Search "dillon+tip+tapping" 8440 Items

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Der frühreife und begnadete Schlagzeuger und Komponist Tony Williams war bereits Mitglied des Miles Davis Quintet und wirkte an zahlreichen bahnbrechenden Blue-Note-Aufnahmen mit, darunter Herbie Hancock "Empyrean Isles", Eric Dolphy "Out To Lunch", Andrew Hill "Point Of Departure", Jackie McLean "One Step Beyond" und Grachan Moncur III "Evolution", als er im August 1964 sein eigenes abenteuerliches Debütalbum "Life Time" aufnahm, als er gerade einmal 18 Jahre alt war.

Williams hatte nicht die Absicht, auf seiner Jungfernfahrt als Leader auf Nummer sicher zu gehen und machte sich daran, seinen kompromisslosen Ausdruck auf diesem Programm mit innovativen Originalkompositionen zu dokumentieren. Seite 1 präsentiert die ausgedehnte zweisätzige Suite "2 Pieces of One", bei der der Schlagzeuger von dem Tenorsaxophonisten Sam Rivers und den Bassisten Gary Peacock und Richard Davis unterstützt wird. Seite 2 beginnt mit dem fröhlichen "Tomorrow Afternoon", bei dem Williams, Rivers und Peacock mitwirken. Auf dem frei improvisierten "Memory", bei dem Herbie Hancock am Klavier und Bobby Hutcherson am Vibraphon mitwirken, spielt Williams verschiedene Perkussionsinstrumente, und das nachdenkliche Klavier-Bass-Duett "Barb's Song to the Wizard", das von Hancock und Ron Carter gespielt wird und das Album abschließt, ist ganz auf ihn zugeschnitten.

Diese Stereo Tone Poet Vinyl Edition wurde von Joe Harley produziert, von Kevin Gray (Cohearent Audio) von den originalen analogen Masterbändern gemastert, bei Record Technology Inc. (RTI) auf 180g Vinyl gepresst und in einer luxuriösen Gatefold-Tip-on-Hülle verpackt.

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Der goldene Presslufthammer T-Shirt

20,99 €* 29,99 € -30%

Available Sizes: S, M, L, XL, 2XL

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The Antilopen Gang Der goldene Presslufthammer Tee is equipped with the following features:
• rib crew neck with interior tape
• Der goldene Presslufthammer artwork printed on front
• regular fit
• Organic unisex T-Shirt with reduced CO₂ emissions, material composition: 100% organic cotton (GOTS), jersey 155g/m²
• Oeko-Tex® 100 approved

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Dick & Blockig T-Shirt

18,19 €* 27,99 € -35%

Available Sizes: S, M, L, XL

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The Antilopen Gang Dick & Blockig Tee is equipped with the following features:
• rib crew neck with interior tape
• Dick & Blockig artwork printed on front
• regular fit
• Organic unisex T-Shirt with reduced CO₂ emissions, material composition: 100% organic cotton (GOTS), jersey 155g/m²

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Linienantilope T-Shirt

Available Sizes: S, M, XL, 2XL

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The Antilopen Gang Linienantilope Tee is equipped with the following features:
• rib crew neck with interior tape
• Linienantilope artwork printed on front
• regular fit
• Organic unisex T-Shirt with reduced CO₂ emissions, material composition: 100% organic cotton (GOTS), jersey 155g/m²

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Logo T-Shirt

Available Sizes: S, M, L, XL, 2XL

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The Antilopen Gang Logo Tee is equipped with the following features:
• rib crew neck with interior tape
• Antilopen Gang Logo printed on front
• regular fit
• Organic unisex T-Shirt with reduced CO₂ emissions, material composition: 100% organic cotton (GOTS), jersey 155g/m²

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Lopigang Sweater

44,99 €*

Available Sizes: S, M, L, 2XL

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The Antilopen Gang Lopigang Sweater is equipped with the following features:
• rib crew neck with interior tape
• Lopigang artwork printed on front
• stretch rib cuffs and bottom band
• relaxed fit
• 80% cotton, 20% polyester brush-back fleece

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Regenbogenantilope T-Shirt

LP | 2022 | EU | Original (Alga Marghen)

Available Sizes: S, M, L, XL, 2XL

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The Antilopen Gang Regenbogenantilope T-Shirt's features include:
• rib crew neck with interior tape
• Regenbogenantilope artwork printed on front
• regular fit
• Organic unisex T-Shirt with reduced CO₂ emissions, material composition: 100% organic cotton (GOTS), jersey 155g/m²
• Oeko-Tex® 100 approved

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Anton Bruhin

Rotomotor / Inout

12" | 2024 | EU | Original (Stroom)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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"in the mid-1970s anton bruhin was surely at the peak of his tape manipulation works. always using poor techniques and equipment he sculpted everyday-life sonic objects turning them into very accomplished and yet totally experimental music artifacts. the works presented here surely are among the most accomplished results of his expanded creativity. "inout", a masterpiece for tuning whistle, mouthharps, flutes, toy and party gag instruments, percussion, bells, electric razor, model ship engine with propeller, birdcall whistles, ch-phon, feedback speaker-microphone, siren, double shawm, falling down spoon, jew's harp (only two short notes), tearing scotch tape from the spool, ocarina, hair dryer and other noise makers plus occasionally radio tuner was recorded in zurich between may 17th and may 22nd, 1981, on a sanyo m7300l stereo radio cassette recorder with both integrated and external microphone. the recorder is in the recording standby position, both record and pause buttons are pushed. then bruhin sings or plays a tone into the microphone. during this tone he releases the pause button by pushing it. subsequently he presses the pause button again within a fraction of a second. now the first short note is recorded. in "inout" thousands of very short notes were added this way, like a patchwork, like an acoustic quilt with geometric irregularities and varied patterns. "rotomotor", subtitled "ein motorische idiotikon", is a 28 minutes long reading representing one of bruhin's major works. written in zurich between 1976 and 1977, then recorded in august 1978 at etienne conod's sunrise studio. "rotomotor" is a poetic idiotikon of the swiss-german dialect where, instead of the straight alphabetical order, the words are organized according to the similarities of their letters (each word differ from the previous one by just one letter). for this reading a delay equipment which repeated the signal after 0.6 seconds was used and each word is superimposed to the echo of the preceding one. on one hand this echo generates the rhythm of the performance, on the other it supports the acoustic metamorphosis of the words. as always in anton buhin poetics, a very simple concept perfectly accomplished. anton bruhin in the 1960s began organizing happenings and performances, creating sound works, designing and typesetting his own books (which he self-published with hannes r. bossert through april-verlag), drawing and writing poetry. anton bruhin was a member of the first class to study at the f+f school with serge stauffer, famous art teacher and specialist in marcel duchamp, where he came into contact with concrete poetry, fluxus and experimental music."

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Anton Friisgaard

Teratai Akande

28,49 €* 29,99 € -5%

LP | 2023 | EU | Original (Wake Dream)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Teratai Åkande' explores electronic techniques transforming sounds, melodies, and rhythms from balinese gamelan. It's an interaction and synthesis of acoustic and electronic expressions, exploring an imagined territory between two otherwise separate cultural worlds.

On 'Teratai Åkande' the Copenhagen-based producer and electronic musician Anton Friisgaard travels new paths, as he explores gamelan music from his own artistic perspective in close collaboration with Balinese musicians, afliated with Ubud’s acclaimed Gamelan scene. After experiencing a concert with the Gamelan ensemble 'Gamelan Salukat' at Roskilde Festival in 2018, Friisgaard became inspired to contact Dewa Alit from the ensemble. With the aim of bringing forth a unique expression through the meeting of two distinct musical traditions, Friisgaard traveled to Ubud, Bali to record, compose and improvise in close collaboration with artists from the esteemed Gamelan scene in Ubud. The result is 'Teratai Åkande', which features Pande Made Gangga Sentana, I Nyoman Suwida, Dewa Badukz, Suryana Putra and Pande Made Gangga of Gamelan Salukat.

Anton Friisgaard (fka Hviledag) is an electronic producer and musician based in Copenhagen. Known primarily for his experimental work with tape loops and ambient soundscapes, he’s become an established figure both in the Danish music scene as well as internationally.

Composed, edited and processed in Copenhagen, Denmark from 2018 - 2024. Here, the recordings and compositions changed shape multiple times over the years, until finally reaching their current state.`

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Anton Pieete

Brains

12" | 2016 | DE | Original (Smashing Tape)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A gentle gorgeous journey of an LP on Wake Dream (ran by Orpheu The Wizard). TIP!

Brains is the first full length by Anton Pieete in 5 years, and the first release under his given name since 2016.

