Search "Seekae the worry" 44380 Items

Ahmad Jamal Trio At The Pershing (But Not For Me)

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

Flawless Magenta vinyl. Cover has seam split.

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Ahmad Jamal Trio

LP | 1958 | US | Original (Argo)

11,99 €*

Eric Dolphy & Booker Little

Release: 1958 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Two small stickers and writing on back cover.

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Memorial Album Recorded Live At The Five Spot

LP | 1965 | US | Original (Prestige)

48,99 €*

LP | 1961 | US | Original (Blue Note)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Some stains on cover. Original US mono pressing.

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The Three Sounds

Here We Come

66,99 €*

Tape | 2024 | UK | Original (Tape Kingz)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam split

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Stan Ipcus

The Mask Tape

15,99 €*

LP | 1957 | US | Original (Andex)

Release: 2024 / UK – Original

Genre: Hip Hop

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90 minute Mixtape mixed by United Crates

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The Pilgrim Travelers

Look Up!

48,99 €*

Release: 1957 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Art Blakey & The Jazz Messengers

With Thelonious Monk

LP | 2024 | Original (20th Century Masterworks)

18,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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2CD | 2022 | EU | Original (Rekord Music And Distribution)

Die Fantastischen Vier

Für Immer 30 Jahre Live

21,99 €*

Release: 2022 / EU – Original

Genre: Hip Hop

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Afterschool Special: The 123s Of Kid Soul

2LP | 2016 | US | Original (Numero Group)

Scratch Studio 8 - Legend Of The Scratch

Release: 2016 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Megaman

12" | 2001 | US | Original (Extensive Research)

30,99 €*

Release: 2001 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Sing Meinen Song - Das Tauschkonzert Vol.11

LP | 2024 | Original (Music For Millions)

Release: 2024 / Original

Genre: Pop

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12" | 1985 | UK | Original (4th & Broadway)

Trouble Funk

Still Smokin'

3,99 €*

2LP | 2024 | EU | Original (Tardigrade)

Release: 1985 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

seam split, Close to VG+

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Cosmo Sheldrake

Eye To The Ear

40,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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12" | 2000 | US | Original (Hiero Imperium)

Del The Funky Homosapien

If You Must

12,99 €*

Release: 2000 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Tribute To The Masters Volume 1

Proleter

LP | 2014 | EU | Reissue (Banzai La)

Mousse T. Feat. Emma Lanford

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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The first volume of a series in which ProleteR brings the fun by giving modern arrangements and his own distinctive signature sound to all time classics.

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Is It 'cos I'm Cool?

12" | 2003 | DE | Original (Peppermint Jam)

6,99 €*

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Dance To The Drummer's Beat Record Store Day 2024 Blue Vinyl Edition

Herman Kelly & Life

12" | 1992 | EU | Reissue (Music On Vinyl)

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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The Road To Or-Shalem Transparent Highlighter Yellow Vinyl

Orphaned Land

2LP | 2016 | EU | Reissue (Black Sleeves)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Portable BT Cassette Player + RTM Tape C60 (HHV Bundle)

We Are Rewind x RTM

154,99 €*

12" | 2023 | EU | Original (Barro)

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We Are Rewind x RTM - Portable BT Cassette Player + RTM Tape C60 (HHV Bundle)
The Bundle contains 1x We Are Rewind Portable BT Cassette Player (Kurt Blue) and 1x RTM Tape C60.

We Are Rewind Portable BT Cassette Player (Kurt Blue)

(Re)discover all the pleasure of analog sound with our modernized cassette players: Serge, Keith and Kurt.

Like the old-school cassette players, our players have fast forward/rewind buttons, a headphone output, a volume control and an audio input so you can create your own mixtapes.

But because you have to keep up with the times, we've added a few modern touches.

First, we've replaced the batteries with a rechargeable lithium battery that provides up to 12 hours of continuous playback. It's more practical and environmentally friendly. We also built in a Bluetooth 5.1 connection so you can connect the player to your headphones or wireless speaker in seconds. It may not sound like much, but it's a world first!

On the audio side, our engineers worked hard to optimize the mechanism to be as close as possible to the best of the time. And the result is there. Today, you won't find better on the new market!

Finally, we paid special attention to the design and materials used. As for the very first Sony Walkman, the TPS-l2, we avoided plastic and preferred an aluminum case for a "cool touch" and a real quality feeling. The result is a cassette player with a sober and elegant design, which will last in time. The kind of object that one would almost want to display on a shelf in the living room.

