Search "japan" 4890 Items

Eiga Demo Miyou (Let's Watch A Movie) / 4 Mills Brothers

Release: 2024 / JP – Original

Genre: Organic Grooves

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"Wa Yo Set," a leading jazz-funk band from Osaka, Japan. A 7inch single will be released as a prelude to their new project in 2024. Included on A-side is a jazzy, acoustic, and danceable instrumental cover of MISIA's "Tsutsumikomu Youni" in full Wa Yo Set style! On the flip side, the superb original summer-breezy "r308" is included. You will be able to experience where they are now, as they continue to evolve and deepen on both sides of the record. Until the release of their new album, please keep your expectations high while listening to this 7-inch!

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Cassette Con-Los

7" | 2024 | JP | Original (Con-Los Jazz International)

LP | 2024 | JP | Original (Cmt)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Catchy melodies and tropical rhythms. CaSSETTE Con-los, the best calypso/Latin band in Japan, is releasing a 7-inch ahead of their long-awaited full-length album, their first in 13 years! CaSSETTE Con-los, which boasts deep-rooted popularity among various fans for its genre-less and borderless musicality and euphoric live shows, has completed its long-awaited full-length album, their first in about 13 years. This album is a precursor single that serves as a greeting to the fans. The release includes two songs, "Eiga Demo Miyou" (Let's watch a movie), a Japanese calypso with a catchy melody and superb vocals, and "4 Mills Brothers," a serious and mellow song that will not be included on the album, but is familiar to the live audience and is a perfect greeting.

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Natsu Summer

Orange Airmail

LP | 2024 | EU | Original (Alien Transistor)

Release: 2024 / JP – Original

Genre: Pop

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City pop / Reggae singer Natsu Summer is releasing her new 2024 album on long-awaited LP record! Produced by Cunimondo Takiguchi from Ryusenkei. Natsu Summer's latest release is a blend of danceable lovers' rock and soothing city pop, with ama-piano rhythms and steppers. Produced by Cunimondo Takiguchi from Ryusenkei, the album is not just reggae or city pop, but also throws out some new ideas. The cover of a hidden Japanese Lovers Rock song from the 90's, which is not easily released on record due to rights issues, is sure to be one of the highlights of the album!

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o'summer vacation

Electronic Eye

Elegant Girl's Thinking / Onakizaka

Release: 2024 / EU – Original

Genre: Rock & Indie

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Readers of encyclopedic tomes are obviously familiar with exploding animals – there are numerous reports of torn-apart toads (even in Hamburg, Germany!), actual ants exploding altruistically – but humans that decide to jointly detonate, and with no harm done, that’s rare: Kobe’s own o'summer vacation are unique (and volatile) like that, and they’re back to light the fuse for the second time, presenting 13 more musical quarter sticks that have already blown up venues in Europe and Japan.

“Keep it lean, keep it mean,” they say, and that’s what this band loves to take to the extreme: breakneck concision and collective combustion meet freeform noise punk hazards on o'summer vacation's second (not quite) full-length – as the Kobe-based three-piece’s “Electronic Eye” is set to arrive on October 11, 2024. Following a bunch of trips to Berlin, Munich etc., the Japanese fire starters have found a new home with Alien Transistor, and it’s the perfect launch pad for their latest set of guitarless pyrotechnics. Going right for max q (maximum dynamic pressure), “Electronic Eye” is (unlike those Starships) actually supposed to explode right after lift-off ;)

Even though there have been some line-up changes since the group recorded its sophomore album, the energy caught by producer Shinji Masuko (dmbq, Boredoms) is still unmatched: a very physical and hard-knocking barrage of mosh-inducing madness that leaves you speechless + inevitably twitching towards the pit. Mastering was done by Masaki Oshima aka Watchman (Melt-Banana).

Opening with sizzling hi-hats and heavy ripples of breathless bass, singer Ami presents a non-sequitur kind of lullaby over the math rock-style interlocutions of “宿痾 (Shuku - A)” – which at 6+ minutes makes up more than a quarter of the album. A shapeshifting frenzy of voice (Ami), unbridled, pedal-powered bassline insanity (Mikkki, formerly Mikiiiii), and hot-blooded drums (Manu, meanwhile replaced by Karry), the album features mosh-inducing blows (previously released “Luna,” “Anti Christ 大体 Super Star”), 30-sec mini noise punk anthems (“竦(shou)”, “Days Go By Fast”), and continues to surf at breakneck pace up and down scales (“@ The”), which often feels like catharsis served with a hammer (“Ultra”). Whereas some tracks are bigger more song-y than others (“Song#2,” that full-throttle “Poodle”), “Vs I” is on time like Tierra Whack (exactly 60 seconds of pick-grinding action), and “Rage” indeed feels like Zack is about to join the party – only to see Ami wipe the floor with pure onomatopoetic fire. Finally, “Aloooooone” and “Humming” (that opening lilt!) are sure going to be live favorites, shifting up and down via hardcore speeds and various break-downs.

Quite hotheaded and terminating things on a high note, o'summer vacation point out that the quick-fire lyrics of their “songs have no meaning. It’s called onomatopoeia in English. Ami, our vocalist, does not like to communicate her thoughts through her music.” Although she considers her contribution “a part of the instrumentation,” they still have strong messages and concerns (unrest, discontent, willingness to shake, wake up, enliven anyone near the audible bomb crater): “That doesn’t mean we don’t have a point of view, but we choose to express ourselves through sound rather than words. Generally, but not exclusively, we are anti-racism, anti-war, gender-free, angry at the companies we work for and their bosses, etc., which are very common sentiments held by so-called rock bands.”

It’s only three ingredients, just like sonic gunpowder: bass, drums, voice – but they tend to explode a few bars into each new track. In a perfect world, there’d be giant colorful clouds of dust gracing the sky over each venue they descend upon.

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Cool Spoon

12" | 2024 | EU | Original (Unchantable)

LP | 2024 | JP | Original (Universal Music Japan)

Release: 2024 / EU – Original

Genre: Pop

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One of the most influential bands in the Japanese club scene, Cool Spoon's signature song "elegant Girl's Thinking" is now available on 7" for the first time! "elegant Girl's Thinking", which is still being played by many DJs, will be released on 7-inch analog for the first time on unchantable records in response to numerous requests for a 7-inch analog version! The B-side includes "Onakizaka". Cool Spoon is a band that has absorbed a wide range of black music, including rhythm & blues, jazz, Latin, hip-hop, and reggae, and has output from a unique perspective. Cool Spoon is also known for the fact that Sly Mongoose's Noriyoshi Sasanuma was a member of the band from their second album onward.

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Ino Hidefumi

Memories

Skymemori - Footprints In The Grass

Release: 2024 / JP – Original

Genre: Organic Grooves

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After carving out his own unique path through his activities at his own pace, INO hidefumi's ninth original album is now complete.
All songs were created in his home studio, and his stripped-down compositions and extraordinary voice are now available to the whole world from his bedroom.
The simple instrumentation, the ensemble's use of gaps between notes, and the electric piano are pleasing.
The latest work by INO hidefumi, who is constantly updating his music, reflects "MEMORIES", which is fresh and unaffected, but also expresses unwavering strength and sharpness.

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High Sunn

LP | 2024 | JP | Original (Sad Disco)

7" | 2024 | JP | Original (Muffin)

Release: 2024 / JP – Original

Genre: Rock & Indie

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High Sunn, a shoegaze act from the San Francisco Bay Area that just finished a successful "welcome to life" Japan tour, has launched a new project "skyMEMORI -footprints in the grass-"!! This monumental dream-pop album, featuring 13 tracks self-produced and newly written by High Sunn, will be released in analog form on the Sad Disco label!

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Sonia

Cloudy

18,99 €*

Tape | 2024 | JP | Original (Zouen Keikaku)

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Muffin Records' second single is an original song by Sonia, created based on the concept of "making music out of requests for radio programs". Singer-songwriter Sonia from Aomori emotionally sings about a heart shaken by being dumped by a loved one. EMI (radio DJ) and GEL (guitar) from Nagoya's Japanese duo "EMI&GEL," who captivate listeners with their unique worldview, will complement the Showa mood of the music. Enjoy it with a killer dub b-side by 2shanti (Dub mix) and Goja Bongos (Kette Drums).

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Fyyy

Hoves

Losing Track / I'm Where It's At

Release: 2024 / JP – Original

Genre: Rock & Indie

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The amazing debut album of the artist “fyyy” is released from the independent label Zouen Keikaku! In a place where any expression sounds cliche, the simple songs scatter incomprehensible Japanese lyrics and mix with drone-like guitar sounds to create an eerie magnetic field before the scene. The twisted indie-folk lineage of Neutral Milk Hotel and The Microphones, which fyyy himself claims to have been influenced by, is twisted, twisted, and no longer heartening.

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Rude Bones

7" | 2024 | JP | Original (Parking Lot Sounds)

LP | 2024 | Original (La Belle)

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Rude Bones, a pioneer in the Japanese ska-core scene, releases two of its latest releases on 7”!! This EP features a bold Rocksteady arrangement of the Northern Soul classic “I'm Where It's At” by The Jades! In contrast, “Losing Track” is an up-tempo ska number with a sharp and catchy melody that is sure to get ska dances and singalongs. Both are big tunes that symbolize the current Rude Bones and will resonate well with past and future fans.

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Golden Bug

Piscolabis II

2LP | 2024 | EU | Original (Hardspace)

Release: 2024 / Original

Genre: Electronic & Dance

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Piscolabis (Part II) is a super sonic fan, featuring the organic yet robotic atmosphere of Piscolabis (Part I) and, of course, Golden Bug's own sonic experimentation.

