Search "danny+brown" 6209 Items

LP | 1968 | US | Original (ATCO)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing.

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King Curtis

The Best Of King Curtis

7,99 €*

LP | 1968 | UK | Original (CBS)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Pink/Brown ATCO-labels.
Cover has edge wear, writing and a water stain on back. The record has a lot of scuffs and plays with pretty quiet surface noise (depending on the songs' volumes it's more or less (in-)audible)

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The Don Ellis Orchestra

Autumn

7" | 1968 | US | Original (Velvet Tone Record Corp.)

Release: 1968 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Writing on back cover.

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The Jimmy Velvet Five

Good, Good Lovin'

9,99 €*

OST La Morte Ha Fatto L'uovo Orange Vinyl Edition

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Bruno Maderna

LP | 1968 | EU | Reissue (AMS)

Julie Driscoll / Brian Auger

Release: 1968 / EU – Reissue

Genre: Soundtracks

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“La Morte Ha Fatto l’Uovo” (1968), here reissued for the very first time on vinyl, is a unique score characterized by avant-garde sounds that combine with the bright tones of an atypical thriller that pays homage to the cinema of Luis Buñuel.

“La Morte Ha Fatto L’Uovo” (Death Laid an Egg) is a 1968 detective movie directed by Giulio Questi, featuring an international cast whose main actors are Ewa Aulin, Gina Lollobrigida and Jean-Louis Trintignant; the warm and bright tones of its photography strongly contrast against the dark and gloomy atmospheres and plot. The soundtrack of the film, composed and directed by Bruno Maderna, is even more peculiar and distant from the typical sounds of the time, and from almost any other soundtrack released in the 60s: there’s no trace of beat or psychedelia at all, but rather a collection of abstract and dissonant compositions, which we could classify as avant-garde and partly associate with certain experiments made by a contemporary group called Gruppo di Improvvisazione Nuova Consonanza, but also with the less common side of the library music genre. All the songs were created with the sole use of strings, acoustic guitar, piano and spoken word. A truly unique work, unpredictable and almost impossible to categorize!

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Jools/Brian

LP | 1968 | UK | Reissue (Charly)

20,24 €* 26,99 € -25%

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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James Brown & The Famous Flames

Live At The Apollo - Volume II

2LP | 1968 | US | Original (King)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines, plays with background noise. Cover with shelf wear and completely torn upper spines.

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LP | 1968 | US | Original (King)

Show Of Tomorrow

44,99 €*

This Is The Magic Mixture

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Torn spine. Sticker on front.

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The Magic Mixture

LP | 1968 | UK | Reissue (Morgan Blue Town)

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Columbia)

Don Ellis

Shock Treatment

10,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1968 | EU (Endless Happiness)

Astrud Gilberto

Gilberto with Turrentine

19,99 €*

Come To The Party Record Store Day 2023 Sky Blue Vinyl Edition

Release: 1968 / EU

Genre: Organic Grooves

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Gilberto with Turrentine is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine featuring performances recorded in 1971 released on the CTI label. The album can be described as a blend of jazz, pop, and tropicalia. It was arranged by Eumir Deodato and features appearances by A-list jazz performers including Airto Moreira, Ron Carter, Sam Brown, Hubert Laws, and Toots Thielemans.

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Dennis Olivieri

LP | 1968 | UK | Reissue (Jamie)

33,99 €*

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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"First re-issue since it original pressing in 1969, and this time on a very limited edition Sky Blue vinyl The highly sought after record Come To The Party is very much a homage to the end of the 60’s and was produced at the Hollywood Sound Recorders by the songwriter Tandyn Almer (""Along Comes Mary""). Musicians included Dennis on piano, Jack Elliott on guitar, Ronnie Brown bass, Eddie Greene percussion. Tommy Scott sax, and Tandyn Almer on Rocksichord. Sampled by Dj Shadow on Six Day War on the Private Press album bringing new interest to Dennis's musical career. "

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LP | 1968 | EU (Trading Places)

So Fine

2LP | 1968 | EU | Reissue (Akarma)

