Search "Six Organs Of Admittance" 3318 Items

Adventures In Counter-Culture 10 Year Anniversary Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Blue States returns with his sixth album titled World Contact Day, set for release via Memphis Industries on 18 March 2021 and named after the day each year on which UFO society International Flying Saucer Bureau tries to contact alien lifeform. World Contact Day arrives six years after the previous Blue States album, written and recorded partly at Dragazis' Lightwell Recordings studio in Hackney featuring a combination of instrumental soundscapes and vocal songs that draw from influences as diverse as world as Morricone, Vangelis, Beak, Broadcast and The Carpenters. Songs on the new record feature guest vocals from the likes of Giampaolo Speziale and Federica Caiozzo of the Italian band, Malihini, English folk-musician, Rachael Dadd and Miami-based Allison May-Brice (The 18th Day Of May, Lake Ruth).

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Blueprint

2LP | 2021 | US | Original (Rhymesayers)

LP | 1988 | EU (Endless Happiness)

Release: 2021 / US – Original

Genre: Hip Hop

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The 10 year anniversary edition of this classic album includes a 2xLP on custom blue and purple colored vinyl in gatefold jacket with matte UV and spot-gloss finish, a 24-page zine in 7" size, plus digital download card. First trained in his church choir, Blueprint played in R&B bands in high school and later developed a reputation as a standout rapper. On Adventures in Counter-Culture, he experiments with the synths, keyboards, and drum machines that connected the musical dots of those early days. Print began pursuing his career as a musician in 2001, working on several hip hop projects including his collaborative project Soul Position with DJ/Producer Rjd2. Releasing The Unlimited EP & 8,000,000 Stories on Rhymesayers Entertainment with RJ, Blueprint began work in 2004 on what would become his first solo album, 1988. The success of that album allowed him to tour extensively throughout North America and Europe, before returning home to focus on writing and recording his next album. When he sat down to work on this sophomore effort, Print began with the dark, soulful and sample heavy hip hop of the early 90's, but soon found himself hitting a creative wall. What shook him loose was a new mission: to create an album that encompassed every facet of music he knew, blurring genre lines and bringing it back home as one cohesive listening experience. The more he worked to pair new found interest in rock & electronic music with his love of hip hop, the more he was able to break down that creative barrier. Thus began his Adventures in Counter-Culture, a monumental undertaking that would involve reinventing himself as a musician and person. His growing cynicism with the world, his disdain for pop culture, the state of politics, and an apathetic, uninspired society, all worked as fuel to inspire this sophomore album. Moved by the impact that sampling lawsuits were having on the music community, Blueprint also decided to return to his roots and began writing and producing his own original content.

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Bo Hansson

Sagan Om Ringen

22,99 €*

Atari 50 Gold Vinyl Edition

Release: 1988 / EU

Genre: Rock & Indie

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One of the most famous artists that came to light from the Swedish underground scene is the keyboardist Bo Hansson. His album "Lord of the Rings" inspired by the book of the same name remains a staple for all the freaks of the seventies and was internationally successful. "Lord Of The Rings" or "Sagam Om Ringen" remains a pre new age masterpiece of instrumental music for the mind, with splendid moog and organ releases, which underline Hansson's jazz origin, for four years and only until the first one with drummer Janne Carlsson for 3 albums of floating psychedelia and boogaloo.

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Bob Baffy

LP | 2024 | EU | Original (Microids)

35,99 €*

LP | 2024 | UK | Original (Parachute)

Release: 2024 / EU – Original

Genre: Soundtracks

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Have you played Atari today ?

Atari 50: The Anniversary Celebration takes players on an interactive journey through 50 years of video games, including a specially curated list of more than 100 playable classics and six entirely new titles from the award-winning team at Digital Eclipse.

For this unique project, Atari teamed up with composer Bob Baffy, who worked on many classic video game soundtracks, to compose rearranged classic themes and new tracks.

Microids Records is proud to bring you this unique soundtrack that captures the heart and soul of Atari and a whole generation of gamers!

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Bob Dylan & The Band

Boston Garden 1974

33,99 €*

OST The Bob's Burgers Music Album

Release: 2024 / UK – Original

Genre: Rock & Indie

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THE FIRST LIVE RENDITION OF THE WORLD FAMOUS TUBULAR BELLS! Mike Oldfield was a member of rock-band Barefoot for a while, and then became bass player for Kevin Ayers’ backing group The Whole World. He also played on an album by the Edgar Broughton Band, worked as reserve guitarist in the London production of Hair, and gigged with Alex Harvey. Then he met Richard Branson. Working at Branson’s recently acquired Manor studios as a backing guitarist, Oldfield played some of his own tapes to Branson’s engineer Simon Draper, who played them to Branson – Branson then offered Oldfield a six-album deal with his new label Virgin Records. Tubular Bells was released on 25 May 1973 as the first album on the Virgin label. The title track became a top 10 hit single in the US after the opening was used in the 1973 movie The Exorcist. Virgin now decided to organise a live performance of Tubular Bells at London’s Queen Elizabeth Hall to promote the LP. Oldfield assembled a line-up to perform the music that on record he’d all-but single-handedly created. Mick Taylor, then still with the Rolling Stones played, alongside David Bedford, Robert Wyatt, Steve Hillage and members of the band Henry Cow – all of whom, save for Taylor, ended up making records for Virgin subsequently. At a later date Mike was to comment that he was unhappy with the performance adding, “I stood on the stage at the end of the concert and looked at the audience, and they looked at me. And do you know what they did? They actually applauded. I was amazed. I hated that concert”. However, the assembled masses who witnessed the first live rendition of this ground-breaking record disagreed, and Mike Oldfield’s preconceived ideas about the project not working were totally unfounded. The concert was recorded for live radio broadcast both in the UK and across the US, where it was synched by a number of networks and is now at last available on vinyl! SIDE A1. Tubular Bells Part One SIDE B2. Tubular Bells Part Two 3. The Sailor’s Hornpipe

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Bob's Burgers

3LP+7" | 2017 | US | Original (Sub Pop)

39,99 €*

Bob & The Last Heard Seger

Release: 2017 / US – Original

Genre: Soundtracks

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Bob’s Burgers premiered on the Fox network January 2011, and quickly became one of the most watched series on television. After enjoying the highest-rated new season premiere of the 2010-11 season, Bob’s Burgers quickly settled into an average viewership of over 4 million per episode. The show has won an Emmy award and been nominated five times, including a current nomination for Outstanding Animated Program. It has inspired many popular spinoff items, including a recent, best-selling cookbook. With the seventh season currently in progress and airing through May 2017, Bob’s Burgers’ cultural influence only grows.

Now comes The Bob’s Burgers Music Album, featuring 107 songs from the first 107 episodes (all six existing seasons), plus five special cover versions of songs from the show. Originally broadcast within the episodes – and often in abbreviated form – these songs appear here in their freestanding glory for the first time. The Bob’s Burgers Music Album – in both its affordable standard editions and its impressive deluxe edition – is sure to be a must-have for any fan of the show (and, really, any sentient life-form).

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Heavy Music: The Complete Cameo Recordings 1966-67

LP | 2018 | Original (ABKCO)

36,99 €*

7" | 2024 | EU | Original (Sleazy)

Release: 2018 / Original

Genre: Rock & Indie

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Vinyl LP pressing. 2018 archive collection. Heavy Music: The Complete Cameo Recordings 1966-1967, will be the first time ever that all records by the celebrated Detroit group will be made available since their origination as 45rpm singles. The collection represents how stylistically, the band went beyond simple garage rock stomp and stammer formula and spread their wings lyrically and sonically in a few short years. The album is wrapped in a newly designed package, and liner notes by celebrated music writerStylistically, Bob Seger & The Last Heard went beyond the simple garage rock stomp and stammer formula and spread their wings lyrically and sonically in a few short years.FEATURES:Early recordings compiled onto one distinct album for the first timePreviously only ever released on 45sVinyl pressed at Third Man Pressing in DetroitAll songs are new to market except “Sock It To Me Santa”, which appears on the 2010 album “Cameo Parkway Holiday Hits"CREDITS:Produced & arranged by Bob Seger and Doug Brown except:*Produced & arranged by Bob Seger# “A Hideout Production”Reissue Producer: Teri LandiBob Seger – lead vocal, organ, piano guitarDan Honaker – bassCarl Lagassa – guitarPep Perrine – drums, percussionAdditional vocals – Doug Brown, David WhitehousePersonnel on tracks 2 and 10:Bob Seger – vocal, guitarDoug Brown – guitar, organDan Honaker – bassPep Perrine – bongosBob Evans – drumsBOB SEGER Heavy Music: The Complete Cameo Recordings 1966-1967

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Bobby Gonzalez Trio

15,99 €*

LP | 2024 | EU | Original (DixieFrog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Those who have had the opportunity to see Bobby Gonzales Trio live, you will have noticed the power, energy and versatility of his forceful live performance. Bobby Gonzales, leader, vocalist and guitarist of the band, reviews his musical career with bands like Coronados and Trash-Tornadoes bringing sparks to their Gretsch and his Fender amp and delighting everyone those who want to see this six-string virtuoso and one of the banners of rockabilly-psychobilly-swing still active. If it's the first time he visits you, don't you should miss the opportunity to see him live!

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Boney Fields

Just Give Me Some Mo'

24,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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"Cross My Heart" is a tribute to the harmonica player and singer James Cotton, one of Boney Fields" heroes and companions on the road, is certainly the most representative track of this thrilling groove mood that authentic blues musicians know how to infuse. Boney Fields possesses that almost funk tone matured enough to tickle our ears and make us tap our feet. By revitalizing, for example, "The Thrill Is Gone" in the spirit of its original author (Roy Hawkins), Boney Fields perpetuates the tradition of spirited orchestras of yesteryears without compromising the modernity of its irresistible tempo. Much more personal than all his previous albums, "Just Give Me Some Mo" is also the expression of introspection, that of a man who remembers without drowning in dark nostalgia. He thinks of the courage of his mother bravely facing obstacles in an unequal America. "Back in the Day" is not a sad song. It makes one stronger and nurtures faith in the future. This melody is certainly the most touching of the six compositions written by Boney Fields. From "Control of you" to "Something" holding me" or "I know yes I Know" he invites us into his intimate biography, the story of a large family shaken by inevitable upheavals that must be faced, the destiny of a combative musician who resists adversity. Boney Fields chose to let his soul speak. This effort of truth had to be supported by the artistic direction of a master. By enlisting Sebastian Danchin for the production of this album, Boney Fields turns to a historian of African-American culture whose keen ear has already won over Little Milton, Mighty Mo Rodgers, Toni Green, and Jean-Jacques Milteau, among others... Their exchanges uncovered a perfect understanding of "Chicago Blues" the brassy vigor of which they experienced firsthand 40 years ago. Surrounding oneself with the right people is quite a challenge. Fortunately, Boney Fields knows how to spot true talents. He was convinced that the Senegalese guitarist Hervé Samb would also be a good musical director. Ha...

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Weedsconsin Black Deluxe Viny Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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On the fringe of chaos, in the Year of the Pandemic, the Cannabeast has awoken!! Bongzilla is back with a new full length album, 16 years since their last record. These Pioneers of Weed Metal would like to present “weedsconsin” to the universe. An album written by the three long standing original members of Bongzilla - Muleboy (bass, vocals), Spanky (guitar), and Magma (drums). Recorded and mixed by the late John Hopkins at Future Apple Tree Studios in Rock Island, Illinois in October 2020. The six brand new tracks will blow your mind! In a single instant you are contaminated by the classic Weed-Infected sounds the band is known for, while also finding new elements mixed into the bowl. In the unique piece that is Weedsconsin, Bongzilla delivers heavy doses of Crushing Stoner Doom and Psychedelic Space Rock that sets it apart from earlier material. (That’s why HPS Records is the perfect label to release this stuff). This record travels down a path of heavy riffs, mind-expanding jams, sonic tones, and stomping beats in the band's first release as a thunderous three piece, with Muleboy moving from guitar to bass. Approaching these songs as a three piece has created more space musically and allowed the band to showcase their musicianship in a different way. It results in a sound that is very heavy, along the lines of Gateway tone-wise, but sonically more clear. The album is mastered by Carl Saff at Saff Mastering in Chicago, Illinois, and Eli Quinn (Madison, Wisconsin) is the artist behind the astounding new cover art. Weedsconsin is dedicated to the memory of John Hopkins.

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Weedsconsin Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Weedsconsin Orange / Neon Green Viny Edition

2LP | 2021 | EU | Original (Heavy Psych Sounds)

43,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Weedsconsin Splattered Vinyl Edition

28,79 €* 31,99 € -10%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Weedsconsin Transparent Neon Yellow And Green Vinyl Edition

39,99 €*

Green Onions Clear Vinyl Edtion

Release: 2021 / EU – Original

Genre: Rock & Indie

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Booker T. & The M.G.'s

LP | 1962 | EU (Destination Moon)

17,99 €*

Lick The Boot, Lose Your Teeth: The Eps

Release: 1962 / EU

Genre: Organic Grooves

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The house band at Memphis's legendary Stax Records, Booker T. & the M.G.'s played on some of the most legendary and unforgettable soul recordings in history. Originally released in 1962, the title-track of their debut LP Green Onions is arguably the most recognizable piece of instrumental pop and soul ever to be released; an absolute stone classic of a jam, with Booker T.'s organ at the fore. In addition to being a classic group, Booker T. & the M.G.'s were one of the first soul and rock groups to have both white and black members, and understandably their music is often associated with the Civil Rights Movement that was going on all around them in the American south of the 1960s. Essential American originals from Booker T. & the M.G.'s.

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Bootlicker

LP | 2022 | US | Original (Neon Taste)

35,99 €*

12" | 2024 | EU | Original (Planet Trip)

Release: 2022 / US – Original

Genre: Rock & Indie

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Compiling all EPs by Bootlicker, Lick The Boot, Lose Your Teeth presents 24 tracks originally released over four 7"s dating back to 2017. From the earliest incarnation of the band and the start of their signature production and sound to where they are now. With the overblown martial drumming, completely pinned clean guitar attack, Bootlicker has been a fresh take on D-Beat tradition with a handful of Oi/UK82 and American Hardcore influence on the side. Each 7" is compiled here and represents a different phase of the band. The completely broken speaker aggression of "Who Do You Serve", the slight Rock 'n' Roll influenced "Nuclear Family" and bare bones approach of the "Six Track E.P." all paved the way to a more realized sound in "How To Live Life". Instead of tracking down each out of print, individual E.P. Here they are for the taking.

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Borrowed CS

Rise N Shine EP

17,99 €*

Meji Meji (Folamour Remix)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Wellington, New Zealand-based producer, drummer and band leader Cory Champion aka Borrowed CS delivers his second release on Planet Trip Records ~ Rise N Shine EP, expanding the infectious outsider boogie sound he explored on ‘Mystic Shuffle’ (off 2020’s Balance/Ascend EP) into a six-song suite of neon-lit machine funk, mutant post-disco and uptempo future soul. Draped in synthesisers that sparkle and glitter like summer sunlight hitting the harbour waters, the programmed Roland Tr-606 drums and keyboard bass on these club tracks absolutely snap, wobble and groove.

From the space-aged melodies and throwback electro bounce of ‘All My People’ (featuring the pioneering British electronic soul vocalist Steve Spacek) to the dialled-in dancefloor weaponry of the title track and ‘Potplant’, the A-side of Rise n Shine unfolds like Friday night at a 1980s roller disco. On the flip, Champion reconnects with the idiosyncratic Māori singer-songwriter Mara TK to pen another golden-voiced chapter in the hi-tek South Pacific future soul story with ‘Hearsay’ before diving into some deep mid-tempo body music on ‘Subsonix’ and ‘Mystic Dream’. One for the dancefloor dreamers, Rise n Shine, will be available in 12” vinyl (limited to 300 copies) and digital versions.