The 10 new tracks on this follow-up are even wilder and stranger, in the best sense of the word. The rhythms are heavy, the guitars of Lionel from The Limiñanas are razor-sharp and the distorted grooves of the drum machines convey curious electronic impulses!

The introductory track ‘Paradis’, with its choral, fairytale and epic atmosphere, gives way to a series of slow, raw and bewitching tracks, such as ‘Hi No Tori’, with guest appearance by Japan's Vega Voga, and the heady, mechanical ‘Ricochet’, ‘L'E et Domino', driven by the voice of Anna Jean from Juniore, “Boomerang”, which rides the wave of dub with shamarnic tinges, “Poc a Poc”, which plunges us into the world of acid-western, or the retro-futuristic “Autobahn” embodied by the voice of Ruben Kielmannsegge.

Piscolabis II builds its own psychological environment to inhabit. And the deeper you go into it, the more synaesthetic the music becomes, the more the textures swirl together, igniting the senses. We encourage you to press play, sit back and listen to the album unfold in its entirety.

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Hardspace

Hardspace Volume Four

30,99 €*

LP | 2024 | Original (Tigersushi)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Arriving on transparent blue vinyl, the fourth installation of Figure’s Hardspace series brings six new re-interpretations of Len Faki’s favorites via his Hardspace alias.

Starting with a true classic, the gem that is Josh Wink’s Sixth Sense picks up on the original’s tight plastic groove and creates some serious low end rumble.
A less obvious choice, Aoki Takamasa’s minimalist dub from Japan, gets a complete makeover in the Hardspace edit, using driving percussion to morph the pensive blueprint into an upbeat peaktime slammer.
One of the most iconic basslines of the last decade, DJ Yoav B’s Energize is a standout on its own but paired with the relentless groove of the high-energy Hardspace remix it unlocks new levels of rave potential.
Huxley’s Weapon 3 was maybe one of the darkest tunes ever released on the otherwise house-centric catalogue of UK label Aus, which Len Faki already played back when it was first released. The Hardspace Mix merges a feeling explosive force with the originals sultry ambiance, catapulting the track back onto today’s dancefloors.
Colourful, dubby synth stabs are what keeps the momentum on peak time roller Funktion by French producer Tuttle, which in its Hardspace version packs even more heat, as Faki employs his signature claps and tunes up the original’s enervating siren sound, squeezing out every last drop of energy.
Originally released in the 90ies, Mike Parker’s Shakuhachi Two is as techno as it gets. Only now sounding even more powerful and dynamic, as the Harspace Mix keeps all of the original goodness while stacking additional propulsive percussion for a sweaty floor workout.

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Shoko Igarashi

Onsen Music

12" | 2024 | UK | Original (Delusions Of Grandeur)

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-12-06

With this second record Shoko unveils a new genre called "Onsen Music". Each track invites you on a relaxing journey, much like soaking away your troubles in the steamy hot waters of a traditional Japanese spa (Onsen). The variety of songs mimic the variety of onsens, some are salty and scorching, some are smooth and clear, some are bubbly and colorful, and others are a refreshing dip into crisp clear waters. In every instance, there"s a sense of satisfaction as soothing and delightful as the tracks themselves. This ode to "relax", while remaining irresistibly danceable, is filled with good vibrations, melodies and hooks that go straight to the heart, saxophone playing virtuosity, intricate electronic compositions, vocals that make us dream of new worlds, and beats that could keep us on a dancefloor all night long.

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Xtal & Keita Sano

The Sun EP

12" | 2024 | EU | Original (Time To Play)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Keita Sano joins forces with fellow Japanese producer Xtal and makes a welcome return to Delusions following last years amazing Love Is Emotion EP.

Those familiar with Keita’s production will know that his sound is a unique blend of raw, crunchy disco beats, touches of acid and a left-field sensibility which creates an intense and captivating atmosphere on the dance floor. A vibe that has seen his tracks become secret weapons for DJ’s as diverse as Ivan Smagghe, Pablo Fierro, DJ Nature, Frank Tope and Hot Toddy.

Kicking off the EP we have a track called Broken, a high energy and uplifting slice of loopy filter disco which hits all the right notes. Things roll along perfectly, building to a crescendo as a full on string break cuts loose, everything dropping away before slamming in with timbale fills joining the party.

Let Us Have Nice Days, The Sun is up next and makes great use of a classic Italo bassline to drive the track along whilst dub delay FX and side chained pads keep the energy bubbling. Bending bass synth notes bring an extra bit of drama without upsetting the flow and rolling 16th note intensity from the bassline. Feel the love!

Closing the release, we have Time Passing which slows the BPM slightly for a chugging slice of string-drenched gorgeousness. Drop this at sunset and watch as this melancholic gem creates a little bit of magic on the dance floor.

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DJ Dreamboy

Midnight Love

Club Crystal Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Time to Play is pleased to introduce the fifth chapter of its catalog, titled Midnight Love, created by the young Japanese talent DJ Dreamboy. The main track, which shares its name with the EP, serves as a true manifesto of Japanese deep house: minimal, intense, balanced, and dreamy. It’s no coincidence that this track was chosen by Brazilian producer Zopelar for a tough and driving remix.
The B-side opens with “Vibe,” which starts with a minute of suspended ambience before unleashing a burst of kicks and acid arpeggios that ignite a contagious euphoria. “Dream Town” follows in a similar vein, maintaining a softer profile akin to Midnight Love. The EP closes with “My House Style,” a high-speed journey through nocturnal Tokyo, featuring deep basslines, dreamy atmospheres, a relentless rhythm, and an irresistible desire for the experience to never end.

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Yoshio Ojima

LP | 2024 | EU | Original (WRWTFWW)

28,99 €*

LP | 2024 | UK | Original (Open Space)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made.

A precious and sought-after item among collectors and enthusiasts of early Japanese electronic music, Club is a stunning and timeless collection of avant-garde electronica, proto-techno, mecha-ambient, and ear-pleasing experimentations from Yoshio Ojima, the ambient/environmental master behind the pivotal Music for Spiral albums released in 1988 (aka Une Collection Des Chaînons I and II reissued on WRWTFWW), and producer of Hiroshi Yoshimura’s Pier & Loft, Motohiko Hamase’s #Notes of Forestry, and Satsuki Shibano's iconic Rendez-Vous.

Filled with quirky minimalist acid-synth-and-drum-machine-handiwork, bouncy collages of beautifully childlike techno and pre-IDM, and the irresistible DIY charm of humble beginnings, the 8-track album is a fun, adventurous and risqué-but-catchy-in-the-most-peculiar-way piece of Japanese electronic music history neatly capturing the incredible creative energy boiling through the country’s scene in the 1980s.

Experience the roots of Japanese electronica!

Points of interests

For fans of electronica, ambient, minimalism, kankyo ongaku, cassettes, YMO, Hiroshi Yoshimura, DIY adventures, albums that were never on vinyl before, music that predicted the future (which is now the present…or even the past!)

First ever vinyl release of Japanese environmental music legend Yoshio Ojima’s super rare 1983 album Club.

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Puli

Swirling

Ikigai, Volume 1 Silver In Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Open Space is proud to present our first ever full-length LP by LA’s newest 3-man band, Puli. Some words from our dear friend Matt McDermott below: In recent years, a cadre of musicians from the east side of Los Angeles have reestablished the city of angels as the first city of Balearica. Alex Ho’s “Move Through It” followed in the lumbering footsteps of Project Sandro’s “Blazer.” Now, there’s a new landmark for the floating west coast sound. Swirling, the first album from LA supergroup Puli. If you’ve got your ear to the ground you know the names involved here. Drummer and producer Damon Palermo’s pedigree stretches back a good 15 years or so, starting off with dub punks Mi Ami. Phil Cho is one of the busiest DJs, musicians and advocates for the deep stuff in LA, throwing legendary hillside parties under the Third Place banner. John Jones, the preternaturally talented guitarist and electronic tinkerer, records as AV Moves, is a key member of the Suzanne Kraft and Baba Stiltz live configurations and plays in The Trilogy Tapes-affiliated act Geo Rip. But this listing of personnel and credentials puts too fine a point on it. Puli are three close friends who go to parties, DJ and get tacos together, repairing to their Chinatown studio a few times a week and coming out with remarkably textured, idiosyncratic downtempo jams. Building off the solid foundation of their 7-inch of heavyweight dubs for Melbourne’s Constant Delay, Swirling is an exploration of new horizons in chill out. “Ramona” acts a statement of purpose—with halftime/double-time dub-tinged rhythms, hazy yet bright synth motifs and atmospheric guitar from Jones, not terribly far from the expansive approach of Japanese dub aesthetes Pecker. “Cloudy,” meanwhile, is a sort of deconstructed and bittersweet Balearic pop featuring Cho’s ethereal vocals. “Bongo Springs” is steppers’ house not far from close LA peer Benedek or the Mood Hut crew up north. But what truly sets this record apart is the space and layers in the production—while it’s nominally an electronic record, Puli is a band that has slowly crafted these songs in the rehearsal space. “Havana Jam” cruises along a sliding roundwound bass guitar take with dubby chords and textural guitars. Palermo’s hand drums and live percussion enmesh perfectly with icy pads on “Leech Seed Dub.” Cho is back on the mic for the gorgeous closer, “C.S.B.”, underpinned by breakbeat and trunk-rattling sub bass. Puli doesn’t sound like anyone else, and is ultimately reflective of the city itself. Listening to Swirling feels like navigating a warren of side streets in the eternal sunshine. Take the drive and dive.

