promotion despite being equally good as, if not better than their previous releases, it also marked the end of the collaborations between Patrick Campbel-Lyons and Alex Spyropoulos back in 1969.

Nirvana presented it to Island boss Chris Blackwell under the title of Black Flower. Blackwell, however, decided to turn it down for release, but gave the masters to Campbell-Lyons and Spyropoulos so they could find a new label to release the album. That was to happen in the USA through Metromedia Records in 1969. At that time, the label's owner went through a scandal due to the payola days, which left Nirvana's third offering without any promotion - as a result of that, very few copies were pressed. There was also a UK release on PYE and it was even released by Metromedia in Japan. However, for years it remained as "the lost" Nirvana release, with the added fact that none of the released editions launched the album under its original title of Black Flower but under the rather cryptic Dedicated To Markos II (read why in the liner notes!).

Musically, this is Nirvana at their best. The tune that should have been the title track, Black Flower, is an incredible piece of symphonic psychedelia and probably the best produced Nirvana track ever. Campbell-Lyons and Spyropoulos were backed for the occasion by Spooky Tooth, who played on many tracks of the album, and big orchestral arrangements mesmerize the listener in one of the duo's darkest offerings. This song aside, the rest of the album was deemed as sounding too much like a French soundtrack by Island, which may do at some points –without that being a bad thing,– but there is a lot more to it, since Nirvana have not lost that popsike edge that characterised their sound in their two previous outings.

This is also a record that was widely acclaimed in the hip hop scene. And samplers of it have been used by several artists, most notably DJ Shadow used Love Suite in his 1996 debut album Endtroducing.

The Wah Wah edition has been remastered from the original tapes by Roger Prades @ Prades Mastering and comes with a bonus 7" EP and a four page colour insert with liner notes by Malcom Dome, plus a sheet with the lyrics of the songs. First ever official vinyl reissue since 1970 in a limited edition of 500 copies only!
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Manolo Y Ramon - Lágrimas, Sonrisas
Manolo Y Ramon
Lágrimas, Sonrisas
7" | 1970 | EU | Reissue (Madmua)
23,99 €*
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Release: 1970 / EU – Reissue
Genre: Rock & Indie
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In 1970, famous Spanish duo Manolo y Ramón, known as El Dúo Dinámico since the early 60s, changed musical direction and name and recorded a full album in London in a cool pop-psych style. Using a dream team of session musicians (Jimmy Page, Ian Anderson, Billy Preston…) and arrangers connected to George Martin, the duo laid down 13 tracks of which “Lágrimas Sonrisas” backed with “Adiós, Adiós, Goodbye” were selected for a 45 release. It went unnoticed at the time but now “Lágrimas, Sonrisas” is mod psych anthem, full of powerful vocals, Hammond splashes, female chorus…highly sought after by DJs and collectors, here’s a deluxe legit reissue limited to 500 copies (not to be repressed). Includes postcard and insert with liner notes in Spanish by Vicente Fabuel.
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Gee Bros - Made In Hong Kong
Gee Bros
Made In Hong Kong
7" | 1970 | DE | Original (Orange)
5,09 €* 5,99 € -15%
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Release: 1970 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: G+
Cover with large seam split, writing and ring wear on back cover.
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U Roy - Wake The Nation / Non Violence (Version)
U Roy
Wake The Nation / Non Violence (Version)
7" | 1970 | UK | Reissue (Jamaican)
9,74 €* 12,99 € -25%
Incl. VAT plus Shipping Costs
Release: 1970 / UK – Reissue
Genre: Reggae & Dancehall
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U Roy’s chart topper of 1970 “Wake The Nation” released with it’s original dub “Non Violence”.
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The Who - Live At Leeds
The Who
Live At Leeds
LP | 1970 | UK | Original (Track)
77,99 €*
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Release: 1970 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
UK pressing with red writing on cover, blue on label sticker. With inserts.
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The Who - These Are The Who Live At Leeds
The Who
These Are The Who Live At Leeds
LP | 1970 | DE | Original (Polydor)
36,99 €*
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Release: 1970 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: G+, Cover: VG
Club edition.