So, ready to rewind?

Available in 3 colors: Orange (SERGE), Blue (KURT) and Grey (KEITH).

Specifications:
• Compatible with compact audio cassettes, all Types I to IV
• 2-track stereo playback
• Frequency response: 30Hz - 12500Hz with Type I cassette
• Signal-to-noise ratio: 50dB
• Distortion: 0,3% typ.
• Wow & Flutter: 0,2% typ.
• Headphones output power: 2x2mW into 32 ohms
• Bluetooth 5.1 (headphones and speakers compatible)
• Not compatible with earbuds
• Stereo recording via 3,5mm RCA jack
• Input level 50mVrms to 200mVrms typ.
• Frequency response: 30Hz - 10000Hz with Type I cassette
• Signal-to-noise ratio: 45dB
• Distortion: 1% typ.
• Built-in Lithium-Ion rechargeable battery
• Nominal voltage 3,7V
• Nominal capacity 2000mAh
• Battery life: approx. 10 to 12 hours
• Dimensions: 140,8 x 88,8 x 33,5mm
• Weight: approx. 404g

RTM Tape C60

RTM is proud to continue pushing the boundaries of analogue recording through audio cassettes. The C60 & C90 series is based on the legendary Studio Master tape formula (SM900). The series enables users to record and playback audio at the highest level.

• BLANK CASSETTES
• TYPE ONE: FERRIC OXIDE
• LOW NOISE
• NORMAL BIAS
• LEGENDARY FORMULA
• HIGH QUALITY 5 SCREW SHELL WITH BRIDGE
• MINIMAL PRINT-THROUGH
• PRODUCED FROM 2018 ONWARDS
• MADE IN FRANCE

60 min audio cassette based on legendary SM900 formula

Features:
• Width: 3,81mm
• Length: 87.5m
• Recording time: 60min max
• Clear 5-screws tabs-in cassette, with black bridge
• Base film: Polyester
• Base film thickness: 12 µm
• Coating thickness: 4,7 µm
• Total thickness: 16,7 µm
• Coercivity: 370 Oe
• Saturation retentivity: 1480 G
• Oxide: Fe2O3

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Atix

Turn Up The Beat EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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As The End Draws Near / Passion For The Future (Extended Remixes)

Manufacture

12" | 1988 | NL | Original (Nettwerk Europe)

13,99 €*

In The Right Place Atlantic 75 Series Sacd

Release: 1988 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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Dr John

CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

46,99 €*

12" | 2004 | DE | Original (Peppermint Jam)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Sacd

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Mousse T.

Is It 'Cos' I'm Cool?

3,99 €*

Release: 2004 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The Big Donuts 7" Slipmat

Dr. Suzuki

29,99 €*

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Kaya Original Jamaican Version Limited Numbered Edition

Bob Marley & The Wailers

LP | US (Tuff Gong)

47,99 €*

Release: US

Genre: Reggae & Dancehall

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Babylon By Bus Original Jamaican Version, Limited Numbered Edition

Bob Marley & The Wailers

2LP | US (Tuff Gong)

76,99 €*

Release: US

Genre: Organic Grooves

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Fritz Reiner / Chicago Symphony

Prokofiev: Lieutenant Kije/ Stravinsky: Song Of The Nightingale

LP | US (Analogue Productions)

53,99 €*

The Royal Ballet Gala Performances

Release: US

Genre: Classical Music

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180g

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Ernest Ansermet

2LP+Book | US (Analogue Productions)

99,99 €*

LP | 2023 | EU | Original (Mutombo)

Release: US

Genre: Organic Grooves

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180g

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Duan Wasi

Sun City

12" | 2023 | UK | Original (The state51 Conspiracy)

Release: 2023 / EU – Original

Genre: Hip Hop

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Limited edition of just 100 (hand numbered) copies worldwide

Step into the world of "Sun City" by Duan Wasi, where jazzy summer vibes meet a playful chords and piano melodies, creating an atmosphere of pure relaxation and bliss.

The album title refers to a well-known graffiti piece by the french street artist Victor Ash from 1986, and musically ties in with the current discourse on how the modern polis of the future must be designed and constructed. As a living space, as a dynamic system, a creative center of an open society. Duan Wasi gives a musical suggestion for this idea.
The central metaphor here is the sun as the main element by evoking wide open spaces and room for light and carefree feelings, akin to lay back on jazzy summer vibes meeting playful chords and piano melodies, creating an atmosphere of pure relaxation and bliss.