Born into a family of sound designers and making his own initial steps into a life of music in the late nineties in trash and hardcore metal bands and via an inherited drumcomputer into techno and minimal in the early 2000’s, Anton switched to the Darling moniker in 2016 with a series of kaleidoscopic retro-futurist releases on Voyage Direct and Safe Trip.

With Brains, Anton Pieete comes full circle and takes the next step, putting a lifetime of musicality, recording experience into a highly musical album, having given himself room for exploration, not being fixed on an end goa. The 11 songs on Brains are filled with emotion, some sweet and hopeful, some gloomy and restless.

Cover illustration by Jorge Velez

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Antonio

Breeze EP

7,49 €* 9,99 € -25%

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 2024 | EU | Original (Key Vinyl)

Antonio De Angelis

Knocking

Little Green House Peach Swirl Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Antonio De Angelis returns to KEY with 'Knocking'; a classy, elegant and powerful 4 tracker which showcases the unmistakable expertise of the producer in matters of sound design. All of this material is imbued with utmost austerity, tapping into a vein of primal, purist techno. A1 'Emergency' is charming and magnificently vacouos. The minimalistic composition and subtle variation enhances its skeletal structure, where each element is positioned to perfectly match the other. Dim drones meet with a heavy bass epitomizing the hypnotic power of minimalism through repetition. Going further, 'Red Snow' dives deeper into textural lusciousness with scattered bleeps and sci-fi atmospheres. This one is real good. On the B side energy intensifies with 'Kerogen', a dark, big room pumper filled with layers and asurpsiging final progression into a dreamy, dubbed string sequence. And finally, the gorgeous 'Total Recall' concludes ourride with an even dreamier color. While the low ends suck you ina locked grove, the pads absorb your mind into a luminescent realm of abstraction. Eyes closed, smiling, getting lost into imagination. TIP! All pieces within the EP have a clear clarity of means in common where nothing is overdosed: airiness and concentration on the effect of the sounds used is the focus from start to finish. Balanced, restrained, somber. Yes, KEY is back to serving top-notch techno elegance.

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Anxious

LP | 2023 | EU | Original (Run For Cover)

Little Green House White In Pink Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Since the inception of Anxious in 2016, the band has always acted with purpose. This may seem like a simple premise, but for five kids still in high school at the time, it's quite an accomplishment. Early songs were packaged in limited run demo tapes with accompanying zines and hand-dyed t-shirts. Weekends were filled with regional runs of shows outside of their Fairfield, Connecticut homebase. With this amount of effort it's no wonder that within a few years of graduation, Anxious has built a solid foundation for their debut album to flourish upon.On Little Green House, Anxious explores what it feels like to enter adulthood in unflinching detail. The Connecticut band unpacks struggles, joys, and hard-earned realizations in a way that makes them feel wise beyond their years. Anthemic songs like lead single "In April" and guaranteed sing-along "Growing Up Song" thread the often difficult melodic-hardcore needle in a way that feels both nostalgic for the emo renaissance of yesteryear and precisely built for the current moment of genre defiant pioneering.

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Anxious

LP | 2022 | US | Reissue (Run For Cover)

27,99 €*

12" | 2016 | UK | Original (Warp)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Aphex Twin

Cheetah EP

31,99 €*

Release: 2016 / UK – Original

Genre: Electronic & Dance

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CD | 2016 | UK | Original (Warp)

Aphex Twin

Cheetah EP

16,99 €*

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Selected Ambient Works 85-92

Aphex Twin

2LP | 2008 | UK | Reissue (Apollo / R&S)

10" | 2016 | EU | Original (Animist)

Release: 2008 / UK – Reissue

Genre: Electronic & Dance

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Originally released via the R&S Ambient sub-label Apollo in '92 and repressed more times than anyone could even begin to keep a count of, Aphex Twin's Selected Ambient Works 85-92 is not only one of the most important releases in both the Aphex catalogue but also electronic music as an entire entity. A richly woven tapestry of blissful sounds that offer the listener new surprises, twists and turns no matter how many times they venture through its cosmos. The techno equivalent of mainlining serotonin, Selected Ambient Works 85-92 should be prescribed on a daily dose twice a day for any and everyone reading this...

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Apichat Pakwan

Angkanang

LP | 1976 | EU | Reissue (Out-Sider Music)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Apichat Pakwan is a music collective put together by Olivier Schreuder, an Amsterdam-based musician, DJ & producer.

Together they produce “Isantronics” - a hybrid approach to blending Molam (folkmusic of the ethnic Lao, of whom the largest population is living in Isan, another name for Northeast-Thailand), electronic music, Dub & Hip Hop.

Apichat Pakwan consists of Olivier Schreuder (electronics, production, percussion), Pongsapon Upani (Kaen), Artit Krajangsree (Phin, bass), Robin Koek (drums), Angkanang Pimwankum (percussion) and is based in Amsterdam (the Netherlands) and Khon Kaen (Thailand). TIP!!!

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Apocalypse

The Castle

Wesley's Convertible Tape For The South

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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70s Chicago-area based band Apocalypse used their double-neck guitars to create chamber prog suites about faraway castles.

Their lost 1976 LP (used as a demo), with male/female harmonies, violin, mellotron and fuzzed-out guitars/keys has been unearthed by Steve "Plastic Crimewave" Krakow. With their lenghty and tuneful musical odysseys, Apocalypse conjures the golden mid-70s progressive period of Renaissance, Soft Machine, ELP, Gentle Giant and Genesis.

Travel back in time with the Salvatori family. Way back to 1976, when he was in high school, Tom Salvatori teamed up with older brother Michael Salvatori, Michael’s wife Gail Salvatori and Tom’s classmate Scott Magnesen.

As Apocalypse they recorded an album of pure progressive rock magic called The Castle. Although the 5-song, 38-minute demo was an amazing showcase for their collective progressive rock leanings, The Castle remained an unreleased artifact until 2021 when the reel-to-reel master tape of the presumably long-lost relic was rediscovered by Michael in a dusty old basement storage bin. Music fans can be thankful that Michael’s rediscovery of the Apocalypse master tape has now led to a vinyl-only reissue of The Castle.

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April Magazine

LP | 2024 | US | Original (Digital Regress)

12" | 2024 | UK | Original (Vinyl Fanatiks)

Release: 2024 / US – Original

Genre: Rock & Indie

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"The wash of flangers & shimmery reverb have been the foundation in Cali psych ever since the Byrds went electric. And while that sound might've dropped off occasionally, it never dropped out. The Velvets minimalist stylings were infused into the mix by The Dream Syndicate in the early 80's & thus a game changer was born. Clay Allison, Opal, Green On Red all took their charge from that current. Then the Shoegaze scene of the 90's looked at those bands as vectors, things got a little more drenched, so yet more seeds were sown into the fertile terroir. Cut to current climes & the bay area is teeming with the latest iterations: Children Maybe Later, Now, & Cindy easily come to mind. But curiously the band most steeped in the mohair constitution is April Magazine, who (thus far) have been content in the shadows. Up till now they've seemed like characters plucked out of a Kazuo Ishiguo novel-mysterious & ethereal-but perhaps this pressing of last year's cassette only release will flush them out. 'Wesley's Convertible Tape For The South' shows the band defly balancing all those that have come before them while also incorporating flourishes of Les Rallizes DeNudes, Hallelujahs & Nagisa Ni Te into the pageantry . So in a way, April Magazine is transforming the landscape yet again; denser, fuzzier, lush & wistfully challenging. 'Wesley's Convertible Tape For The South' is the band's 1st vinyl release stateside (an LP of older tracks was released last year via a UK only label) so no import tariffs! What were once whispers are now proclamations. Just because you don't know them doesn't mean you can't love them. So grab a copy & hug it out amongst yourselves." -- Tom Lax (Siltbreeze Records)

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Aquasky

Don't Go / K-Rox

16,99 €*

Ara Tokatlian & Enrique Villegas

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Aquasky are a trio that formed in Bournemouth in 1995, inspired by the likes of LTJ Bukem, DJ Krust and Roni Size. They were signed to Moving Shadow for a three-single deal by the strength of the first two tracks that they made together. But the label had a heavy release schedule back then, so it took 2 years for the 3 releases to come out. During that time though they wrote more music for R&S and Reinforced as well as untold remixes. These two tracks were written whilst signed to Moving Shadow but were not released at the time as drum and bass was progressing in style and tempo. So, they were put to DAT and forgotten about until 2015 when the band put out a 20 year compilation, finding the tracks on one of their many DAT tapes.

The music will take you right back to the mid-90’s when the music was deep and rolling and there were no hard and fat rules on how to make drum & bass.

