Search "rom+foot+signal" 4851 Items

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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LP | 2018 | EU | Original (Bordello A Parigi)

Heinrich Dressel

Lost In The Woodland

14,99 €*

Lee Konitz With Warne Marsh

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Few producers can capture atmospheres and moods like Heinrich Dressel. The Minimal Rome boss left jaws on the floor with his first appearance on Bordello A Parigi, The House of the Rising Synth demonstrating the breadth of this Italian musician’s sound. Now Dressel returns, this time with a full eight tracks for Lost in the Woodland. In this analogue forest anything is possible. From the whimsical resonance of the title piece, a sonic pathway through a verdant soundscape is laid. Gentle melodies caress and embrace before the road bends into shadows filled with dramatic twists and unseen dangers. Romantic moments are juxtaposed by triumphal chords and daring drums signalling immediate panic or outright victory. This is a woodland of divergent emotions, one where sounds give way to feelings and where Heinrich Dressel is the piper leading his followers through what can only be described as an unforgettable journey.

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LP | 1955 | EU | Reissue (Speakers Corner)

34,99 €*

LP | 1977 | EU | Reissue (Speakers Corner)

Release: 1955 / EU – Reissue

Genre: Organic Grooves

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What a great rhythm group! A dream comes true: Oscar Pettiford and Kenny Clarke – and then Billy Bauer on the guitar and alternately Ronnie Ball (UK) or Sal Mosca (USA) on the piano. No wonder that things really take off when these masters of improvisation from the Lennie Tristano school get going.
In June 1955, in the Atlantic studio, standards provided the starting base for the long and wonderfully sophisticated improvisations by Lee Konitz and Wayne Marsh, who were at that time pupils of the great Chicago maestro. Although the numbers are declared as own compositions, such as "Background Music" and "Ronnie’s Line", they are actually none other than adaptations of "All Of Me" or "That Old Feeling" – but at the very highest level. Lee Konitz always called this 'The Twelfth Step'. The repertoire is enriched by seldom-heard compositions by the great Oscar Pettiford. 'Time-keeping' – a neologism of prime importance for jazz musicians – is the most important element in "Donna Lee" and "There Will Never Be Another You" – and there is no better drummer for this music than Kenny 'Klook' Clarke, who lived in those days in the USA before moving to Paris in 1956 where there was no racial discrimination.
Of course, you can buy these recordings on various digital discs. But that can’t be compared to a superb black disc and a cover with lines notes by the famous Barry Ulanov.

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Little Feat

Time Loves A Hero

34,99 €*

Edo. G Featuring Pete Rock

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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There are many dreamed-of and a number of dreamy records which reflect the American idea of freedom from a musical point of view. One of these was presented by frontman Lowell George and his superb group Little Feat in what the musical experts praised as a »symbiosis of anarchistic primitive folklore and rock finesse« (rororo Rocklexikon). The high standard which the musicians maintain over the two sides of the LP is established with "Hi Roller", a funky, energetic opening number. The multi-part title number "Times Loves A Hero" follows on with a more subdued tempo but with great dive and sophisticated percussion, which proves itself to be the most important element and governs the whole album.
Little Feat conjures with traditional forms, gets you on the dance floor with "Old Folks Boogie" and serves up a tasty mixture of honky-tonk and blues, which is refined with powerful guitar solos.
Just like a picture puzzle, rhythmic figures and figurettes dart hither and thither out of the background of this handcrafted and stalwart filigree rock ("Red Streamliner", "Keepin‘ Up With The Joneses"). But simplicity and softness is also possible: The message in "Missin‘ You" needs nothing more than chords on the acoustic guitar and men’s voices with a southern sound.

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My Own Worst Enemy

CD | 2018 | US | Original (Fat Beats)

15,99 €*

LP | 1974 | UK | Reissue (Be With)

Release: 2018 / US – Original

Genre: Hip Hop

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Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Nearly 15 years later, their collaborative effort receives the deluxe reissue treatment in a full color 2XLP with full album instrumentals. Includes production from Pete Rock, Diamond D and DJ Revolution. Guest features include Jaysaun, Masta Ace, Diamond D, and also features Pete Rock rapping. In 2004, veteran MC Edo G and legendary producer Pete Rock combined
for a golden era classic, My Own Worst Enemy. Nearly 15 years later, their collaborative effort receives the deluxe reissue treatment.

Another friday dedicated to the black gold!

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James Clarke

Mystery Movie

LP | 1975 | UK | Reissue (Be With)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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James Clarke’s Mystery Movie was released in 1974 as “modern, small group compositions in various moods. Ideally suited to the new Americanised style of T.V. and cinema film where music is used to create the mood and carry the action”.

So this collection covers a lot of bases, but it does so brilliantly and has absolutely no right to be such a fantastic listen from start to finish.

Mystery Movie is best known for the slick drum breaks underpinning the top-notch jazz-funk chase theme “Car Patrol”, the fuzz riffing and ARP soloing of “The Heavies” and the slow-mo strut of “Mystery Moll”. “Study In Fear” and “Empty Streets” are horror soundtrack fodder of the finest sort.

