Search "fettes brot:" 1804 Items

Pray For Party Dozen Black Vinyl Edition

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Party Dozen is a sonic partnership loosely based onimprovisation between saxophonist Kirsty Tickle andpercussionist Jonathan Boulet. Their debut album, TheLiving Man, earned critical acclaim upon release in 2017. They've toured relentlessly ever since - each performance a trial of physicality and an expression of maximalism. Like the legendary Dirty Three, the members seem to meld into one mind,oblivious to the viewer. Tickle effortlessly navigates Boulet's ever-shortening attention span and wild tempo changes; form gradually materializes from chaos.

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Party Dozen

LP | 2020 | US | Reissue (Temporary Residence)

2LP | 2023 | UK | Original (Fire)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Australian out-rock duo, Party Dozen, returned with theirsecond album Pray For Party Dozen in May 2020. Onceagain self-produced, tracks like the eponymous "PartyDozen" act as a bridge from their debut album, TheLiving Man, where evil sample loops built thefoundations upon which the duo erected a brand newtemple of irreverence. Elsewhere, they flirt withelectro-Krautrock ("Auto Loser"), stoner-psych ("TheGreat Ape") and ambient-industrial ("Scheiße Kunst"). Itstill sounds like Party Dozen, but somehow louder; morehushed; even wilder. Plus there are two songs with lyrics.It's smart enough to make you move and dumb enoughto make you think. But it's not greater than the sum of itsparts. There are no parts - there is only Party Dozen.

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Bardo Pond

Volume 3

Labyrinth Grey Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Classic Double Black vinyl, DL card. “Obviously, Bardo Pond are the greatest band in the world” Vice. Super rare recordings from 2002 and pressed on vinyl for the very first time. The third in the band’s series of limited-edition releases showcasing jam sessions and other miscellany. Like Fugazi on acid, a rage for the Velvets, a mantra with real purity of tone. Somewhere between the ‘Dilate’ album in 2001 (“a combination of Kyuss and Spacemen 3” Nme) and ‘On the Ellipse’ in 2003 ("Nowhere is feedback more melancholic, more emotive, than that fashioned by Bardo Pond” Brainwashed), Bardo Pond transcended into a mantra-like, multi-layered, cross-dimensional, wah wah powered nirvana. In some circles, they say, spaceships wafted them away and they only returned some-time later, mind-altered and bedraggled, ears ringing. But that is the stuff of supposition. As we already know, there is no ‘off’ switch on Bardo Pond, they are never knowingly unplugged. Indeed, the modal evolution of their sound continues unabated

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Heather Woods Broderick

LP | 2023 | US | Original (Western Vinyl)

Invitation Sand & Seawater Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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On Labyrinth, Heather Woods Broderick serves as our reflective host, subverting expectations of conventional songcraft with impressionistic language and quietly relentless explorations of the human experience that's at once light and dark, more circular and less linear. "Many of us yearn for stillness and peace, as an escape from the movement all around us," she explains when asked about the themes of the album. "Yet movement is perpetual, happening all the time on some level. It's as wild as the wind, yet eternally predictable in its inevitability. It is linear in part, but infinite in its circuitry. Our lives just punctuate it." Broderick began crafting Labyrinth in March 2020, when most forms of move- ment were brought to a screeching halt. The Maine-born, Los Angeles-based songwriter _ who, in addition to her work as a solo musician, built a life playing and touring with acts such as Sharon Van Etten, Beth Orton, Damien Jurado, and Efterklang _ was suddenly forced off the road for the first time in her career. She used this disruption as an opportunity to pare down her creation process and construct the scaffolding for Labyrinth in her apartment. Employing only the most crucial tools at her disposal, Broderick found herself opening different artistic doors as she focused on sharpening her recording skills, capturing the majority of the album on her own before finishing the remainder with co-producer D. James Goodwin. For all of Broderick's sage lyricism and vocal authority, Labyrinth never provides the listener with any easy answers. If the image of the labyrinth represents the enormity of modern life and the difficulty of navigating it, Heather Woods Broder- ick provides a guide to its endless kinetic wonders _ of being present, aware, and connected despite its disconnects. She describes the texture of its walls, its indifferent rhythms, and the inherent poeticism of feeling lost amid the dead-ends and unexpected turns. At this point in our history, perhaps that's all we need to keep moving.

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Heather Woods Broderick

LP | 2023 | US | Original (Western Vinyl)

Spectra Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Heather Woods Broderick's new album Invitation is about rediscovering the everyday magic and healing potential found in nature. It's also about recognizing that even though it's not easy, we can shift our perspectives on our lives when our circumstances seem bleak. Ultimately it's about accepting the myriad little invitations the universe sends us to keep moving forward, and in so doing, redefining one's self-perception, in order to establish a new sense of equilibrium and inner peace. HWB's last album Glider was called "ethereal and perfect" by NPR, "exquisitely beautiful" by Mojo, and "Stunning" by The Sunday Times. Since its release she has toured with Alela Diane, and Lisa Hanigan, and has done one-off shows with The War on Drugs, Laura Gibson, and others, in addition to continuing her role in Sharon Van Etten's band.

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Jenny O.

