Search "the+walkmen+heaven" 40708 Items

Release: 1998 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

2LP | 2013 | US | Reissue (Content (L)abel)

Dday One

Heavy Migration

59,99 €*

12" | 2020 | DE | Original (Ext)

Release: 2013 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Limited Edition, Features cover artwork done by Dday One visually remixing his original photography using "Image Transfer" technique. Each record is hand number out of 115 worldwide

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L .T .

Teleshop EP

11,99 €*

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2020 | UK | Original (Art Of Dark)

Alec Falconer

The Boat EP

16,99 €*

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2001 | DE | Original (Kosmo)

Real-T

Just The Real Thing

12" | 2000 | US | Original (Subtitled Records)

Release: 2001 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Ring wear. Small sticker on front cover.

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The Stic

Ph Balanced EP

16,99 €*

Release: 2000 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

The Now What?! Live Tapes

Deep Purple

2LP | 2013 | Original (Edel:)

32,99 €*

Release: 2013 / Original

Genre: Rock & Indie

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The KM20 Tapes (1992 -1996)

Move D

12" | 2013 | NL | Original (Off Minor)

Release: 2013 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Kiss, Cuddle & Torture Volume 2 Yellow Vinyl Edition

The Hempolics

2LP | 2020 | EU | Original (Zee Zee)

20,99 €*

Spencer Parker, Ian Pooley

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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The Hempolics return with ‘Kiss, Cuddle & Torture: Volume 2’, the follow-up to their triumphant 2017 album which won them accolades including a BBC 6 Music ‘Album Of The Year’ selection. The new release builds on their trademark mash-up sound of reggae, dub, soul and pop but explores new territories with elements of hip-hop, shoegaze and trip-hop welcome additions to the mix.
As with Volume 1, the release is underpinned by the masterful production of main man Grippa – an engineer who cut his teeth working with Faithless – and he’s once again joined by unmistakable Hempolics vocalists Dandelion and Nubiya, who continues to turn heads with her Amy Winehouse meets Hollie Cook timbre.
Highlights of the album include the upbeat soul and reggae hit ‘Play On’, the trip-hop meets dub-influenced single, ‘Full of Surprises’, and the British reggae-funk stomper ‘Bongadashi’. ‘Gotta Thing’ sees the band deliver a fast hip-hop house track laced with classic Hempolics’ reggae flavours, vocals courtesy of Miami rapper Cojack, whilst ‘Place Is Here’, written by Grippa alongside Faithless vocalist Pauline Taylor, is a 90’s shoegaze influenced cut with a languid psych groove.
These releases are to be collected, and hopefully Volume 3 isn’t too far away.

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Feel The Same

12" | 2011 | UK | Original (Tsuba)

7,99 €*

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Jakob Seidensticker & Boronas

The Touch Ep

12" | 2018 | DE | Original (State Of Flow)

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2015 | RU | Original (KZNTP Music)

Datamode

Calling The Boss

13,99 €*

Release: 2015 / RU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2005 | UK | Original (Katania Music)

Xavier Mathias

Condition Of The Past EP

Release: 2005 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1996 | DE | Original (X-IT Records)

Two Phunky People

Two Phunky Trax

Put Your Trust In The Lord

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

White Transparent vinyl

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Orpheo

12" | 1998 | DE | Original (Blow Up)

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1995 | UK | Original (Limbo)

Ritmo De Vida

Havara

5,99 €*

DJ Balli Is The Wrong Nigga To Fuk Wiz !

Release: 1995 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split

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Otoscratch The Ultimate Wax To Remove The Wax!

12" | 2006 | IT | Original (- Belligeranza)

12" | 2006 | US | Original (The Inside)

Release: 2006 / IT – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

seam split

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DJ Tigerstyle

Zero

21,99 €*

12" | 2023 | AR | Original (Calypso's Dream)

Release: 2006 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened with hype sticker.

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Break 3000

The Rise Of Poseidon I

49,99 €*

Want U Baby / Outta The Trench

Release: 2023 / AR – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with a couple of light scuffs, close to VG+. Sticker on label.

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Trench

12" | 1994 | US | Original (Groove On)

Release: 1994 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1999 | DE | Original (Sense Music)

Callahan's

The Sound

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: G+

12" | 2018 | IT | Reissue (La Bella Di Notte)

Model Citizen

Young & Intelligent

14,99 €*

Release: 2018 / IT – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Si Begg Presents Cabbage Boy

The Lost Tapes Vol 1. 1998-2000

12" | 2004 | UK | Original (Noodles)

Release: 2004 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Cover has seam split.