However, it’s the understated, plaintive pieces that we find the most rewarding. Ambient feels and strung-out fried-folk treats, full of cyclical naïve melodies. Music that evokes the ‘downlifting’ Ronnie Lane and Ron Wood instrumentals from their great Mahoney’s Last Stand LP, as well as the beautiful soundtrack work of Jack Nitzsche and Ry Cooder. You might also recognise “Waiting Game” from being sampled by melodic downbeat masters Express Rising.

Check “Relaxed Theme”, “Quiet Girl”, “Routine Procedure” and “Quietness Sustained” for a melodic, melancholic set, with the last three performed on just acoustic guitar and harp. Gorgeous work.

As with all ten re-issues, the audio for Mystery Movie comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Francis Coppieters

Piano Viberations

Distinctive Themes / Race To Achievement

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Piano Viberations’ “small group jazz featuring piano and vibes with rhythm” makes for a gorgeous Francis Coppieters showcase, surely one of Belgium’s best-kept musical secrets. Released in 1975, and arguably the most low-key of the KPM and Themes records we’re re-issuing, this is easily our current favourite.

“The Open Highway” is the appropriately-named opener, and immediately demonstrates Coppieters’ dexterous interplay between piano and vibes in assured, joyous fashion. The shuffling bossa of “Sales Notes” is a jaw-dropper, well-mined by samplers with impeccable taste. The mellow head-nod drum-break that is “Funky Chimes” brilliantly demonstrates Coppieters’ quiet majestic side with its slow-motion funk rhythm with beautifully reflective notes throughout.

The upbeat and joyful “Cross Talk” closes out side A. Vibes and piano are definitely at the heart of the arrangement here. The quick cut movement of “Piano In Transit” is another gem, driven principally by piano but those vibes along for more than just the ride. On a more gentle, elegiac note, “To Shearing With Love” is a warm, slow, romantic piece in the style of George Shearing. It’s plaintive and sublime.

Piano Viberations is one of those rare library records the original description of which makes as much sense now as it did when it was first released. Piano and vibes with rhythm indeed.

As with all ten re-issues, the audio for Piano Viberations comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Nick Ingman

LP | 1976 | UK | Reissue (Be With)

Alan Hawkshaw & Brian Bennett

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Released in 1976, Distinctive Themes / Race To Achievement is legendary arranger Nick Ingman exploring the two distinct ideas of “impressive themes varying in style from ‘Basie to Elgar’” and “a study in the pressure and rewards of achievement”.

Distinctive Themes is a veritable indulgence of variously-tempoed, full orchestra, big band workouts, from relaxed swing to more propulsive themes. The progressively building “Expanding Markets” is a true highlight, with its rolling pianos, contemplative electric guitar solos and moody horns over skipping beats. The dramatic “Against The Odds” is another stand-out.

Race To Achievement is all rugged funk with stabbing chords and strutting horns and it’s probably our favourite side. Of course we have to acknowledge the fantastic “Tense Preparation”, sampled by Prince Paul and Dan The Automator for Handsome Boy Modeling School’s seminal “Magnetizing” with Del Tha Funky Homosapien. But the whole side’s range from tense underscores to fast and punchy chase themes makes this is a gem of the KPM catalogue.

As with all ten re-issues, the audio for Distinctive Themes / Race To Achievement comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Full Circle

LP | 2018 | UK | Original (Be With)

Alan Hawkshaw & Brian Bennett

Release: 2018 / UK – Original

Genre: Organic Grooves

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Alan Hawkshaw (piano/Hammond) and Shadow’s drummer Brian Bennett are responsible for some of the slickest, funkiest and most sought-after library records ever made in the UK, particularly ones recorded on the legendary KPM label. Their work has now become the go-to place for sampling in music today. Artists such as Dilla, Nas, and the xx, right through to the billion selling Kanye & Drake have taken Hawkshaw’s and Bennett’s immaculate beat-driven soundscapes for their own usage.

Their new album, in full, iconic KPM cover is a return to the laidback jazz-funk that helped Alan and Brian demonstrate their library chops. The album is classic Hawkshaw/Bennett. It swings, it grooves, moves and thrills with a flair these two have perfected over years.

Standout tracks such as "Hole In One", "In The Clouds", "Interchange", "Oasis", "On The Nile" and "Corcovado" are no mere excursions in nostalgia, for they carry lots of deft studio work that many a producer would give their right arm for. Hawkshaw’s arrangements allow the drums, guitar, bass, strings, Hammond, flute and brass to swirl elegantly around the 12 original tracks; a masterclass in recording.

Cut by Pete Norman, housed in a beautifully designed Richard Robinson sleeve and pressed at 180g by Record Industry in Holland, this release has been afforded the care and attention it rightly deserves. Essential.

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Synthesizer And Percussion

LP | 1974 | UK | Reissue (Be With)

Big Business / Wind Of Change

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Released in the same year as Synthesis over on KPM, 1974’s Synthesizer and Percussion is its essential companion piece. “This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos” is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett’s second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good.