LP | 2023 | EU | Original (Mama Bird)

Release: 2023 / EU – Original

Genre: Pop

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LP | 2017 | US | Reissue (Mississippi)

Arvo Pärt

Für Alina

LP | 2023 | EU | Original (Mama Bird)

Release: 2017 / US – Reissue

Genre: Classical Music

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Compilation of our favorite Arvo Pärt pieces. All sparse and beautiful arrangements. Some solo piano pieces, some duets with piano, violin cello and viola and one string quartet. The pieces on this record are all unique to the style of Arvo Pärt - deceptively simple compositions that force you to live in the moment you are listening to them. A Pärt quote from the back of the record - "You can kill people with sound. And if you can kill, then maybe there is also the sound that is opposite of killing. And the distance between these two points is very big. And you are free -- you can choose. In art everything is possible, but everything is not necessary." This record comes in a beautiful "tip on" old school cover with metallic gold foil and features an incredible painting from the 16th century manuscript Kometenbuch.

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Taylor Kingman

Hollow Sound

Release: 2023 / EU – Original

Genre: Organic Grooves

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Herman Brood & His Wild Romance

Go Nutz

LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2018 | Original (Real World)

The Breath

Let The Cards Fall

Release: 2018 / Original

Genre: Pop

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You Can Feel Me 20th Anniversary Black Vinyl Edition

Har Mar Superstar

LP | 2002 | EU | Reissue (Love Online)

LP | 2017 | EU | Reissue (Loud & Proud)

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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This is the 2nd album by Har Mar Superstar. It was originally released on Record Collection/Warner Bros in 2002. The album features collaborations with Beth Ditto, Eric Olsen, Howard Hamilton III, Dave Gatchell, Dirty Preston, Clark Baechle, Jacob Thiele, Tiny E, and many more. The lead-off single Power Lunch became something of an international indie hit, and Har Mar Superstar performed at festivals all over the world culminating in a four month residency at the legendary club Manumission in Ibiza. This was the last album where Sean Tillmann would pretend he was his own brother, Harold Martin Tillmann.

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Roadcase Royale

First Things First

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Heap Of Ashes Blood Red Vinyl Edition

Sleep Party People

LP | 2022 | EU | Original (Joyful Noise)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Pastor T.L. Barrett & The Youth For Christ Choir

Like A Ship Without A Sail Ice Wind Vinyl Edition

LP | 1971 | US | Reissue (Numero Group)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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I'm Wide Awake, It's Morning

LP | 2005 | EU | Reissue (Dead Oceans)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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"The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."

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Digital Ash In A Digital Urn

LP | 2005 | EU | Reissue (Dead Oceans)

Grilchy Party Favors Volume 3 - Pastels

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Wino Willy

LP | 2022 | US | Original (Grilchy Party)

Release: 2022 / US – Original

Genre: Hip Hop

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LP | 2010 | EU | Reissue (Dangerbird)

Fitz And The Tantrums

Pickin' Up The Pieces

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Dauw)

Heather Woods Broderick

Domes

Lapap? Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After having released solo albums on Western Vinyl and Preservation, »Domes« presents the first entirely instrumental work of the California based multi-instrumentalist Heather Woods Broderick. »Domes« is a collection of meditative pieces based around the cello. While not being her primary instrument, the cello holds a very special place for the artist. Throughout the past 2 years, Heather often felt the need to find moments of respite in response to the chaotic and turbulent times we all faced in that period. Her days started or ended with the cello. A single melody initiated a process in which new elements were gradually added to the initial loop until the sounds filled her up.

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Mice Parade

LP | 2022 | EU | Original (Bubble Core)

Für'n Arsch Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Mice Parade returns from a decade of silence to release lapap?, an album that spans the many styles of their storied career, and features guest singer appearances by Angel Deradoorian (Dirty Projectors) and Arone Dyer (Buke & Gase). The rock is louder; the West-African-inspired highlife breaks are chubbier; the dueling drumkits are more complex, the instrumental passages more serene. What started as a home recording project in the late 90s soon morphed into a formidable and completely unique live band of incredible musicians from around the globe, all live-mixed and effected by legendary UK engineer Brandon Knights (aka Dub Warrior), the longtime sound engineer for Lee Scratch Perry, Soul II Soul, Gladiators and others. After 9 albums and nearly 15 years years of worldwide touring, including festivals across the UK, Iceland, mainland Europe, Turkey and Japan, and supporting Stereolab across the US, Mice Parade fans can finally hear some new music, and the live band hopes to safely reunite later this year.Throughout it all, Adam has mostly recorded with same ethos: allowing only one take for each track, forcing him to either leave in mistakes or address them with mutes or distractions, and embracing the Bob Ross concept of 'happy accidents.' This was a strict rule for the first several albums, and while he eventually became less strict about it, it's still a goal that is achieved more often than not. Perfection is not the goal - indeed, there should be no such thing in music. Most songs are not even written before pressing the record button, but instead are built piece by piece in improvised fashion.lapap? is a Yoruba word meaning something akin to "totally" or "altogether." A worldwide tour was in place around the album's intended release, only to be cancelled upon the initial Covid lockdowns. Now it will finally see a release. it's a record that's worth the wait."This is American bedroom-auteur indie rock par excellence". - NY Times // "Mice Parade consistently released genre-bending albums" - BBC

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WIZO

LP | 1991 | EU | Reissue (Hulk Räckorz)

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Bleib Tapfer Blue Vinyl Edition

WIZO

LP | 1992 | EU | Reissue (Hulk Räckorz)

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Anderster Blue Vinyl Edition

WIZO

LP | 2004 | EU | Reissue (Hulk Räckorz)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | US | Original (Sub Pop)