Playful notes dance effortlessly, imbuing the composition with a delightful sense of joy and ease. Soft melody weaves on their way through the tracks, intertwining with subtle jazz elements, infusing the beat with a sophisticated and laid-back ambiance.

"Sun City" embraces the essence of a sun-soaked vibe, where worries melt away, and a lightness of being takes over. It paints a vivid sonic picture of welcomeness. It's an invitation to relish the easy way of life.

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Legss

Fester

13,99 €*

Islands In The Sky Grimace Purple / Silver Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Merging a dynamic curio of melodic guitars, disconcerting monologues and a rhythm section both technical and unruly, London’s Legss create a wholly unique and mesmerising sound. New EP Fester is a literary and disarmingly lyrical collection of art-rock songs laden with ideas and sun-licked beneath the bus smog of anxious skies.

Even when leaning into more melodic territory, there’s a pervasive uneasiness that underpins both the vocals and instrumentation. Just as you drift into the relaxing arpeggio flow, vocalist Ned Green’s soft soliloquy accelerates to an exasperated yelp and we’re jolted by discordant noise-rock stabs dragging us into Legss’ deliciously feverish and poetic world.

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Death Valley Girls

LP | 2023 | EU | Reissue (Suicide Squeeze)

From The Inside Orange Vinyl Edition

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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For the better part of a decade, LA's scrappy rock n' roll mystics Death Valley Girls have used theirmusic as a means of tapping into a communal cosmic energy. On albums like Glow In The Dark(2016), Darkness Rains (2018), and Under the Spell of Joy (2020) the band challenged thesoul-crushing banality of modern society and celebrated "true magical innite potential" through acollage of scorching proto-punk riffs, earworm melodies, far-out lyrics, and lysergic auxiliaryinstrumentation. But on their latest album Islands in the Sky, Death Valley Girls' songwritingmastermind Bonnie Bloomgarden uses the band's anthemic revelries as a guidebook to spiritualhealing and a roadmap for future incarnations of the self. And while these may be the loftiest aimsof Death Valley Girls to date, the resulting music is also by far their most infectious and celebratory.

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Laura Pausini

LP | 2023 | EU | Reissue (Warner Music International)

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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LP | 2023 | EU | Original (Century Media)

Signs Of The Swarm

Amongst The Low & Empty

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2000 | CA | Original (Stickman)

Mood II Swing

The Slippery Track

7,99 €*

Release: 2000 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

The Auditorium Volume 1 Black Vinyl Edition

Common & Pete Rock

2LP | 2024 | US | Original (Loma Vista)

36,99 €*

Release: 2024 / US – Original

Genre: Hip Hop

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Legendary hip-hop figures Common and Pete Rock showcase their evolved prowess in their debut collaboration, "The Auditorium, Vol. 1." Despite years apart, their synergy is palpable. Pete's groundbreaking production, blending intricate harmonies, and Common's multifaceted artistry shine through.

Their meticulous process births 15 tracks that blend nostalgia with innovation. With cameos from Jennifer Hudson and De La Soul's Posdnuos, each element is carefully curated, resulting in a timeless masterpiece. This album not only celebrates their individual growth but also sets the stage for future volumes.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

58,99 €*

Movement 60th Anniversary

Release: 2024 / US – Original

Genre: Rock & Indie

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The Joe Harriott Quintet

LP | 2024 | Original (Decca)

Release: 2024 / Original

Genre: Organic Grooves

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Wildflowers & All The Rest

Tom Petty

3LP | 2020 | EU | Original (Warner)

46,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Scaring The Hoes DLC Pack Lavender Vinyl Edition

JPEGMAFIA & Danny Brown

LP | 2024 | US | Original (Peggy)

31,99 €*

LP | 2006 | US | Reissue (Get On Down)

Release: 2024 / US – Original

Genre: Hip Hop

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Lavender Vinyl, 12" EP. JPEGMAFIA and Danny Brown return for the EP extension of their 2023 critically acclaimed album, SCARING THE HOES. SCARING THE HOES: DLC PACK contains four new songs that continue to showcase the energy and quirk of the duo that was revered on the full length album by Rolling Stone, Pitchfork, NPR and many more. These four songs continue to show off JPEGMAFIA and Danny Brown's impressive lyricism and exhilarating dynamics when the two come together.