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12" | 2022 | DE | Original (Off The Grid)

OTG001

Release: 2022 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1992 | UK | Original (Vinyl Addiction)

The Stretch Boys

If You Believe It

17,99 €*

The Sound Of Jazz Music / Get Up

Release: 1992 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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Forbidden Pleasures

12" | 1996 | UK | Original (Luxury Service)

5,99 €*

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2002 | US | Original (Guidance)

The Dolphins

House Panic

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Reserved For The Moustache Man EP

Felon5

12" | 2019 | DE | Original (Lowmoneymusiclove)

18,99 €*

12" | 2005 | FR | Original (Missive)

Release: 2019 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

White labels. Vinyl closer to VG+

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Thomas Di Matteo

Electricity

12" | 2021 | DE | Original (Fresh Tunez)

Release: 2005 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Luca Piermattei

Sound From The Heart

Get Up And Get In The Mix

Release: 2021 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl closer to VG+

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Magnum Force

12" | 1985 | US | Original (Paula)

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Move Your Ass And Feel The Beat

Erotic Dissidents

12" | 1988 | BE | Original (Subway)

9,99 €*

Release: 1988 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2003 | UK | Original (Second To None)

The Metric Brothers

Skratch Mathematics EP

WaxBuzzard & Jabba Tha Kut

Release: 2003 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Price tag.

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The WaxBuzzard Meets Jabba Tha Kut!

LP | 2005 | UK | Original (Second To None)

7,99 €*

12" | 2002 | CA | Original (White Leather)

Release: 2005 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Price tag. Vinyl is Close to VG+.

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Sean Kosa

The Dog City EP

Release: 2002 / CA – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1989 | US | Original (UNI)

Ice Cream Tee

Let's Work

Release: 1989 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2019 | IT | Original (Jooice)

Deyayu

Jooice 002

16,99 €*

Release: 2019 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2002 | US | Original (Intrinsic Design)

Jeff Bennett

The Resource EP

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2000 | UK | Original (20:20 Vision)

The Huggy Factor

Ass Jam

Release: 2000 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Gracie Abrams, Aaron Dessner

The Good Riddance Acoustic Shows (Live)

LP | 2024 | EU | Original (Interscope)

24,99 €*

The Tortured Poets Department

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

Flawless Magenta vinyl. Cover has seam split.

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Taylor Swift

2LP | 2024 | Original (Republic)

29,99 €*

Release: 2024 / Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | UK | Original (The New Originals)

The New Originals

Love Themes Part 2

39,99 €*

Ahmad Jamal Trio At The Pershing (But Not For Me)

Release: 2024 / UK – Original

Genre: Organic Grooves

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TNO Love Themes PT. 2, the second LP by Amsterdam-based clothing brand THE NEW Originals.

Following a sold out release of 2022, we present another 12” compilation LP of carefully curated gems—ranging from soul, R&B and a dash of experimental funk from the 70s-80s: musical meditations on love whether that be love of self, love of each other or a bittersweet heartbreak.

Athens OF THE North

This time picking from the catalog of outstanding Edinburgh-based label Athens OF THE North: one of the best reissue labels around—resurfacing ridiculously rare, painfully funky soul, disco and incredible jams since it’s establisment in 2014 by label boss Euan Fryer.

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Ahmad Jamal Trio

LP | 1958 | US | Original (Argo)

11,99 €*

Eric Dolphy & Booker Little

Release: 1958 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Two small stickers and writing on back cover.

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Memorial Album Recorded Live At The Five Spot

LP | 1965 | US | Original (Prestige)

48,99 €*

LP | 1961 | US | Original (Blue Note)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Some stains on cover. Original US mono pressing.

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The Three Sounds

Here We Come

66,99 €*

Tape | 2024 | UK | Original (Tape Kingz)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam split

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Stan Ipcus

The Mask Tape

15,99 €*

People In The Sun Orange Vinyl Edition

Release: 2024 / UK – Original

Genre: Hip Hop

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90 minute Mixtape mixed by United Crates

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Powerplant

LP | 2023 | EU | Original (Erste Theke)

19,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Cultivated Electronics)