This release has a close connection to Vinyl Fanatiks as the label is run by Brent from Aquasky.

Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Mars and part of a 4 vinyl Cosmik series.

Keep em rollin’

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Inspiracion

LP | 1978 | EU | Reissue (Altercat)

Tape | 2021 | EU | Original (Karl)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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This top-notch spiritual jazz album from Argentina will leave fans of Pharoah Sanders and John Coltrane astonished. Recorded in 1975 and still surprisingly off the radar, this is one of the deepest jazz albums from South America.

Inspiración is the meeting of two generations united by music: Ara Tokatlian and Guillermo Bordarampé, members of the influential 70s rock band Arco Iris (which Tokatlian cofounded with the now Oscar award-winning composer Gustavo Santaolalla), join forces with Enrique "Mono" Villegas, an admired jazz pianist who had been active since the 1930s.

Meditative, soothing and serene, Inspiración is music your soul yearns for.

Official reissue with sound off the master tapes, including a reproduction of the original 16-page booklet. With the blessing and support from Ara Tokatlian and Guillermo Bordarampe.

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Arash Akbari

Fragments Of Yearning

11,99 €*

LP | 2020 | EU | Original (Type)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Limited edition tape (100), handnumbered.
A download code is included.

After PORYA HATAMI and SABA ALIZADEH, we are excited to welcome the 3rd Iranian musician on KARL: the sound and new media artist ARASH AKBARI. ARASH AKBARI is a musician, sound, and new-media artist, based in Tehran, Iran. His interest in dynamic art systems, human perception, nonlinear narrative, and the co-existence between physical and digital worlds compelled him to explore the fields of generative systems, interaction design, and real-time processing. He explores the relationship between human, technology, space, and the environment, and examines the ways interactive cybernetic systems, natural emergent
behaviors, and phenomena can evoke meanings as well as social and emotional responses. Akbari directs his experimental practices into audio-visual performances and installations, interactive applications, and multisensory experiences. His compositions investigate experimental approaches to sound generation, field recordings,
acoustic instrumentation, digital synthesis, DSP, and noise to create immersive sonic environments that explore the agency of autonomous systems, indeterminacy, memory, and the perception of time and space. His works have been exhibited in different festivals and exhibitions around the world, such as Athens Digital Arts Festival, Simultan Festival, New Media Fest, 3D Web Fest, Cinnamon Colomboscope, and Graphical Web Conference. He has released albums on Flaming Pines,
Unknown Tone Records, Taalem, and Soft Recordings among numerous other labels. “Fragments Of Yearning”, AKBARI’s latest solo work, is a finely crafted sonic journey into ambient soundscapes, centered around the topics of yearning, memory and humanity. In his own words: “Some moments linger in us, buried in time but molded the eternity. The dusty echoes from the past, yet are vividly unraveled. The irreplaceable momentary fragments of being human.”

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Arash Moori

Exothermic

18,99 €*

LP | 2023 | EU | Original (Impulse)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Sealed copy.
Cover corners slightly dented.

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Archie Shepp

Kwanza Verve By Request

17,99 €*

CD | 1997 | EU | Reissue (Most Wanted)

Release: 2023 / EU – Original

Genre: Organic Grooves

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These 1969 recordings (released 5 years later) combine Shepp’s free jazz bonafides and a blend of blues and funk through an African lens, all in a big band setting. The all-star brass section, featuring James Spaulding and Charles Davis on sax along with trombonist Graham Moncur III lead the way on stand outs including “New Africa” and “Spoo Pee Doo”.

This Verve By Request LP features transfers from analog tapes and remastered on 180-gram vinyl, pressed at Third Man in Detroit.

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Architects Entertainment

The Foundation Vol. 1

21,99 €*

Release: 1997 / EU – Reissue

Genre: Hip Hop

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Architects Entertainment - The Foundation Vol. 1 was originally released in 1997 on tape in a very limited quantity.

24 years later, this classic has been remastered and released on CD!

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Architects

Vitruvian T-Shirt

Available Sizes: S, M, L, XL

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The Architects Vitruvian Tee is equipped with the following features:
• rib crew neck with interior tape
• Vitruvian artwork printed on front
• regular fit
• 100% fairtrade & organic cotton single jersey

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Fillmore West '71 T-Shirt

Available Sizes: S, M, XL, 2XL

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The Aretha Franklin Fillmore West '71 Tee is equipped with the following features:
• rib crew neck with interior tape
• Fillmore West '71 artwork printed on front
• regular fit
• 100% cotton single jersey

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Milton Graphic T-Shirt

Available Sizes: S, M, L, XL, 2XL

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The Aretha Franklin Milton Graphic Tee is equipped with the following features:
• rib crew neck with interior tape
• Milton Graphic artwork printed on front
• regular fit
• 100% cotton single jersey

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Queen Of Soul T-Shirt

30,39 €* 37,99 € -20%

Available Sizes: S

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The Aretha Franklin Queen Of Soul Tee is equipped with the following features:
• rib crew neck with interior tape
• Queen Of Soul artwork printed on front
• regular fit
• 100% cotton single jersey

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Respect T-Shirt

Available Sizes: S, M, L, 2XL

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The Aretha Franklin Respect Tee is equipped with the following features:
• rib crew neck with interior tape
• Respect artwork printed on front
• regular fit
• 100% cotton single jersey

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Respect T-Shirt

30,39 €* 37,99 € -20%

CD+Tape | 2020 | DE | Original (Walk This Way)

Available Sizes: M, L

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The Aretha Franklin Respect Tee is equipped with the following features:
• rib crew neck with interior tape
• Respect artwork printed on front
• regular fit
• 100% cotton single jersey

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Argonautiks

Trauben Über Gold

16,99 €*

Trauben Über Gold Limited CD & Slowed Down Tape Bundle

Release: 2020 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: Sealed

CD ONLY (tape is missing)

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Argonautiks

CD+Tape | 2020 | EU | Original (Walk This Way)

27,99 €*

Release: 2020 / EU – Original

Genre: Hip Hop

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Arianne Churchman & Benedict Drew

May

2LP | 2024 | US | Original (Love's Devotee)

41,99 €*

Nuits Blanches Au Studio 116

Release: 2024 / US – Original

Genre: Rock & Indie

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MAY is a double-LP collection of recordings made between 2020–2023 by Arianne Churchman & Benedict Drew (ac&bd), whose ongoing series channels, inhabits and transmogrifies the vast corpus of traditional English folksong celebrating the most fertile of months. An auditory tapestry, MAY employs at its base a flank of analog synthesizers, field recordings and Churchman’s layered vocals, each combining to form a beautifully dizzy sonic collage that often spirals out across long durations into hypnotic rhythms and jubilant melodies. Both multi-disciplinary artists with roots in the English countryside and a fascination with folklore, Ac&bd tap into the multifarious manifestations of folk music across eras throughout the British isles, pushing it towards a new, noisy din with their experimental approach. This might represent a further dimension of “British visionary music” as described by Rob Young in his pivotal Electric Eden book. Perhaps an Electronic Eden? Opening track “The Cuckoo” begins with an atmosphere reminiscent of the more pastoral moments of Broadcast before devolving into a trance-like wall of noise, binaural beats and whispered incantations. “The Green Bushes” sets Churchman’s multi-tracked vocal harmonies atop a pulsing, single-chord foundation. MAY’s varied reference points include Anne Briggs, The Copper Family, Cyril Poacher, Steeleye Span and Shirley Collins, to name just a few. Originally released digitally by Drew’s Thanet Tape Centre label, new Pennsylvania label Love’s Devotee presents the first vinyl release of Ac&bd’s MAY, with tracks reedited and reconfigured by the artists especially for this compilation. Mastered for vinyl by Giuseppe IELASI—whose credits include releases by Alvin Curran, Catherine Christer Hennix and Charlemagne Palestine—MAY brings Ac&bd’s music out of the digital realm and into a physical release truly worthy of deep reverberation throughout your abode. Limited to 350 copies.

