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LP | 1966 | DE | Original (Marcato)

Nichts Für Zarte Seelen

Release: 1966 / DE – Original

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Blues That Gave America Soul

LP | 1966 | US | Reissue (MCA)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1980 reissue.

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LP | 1966 | GDR | Original (AMIGA)

Modern Jazz Studio Nr. 2

Release: 1966 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1966 | ES | Original (Marfer)

Puerto De La Cruz

Release: 1966 / ES – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | US | Original (VSP)

The Art Of The Ballad

10,99 €*

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Punch hole, slightly stained cover.

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Blues That Gave America Soul

LP | 1966 | US | Original (Duke)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines

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LP | 1966 | FR | Original (Disques Vogue)

52nd Street

Release: 1966 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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LP | 1966 | DE | Original (Star-Club)

Sweet Beat

57,99 €*

LP | 1967 | EU | Reissue (Wah Wah)

Release: 1966 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with long open seam split on bottom spine and punch hole.

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Wynder K. Frog

Sunshine Super Frog

Western Union Gold Record Store Day 2022 Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Five Americans

LP | 1967 | US | Reissue (Sundazed)

30,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Limited to 1200 copies. While overshadowed by its euphonic earworm, this is a remarkably deep and diverse album. With saccharin-saturated jangly pop that verges on bubblegum ('If I Could'), infectious Vox organ propelled grooves ('Sound Of Love'), fuzz-driven garage ('Reality') and the splendid and inventive sonic atlas 'Big Cities'! Come for the single, stay for the album! All analog, pressed on Abnak gold vinyl!

1. Western Union 2. Gimme Some Lovin’ 3. Husbands & Wives 4. If I Could 5. Sympathy 6. Big Cities 7. Sound Of Love 8. I Put A Spell On You 9. Tell Ann I Love Her 10. Reality 11. Now That It’s Over 12. See-Saw-Man

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Riot On Sunset Strip

LP | 1967 | EU (Sparton)

17,99 €*

Release: 1967 / EU

Genre: Rock & Indie, Soundtracks

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7" | 1967 | EU | Reissue (Guerssen)

William Penn Fyve

Swami / Blow My Mind

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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First ever band-sanctioned reissue of this legendary ‘Pebbles’ garage-psych 45 from 1967. William Penn Fyve aka William Penn & His Pals were a regular presence on the early Bay Area scene, opening for the likes of Jefferson Airplane, Paul Revere & the Raiders and Them. Their line–up included lead singer / organist Gregg Rolie, later of Santana / Journey. In 1966 they recorded their lone single, "Swami" / “Blow My Mind”, for the Thunderbird label. The A-side (written by guitar player Mike Shapiro and famous for being included on “Pebbles-The Acid Gallery”) is early acid-punk with fuzzed-out raga guitars and hilarious lyrics about a guru. The flipside is an energetic garage-punk number with swirling Vox organ and a fuzz rave up á la Yardbirds.

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Austrian Folk Music Volume 1 - The Eastern Provinces (Upper Austria, Styria, Lower Austria, Vienna, Burgenland)

LP | 1967 | AT | Reissue (Roots)

Release: 1967 / AT – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Small writing on cover.
Includes booklet.

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A Collection Of Original 16 Big Hits Vol. 8

LP | 1967 | US | Original (Motown)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

tear in spines

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Presenting...The James Brown Show

LP | 1967 | US | Original (Smash)

10,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines. Cover with long open seam splits

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Betthupferl (Kinderlieder Und Geschichten Zur Guten Ruh)

LP | 1967 | DE | Reissue (Europa)

Release: 1967 / DE – Reissue

Genre: Comics, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Reissue. seam split

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LP | 1967 | US | Reissue (Atlantic)

The Super Hits

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split on bottom spine. Vinyl with scuffs and hairlines

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Georgie Woods Is Back !!!