Ben Pest / Maelstrom

For The Floor Volume 4

13,99 €*

LP | 1957 | US | Original (Andex)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Cultivated Electronics Ltd's "For The Floor" series features split EPs available on vinyl (only) with Electro tracks aimed strictly at the dance floor, bringing together CE regulars alongside new artists. Previous instalments have presented tracks by DeFeKT, Rico Casazza, Tripeo, Cycloplex, Steve Allman and Alex Jann. Volume 4 now delivers 2 new tracks apiece by Ben Pest and Maelstrom. Bristol's Ben Pest has established notoriety as an exponent of jacking live hardware-based techno and electro with numerous releases on labels including Asking For Trouble, I Love Acid, No Static / Automatic, Orson Records, Don't and more. Here he delivers heavy bass, vocal distortions and tough beats on "Who Would Have Thought I'd Be" and the accompanying "26 Hybrid". Maelstrom has a history of aliases and side projects, illegal raves thrown in warehouses, fields and basements, but he came into his own under his Maelstrom moniker, releasing music on the likes of Raar (the label he co- founded with Louisahhh), Cultivated Electronics, Central Processing Unit, Mechatronica, Private Persons and Discos Atonicos.

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The Pilgrim Travelers

Look Up!

48,99 €*

Release: 1957 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2CD | 2022 | EU | Original (Rekord Music And Distribution)

Die Fantastischen Vier

Für Immer 30 Jahre Live

21,99 €*

Release: 2022 / EU – Original

Genre: Hip Hop

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Afterschool Special: The 123s Of Kid Soul

2LP | 2016 | US | Original (Numero Group)

22,99 €*

Scratch Studio 8 - Legend Of The Scratch

Release: 2016 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Megaman

12" | 2001 | US | Original (Extensive Research)

30,99 €*

Release: 2001 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1985 | UK | Original (4th & Broadway)

Trouble Funk

Still Smokin'

2LP | 2024 | EU | Original (Tardigrade)

Release: 1985 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

seam split, Close to VG+

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Cosmo Sheldrake

Eye To The Ear

40,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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12" | 2000 | US | Original (Hiero Imperium)

Del The Funky Homosapien

If You Must

12,99 €*

Release: 2000 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Tribute To The Masters Volume 1

Proleter

LP | 2014 | EU | Reissue (Banzai La)

22,99 €*

Mousse T. Feat. Emma Lanford

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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The first volume of a series in which ProleteR brings the fun by giving modern arrangements and his own distinctive signature sound to all time classics.

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Is It 'cos I'm Cool?

12" | 2003 | DE | Original (Peppermint Jam)

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Dance To The Drummer's Beat Record Store Day 2024 Blue Vinyl Edition

Herman Kelly & Life

12" | 1992 | EU | Reissue (Music On Vinyl)

26,99 €*

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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The Road To Or-Shalem Transparent Highlighter Yellow Vinyl

Orphaned Land

2LP | 2016 | EU | Reissue (Black Sleeves)

14,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 1964 | DE | Reissue (Blue Note)

Lee Morgan

Search For The New Land

Release: 1964 / DE – Reissue

Genre: Organic Grooves

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12" | 2023 | EU | Original (Barro)

Atix

Turn Up The Beat EP

14,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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As The End Draws Near / Passion For The Future (Extended Remixes)

Manufacture

12" | 1988 | NL | Original (Nettwerk Europe)

13,99 €*

In The Right Place Atlantic 75 Series Sacd

Release: 1988 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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Dr John

CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

46,99 €*

12" | 2004 | DE | Original (Peppermint Jam)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Sacd

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Mousse T.

Is It 'Cos' I'm Cool?

Release: 2004 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The Big Donuts 7" Slipmat

Dr. Suzuki

29,99 €*

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Kaya Original Jamaican Version Limited Numbered Edition

Bob Marley & The Wailers

LP | US (Tuff Gong)

47,99 €*

Release: US

Genre: Reggae & Dancehall

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Babylon By Bus Original Jamaican Version, Limited Numbered Edition

Bob Marley & The Wailers

2LP | US (Tuff Gong)

76,99 €*

Release: US

Genre: Organic Grooves

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Fritz Reiner / Chicago Symphony

Prokofiev: Lieutenant Kije/ Stravinsky: Song Of The Nightingale

LP | US (Analogue Productions)

53,99 €*

The Royal Ballet Gala Performances

Release: US

Genre: Classical Music

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180g

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Ernest Ansermet

2LP+Book | US (Analogue Productions)

99,99 €*

Islands In The Sky Grimace Purple / Silver Vinyl Edition

Release: US

Genre: Organic Grooves

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180g

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Death Valley Girls

LP | 2023 | EU | Reissue (Suicide Squeeze)