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Too $hort

Blow The Whistle

36,99 €*

Release: 2006 / US – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-08

Presented FOR THE First Time Ever ON Vinyl AS A Double LP IN A Gold Vinyl Pressing With A Fold-out Insert In 1996 Too $hort almost retired with album number ten, but of course, he couldn't stay away from the game. In 1999 he returned with Can't Stay Away and would pick back up his streak and release a new album every year until 2003. He had been living in Atlanta for several years and the ATL influence was growing on him as each album would feature more southern Hip-Hop artists and producers. Too $hort was starting to get crunk and made appearances on Lil Jon and The Eastside Boyz albums as their sound was growing in popularity in the early aughts. Lil Jon jumped on Too $hort's 14th album What's My Favorite Word in 2002 and would produce five songs on the 2003 follow up Married To The Game. $hort was not about to retire but took a three-year hiatus after the release of his 15th album. He returned in 2006 and dropped the hyped-up Lil Jon single "Blow The Whistle" and followed with his 16th studio album of the same name with Lil Jon and Jazze Pha behind the boards. The album is a mix of crunk, club, classic pimp tales, and some East Oakland hyphy courtesy of Droop-E and Rick Rock. Almost 20 years later "Blow The Whistle" can get any club or stadium bouncing and Too $hort don't stop rappin'.... Get On Down is proud to present Blow The Whistle for the first time on vinyl.

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

57,99 €*

2LP | 2024 | US | Original (Columbia)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Jean-Michel Jarre

Versailles 400

60,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Over The Hump 30th Anniversary Green Vinyl Edition

The Kelly Family

LP | 2024 | EU | Original (Kel-Life)

Release: 2024 / EU – Original

Genre: Pop

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LP | 2016 | UK | Reissue (Year0001)

Bladee

Eversince

25,99 €*

Release: 2016 / UK – Reissue

Genre: Hip Hop

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Waltz For Debby Craft Ojc Series

The Bill Evans Trio

LP | 2023 | US | Original (Craft)

46,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition

53,99 €*

LP | 1977 | UK | Reissue (Pink Flag)

Release: 2024 / US – Original

Genre: Rock & Indie

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Wire

Pink Flag

27,99 €*

Release: 1977 / UK – Reissue

Genre: Rock & Indie

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You Can Be A Star!: Deep Disco & Crossover 70s Soul From The Now-Again & Soul-Cal Vaults 1972-1982

LP | 2024 | US | Reissue (Now-Again)

Undun Black Vinyl Edition

Release: 2024 / US – Reissue

Genre: Organic Grooves

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The definitive survey of America’s independent 70s soul scene, and a companion piece to Now-Again’s long-running Soul Cal series. “(Soul Cal) captures the retro-utopian vision of a past where every smalltown record store or garage in the US might have hidden a virtuosic funk outfit; the thrill of knowing that jobbing musicians might be getting paid for the first time; plus the bittersweet knowledge that those that passed on are getting deserved recognition. And all that before you get the thrill of the music itself.” - Wire Magazine.

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The Roots

LP | 2018 | EU | Original (Def Jam)

LP | 1993 | US | Reissue (Dischord)

Release: 2018 / EU – Original

Genre: Hip Hop

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Official and limited reissue on Def Jam. Previously released as a 2LP set, this version has now been converted to 1LP, in addition to a limited edition CE color vinyl version.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

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Fugazi

In On The Killtaker

19,99 €*

12" | 2024 | EU | Original (Frustrated Funk)

Release: 1993 / US – Reissue

Genre: Rock & Indie

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incl. Download Code

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214

Easing Into The Night

The Houston Kid Vinyl Me, Please Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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My log saw something, something significant... Shut your eyes and you will burst into flames.

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Rodney Crowell

LP | 2001 | US | Reissue (Vinyl Me, Please)

33,99 €*

When We Were That What Wept For The Sea

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
The conventional way of talking about The Houston Kid, Rodney Crowell’s 2001 release and the greatest achievement of his 50-year career, is autobiographically. From this way of thinking, the album pretty straightforwardly looks at Crowell’s life growing up in the poor, white working-class parts of Houston, Texas in the 1950s and 1960s, the only child of J.W. and Addie Cauzette Crowell’s tempestuous, dysfunctional union. Hearing The Houston Kid this way isn’t wrong, of course, but it is incomplete.