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Olamide

LP | 2024 | US | Original (Ybnl Nation)

22,99 €*

Tropics Peach Marbled Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2025-01-10

“Ikigai, Vol. 1” is the newest EP from Nigerian artist/legend, & Ybnl leader Olamide. The 7-track EP follows the 2023 LP, “Unruly” - his 10th studio album, and represents a compelling chapter in his musical journey. Named after the Japanese concept meaning "a reason to live,” each track promises a unique glimpse into Olamide's evolution, with infectious rhythms celebrating his heritage to lively lyrics. After cementing himself as a titan in the African/Afrobeats genre, Olamide is just focusing on living and enjoying life. Includes the songs “Metaverse,” “Hello Habibi,” & “Uptown Disco (feat. Fireboy DML & Asake).” 1xLP, pressed on Silver In Black Ice Color In Color Viny, and cut at 45 RPMl. First pressing limited to 500.

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Quantic

12" | 2024 | EU | Original (Aus Music)

12" | 2024 | EU | Original (Mondo Groove)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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This EP kicks off a run of four releases from different artists to mark the 200th outing of Will Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass-driven post-dubstep fusions.

Opener 'Tropics' is a fully live disco workout created by some of New York's best session musicians. The perfect celebratory single kicks off the 200 series with irresistible bounce and funky basslines. Dancing keys overflow with feel-good vibes while the chords have subtle hints of a Marshall Jefferson classic. The stirring 'Born Again' is a lush and sweeping groove packed with exuberant live musicianship, distant cosmic arps and splashing cymbals. Soaring up top are the beautifully pained and emotive vocals of Laura Roy, a Grammy-nominated talent who blends 70's folk and 90's r&b into her own style. After the instrumental version comes closer 'Japanese Knives' with its paddy kick drums and organic hits, tumbling fills and heart-warming chord work. It's a classy house vibe for cosy and loved-up 'floors.

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UnknownmiX

UnknownREmix

15,99 €*

12" | 2024 | US | Original (Troop Music Works)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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“Django” and “Japanese Funk Machine” are 2 mid80s outstanding avant-garde dance tracks released by UnknownmiX, a Swiss avant-experimental group with unique vocal, punkish/art-pop/minimal wave atmosphere, solid synth and percussions in an anarchic world.

At the center of the project were the very talented vocalist Magda Vogel and the well-known experimental composer Ernst Thoma, who with this radical project sought to push boundaries and explore extremes with sounds that moved between tribal and distorted far ahead of their time.
The remixes were made by cosmic wizard Daniele Baldelli, assisted by the faithful Marco Dionigi, and Delphi (half of Tiger & Woods).

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Masafumi Onishi

Heart Breaker EP

12,99 €*

LP | 2024 | UK | Original (Fish Legs)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Electric Japanese Deep House, influenced by Detroit and Chicago original sounds. B1 track's key by Munir (Indonesia).

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Baker Brothers

The Next Last Party

7" | 2024 | JP | Original (Mystic Warrior Sound)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

British Funk Renegades - Baker Brothers: A Legacy of Groove and Innovation
Since 2001, British funk luminaries the Baker Brothers have been at the forefront of the UK funk scene, consistently redefining the genre while staying true to its roots. Their groove, deeply embedded in soulful nostalgia, draws inspiration from legendary acts such as Steely Dan, Sly and the Family Stone, The Doobie Brothers, D'Angelo, The Roots, The Meters, and Prince.
Renowned for their electrifying live performances, the Baker Brothers deliver an "in-your-face" experience that takes audiences on a journey through their extensive back catalogue, spanning eight studio albums and four live albums. These albums feature collaborations with notable artists, including Hamish Stuart of the Average White Band, Snowboy, and soul divas Vanessa Freeman, Hannah Williams, Acantha Lang, and Katie Holmes.
With over ten tours in Japan and numerous European tours under their belt, the Baker Brothers have proven their enduring appeal. They continue to navigate the challenges of band life with unwavering creativity and passion, using music as their vehicle to overcome life's hurdles.

As they forge ahead with new creations, the Baker Brothers' signature sound—characterised by tight horns, a driving rhythm section, and irresistibly funky guitar riffs—remains as killer as ever. Their journey is a testament to their longevity and their unwavering commitment to pushing the boundaries of funk.

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Hikari Zion

Koutei Heika Banzai

Feel The Steel 15th Anniversary Edition

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-12-27

Mystic Warrior Sound 13th work is Warrior Tune with Japanese artists Hikarizion and Sister Maki as guests on both sides!

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Steel Panther

LP | 2024 | EU | Original (Integral Distribution Services)

31,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

LP | 2024 | EU | Original (An'archives)

Usurabi

Chita

37,99 €*

2LP | 2024 | US | Original (Black Editions / La Musica)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Chita, the third album proper by Japanese guitar pop trio Usurabi, is their most elegant, stylish confection yet. Over the past four years, Toshimitsu Akiko (vocals, guitar), Kawaguchi Masami (bass) and Morohashi Shigeki (drums) have been recording, playing live, and releasing songs of rare melodic warmth, centring Toshimitsu’s unique musical vision, where melancholy and joy can co-exist, a split-second flick of her wrist switchblading the guitar from languorous sweetness to overloaded rock action.

Chita expands on the smartly sculpted pop and rock songs found on their previous albums, Remains Of The Light (2021) and Outside Of The World (2023), while infusing the music with more of the rough- housing energy that also coursed through the live CD, Once In A Red Room, they self-released in January 2024. There’s still a through-line, of course, that connects the music here to Toshimitsu’s earlier groups, Doodles and Animone, but Chita feels more deeply like a sussed, sharp take on the crumbling edges of sixties psychedelic folk and rock: the harmonica that blasts through the opener, “Bansho”, is pure Dylan in effect.

One of the many smart things about Usurabi, though, is that they never feel beholden to the historical moment. Soon after “Bansho”, we encounter “TurnOff”, a lush pop song that turns on a dime, with Toshimitsu tearing fuzztone notes from six strings that are like a more folk-reverent Kaneko Jutok. And there’s something about the guitar and bass riff that doubles through the thrilling two-and-a-half minutes of “Hakanonaka” that’s a dead ringer for the Only Ones. Flip the record, and things get more expansive, the spindly jangling of the title song spiralling ever inwards, before the sweet, sugary rush of “Kanata” resolves to the martial rhythms that pulse through “Aseranai”, winding the album down to its poetic, becalmed resolution.

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High Rise

Sdisturbance Trip

59,99 €*

Sababa 5 / Yurika Hanashima

Release: 2024 / US – Original

Genre: Rock & Indie

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Ten blistering performances from Tokyo's legendary High Rise. Recorded live in 1992, Disturbance Trip is a previously unreleased, distortion-saturated gem recorded in the same era as their third studio album, Dispersion. Guitarist Munehiro Narita's unmatched ability to channel the pure energy/spirit of rock and roll and hard psychedelia is on full display; his riffs are heavy and propulsive, his solos dizzying and transcendent. Nanjo's fuzz bass lays down hypermobile lines that swing and thunder as he intones lyrics that echo in the distance. Disturbance Trip is the first release on the resurrected La Musica Records, Asahito Nanjo's mystifying, apocryphal cassette label started in the 1990s and documenting the most obscure reaches of the Japanese psychedelic underground. Deluxe double LP housed in custom Unipak-style gatefold jacket and printed inner sleeves with spot metallic inks and gloss UV coating. Featuring: Nanjo Asahito {bass, vocals); Narita Munehiro (guitar); Dr. Euro (drums). Recorded Live in 1992, Tokyo, Japan.

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Kokoro Pink Vinyl Edition

LP | 2024 | EU | Original (Batov)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Middle Eastern psych, funk, disco, and Japanese folk and pop, converge to create a mesmerising new sound on "Kokoro", Sababa 5 and Yurika"s collaborative debut album for Batov Records, collecting four acclaimed singles and four brand new songs.

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Bill Direen

100 Years Of Darkness

Grapefruit

19,99 €*

Kabutomushi / Tsukino Bubblegum Vinyl Edition

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Bill Direen is a legend of the New Zealand underground. He has given us poetry, novels and a catalog of important and challenging underground music. Weaned on a garage band youth in the late '60s, Direen started producing 7" records in the early '80s, all of them total stunners. These releases—Six Impossible Things, Die Bilder, Soloman's Ball and High Thirties Piano—were self-financed and distributed through Flying Nun. 100 Years Of Darkness, his latest book, is a homage to a century of films and film music. The front cover boxes represent film aspect ratios (1.17:1 up to 2.35:1) as used worldwide between 1888 and the present. The films are drawn from many countries, such as Japan, U.S.A., France, Germany, Russia/Ukraine, Vietnam, Sweden, Italy, Spain, New Zealand, Lebanon. Since some of the films may not have been commercially distributed in all countries, the chosen films are carefully listed in a detailed index of sources at the close, which corresponds to the order of the poems as listed in the contents. This makes it easy for film and music lovers to find the films' directors and years of first appearance, and eventually see them for themselves. It is very limited in an edition of 200 and beautifully printed with textured jackets in the spirit of vintage Black Sparrow Press books.