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Ariel Kalma

LP | 2019 | EU | Original (Transversales Disques)

Ark X & Duburban / Circa96

Release: 2019 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Transversales Disques is very glad to announce the release of Nuits Blanches au Studio 116, unreleased rarities from Ariel Kalma’s personal archives recorded in the legendary GRM’s Studio 116 during the 70’s.
Born and raised in Paris, Ariel Kalma started playing the recorder and saxophone as a youth. After successive studies of Computer Science, Music and Art in Paris he performed in various concerts from middle-age music to free jazz duo. Ariel performed and recorded with several bands (J. Higelin, R. Pinhas, NYL, G. Scornic, Baden Powell…).
After learning circular breathing on soprano sax, Ariel could include those endless notes into his own long-delay-effect system, dual Revox set-up and two tape machines “chained” together to form a long delay system.
In France during the mid-1970s, Kalma was staffed as a recording assistant at legendary Groupe de Recherches Musicales (INA GRM) studios, where Ariel recorded some of his compositions in the Studio 116; the same music “concrete” laboratory that spawned masterpieces by members Luc Ferrari, Bernard Parmegiani…

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Dominion 002

12" | 2022 | UK | Original (Deep Bass Nine)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | Original (Figure)

Arkan

Lightworker Part 1

Collapsed In Sunbeams Red Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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The latest addition to the Figure roster comes in form of French producer Arkan. A musician from young age, he combines minimalist, deep-cut grooves with understated harmonies.

His first release on the label arrives as part one of his Lightworker double EP, giving the artist ample room to showcase his own vision of contemporary, „mental techno“ as he dubs it himself.

Fitting this description, opener Delirium is a deeply hypnotic tune, mastering the subtle art of sustain and release to effortlessly cycle its own energy. Vicious Night then tips towards a more percussively lead momentum yet stays true to the less-is-more approach of Arkan.
On the flip he gets to further build on his musical ideas, whether it be the melodic fragments echoing pensively in and out of the 4/4 grid over the galopping beat of Voltaris or eventually the saccharine, IDM-reminiscent ambient closer What Is Born Cannot Die.

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Arlo Parks

LP | 2021 | UK | Original (Transgressive)

Bande Sonore Originale Du Film "Le Sexe Fou" (Sesso Matto)

Release: 2021 / UK – Original

Genre: Pop

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Hotly-tipped musician and singer Arlo Parks is hotly-tipped for a reason. Collapsed In Sunbeams is a pop album with an irreverent twinge; Parks’ lyricism is poignant as she recounts the mundanities of daily life — a slightly bungled kiss, an argument on a busy street, seeing your crush with somebody else — with a certain romantic awe, delivered in an irresistible mode recalling a youthful Macy Gray, backed by indie rock instrumentation which hinges on the simple and emotive. The soaring chorus hook of ‘Caroline’ is endlessly catchy, and while the LP is loaded with hit after hit, the whole thing demands repeated listens for all the tinier details.

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Armando Trovaioli

7" | 1974 | FR | Original (Vogue)

LP | 2020 | EU | Original (Digitmovies)

Release: 1974 / FR – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: G+, Cover: G

Vinyl with many scuffs and hairlines, close to VG. Writing on labels and cover. Cover with yellowing, tape and tears

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Armando Trovajoli

OST Le Dolci Signore

33,99 €*

Arnie Love & The Loveletts

Release: 2020 / EU – Original

Genre: Soundtracks

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Armando Trovajoli composed and directed a brilliant lounge-style soundtrack based on the main theme. It is introduced in the opening credits and sung by Mal dei Primivites on track1, and is then reprised with captivating instrumental arrangements. For the four protagonists, Maestro Trovajoli composed a jazz motif with a spylike atmosphere. Armando Trovajoli performs the scat singing with an airy piece using organ and tempo and performs the main theme on the piano. For this LP we were able to use the mono tapes from the recording session.
Directed in 1967 by Luigi Zampa. Starring Ursula Andress, Claudine Auger, Virna Lisi, Marisa Mell, Mario Adorf, Franco Fabrizi, Margherita Guzzinati, Brett Halsey, Marco Guglielmi, Nello Pazzafini, Luciano Salce, Giovanni Ivan Scratuglia, Lando Buzzanca, Vittorio Caprioli, Fred Williams, Frank Wolff, Lia Zoppelli, Jean-Pierre Cassel.

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Invisible Wind

12" | 1981 | EU | Reissue (Tap)

5,99 €*

Arnie Love & The Loveletts

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: Generic

Small deeper scuff on side 1 track 2.

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Invisible Wind Record Store Day 2021 Edition

12" | 1981 | EU | Reissue (Tap)

13,99 €*

LP | 2022 | EU | Original (Boomland)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. First official reissue of this much bootlegged and sort after 12" release from Arnie Love & The Loveletts. Having disappeared into obscurity shortly after it's release in 1981, original copies now fetching over £200 in part due to regular plays in DJ sets from Four Tet, Caribou, Palms Trax & Charlie Bones.

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Arpia

Bianco Zero

2LP | 2022 | EU | Original (Boomland)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Third demo tape reissued on black vinyl, housed in gatefold sleeve with matte lamination, limited to 200 copies.

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Arpia

De Lusioni

24,19 €* 43,99 € -45%

Resurrezione E Metamorfosi

Release: 2022 / EU – Original

Genre: Rock & Indie

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One the most sought after Italian progressive metal band, Arpia were formed in Rome in 1984. First demo tape reissued on double LP on black vinyl, housed in gatefold sleeve with matte lamination, limited to 300 copies.

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Arpia

LP | 2022 | EU | Original (Boomland)

15,94 €* 28,99 € -45%

10" | 2016 | US | Original (Razor-N-Tape)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Second demo tape reissued on black vinyl, housed in gatefold sleeve with matte lamination, limited to 300 copies.

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Arsenii

Arsenii Edits

44,99 €*

Art Blakey And The Jazz Messengers With Barney Wilen

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Yellow vinyl.

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Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

LP | 1958 | EU | Reissue (Blue Note)

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

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Art Blakey

Moanin'

Art Blakey & The Jazz Messengers

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.

Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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A Night In Tunisia Blue Note Classic Vinyl Series

LP | 1960 | EU | Reissue (Blue Note)

Art Blakey & The Jazz Messengers

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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One of the great line-ups of Art Blakey & The Jazz Messengers coalesced when saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons, and bassist Jymie Merritt, as heard on the 1960 album "A Night In Tunisia". Opening with a fiery version of Dizzy Gillespie’s famous piece, the rest of the set showcased new bandmember originals.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Hard Bop Limited Edition

LP | US | Reissue (Impex)

66,99 €*

We Are On The Edge: A 50th Anniversary Celebration

Release: US – Reissue

Genre: Organic Grooves

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m the Original Analogue Mono Master Tapes by Kevin Gray and Robert Pincus!

Pressed at RTI!

Some of the greatest jazz musicians of all time have passed through Art Blakey's Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter and Donald Byrd, among many others. However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interpretive capacity. Blakey's ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.

Altoist Jackie McLean, trumpeter Bill Hardman, bassist Spanky deBrest, and pianist Sam Dockery deliver whole-bop goodness on five propulsive, fiery tracks. True to its title, this LP bops hard, with a ferocious swing, boundless energy and telepathic communication between players - especially Blakey and Hardman. Considering the rhythmic demands of Blakey's locomotive playing style, this was an incredible achievement.

Impex Records has cut this gorgeous 180-gram LP with the original analogue mono master tapes and without computer processing of any kind. You hear all the vivacious interplay that occurred on that weekend in 1957 when Blakey and crew forged a bold new vision of muscular, funky jazz. This is music that still resonates over 50 years later. Not to be missed!

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Art Ensemble Of Chicago

2LP | 2019 | EU | Original (Erased Tapes)

31,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Big Blues 45 RPM Vinyl Edition

Art Farmer / Jim Hall

2LP | 2015 | US | Original (ORG Music)

38,99 €*

No Message Blue Vinyl Edtion

Release: 2015 / US – Original

Genre: Organic Grooves

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Recorded at Electric Lady Studios in February 1978 and issued on the CTI label in 1979, "Big Blues" finds flugelhornist Art Farmer and guitarist Jim Hall pairing up for one of their first sessions together since their collaborations in the mid-60s and they literally don't miss a beat. The unique quintet project is rounded out by Mike Mainieri (vibraphone), Michael Moore (bass) and Steve Gadd (drums) and the results are as relaxed as they are lyrical.
The rich 4-track affair opens with a textured take on Benny Golson’s “Whisper Not” and then waltzes through Thad Jones' “A Child Is Born” before running down Jim Hall's own cool/bop title cut "Big Blues" and concluding with a first-rate jazz adaptation of Maurice Ravel's classical standard "Pavane For A Dead Princess."
Now this classic recording gets ORG Music’s audiophile treatment with this 180gram double LP 45 rpm reissue, mastered from the original analog tapes by Bernie Grundman Mastering and pressed at Pallas Group in Germany. Each copy of this limited edition release of 1500 copies will be individually numbered with a gold foil-stamp.

