Search "twit+one" 29839 Items

7" | 2019 | US | Original (Get On Down)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Powering their way through 2019 with no sign of letting up, WOLF Music unleash their next house gem, ‘Strangerinthecity’, from German pairing Kandinsky & Mr. Fries. Six slices of soulful deepness, that range from blissfully Balearic and chugging groovers, to hazy jazz-infused sweetness, crunchy beats and sweeping interludes.
Kicking off the A side a cinematic intro, laced with movie samples and thundering pianos, gives a grand opening for ‘Stranger’ to slide in with its bongo delights, dusty trumpet melodies, psych guitar licks and fluttering Rhodes. Couple that with the modulated vocal snips and it’s a wave of warmness destined to win over any dancefloor. ‘Fallingasleep’ takes the final slot on the A side, a chuggy bass-arp-fuelled interlude with rippling hats, echoing rides and washes of the sea, to lead you serenely into the second half of the record.
On the flip side, ‘Downhere’ and ‘Strollingaround’ sandwich either side of ‘Junkfoodnmusicpt2’, like the juicy pleasures its namesake depicts, encasing it lovingly in two dreamy house numbers. The former is a trumpet laden, smokey cocktail of grooves and the latter a more disco-tinged offering, led by a dynamic bass / guitar combo alongside delicate brass and string tones. The tender filling to this deep-fried delight? ‘Junkfoodnmusicpt2’ – a beatsy trip of glistening, lo-fi, instrumental hip hop that will leave you salivating for more.

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Clipse

Ego / Comedy Central

Cot Damn / Ma, I Don't Love Her

Release: 2019 / US – Original

Genre: Hip Hop

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"These “Big Hole” 7 Inches From Lord Willin’ Are Presented On White Vinyl In Mini Star Trak Die-Cut Jackets – Replicas Of The Label’s Original 12” Sleeves. The first hip-hop group signed to The Neptunes' newly formed Star Trak label in the early 2000s was a Virginia based duo known as The Clipse. The group’s first single “Grindin’,” impacted young people with its bare-boned but infectious drum beat in the same way that Run-DMC’s “Sucker MCs” did almost two decades earlier. MCs Pusha T and Malice, combined with The Neptunes’ groundbreaking production, sent a clear message to the rap world – “we are not the same.” Pharrell Williams and Chad Hugo were able to combine their electro-punk production with just the right group to create a street masterpiece. Following in the footsteps of such rap criminologists as Kool G Rap, Nas, Jay-Z and Mobb Deep, the Clipse offer a hustler's viewpoint, with clever, hard-hitting lyrics that are consistent throughout the album. Select singles from Lord Willin’ will now be available from Get On Down on white vinyl in 7” size diecut jackets that reproduce the look of the original 12” releases on the Neptune’s Star Trak imprint."

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Clipse

7" | 2019 | US | Original (Get On Down)

7" | 2019 | US | Original (Get On Down)

Release: 2019 / US – Original

Genre: Hip Hop

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Clipse

Intro / Young Boy

12" | 2019 | EU | Original (Armstrong)

Release: 2019 / US – Original

Genre: Hip Hop

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The Unknown Artist

Hangover / Melting Pot

The Eightness Of Adam Qadmon

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A bona fide genius from the formative 12" remix era of NYC's Disco explosion opens up his secret vault. These are previously unreleased versions of classic cuts from one of the pioneers.

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A Handful Of Dust

LP | 1994 | EU | Reissue (Ikuisuus)

12" | 1982 | EU | Reissue (Catawba)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Originally released on cassette by Corpus Hermeticum (Hermes003), 1994. All sounds by Alastair Galbraith and Bruce Russell.
"New Zealand is on summer holidays all through the month of January. For some reason I had the house to myself, the wife and kids were elsewhere. Alastair Galbraith brought over some instruments and we plugged in a cassette recorder. We spent the sunny afternoon setting up combinations of instruments and seeing what happened.
We had recorded the Concord LP the year before and done two gigs at the Empire tavern that became The Philosophick Mercury. The idea of Dust was taking shape through experimental practice. Some of it worked better than other bits, but it all made sense as a collage of sound, pointing in the direction of freedom. Our collective practice was making leaps and bounds; and starting to get heard abroad. In Australia the young Jon Dale was listening:
'The Eightness Of Adam Qadmon was one of the first releases I heard from A Handful of Dust… I've always been drawn to this cassette for its utterly unique, acroamatic sensibility - it seems less interested in third-eye-rupturing … and more about a late night session, bleeding into early morning, under the influence of heady wisdom and headier substances… What we had here was very much the real deal, collective and solo eviscerations from the heart of sound itself. I love it, unconditionally.'
Jon got the time of day wrong, but not much else. Going back to this session recently, I became aware of the strange, ungainly and unrepeatable shapes our practice assumed during these first forays into total free improvisation. Re-mastered with help from Lasse Marhaug, at the request of some visionary Finns; here Adam Qadmon, the ur-Golem, comes again. Walking from the graveyard of the past, blinking in the autumn sun, and shaking twenty-five years of clay from his coat."

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Sandy Kerr

Thug Rock

LP | 2018 | DE | Original (Twisted Chords)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Daughter of the mighty George Kerr, Sandy set the scene alight in ’82 with the explosive classic, ‘Thug Rock’. Badass slap basslines, zapping synths, ethereal pads and Sandy’s iconic rap were a timeless recipe of pure ‘80s, boogie-infused power that’s blasted from many a boombox, sung on all manner of club systems and sound tracked endless open road cruises over the years.
Released on the South Carolina label Catawba Records, two prolific duos blessed ‘Thug Rock’ alongside Sandy and co. Her father, who produced for the likes of Alice Clark and The O’Jays and Sugarhill wizard, Reggie Griffin, headed up the production and arrangement, with ever-dependable M&M aka John Morales & Sergio Munzibai taking the reins on the mix. Their combined talents can be heard in the tangible weight of the track, each element getting the space it deserves to facilitate that crystal-clear clout - from the huge bass riffs and sublime keys, to the punchy drums and Kerr’s infectious rap. An earworm if ever there was one!
Take to the flip to find the much in-demand dub version, echoing out choice snippets of Sandy’s rap to focus in more on that killer boogie-funk groove. Original copies are tough to come by in the UK, so an official reissue will be music to many an ear.

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Ken Hetzen

12" | 2019 | EU | Original (Echovolt)

Release: 2018 / DE – Original

Genre: Rock & Indie

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one-sided

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Castel

Estrel

Mika Vaino & Chicks On Speed

Release: 2019 / EU – Original

Genre: Electronic & Dance

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In late 1997, unsigned Melbourne producer Castel won a competition at a local club. The prize was certainly sought-after: a CD single release on leading local label DanceNet. That EP, “Estrel”, subsequently appeared in stores in 1998, but within two years Castel had packed away his Atari-ST, sold off his hardware and quit music for good.
Thanks to Echovolt Records, Castel’s story now has a happier ending. 22 years after it was recorded, the unfeasibly gorgeous “Estrel” is finally appearing on vinyl alongside original bonus cut “Me & You” and a trio of similarly impressive unreleased productions from the period.
“Estrel” is positivity personified – a melodious, morning-fresh blast of deep electro bliss rich in bustling drums, tuneful IDM style lead lines and darting, psychedelic electronics. It’s joined on side A by “Me & You”, a pitched-down chunk of hazy ‘90s electronica that wouldn’t have sounded out of place on one of Warp Records’ legendary Artificial Intelligence compilations.
On side B, Castel opens up his archive of unreleased recordings for the very first time. The rush-inducing, bass-heavy swirl of “Safer Somewhere” – one of the last tracks he ever recorded and reminiscent of some B12 recordings from the period – is followed by the intergalactic ambient brilliance of “Latch” and the lilting, sun-bright bliss of breakbeat-driven shuffler “16/11/1998”, whose combination of weighty bottom-end and layered electronics neatly sums up the unheralded qualities of Castel’s previously forgotten work.

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Flame On

10" | 2004 | EU | Original (EFA)

Release: 2004 / EU – Original

Genre: Electronic & Dance

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Dance Of The Kachinas Claudio PRC Remix

Winter In June & Vayu

12" | 2019 | EU | Original (Kizen)

Disco Highlife Reedit Series Volume 1

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included. Kizen Records' third vinyl release "Dance Of The Kachinas" by Winter In June & Vayu including Claudio PRC remix.

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Ebo Taylor & Pat Thomas

12" | 2019 | EU | Original (Comet)

12" | 2019 | EU | Original (Party Central)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Comet presents the first release from its new Disco Highlife series, featuring remastered originals by Ghanaian legends Ebo Taylor & Pat Thomas and disco reedits by LeonxLeon and Leo Nanjo.
Founder of Comet Records, Eric Trosset, started working with those great heroes of West African music, back in 2010. Taking on the role of manager/publisher, Comet teamed up with Strut Records and musician/producer Ben Abarbanel Wolff to revive Ebo Taylor‘s international career with a string of album releases: Love & Death, Appia Kwa Bridge and Life Stories. In 2014, he collaborated with Pat Thomas & The Kwashibu Area Band on a new album, gathering together the old ‘pals’ (Ebo Taylor, Pat Thomas, Tony Allen) in producer Kwame Yeboah’s studio in Accra.
It is with great pleasure that Comet launches this new series. Let's make this beautiful and timeless music the soundtrack to an unforgettable summer!
On side A, comes “Enye Woa” by Pat Thomas, originally released in 1988 on Nakase Records and taken from the album Me Do Wiase. It’s killer disco cut, and as innovative a piece of highlife as it was 30 years ago. Paris-based producer LeonxLeon has been cooking up songs in his Parisian home-studio since 2013. He did a remarkable remix of Cerrone's "Funk Makossa" and more recently released his new Rokanbo EP on Cracki Records. His remix of “Enye Woa” is a classy modern disco cut with funky bass and spacey synths.
On side B is “Atwer Abroba” by Ebo Taylor, a stand out up-tempo track from the album Twer Nyame, originally released in 1978 on Philips West African Records. Tokyo-based multi-instrumentalist/producer/arranger Leo Nanjo formed the first Japanese afrobeat group, Kingdom Afrorocks. Since the band broke up in 2014, Leo has been producing and arranging music with various collaborations, such as DJ Muro, Pushim and Misia. This is a trippy afro-futurist, broken-beat reedit with highlife grooves flying to deep space.

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Miss Represented

12" | 2019 | EU | Original (Atjazz)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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It's a welcome change to see the dance music industry shift from a sausage fest to a decidedly more diverse scene of artists and DJs, one where challenging and marginalized voices can be heard.
MISS REPRESENTED has such a voice, raw and fearless, an educated woman of experience, who has lived her life on the dark side of Scotland's acid house scene, where she has found plenty of food for thought.
Co-produced by Thomas Von Party of Multi Culti, who enlisted the talents of Kris Baha and Matt Karmil to mix, and brought in the elusive UK-underground legend Johnny Aux to rough up the already rugged Crack That Habit into an extended house banger.
If there's one thing dance music is guilty of, it's escapism. A refusal to confront reality. None of that here. Calling out a culture of lies, empowering female sexuality, facing the perils of addiction, and speaking of the resilience of the human mind, this is heady stuff for the rawest of parties.