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Jorge Ben - Forca Bruta Orange Vinyl Edtion
Jorge Ben
Forca Bruta Orange Vinyl Edtion
LP | 1970 | EU | Reissue (Future Shock)
22,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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LP reissue from this 1970 album, originally out on Phillips. Totally brilliant. A unique blend of samba and soul, that apparently transformed Brazilian music from the release of this record onwards. Trio Mocoto joins Jorge Ben on this album, and it's their percussive sound, Jorge's voice and the light string arrangements that create pure magic... Highly recommended!
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Quincy Jones - Killer Joe / Oh Happy Day
Quincy Jones
Killer Joe / Oh Happy Day
7" | 1970 | UK | Original (A&M)
16,99 €*
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Release: 1970 / UK – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Ships in a label sleeve.
Record slightly warped but still enjoyable and close to VG+.
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Eddie Jefferson, Joe Carroll & Annie Ross - The Bebop Singers
Eddie Jefferson, Joe Carroll & Annie Ross
The Bebop Singers
LP | 1970 | US | Original (Prestige)
12,99 €*
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Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Cover is close to VG+.
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Quincy Jones - Gula Matari
Quincy Jones
Gula Matari
LP | 1970 | US | Original (A&M)
28,99 €*
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Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Original US Pitman pressing.
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Herb Alpert & The Tijuana Brass - Greatest Hits
Herb Alpert & The Tijuana Brass
Greatest Hits
LP | 1970 | JP | Original (A&M)
6,99 €*
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Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
No obi.
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Quincy Jones - Gula Matari
Quincy Jones
Gula Matari
LP | 1970 | US | Original (A&M)
26,99 €*
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Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Cover with faint ring wear.
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Héctor Varela Y Su Orquesta Típica - Bienvenido A Buenos Aires
Héctor Varela Y Su Orquesta Típica
Bienvenido A Buenos Aires
LP | 1970 | JP | Original (Odeon)
12,99 €*
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Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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Joe The Boss - Skinhead Revolt / The Thief
Joe The Boss
Skinhead Revolt / The Thief
7" | 1970 | UK | Reissue (Harlem Shuffle)
17,99 €*
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Release: 1970 / UK – Reissue
Genre: Reggae & Dancehall
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“Skinhead Revolt” by Joe The boss aka Joe Mansano was first released in 1970 on the Trojan sublabel Joe as a B side to the track “Tony B’s Theme” by Joey’s All Stars. “The Thief” was released in 1969 on the Joe Label with the track “Gun The Man Down” by Dice The Boss on the flip. “Gun The Man Down” is also being repressed by us on a separate single. Both titles are British Boss Reggae classics that are very much demand.
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The Glass Prism - On Joy And Sorrow
The Glass Prism
On Joy And Sorrow
LP | 1970 | EU | Reissue (Guerssen)
26,99 €*
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Release: 1970 / EU – Reissue
Genre: Electronic & Dance
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Burt Bacharach - Golden Prize
Burt Bacharach
Golden Prize
LP | 1970 | JP | Original (A&M)
7,99 €*
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Release: 1970 / JP – Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
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The Sandpipers - Greatest Hits
The Sandpipers
Greatest Hits
LP | 1970 | JP | Original (A&M)
7,99 €*
Incl. VAT plus Shipping Costs
Release: 1970 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
OBI is missing!
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Roberto Y Su Apollo Sound Roena - Roberto Roena Y Su Apollo Sound
Roberto Y Su Apollo Sound Roena
Roberto Roena Y Su Apollo Sound
LP | 1970 | US | Reissue (Craft)
37,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Special reissue of Roberto Roena y Su Apollo Sound-the self-titled Fania Records debut from one of the greatest salsa artists of all time. Originally released in 1970, the album not only showcased Roena's distinct new style through classic hits like "Tu Loco Loco, y Yo Tranquilo," "El Escapulario" and his popular rendition of "Soñando con Puerto Rico" (plus a handful of English-language covers, including Blood, Sweat & Tears' "Spinning Wheel") but also launched the bandleader, dancer and percussionist's prolific career.