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Art P

LP | 1985 | EU | Reissue (The Outer Edge)

16,79 €* 23,99 € -30%

Jewels In The Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings Deluxe Record Store Day 2024 Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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We are proud to present the first ever vinyl release of “No Message” by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On “No Message”, originally released in 1985, we hear the band’s most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.

The two artists from Bremen, the second largest city in Northern Germany after Hamburg, initially met in early 1982 due to a small add in a local newspaper when Grotelüschen was selling his Roland 101 synthesizer. Wegener became the new owner of the machine, the two kept in touch and soon became friends. When Grotelüschen was on holiday for a while he was nice enough to borrow his TR 808 drum machine as well as his Jupiter 4 synth to Wegener. During those six weeks he composed about 6 to 7 tunes that amazed his newly found partner, so that they decided to work together. Art Programming was born and from then on the two electronic music enthusiasts combined forces and released music on various projects. On their first album, the self titled “Art Programming” (1983), they worked with instruments like the Korg Mono/Poly which they mainly used for their bass sounds, a Roland Tb-303 as well as a Fricke sequencer. Later, newer synths like the Yamaha Dx-9 came into play.

We initially discovered Art P on the tape compilation “berlincassette 2-85” a couple of years ago. Their contribution, the title track from their second and last album “No Message”, blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having “no message”. A couple of months later, when we finally were lucky to get hold of an original full length tape (which is pretty hard to come by!), we couldn’t ask for more: powerful apocalyptic Synth Wave on “A Place To Fear”, thrilling vocoder Electro Funk on “Polaroid”, uptempo New Wave Synth Pop on “Sounds of the City”, dreamy and melodic Electro on “Without Jackets”, and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.

“No Message” was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!

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Art Tatum

3LP | 2024 | US | Original (Resonance)

60,79 €* 75,99 € -20%

LP | 2018 | EU | Original (Domestica)

Release: 2024 / US – Original

Genre: Organic Grooves

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Jewels in the Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings is a previously unissued 3-lp collection of recordings from jazz icon and virtuosic pianist, Art Tatum, captured live at the Blue Note jazz club in Chicago in March of 1953 with guitarist Everett Barksdale and bassist Slam Stewart. These recordings were transferred from the original tape reels and mastered for LP and CD by engineer Matthew Lutthans (who also worked on Resonance's Grammy-nominated 2019 Nat King Cole release Hittin' the Ramp). Containing a whopping nearly 3 hours of never-before-heard Art Tatum captured in an intimate setting at the height of his powers with his longtime trio, the deluxe, limited-edition 180-gram 3-lp gatefold set (and 3-cd set) includes rare photos and memorabilia from Herman Leonard, Bob Parent and the Holzfeind family archives (owners of the Blue Note jazz club in Chicago); plus liner notes from Columbia University professor and author, Brent Hayes Edwards; as well as statements from Ahmad Jamal, Sonny Rollins, Monty Alexander, Elew, Spike Wilner, Johnny O'Neal, Michael Weiss and Terry Gibbs. Limited Edition.

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Arte Moderno

Musica Cabeza

21,99 €*

LP | 2018 | EU | Original (Helic.al)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Arte Moderno was a project running in parallel lines to the overriding trends in early 80s Spanish music. Short-lived as it was (active between 1981 and 1982) its musical output has continued to amaze the connoisseur ever since. Their only 7” single Ninette en New York (Ja Ja Records,1982) is today an item highly rated by collectors and DJs worldwide. The band hailed from the Canary Islands in late 1981, being its nucleus Javier Segura, seriously prolific musician active since the 70s, and Juan Belda, who had worked together previously. As Javier Segura himself states in his notes: “The tracks were created with a TR-808, harmonised with textures and guitar screaming, and the rich Belda keyboards plus choruses effects and noises I recorded on a separate tape.” Mandi Capote at drums and Javier Cabrera at bass guitar joined later on. Arte Moderno recorded a grand total of 8 tracks, of which only 2 were released at the time.

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Artefactos De Dolor

La Nina

30,99 €*

LP | 2023 | EU | Original (Metaphon)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Artefactos de Dolor is Alyssa Barrera's [LDY OSC, The Bunker] means of expressing the grit and glory she has discovered being a native of Mexico, and having grown up on the US-MX border. A primal, ritualistic chanting of the ancestral calling within her to find the place where she calls home— the mother matrix in 237. The connection to the harmonic structures from the machines and the invocations called upon are buried in the electrical charge of the tape. Produced by Interval's Todd Sines [Peacefrog, Planet E, Residual] and Charles Noel [21/22, Ongaku, Black Nation] their background of experimental music and love of hardware has made these three collaborate and present Artefactos de Dolor.

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Arthur Petronio

2LP | 2004 | US | Reissue (Audika)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Arthur Petronio: Born Switzerland 1897. French-Italian musician, poet and painter. Lived in Belgium and The Netherlands between 1910 and 1924 and since then in France. Young violin virtuoso studying with Belgian master violinist Eugène Ysaÿe. Played solo violin for Belgian King Leopold II, at the age of 9. Attracted to the avant-garde and visionary ideas of Gesamtkunstwerk. Develops and presents his “Verbophonie” in 1919, integrating sound poetry into regular music scores. Friend with Kandinsky, Mondrian, Cocteau and Picasso. Published several avant-garde journals and poetry books with participation of like minded artists. Wrote many scores for solo instruments, small ensembles, orchestral works, opera,… Met Henri Chopin in 1950 and extended his musical ideas with new possibilities of tape composition. His one and only LP, now reissued by Metaphon, was originally published by the Belgian Igloo label in 1979. An extravagant DIY montage of musique concrète and sound poetry. In addition to Petronio’s voice several female readers/performers contribute to this theatre of voices as guest vocalists. An album as unusual as his lifecycle.

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Arthur Russell

Calling Out Of Context

48,99 €*

LP | 2023 | UK | Original (Rough Trade)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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When Arthur Russell died in 1992 he left an overwhelming archive of over a 1000 tapes that reveal the sublime genius of one of the most important musicians of the last 25 years. As a cellist, songwriter, composer, and disco visionary Arthur Russell consistently blurred the lines of our expectations of what pop music could be. Originally from Iowa, Arthur travelled west in 1970 to study Indian classical composition with Ali Akbar Khan, befriended Allen Ginsberg, performed with Alice Coltrane, and then moved to New York in 1973 to study at the Manhattan School of Music. Quickly gravitating to the then burgeoning downtown scene, Arthur wrote and performed his minimal compositions (captured on Instrumentals and Tower Of Meaning. Both to be re-issued by Audika) and collaborated with a who’s who of some of New York’s most influential artists including Rhy’s Chatham, Ernie Brooks, David Byrne, Phillip Glass, Laurie Anderson, Jon Gibson, Robert Wilson, Christian Wolff, John Cage, Arnold Dreyblatt, and Phill Niblock.

It then changed by a mere accident. Simply, he went to a disco. Inspired by the sonic repetition and sense of community, Arthur wrote and recorded some of the most important records of the disco era including ‘Kiss Me Again’, ‘Is It All Over My Face’, and co-founded Sleeping Bag Records with partner Will Socolov releasing ‘Go Bang’ and the album 24-24 Music. In 2002 Audika Records entered into an exclusive licensing agreement with the estate of Arthur Russell to issue previously unreleased and out of print material from Arthur’s vast archive. The first album Calling Out Of Context , features 12 previously unreleased tracks recorded during Arthur’s prime years 1985-90. The material is drawn from Corn, an album that was completed in 1985 but never released, and an abandoned album recorded for Rough Trade as Arthur had become ill. Many of these tracks show hidden sides of Arthur’s talent and underline the loss of his great potential. Contrary by nature, Arthur’s spontaneous reaction and altered perception to his environment produced music that remains challenging and contemporary. Arthur’s open hearted attitude to music was far ahead of it’s time, and now that time is ours.”

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Arthur Russell

Picture Of Bunny Rabbit

27,99 €*

Picture Of Bunny Rabbit (Code Only Faster: Crossing The Line From Vocal To Instrumental And Back)

Release: 2023 / UK – Original

Genre: Pop

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Picture of Bunny Rabbit features nine previously unreleased performances from the World of Echo era, compiled from completed masters culled from two unique test pressings, including one, dated 9/15/85 by Arthur, provided by his mother and sister. A further four tracks were discovered in his tape archive. The track listing includes an exceptional and dramatic solo recording of In The Light of a Miracle and the enigmatic title instrumental Picture of Bunny Rabbit, written especially for a friends pet rabbit. The bulk of the material was recorded with engineer Eric Liljestrand at Battery Sound Studios, New York, which was located directly opposite the World Trade Center and at Arthur"s apartment studio in the East Village.