Release: 1968 / EU

Genre: Organic Grooves

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Among the most famous husband-and-wife soul duos of all time, Ike & Tina Turner scored an incredible array of hits in the 1960s and 70s, before Tina finally exited the partnership. The debut LP on the Pompeii label, So Fine dates from 1968, a couple of years after a support slot on a Rolling Stones tour boosted their profiles; in addition to a remake of early hit ‘A Fool In Love,’ there’s an awesome take of Johnny Otis’ ‘So Fine’ and a competent rendition of ‘Shake A Tail Feather.’ Tina is fully in her element, the Ikettes keep up the harmonic pressure, and producer Ike handles the rest. Recommended listening for all soul fans!

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Bobby Callender

Rainbow

40,99 €*

LP | 1968 | EU | Reissue (Proper)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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T his bizarre, Alan Lorber-produced psychedelic album appeared originally in 1969 on Boston Sound. Bobby Callendar was an incredibly gifted poet and lyricist whose complex texts could only be compared to Scott Walker; the concepts of a U.K. artist of Indian heritage post-psychedelia were augmented by the lush arrangements of Paul Harris and Bob Gallo. The cast of musicians on this album included some of the highest-caliber sidemen of the time, most notably Richard Davis, the master bassist of Van Morrison's Astral weeks fame (not to mention a jazz musician in his own right), the guitars of Eric Gale and Hugh McCracken, and the astonishingly subtle Burnard Purdie on drums. The album is a rich and complex exploration of Eastern-inspired psychedelic rock and folk centered on the incredibly complex texts and vocals of Bobby Callendar. When reading the lyric sheet, it is most astonishing how such elaborate poetic evocations were somehow made to fit popular song forms. Sure, at these highly conscious times of the late '60s it was not uncommon for deeply poetic, socially conscious, or hallucinogenic themes to appear in the lyrics of pop music, yet this is album is absolutely brilliant for being one of the most ostentatious animations of the written word, yet absolutely vital and musical throughout. Fans of Scott Walker's solo material, Colin Blundstone, and Duncan Browne should give this album a few hours -- if not a week -- of their attention. This excellent Italian reissue from Akarma is packaged and remastered exquisitely. (All Music)

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Ten Years After

Undead

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Snowfall: The Tony Bennett Christmas Album

Tony Bennett

LP | 1968 | EU | Reissue (Sony Music Catalog)

26,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves, Christmas

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LP | 1968 | US | Reissue (Sundazed)

Ten Years After

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Wah Wah)

Wynder K. Frog

Out Of The Frying Pan

Introducing George Guzman

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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George Guzman

LP | 1968 | US | Reissue (Get On Down)

23,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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It was 1968 when Fania Records President, Jerry Masucci, received a phone call from conguero George Guzman, inviting Jerry to listen to his band. Jerry turned the project over to Harvey Averne, who later reported to Jerry that the band was “out of sight” and suggested that Masucci sign them up. A short time later, things became complicated for George and his band. First of all, the lead singer was drafted into the military, leaving George high and dry. By the time a replacement was found, George learned that his trumpet player was leaving to join another orchestra, so the search was on for his replacement. One problem led to another and before you knew it several months had gone by before George was finally ready to enter the studio and begin recording. Thanks to George and Harvey’s perseverance, “Introducing George Guzman” was released in time for George to join the fray of Boogaloo bands that had brightened up the night scene in New York City in 1968. - Bobby Marin

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Live At The Apollo Volume 2

2LP | 1968 | US | Reissue (Polydor)

LP | 1968 | US | Reissue (Get On Down)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Eddie Harris