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I-Roy & Dennis Walks - Heart Don't Leap
I-Roy & Dennis Walks
Heart Don't Leap
7" | 1970 | US | Reissue (Moodisc Records International)
11,99 €*
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Release: 1970 / US – Reissue
Genre: Reggae & Dancehall
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Used Vinyl
Medium: VG, Cover: Generic
reissue
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Jaye P. Morgan - What Are You Doing The Rest Of Your Life
Jaye P. Morgan
What Are You Doing The Rest Of Your Life
LP | 1970 | US | Reissue (Bainbridge)
6,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG, Cover: VG
1982 Reissue! Slight foxing, writing and sticker on cover.
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Warhorse - Warhorse
Warhorse
Warhorse
LP | 1970 | EU | Reissue (Wiseraven)
28,99 €*
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Release: 1970 / EU – Reissue
Genre: Rock & Indie
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Formed in early 1970 by Deep Purple bassist Nick Simper, Warhorse began as a backing band for singer Marsha Hunt. The group initially also featured Rick Wakeman, but he departed the band in April 1970 to join Strawbs. The band’s self-titled debut album was released on Vertigo in November 1970 and is a fine example of progressive hard rock of the era. With a heavy Hammond organ touch the group was in fact leading a new way of thinking, fusing neoclassical elements with heavy blues. Compared to label mates Black Sabbath, Warhorse were in the end much closer to Atomic Rooster and Quatermass. A truly welcomed re-issue in gatefold vinyl !
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Ben E. King - Rough Edges
Ben E. King
Rough Edges
LP | 1970 | US | Original (Maxwell)
9,99 €*
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Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
US Sonic pressing
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Joe Pass - Intercontinental
Joe Pass
Intercontinental
LP | 1970 | EU | Reissue (Musik Produktion Schwarzwald)
28,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-11-01
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Screamin' Jay Hawkins - Because Is In Your Mind
Screamin' Jay Hawkins
Because Is In Your Mind
LP | 1970 | US | Original (Philips)
41,99 €*
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Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G
Vinyl with many scuffs and hairlines. Cover with long open seam split on bottom spine, shelf wear and tape.
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Renaissance - Illusion Brown Vinyl Edition
Renaissance
Illusion Brown Vinyl Edition
LP | 1970 | EU (Klimt)
22,99 €*
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Release: 1970 / EU
Genre: Rock & Indie
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Illusion is the second studio album by the English progressive rock band Renaissance, released in 1971. It was originally released only in Germany and did not receive a wider release until 1973. Following an American tour to support their first album, the band returned to the studio in the spring of 1970 to begin work on their second. The band recorded "Love Goes On", "Golden Thread", "Love Is All", and "Face of Yesterday" before they began to fall apart. Keith Relf and Jim McCarty were the first to leave, deciding to cease as performing members but remain involved with production and composition for the band. John Hawken recruited singer Terry Crowe and guitarist Michael Dunford (both from Hawken's previous band The Nashville Teens), as well as session drummer Terry Slade to replace Relf and McCarty. Louis Cennamo left shortly afterwards to join Colosseum. Bassist Neil Korner, another former member of The Nashville Teens, replaced him.
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Sérgio Mendes & Brasil '66 - Stillness
Sérgio Mendes & Brasil '66
Stillness
LP | 1970 | US | Original (A&M)
36,99 €*
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Release: 1970 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: Generic
Vinyl with many scuffs and hairlines
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Sérgio Mendes & Brasil '66 - Ye-Me-Le
Sérgio Mendes & Brasil '66
Ye-Me-Le
LP | 1970 | JP | Original (A&M)
13,99 €*
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Release: 1970 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing without OBI, with insert. Cover with foxing inside, otherwise VG+
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Mormos - Great Wall Of China
Mormos
Great Wall Of China
LP+7" | 1971 | EU | Reissue (Wah Wah)
18,99 €*
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Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Limited to 500 copies!
