Search "butter goods" 5464 Items

CD | 2021 | US | Original (Eightyhd)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Chris Wood is back on HOUSEWAX! After the collaboration with his former Freebase Records -partner and good friend Meat aka Carsten Schuchmann, Chris now presents the solo ep called "Further Future" - a great and well balanced release which hits the stores by end on June!

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Chris Webby

28 Wednesdays Later

14,99 €*

12" | 2021 | EU | Original (Kaoz Theory)

Release: 2021 / US – Original

Genre: Hip Hop

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28 Wednesdays Later is the 4th installment of Chris Webby’s Wednesday album series, and is a body of work packed to the brim with more songs than any of its predecessors. Given that Webby is usually touring for 1/3 of the year, the pandemic allowed him an opportunity to try new, more experimental sounds while sharpening his traditional lyrical skill set even more acutely in the studio. 2020 was taxing on everyone’s headspace, but in this case it seems to have at least made for some good music.

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Chris Stussy

A Glimmer Of Hope EP

LP | 2019 | EU | Original (Mello Music Group)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Kerri Chandler’s Kaoz Theory welcomes Amsterdam’s Chris Stussy onto its roster with the ‘A Glimmer Of Hope’ EP. Amsterdam based producer and DJ Chris Stussy has become one of the most eminent figures in the contemporary house scene of the Netherlands and across the globe over the past five years, racking up releases on the likes of Eastenderz, Moscow, PIV, Contstant Sound and most recently his own Up The Stuss imprint. Here though he delivers his new four-tracker for Kaoz Theory. Leading the release is ‘Central Frenzy’, laid out across six and a half minutes with skippy percussion, a snaking bass groove, intricate synth sequences and sweeping vocal chants. ‘Riva De Biasio’ follows and tips the focus over to airy atmospherics a jazz-tinged bass groove and squelchy acid licks atop swinging drums. ‘Deviant Shadow’ opens the flip-side and merges an amalgamation of expansive dub chords and bouncy sub bass tones with a robust 4/4 rhythm. Lastly to round things out is title-cut ‘A Glimmer Of Hope’, wrapping up the release on a deeper tip courtesy of ethereal pad swells, metallic synth licks and shuffled drums.

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Chris Rivers

G.I.T.U.

16,19 €* 26,99 € -40%

Chris Potter Underground Orchestra

Release: 2019 / EU – Original

Genre: Hip Hop

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“G.I.T.U., an acronym for Greatest In The Universe. The title encompasses the feeling this body of work for me. It’s my life experiences, my loves and losses, my stories about overcoming obstacles both external and internal, while learning to love myself and becoming the best version of me. Both as a person and as an artist I tried to push my boundaries and expand my limitations. Everyone’s world is their own, everyone has their own universe that they are in control of, this is mine. I’m the G.I.T.U.” – Chris Rivers

Since he first entered the rap game, every mention of Chris Rivers inevitably acknowledges the influence of his father, Big Pun, one of the art form’s all-time greats. It’s a gift that offered the Bronx MC the opportunity to be heard, but simultaneously a curse that elicits unfair comparisons. But with his Mello Music debut, G.I.T.U., Rivers achieves what would’ve been impossible for a lesser talent: he stakes his claim as a singular artist, one speaking for his generation, his culture, his familial heritage, and most crucially, himself.

If Rivers is unquestionably the son of the first solo Latin rapper with a platinum plaque, he has clearly evolved into his own man. G.I.T.U is the opportunity to tell his story--one that starts full of mourning and self-doubt but matures into a gripping tale of self-discovery. In bold declarative terms, he sketches a portrait of a life lived on the margins, weathering the storms of abuse, poverty, and the lingering shadow of high expectations.

There are struggles with addiction and suicidal thoughts, but Rivers transcends those demons to deliver audio dope that does his legacy proud. He raps with the jaw-dropping lyrical agility and syllable precision that you’d expect from his patrimony, but with the vulnerability and introspection that can only come from an artist who possesses a rare knowledge of self. You can hear the inheritance of his late great father, but also a synthesis and expansion upon the path trodden by Black Thought, Mos Def, and Lupe Fiasco.

The title itself doubles as a mantra: Greatest In The Universe. This is the self-affirmation that Rivers told himself in his most turbulent moments. It’s an inspirational credo that allowed him to keep going, but also operates as fuel to listeners -- particularly those seeking a refracted light from someone deeply familiar with the darkness.

The 16 tracks encompass nearly every mood. There’s the confessional “Perfect,” where Rivers declares “well, I never loved myself, but right now I’m in love with two bitches, I mean women, I mean prisons, I mean prisms.” In the course of a single sentence, he’s able to convey labyrinthine complications. There is “Trick,” where Rivers rumbles like a champion prizefighter, boasting about how his sisters taught him how to brawl, reminiscing on his early days as a “little Puerto Rican fat boy with a brain like an asteroid.” Over rope-a-dope drums, he creates an anthem built for stage-diving and chaos, delivering a pummeling series of references that run from MC Hammer to Cassius Clay to anime. It’s a modern iteration of a tunnel banger: riotous, rowdy, New York brass knuckle rap.

“Damaged Goods” finds the 25-year old lyricist questioning the differences between lust and love, dropped his guard to exhibit a relatable sensitivity. “Wolf Mode” pairs a poignant sax lick with a plea to be able protect oneself from the storms of life. It’s not about being bulletproof, but rather, to possess the strength to endure the chaos that we must face. Yet Rivers is willing to accept the challenges head-on, claiming that he’d “rather have the hard truth than a sweet lie.” While “N.A.S.A.” takes dead-aim at the traps of millennial life: too many useless contacts in your phone, the dim lies of clout, and the indelible need to find the real ones who will hold you down. There is also a flawless “Pakinamac” homage.

The emotional centerpiece of the album arrives on the heart-wrenching “Sincerely Me.” It’s a tribute to Big Pun, but one that refuses to bow down to over-sentimentality. You feel Rivers’ pain and sadness, the struggles of his family, and his frustration at being unable to have a father to turn towards for advice. It’s a votive to a dearly departed spirit, gone much too soon. But when the song fades out, Rivers is stronger than before. A prayer has been answered. It’s the fully fleshed out picture of a son who doesn’t want to eclipse the father but rather, who wants to be able to stand beside him, shoulder to shoulder, two of the greatest of their times.

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Imaginary Cities

2LP | 2015 | EU | Original (ECM)

34,99 €*

LP | 2020 | EU | Original (Edition)

Release: 2015 / EU – Original

Genre: Organic Grooves

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A fascinating album by American sax player Chris Potter and his Underground Orchestra.

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Chris Potter

There Is A Tide

23,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (ECM)

Chris Potter

The Dreamer Is The Dream

2LP | 2024 | EU | Original (Edition Ltd.)

Release: 2017 / EU – Original

Genre: Organic Grooves

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For his third ECM release as a leader, Chris Potter presents a new acoustic quartet that naturally blends melodic rhapsody with rhythmic muscle.

The group includes superlative musicians well known to followers of ECM s many recordings from New York over the past decade: keyboardist David Virelles, bassist Joe Martin and drummer Marcus Gilmore, who each shine in addition to the leader on multiple horns. “The Dreamer Is the Dream” features Potter on tenor saxophone the instrument that has made him one of the most admired players of his generation in the striking opener Heart in Hand and such album highlights as Yasodhara, as well as on soprano sax (“Memory and Desire”) and bass clarinet (the title track).

Potter is an artist who employs his considerable technique in service of music rather than spectacle, says The New Yorker, and his composing develops in texture and atmosphere with every album. Along with his previous ECM releases, “Imaginary Cities” and “The Sirens”, he has appeared on some of the label's most acclaimed discs, including Paul Motian's classic “Lost in a Dream” and Dave Holland's Grammy Award-winning “What Goes Around”.

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Chris Potter Quartett

Eagle's Point

Release: 2024 / EU – Original

Genre: Organic Grooves

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Live At The Village Vanguard

Chris Potter

LP | 2023 | EU | Original (Edition Ltd.)

23,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Fun In The Church)

Chris Imler

Operation Schönheit

Chris Forsyth / Dave Harrington / Ryan Jewell / Spencer Zahn

Release: 2022 / EU – Original

Genre: Rock & Indie

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Chris Imler likes to play drums standing up. He‘s the dandy with the killer offbeat, or, as
one major German newspaper once put it, the "Grand Seigneur of the Berlin
Underground". He has been making his mark on countless Berlin musical affairs since long
before the fall of the Wall, with The Golden Showers, Peaches, Oum Shatt, Driver
&Driver, Die Türen, Jens Friebe, to name but a few. He has also been perfoming across
Europe as a solo artist for the past decade.
In "Operation Schönheit" (German for "Operation Beauty"), he has recorded his most,
well, beautiful album to date. But Benedikt Frey's warm production subverts its own
beauty with a multitude of clanking and ingling synth sounds, making the work very much
about the cosmetic surgery it performs on itself. It's all in the tradition of the more
experimental and electronic side of post-punk in which Imler and his unique groove are
rooted. It doesn't take insider knowledge of Berlin's post-punk underground to realise that
that Imler groove consists of rhythm that sings, vocals that dance and a look that fits, as
illustrated by "Disappoint Me", his latest video: https://youtu.be/YeVJ75ljjB8
Elsewhere - such as in "Movies" - the rhythm sings, less electronically reduced, into the
acoustics of an old, high-ceilinged Berlin apartment; metal clatters, a zither trembles and
Imler plays with the metronome. Sometimes he moves ahead of time, sometimes trails
behind it. He always manages to be in his very own groove, which carries everything
along. And this is precisely the essence of the Imler rhythm, which lends itself to being
applied to the very rhythm of life: Stretch and compress your time and loop it according to
your own groove! Optimise nothing but feel everything! And dance to it! Even when
contemplating everyday information overload, as Imler's high-speed mumbling suggests in
the hectic yet smooth opening track "Temperature".
But being the ultimate night owl he is, Imler manages to make even the odd bout of
paranoia seem like a good thing: like some kind of krauty, groovy B-horror-soundtrackinflected high-pressure environment, "Whip Me" is a cross between Conrad Schnitzler
and Bauhaus. In the title track, whose lyrics were written together with Jens Friebe, he
intones: "You want to be something greater / You break your leg / When it heals again /
You break it again" and sounds like the most gleeful fatalist you can imagine.
Because in his city, one can still lose oneself better than anywhere else - a night easily
becomes a whole universe that can be traversed, marvelled at and played with, and one
might find one's old self again only when hearing "church bells" and "small birds singing".

Markus Göres, Fun In The Church, Erich-Weinert-Str. 57, 10439 Berlin
markus@funinthechurch.com, Tel.: +49 (0)30 39838155, +49-(0)-177-7535745, www.funinthechurch.com
At least that's how Imler illustrates it in "Emptiness full of stars", and it seems likely that
those "stars" are the human companions of the Berlin night in question.
And so once again Imler becomes Berlin's most important cultural ambassador: that scene
of the eternally, and somehow successfully, failing creatures of the night, once the envy of
the international postmodern bohème, has, despite many claims to the contrary, not been
completely "optimised away", and its attitude to life is perfectly summed up in Imler's
groove. And, of course, his look. "Schau Hin" (German for "Look!") , he sings in the track
of the same name, masterfully dubbed out with the help of Melbourne's Leo James.
Quite right! Look - and listen.
Yours, Johannes von Weizsäcker (The Chap)

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First Flight

LP | 2022 | UK | Original (Algorithm Free)

Chris Coco Feat. Peter Green

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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"First Flight" documents about 40 minutes of jams recorded during the third week of my September residency at Nublu last year, and, for me, this show was just about the most enjoyable hour of music I played all year.

The ideal of the residency was to mix things up with special guests, different band lineups, and varied set lists, keeping things fresh and new week-to-week, and this show was the wild card of the bunch.

That's because although Ryan and I have played together for years, and Dave and Spencer have played together for years, neither half of the band had ever met each other. I was tangentially aware of Dave and his music and was intrigued by what I'd heard, so I thought it was a cool idea when Chris Tart, the residency promoter, suggested a collaboration.

So, about 30 minutes after we'd all heard each others voices for the first time, we got up and played for a little over an hour, uninterrupted. The only thing discussed beforehand was that we shouldn't discuss anything beforehand - not a key or a riff to start with, nothing - so as to preserve maximum spontaneity.

I think this music demonstrates a real connection on stage. In other words, each player was completely present and actively listening on the bandstand. Listening back, there are moments I can hear Ryan saying - musically - "Hey, let's go over here! Check this out!," or Spencer being like "Wouldn't it be cool to go down this path?" And we followed. And it was cool.

In my mind, that listening thing is the number one most important factor in any collaboration or cooperative effort, but especially in improvised music.

And I think it's fair to say that a little more listening, a little more presence, would do the whole world some good right about now, don't you think?

-Chris Forsyth

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Albatross

12" | 2002 | UK | Original (Distinct'ive)

3,99 €*

Good Intentions Gone Bad Red Translucent Vinyl Edition

Release: 2002 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

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Chris Cain

LP | 2024 | US | Original (Alligator)

28,99 €*

LP | 2024 | US | Original (Gar Hole)

Release: 2024 / US – Original

Genre: Organic Grooves

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Celebrated by fans and fellow musicians as being among the blues’ most talented and exciting guitarists, Chris Cain is, according to Living Blues magazine, “turning out the best work of his career.” Good Intentions Gone Bad debuts 13 striking new songs, with Cain delivering top-shelf performances on blistering shuffles, slow-burning blues and joyful soul. Fellow Alligator artist Tommy Castro guests on one track.