Plug Me In

17,99 €*

LP | 1968 | EU | Reissue (Music On Vinyl)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Saxophonist Eddie Harris – a favorite sample staple of jazz-leaning hip-hop producers of the ‘90s – was a very busy man in the 1960s, releasing albums at a brisk pace since his first as a leader in 1961. By the late ‘60s he had fully hit his stride, as both a performer and an innovator.
A case in point is heard very clearly on this gem from Harris’ expansive catalog – 1968’s Plug Me In, which features his pioneering use of the Varitone saxophone effects processor unit (first heard on his 1967 album, The Tender Storm). The effect, used on “It’s Crazy” and “Ballad (For My Love),” never gets in the way, but gives the proceedings a feeling of “the next.” 1968 saw jazz entering a new era, influenced by electronic advances as well as the soul music dominating the pop charts of the day. Plug Me In slid perfectly into the vanguard of the day.
There is a soulful warmth to the proceedings on this classic LP, starting with album opener “Live Right Now,” which builds and swirls to a beautiful crescendo, with notes ricocheting back and forth amongst a top level crew of players including Jodie Christian, Chuck Rainey and Richard Smith. “Lovely Is Today” and “It’s Crazy” also feature waves of sunshiney brass and group interplay, alongside album ballads like “Winter Meeting” and “Ballad (For My Love).”
Eddie Harris’ catalog can be daunting, considering his impressive input throughout the 60s and 70s, but there’s a reason fans old and new come back to Plug Me In again and again. Innovation and soul is a combination that never fails, and this reissue is destined to bring more fans into the fold.

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Delfonics

La La Means I Love You

The Chuck & Mary Perrin Album: Brother & Sister

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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The Delfonics were a trio consisting of brothers William Hart, Wilbert Hart, and Randy Cain and had lush, high-pitched, male vocal harmonies typical of the Philly Soul sound.
In 1997, songs from the Delfonics were heavily featured in the Quentin Tarantino movie Jackie Brown, thus gaining more popularity to a new, younger crowd.

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Chuck & Marry Perrin

LP | 1968 | EU | Reissue (Mapache)

36,99 €*

The Lebron Brothers Orchestra

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Mapache is proud to present the first ever vinyl reissue of The Chuck & Mary Perrin album: Brother and Sister. Recorded in 1968, this gemm is one of the biggest secrets of US folk. Full of amazing melodies and beautiful songs, this is one of the hardest to find records for collectors of folk, psych and singer/songwriters style records. Includes covers by Donovan or John Sebastian plus stunning originals like "Commencement", "Mornings" or "Babe can you see" .

Only 500 copies were pressed, originals of this rarity have been sold for more than $1.000. It is one of the highest rated albums on record collectors guides.

Remastered from the original tapes, this reissue comes with an additional insert. Includes previously unseen pictures and comes in a gatefold tip on jacket, exact replica of the original record issued on Chuck's own label, Websters Last Word.

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Psychedelic Goes Latin

LP | 1967 | EU (Get On Down)

Release: 1967 / EU

Genre: Organic Grooves

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The Jimmy Owens - Kenny Barron Quintet

You Had Better Listen

LP | 1967 | US | Original (Atlantic)

12,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Digno Garcia Y Sus Carios = Digno Garcia Y Sus Carios

Digno Garcia En Japon = 日本のディグノ・ガルシア

LP | 1967 | JP | Original (Columbia)

8,99 €*

Release: 1967 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Julie Driscoll, Brian Auger & The Trinity

Open

LP | 1967 | DE | Original (Polydor)

29,99 €*

Release: 1967 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

James Brown & The Famous Flames

Cold Sweat

LP | 1967 | US | Original (King)

Presenting...The James Brown Show

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G

Splits in seams.

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V.A.

LP | 1967 | US | Original (Smash)

10,99 €*

James Brown & The Famous Flames

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines. Cover with long open seam splits

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Mr. Soul

LP | 1967 | DE | Original (Polydor)

9,99 €*

Release: 1967 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G+

Sleeve has much wear.
LP has scratches.

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Ike & Tina's Greatest Hits

LP | 1967 | US | Original (Unart)

10,99 €*

LP | 1967 | EU | Reissue (Elemental)

Release: 1967 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Writing and sticker on back cover.