26,99 €*

From The Inside Orange Vinyl Edition

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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For the better part of a decade, LA's scrappy rock n' roll mystics Death Valley Girls have used theirmusic as a means of tapping into a communal cosmic energy. On albums like Glow In The Dark(2016), Darkness Rains (2018), and Under the Spell of Joy (2020) the band challenged thesoul-crushing banality of modern society and celebrated "true magical innite potential" through acollage of scorching proto-punk riffs, earworm melodies, far-out lyrics, and lysergic auxiliaryinstrumentation. But on their latest album Islands in the Sky, Death Valley Girls' songwritingmastermind Bonnie Bloomgarden uses the band's anthemic revelries as a guidebook to spiritualhealing and a roadmap for future incarnations of the self. And while these may be the loftiest aimsof Death Valley Girls to date, the resulting music is also by far their most infectious and celebratory.

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Laura Pausini

LP | 2023 | EU | Reissue (Warner Music International)

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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LP | 2023 | EU | Original (Century Media)

Signs Of The Swarm

Amongst The Low & Empty

23,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2000 | CA | Original (Stickman)

Mood II Swing

The Slippery Track

7,99 €*

Release: 2000 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

The Auditorium Volume 1 Black Vinyl Edition

Common & Pete Rock

2LP | 2024 | US | Original (Loma Vista)

36,99 €*

Release: 2024 / US – Original

Genre: Hip Hop

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Legendary hip-hop figures Common and Pete Rock showcase their evolved prowess in their debut collaboration, "The Auditorium, Vol. 1." Despite years apart, their synergy is palpable. Pete's groundbreaking production, blending intricate harmonies, and Common's multifaceted artistry shine through.

Their meticulous process births 15 tracks that blend nostalgia with innovation. With cameos from Jennifer Hudson and De La Soul's Posdnuos, each element is carefully curated, resulting in a timeless masterpiece. This album not only celebrates their individual growth but also sets the stage for future volumes.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

55,99 €*

Movement 60th Anniversary

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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The Joe Harriott Quintet

LP | 2024 | Original (Decca)

Release: 2024 / Original

Genre: Organic Grooves

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Another Earth Vinyl Me, Please Edition

Gary Bartz

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
During the pagan hours of an otherwise uneventful Harlem pre-dawn in 1963, Gary Bartz glimpsed a galactic mystery that conventional aeronautics could not explain. Only a few weeks prior, the nascent alto saxophone virtuoso had acquired his first telescope to pursue a newfound passion for astronomy. The purchase was already yielding dividends.

The recent Juilliard graduate’s fascination with the heavens began with astrology, but the then 22-year-old quickly realized that those celestial sketches were just photographs of the sky as captured during a specific orbit. Why bother with the rough blueprint when you could witness the entire electromagnetic spectrum in its full glory?

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

58,99 €*

Wildflowers & All The Rest

Release: 2024 / US – Original

Genre: Rock & Indie

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Tom Petty

3LP | 2020 | EU | Original (Warner)

46,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Scaring The Hoes DLC Pack Lavender Vinyl Edition

JPEGMAFIA & Danny Brown

LP | 2024 | US | Original (Peggy)

31,99 €*

LP | 2006 | US | Reissue (Get On Down)

Release: 2024 / US – Original

Genre: Hip Hop

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Lavender Vinyl, 12" EP. JPEGMAFIA and Danny Brown return for the EP extension of their 2023 critically acclaimed album, SCARING THE HOES. SCARING THE HOES: DLC PACK contains four new songs that continue to showcase the energy and quirk of the duo that was revered on the full length album by Rolling Stone, Pitchfork, NPR and many more. These four songs continue to show off JPEGMAFIA and Danny Brown's impressive lyricism and exhilarating dynamics when the two come together.