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Mei Semones

LP | 2024 | US | Original (Bayonet)

Release: 2024 / US – Original

Genre: Rock & Indie

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'Mei Semones' sweetly evocative blend of jazz, bossa nova and math-y indie rock is not only a way for her to find solace in her favorite genres, but is an intuitive means of catharsis. "Blending everything that I like together and trying to make something new - that's what feels most natural to me," says the 23-year-old Brooklyn-based singer-songwriter and guitarist. "It's what feels most true to who I am as an artist." Plinking guitar tones and asymmetrical time shnatures exemplify her forays into angular indie rock more now than ever before, especially on her debut Bayonet Records single "Wakare no Kotoba"-its wide-interval arpeggios in odd meters being some of the most technically difficult guitar work Mei has ever implemented in her songwriting. Translated to "parting words" in English, the self-described "anti-love song" serves as a farewell to a toxic friendship, complete with orchestral swells and crashing guitars. Originally from Ann Arbor, Michigan, Semones began playing music at a young age, starting out on piano at age four before moving to electric guitar at age eleven. After playing jazz guitar in high school, she went on to study guitar performance with a jazz focus at Berklee College of Music. College is where she met her current bandmates, including string players Noah Leong and Claudius Agrippa, whose respective viola and violin add softness and multidimensionality to Mei's intricate guitar work. After releasing a slew of singles and an EP in 2022, coinciding with her move to New York City, Mei and her band have since gone on to collaborate with post-bossa balladeer John Roseboro and embark on their first-ever tour with the melodic rock outfit Ravi, Semones chronicles infatuation, devotion, and vulnerability in her songs, complete with sweeping strings, virtuosic guitar-playing and heartfelt lyrics sung in both English and Japanese, that have all become part of her sonic trademark: ornately catchy, genre-fusing compositions serving as the backdrop to tender lyrics touching on the universalitie...

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Monster A Go-Go (Teen Trash From Psychedelic Tokyio '66-'69)

LP | 2024 | EU (Cosmic Rock)

19,99 €*

Tape | 2024 | US | Original (Bayonet)

Release: 2024 / EU

Genre: Rock & Indie

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Sought-after compilation exploring the Group Sound movement that swept Japan in the mid 1960s. Under the influence of the Beatles dozens of Japanese bands devoted themselves to exporting a wide genre that ranged from surf-rock, garage fuzz, psych and wild R&B. Featuring the influential The Mops, the Filipino band (relocated to Hong Kong) D’Swooners and The Golden Cups.

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Mei Semones

Tsukino

12" | 2024 | UK | Original (Hell Yeah)

Release: 2024 / US – Original

Genre: Rock & Indie

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'Mei Semones' sweetly evocative blend of jazz, bossa nova and math-y indie rock is notonly a way for her to find solace in her favorite genres, but is an intuitive means ofcatharsis. "Blending everything that I like together and trying to make something new -that's what feels most natural to me," says the 23-year-old Brooklyn-based singersongwriter and guitarist. "It's what feels most true to who I am as an artist."`Tsukino', Mei's debut, self-released EP, is being released physically for the first timeever on Bayonet Records! The EP will be released by itself on CD & Tape formats, andwill be included in a vinyl pressing on the B-side of Semones' landmark EP,`Kebutomushi'!Plinking guitar tones and asymmetrical time signatures exemplify Semones' forays intoangular indie rock more now than ever before. Originally from Ann Arbor, Michigan,Semones began playing music at a young age, starting out on piano at age four beforemoving to electric guitar at age eleven. After playing jazz guitar in high school, she wenton to study guitar performance with a jazz focus at Berklee College of Music. College iswhere she met her current bandmates, including string players Noah Leong andClaudius Agrippa, whose respective viola and violin add softness andmultidimensionality to Mei's intricate guitar work. After releasing a slew of singles andan EP in 2022, coinciding with her move to New York City, Mei and her band have sincegone on to collaborate with post-bossa balladeer John Roseboro and embark on theirfirst-ever tour with the melodic rock outfit Raavi.Semones chronicles infatuation, devotion, and vulnerability in her songs, complete withsweeping strings, virtuosic guitar-playing and heartfelt lyrics sung in both English andJapanese, that have all become part of her sonic trademark: ornately catchy, genrefusing compositions serving as the backdrop to tender lyrics touching on theuniversalities of human emotion.

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Calm

Before Remixes

LP | 2024 | UK | Original (Hell Yeah)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Calm's superb Before album is the gift that keeps on giving as Hell Yeah serves up a collection of the best remixes from it. Willie Graff, Gallo and Aura Safari all step up on a fresh 12" that lands this summer.

Before arrived on double vinyl in 2022 after a CD-only release in Japan in 2021. Since then it has become a Balearic mainstay and go-to record for lovers of lavish downtempo sounds. Now, remixes of three tracks from it all appear on this one record with Ibirican-American Willie Graff going first. He is a deep house don who has held several key residencies around the world while dropping his sublime sounds on the likes of Leng, Music For Dreams and many more. His remix of 'I Love You' is a gloriously horizontal one with blissful piano keys rippling over the bubbly drums and bass. Yearning reed melodies add an emotional romantic edge to make this a standout in any setting. Then comes Gallo, the Balearic Gabba Sound System member and resident at Berlin Balearic nightspot Buena Onda. His 'Tropical Hinterhof' remix of 'I Love You' is expertly exotic and soothing as mellifluous keys rain down over a groove as smooth as silk. It's a heart-achingly beautiful sound that will make for truly special moments on the dance floor.

Italian collective Aura Safari then offers two different remixes. They are master musicians who have served up a superb double album Islands Dreams here in late 2023 where they showcased their escapist blend of dub, jazz, Afro-cosmic, Balearica and boogie. First up, 'Feel It' (Aura Safari Desert mix) is six minutes of oriental melody over loose drums. There's a playful feel to the dancing piano keys and richness in the percussion that makes this one a sophisticated sound for both early evening warm-ups or moments of late-night reflection. 'Kunpoo' (Aura Safari Daydream mix) has a nineties feel with its gentle breaks, hypnotic string loops, and sustained chords. They break over you in gentle rays of earth and euphoria to ensure utterly blissed-out results.

These four versions all bring sophisticated dance floor energy to the timeless originals.

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Dream Baby Dream

LP | 2024 | US | Original (Vhf)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Leya Touch & soFa elsewhere aka Dream Baby Dream combine their left-of-centre musical perspectives on an otherworldly new self-titled album that arrives on Hell Yeah this September and will get a Japanese domestic release on CD. The duo's beguiling mix of occult synths and treated vocals ride dubbed-out mid-tempo rhythms on a retro-futurist record that blends cold wave, cosmic disco, dub and trance.

Dream Baby Dream describes themselves as 'two children who refused to grow up' and now they offer a glimpse into their very own fantastic land of dreams. This journey into diverse flavours spontaneously started after a cosy dinner and after just three sessions resulted in the album presented here. Playful yet sometimes gloomy, this music echoes life, both imaginary and real - the highs, the lows, the dark moments and the joy, trance-inducted love zones, daydreams and everything in between. It is a coherent hole but one filled with surprising turns, moments of deja vu and plenty of outsider dance floor delights.

Leya Touch is a rising voice and live act on the Brussels alternative scene. Together with soFa, a veteran DJ and producer who released on many forward-thinking labels worldwide, they provide signature vocals and synths that challenge typical genre categorisations.

Opener 'Love Zone' sets a strangely seductive basic channel vs dreamy pop vibe with wispy cosmic melodies and oodles of echoes as Touch's vocals draw you in. Lose limbed percussive jumbled and sci-fi motifs define 'Badalamenti On Fries', 'Curry Con Sax' has an avant-guard sense of soul and melodic curiousness and 'Diskoteka' is a jittery mix of retro synth sounds and whispered vocal coos that shimmer like stars in the night sky. Elsewhere there's the malfunctioning Kraftwerkian electronics of 'Körperkonsum', goa-filter madness of 'Banana Trance' and the eerie interplanetary dub of 'Carpenter On The Beach' while 'Whale Rider' and 'The Rude Red Lady' bring warped lines and enchanting vocalisations that sound like nothing you have heard before.

This is an exultant album of new musical rituals, tiny soundscapes, dehumanised words and combinations of the past, present and future that never fail to excite and intrigue.

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Daniel O'Sullivan

The Pastoral Machine

Release: 2024 / US – Original

Genre: Electronic & Dance

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Fourth volume of Library Music miniatures by Daniel O’Sullivan (Ulver, Æthenor, This is Not This Heat, etc) for VHF, this time commissioned by the legendary German Music Library, Sonoton. Another sampling of O’Sullivan’s versatility and brilliance as a composer, performer, and sound designer, the focus on The Pastoral Machine is more “electronic” compared to the three previous albums O’Sullivan recorded for KPM (also issued on LP by Vhf), with simpler arrangements and a focus on gentle and emotive synthesised soundworlds. Even without as many full ensemble arrangements, there’s still a wealth of diversity—“Empathogen” opens the record with latticed arpeggiating sequences recalling Japanese “environmental music” or Persian Surgery-era Terry Riley, “Fruit Of Stream Entry” burbles with gentle ripples evoking the album’s title, while “The Silversmith Of Space” mines a simple chord sequence evoking Eno’s ’70s classic short instrumentals. “Superstrings” is a series of hypnotic overlapping guitar patterns, like a lost Ash Ra or Achim Reichel track. The brief “Star Lore” is a heavy highlight with deep bass washes and grainy, tape-laminated melodies, followed immediately by Rose Keeler Schaffeler’s vocal feature on “The Oscillating Love” recalling futurist new-age pop in the vein of Enya or Virginia Astley. Housed in a jacket and heavy euro-style inner featuring collages by O’Sullivan, soon to be the subject of an art book published by Timeless Editions in mid-2024.

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Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999

2LP | 2024 | EU | Original (Music From Memory)

29,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The next installment of MFM's popular multi-artist compilation Virtual Dreams: 'Virtual Dreams - Ambient Explorations In The House And Techno Age, Japan 1993-1999'. As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.

The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.

'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.

'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.

Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita,

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

LP | 2024 | JP | Original (P-Vine)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Grey October Sound

Lo-Fi Ghibli Volume 2

Release: 2024 / JP – Original

Genre: Soundtracks

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The album "Lo-Fi Ghibli," became a hit worldwide with covers of Studio Ghibli songs in a Lo-Fi hip-hop style, and it made Grey October Sound known not only in Japan but also overseas. This series became a topic of discussion even on Japanese television, and it's now common to see tourists visiting Japan carrying the "Lo-Fi Ghibli" LP from record stores to the register.

P-VINE is thrilled to announce the release of the highly anticipated sequel to this popular work, "Lo-Fi Ghibli 2." In this new release, Grey October Sound's producers have arranged Ghibli songs not included in Vol. 1, and the visual imagery, including the jacket, continues to be produced by illustrator Rika Hase. Placing this record on your turntable will instantly provide you with a relaxing chill time accompanied by memories of the Ghibli films.

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Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999

2CD | 2024 | EU | Original (Music From Memory)

Kyoto Jazz Sextet Feat. Takeo Moriyama

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Succession

2LP | 2024 | JP | Original (Lawson)

44,99 €*

Kodama And The Dub Station Band

Release: 2024 / JP – Original

Genre: Pop

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A dramatic encounter between the elite group led by Shuya Okino and a legendary drummer. Connecting the past and present of Japanese jazz and illuminating the future that is an extension of it.

●kyoto Jazz Sextet is an acoustic jazz unit started in 2015 by Shuya Okino of Kyoto Jazz Massive, a DJ/music producer unit that is active worldwide. With the concept of expressing the "current state of jazz" rather than just a nostalgic hobby, he has released two albums so far: "mission" (2015) and "unity" (2017).

●Fully featuring Takeo Moriyama, the pinnacle of Japanese jazz drumming. The two performed together for the first time as headliners at Tokyo Crossover/Jazz Festival 2021 held at Shinkiba ageHa@STUDIO Coast on November 20, 2021. The audience was overwhelmed by the spirited collaboration that transcended generations.

●In addition to Moriyama's representative repertoire, which is popular among club jazz listeners, the album includes a new song "Father Forest" written by Shuya Okino. The all-analog recording and cutting from a half-inch analog tape master create a robust and dynamic sound.

Kyoto Jazz Sextet Shinpei Ruike trumpet Ken Kurihara tenor saxophone Yusuke Hirado piano Yoshihito"P"Koizumi. bass Shuya Okino (vision, sound effect on Watarase) featuring Takeo Moriyama drums

Produced by Shuya Okino (Kyoto Jazz Massive) Recorded, Mixed and Mastered by Akihito Yoshikawa (studio Dedé)

■Live information Kyoto Jazz Sextet feat. Takeo Moriyama 3rd Album "succession" LP Release Live Friday, September 20, 2024 @cotton Club

For live inquiries: Extra Freedom info@extra-freedom.co.jp

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Is This Love

7" | 2024 | JP | Original (Kurashi)

12" | 2024 | EU | Original (Tombolo)

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Kazufumi Kodama is a Japanese trumpet player and producer for some of Japan's earliest and most influential dub groups. His claim to fame is the work he did with the group Mute Beat in the late 80s, many articles citing this group as the very first dub group to exist in Japan. Even if this isn't true, he certainly pushed the genre to its most popular in the country. His current band "Kodama And The Dub Station Band" released their first cover album "Tomoshibi" in 2023 from P-vine, and now some finest songs are released on 7inch ep! This 7" ep includes a cover of Bob Marley's classic 'Is This Love' which inspired Kodama to make a covers album. Bob Marley's positive vibrations are arranged as an instrumental song and made into a dynamic and excellent cover.

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Paperkraft

Acid Asia EP

Kodama And The Dub Station Band

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Prepare yourself to ride a cosmic wave of progressive sounds with a touch of speedy acid baselines cooked by the unknown master of Osaka, Ryunosuke Tahara aka Paperkraft. The japanese producer and dj has been working non stop for the last 10 years, on a ride that has taken him to write this beautiful 4 Track EP called Acid Asia. The EP starts with ”P Spectrum”, a psy trance oddisee containing all the elements to “give you the power” ;) Ravy sounds, fast bpm, and big acid baselines, following by the track tht gives the name to the EP: “Acid Asia”, a more cruising house track, with original sounds from the country of rising sun. B side follows with “Munchakoopas” a nice house track, with sweet melodies, acid synths and the sample of my favorite nintendo character: Yoshi. The EP ends up with Cosmic Flower, a strong percussion over a progressive melody and psytrancy vocals that will make you lose your head. 4 Massive tracks, 4 DJ Cuts, 4 Club Use Only. Perfect for your local rave, or the main stage of your favorite festival.

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You've Got A Friend

7" | 2024 | JP | Original (Kurashi)

7" | 2024 | JP | Original (Universal Music Japan)

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Kazufumi Kodama is a Japanese trumpet player and producer for some of Japan's earliest and most influential dub groups. His claim to fame is the work he did with the group Mute Beat in the late 80s, many articles citing this group as the very first dub group to exist in Japan. Even if this isn't true, he certainly pushed the genre to its most popular in the country. His current band "Kodama And The Dub Station Band" released their first cover album "Tomoshibi" in 2023 from P-vine, and now some finest songs are released on 7inch ep! "You’ve Got A Friend" was written by Carole King for her album "Tapestry" in 1971, and Kodama & Dub Station band arranged the masterpiece as a dub song.

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Yuji Oda / Maxi Priest

Love Somebody

18,99 €*

12" | 2024 | UK | Original (Feelings Worldwide)

Release: 2024 / JP – Original

Genre: Pop

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Yuji Oda's theme song of the TV drama "Odoru Dai Sousasen", which became his masterpiece as an actor, and his representative song as a singer, "Love Somebody" (released in 1997) is coupled with the same instrumental version for the first time in 7 inches!

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Guchon

Raccoon Hill EP

Quixotism 10th Anniversary Remastered Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Straight out of Tokyo, the illusive Guchon steps up for the next release on Feelings Worldwide.

One for the heads who like to stay up late and get down with their games consoles, the EP is packed with dance floor curveball material.

Super fun vibes throughout, a slab of Japanese bubblegum pop-house with some bonus breaks and a remix from cult hero Chrissy of Chicago Smartbar fame.

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Oren Ambarchi

CD | 2024 | EU | Original (Black Truffle)

A Missing Myth Of The Future

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.

The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.

At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.

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Kaoru Inoue

LP | 2024 | EU | Original (Studio Mule)

23,99 €*

Taifu13Gou / Tsumetaionna

Release: 2024 / EU – Original

Genre: Electronic & Dance

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kaoru inoue is a japanese veteran producer and dj since late 90’s. he has been releasing from his own label “seeds and ground” and some other labels like mule musiq,groovement. the original release of this album was released in 2013 in only japan. it’s a very own style mix of world music, field recording, ambient and electronic music. the album is started by minimal gamelan ambient “malam”,the second track “selva” is minimal afro brazilian house which reminds us early luciano or villalobos. third track “kamui fuchi” is electric jazz fusion house, fourth track “sphere” is like joan bibiloni in late 80’s. on b side,”etenraku” is avant-garde tribal break beats,”she was in ecstasies”&”escape dub” are typical his style balearic slow house. the album is closed with beautiful melancholic new age music “healing force”. this album is a timeless masterpiece for us.

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Fumio Nunoya

7" | 2024 | JP | Original (Universal Music Japan)

Release: 2024 / JP – Original

Genre: Rock & Indie

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7" | 2024 | JP | Original (Universal Music Japan)

Asako Toki

A Night In New York

Release: 2024 / JP – Original

Genre: Rock & Indie

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OST World Of Horror (Original Game Soundtrack)

Joseph Bailey

Tape | 2024 | EU | Original (Black Screen)

LP | 2024 | EU | Original (Black Sweat)

Release: 2024 / EU – Original

Genre: Soundtracks

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WORLD OF HORROR is a 1-bit roguelite horror RPG inspired by the works of Junji Ito and H.P. Lovecraft. The mystery and terrors of Shiokawa, Japan are fully brought to life by this retro-inspired chiptune soundtrack that is as melodic as it is atmospheric."Writing music for a horror game with such a limited chiptune sound palette was a very interesting challenge. It made me consider every part very carefully, resulting in an unusually melodic soundtrack for a horror game", says composer Joseph "Qwesta" Bailey. He and the other musical mind of the game's soundtrack, Garoslaw, have collaborated with Black Screen Records to bring the WORLD OF HORROR onto cassette tape to really give investigators the feel of 1980's Showa Era Japan. We can't provide the AE86, but we can provide the soundtrack!

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David Edren

Binnenin

19,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Probably in another life David Edren (dsr Lines) was a visionary biologist or chemist. In this new sound adventure, he becomes the narrator of anatomical and cellular symphonies, catharsis of invisible biochemical processes, painting the micro-dimensional flows of the subtle body or imaginary geographies of hidden micro-bodies. Here, his organic electronic music is enriched with new lymphs that also vaguely recall the influences of non-European music, especially Chinese and Japanese music (stick and chimes percussions) in an intimate and twilight dimension, poised between exotic ambient and cinematic suggestions. A miniaturistic description of liquid currents, labyrinthine veins, weaving streams, molecules and particles in multi-orbital dances, muscular chords, drowning bubbles, light waves; all in a confident compositional overview that is absolutely unique and fascinating.