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Nico

Chelsea Girl

29,99 €*

Tom Sawyer Und Huckleberry Finn 1. Folge - Abenteuer Und Aufregende Erlebnisse Zweier Jungen Am Mississippi

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The debut solo album (and second sb.Jdio LP) by German singer Nico, Chelsea Girt was released by Verve Records in October 1967, following Nico's collaboration with the Velvet Underground on their 1967 debut sb.Jdio album. The title is a reference to Andy Warhol's 1966 film Chelsea Girls, which Nico starred in. Born Christa Paffgen in Cologne in 1938, Nico was a singer, songwriter, actress and model. Besides working with Warhol, she had roles in several films, including Federico Fellini's La Dolce Vila (1960). In the 1980s, she toured extensively. She died in Ibiza on July 18, 1988, as the result of a cycling accident at the age of 49. Musically, Chelsea Girl can be described as a cross between chamber folk and 1960s baroque pop. Al/Music reviewer Lindsay Planer gave it four and a half out of five stars, stating tha???? "Nico's inherently bleak delivery is similar to the more modern contributions of Laurie Anderson, Ann Magnuson, and Patti Smith. An unqualified masterpiece." Produced by Tom Wilson, much of the album features instrumental work and songwriting credits from Velvet Underground members Lou Reed, Sterling Morrison, and John Cale. "I'll Keep It with Mine" was written by Bob Dylan, while three other songs are by Jackson Browne.

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Mark Twain

LP | 1967 | DE | Reissue (Europa)

3,99 €*

Tom Sawyer Und Huckleberry Finn 2. Folge - Auf Gefährlicher Entdeckungsfahrt

Release: 1967 / DE – Reissue

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Cover has small puncture.

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Mark Twain

LP | 1967 | DE | Original (Europa)

3,99 €*

Release: 1967 / DE – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Milford Graves / Don Pullen

Nommo

LP | 1967 | US | Reissue (Superior Viaduct)

23,39 €* 25,99 € -10%

Easterly Winds Tone Poet Vinyl Edition

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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Jack Wilson

LP | 1967 | EU | Reissue (Blue Note)

43,99 €*

Indian War Whoop Deluxe Ediiton

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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"Easterly Winds"—the second of three Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, and Billy Higgins on drums.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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The Holy Modal Rounders

LP | 1967 | US | Reissue (Don Giovanni)

43,99 €*

Milford Graves & Don Pullen

Release: 1967 / US – Reissue

Genre: Rock & Indie

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"Some people think this record is unlistenable, while others consider this one of the key documents of the American music underground" - Byron Coley -55th Anniversary edition, one time pressing of 1500 foil numbered 2xLP copies -2 disc collection including original album remastered and Live in 1965 -Half-speed mastered vinyl cut by Miles Showell at Abbey Road Studios -Live in 1965 (Disc 2) remastered by Ryan Schwabe and available on vinyl for the first time -Comprehensive liner notes by Jesse Jarnow (Heads: A Biography of Psychedelic America) and Peter Stampfel The year 1967 proved to be a strong point of the ’60s generation culture and the ever growing New York underground music scene. Steve Weber and Peter Stampfel provided a blithe sendup of musical Americana as they mined this tradition, while introducing outrageous and zany virtuoso turns on acoustic guitar, banjo and violin. Their lyrics and vocals are uniquely their own. Their personalities were profoundly incompatible, like those of Gilbert and Sullivan.

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Nommo

LP | 1967 | EU | Reissue (Chush)

21,59 €* 23,99 € -10%

Chicken Fat Verve By Request Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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In his 1967 DownBeat review of the initial release, Amiri Baraka wrote: "The music is beautiful on this album... These two players... are making some of the deepest music anywhere. It wants nothing."

Peter Margasak included the album in his list of "Favorite Albums of 2020," and wrote: "Essential coupling of two insanely rare duo albums from a 1966 concert at Yale University: Pullen at his most ferocious and probing, Graves making a huge step in establishing his radical approach to polymetric movement."

In a review for Point of Departure, John Sharpe commented: "The five pieces represent a true dialogue... Although intensity levels vary, the exchanges remain resolutely non-melodic and non-metric throughout... Even after all this time the music still challenges preconceptions. It remains a classic of the genre and deserves to be widely heard."

Thurston Moore included Nommo in his "Top Ten From The Free Jazz Underground" list, first published in 1995 in the second issue of the defunct Grand Royal magazine, calling the interplay between the musicians "remarkable."