LP | 1967 | US | Reissue (Lost Nite)

32,99 €*

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1967 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has some marks and hairlines.

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The Eyes Of Blue

Crossroads Of Time

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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UK psychedelia moved into prog rock with spices of hard rock in the late sixties, some even coined a new label to describe the strong textures resulting of the mixture of rockier blues sounds, jazz, revolutionized freakbeat and the hardest side of popsike - ‘heavy psych’. Amongst the best works of the era were the two splendid LPs recorded by Welsh band Eyes Of Blue.

The Eyes Of Blue where formed in 1966 and soon won the Melody Maker Beat Contest, a fact that secured them a recording deal with Deram records. The label issued their first 45s, they were good but -due to company pressure- more Blue Eyed Soul or even bubblegum oriented. By the time they released their first LP, on Mercury, their real sound had surfaced, showing influences by some of the coolest bands from the US West Coast like The Doors or Love, and also counted on the help of Graham Bond, who penned some of the most significant tunes on the album. Heavily Hammond organ driven athmospheres taking things one step further than The Nice, guitar pyrotechnics, an excellent vocal work, some eastern influenced guitar raga, a great taste in choosing cover versions and strong songwriting make Crossroads Of Time one of the best progressive LPs from 1968.

First ever legit vinyl reissue, in a limited run of only 500 copies, in remastered sound and featuring an insert with photos and liner notes.

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Wynder K. Frog

Out Of The Frying Pan

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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The Underdogs

Blues Band

LP | 1968 | US | Reissue (We Are Busy Bodies)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Wah Wah is proud to release the first ever legit vinyl reissue from master tape of New Zealand's legendary Underdogs' first LP from 1968. Lovers of John Mayall and his Bluesbreakers (note the Eric Clapton tribute paid on the sleeve of this album) will love this album. The Underdogs formed in 1964 and shared the scene with other greats from the country like The La De Da's, The Action (NZ band, not to be confused with the UK mod godfathers) and The Pleazers. They spread the rhythm and blues word from their native Auckland through several 45s on the Zodiac label and went through a series of line-up changes prior to the release of their fabulous first long player. The Underdogs Blues Band LP was recorded by Murray Grindlay on vocals, Lou Rawnsley on guitars, Neil Edwards on bass and Tony Walton on drums, and shows the group’s appreciation for Mayall's combo - just like The Bluesbreakers' Crusade LP the Underdogs open their album with a cover of Albert King's "Oh, Pretty Woman," one of three "Bluesbreakers" songs covered on the LP. On this first long player the band storm into a world of guitar led rave-ups a la Yardbirds, organ blues grinders and even give a sight to what's to come next with some incipient heavier sounds a la Cream.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and insert

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Piero Umiliani

OST Playtime

31,99 €*

Release: 1968 / US – Reissue

Genre: Soundtracks

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We Are Busy Bodies is proud to announce the first official reissue of ‘Playtime’ by popular and prolific Italian composer, Piero Umiliani. Incorporating styles like jazz, easy listening/lounge, rock, funk, and bossa nova to a genre largely dominated by orchestral scores, he penned some of the most outstanding film music from the '60s and '70s with over 150 titles under his belt. Originally released on Umiliani‘s own Omicron label in 1968, the album has been remastered from the original recordings by Noah Mintz.

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This Is The Blues, Vol. 2

LP | 1968 | US | Original (World Pacific Jazz)

5,09 €* 5,99 € -15%

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

An Anthology Of British Blues

LP | 1968 | US | Original (Immediate)

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

American Folk Blues Festival 66 - 1

LP | 1968 | GDR | Original (AMIGA)

12,99 €*

Release: 1968 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+. Seam split.

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LP | 1968 | US | Original (Atlantic)

The Super Hits Vol. 2

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Fantasie In Schwarz-Weiss

LP | 1968 | GDR | Original (AMIGA)

Release: 1968 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Special Pink Mood Deluxe = スペシャル・ピンク・ムード・デラックス

2LP | 1968 | JP | Original (Victor)

33,99 €*

Release: 1968 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI!