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Chris Acker

Famous Lunch

30,99 €*

Brother Sister / Candlelight Hugo Lx / DJ Spinna Remix

Release: 2024 / US – Original

Genre: Rock & Indie

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"released October 11th, 2024. 140 gram SANDWICH BLUE vinyl with printed innersleeve lyric page. Chris Acker's latest collection of songs, Famous Lunch is, in his words, a "growing pains album." When writing the record, Acker found himself hunting for a voice that wasn't just an imitation of the one he'd been using on the last 30 songs he'd made. "At the same time, I worked hard to find a certain voice for myself over the previous 3 records and I didn't want to abandon that." While the album finds him continuing to transcribe life's fleeting and provocative banalities with refreshing grace, the songs on Famous Lunch are intentionally more absurd, stylizing his lyricism as both poetic and disarming simultaneously- commencing with "Shit Surprise"-an earworm with a vernacular that stays true to it's title. Inspired by George Saunders and Sasha Pearl (and wanting to make a song that sounds like Eagles saying the word "shit" over and over), "Shit Surprise" is the most Chris Acker song possible, in that it's earnestness arrives in spades and comes varnished with a one-of-a-kind, spectacular gnarliness. "We'd match our breath in the upstairs room and we'd hold together 'til I smelled like you," Acker sings, before nose-diving into that unforgettable chorus about stepping in a smelly, disgusting pile of shit. "It was definitely the first record I had to make while working and trying to be a real musician," he says. Across the record's 10 songs, Acker is joined by his Growing Boys bandmates Zach Thomas (bass), Nikolai Shveitser (pedal steel), Dave Hammer (guitar, vocals), Sam Gelband (drums, vocals), and Howe Pearson (piano). They made the album in December 2023 in the same place where their debut Re-Runs was recorded on a reel-to-reel more than seven years ago. "It's a fun full-circle moment," Acker says. "We really wanted to do another fully live record in that room, but, we're a way different band now, so it was especially cool." Many of these 10 songs are about an appreciation for closeness, no doubt a product of Acker having written many of them in pieces while on the road and during a two-week residency in Butte, Montana in the spring of 2023. On a track like "Swimming in My Calvin's," Acker takes a pause from musing about making swimtrunks out of underwear to meditate on the intimate warmth shared between lovers ("When I come home and lay down and you turn your body into me, I hold you below your belly button and you make the softest sound"). Album centerpiece "Wouldn't Do For You (Buddy)" Acker sings about "drawing my finger along your spine, crossing the room in your underwear" and a face next to a candle that looks like "a corner house under turning headlights." Though none of the songs on Famous Lunch came to Acker in a dream like "If I Needed You" did to Townes Van Zandt, the music sounds like the environment it was composed in: in-between self-booked gigs and late-night crashes on cross-continent couches, with different routines in different cities for years. When Acker sings about "doing dishes in the glow" or "follow[ing] whims like birds carry seeds" or "the inevitable ever when we're no longer together," you can hear the pages and pages of Moleskin journals being ripped through. He calls it "frankensteining" songs, the act of cobbling together memories-both drunken ramblings and clear-eyed yearnings-into poems with new lifespans, tape-hiss fadeouts, and plucky introductions. Famous Lunch contains some of his best work yet ("Stubborn Eyes," "Wouldn't Do For You (Buddy)," "Eyelash") and some raucous, bar-ready new joints ("Don't You Know (Who I Think I Am)," "Cursive Proverbs"). Caught someplace in-between the cowboy laments of Jerry Reed and the tender-hearted annals of Gram Parsons, Acker puts his world on a clothesline and let's it dry out in the sun. Famous Lunch is full of confusion and fragility, but it's also full of love not taken for granted and a profoundly familiar ache for domesticity and a clock turned ba

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Cho & Random Impetus

12" | 2022 | EU | Original (Menace)

16,49 €* 21,99 € -25%

Blue To Red Remixed Clear Vinyl

Release: 2022 / EU – Original

Genre: Organic Grooves

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Straight out of New York, the debut 7 inch by Cho and Random Impetus was presented by Menace label and first released in the USA in July 2019. Featuring the two singles "Brother Sister" and "Candlelight", the EP is a powerful call to humanity. Previously released on vinyl, this project was directed by Japanese artist Cho and features local musicians. It was recorded in analog, giving the track a very old school vibe by utilizing jazz, funk, soul and disco melodies to create a rich 1970s-esque sound. "Brother Sister", is a feel-good modern disco that could easily pass as something from the heyday of the genre, and "Candlelight," another sure-shot tune is a funk groover with its jazzy horn harmonies and strong male vocals. Many DJs featured the 7 inch record during their sets shortly after its release, including Floating Points, DJ Muro, Richie Medina and many more... becoming a club anthem in New York City. The record also caught the attention of Paris-based French DJ Hugo LX, who is very close to the Menace collective and also a genuine funk and disco enthusiast. Offering a remix album for Cho and Random Impetus' 7-inch record seemed evident for him. He invited DJ Spinna, the renowned hip-hop and house producer from Brooklyn, as well as his long-time friend and collaborator, to join him on the project. This remixed record actually enters a cycle in Hugo LX's work, as he collaborates with Japanese artists on a yearly-basis, among others Satoshi Tomiie, Toshio Matsuura, Kuniyuki or Takecha. The Paris-NYC-Tokyo triangle is also key in his work: his music drew many influences from these cities. Hugo LX remixed the track "Brother Sister" in a style matching the soul, funk, and disco vibes of his DJ sets, with a more contemporary approach. As for DJ Spinna, he delivered a progressive version of the track "Candlelight": more electronic-sounding, it feels softly psychedelic

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Chip Wickham

12" | 2021 | EU | Original (Antenna Farm)

12" | 2022 | UK | Original (Lovemonk)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Three songs taken from Chip Wickham's spiritual jazz album Blue to Red get reshaped by Photay, Medlar, and Chip Wickham himself. The result is a lush ep, every bit as good as the combination of a wonderful original track and an uber-talented remixer could be.
Photay has deconstructed the peaceful Blue to Red to turn it into a bombâ€”a storming dance track that keeps the spiritual vibe intact. The extra beatless version soothes your ear while creating a certain sense of anticipation.
The original version of Interstellar blends fusion jazz with the sound of West London's seminal broken beat scene. Medlar has plucked the track apart, then rebuilt it by adding some extra perc and synth sounds to the bass-driven beats. The result is some deep and heavy and funky business.
And finally, Chip recovered a take of wonderful astral slow jam The Cosmos that didn't make it onto the album, one with no drums, and cooked up a roomy cosmic dub, full-on Space Echo.
It will be out in a limited transparent vinyl 12"

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Chip Wickham

Blue To Red Remixed

2LP | 2022 | US | Original (In The Red)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Three songs taken from Chip Wickham's spiritual jazz album Blue to Red get reshaped by Photay, Medlar, and Chip Wickham himself. The result is a lush ep, every bit as good as the combination of a wonderful original track and an uber-talented remixer could be.

Photay has deconstructed the peaceful Blue to Red to turn it into a bomb—a storming dance track that keeps the spiritual vibe intact. The extra beatless version soothes your ear while creating a certain sense of anticipation.

The original version of Interstellar blends fusion jazz with the sound of West London's seminal broken beat scene. Medlar has plucked the track apart, then rebuilt it by adding some extra perc and synth sounds to the bass-driven beats. The result is some deep and heavy and funky business.

And finally, Chip recovered a take of wonderful astral slow jam The Cosmos that didn't make it onto the album, one with no drums, and cooked up a roomy cosmic dub, full-on Space Echo.

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Chip Kinman

The Great Confrontation

30,99 €*

Child Orange/Blue/White Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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“Ancient Greek philosopher Heraclitus is attributed with the quote ‘The only constant in life is change' and nothing sums up Chip Kinman’s latest creation—or his entire career—quite as well. Like each of Chip’s musical incarnations, The Great Confrontation seemingly has no connection whatsoever to the work that preceded it...unless the listener is savvy enough to spot the deeply buried but always present through lines. “The tracks on this album are wildly alien in every applicable sense of the word. The opener, ‘Let’s Go, Dark Shark’ sets the scene with drippy, space age chirping that slowly degenerates into slo-mo sludge like an astronaut running out of oxygen. ‘Ciao Raggazzi’—not to be confused with Jay And The Americans’ ‘Good Bye Boys, Good Bye (Ciao Raggazzi, Ciao)’ is a derailing train of a song. The vocals are spoken in Italian and presumably, snatches of conversation sampled from a Mafia crime film. ‘Speaking of crimes, Chip murders a couple of standards in cold blood purely for his own amusement. Both are traditional and absolutely unrecognizable. ‘Round About Danny’ is his take on the Irish ballad ‘Danny Boy’, written in 1913 and recorded relentlessly through the years by everyone from Judy Garland to Conway Twitty. The other’s a gospel hymn, ‘Will The Circle Be Unbroken’, originally performed by The Carter Family in the 1920s. “Imagine both songs sans vocals, filtered through a particle accelerator beam shot by a rogue robot from a 1950’s sci-fi B movie. Then pretend they got reinterpreted by a hippie in a ratty flea market cape who borrowed a Moog synthesizer so he could emulate Rick Wakeman from the prog rock band Yes. The hippie not only had no working knowledge of playing a synthesizer, he was tripping his brains out on Owsley’s premium LSD. “This album is all a huge departure from anything he’s ever done—but for Chip, that’s normal. I’m sure of this because I’ve known him since 1977, witnessing all his musical mutations and in many cases, the sources that inspired him to prolifically create original, cohesive and boundary-pushing sounds. As the old saying goes, what he’s done consistently is often imitated but never replicated.” —Pleasant Gehman

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Child

LP | 2014 | EU | Reissue (Heavy Psych Sounds)

27,74 €* 36,99 € -25%

LP | 2014 | EU | Reissue (Heavy Psych Sounds)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Repress of the Child self-titled debut album in brand new colored vinyl. “Their slow, seedy and dirty stoner blues is the perfect remedy for a bad day as it oozes misery and despair like any proper blues album should. And that is the cure when you feel you're in the gutter. Having only started out in 2012 the vibes this trio conjures goes 40-50 years back into the heartland of the American swampy delta blues, hell they could have been with Robert Johnson when he struck a deal with the devil at the crossroad. It is that damned good, you hear!” - The Sludgelord

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Child

Child Blue Vinyl Edition

22,49 €* 29,99 € -25%

Child Black Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Child

LP | 2014 | EU | Reissue (Heavy Psych Sounds)

Chief Commander Ebenezer Obey & His Inter-Reformers Band

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Eyi Yato Remixes

12" | 2024 | UK | Original (Sol Power Sound)

One Night In Amsterdam Pink/Blue Color In Color Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Sol Power Sound is back in a big way with a reissue and remix EP from the legendary Nigerian Ju-Ju king, Chief Commander Ebenezer Obey. The double A-side EP features 'Eyi Yato' a tune from 1981 that captures Chief Commander and his band at their absolute funkiest, with a driving drum and bass groove, wah-wah guitar, and signature call-and-response vocals. Remixers include the legendary dub producer Mad Professor, the disco don Eddie C, and the Sol Power All-Stars themselves.

The Sol Power All-Stars keep things organic with chugging drums, heavy analog synth bass and sequences, as well as Daniel Meinecke’s additional keys and solos. The Canadian disco don Eddie C goes a little electro and a little acid with his analog bass-heavy flip. Like a good dub should, Mad Professor’s version accentuates the drum and bass groove and drenches everything in vintage sounding Mad Professor delay, reverb, and filtered dub-sauce, live and direct from his classic mixing desk. Alongside an extended edit of the original, the Eyi Yato EP is sure to find a permanent spot in DJ record bags around the world.

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Chic

LP | Reissue (Magic Of Vinyl)

24,99 €*

Release: Reissue

Genre: Pop

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12" | 2017 | EU | Original (Better Listen)

Chevals

Tokyo 2 Paris EP

12" | 2023 | EU | Original (Better Together)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The mysterious parisian Chevals joins Better Listen for their eighth outing, after making his debut on NYC's Homage with a global affair.

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Chetch

Oasis

14,99 €*

Hotel Surrender HHV GSA Exclusive Picture Disc Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Better Together Records, a label created with the idea of unity at its core, aims to share the sounds of the beloved harbour city, Sydney/Eora.

For the first release on BTR, label boss Chetch takes the reins and delivers six analog ethereal cuts from his hard drive, creating an oasis of escape from the drivel of modern day.

By believing passionately in something that still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired... In this OASiS we believe in the unreal and manifest the nonexistent...

Solace in unity at the end of eternity.

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Chet Faker

LP | 2021 | EU | Original (BMG)

24,29 €* 26,99 € -10%

LP | 2021 | EU | Original (BMG Rights Management)

Release: 2021 / EU – Original

Genre: Pop

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Limited to approx. 500 copies for Germany, Switzerland and Austria. For those countries only available at HHV.

At the top of 2020, after a year of traversing the globe in support of 2019’s Run Fast Sleep Naked, Nick Murphy began creating music that simply felt good. Though the singer had retired his billionstreaming Chet Faker project four years prior, the new songs he was working on in his New York City studio had an energy reminiscent of his earlier work. Reviving the project “wasn’t on my radar” at the time, Murphy admits, but the next thing he knew, he had a full album. The result is Hotel Surrender, a radiant 10-track LP full of swaggering bass lines and electrifying melodies that reintroduces Chet Faker to the world – and to Murphy himself. Like his debut LP, 2014’s Built on Glass, Murphy wrote and produced Hotel Surrender solely on his own, finishing most of the songs before COVID-19 hit in March 2020. He admits that before Hotel Surrender, he had never approached his process with such ease. This time, as the album title suggests, he surrendered to the music. “There was this, like, unconsciousness—not thinking, but just feeling, letting it come out and letting it steer itself,” Murphy says. “The great lesson for me was that I could write from a place of joy. I was also just being kind to myself. None of this music was hurting, it just felt good. It made me feel better, and it helped me be better.”