For starters, if it’s Crowell’s actual life story we’re after, we’d be better off reading Chinaberry Sidewalks: A Memoir, the book project he began around the same time but didn’t publish until 2011. For another thing, The Houston Kid’s details and effects are autobiographically inspired, sure, but also rife with exaggerations, omissions and flat-out fictions. You know, art.

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Colin Stetson

LP | 2023 | US | Original (52 Hz)

45,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Beyond The Groove)

Tom Misch

Quarantine Sessions

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Year0001)

Bladee

333

25,99 €*

Release: 2023 / UK – Original

Genre: Hip Hop

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The Bay-Bronx Bridge Splatter Vinyl Edition

Masters Of Illusion

7" | 2024 | US | Reissue (Threshold)

20,99 €*

LP | 1980 | EU | Reissue (Polydor)

Release: 2024 / US – Reissue

Genre: Hip Hop

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Kool Keith & Motion Man pay lyrical tribute to those who influenced them, over KutMasta Kurt’s mad dope JB chops to create a classic anthem that hip-hop heads around the globe consider to be an all-time classic joint! From their self-titled debut album Masters of Illusion released in 2000. Limited edition of 250 hand-numbered copies pressed on dope Splatter Vinyl and packed in a fresh full-picture cover by James Reitano who is best known for his amazing animation for MF DOOM’s 'all Caps' video.

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The Cure

Seventeen Seconds

LP | 1971 | EU | Reissue (Ohr)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Birth Control

Operation

LP | 2021 | US | Original (Air Vinyl)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Re-release of the second album of the Berlin outfit on the original OHR label. Produced by the famous photographer Didi Zill in 1971 at Hansa Studios.

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The Musalini

The Return Of The Oro

25,99 €*

2LP | 2013 | US | Reissue (Sony Legacy)

Release: 2021 / US – Original

Genre: Hip Hop

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After dropping a string of strong releases between the top of 2019 and the end of 2020, Uptown NYC’s The Musalini has quickly made a name for himself in hardcore Hip-Hop. After dropping two solo albums with Dutch imprint De Rap Winkel Records, he partnered with Air Vinyl Records to give fans a collab album with Harlem heavy-hitter G4 Jag. Then, this past Summer he came with the pinnacle of his discography so far, the playertastic The Return of The Oro. This 19-track offering establishes the smooth-voiced Mus as one to watch. As for guests, he links with underground champs like Ransom, Rasheed Chappell, and G4 Jag, as well as his homies Emilio Craig, O Finess, and Izzy Hott.

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Arcade Fire

Reflektor

36,99 €*

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Love In The Time Of Science

Emiliana Torrini

LP | 2009 | EU | Reissue (One Little Indian)

29,99 €*

Release: 2009 / EU – Reissue

Genre: Pop

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LP | 1969 | UK | Reissue (Atlantic)

Otis Redding

The Dock Of The Bay

32,99 €*

Release: 1969 / UK – Reissue

Genre: Hip Hop

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American IV: The Man Comes Around

Johnny Cash

2LP | 2002 | US | Reissue (American)

48,99 €*

The Heart The Mind The Soul

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Reissue of this classic produced by Rick Rubin!

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Tank And The Bangas

LP | 2024 | US | Original (Verve)

Release: 2024 / US – Original

Genre: Pop

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LP | 2003 | UK | Reissue (XL)

The Radio Dept.

Lesser Matters

27,99 €*

Release: 2003 / UK – Reissue

Genre: Rock & Indie

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The Metal Opera Pt. II Platinum Edition

Avantasia

2LP | 2023 | EU | Original (Afm)

39,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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7" | 2024 | EU | Original (BBE Music)

The Cromagnon Band

Bad Night Quadrant

19,99 €*

Release: 2024 / EU – Original

Genre: Hip Hop

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OST FLCL Black Vinyl Edition

The Pillows

2LP | 2021 | US | Reissue (Anime Limited)

64,99 €*

Return Of The Hellsingers Black Vinyl Edition

Release: 2021 / US – Reissue

Genre: Soundtracks

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Original soundtrack to the zany year 2000 classic anime series, FLCL, produced by GAINAX (Neon Genesis Evangelion, Gunbuster). The series gained a cult amongst western audiences following after a 2003 broadcast on the US "Adult Swim" programming block and features iconic tracks from Japanese alternative rock band, The Pillows.