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Arthur Russell

LP | 2023 | US | Original (Audika)

30,59 €* 35,99 € -15%

CD | 2016 | UK | Original (Mr Bongo)

Release: 2023 / US – Original

Genre: Organic Grooves, Pop

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In 1986 Arthur Russell was diagnosed with HIV, that same year he released his career-defining masterpiece World of Echo, the first and only solo album issued during his lifeltime. Arthur had found his voice and a fresh direction with a set of new, transformative material, unlike anything he or anyone else had previously released. His illness ensured that the artistic growth and sense of exploration encapsulated in World of Echo would be tragically curtailed. Within six short years Arthur was gone. Arthur's final years were filled with a renewed commitment to creativity and unceasing live and recording work. He regularly performed the World of Echo material and incorporated several of its compositions in collaborations with choreographers active in New York's innovative dance community. Arthur worked closely with Diane Madden, Allison Salzinger, Stephanie Woodard, and John Bernd, usually playing his cello and effects boxes off stage as the choreographers’ pieces were performed. In 1993 Arthur posthumously received a prestigious Bessie Composer Award for his work in the dance world. Picture of Bunny Rabbit features nine previously unreleased performances from this era compiled from completed masters culled from two unique test pressings, including one, dated 9/15/85 by Arthur, provided by his mother and sister. A further four tracks were discovered in his tape archive. The track listing includes an exceptional and dramatic solo recording of “In The Light of a Miracle” and the enigmatic title instrumental “Picture of Bunny Rabbit,” written especially for a friend's pet rabbit. The bulk of the material was recorded with engineer Eric Liljestrand at Battery Sound Studios, New York, which was located directly opposite the World Trade Center and at Arthur’s apartment studio in the East Village. “Music is a very personal thing. How you deal with your music is very closely linked with how you deal with your life. If you misuse your capacities as a musician, you’re misusing your capacities as a human being and you’re taking humanity in the wrong direction”—Arthur Russell (03/17/77 Soho Weekly News) “In outer space you can’t take your drums—you take your mind”—Arthur Russell

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Arthur Verocai

11,99 €*

Arthur Verocai 2024 Repress

Release: 2016 / UK – Original

Genre: Organic Grooves

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For a very long time, we have been trying to re-issue this record; a true and complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre. Recorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form. The 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, MPB, psychedelics and funk sit side by side effortlessly. The album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris & Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others. The original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.

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Arthur Verocai

LP | 1972 | UK | Reissue (Mr Bongo)

Arthur Verocai 50 Years Gold/Black Marbled Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Arthur Verocai

LP | 1972 | UK | Reissue (Mr Bongo)

37,99 €*

Complete Session November 1981 Transculent Orange Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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A complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre. Recorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai.

Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form.

The 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, MPB, psychedelics and funk sit side by side effortlessly.

The album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris & Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others.

The original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision

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Artificial Peace

LP | 2010 | US | Reissue (Dischord)

LP | 2017 | US | Reissue (Mississippi)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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“artificial Peace lasted barely a year, but in that short time managed to become a leading band in the early DC hardcorepunk scene. Pete Murray had played in the short-lived RED C while Mike Manos, ROB Moss and Steve Polcari were in a band called Assault & Battery. Towards the end of 1981 they formed A.P. and began playing around town. They were tight, fast, and aggressive, prerequisites for most of the DC bands of the time, but also had a unique sound and surprisingly catchy songs. I loved the band and offered to record them at Inner Ear Studios. In November 1981 the studio was still a 4-track in the basement of DON ZIENTARA’s family house. The ‘live’ room was actually his children’s playroom, and the mixing desk and tape machine were set up next to the furnace in what could be described as spacious closet. A.P. knocked out their 17 songs in almost no time. I think we recorded, mixed, and sequenced the tape in two or three days and were very happy with the results. There may have been some discussion about putting a few of these songs on a 7” EP, but at that time all of the label’s resources had been put into releasing Flex Your Head, our first full-length album. FYH was a compilation documenting the DC punk scene and since A.P were one of the great young bands coming up at that time, we included three songs from their session. There never was an opportunity to do anything with the other 14 songs as Dischord was poor and, like many of the bands in DC at that time, A.P. was not long for this world. However, before breaking up in the latter half of 1982, A.P. recorded again at CAB studios in Rockville, MD and released those recordings on a split 7” (w/The Exiled). This was the fi rst release on the Fountain of Youth label. After A.P. disbanded, Pete, Steve, and Mike started playing with Kenny Inouye and Andre LEE to form Marginal MAN. That band would release a 12” on Dischord as well as two full-lengths on Gasatanka and Giant respectively and continued playing for seven years. While working on the Dischord Archives, we came across the Artificial Peace November 81 session and decided that the tape should be finally and properly released in its entirety. Artificial Peace may well be an obscure band, but their effect on the DC scene was signifi cant and played a sure role in the evolution of the music.”—Ian MacKaye, 2010

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Arvo Pärt

Für Alina

26,99 €*

12" | 2016 | EU | Original (Deep Sound Channel)

Release: 2017 / US – Reissue

Genre: Classical Music

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Compilation of our favorite Arvo Pärt pieces. All sparse and beautiful arrangements. Some solo piano pieces, some duets with piano, violin cello and viola and one string quartet. The pieces on this record are all unique to the style of Arvo Pärt - deceptively simple compositions that force you to live in the moment you are listening to them. A Pärt quote from the back of the record - "You can kill people with sound. And if you can kill, then maybe there is also the sound that is opposite of killing. And the distance between these two points is very big. And you are free -- you can choose. In art everything is possible, but everything is not necessary." This record comes in a beautiful "tip on" old school cover with metallic gold foil and features an incredible painting from the 16th century manuscript Kometenbuch.

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Ascion

Channel #9

9,49 €* 9,99 € -5%

Aselefech Ashine & Getenesh Kebret

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Channel#9 collects five tracks of free flowing techno from Italy's Ascion. A talent who has graced labels like 3TH and Repitch, this EP balances floor fervour with subtle warm washes and colder echoes. The lulling wonders of "Anhatolia" hark back to a time of dreamlike ambience, that calm turning frosty in the early morning light of "Illusorium." Those arctic currents become knifelike in the jagged thump and bitter acid barbs of "Doubledpang" But the rasp never turns too venomous. "Fraxtile" and "Cybbar" are from a similarly murky place, reducing some of the throbbing pound to allow melting melodies to shift and swirl. Spirited and soulful with just a hint of serpentine. Limited to 250 coloured copies in a printed sleeve with a photo by the Dutch Photographer Awoiska van der Molen.

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Beauties

LP | 2023 | US | Original (Domino Sounds)

31,99 €*

Ash Ra Tempel Remastered By Manuel Göttsching

Release: 2023 / US – Original

Genre: Rock & Indie

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For many years, this has been on the Domino Sound reissue wish list, and finally the wish has been granted. A reissue in cahoots with Mississippi Records of a 1976 gem of a record from Ethiopia. Aselefech Ashine and Getenesh Kebret met in Addis Ababa at the Hager Fikir Theater, a music and dance icon of Africa. They released one 45rpm single, and this album under the musical direction of Tishome Sisay. Ten beautiful songs, each of them sung as closely intertwined duets between the two “beauties”, backed by the tip top sounds of the Army Band. The LP comes in a Stoughton “Tip-On” sleeve with lyrical translations and a short interview with Aselefech Ashine. A split release with Mississippi Records, we are ecstatic to have more copies for the world to enjoy. Dig in!

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Ash Ra Tempel

CD | 1971 | EU | Reissue (MG.Art)

Ash Ra Tempel Transparent vinyl Edition

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Ash Ra Tempel

LP | 2023 | Original (MG.Art)

CD | 2016 | EU | Original (MG.Art)

Release: 2023 / Original

Genre: Electronic & Dance

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Transparent Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Ash Ra Tempel

Le Berceau De Cristal

Release: 2016 / EU – Original

Genre: Electronic & Dance

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CD Jewel Case. In 1975 I was doing a series of concerts in France with Lutz Ulbrich, where we were presenting "Inventions for Electric Guitar” and other compositions, which we developed together that year. In August, we were invited for two concerts in the South of France, one in the wonderful Roman theater in Arles, the other at the Festival Palace in Cannes.This is where we met the musicians of the German band CAN and the singer Nico, who also played at the festival. After the concerts we stayed together a few days in the beautiful city of Arles. Nico's friend, the French director Philippe Garrel, was working at that time on a film starring Nico, Anita Pallenberg and Dominique Sanda and was looking for music to make you dream. I always recorded most of our concerts, that's how we were able to offer him the piece that we had performed as "encore” in Cannes. It became the main theme of the film. Other parts were recorded during several sessions throughout 1975 in my studio in Berlin. Instruments and electronic devices were relatively simple compared to today's technology: four-track tape recorder, an old Farfisa organ, the beautiful EKO Rhythm Computer (Italian machines controlled by punched cards), the EMS superb guitar-Synthi HiFli and of course, our "usual” guitars. All this combined with the patching, the filtering and echo has produced its own unique sound to "electronic dreams” of the 70s. , Manuel Göttsching 1993 Recorded in 1975 at Studio ROMA, Berlin, with the exception of "Le Berceau de Cristal", recorded during the concert on August 7, 1975 at the Palais du Festival in Cannes.