This is one of Hawkshaw and Bennett’s wilder joints and aeons ahead of its time. Bennett’s tough drums provide the underpinnings for the prominent bass, keys and bubbling synths high up in the mix, alongside Hawkshaw’s deranged clavinet-funk-rock. There are heavenly break loops galore.

Opener "Mon Amour" is ultra-smooth funk, all inter-weaving melodic lines whilst the seminal "Oddball" is an incredible hard electro strut with a knocking break. "Mile High Swinger" is a tranquil Spaghetti Western whistling theme over double tempo rhythmic movement and the pulsating "Auto Pilot" has a percussive groove elevated by electric piano and synthesizer. Check "Driving Force”, “Home Run” and "Pacesetter" for electroid prog-funk dripped in acid squelch.

All five final tracks are beatless synth workouts, because they can.

As with all ten re-issues, the audio for Synthesizer and Percussion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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V.A.

LP | 1973 | UK | Reissue (Be With)

Keith Mansfield & John Cameron

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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The two sides of 1973’s Big Business / Wind of Change are mainly the work of the great Keith Mansfield but there’s a killer cameo each from Alan Hawkshaw and David Snell to help deliver “a thematic suite, diverse in mood, applicable to dramatic and environmental situations”. A Be With favourite and truly one for the heads.

The Big Business of side A is all the work of Keith Mansfield. It’s heavy on the suspense and features the vital “Hot Property”, an insistent groove so good that Madlib sampled it to lace the ace “Long Awaited” by Lootpack with Dilated Peoples.

“Sleeping Giant 1” is a more fleshed out version of the equally-dazzling “Fatal Error”, evoking the orchestral magic of David Axelrod. Indeed, it conjures images of Diamond D falling over himself in the early-to-mid 90s to loop its intoxicatingly eerie soundscape. Complete with guitar fills that recall Paris, Texas-era Ry Cooder, you need this record for this piece alone.

The horn-and-flute-led "Tycoon" is a head-nodder and "Power Complex" has some fantastic percussion. Other highlights include the breezy glide of “Whistle Stop Tour” and its sister groove “Clean Air.”

Over on Side B is the more expansive Wind Of Change, which includes the David Snell and the Alan Hawkshaw contributions. But these ain’t no filler. Snell’s shuffling “International Flight” sounds like a smooth Dorothy Ashby track tossed from the heavens. Hawkshaw’s “Road And Rail” is about as luxurious and strung-out as the great man gets and it might just be the highlight of this whole set.

Not to be outdone, if Mansfield’s “Balance Of Power” doesn’t make you feel like king of the world then you must be playing it wrong. Oh, and did we mention “World In Action”?!

As with all ten re-issues, the audio for Big Business / Wind of Change comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Voices In Harmony

LP | 1973 | UK | Reissue (Be With)

Alan Parker & Madeline Bell

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Voices In Harmony was released in 1973 as “a selection of contemporary pop titles featuring voices, brass and rhythm”. We choose to describe this collection of works by Keith Mansfield and John Cameron as “a string-laced, harmony-drenched KPM classic”.

From the bright, lilting harmonies of “Liquid Sunshine” to the melting flutes of “Loving Touch” and “Gentle Persuasion”, this is warm, effervescent soul music for dreamy, idyllic moods. The supreme “Husky Birdsong” is so, so smooth, with its unrelenting bossa bassline and warm keyboards. “Half Forgotten Daydreams” is a gorgeous wordless groove.

As with all ten re-issues, the audio for Voices In Harmony comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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The Voice Of Soul

LP | 1976 | UK | Reissue (Be With)

LP | 2011 | EU | Reissue (Sacred Bones)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Veteran library musician Alan Parker recorded with session vocalist Madeline Bell for his Themes International Music label and the result was 1976’s The Voice of Soul.

The sensational uptempo dancer “That’s What Friends Are For” is probably the most well known track on the record, and is a big hit on the rare groove scene, but it is by no means an anomaly. The Voice of Soul is essentially a perfect, sophisticated soul album with heaps of swagger and sass from beginning to end. Its once generic-sounding title is now deservedly definitive.

And the whole LP oozes sex. It oozes sex so much that it could have soundtracked a period porn film. Indeed, parts of it did. “Love Is All” and “You’ve Got What It Takes” both featured on the infamously banned Pretty Peaches from the same year.

As is usual with library records, The Voice of Soul was hard to get even when it was first released. It’s next to impossible now. So here’s your opportunity to own what is in our opinion one of the finest rare soul LPs of the late 70s, and a superb example of Madeline Bell’s superlative vocal talents.

But that’s not the whole story. As well as pitching the record as “a varied selection of modern female vocal features which are equally suitable for background or radio programme usage”, the original release notes go on to explain that “the corresponding backing tracks are issued on TIM 1022 The Sound of Soul. Therefore it is possible to edit from vocal to instrumental version and vica versa where commentary or scene changes occur.”