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Atjazz & Jullian Gomes

Love Me Kaytronik Dubs

12" | 2019 | EU | Original (Multi Culti)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Following up the release of Atjazz & Jullian Gomes’ warmly received album ‘Big Bad Crazy’, the guys brought in House Music’s remix hero ‘Karizma’ to re-imagine one of the favoured album cuts ‘Love Me’.
Under his ‘Kaytronik’ moniker, Baltimore’s beat-master loads up a rather subby floor workout with his iconic signature production style. As the first kick drops, it's unmistakably Kaytronik at the controls as he dubs out this intricate number to create something of wonder, producing a large & well polished USA sonic with incredible edge & bite.
This limited 12” contains 2 massive versions and should not be missed.

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Jamie Paton

Squeeze The Prime Time

Feels Like Summer / Gifted Lovers Clear Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Multi Culti strip down and sling low with this ep of restrained early-morning house from UK's Jamie Paton. One half of Cage & Aviary, the London-based producer follows up releases on Emotional Especial and Holga Nord with virtuosic depth.
It may be the power of suggestion, but Squeeze the Prime Time sounds like a well-worn night-life wayfarer wringing their very last brain cells for more serotonin on the dance-floor. On 'Syrens' especially, there is a sense of subdued, spectral ecstasy. Squelchy, spacey, bumpy, this is a masterful soundtrack to synapses firing to the world's most cherished tryptamine.
Multi Culti production duo Dreems & Thomas Von Party add a 'Self-Help' remix, an unashamed attempt to lend 75% more hippy to the package, taking holotropic breath-work to the masses as only a pair of gurus can do.

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The Unknown Artist

10" | 2019 | EU | Original (Fokuz)

LP | 2019 | EU | Original (All City Dublin)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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2022 repress

Big names on the big ones, known to many but unknown on these summer slammers.

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The Lock In

Parris Mitchell Vs Nina Kraviz

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The runic inscriptions of the ARP 2600's circuit boards foretold the coming of "three explorers" who will reveal the ancient truths that lie within the pulsations of its ever-shifting squarewaves. The result of weeks of intense exploratory sessions in an NYC celestial echo chamber, this record documents the efforts of Tim Wheeler, David Kitt, and Conor Creaney to fathom and harness the sounds emitted by the ARP, Minimoog, CS60, and Jupiter 4 in a strictly live fashion. No overdubs or editing took place, just the sound that filled the room as the jams emerged. The results are two extended, hypnotic synth odysseys that unfurl organically as their melodic layers reveal themselves over time.
Side A 'Locked In' opens with tranquil, sparkling synth chimes that give way to a pulsating (but largely beatless) Krautrock-meets-dub groove, anchored by an insistent bassline and interlocking layers of synth lines that unfurl over its 15 minutes. Side B ‘Locked Out’ takes us to the outer reaches of the cosmos with its quavering, otherworldly arpeggios and tempestuous asteroidal outbursts.

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Feel My Butterfly

12" | 2019 | EU | Original (Snatch Raw)

7" | 2019 | US | Original (Organik)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Influential Chicago House DJ/producer Parris Mitchell teams up with Siberian producer-singer-songwriter and DJ Nina Kraviz on ‘Feel My Butterfly’ - their debut release on Riva Starr’s acclaimed Snatch! RAW imprint as part of a collaboration with Dance Mania, out 28th June 2019.
The special 2 track vinyl and digital release sees Kraviz and Mitchell officially team up for the first time with their only other release encounter being in 2014 when Kraviz remixed Mitchell’s ‘The Track Stars’, released via Berlin-based label Deep Moves.
The result of the rare partnership is one to be relished, producing ‘Feel My Butterfly’ – a heady acid-laden dancefloor-ready masterpiece comprising of a sick ghetto house groove, an abundance of squelchy TB-303 acidlines and Kraviz’s distinctive spoken word vocal throughout.
To complement the Original Mix, Berlin’s DJ Krime steps up to deliver his own interpretation of the track for the B-side, delivering a powerful peak-time TR-808-tinged rework that boasts the original’s key elements.

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Jon Kennedy

Live Test & Demons

Release: 2019 / US – Original

Genre: Electronic & Dance

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More copies back in! "LIVE TEST" is a muscular breaks track full of menace and driving beats. A hit with Z-TRIP, MARK RAE, DJ VAJRA, FLETCH, etc. when it dropped in 2009. The flipside is a dubbed up remix of "DEMONS" by FARM FRESH's TIM SMITH. Dope. Last copies available.

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12" | 2019 | EU | Original (Gator Boots)

Gator Boots Volume 11

Open The Door To Your Heart Record Store Day 2019 Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The latest edition of Gator Boots is a split 12” with edits that cut straight to the dancefloor.
On the A Side Boston’s Trip Report pays R.E.S.P.E.C.T. with an acid workout. On the flip G Markus freaks a dancehall classic with some more acid and smooths out a forgotten 2000’s r&b gem.

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Darrell Banks

12" | 1966 | EU | Reissue (Revilot)

12" | 2019 | US | Original (Nicewon)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Limited Edition for Record Store Day 2019! Often quoted as being one of the greatest Soul records of all-time, “Open The Door To Your Heart” was Darrell Bank’s first release and biggest hit. A one-off UK issue copy on London Records recently sold for a huge £14,543 in 2014 and is testament to the quality of the song and recording. Here, for the first time ever, is the previously unissued instrumental version by the Funk Brothers - the Solid Hitbound musicians including Rudy Robinson, Uriel Jones, Eddie Willis, Bob Babbit and Dennis Coffey. This work of art will be reissued on the original Revilot label.

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Christian James

Live On Dupont EP

12" | 2019 | EU | Original (Gravity Graffiti)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Nicewon kicks off 2019 with the 'Live on DuPont EP' from Christian James. Christian drops three new cuts, stamped with unmistakable mid-west vibes, fresh from flyover USA and pulls in a super-phat remix, from one of London's most exciting producer's- Cody Currie. Following up on his SummerSota EP, he stays true to his roots with driving drum-grooves, heavy use of samplers and drum machines, with some great synth work and pulls it all together by jamming it out- live. Cody Currie brings that floor-stompin attitude to this remix and cracks the WHIP with those beloved filter disco vibes, for all the heads. This EP kicks some serious Minneapolis warehouse flavor, to fit all corners of the dancefloor. We hope you enjoy NCWN04!

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Anurak Boonliang

Shadow Play

CD | 2019 | UK | Original (Ninja Tune)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Anurak Boonliang is a young producer from Bangkok. As a child, he was trained as a musician for the traditional Thai shadow theatre. Nang Yai, as it is called in Thai, is an acting genre counted among the shadow plays with large picture panels made of parchment, which is cultivated in the center of Thailand around the capital Bangkok. The immovable figure plates are each carried by one actor and danced to the music of Pi Phat. Boonliang's journey from Pi Phat, the classical music ensemble of Thai music, mainly composed of percussion instruments, to working with drum computers and synthesizers was a short one.

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The Cinematic Orchestra

To Believe

12" | 2019 | EU | Original (Bamboleo)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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The Cinematic Orchestra are back with a definitive new album that explores a timeless question of vital importance in 2019 - what to believe? Founding member Jason Swinscoe and longtime partner Dominic Smith have enlisted album contributions from collaborators old and new: Moses Sumney, Roots Manuva, Heidi Vogel, Grey Reverend (vocalist on Bonobo’s 'First Fires’), Dorian Concept and Tawiah (Mark Ronson, Kindness), Miguel Atwood-Ferguson (Flying Lotus, Anderson Paak, Thundercat, Hiatus Kaiyote) features on strings and photographer and visual artist Brian “B+” Cross collaborated with Swinscoe and Smith on the album’s concept. The record was mixed by multiple Grammy winner Tom Elmhirst (David Bowie, Frank Ocean, Adele) in Jimi Hendrix’s legendary Electric Lady studios. The album artwork comes courtesy of The Designers Republic™ (Aphex Twin).

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Neverdogs

Underground Activity EP

Frankie Knuckles Presents Directors Cut

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Italian duo Neverdogs mint their brand new label Bamboleo Records with a powerful four track EP that serves as a fine statement of intent.
The label—which launched with a special party at BPM in 2018 and has been hosting a monthly event at 93 feet East in London since October 2018—will focus on house, techno and minimal with a funky edge. As well as their own material, it will release big names from the international scene and aims to inspire and generate new emotions for the dance floor. Neverdogs themselves have been turning out essential sets and tracks since 2000. They have released on an array of labels including Snatch!, Avotre, This And That, Roush among others, and played everywhere from BPM Festival & Sunwaves to Marco Carola’s Music On.
Up first is the thrilling ‘Underground Activity’, a dubbed out deep techno roller. It has warm chords bringing plenty of scale to the slick, kinetic drums. The superb ‘Solution’ is a more churning, lively tech cut with wobbling hooks and metallic drums. It’s one to get the floor moving, with dark vocals finishing it in style.
Keeping up the dynamic dance floor vibes, ‘Stop Talking’ slips into a moody and stripped back house framework, with dry hits echoing out into a cavernous atmosphere. With real swagger and cosmic overtones in the keys, it’s another excellent side to this pair’s sound. Last of all, ‘Destination’ is a dramatic vocal DJ tool with broad synths and molten bass all warping round each other.
This is a devastating package from a bright new label that both DJs and dancers are sure to love.

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Baby Wants To Ride Feat. Jamie Principle

12" | 2019 | EU | Original (Sosure)

12" | 2019 | EU | Original (Cracki)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A never before released version of a truly, legendary house record from the late great Frankie Knuckles…working in collaboration with The Frankie Knuckles Foundation who will receive 50% of the profits from this project, SoSure Music is proud to present the Director’s Cut re-production of ‘Baby Wants To Ride’. Alongside this, a vinyl exclusive edit by Jimmy Edgar, which was originally a tribute release after Frankie’s passing in 2014, finally gets an official release.
2011 saw the launch of Frankie and long-time production partner Eric Kupper’s ‘Director’s Cut’ project, with the aim to release new music, whilst re-producing classic cuts to fit with the modern dancefloor. SoSure Music is now working alongside Eric Kupper and Hector Romero, with the blessing of both Def Mix and The Frankie Knuckles Foundation, to bring a renewed focus to some of this material.
First up, the illustrious, evocative 1987 anthem, ‘Baby Wants To Ride’. Rightly regarded as a masterpiece of early Chicago house and a pioneering classic through and through. Knuckles and Kupper extend the intro and outro to allow for those sweeping blends, whilst adding deft touches and reprogrammed lines to give a crisper, more detailed feel to this sumptuous slice of definitive house music. Couple that with newly spiritualised vocals and fresh erotic ad libs from Jamie Principle and prepare to rekindle that infectious energy 32 years down the line.
On the B side, Jimmy Edgar showcases his trademark touch to provide a fresh spin on the original whilst staying true to its essence. Reworking the arps, adding atmospheric drops and crunchy percussive elements, whilst holding off on the iconic vocal till the last section, all combine to give this version a unique, big room character that nods to the past, yet reinterprets for the present. A fitting tribute from an artist whose own productions are clearly laced with influence from Frankie Knuckles.