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Mel Brown

LP | 1967 | EU | Reissue (Impulse)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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7" | 1967 | EU | Reissue (Altercat)

The Paragons

Abba / Better Man Than I

12,99 €*

LP | 1967 | EU | Reissue (Wah Wah)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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"Let me hear you say YEAH!!!". We’re proud to bring you the first official reissue of this essential 60s garage classic, after several bootlegs hitting the market in recent times and its appearance in countless compilations in the last 20 years. Done in cooperation with surviving band members Pat Walters and Danny Huntley, the single receives the usual deluxe treatment at Altercat and comes housed in a brand new picture sleeve, with a 12-page booklet with the band’s story written by Mike Stax (Ugly Things magazine) and previously unseen pictures. Sound mastered by Tim Warren (Crypt Records / Back From The Grave). We aim to get these to you Asap so they are available for the Christmas period. Read on below

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Wynder K. Frog

Sunshine Super Frog

LP | 1967 | EU | Reissue (Speakers Corner)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Freddie Hubbard

Backlash

34,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled "Backlash", is still until today the best of the bunch.
Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford Brown in his heart and fingers. All the titles are excellent. Of special note, however, is "Little Sunflower". The sound colouring of the flute harmonizes particularly well with Hubbard’s brass, and Ray Barretto’s contribution is more than mere decoration. You’re certainly on the right track with this LP, no matter whether it’s the beginning of a Freddie Hubbard collection or a further contribution to a large jazz collection.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber
Production: Arif Mardin

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The Biggest Twang Of Them All Coke Boittle Clear Vinyl Edition

LP | 1966 | US | Reissue (Sundazed)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.

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The Biggest Twang Of Them All

LP | 1966 | EU | Reissue (Sundazed Music Inc.)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Adele Hoffmann, Die Märchenmusikanten

Mutti Sagt Gute Nacht - 1. Folge

LP | 1966 | DE | Original (Hit-Ton Schallplatten)

Milford Graves / Don Pullen

Release: 1966 / DE – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Record has some hairlines and a few superficial scratches.

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In Concert At Yale University

LP | 1966 | US | Reissue (Superior Viaduct)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny Sharrock and more to his important contributions during NYC's loft era – he is, simply put, free jazz royalty. In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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LP | 1966 | DE | Reissue (RCA International (Camden))

The Guitar Man

Release: 1966 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

1973 reissue

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LP | 1966 | EU | Reissue (Music On Vinyl)

River Deep-Mountain High

26,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Reissue (We Are Busy Bodies)

Barney Wilen

Zodiac

22,99 €*

Albert Ayler / Don Cherry

Release: 1966 / US – Reissue

Genre: Organic Grooves

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We Are Busy Bodies is proud to announce the first official reissue of 'Zodiac' by brilliant French tenor saxophonist, Barney Wilen. Originally released on the Disques Vogue label in 1966, the album has been restored and remastered from Barney Wilen's personal copy of the album. The album was recorded a few years after performing on albums and European tours with Art Blakey's Jazz Messengers and Miles Davis. The album is an exploration of free jazz, dedicated to the signs of the zodiac. Wilen and his friend, photographer Jean Larivière worked together to create the photos and artwork for his album, Zodiac. The intention at the time was to also create a film with a storyline and characters developed by Jean. Unfortunately, the concept was never fully realized at the time,. Sketches, photos and further context are included in the accompanying album insert.

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New York Eye And Ear Control

LP | 1966 | EU | Reissue (ESP Disk)

26,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | US | Reissue (Curb)

Greatest Hits

27,99 €*

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Duane Eddy Does Bob Dylan Red Vinyl Edition

LP | 1965 | US | Reissue (Sundazed)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Legend On Legend!

Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.

Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere. Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.

Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.

What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage.