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Hellsongs

LP | 2024 | EU | Original (Tapete)

27,99 €*

Release: 2024 / EU – Original

Genre: Pop

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2CD | 1998 | EU | Reissue (RMV Records)

King Tee

Thy Kingdom Come

18,99 €*

Release: 1998 / EU – Reissue

Genre: Hip Hop

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2LP | 1998 | EU | Reissue (RMV Records)

King Tee

Thy Kingdom Come

32,99 €*

LP | 2022 | US | Original (Waxwork)

Release: 1998 / EU – Reissue

Genre: Hip Hop

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The long awaited official release of "Thy Kingdom Come"! "Thy Kingdom Come", originally scheduled for release on June 30, 1998 on Dr. Dre's Aftermath Entertainment, is the fifth studio album from King Tee. Recorded at the same time as the multi-platinum albums Dr. Dre - "2001" and Eminem - "The Slim Shady LP", "Thy Kingdom Come" features guest appearances from Dr. Dre, MC Ren (N.W.A.), DJ Quik, Too $hort, NBA legend Shaquille O'Neal, Ice-T, Kool G Rap, Dawn Robinson (En Vogue, Lucy Pearl) - to name a few. Production on the album was handled by Dr. Dre (Eminem, 50 Cent, Snoop Dogg, Xzibit), Mike Dean (Kanye West, Beyoncé, The Weeknd, Jay-Z), DJ Quik (2Pac, Snoop Dogg), Bud'da (Aaliyah, Ice Cube) and Dr. Dre's Aftermath producers DJ Battlecat, Stu B Doo, Chris "The Glove" Taylor and Fredwreck, as well as Ant Banks, Step One and SLJ. The album was mixed and supervised by Dr. Dre. Remastered in high-resolution 24-bit 44.1 kHz audio in 2022.

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Masaru Sato

OST The Sword Of Doom

24,99 €*

LP | 1981 | US | Reissue (Get On Down)

Release: 2022 / US – Original

Genre: Soundtracks

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Waxwork Records is honored to present THE Sword OF Doom Original Motion Picture Soundtrack by Masaru Satô! Directed by Kihachi Okamoto, The Sword of Doom is a 1966 Japanese samurai movie that tells the bloody and brutal tale of revenge and redemption. This deluxe LP features new artwork from Yuko Shimizu and marks the first time that the soundtrack is available on vinyl!

Starring Tatsuya Nakadai and featuring Toshirô Mifune, The Sword of Doom tells the story of Ryunosuke Tsukue, a masterful but heartless swordsman in feudal Japan. After deliberately killing an opponent in a training exercise, Tsukue then murders his mistress and flees town. After spending time in a haunted geisha house, Tsukue sees the ghosts of all his victims and spirals into madness, leaving a trail of destruction and bloodshed in his wake. As time passes, the years of brutal killings and evil deeds begin to weigh on his mind, ending in a climactic battle between Tsukue, a group of assassins, and the ghost of his past.

The Sword of Doom soundtrack, composed by Masaru Satô (Yojimbo, Godzilla vs. Mechagodzilla), is full of dark and yet melodic cues, and takes many influences from traditional Japanese instruments and music. A minimalist yet powerful score that brings to life the struggles of Tsukue’s inner demons. The tone ranges from brash fight scene orchestrations into quiet and lilting flute themes, but underscoring it all, Satô's music feels the evils of Tsukue.

Available for the very first time on vinyl, Waxwork Records is honored to work with Toho to present The Sword Of Doom re-mastered on 180 gram Snow, Blood, Flames, and Katana swirled color vinyl, deluxe packaging, new artwork by Yuko Shimizu, heavyweight gatefold jackets with matte satin coating, a 12"x12" art print, and more!

THE Sword OF Doom Original Motion Picture Soundtrack Features:

The Complete Soundrack by Masaru Satô Available For The First Time On Vinyl 180 Gram "Snow, Blood, Flames, and Katana" Swirled Color Vinyl New Artwork By Yuko Shimizu Heavyweight Gatefold Jackets with Matte Satin Coating 12"x12" Art Print

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Miles Davis

The Man With The Horn

17,99 €*

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Genre: Organic Grooves

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The Invisible Band Black Vinyl Edition

Travis

LP | 2001 | US | Reissue (Craft)

30,99 €*

Release: 2001 / US – Reissue

Genre: Pop

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Around The House Transparent Blue Vinyl Edition

Herbert

3LP | 2006 | UK | Reissue (Accidental)

Warte Mein Land, Warte Black Vinyl Edition

Release: 2006 / UK – Reissue

Genre: Electronic & Dance

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Having honed his craft across a set of EPs and albums (all remarkably released within 1996), DJ and producer Matthew Herbert solidified his reputation as one of electronic music’s greatest conceptual artists with 1998’s Around The House. Largely made from tones you’re likely to hear in the home; the clinking of glasses, the scraping of cutlery, the spray of an aerosol can. The humbleness of its musical raw materials belies the fact that it’s Herbert’s first great masterpiece.