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Leon X Leon

Rokanbo EP

Joseph Inniss, Ralph Miller, Peter Stadden

Release: 2019 / EU – Original

Genre: Organic Grooves

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A doctor by day and a musician by night, Leon x Leon has been producing songs in his Parisian home studio since 2013, where house, italo-disco and boogie are mixing. When he was younger, he was immersed in music by taking jazz drum lessons at the conservatory, and especially by seeing his father, a sound engineer, who had been building his own synthesizers since the 1970s. As a tribute, he used one of these unique synthesizers on a title of the disc.
After a remarkable remix of Cerrone's "Funk Makossa" and several tracks on various from “Red Laser Disco”, he released his project My Solar Brass on the same English label in 2017. Organizer of many Parisian parties, he also participated in the founding of the publishing label “Good Plus". With the release of Rokanbo on Cracki Records, Leon x Leon signs a mature EP with the influence of different styles.
The first eponymous title is a manifesto mixing Acid, House and Zouk. As soon as we launch the track, the pop & acid 80's sounds takes us to another world... A UFO from the Islands! The other parts of the EP don't leave us in the lurch! “Formant Sweep” delivers a soft and groovy bass that responds to an endless, spatial synthetic takeoff. On “Red Footpath”, the harder kick cleverly blends with an atmospheric blanket and a bright, lively flute solo straight from an abandoned piece of bamboo on a deserted beach. After that, “Jungle Juice” lets a crazy keyboard solo resonate in the middle of tropical fauna and flora, and finally on “Horizon”, the EP ends in beauty with an airy atmosphere. This last piece sounds like a beautiful sunset at the end of a long summer day.
Through all these tracks, Rokanbo EP offers us a clever contrast between synthetic notes and the warmth of tropical groove, and places our gaze towards the horizon, seeking the groove to disturb its line on the infinite sea.

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Rapper's Delight: The Hip Hop Cookbook

Dokument

Sascha Funke & Niklas Wandt

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Rapper’s Delight: The Hip Hop Cookbook features thirty recipes inspired by your favourite hip hop artists of today and yesteryear. Split into three categories of Starters, Mains and Desserts, the book includes a wide range of delights such as Wu-Tang Clam Chowder, Public Enemi-so Soup, Run DM Sea Bass and Busta Key Lime Pie.

Each of the recipes is accompanied by a bespoke piece of artwork, created by one of thirty of the best upcoming illustrators. Rapper’s Delight celebrates the many humorous parallels between food and hip hop, making it a must-have for anyone with a love for cooking, music or illustration, or indeed all three.

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Wismut

12" | 2019 | EU | Original (Multi Culti)

7" | 2018 | US | Original (GBV Inc.)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Brainchild of Multi Culti A&R, Sascha Funke and Niklas Wandt were introduced by Dreems, who charted a course for the seasoned Berlin-based producer and funky multi-percussionist and singer.
Wandt was just about to enter the scene forcefully with his collaborative 2LP with Wolf Müller and the debut single of his band Neuzeitliche Bodenbeläge. In the icey cold of his warehouse rehearsal space, Funke had him record a variety of slapped, bowed and scratched percussions (congas, talking drum, prepared cymbals played with a bass bow) over his tracks. These first efforts were later expanded into joint sessions at Sascha's home studio and, within a few weeks, the journey reached it’s destination: Wibe strasse, Deutschland.
At first glance, they seem an odd couple: a techno veteran of almost thirty years meets a side-burned upstart socialized in Free Jazz and Krautrock. But the shared sonic influences come through in the hypnotic, dubbed-out sound, perhaps rooted in the close connection the two share to the Rheinland region in West Germany, Funke as part of the Kompakt family and Wandt by origin and socialization in the Cologne and Düsseldorf music scene centered around the Salon des Amateurs. Regional flavours, global appeal.
Multi Culti, promoting local collaboration, one freaky record at a time.

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Guided By Voices

Winecork Stonehenge

Release: 2018 / US – Original

Genre: Rock & Indie

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After 2018’s critically acclaimed Space Gun LP and a string of jaw-dropping, sold-out shows, Guided By Voices has announced a sprawling double-album, Zeppelin Over China. to be released on February 1. But before this one has even made it to the warehouse, Robert Pollard has written and recorded another full-length in record-breaking time. It’s Warp and Woof (April 2019), exuberantly barreling through 24 songs in just 37 minutes with a brevity similar to mid-90s GBV albums Alien Lanes and Vampire On Titus. GBV kicked this one out in a flash, recorded in studios, club soundchecks, hotel rooms and even in the tour van.

And because you can never have too much GBV, the album is being teased on four vinyl-only (1000 copies) limited edition 7-inch EPs: Winecork Stonehenge and 100 Dougs will be released in November. Umlaut Over The Özone and 1901 Acid Rock in March.

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Masterworks Volume 3 Part 2

12" | 2018 | EU | Original (Masterworks Music)

Plays The Music Of The Shining

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Part two of the Masterworks Vol 3. vinyl sampler kicks off with the ethereal ‘Lying To My Lie’ where Lup Ino laces a magical, soul laden vocal behind a funked up backing beat, soring strings and glammed up guitar. Hands in the air business, hugs all round!
Woodhead steps up next for a cosmic disco trip complete with rapturous female vocal, a horn section sent straight from Mars and a squelching synth line doused in celestial sparkle.
On the B side Lux Experience goes full throttle funk, coupling a low-slung bassline and feisty male harmonies with a punchy kick and crisp hats. Last up, Mike Woods takes the scalpel to a series of strutting guitars, layering them behind a feel-good groove that captures the glory days of disco but with a fresh new spin. That enchantingly evocative vocal adds a touch of spice to proceedings, primed and ready to cause a stir.

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Deerhoof

7" | 2018 | US | Original (Famous Class)

12" | 2018 | UK | Original (Albert's Favourites)

Release: 2018 / US – Original

Genre: Rock & Indie, Soundtracks

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Stanley Kubrick has a troubled past with Deerhoof. An argument over whether Eyes Wide Shut was good almost broke up the band in 1999 and again in 2003. When Famous Class suggested a 7" of music from The Shining, the band waffled for three years about whether they thought they could do it justice. But once a Halloween release date was proposed, Deerhoof couldn't resist. They got the score to Bartok's "Music For Strings, Percussion and Celesta" out of the library, and transcribed one of the 20s songs straight from the closing credits. Music that in the movie echoed from some ghostly, gilded past takes on a more urgent character in Deerhoof's versions, as if to underscore that the horrors of white supremacy, oligarchy, and domestic abuse are alive and well in 2018 America.

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The Expansions

Mosaic

12" | 1985 | EU | Reissue (Local)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Mosaic is a heavy new three tracker from a band whose reputation exploded this spring with the release of debut album Murmuration. Lead track Mosaic is full of the warmth of this heatwave-summer, syncopation and groove in abundance. Driving melodic lines and keyboard atmospherics suddenly give way to one of James O'Keefe's most powerful guitar solos to date, wild and psychedelic. Transcoso brings the band to the downtempo magic that they have become much loved for. Heavily inspired by Azimuth, an hypnotic beat from drummer Jonny Drop eventually builds to a euphoric, almost slow disco climax for the final section. Maripose is a timely tribute. Debuted at their London album launch this take on the Freeez classic (although the live version in particular) explored a little more of the South London, Brit Funk influences that really drive the band.

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Rick Clarke

Love With A Stranger

12" | 2018 | EU | Original (Echo Echo)

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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33 years after it’s first release Rick Clarke’s street soul simmerdown on Local Records, ‘Love With A Stranger’, gets a much welcomed official reissue, lovingly remastered from the original tapes.

Just peep that OG artwork to get a taste of how this one’s about to go down. Written and produced by John Collins, known for producing The Specials - ‘Ghost Town’, ‘Love With A Stranger’ perfectly encapsulates that '80s street soul sound. Distinctly soulful, synthy slow jams, heavy on the bass with a touch of the low-slung, lovers rock vibrations about them. Rick Clarke’s sultry sweet nothings weave their way irresistibly through this five minute gem, but for those that want to provide their own rendition over the top, the dub has been affectionately cut to the flip.

Top tier tackle – reissued to serenade red dressed souls the world over once more.

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Brendon Moeller

Set In Motion EP

12" | 2018 | US | Original (FXHE)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Brendon Moeller offers up his ‘Set In Motion’ EP on Echocord sub-label Echo Echo this September, comprising three originals from the Dub Techno veteran. South Africa, New York based producer and DJ Brendon Moeller aka Beat Pharmacy/Echologist has long been respected as one of the pioneering figures in ethereal, dubbed-out Techno with regular appearances at global hot spots like fabric, Berghain and Cielo as well as releases on labels like Third Ear, Kimochi, Neovinyl and Echocord. Here though we see Moeller joining the roster of the latter’s sublabel Echo Echo, marking its fourth release. Title-track ‘Set In Motion’ leads with Brendon’s signature murky synth textures at its core whilst lumpy low-end tones, shuffled hats and spiraling dub echoes fluidly undulate amongst one another throughout. ‘Eastern Beach’ follows, and as the name would suggest, nods towards brighter sounds with airy pads, soft bell chime synths and pulsating subs driving the composition alongside swinging, heavily reverberated percussion. ‘Economy’ then closes the package, stripping things back to gritty dub stabs, dusty 4/4 drums and billowing noise sweeps.

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Omar S

One Of A Kind

Release: 2018 / US – Original

Genre: Electronic & Dance

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Legalize Lambada Volume 4

Sputnik

12" | 2018 | EU | Original (Legalize Lambada)

12" | 2018 | EU | Original (Hell Yeah)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Legalize Lambada step up for their 4th outing with four delectable afro disco edits from Sputnik.
‘Superlove’ see’s Sputnik channel a South-African take on early garage house before melting ‘Feeling Fine’, the reggae tinged, afro boogie gem.
On the flip side, ‘Groove Me’ unearths some feel good Cameroonian disco gold complete with killer guitar solo, whilst ‘Rick’ closes out the e.p. dropping the tempo for a synth soul, slow jam.
With early support from Hunee, Lexx and the likes, LEG004 is shaping up to be one of the summers standouts.