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Too $hort

Blow The Whistle

36,99 €*

Release: 2006 / US – Reissue

Genre: Hip Hop

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Presented FOR THE First Time Ever ON Vinyl AS A Double LP IN A Gold Vinyl Pressing With A Fold-out Insert In 1996 Too $hort almost retired with album number ten, but of course, he couldn't stay away from the game. In 1999 he returned with Can't Stay Away and would pick back up his streak and release a new album every year until 2003. He had been living in Atlanta for several years and the ATL influence was growing on him as each album would feature more southern Hip-Hop artists and producers. Too $hort was starting to get crunk and made appearances on Lil Jon and The Eastside Boyz albums as their sound was growing in popularity in the early aughts. Lil Jon jumped on Too $hort's 14th album What's My Favorite Word in 2002 and would produce five songs on the 2003 follow up Married To The Game. $hort was not about to retire but took a three-year hiatus after the release of his 15th album. He returned in 2006 and dropped the hyped-up Lil Jon single "Blow The Whistle" and followed with his 16th studio album of the same name with Lil Jon and Jazze Pha behind the boards. The album is a mix of crunk, club, classic pimp tales, and some East Oakland hyphy courtesy of Droop-E and Rick Rock. Almost 20 years later "Blow The Whistle" can get any club or stadium bouncing and Too $hort don't stop rappin'.... Get On Down is proud to present Blow The Whistle for the first time on vinyl.

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

57,99 €*

Over The Hump 30th Anniversary Green Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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The Kelly Family

LP | 2024 | EU | Original (Kel-Life)

23,99 €*

Release: 2024 / EU – Original

Genre: Pop

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LP | 2019 | EU | Original (Kompakt)

Weval

The Weight

30,99 €*

7" | 2024 | EU | Original (BBE Music)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Straight in the wake of their eponymous debut LP released on the label back in 2016, Weval return to Kompakt this year with their sophomore album, 'The Weight', breaking their pop-mellow, nostalgia-friendly facet further out in the open as they arrive "at this place again were everything felt spontaneous, new and exciting, like we had in the beginning". Orbiting around that ever luminous yet wistful melodic halo that surrounds their music, this second full-length effort sweeps an extra-wide and languidly woven palette of emotions and moods, making for a uniquely ambitious and generously coloured mosaic of sound.

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The Cromagnon Band

Bad Night Quadrant

19,99 €*

Release: 2024 / EU – Original

Genre: Hip Hop

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Waltz For Debby Craft Ojc Series

The Bill Evans Trio

LP | 2023 | US | Original (Craft)

46,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition

53,99 €*

Undun Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The Roots

LP | 2018 | EU | Original (Def Jam)

22,99 €*

LP | 1993 | US | Reissue (Dischord)

Release: 2018 / EU – Original

Genre: Hip Hop

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Official and limited reissue on Def Jam. Previously released as a 2LP set, this version has now been converted to 1LP, in addition to a limited edition CE color vinyl version.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

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Fugazi

In On The Killtaker

19,99 €*

Release: 1993 / US – Reissue

Genre: Rock & Indie

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You Can Be A Star!: Deep Disco & Crossover 70s Soul From The Now-Again & Soul-Cal Vaults 1972-1982

LP | 2024 | US | Reissue (Now-Again)

The Houston Kid Vinyl Me, Please Edition

Release: 2024 / US – Reissue

Genre: Organic Grooves

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The definitive survey of America’s independent 70s soul scene, and a companion piece to Now-Again’s long-running Soul Cal series. “(Soul Cal) captures the retro-utopian vision of a past where every smalltown record store or garage in the US might have hidden a virtuosic funk outfit; the thrill of knowing that jobbing musicians might be getting paid for the first time; plus the bittersweet knowledge that those that passed on are getting deserved recognition. And all that before you get the thrill of the music itself.” - Wire Magazine.

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Rodney Crowell

LP | 2001 | US | Reissue (Vinyl Me, Please)

33,99 €*

When We Were That What Wept For The Sea

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
The conventional way of talking about The Houston Kid, Rodney Crowell’s 2001 release and the greatest achievement of his 50-year career, is autobiographically. From this way of thinking, the album pretty straightforwardly looks at Crowell’s life growing up in the poor, white working-class parts of Houston, Texas in the 1950s and 1960s, the only child of J.W. and Addie Cauzette Crowell’s tempestuous, dysfunctional union. Hearing The Houston Kid this way isn’t wrong, of course, but it is incomplete.

For starters, if it’s Crowell’s actual life story we’re after, we’d be better off reading Chinaberry Sidewalks: A Memoir, the book project he began around the same time but didn’t publish until 2011. For another thing, The Houston Kid’s details and effects are autobiographically inspired, sure, but also rife with exaggerations, omissions and flat-out fictions. You know, art.

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Colin Stetson

LP | 2023 | US | Original (52 Hz)

45,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Beyond The Groove)

Tom Misch

Quarantine Sessions

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Bay-Bronx Bridge Splatter Vinyl Edition

Masters Of Illusion

7" | 2024 | US | Reissue (Threshold)

20,99 €*