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Chet Faker

Hotel Surrender

Sings And Plays With Len Mercer And His Orchestra Angel Eyes

Release: 2021 / EU – Original

Genre: Pop

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At the top of 2020, after a year of traversing the globe in support of 2019’s Run Fast Sleep Naked, Nick Murphy began creating music that simply felt good. Though the singer had retired his billionstreaming Chet Faker project four years prior, the new songs he was working on in his New York City studio had an energy reminiscent of his earlier work. Reviving the project “wasn’t on my radar” at the time, Murphy admits, but the next thing he knew, he had a full album. The result is Hotel Surrender, a radiant 10-track LP full of swaggering bass lines and electrifying melodies that reintroduces Chet Faker to the world – and to Murphy himself. Like his debut LP, 2014’s Built on Glass, Murphy wrote and produced Hotel Surrender solely on his own, finishing most of the songs before COVID-19 hit in March 2020. He admits that before Hotel Surrender, he had never approached his process with such ease. This time, as the album title suggests, he surrendered to the music. “There was this, like, unconsciousness—not thinking, but just feeling, letting it come out and letting it steer itself,” Murphy says. “The great lesson for me was that I could write from a place of joy. I was also just being kind to myself. None of this music was hurting, it just felt good. It made me feel better, and it helped me be better.”

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Chet Baker

LP | 2020 | IT | Original (Cinevox)

28,99 €*

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 2020 / IT – Original

Genre: Organic Grooves

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The lyricism of Chet Baker cannot be doubted because Chet in his musical expressions remains as singer and musicians essentially romantic. He fits beautifully into a context created around him and for him, a context that finds in the sonority of his trumpet or in the opacity of his voice a leading element, dominator and at the same time attractive and fascinating.

The songs on this record are aimed to everyone: jazz fans and those who are not very familiar with jazz. For music arrangers Ezio Leoni and Giulio Libano the work ground with Chet has been smoothed out: there was no need to build beyond the measure, it was important to expand, enhance, galvanize what Chet wanted to express. They have alternated lyrical songs with more stringent and alive tracks. With the continuous alternation of times, expressions and atmospheres they made sure to avoid any monotony.

The orchestra that recorded the album was consisted of 16 violins, 4 violas, 4 cellos, a flute, a bass clarinet, an oboe, a French horn, a harp which matched with Glauco Massetti's alto sax, Fausto Papetti's baritone sax, Mario Pezzotta's trombone, Gianni Basso's tenor sax, Franco Cerri's double bass, Gene Victory's drums. An imposing orchestra that was able to mix perfectly and alternate purely jazzy instruments with strings during the performances.

The repertoire included in the album ranges a lot: from well-known motifs such as 'Angel Eyes', 'When I Fall In Love' or 'I Should Care', to others less known but very pleasant tracks as 'The Song Is You' or
'Forgetful'. Other tracks lend themselves perfectly to a wider orchestration such as 'Autumn In New York', 'Violets for Your Fur' or 'Deep in A Dream'. Another theme was treated with a thrifty intervention of the strings, almost a crown of the whole performance, represented by the recording 'Street of Dreams'. In the last track Good-bye of Side A Chet expresses an exceptional sadness in a very valid and unusual way.

The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. recording
studio.The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. studio

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Chet Baker

She Was Good To Me

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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You Saved My Day / Got to Be Real

Cheryl Lynn

12" | 2018 | EU | Original (Columbia Disco Series)

LP | 2022 | US | Reissue (Total Punk)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Limited Edition for Record Store Day 2018! 40 year anniversary release of Cheryl Lynn's much in-demand and RARE 12" mix of "You Saved My Day" backed with all-time feel-good anthem "Got To Be Real".
RSD exclusive pressed on 180g vinyl

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Cherry Cheeks

27,99 €*

Live Laugh Love Cloudy Vinyl Edition

Release: 2022 / US – Reissue

Genre: Rock & Indie

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It's always nice to put out something from your hometown. It's even better when that something is this good. Cherry Cheeks is the work of fellow Orlando resident (recently relocated to Portland) Kyle Harms. Started in early 2020, Cherry Cheeks was born out of countless hours stuck in front of a computer screen with a raging pandemic outside. Kyle put his boredom, boiling over anger, and frustration to work and started a new project. He put out a few bandcamp EPS and limited run tapes that a mutual friend back home turned me onto. He also informed me that there was even better stuff that hadn't yet been released. I hit Kyle up, he sent me a few tracks, and boy was my friend right. EGG Punk, Devo-core, Quarantine Punk.. whatever the kids are calling it these days this is 12 tracks of bass driven, pop stained, punk agitation. I'm very proud of this record and am ecstatic to say it is indeed 100% Total Punk!!!!

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Chastity Belt

LP | 2024 | US | Original (Suicide Squeeze)

4 O'Clock In The Afternoon Blue Marble Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The four-piece - Julia Shapiro (guitar, vocals), Lydia Lund (guitar, vocals), Gretchen Grimm (drums, vocals), and Annie Truscott (bass, vocals) - have created a resonant body of work. Live Laugh Love is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity. Recorded over three sessions in as many years (January 2020, November 2021 and 2022), the focus became more about enjoying their time together in the studio than making it feel like work. Their ease and familiarity with engineer Samur Khouja in LA, who also recorded their last album, made for a particularly enjoyable process. Once completed, they returned to renowned engineer Heba Kadry who mastered the album. Album opener "Hollow" sets the tone with a gently driving rhythm while guitar layers stream like sun rays through an open car window. A warmth radiates through Shapiro's voice, even while grappling with feeling lost and stuck. "The older I get," Shapiro says of the lyrics, "the more I realize that I might just always feel this way, and it's more about sitting with the feeling and accepting it, rather than trying to fight it." That wisdom seems to anchor Live Laugh Love . Chastity Belt has never shied from navigating the spectrum of difficult emotions, and an existential thread weaves throughout the subject matter. And yet the songs feel more grounded than ever; there's a sense of quiet confidence and self-assurance that comes with being less numb and more present. Facing discomfort takes more fortitude, after all. Live Laugh Love finds the members in their prime as musicians. Their parts trace intricate patterns over one another, but there's room to breathe between the layers. Everyone contributes to the writing, sometimes switching instruments, and for the first time, all four members sing a song. It's never been more apparent that they are creative siblings, cut from the same belt. "We've been playing music with each other for over a decade," says Shapiro, "so it really does feel like we're all fluent in the same language, and a lot of it just happens naturally." "Laugh" seeks in the balm of friendship, aware of the anticipatory nostalgia that hits during a good time that you're already missing before it's gone; the heavier guitar tones on "Chemtrails" streak ominous chord progressions over Grimm's precision timekeeping, lamenting memories that won't fade easily. During a transitional time, Truscott came across a note in their phone that read, "it's not hard all day, just sometimes," which inspired a poignant line in the chorus of "Kool-Aid," their first song as lead vocalist on a Chastity Belt recording. Another standout, "1-90 Bridge" shines with a silvery melody that soars as Lund belts one of the most resounding moments on the album: "Tell your girlfriend she's got nothing to fear/I'm set in my head/My body's a different story." The track "Blue" saunters nonchalantly with a wink; you can almost hear Shapiro's smile as she sings "Faking it big time/So I can hit my stride/Man, it feels good to be alive," channeling early Chastity Belt channeling early '90s before channeling the late Elliott Smith in a spiral of distortion and insight: "Don't get upset about it/It's gonna pass/Tell all your friends about it/They're gonna laugh." "We have such a strong sense of each other's musical inclinations" says Lund. "I think this allows for a lot of playfulness...we can kinda surprise each other, like a good punchline would."

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Chase Petra

LP | 2024 | US | Original (Many Hats / Wax Bodega)

35,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Skandinavisches Design 40th Anniversary Edition

Charlotte & Peter Fiell

Taschen

23,75 €* 25,00 € -5%

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12" | 2024 | UK | Original (KNTXT)

Charlotte De Witte

Roar EP

18,99 €*

Overdrive Ep Picture Disc Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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June 11, 2024 — Today, techno titan Charlotte de Witte announces her latest electrifying single, “How You Move”. The dynamic production is the second revelation from her highly-anticipated “Roar” EP, set to be released on vinyl June 20th. In sync with her latest offering, de Witte will captivate New York City once again with a monumental takeover inclusive of an Extra Butter Merchandise pop-up and a massive KNTXT show at Brooklyn Storehouse, marking a significant moment as one of the first headliners to conquer the new venue.

“How You Move” is a testament to de Witte’s signature style of pushing boundaries and encapsulating the raw essence of the techno genre. The release boasts a fusion of pulsating acid and a mesmerizing energy that promises to resonate deeply with listeners, mirroring the intense, adrenaline-fueled experiences of her live performances.

From Charlotte de Witte:
"This has been such a fun track to make. It's a high energy track containing all of the ingredients that I love the most: straightforward, engaging vocals and a powerful acid line. Show me how you move, how you get down!"

It’s a sonic exploration of motion and intensity, syncing with the heartbeat of the city that never sleeps. Coinciding with the release, de Witte’s forthcoming KNTXT takeover at the Brooklyn Storehouse is poised to be a highlight of the summer, aligning with the visceral energy of the “Roar” EP. Situated in the heart of the Brooklyn Navy Yard, The Brooklyn Storehouse is the first US-based venture from Broadrick Live – Drumsheds, and former Printworks operator – brought to fruition in partnership with Teksupport. The venue has been designed to host up to 6,000 attendees, setting the stage for an unforgettable experience.

Following her takeover last year that electrified New York City, de Witte returns to the city that never sleeps with an even bigger spectacle. Last May, de Witte kicked off an electrifying campaign and tour for her “Overdrive” EP which featured a pop-up store at Extra Butter, two sold out shows at Brooklyn Mirage and a guerilla-style surprise performance that closed down Orchard Street in NYC. This June, de Witte will deliver a high-octane immersion for New Yorkers once again with her second consecutive KNTXT pop-up shop at Extra Butter. Opening on Friday, June 21, the KNTXT pop-up at Extra Butter Lower East Side will offer exclusive merchandise, limited-run apparel and unexpected live music experiences at every turn, uniting loyal fans and new audiences alike.

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Charlotte De Witte

12" | 2023 | UK | Original (KNTXT)

12" | 2023 | UK | Original (KNTXT)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Picture Disc 12" with Printed Inner and a Scratch Off Effect Printed Outer Sleeve. Techno powerhouse Charlotte de Witte releases a limited edition vinyl of her Overdrive EP. The Overdrive EP is the soundtrack to the break neck speed at which de Witte has pushed herself throughout her ascension to the top of the electronic music scene. An ode to the magic that happens when we drive ourselves past our peak to unlock a new bold, fearless, turbocharged identity, Overdrive delivers high-energy tracks that pulse through the body and electrify the senses.

Things kicked off in New York City on May 17 when de Witte hosted a surprise set for thousands of fans on Orchard Street. Her 60-minute performance - which shutdown the iconic East Village street - was a manifestation of the Overdrive EP, with the energy of the crowd and de Witte’s unmistakable sound bouncing from building to building. It was held outside of the Kntxt pop-up at Extra Butter, which carried exclusive merchandise and apparel inspired by the EP. Selling out in less than 48 hours, the drop marked the first time Kntxt merchandise was sold in the United States. De Witte then performed two sold-out shows at Brooklyn Mirage.

On June 3rd de Witte kicked off the second lap her larger Overdrive campaign on the Kntxt Label, debuting the Overdrive production Tour at Primavera Barcelona. Next to Spain, the Overdrive Tour will take de Witte's talents all over Europe to Belgium, Portugal, the Netherlands and France this Summer.

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Charlotte De Witte

Overdrive EP

18,99 €*

Charlotte Adigery & Bolis Popul

Release: 2023 / UK – Original

Genre: Electronic & Dance

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New York, NY (May 09, 2023) - Techno powerhouse, Charlotte de Witte releases her highly anticipated EP, Overdrive as the anchor to her larger Overdrive Campaign within the Kntxt Label. Following de Witte’s breakthrough to the top of the electronic music scene in 2019 with her signature sonic approach that refuses to be boxed in, Overdrive is a reflection of this ethos. The EP aims to showcase street style that is both rough and energizing, while delivering high-energy tracks meant to pull listeners into the fast-paced thrill that unlocks one's turbocharged version of themselves. Listen Here.

“While making Overdrive, I didn’t fully realize how applicable the lyrics are to my philosophy of life,” said de Witte. “The fast-paced tempo, which goes full force without looking back, is all about the feeling of being on the edge and living life to the fullest.”

Best known for her “dark and stripped-back” brand of techno and underground music, DJ, record producer, and label head de Witte pushes the boundaries of the electronic genre with music that has a distinct and unforgettable sound that is uniquely her own. De Witte’s innovative ability allows her to seamlessly blend genres and styles that have won her a dedicated fan base and critical acclaim.

CdW x NYC Takeover De Witte is set to debut the Overdrive EP for the first time at upcoming shows at The Brooklyn Mirage in New York City on May 18 and May 19, 2023. The shows will serve as an ode to the raw fierce spirit that breathes in the corners of the city. The Brooklyn Mirage shows are one aspect within the Overdrive Campaign, which includes a larger New York City takeover, consisting of a Kntxt pop-up apparel store at Extra Butter on the Lower East Side.

The Kntxt pop-up at Extra Butter, May 16 - May 20, will offer exclusive merchandise and apparel with designs inspired by the EP and feature guest performances from artists from and related to the label. It will also mark the first time Kntxt merchandise will be sold in the United States, making it an eagerly awaited event for fans.

“Overdrive is a love story between hip hop and techno, it’s inspired by both genres, but coated in a techno jacket,” said de Witte. “It’s meant to be played loud while driving at night and watching the city lights pass by, and where better to experience that than in New York City?”