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Max Essa

Han Zon Roc EP

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A year after his debut outing on the label, Max Essa makes a welcome return to Hell Yeah with the Han zon Roc EP, which is another of his impossibly laidback offerings.
Essa is of course the long time UK talent who has become a part of the Balearic mafia thanks to releases on labels like Aficionado, Music for Dreams, and his own Jansen Jardin. This is the second coming together of artist and label and is another timeless excursion far out to sea.
Opener 'Han zon Roc (Midori Coup)' is an epic 12 minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. They grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. It's like the soundtrack to an afternoon boat party all condensed into one brilliant cut.
‘How You Showed Me Everything' then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. Withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing.
Last of all, 'Rain Bird's Alfalfa Jam' is a analogue drum work out with early 90s hip hop influences and diving basslines. It's light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of Essa works so brilliantly escapist.
Artwork by Andrea Amaducci.

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Destination Boogie The Dr Packer Remixes

12" | 2018 | EU | Original (Z)

12" | 2018 | EU | Original (Clone Aqualung Series)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Originally released back in 2006 Destination Boogie has been one of ZR's most popular and respected compilations. In fact we recently reissued it on vinyl for the first time.
There's a lot of crappy edits out there, we believe these Dr Packer reworks are very worthwhile, well constructed new versions that make the tracks more playable for today's dancefloors whilst retaining their boogie tastic musicality.
Since the album was released the whole edit culture has exploded so we thought it would be a nice idea to get one of the best, Dr Packer, to rework four of the most danceable cuts from the album.
We at ZR HQ think he's done a great job on these........

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Transllusion

A Moment Of Insanity

This Is What I’m Going Through EP

Release: 2018 / EU – Original

Genre: Electronic & Dance

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2001, the first year of the 21st century, but especially for many born in the 60's, 70's and 80's, the year that was surrounded with an aura of "the Future" and which became symbol of the new and unknown things that life has in store, the starting year of a new transgression period in both scientific, cultural and spiritual evolution. In that year Transllusion recorded music in the Dimensional Waves Productions studio of which till date two known productions saw a release: "The opening of the Cerebral Gate" and shortly after that the mysterious "L.I.F.E." album on Rephlex. More than 15 years later, an unknown wave resurfaced, washing up an incomparable emotional state of electronic depth. Music from the Future rooted in an underwater Afro-futurist realm and the grandiose cosmological truths. This time rushing over us in a much more personal, reflective and more introspective way, yet leaving behind sonic confusion. We now know who was responsible for all these futuristic recordings perfectly reflecting what the year 2001 stood for, James Stinson can be seen as one of the last few techno musicians from his generation that lived up to the high expectations of moving forward, finding the unknown and embracing the future without reliving the past. This recently discovered DAT-tape, using his Transllusion alias, is the 3rd outing of the project and, surrounded with an even brighter aureole than the previous recordings, confirms the status of its producers mastermind. No further details are known, except for the project name written on the tape, but these intimate moments in the studio tell us what the future sounds like according to James Stinson!

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Pedro & Jenna Camille

12" | 2018 | EU | Original (Wolf Music)

LP | 2018 | EU | Original (Keytar)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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It's a captivating encounter when a producer of relative anonymity bursts onto the scene with an exciting and engaging release, that you're drawn back to again and again, wondering how you've never heard of them before. Porto producer Pedro, & Washington DC vocalist Jenna Camille have achieved exactly that with this first release on the mighty Wolf Music Recordings.
The influences from jazz though to soul, RnB & broken beat are weaved deep within this record. You're drawn in from the off with an intro of stripped back pianos behind an emotional spoken word monologue from Jenna, before it opens up into a beatsy, RnB infused groove.
Having pulled you in 'Float' hits you with a richness of synth textures, layers of broken beats and dreamy chords alongside Jenna's "float" mantra hypnotising you deeper and deeper. Reaching the last section of the track though you're woken from that hypnotic groove with a switch to a raw and energetic breakbeat sure to get any crowd moving.
‘Keep It H 2000', the final track on the A side, has a real flavour of Fatima to it emanating from Jenna's blissful vocals - laid over the top of sustained Rhodes, weighty synth lines and dynamic drums.
Flip it over and there's a tougher intensity to 'Future Dance (It'll Be OK)', coupling rhythmic stabs with jazzy chord progressions, laced behind a groove that wouldn't be out of place lighting up the floor at a Co-Op night.
To close out the e.p. you're given a sensory overload through Jenna's staggered, overlaid vocals panned to come at you from every angle - it's the perfect outro to both stun you and leave you wanting more. And if this extremely well-polished, first key release is a sign of things to come, Pedro's name will be becoming a lot more familiar in years to come.

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Damokles

Bring Out The Funk EP

12" | 2018 | EU | Original (Wolf Music)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Damokles is a Synthwave producer based in Malmo, Sweden.
On this EP Damokles really digs into his origins. Way back in 77 he fell in love with synthetic music with Kraftwerk and Space in the frontline and much more to come. Parallell to this he found himself having another love - funk.
These two DNA-strings combined is the foundation for this EP that really brings it all together. The force of music is strong in his family and his daughter Lovisa takes the lead on the title track. It is indeed time to Bring Out The Funk.

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Mr Fries

WOLFEP045

Release: 2018 / EU – Original

Genre: Electronic & Dance

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One of Dortmund’s finest exports, Mr. Fries, returns to Wolf Music bringing his signature sample heavy house touch back to the label.
Six tracks of MPC saturated cuts take the stage for WOLFEP045 with the hazy Rhodes, rhythmic stabs and sax flutters of ‘Nocturnal’ opening up the e.p. ‘Sun’ takes things on a percussive workout before ‘Work’ leads you down a road of dusty Detroit loops, akin to the productions of the Motor City greats.
On the flip you get a smokey jazz, sun-drenched roller in ‘Getright’, moving into ‘Junkfoodnmusic’ which encapsulates that comatosed feeling it’s titled after down to a T – dropping the pace down into a laid back jam. Closing out the e.p., ‘Thesimplethings’ driving bassline, fizzing percussion & sensual samples offer up a late night groover to round off another stellar outing from Mr. Fries.

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12" | 2018 | EU | Original (Sol Power Sound)

Tambours de Martinique

Release: 2018 / EU – Original

Genre: Electronic & Dance

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For its seventh offering, Sol Power Sound taps into the pulse of the French Antilles for Tambours de Martinique, a blistering EP of original and remixed versions of rare, drum-centric dance floor workouts. Licensed directly from the legendary Martiniquan label Hibiscus Records, the EP features cuts by Eugène Mona and Max Ransay, two of Martinique's most storied musicians. With reworks by Spanish DJ and producer Kiko Navarro and the Sol Power All-Stars, this one will be in the record bags of discerning DJs all summer long.
The A side features 'Lizo' by Eugène Mona, an essential figure in the folkloric music of Martinique based on the bamboo flute, bèlè drums, and the island's specific variant of Antillean creole. Lizo was originally released in 1990 on Mona's Blanc Mangé Blan Manjé? LP and is anchored by frenetic percussion, a driving bassline, and house-evocative key stabs. Kiko Navarro's remix takes an already dynamic cut to deep Afro-space with thumping drums and a bubbling synth-bass groove that will put dancers through their paces.
With its powerful combo of urgent brass and ensemble vocals, Max Ransay's 1988 recording of the traditional Martiniquan folk song 'Ti Kanno' fills the B-side. 'Ti Kanno' was previously recorded by Ti Émile, Ransay and Mona's legendary forebear. Full of surprises, Ransay's version is a sonic melting pot of hand percussion, horns, unexpected synth lines, and bass. The Sol Power All-Stars edit fills out the low-end thump and teases out the groove for maximum impact.

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12" | 2018 | EU | Original (Culted)

Cult Edits 002

Sea Monster Remixes Part 2

Release: 2018 / EU – Original

Genre: Electronic & Dance

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More CULT EDITS from IÑIGO VONTIER, PIETNEV, DREEM LION, and ALEXI LE FAN. Everyone loves these. No one has them. Only edits in circulation requiring a vow of silence and a paid subscription. Cannot be stolen, shared, or caned to death. Rename the track titles in a random internet café for maximum secrecy/exclusivity/emotional well-being. CULTED002 - blood in, blood out.

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Kito Jempere

12" | 2018 | EU | Original (Hell Yeah)

Tape | 2018 | EU | Original (Beat Art Department)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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After putting out Kito Jempere's well received Sea Monsters album last year, Hell Yeah now serve up another selection of remixes of it. Accomplished musician Jimi Tenor, plus Miskotom and Max Essa all contribute before a 7", also taken from the album, lands later in summer.
First up is Jimi Tenor, the legndary Finnish musician who has released on Warp, collaborated with Tony Allen and has his own band as well as occasionally playing sax with Kito Jempere Band at live gigs. He flips Puzzled into five minutes of stripped back and moody electronics with plenty of his own flute playing in the track. Busted drum sounds, spooky sci-fi synths and scattered hits make it woozy and late night and utterly absorbing.
Miskotom—a newly emerging pair made up of Mik and his wife Andra, both based in Vilnius, Lithuania with credits on Pleasure Unit and Balearic —then reimagine 'Ampa' as a beatdown but of deep house with trudging drums staying low and shimmering synths drift out in all directions. Crunchy hits bring a subtle sense of funk and reverb drenched vocals bring a heavenly feel to the soul drenched grooves and summery keys.
Then comes Max Essa, the Japan based Brit who is a regular on this label as well as the likes of Is It Balearic?. His first remix is a huge one that is sure to soundtrack many a boat party this summer. It's a gorgeous rework of 'Ampa' that puts achingly blissful vocals front and centre as low slung bass and slowly turning drums sink you into a pan-pipe laced reverie. Secondly, Essa offers a Dub Reprise that removes the vocals and places all the focus on his churning drums and new age grooves.
This is another perfect package of masterfully electronic horizontal sounds.

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L-One

Medusa

12" | 2018 | EU | Original (Sonic Groove)

Release: 2018 / EU – Original

Genre: Hip Hop

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Limited cassette edition!
Only one copy per customer!
Hip Hop producer L-One from Munich presents his new album “Medusa”. “Medusa” is a 44-minute long instrumental album that includes a vocal-feature by Akere.

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Realmz

Mindfold

Forward To Zion / Join Them

Release: 2018 / EU – Original

Genre: Electronic & Dance

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One of Sonic Groove’s longest standing label artists, Realmz returns with an infectious well rounded four cut extended EP entitled “Mindfold”. Straight out of Pittsburgh the steel city capital of the USA Realmz has been involved in electronic music since the last decade of the 20th century. Growing up on a steadfast diet of Industrial/EBM/IDM/Detroit techno and Drum & Bass, Realmz has taken inspiration from these many underground forms of electronic music. In his signature style, the Sci-fi sound design on “Mindfold” weaves it’s way in an out of bleak futuristic overtones set across a multitude of uniquely written broken beat and 4/4 drum rhythms. This heavily thought provocative & extremely well produced, contemporary Industrial Techno EP is a must for any aficionado of the genre.