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Bosq & Kaleta

7" | 2023 | UK | Original (Bacalao)

12" | 2024 | EU | Original (Maledetta Discoteca)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Boston born, Medellin based producer Bosq once again collaborates with the mighty Kaleta on his own Bacalao imprint. The perfect blend of modern production sensibilities and classic musicianship & soul. Having first worked together in 2013 on Bosq’s first original single Dem Know, they have strung together an impressive run of hits since. Kaleta brings an incredible history to the project, being born in Port Novo, Benin, and raised in Nigeria, he was steeped in the world altering West African musical movements of Voodoo Funk & Afrobeat from their inception. Bosq himself has written and produced five full albums and countless singles and remixes, maintaining a consistent and recognizable fingerprint while fusing influences as varied as Funk & Disco, Salsa & Cumbia, Afrobeat & Jazz, even Hip Hop & Dancehall. ‘Meji Meji’ straddles the line between Afro Funk & Disco, with bubbling organ and Rhodes stabs, a massive horn section, layered percussion & vocals, and chants from ex-Egypt 80 member Kaleta. One of the biggest names in dance music, Folamour joins the fold pushing the underlying house groove to the forefront, creating a perfect dance floor version with a pulsing kick, deep bass line, and funky synth horn lines that dialogue back and forth with the live horn section. Dance floor tested and approved! Also included is the B-side ‘Sonayon’, a pure afro disco scorcher in which Kaleta sings a message of hope in his native Goun language.

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Bottazz!

Volume 1

22,99 €*

Brooklyn Side Record Store Day 2024 Orange Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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There is a parallel, submerged dimension in which musicians meet when they improvise. Sound microcosms emerge in those moments, and this is precisely the magic that Bottazz! wanted to photograph in their first album: Bottazz! VOL.1. A "live" album, capable of transmitting spontaneity, sonic truths, empathy, feelings; ingredients that are difficult to transmit by recording the instruments individually or with other techniques. Recorded in the historic "Auditorium 900" studios, a true time machine, as well as an institution for music in Naples. Auditorium 900 took up the challenge in the figure of sound engineer Fabrizio Piccolo and from here the sound of Bottazz was born! A sound made up of lysergic Funk trips, 70's influences in all possible nuances: from progressive funk to Santana's Hispanic rock, up to touching its darkest and most hidden latitudes; audio waves influenced by the soundtracks of the cinematography linked to those times, organs, synths, percussion and wah wah guitars, which generate a melting pot in which nothing is taken for granted. Bottazz! VOL.1 is a ship's diary, a journey into which each sailor has inserted its own emotions accumulated over the years, thus giving us a sincere and genuine record. Happy navigation.

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Bottle Rockets

2LP | 1994 | US | Reissue (Real Gone Music)

73,99 €*

2LP | 2019 | EU | Original (Drumcode)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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The Bottle Rockets’ 1994 record The Brooklyn Side ranks right up there with Uncle Tupelo’s Anodyne in the pantheon of alt country albums…yet it has Never come out on vinyl. We’ve hooked up with original producer Eric “Roscoe” Ambel and mastering engineer Scott Hull to score the original tapes and create an all-analog release of this legendary record…but we didn’t stop there. We’ve also added six bonus tracks to flesh out this 2LP Expanded Edition, winding up with the track that started it all, Brian Henneman’s “Indianapolis.” Reissued with the full consent and cooperation of the band, this 30th anniversary release stands as one of our biggest Real Gone coups. Flame orange vinyl limited to 1500 copies worldwide, for Record Store Day 2024.

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Boxia

A Night In The Life Of

19,99 €*

CD | 2022 | UK | Original (Room 40)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Boxia drops his debut album ‘a night in the life of’ on Drumcode. A musical portrait inspired by friends. Each track represents a personal memory.
Since breaking through in 2015, Boxia’s music has quickly progressed him into the upper echelons of underground dance music stardom. Quiet and unassuming by nature, his sound is drenched in transcendental atmosphere and evocative soundscapes; making it a perfect meeting place for the warehouse energy of Techno and the intelligent thoughtfulness of Progressive House.
For all of us, clubbing and nightlife are a myriad of sights, sounds and experiences. With the concept of this album, Boxia has sketched some of the characters he’s met along the way. “I wanted this album to be as much about the people that I’ve met, as it is about me. People I talk to every day; people I only encountered once, and my life long companions.” He says.
“Each track is inspired by my personal interactions with these people. The quiet but dedicated raver who never leaves their spot on the dance floor. The friend who disappears at every party but always turns up hours later with a huge smile on their face and an amazing story. The chance meeting with a complete stranger who shares your entire outlook on the world. Each track on this album sketches an audio portrait of these characters who have inspired me.”
Over the fourteen tracks, these ‘shared experiences’ take the form of warehouse stompers, melodic soundscapes and delicate, personal moments. More than just a collection of club tracks, ‘A Night In The Life Of’ lifts the lid on a producer with startling range and a razor sharp sonic palette, tapping into his own personal memories to create moments of incredible introspection.
Take opener and title track ‘A Night In The Life Of’ for example - which marries pounding beats, sparse percussion and Trance-like synth work to form a detailed picture in the minds of its listeners. Boxia takes you on a unique, ultimately uplifting journey with each track utilising texture, tone and emotion.
After six powerful and musically rich club tracks, the relative calm and broken beat stylings of ‘Give Love Always’ is perfectly placed, showcasing Boxia in melancholy reflection away from the bright lights and buzz of the main stage. Equally, the album’s closing track ‘Last Nightclub’ also benefits from a reflective
stance.
“I have shared experiences with such a diverse and wonderful crowd on both sides of the stage.” Boxia says, “I hope that in listening to this album, people will be able to see themselves, and their friends reflected in the tracks in the same way that I do - as each track aims to build an audio portrait of their identity.”
Wildly entertaining, deeply personal while being equally personable, this is a perfect snapshot of an artist at time in his life where he’s ultimately at ease with himself and the music he currently excels at making.

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Brad E. Rose

Annular Silhouettes

15,99 €*

LP+CD | 2010 | EU | Original (Lilith)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Digitalis's Brad E. Rose (aka The North Sea, Charlatan etc) debuts on Room40 with his most rapturous collection yet - six tracks of bewitching, blissed-out synth drones that bear up to comparison with AFX's "Selected Ambient Works II", Steve Roach's "Structures From Silence" or Brian Eno's "Apollo".

Tulsa, Oklahoma-based Brad E. Rose has been quietly churning out music for decades at this point, working under so many different monikers and in so many different outfits it's been hard to keep track. Apart from heading up the beloved but now defunct Digitalis imprint, Rose also runs The Jewel Garden, where they've been releasing mostly their own private press-style material since 2020. "Annular Silhouettes" is Rose's first non-Jewel Garden solo drop in ages, and sounds like a subtle summation of their recent loose musical threads. Written in "the depths of 2020", the material is Rose's attempt at creating a love-letter to the place where they grew up, created in the house where their grandparents lived for over two decades, only a few minutes walk from their childhood home.

Tulsa is a complicated city with often uneasy politics, but Rose's view is holistic, empathic and sensitive - their memorial is melancholy and sometimes even cold, but never lacking hope. The album is split into six separate pieces that play together as a whole, all made in the same style with the same instrumentation. It's more of a continuing thought than an assembly of different tracks; Rose acknowledges that they enjoy the feeling of not completely knowing what they're doing, and letting their subconscious thoughts guide the creative process. Certainly that gives the music a level of spiritual kinship with Aphex's seminal "Selected Ambient Works II", which was allegedly partly written in lucid dream states. Rose's compositions are nowhere near as dark, but strike a similarly ambivalent mood that feels nostalgic, but not completely rooted in the past.

"Annular Silhouettes" sounds like an elongated take on Brian Eno's "Apollo" classic 'An Ending (Ascent)', and Rose uses the soft-focus synth tones to represent the sun rising and setting across Tulsa's wide, flat plains. It's hard not to be moved.

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Brainticket

Psychonaut

12" | 2024 | UK | Original (Deep, Dark & Dangerous)

Release: 2010 / EU – Original

Genre: Rock & Indie

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1972s Psychonaut, by the Swiss-based Brainticket, is early seventies space rock at its finest. While the bands debut album, 1971s Cottonwoodhill, was a heavily acid-laden affair dominated by droning organ, disturbing vocals and a collection of cacophonic sound effects (causing it to carry a warning label and be banned in several countries) for their second effort, band-founder Joël Vandroogenbroeck brought in a completely new line-up and changed the bands sound dramatically. While Psychonaut still takes listeners into the realm of altered consciousness -- making heavy use of a droning Hammond, sitar, tablas, etc.-- this time the vocals are more melodic and the music itself is more song-oriented. This is by far Braintickets most accessible album, and perhaps their most timeless. Fully remastered from the original master tapes!

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Brassic

Into Chaos

15,99 €*

Impressions On Reading Aldous Huxley

Release: 2024 / UK – Original

Genre: Electronic & Dance

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One of the hottest talents emerging from the New Zealand underground, Brassic, returns to DDD with a tour de force of a record, Into Chaos EP. Switching from the sublime to the ridiculous, while simultaneously traversing a mental cliff edge under the constant threat of experimental torture - this EP is a no hold bars attack on all your senses. Out on a limited edition six track vinyl and digital EP, come and get lost in the deep caves of Brassic’s warped and psychoactive mind. Ranging from the grunge-influenced broody opener, Antagonist, to the outright naughty system banger, Alienated, through to the string punctuated grime influences of title track Into Chaos and the epic EP closer I Am - this body of work is a true gaze into the mind of a truly visionary creative and at points the producer’s soul. Will you step Into Chaos?

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Brave New World

LP | 1972 | EU | Reissue (Wah Wah)

20,99 €*

LP | 2022 | UK | Original (Apollon)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Conceived as a studio project and conceptually inspired by the world of sci-fi novelist Aldous Huxley, Brave New World was created by Reinhart Firchow (recorders, flutes, ocarina, Stylophone, percussion, vocals), John O'Brien-Docker (guitars, organ, percussion, vocals, wind chimes) and Herb Geller (flutes, cor anglais, saxophones, organ). They where aided by Dicky Tarrach (drums, percussion), Lucas Lindholm (bass, bass fiddle, organ, piano) and Esther Daniels (voice). Irishman John O'Brien-Docker had previously played on Die City Preachers and Marcel, and also recorded as Inga & John - Inga was, of course, Inga Rumpf of Frumpy fame. He also played with Dagmar Krause and Anthony Moore, who would later be known as Slap Happy. Reinhart Firchow had also been around for a while and would later form Kaarst. Herb Geller was an accomplished jazz musician who had been playing and recording in several jazz outfits since 1954. Their album, originally released on Vertigo in 1972, featured an eclectic mixture of styles, blending medieval music, folk, electronics, jazz and rock in pure krautrock eclectic lore in the line of Annexus Quam, Achim Reichel or Tomorrow's Gift.

First ever reissue, housed in a glossy laminated gatefold cover reproducing the phenomenal original artwork and an insert with notes, and it's limited to only 500 copies!

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Breidablik

Alduorka

32,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie, Pop

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With “Alduorka”, their fifth full-length studio album, Norwegian Breidablik dives even deeper into the world of progressive electronic and ambient music. Now signed on Apollon Records Prog, the band’s latest release is even richer and wide-ranging than its predecessors, with judicious use of synthesizers, guitar, flute, and drums. “Alduorka” is a concept album about waves, here understood as “a sudden occurrence of or increase in a phenomenon, feeling, or emotion”. The title “Alduorka” is from Faroese and can be translated to “wave energy”. Through six varied tracks, “Alduorka” explores different facets of waves through both sounds and emotions.

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Brenk Sinatra

Facemask

5,99 €* 14,99 € -60%

Available Sizes: S, M, L

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Official facemask with Brenk Sinatra graphic printed on front as well as elastic straps. By the way, this is NOT a medical grade mask. 100% cotton.

Sizes:

• Small = 32 cm width
• Medium = 34 cm width
• Large = 36 cm width

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Brenk Sinatra

Hoodie

61,74 €* 64,99 € -5%

Available Sizes: XL, 2XL

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The Brenk Sinatra Hoodie´s features include:
• drawstring-adjustable two-layer hood
• Brenk Sinatra artwork printed on left chest
• kangaroo pocket
• stretch rib cuffs and bottom band
• additional keyboard graphics printed on the rear
• 80% organic cotton, 20% recycled polyester brush-back fleece (fair produced)

ATTENTION: Item is 1-2 sizes smaller!

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Brenk Sinatra

Sweater

53,99 €* 59,99 € -10%

LP | 2021 | US | Original (Sub Pop)

Available Sizes: L, 2XL

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The Brenk Sinatra Sweater´s features include:
• rib crew neck with interior tape
• Brenk Sinatra artwork printed on left chest and the rear
• stretch rib cuffs and bottom band
• 80% organic cotton, 20% recycled polyester brush-back fleece (fair produced)

ATTENTION: Item is 1-2 sizes smaller!

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Bria

Cuntry Covers Vol. 1

LP | 2023 | US | Original (Sub Pop)

Release: 2021 / US – Original

Genre: Rock & Indie

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Initial Lp Pressing On Opaque Breeze Blue Vinyl. New Project By Longtime Members Of Indie-Country Superstar Orville Peck's Band, And Polaris Prize-Listed Band Frigs.Fresh, Reverent Yet Subversive Renditions Of Classic Songs By Dave Van Ronk (By Way Of Karen Dalton's Arrangement), Waylon Jennings, John Cale, Lucinda Williams, The Walker Brothers, And Mistress Mary. "Bria Is An Intimate And Incisive Labour Of Love From Multi-Instrumentalists Bria Salmena And Duncan Hay Jennings. Catapulted By A Deep Sense Of Dread And Confusion In The Depths Of 2020, Salmena Decided To Forgo Writing Her Own Music. "I Wanted To Listen For What Might Reflect My Life Back To Me," She Says, "Six Tracks That Could Be My Mirror." The Result Is A Pointillistic Knockout Of An Ep That Weaves A Landscape Both Luscious And A Little Rogue; Showing Us Exactly What Good Songs Can Do.Bria's Internal Turbulence Seemed To Mirror Last Year's External Instability. When Jennings And Back-Up Singer Jaime Mccuaig Moved To The Outside Inn, A Hobby Farm In Hockley Hills, Ontario, Bria Soon Joined. The Farm's Living-Room-Turned-Studio Proved An Ideal Setting F...

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Bria

Cuntry Covers Volume 2

3LP | 2023 | UK | Original (Soul Bank)

Release: 2023 / US – Original

Genre: Rock & Indie

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As its name suggested, the intimate and sultry Cuntry Covers Vol. 1 was always going to have a follow-up. Led by the brooding vocals of Bria Salmena, Cuntry Covers Vol. 2 is every bit as potent as its predecessor whose noir-inflected alternative country-rock stood in sharp contrast to the singer's commanding delivery as leader of post-punk revivalists Frigs. Debuting the project in 2021, the languid, reverb-drenched Cuntry Covers Vol. 1 saw her artfully collaborating with multi-instrumentalist Duncan Hay Jennings and reimagining a carefully picked collection of Americana anthems. Vol. 2 pushes the envelope further and harder. Encompassing feverish takes on tracks by Gillian Welch, Paula Cole, Mary Margaret O'Hara, Robert Lester Folsom, Glenn Campbell - by way of Nick Cave - and the late, great Loretta Lynn, Bria's deliciously dark approach shimmers through these six startling songs. Created during a break from Salmena and Jennings' work in Orville Peck's world-conquering backing band, Vol. 2 was recorded directly after Peck's second album and Bria's US tour supporting Wolf Alice. Embracing contrast, the sunny circumstances in which Vol. 1 was made were flipped on their head. Instead of a bucolic barn in the Canadian countryside, they recorded the new tracks in chilly Toronto, huddled together in their tiny makeshift home studio, with Jennings at the controls. They enlisted the help of local Toronto musicians Lucas Savatti (Frigs), Simone Baril (US Girls, The Highest Order, Darlene Shrugg, Partner), Andrew Manktelow, and frequent collaborator Jaime Rae McCuaig. While Vol. 1 was Bria's attempt at subverting country music's conservative roots and primarily white and heterosexual agenda, here the emphasis was on experimentation. While Vol. 2 might be less personal, it's just as idiosyncratic, with half of the reversions staying true to the originals and others taken to a different universe entirely. Building on the tried-and-true/bold-and-new duality of Cuntry Covers' first offering, Vol. 2 delivers a deeper dive into the duo's brilliant alchemy of traditional and contemporary reinterpretations. The added experimental flourishes, from dizzying electronica and pulsing bass to sax-driven soul, take Bria's new EP into previously uncharted territory, signalling a thrilling new step in Bria's adventurous evolution.