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94 - Now : Collaborations 30 Years Anniversary Edition

LP | 2024 | EU | Original (X-Ray Production)

30,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (X-Ray)

Access Denied

25,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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It was a busy 2019 for Asian Dub Foundation with the long-awaited reissue of their Mercury Prize-nominated 1998 classic Rafi’s Revenge. The reissue garnered ecstatic reviews, all of which agreed that the sound and the message that ADF threw down in 1998 is as relevant now as it was then-perhaps even more so. So it’s timely that in 2020 the band are set to release their 9th album “Access Denied” which finds them as uncompromising as ever. The album showcases ADF in full spectrum mode from the tough Jungle Punk sound of “Stealing The Future” and “Mind-lock” through to the orchestral meditation of “Realignment” and the reggae lament of the title track. With guestspots from Greta Thunberg, incendiary Palestinian shamstep warriors 47 Soul, Chilean revolt’s rap main figure Ana Tijoux and radical UK comedian Stewart Lee, Asian Dub Foundation continue their sonic opposition to the powers that be and “Access Denied” kicks harder and higher than ever.

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Access Denied Deluxe Edition

2LP | 2021 | EU | Original (X-Ray Production)

37,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Enemy Of The Enemy Remastered Edition

2LP | 2022 | EU | Reissue (X-Ray Production)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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R.A.F.I. 25th Anniversary Edition

2LP | 2022 | EU | Original (X-Ray Production)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Asian Dub Foundation & Stewart Lee

Comin' Over Here

LP | 2021 | US | Original (X-Ray Production)

21,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Reissue (X-Ray Production)

Tank Remastered Edition

37,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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ASM

Color Wheel T-Shirt

13,19 €* 21,99 € -40%

LP | 2018 | US | Original (Awesome Tapes From Africa)

Available Sizes: M, L

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The ASM Color Wheel Tee is equipped with the following features:
• rib crew neck with interior tape
• Color Wheel artwork printed on front
• regular fit
• 100% cotton single jersey

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Asnakech Worku

Asnakech

Live At Conquest 2023 Glitter Green Tape Edition

Release: 2018 / US – Original

Genre: Organic Grooves

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- Backed by Hailu Mergia - Legendary singer/instrumentalist at her mid-1970s prime -
Double LP carefully extracted from cassette and remastered by ATFA family engineer
Jessica Thompson There is perhaps no woman more cherished in modern Ethiopian
history than Asnakech Worku. As a musician, actress, dancer and cultural icon, Asnakech
inspired and challenged society for decades, until her death in 2011. From her beginnings
as Ethiopia's first theater actress in 1952 to her climb to become one of the most famous
actresses at the National Theater to her days as a club owner-turned-master musician,
Asnakech's inimitable confidence and charm made her a household name. She earned
endless accolades across the artistic spectrum. She made seminal recordings of
unforgettable original compositions, as well as legendary renditions of traditional songs,
that became national staples. With a singular sense of style, glamour and sex appeal that
sometimes stunned mainstream society, Asnakech wore clothes no one else wore and
said things no one else said. Staid notions of how women should dress and behave didn't
apply to her. Battling a mentality that until the early 1950s had men wearing dresses to
play female roles in the theater, Asnakech became a national treasure on her own terms.
Her family wasn't pleased with Asnakech becoming an azmari_an itinerant praise
musician who sings, often in bars, for tips_and didn't bother her, especially after Emperor
Haile Selassie I began to emphasize theater and music in society, officially legitimizing her
career. Asnakech became an internationally-celebrated performer of Ethiopia's ancient
harp, the krar, making her one of the most visible female musicians of the 20th century.
All this while leaving controversy, broken hearts and a changed cultural landscape in her
wake. In 1975, keyboardist and bandleader Hailu Mergia got a call from the owner of
Misratch Music Shop to do a recording with Asnakech and he went for it. This recording
is a nearly-forgotten artifact of the remarkable icon's singular legacy, remastered and
available outside Ethiopia for the first time. It also provides a rare glimpse into Mergia's
work as a arranger-sideman in the Addis Ababa music scene. This trio recording
featuring Mergia on organ and Temare Harege on drums using only brushes is starkly
minimal but deeply evocative. The minimalist arrangements ensure the focus is on
Asnakech's incisive_and occasionally romantic_lyrics and her virtuosic krar performance.

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Asphalt

Tape | 2024 | JP | Original (Coaltar)

Tape | 2022 | UK | Original (Kitchen Label)

Release: 2024 / JP – Original

Genre: Rock & Indie

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Cassette tape of ASPHALT's live performance during Cockney Rejects~the Last Japan Tour 2023~ at Club Conquest, Hiroshima on February 23, 2023. Available in a new glitter green color!

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Aspidistrafly

Altar Of Dreams

CD | 2022 | UK | Original (Kitchen Label)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.

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Aspidistrafly

Altar Of Dreams

25,99 €*

LP | 2022 | UK | Original (Kitchen Label)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Aspidistrafly

Altar Of Dreams

30,99 €*

The Year That Never Came Red Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Assassins

LP | 2023 | UK | Original (Machines Make Us)

32,99 €*

High On Ep Blue Marbled Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Assassins did what many bands do: they grabbed a moment out of the air and slammed it onto tape machines and hard drives with relentlessness, cunning, and an attitude.

It was in Chicago, mid 2000’s, and though there was energy in the music scene, it wasn’t coalescing into anything you could use as a heading in the musical encyclopedia. Drag City, Thrill Jockey, Bloodshot, Tortoise, Andrew Bird, 90 Day Men – amazing labels and bands, but discrete and siloed and separated by boundaries that weren’t very real.

In the midst of that complicated morass, Assassins generated a collection of songs that became the album YOU Will Changed US. And it did.

There was confidence built into the fabric of the project: 5 members, 2 singers, massive synced video walls and samples streaming from laptops swirling in three dimensions around the stage. They could go from subtle atmospheric moments to a gargantuan wall of sound instantly. It was hard to do- months in cold practice rooms troubleshooting sections of songs or reworking synthesizer patches put the band through a self-imposed boot camp. And it brought them together as a sort of hive-mind focused on one thing: that these songs could connect. They could cut through the noise and share a state of mind with other human beings.

And it worked. Those early shows were mind bending. It was fun, loud, drunken, and rewarding- that time together, before the record deal, before the tragic let down of being traded and gobbled up by the major label system. The years after that got more difficult, more complicated, more human.

Leading us here: the musical journey of the Assassins has ended. With the up-coming release of their second and final album THE Year That Never Came, we finally get to hear, and feel, the final statements of their inspiring chemistry.

In July of 2021, founding member, songwriter and singer Joe Cassidy unexpectedly passed away. THE Year That Never Came is the culmination and end point of a collaboration that started in the early 2000’s with a chance meeting and excited conversation with Aaron Miller at a gig in Chicago. Quickly joined by David Golitko on keyboards, Merritt Lear on vocals and guitar, and Alex Kemp on bass.

It was Miller who saw Joe Cassidy’s song writing in a new context. Cassidy had been known for his beautiful, post- pop inflected Butterfly Child, a thoughtful, regal project where Joe’s emotions could soar. Miller saw a different context for that voice- not dreamy, but immediate, not just hopeful, but demanding. He took Joe’s open hand and suggested that it could be a fist, raised in the air, with a crowd of other people doing the same.

At the time of his death legendary composer and songwriter Jimmy Webb (who wrote such hits as ‘Wichita Lineman and MacArthur Park) said Joe ‘was a creative and generous producer but, more importantly, he was a creative and generous friend.’

With the release of THE Year That Never Came, this band, this relentless creative force, has to finally relent. No one in the band could see a future Assassins that doesn’t include Cassidy. So in one last act of will, for the love of their friend, they did the rigorous work of finishing the songs that they had started together for the second album.

Assassin’s obsession with the notion of time, from YOU Will Changed US to THE Year That Never Came, flows from the most natural question we all have to ask ourselves: what do I do now? Because: how we react today to life’s unpredictability - that is the tomorrow we build for ourselves.