So yes, all of the backing tracks from The Voice of Soul were released as The Sound of Soul, and we couldn’t re-issue one without re-issuing the other.

As with all ten re-issues, the audio for The Voice of Soul comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Zola Jesus

Conatus

2LP | 2018 | EU | Original (Hot Casa)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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ged as a
figurehead-- a self-produced, self-designed, self-taught independent woman. Zola Jesus
is not a singer; she is a musician. Zola Jesus is not a band; it is a solo project. That is
not to say the people who have helped her along the way were not deeply important.
Her irreplaceable live band, whose drummer Nick Johnson lends a hand on several
tracks here, and her friend Brian Foote who co-produced this album in addition to the
live string players (Sean McCann, Ryan York) who contribute here were all crucial in
the process. Nika, however, is a woman who can command a room, any room,
without needing a band, a stage, or even a microphone. Her voice is unmistakable; it
cuts right to the core. Conatus is a huge leap forward in production, instrumentation
and song structure. It says it all in the definition of the title: the will to keep on, to
move forward. From thumping ballads to electronic glitch, no sound goes unexplored
on her new record. It is an icy exploration in refined chaos and controlled madness,
an effort to break through capability and access a sonic world that crumbles as it
shines.

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Vaudou Game

Otodi

Best Of R.E.M. At The BBC

Release: 2018 / EU – Original

Genre: Organic Grooves

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No one had been through those doors in years. Unchanged, seemingly untouched, just a Guard watching over it, one wondered whether the place would ever see the light of day again. Built in the 70s by Scotch, there were only twenty such places in the entire world. Twenty studios, all identical. Most had undergone a digital makeover in the 80s, but not this one; situated in Lomé, this studio had stayed true to its original form. Silent and uninhabited but waiting for one thing, and one thing only: for the sacred fire to be lit once again. That of the Togolese Recording Office, is studio OTODI for those in the know. Through thick layers of dust, the console was vibrating still, impatient to be turned on and spurt out the sound so unique to analog. That sound is what Peter Solo and his band Vaudou Game came to seek out.
The original vibrations of Lomé’s sound, resonating within the studio space, an undercurrent pulsing within the walls, the floor, and the entire atmosphere. A presence at once electrical and mystical sourced through the amps that had never really gone cold, despite the deep sleep that they had been forced into. In taking over the studio’s 3000 square feet, enough to house a full orchestra, Vaudou Game had the space necessary to conjure the spirits of voodoo, those very spirits who watch over men and nature, and with whom Peter converses every day.
For the most authentic of frequencies to fully imbibe this third album, Peter Solo entrusted the rhythmic section to a Togolese bass and drum duo, putting the groove in the expert hands of those versed in feeling and a type of musicianship that you can’t learn in any school. This was also a way to put OTODI on the path of a more heavily hued funk sound, the backbone of which maintains flexibility and agility when moving over to highlife, straightens out when enhanced with frequent guest Roger Damawuzan’s James Brown type screams, and softens when making the way for strings. Snaking and undulating when a chorus of Togolese women takes over, guiding it towards a slow, hypnotic trance. Up until now, Vaudou Game had maintained their connection to Togo from their base in France. This time, recording the entire album in Lomé at OTODI with local musicians, Peter Solo drew the voodoo fluid directly from the source, once again using only Togolese scales to make his guitar sing, his strings acting as channels between listeners and deities…

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R.E.M.

2LP | 2018 | EU | Original (Craft)

33,99 €*

Release: 2018 / EU – Original

Genre: Pop

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John Mayall With Eric Clapton

Blues Breakers Blue Vinyl Edition

LP | 1966 | EU | Reissue (Vinyl Lovers)

LP | 1981 | UK | Reissue (Be With)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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This seminal British blues album gave Clapton the chance to finally show his chops, not surprisingly, launching Clapton into stardom. Recorded in 1966 during Clapton's short stint with the Bluesbreakers, just after leaving the Yardbirds (the birth place of other legendary guitar players like Jimmy Page and Jeff Beck) and before he joined Cream. Includes 4 bonus tracks. Light blue vinyl LP.

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Marti Caine

Point Of View

22,99 €*

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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LP | 2018 | EU | Original (Fat Wreck)

Night Birds

Roll Credits

Release: 2018 / EU – Original

Genre: Rock & Indie

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A Foot In The Door - The Best Of Pink Floyd

Pink Floyd

2LP | 2018 | EU | Original (Parlophone)

Release: 2018 / EU – Original

Genre: Rock & Indie

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10" Control Vinyl Performance-Serie

Serato

34,99 €*

10" Control Vinyl Performance-Serie

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The Serato 10" Serato Control Vinyl includes two pieces of ten inch Serato Control discs that offer much more control than a seven inch dic. The Serato 10" Serato Series includes remastered Serato NoiseMap Control Tone on side A and B - now, the signal is 6dB louder than before which leads into more precise tracking and a better vinyl feel.