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Brian Auger

Auger Incorporated

35,99 €*

Little Orphan Boy EP (Two Soul Fusion A.K.A Louie Vega & Josh Milan Remixes)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Auger Incorporated is a career spanning triple vinyl / double CD compilation of the legendary Brian Augers" music. Lauded and loved by artists as diverse as Mose Allison to Emma-Jean Thackray, his tracks have been sampled by Mos Def & Common, his original compositions covered by Sarah Vaughan, Richard "Groove" Holmes and The Main Ingredient. He is a Grammy nominee and recipient of a US Congressional Certificate of Special Recognition for his"contribution to the American art form of Jazz". Auger Incorporated includes classic album tracks, rarities and live concerts performances, some of which have never released before from Brian"s ground-breaking, genre busting catalogue, and reaches back to his early 60"s debut as an poll-winning jazz piano prodigy, his transformation into swinging London"s premier Hammond Organ playervia his groups" The Steam Packet and Julie Driscoll, Brian Auger &The Trinity, and his flagship 70"s band - The Oblivion Express - Auger"s blend of jazz, R&B and pop idioms saw him credited as one of the earliest protagonists of jazz fusion.

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Brian Jackson

2x12" | 2022 | UK | Original (BBE Music)

32,24 €* 42,99 € -25%

Little Orphan Boy - Two Soul Fusion Remixes

Release: 2022 / UK – Original

Genre: Organic Grooves

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‘Little Orphan Boy’ is the second single taken from album ‘This Is Brian Jackson’, presented with remixes by Two Soul Fusion, a.k.a. Louie Vega and Josh Milan.

The veteran artist’s first true solo LP in over 20 years, ‘This Is Brian Jackson’ is produced by Phenomenal Handclap Band founder Daniel Collás. Collás lovingly re-frames and updates ideas and demos that Jackson first laid down back in 1976, right around the time he recorded ‘Bridges’ with Gil Scott-Heron, for a solo project that never saw the light of day… until now.

Alongside his ‘Two Soul Fusion’ partner Josh Milan, Louie Vega gives the album’s closing track ‘Little Orphan Boy’ two truly vintage remix treatments, taking the song on an eclectic, soul-stirring, timeless journey. The extended ‘Two Soul Fusion’ mix calls to mind the golden era of Masters at Work productions, featuring a Latin-infused percussion groove, shimmering organs and in-the-cut funky guitar lines. The ‘Downtempo’ remix lets Brian Jackson’s vocals ride over a head-nodding, stripped back, yet equally soulful arrangement.

“A dream to work with Brian Jackson” says Louie Vega. “I mean, he’s a big part of our musical landscape and has been a huge inspiration in our lives. From way back to my early years in the Bronx, through to my DJing and producing career, into productions like Nuyorican Soul, Elements of Life, Kenlou, Brian and Gil have always been with us! Now to work on such an amazing song with Brian’s keyboard work and lead vocal, it made it so much easier for Two Soul Fusion (Josh and I) to find that pocket and groove. We had to create an epic piece and take you on a trip through several styles, it was calling for it. That’s due to the original work of Brian Jackson, a true Master at Work & Two Soul Fusion hero!!! I’m looking forward to seeing what’s next on the horizon with us and the one & only Brian Jackson.

Brian Jackson: “I have always loved the musicality and the rhythmic power that surges through the artistry of Louie Vega since I first heard him in Masters at Work. I made a silent wish that one day I would hear one of my songs given that special treatment. Imagine my elation to know that it would finally happen – with a song I wrote and recorded 45 years ago for a solo project that might have never happened if not for producer Daniel Collás and BBE chief Peter Adarkwah! Louie, along with Two Soul Fusion partner Josh Milan and I are alike in so many ways, I knew that if we ever got together, magic would happen and well… here’s to magic! My love and gratitude to Louie, Josh, Daniel, Peter and the beautiful BBE family.”

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Brian Jackson

2x12" | 2023 | UK | Original (BBE Music)

28,79 €* 31,99 € -10%

Mami Wata - Joaquin Joe Claussell Sacred Rhythm And Cosmic Arts Remixes

Release: 2023 / UK – Original

Genre: Electronic & Dance

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‘Little Orphan Boy’ is the second single taken from album ‘This Is Brian Jackson’, presented with remixes by Two Soul Fusion, a.k.a. Louie Vega and Josh Milan. The veteran artist’s first true solo LP in over 20 years, ‘This Is Brian Jackson’ is produced by Phenomenal Handclap Band founder Daniel Collás. Collás lovingly re-frames and updates ideas and demos that Jackson first laid down back in 1976, right around the time he recorded ‘Bridges’ with Gil Scott-Heron, for a solo project that never saw the light of day... Until now. Alongside his ‘Two Soul Fusion’ partner Josh Milan, Louie Vega gives the album’s closing track ‘Little Orphan Boy’ two truly vintage remix treatments, taking the song on an eclectic, soul-stirring, timeless journey. The extended ‘Two Soul Fusion’ mix calls to mind the golden era of Masters at Work productions, featuring a Latin-infused percussion groove, shimmering organs and in-the-cut funky guitar lines. The ‘Downtempo’ remix lets Brian Jackson’s vocals ride over a head-nodding, stripped back, yet equally soulful arrangement. “A dream to work with Brian Jackson” says Louie Vega. “I mean, he’s a big part of our musical landscape and has been a huge inspiration in our lives. He and Gil from way back to my early years in the Bronx, through to my DJing and producing career into productions like Nuyorican Soul, Elements of Life, Kenlou, Brian and Gil have always been with us! Now to work on such an amazing song with Brian’s keyboard work and lead vocal it made it so much easier for Two Soul Fusion (Josh and I) to find that pocket and groove. We had to create an epic piece and take you on a trip through several styles, it was calling for it. That’s due to the original work of Brian Jackson, a true Master at Work & Two Soul Fusion hero!!! I’m looking forward to seeing what’s next in the horizon with us and the one & only Brian Jackson.” Brian Jackson: "I have always loved the musicality and the rhythmic power that surges through the artistry of Louie Vega since I first heard him in Masters at Work. I made a silent wish that one day I would hear one of my songs given that special treatment. Imagine my elation to know that it would finally happen - with a song I wrote and recorded 45 years ago for a solo project that might have never happened if not for producer Daniel Collás and BBE chief Peter Adarkwah! What Louie, along with Two Soul Fusion partner Josh Milan and I do are alike in so many ways, I knew that if we ever got together, magic would happen and well... here’s to magic! My love and gratitude to Louie, Josh, Daniel, Peter and the beautiful BBE family.”

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Brian Jackson

2x12" | 2023 | UK | Original (BBE Music)

34,99 €*

12" | 2021 | EU | Original (Clutching At Straws)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Mami Wata - A Captivating Journey through West African Rhythms Experience the mesmerizing fusion of traditional African sounds and modern Latin house in Brian Jackson's latest single package, "Mami Wata." Drawing inspiration from the depths of West African mythology, this track takes you on a captivating sonic adventure that spans vast regions of the continent. Brian Jackson's rendition of a traditional African song resonates with the richness and abundance symbolized by the mythical figure of Mami Wata. From the sacred lands of the Dogon in Mali to the vibrant rhythms of Ghana, and even reaching into the heart of Central and Southern Africa, this composition pays homage to the diverse tapestry of African cultures. To further elevate this masterpiece, Brian has collaborated with the masterful Joe Claussell, who lends his expert touch to craft a remix that intertwines a modern Latin house thread with the African fabric of the original composition. The result is the Sacred Arts Mix, a true testament to the power of music as it effortlessly merges genres and weaves an enchanting spell over the dancefloor. This single package boasts not just one, but six distinct versions of "Mami Wata," each carefully crafted with its own unique tempo and subtle seasoning. Whether you prefer the rhythmic intensity of the Sacred Rhythm version, the deep dub vibes of the Deep Dub edition, or the extended album version that allows you to fully immerse yourself in the magic of the composition, this release offers a diverse range of musical experiences. The remix package brings to life Brian’s immersive vocals, flute, kalimba, and organ playing. And for those seeking a slower, introspective groove, the Cosmic Arts Future Instrumental Slow version provides a celestial atmosphere that will make you feel as though you're floating among the stars.

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Brian Ring

Visions EP

13,99 €*

A Collection Of Songs Written And Recorded 1995-1997: A Companion EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Visions EP , an ode to the heroes, creating that certain Joie de Vivre in the new world order. Visions serve like a bouquet of treats firing on all cylinders. Cabaret Deluxe kicks off with an uplifting celebration of hooks, horns , bells and efx. Delicately placed over a revving arpeggiated disco bass line. Star Gazer reminds us of those long cherished summer days. Those stand out numbers sounding extra lush in the sunshine. Night Tribe takes the intensity up yet again with a Moroder type Caribbean workout. Organs and Horns heavenly intertwined. Disco Nomad is as playful as it is sparse. Smoothly crafted vox cuts glide over a seductive bassline with drum hits sprinkled throughout.

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Bright Eyes

LP | 2022 | US | Original (Dead Oceans)

Fevers And Mirrors: A Companion EP

Release: 2022 / US – Original

Genre: Rock & Indie

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It's the desire to celebrate their sonic bounty that first got Oberst and the band excited about the idea of comprehensive reissues. But this wouldn't be a Bright Eyes project if a moment devoted to appreciating the past weren't turned into an opportunity to connect with the future. That's where the nine companion EPs come in. Or as Oberst puts it, "the supplemental reading" for the primary reissues: One six-track EP per reissued album, each featuring five reworked songs from that album. "My thing was they had to sound different from the originals, we had to mess with them in a substantial way." Plus one cover that felt "of the era" in which that particular albums was made - a song that meant something to the band at the time. To help the EPs come alive in the fullest way, Bright Eyes called in lots of old friends, like Bridgers, M. Ward, and Welch and Rawlings, as well as new ones like Katie Crutchfield of Waxahatchee.

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Bright Eyes

LP | 2022 | US | Original (Dead Oceans)

Letting Off The Happiness: A Companion EP

Release: 2022 / US – Original

Genre: Rock & Indie

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Bright Eyes

LP | 2022 | US | Original (Dead Oceans)

7" | 2023 | EU | Original (Shimmy Disc)

Release: 2022 / US – Original

Genre: Rock & Indie

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Britta Phillips & Kramer

Nocturnes

12,99 €*

2LP | 2017 | EU | Original (City Slang)

Release: 2023 / EU – Original

Genre: Rock & Indie

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In 2022, the pandemic seemed to be receding to the point where artists could work together again, literally side by side. So, as a kind of 'follow-up' to my Joyful Noise 2020 Artist-in-Residence box set, I revisited the notion of a limited-edition vinyl box celebrating the joys of collaboration. i thought about it for a good long while, and eventually, It felt good. I then put the idea under a microscope and found that it felt even better when i minimized the project to six 33rpm EP's on 7" vinyl. The borderless landscapes of audio art, tempered by the imaginations of the artists I chose to work with, then cast against the myriad infinities of mysteries betwixt those ageless, spinning rings...those rings that seem to sing, "...listen to us..."It all begins with imagery. Always. Let it be. If You fall in Love with the process, it's possible that the process will Love you back. The end results are important, but nothing is more important (to me) than the changes we experience as a result of the process. How are we different now, after the music is done? What has happened to us, because of these sounds we have made together, and these songs we have made? And, of equal importance... can the listener sense that something is happening o the artists as a result of their collaborations? And...can the listener experience some of that, too?RINGS OF SATURN won't change the world, but the words & music dervishing off these grooves accurately expresses the Love poured into the foundations beneath these Nocturnes (w/ Britta Phillips) and Psalms (w/ David Grubbs) and Preludes (w/ Eerie Wanda) and Elegies (w/ Jad Fair & Danielson) and Laments (w/ Paul Leary) and Hymns (w/ Rob Crow). working with others is my lifeblood. I am Nothing without them.TIME, with all its mysteries intact, and unfettered by borders, so that both the artists and the listeners can enter, in partnership, together. -Kramer, 2023

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Broken Social Scene

Hug Of Thunder

24,99 €*

A Mysterious Land Of Happiness

Release: 2017 / EU – Original

Genre: Rock & Indie

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Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed by Kevin Drew and Brendan Canning. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett.

The group's sound combines elements of all of its members' respective musical projects, and is occasionally considered baroque pop. It includes grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.

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Broken Waltz

LP | 2021 | EU | Original (Beast)

LP | 2022 | EU | Original (Playground)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Limited Colored Vinyl !Brocken Waltz is Buck. Buck changed its name for Brocken Waltz. Long live Brocken Waltz!Dark and martial, stormy and pagan, the sinister and oppressing Broken Waltz' boogie causes cold fever, cold like the Joy Division remains lost in the bayou or on the Delta shore. The maleficent ride of this voodoo gang takes today the back road surveyed by The Grinderman by Nick Cave, The Tom Waits' junk, the Cramps' rock-a-boogie or the Suicide synth-blues. The duo drum'n bass (Xavier Soulabail / Clément Palant) revels in organs and saxophone, the texts and the tormented voice resonate under a disturbing moonlight. A bewitching Last Night Boogie!

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Bror Gunnar Jansson

20,99 €* 27,99 € -25%

LP | 2024 | US | Original (Funk Night)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Re-release. Comes with a different front cover.Random coloured recycled vinyl.Bror Gunnar Jansson's debut solo album. Six original songs, one traditional murder ballad and a version of Richie Hart's rhythm and blues song "Heartaches and Troubles". This was recorded live-in-studio by Christoffer Johansson during a weekend in 2012.The song "William Joseph Dean" featured in the Netflix movie "The last days of American crime" (2020).

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Brother Lee

Casio City Rockers

24,74 €* 32,99 € -25%

Brownout presents Brown Sabbath

Release: 2024 / US – Original

Genre: Organic Grooves

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"Casio City Rockers" is a deep dive into the infamous archives of Brother Lee, a.k.a. Lee Skelly. The 19 tracks here are compiled from 4-track cassette machines, Sony Walkmans, dictaphones and mobile phones, and were recorded in home studios, bedrooms, hotel rooms, holiday apartments... basically wherever, whenever and however Lee could record them before he had the chance to forget them.

His cassette archive alone runs to around 600, then there's the numerous carrier bags and boxes of mobile phones, USB keys and dictaphone tapes scattered around his remote French home, all full of either completed songs or scraps of melody or song sketches, and played on whatever instrument was nearest to hand. Not being particularly sentimental or nostalgic, it's rare for Lee to look over his shoulder for this kind of stuff.