Overdrive marks de Witte’s first release since her single “High Street,” and first EP on her Kntxt label since her last EP, “Apollo” which was released in October 2022 as well as her collaboration with fellow techno artist Enrico Sangiuliano on the “Reflection” EP in March 2023. De Witte had previously worked with Sangiuliano on their remix of “The Age Of Love”, which amassed over 40 million streams on Spotify and achieved certified gold status in Belgium. De Witte’s other recent releases include her “Universal Consciousness” EP in 2022 and her “Formula” EP in 2021, which featured the chart-topping lead track “Doppler”.

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Topical Dance Black Vinyl Edition

2LP | 2022 | EU | Original (Because Music)

Charlie Pickett with Peter Buck

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Today sees Belgian-Caribbean provocateur Charlotte Adigéry and her long-term musical partner, Bolis Pupul announce their debut album Topical Dancer, due for release on March 4 2022 via Soulwax’s iconic label DEEWEE.
Cultural appropriation. Misogyny and racism. Social media vanity. Post-colonialism and political correctness. These are not talking points that you’d ordinarily hear on the dancefloor but Charlotte Adigéry and Bolis Pupul are ripping up the rulebook with their debut album Topical Dancer. The Ghent-based duo, who broke out with their 2019 Zandoli EP, are rare storytellers in electronic music: they take the temperature of the time and funnel them into their playful synth concoctions – never didactic and always with a knowing wink.

Their debut studio record – which cements them as a duo under both their names for the first time and is co-written and co-produced by Soulwax – is both a triumph of kaleidoscopic electro-pop and “a snapshot of how we think about pop culture in the 2020s.” It captures Charlotte and Bolis’s essence as musical collaborators and the conversations they’ve had over the past two years on tour, as well as their perspectives as Belgians with an immigrant background, Charlotte with Guadeloupean and French-Martinique ancestry and Bolis being of Chinese descent.

Beyond the album’s thematic heft, Topical Dancer reflects Charlotte and Bolis’s idiosyncratic sound: it’s thoughtful but it bangs. Their take on familiar genres is always off-kilter; songs sound undone or a little wonky; but these are nocturnal heaters to make the club throb. “We like to fuck things up a bit,” laughs Bolis. “We cringe when we feel like we're making something that already exists, so we're always looking for things to combine to make it sound not like a pop song, not like an R&B song, not a techno song. We’re always putting different worlds together. Charlotte and I get bored when things get too predictable.”

Topical Dancer is fizzing with ideas – there’s certainly no filler among its 13 tracks. But above all, perhaps, it has a restlessness, a desire not to be boxed in and to escape others’ narrow perceptions of who they are. It’s summarised by the refrain of their new single, ‘Blenda’: “Don’t sound like what I look like / Don’t look like what I sound like.” “One thing that always comes up,” says Bolis, “is that people perceive me as the producer, and Charlotte as just a singer. Or that being a Black artist means you should be making ‘urban’ music. Those kinds of boxes don’t feel good to us.”

‘Blenda’ in particular references how “I am a product of colonialism,” says Charlotte, “and I feel guilty for taking up space in a white country.” The song was inspired in part by Reni Eddo-Lodge’s book Why I’m Not Longer Talking To White People About Race. “It talks about the colonial past and post-colonial present in the UK,” Charlotte continues, “but that isn’t merely a British or American problem, Belgium is part of that as well.” She says that her home country is likewise “oblivious to a big part of its history” which “results in general ignorance and a lack of understanding and empathy towards Belgian inhabitants of immigrant descent.”

On Topical Dancer, it’s less about finger pointing or being dogmatic about all the things they speak about. It’s about emancipation through humour. “I don’t want to feel this heaviness on me,” says Charlotte. “These aren’t my crosses to bear. Topical Dancer is my way of freeing myself of these issues. And of having fun.”

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What I Like About Miami

7" | 2018 | US | Original (Y&T Music / Bloodshot)

10,99 €*

Count The Stairs Metallic Silver Vinyl Ediiton

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Charlie Hickey

LP | 2021 | US | Original (Saddest Factory)

17,09 €* 18,99 € -10%

Charlie Haden & Brad Mehldau

Release: 2021 / US – Original

Genre: Rock & Indie

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Born in 1999, Charlie Hickey grew up in South Pasadena, just minutes from Downtown Los Angeles. Raised by two singer-songwriter parents, Charlie's second language was music since day one. As early as grade school, he was making sense of the world through songwriting, and by middle school he was writing, recording and performing songs that attracted a community of collaborators and could silence a room. A turning point for Charlie came at around the age of thirteen, when he covered a song by then up-and-coming artist Phoebe Bridgers, who was still in high school herself. The two quickly became friends and collaborators, setting Charlie on an exciting new musical path. Years later, Bridgers introduced Charlie to songwriter, drummer, producer and her bandmate Marshall Vore, who noticed something special about Charlie. The two began writing and recording songs together, and soon Charlie dropped out of school to work on his music full-time. Charlie Hickey's first proper single, out now, is "No Good At Lying." The Marshall Voreproduced track introduces us to Charlie's evocative storytelling and features Phoebe Bridgers on backing vocals. "I'm no good at lying / on my back or through my teeth / but I'm good at dreaming / I can do it in my sleep," he sings over hushed guitars and a whimsical banjo, searching for truth as his unconscious mind runs wild and bleeds into reality. It's a slow, quiet, and understated peek to the world of Charlie Hickey, who is barely of legal drinking age, but taps into such universal themes that showcase a wisdom beyond his years and exudes promise for what's to come.

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Long Ago And Far Away (Live In Mannheim 2007)

CD | 2018 | EU | Original (Impulse)

17,99 €*

Save Us Feat. Mapei / Charly

Release: 2018 / EU – Original

Genre: Organic Grooves

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This recording was made on November 5, 2007 at the Christuskirche in Mannheim, Germany, during the Enjoy Jazz Festival. It was on a Sunday, on September 19, 1993 to be exact, that Charlie Haden heard Brad Mehldau for the first time. Charlie and I were walking through the halls of the Hidden Valley Resort located in the Laurel Mountains in southwest Pennsylvania. The resort was sponsoring a jazz festival and Charlie had just finished an interview after which we needed to get back to the hotel room in order to prepare for Charlie’s sound-check and concert that night. As we hurried through the hall, one could hear, from behind the closed doors of the auditorium we passed, the sounds of a concert in progress,

Now, Charlie had the biggest ears of anyone in jazz, and while we were walking and talking, Charlie came to a sudden halt and said, “Shhh!"

His eyes opened wide as he crept to the door to listen. Someone was taking a solo. He said to me, "I have to go in and listen." We entered the auditorium and stood at the back to listen to the rest of the concert. It was Joshua Redman’s band with Joshua Redman, Brad Mehldau, Christian McBride and Brian Blade who, together, in 1994 recorded Joshua’s album Moodswing.

Once the concert was finished Charlie strode to the stage to greet the guys and to speak directly to the young pianist. It was Brad Mehldau who had taken that solo. They spoke for some time, and when Charlie came back to me, he said, “That pianist is brilliant. He is special, so unique.” Charlie would later go on to pronounce Brad one of the most important musicians of his generation because of his unique voice, his depth of knowledge of and facility on the instrument, and how he has moved the language of jazz forward.

Eventually, in 1996, Charlie found a way to bring Brad out to LA to perform with Lee Konitz and him at the Jazz Bakery. This led to a trio recording on Blue Note (1997) called Alone Together. In 2011, he and Brad recorded a live album with Lee Konitz, and Paul Motian for ECM called Live at Birdland. Brad and Charlie remained friends from the time of their first meeting. They had a special connection. In the early days, Charlie, in a sense, mentored this young pianist in life lessons. Personally, I think he saw a bit of himself in this young brilliant player.

The two musicians, however, had never had the chance to perform on stage in duo when, in 2007, Rainer Kern, the director of the Enjoy Jazz Festival in the Heidelberg region of Germany, invited Charlie and Brad to play a duet concert at a beautiful church, the Christuskirche in Mannheim. This was a rare opportunity for the two of them to have a musical dialogue and they both eagerly agreed. Rainer had asked to record the concert but the two artists said an emphatic, “No!” I, however, had a feeling about this concert and was able to talk the two musicians into relenting as Rainer graciously agreed to let us own the tapes. For contractual reasons regarding both musicians, the recording could not be released until now. Charlie listened to the tape often and dearly wanted to release it at some point. I am forever grateful to Rainer Kern for allowing us to record and own the work. As a result we have a dazzling testament to the interaction between two genius musicians: piano and bass, their brilliance resounding through the hallowed space of an art nouveau cathedral, recorded on November 5, 2007.

I must thank, first and foremost, Charlie Haden and Brad Mehldau for their transcendent performances and the devotion they show to the music. A special thanks to Brad Mehldau for being such a wonderful partner throughout this entire project. I must thank our friend, Rainer Kern for organizing this concert, and acknowledge the Enjoy Jazz Festival team for its support. Thank-you Jean-Philippe Allard for believing in the music and agreeing to release this recording on Universal Music, France. JP has been a great friend to Charlie’s music for many years.

It took a lot more people to make this recording happen as several parties had to agree thus many thanks to the hard work our lawyers put in to bring this project to fruition: Fred Ansis of Reed Smith LLP, Paul Bezilla of Fox Rothschild LLP, Valerie Foray and Christelle D’Almeida of Universal Music, Scott Southard and Tom Korkidis of IMN, Nanette Monton of Warner Bros. Records Inc, Bob Hurwitz, Nonesuch Records. Additional thanks to our friends, Farida Bachir, Jenny Defaut, Pascal Bod and Nicolas Pflug of Universal Music, France.

One of the most important aspects of recording is mixing and mastering. Charlie and I have worked with the recording engineer ,Jay Newland, for many years and he, again, worked his magic, bringing us the full experience of this live recording despite the inherent difficulties of such a recording taking place in an echo-resounding cathedral. Thank-you, Jay, for your incredible ears and skill. Many thanks to our mastering engineer, Mark Wilder of Battery Studios for his dedication to sound and his understanding that “Jazz is more than notes on a piece of paper.” Many thanks to Joe D’Ambrosio for facilitating the mixing and mastering process.

I need to mention the cover art. The painting was done by a friend of Charlie’s and mine, the Dutch-American painter, Luc Leestemaker who passed away in 2012. He had a timeless poetic style that Charlie and I really loved. Luc revered Charlie’s music, and we revered Luc’s paintings. We also used one of his paintings for the cover of Charlie’s album Land of the Sun. It feels good that Luc and Charlie get to do a project together again.

Charlie is gone now, and this recording was made “long ago and far away”, yet the music remains immediate. The music is now.

Ruth Cameron Haden, Los Angeles, California, July 2018

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Charlie Charlie

7" | 2021 | EU | Original (International Feel)

10,99 €*

LP | 2021 | EU | Original (International Feel)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The 71st release on International Feel is not only the wake-up-call from the label’s well-deserved lull, but also the constitution of Charlie Charlie.Consisting of Gabriella Borbély alias Bella Boo and Jens Resch better known as Chords, their genesis didn’t happen in their home port Stockholm, but on a beach in Southern California – and the music kid of gives it away, too. „Save Us“ takes a sun bath in pop melodies with infectious vocals of Mapei and a cabriolet ride on the proverbial highway, while „Charly“ is its instrumental counterpart that would sound good on any beach on this planet and was to be expected on a label like International Feel. Balearic on a meta-level and soon to be experienced in full album mode. Hey Charlie!

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Charlie Charlie

Little Things

19,99 €*

Love Is A Very Special Thing

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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The International Feel label is back from an extended meditation. Well-rested and with a cornucopia of new ideas and records, IFeel is happy to announce the debut album from Charlie Charlie as the starting shot. „Little Things“ is the brainchild of Gabriella Borbély alias Bella Boo and Jens Resch better known as Chords. Born on a beach in Southern California instead of their hometown Stockholm, it is exactly what you would hope for such a record to be: pop music that is informed by hippie or counter culture and by a Balearic ethos (hence the International Feel address) that is free of blinkered definitions. In equal parts, the duo’s ten songs take the listener through honey dripping r&b, while respelling that certain Californian recording studio sound aesthetic, revisit vintage yacht rock and pop tropes as well as they are reflecting dance music influences in a broken, yet gold framed mirror. Most of all, it’s like a day dream that you don’t want to end. To quote our Italian friends from Edizioni Mondo: good listening experience! Band info: Charlie is Gabriella Borbély – also known as Stockholm’s deep house virtuoso Bella Boo. Charlie is Jens Resch – also known as prodigious producer/musician Chords. The two Charlies met on a beach in Southern California and immediately decided to write a song together. That first track was built on the sampled sounds of a rusty drainpipe. Charlie fired up a dusty ARP Odyssey and played a woozy solo over the drainpipe beats, then the other Charlie did the same, using that same legendary 70’s analogue synth. When they realized the two separately recorded solos played together in perfect harmony, they knew they had to keep heading down their newly found, shared musical path.

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Charles Williams

LP+7" | 1975 | EU | Reissue (Svart)

LP | 2022 | UK | Original (Moshi Moshi)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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One of the most rare and sought after soul lp’s from the mid 1970s, Love Is a Very Special Thing by Charles Williams receives a lush reissue from Svart Records. Originally released in Finland only, American singer and songwriter Charles Williams has remained in obscurity ever since, only known to die hard soul record collecting enthusiasts.

Williams’ Love Is a Very Special Thing is an epic concept album that has only been reissued in Japan some years ago in a limited edition run and is still a hard to find, highly prized collectors item. Brilliantly crafted black funk and soul from the disco era, Williams was a highly talented soul singer and musician influenced by a wide range of styles, from soul stars Marvin Gaye, Barry White and Isaac Hayes to folk rock band Crosby, Stills & Nash. Williams’ soul music is neither easy listening nor disco, but brings to mind the best of the creative 1960s Motown artists and singer-songwriters like Joni Mitchell and Judy Collins.