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Roots Trunks & Branches

12" | 1979 | EU | Reissue (Jamwax)

Basses Terres, DJ Jonquera, CRK, Lastrack & Jean Redondo

Release: 1979 / EU – Reissue

Genre: Reggae & Dancehall

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Joseph White aka Joe White is a foundation of Jamaican music. He started singing in the late 50's and did his first recordings for Duke Reid in the early 60's. He moved to Sonia Pottinger's label later and get a first success in 1965 with the song « Every Night ». He also recorded for Prince Buster, Coxsone Dodd and Rupie Edwards. In the 70's, Joe White was one of the only melodica player in Jamaica with Augustus Pablo, Peter Tosh and Bobby Kalphat. He released beautiful melodica instrumentals like « Kenyata », « Call Me Trinity » for Derrick Harriott and « Cheer Up » for Glen Brown. Joe White was also a member of the famous BB Seaton's backing/studio band « The Conscious Minds ». In the mid seventies, he moved to London and released his classic album « Love For Every Family ».
Joe White formed the group Roots, Trunks & Branches to release several tracks on the label Splendour Heights. “Forward To Zion” was released in 1979 and became a truly reggae roots stepper banger for sound system across the globe. Probably electronic music fans will appreciate the futuristic dubwise. “Forward To Zion” is a song of peace, love, freedom and emancipation of people. Uplift your selection, listen to the words of the prophet, it's time for us to get together; we are going forward to Zion. Jah don't care whether you are a natty dread or you're a baldhead, just as long as we unite and stop the fight, we are going forward to Zion!

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Only Promos Ma Poule

12" | 2018 | EU | Original (Brothers From Different Mothers)

12" | 2018 | EU | Original (Chiwax)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Written and produced by Thomas Caesar, Guillaume Lespinasse, Axel Ropert-Lemercier and Jean Redondo. Distributed by Chez Emile records. Snowballs provided by Tony Mastroianni on a Kawasaki Z750. Type by Dinamo, Illustration by Almost Free Services.

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Posthuman

MetroJak One

12" | 2018 | EU | Original (Live Ones)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Part of the current crop of artists spearheading the UK acid revival, Posthuman's output has evolved over the years, encompassing many genres & styles from their early electronica releases, to their later acid & slow-mo techno.
Their debut release in 2000 was a series of hand made CDs simply called "Posthuman" (though better known by the colour of the card inserts - grey, black, blue and brown). The duo then went on to host a number of parties in an abandoned underground train station in London between 2001 and 2004, and founded their own label Seed Records (2) with which they released 3 albums and several other releases of their own and other artists material. They also were the first act on Manchester based imprint Skam's SMAK sublabel.
Doherty left Seed Records to help relaunch UK techno imprint B12 Records in 2006, and started a new label Balkan Vinyl in 2010.
In 2007, Doherty founded London-based acid house retrospective clubnight "I Love Acid" where Posthuman are monthly resident DJs. In 2014 the clubnight launched a vinyl-only label of the same name. He also performs as AGT Rave Cru and as one half of Altern 8 live shows since 2015.

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DJ Windows XP

Disco Dreaming EP

10" | 2018 | EU | Original (Kolour LTD)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Amsterdam-based duo DJ Windows XP provide the next EP for Live Ones, serving up apple infused, sample driven rhythms that'll pop cherries you never knew you had.
The pair have previously offered provoking selections on DJ Haus' imprint E-Beamz and the Amsterdam based Who's Susan to high acclaim.
The biggest contradiction is that none of their music is actually produced on a Windows computer - and quite rightly so.
What will come next from the duo depends entirely on whether they finally decide to perform that software update.

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Chevals

Kolour LTD 10’s Volume 9

12" | 2018 | EU | Original (Wolf Music)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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By all rights, the name Chevals might be a new one on a few folks out there. But, we encourage you not to confuse pedigree with quality of output because with Chevals - the two go hand in hand.
His first two outings on Homage & Better Listen Records soared to the top of the sales charts and we're stoked to finally release our 10" with him to help keep the momentum for what is sure to be a successful run for the French beat-smith.

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LB aka Labat

Trimz & Thangz

Soul Brothers Six / Willie Tee

Release: 2018 / EU – Original

Genre: Electronic & Dance

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WOLF welcome another new member to the pack, this time in the form of producer LB aka LABAT. The young Frenchman has already caused a stir in the two years since his first release, clocking up appearances on Faces, Robsoul & D.KO Records.
For his debut on WOLF he delivers four tracks in his trademark style of dusty jazz and hip-hop sample infused house music. This one’s for the heads!

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I‘ll Be Loving You / Walkin' Up A One Way Street

7" | 2018 | UK | Original (Outta Sight)

Release: 2018 / UK – Original

Genre: Organic Grooves

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12" | 2018 | EU | Original (Really Swing)

Quiroga

Cups and Balls

Tiger Stripes / You Can't Hold Me Down

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Really Swing goes wider with a new 12” series, head honcho Quiroga delivers three track dedicated to magician and eminence of misdirection Dariel Fitzkee and Italian master composer Alessandro Alessandroni.
“Cup and Balls” the title track is an elegant disco cut blending latin bass, guitar and percussion, creating an emotional texture in its rhythm and serenity that became an astonishing future jazz tune with a leading bassline.
On the flip side “ Ciao Fischio” an homage to Maestro Alessandroni drowning lush rhodes melodies over funky breaks and intricate bassline, while “Citta di Mare” is voyage through eighties atmosphere that became a soulful and sensous tune full of heavenly piano licks and warmth synth leads

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Felix

7" | 1984 | US | Reissue (Get On Down)

Moton Records Inc Presents

Release: 1984 / US – Reissue

Genre: Organic Grooves

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We weren’t too familiar with this 1984 Release on Sleeping Bag Records until reading Tim Lawrence’s Book Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992. What we learned, was the “behind the scenes” drama that went on during the recording of this single. Arthur Russell and DJ Nicky Siano contemplated working together once again after their first collaboration in 1978 lead to a successful 12” single called “Kiss me Again” on Sire under the Moniker Dinosaur where David Byrne even played lead guitar. Their second collaboration “Tiger Stripes” came as the result of Siano convincing the father or a then girlfriend to fund the venture. Arthur wrote the lyrics, and while Siano remembers remembers the Demo tracks being promising, problems began to emerge as Studio time began ticking. Russell became annoyed by Siano’s hyperactive personality in the Studio, while the former Gallery/Studio 54 DJ grew impatient of his collaborator’s constant changes and money spent in studio time. However according Author Tim Lawrence the feud escalated when Arthur wanted to introduce a drum machine after the session drummer could not keep the time. As a result, he ended up scrapping the original tracks which included vocals recorded by Evelyn Thomas. However the nail in the coffin came when Siano assumed the role of lead vocalist at which point Russell quit appalled by how terrible he sounded. Although a perfectionist, Russell also suspected Siano had been using the project as a platform for himself as a vocalist. In any case their project went on with Siano as lead and newly recorded backup vocals by Maxine Bell. Released on Splash Records in 1984, Siano is credited as the artist and sole-producer while Russell only agreed to be credited under the alias Killer Whale. Not too long after, Sleeping Bag released a 7” promotional copy of “Tiger Stripes” featuring only Bell as the sole vocalist, a different B-Side and Felix as the artist name. Although Russell did not credit himself by his real name, he credited the Killer Whale alias for all the writing and production on the single. There is a 12” on Sleeping bag which credits Siano for production on Tiger Stripes” but it’s clear from the release of the 7” that Russell wanted to make a statement. Beyond this peculiar story however, the music itself is worth the note. In a 2014 piece for The Vinyl Factory, Peter Zummo, one of Arthur Russell’s closest collaborators best describes this release: Side A: ‘Tiger Stripes’, is a crazy editing job with lots of disparate elements. The opening beats give little sense of what key it will be in. Side B: ‘You Can’t Hold Me Down’, is drum machine and conga, rhythm guitar, keyboard, female refrain and lead vocal, and male chant on “bad little kitten – pounce on you.” There’s no real bass. I like it not only for the way it sounds but also that it shows that you don’t have to follow the rules.

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Morning Shunt

12" | 2018 | EU | Original (Moton)

Release: 2018 / EU – Original

Genre: Organic Grooves

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The next MOTON release comprises of three tracks carefully selected by Love Vinyl's Jake Holloway.
Jake co-owns the second hand department in the store with The Mighty Zaf. He also is a graphic designer working for one of the world's most prestigious labels Barely Breaking Even/BBE Jake DJs in around London with regular sets at Brilliant Corners, Spiritland, Servant Jazz Quarters and will be playing at The Southern Soul Festival this summer in Montenegro.
When label bosses Dave Jarvis and Diesel asked Jake to choose the tracks for the release he soon got to work and come up with these three under the radar gems...
"Morning Shunt" is a ferocious Afro/Disco/Reggae uptempo dancefloor bomb, hailing from London this fantastic genre crossing tune was ripe for an edit.
"Jaques Theme" is another off-radar Carib-Disco banger which will appeal to both the Disco and Balearic heads.
"The Bandit" with it's tuff breaks and Spanish guitar will also appeal to the Balearic fraternity as well as the B-Boys.
So three tracks, all of which fall into differing genres making this a very different and varied sounding release!

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12" | 2018 | EU | Original (Dekmantel)

Dekmantel 10 Years 09

12" | 2018 | US | Original (Innermoods)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Super solid and hand-selected line-up on number 9: Tracks by Bufiman (Wolf Müller), Betonkust & Palmbomen II, Space Dimension Controller and Lena Willikens! Tip!!!!
To celebrate the 10th anniversary of Dekmantel’s goings on in the world of events, festivals, and great music, the team behind the label have been releasing a record a month featuring some of their favourite artists, as part of a ten-year anniversary series collection. Featuring acts close to the label’s collective, debuts, and legacy talents the crew have always wanted to sign, the series has seen the likes of Gigi Masin, Call Super, Fatima Yamaha, and more. This penultimate EP, sees Dekmantel debut releases by Lena Willikens, Space Dimension Controller, and Dutch lo-fi star Betonkust and Palmbomen, in addition to a special cut by Bufiman.
The EP kicks off with a new track by Salon Des Amateurs resident Bufiman — real name Jan Schulte — who also goes by Wolf Müller. 'Hymn to the Moonface' ensures that percussion comes first and foremost, in this upbeat, prog-breaks, jaunty, summer cut following up on his Dekmantel debut "Peace Moves". Dutch duo Betonkust and Palmbomen release their first track on Dekmantel with 'Onrust Bij Tihange' - an ode to the Tihange Nuclear Power Station in Belgium. Specialists in crafting lo-fi, nostalgic sounds, Betonkust and Palmbomen do what they do best, with a pulsing, analog, nostalgic electro track that sounds as if its been fed through a VHS player, a top of recording of Miami Vice. What happened at Tihange through is another question.
Belfast-producer Space Dimension Controller, a.k.a. Jack Hamill adds some galactic, space-flare, mid-tempo, D-funk to the flip side. With a debut EP dropping on Dekmantel soon, SDC contributes one of his most beautiful compositions to date, highlighting his flair for melody, blending it astutely together with rich techno hat and snare combos. Concluding the record, is Dekmantel favourite, Lena Willikens. After so many appearances across so many of Dekmantel festivals, it’s a pleasure to have the astute selector release a rare production on the label. Willikens' dark wavey cut is something one would expect to hear in one of her sets, sounding like a modern take of a long-forgotten, and unknown krautrock band.