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The Who - Who's Next
The Who
Who's Next
LP | 1971 | US | Reissue (Geffen)
36,99 €*
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Release: 1971 / US – Reissue
Genre: Rock & Indie
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I Marc 4 - G.L.P. 1007
I Marc 4
G.L.P. 1007
LP | 1971 | EU | Reissue (Nelson)
21,99 €*
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Release: 1971 / EU – Reissue
Genre: Organic Grooves
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The best and most valued volume of GLP series featuring the fantastic modal madness of "André", "Peroche", "Suoni Distorti" and the milestone “Alfio” feat the flute by Alfio Galigani. The music goes from insane Psychedelic tunes to Jazz, Funk and more Bossa and Lounge tracks with plenty of Fuzz guitars, amazing Hammond job, and totally catching drum Breaks. An insane trip into early gold Italian Psychedelic and Underground vibes with loads of laden beats and grooves with the mark of the legendary Italian quartet. Simply essential!
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Nik Raicevil - Beyond The End, Eternity
Nik Raicevil
Beyond The End, Eternity
LP | 1971 | EU | Reissue (Wah Wah)
20,99 €*
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Release: 1971 / EU – Reissue
Genre: Electronic & Dance
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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".
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I Marc 4 - 1
I Marc 4
1
LP | 1971 | EU | Reissue (Sevenmen)
25,99 €*
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Release: 1971 / EU – Reissue
Genre: Organic Grooves
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This rather mysterious Jazz recording, which dates back to 1971, was quickly put together in a studio session sandwiched between RAI orchestra rehearsals, film soundtrack recordings and various other projects that make up this incredible musical library, all recorded in that period by our best musicians. The unique particulars of this record are that the musicians are not named, except for a mythical “Plakoti” but also the rights and the tapes seemed tohave strangely disappeared. After a period of accurate research, thanks to Maurizio Majorana (bass player for the Marc 4) we have been able to find the original recordings and also the musicians that played on it. Even though this recording was accredited to the Marc 4, by semi-official sources of the time, strangely enough only two of them are effectively present on this record Antonello Vannucchi on the Hammond Organ, Vibraphone and Piano and Roberto Podio on the Drums. The other two musicians are Giovanni Tommaso playing his mythical “Pedrazzini” (ndr) double bass who already played together with Vannucchi as part of the famous “Lucca Quartet” and then as the bass player of the group “Perigeo” and Enzo Grillini, part of the Rai orchestra and a favorite guitar player of both Armando Trovajoli and Gianni Ferrio who, at the time, was considered one of the best Italian Jazz guitar player and who rarely recorded music outside of the RAI orchestra. The style of this record, thanks to this very particular group of musicians, contrary to many other Library recordings, is very jazzy and the very special sound reminds us of the Jazz organ of the Verve/Blue Note labels made in the Sixties. The Seven Men Label, another characteristic of this new edition, born from a partnership of 7 mysterious producers and musicians in order to produce background music, in fact, only produced four recordings and they are : “1” that you are already listening to, 2, AKA “Il Cinghialetto” directed by Gianni Ferrio and played by the very best popular and classical musicians of the day, as the soundtrack of a theatre piece written by Grazia Deledda and to conclude there are two recordings made in the 1970’s written by Bruno Canfora: “Musiche di scena n°1” and “Musiche di scena n°2”. To have been able to bring this recording out again, knowing about its ups and downs and how it was made, is even more important now, as we have been able to add yet another gem to the numerous reeditions of the “Italian Library Music“ over these past years.
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Bobby Womack - Communication
Bobby Womack
Communication
LP | 1971 | US | Reissue (UA)
20,99 €*
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Release: 1971 / US – Reissue
Genre: Organic Grooves
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180 gram pressing!
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Anthony Moore - Pieces From The Cloudland Ballroom
Anthony Moore
Pieces From The Cloudland Ballroom
LP | 1971 | ES | Reissue (Wah Wah)
19,99 €*
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Release: 1971 / ES – Reissue
Genre: Classical Music
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British experimental musician, composer, performer and producer Anthony Moore was a founding member of Slap Happy and has worked with Henry Cow, Kevin Ayers, and Pink Floyd among other great names in the British scene. In 1971 he moved to Hamburg, Germany, and worked in the boiling experimental scene of the city. As a result, two LPs were issued on Polydor in 1971 and 1972, right before forming Slap Happy with old school pal Peter Blegvad and Dagmar Krause.