Love Is a Very Special Thing began raising interest among soul collectors in the 1990s, when the internet brought record collecting into a new era. Williams’ name was discovered outside Finland and the prices soon went up. It’s no wonder: Love Is a Very Special Thing is as good as the best US soul albums of the era, but soul fanatics outside Finland didn’t have a clue about it, because it was released in Finland only, and as a relatively small pressing too.

This new luxury edition by Svart Records is the LP plus a replica of the rare 7” Just As Long / Funky Music (1976) that has never been reissued until now. The CD has the single as bonus tracks. Get yourself acquainted with a rare piece of Finnish funk and soul history, and discover an artist whose music deserves to shine again.

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Charles Watson

Yes Clear Vinyl Edition

22,49 €* 29,99 € -25%

Release: 2022 / UK – Original

Genre: Rock & Indie

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Charles Ostrov & Blueberry

MINERAL06

12" | 2023 | EU | Original (Mineral Cuts)

16,99 €*

2LP | 1976 | EU | Reissue (Speakers Corner)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record with just a few paper scuffs.
Ships in a label sleeve.

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Charles Mingus

Mingus At Antibes

55,99 €*

Baby I Cried, Cried, Cried / Never Had A Love So Good

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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You can be sure that jazz fans in the year 1960 were unfamiliar with Charles Mingus’s LPs "Blues And Roots" or "Mingus Ah-Um" when they poured into the Pinède Gould Arena at the Antibes Jazz Festival held in Juan-les-Pins, France on 13 July. At any rate, as can be seen in a short video clip, all the seats were occupied. In addition, a really good trumpeter was there, whose name would later resound throughout Europe: Ted Curson. What is more, the legendary Bud Powell, who lived in France, was invited as a special guest for one number that required a pianist.
The Jazz Workshop – which was how Mingus called his working ensemble – presented repertoire that was familiar to all the musicians: "Better Git It In Your Soul", "Wednesday Night Prayer Meeting" and Dolphy’s wonderful solo on the bass clarinet in "What Love?". Besides this there was "Cry For Freedom" as "Prayer For Passive Resistance" was also named, and "Folk Forms", also known as "Ummh". As a mark of respect towards the guest musician, it was decided to perform the evergreen "I’ll Remember April", with Powell’s improvisation being applauded enthusiastically by the audience.
Charles Mingus was to play in numerous concerts in the 60s and 70s; he recorded more than two-dozen official LPs, accused several concert organizers and tour managers of extortionate robbery, and trampled on illegal recording tapes. But the present live recording was made by the ORTF and released officially later by Atlantic Records. It is now re-released after many years and is a rare document in the annals of music history.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: July 1960 live at the Antibes Jazz Festival, Juan-les-Pins, France, by Dannie Richmond
Production: Neshui Ertegun

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Charles Johnson

7" | 1980 | EU | Reissue (Alston)

11,99 €*

LP | 2018 | US | Original (Daptone)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Dinked 7". Wow, this one's a biggie! Some smoothed out modern Soul for the discerning right here... dig it! Released in 1980 Charles Johnson's "Baby I Cried, Cried, Cried / Never Had A Love So Good" is a formidable double-sider, the A-side is a sweet slow jam where Charles lays it on the line in true grown man's fashion over a slick backdrop that is not a million miles away from some Philly style loving. The B-side is the big one though, a proper modern dancer, lovely production and the band is fully in the pocket. Drop this one and watch the dance light up, real music for the dancefloor! This particular 45 has long been a collectors item, and on a good day it can fetch hundreds on the Soul scene. This is a fully legit reissue, and features the classic golden Alston label artwork. A truly beautiful record, with each side primed to be played at the right time. Don't sleep!

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Charles Bradley

Black Velvet

Charizma & Peanut Butter Wolf

Release: 2018 / US – Original

Genre: Organic Grooves

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November 5th, 2018 would have been Charles Bradley’s 70th birthday. In celebration of his extraordinary life, Daptone imprint Dunham Records is proud to announce the release of his fourth and final album, Black Velvet.

Black Velvet is a celebration of Charles Bradley, lovingly assembled by his friends and family at Dunham/Daptone Records. Though chronologically the material spans Charles' entire career, this is no anthology, greatest hits or other shallow rehashing of the songs that already made him famous. Rather, this album is a profound exploration through the less-travelled corners of the soulful universe that Charles and his longtime producer, co-writer and friend Tommy "TNT" Brenneck created in the studio together over their decade-long partnership. It features new songs recorded during the sessions from each of his three albums, heard here for the very first time in all their scorching glory: "Can't Fight the Feeling," "Fly Little Girl" and the heart-wrenching single "I Feel a Change", hard core rarities like his funk-bomb duet with LaRose Jackson, "Luv Jones," the psychedelic groover, "(I Hope You Find) The Good Life" and the ever-illusive alternate full band electric version of "Victim of Love", sought-after covers of Nirvana's "Stay Away," Neal Young's "Heart of Gold" and Rodriguez's "Slip Away", and the title track "Black Velvet," a stirring Menahan Street Band instrumental to which Charles was never able to cut a vocal.

Charles was truly a transcendent singer who led a remarkable life, overcoming unimaginable adversity to achieve great success and international acclaim very late in his life. What was really special about him and made him different from everybody else in the world was how he understood his pain as a cry for universal love and humanity. He felt that if he loved enough—if we all loved each other enough—we could take away the world’s pain and sadness. That is why he jumped off the stage and literally tried to hug everybody he could. It's why he took such great care of a mother that had abandoned him. It's why he sang and danced like a lunatic. It's why he screamed like an eagle. And that's why we love him.

Black Velvet is a celebration of his life, and is destined to join Charles' first three albums alongside the cannon of essential soul records for the ages.
The new album is comprised of ten tracks the singer laid down in the years before his death, taken from different recording sessions over the years.

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Logo T-Shirt

Charizma & Peanut Butter Wolf

Available Sizes: S

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The Charizma & Peanut Butter Wolf Logo T-Shirt's features include:
• rib crew neck
• Charizma & Peanut Butter Wolf Logo artwork printed on front
• regular fit
• 100% cotton single jersey

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Big Shots Apple Juice Colored Vinyl Edition

2LP | 2003 | US | Reissue (Stones Throw)

37,04 €* 38,99 € -5%

A Common Misunderstanding Of The Speed Of Light

Release: 2003 / US – Reissue

Genre: Hip Hop

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Big Shots is a studio album recorded between 1991 and 1993 for Hollywood BASIC, and ultimately released on Stones Throw in 2003.

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Charbel Haber

Other People

LP | 2015 | HK | Original (Evosound)

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Charbel Haber is Lebanese musician, performer, visual artist and composer from Beirut. His work has seen him collaborate with artists from a wide range of disciplines - film, video art, visual art, theatre, dance - both in Lebanon and abroad.

As a solo artist and as a member of post-punk band Scrambled Eggs, he has composed music for directors Khalil Joreige and Joana Hadjithomas, Ghassan Salhab, Mohamad Malas, video artists Lamia Joreige and Akram Zaatari, Maqamat dance company and playwrights Rabih Mroueh and Lina Saneh, to name but a few. His prolific and collaborative career includes free improv group Johnny Kafta Anti-Vegetarian Orchestra, psychedelic Arabic music ensembles Malayeen and Orchestra Omar, cold wave band The Bunny Tylers and minimal ambient duo Good Luck In Death. He is the founder of Those Kids Must Choke and co-founder of Johnny Kafta's Kids Menu - two experimental record labels - and he has recorded and collaborated with notable artists from the fields of free rock and improv such as Oiseaux-Tempête, Radwan Moumneh, Tarek Atoui, Jean Francois Pauvros, The Ex, Michael Zerang, Mats Gustafson, Eddie Prevost, Xavier Charles and Tony Buck.

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Chantal Chamberland

Autobiography

41,99 €*

Release: 2015 / HK – Original

Genre: Organic Grooves

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Your Day Will Come Opaque Red Vinyl Edition

Chanel Beads

LP | 2024 | US | Original (Jagjaguwar)

30,99 €*

Your Day Will Come Black Vinyl Edition

Release: 2024 / US – Original

Genre: Pop

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At once a hazy relic and a digital snapshot of the human experience, Your Day Will Come is the debut album from Chanel Beads, arriving April 19 via Jagjaguwar. The remarkable project announces the arrival of New York-based musician Shane Lavers as a new force in experimental music, capturing the many contradictions of modern existence and the strange infiniteness of the digital world. The songs feel like a memory in which you can't distinguish between what actually happened or what was a false reproduction in your mind - although the burning emotion remains intact. Lavers pushed himself to strip his own sense of ego from “Your Day Will Come”. Throughout, Lavers weaves in contributions from his live bandmates, singer-songwriter Maya McGrory (Colle) and experimental instrumentalist Zachary Paul, who offer their own layers of feeling. As McGrory offers a more full-bodied tone and Lavers often sings with his higher-pitched head voice, the two collaborators meet in the middle; it's an intermingling of identities or a subconscious pining for androgyny. In this slippery space, different perspectives merge together, and there's a sense of empathy and humility that arises from the blending of these voices. These days, Chanel Beads live shows see all three performers weaving together in absolute catharsis. This catharsis is pushed to its peak on "Idea June," which sees McGrory taking over lead vocals to project Lavers' lyrics. As McGrory sings, "The waves wash onto my shore," in a voice that's both earnest and digitally processed, it's as though she's speaking as a separate embodiment of Lavers. In under two minutes, the track of clunky acoustic guitar and gutting strings lands somewhere between detachment and kinship. Similar to the off-kilter structure of "Police Scanner," these songs are strangely affecting in their unfinished and liminal forms. Lavers, who is drawn to poor MP3 rips and transitional moments in DJ mixes, knows that these inexact musical artifacts evoke human imperfection. The title of Your Day Will Come could be read as a promise of the arrival of good karma, or it could be a reminder of one's mortality, said out of spite. Yet as Lavers unpacks the haunting feelings of the past that he must release in order to move into his future, he reminds us that grief and hope might be closer than they seem to the naked eye.

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Chanel Beads

LP | 2024 | US | Original (Jagjaguwar)

OST Infernal Affairs III 2003 Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Pop

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Chan Kwong Wing

LP | 2023 | JP | Original (Universal Music Group)

125,99 €*

OST Infernal Affairs II 2003 Yellow Vinyl Edition

Release: 2023 / JP – Original

Genre: Soundtracks

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* Japan Pressing
* Hong Kong exclusive
* Pressed on limited edition clear vinyl
* This soundtrack has not yet released as digital format

“Infernal Affairs” was born in the downturn of Hong Kong movies in the early 2000s, with a compact plot and an innovative narrative style. It won word-of-mouth from the audience, achieved a box office revenue of 55 million Hong Kong dollars, became the 2002 box office champion, and represented the peak of Hong Kong film creation. “Infernal Affairs” has been remade many times at home and abroad, including Martin Scorsese’s remake in 2006 as the American version of “Infernal Affairs” called “The Departed”. It won four Oscars, including Best Picture. Both China and Japan have been remade the film into TV series. To commemorate the 20th anniversary of the release of “Infernal Affairs”, the film’s soundtrack is being pressed for special release of the global limited edition “Infernal Affairs” vinyl format. Created by Hong Kong famous film composer Chan Kwong Wing, the soundtrack was performed by the Asia Philharmonic Orchestra and the Nicolaus Esterhazy Orchestra, the Asian Philharmonic Choir and the Hungarian Choir participated in the chorus. “Infernal Affairs” is a successful example of the flawless combination of light, shadow and music. Cooperating with the compact plot, each note is closely related to the progress of the plot, arousing the audience’s emotions, creating a tense atmosphere and enhancing the dramatic effect. In the first act of drug dealing, the struggle between good and evil is perfectly demonstrated. In addition to plots and images, music also plays an important role in certain scenes. Cai Qin’s song “The Forgotten Time” connects two protagonists with different fate trajectories. Another example is the scene where Huang Sir was thrown off the building and died, and Feng Xiyu hummed the episode “Goodbye – Police”, like the sound of the sounds of nature, I feel sorry for Huang’s death. When fans recall the scene, the music often comes to mind at the same time.

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Chan Kwong Wing

LP | 2023 | JP | Original (Universal Music Group)

125,99 €*

OST Infernal Affairs I 2002 Red Vinyl Edition

Release: 2023 / JP – Original

Genre: Soundtracks

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* Japan Pressing
* Hong Kong exclusive
* Pressed on limited edition yellow vinyl * This soundtrack has not yet released as digital formatInfernal Affairs' was born in the downturn of Hong Kong movies in the early 2000s, with a compact plot and an innovative narrative style. It won word-of-mouth from the audience, achieved a box office revenue of 55 million Hong Kong dollars, became the 2002 box office champion, and represented the peak of Hong Kong film creation. 'Infernal Affairs' has been remade many times at home and abroad, including Martin Scorsese's remake in 2006 as the American version of 'Infernal Affairs' called 'The Departed'. It won four Oscars, including Best Picture. Both China and Japan have been remade the film into TV series. To commemorate the 20th anniversary of the release of 'Infernal Affairs', the film's soundtrack is being pressed for special release of the global limited edition 'Infernal Affairs' vinyl format. Created by Hong Kong famous film composer Chan Kwong Wing, the soundtrack was performed by the Asia Philharmonic Orchestra and the Nicolaus Esterhazy Orchestra, the Asian Philharmonic Choir and the Hungarian Choir participated in the chorus. 'Infernal Affairs' is a successful example of the flawless combination of light, shadow and music. Cooperating with the compact plot, each note is closely related to the progress of the plot, arousing the audience's emotions, creating a tense atmosphere and enhancing the dramatic effect. In the first act of drug dealing, the struggle between good and evil is perfectly demonstrated. In addition to plots and images, music also plays an important role in certain scenes. Cai Qin's song 'The Forgotten Time' connects two protagonists with different fate trajectories. Another example is the scene where Huang Sir was thrown off the building and died, and Feng Xiyu hummed the episode 'Goodbye - Police', like the sound of the sounds of nature, I feel sorry for Huang's death. When fans recall the scene, the music often comes to mind at the same time.