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James Duncan

Innermoods #1 One Sided

12" | 2018 | US | Original (Tachyon Audio)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Debut 12" from the Brooklyn based INNERMOODS label founded by JAMES DUNCAN, known as the trumpet player for METRO AREA and currently playing horns for LUKE SOLOMON and HORSE MEAT DISCO. 2 stomping and moody house tracks made for basement sessions. Hand stamped 1-sided limited 12"s.

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Inhabitants

IGC EP

12" | 2018 | EU | Original (Opilec Music)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Tachyon Audio is a new vinyl label that’s focused on forward-thinking sounds in the techno realm targeting sweaty, dark places, with large, high-quality sound systems.
Inhabitants make a strong offering with their first EP as a duo, IGC. These two primates are often found inhabiting dark spaces, forging ahead on complex math equations. Their distinct, driving, mathematical, and drumming techno is a result. Expect more solid work from these two mysterious beings on Tachyon Audio as the label continues its progression.
Tachyon Audio is coming out of the gates strong with a diverse EP that touches on three techno sounds that are helping to lead the march forward into the future of sound production. The first Tachyon release comes from the mysterious dark studio of Inhabitants, who’s inaugural release as a collaboration is sure to move feet on a diversity of dance floors. The A-side track, Mut14 (sc8.18 Mix) (A1) is a futuristic pounder that weaves its way into a frenzy with subtle yet penetrating synths that sweep through the soundscape. The simple and sound drumline will keep even the pickiest selectors satisfied. Side A ends with two separate open-source NASA space samples. The first, Iota_20_0.998_h (A2), is the repeating sound of two orbiting neutron stars. The second sample (A3) is two 50 solar mass black holes spiraling into an inevitable collapse, eventually becoming one. These samples are poised for reuse in production and make for good intro and looping material for performances.
The second side of the EP starts with the dark broken beat track, Mut7 (B1), that starts with a solid groove and works its way into a breakdown that captures the mind with a chopped and effected late 1990’s Frankie Bones vocal. By the end of the track you’ll be left wanting it to forge on, as it can flow well with a wide range of techno sub-genres, especially the dark, more broken beat tip. Inhabitants then continue to make their impression with Mut10 (B2), a track molded around an originally crafted 303 line that morphs and builds throughout and creates an atmosphere that separates itself from the remainder of the EP with a lighter, yet heady feel.

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Ahzz

New Yorks Movin'

LP | 2017 | EU | Original (Must Have Jazz)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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As ever, the next project on Opilec Music is one with a rich back story this time paying homage to a very specific disco scene of the early 80s: it finds label boss I-Robots turning out one of his brilliant reconstructions, namely of a classic and cult track by one hit wonders Ahzz.
This track was first released on Land of Hits, a label run by Peter Brown (who also wrote "Material Girl" for Madonna) and Michael Campbell and has now been officially licensed for this reissue by Opilec Music.
The track, 'New York's Movin'' was huge on the New York disco scene and was played by the likes of David Mancuso at The Loft, Larry Levan at The Paradise Garage and by Nicky Siano at Studio 54, but continued to be a big hit with modern New York tastemakers Kenny Dope, DJ Spinna, Danny Krivit and his Body & Soul party crew well into the 90s, as well as with stars like Motor City Drum Ensemble and Bulljun.
I-Robots is a notorious producer and record collector with a vast understanding of the history of house and disco and his version combines an original vocal and instrumental version into something really magical.
‘New York's Movin'' (I-Robots Reconstruction Take I) is a jangling, organic and lose limbed disco number with a funky drum line, soul in its bones and plenty of lovably rough percussion, clicks and drums.
A retro and impassioned vocal line adds flair to the track at the midpoint just before that groove kicks once more. This version is featured on the new I-Robots - Reconstructions 2007-2017 10th year Anniversary release.
‘New York's Movin'' (I-Robots Reconstruction Take II) is then just as emotive and outgoing but after the break has more of a focus on funk.
This is a huge party starting track filled with feel good vibes and once again proves Opilec Music work on only the most special projects.

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Llorca

The Garden

12" | 2017 | EU | Original (Hell Yeah)

Release: 2017 / EU – Original

Genre: Organic Grooves

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15 years ago, Ludovic Llorca was an up and comer in the French house scene but also somewhat adjacent to it, pulling his samples from low-key jazz instead of the glitzy disco numbers immortalised by Daft Punk. His critically acclaimed debut New Comer went largely under the radar but has retained a modest cult following, its chic, blissed-out mood something of an antecedent to the kind of sound now well-served by the folks at Mood Hut.
Longtime fans anticipating a fresh helping of jazz-oriented deep house will be surprised to the hear the The Garden is both stylistically and structurally different from Llorca’s earlier material. Funk and soul are to The Garden what jazz was to New Comer but rather than sample the classics, Llorca fashions new tunes in the style of the greats with the help of several guest vocalists, making this is very much a collection of songs rather than beats.
All Right conjures a sticky urban atmosphere with bluesy sustained piano chords that recalls Marvin Gaye’s What’s Going On?, while Trigger Happy, with its squelchy synth lead, is an unmistakable nod to Stevie Wonder’s Superstition. Add to that list You, a jaunty finger snapping homage to the Jackson 5, and it’s obvious that The Garden is less an experimental reimagining of familiar sounds than it is a retro revival project along the lines of Dâm-Funk, and a good one too.
The record’s standout moment and black sheep however, is Waiting. The only track without a featured guest, it’s a noir-ish swagger of a groove is built around an irresistible bassline that keeps on giving. With its icy strings and descending minor chords, it’s sinister and strange in a way unlike anything else on The Garden and yet oozes the very essence of the funk.

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The Vendetta Suite

Suite Solar Lodge 23 EP

CD | 2017 | EU | Original (Below System)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Hell Yeah's next vinyl EP is a first solo release since 2012 from The Vendetta Suite aka Belfast's Gary Irwin. It features six tracks all handpicked by label boss Marco from vast unreleased vaults that have already been played by David Holmes and Andrew Weatherall, and it comes with a great backstory.
Marco's first ever E was at a UK club in Wandsworth in 1995. Joey Beltram was supposed to be on but missed his flight, so instead David Holmes played an extended set. It won Marco over instantly and since then he has been an avid fan, in awe of Holme's game changing Essential Mix and snapping up all the releases on his 13amp label, including one by The Vendetta Suite, who was in house engineer at David Holmes' Exploding Plastic Inevitable studio.
Other tracks from the artist including cult b-side 'Hula Bop' became classic staples in Marco's sets as Balearic Gabba Soundsystem and so he recently reached out to the Newtownards man and told him all this via Soundcloud. After chatting, Irwin invited Marco to pick some tracks from his vaults and they are now presented here for the first time with the amazing artwork by Andrea Amaducci that combines the producer's sense of humour and the esoteric.?
Opener 'Sirius' sets a lush tone with its wash of rippling chords and soft rock grooves carry you off into a sunset. From there the charming spring time sounds of 'Tacos For Zowie' mix bumpy drums with guitar riffs, whistles and cosmic synths, and Just Like Joe is a flower power spy movie theme tune that races along with orchestral elegance.
‘Shut Up Ya Dub' slows things down with wobbly bass, tons of reverb and acid twitches and 'Eye In The Triangle' is an exquisite dub cut full of studio trickery and sci-fi feelings that Scientist would be proud of. Closer 'Colin Wilson Said' is a widescreen ambient cut with spread synths, distant arpeggios and an intergalactic feel that leaves you drifting in outer space.
This is a cinematic EP that draws on myriad musical styles and showcases Irwin's peerless studio skills.

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Pearl Gates

Live From The First

2LP | 2017 | EU | Original (Novel Sound)

Release: 2017 / EU – Original

Genre: Hip Hop

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“Live From The First”, the debut album by Pearl Gates is a sonic evolutionary process, chronicling his journey from the streets to the rap game.

The stage is set in the trenches and as it gradually shifts to a more elevated space and state of consciousness, the common thread revealing itself throughout the process is growth. The music is engaging; from gritty and ruthless sounds on “Rocks Right Now” to a virtuous and energizing vibe on “Elevate”, Gates delivers a welcoming, well balanced musical experience. “Live From The First” is brash, honest, thought provoking and highly conceptual while providing insight on everyday life in one of NYC's more bustling and enterprising communities, Washington Heights.

The first in the album title refers to the nick-name for 181st street in upper Manhattan where Pearl Gates comes from. “Most of the tracks on the album revolve around stories and experiences from the block” he reveals. That doesn’t necessarily mean all of the stories are about street life however. Gates, who is also an accomplished singer, also manages to incorporate his soulful hooks into the songs without sacrificing the Hip-Hop elements of each track. Gates says “my father was a singer and I inherited his talent of perfect pitch. I use it to flesh out my music but lately I’ve been asked to contribute hooks by Kool G Rap, Masta Ace, Wordsworth and other artists, which is flattering”.

Some notable features who appear on “Live From The First” include Torae, Geechi Suede (of Camp Lo) and Cassidy. Speaking on the latter Pearl Gates revealed “I didn’t expect Cassidy to be on the album. We have a mutual friend who is a producer and one night he brought him through just to hang out. Cassidy heard the track and said, you want me to get on this? That was all love”. Other up and coming artists will appear on the album as well.

In the last few years Pearl Gates has been making notable music and appearances. His "Diamond Mind" EP (2015) was praised by media outlets including The Source, HipHopDX, 2DopeBoyz and Respect Magazine. The "Play This" EP (2016) with fellow Washington Heights rapper Syll also received likes from media and DJs/radio shows including DJ Premier and Drake’s OVO Sound Radio. Gates also completed tours of Europe and North America with eMC and PRhyme.

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Eric Maltz

NS-17

13,99 €* 19,99 € -30%

12" | 2017 | EU | Original (Version Galore)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Eric Maltz is a producer from New York City and now resides in Berlin, Germany.

He is a former employee of Halcyon records from its' OG glory days in it's first location in Red Hook/Carrol Gardens areas of Brooklyn.

"Eric Provided a sofa to me often through-ought my 20's and vice-versa, we both cared about music above all else- we lived and breathed music- and we helped each other survive when we were penniless - if one was up, so was the other...