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Bbc Radiophonic Music Pink Splattered Vinyl Edition

LP | 1968 | UK | Reissue (Silva Screen)

31,99 €*

Release: 1968 / UK – Reissue

Genre: Soundtracks

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Bobby Vee And The Strangers

Maybe Just Today / You're A Big Girl Now

7" | 1968 | JP | Original (Liberty)

Release: 1968 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Hair (The American Tribal Love-Rock Musical)

LP | 1968 | US | Reissue (RCA Victor)

Release: 1968 / US – Reissue

Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Record has surface marks and light scratches. Cover has ring wear. Orange RCA label.

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LP | 1968 | US | Original (Original Sound)

Oldies But Goodies Vol 9

7" | 1968 | US | Original (Velvet Tone Record Corp.)

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Sticker on label.
Record is close to VG+.
Cover with faint ring wear and seam split.

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The Jimmy Velvet Five

Good, Good Lovin'

Favorite Negro Spirituals

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Cathy Mbathi

LP | 1968 | US | Original (Crown V Recordings)

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1968 | EU | Reissue (Almalgamated)

Explosive Rocksteady

15,99 €*

Release: 1968 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1968 | EU | Reissue (Elemental)

Marcos Valle

Samba 68

30,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Elemental Music, together with Universal Music Spain presents a new vinyl reissue of “Samba ’68“, the only album released on the Verve label by prolific Brazilian singer Marcos Valle. In 1968, Valle was commissioned by Verve to record his Brazilian hits in English in order to capitalize on the then-huge Getz-Gilberto-Jobim-Mendes-Astrud market. Marcos’ rapid and stunning artistic growth is apparent on this brilliant Bossa Nova album. Fans of Sérgio Mendes and Astrud Gilberto (both of whom recorded tons of Valle tunes) will enjoy it immensely, for “Samba ’68” is definitely one of the ultimate “loungy” records. “Samba ‘68 is a vibrant set of Brazilian pop, indebted to bossa nova and samba but undeniably Americanized for a domestic audience. The result is a joyous album throughout that wears its dated sound quite well. Marcos Valle interprets eleven of his own songs, including Brazilian standards like ‘Chup Chup, I Got Away,’ ‘Batucada’ and ‘So Nice (Summer Samba),’ as well as new tracks like ‘Crickets Sing for Anamaria’ and ‘The Answer.’ The vocal harmonies of his wife (the Anamaria of the song title) provide a beautiful counterpoint to Valle’s voice on several tracks, making Samba ‘68 one of the best Brazilian crossovers of the 1960s.”(John Bush, AllMusic) Marcos Valle was the Renaissance man of Brazilian pop, a singer/songwriter/producer who straddled the country’s music world from the early days of the Bossa Nova craze well into the fusion-soaked sound of ‘80s Brazilian popular music. Though his reputation in America never quite compared to contemporaries like Caetano Veloso, Milton Nascimento, Gilberto Gil, or even Tom Zé. Valle is one of the most important and popular performers in the history of Brazilian pop.

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Rural Blues Vol 1: Goin' Up The Country

LP | 1968 | US | Original (Imperial)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Rhythm 'N' Blues Volume 1: The End Of An Era

LP | 1968 | US | Original (Imperial)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

History Of Rhythm & Blues Volume 1: The Roots 1947-52

LP | 1968 | US | Original (Atlantic)

5,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover with long open seam splits

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LP | 1968 | JP | Original (Atlantic)

Solid Gold Soul Vol. 4

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

OST - Engelchen Macht Weiter

Improved Sound Limited

LP+7" | 1969 | EU | Reissue (Wah Wah)

LP | 1969 | EU | Reissue (Cree)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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The soundtrack to this 1969 German sexual comedy was produced by Improved Sound Limited, showcasing their killer blend of experimental pop, blues, rock, jazz, funk and easy listening, augmented with tape effects, phasing, distorted guitar... Groovy songs influenced by 60's beat and psychedelia.