Bret McKenzie

Songs Without Jokes

A Night With Phyllis Dilla At The Congo Bongo Casino Resort And Spa

Release: 2022 / US – Original

Genre: Rock & Indie

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Initial vinyl pressing on Blue Curacao Transparent Vinyl! As you can probably glean from the title, Bret McKenzie-whom you know from such modern musical treasures as comedy duo Flight of the Conchords, the Muppets movie reboots and other ace kid-film soundtracks, Lord of the Rings fan blogs, guest songs for The Simpsons, cycling around the streets in his native New Zealand, and more- has a new solo record coming out filled with songs that ARE NOT Comedy Songs! There. Doesn't that feel better? Sometimes it helps just to get it out in the open. So, yeah, Bret's a ridiculously funny dude, and you might even call him one of the best comedy songwriters in the biz. (In Bret's own words, there are fewer than a dozen people in the world writing comedy songs today, but who's counting?) He's had smash hits, he's won major awards, he's the better-dressed part of his duo...he's got a good thing going! So, what gives with this whole "songs without jokes" solo stuff, man? The Conchords landed McKenzie and Jemaine Clement a hit HBO TV show, a BBC Radio series, chart-topping records, world tours, a Best Comedy Album Grammy, and a 2018 "reunion" special. McKenzie transitioned to Hollywood, writing songs for 2011's The Muppets (winning a Best Original Song Oscar for "Man or Muppet"), 2014's Muppets Most Wanted, and films in the Pirates! and Dora canons. While he enjoyed and excelled at the work, he wondered where his songs might go if set free of all that plot-bound specificity. And so, while in Los Angeles a few years back, recording movie music with a crack assemblage of legendary session musicians, McKenzie started playing around with a tune or two he had written simply as songs-songs without any external direction, songs without plot-pushing concerns, songs without jokes. The results reveal McKenzie's talents on multiple instruments (he's a veteran of several non-comedy bands in New Zealand back in the day, most notably the reggae-based fusion group The Black Seeds), and his affinity for wry, literate artists like Harry Nilsson, Steely Dan, Randy Newman and Dire Straits. Written mostly during the quieter moments of 2019, with his life split between work in Los Angeles and his family in Wellington, the songs of Songs focus on themes of escape, the perpetual search for peace, and navigating a life being pulled in multiple directions at once. There are also simple meditations on driving through a city, and the weather. McKenzie was inspired by the path icons like Newman and Nilsson had paved, where a silly or playful number could be sandwiched directly between a song about heartbreak or an earnest redemption and a scathing satire or character commentary. He threw a bit of everything into the mix, recording ideas on his phone at home in New Zealand after the kids had gone to sleep. Back in LA, he fine-tuned the songs with his longtime producer and collaborator, Mickey Petralia, and longtime film collaborator Chris Caswell created charts for that same ensemble of session players with whom they'd recorded so many pieces for film. The majority of songs were then recorded at United Studio in Los Angeles in just a few takes. While the album may be free of traditional punch lines, it doesn't lack a sense of humor. It showcases a new stage of McKenzie's career, to be sure, but one that isn't so far removed from his past work and true artistic self. Like Jim Henson before him, who made a career of blending the silly with the sincere and the playful with the profound, McKenzie also aims to connect rainbows to the ridiculous.

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Lord Beatjitzu

LP | 2022 | US | Original (Grilchy Party)

The Real Work Metallic Silver Vinyl Edition

Release: 2022 / US – Original

Genre: Hip Hop

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The enigmatic LordBeatjitzu returns with a new LP. This time touching on a whole new chamber in his vast archive. This latest chapter is LordBeatjitzu presents a deep dive lounging on a tropical isle. A night with Phyllis Dilla at the Congo Bongo Casinos resort and spa. Completely switching up the style from his previous Bruce Li and Mazinga personas he delves into another world with his stripped down and dusty loops. Where as in previous projects his sound may have given off the thump of a Saturday afternoon Kung Fu flick, this one has the listener transported to a lounge act with a stand up comedian emceeing the festivities. Styles upon styles upon styles are still getting flipped but with a more casual edge.

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Party Dozen

LP | 2022 | US | Original (Temporary Residence)

LP | 1962 | Reissue (Not Now)

Release: 2022 / US – Original

Genre: Rock & Indie

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Party Dozen are a duo from Sydney made up of Kirsty Tickle (saxophone) and Jonathan Boulet (percussion and sampler). Since forming in 2017, they have become renowned in Australia for their incendiary live shows, touring and playing with acts such as Liars, Tropical Fuck Storm and Viagra Boys. Exactly what Party Dozen are is completely up to the listener. Doom. Jazz. Hardcore. Psychedelic. No-wave. Industrial. Although largely instrumental, their sets are punctuated by Kirsty's unique "singing" style, screaming into the bell of her saxophone which itself goes through a bevy of effects pedals. Intensely independent in everything they do, the duo write, perform and record everything themselves. 2022 will see the return of Party Dozen, first in April with the 7" release, Fat Hans Gone Mad, for the Sub Pop Singles Club, and then in July with their third album, The Real Work, with a new label partner in New York's Temporary Residence Ltd. The Real Work succeeds in exploring new directions but also features some familiar Party Dozen touches. Perhaps most notable is the first-ever appearance of a guest other than Kirsty or Jonathan on a Party Dozen track, with Nick Cave ad-libbing a very memorable contribution to the album's second track, "Macca The Mutt."

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Stan Getz & Charlie Byrd

Jazz Samba

Release: 1962 / Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Demon)

Chairmen Of The Board

Skin I'm In

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Ohr)

Birth Control

Operation

2LP | 2021 | EU | Original (Duzz Down San / HHV)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Re-release of the second album of the Berlin outfit on the original OHR label. Produced by the famous photographer Didi Zill in 1971 at Hansa Studios.