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Duane Eddy Does Bob Dylan Black Vinyl Edition

LP | 1965 | US | Reissue (Sundazed)

A Charlie Brown Christmas Deluxe Edition

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Vince Guaraldi Trio

2LP | 1965 | EU | Reissue (Craft)

43,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves, Christmas

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A Charlie Brown Christmas Gold Foil Limited Vinyl Edition

Vince Guaraldi Trio

LP | 1965 | IT | Reissue (Craft)

Release: 1965 / IT – Reissue

Genre: Organic Grooves

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Brown Sugar Vinyl Me, Please Edition

Freddie Roach

LP | 1964 | US | Reissue (Vinyl Me, Please)

35,99 €*

LP | 1964 | US | Reissue (Prestige)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Freddie Roach’s first three albums introduced him to the world, but Brown Sugar showed it who he was. It was the album that Roach made to capture the energy of soul jazz. To somehow take the sounds in the city, in the clubs, and bring them to a record. In his original liner notes, Roach writes that the album is an ode to late nights and loud clubs, to backs damp with sweat, arms wrapped around waists. ‘’Not caring for the moment about troubles or problems,'' he wrote of people dancing, ‘’their bodies quivering under smiles that seemed to promise ‘after the dance.’'' After talking to Alfred Lion, president of Blue Note, they decided that the album needed to be made up of standards — not the standards of the stage or screen, but the standards of the people. ‘’To get the ‘soul,’'' Roach wrote, ‘’I decided to do show soul tunes.''

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Don Patterson

Hip Cake Walk

Byron Lee And The Dragonaries

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Near Mint

Small light scuff on side 2.

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Dance The Ska

LP | 1964 | EU (Kids Of Yesterday)

24,99 €*

Release: 1964 / EU

Genre: Reggae & Dancehall

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Long-awaited reissue of this rare Jamaican ska record, originally released in 1964. In 1961 Byron Lee And The Dragonaries took a huge break when they were part of the first James Bond film - Dr. No - as the hotel band . In 1964, the band was also featured in a broadcast called "This is Ska!" alongside Jimmy Cliff, Prince Buster, and Toots and the Maytals. Amazing back cover illustrations: how to learn classic ska dance in 12 easy steps !

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LP | 1964 | US | Original (Smash)

Grits & Soul

15,99 €*

Music For Zen Meditation And Other Joys

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Original US stereo pressing. Copy close to VG

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Tony Scott

LP | 1964 | EU | Reissue (Verve)

35,99 €*

LP | 1964 | US | Reissue (Prestige)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Mostly improvised by clarinettist Scott, backed by Hozan Yamamoto and Shinichi Yuize — on the Japanese instruments shakuhachi and koto — this 1964 album is a precursor to later movements in ambient and new age music, from in and out of the jazz world.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve.

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Don Patterson

Hip Cake Walk

Don Patterson with Booker Ervin

Release: 1964 / US – Reissue

Genre: Organic Grooves

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This is an excellent 1964 soul-jazz album, recorded by Rudy Van Gelder.

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Hip Cake Walk

LP | 1964 | US | Reissue (Prestige)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Pure dynamite! live at the Royal

LP | 1964 | US | Reissue (Polydor)

19,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1963 | US | Reissue (Columbia)

Oscar Brown Jr.

Between Heaven And Hell

5,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Brian Poole & The Tremeloes

Twist & Shout Record Store Day 2024 Edition

7" | 1963 | EU | Reissue (Analogue October)

17,09 €* 18,99 € -10%

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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LP | 1963 | EU | Reissue (Honeypie)

It’s Gonna Work Out Fine

13,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Originally released on Sue Records in 1963 this was Ike & Tina Turner fourth album, the one that earned them a first grammy nomination and a further step in the consolidation of their international success. Most of the tunes here are highly energetic up-tempo numbers while the whole album comes as the fruit of a unique combination of raw R&B and highly energetic Rock n Roll.

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LP | 1963 | US | Reissue (Polydor)

Live at the Apollo

38,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Back To Black 180 gram vinyl reissue

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LP | 1963 | US | Reissue (Polydor)

Prisoner of love

19,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Blue Note)

Don Wilkerson

Preach Brother!

11,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.

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LP | 1962 | US | Original (Roulette)

Dinah '62

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US mono pressing. Vinyl with scuffs and hairlines

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LP | 1962 | Reissue (Gm & Publishing)

Good, Good, Twistin

27,99 €*

Release: 1962 / Reissue

Genre: Organic Grooves

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LP | 1962 | US | Original (Columbia)

Oscar Brown Jr.