Newly mastered sound by Jörg Scheuerman. Comes complete with an insert with photos and liner notes. Limited to 500 copies only.

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Andre Tanker Five

Afro Blossom West

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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When this album was first released in 1969, the young combo around vibraphonist and singer Andre Tanker conveyed a new style mix, which apparently naturally merged quite different musical influences into a new whole. At the centre of the music of the Andre Tanker Five was jazz in its Caribbean, Trinidadian style, a combination of the modern jazz of those days and the sounds of the extremely popular steeldrum bands of the time. A very decisive addition is typical for Trinidad: Calypso. Calypso stands for the attitude to life of this young generation of musicians, for the 'Good Time Feeling' and the desire to incorporate danceable Caribbean rhythms and Afro-Latin grooves into their individual style.
Although the original sounds of the young Andre Tanker Five are deeply rooted in the music of the West Indies, Afro-American elements always remain in the foreground. The young combo is musically equally at home in the Caribbean as in the 'hip' jazz clubs of the US megacities and the juke joints of the south with their sultry blues as well as the soul dance halls in Detroit or Memphis. The combination of vibraphone and electric guitar plus bass/drums is also rather unusual in those days. Not a pure instrumental album, 'Afro Blossom West' delivers some surprising vocals - rather unusual for a groove-jazz-based project with a sophisticated rhythmic sound.
Bandleader and vibraphonist Andre Tanker is considered a very creative and versatile musician. His exciting improvisations are a dominant feature of this group. Party In The City, Lena and Swahili are original compositions of which he sings the first two himself. Guitarist Clarence Wears is a gifted accompanist and effective soloist. His sometimes 'funky soul style' is more reminiscent of 'Memphis' than 'Trinidad'. Bass player Clive Bradley, who also plays piano and guitar, is a fine all-round musician who knows his music to the limit, and the rhythm section around Kester Smith (drums and timbales) and Mikey Coryat (congas) are able to provide the necessary power, but they can also play softly and subtly when the mood demands it.
As the album's name suggests, the combo refers deeply to the music and rhythms of Africa, whose roots - when shifted to the West - have produced the calypso, blues and Afro-Latin rhythms heard on this LP. We have had the album reworked from the original master tapes for this limited high quality LP edition by mastering expert Tom Meyer. New liner notes by Ron Reid shed light on the history of Andre Tanker, his combo and the circumstances that led to this creative product!

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LP | 1969 | US | Reissue (Real Gone Music)

OST Russ Meyer's Vixen

31,99 €*

Release: 1969 / US – Reissue

Genre: Soundtracks

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LP | 1969 | EU | Reissue (Wah Wah)

Sage And Seer

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Although this amazing U.S. popsike gem seems to have remained under the radar since it was first released in 1969, copies of an original pressing of this LP fetch several hundreds of dollars among the small circle of collectors that have managed to discover the amazing works of Don Beckmann and David Rea.

Their only LP was originally released on their hometown Denver’s Stylist Records label back in 1969. The production is amazing: to the strength of the duo’s compositions and their guitar and vocal talents, a complete band is added, plus impressive orchestrated arrangements with scores provided by Dan Goodman and Mark Schuster and conducted by Ben Kaufman, the result being a deliciously beautiful album that could be a missing link between the works of Simon & Garfunkel and those of soft pop maestros like The Free Design or Harper's Bizarre or baroque pop legends The Left Banke.

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LP | 1969 | US | Original (Atlantic)

Jazz Super Hits

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with punch hole

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LP | 1969 | DE | Original (Decca)

The World Of Blues Power

4,24 €* 4,99 € -15%

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines

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LP | 1969 | US | Original (Motown)

Motortown Revue Live

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1969 | JP | Original (20th Century Fox)

OST Hello Dolly!