"Pieces From a Cloudland Ballroom" is the first of those early solo LPs by Moore on Polydor. It was released in 1971 under the production of Uwe Nettlebeck and featured Anthony Moore on conduction, Ulf Kenklies, Glyn Davenport and Gieske Hof-Helmers on vocals, plus Werner 'Zappa' Diermeier on hi-hat.



Pure minimalist experimentation with echoes of Richard Young's "Advent" or even Moondog, done just a month after Faust (who included Werner 'Zappa' Diermeier) recorded their first LP. The missing link between British "art-rock" and the German "krautrock" scenes!



This is a 500 copies only reissue done in collaboration with Anthony Moore himself. Comes housed in its original artwork.
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Farmyard - Back To Fronting
Farmyard
Back To Fronting
LP | 1971 | EU | Reissue (Wah Wah)
24,99 €*
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Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Hailing from Wellington, the windy city and capital of New Zealand, Farmyard's initial line up consisted of Rick White on bass and vocals, Tom Swainson on drums, Milton Parker on lead guitar, Andy Stevens on sax and Paul Curtis on rhythm guitar and lead vocals. Rick White who formed the band, and Milton Parker were originally in fledgling beat combo The Relics. After being kicked out of the Relics, Rick went on to form Tom Thumb. Tom Thumb moved from R&B, to pop, to progressive rock, and their 1970 Ludgate Hill EP is considered one of the first prog recordings in the country.

Released by Polydor in early 1972, Back To Fronting, the second and final LP by Farmyard, was done at a point when the band was imploding and the tracks were produced by the group. They gathered together a great collection of tunes and made it a worthy second outing, continuing the prog sound of their debut and opening it to new influences with some rootsy sounds thrown in the mix.

This is a 500 copies only reissue, housed in its original artwork in a gatefold sleeve and featuring an insert.
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Gerry Weil - The Message
Gerry Weil
The Message
LP | 1971 | UK | Reissue (Musica Infinita)
26,99 €*
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Release: 1971 / UK – Reissue
Genre: Organic Grooves
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Olindo Records is proud to launch sister label Música Infinita, with its inaugural release, ‘The Message’ by Gerry Weil - a forgotten cornerstone of Venezuelan jazz, greatly influenced by ‘Bitches Brew’ era Miles, Hendrix, Tower of Power and fusion of jazz and rock. ‘The Message’ is packed with raw funk grooves, big band horns, and Gerry’s gravelly Waitsian vocals. Remastered with love by Frank Merritt at The Carvery, this edition of just 500 copies features brand new artwork and an extensive interview with Gerry. In 1969 Miles Davis put the world on notice with “Bitches Brew”; a bold statement that broke every pre-conceived notion people had about jazz and music in general up to that point. Taking this as inspiration, Gerry Weil decided to emulate Miles in 1971, but on Caribbean soil, gathering a dream team of 15 Venezuelan musicians, most of which went on to become renowned bandleaders in their own right, to record an avant-garde album that would later turn into a coveted item amongst record collectors. The album opens with “The Joy Within Yourself”, showcasing Gerry’s dexterous organ playing within seconds, accompanied by stunning horn arrangements, a bluesy vocal by Weil himself and a killer electric guitar solo by Vinicio Ludovic (Luisito Quintero / Arturo Sandoval). Continuing with “The Bull’s Problem”, the LP settles into a jazz funk groove with a nasty rhodes and bass combination alongside a heavy drums and congas exchange between Alberto Naranjo (Los Kenya / El Trabuco Venezolano) and Freddy Roldán (Grupo Mango / Alfredito Linares). Side A closes with title track “The Message”, a sort of funky anthem or mantra that describes Gerry Weil’s attitude towards life. Its lyrics describe the way “squares” reacted against hippies in the 70s when “all we want to give you is a little bit of love”. On side B, “Johnny’s Bag” kicks off proceedings on a spiritual tone. This time Gerry’s on acoustic piano, accompanied yet again by a beautiful, but equally powerful horn section featuring a who’s who of Venezuelan jazzmen, such as Benjamin Brea on alto, Victor Cuica on tenor, Rodrigo Barboza on trombone and Luis Arias on trumpet. “What Is A Man” begins with a vocal duo between Vinicio Ludovic and Gerry before settling into a funky groove underpinned by Michael Berti’s (Aldemaro Romero y su Onda Nueva / Jayme Marques) booming bassline. The album closes with “Little Man”. A meditative, yet grooving piece that could easily be found on any of the best Blue Note albums from that same time period. The interplay between Gerry on keys, Berti on bass and Naranjo on drums is simply stunning and provides a perfect ending for the album. Arriving in Venezuela from Austria as a 17 year old in 1957, Gerry has become one of the most influential musicians his adopted country has ever seen. His compositions are now part of the repertoire of Venezuelan jazz standards, but perhaps more importantly, Gerry’s career in music education has seen him impart his music theory and piano teachings to at least three generations of musicians. Still active at the age of 81, Gerry is a living legend and a true testament to perseverance through music.