So, imagine "Money Mark's Keyboard Repair" filtered though a Syd Barrett lens, or if Daniel Johnston had been fixated on Shuggie Otis and peak-70s Stevie Wonder instead of The Beatles. Everything here may be slightly broken but it works perfectly if you get what I mean. From the funky Clavinet workouts of "Baroque Neck Brace" and "Wah Wah" to the dead-on-'67 sitar-and-backwards-guitar psychedelia of "It's All Around" to the Afrobeat-inspired "Super Capri Beat" and the bonkers Casio-goes-Acid House title track, even the breezy lo-fi soul pop of "Turquoise" and "Bossa For Ingrid", this album is a wild ride. Don't miss it."

- Jenn Hepsworth, London, 2023.

..................................................................

Lee Skelly: Hammond organ, Fender Rhodes, Minimoog, Wurlitzer piano, Casio Mt-65, Casio Sk-1, flute, sitar, tambura, tablas, electric sitar, Clavinet, Mellotron, guitar, bass, drums, melodica, percussion, vocals.

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Brown Sabbath Volume 2

CD | 2016 | US | Original (Ubiquity)

16,99 €*

Bruce Marshall / Bill Thomas

Release: 2016 / US – Original

Genre: Organic Grooves

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Austin’s Brownout unleashed the “Brown Sabbath Vol. I” project garnering acclaim from outlets such as NPR (50 Best Albums of 2014), Pitchfork, hardcore Black Sabbath fans and most important of all Ozzy Osbourne himself, while staying true to their Latin Funk roots. Brown Sabbath Vol. II cranks up the level, rocking harder than the original with a brew of ballistic horns, pummeling guitar-riffs underscored by a funky, driving rhyhm section. Ghostland Observatory‘s Aaron Behrens makes a guest appearance sharing vocal duties with Brown Sabbath lead vocalist Alex Marrero.
Hitting harder than its predecessor and keeping closely in line with the original Sabbath material, “Brown Sabbath Vol. II” crosses over more to hard rock territory. Brownout’s powerful, signature full horn section, dual-guitar attack, funked-up drums and latin percussion return with a vengeance, adding even more weight and texture to create a dark hybrid sound that resonates with groove-laden intensity unique to their interpretation of Black Sabbath’s tome.
An 8-piece outfit formed ten years ago by members of Grammy Award-winning Latin revival orchestra Grupo Fantasma, Brownout has evolved into a musical force all its own. With a succesful tour of “Brown Sabbath” under their belt including Bonnaroo and Austin Psych Fest while earning their third Austin Music Award, the band has continued to produce music that is unflinchingly progressive, while evoking the classic influences of artists such as WAR, Cymande and Funkadelic. Brownout now has four albums under their belt including “Brown Sabbath Vol. I” (Ubiquity 2014), “Homenaje” (Freestyle Records 2008), “Aguilas & Cobras” (Six Degrees 2009) and “Oozy” (Nat Geo 2012).

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Gimme My Wife / Ease My Mind

7" | 2018 | US | Original (Preservation Project)

14,39 €* 15,99 € -10%

Letter To You Black Vinyl Edition

Release: 2018 / US – Original

Genre: Organic Grooves

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Come be our special guest at the P-Funk party of PP-005 — a release reminiscent of those pioneers of funk, Parliament and Funkadelic. These found tracks by Bruce Marshall and Bill Thomas were likely recorded around the time of “Osmium” and “Maggot Brain” — in fact, the artists featured here may have been directly influenced by the movement as it was happening, making these discoveries remarkable entries into the history of psych funk.
Where to begin with Bruce Marshall’s “Gimme My Wife” on the A side? Try to imagine a psychedelic football game, with driving wah wah funk as the halftime show. The frenetic instrumentation is guided by an infectious guitar hook, coupled with a loose chorus of voices and whistle blows. They all come together at the end to chant what sounds like “parrrr-tay,” a foreshadowing of that refrain the Beastie Boys would popularize.
Things get a little more solemn on side B with an instant classic by Bill Thomas, “Ease My Mind Pt. 1.” A surprising dirge of fuzzy guitar leads into a chorus that sings, like a mantra, “I have seen much trouble...ease my mind.” Things morph into tight horns backed by some prominent organ — in fact, this is one of the tightest horn sections on any of our releases to date.
Psych funk is alive and well on our fifth release — adding a new dimension to the amazing body of P-Funk that’s already out there. Who knows what could have happened had these cuts reached ears during the 70s — but the time for the Marshall-Thomas ship to land is now. Put this on to get your next party going, and it’ll do most of the work for you. Get this special, split 7” on limited-run vinyl while you can.

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Bruce Springsteen

2LP | 2020 | EU | Original (Sony)

33,99 €*

LP | 1974 | EU | Reissue (Wiseraven)

Release: 2020 / EU – Original

Genre: Rock & Indie

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New Springsteen on black vinyl. One LP side comes with an etching. It's a gatefold jacket with transparent inner sleeves. There is a 16 page booklet in sleeve size. It's a 140g vinyl pressing

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Bruno Battisti D'Amario

Chitarre Folk

Long In The Tooth Black Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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One of the furthest experiments in library music, first official vinyl reissue under Sonor Music Production license. ‘Chitarre Folk’ was conceived in July 1974 and produced by the small publishing company Nike, the album is brilliantly propelled by the two six-string players Bruno Battisti D’Amario and Silvano Chimenti (long-time collaborator of I Gres, Pulsar and Piero Umiliani E La Sua Orchestra), touching avant-folk themes surrounded by Maestro Sandro Brugnolini’s lush arrangements and Edda Dell’Orso’s ghostly vocals. Ethereal psych-folk melodies akin to the imaginary landscapes of John Fahey and Robbie Basho.

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Budos Band

LP | 2020 | US | Original (Daptone)

Buena Vista Social Club Record Store Day 2024 Gold Vinyl Edition

Release: 2020 / US – Original

Genre: Organic Grooves

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Celebrating 15 years from the release of their debut album, Daptone's Royal Court from Staten Island delivers a truly epic collection of new material that finds the group further bridging the gap between the farfisa-fueled Ethio-Funk stylings of their early recordings, with the psychedelic, Sabbath-inspired hellfire of late.

“In some ways, it's reminiscent of our first two albums The Budos Band and Budos II,” says Tom Brenneck. “We branched off on Burnt Offering and Budos V. Now, we're still moving forward. You can play these songs on the dance-floor. We knew the horns had to stand out too. Thinking about hip-hop allowed us to put the bounce back into The Budos.”

This is evident from needle drop to final rotation. Heavy drum breaks, reminiscent of the BBoy approved grooves of their early output reign supreme, setting the stage for the pulsating, hallucinatory wall of organ, menacing horns, and rugged guitar riffs to permeate your soul - leaving the listener in a rhythmic wash of Budonian rapture.

Long in the Tooth represents the culmination of a 15-year journey by a band that has consistently carved its own distinct path through the grooves of history.

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Buena Vista Social Club

2LP | 1996 | EU | Reissue (World Circuit)

42,99 €*

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Buena Vista Social Club’ is both the name given to this extraordinary group of musicians and the album, recorded in just six days in 1996 in Havana’s 1950s vintage Egrem studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at 8 million copies, outselling any other record in the same genre. The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González & Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century. Celebrating 25 years since the release of Wim Wenders’ iconic documentary ‘Buena Vista Social Club’, this classic album will be made available on limited edition gold vinyl, and features the remastered audio and bonus tracks released as part of the album’s 25th Anniversary in 2021.

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When The Wind Forgets Your Name

CD | 2022 | US | Original (Sub Pop)

11,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Since the band's inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of musicians making music and playing live together. "I wanted to switch the lineup for many reasons. Each time we finish a record I want the next one to sound totally different. It's fun to play with people who bring in new styles and ideas," says Martsch. "And it's nice to be in a band with people who aren't sick of me yet." Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, There's Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of its own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. "I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed." (The rumors are true, we love quinquagenarians_) When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch's good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, Joao Casaes, both of the psychedelic jazz rock band, Orua. Martsch fell in love with their music the moment he heard it. So when he needed a new band for shows in Brazil, he asked them, and the partnership went so well Martsch, Almeida, and Casaes continued playing together throughout 2019, touring the US and Europe and ultimately recording the bass and drum tracks for When the Wind Forgets Your Name at Doug's rehearsal space in Boise. After Martsch tracked guitars and vocals, they group collaborated from afar to mix the album. What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists' distinct musical ideas. Alongside Built to Spill's poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds, from guitar-driven rock odes to REM and Dinosaur Jr to bluesy '60s-style anthems to dub-reggae-inspired instrumentation. It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.

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When The Wind Forgets Your Name

Tape | 2022 | US | Original (Sub Pop)

13,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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When The Wind Forgets Your Name Black Vinyl Edition

LP | 2022 | US | Original (Sub Pop)

Release: 2022 / US – Original

Genre: Rock & Indie

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When The Wind Forgets Your Name Limited Misty Kiwi Fruit Green Vinyl Edition

LP | 2022 | US | Original (Sub Pop)

2LP | 2024 | EU | Original (Komos)

Release: 2022 / US – Original

Genre: Rock & Indie

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Bumcello

The Party

31,99 €*

Buon Vecchio Charlie Crystal Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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It’s a family affair. One formed almost thirty years ago, back in the mid-nineties, when the pair joined seminal French jazz combo Olympic Grammofon. For twenty-four years they have worked together as Bumcello, each complementing the other, echoing polar opposites. The Boom in Bumcello is none other than Cyril Atef, incisive drummer, relentlessly pushing beats towards new horizons. The Cello is Vincent Ségal, cellist without blinkers and extraordinary musical alchemist. Since 1999, these two die-hard music fans, coming together for mercurial results, have released one record after the other whilst conquering the hearts of their live audiences, old regulars as well as new recruits. We have all been seduced by the way their music leapfrogs categories - these two experts are much more interested in kindred spirits than pigeonholing, and this very spirit is celebrated on more than one track of this ninth record, whose concept is original to say the least.

Everything began with an idea by Cyril Atef - a soundtrack based upon drawings penned by Marin, Vincent’s son, architect and visual artist. The musicians involved then coached their reaction to these images on a score, and the pair were charged with collating and adjusting the results. These thirteen ink drawings, in a heroic fantasy vein, constituted a matrix which was then to serve as a guide, like a roadmap through a singular and multi-faceted labyrinth. The key to this sonic fresco is in Bumcello’s image – an eclectic aesthetic twinned with a great sense of contrast. Herein lies the trademark of this entity animated by the gift of musical ubiquity, gorged on scales and rhythms, capable of a slap as much as a gentle caress. From classical music to electronics, from improvised music to sophisti-pop, everything is allowed with no preconceived ideas. They can even reclaim the traditions of others, all the better to propel them towards new horizons - this is how the very history of music has always panned out.

If you listen between the lines and look at the details, more than one piece bears witness to the moments and individuals that have impacted the criss-crossing lives of Vincent and Cyril. The track Crash is the perfect excuse to create a Jamaican-style jam with New York inflections, and we can see, in capital letters, the name Hilaire Penda, playing alongside Bumcello at the Apollo Theater in the associated drawing. This bass player from Cameroon, who died on 5th November 2018, was more than just a friend for the two Frenchmen. He was one of the family. Similarly, they give a nod to another Cameroonian, and another departed friend - singer of rock band les Têtes brûlées, Zanzibar, through the vocals of fellow countryman Zanzi. The ghost of Rémi Kolpa Kopul, emblematic voice of Radio Nova, haunts the margins of Spark Av, in a vocal sample with a smattering of effects. As for I Remember Tim, it directly honours the memory of Timothy Jerome Parker, aka The Gift Of Gab, another friend who left us in 2021. Tim is depicted in a drawing with the docks of Oakland in the background, and it’s his alter ego within Blackalicious, Chief Xcel, who remotely added his signature to the track, notably by adding the words of Lateef The Truthspeaker to brass and woodwind sounds.

These are the only additions to Bumcello’s original nucleus, all the better to create a genuine musical concoction where Vincent Taurelle is in charge of production and mixing sessions recorded live and direct. He is also invited for a twinkle on the keys (piano, synths, Wurlitzer, organ), on a handful of tracks. Already at the commands of previous opus Monster Talk, always taking care over the slightest detail, the one that makes all the difference, this pianist is now also part of the family. “Everything he brings is perfect, whether added though slight touches or through very important choices”, say the two members of a combo which today, appears to us under the guise of a trio, adding an extra dimension to a far-reaching mix, in the image of the veiled or more explicit tributes making up the cornerstones of this release.

Booker, a drawing where we see the musicians enter a club, honours James Booker, great pianist from New Orleans who has always fascinated Vincent, in a genre that is off-beat and gender defying. Her Story was created by Cyril in support of the Iranian women’s movement. Aysyen Kampe evokes, even in the original drawing, a tradition that remains impactful for Bumcello – Haitian mysticism, and Ouï Khouïette Ouï conjures up the beats of the Allaoui, a war dance from Western Algeria, one they have taken part in in the past with the help of Cheikha Rabia. They deliver a metal version, original and surprising, especially as Marin Ségal’s drawing features the Nicholas Brothers, those iconic dancers of the 30s jazz scene!

Resolutely hard to pin down, Bumcello’s beats can initially take on the structure of disjointed house, though Sangre begins like a film soundtrack, “in a Mexican style” adds Vincent, who was at the origin of this track. A delicate alap on the cello can open up onto afrobeat rhythms, a well-pitched voice can enchant, like on the amazing The City Has Eyes which has everything of a hummable pop hit. Emblematic of this manner of encompassing all music without being exclusive, Le Grand Sommeil, a direct reference to the Howard Hawks movie inspired by Raymond Chandler, a precursor of David Lynch, begins nice and smooth but ends on a wild tempo, on a drum’n’bass tip, as in the good old days of Cithéa, when this Party story began in the other century.

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Buon Vecchio Charlie

LP | 1990 | EU | Reissue

26,09 €* 28,99 € -10%

Street Halo EP / Kindred EP

Release: 1990 / EU – Reissue

Genre: Rock & Indie

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Buon Vecchio Charlie's self-titled record is one of many others who were never released at the time they were made (1972, in this case) but remained hidden in some obscure closet, until a late publication in the '90s.

This is a real gem that we dare to name among the 'fundamentals' of Italian Prog; once released the first time, it soon went out of stock until AMS Records produced a CD version in 2011. A fantastic album, made of pure and complex symphonic prog music, with a beautiful mix of flute, guitar and organ, with strong classical influences; the musicians involved were very skilled, such as the other ones playing in bigger and more famous bands: PFM, Banco del Mutuo Soccorso, Le Orme and Quella Vecchia Locanda, just to name a few.

Today "Buon Vecchio Charlie" is released once again by AMS Records in its 'definitive' edition, on black vinyl, with a cover artwork that reflects the CD's one, including the liner notes written by guitarist and singer Luigi Calabrò. A must-have for any Italian Progressive Rock lovers!

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Burial

CD | 2012 | JP | Original (Hyperdub / Beatink)

11,99 €*

2LP | 2023 | EU | Original (Epic International)

Release: 2012 / JP – Original

Genre: Electronic & Dance

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Originally produced exclusively for the Japanese domestic market. All six tracks in their full length versions, totalling 50 minutes of music not previously available on CD, packaged in full size jewel case with Japanese obi-strip overlay.

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Busta Rhymes

Blockbusta

30,59 €* 33,99 € -10%

12" | 2023 | EU | Original (Meakusma)

Release: 2023 / EU – Original

Genre: Hip Hop

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(New York, NY – October 23) Celebrated hip-hop luminary, Busta Rhymes, renowned for his lyrical brilliance and enduring contributions to the genre, has just unveiled a groundbreaking announcement in an exclusive in-studio film clip. The iconic MC is gearing up to release his long-anticipated new studio album, “BLOCKBUSTA,” in partnership with an exceptional team who bring an unprecedented amount of star power as project curators. You can’t get a mind squad with any more cultural equity than Pharrell Williams, Timbaland, Swizz Beatz and Busta Rhymes himself. All serve as Executive Producers on “BLOCKBUSTA.”