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Chan Kwong Wing

LP | 2023 | JP | Original (Universal Music Group)

125,99 €*

Adventures Of A Reluctant Superhero

Release: 2023 / JP – Original

Genre: Soundtracks

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* Japan Pressing
* Hong Kong exclusive
* Pressed on limited edition red vinyl

Infernal Affairs' was born in the downturn of Hong Kong movies in the early 2000s, with a compact plot and an innovative narrative style. It won word-of-mouth from the audience, achieved a box office revenue of 55 million Hong Kong dollars, became the 2002 box office champion, and represented the peak of Hong Kong film creation. 'Infernal Affairs' has been remade many times at home and abroad, including Martin Scorsese's remake in 2006 as the American version of 'Infernal Affairs' called 'The Departed'. It won four Oscars, including Best Picture. Both China and Japan have been remade the film into TV series. To commemorate the 20th anniversary of the release of 'Infernal Affairs', the film's soundtrack is being pressed for special release of the global limited edition 'Infernal Affairs' vinyl format. Created by Hong Kong famous film composer Chan Kwong Wing, the soundtrack was performed by the Asia Philharmonic Orchestra and the Nicolaus Esterhazy Orchestra, the Asian Philharmonic Choir and the Hungarian Choir participated in the chorus. 'Infernal Affairs' is a successful example of the flawless combination of light, shadow and music. Cooperating with the compact plot, each note is closely related to the progress of the plot, arousing the audience's emotions, creating a tense atmosphere and enhancing the dramatic effect. In the first act of drug dealing, the struggle between good and evil is perfectly demonstrated. In addition to plots and images, music also plays an important role in certain scenes. Cai Qin's song 'The Forgotten Time' connects two protagonists with different fate trajectories. Another example is the scene where Huang Sir was thrown off the building and died, and Feng Xiyu hummed the episode 'Goodbye - Police', like the sound of the sounds of nature, I feel sorry for Huang's death. When fans recall the scene, the music often comes to mind at the same time.

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Chali 2na & Krafty Kuts

CD | 2019 | EU | Original (Manphibian)

14,99 €*

LP | 2023 | US | Original (Neon Taste)

Release: 2019 / EU – Original

Genre: Hip Hop

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The time has come for hip-hop’s favourite superheroes to unleash their highly anticipated album. The industry’s most recognisable voice, Chali 2na, and turntable wizard Krafty Kuts have been not-so-secretly preparing this project since 2017 through over 150 live shows and countless studio sessions. The time has finally come to grab your capes, don a pair of tights and load up the turntable ready for the show to begin. This is ‘Adventures Of A Reluctant Super Hero’ – prepare for the Purple Assassin and the Scratchman as they come and save your city, the scene and hip-hop as we know it.
Featuring a who’s-who of collabs and guest appearances from hip-hop royalty, this 14-track record takes you to just about every corner of the genre, leaving no stone unturned. With Lyrics Born and Gift Of Gab joining on ‘Guard The Fort’ to deliver a serious statement of intent to open the LP, the rest of the record is an adventure through funk, breaks, rolling basslines, buckets of groove and everything in-between. Throw in a generous portion of expertly delivered bars and vocals from genre sidekicks like Harry Shotta, Skye (Morcheeba), Omar, Dynamite MC and more, and you’re left with a hip-hop record that not even the comic books could have conceived.

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Chain Whip

Call Of The Knife

Say Yeah / Search For Tomorrow

Release: 2023 / US – Original

Genre: Rock & Indie

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"At some point it becomes clear to all of us that trying to navigate life on The Darkest Timeline is pretty heavy going. Politics, economics, human rights… all that grown-up stuff you have to worry about as an adult. Turns out they’ve all been surrendered to ideological grifting and cynical culture wars, which should be enough to make you pretty fkn furious. And you know what? We’re gonna need a soundtrack to this that sounds equally pissed off; something loud, fast and ‘orrible that gives you the impetus to finally drive that bulldozer through the cop shop. In case you hadn’t guessed where this was going, please welcome the grand, timely and thoroughly welcome return of Chain Whip. Straight out of the gate, their second full-length Call Of The Knife is absolutely raging. The opening title track might have you squinting at the turntable for a couple of seconds to check that someone hasn’t reanimated the young Circle Jerks, but as soon as frontman Josh Nickel’s voice kicks in, hardcore cognoscenti will be under no illusions that they could possibly be listening to anyone else. His voice is a righteous, gravelly roar that cuts straight through the noise with the very loose subtext ‘I’m having a bad day and it’s imperative that you know about it’. There’s a vitality to it that helps make these Vancouver boys one of the best bands in punk today, and it helps that he’s backed up by a rattling, rolling collective who remind us all that good old-fashioned hardcore (like the ‘80s used to make) remains one of the best ideas anyone’s ever had. Suck on that idea for a moment, poindexter! You know what you’re getting with song titles like ‘Class Decay’ and ‘Hatewave’, but there’s something about the band’s garage-slanted take on the genre that makes ‘em a cut above. Panache? Chutzpah? Just the simple matter of really fkn good songs? Impossible to say, so let’s just settle by agreeing that this album does it all: you can skate to it, you can slam to it, you can paint your bedroom black to it. You can even listen to it while kicking over the statues and kickstarting that violent and bloody revolution we’ve been promised. Look, this is serious stuff that also happens to be oodles of fun. ‘Something’s gotta give,’ they sing, and maybe it’s your resistance. On this sort of delicious form, no one can touch Chain Whip right now. Form a cult and get obsessed immediately."—Will Fitzpatrick

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Chain Reaction

7" | 1979 | EU | Reissue (Rain & Shine)

11,99 €*

7" | 2021 | EU | Original (La Vida Es Un Mus)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Limited Edition for Record Store Day 2018! Original copies of this beautiful Chain Reaction 7 inch have been changing hands for £500, so this is a true digger's delight.
Exceptional soul from the late 70's which hundreds before have attempted to license to no avail. Lack of trust was a key issue in these pursuits, after 'Say Yeah' was used in a B grade Hollywood movie without permission, alongside record collectors cleaning producer Harold Sargent out of his original 45s before upping them on Ebay for $1000 apiece.
Cue the good people at Rain & Shine, a non-profit organisation based out of New Zealand, who have worked with Chain Reaction directly to license this incredible record properly - returning all net profits to the artists involved.
It really doesn't get much better than this - spiritual stuff! Comes complete with picture sleeve , pressed on black vinyl with a large dinked centre hole.

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Chain Cult

We're Not Alone

11,99 €*

World's Most Stressed Out Gardener

Release: 2021 / EU – Original

Genre: Rock & Indie

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"Once The Sadness Of Their 2020 Canceled American Tour Was Gone, Chain Cult Went Back To The Practice Space To Write New Songs, It Was A Perfect Way To Keep Finding Meaning In A World At A Standstill. They Are Back Stronger Than Ever With Two New Raging Post-Punk Anthems, They're Bringing Exactly What We Need In These Troubled Times. These Two Songs Give Us Elements For Reflection On Our Lives, A Good Occasion To Think About What We Miss And What We Want For The Future. " We're Not Alone " And " Always A Mess " Show The Band At Its Best. The Very Powerful Rhythm Section Allows The Guitarist To Play The Most Beautiful And Dark Melodies And The Singer To Chant The Catchy Choruses That Chain Cult Is Known For. During Uncertain Times, It Is Good To Be Surrounded By People You Trust To Continue Moving Forward; In This Spirit Chain Cult Has Kept The Same Recipe As For Their Previous Records. No One Can Say What The Future Holds And We Can't Act Like This Is Normal But Always Shall We Remember That We're Not Alone In This World"

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Chad Vangaalen

LP | 2021 | US | Original (Sub Pop)

12" | 2022 | UK | Original (All Good Music)

Release: 2021 / US – Original

Genre: Rock & Indie

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The initial vinyl run Sp1408 is pressed on a clear w/gold, red, blue high melt! 2020 was a terrible year for gardening. It was terrible for peppers, it was terrible for tomatoes, it was terrible for the condition of the soul. But Chad VanGaalen somehow raised a garden all the same: carrots and sprouts and broccoli and a revivifying new album, all of them grown at home. He likes to eat directly off the plant, he says-"I get down on my knees and graze. It's nice to feel the vegetables in your face"-and the 13 songs on World's Most Stressed Out Gardener were harvested with just such a spirit: in their raw state, young and vegetal, at the very moment, they were made. What that means is that the Calgary songwriter's new album is a psychedelic bumper crop. A collection of tunes that does away with obsessiveness, the anxiety of perfectionism, in favor of freshness and immediacy - capturing the world as it was met while recording alone at home over a period of years. "Don't overthink it," VanGaalen told himself again and again, despite the push/pull love/hate of his relationship with songwriting. "I'm always trying to get outside of the song-but then I realize I love the song." This is a record that gleams with VanGaalen's musical signatures: found sound, reverb, polychromatic folk music that is by turns cartoonish and hyperphysical-like ultra magnified footage of a virus or a leaf. Apparently, the LP began life as a "pretty minimal" flute record. (There's only a vestige now, on "Flute Peace"-one of three instrumentals.) Later it became an electronic record "for a while" and finally, "right at the last second," it "turned into a pile of garbage." The good kind of garbage: glinting, useful, free. Music as compost-leaves, and branches ready to be re-ingested by the earth, turned into a flower. Throughout these 40 minutes, VanGaalen floats from mania to solace to oblivion, searching for zen in all the wrong places. "Turn up the radio / I think we're dead," he sings on "Nothing Is Strange"; or, on the inside-out rocker "Nightmare Scenario": "You're stressed out when you should be feeling very well." The singer's mental landscape is rotting and redemptive, beautiful in spite of itself-and his soundscapes reflect this fertile decay. He has been influenced by his instrumental work on TV scores (Dream Corp's third season began this fall), but still "nothing can really replace the human voice," he admits. Like Arthur Russell or Syd Barrett, it's VanGaalen's vocals that shine a path through the swampland-from the cello-lashed "Water Brother" to "Starlight"'s krautrock pipe-dream. These days, VanGaalen cherishes the privacy of the studio, the capacity to wander around, get distracted, and "move at the speed of life." Whereas once he would obsess over mic techniques, now he puts the microphone in the same place every time-trying to capture a song quickly, the idea at its heart. He'll act on his infatuations-for the flute, a squeaky clarinet, his basement's copper plumbing (remade into xylophones for "Samurai Sword")-and then he'll try to get out, "veering away from responsibility," before he overdoes his stay. In the end, it's like gardening. You have to live with your horrible decision-making; the weather's going to fuck you if it wants to; and if you plant a hundred heads of broccoli, "now you gotta eat a hundred heads of broccoli-or watch them go to seed." But mostly VanGaalen just tries to be a deer: "I remember seeing some deer come out in the Okanagan Valley once," he says, "watching them wait for a sunbeam to hit a perfect bunch of grapes-and then eating them right out of the sunbeam. I'd recommend that."

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Chad Pulley

Incandescent EP

12" | 2023 | UK | Original (Malligator Préférence)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Chad Pulley makes his first solo appearance on John Beltran's All Good Music label, although keener eyed spotters will know that Pulley and Beltran previously collaborated on a track under the Bel-Pull Productions moniker. He steps up to the task ably, slipping into All Good style comfortably with the calm and melodic, gracefully coasting techno of 'Through My Eyes', before the flip side reveals the wistful 'Mesmerizing Blue', where pianos and synths call and respond over exotic rhythms. 'Sticks' completes the set, slightly harder and funkier than its two predecessors but again with an emphasis on musicality, off kilter danceability and originality. On this showing, a name to watch.

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Cerrone

A Part Of You

12" | 2024 | UK | Original (Find Your Own)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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PDD is proud to welcome the mighty Cerrone for worldwide distribution.

No introduction needed here – the French disco maestro, multi million record selling genius Cerrone lands a brand new synthesised and symphonic, signature disco workout ‘A Part Of You’ on his own label Malligator Préférence. A track that sounds as big and beefy as you’d expect from a man that has been making certified hits since the mid ‘70s, with four versions laid out in all their glittering glory, from the ‘Club Mix’ and Original on the A side, to the ‘Club Instrumental’ and Edit Instrumental’ on the B. A genuine must have for any lover of feel-good grooves.

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Ceri

Can't Pay My Bills EP

12" | 2023 | EU | Original (Enfant Terrible)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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THE Remixes ARE Vinyl Only!
With Early DJ support from:
Kerri Chandler, Luke Una, Muallem, Eliza Rose, Chloe Caillet, Cassy, DJ Seinfeld, Skream, The Carry Nation, Samuel Deep, Enzo Siragusa, Djebali, Alison Swing, Fred P, Gerd, Nightmares on Wax, Jamie Jones, Radio Slave, Tsha, Moxie, Lakuti, Sarah Story and more...
From London to Ibiza via Berlin, inspired by Chigago and Detroit, Ceri finds her truth in proper house music. 'Can't Pay My Bills' EP provides a message of hope during uncertain times. Acknowledged as a "rising selector" by Crack Magazine, producer, label boss and record digger Ceri steps into 2024 with a brand-new EP 'Can't Pay My Bills" via her imprint "Find Your Own Records". "The title track is inspired by the current economic situation in the world, and also features a positive message that reflects the values and true origins of house music, reinforcing the belief that we can overcome our circumstances and improve our situation" - Ceri The new four track EP drips with Chicago, New York and Detroit jackin' house with garage influence, and a sprinkle of ripping UK breakbeat for good measure.
The people's producer D'Julz steps up, on remix duties, contributing not one but two remixes to the label's ongoing message of artist authenticity and collaboration. The remixes will be vinyl only, and the originals will see a digital release later in the year. "I have collected D'Julz music for many years, his label started around the same time I started DJing, and it was and still is, one of the few labels that I buy on sight. I know it will always be quality. Something I aspire to do with my label too."– Ceri.
As an artist led label 'Find Your Own Records' has become a home for genuine house legends Mr G, Fred P, Alex Arnout, and has rightly gained support from Mixmag, Resident Advisor, BBC Radio 1, BB6Music and BBC1Xtra. Support for the label so far comes from the likes of: Midland, Ben UFO, Move D, K-hand, Fumiya Tanaka, Fred P, Paranoid London, Steve O'Sullivan, Tristan Da Cunha, Ryan Elliot, Lakuti, DJ Deep, Kerri Chandler, Chloe Caillet, Fred P, Jeremy Underground, Cici, D'Julz, Chez Damier and more… As a DJ Ceri has performed marathon sets at Fabric, Corsica Studios, Pikes Ibiza, Thisishaven, and recently made her debut at the legendary Panorama Bar/Berghain. Confidently sharing the booth with club favourites Ryan Elliot, Jeremy Underground, Paranoid London and Objekt it's certain the next year of live shows will be ones to remember for the UK artist.