Between Heaven And Hell

9,34 €* 10,99 € -15%

LP | 1962 | EU | Reissue (Jazz Workshop)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines

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Don Ellis

The Essence

23,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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3LP | 1962 | UK | Reissue (Not Now)

Dean Martin

Italian Love Songs

39,99 €*

Release: 1962 / UK – Reissue

Genre: Pop

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I Left My Heart In San Francisco

Tony Bennett

LP | 1962 | EU | Reissue (Vinyl Passion)

17,99 €*

Release: 1962 / EU – Reissue

Genre: Pop

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2LP | 1962 | US | Reissue (Analogue Productions)

Tony Bennett

At Carnegie Hall

69,99 €*

Exotic Percussion Sea Glass Colored Vinyl Edition

Release: 1962 / US – Reissue

Genre: Organic Grooves

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This is it, the live, double LP where the magical Tony Bennett created indelible memories! "Tony Bennett At Carnegie Hall" is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings!
We've given "Tony Bennett At Carnegie Hall" the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe 'old-school' tip-on gatefold jacket from Stoughton Printing!
Originally recorded in 1962, "Tony Bennett At Carnegie Hall" is a testament to Bennett's live vocal ability, writes allmusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.
Along with standards like "I Left My Heart In San Francisco" and "Just in Time", Bennett reached out to create great medleys such as "(I Like New York in June) How About You/April in Paris", that automatically become his as soon as they are performed. Altogether there are 30 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece!

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Martin Denny

LP | 1961 | US | Reissue (Jackpot)

Jazz Portrait Of Frank Sinatra Verve By Request

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Sourced From The Original Master Tapes; Out of print since the 1960s

Now joining Jackpot Record's ever-expanding collection of Martin Denny re-issues is the hypnotic "visual sound" of Exotic Percussion, which has not been on vinyl since its original release in 1961.

His production on Exotic Percussion is ambitious, adventurous, and fascinatingly futuristic, especially when a tumbler with ice was still the preferred way to let loose. Xylophones and chimes swim from ear to ear; traditional jazz instrumentation collides with such musical oddities as boo bas, shamisens, Manga harp, and Burmese gongs.

As always, the choice of compositions on a Martin Denny record is a bizarre yet exciting spin around the globe, but this one is even weirder than usual. From the faster-than-light of "Cumana" to the luscious groove of "Moonlight On The Ganges" (made famous by Frank Sinatra and a track that is still being played on a loop at Disneylan's Jungle Cruise attraction), it's a whiplash of a ride. But the stand-out on the record is the combo of "Misirlou" (which would be made famous a few years later by Dick Dale and even decades later with its appearance in Pulp Fiction).

So join the conga line and head out into the street as Martin Denny once again creates a world we yearn to return to and an album we can always revisit.

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Oscar Peterson

LP | 1961 | Reissue (Verve)

33,99 €*

LP | 1961 | JP | Original (Reprise)

Release: 1961 / Reissue

Genre: Organic Grooves

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Oscar Peterson's Frank Sinatra tribute features his trio with bassist Ray Brown & drummer Ed Thigpen. The renditions are all under four minutes and are highlighted by "Come Dance with Me," "Just in Time," "I Get a Kick Out of You," and "How About You?" This is one of Oscar Peterson's most essential dates—swinging and enjoyable.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve

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Tony Williams

Sings His Greatest Hits

7,99 €*

LP | 1961 | JP | Original (Reprise)

Release: 1961 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing with OBI!

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Tony Williams

Sings His Greatest Hits

Release: 1961 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

LP | 1961 | NL | Reissue (Fontana)

Tell Love Hello

Danny Boy Et Ses Pénitents

Release: 1961 / NL – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Reissue.

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Croque La Pomme

7" | 1961 | FR | Original (Ricordi)

6,99 €*

Release: 1961 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Small light scuff on side 2.