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Restless Leg Syndrome

Totem

LP | 2021 | EU | Original (Deadline)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With their head-bopping, hip-thrusting, zalghouta-inducing tunes, Restless Leg Syndrome have tastefully-crafted a mélange of global references and in their work.. The Vienna-based group is made up of longtime DJ and producer d.b.h and turntable maestros Chrisfader and Testa. A seasoned enthusiast of Lebanese music, d.b.h offered the influence for their critically acclaimed second EP Dabkeh. The project paid tribute to the Mediterranean form of line-dancing by flipping Lebanese samples into irresistibly groovy beats.

Over the course of 2021, RLS dropped four eclectic EPs that seamlessly fuse long-forgotten tunes with foot-stomping breaks. Their first EP Venom cinematically takes off with Arabic melodies coupled with their signature electronic bounce. The latter half of Venom introduces a fat bass and a tasteful sample selection highlighting the trios’ affinity for Hip Hop. To follow-up the trio released Falcon, a borderless trip through a range of samples from Gwen Stefani’s iconic “uh huh” in the third track ‘My Shit’ to homages to the golden age of Arabic music. Standout track “Represent the Fucking Planet” really underscores the trios’ appreciation for drums that knock.

The third EP ‘Spirit’ progresses the trio’s genre-defying sound through five tracks. The quintessential boombap sound in ‘Direction’ is contrasted with the African-inspired drums and oriental strings on ‘Anamur’. The groups’ mastery of the art of scratching is tastefully peppered throughout the EP to complement their arsenal of vinyls.

The fourth and final EP of the collection ‘Fool’ is immersively inventive and addictive. The single ‘Gönndir’ is studded with polyrhythms and a seductive bassline. With skittering backbeats and funky riffs, the EP is dynamic in its beat switches and laden with North African gems. ‘Embassadors of Rhythm’ features an instructional workshop by the iconic Egyptian percussionist and composer Hossam Ramzy (sampled by Timbaland for Jay-Z’s song ‘Big Pimpin’). Bass-heavy track ‘The Fools’ alludes to the popular Tunisian mizwed music, which uses the traditional ‘mizwad’ bagpipes and the ‘darbouka’ drum. ‘The Fools’ is accompanied by a music video composed of photographs taken in and around Beirut in 2021 highlighting the fruits of labor of a city plunged in crisis over the past two years.

Restless Leg Syndrome wraps up their marathon of releases with Totem, a 2LP vinyl release featuring the full collection of tracks from all four EPs. Its gatefold cover was crafted by Lebanese illustrator Raphaelle Macaron and imagines each EP as a tarot card.

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Pretty Boy Floyd

Set The Night On Fire

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hail Mary Mallon (Aesop Rock, Rob Sonic & DJ Big Wiz)

Are You Gonna Eat That?

LP | 2011 | US | Reissue (Rhymesayers)

Release: 2011 / US – Reissue

Genre: Hip Hop

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Pastor T.L. Barrett & The Youth For Christ Choir

Do Not Pass Me By Volume 1

LP | 2021 | US | Original (Numero Group)

LP+CD | 2021 | EU | Original (Century Media)

Release: 2021 / US – Original

Genre: Organic Grooves

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The Final Album In Pastor T.L. Barrett's 1970s Four-Part Suite Of Gospel Funk Lps, Do Not Pass Me By Finds The Fiery Preacher Getting Spaced Out On God's Love. Accompanied By His Youth For Christ Choir, The Eight-Song Record Is Buoyed By The Seven-Minute Opus "Father Stretch My Hands," Later Sampled By Kanye West On 2016's The Life Of Pablo.

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The Pretty Reckless

Death By Rock And Roll

Release: 2021 / EU – Original

Genre: Rock & Indie

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Reflections Volume 1 (Bumble Bee Crown King)Colored Vinyl Edition

Woods

LP | 2021 | US | Original (Woodsist)

Release: 2021 / US – Original

Genre: Rock & Indie

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With no touring in 2020, and possibly this year, Woods decided to take a deep dive into their archives and put together the first volume of their much discussed archival series, Reflections. Featuring rare and unreleased recordings from 2009 - 2013, including a ghost town desert jam off the side of the highway, their first live performance in Big Sur, the first recorded version of “Bend Beyond” and some shelved diamonds in the rough that were finished up during quarantine. Their hope is that it plays like a “lost record” from an extremely strange and fruitful period in Woods history.

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Grilchy Party

Pen Relays T-Shirt

Pinchers /Super Beagle & Major Cat

Available Sizes: S, XL, 2XL

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The Grilchy Party Pen Relays Tee is equipped with the following features:
• rib crew neck with interior tape
• Pen Relays artwork printed on front
• relaxed fit
• 100% cotton single jersey

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Bad Boy Style / Now She's Gone

12" | 2020 | UK | Original (Fresh Breed)

26,99 €* 29,99 € -10%

Release: 2020 / UK – Original

Genre: Reggae & Dancehall

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LP | 2020 | US | Original (American Dream)

Brett Naucke

Ems Hallucinations

Release: 2020 / US – Original

Genre: Electronic & Dance

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Naucke traveled to EMS with the express purpose of creating an album in the spirit of 70s academic synthesizer music, but knew he was going to build it out of exploration. When he thought about EMS residencies, he didn’t think of albums recorded entirely there, and for his tenure, he wanted to flip the script. For EMS Hallucinations, Naucke recorded several hours of audio using Ems’ Buchla 200 and their Serge Modular system. The result is a meditative, immersive collection imbued with the pioneering ethos of artists like Pauline Oliveros, Ruth White, Morton Subotnick, and others, but draws from a more contemporary palette - dance music, especially.