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Cérémonie

Orion

Dominion Orange / Green Swirl Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Limited stock... Among all the endless streams of 80’s inspired / influenced music there is seldom something which is interesting to me… that is also the reason I did not release much music on Enfant Terrible in that direction these past years… even though this background is always there in one way or another… but now there is Cérémonie from France… and their music really just does it for me… and yes this is 80’s inspired / influenced music but their songs show another level of songwriting, their sounds are chosen well and the overall mood is so wonderfully melancholic without too much drama or becoming cliché… They released a cassette EP on their own a few years ago… this release already showed the potential of the band but the songs were a bit more towards indie pop back then… The four tracks presented here on the “Orion” EP are truly contemporary new wave / synthpop pearls… rooted as they sound deeply in the 1980’s but sounding really fresh and contemporary at the same time… Imagine Deux sounding less (lovely) naïve or Automelodi sounding less glamorous… something like that and you get an idea of where to position Cérémonie in the music field… “Orion” features three songs by the band and one cover from French 1980’s new wave band Message… and the good news is that the band is currently working on new songs for an upcoming album… stay tuned and enjoy!

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Cemetery Filth

LP | 2020 | EU | Original (Boris)

24,99 €*

2LP | 2021 | EU | Original (90's Tapes)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Comes in a gatefold jacket and Includes a lyric insert, Orange/Green swirl colored vinyl.Filth-ridden death metal, for fans of Morbid Angel, Death, Massacre, Monstrosity, and the classic Florida sound.Formed in 2014, Cemetery Filth have consistently crafted death metal of the highest quality, starting with their debut EP, Screams from the Catacombs. Dominion is their first full-length, boasting nine songs that will crack necks.Press Quotes:A modern death metal classic. _Metal InjectionOne of the stand-out death metal albums of 2020. _No Clean SingingAbsolutely essential. _Indy Metal VaultI couldn't be more impressed by this well-crafted and highly considered debut. _Grizzly Butts

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Cella Dwellas

Realms 'N Reality

28,99 €*

LP | 2018 | EU | Original (Drama)

Release: 2021 / EU – Original

Genre: Hip Hop

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Strictly limited edition of 500 copies on black vinyl of the 1996 debut album "Realms 'N Reality" by U.G. and Phantasm aka the Cella Dwellas. The Brooklyn-duo made a first appearance on Masta Ace's 1994 classic album "Sittin' On Chrome", which was followed by singles like "Land Of The Lost", "Good Dwellas" or "Perfect Match".

"Realms 'N Reality" is still one of the major underground gems from the golden era of Hip-Hop, with tight production mostly handled by Nick Wiz.

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Celine Gillain

Bad Woman

20,99 €*

LP | 2023 | EU | Original (Bang!)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Though highly contemporary Bad Woman is an album that takes Pop music back to a time when lyrics where more than esthetic gimmicks. With Céline’s music, one cannot avoid to listen to what she has to say. To be honest we’ve not been struck by lyrics as much as with this record for quite a long time, and it keeps on growing. Bad Woman can be seen as a mutant blend of everything that’s been produced by the music industry these last 30 years, from Cher’s delirious come-back in the 1990’s to the most embarrassing moments in Dance music (think Gabber and Happy Hardcore), blurring the frontier between “good” and “bad” taste, between commercial and alternative. Just like Cher’s Believe, Céline Gillain’s Bad Woman sometimes sounds like the music of a former diva who’s been through tough times, saw her expectations torn apart and came back to music with a bizarre testimony of her state of mind.

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Celibate Rifles

Kiss Kiss Bang Bang

LP | 1975 | UK | Reissue (Be With)

Release: 2023 / EU – Original

Genre: Rock & Indie

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After 36 years of the first edition of "Kiss Kiss Bang Bang" in UK and Australia, now available worldwide! A sample of the quality, intensity and brutality that Celibate Rifles displayed in their live shows. With very good sound! Another classic of the RIFLES, this time a wild live album. A sample of the guitar machinery that deployed this band of Australian high energy punk, raw guitars, wild solos and catchy melodies. A live recorded at the famous NY concert hall, CBGB in 1986, the band is in top form and shows in each of the songs. It includes classics from their first albums and two versions, Only Ones and Radio Birdman. For the first time on vinyl since its release in 1986 by Hot (AUS) and in 1987 What Goes On (UK).

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Cedar Walton

Mobius

LP | 2023 | EU | Original (Spread Butte)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Don't judge a book by its cover. Judge a record by its cover.

And, perhaps, its title.

Cedar Walton's Mobius is as outrageously, disorientatingly brilliant as the stunning jacket design, featuring the legendary jazz pianist morphing into a mobius strip, set against a beautiful sky filled with cumulus clouds. A proper jazz-funk fusion slapfest, Mobius is a stellar electric set from - essentially - one *hell* of a SUPERBAND.

Yes, in addition to Walton's Fender Rhodes wizardry, Mobius is elevated by Ryo Kawasaki's stinging electric guitar, pristinely clear vocals by Adrienne Albert and Lani Groves, rootsy percussion by Ray Mantilla and Omar Clay, alto and baritone from Charles Davis, trumpet from Roy Burrowes, Gordon Edwards on bass and Frank Foster's tenor sax. Oh and did we mention STEVE GADD ON DRUMS?!?!

Gem after gem of looping, bliss-inducing gold, it's an incredibly revelatory album. It presents a thrilling synthesis of R&B, funk, blues and hard bop (with a hint of rock), all driven by an idiosyncratic electronic keyboard. Walton, a giant in the jazz world, got quite the workout every time he played, from piano to arp synthesizer to clarinet to electric piano to mini-moog and back again.

Mobius was Cedar Walton's debut for RCA in 1975. The versatile artist confirmed his abilities as a player, composer, interpreter and arranger with this stunning record, and his own bright compositions offered a springboard for the improvisations of the different soloists. Coltrane's "Blue Trane" is the first classic to be given the funkafied Mobius treatment, Ryo Kawasaki let loose all over neck-snapping Gadd-drum gold before the horns take a fiery turn and subsequently give way to Cedar's virtuosity. A sparkling b-boy break version of Thelonious Monk's "Off Minor" (featuring an absolutely *fire* solo from Walton) really sets proceedings alight. Of the three original pieces, the shuffling, percussive power of "Soho" is just absolutely mind bending Latin-influenced jazzy soul whilst the mellow vibes of "The Maestro" bring elegant, sumptuous soul. And then there's the effortlessly funky "Road Island Red". Just too, too good.

Cedar Walton was born in Dallas, Texas, on January 17, 1934 and began his professional career in 1959 when he began touring for several years with the J.J. Johnson Quintet. He later joined the Art Farmer-Benny Golson Jazztet and then Art Blakey's Jazz Messengers. Pretty solid credentials, right? While based in New York City, Cedar played with such luminaries as Donald Byrd, Eddie Harris, Blue Mitchell, Kenny Dorham, Lee Morgan, Freddie Hubbard, Jimmy Heath and Milt Jackson. Without question, he was one of the most complete and gifted musicians of his time and Mobius provides proof of that. The fresh, danceable tracks, all firmly rooted in the living tradition of blues and gospel, are skilfully presented by a master who enjoyed keeping abreast of contemporary tastes and was always keen to renew his language.

As the album notes state: “Mobius, which is the theoretical shape of the infinite universe, makes use of the most modern recording techniques and synthesizers. We mastered and mixed so that it’s hotter than the competition, which should help radio play and in-store demonstration.” Indeed. Mobius is really gorgeous mid-70s fusion, ranging from the funky to the ecstatic. It's an absolute MONSTER that will completely blow you away; and, yes, it's as wild and hypnotic as the cover. The audio for Mobius has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Cedar Hill

Variety EP

7" | 2012 | US | Reissue (Secretly Canadian)

Release: 2023 / EU – Original

Genre: Hip Hop

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Cedar Hill is made up of rapper Nish and beatmaker Lancecape, from Ontario, Canada. The pair met at the age of 11 while playing hockey for Cedar Hill House League, which gave birth to the group’s name. Both were huge fans of hip-hop music, and started writing rhymes and creating pause tapes from college radio shows like Power Move and Masterplan. Shortly after that, they joined forces with Korry Deez and Black Cat of IRS (“Instinctive Reaction to Struggle”) to form the Horde Crew and then combined with a North Scarborough Crew - the Lyrical Coalition - to form a super crew of MCs, DJs and beatmakers called “The Monolith”. In 2000, Nish ventured off into a solo venture, appearing on DJ Serious’s album “Dim Sum” for the lead single and video, “Enlightening”, released by Sound King Records and distributed by Fat Beats. The success of the single led to a Canada-wide tour and garnered a Juno nomination for Rap Recording of the Year. Nish continued working with DJ Serious and appeared again on his follow-up album, “Cold Tea” on Audio Research Records. For a second time Nish landed the A-Side single titled “Frost Bite” and the B-Side consisting of the unreleased remix of “Enlightening”. Powered by Fat Beats, this helped cement Nish’s name as one of Canada’s finest MCs and shine light on Canadian hip-hop globally. In 2006, Lancecape received his first major placement producing “What Up”, the first single for J Dilla affiliates Frank N Dank’s album “Xtendedplay Version 3.13”. This led to further production for some of the biggest names in hip hop, including Keith Murray and Canibus as well as features on his beats from A.G (ditc) and Rapper Big Pooh (Little Brother). Lancecape also remained a key “battle” beatmaker twice coming second in the Redbull Big Tune Beat Battles which led to vinyl released by DJ House Shoe on his label, Street Corner Music. Most recently, Lancecape became 2x champion in Ski Beats Smackpack Battles. During this time, Nish and Lance continued recording music and, in 2018, they decided to join forces and become an official group, Cedar Hill. Their music has since been picked up by some of the biggest DJs Stateside, including their single “Strains”, which was played by DJ Premier on his acclaimed Sirius XM radio show “Live From Headquarterz”. Since then, DJ Premier has played every single released by Cedar Hill and has even promoted and featured their music a number of times on his Instagram page. In early 2022, Lancecape was approached via Instagram by Nij aka Nijmakesbeats of Spread Butter - a brand that had started out in streetwear apparel - who was interested in joining forces to release a Cedar Hill EP via a new label, Spread Butter Records. The Cedar Hill EP would be the first release of the label. Building from that point, we now have the EP offering from Cedar Hill, “Variety”. The EP consists of 4 previously released songs and 2 unreleased vinyl-only tracks, together with the accompanying instrumentals on the B-side. This release is for any boom bap head or hip-hop lover of lyrics, beats and cuts. This record is a tribute to the music that Cedar Hill was raised on and continues in the vein of classic boom-bap hip hop of the 90s Golden Era.

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Cayucas

Cayucos / Swimsuit

16,99 €*

2LP | 2024 | US | Original (Backwoodz Studioz)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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No one knows summer like Santa Monica's Zach Yudin. "Can you hear it comin'?" he asks, at the start of "Cayucos", the opening salvo by his band Cayucas. With a nod to 60's beach blanket pop gems and bonfire folk songs, Cayucas hits the waves runnin', causing involuntary head bobs, finger snaps, toe-taps and the ability to shake your booty like it's strapped to a brand new set of maracas. Producer/multi-instrumentalist Richard Swift deftly captures Yudin's inimitable voice as it echoes through the barrel of the perfect wave. It's a song for the ages for sure. The B-side "Swimsuit" continues to carry the torch, with its cocktail-lounge organ flourishes painting a picture of young, carefree days spent pining for your summer love. Enjoy just a hint of the party that's still to come, and let Cayucas take you to your inner sanctum where there's always sunshine, and a Pina Colada is always a good idea. Full length to be released early 2013.