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LP | 2024 | EU | Original (No Format)

Koki Nakano

Ululo

2LP | 2024 | UK | Original (Nervous)

Release: 2024 / EU – Original

Genre: Classical Music

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With "Ululo", pianist and composer Koki Nakano immerses us in the depths of his emotions, carried by the striking voices of Jordy, WAYNE SNOW and Yael Naim.For his fourth album, Japanese pianist and composer Koki Nakano moves beyond the conceptual to reveal an intimate and visceral musical expression, a reflection of his deep emotions. Each piece conveys the desire and passion of a cry. The title "Ululo" (which translates to "Howl" or "Cry" in Latin) echoes a childhood memory of being in his father"s arms, yearning to touch the moon. This unfulfilled desire, reminiscent of a famous haiku by famous poet Issa Kobayashi, symbolizes his early realization of his limitations in the face of the vastness of the world and the seemingly unattainable. Koki reinvents himself with a unique fusion of piano and modern vocal collaborations. He is joined by UK rap sensation Jordy and the captivating voices of WAYNE SNOW and Yael Naim. He offers an avant-garde music style distinguished by its emotional simplicity and sonic depth. Beyond virtuosity, Koki explores his classical sensibilities by blending subtle ambient textures with his poignant and sophisticated melodies. While "Ululo" is a cry of frustration with melancholic tones, it is also romantic, filled with beauty, humor, and light.

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Teddy Douglas

I’m Here

28,99 €*

LP | 2024 | EU | Original (AvantRoots)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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US House Music legend Teddy Douglas of Basement Boys and Jasper St. Co. fame gets set to unleash his first solo artist album, ‘I’m Here’, on the iconic label, Nervous Records. Teddy has gone all out to deliver one of his most creative and musically diverse albums to date. ‘I’m Here’ is a colourful pallet of meaningful songs and grooves that reach far beyond Teddy’s signature soulful Baltimore House sound, with added infusions of Funk, Rock and Jazz, yet still loaded with plenty of Teddy’s trademark House and Disco sounds that we all know and love.

Across the album he’s pulled together an array of heavyweight international vocal talent including; UK vocal diva Pauline Taylor; Danish award winning Folk and Blues artist, Richard Farrell; Chi Town Hip House legend, Fast Eddie; dance music’s legendary No.1 vocal queen, Ultra Naté; up and coming Brit Soul talent, Sipho; and Buckshot from Blackmoon appearing as BDI Thug. From the shimmering cover of The Frontline Orchestra’s ‘Don’t Turn Your Back On Me’ with Pauline Taylor on the vocals, to the downtempo rocky vibes of ‘Help!’ with Sipho delivering a spine-tingling gravelly vocal, ‘I’m Here’ is testament to Teddy’s finely tuned expert musicianship and impeccable knack for penning great songs and delivering vibrant covers.

Baltimore’s Teddy Douglas has produced everyone from Michael Jackson, Lenny Kravitz, Crystal Waters, Erykah Badu, Martha Wash and Ultra Nate’ and was an important figure in the development of the Baltimore “House” Sound. Teddy has held down a long and successful DJ career since 1983 staring out in Baltimore and spreading his wings globally gracing the decks at clubs such as Yellow in Japan to London’s Ministry of Sound and beyond. In 1985 he met Jay Steinhour and Thommy Davis, who later formed The Basement Boys production company. The Basement Boys have produced countless dance classics like Crystal Waters’ 1991 Gold single, ‘Gypsy Woman’. In the mid 90’s Teddy Douglas and Jay Steinhour opened Basement Boys Records and released club anthems from Teddy Douglas, Jasper St. Co., Ann Nesby, Those Guys, DJ Spen, Byron Stingly, Karizma, Kenny Bobien, Taja Seville and more

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Charles A.D

Deep Diver

Chilli Beans. Translucent Orange Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The sea has long been central to Japanese culture, symbolizing both sustenance and spiritual
depth. Charles A.D.'s Deep Diver draws inspiration from this, channeling the ancient traditions
of diving and fishing into his music. Historically, the sea has influenced everything from Shinto
rituals to the livelihoods of coastal communities. In Deep Diver, this reverence flows through
aquatic soundscapes, where rhythmic waves of 90s house and Detroit techno meet Japanese
minimal production techniques, New Age and Pacific Jazz. Like the tides, the album ebbs and
flows, creating a serene yet dynamic homage to the timeless connection between Japan and
the sea.
The opening track 'Deep Diver' plunges into the depths, its abstract sound design capturing the
sensation of deep-sea propulsion. Rhythmic bubbles pulse gently alongside slow-moving
chords, creating an otherworldly atmosphere. The textures are lush yet restrained, setting a
tranquil stage that pulls the listener into a submerged world. 'Underwater Ruins' builds on this
aquatic theme, introducing rhythmic layers and bass-heavy notes reminiscent of mid-90s
Japanese ambient techno. The smooth, melodic flow nods to pioneers like Mr.YT and Susumu
Yokota, while subtly incorporating the Detroit techno influence through soulful, deep basslines.
The track feels like a fusion of ambient and techno, balancing serene tones with a rolling
groove, emblematic of Japanese techno soul. As the album progresses into 'Bubble Ring', it
becomes clear that Charles A.D. is a master of minimalism. The production is timeless, leaning
on analog techniques where echo-drenched chords and carefully layered soundscapes take on
an addictive, hypnotic quality. The simplicity of the composition is deceptive, as each element
carries weight, drawing the listener deeper into the rhythm and space between the notes.
'Merperson' is where organic rhythms truly come into play. Charles A.D. gently evolves the
patterns, allowing each percussive hit to flow naturally into the next. Soothing melodies emerge
from within the track’s structure, eventually reaching an emotional peak without ever feeling
forced. The organic nature of the arrangement creates an effortless progression that feels
deeply connected to the natural movement of water.Starting the second half with 'Deep Exploration', the theme of underwater excursions becomes
even more pronounced. Light, steady drumming anchors the track, allowing the melodic layers
to develop gradually. It unfolds with a calm, measured pace, before ending softly, almost as if
the sounds are drifting off into the oceanic depths. 'Diffuse Reflection' stands out as the most
dub house-influenced on the album, with rolling rhythms and hypnotic elements reminiscent of
Maurizio's deep, pulsing sound. Yet here, the production feels submerged, with aquatic effects
swirling around the rhythmic core, blending dub house with a fluid, oceanic touch. 'Traitors'
delves even deeper into dub-inspired territory. Deep, resonant bass hits combine with wooden
drums, while static-like sounds evoke the image of a radio tuning through static to find clarity.
Chords shimmer briefly before fading back into the liquid depths, evoking the ebb and flow of
the tide. The final track on Deep Diver 'Levitation', is a fitting conclusion, as the rhythms merge
and overlap like waves gently lapping the shore. The minimalistic arrangement allows each
element to blend effortlessly into the next, creating a sense of unity and closure. The sounds
move with the gentle grace of water, ending the album in a way that feels both complete and
open-ended, like the infinite motion of the sea.

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Chilli Beans.

LP | 2024 | EU | Original (Black Screen)

33,99 €*

LP | 2024 | Original (Yeeess)

Release: 2024 / EU – Original

Genre: Pop

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Translucent orange vinyl.Chilli Beans. are a three-piece band from Japan, formed in 2019 by Moto (vocals), Maika(bass & vocals) and Lily (guitar & vocals). Their neo-garage style fuses indie rock withgarage infused guitars and catchy melodies. Since 2019, the band has released 4 EPs andtwo albums on A.S.A.B. and played several nationwide headline tours in Japan.On July 13, 2022, Chilli Beans. released their first full-length album "Chilli Beans." including the hit singles "lemonade", "andron", "Tremolo" and "School". The song "you n me" from the third EP "mixtape" was selected as the opening theme song to the TV Tokyo J-Drama series "Play It Cool, Guys".

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Rinôçérôse

Psychoanalysis

LP | 2024 | EU | Original (Blue Pearls)

Release: 2024 / Original

Genre: Rock & Indie

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" rinôçérôse " is still alive, conquering, surprising, bold in its sound. The French band composed of Patou Carrié and Jean-Philippe Freu has teamed up with a new producer - VincentLeibovitz - to record theirseventh album, Psychôanalysis. A formidable French Touch live machine (with additional musicians: two guitarists, a drummer/percussionist and a VJ)," rinôçérôse " has been producing albums that have been heard all over the world since the 1990s, from Europe to South America, from Japan to the USA, where the group has played at the biggest festivals and the finest venues, with over 1000 concerts under their belt. With Psychôanalysis, the band embarks on a new high-energy sonic escapade, a mosaic album that revisits all their sonic hallmarks: singular instrumental creativity (guitars and basses are the band"s trademark) and eclectic electronic programming in a grand mix of rock, house, electro, funk and other influences. The sonic palette deployed by Vincent Leibovitz, member of the beatmakers" collective La Fine Équipe andco-founder of NowadaysRecords, takes Patou Carrié and Jean-Philippe Freu into new horizons, sometimes nostalgic and always innovative. " rinôçérôse " features two singers with whom the group has already worked: Jessie Chaton (Fancy, General Elektriks) and Bnann Watts (Infadels). It also opens up to new collaborations with Izzy Lindqwister and Benjamin Diamond (Stardust).

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Eric + Ensemble Schaefer

Hayashi

Release: 2024 / EU – Original

Genre: Organic Grooves

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12" | 2024 | EU | Original (Sub Rosa)

Univers Zero

Crawling Wind

Welcome To My Castle Sunrise Pearl Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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First time vinyl reissue of Univers Zero's legendary Crawling Wind, originally released in 1981 on the Japanese 'Chaos International Series' label, with the original cover artwork has been beautifully redesigned by Thierry Moreau.