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Billy Woods

Dour Candy T-Shirt

26,99 €* 35,99 € -25%

Available Sizes: S

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This is the companion piece of Backwoodz Studioz' billy woods Dour Candy reissue. The t-shirt is a nice soft premium piece with ASHES 57 artwork from the album cover printed with 1/C discharge ink on a black Next Level 3600 tee.

The Billy Woods Dour Candy Tee is equipped with the following features:

• rib crew neck with interior tape
• Dour Candy artwork printed on front
• relaxed fit
• 100% cotton single jersey

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Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Down In The Weeds, Where The World Once Was Black Vinyl Edition

2LP | 2020 | US | Original (Dead Oceans)

2LP+CD | 2002 | EU | Reissue (Sony)

Release: 2020 / US – Original

Genre: Rock & Indie

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2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Evanescence

Synthesis

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (Sub Pop)

Wolf Parade

Thin Mind Loser Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Sub Pop)

Wolf Parade

Thin Mind

Release: 2020 / US – Original

Genre: Rock & Indie

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Kele Okereke of Bloc Party

2042

2LP | 2019 | UK | Original (Kola)

Smunchiiez Brown Vinyl Edition

Release: 2019 / UK – Original

Genre: Pop

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Kele, founding member & lead singer of Bloc Party, today announces the release of his new solo album 2042, heralded by the visceral first single "Jungle Bunny".
2042 is Kele's fourth solo record and, following 2017's largely acoustic Fatherland (released under his full name and featuring a duet with Olly Alexander from Years and Years), marks something of a return to the adrenalised electronics of his previous two solo records, Trick (2014) and The Boxer (2010), whilst broadening the sonic palette by bringing in elements of his work with Bloc Party and a litany of other influences and ideas.
As an artist, Kele Okereke has never stood still, relentlessly seeking new ways in which to present his luminous songs. Whilst sonically markedly different from Fatherland, lyrically 2042 picks up a thread from that record whereby Kele's life experiences and relationships suffuse the album with some of his most personal lyrics yet.

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The Breed

LP | 2018 | UK | Reissue (Chillhop)

Pastor T.L. Barrett And The Youth For Christ Choir

Release: 2018 / UK – Reissue

Genre: Hip Hop

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Here we have the first full length Release from The Breed on Chillhop Records ! The Beatmaker from Germany will please you with a well selected Mix of Westcoast G-Funk and laid-back Rhodes Chords. The perfect Soundtrack for the pre-summer Season. Enjoy!

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Do Not Pass Me By Volume II Black Vinyl Edition

LP | 2019 | US | Original (Numero Group)

At The Half Note Cafe Volume 1

Release: 2019 / US – Original

Genre: Organic Grooves

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The sequel to Pastor Barrett’s landmark 1971 masterpiece Like A Ship…, Do Not Pass Me By finds the young Chicago preacher and his Youth for Christ Choir continuing their genre-bending spiritual journey. Heavy drums, soaring falsettos, euphoric tambourines, sharp horns, and Barrett’s unwavering devotion dance around a 40-piece choir, working together to form sanctified slab of gospel funk. Pressed in a minuscule quantity in 1973, Do Not Pass Me By was sold primarily from the pulpit of Barrett’s Mt. Zion Baptist Church, disappearing into Chicago’s south side for 45 years before Numero’s excavation. The ten-song album has been remastered, it’s generic album cover updated to match Barrett’s vision. On the back of the jacket, he insisted on the following words: “After listening to this album you will be glad that you did not pass it by!”

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Donald Byrd

LP | 1961 | US | Reissue (Blue Note)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Legacy! Legacy! Pink Vinyl Edition

Jamila Woods

2LP | 2019 | US | Original (Jagjaguwar)

Release: 2019 / US – Original

Genre: Organic Grooves

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Legacy! Legacy! Black Vinyl Edition

Jamila Woods

2LP | 2019 | US | Original (Jagjaguwar)

Release: 2019 / US – Original

Genre: Organic Grooves

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LP | 2018 | US | Original (Cleopatra)

Musta Paraati

Black Parade

Release: 2018 / US – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Anti)

Bastards

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Anti)

Bawlers

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Anti)

Brawlers

Release: 2018 / EU – Original

Genre: Rock & Indie

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Nighthawks At The Diner Remastered Edition

2LP | 1975 | EU | Reissue (Anti)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Original (Caroline)

Carpenter Brut

Leather Teeth

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Glitter And Doom Live (Remastered)

2LP | 2009 | EU | Reissue (Anti)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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2LP | 2017 | EU | Original (Caroline)

Carpenter Brut

Live

LP | 2016 | EU | Original (AFD. O)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Carpenter Brut is a French electronic music artist whose real name is Franck Hueso. Little personal information is known about him aside from his French nationality. His anonymity is a deliberate artistic choice in order to place more importance on the music itself rather than the identity of the musician behind it. To date he has released three EPs, which were collected together and released together under the title "Trilogy" in 2015. He has also contributed original music to a variety of soundtracks. He started writing music as Carpenter Brut with the intention of mixing sounds from horror films, metal, rock, and electronic music. He has toured the United States and Europe, and in 2016 he toured the US with the Swedish heavy metal band Ghost. He performs live with a guitarist and drummer.

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Yesterday's Breed

LP | 1970 | EU | Reissue (Parlophone)

Release: 2016 / EU – Original

Genre: Rock & Indie

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The faces behind Yesterday's Breed are two 'older' guys who should know better than jumping around, sounding like frustrated teenagers with urgent needs, but they can't help it. They really like the stuff from America's '60s garage-scene, which is showcased by these haircurling ballads, floating popsike outings, poundering fuzz-rocking dancetunes, folky jingle-jangle guitar tunes, smooth vocals and swirling organ parts.