In the video, wizz Beatz, proudly introduces the extraordinary alliance working with Busta Rhymes on “BLOCKBUSTA.” There’s Pharrell Williams, who he refers to as “The Pharaoh,” Timbaland, who he calls “The King,” and Swizz Beatz humbly refers to himself as “The Student.” All three super producers also helm tracks on the album in addition to their executive duties. This collaboration of four of hip-hop’s most prolific and celebrated heavyweights is poised to give rise to a dynamic masterpiece, destined to be embraced by fans across the globe. The LP is to be released on Friday November 24, 2023, by way of Busta Rhymes label, The Conglomerate Entertainment distributed by Epic Records/Sony Music Entertainment. For the megastars joining forces with their close friend Busta Rhymes, working on

“BLOCKBUSTA” was a labor of love and brotherhood Timbaland expressed his gratitude, in the film clip stating to Bus, “I’m so grateful that you chose me to be a part of your legacy.” Pharrell passionately added to Busta “You really feel illuminated; this illumination is good because I think people are going to be able to get and feel that.” Their enthusiasm is palpable, heralding the launch of a historic musical endeavor. The year 2023 has been a monumental year for Busta Rhymes, as he received the prestigious Lifetime Achievement Award at the B.E.T Awards. This accolade celebrated his heralded legacy over the years and his continued impact on the world of entertainment. Busta Rhymes, accompanied by five of his six children, graced the awards show and the red carpet, making it a heartwarming, family-centered celebration. As anticipation continues to mount for “BLOCKBUSTA,” one of the album’s tracks, “Beach Ball,” featuring the emerging femcee BIA, has garnered significant attention in the run-up to the 2024 Grammy Awards. It is under consideration in multiple Grammy categories, including Song of the Year, Record of the Year, Best Rap Performance, and Best Music Video, further cementing Busta Rhymes’ legacy as a dominant force in hip-hop. Busta’s latest single is “Luxury Life” featuring Coi Leray. The song, produced by Swizz Beatz and Busta Rhymes, finds both MCs speaking their clout while providing a banger to put any club into overdrive. Fans have been and are continuing to go into frenzy from seeing Busta Rhymes, live as well. Busta and his family Spliff Star and DJ Scratchator are currently overseas with headliner 50 Cent as part of “The Final Lap Tour.” After selling out everywhere in the U.S. this past summer and into fall, the acclaimed 90 city outing has gone international, exciting ticket holders in foreign countries.

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Butterfred

Strictly Buttercuts 1-6

17,99 €*

LP | 2024 | EU | Original (Glitterbeat)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Butterfred has been releasing his atmospheric hiphop, grime, dub and ambient-driven hybrids on his own Butterfred Productions label since 2017. His is a committed update of a breakbeat perspective through moody and hazy ambiences that touch upon neo-noir and the logic of rhythm within. For his first outing on Meakusma, he provides six short, yet wide-ranging tracks with a lot of forward momentum. Voice samples and ambientish scapes give all tracks direction, deceptively downtempo beats are at times driving, at times phased-out into the background. There is a definite mystique to Butterfred's work as it purposely leaves threads unresolved. The focus is on space, a spatial perspective that infuses his music with concrete references to his influences, be it hiphop, dub or even triphop. His sense of space is often very private, yet makes for a kaleidoscopic view, unafraid to be extensive. Butterfred has a very subdued online presence. This EP is his first music to also be released digitally. His work speaks for itself and does so in fragmented jolts of imagination and reduction.

Design: Meeuw

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Buzz' Ayaz

7" | 2020 | EU | Original (Six Nine)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hailing from Cyprus"s divided capital Nicosia, and led by Antonis Antoniou, the founder of Monsieur Doumani and Trio Tekke, Buzz" Ayaz creates a transfixing Eastern Mediterranean psychedelia. Their self-titled debut album is a fuzzed-out urban soundscape of dubby electronics, 70s-psych organ, growling bass clarinet, amplified folk instruments, ritual beats and Greek and Anatolian melodicism.The band members come from both sides of the capital"s divide, and the music found on Buzz" Ayaz is a deliberate attempt to give a voice to the city as a whole. A mercurial sound that echoes above the concrete walls and checkpoints.

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Byron Jamez

Time Machine

LP | 2021 | US | Original (Ever / Never)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Soul/Disco/Funk single here for the first time ever on vinyl! The independent UK label Six Nine Records Ltd, based in Newcastle upon Tyne, proudly presents Byron Jamez who now makes his debut on the label! Born and raised in Detroit, Michigan, Mr. Jamez has been living and breathing soul music all his life (his mother was an active musician already during the 1970s). Byron Jamez is a multi-talented man; an artist in the music business, an established actor and a master of advanced media skills. What we cherish the most right now is his pillow clenching voice and fantastic music, which definitely make this world much more beautiful. This release contains the brand new and stunning groover “Let’s Get Together” backed with the stepper-esque “Time Machine” on the flipside. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

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C.I.A. Debutante

Music For Small Rooms

38,99 €*

C.S.S.O. (Clotted Symmetric Sexual Organ)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Tiptoeing in, stealth-like, CIA Debutante’s Music For Small Rooms 12” on Ever/Never Records tempts the listener with secrets and their inevitable spilling out into the open. Over the course of several releases, the France-based duo has shown a real gift for delving into the particulars of paranoia, seeding their songs with threats disguised as hooks. On its perfectly succinct new EP, CIA Debutante refines this method, as each of the six tracks plays like dystopian theme songs for closed-circuit television dramas. From the gradually increasing disquiet of “Nuclear Holiday” to the full-on terror of “The Face” (“There’s a blank spot/where the face should be”), CIA Debutante are well-versed in navigating the eternal eddies of existential doubt. With molten electronics accompanying a resigned vocal, “Sinkhole” really does feel like the planet is opening up beneath you, but perhaps you don’t mind as much as you’d have expected. “Faulty Appliances” is a kitchen sink nightmare and even elicits a couple chuckles as it wraps up the leftovers. If you find yourself routinely menaced by everyday objects, then you are primed and ready for the sounds that CIA Debutante pipes into Music For Small Rooms.

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Collection

2LP | 2023 | EU | Original (Power It Up)

29,99 €*

LP | 2024 | EU | Original (Zam Zam Sounds)

Release: 2023 / EU – Original

Genre: Rock & Indie

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CLOTTED SYMMETRIC SEXUAL ORGAN or C.S.S.O. was founded in 1993 and made an immediate impression with the grind/noise experiment, which works like a razor blade Q-tip. Like their contemporaries, the band has released a wheelbarrow full of splits and singles that are now being re-released on this double. Classics like the split 7" EP with Meat Shits, the tracks from the - "Grindwork" MCD, the split 7" EP with Vivisection, the split 7" EP with Demisor, the split 7" EP with Mastic Scum, the split 7" EP featuring Dead Infection, plus compilation tracks and unreleased material from the period, as well as four brilliant covers CARCASS, GENERAL SURGERY, REGURGITATE and NAPALM DEATH. What will really break your head is the fusion character of this kaiju mutation.The band combines styles like few on the scene and adds psychedelic distorted moments to a few tracks while the vocals pound like a Godzill...

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C_s

Six Crossings

17,24 €* 22,99 € -25%

LP | 2023 | EU | Original (Mapache)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Édouard Ribouillault (c_c) is known for his unique mix of bass and break distortions, his love for dub music, as well as his hypnotic one-hour performance with a table brimming with various gadgets and electronics.

Six Crossings is c_c’s ultimate recording with the electronic setup he has honed for nearly 10 years of live performances: several drum machines and a sampler interconnected to a mixing system and feedback effects, analog and digital hybrid.

Knots in the head, knots in the legs, Six Crossings is also how rhythms and textures intermingle to create autonomous forms with complex structures, which we observe evolve in time organically.

Between basic writing and improvisation, all the songs were recorded in a single take during the same day, at ZZLand, while he was back from the ZAD of Notre Dame Des Landes, charged with the good vibes of a huge party in support of Les Soulèvement de la Terre. The party was the first to be sonorised with the DistoMobile, a homemade XXL sound system inspired by dub sound system, but dedicated to atypical music.

"The album is also a humble tribute to the great Jah Shaka, Jamaican-English operator of a legendary sound system, but also producer and singer, who died in April 2023. The obsession with the physical effects of sound, from skin quivering to frantic dancing, was partly conveyed to me in his sessions where he guided the audience through a very powerful yet gentle introspective bubble.

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Cactus Lee

Perfect Middle Hall

Catch The Groove Live At The Penthouse 1963-1967 Black Friday Record Store Day 2023 Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Recorded in Austin at Vine Studios with Kyle Crusham (Paul Simon, Edie Brickell and the New Bohemians), Cactus Lee has returned with a six song album titled “Perfect Middle Hall.” This album signals a change in approach to Dehan’s previous self recorded albums and yields a fuller sound. In addition to Dehan on guitars and vocals is John Bush (New Bohemians) on conga / percussion / drums and Alice Stewart (Shinyribs) with added vocals.

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Cal Tjader

2CD | 2023 | EU (Jazz Detective)

19,19 €* 31,99 € -40%

Catch The Groove Live At The Penthouse Black Friday Record Store Day 2023 Vinyl Edition

Release: 2023 / EU

Genre: Organic Grooves

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Quantity: 2000
Release type: 'RSD First' Release

Catch The Groove: Live At The Penthouse 1963-1967 is a collection of previously unreleased live recordings of the iconic vibraphonist Cal Tjader from the Penthouse jazz club in Seattle, with the legendary percussionist Armando Peraza and bassist Monk Montgomery. This release is culled from six different performances, recorded by Seattle radio DJ Jim Wilke and broadcast live. Deluxe 3 LP set on 180g vinyl includes an extensive booklet with rare photos, essays and interviews for RSD Black Friday.

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Cal Tjader

LP | 2023 | EU | Reissue

93,99 €*

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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Catch The Groove: Live At The Penthouse 1963-1967 is a collection of previously unreleased live recordings of the iconic vibraphonist Cal Tjader from the Penthouse jazz club in Seattle, with the legendary percussionist Armando Peraza and bassist Monk Montgomery. This release is culled from six different performances, recorded by Seattle radio DJ Jim Wilke and broadcast live. Deluxe 3 LP set on 180g vinyl includes an extensive booklet with rare photos, essays and interviews for RSD Black Friday.

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4x12" | 2020 | EU | Original (Signature)

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Discover the exciting world of Africa's diverse and visually dazzling street art scene.

This visually rich survey – the first of its kind – showcases the work of over 200 artists and celebrates the explosion of street art in Africa over the last decade. Including twelve in-depth interviews with street artists active in Africa today as well as coverage of the continent’s major street art projects, collectives and festivals, it takes the reader on an introductory tour of the many African street art scenes, with a deeper focus on the most prominent players in Kenya, Morocco, Senegal, South Africa and Tunisia.

Topics and projects covered include the monumental project Murais da Leba in Angola, which saw 6,000 square metres of wall covered by local graffiti and visual artists in the Serra da Leba mountain range; the cultural influences and idiosyncrasies of individual street art scenes, and how they mesh with local communities; and eL Seed’s project ‘Perception’, a huge multi-part mural stretching across more than fifty buildings in Cairo’s Zaraeeb neighbourhood, revealing a message of hope to its marginalized community in the artist’s distinctive ‘calligraffiti’ style.

Text commentaries elaborating on styles and processes, and social and cultural context, are peppered throughout the book, giving the reader further insight into a wealth of striking contemporary visual cultures – and helping make this a must-have for street art fans and practitioners.

About the Author: Cale Waddacor is a South African artist, musician, photographer and documentarian. Skateboarding through his home city, Johannesburg, he developed a passion for urban art and graffiti. He began photographing street artworks to document the country’s rising street art scene and launched the website Graffiti South Africa in 2011, which was made into a book of the same name in 2014.

Format:PLC (no jacket) Size:23.5 x 22.0 cm Extent:272 pp Illustrations:536 Publication date:17 September 2020 ISBN:9780500022825

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Calibre

Shelflife 6

50,99 €*

Post Momentum Clear Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2022 repress

A download code is included. The next installment in Calibre's archival series: Shelflife Six - brings together thirteen of his most sought after Drum and Bass productions. Spanning 20 years and all of them have only ever seen the light in his own DJ sets.

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Calibro 35

LP | 2021 | EU | Original (Record Kicks)

S.P.A.C.E. Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Record Kicks is proud to present POST MOMENTUM, the new EP by Italian cult combo Calibro 35 to be released on limited edition 12" vinyl. The extended-play comes 17 months after the acclaimed previous Calibro 35 album MOMENTUM, which – as the band stated: "represented a look at nowadays and a reflection about making music right in the time that we're living". The tour began right after the album release in January 2020, but it was soon interrupted when the whole world suddenly stopped because of the Pandemic. Now "POST MOMENTUM" represents a re-start and the first step towards the future, picking up where they left off.

Among the six tracks of the EP, while "Digi-Tails" and "Stars and Stripes, Chirps and Bleeps" express the unique musicianship of Calibro 35 as we have come to know over the years, "Being a Robot is Awesome" and "Artificial Black Moon" see the participation of a guest from the world to come: Sophia, the humanoid developed by Hanson Robotics capable of interacting autonomously with everything around it, reminding us how being a Robot could prove to be the best strategy to survive sometimes. The opening of the EP is an alternative version of the single "Stan Lee" enriched by two heavyweights of Italian rap: Ensi and Ghemon that don't make us miss Illa J. The EP ends with another alternate version of "Stan Lee", this time in all its instrumental glory.
Active since 2008, Calibro 35 enjoy a worldwide reputation as one of the coolest independent bands around. During their thirteen-year career, they were sampled by Dr. Dre on his Compton album, Jay-Z, The Child of lov & Damon Albarn; they shared stages worldwide with the likes of Roy Ayers, Muse, Sun Ra Arkestra, Sharon Jones, Thundercat and Headhunters and as unique musicians they collaborated with, amongst others, PJ Harvey, Mike Patton, John Parish and Stewart Copeland and Nic Cester (The Jet). Described by Rolling Stone magazine as "the most fascinating, retro-maniac and genuine thing that happened to Italy in the last years", Calibro 35 now count on a number of aficionados worldwide including VIP fans such as Dj Food (Ninja Tune), Mr Scruff and Huey Morgan (Fun Lovin' Criminals) among others.

The band started back in 2007 when Grammy award winner producer Tommaso Colliva (Muse), invited some of the best musicians from the Italian indie scene - Enrico Gabrielli (PJ Harvey, Mike Patton, John Parish), Massimo Martellotta (Stewart Copeland, Adrian Younge), Luca Cavina (Retox, Zeus!), Fabio Rondanini (John Parish, Daniel Johnston) - to record some Italian golden age soundtracks. What started as a studio b-side project evolved in a full time band able to release 7 heavily acclaimed albums. Their last album MOMENTUM came out on Record Kicks on January 24th 2020. "MOMENTUM" stood out as a new starting point for the project.

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Calibro 35

LP | 2015 | EU | Reissue (Record Kicks)

12" | 2024 | UK | Original (Hell Yeah)

Release: 2015 / EU – Reissue

Genre: Organic Grooves

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Dr.Dre and Jay-Z sampled, legendary cinematic funk combo Calibro 35 announces the reissue of their fifth album "S.P.A.C.E." on ltd edition Crystal Orange vinyl and digital deluxe edition with bonus tracks.

Record Kicks presents the reissue of Calibro 35's fifth acclaimed long-time sold out album "S.P.A.C.E." on limited edition Crystal Orange vinyl and digital "deluxe" version with bonus tracks.The publication is part of "The Record Kicks Trilogy" that follows the reissue of the first three albums of the band, released in 2020. This time, Milan label Record Kicks will repress on wax of three different colours and on digital deluxe edition, the fourth, fifth and sixth legendary studio albums of the Italian cinematic-funk cult band. The digital deluxe edition of "S.P.A.C.E." includes 3 bonus tracks: "clbr 35", originally released as a b-side of "Bandits of Mars" 45 vinyl, and the unreleased songs "Omicron Paradox"and "The Haploids".