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Extradition - Hush
Extradition
Hush
LP | 1971 | EU | Reissue (Bonfire)
28,99 €*
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Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Little we know about this long lost gem coming from the outskirts of the Commonwealth. But as far as we know, beautiness lies inside. That is the case of the sole album of mysterious australian band Extradition. Released in a small run on local independent label Sweet Peach in 1971, the self titled album stands as one of the most accurate acid folk rendition outside the UK realm. Formerly a three piece Extradition struggle on their personal behavior forging a rural set up that pursue the ‘think green’ revolution. It could be the English folk revival or the West Coast flower power, but the album introduce a different state of mind, far away from the chaotic suburbs of the counter culture. Lost on the isle, the acoustic set up of the band brings joy and happiness, a new age that reflects the multiple essence of the four elements. While the opener ‘ A Water Song’ brings to mind the course of a small river ‘A Love Song’ sets the mood for a long lost medieval folk tale. Acoustic guitar, small percussion, natural found sound and the celestial voice of Shayna Carlin (also member of cult band Tully, a weirdo surf-psychedelic affair) all of the elements above literally conjure for an ambient album before the definition was fully embraced by a massive audience.
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Rockin' Horse - Yes It Is
Rockin' Horse
Yes It Is
LP | 1971 | EU | Reissue (You Are The Cosmos)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Rockin' Horse was formed by Jimmy Campbell (The Kirkbys / 23rd Turnoff) - perhaps the most talented “unknown” musician to come out of the early 60s Liverpool scene- and Billy Kinsley (The Merseybeats / The Merseys). The band recorded Yes It Is (Philips, 1971), a fantastic debut album that should have raced to the top of the charts. The album has gone on to gain cult status amongst power pop fans around the world, fetching astonishingly high prices (even the 2012 reissue!). Having been schooled in the very same musical influences as the Fab Four, the end result is close to the sound the Beatles were creating at the end of their career. Probably... the product of having grown up as contemporaries of The Beatles in Liverpool and listening to the same records and playing the same circuits. Now you can own one of the greatest power pop recordings of all time on vinyl again!.
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Akira Ishikawa & His Count Buffalos - African Rock
Akira Ishikawa & His Count Buffalos
African Rock
LP | 1971 | EU | Reissue (Cinedelic Orient Series)
25,99 €*
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Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Japanese jazz drummer Akira Ishikawa has recorded countless albums with the band Count Buffalos, though few are quite as revered and sought-after as 1971 set African Rock. Of his albums, this is certainly the most dazzling and impactful, flawlessly produced. More than "African rock" it is psychedelic spiritual jazz with funky veins; the set is a brilliant blend of Akira Ishikawa's favorite styles with juicy, tribal and deep percussive elements - his drums are flanked by Kenji Shiraishi's marimba and Masami Kawahara's percussion - which in some moments they recall Fela Kuti (see the superb "Animals / Mnama") and in many other the electric Miles Davis. He bring a completely new global sound to his music with the inclusion of the electronic component with the ‘ tabbing' Kimio Mizutani's guitar solos and electric piano accompaniment by the great Hiromasa 'Colgen’ Suzuki (also on acoustic piano and composition). Undoubtedly one of the best records produced in Japan in the 70s. Unmissable!