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Astro

12" | 2023 | EU | Original (Lost Palms)

Slaughter Of The Soul Record Store Day 2024 Orange & White Splatter Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Lost Palms regular Astro returns with another killer 4 tracker of spacey, dubby techno goodness. TIP!

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At The Gates

LP | 1995 | EU | Reissue (Earache)

34,99 €*

Slaughter Of The Soul Record Store Day 2024 Red / Black Splatter Vinyl Edition

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Red/Black Splatter Vinyl Originally issued in 1995, ‘Slaughter of the Soul’ is considered as one of the most important and influential metal albums of all time. Featuring the classic tracks ‘Blinded by Fear’, ‘Cold’ and ‘Suicide Nation’, the album married melodic sensibilities with razor edged aggression to devastating effect. Pressed From THE Original Master Tapes. This Album HAS Been Specially Recreated Using ‘fdr’ – Full Dynamic Range MasterING - Allowing THE Music’s Nuances TO Shine Through AND Giving This Classic Album A More Ferocious AND Dynamic Sound, Enabling THE Listener TO Immerse IN THE Full Audio Heaviness Like Never Before.

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At The Gates

LP | 1995 | EU | Reissue (Earache)

LP | 2015 | US | Original (Awesome Tapes From Africa)

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Ata Kak

Obaa Sima

Atari Teenage Riot | Asian Dub Foundation

Release: 2015 / US – Original

Genre: Organic Grooves, Electronic & Dance

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A 1994 tape by Ghanaian musician Ata Kak called Obaa Sima is being reissued by Awesome Tapes From Africa.

The release is the culmination of a 13-year story for Awesome Tapes From Africa founder Brian Shimkovitz, who bought a cassette copy of Obaa Sima from a roadside stall in Cape Coast, Ghana, in 2002. The tape was the subject of the first post on his Awesome Tapes From Africa blog in 2006—the blog spawned a full record label in 2011.

Shimkovitz began searching for Ata Kat and says "Google and endless phone calls provided no leads." It was eventually discovered the musician, real name Yaw Atta-Owusu, had recorded Obaa Sima in Toronto before moving back to Ghana in 2006.

The restoration of the tape proved challenging. Only about 50 copies of the original tape were produced, and Atta-Owusu's master DAT had disintegrated, so the second-hand copy purchased by Shimkovitz was used as the source for the reissue.

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Split (Picture Disc)

7" | 1998 | Reissue (Damaged Goods)

9,99 €*

Release: 1998 / Reissue

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Life And Death)

Ataxia

Out Of Step

26,99 €*

LP | 1984 | EU | Reissue (Mannequin)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Having torn up raves for well over a decade, the Detroit duo Rickers and Ted Krisko AKA Ataxia present their debut longplayer ‘Out Of Step’. Featuring guest spots from close peers DJ Minx, Andrés and Mr Joshooa, they twist house, techno, electro, breakbeat and rave into revitalized new shapes; embellished with a touch of soul, funk and hip hop. With backgrounds in hardcore and punk, Ataxia’s debut is suffused with that energy, attitude, and approach; this is raw, lean and unashamedly no-nonsense dance floor tackle that goes straight for the jugular. Heavily analogue, the album experiments with tape saturation, which harks back to the duo’s formative years in bands, recording demos to cassettes. These straight-up, in-the-red tracks give preference to overdriven drum machines, rather than generic polished sheen, but conversely, it’s all deceptively well-crafted too; ‘Out Of Step’ is a standout record that’s big in character, bringing to mind the renegade spirit of Underground Resistance, and the bombastic brilliance of The Prodigy and Chemical Brothers.

Defiantly optimistic despite the state of the world, a “life is good” vocal sample meets minor chords sliding over 808 hats on the exemplary house/techno pumper ‘Detroit Gospel’, before a lighter moment on the album, but no less impactful with its hefty low-end thump, is ‘Pine Island’ featuring Motor City hero Andrés. Together they cook up a Motown-inspired house cut awash with horn swells and backup singers, bouncing to wide swung funk bass, in classic 313 style. ‘Language’ turns the club on its head – busting out one of the most distinct basslines in recent times, and bristling with buzzy, undulating chords, whilst ‘Maxia’ features influential Detroit royalty DJ Minx. Inspired by her classic ‘A Walk In The Park’, with a fat distorted kick and stealthy bass groove, this is low-slung, stripped-back, heads-down coolness. The high-tech funk of ‘Spit In Your Percolator’, is laser-guided in its efficiency, with a strobe-like, increasingly intensifying energy, peppered with clever, tripped up vocal chops. With the next cut, conveyor belt noises and fast churning low-end gives way to a dubbed-out breakdown, on the deep breakbeat roller ‘98 Degrees’. Charged with a blistering, rave intensity, ‘Number Streets’, is a futuristic distorted techno workout that booms through the subs, whilst ‘The Formulator’ mixes filtered snippets, abstract synth noises and melodic bleeps with a bassline echoing Paperclip People’s ‘The Floor’. Closer to the UK definition of hardcore, combining 4/4 and breakbeat, ‘The Pusher’ evokes the spirit of late 80s orbital raves, adding a natty keys solo, and deadly bass used sparingly, for even deadlier effect. ‘Feels Like’ sees Rickers and Ted team up their studiomate and fellow TV Lounge resident and club booker, Mister Joshooa. Inspired by Photek but also almost UKG in style, this breakbeat session is stamped with MJ’s signature chopped vocals and intricate rhythmic interplay. The bubbling, wobbly loose swing of ‘wm’ is constructed around a classic chopped-up MTV cribs sample, with a filtered vocal creating a far out psychedelic effect – all of which is propelled apace by a huge bruising LFO. The LP concludes in fine style with ‘Dance The Bridge’, where bouncy beats and wigged-out keys meet bright, gently uplifting synth chords that bring a clear-skied mood; ending the record as it began, on an optimistic note.

‘Out Of Step’ marks another chapter in the ongoing relationship between Life and Death co-founder DJ Tennis and Ataxia. Their connection goes back to the earliest days of the label, where they played gigs together on some of Tennis’ initial visits to Detroit. It’s a friendship that’s blossomed organically over the last decade through their shared love of punk and hardcore, and led to the fruition of one of Ataxia’s most compelling projects to date. Labels to release Ataxia’s output include legendary Detroit techno imprints Planet E and KMS, plus the seminal American house label Nervous Records. Their catalogue also includes music for Visionquest, Leftroom, 20/20 Vision and Seth Troxler’s Play It Say It.

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Atelier Du Mal

Noblesse Oblige

12" | 2013 | DE | Original (Acker Dub)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Brilliant comet of the Italian New Wave scene. Real deal. TIP!

Atelier du Mal were formed in Florence in 1983 by Lapo Pistelli (synths, electronic drums), Iacopo Ficai Veltroni (bass, synth) and Ignazio Matteini
(drum programming, percussions). Recorded in 1984, 'Noblesse Oblige' was the first and subsequently the only demo tape by the group, self-released using classic gear like Korg Ms-20, Roland Tr-606, Roland Tr-808, Roland Juno 60, Roland TB-303.

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Atlantik

Brüllhase

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Atmosphere

GLU Remix T-Shirt

31,34 €* 32,99 € -5%

GodLovesUgly Reprise Hoodie

Available Sizes: S, L, XL

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A portion of all proceeds from the GodLovesUgly Remix vinyl and t-shirt sales will be donated to Unicorn Riot. Unicorn Riot is a decentralized, educational 501(c)(3) non-profit media organization of artists and journalists dedicated to exposing root causes of dynamic social and environmental issues through amplifying stories and exploring sustainable alternatives in today’s globalized world.

The Atmosphere GLU Remix Tee is equipped with the following features:

• rib crew neck with interior tape
• GLU Remix artwork printed on front
• regular/relaxed fit
• 100% cotton single jersey

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Atmosphere

74,99 €* 99,99 € -25%

GodLovesUgly Reprise T-Shirt

Available Sizes: M, L, 2XL

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The Atmosphere GodLovesUgly Reprise Hoodie´s features include:
• drawstring-adjustable two-layer hood with interior tape, metal eyelets plus aglets at the draw cord
•Split stitch double-needle sewing on all seams
• raglan sleeves
• GodLovesUgly Reprise artwork printed on front
• kangaroo pocket
• twill neck tape
• stretch rib cuffs and bottom band
• regular fit
• Heavy weight 10.3oz, 80% cotton / 20% polyester anti-pill fleece pullover hoodie

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Atmosphere

34,84 €* 40,99 € -15%