Recorded to tape on an 8-track tape recorder at the 'analog mecca' Toe Rag Studios in London, the worldwide famous studio where The White Stripes penned "Elephant", "S.P.A.C.E." is the fifth studio album by Calibro 35. Forget about the gripping noir atmospheres of their previous full lengths, with this album the Milan combo escapes from planet earth and lands on their own satellite to write the perfect funk soundtrack of an imaginary sci-fi movie directed by Sergio Leone. They've thrown away the balaclavas and embraced a bunch of synthesizers in their new instalment where Calibro 35 explores fresh new territories.

From the storming imaginary main title notes of the title track "S.P.A.C.E." to the percussive effects and creepy organ of "Serenade for a satellite", with incursions into cosmic afrobeat ("Ungwana Bay Launch Complex"), lunar funk ("Bandits On Mars") and trippy atmospheres ("Something Happened on Planet Earth"), in "S.P.A.C.E." Calibro 35 sound as cinematic and groovy as ever. Captured live and direct to tape with no overdubbing or editing facilities by Tommaso Colliva (Muse/Franz Ferdinand), the sound is tough, warm and super tight and confirms the unique musicianship of the band able in few years to gain followers worldwide.

Active since 2008, Calibro 35 enjoy a worldwide reputation as one of the coolest independent bands around. During their fourteen-year career, they were sampled by Dr. Dre on his Compton album, Jay-Z, The Child of lov & Damon Albarn; they shared stages worldwide with the likes of Roy Ayers, Muse, Sun Ra Arkestra, Sharon Jones, Thundercat and Headhunters and as unique musicians they collaborated with, amongst others, PJ Harvey, Mike Patton, John Parish and Stewart Copeland and Nic Cester (The Jet). Described by Rolling Stone magazine as "the most fascinating, retro-maniac and genuine thing that happened to Italy in the last years", Calibro 35 now count on a number of aficionados worldwide including VIP fans such as Dj Food (Ninja Tune), Mr Scruff and Huey Morgan (Fun Lovin' Criminals) among others.

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Calm

Before Remixes

16,99 €*

Tape | 2023 | US | Original (K)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Calm's superb Before album is the gift that keeps on giving as Hell Yeah serves up a collection of the best remixes from it. Willie Graff, Gallo and Aura Safari all step up on a fresh 12" that lands this summer.

Before arrived on double vinyl in 2022 after a CD-only release in Japan in 2021. Since then it has become a Balearic mainstay and go-to record for lovers of lavish downtempo sounds. Now, remixes of three tracks from it all appear on this one record with Ibirican-American Willie Graff going first. He is a deep house don who has held several key residencies around the world while dropping his sublime sounds on the likes of Leng, Music For Dreams and many more. His remix of 'I Love You' is a gloriously horizontal one with blissful piano keys rippling over the bubbly drums and bass. Yearning reed melodies add an emotional romantic edge to make this a standout in any setting. Then comes Gallo, the Balearic Gabba Sound System member and resident at Berlin Balearic nightspot Buena Onda. His 'Tropical Hinterhof' remix of 'I Love You' is expertly exotic and soothing as mellifluous keys rain down over a groove as smooth as silk. It's a heart-achingly beautiful sound that will make for truly special moments on the dance floor.

Italian collective Aura Safari then offers two different remixes. They are master musicians who have served up a superb double album Islands Dreams here in late 2023 where they showcased their escapist blend of dub, jazz, Afro-cosmic, Balearica and boogie. First up, 'Feel It' (Aura Safari Desert mix) is six minutes of oriental melody over loose drums. There's a playful feel to the dancing piano keys and richness in the percussion that makes this one a sophisticated sound for both early evening warm-ups or moments of late-night reflection. 'Kunpoo' (Aura Safari Daydream mix) has a nineties feel with its gentle breaks, hypnotic string loops, and sustained chords. They break over you in gentle rays of earth and euphoria to ensure utterly blissed-out results.

These four versions all bring sophisticated dance floor energy to the timeless originals.

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Calvin Johnson

Gallows Wine

LP | 2023 | US | Original (K)

Release: 2023 / US – Original

Genre: Rock & Indie

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Rock'n'roll is dead. Gallows Wine [KLP287] is a wake for it's charred remains. Calvin Johnson traveled to Columbus, Mississippi to record Gallows Wine with the combo Hartle Road at their Pompeii studio. Columbus, in Lowndes County, is the childhood home of Tennessee Williams (just down US Route 45 from White Station, birthplace of Howlin' Wolf). Songs reflecting this singular environment include:"Pink Cadillac" written by Calvin when he was 16 (in reserve for just the right session);Title song "Gallows Wine" rips psycho psychedelic, poetic license intact;"Crazy Legs" is a Gene Vincent class act celebrating our sock hopulation;"Orange Aid" melts downtown no WAV.Yeah, Gallows Wine gets primitive: Lurch pulls a night shift on organ, Grandma Moses on the fife and drum. Calvin busk (melodica garage worm profane). Rockabilly spin cycle, guitar scrape and crush. Hand jive. You wanted Calvin Johnson howling beyond the magnolia curtain, you got it: Gallows Wine.The only proper response - - - Rock'n'roll is dead. Long live rock'n'roll.

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Calvin Johnson

Gallows Wine

Release: 2023 / US – Original

Genre: Rock & Indie

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Cambridge Audio

AXA35

429,00 €*

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Integrated Stereo Amplifier with (Built-in) Phono-Stage

• 35 Watts Power per Channel – for detailed performance at all volumes, ideal for smaller/medium sized rooms
• Built-In Phono Stage – to plug & play a vinyl turntable
• Slim Timeless Design – classic hi-fi size, with Lunar Grey aluminium trim
• Tone Controls – fine-tune sound to compensate for room dynamics
• Digital Display – white LED, clearly shows; source, volume & menus
• Headphone Socket – full size socket for high-quality after-hours listening
• Front Aux Input – 3.5mm socket to easily connect compatible devices

Sound Comes First
Our AXA35 integrated amp offers 35 watts per channel and has a built-in moving magnet phono stage – perfect for vinyl enthusiasts. A white LED dot matrix display confirms listening source, and separate tone controls mean you can adjust the sound to suit your taste. There’s a large ¼” (6.35mm) headphone socket too, ideal for high-quality listening without disturbing those who might not share your great taste in music.

Your Journey into Sound
AXA35 is the ideal amp to begin listening to music and really appreciating it – hearing detail in familiar tunes you’ve previously missed. That’s down to the toroidal transformer it uses, a tech found higher up our range. Choose a pair of speakers to suit your taste, perhaps they’ve been in the family for years or maybe something from our SX Series.

Release the Wheels of Steel
The built-in phono stage is the ace up AXA35’s sleeve. It means that you can plug a turntable straight in without any extra kit. Moving magnet (MM) compatibility means AXA35 works with a wide variety of turntables – including that vintage one you’ve had your eye on. Soon you’ll be playing the records you’ve been saving for, and planning what to buy next.

Setting the Tone
With separate bass and treble controls, you can fine-tune AXA35’s sound to suit your taste, speakers and room dynamics. The volume level is shown on the LED dot matrix display, and with 35 watts per channel you’ll have plenty of kick for smaller to medium sized rooms.

Wired for Sound
AXA35 is a well-connected amp, with no less than 4 pairs of RCA inputs, plus a pair of phono sockets for a turntable and a pair of recording outputs. There’s a rear USB socket for technical upgrades. Hi-fi quality speaker binding posts (connectors), compatible for banana plugs, mean that thick cable connects securely for an authentic sound.

Designed for Life
As with the rest of AX Series, AXA35 shares our house-style of Lunar Grey minimalist fascia, black steel cabinet and ‘floating’ base. This timeless look enables an upgrade path through our range. A slim build, in the classic 430mm hi-fi width, also means that AXA35 can easily slot, and breathe new life, into a much-loved system.

Technical specifications:
• POWER OUTPUT: 35 Watts (into 8 Ohms)
• THD (UNWEIGHTED): <0.01% @ 1kHz, 80% of rated power <0.15% 20Hz - 20kHz, 80% of rated power
• FREQUENCY RESPONSE (-3DB): 5Hz - 50kHz
• S/N RATIO (REF 1W): >82dB (unweighted)
• INPUT IMPEDANCES: 47k ohms
• POWER AMP DAMPING FACTOR: > 50
• MAX. POWER CONSUMPTION: 260W
• BASS/TREBLE CONTROLS: Shelving, ultimate boost/cut +/- 10dB @ 100Hz and 10kHz
• STANDBY POWER CONSUMPTION: <0.5W
• INPUTS: 4x RCA, 1x Phono, 1 x 3.5mm Aux input (front panel)
• OUTPUTS: Speakers, Rec Out, USB 5V power
• DIMENSIONS (HXWXD): 83 x 430 x 335mm (3.3 x 16.9 x 13.2”)
• WEIGHT: 5.6kg (12.3lbs)
• IN THE BOX: AXA35 Integrated Amplifier, Power Cable, Remote Control, 2 x AAA Batteries

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Cambridge Audio

Melomania P100

279,00 €*

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Over-ear Headphones with Active Noise Cancellation

• Crafted for stunning sound – Class A/B amplification through custom 40mm diaphragm drivers
• 100-hour battery life – five minutes of charge gives up to four hours' playback
• Designed for life – with adaptive hybrid Active Noise Cancelling, seamless multi-device pairing, wear detect and gaming mode.
• Engineered by experts – aptX™ Adaptive Audio, aptX™ Lossless, Clear Voice Capture™ Echo Cancelling, Noise Suppression and Bluetooth 5.3 Multipoint Connection
• Environmentally conscious – User-replaceable battery and earpads, premium reclaimed materials and plastic-free packaging

Feel your music, everywhere
We believe exceptional sound should be a part of everyday life. Our new headphones take the incredible quality of our award-winning audio systems on the go, so you can immerse yourself in the music you love, wherever you are.

Every beat counts
Good music deserves to be played right. We’ve designed and fine-tuned the P100 across a wide range of genres, to deliver phenomenal sound, no matter what you’re listening to.

Superior amplification
Class AB amplification — core to our award-winning CX-series amplifiers — powers our signature sound. A proven technology that’s audibly better than the standard tech found in 99% of headphones.

Discovery is in the detail
Our meticulously crafted 40mm drivers preserve all your music’s energy, immersing you in sound and uncovering nuances in your music in ways you’ve never heard before.

Lossless clarity, adaptive connectivity
aptX Lossless Bluetooth delivers flawless bit-by-bit transmission of your music, maintaining uncompromised sound quality during wireless listening. Snapdragon Sound also streams at an astounding 24bit/96kHz – better than aptX HD.
aptX Adaptive intelligently monitors and maintains connection quality, for uninterrupted performance in challenging locations.

One charge. 100 hours.
Enjoy up to 100 hours of listening on a full single charge (60 hours with active noise cancelling). And if you’re running low, a 5-minute charge provides up to four hours playtime.

Active Noise Cancellation
Turn the bustling noise of the city into a sanctuary of calm. High performance adaptive hybrid noise cancelling combines an array of mics and cutting-edge technology for a truly immersive experience. To hear the environment around you, activate transparency with a single tap.

Premium Comfort, Conscious Design
Viscoelastic memory foam earcups and a soft vegan leather headband offer unparalleled all-day comfort. Lightweight aluminum details ensure maximum durability, so you can enjoy your music as it should be — anytime.

Effortless listening
Easily control your listening experience with simple, intuitive controls, and enjoy seamless compatibility with Siri and Google Assistant.
A smartphone screen displaying an equalizer app for the Melomania P100 headphones, allowing users to tailor the audio experience to their preference.

Customisable sound
We’ve tuned P100 to deliver precise highs and dynamic lows, but we get that you might want to do your own thing. Customise your listening with Melomania Connect. Create your own presets or choose from six expertly curated profiles.

Independent sound, intricate engineering
Made by music and crafted by experts, the P100 pushes the envelope in audio engineering for headphones, combining industry-leading acoustic technologies, fine-tuned for a fantastic listening experience.
Certified for superior sound quality, it guarantees lossless music, low latency, and high-resolution glitch-free audio with lower power consumption. Echo-cancelling and noise-suppression means calls are uninterrupted and crystal clear, so it’s great for both dedicated listening and daily life.

Crystal clear phone calls
Multiple beamforming microphones and Qualcomm’s latest Clear Voice Calling cVc 8.0 technology suppress background noise and deliver outstanding voice clarity.

Make the most of your music
Connect to two devices simultaneously and seamlessly switch between your playlist, a movie on your laptop, or calls on your phone—without the need to reconnect. Connect with the provided cable too, at 24bit/96kHz.

For music and for the planet
Promoting circularity and minimising waste, 100% of our rare earth neodymium and 50% of the plastic used are recycled. All of our packaging is eco-friendly and plastic-free. Both the battery and earpad cushions are user-replaceable with standard tools, ensuring long-term use.

What's in the box:
• Melomania P100
• Carry Case
• Quick Start Guide
• USB-C to 3.5mm Jack
• USB-C to USB-C

Technical specifications:
• AMPLIFICATION: Class A/B amplification
• DRIVER: 40mm three-layer composite (PEEK+PU+PEEK)
• BATTERY PLAY TIME: Up to 100 hrs (dependent on volume, settings and other factors)
• BATTERY PLAY TIME (ANC ON): Up to 60 hrs
• CHARGING TIME: <160 minutes
• FAST CHARGE: 5 minutes gives 4 hours playback (ANC Off)
• POWER SUPPLY: USB-C
• WIRED MODE: USB-C or 3.5mm Jack
• NOISE ISOLATION: Hybrid ANC
• TRANSPARENCY MODE: Yes
• WEAR DETECT: Yes
• WIND NOISE REDUCTION: Yes
• GOOGLE FAST PAIR: Yes
• VOICE ASSISTANT ACTIVATION: Yes
• MICROPHONES: 6 Mics total
• VOICE PROCESSING: 2-Mic Qualcomm® cVc™ Echo Cancelling and Noise Suppression Technology
• LOW LATENCY: <80ms - Gaming Mode accessible via Melomania Connect
• MELOMANIA CONNECT APP: Yes
• FIRMWARE UPGRADABLE: Yes - via Melomania Connect
• BLUETOOTH VERSION: 5.3
• SUPPORTED PROFILES: A2DP, AVRCP, HSP, HFP
• SUPPORTED CODECS: aptX™ Lossless, aptX™ Adaptive, AAC, SBC
• TRIPLE-CORE PROCESSOR ARCHITECTURE: Qualcomm QCC3084, Powerful tri-core processor architecture, Dual-core application subsystem 32/80 MHz operation, Single core 240 Mhz configurable Qualcomm® 32‑bit Kalimba audio digital signal processor (DSP) core, flexible clocking from 2 MHz to 240 MHz to enable optimization of performance vs.power consumption, Analog Devices ADAU1787 dedicated low power codec with FastDSP for ANC processing
• OPERATING TEMPERATURE: 0°C to +40°C
• OPERATING RELATIVE HUMIDITY: 10 to 80%, Non-condensing
• DIMENSIONS (HEADPHONE): 250 x 204 x 59mm
• WEIGHT (HEADPHONE): 330g
• COLOUR/FINISH (HEADPHONE): Black or White

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Cambridge Audio

Melomania P100

279,00 €*

Emotional Detox Black Edition

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Camera

LP | 2018 | EU | Original (Bureau B)

OST Monster Hunter: World Box Set

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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We also offer the limited yellow colored edition.