23,74 €* 24,99 € -5%

Release: 1969 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Record is slightly warped but close to VG+
Back cover shows minor foxing.

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OST The Original Hits Of Right Now Plus Some Heavies "Easy Rider"

LP | 1969 | US | Original (Dunhill)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Seam split.

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OST The Original Hits Of Right Now Plus Some Heavies "Easy Rider"

LP | 1969 | US | Original (Dunhill)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Famous European Screen Themes

2LP | 1969 | JP | Original (Victor)

22,99 €*

Release: 1969 / JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with spine damage

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Motown Winners' Circle No. 1 Hits Vol. 3

LP | 1969 | US | Original (Gordy)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover has a cut corner.

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LP | 1969 | US | Original (Longines Symphonette Society)

Soul Supreme Vol. 2

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Yellowed cover.

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El Niño Gogo - Aguinaldo Navideño

LP | 1969 | US | Original (Velvet)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G

Cover with taped edges.

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LP | 1969 | CS | Original (Supraphon)

Night Club 68

Release: 1969 / CS – Original

Genre: Organic Grooves, Rock & Indie

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Medium: VG+, Cover: VG

LP | 1969 | DE | Original (Constanze)

Music For Wild Angels

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Medium: VG, Cover: VG

21 Super Soul Souvenirs Vol. 2

LP | 1969 | US | Original (KSOL)

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Yellow Splashed vinyl. Cover has seam split.

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LP | 1969 | DE | Original (Schwann AMS Studio)

Neue Geistliche Lieder

Release: 1969 / DE – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Cover with tear on the front. Vinyl close to VG+

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Die Rose War Rot: Schlagerchansons Unserer Tage

LP | 1969 | GDR | Reissue (AMIGA)

Release: 1969 / GDR – Reissue

Genre: Pop

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Medium: VG, Cover: VG

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LP | 1969 | GDR | Original (AMIGA)

Musical Erfolge

Release: 1969 / GDR – Original

Genre: Soundtracks

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Medium: VG+, Cover: VG

Tamla Motown Is Hot, Hot, Hot!

LP | 1969 | DE | Original (Tamla Motown)

Release: 1969 / DE – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

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LP | 1969 | DE | Original (Multitrack)

Schaut Auf Diese Stadt

5,99 €*

Release: 1969 / DE – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

LP | 1969 | Reissue (We Are Busy Bodies)

Stefan Gnys

Horizoning

26,99 €*

Release: 1969 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

LP | 1969 | UK | Original (Island)

This Is Sue!

Release: 1969 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Easy Rider (Songs As Performed In The Motion Picture)

LP | 1969 | DE | Original (Columbia)

Release: 1969 / DE – Original

Genre: Rock & Indie, Soundtracks

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Medium: VG, Cover: VG

Cover splits on top seam. Sticker on cover.

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LP | 1969 | DE | Original (Chess)

Blues News

Release: 1969 / DE – Original

Genre: Rock & Indie

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White vinyl

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107-34-8933

Numbers

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Numbers was the first reference in the Narco catalogue (NR101), each of the three tracks it contains is named after a drug: Cannabis Sativa, Methedrine and Lysergic Acid Diethylamide. The album was credited to 107-34-8933, there is no date of release on the disc, some sources take it as back as 1968 - in any case, this is the same record that was issued on Buddah in 1970 credited to Head and eponymously-titled. The Wah Wah reissue features the original cover artwork from the Narco edition.

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Siloah

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually moved to an abandoned farm on the outskirts of town.

Their first LP is a trippy acid psychmasterpiece recorded in 1970 and privately issued on German Blues and Undergrund. It showed a strong influence from US West Coast psychedelic music and has a lovely acoustic approach. It's sound is free, full of improvisation and with a charming amateurish feel all through it. It will appeal to lovers of free spirits like Amon Düül themselves, Kalacakra or even Música Dispersa.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has original artwork (improved by printing it over a mirror finish silver cardboard), has two bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Wynder K. Frog

Into The Fire

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.