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Max Roach

We Insist (Mono)

We Insist Clear Vinyl Edition

Release: 1961 / US – Reissue

Genre: Organic Grooves

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An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Max Roach

LP | 1961 | US | Reissue (Impex)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Bud Shank

Barefoot Adbenture

49,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Charles Mingus

Mingus

Release: 1961 / US – Reissue

Genre: Organic Grooves

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At the time of this recording, Mingus had been working regularly with the piano-less quartet of Eric Dolphy, Ted Curson and Dannie Richmond. The same group featured on the 1960 Candid release, Charles Mingus Presents Charles Mingus. The Mingus album, also recorded that year, features one track, "Stormy Weather," recorded with that same quartet, and two tracks recorded with a larger group featuring piano and additional horns. Of note, "mdm (Monk Duke & Me)” consumes the majority of this album. The piece consists of three intertwining themes - Duke Ellington's “Main Stem”, Thelonious Monk's “Straight, No Chaser”, and Mingus' “Fifty First Street Blues.” Released in 1961, and recorded in the fall of 1960 by Candid A&R and Producer Nate Hentoff at the Nola Penthouse Sound Studios. The LP includes extraordinary liner notes written by Hentoff, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Don Ellis

How Time Passes

26,34 €* 30,99 € -15%

The Remarkable Carmell Jones Tone Poet Vinyl Edition

Release: 1961 / US – Reissue

Genre: Organic Grooves

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A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis. Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York City’s post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus’ Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among others, the Glenn Miller Orchestra, Lionel Hampton, and Woody Herman. On subsequent albums, Ellis would take an even wilder direction. Here, on his first recoding date as a band leader, the experimentation begins. Ellis stretches the boundaries of bop-based jazz playing with time, tempo and meter. It is the start of his exploration of Third Stream - a fusion of jazz and contemporary classical music. The album title itself - How Time Passes - was taken from an article written by the controversial German composer Karlheinz Stockhausen on the “function of time.” The exceptional section features Ron Carter on bass, the underrated Jaki Byard on piano and saxophone, and Charlie Persip on drums. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and noted musician, historian and writer Gunther Schuller - the originator of the term “Third Stream” - giving a context and insight that adds to the experience of hearing these extraordinary performances.

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Carmell Jones

LP | 1961 | EU | Reissue (Blue Note)

32,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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24 Jahre jung war der Trompeter Carmell Jones, als er 1960 von seiner Geburtsstadt Kansas City nach Los Angeles ging. Und schon kurz nach seiner Ankunft erhielt der vielversprechende Youngster, den manche damals mit Clifford Brown verglichen, dort einen Plattenvertrag bei Pacific Jazz. 1961 konnte er für das Label sein phänomenales Debütalbum “The Remarkable Carmell Jones” aufnehmen. Im Zusammenspiel mit Tenorsaxophonist Harold Land, Pianist Frank Strazzeri, Bassist Gary Peacock und Schlagzeuger Leon Pettis präsentierte er auf dem Album eine hochinteressante Mischung aus Cool Jazz und Hardbop.

BLUE NOTE TONE POET EDITION: Stereo, produziert von Joe Harley, komplett analog von Kevin Gray von den Originalbändern gemastert, RTI-Pressung (180g), stabiles Tip-on-Gatefold, wattierte Innenhülle.

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LP | 1960 | US | Original (Mercury)

Unforgettable

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

7" | 1960 | DE | Original (Electrola)

Die Nilsen Brothers

Joe Brown, Der Clown

9,99 €*

Art Blakey And The Jazz Messengers With Barney Wilen

Release: 1960 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with many scuffs and hairlines. Generic label cover

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Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

LP | 1960 | US | Reissue (Blue Note)

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

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Tina Brooks

True Blue

38,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened. tiny wear. Vinyl is close to NM. US "Scorpio" reissue from the 2000s.

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LP | 1960 | US | Original (Mercury)

For Lonely Lovers

7,99 €*

LP | 1960 | Reissue (Waxtime)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Torn spine. Original US mono pressing. Writing on cover.

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Tina Brooks

True Blue

Release: 1960 / Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Blue Note)

Tina Brooks

True Blue