A domestic scene is set from the off, as the listener is beckoned into the record by an apartment door buzzer and the sultry vocal of Dani Siciliano, who imbues the remainder of Around The House with a jazz sophistication. As it happens, the loft analogy is appropriate, given the funk and disco reference points in the liquid bass groove of ‘So Now?’ and ‘Close To Me’. Microhouse scrapes and scratches field the classy dance mood with a Detroit-style buoyancy, as the subtle rhythmic elements mingle and flirt with one another on charming cuts like ‘We Still Have (The Music)’ and ‘Going Around’.

Around The House is a cordial invitation to a house party, where Herbert is both esteemed host and house band.

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Ozan Ata Canani

LP | 2021 | EU | Original (Fun In The Church)

20,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds Of Japan 1980-1988 Cloudy Clear Vinyl Edition

2LP | 2021 | US | Original (Light In The Attic)

16,99 €*

Ilan Eshkeri & Shigeru Umebayashi

Release: 2021 / US – Original

Genre: Electronic & Dance

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Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.

Sonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of Mkwaju Ensemble and Yoshio Ojima, to the leftfield techno-pop of Mishio Ogawa and Noriko Miyamoto (featuring members of Ymo), and highlights from the groundbreaking Osaka underground label Vanity Records, these are blurry constellations defying collective categorization.

These tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like Warner Music and Nippon Columbia explored new sounds through traditional channels, it was possible for Vanity, Balcony and other indie labels, not to mention self–released artists like Ojima and Naoki Asai, to publish their work via affordable media such as cassettes, 7" vinyl, and flexi–discs.

Expertly curated by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating.

Note: The track “Days Man” by Yoshio Ojima is only available on the LP and Cassette versions.

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OST The Ghost Of Tsushima (Music From The Video Game)

3LP | 2020 | EU | Original (Milan)

45,99 €*

Release: 2020 / EU – Original

Genre: Soundtracks

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2x12" | 2020 | EU | Original (Quartz)

Flug

Flug The Collection

Lucien & The Kimono Orchestra

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Having carved out a lane truly his own in the often harshly competitive world of techno, Argentinian-born / Barcelona-based producer Sebastian Lopez, alias Flug, has long proven to be no bit player in the scene and his compositions have kept signalling a fighting fit producer, whose highest standards of floor skippering and experimentation-friendly approach have never failed him over the years. Resurfacing three years after the drop of his debut vinyl album, "In Safe Hiding", Flug clocks in on Quartz Rec with "Flug I The Collection" - a long-player bound to reconnect fully with the club and produce very energetic tracks that represent the techno he loves playing during his DJ sets. All tracks were originally written on tour, on the plane or in hotel rooms to better capture the dancefloors vibe, using field recordings from around the globe and later processed in the studio via his analogue arsenal of preference.

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Hayao's Garden

12" | 2019 | EU | Original (Cracki)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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CD | 2017 | EU | Original (eOne)

Wu-Tang Clan

The Saga Continues

11,99 €*

Release: 2017 / EU – Original

Genre: Hip Hop

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LP | 2017 | US | Original (Craft)

OST Walk The Line

34,99 €*

12" | 2017 | EU | Original (Hippie Dance)

Release: 2017 / US – Original

Genre: Soundtracks

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“Walk the Line: Original Motion Picture Soundtrack” is the soundtrack album to the 2005 biographical drama film of the same name released November, 2005. There are nine songs performed by Joaquin Phoenix (as Johnny Cash), four songs by Reese Witherspoon (as June Carter Cash), one song by Waylon Payne (as Jerry Lee Lewis), one song by Johnathan Rice (as Roy Orbison), two songs by Tyler Hilton (as Elvis Presley), and one song by Shooter Jennings (as Waylon Jennings).