Eric and I were roommates, friends, we looked out for each other in a rough city with tough rules. Every time one of us got a job at a restaurant or record shop, within weeks we would have the other working there too. We did that for a decade. We slang records for years at Halcyon- a shop on Smith Street which had a portrait of Stevie Wonder painted on the front facade- and we threw parties all around Brooklyn back then too.. Every shitty bar that would have us lol. We were a dope team. He's the only person who has ever touched the third rail on a subway and survived too! True story. So you know I couldn't wait to release his Debut LP. Proud of this guy" - Levon Vincent

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Opolopo

Opolopo Reworks

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Version Galore is a newly found label, deeply rooted into the music culture.
We are bringing you the selected reworks / re-edits from the top producers in the game, showing lots of respect and care for the original, but elevating it's spirit and taking it somewhere else.
It's all about the dialogue of cultures and the idealistic desire to pass the music legacy on! No half-measures, played-out tunes, lazy cuts, or boring "808-kick boosting" biz!
On the first release of the label we are delighted to bring you the chosen cuts from the man that needs no introduction - Opolopo. He knows a thing or two about making a personal version of a track that can easily overshadow the original, and we guess that's the case with the two cuts he prepared for us on this records. Things escalate fast. On the A-side you will find originally a midtempo mild jam "Go Get It", which is turned by Opolopo into an effectively-upbeat stomper that will inject true feeling and groove in any house or disco set alike.
It's one of those rare occasions when a soulful tune turns out to be super dance-floor efficient no matter what!
The B-side is all about the raw and emotional funky madness of "American Promise". It's infectious groove, pinpointed with growling sub-bass is just devastating. Epithets are irrelevant here - just play it loud, but with caution! "Version Galore - play some more!"

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12" | 2017 | EU | Original (Dekmantel)

Dekmantel 10 Years 05

The Voices Of East Harlem

Release: 2017 / EU – Original

Genre: Electronic & Dance

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On EP5, legendary German musician Burnt Friedman makes his Dekmantel Records debut with ‘Monsun’. The Berlin based artist, who built a reputation for himself through his explorations into obscure, finely-tuned, experimental dub through his label Nonplace, alongside his collaborative relationship with the late Can drummer Jaki Liebezeit, is one of the crucial, sonic manipulators of our time. ‘Monsun’ finds Friedman crafting flowing, percussive, dub techno that is both esoteric, and progressive. Befitting of a Dekmantel release. Alongside Friedman sits legendary Detroit act Ectomorph, aka. BMG & Erika, also making their Dekmantel inauguration, with a record that surmises’ the group’s anologue, style of Motor City beats.

There would be no Dekmantel celebration without longtime family members, JuJu & Jordash. With three LPs and countless EPs released on the imprint to date, alongside a sleuth of festival, and party appearances, the improvisational duo have become masters of off-kilter, and poly-rhytmic electronic funk, of which ‘Neon Swing’ -a fast-paced and extremely invigorative cut- is of prime example. And then there’s Dekmantel favourite Fatima Yamaha – an artist who has a keen ear for gentle, analogue hooks that have gone to become ample festival fodder. The Dutchman maintains an ear for the serene with the track ‘Platforms’, a sullen, yet beautiful ambient track, the drives deep into the emotive world of soft, tender, heartfelt music.

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Cashing In / Take A Stand

7" | 2017 | UK | Original (Soul Brother)

10" | 2017 | EU | Original (Animist)

Release: 2017 / UK – Original

Genre: Organic Grooves

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One of their most classic songs, a highly sought-after track on original 7" first recorded and released in 1973 having all the hallmarks of a Leroy Hutson composition and an established audience that crosses the boundaries of Northern, crossover and Modern Soul backed with another highly regarded and sought-after Modern Soul room dancefloor track previously never released on 7” single until now!

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Apichat Pakwan

E-Ong Muan San

CD | 2017 | US | Original (That's Hip Hop Music)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Only one copy per customer!

Martinique is an island in the Lesser Antilles, a group of islands in the Caribbean Sea found between the Greater Antilles (Jamaica, Cuba, and Puerto Rica) to the north-west and the continent of South America to the south. Martinique is one of the eighteen regions of France (there are five overseas regions) and an integral part of the French Republic. As part of France, Martinique is also part of the European Union, and its currency is the Euro. The official language is French, and virtually the entire population speaks Antillean Creole. It was first claimed by France in 1635 under the reign of King Louis XIII.

Located geographically closer to the United States than to Europe, the Antilles absorbed jazz and mixed it with the traditional rhythms of their islands: the Biguine, Gwo Ka, Tumbélé. Many artists over the years have explored this uniquely affecting mix: D’Alexandre Stellio, Jean-Claude Montredon, Al Lirvat, Acques Coursil and Mario Caning. But one of the best exemplars of this fusing of American jazz and the Antillean musical tradition was pianist and composer Marius Cultier.
Marius Cultier was born in 1942 in Fort-de-France, Martinique. A precocious talent for an early age, at nine he conducted with the L'Office de Radiodiffusion-Télévision Fançaise, the French national public broadcasting organisation.

As a young man, Cultier hosted a radio show, ‘Punch en Musique,’ which proved a hit with the public and his name and reputation slowly built. Tragedy struck him at 14 when he was orphaned and he was looked after by this elder sister.

As tragic as 1956 proved for Cultier, it was to be a watershed year for another reason - it was the year he discovered jazz. It wasn’t long before he was fusing the musical styles and language of the West Indies with jazz and he began live performances at the Hôtel l’Impératrice.

Very quickly Cultier became an in-demand concert attraction in Martinique and venue owners soon began to book him across the island. His reputation grew and before long he was also performing across the Caribbean.

As his stature grew, he began to receive accolades and prizes, including the International Piano Conquest prize in Puerto Rico for his performance of "Round Midnight”.
He went to Canada in 1966 - initially for a few weeks - where he stayed for several years. Whilst there he met and played with established jazz artists before continuing his journey in the United States, and then Europe, where he played in Paris at the Palais des Congrès at the invitation of the then President, Valérie Giscard D’Estaing, before returning to Martinique in 1973.

This release is pressed on heavyweight vinyl. The cover is presented on original glued prints on thick cardboard in a PVC outer sleeve.

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Chris Rivers

Delorean

12" | 2017 | EU | Original (Wolf Music)

Release: 2017 / US – Original

Genre: Hip Hop

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The son of Legendary Hip Hop Lyricist Big Pun is now releasing his debut album thru ThatsHipHopMusic.com also known as That’s Hip Hop LLC owned and curated by legendary Hip hop Producer Domingo, who also was one of the producer’s on the double platinum debut album from Big Pun “Capital Punishment”. Chris Rivers album features some well-known Hip Hop stars such as - Lil Fame, Styles P, Sheek Louch.

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Real J

WOLFEP040

12" | 2017 | EU | Original (G-Edits)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Real D. burst on the scene last Summer with his breakthrough track 'Rhodes That'.
One year on and the release is still in high demand, fetching upwards of £50 on the cogs.

Matt & Stu were invited to play at his party in his hometown of Bordeaux late last year and the idea of an EP for WOLF was discussed over the best red wine and cheese the Southwest of France had to offer.

In a strange but true story a 3D glasses company in Silicon Valley called Real D came knocking and with the threat of legal action, his name had to be changed & Real J. was born.

Another great addition to the ever-growing WOLF Music roster.

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G. Markus

G-Edits #2 Xhaka Can

12" | 2017 | EU | Original (Codex)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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G. Markus returns with two fresh edits after his first G-Edits release sold out and enjoyed heavy support from all sorts of discjockeys. '70s soul/disco is the flavour here with a legendary diva getting the treatment, with one big peak-time banger and a slo-mo chugger for good measure.
Danvers helps thickens things up in the bass department with some live electric bass on both tracks.

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Mr. Bizz

Core EP Wex 10 Remix

12" | 2017 | EU | Original (Jean Yann)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Italian brothers Mr. Bizz are making their fire debut on Codex with amazing Core EP. Having solid release profile on the strongest Tech labels like Transmit, Alleanza, Bitten, Terminal M, Funkin Deep Records they have delivered three brilliant tracks Core, Red Code and Hide Me.

Top class production techno masterpieces which ones we are very proud to press on Codex' wax.

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Floxyd

Wildente

Release: 2017 / EU – Original

Genre: Electronic & Dance

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12" | 2017 | EU | Original (Jean Yann)

Trasher

Sopalin EP

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Mark Reeve Vs. Taster Peter

Move It / Set Your Noise

12" | 2013 | EU | Reissue (Truesoul)

10" | 2016 | EU | Reissue (Jamaican)

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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Mark Reeve has made an impact in recent years releasing on some of the biggest labels in techno including Drumcode, Cocoon and Soma. He has remixed artists such as Extrawelt, Dusty Kid, Gary Beck and Arnaud Le Texier to name a few. Taster Peter has been rallying a lot of attention too from Adam Beyer, Dubfire, James Zabiela, 2000 and One to name a few.

This has seen him collaborate with other artists such as Florian Meindhl, Umek, Christian Fischer and Marco Bailey whilst DJing around Europe in places such as London, Berlin, Ibiza and Barcelona.

Mark Reeve starts the EP with his Tech House groover 'Move It', that uses repetitive percussion to create a hypnotic groove before entering into a vocal break down before effortlessly breaking back into a funky groove. Taster Peter's 'Set Your Noise' uses a low-end swelling to maximize the rhythm section of the track to bring out an engaging rhythm sprinkled with percussion and stabs layered onto the chunky beat.

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Revolutionaries

2 Bad Bull Inna Dub

12" | 2016 | UK | Original (Paper)

Release: 2016 / EU – Reissue

Genre: Reggae & Dancehall

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Two excellent Revolutionaires cuts..Sly and Robbie at their best.
These early tracks were recorded at Channel One and produced by Bunny Striker Lee.

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Flash Atkins

The Life and Times EP 2

12" | 2016 | EU | Original (Latency)

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Flash Atkins hits hard with the second 12" to be taken from his critically acclaimed "The Life and Times" album on Paper Recordings.

This time he pulls in three of the world's best producers of underground future disco and all of them step up the the plate to score a bullseye with their first throw.

First up The Emperor Machine has taken Summer of Love to analogue heaven with arps, heavily treated vocals, electro bass and wacked out beats. The track's stripped back dynamics keep changing as it's deep drug chug rocks out for over 10 sublime proto-disco minutes.

Man of the moment Fila Brazilia's Steve Cobby is enjoying a renaissance after two albums that have ruled 2014 / 15.

On Forbidden Flesh he takes Crazy P's Danielle Moore's vocals and lays them over a soulful techy track that will fit any after dark occasion with devastating results. And it's got loads of cowbell.

After the veterans it's time for a young gun to nail his colours to the mast. Iceland's B.G.Baarregaard has been one to watch and his blend of good time disco has been lining him up as Todd Terje's heir apparent.

This remix is peak-time nu-disco that wears it's musicality lightly and sacrifices nothing for sheer playability.

Overall, a 12" that takes the Flash Atkins originals and breathes new life in to them for three cuts that will smash anything they are thrown at.

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ENA

Distillation

Phantasm (of Cella Dwellas) & Soulbrotha

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Latency 009, from Tokyo serves us four eerie, multi-rhythmic, bass-heavy excursions, with roots in abstract hip hop and the classic D ‘n’ B of Photek and Source Direct.