• includes 2 10" Serato Control Vinyl discs
• Control Vinyl for Serato DJ Pro Software
• A side features 8 minutes, flip side 10 minuntes Control Tone
• Serato NoiseMap Control Signal has been remastered, now it's 6dB louder compared to Control Vinyl discs
"Vinyl Select" function allows to navigate the library's mp3 files
• continuous Control Vinyl signal allows precise scratching and mixing
• innovative positioning technology for faster and more precise positioning of the needle
• Control Vinyl features visible timestamps divided into minutes
• every record pressed is a high quality product and will perform flawlessly

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Serato

12" | 2018 | EU | Original (Be With)

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Side On

Magic

14,24 €* 14,99 € -5%

12" | 2018 | US | Original (Fit Sound)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Brit-Funk classic and huge favourite of Dam-Funk. A certified UK boogie bomb, originally released in 1982, and coming hot on the heels of the Pink Rhythm reissue campaign.

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Bill Converse

Converse EP

Canti E Vedute Del Giardino Magnetico

Release: 2018 / US – Original

Genre: Electronic & Dance

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Acidic powerhouse Bill Converse makes his debut on FIT SOUND. His sound is a refreshing perspective informed by the midwest warehouse parties of which he was schooled mutated into his own blend. Treading the line between melody and brutality, while never being heavy handed, Converse has proved himself once again to be a true original lurking in the underground today.

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Alvin Curran

LP | 1975 | US | Reissue (Superior Viaduct)

Movies Remastered Edition

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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American composer and multi-instrumentalist Alvin Curran has remained one of the great emblems of experimental music for the last half-century. In 1966, along with Frederic Rzewski and Richard Teitelbaum, Curran co-founded Musica Elettronica Viva, a seminal gesture in collective free improvisation. In the early ’70s, his solo work would become a crucial bridge between minimalist traditions on both sides of the Atlantic.

Canti E Vedute Del Giardino Magnetico, Curran’s solo debut, was recorded by the artist himself and issued on Ananda, the small Italian imprint started by Curran and fellow composers Giacinto Scelsi and Roberto Laneri. The piece itself was put together in the winter of 1973 and presented for the first time at Teatro Beat 72 (Rome’s The Kitchen).

Encouraged by the work of Terry Riley, La Monte Young, Charlemagne Palestine and Simone Forti, Curran binds the listener to aberrant notions of place and time: blending field recordings (wind, high-tension wires, beach waves, etc.) with simple and often primitive instruments. Across two sidelong tracks, Giardino Magnetico forms a lyrical collage of synthesizer, glass and metal chimes, plastic tubes, brass and the composer’s alluring voice—converging in an immersive realm of Curran’s inner / outer experiences.

This first-time vinyl reissue is recommended for fans of Harry Bertoia, Michel Redolfi and Lino Capra Vaccina.

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Holger Czukay

LP | 2018 | EU | Original (Grönland)

25,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Food of The Gods aka Zig Zag Zig

That Was Then… This is Now 1992-1996 E.P.

12" | 2018 | US | Original (Chopped Herring)

25,99 €*

LP | 1975 | UK | Reissue (Be With)

Release: 2018 / US – Original

Genre: Hip Hop

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Wow this is SOME unheard/unknown/unreleased 90's project. Mindblowing material, for reel. Following on from our Big Sha EP [1994] from earlier on this year, we have the Food of the Gods aka Zig Zag Zig - That was Then...This Is Now 1992-1996 EP. Incredible material from this QU crew steeped in that 5%-er 90's flava. Reminiscent of the Zig Zag EPs we dropped [no ish!] this is a must for fanz of big old jazz b-lines and righteous lyric!

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Buari

LP | 2018 | US | Original (Fat Wreck Chords)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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2022 repress

A surefire Afro-Funk classic, long treasured by collectors across the globe, the fantastic self-titled LP from Ghanaian singing/percussion sensation Sidiku Buari nevertheless remains a criminally hard-to find gem. We're honoured to present the first ever officially licensed vinyl reissue of this undoubted masterpiece. Limited to just 500 copies.

Originally released on RCA in 1975, this is, quite simply, a ridiculous record. This super-rare album boasts an all-star cast of top funk instrumentalists playing alongside Buari as he blends heavy African rhythms with American soul-funk grooves. The arrangements and the playing are incredibly tight and the album is stacked with killer tracks including "Advice From Father" (sampled brilliantly by Kenny Dope) and "Ku Ka Maria", with its intense, neck-snapping breaks and funky drumming from legend Bernard 'Pretty' Purdie. Purdie is in the pocket for the entirety of this stunning LP - the drumming is just straight out of hand, so varied yet so precise.

It's not hard to fathom why these tracks have always been huge on the b-boy/breaking scene. Other standouts include the wonderful disco-tinged afro monsters "Karam Bani" and "Iro Le Pa" plus the cool laidback groove of "Them Yebtheyet".

With access to the original analogue tape transfers, Simon Francis' stellar mastering elevates the sound throughout and, as ever, it has been pressed at a reassuringly weighty 180g.