At the Golden Globe Awards Joaquin Phoenix was awarded the Best Actor - Musical or Comedy and Reese Witherspoon was awarded the Best Actress - Musical or Comedy, as well as the film won the Best Picture - Musical or Comedy. Joaquin Phoenix and Reese Witherspoon were also nominated for the Academy Award for Best Actor and Best Actress, which Witherspoon won.

The cover features the two stars in an early publicity still, several of which were included as bonus postcards in the Collector's Edition DVD.

As of May 17, 2006 the soundtrack was certified platinum by the RIAA with over 1,000,000 copies sold.

On February 11, 2007 this album won a Grammy for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media.

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Superpitcher

The Golden Ravedays 3

12,99 €*

LP | 2016 | EU | Original (Underdog)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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A download code is included. Musically and emotionally, Superpitcher’s third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period by record label, HippieDance. We are thrilled to bring you the third chapter of The Golden Ravedays saga, released in March 2017. Number 3 of the series introduces two further tracks of the haunting sound adventure that Superpitcher is taking his fans on during 2017.

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The Bongo Hop

Satingarona Part 1

24,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves

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The Bongo Hop is the new afro Caribbean project presented by french trumpetist Etienne Sevet. On Satingarona Pt.1, friends from his Colombian years, like vocalist Nidia Gongora (Ondatropica, Quantic) rapper Maikcel (Zalama crew), but also famous producer multinstrumentalist Patchworks (Voilaaa, Dynamics, Taggy Matcher, Uptown Funk Empire,…) among others, join in for his first musical travel diary, inspired by 8 years as a Cali resident. In this first project, you can hear his personal take on tropical tempos, as he launches a storm of infectious grooves – ranging from highlife, to vallenato-meets-dub, dance hall, afrobeat, or kompa, combined with warm horns.

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The Monsters Burn In Hell

LP+CD | 2016 | EU | Original (Voodoo Rhythm)

16,99 €*

Whiskey For The Holy Ghost

Release: 2016 / EU – Original

Genre: Rock & Indie

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A variety of Voodoo Rhythm artists pay tribute to The
Monsters! Featured acts include Urban Junior, King Automatic,
The Devils, Roy And The Devils Motorcycle, Delaney Davidson,
The Seniles, Rolando Bruno, Sudden Infant and others.

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Mark Lanegan

2LP | 1994 | US | Reissue (Sub Pop)

33,99 €*

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Ortofon

Scratch Stylus

49,00 €*

2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

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Co-designed by various DJs. Especially developed for scratch and back-cueing. Very high output!

As implied by the name, the Scratch is intended especially for the disciplines of scratch and back-cueing. Like the QBert, DJs had a say in designing this cartridge so it would match the needs of dance floor kings.

It is made of a fluorescent neon-red material with the intention it becoming highly apparent in spotlight and luminous in ultraviolet light. For DJs that require increased tracking ability, the Scratch is up to the task.

Featuring a reinforced rubber suspension, DJs need not worry about compromising sound quality and stylus life when working with higher tracking forces. With solid bass reproduction and extended highs, the Scratch is great for any style, providing energetic, in-your-face sound.

Maximum scratch performance guaranteed!

Output voltage at 1000Hz, 5cm/sec.
7 mV
Channel balance at 1kHz
1,5 dB
Channel separation at 1kHz
25 dB
Channel separation at 15 kHz
15 dB
Frequency range at -3dB
20-20.000 Hz
Frequency response
20-15.000 Hz 3dB/-2dB
Tracking ability at 315 Hz at recommmende tracking force
80 μm
Compliance, dynamic lateral
6 μm/m N
Stylus type
Spherical
Stylus tip radius
R 18 μm
Tracking force range
3,0-5,0 g (30-50 mN)
Tracking force recommended
4,0 g (40 mN)
Tracking angle
20°
Internal impedance, DC resistance
750 Ohm
Internal inductance
450 mH
Recommended load resistance
47 kOhm
Recommended load capacitance
200-600 pF
Cartridge weight
5 g

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Bob Dylan & The Band

Before The Flood

88,99 €*

Legend: 30th Anniversary Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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180 gram audiophile vinyl, numbered limited edition!

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Bob Marley & The Wailers

2LP | 2014 | US | Original (Island)

47,99 €*

Release: 2014 / US – Original

Genre: Reggae & Dancehall

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CD | 2014 | US | Original (Ill Adrenaline)

The Legion

The Lost Tapes