Toujours Plus à l'Est, as the title suggests, is heavily influenced by the traditional music of Eastern Europe, particularly Bulgaria., and paying tribute to the iconic catchphrase of Professor Calculus (Tournesol), the character from the Belgian comic series Tintin. Before The Heat, played live a few times, is an ambient composition by Andy Kirk, who is part of the EP's lineup alongside Daniel Denis, Guy Segers, Alan Ward, and Dirk Descheemaeker. Central Belgium in the Dark is a live improvisation from a period when Univers Zéro dedicated part of their concerts to complete improvisation. What makes this recording unique is that one of Andy Kirk's effects pedals picked up and emitted the sound of a mysterious radio signal, seemingly coming from "nowhere," especially noticeable at the end of the piece. The title of this improv is a nod to contemporary composer Charles Ives' work Central Park in the Dark. Central Belgium refers to the concert venue where the piece was recorded (Haine-St-Pierre).

Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music - most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.

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Chilli Beans.

LP | 2024 | EU | Original (Black Screen)

33,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Sunrise Pearl Vinyl.Chilli Beans. are a three-piece band from Japan, formed in 2019 by Moto (vocals), Maika (bass & vocals) and Lily (guitar & vocals). Their neo-garage style fuses indie rock withgarage infused guitars and catchy melodies. Since 2019, the band has released 4 EPs and two albums on A.S.A.B. and played several nationwide headline tours in Japan.Their second full-length album "Welcome to My Castle" was released on December 13th, 2024 and featured 13 songs, including the single "Raise" which was the ending song themefor the TV anime series "One Piece", as well as "I like you", the main song of the TV series "Toki wo Kakeruna, Koibito-tachi".

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Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

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Issue 922: Style Sample '24

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Popeye

Magazine House

Issue 929: Diggin' Secondhand Finds

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Popeye

Magazine House

LP | 2024 | EU | Original (Asmara)

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Julie Kuhl

Clouds Of Grief

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (O.C.D. Open Channel For Dreamers)

Portal Jams

7th Day EP

15,99 €*

Michael Ranta, Takehisa Kosugi

Release: 2024 / EU – Original

Genre: Electronic & Dance

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This eleventh O.C.D. release showcases the results of a series of prolific sessions recorded live in Barcelona in 2022 at the Small Black Dots’ in-house studio between Alessandro Picone and Jordi Barasoain.

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Multiple Musics

LP | 2024 | EU | Original (Metaphon)

23,99 €*

12" | 2024 | UK | Original (Mudline)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Previously unreleased live recording from the Ranta archives. The creative duo of Michael Ranta and Takehisa Kosugi performed many times in the 1970’s and 1980’s. On this outstanding performance, recorded at the Japanese Culture Institute in Cologne in 1987, the application of an advanced multi delay system, independently utilized by both players, plays a central role. The smartly treated cyclic tapestry of the delay system (modulated, transformed, harmonized) injects additional dimensions to the highly coordinated improvisation with voice, percussion, violin and electronics, creating interactive ‘composition-like’ textures being ‘Multiple Musics’.

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Leo Gibbon

Happy Lovers

LP | 2024 | JP | Original (Universal Music Japan)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-14

Leo Gibbon debuts his first solo release, as the first release on his own Mudline label with Happy Lovers, a four-track EP that immerses listeners in a sonically rich exploration of love’s complexities. Weaving a tapestry of sounds that seamlessly blends deep cuts, hard-hitting drums, and weighty low ends, creating an engaging landscape for both dancefloor enthusiasts and reflective souls alike.

From the opening track, you can feel the infectious rhythms that draw on a diverse range of influences. Glitchy house elements flirt with the raw essence of street soul, while nods to 140 UK rollers add an irresistible pulse. Each track unfolds like a chapter in a modern love story, capturing the tumult of falling in and out of love, all while maintaining a groove that keeps the crowd moving.

The EP’s production shines, showcasing a meticulous attention to detail. He masterfully balances emotional depth with dancefloor energy, making Happy Lovers not just a collection of tracks, but a coherent narrative that resonates on multiple levels. Whether you’re seeking introspection or an escape into sound, This Mudline debut offers the perfect backdrop.

In Happy Lovers, Leo Gibbon has established a strong foundation for his musical journey, inviting listeners to experience the highs and lows of love through an expertly crafted sonic lens. This is a compelling start for both the artist and his new label, one that promises exciting avenues to explore in the future.

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Meiko Nakahara

Kagami No Nakano Actress

55,99 €*

Release: 2024 / JP – Original

Genre: Pop

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Meiko Nakahara, who has been gaining recognition both in Japan and overseas due to the popularity of city pop in recent years, has released her eighth original album, released in 1988, and is now available on LP! Includes the title song "Kagami no Nakano Actress," the third opening theme for the TV anime "Kimagure Orange Road," and the ending song "Dance in the memories."

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Roland

Kanji T-Shirt

Available Sizes: S, M, L, XL, 2XL, 3XL

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Preorder shipping from 2024-11-22

The Roland Kanji T-Shirt's features include:
• rib crew neck with interior tape
• Roland Kanji artwork printed on front
• regular fit
• 100% cotton single jersey

The Roland Kanji T-Shirt pays homage to the year Roland was established in the city Osaka, Japan. The translation of the Kanji: 1972年 = 1972 Year. 大阪、日本 = Osaka, Japan. You can wear Roland's heritage today.

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Roland

Kanji T-Shirt

Available Sizes: S, M, L, XL, 2XL, 3XL

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Quixotism 10th Anniversary Remastered Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Oren Ambarchi

LP | 2024 | EU | Original (Black Truffle)

31,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | JP | Original (Think!)

Akira Miyazawa Quartet

Kiso

47,99 €*

Release: 2024 / JP – Original

Genre: Organic Grooves

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Preorder shipping from 2025-01-29

This work was released in 1970 as part of Victor's Japanese Jazz series. "We are Japanese, so we have to create something that only we, as Japanese, can create," said Miyazawa during this period. Inspired by the landscapes of his childhood, "Kiso," "Asama," "Hakuba," and "Hida" are reflective of his reverence for nature's grandeur. This album is a peak of artistic expression for Miyazawa, blending his personal roots with his heartfelt imagery.

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7" | 2024 | JP | Original (Avex Infinity)

H Jungle With T

Going Going Home

Release: 2024 / JP – Original

Genre: Electronic & Dance, Pop

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H Jungle With t's mega-hit track "going Going HOME," one of Japan's earliest jungle music releases and a chart-topping sensation, will be available on a 7-inch vinyl!

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7" | 2024 | JP | Original (Fivelater / Lawson Entertainment, Inc.(Hmv Record Shop))

We Are The Night

Tiramisu Cake

25,99 €*

Release: 2024 / JP – Original

Genre: Pop

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The hit song "Tiramisu Cake" by the renowned Korean indie band "We Are The Night" is being released for the first time as a 7-inch vinyl.

Originally released in 2015, the track gained renewed attention in 2018 when it appeared on the soundtrack of the drama “To. Jenny,” spreading by word of mouth. In 2022, thanks to actor Kim Sung-cheol, the star of “To. Jenny,” the song experienced another surge in popularity, becoming a trending challenge song among the MZ generation. Many K-pop artists joined the "Tiramisu Cake Challenge," propelling the track to global fame.

In response to its immense popularity, "Tiramisu Cake" is being released as part of the "K-Indies Series," an analog project by the label "Bside," which highlights top Korean artists. The A-side of the 7-inch features the original mix version from 2024, while the B-side includes the band's latest track "Lantern," their first new song in about two years. "Lantern" is an energetic departure from We Are The Night's previous works and has gained strong support from fans and lovers of indie electronic music. The original artwork on the 7-inch cover, featuring the single covers for each track, enhances its value as a collectible item.

Formed in 2013, the indie-pop band "We Are The Night" captures the anxieties, hopes, and love of their generation with their dreamy and sensory synth-based sound. With four full albums released so far, their distinctive "cinematic sound" has resonated with listeners. This 7-inch release in collaboration with "Bside" marks their first step into the Japanese music market.

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Tape | 2024 | JP | Original (Mango & Sweet Rice)

Coppe'

(Un-)/Tweaked.(Compiled)

23,99 €*

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

Coppé, the Japanese Godmother of Electronica, who made headlines for her participation in Orbital's latest work "Optical Delusion," continues to be active worldwide. Her cassette (her first!) release, which was highly praised at the 2024 Cassette Week UK, is now set for release in Japan! Her album "(Un-)tweaked.," featuring the genius pianist Jacob Koller, and "(-)tweaked.," remixed by Luke Vibert, Plaid, DJ Kensei, and others, are compiled together into this complete version on one cassette, allowing listeners to enjoy the "untweaked" and "tweaked" concepts in one package!

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LP | 2024 | JP | Original (Thaian Records / Space Shower Music)

Yuma Abe

Hotel New Yuma

38,99 €*

Release: 2024 / JP – Original

Genre: Pop

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Preorder shipping from 2024-12-18

Yuma Abe, the vocalist and guitarist of never young beach, is set to release his second solo album "Hotel New Yuma" on vinyl. Inspired by the 1950s and 60s, Abe reimagines Japan during that time with a fresh, personal twist. The album showcases Abe’s musical exploration and admiration for artists like Haruomi Hosono, blending nostalgic influences with his own unique pop sound.

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LP | 2024 | JP | Original (Pony Canyon Inc.)

Toconoma

Island

36,99 €*

Release: 2024 / JP – Original

Genre: Organic Grooves

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Preorder shipping from 2025-01-22

Toconoma’s long-awaited 5th album "island" is set to be released on vinyl! Featuring dance beats and capturing their emotional and uniquely Japanese musical sensibility, the album includes nine tracks, such as "Open World" and "SignaL."

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Tokyo Riddim Volume 2 1979-1986

LP | 2024 | UK | Original (Time Capsule)

29,99 €*

Acid Mothers Temple & The Melting Paraiso UFO

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Diving deeper into the story of Japanese reggae pop, Tokyo Riddim Vol. 2 explores an electronic, new wave and often experimental sound unlike anything Japan or Jamaica had ever heard before.