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Night Birds

Roll Credits

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 1972 | US | Reissue (Polydor)

James Brown

Get On The Good Foot

Release: 1972 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Teac

TN-280BT

349,00 €*

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2-speed Analog Turntable with Phono EQ and Bluetooth
A wireless turntable for new way of enjoying vinyl records

The TN-280BT is not only a great-sounding turntable for music enthusiastic who wants to enjoy vinyl record from closet or re-issues. It brings you a totally new way of listening to vinyl records with its Bluetooth capability. No extra cost for hi-fi components or complicated wiring is required. Only Bluetooth speakers or headphones you might have for iPhones are required to enjoy the world of vinyl records

The TN-280BT also accommodates a built-in Phono EQ amplifier that provides Line output, and allows you to connect to almost any sound system regardless type of inputs.

The belt-drive motor on the TN-280BT reduces vibration for sweeter, more accurate sound than direct-drive turntables for DJ, while an aluminum die-cast platter and anti-skating system provide a solid foundation for great-sounding playback. The high-performance, upgradable MM cartridge captures every detail on your record, and the static-balanced straight tone-arm ensures clear sound. It’s all housed in a handsome case in black or walnut veneer.

For music enthusiasts who want to hear every sensuous note of their vinyl collection.

Main Features

2-speed Belt-drive turntable
Built-in Bluetooth transmitter
Built-in MM phono equalizer and Phono, Line, and Bluetooth outputs
High-performance MM cartridge included (Made in Japan)
Aluminum die-cast platter
Anti-skating mechanism
High-density MDF cabinet for better vibration and resonance

Specifications
TURNTABLE section
Type Belt Drive
Motor DC Motor
Rotation Speeds 33-1/3, 45 rpm
Deviation of Speed +/-2%
Wow-and-Flutters 0.2%
Signal-to-Noise Ratio more than 67 dB (A-weighted)
60 dB (unweighted, 20kHz, LPF)
Turntable (Platter)
Material Aluminum Die-cast
Diameter 30 cm
Tone-arm section
Type Straight, Static-balanced
Effective Length 223 mm
Stylus Pressure Range 0 to 5 g
Compatible Cartridge 3.5 to 6.5 g
Anti-skating Adjustment Supported
Head-shell and Cartridge sections
Type MM-type
Stylus Shape Elliptical
Mount Half inch
Frequency Response 20Hz to 20kHz
Channel Separation 20dB at 1kHz
Channel Balance 2.0dB
Tracking Force 1.5 to 2.5g
Vertical Tracking Angle 20 degrees
Output Impedance 47k ohms
Output Voltage 4.5 mV (+/-3dB)
Stylus Pressure 2.0 g (+/-0.5 g)
Cartridge Weight 5.7 g (+/- 0.5 g)
Head-shell Weight 10 g (including nuts, screws, and wires)
Analog Output section
Connectors RCA Pin Jack x 1 pair (Chrome-plated)
Output Voltage
PHONO 4.5 mV (+/-3dB)
LINE 120 mV (-13dBV)
Bluetooth section
Range Approx. 10m
Supported Codec SBC

General
Operation Power AC Adapter
Input AC 100-240V, 50/60Hz
Output DC 12V 500mA
Power Consumption 1.5 Watts or less
Standby Power 0.5 Watts or less
Dimensions (W x H x D) 420 × 117× 356 mm / 16.5” x 4.6” x 14.0”
Weight (Net) 4.9 kg / 10.8 lbs.
Operating Temperature +5˚C to +35˚C
Included Accessories
Felt Mat x 1
EP Adapter x 1
Counter Weight x 1
Head-shell x 1 (MM-type cartridge installed)
Turntable (Platter) x 1
Dust Cover x 1
Dust Cover Hinges x 2
RCA Audio Cable x 1
AC Adapter (GPE053A-V120050-Z) x 1
Owner’s Manual (including Warranty Card)

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Teac

TN-280BT

331,55 €* 349,00 € -5%

12" | 2007 | EU | Reissue (Bunker)

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Composite Profuse

Roma Aeterna

12,99 €*

Release: 2007 / EU – Reissue

Genre: Electronic & Dance

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2018 Repress! Dopplereffekt-style sinister robot electro by MinimalRome's head honcho…

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Teac

TN-180BT

209,00 €*

LP | 2018 | EU | Original (Fat Wreck)

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3-speed Analog Turntable with Phono EQ and Bluetooth
The simplest way of enjoying vinyl records

The TN-180BT brings you a totally new way of listening to vinyl records with its Bluetooth capability. No extra cost for hi-fi components or complicated wiring is required. Only Bluetooth speakers or headphones you might have for iPhones are required to enjoy the world of vinyl records.

Designed for music enthusiasts, the belt-drive motor ensures a clearer sound than direct-drive DJ players, while selectable outputs, Phono, Line or Bluetooth allow you to connect any type of amplifiers, powered speakers or Bluetooth devices.

Unlike many budget turntables, the TN-180BT employs a single wooden board cabinet with high-density MDF to dampen vibrations and provide clearer and richer sound, while 3-speed and auto-return turntable mechanism.