Started as the so called “Krautrock Guerrilla” in 2012, six years later the Berlin combo Camera are releasing their fourth full-length album. Customarily associated with the likes of NEU! and La Düsseldorf it is
time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. Motto: “It's not repetition, it’s discipline”
For fans of nominative determinism, there can be few more apposite appelations than Michael Drummer. He is the catalyst, the chain mail vapour trail linking everything together as he crosses the soundscape of everything captured on Camera. The band’s moniker Camera, meanwhile, is an altogether more capricious
calling card. Camera obscura. Camera lucida. From daguerrotype to digital, self-induction to selfies. The song title Super 8 offers a potential clue to the
camera in their mind’s eye. When Super 8 was introduced in 1965, it was one of the few film formats to accommodate a sound track, occupying the
space between the edge of the film and the image area. Perhaps this will serve as a nice analogy when pondering where Camera’s music comes
from. Emotional Detox is the fourth full-length album by Camera, now a quintet, following two albums as a trio and one as a duo. The line-up on ED comprises Steffen Kahles, Michael Drummer, Michel Collet, Andreas Miranda and Timm Brockmann, all more or less based in Berlin. Drummer is the only constant through all four phases. Keyboarder Timm
Brockmann, who left the group in 2014, returns to the fold. He and Franz Bargmann, who left Camera the year before him, released a Brockmann //
Bargmann LP entitled Licht on Bureau B in 2017, a celebration of keys, guitars and effects which, at times, emulated the ferocious potential of Camera. By the time Steffen Kahles joined the band, Brockmann had
already departed, so the new ensemble adds another twist in bringing together two keyboard players from different Camera phases for the first time. The Brockmann Drummer reunion, meanwhile, completes a circle tracing back to early Camera experiences shared in 2010/11, playing on the streets of Berlin (literally).
Paradoxically, the new, expanded Camera line-up sharpens the focus of the tracks running through Emotional Detox. With Drummer not so much joining
the dots as hammering them home with a nail gun, the stronger framework allows even greater freedom for the musicians to express and ultimately align their disparate creative interests. Throw a single stone into a pond and concentric circles will ripple outwards into infinity. A swoosh of parallel lines. Boundless symmetry. The soundscape assumes the quality of a cinematic loop, like watching the same film over and over, yet discovering new things each time it plays. As a mythological Mancunian once said before the fall: it’s
not repetition, it’s discipline. Customarily associated with the likes of NEU! and La Düsseldorf perhaps it is time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. The “Krautrock Guerrilla” tag was cute and catchy for a while, but the flanged depths of
Himmelhilf sound more Bloody Valentinesque, less like echoes of Cluster or Harmonia. The motorik origins of the band documented on their debut album Radiate! (2012) and the nods to history and William Burroughs on the sophomore Remember I Was Carbon Dioxide (2014) gave way to Commodore 64 playfulness on Phantom of Liberty (2016). A spirit of experimentation still abounds on the new LP, but there’s also evidence that the group have taken a confident step towards something more “pop” – without tearing up the tangled roots beneath the surface of Camera’s studio floor. The reference points are there, but Emotional Detox is not dependent on them. We live in an age when everything happens at the same time – all of your music in one place, instantaneous streams on mobile devices, encyclopaedic references checked in seconds. The
temptation to see connections everywhere can be overwhelming, the speed at which information
travels slows us down. Emotional Detox encourages us to disregard these multiple distractions.
That’s when detoxification kicks in.

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Capcom Sound Team

6LP | 2024 | US | Original (Laced)

133,99 €*

Capon - Maté - Morris - Rahoerson

Release: 2024 / US – Original

Genre: Soundtracks

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83 remastered tracks from the 2018 hit action RPG
- Music by Tadayoshi Makino, Akihiko Narita, Yuko Komiyama, Masato Kouda, and Zhenlan Kang
- Rigid board slipcase with Wibalin textured wrap
- Printed spined inner sleeves
- (Standard Edition) Six heavyweight black LPs

Description:
As the series celebrates 20 years in the hunt, Capcom and Laced Records have squadded up to bring the stirring music of Monster Hunter: World to vinyl.

This Standard Edition 6LP box set features 83 tracks specially mastered for vinyl, pressed to heavyweight discs in traditional black. Printed, spined inner sleeves — adorned with artwork of the Elder Dragons — are housed in a rigid board slipcase with Wibalin textured wrap. Sleeve art is by the Monster Hunter team.

The Monster Hunter: World music team comprised long-time series contributors Tadayoshi Makino, Akihiko Narita, Yuko Komiyama, and Masato Kouda, alongside Zhenlan Kang (Resident Evil series). From the Ancient Forest to Elder’s Recess, the sometimes soaring, sometimes playful soundtrack is full of memorable moments. Thunderous, layered percussion, aggressive brass, and sweeping string motifs push and pull players through their tense struggles with Teostra, Bazelgeuse, and the like. Whether a hunt has gone very right or very wrong, the music of Monster Hunter: World always serves to immerse hunters in the wilds of the New World.

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LP | 1977 | EU | Reissue (Souffle Continu)

12" | 2023 | EU | Original (Kompakt)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In November 1976, Jef Gilson’s phone rang. What a surprise! It was Serge Rahoerson, one of the musicians he had met in Madagascar at the end of the 60s and who had played on his first album “Malagasy”. Rahoerson announced that he was in Paris for a few days.

Immediately, Jef wanted to organise a recording session, starting the next day. He thought of a trio including Serge, Eddy Louiss on organ and cellist Jean-Charles Capon, who had also been on one of the trips to Tananarive and so had also known Rahoerson there. Unfortunately, Eddy Louiss –who had already played with Gilson and Capon on the album “Bill Coleman Sings And Plays 12 Negro Spirituals” in 1968- had to drop out at the last minute: he was delayed by a session with Claude Nougaro. Jean-Charles Capon had also become a sought-after studio musician since his trip to Madagascar in 1969. He appeared on several key albums on the Saravah label including the now famous “Comme À La Radio” by Brigitte Fontaine, “Un Beau Matin” by Areski and “Chorus” by Michel Roques, without mentioning the album by his own Baroque Jazz Trio. He was also to be found with Jef Gilson for his album on Vogue with the ex-drummer from Miles Davis’ first great quintet, Philly Joe Jones, or also in the orchestra led by Jean-Claude Vannier for the album “Nino Ferrer & Leggs”. He also played regularly on albums by Georges Moustaki.

Jean-Charles Capon and Serge Rahoerson found themselves thus in the studio, with Jef at the controls. He had decided to record the rhythmic structure right away. He would find the soloists later, that didn’t worry him. Serge Rahoerson was on drums. Though a saxophonist by training, Jef remembered that Serge was also capable of great things behind a drum kit: he was the improvised drummer on their cover of “The Creator Has A Master Plan” on the album “Malagasy”... The great memories came flooding back (the nod on the title “Orly - Ivato”), and the old magic worked again.

Brought in momentarily from Europamerica, Gilson’s new big band, in which JC Capon also played, the saxophonists Philippe Maté, from France (another Saravah stablemate) and the American Butch Morris (soon to be a key member of David Murray’s band) were invited to record their parts later and Gilson mixed it all as if it had been one single session (as he had already done on other albums, with the tracks by Christian Vander recorded before the creation and success of Magma).

The album would not appear until 1977, on Palm, Jef’s own label, and was dedicated to the memory of Georges Rahoerson, Serge’s father, who had also played on the album “Malagasy” and who had died prematurely at the age of 51 in 1974. “I only received my own copy of the album in 1981 when I came to live in France definitively”, a still-moved Serge Rahoerson told us in 2013. “I was playing in a club one night and Jef turned up by surprise with a copy of the album for me, I was so pleased to see him again. When I arrived in France, I told everyone that I had played with Jef Gilson a few years previously, and I was surprised to learn that so few people knew of him. For us, he was of one of the great jazz visionaries.” (Jérôme "Kalcha" Simonneau)

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Captain Mustache

The Super EP

22,99 €*

Panic White Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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It’s been a few years since Captain Mustache took a ride with Kompakt – 2021, to be exact, when he released the “Everything” single, and subsequently made an appearance on that year’s entry in the Total series. But this visionary French producer has been busy, indeed fiercely productive, ever since, appearing on Helena Hauff’s Return To Disorder and John Digweed’s Bedrock, collaborating with Dave Clarke, Popof, The Advent, Paris The Black Fu, Keith Tucker from Aux88... and two beautifully eloquent albums, Tourbillon Nocturne and Indigo Memories. But with The Super Album, Captain Mustache returns to Kompakt with his most sublime collection yet. On The Super Album, the Captain soundtracks an imagined “whole day for party people.” He welcomes friends old and new on board: opening with the poetic club banger of “About Love”, with guest appearance from Speakwave (aka dynArec), The Super Album shifts gears into the lush, sunny “Shifting Basslines”, where Captain Mustache’s pulsing electro-disco is the perfect fit for a third collaboration with electroclash pioneers Chicks on Speed. After the deep techno pulsations of “Laser Me” and the glitzy pop shine of “Gimme Ya Mustache”, more guests arrive: Arnaud Rebotini of Black Strobe on the slinky “I Love Watching U”, and then a spoken cameo from the truly legendary French disco diva Amanda Lear on “Mustache Of The Universe”, a glitzy glitterball of a song that’s shrouded in ghostly synths. All those tracks appear on the 12” version of The Super Album – download the digital version and you get six more slices of Mustache magic. Here, the narrative turns more insular, more dancefloor focused – the party people have moved through the daytime and they’re in their element, diving deep into the night-time economy. The album spirals, beautifully, into stark electro, driving techno, with great moments of beauty and melancholy – see the pointillist arpeggios of “Everything” (which features Play Paul), the disco stomp of “Acapulco Citron”, and a breath-taking double-bill of stripped back psychedelic electro on “Pulsions Organiques”, and the layered, luscious, swooning “Clair-Obscur”. From there, it’s an astral glide into the Dopplereffekt-ish “Galaxian Symbiosis” before Foremost Poets join Captain Mustache to wave the night goodbye with the brittle, brilliant “Floorwax”. It’s a day in the life, but all in service to the pleasures of nightlife; the dancefloor is The Super Album’s beacon, your body the pliable material moulded into evocative new shapes by this dense, hypnotic, brilliantly pop album.

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Caravan Palace

2LP | 2012 | UK | Reissue (MVKA)

30,99 €*

Eleven Pieces For Synthesizer

Release: 2012 / UK – Reissue

Genre: Pop

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Taking in influences as diverse as Massive Attack, Django Reinhardt, and Gorillaz, Panic is the second studio album from Caravan Palace, the Parisian electro-swing six-piece responsible for transferring the traditional sounds of gypsy jazz to the modern-day dancefloor. The follow-up to their 2008 self-titled debut includes two cuts from 2011's Clash EP (the title track, "12 Juin 3049") alongside the lead single "Rock It for Me."

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Carl Oesterhelt

LP | 2019 | EU | Original (Umor-Rex)

20,99 €*

Loneliness / If It's Not Asking To Much

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Umor Rex presents Eleven Pieces for Synthesizer, a collection of synth instrumentals by German composer Carl Oesterhelt. Oesterhelt has been recording a mixture of straddling kosmische and classical traditions for years on his own reel tape machine, overdubbing stacks of analogue gear to create a compelling body of work that brings fresh emotional depth and rhythmic experimentation to the syntax of the modern synthesizer.

Born in Munich in 1968, Carl Oesterhelt has worked in a variety of fields throughout a long and impressive career. His discography includes tenures with Neue Deutsche Welle legends FSK, intellectual disco outfit Merricks, and German legends The Notwist. His solo work has travelled even further and wider, taking in contemporary classical and chamber music, music for exhibitions and radio plays, not to mention notable collaborations with saxophonist Johannes Enders and legendary founding member of Faust, Hans Joachim Irmler.

Oesterhelt augments his own analogue arsenal with synthesizers borrowed from musician friends, resulting in almost fifteen different synthesizers –some in fruitful states of disrepair– which feature on the album. Opener “La chapelle de Francis Lai” pays tribute to the French film composer with a synthesized church organ procession, disintegrating kraut-funk-noir which emerges on “Poro Secret Society”. Then, eerie sound effects mash with minimal techno rhythms on “Makonde Pattern”, and –most surprisingly– Oesterhelt turns his keys into a sub-Saharan drum ceremony on “Trinidad Pattern”. The sheer range of Eleven Pieces for Synthesizer is an impressive achievement unto itself. Yet it is Oesterhelt’s instincts as a composer which make these (largely improvised) recordings so compelling. Tensions build and emotions stir throughout each piece with a proficiency perfected through his work for the stage.

Musically associates, and directly connected to a heritage of German electronics, Eleven Pieces for Synthesizer touches upon similar ground to the likes of Musik von Harmonia in its pulsations, Klaus Schulze’s sonically adventurous Cyborg, and Tangerine Dream at their earliest and most primitive. The hypnotic ritualism of early African field recordings, or the spiritual regality of European organ music also convey key reference points in the formulation of this collection. Oesterhelt’s compositions here have taken the musically primitive and the emotionally raw, and woven them into a rich synthetic soundworld all of his own.

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Carla Thomas

7" | 2024 | EU | Original (Soul 4 Real)

19,99 €*

LP | 2022 | UK | Original (Sticky Buttons)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Though she was Stax Records' Queen of Soul (and Otis Redding was her king), there was much more to Carla Thomas. In 1967, even while being promoted by the name of her most recent album, The Queen Alone, she was expanding her sound, developing a cabaret act that showcased a mix of genres and styles and that was built around her beautiful voice. She was exploring new vistas when these two sides were recorded. Isaac Hayes wrote "Loneliness". Carla's suave delivery evokes Diana Ross, and the shiny brass horns call out a Burt Bacharach arrangement as much as Stax. This is Carla with a nice polish on the groove. Labelmate and friend Deanie Parker wrote "If It's Not Asking Too Much". A sparer presentation, the organ drives the tango rhythm and also—a second keyboard, I think—swells behind Carla, everything entwining and deepening the song's brooding tone. This is the kind of side that can both start your night or finish it. Carla Thomas has got it all.

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Carlos Fire Aguasvivas

Eclipse Of The City

21,99 €*

2LP | 1981 | EU | Reissue (Mecanica)

Release: 2022 / UK – Original

Genre: Rock & Indie

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First ever repress of the sought after psychedelic tinged funk rock private press album 'Eclipse of the City' from 1980 New York. Originally recorded between 1975 and 1977 in Manhattan's garment district. Eclipse of the City lay dormant on a reel to reel player whilst frontman Carlos Fire Aguasvivas muddled through life working as a data entry clerk away from his fellow band members. It wasn't till he rediscovered the tapes that a sudden life affirming moment drove him to get the music pressed. Putting pen to paper Carlos created the artwork as a homage to his love of comic art and brought the band to life on the reverse with his spindly characters engrossed in the jam. Only 300 copies were pressed at the time leading to eye-watering prices for a copy. with a recent digital re-release from Indian Summer's Anthology Records, Sticky Buttons stepped up to repress the record with a limited run of 500, lovingly manufactured in the UK in all its vinyl glory.

Arriving in the Bronx from the civil unrest of Santo Domingo in the early 60's Aguasvivas was surrounded by the raucous sounds of rock, jazz and prog. Absorbing the humdrum atmosphere of life in New York, Eclipse of the City came from the minds of close friends Carlos Aguasvivas, Steve Garcia and Eddy Garcia. Meeting at Monroe High School the three of them quickly formed a strong bond over their shared interest in music. It wasn't long after that they began rehearsing in a basement under a neighbourhood cleaners and in the attic of Steve and Eddy's family home piecing together their extended sessions of tripped out cinematic psychedelia.