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Gay Jamaica Independence Time Limited Numbered Orange Vinyl Edition

LP | 1970 | EU | Reissue (Music On Vinyl)

26,99 €*

Release: 1970 / EU – Reissue

Genre: Reggae & Dancehall

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Having dominated the rock steady era, Arthur ‘Duke’ Reid was searching for a way to build upon his standing as one of Jamaica’s premiere record producers following the arrival of the new reggae sound towards the close of the Sixties. By releasing Gay Jamaica Independence Time he proved that he still released high quality tracks. Some of the most talented musicians from that period are featured on this record, like U-Roy, The Ethiopians, Alton Ellis and Tommy McCook. Duke Reid may have been late on the reggae scene but his best material stands shoulder to shoulder with the classics of the era and many of the tracks presented here reach that level with ease. The disc closes with the Jamaican National Anthem, as this title was released to commemorate the eighth anniversary of Jamaican independence.
Gay Jamaica Independence Time is available as a limited edition of 750 individually numbered copies on orange vinyl.

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Farmyard

Underdogs, The (Pig, Mann & Edwards)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Hailing from Wellington, the windy city and capital of New Zealand, Farmyard's initial line up consisted of Rick White on bass and vocals, Tom Swainson on drums, Milton Parker on lead guitar, Andy Stevens on sax and Paul Curtis on rhythm guitar and lead vocals. Rick White who formed the band, and Milton Parker were originally in fledgling beat combo The Relics. After being kicked out of the Relics, Rick went on to form Tom Thumb. Tom Thumb moved from R&B, to pop, to progressive rock, and their 1970 Ludgate Hill EP is considered one of the first prog recordings in the country.

After a successful single, Polydor issued Farmyard’s first LP in 1971 which came housed in a silk screened plastic bag, and is an amazing prog-rock killer, with superb musicianship, great tunes and a splendid production by Peter Dawkins.

This is a 500 copies only reissue, housed in its original ‘gimmick’ artwork in a silk screened plastic bag, printed inner sleeve and insert.

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Wasting Our Time

LP | 1970 | UK | Reissue (Matsuli)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Wah Wah is proud to release the first ever legit vinyl reissue of New Zealand's legendary Underdogs' second LP. By the time of this album, originally released in late 1970, The Underdogs line-up had changed. The original Underdogs had disbanded in 1969, and original guitarist Harvey Mann and bass player Neil Edwards decided to rebirth it with the help of Glen 'Pig' Absolum on drums - hence the band's nickname Pig, Mann & Edwards. This power trio line-up also saw the initial Underdogs UK flavoured R&B sound get heavier and evolve towards a more Cream-ier - Hendrix influenced territory. It was recorded under the production of former Brew man Bob Gillett in their native Auckland and saw its original release on the PYE label.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and featuring gatefold poster insert.

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Zorro Five

Jump Uptight

21,99 €*

LP | 1970 | US | Reissue (We Are Busy Bodies)

Release: 1970 / UK – Reissue

Genre: Reggae & Dancehall

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Underground Mod Obscurity from South Africa!

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Virgilio Armas

De Repente

19,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Pop & Blues Festival 1970

2LP | 1970 | EU | Reissue (Long Hair)

30,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Dedicated To Markos III (A.K.A. Black Flower)

Nirvana

LP+7" | 1970 | EU | Reissue (Wah Wah)

28,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Nirvana's third LP is a masterpiece of late UK sixties popsike turning into symphonic pop, but not having received proper promotion despite being equally good as, if not better than their previous releases, it also marked the end of the collaborations between Patrick Campbel-Lyons and Alex Spyropoulos back in 1969.