For music lovers who have been collecting vinyl records for decades or those just starting out, TEAC’s TN-180BT delivers the true sound of vinyl records.

Main Features

3-speed Belt-drive turntable supporting 33/45/78 rpm
Built-in Bluetooth transmitter to BT speakers or headphones
Built-in Phono equalizing amplifier and Phono and Line outputs
High-density MDF cabinet for improved resonance reduction
Sleek design in black, white or cherry finish
Auto-return and manual arm lifter

 Specifications
TURNTABLE section
Type Belt Drive
Motor DC Motor
Rotation Speeds 33-1/3, 45, 78 rpm
Deviation of Speed +/-2%
Wow-and-Flutters 0.25%
Signal-to-Noise Ratio more than 64 dB (A-weighted, 20kHz, LPF)
Turntable (Platter)
Material Plastic
Diameter 30 cm
Tone-arm section
Type Straight, Static-balanced
Effective Arm Length 200mm
Head-shell and Cartridge sections
Type MM-type
Output Voltage 2.4mV (+/-3dB)
Analog Output section
Connectors RCA Pin Jack x 1 pair (Chrome-plated)
Output Voltage
PHONO 2.4 mV (+/-3dB)
LINE 149 mV (-16.5dBV)
Bluetooth section
Range Approx. 10m
Supported Codec SBC

Operation Power AC Adapter
Input AC 100-240V, 50/60Hz
Output DC 12V 500mA
Power Consumption 1.5 Watts or less
Standby Power 0.2 Watts or less
Dimensions (W x H x D) 420 × 105× 356 mm / 16.5” x 4.1” x 14.0”
Weight (Net) 4.9 kg / 10.8 lbs.
Operating Temperature +5˚C to +35˚C
Included Accessories
Rubber Mat x 1
EP Adapter x 1
MM-type Cartridge x 1 (Installed)
Dust Cover x 1
Dust Cover Hinges x 2
RCA Audio Cable x 1
AC Adapter (GPE053A-V120050-Z) x 1
Owner’s Manual (including Warranty Card)

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NOFX

Ribbed-Live In A Dive

Release: 2018 / EU – Original

Genre: Rock & Indie

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Hold Fast Acoustic Sessions

Face To Face

LP | 2018 | US | Original (Fat Wreck Chords)

Release: 2018 / US – Original

Genre: Rock & Indie

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Nequiquam Deus Abscidit Prudens Oceano Dissociabili Terras, Si Tamen Impiae Non Tangenda Rates Transiliunt Vada

Turhaan Erotti Kaukonäköinen Jumala / Maat Toisistaan Merien Avulla / Jos Epäphyhät Alukset Halkovat / Tahrimattomiksi Tarkoitettuja

2LP | 2018 | EU | Original (Ratio Aurea / Kultainen Leikkaus)

17,99 €*

12" | 2018 | EU | Original (Wax Classic)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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First LP in new series from Finland, this subdue jazz drone album has the quality of dusk, but is never darker than the Nordic summers. Atonal & forceful at times, still padded and invitingly warm, it has 4 classy pieces that enjoy being on the fringes while slowly capturing the ear when organs drone, the TR-808 thumps, the percussive double bass and the saxophone layers fog of melodic growing waves of groove.

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Garage Shelter

L.R.M.

12" | 2010 | US | Reissue (Fit Sound)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Garage Shelter aka Signal ST is a french producer who did mainly tracks for Skylax.

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Anthony "Shake" Shakir

The Drummer Downstairs

12,99 €*

Presents Phantom Dancehall

Release: 2010 / US – Reissue

Genre: Electronic & Dance

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Shake has proven himself time and time again to be one of the most original and creative producers in electronic music today. Unafraid to take risks in his productions or as he calls them his "failed experiments", Shake has created three killer tracks for FIT Sound that can be called anything but failed. "Trackin" is a bangin' disco influenced house track that will smoke the dance floor . "Drummer Downstairs" is a beat track in typical Shake style that mutates into something completely different and unlike anything we have heard before. "Frayed" shows another side of Shake, it is equal parts deep, melodic and dubby. It is an absolutely stunning track. Shake does it again, and FIT Sound is proud to present it to the world.

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DJ Spooky

LP | 2018 | US | Original (VP)

12" | 2018 | EU | Original (Hivern Discs)

Release: 2018 / US – Original

Genre: Reggae & Dancehall

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"Phantom Dancehall" is the exploration of the Greensleeves / VP Records catalogue by DJ Spooky aka Paul Miller. The musical tapestry is built on samples from familiar (and not so familiar) reggae tracks over electronic beats and melodies produced by Miller and protégé Stephen Levitin (stage name Apple Juice Kid). Selected tracks include the keyboard work of Alex Thompson aka Fourth Shift. Guest vocals from Walshy Fire (Major Lazer) and dancehall newcomer Sanjay added to vocal samples of Busy Signal, Lady Saw and Garnett Silk give the project an eclectic, modern dancehall flavor!