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Cavalier

Different Type Time

65,54 €* 68,99 € -5%

Table Of Context Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop

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It seemed that if I didn’t somehow repeat the process of greatness, and do so immediately, multiple times away to satisfy playlist and binge watch culture, then I “wasn’t shit”. After a while I was like “nah this doesn’t feel good,… I don’t know if I am finding joy in this”. I would record songs and not release them, obsess over sessions recorded in my home with 30 takes of vocals and wake up only to delete them. When it began to feel right I found solace in an epiphany that I was not obligated to operate at any other wavelength. I am moving on a different type of time, and that doesn’t expire. -Cavalier For heads of a certain time period of NYC hip-hop, Brooklyn born, New Orleans-based rapper and songwriter, Cavalier was the one that got away. The outrageously talented artist whose name and reputation preceded him everywhere you went in the scene. The rapper who everyone knew was so dope that he had to blow, but who never seemed concerned with any of that. The pretty boy draped in Polo who stole every live show with a feather in his hair and a mouth full of gold fronts. The cat so dedicated to his own independence that even indie labels stopped trying to sign him and projects came when they came, but when they came they were undeniable. Cavalier was That guy for a lot of us; a silver-tongued philosopher with an eye for the poignant details of black life and a delivery as effortless as a young Ken Griffey’s swing. All that said, it never really felt like Cav had that moment in the spotlight that we always assumed was coming. After chiseling away through headier cult corners of the NYC hip-hop scene Cavalier was recognized for his memorable co-pilot to Quelle Chris’ 2013 Mello Music debut, Niggas Is Men. The critically acclaimed LP helped propel Quelle Chris into the forefront of indie hip-hop (and also happened to be the first production credits for Messiah Muzik). Cav followed up with his first full length, Chief, which sports a notable Raekwon feature but also early work from producers like Ohbliv and Tall Black Guy. A relocation to New Orleans and partnership with producer/vocalist Iman Omari yielded two more projects: 2015’s Lemonade EP and Private Stock in 2018. Great records all; eagerly sought by collectors and signal boosted by influential media like OkayPlayer, Solange’s Saint Heron, and Pitchfork. Cavalier’s bonafides have never been in question, but his new album Different Type Time feels like a revelation—a sonic suspension bridge between his rich history and the artform’s future. Different Type Time doesn’t sound like the future though, its vibrations are somewhere all their own. It sounds like jazz, like a conversation overheard in roti shop, or a pool hall, or the foyer of your old building on a fall day, front door propped open with a brick. The blues is in there too, and the south—the American South, and the Global South, and South Brooklyn. It’s not that it sounds like the past, but you can hear everything that came before in the thick of the basslines and the yearning of the keys. Different Type Time also doesn’t sound like now, it sounds like Right NOW; the bounce of the lyrics like the staccato of basketball in the park, carried on a spring breeze. Although he doesn’t rap on DTT, Quelle Chris plays a pivotal role; producing eight songs and serving as associate producer/consigliere to Cav throughout the creative process. “There is no time wasted in explaining things when I collaborate with Quelle. He understands the universe I am in and the realities I want to create. He’s in them. And I don’t think I can envision one without him,” Cavalier explains. Messiah Muzik, Wino Willy, Ohbliv, Ahwlee, Child Actor, Fushou and several other producers round out the credits, all lending their talents to the album’s spaciously soulful sound. At the center of all these alchemies is Cavalier, nimbly dancing in and out of pockets like a sidewalk game of jumprope. Different Type Time is a masterclass in this thing we call hip-hop; daring and original, yet always standing deeply rooted in the culture

1. Different Type Time prod. Quelle Chris & Cavalier
2. Custard Spoon prod. Quelle Chris
3. Can’t Leave It Alone feat. Eric Jaye prod. GLassC!ty
4. Come Proper prod. Jacob Rochester
5. Touchtones prod. Aummaah
6. Déjà vu / Tydro ‘97 prod. Messiah Muzik / Quelle Chris
7. Doodoo Damien prod. Quelle Chris
8. Baby I’m Home prod. Wino Willy
9. Yeah Boiii prod. Quelle Chris
10. All Things Considered (prod. Wino Willy
11. Pears (prod. Malik Abdul-Rahmaan
12. Told You (prod. Fushou
13.Badvice (prod. Low Key
14. Think About It feat. Billzegypt prod. Obliv
15. Up From Here / 7th Ward Spyboy prod. Ahwlee / Quelle Chris
16. Manigaults / I Miss Them prod. ruffiankick
17. Lazaroos prod. Vinny Cuzns
18.Bespoke feat. Dominic Minix prod. Hann_11
19. 50 Bags feat. Lord Chilla prod. Child Actor
20. Axiom / My Gawd prod. GLassC!ty / Quelle Chris
21. Flourish prod. Quelle Chris

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Cautious Clay

LP | 2019 | EU | Original (Cautious Clay)

21,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Blue Note)

Cautious Clay

Karpeh

LP | 2021 | EU | Original (Cautious Clay)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Since 2017, Cautious Clay has been steadily building a devoted fanbase with his heartfelt songwriting and a unique sound that moves fluidly between pop, alternative R&B, and indie rock. On his deeply personal Blue Note debut Karpeh, the New York based singer, songwriter, multi-instrumentalist, and producer also known as Joshua Karpeh takes a giant artistic leap forward with an ambitious yet introspective album about growth, conceptions of intimacy, and lineage that reveals a new side of his artistry by delving deeper than ever into his jazz influences.

Cautious sequenced the album thematically in three sections with interludes throughout containing audio recordings of his family members recounting bits of family history.

Part 1. THE Past Explained

Part 2. THE Honeymoon OF Exploration

Part 3. A Bitter & Sweet Solitude

Part 1. THE Past Explained

My early life going up in Ohio + my family's past experiences being the cornerstone of what shaped me for better + worse. Themes of unwavering self-reliance, the "tides" of family/work life balance, race, + cultural identity are throughout this section.

1. 102 Years of Comedy (Intro) 0:33

2. Fishtown 2:57

3. Ohio 2:51

4. Karpehs Don't Flinch 2:09

5. The Tide Is My Witness 3:39

6. Take a Half (a Feeling We Chase 0:42

7. Another Half feat. Julian Lage 2:29

Part 2. THE Honeymoon OF Exploration

Branching out from my past/family members before me embracing vices, personal gratification, and deep self-reflection - different forms of intimacy, psychedelic drugs, + togetherness are a crucial part of this section.

8. Repeat Myself 2:08

9. Glass Face feat. Kai Eckhardt and Arooj Aftab 3:17

10. Walls & a Roof (Interlude) 0:27

11. Unfinished House feat. Julian Lage 2:33

Part 3. A Bitter & Sweet Solitude

Learning how to be alone with my "thoughts" in order to be the healthiest version of myself when I am around friends, family, etc. No matter where I go in life, being alone is a beautiful + eternal truth. There are themes of greed, death, + speaking for myself/my own needs. While this section lacks alot of lyrical content, sonically it is oscillating between heavier/aggressive and more soft/mellow sonic components.

12. Blue Lips feat. Julian Lage 4:07

13. Tears of Fate 4:33

14. Yesterday's Price feat. Immanuel Wilkins 5:16

15. Moments Stolen 3:57

Cautious Clay (artistic conception, vocals)

Joshua Karpeh (saxophone, flute, guitar, synthesizer, bass, bass clarinet)

Additional Musicians: Alwyn Robinson (drums), Joshua Crumbly (bass), Julius Rodriguez (piano), Julian Lage (guitar), Sean Rickman (drums), Daniel Pappalardo (bass), Kai Eckhardt (bass), Arooj Aftab (vocals), Joel Ross (vibraphone), Immanuel Wilkins (alto saxophone), Ambrose Akinmusire (trumpet), Meryl Cooper, Titee Marion Karpeh, Olivia Howell, William Dingus and Caitlyn Harris (spoken word), Georgia Heers, Sarah K. Pedinotti, William Dingus (additional vocals)

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Cautious Clay

Deadpan Love

21,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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12" | 2022 | EU | Original (Club Sweat)

Catz 'N Dogz

Rendezvous / Nasty

2LP | 2019 | EU | Original (Pets)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Polish production legends Catz ‘n Dogz journey to Club Sweat to drop a double A-side ready to set the rave-craving animals out of their cage, releasing ‘Rendezvous / Nasty’. The duo have creatively crafted a double A-side oozing floor-to-floor elixir, to skillfully entice underground cavern connoisseurs. As those punters find their way to their dancefloor destination they are met with the aptly named ‘Rendezvous’ a tech-house heater that couples deep stomping kickdrums, with underlying techno textures for an insatiable groove that is augmented by the deep yet sensual melodies of R&B vocalist Raymoane.

The pace is turned up a notch on the flip-side, with stank-face inducing textures apropos for the title of ‘Nasty’, a tune that layers the hypnotic and conspicuous vocals of Kiddy Smile over a bounce-loaded bassline with underlying rhythmic drums and sirens to evoke a bustling party atmosphere.

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Catz N' Dogz

Friendship

23,99 €*

12" | 2011 | US | Original (Mothership)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included. At the forefront of the dance music landscape, DJ/Production duo and label heads, Catz ‘n Dogz are well and truly in the driver’s seat of their musical journey. Starting out as close friends, the pair have risen to critical acclaim, leaving a lasting impression on the electronic music community with their honest productions and label releases; spreading the love far and wide. With friendship as one of the main precursors to their success, they present a warming and emotional album channeling the intricacies of ‘Friendship’ and relationships.

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Catz N' Dogz

Escape From Zoo Remixes

9,74 €* 14,99 € -35%

Release: 2011 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Can't Stand Feat. Zensofly

Catz 'N Dogz

12" | 2023 | UK | Original (Crosstown Rebels)

16,99 €*

LP | 1980 | DE | Original (Reflektor Z)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Catz ‘n Dogz make a standout debut on Crosstown Rebels with two compelling new house tracks on ‘Can’t Stand’, complete with a remix from leftfield innovator Robag Wruhme.

A pairing whose renowned reputation has been built and shaped across an illustrious career, Polish duo Grzegorz Demiañczuk and Wojciech Tarañczuk, aka Catz’ n Dogz, have been serving up their own diverse and varied take on house for more than fifteen years. Founders of their own Pets Recordings imprint, in that time they have released on esteemed labels, from Diynamic to Defected, Glitterbox to Watergate and more, while playing at almost every major club and festival across the globe. Their fresh in-between sounds and knack for cooking up curious and impactful sounds have made them mainstays of the scene, and that run of stellar releases continues here with a debut appearance on Crosstown Rebels as they link with ZenSoFly for ‘Can’t Stand’ - with longstanding German favourite Robag Wruhme on remix duties.

Opener ‘Can’t Stand’ sees the pair reunite with vocalist ZenSoFly, a talent they’ve worked with on notable hits like ‘Wave.’ Her vocals bring soul and attitude over a tight, rubbery and sleazy house beat, underpinned with a heavy bassline - providing the sort of chunky cut to lock in a dancefloor and make it march in unison. Robag Wruhme has been a Pampa label mainstay and famously curveball producer for many years with his scintillating blend of minimalism, melody and unusual sound sources. That is the case again with this remix, a dark workout that hurries along on snappy drums, detuned vocals and scuzzed up, droning synths to ensure maximum impact.

The EP is closed out with ‘Wake Up’, a widescreen and atmospheric cut packed with detail. The bassline is taught, freaky vocals echo within the mix, and synths spray about to dramatic effect, delivering another full flavour house cut with a dark soul and futuristic designs.

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Cats TV

8,99 €*

Release: 1980 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Time Machine Vinyl Edition Edition

LP | 2024 | Original (Esoteric)

39,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Time Machine Digipak Edition

CD | 2024 | Original (Cherry Red)

20,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Kickstart The Sun Yellow Vinyl Edition

2LP | 2022 | UK | Original (Harmony Factory)

39,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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2LP | 2020 | UK | Original (Harmony Factory)

Atlantis

Release: 2020 / UK – Original

Genre: Pop

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LP | 2018 | EU | Original (Tiny Bay)

Cats & Breakkies

Spectral

Release: 2018 / EU – Original

Genre: Electronic & Dance

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LP | 2015 | EU | Original (Tiny Bay)

Cats & Breakkies

Organic Electro

Release: 2015 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | DE | Original (Tiny Bay)

Cats & Breakkies

New World

38,99 €*

Release: 2024 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2016 | UK | Original (Raf)

Cat's Eyes

Treasure House

18,99 €*

12" | 2019 | EU | Original (Echovolt)

Release: 2016 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record is close to NM.

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Castel

Estrel

12" | 2024 | EU | Original (Ferryhouse Productions)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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In late 1997, unsigned Melbourne producer Castel won a competition at a local club. The prize was certainly sought-after: a CD single release on leading local label DanceNet. That EP, “Estrel”, subsequently appeared in stores in 1998, but within two years Castel had packed away his Atari-ST, sold off his hardware and quit music for good.
Thanks to Echovolt Records, Castel’s story now has a happier ending. 22 years after it was recorded, the unfeasibly gorgeous “Estrel” is finally appearing on vinyl alongside original bonus cut “Me & You” and a trio of similarly impressive unreleased productions from the period.
“Estrel” is positivity personified – a melodious, morning-fresh blast of deep electro bliss rich in bustling drums, tuneful IDM style lead lines and darting, psychedelic electronics. It’s joined on side A by “Me & You”, a pitched-down chunk of hazy ‘90s electronica that wouldn’t have sounded out of place on one of Warp Records’ legendary Artificial Intelligence compilations.
On side B, Castel opens up his archive of unreleased recordings for the very first time. The rush-inducing, bass-heavy swirl of “Safer Somewhere” – one of the last tracks he ever recorded and reminiscent of some B12 recordings from the period – is followed by the intergalactic ambient brilliance of “Latch” and the lilting, sun-bright bliss of breakbeat-driven shuffler “16/11/1998”, whose combination of weighty bottom-end and layered electronics neatly sums up the unheralded qualities of Castel’s previously forgotten work.

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Cassia

Home Soon

20,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (Honey Butter)

Cassettes For Kids

Rest / Relief EP

Musikkassetten / Tapes Holzregal

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Melbourne's Cassettes For Kids - renown for his dusty up-tempo take on straight up house jams joins the Honey Butter roster along with Finlands finest, namely Saine who sits in the hot seat on this one delivering a clubbier cut on the melancholic butter bomb 'You're Leaving But I'll Still Love You'.

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Cassette Rack

39,99 €*

12" | 2021 | EU | Original (Locus)

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Whether music cassettes or radio plays - cassettes are real collector's items that are worth storing well and presenting attractively. Our cassette rack is made of black lacquered pine wood and offers space for a total of 48 cassettes in three rows.
Vinyl Care by HHV stands for practical storage and cleaning products for music lovers. All products in the series impress with their clear design and uncompromisingly good quality.

Dimensions: 385 x 385 x 50 mm

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Casey Spillman

Summer Dreaming EP