Nirvana presented it to Island boss Chris Blackwell under the title of Black Flower. Blackwell, however, decided to turn it down for release, but gave the masters to Campbell-Lyons and Spyropoulos so they could find a new label to release the album. That was to happen in the USA through Metromedia Records in 1969. At that time, the label's owner went through a scandal due to the payola days, which left Nirvana's third offering without any promotion - as a result of that, very few copies were pressed. There was also a UK release on PYE and it was even released by Metromedia in Japan. However, for years it remained as "the lost" Nirvana release, with the added fact that none of the released editions launched the album under its original title of Black Flower but under the rather cryptic Dedicated To Markos II (read why in the liner notes!).

Musically, this is Nirvana at their best. The tune that should have been the title track, Black Flower, is an incredible piece of symphonic psychedelia and probably the best produced Nirvana track ever. Campbell-Lyons and Spyropoulos were backed for the occasion by Spooky Tooth, who played on many tracks of the album, and big orchestral arrangements mesmerize the listener in one of the duo's darkest offerings. This song aside, the rest of the album was deemed as sounding too much like a French soundtrack by Island, which may do at some points –without that being a bad thing,– but there is a lot more to it, since Nirvana have not lost that popsike edge that characterised their sound in their two previous outings.

This is also a record that was widely acclaimed in the hip hop scene. And samplers of it have been used by several artists, most notably DJ Shadow used Love Suite in his 1996 debut album Endtroducing.

The Wah Wah edition has been remastered from the original tapes by Roger Prades @ Prades Mastering and comes with a bonus 7" EP and a four page colour insert with liner notes by Malcom Dome, plus a sheet with the lyrics of the songs. First ever official vinyl reissue since 1970 in a limited edition of 500 copies only!

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Traditional Jazz On V-Disc

LP | 1970 | JP | Original (DAN)

9,49 €* 9,99 € -5%

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI and top spine have a tear.

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The Great Big Band On V-Disc

LP | 1970 | JP | Original (DAN)

16,14 €* 16,99 € -5%

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

With OBI. Tear in top spine.

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We're Leavin' It Up To You

LP | 1970 | UK | Original (Wand)

Release: 1970 / UK – Original

Genre: Organic Grooves

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Motown Chartbusters Vol. 1

LP | 1970 | US | Original (Motown)

Release: 1970 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

LP | 1970 | UK | Original (Music For Pleasure)

Hot Hits 2

5,99 €*

LP | 1970 | UK | Reissue (Matsuli)

Release: 1970 / UK – Original

Genre: Pop

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Medium: VG, Cover: VG

Writing on cover.

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Zorro Five

Jump Uptight

LP | 1970 | DE | Original (Fa, Henkel-Khasana Düsseldorf)

Release: 1970 / UK – Reissue

Genre: Reggae & Dancehall

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Underground Mod Obscurity from South Africa!

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Unknown Artist

Exotic Sounds

28,99 €*

Release: 1970 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Spirituals To Swing – John Hammond's Carnegie Hall Concerts 1938/9

2LP | 1970 | JP | Reissue (Vanguard)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Underground Communication

LP | 1970 | DE | Original (Decca)

12,99 €*

Release: 1970 / DE – Original

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Cosmic Rock)

Simla Beat '70

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Sensational reissue for the first volume of iconic compilation Simla Beat 70. A psych garage manifesto, the record consisted of groups who appeared at the All-India Simla Beat ‘battle of the bands’ contest held in two years (1970 and '71) in Bombay. The annual event and the records were sponsored by The Imperial Tobacco Company. Bands from all around India would compete for first prize. The album - indeed - was not recorded live on the stage but in a primitive makeshift studio using very little overdubbing or sound reinforcement. The sound is generally influenced by the proto-garage western movement of the mid sixties and later became a massive cult for all the 70s rock fans.