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Syd Barrett

Barrett

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 2012 | US | Original (Birth)

Jessica Pratt

Adam Port, Stryv feat. Malachiii

Release: 2012 / US – Original

Genre: Rock & Indie

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Received a 7.5 rating from Pitchfork.

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Move

12" | 2024 | EU | Original (Keinemusik)

2LP | 2018 | DE | Original (Glitterhouse)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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With just a handful of teasing plays, the ID requests for this tune here have been snowballing out of control. And rightly so. The track is a coproduction of Keinemusik's own Adam Port and California based producer Stryv. Both met in Kreuzberg, exchanged some ideas and came up with „Move" - the undeniably most sensual and well… moving club anthem of the season.

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Birth Of Joy

Hyper Focus

Leather Boyz With Electric Toyz

Release: 2018 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed.

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Pretty Boy Floyd

LP | 1989 | EU | Reissue (Music On Vinyl)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | US | Original (Deathwish)

Loma Prieta

Last

Here In The Pitch Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White/Black Cornetto

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Jessica Pratt

LP | 2024 | EU | Original (City Slang)

LP | 2023 | CA | Original (Golden Lane Rec.)

Release: 2024 / EU – Original

Genre: Rock & Indie

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On her fourth album, west coast artist Jessica Pratt expands the scope of her artistry, placing her sharpest songs to date within an ever-broadening pool of influences including spectral '60s pop, Hollywood psychedelia and bossa nova. Whereas Pratt's 2019 record, Quiet Signs, floated elegantly in the ether, Here in the Pitch is entrenched in more earthen characteristics, as the title suggests, and her craft is emboldened with a newfound gravitas.

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Perez Prado

Greatest Mambos

Release: 2023 / CA – Original

Genre: Organic Grooves

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Samuel Prody Black Vinyl Edition

Samuel Prody

LP | 1971 | EU | Reissue (Guerssen)

Jakob Dinesen Quartet Feat. Jeff Watts

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Heavy-rock classic from 1971 now officially reissued for the first time. Samuel Prody was a British psychedelic hard-rock band which evolved from another group called Giant (originally with Viv Prince of the Pretty Things on drums!). Led by bass player / vocalist Tony Savva and featuring top guitar player Derek Smallcombe (Jason Crest), they recorded their sole album in England but for some weird reason it was only released in Germany back at the time, making it a true rarity of the heavy prog era. Wild vocals, pounding drums, distorted guitars, psych effects…culminating in the eight-minutes long “Hallucination”. Bootlegged many times, we present the first-ever band sanctioned reissue with their amazing history told for the first time.

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Unconditional Love

LP | 2023 | Original (Stunt)

Release: 2023 / Original

Genre: Organic Grooves

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The Pendulum Swing Transparent Green Vinyl Edition

Katherine Priddy

LP | 2024 | UK | Original (Cooking Vinyl)

V Fire Splatter Vinyl Edition

Release: 2024 / UK – Original

Genre: Pop

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British singer-songwriter Katherine Priddy releases her much-anticipated sophomore album "The Pendulum Swing" via Cooking Vinyl. This follows her highly acclaimed 2021 debut The Eternal Rocks Beneath, which announced Priddy as a singular new talent on the contemporary roots music scene. Once again recorded in Birmingham by producer Simon J Weaver, guest musicians comprise John Smith (lead guitar), Harry Fausing Smith (strings), Marcus Hamblett (brass/double bass), George Boomsma (guitar, backing vocals, co-writer on track "Ready To Go"), Polly Virr (cello) and even a brief appearance from Priddy"s family members right at the end of the album, in keeping with its themes. With The Pendulum Swing, Priddy has managed to keep moving forward whilst acknowledging and honouring all that has gone before.For fans of Nick Drake and John Martyn.

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Saint Vitus

LP | 2021 | EU | Original (High Roller)

LP | 2020 | UK | Original (Counter)

Release: 2021 / EU – Original

Genre: Rock & Indie

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High Roller Records, 2nd pressing, fire splatter vinyl, ltd 350, 425gsm heavy cardboard cover, insert printed on uncoated paper, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

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Retirement Party

Runaway Dog

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Six Shooter)

Deep Dark Woods

Yarrow

Release: 2017 / EU – Original

Genre: Rock & Indie

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Tk & The Holy Know-Nothings

Incredible Heat Machine

LP | 2021 | EU | Original (Mama Bird)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (April)

Rasmus Oppenhagen Krogh

Until Then

Acts Of Light Transculent Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Following the success and widespread critical acclaim of his 2020 releaseWhereabouts "", Danish guitarist/composer Rasmus Oppenhagen Krogh proudly presents his third record, Until Then The first singleHow U Look "", released on May 12th, has already garnered media attention and was placed on Danish Radio DR P8 Jazz s A rotation list. Grounded in the contemporary nordic noir sound, Until Then is dark, spacious, and meditative. Created in close collaboration with Danish producer, drummer and sound designer Rasmus Juncker, the album s 12 tracks are a sonic exploration of the coming together of jazz musicianship and contemporary pop/rock production techniques. Compositionally, Krogh works in the intersection between strict rhythmic progressions and open rubato passages, as well as the meeting between the through through-composed and the improvised. Led by his lush Frisell/Bro Bro-esque guitar sounds, the ensemble navigates through a wealth of cavernous soundscapes and rich harmonic planes. As on Krogh"s previous releases, he once again finds himself surrounded by some of the finest musicians that Denmark has to offer; Anders AC " Christensen on bass (Paul Motian, Jakob Bro), Simon Toldam on keys (Simon Toldam Trio, Efterklang), Jakob Hoyer on drums (The Raveonetes, Jakob Bro), Lars Greve on reeds (Bon Iver, Girls in Airports) and Victor Dybbroe on percussion (Girls in Airports). In addition to his own work on his personal projects, Krogh is in high demand as a guitar player and works with a great diversity of names including top singer singer-songwriter Guldimund, pop sensation Takykardia and has played with Kentaur as well as Danish master saxophonist and improviser Jesper Zeuthen.