Recording got off to a rocky start as a car accident left the three band members in A&E after taking an early morning cab ride through Manhattan to watch the sunrise on their way into the studio (a theatrical artistic statement of intent conceived by Steve Garcia) - as Eddy mentioned "Eclipse was forged from a lot of pain". Their recording sessions were postponed but a few weeks later they were back and with the added energy of John Ortega on Bass and Vincent Anderson on electric piano and organ - with just a few microphones and a reel to reel recorder, Eclipse of the City was laid down as the stark bold homage to New York's downtown.

Influences ranged from the cinematic behemoth Jaws to the UK prog rock bands of Genesis, Yes and Emerson Lake & Palmer but only could Eclipse of the City take its unique form in the attics and basements of New York with the full band adding their Puerto Rican and Dominican slanted New York energy. Side one includes 3 fully formed tracks breaking out into eerie moments of calm before diving into well timed jolts of reprise as each element weaves over the top of one another whilst side two presents a 30 minute narrative work following the night adventures of a young group of friends exploring the vibrant nightlife of downtown New York. A rumbling half hour of wobbling guitar, tight drumming and synth organ licks jutting out from the glistening lights of the night before the sun rises down Manhattan's East-West axis as the lilt changes and the organ lulls the friends back home. A truly idiosyncratic take on the heady world of New York in the 70's and one that still resonates with our urban landscapes and love for the nights they bring today.

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Carlos Peron

Impersonator

29,99 €*

Carlos Santana / Mahavishnu John

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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40th anniversary edition of the debut album by the multi-talented musician Carlos Perón. “Impersonator” was originally released in 1981 when he was still a member of Yello. This first solo work represents a desire to conduct daring electronic experiments, to achieve stylistic variety and musical intensity while at the same time it is an example of Mr. Perón’s bizarre sense of humour. Since the beginning of his career he pushed experimentation beyond limits with noise atmospheres, loops and complex textures which he has long used since before the introduction of sampling technology. With the arrival of sound sampling, he was among the first to experiment with equipment such as the Fairlight, Emulator and Mirage. During his time with Yello, Carlos may well have been one of the world’s first sampling masters. This new re-issue of “Impersonator” includes all original tracks with some bonus including the whole Frigorex EP from 1984 and six previously unreleased cuts recorded between 1982 and 1983. Limited edition of 500 copies with gatefold sleeve and an exclusive postcard.

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Love Devotion Surrender Supervinyl 180g Vinyl Edition

LP | 1973 | US | Reissue (Mobile Fidelity Sound Library)

47,99 €*

Turn To Earth Black Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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1973 Meeting OF Santana AND John Mclaughlin Yields Spiritual Transcendence: Love Devotion Surrender IS Inspired BY John Coltrane AND A Quest FOR Enlightenment

Sourced from the Original Master Tapes: Tones, Textures, and Notes Float Amid a Large, Open Soundstage on Mobile Fidelity's Numbered-Edition 180g LP 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Two guitar giants. A band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album. The only meeting of Santana and John McLaughlin on record, Love Devotion Surrender more than lives up to the promise offered by its principal creators. Based in divine faith, religious toleration, meditative intent, and the forward-thinking philosophy that music can take us closer to the truth, it is a spiritual journey. These enlightening concepts are reflected in the inspired playing of Santana and McLaughlin, who repeatedly hit a higher plane on this 1973 set.

Sourced from the original analogue master tapes and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition 180g LP of Love Devotion Surrender benefits from the reissue label’s painstaking engineering efforts. The windows on the record’s give-and-take passages, sustained notes, and varied textures are thrown open with palpable transparency and detail. Laden with delicate acoustic touches and gentle piano touches, as well as powerful staccato bursts and fast-paced percussion, Love Devotion Surrender contains a dynamic mix of tempos, tones, and contrasts crucial to its optimal enjoyment. This collectible edition brings those aspects to the fore with extraordinary realism.

In addition, the pinpoint imaging — Santana primarily on the left, McLaughlin on the right — invites you to picture the musicians in the act. You’ll sense a newfound freedom and naturalism to the playback, as well as black backgrounds and an openness that allow the widespread array of textures, atmospherics, echoes, and neo-psychedelic shapes to float in the air. Call it jamming guided by a higher power or surreal art brought together by time, circumstance, and purpose; there really is no other album completely like it.

Having each become a follower of Indian guru Sri Chinmoy, who wrote the album’s extensive liner-note essay and is seen in several jacket photos, Santana and McLaughlin began playing together in 1972. Both legends found themselves in the midst of personal and creative transition. Santana was moving away from rock-based songs in favour of exploratory jazz-rock. A contemporary of Miles Davis, McLaughlin had already achieved fame with the Mahavishnu Orchestra, then on the brink of collapse due to internal disagreements.

On Love Devotion Surrender, the duo pools its interests in discovery and transcendence into gorgeous music steeped in improvisational lines, ecstatic chords, and sensitive organ accompaniment courtesy of the record’s best-kept secret, Larry Young. The former Blue Note recording artist had already connected with McLaughlin in the Tony Williams Lifeline, which began as a power trio and turned jazz on its head with its groundbreaking 1969 debut. Young’s ear for melody and fearless penchant for chasing down adventurous fusion leads — not to mention keeping pace with the headliners, no small feat — make him an ideal foil for the proto post-rock happening throughout.

Credited under his Muslim name, Khalid Yasin, Young isn’t the only standout. Several Santana contemporaries — bassist Doug Rauch, drummers Mike Shrieve and Billy Cobham, percussionists Mingo Lewis and Armando Peraza — play alongside Mahavishnu Orchestra member Jan Hammer and Tony Williams Lifeline drummer Don Alias, who already had credits on Davis’ seminal Bitches Brew and On the Corner. Complemented by Santana and McLaughlin, the ensemble sounds and feels unstoppable. In addition to the band’s search for sacred soulfulness, the common denominator throughout is John Coltrane, who engaged in similar pursuits during the 1960s. Two of the five compositions — “A Love Supreme,” “Naima” — are interpretations of Coltrane standards while the lynchpin, a nearly 16-minute investigation into the traditional “Let Us Go Into the House of the Lord,” integrates free-form structure, jazz phrasing, gospel mysticism, cross-cut dynamics, and tonal shaping into one of the most uplifting pieces of music you’ll ever hear. The same can be said for the entirety of Love Devotion Surrender. Bow down.

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Carlton Melton

2LP | 2023 | UK | Original (Agitated)

21,24 €* 24,99 € -15%

Turn To Earth Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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First 400 LPs (300 Colour / 100 Black) Come With A Specially Compiled Limited 70+ minute Carlton Melton “Mandatory Melton” CD (7 tracks of magick Melton classics) & full size poster of the outer gatefold sleeve…pretty!!** Northern California psychedelic sorcerers Carlton Melton are brain surfers, mind trippers, … “psychlists,” if you prefer. The band will take your head for a ride, occasionally rushing at superluminal speeds through a wormhole or gliding softly on a gentle breeze in a leafy glade. Sometimes your brain needs to rage, and sometimes it needs to repose. For a decade and a half, the band has yo-yo’ed, almost schizophrenically, between these two modes: walloping space jams with furious guitar solos in one hemisphere of the brain and ethereal, feather-light splashdowns in the other. Not to mention a track here and there that builds from the latter into the former. But with two new releases in 2023, the band has evolved. Whether psych rock or ambient trance, their sound remains driving, organic, and flowing. With the addition of Anthony Taibi (White Manna, Ddt), however, the group’s metal freak-outs are Hawkwindier and their droning kraut trances are Spacemen 3-er. In January, the quartet released the playfully spacey Resemble Ensemble, recorded in Taibi’s home studio 3D Light. October now sees the band Turn To Earth, a work with scents of Autumn, a season of death and transition. The cover art evokes a vine-covered, electric crucifix. The sound is, well, earthy but also gritty and striving towards change. The album was recorded in Fall 2022 and now harvested in Fall 2023. Phil Becker (Terry Gross, Pins Of Light) contributed drums and percussion to a few tracks on Turn To Earth, recording the album at El Studio in San Francisco. With Becker at the helm, the synths have become more prominent (“Cosmicity,” “Roboflow,” “Migration”) and the tone heavier on the doom (“Cloudstorming,” “Unlock The Land,” title track): several moments could even serve as background music for epic dark fantasy films like Conan the Barbarian, Fire and Ice, or Heavy Metal. As exquisite as Turn To Earth is, Melton are best appreciated as a live act: their recordings as well as their gigs are largely improvised – not so much composed as birthed. And yet their most recent tour ended abruptly and perilously. The group had to cancel its final three shows once members were admitted to Arnhem hospital in the Netherlands. Five years later, reinforcements have strengthened the band and restocked its arsenal of great tracks. After the rockus interruptus of that 2018 tour and the tantric tease of the intervening Covid lockdown, Melton have some unfinished business. An October 2023 tour is poised to set the freshly minted quartet back onto the stages of Europe and within the cerebral folds of its fans. Turn To Earth, sure … but keep your head in outer space. Carlton Melton is: andy duvall – drums/gtr; clint golden – bass; rich millman – gtr/synth; and anthony taibi – synth/gtr.

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Carlton Melton

2LP | 2023 | UK | Original (Agitated)

32,99 €*

Casiotone For The Painfully Alone

Release: 2023 / UK – Original

Genre: Rock & Indie

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Etiquette

LP | 2006 | US | Reissue (On)

You Are The Conductor 15th Anniversary Seafoam Vinyl Ediiton

Release: 2006 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

The fourth album from Cftpa expands Owen Ashworth’s color palette to include a small orchestra of pianos, organs, strings, flutes, pedal steel guitars, drums, drum machines, and synths. His strongest and most cohesive work to date. Features musical and production aid from Dead Science, Dear Nora, Papercuts, and Degenerate ART Ensemble.

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Caspian

LP | 2020 | US | Original (Dark Operative)

24,99 €*

Ambient Music For A Young Girl

Release: 2020 / US – Original

Genre: Rock & Indie

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You Are The Conductor is the brilliant debut album from Beverly, MA’s Caspian. Originally issued in 2005 on the Dopamine Records label, this formal reissue on Dark Operative marks the 15th anniversary of the record and the first time it has been in print physically in over six years. They say you only get one chance to make a first impression… and Caspian clearly took that old adage to heart. “Quovis” into “Further Up” into “Further In” is one of the most impressive 1-2-3 punches on any debut album, to the point where fans of the band started referring to all three in tandem as “The Trilogy” both live and when referencing the record itself. “Loft,” “For Protection,” and “Last Rites” provide the perfect balance and counterpoint to the introductory salvo, all three still finding themselves worked into Caspian live sets to this day. Happy 15th anniversary to an album that has only become more poignant and revered with each passing season and every new generation of listeners discovering the real power of instrumental music.

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Cass.

LP | 2021 | EU | Original (Growing Bin)

Traveller Song / Thanksong

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After a year of enforced isolation, we’ve all become experts at introspection. After all if the outlook is grim, why not look inwards instead? Just don’t be surprised when all that naval gazing gives you a bellyache. Luckily, Cass. is back on the Growing Bin with the beguiling beauty of ‘Ambient Music For A Young Girl’, a soothing set which demands your full attention. In the era of deserted dance floors, when the house and techno crowd export uninspired ambient to keep the streams flowing, Cass. offers an alternative approach to slow listening straight from the heart. Niklas came to Basso with a wealth of sensuous sounds to curate for a new LP, and these six expressionistic vignettes sit together like paintings at an exhibition. All born from the same brush but varied in tone, texture, mood and approach, they achieve an immersive effect without ever fading into the background. Sonic synonyms of Rothko, Turrell and Kapoor, each imbued with hidden depth, each utterly compelling, each conveying a profound calm. Escape your ego with some foreground music.

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Cassandra Miller

12" | 2023 | EU | Original (Black Truffle)

Desperately Seeking Banksy

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce its first release from celebrated London-based Canadian composer Cassandra Miller. Though her body of mature work stretches back almost twenty years, many listeners were introduced to Miller through the success of her astonishing 2015 Duet for Cello and Orchestra, which sets an imperturbable two-note cello part against a series of increasingly dense orchestrations of an Italian folk melody; in 2019, it was selected by The Guardian as one of the ‘best classical music works of the 21st century’. Traveller Song / Thanksong, the first release of her music on vinyl, presents a pair of compositions for voice and ensemble that exemplify Miller’s gently absurd, strikingly beautiful, and utterly unique work.

Like many of Miller’s compositions, these pieces originate in existing music. Traveller Song (2016/2018) begins from a 1950s song of an anonymous Sicilian cart driver recorded by Alan Lomax and Diego Carpitella, which Miller recorded herself singing along to, going on to then record herself singing to her own layered voices. Miller’s untutored voice is an unsteady, wavering wail that has, in her words, ‘more in common with a quasi-shamanistic keening than anything Sicilian’. Heard sometimes alone, sometimes layered, her pre-recorded voice is accompanied by a chamber sextet drawn from London’s Plus-Minus Ensemble. In the first section, Miller’s exposed warble is set to a spare piano accompaniment, somehow both faintly preposterous and magisterial. Following the voice note for note, the piano part often makes use of almost mechanical sequences of parallel chords, reminiscent both of Satie’s Rosicrucian period and the abrupt harmonic movements of a chord organ. The orchestration then opens up to guitar, clarinet, and sliding strings, a delicate environment for Miller’s voice, which, especially when it begins to be layered, generates a powerful sense of intimacy. In its concluding minutes, the folk roots of the original melody return in the form of a glorious full ensemble setting dominated by accordion, clarinet, and strummed guitar. Thanksong begins from recordings of Miller singing along to the third movement of Beethoven’s late quartet in A minor (Op. 132), the ‘holy song of thanks’ the composer wrote to express his gratitude for (temporarily) recovering from illness. Recording herself singing along repeatedly to each of the individual parts of the quartet, Miller created an aural score where each member of the string quartet listens to their own part on headphones, playing by ear. Performed on this recording by Montreal's Quatuor Bozzini, with whom Miller has a decades-long relationship, they are joined by the British soprano Juliet Fraser, who sings material from the Beethoven quartet ‘as slowly and quietly as possible’. The atmosphere of the opening of Beethoven’s Dankgesang, of hushed reawakening and thoughtful reflection, is sustained throughout the fourteen minutes of Miller’s piece, building at points almost to sentimentality before the five individual parts again fall back into a gentle burble of unsynchronised melodic gestures. Like Traveller Song, here the use of the voice is a long way from the mannered performance of much contemporary music, reaching for a human and bodily presence more connected to the reality of the everyday, albeit suffused with wonder. Presented in a stylish sleeve adorned with photography by Lasse Marhaug and liner notes by Cassandra Miller, this is a key release from a major contemporary composer whose work challenges and dazzles in equal measure. .

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Castello-Cortes

Gingko Press

11,82 €* 16,90 € -30%

12" | 2023 | EU | Original (Hayes)

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Explore the geography of genius in Desperately Seeking B**ksy, a pocket-sized, smaller sibling of Wheres B**ksy that illuminates the interaction between artist and space. Where its predecessor featured in-depth analysis of each piece displayed, Desperately Seeking B**ksy offers accessibility and brevity for the more casual fan. The maps are streamlined, and analysis has been replaced by individual quotes that offer insight into the inspiration behind each piece. The artwork selection is up-to-the-minute, featuring 2017s Bridge Farm Primary School and The Walled Off Hotel.With a size and price point perfect for gifting or impulse buying, it makes Banksys work available to a wider audience than ever before.Like the other titles in the Desperately Seeking series, Desperately Seeking B**ksy looks at a major cultural icon from a brand-new perspective, providing context for his work and legacy.

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Casual Treatment

Sludge

LP | 2021 | EU | Original (Editions Mego)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Casual Treatment returns to Hayes with Sludge, six elaborate works rich with living detail and complex, atonal riffs that weave a textural fabric in an impressionistic, dimly lit cavern.

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Caterina Barbieri

Fantas Variations