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Louder Than Ever / Louder Than Ever Brooklyn Remix Black Vinyl Edition

7" | 2016 | US | Original (Ill Adrenaline)

Release: 2016 / US – Original

Genre: Hip Hop

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Some emcees have preserved the gift of quality over time and Phantasm is one of these emcees. In the 90's and early 2000 Phantasm and then partner UG were signed to almighty Loud Records as Cella Dwellas (later just The Dwellas) along with several heavyweight acts on the label's roster including Wu-Tang Clan, Big Pun, Xzibit, M.O.P, and Mobb Deep. Phantasm & UG's debut album "Realms 'N Reality" (1996) debuted at #160 on the Billboard 200 charts and was mainly produced by underground mainstay beatsmith Nick Wiz. The Flatbush duo was also featured on fellow Brooklyn artist Masta Ace's classic album "Sittin' On Chrome". The Dwellas followed up with a dope second album ("The Last Shall Be First") in 2000 which featured Large Professor, Cocoa Brovaz, Organized Konfusion, Inspectah Deck (of Wu-Tang Clan), and many more.
Phantasm recently teamed up with Ill Adrenaline Records to release a timeless single ("Louder Than Ever") produced by Germany's own SP1200 maestros 12 Finger Dan and B-Base (aka Soulbrotha). Complete with a true school feel and a dope scratch hook, Phan executes with a sharp delivery with lines like "...had to pen them bars, got out the street life had to mend them scars. Praise God or Allah whoever sent us Nas." Tall Man Phan is back to basics on his latest release.

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12" | 2016 | UK | Original (Multi Culti)

Moon Faze Sun Gaze II

Captain Barkey & Frankie Wilmot

Release: 2016 / UK – Original

Genre: Electronic & Dance

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The dawn of Multi Culti's astrological epic assault kicks off with exotic neo-hippie modulations from Von party, Red Axes, and 'The Australians' - Dreems, Ccolo, Nick Murray & Kris Baha. In pole party position of A1 on Vinyl #1 is 'Wet Raga' from Cult Leaders VON PARTY & DREEMS - This sprawling, 13-minute, raga-sampling main-room odyssey powers us into sunrise...and the journey begins. Prolific maestros RED AXES then kick things into darker territory with Boosha Gdola, a squelchy bleep-fest straight out of the Israeli underground. On the flip (which could be titled 'The Oz side') DREEMS comes up to bat again with the herbal Sine 'O' The Tymes, squeezing the groove into an acid genie bottle, bumping along with a few lazy cowbells in tow, until finally giving us melodic finish. Masterful. We are all feeling this one. Fellow Australian doof dingos NICK MURRAY & KRIS BAHA bring up the tempo, toting electrified guitars, and hypnotic grooves that speak to a lifetime of overhearing digeridoos. Finally, Ccolo sends us off with F33lings, a curious mix of lush ambient electronics and bush-ready downtempo acid.

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Money Gone Down The Drain

7" | 2015 | JP | Original (Stereo One / Dub Store Japan)

Release: 2015 / JP – Original

Genre: Reggae & Dancehall

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CD | 2015 | EU | Original (Soul Clap)

Nick Monaco

Mating Call

The High Priest Of Reggae

Release: 2015 / EU – Original

Genre: Electronic & Dance

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San Francisco-based DJ/producer Nick Monaco has long been part of the Soul Clap family, releasing his first 12" on the label back in 2012. Mating Call, a double 12" set running at album length, is easily his most expansive release yet. It's typically eccentric, delivering a range of songs - featuring his own distinctive vocals - that blend numerous styles whilst retaining a loose, funky and altogether rather kaleidoscopic feel. It's rooted in Balearic pop, but also touches on dub, deep house, boogie, dub disco and a strangely deep and contemporary take on the triple-beat rhythms of glam rock. It's hard to accurately describe, but is really rather good; certainly, it's one of Soul Clap's strongest releases of recent times.

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Laurel Aitken

LP | 1969 | EU | Reissue (Radiation)

Angelo Francesco Lavagnino

Release: 1969 / EU – Reissue

Genre: Reggae & Dancehall

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By the dawn of the seventies, Laurel Aitken was well and truly established as the UK’s top Jamaican singing star. Over the years following his move from Jamaica in 1960 he had acquired a strong and faithful following in Britain and well beyond, but the recent Reggae explosion increased this many times over. Eager to exploit Laurel’s astounding popularity, Pama Records fought off competition from esteemed rivals, Trojan and Doctor Bird, to acquire rights to issue his material, the bulk of which subsequently saw release on their newly launched Nu Beat imprint. By the Spring of 1970, he had provided Pama with series of best-selling singles, and the hugely popular long-player, Scandal in a Brixton market, but with demand for his works showing no signs of diminishing, the company decided to collect a dozen of his most popular sides to date for what became the aptly titled collection, The High Priest Of Reggae. Despite selling in huge numbers at the time, the LP soon became a rarity and this, added to the enduring appeal of Aitken’s work has resulted it becoming one of the most sought after Reggae long-players around. Now, after four decades of waiting for its re-release, fans can finally obtain the LP, with the added incentive of 4 bonus tracks from those 69 sessions. Dust off your pork pie hats and fedoras and enjoy the 'madness'.

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OST Kali-Yug: La Dea Della Vendetta

LP | 1962 | EU | Reissue (Contempo)

12" | 2014 | EU | Original (From 0-1)

Release: 1962 / EU – Reissue

Genre: Soundtracks

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Lavagnino's soundtrack to the great 1962 movie 'Kali-Yug: La Dea Della Vendetta' directed by Mario Camerini and starring Senta Berger and Lex Barker, finally gets a proper reissue since its 1963 release on CAM Records. Composed and directed by Lavagnino, 'Kali-Yug' is one of the best soundtracks ever written by the late Maestro. Known for his beautiful orchestral themes, Lavagnino outdoes himself in 'Kali-Yug', with stunning exotic themes which makes this score a must have for serious soundtrack collectors. Original artwork. Master and sound restoring done by Roberto Zamori at Film Music Art Studio. Original copies, if you're lucky enough to find one, change hands for more than 350 euro!!!

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Milkplant

Time Dilation

7" | 1974 | UK | Reissue (Not Bad)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Seattle/San Francisco based Techno label, From 0-1 issue "Time Dilation", a 12" vinyl/digital EP by label director, and co-owner Milkplant (Justin Pennell) of the San Francisco Bay Area. Andrei Morant and From 0-1 co-owner Sone join in as remixers. Including an endless groove and two locked grooves, this piece of vinyl is meant to be as utilitarian for the vinyl DJ as possible. 'Dimension 4' starts off the EP with a classic big room percussive Techno vibe, closing in an endless groove. Following is Andrei Morant's absolutely punishing treatment of Dimension 4, a tearing lead, and searing percussion point to the main room. Two locked grooves, one percussive, the other synth based close out side '0'. On the flip side Milkplant's 'Spherical' reps a tight "future-retro" vibe; elements of old Motor City Techno dominate with a bit of grit to keep it dirty. Sone dials in a perfect toned down, more expansive and hypnotic interpretation of Spherical showcasing slowly evolving filters and modulation fit for the wee hours of the morning. 'Plasmic' is included only as a digital extra in this release- tough, noisy, and a little tripped out with a bit of swing to keep them on the floor.

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Ace

How Long / Sniffin About

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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Formed in 1972, Ace released three albums on the Anchor label between 1974 and 1977, but will always be remembered for one song from their Number 11 album ‘Five-A-Side’. That song, ‘How Long’, made Number 20 in their native United Kingdom but went all the way to Number 3 in the States in 1975 – quite an achievement for a band that unashamedly took its musical inspiration from that side of the Atlantic. Enjoy their best as originally delivered, on vinyl.

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CD | 1994 | EU | Reissue (Universal)

OST Pulp Fiction

12" | 2014 | US | Original (M-Plant)

Release: 1994 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Soundtracks

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everybody needs one copy !

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Robert Hood

Mark Broom Edits

Run The Jewels (El-P + Killer Mike)

Release: 2014 / US – Original

Genre: Electronic & Dance

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Mark Broom delivers these exceptional edits of 'Untitled 1' from Hood's series 'Moveable Parts' and 'One Touch' from the 'Minimal Nation' album.

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Run The Jewels

CD | 2013 | UK | Original (Big Dada)

CD | 2011 | EU | Original (Def Jam)

Release: 2013 / UK – Original

Genre: Hip Hop

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El-P and Killer Mike are Run The Jewels. The duo’s self- titled, collaborative record – a contender for hip-hop album of the year – will be released throughout Europe in December via Big Dada.

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The Roots

Undun

CD | 2011 | US | Original (Nature Sounds)

Release: 2011 / EU – Original

Genre: Hip Hop

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Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

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Blu

Open

LP | 2010 | EU | Original (Project: Mooncircle)

Release: 2011 / US – Original

Genre: Hip Hop

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While the buzz around Blu has continued to grow, one aspect of the L.A. rapper’s artistry has been overlooked: he’s becoming one of hip-hop’s best new producers. Since early work with producers Exile, Ta’Raach, and Mainframe, Blu has begun creating his own soundscapes for recent projects Her Favorite Colo(u)r and Jesus. Now, he’s putting his beats on full display, with the producer album Open. Featuring a slew of promising up-and-comers on the mic, Open is a perfect showcase for Blu’s hazy, lo-fi production. The album also showcases Blu’s ear for talent, turning fans on to the next generation of rhyme-spitters.

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Pavel Dovgal

Cassiopeia HHV Bundle

12" | 2010 | EU | Original (Pampa)

Release: 2010 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Cassiopeia is a constellation in the northern sky. It was one of the 48 constellations listed by the 2nd century Greek astronomer Ptolemy and it remains one of the 88 modern constellations today. In the sky Cassiopeia sits with Andromeda on the South side. In Greek mythology it was considered to represent the vain queen Cassiopeia, who boasted about her unrivalled beauty.
This album is a mix between different sides of the concept of “Cassiopeia”. It’s about life, the universe, humans and the future. Cassiopeia includes musical approaches comparable to Prefuse 73, Robot Koch and Kryptic Minds. The record is predominantly Hip Hop, but features tracks with other artists that are not strictly part of this genre such as BekBekson, Verhovski and Fancy Mike. Pavel’s music is a trip into a fable and his medium is the music of different genres: Hip Hop, Dubstep, Glitch, Wonky and Downbeat, used to form pictures. His work is free spirited and there are hints of feelings, allusions, enigma and mystery. We won’t get into the inner workings of his music, how it finds its way into the hearts and souls of the audience, the important thing is that it serves its purpose. Tracks such as “LA” or “Andromeda” are very personal statements from Pavel, “Quant Magic” is composed using Overtone, Didgeridoo, Boomerang, Yedaki and other Australian instruments. “Sacred Chants Of Shiva” seizes the listener with a sensation of restlessness.
Pavel Dovgal’s “Cassiopeia”, the incision between intergalactic music and the human soul. The same formula that has been present for over a thousand years.

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DJ Koze

Rue Burnout

12" | 2010 | EU | Original (Project: Mooncircle)

Release: 2010 / EU – Original

Genre: Electronic & Dance

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Koze's new one, this time on Rampa!

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The Q4

Darker Days HHV Bundle