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Mario Molino - Beat Gregoriano
Mario Molino
Beat Gregoriano
LP | 1971 | US | Reissue (We Are Busy Bodies)
19,99 €*
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Release: 1971 / US – Reissue
Genre: Organic Grooves
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We Are Busy Bodies is proud to announce the first official reissue of ‘Beat Gregoriano’ by Italian guitarist and composer, Mario Molino. Incorporating styles like surf, rock and folk, Beat Gregoriano is a unique album within the library music genre. Originally released on Dishi Monticarlo in 1971, the album has been remastered from the original recordings by Noah Mintz and art restored by Michael Dawson.
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Nirvana - Local Anaesthetic
Nirvana
Local Anaesthetic
LP | 1971 | EU | Reissue (Wah Wah)
24,99 €*
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Release: 1971 / EU – Reissue
Genre: Rock & Indie
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After Patrick Campbell-Lyons and Alex Spyropoulos dissolved their partnership, they both went separate ways in the music scene. Campbell-Lyons began work on the Local Anaesthetic songs while going through a series of personal matters which ended up being reflected in the tone of the album. He did release it under the Nirvana name in 1971, but what we have here is a totally different thing. He decided to break with what had been doing up to that moment, and came up with an experimental progressive rock album that was perfectly suited for the Vertigo label through which it was released. Musically, it has been compared to "something Frank Zappa could have done". It was not inspired by Zappa, but it certainly explored similar boundaries as he may have done in his works, often moving away from that pop sensitivity that had characterized Nirvana's previous outings. A unique sounding piece in their catalogue.

And although being so far from what was the Nirvana sound, we have another excellent LP here that has become a most sought after piece among collectors. Pianist/keyboardist Patrick Joseph "Pete" Kelly helped Campbell-Lyons complete the LP, which also featured collaborations by Jon Field, with whom Campbell-Lyons had the pre-Nirvana band Second Thoughts and who would later go to form The Tomcats, July and Jade Warrior - Jade Warrior's Tony Duhig had also played in Second Thoughts. Some brass arrangements are thrown in, but the orchestra is gone in favour of a harder free form, prog-rock sound.

The Wah Wah reissue is housed in the original gatefold sleeve and features one bonus track with the 1971 single version of TheSaddest Day Of My Life. It's the first ever official vinyl reissue since 1971. 500 copies only!
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Ian A. Anderson - A Vulture Is Not A Bird You Can Trust
Ian A. Anderson
A Vulture Is Not A Bird You Can Trust
LP | 1971 | EU | Reissue (Bonfire)
20,99 €*
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Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Another underground folk masterpiece back on the map. Forerunner of the british revival Ian A. Anderson licensed the album on his own The Village Thing on December 1971. Besides a couple of excellent cover- Black Uncle Remus penned by Loudon Wainwright III and a minor Bob Dylan classic as One Too Many Mornings – the album shows a more forward thinking production, with several bucolic progressive arrangements.
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O' Jays - Super Bad
O' Jays
Super Bad
LP | 1971 | EU | Reissue (Soulgramma)
29,99 €*
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Release: 1971 / EU – Reissue
Genre: Organic Grooves
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One of the most influential vocal groups of the 60’s with their original masterpiece, a necessary collection of rare groove and soul ballads. Officially reissued on vinyl after more than 40 years here’s the band fifth album, originally released in 1971 on Little Star Records. Formed in 1958 in Canton, Ohio, and originally consisting of Eddie Levert, Walter Lee Williams, William Powell, Bobby Massey, and Bill Isles. The O'Jays made their first chart appearance with the minor hit "Lonely Drifter" in 1963, but reached their greatest level of success once Gamble & Huff signed them to their Philadelphia International. Super Bad is a raw, deep funk classic. Ranking among their finest work and it is widely regarded as their most complete album.
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U-Roy - Version Galore Gold Vinyl Edition
U-Roy
Version Galore Gold Vinyl Edition
LP | 1971 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Limited edition of 750 individually numbered copies on gold coloured vinyl
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Joe Williams And George Shearing - The Heart And Soul Of Joe Williams And George Shearing
Joe Williams And George Shearing
The Heart And Soul Of Joe Williams And George Shearing
LP | 1971 | US | Original (Sheba)
6,99 €*
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Release: 1971 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
US original.
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