The first time Ryuichi Sakamoto left Japan, he did not go to the United States or Europe - he went to Jamaica. It was 1978, YMO were about to release their debut album, but Sakamoto was in Kingston, invited to play synths for Japanese idol singer Teresa Noda at Dynamic Sound Studios in a band alongside Neville Hinds and none other than Rita Marley. It’s not a story many know, but one which would spark Sakamoto’s fascination with dub and mark a new chapter in the ongoing Japanese love affair with reggae.

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Trust Masked Replicants

LP | 2024 | EU | Original (Important)

33,99 €*

Toki Wo Koete Yukou Feat. Matsurika United

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Japan's long running masters of psych/kosmische jamming return to Important Records for a vinyl outing featuring beloved original member Cotton Casino.

Trust Masked Replicants finds AMT in fine form, creating experimental psych-rock improvised around skeletal compositions. The group's leader, Kawabata Makoto, holds the group together while they navigate chaos infused, drone based jamming at the outer edges of human consciousness.

Side B, featuring the 20 minute track Asoko Ananda, is a classic side-long fast paced AMT burner combining sped up kosmische rhythms, filter sweeps, free-jazz piano, tabla drumming and vocal experiments. Asoko Ananda utilizes many of the group's skills, ascending to the height of their collective, mountainous ability.

Channeling prog, krautrock, modern composition and noise, Kawabata Makoto formed the Acid Mothers Temple in the early 90's. The group has gone on to release countless albums while touring the globe.

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Pancho & Mr Hero

LP | 2024 | JP | Original (Boso Vinyl Aikoukai)

12" | 2024 | EU | Original (Organic Sounds)

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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The first 7" by "Boso Vinyl Aikoukai," formed by record-loving members in Kamogawa, Boso, Chiba Prefecture, is now available! The recording features Pancho from K-zion, active in Kamogawa, Boso, and guest performers MR Hero and Matsurika united, who is well-known for her work on "the Entertainer" produced by Naniwaman. The song "Toki Wo Koete Yukou" (Let's Go Beyond the Time) is a wonderful song filled with positive messages like 90s Japanese reggae. Limited Pressings!!

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Digitalis

The Fourth State

18,99 €*

Where Light Touches (A Nima Story)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-21

For the fifth release of Organic Signs, we pay tribute once again, in an even more special way, to our beloved Digitalis, aka Seb Taylor. Two years ago, we launched the first EP of our label, Digitalis - Soma Junkies, recovering a gem from the British artist. This time, we wanted to go further by presenting a new album concept with impeccable sound, thanks to the mastering by Damian Schwartz. Comprising both released tracks and some unreleased material, The Fourth State serves as a tribute and evolution of Digitalis's only album released in 1998, reminding us of the urgent need to remain vigilant against the most insidious powers of social control.

Spacehop, the starting point. In 1994, after hearing a demo tape, Andy Guthrie (aka 100th Monkey / Funkopath) connected Digitalis with the team of the Spacehopper party at the Que Club in Birmingham. There, Digitalis quickly became a resident, dazzling audiences with his live sets. A premature first track from the early days of his career was never officially released, but many had the chance to enjoy it live on numerous memorable nights.

In Loup Garou, the exquisite taste and mastery of breakbeat rhythms manifest. It's an explosion of rhythm interwoven with trance patterns, and you can also listen to an unreleased digital version, exclusive to Bandcamp. Closing the first side of the record is Repeater, the first track ever released by Digitalis, which laid the foundations for his distinctive sound.One of the most surprising parts of the album unfolds on the B side. Just as we had finalized the selection of tracks, Seb surprised us with a message revealing that he had found old tapes.

This led to a collaboration with Hugh Newman, rich with influences from his alias Shakta, featuring vocal and acid synths that open the portal to a new dimension of auditory frequencies. Osho Drums combines live percussion from Osho, half of the Japanese group UNI, with psychedelic trance riffs and breakbeat rhythms that intertwine without relying on typical formulas.

Figments Of Reality (Trance Mix) would bring the vinyl album to a close, featuring nearly 146 BPM of trance and synth sounds that resonate like thrown objects falling from the sky, landing on the rhythmic grill.

As a final addition to the release, we also present Genetics, a digital exclusive track, another unreleased gem from his early days that deserved to come out of the vault of memories.

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Rasmus Faber

2LP | 2024 | UK | Original (Farplane)

Eraldo Bernocchi And Hoshiko Yamane

Release: 2024 / UK – Original

Genre: Classical Music

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Rasmus Faber 'Where Light Touches' [A Nima Story] Album Farplane Records / Fp076 https://www.rasmusfaber.com https://www.instagram.com/rasmusfaber/ https://myanimelist.net/people/36680/Rasmus_Faber https://rossdraws.com https://www.instagram.com/rossdraws
Available IN Dolby Atmos Where Supported.
Sweden's worldwide acclaimed composer, producer, DJ and pianist, Rasmus Faber, reveals his first album of ambient / neo-classical work, 'Where Light Touches' [A Nima Story]. The album is inspired by, and in collaboration with, Los Angeles based illustrator Ross Tran (RossDraws), as an audio interpretation of his highly praised book, 'Nima'. Crafting a fully immersive listening experience, Rasmus paints stunning audio pictures with delicate melodic hues, abound with atmospheric conversations between emotive pianos, soothing strings and sophisticated electronica that gracefully flow through this enchanting body of work. Composed, arranged and produced entirely by Rasmus, and conceived and mixed using Atmos surround sound, the album was recorded with a full orchestra in Stockholm and fused with contemporary electronic elements from Rasmus' rich musical heritage.

'Where Light Touches' [A Nima Story] began after Ross contacted Rasmus to make music for one of his projects. They immediately found admiration and kinship in each other's work. Ross sent Rasmus his new illustrations book entitled 'Nima', which served as the perfect catalyst for a musical idea Rasmus had - to make an album of subtle beauty and immense production and technical dexterity. Rasmus became absorbed in the characters and worlds in the 'Nima' book, encouraging him to match his composing and production skills with Ross's otherworldly illustrations and boundless talent. The result is something quite extraordinary and beautiful that can be enjoyed accompanying the 'Nima' book, or purely as an audio gift for the senses.

Rasmus Faber started his career as a Jazz musician and house DJ, touring the world, performing to fans of the melodic side of electronic music over the last two decades. His success as an artist in Japan, and being fan of Anime and Manga opened the doors to becoming a composer (one of the only non-Japanese) of music for Anime. He's composed music for the Meta Quest VR platform, AAA games such as Metal Gear Solid and is behind an almost constant stream of music releases under aliases and his on name garnering hundreds of millions of streams.

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Sabi Transparent Orange Cloudy Vinyl Editoin

LP | 2024 | EU | Original (Denovali)

31,99 €*

LP | 2024 | EU | Original (Squama)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Denovali is pleased to present the second cooperation album of the Italian composer, arranger, producer and guitarist Eraldo Bernocchi with the Berlin-based Japanese violinist, composer, electronic producer and Tangerine Dream member Hoshiko Yamane. Eraldo Bernocchi and Hoshiko Yamane have come together again to create their second album - inspired by the Japanese concept of "Sabi". The record is a unique blend of electronic and acoustic music - with Bernocchi’s pulsating textures and Yamane's haunting treated violin melodies weaving together to create a captivating and emotional sonic landscape. "Sabi" is a Japanese aesthetic that celebrates the beauty of impermanence and decay. It is often associated with the simplicity, austerity, and solitude found in nature, and is said to evoke a sense of melancholy, nostalgia, and reverence for the passage of time. Bernocchi and Yamane's "Sabi" explores these themes through a collection of minimalist compositions that combine electronic and acoustic instruments immersing the listener in a deeply cinematic experience. The album takes the listener on a journey through a series of atmospheric tracks, sometimes melancholic pieces that evokes the sense of solitude and simplicity often associated with the concept, other times more energetic and uplifting, optimistic ones that celebrates the beauty of transience. The artwork again was created by the renowned designer Petulia Mattioli.

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Jonathan Bockelmann

Sakamoto On Guitar

Grey October Sound & Salad Days

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-29

Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.

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Grey October Sound Presents Tokyo Lo-Fi Salad Days Edition

LP | 2025 | JP | Original (P-Vine)

Japan 81 Red With White Splatter Vinyl Edition

Release: 2025 / JP – Original

Genre: Hip Hop

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Preorder shipping from 2025-01-31

Gaining attention with the release of high-quality lo-fi hip-hop compilations such as "Timeless" and "The Cave," Grey October Sound is a lo-fi hip-hop production team that has also gained recognition in Japan and abroad. They have released covers of famous Studio Ghibli songs in "Lo-Fi Ghibli," popular city pop tracks in "Lo-fi City Pop," and beloved Japanese anime songs in "Lo-fi Anime."

Now, a collaboration between Grey October Sound and Salad Days, widely known as Europe's top lo-fi/chill pop label, has come to fruition! This compilation features popular lo-fi tracks released digitally by Salad Days, including those by artists like Enra, Lenny Loops, Slowheal, and Eugenio Izzi. The visual imagery, including the cover art, is handled by illustrator Rika Nagatani, who also worked on the "Lo-fi Ghibli" series.

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Iron Maiden

2LP | 2025 | EU | Original (Fallen Angel)

35,99 €*

Release: 2025 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-21

Japan Live 1986 Orange With Splatter Vinyl Edition

W.A.S.P.

2LP | 2025 | EU | Original (Fallen Angel)

35,99 €*

Release: 2025 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-21

LP | 2025 | JP | Original (Ziti)

Mamiko Suzuki (Chelmico)

Mukuge

45,99 €*