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Hilary Woods

LP | 2023 | CZ | Original (Sacred Bones)

LP | 2023 | EU | Original

Release: 2023 / CZ – Original

Genre: Rock & Indie

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"Acts of Light" ist eine Fuge, die aus neun langsamen, hypnotischen Klageliedern besteht. Auf ihrem dritten Album lehnen sich Woods' Experimentalismus und Klangforschungen an die Intimität und Zärtlichkeit dieser intuitiven Komposition an. Nach ihren Erkundungen von Gefühlen und Körperlichkeit durch Klang, die in ihrer 2021 erschienenen EP "Feral Hymns" gipfelten, ist "Acts of Light" ein beunruhigendes, persönliches Angebot an Wildnis, Verlust, Abwesenheit, Mysterien und höchste Liebe. Verletzlichkeit, Erhabenheit und Offenheit, hervorgerufen durch Drone, Noise, Synthesizer, Kontrabass, Field Recordings und sakralen Chorgesang, bilden das private Ritual. "Acts of Light" ist ein klangvolles, reichhaltiges und gewichtiges Lamento, das sowohl unterirdisch als auch abgründig ist, während gleichzeitig seine detaillierten Ranken verborgene Formen erwecken, die bei jedem Hören aus dem Schatten hervortreten. Texturaler Staub und gesprenkeltes Licht bewegen sich hier langsam und ausladend durch einen klanglichen und sensorischen Übergangsritus, bei dem Woods' bewegende Kompositionen uns das Gefühl vermitteln, mit dem ganzen Körper empfangen zu werden. Geschrieben, aufgenommen, gemischt und produziert über einen Zeitraum von zwei Jahren zwischen der Westküste Irlands und Dublin, nahm Woods die Chorsänger des Palestrina-Chores in der Pro Cathedral Dublin auf, zusammen mit den Stimmen des Galway City Chamber Choir. Die Streicher wurden von Jo Berger Myhre in Oslo aufgenommen, während die Feldaufnahmen nomadisch auf ihren Reisen durch den Nordwesten Spaniens entstanden.

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Elliott Brood

Town

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Below System)

Pawz One & Preed One

Murals & Mayhem

In Blood Red Vinyl Edition

Release: 2023 / US – Original

Genre: Hip Hop

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With the elements in Hip-Hop divided, Pawz One & Preed One return to their grafitti roots with the new collaboration album “Murals & Mayhem”. Pawz approaches each song as verbal graff piece that covers Preed One’s soulful and gritty background production. The duo bring the color out of topics such as tainted love, friendships, the culture of Hip-Hop and surviving the mayhem of the Los Angeles streets. Adding more to the mural are guests like Guilty Simpson, Copywrite and Ruste Juxx. Blended together each song creates a larger piece that covers the mind walls from top to bottom.

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Hey Colossus

LP | 2023 | EU | Original (Wrong Speed)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Peace On Venus (10th Anniversary Edition) Splatter Vinyl Edition

Bardo Pond

LP | 2013 | UK | Reissue (Fire)

LP | 2023 | EU | Original (Tomatenplatten)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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10th anniversary clear, black and white splatter vinyl reissue of 'Peace on Venus' by Bardo Pond, Philadelphia's foremost purveyors of psychedelic rock. Includes ‘Kali Yuga Blues’, a true behemoth of a song and a shining example of the band’s ecstatic intensity.

Delving deep in to their subconscious to bring it to the conscious, the band’s 2013 effort dazzles, with their gift for heavy riffs laced with soaring vocals and swathes of sound. Bardo Pond has the outward specifications of a rock band but the rivers that converge into the band's oneiric flow have their headwaters in the outlands of ecstatic jazz, free noise and the avant-garde.

The recording process of ‘Peace On Venus’ used the principle of the Quintessence, which is a principle cited by the 16th Century physician Paracelsus, who noted: "Nothing of true value is located in the body of a substance, but in the virtue thereof, and this is the principle of the Quintessence, which reduces, say 20 lbs. of a given substance into a single Ounce, and that ounce far exceeds the 20 lbs. in potency. Hence the less there is of body, the more in proportion is the virtue thereof."

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Yum Yum Club

Full Hd

LP | 1968 | US | Reissue (Superior Viaduct)

Release: 2023 / EU – Original

Genre: Rock & Indie

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YUM YUM CLUB is a band, a loose collective perhaps, that much I know for sure. There's Julian Knoth, the go-getter from Zuffenhausen, interwoven into the local music scene(s) for years. Then Philipp, Julian's younger brother, who already sat behind the kit with Die Nerven and Karies, but whom I've never heard drummin...