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The Contemporary Guitar Sampler Volume 2

LP | 1970 | UK | Original (Transatlantic)

Release: 1970 / UK – Original

Genre: Rock & Indie

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LP | 1970 | GDR | Reissue (AMIGA)

Lyrik - Jazz - Prosa

Release: 1970 / GDR – Reissue

Genre: Organic Grooves

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LP | 1970 | AT | Original (Roots)

Cream Of The Crop

Release: 1970 / AT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP+7" | 1971 | EU | Reissue (Wah Wah)

Mormos

Great Wall Of China

18,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies!

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2LP | 1971 | US | Reissue (Lion)

Puissance 13 + 2

29,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Wah Wah)

Nik Raicevil

Beyond The End, Eternity

Pieces From The Cloudland Ballroom

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Anthony Moore

LP | 1971 | ES | Reissue (Wah Wah)

19,99 €*

LP | 1971 | EU | Reissue (Wah Wah)

Release: 1971 / ES – Reissue

Genre: Classical Music

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British experimental musician, composer, performer and producer Anthony Moore was a founding member of Slap Happy and has worked with Henry Cow, Kevin Ayers, and Pink Floyd among other great names in the British scene. In 1971 he moved to Hamburg, Germany, and worked in the boiling experimental scene of the city. As a result, two LPs were issued on Polydor in 1971 and 1972, right before forming Slap Happy with old school pal Peter Blegvad and Dagmar Krause.

"Pieces From a Cloudland Ballroom" is the first of those early solo LPs by Moore on Polydor. It was released in 1971 under the production of Uwe Nettlebeck and featured Anthony Moore on conduction, Ulf Kenklies, Glyn Davenport and Gieske Hof-Helmers on vocals, plus Werner 'Zappa' Diermeier on hi-hat.

Pure minimalist experimentation with echoes of Richard Young's "Advent" or even Moondog, done just a month after Faust (who included Werner 'Zappa' Diermeier) recorded their first LP. The missing link between British "art-rock" and the German "krautrock" scenes!

This is a 500 copies only reissue done in collaboration with Anthony Moore himself. Comes housed in its original artwork.

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Farmyard

Back To Fronting

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Hailing from Wellington, the windy city and capital of New Zealand, Farmyard's initial line up consisted of Rick White on bass and vocals, Tom Swainson on drums, Milton Parker on lead guitar, Andy Stevens on sax and Paul Curtis on rhythm guitar and lead vocals. Rick White who formed the band, and Milton Parker were originally in fledgling beat combo The Relics. After being kicked out of the Relics, Rick went on to form Tom Thumb. Tom Thumb moved from R&B, to pop, to progressive rock, and their 1970 Ludgate Hill EP is considered one of the first prog recordings in the country.

Released by Polydor in early 1972, Back To Fronting, the second and final LP by Farmyard, was done at a point when the band was imploding and the tracks were produced by the group. They gathered together a great collection of tunes and made it a worthy second outing, continuing the prog sound of their debut and opening it to new influences with some rootsy sounds thrown in the mix.

This is a 500 copies only reissue, housed in its original artwork in a gatefold sleeve and featuring an insert.

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LP | 1971 | JP | Reissue (Nippon Columbia)

Planets In Rock Age

79,99 €*

LP | 1971 | US | Reissue (We Are Busy Bodies)

Release: 1971 / JP – Reissue

Genre: Rock & Indie

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Hiro Yanagida, Jiro Inagaki, Takeshi Inomata, Akira Ishikawa, Kimio Mizutani... A compilation album by pioneering Japanese jazz/new rock artists ('71).

This is a masterpiece of the early 1970s when Japanese jazz/rock was at its most innovative and groundbreaking as if the radical atmosphere of the time was condensed at once.

The album is filled with fanatical artists such as Sammy, the legendary female soul singer, and Mao, who sings in Hiro Yanagida's band Sons of Sun, but the Beatles cover by Kimio Mizutani of A5 and the band Better, whose members are unknown, is a unique performance.

This is a definitive album dedicated to all Japanese jazz and new rock fans.

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Mario Molino

Beat Gregoriano

19,99 €*