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Byard Lancaster

It's Not Up To Us

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Byard Lancaster was a composer/multi-instrumentalist born in Philadelphia in 1942. He started playing alto saxophone at an early age and later took up flute and bass clarinet. While attending Berklee College of Music, Lancaster and pianist Dave Burrell organized late-night jam sessions with fellow students and touring musicians. In 1965, he moved to New York and quickly became part of the city's burgeoning scene – playing with jazz luminaries such as Archie Shepp, Sunny Murray, Bill Dixon and Marzette Watts. It's Not Up To Us, Lancaster's 1968 debut as a leader, was originally released on Vortex, a subsidiary of Atlantic responsible for first albums by Chick Corea, Keith Jarrett and Sonny Sharrock. Featuring guitarist Sharrock (another Berklee alum), It's Not Up To Us is true fire music – fusing elements of free jazz, soul/R&B and traditional folk song. On the opening title track, Lancaster's luminous flute draws the listener in, while bassist Jerome Hunter grounds the tune with a simple descending theme over Keno Speller and Eric Gravatt's syncopated rhythms. "John's Children," a reference to the group's status as post-Coltrane players, showcases the modal strumming of Sharrock's steady drones as Lancaster cries into the void. After repeated listens, Lancaster's original compositions become visceral aural memories ingrained in the ear, while the standards ("Misty" and "Over The Rainbow") sound the most avant-garde pieces on the album. This first-time vinyl reissue is recommended for fans of Albert Ayler, Don Cherry and Pharoah Sanders.

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The People's Key: A Companion Opaque Gold Vinyl Edition

LP | 2023 | EU | Original (Dead Oceans)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Noise Floor: A Companion Opaque Gold Viny Edition

LP | 2023 | EU | Original (Dead Oceans)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Cassadaga: A Companion Opaque Gold Vinyl Edition

LP | 2023 | EU | Original (Dead Oceans)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | Original (Warner Nashville)

Brett Eldredge

Songs About You

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Mama Bird)

Taylor Kingman

Hollow Sound

26,59 €* 27,99 € -5%

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Mundo Melhor)

Junio Barreto

26,59 €* 27,99 € -5%

Release: 2019 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Grilchy Party Present$- Matthew Fohdh Prod. Butter And Salmon

Matthew Fohdh

LP | 2023 | US | Original (Grilchy Party)

26,09 €* 28,99 € -10%

LP | 2023 | EU | Original (The Sign)

Release: 2023 / US – Original

Genre: Hip Hop

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This is the text that will be used to solicit your product, and will appear word for word on most online store listings. Please limit to 2 or 3 paragraphs maximum (about 300 words total). We reserve the right to adjust the length of the submitted text in order to conform to the indicated length requirement. Fohdh Matthew's debut album, "Fohdh," takes listeners on a raw and introspective journey through the decaying streets of a city in turmoil. With tracks like "Dr. Umar" and "Sodom And Gomorrah," Matthew delves deep into his personal struggles as he grapples with the haunting question of whether he is a product of his environment or if he has reached the point of no return mentally. The album's nostalgic vibe and evocative storytelling transport you to the heart of Philadelphia, allowing you to vividly experience the gritty reality that Matthew confronts. Formerly known as Matt Ford, Matthew finds renewal and rebirth in "Fohdh." His poignant lyrics and captivating delivery capture the essence of an underground rap artist trying to navigate the complexities of a deteriorating urban landscape. With each track, he skillfully balances introspection and social commentary, painting a vivid picture of a city caught in the grip of decay. The album's powerful storytelling and authentic portrayal of life's hardships make it a compelling and thought-provoking piece of art that resonates with anyone who has faced adversity and wrestled with the choices presented by their surroundings. Production duo Butter and Salmon handles the boards crafting an intricate and lush landscape for the duration. This project is presented by Grilchy Party, an imprint known for consistently presenting fresh, new and innovative artists to the Hip Hop space.

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Hot Breath

Release: 2023 / EU – Original

Genre: Rock & Indie

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Iran Iraq Ikea Pink Vinyl Edition

Les Big Byrd

LP | 2018 | EU | Reissue (PNKSLM)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | US | Original (Paxico)

Budamunk & Fitz Ambrose

Budabrose 3

LP | 2023 | EU | Original (Cryogene Prod)

Release: 2023 / US – Original

Genre: Hip Hop

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-Additional instrumentation by Devin Morrison, Jamma-Dee, Silent Jay, DJ Scratch Nice, and K-Flash.
-Featuring guest appearances by Chris Rivers and Gibby.
-Photography by Repeat Pattern.

The 3rd album by BudaBrose (BudaMunk and Fitz Ambrose) is a collaboration of beatmakers who draw attention worldwide. It includes a dream cast of additional instrumentation including Devin Morrison, Jamma-Dee, Silent Jay, DJ Scratch Nice, and K-Flash. The album also features guest appearances by Chris Rivers and Gibby. BudaMunk’s releases feature many prominent artists and are heralded as culminations in the Japanese Hip Hop scene. In parallel with many domestic activities, BudaMunk also undertakes many projects overseas. Fitz Ambrose, the Canadian / Cape Bretton Island born, now Tokyo based beat maker draws from 80’s & 90’s sounds while maintaining the sensation that injected the same magic the originals did. 5lack, who is featured on the album, continues to gather more attention by offering songs to Japan’s greatest upcomers. Their work commands attention as an entity that connects underground and hip-hop scenes in Japan and abroad via the artist's shared love of 90’s culture. As a hip-hop charm, as 80’s mellow mood, glittery and spectacular, vibrant and smoky beat magic as warm and exciting hip-hop studded in a film. “The combination of Buda and Fitz is nothing but my favorite thing.” –5lack “These are the types of beats that remind me that life can be butter without things having to get so complicated.” –Mndsgn “It’s urban, it’s dirty. This unique sound is becoming a habit and it’s repeating endlessly. The combination of these two is dangerous! Please listen carefully.” –Mabanua (Origami Productions)

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Roseland

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