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Lion's Drums

12" | 2018 | EU | Original (Suara)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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When Harold Boue aka Abstraxion invited Fantastic Man into his studio after playing together the night before he didn't knew he was planting the seed for a new project. As he recalls, it was "a day of intense sun in Marseille with not enough sleep", but the result was so great that it inspired Harold to work on new tracks around the idea of creating music to reflect his city: a bit rough, but luminous and influenced by elements of Mediterranean, African and Northern European cultures. This has translated into a heavily percussive sound, in which tribal disco grooves invoke the spirits of voodoo-techno. Three cuts driven by warmly distorted rhythms, bursts of primitive drums, rubbery synths and uplifting chants that overall feel like the first sunrays after an excursion through a dark cave: both blinding and blissful. The project's name is a tribute to the astrological sign of Harold's son, who was born at the same time as the music on the EP. It was the definitive signal he needed to convince himself it was the right time to start something new and different. And an event that for sure helps understanding the vibes that this music transmits: as pure, fresh and powerful as only a new beginning can be.

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Charlotte De Witte

Heart Of Mine EP

13,99 €*

LP | 2018 | US | Original (Fat Possum)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Following on from releases on Mary Go Black, NovaMute and Sleaze, Charlotte De Witte continues her streak of stripped back techno on this latest EP for Suara Music.
The Heart of Mine EP leads with the dark stomper 'This'.

A simple and very effective twisted workout. The title track 'Heart of Mine', is typical of her trademark style. Pounding kicks, stark synths, and snatches of uplifting vocal.

The EP closes with the Lewis Fautzi remix of 'This'. It's atmospheric and crunching sound rounds of this solid techno release.

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Melody's Echo Chamber

Bon Voyage

30,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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7" | 2018 | UK | Original (Ram Goat)

Junior Cat

Non Stop / Version

Release: 2018 / UK – Original

Genre: Reggae & Dancehall

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7" | 2018 | UK | Original (La Vida Es Un Mus)

Arms Race

The Beast

2LP | 2018 | EU | Original (Strut)

Release: 2018 / UK – Original

Genre: Rock & Indie

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A furious 4-track EP by the UK hc outfit.

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The Beginning Of The End

26,99 €*

12" | 2018 | EU | Original (Trust)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Strut presents the definitive reissues of two all-time classic Caribbean soul and funk albums, The Beginning Of The End’s ‘Funky Nassau’ (1971) and ‘Beginning Of The End’ (1976).
Emerging from Nassau in the Bahamas in 1971, the band was formed around the Munnings brothers (Ray, Leroy and Frank) and the first song they recorded, ‘Funky Nassau’, became a No. 1 Billboard R’n’B hit, selling over a million copies. “We wanted to create something new,” remembers Ray Munnings, “something that was truly Bahamian. We loved funk but wanted to include elements of junkanoo, the indigenous music of The Bahamas.” An album was written within a week and recorded at Criteria Studios in Miami. “We brought in more Bahamian themes, like ‘Monkey Tamarind’, a wild fruit that grows there.”
By the time of their second album in 1976, the band was managed by Don Taylor, also Bob Marley’s manager. “Don took us to Byron Lee’s studio in Jamaica and used Teddy Randazzo (Little Anthony & The Imperials) to direct the sessions,” recalls Munnings. “He gave us more of an uptempo jazz funk sound with Chicago-style horns.” The album led to a run of incredible bad luck. Booked to support Marvin Gaye’s ’What’s Goin’ On’ tour, the US Musicians Union stepped in and ordered a US group to fill the slot. They were then added onto a major Bob Marley tour in 1976 before he injured his foot, cancelling all dates.
These definitive official reissues of ‘Funky Nassau’ and ‘Beginning Of The End’ are remastered by The Carvery from original tapes and feature full length tracks from the studio sessions. Both albums feature a history of the albums and the band by vocalist Ray Munnings, alongside rare photos. ‘Beginning Of The End’ appears on loud-press 2LP for the first time.

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/DL/MS/

Exit Ghost

12" | 2018 | EU | Original (Be With)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Deep space techno electro on TRUST celebrating the label's year XX. /DL/MS/ is the viennese duo behind recent Frustrated Funk outing, 'Omakuda', last year's TRUST29, 'Rogue Intent', as well as one of the most-played electro tracks of 2017 - their remix of Second Storey's 'Attack Of The Modlings'. 'Exit Ghosts' takes the /DL/MS/ sound far into haunted new orbits, trading some of its earthy rumble for more ethereal emanations. stark and sombre bass signals return, but find themselves enveloped in delicately threaded string anomalies, copious amounts of melodic ectoplasm, and spirit-like liquid funk dilutions. Vinyl 12" contains three locked grooves and ships in new TRUST XX color sleeves.

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The Whispers

Keep On Lovin' Me

12" | 2018 | EU | Original (Rawax)

Release: 2018 / EU – Original

Genre: Organic Grooves

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2023 Repress

Two seminal 12" mixes of a pair of enormous tracks from The Whispers. Both boogie/street-funk flavoured, these sought-after versions have never been paired on the same record. Side A features the notorious anthem "Keep On Lovin' Me" (the one with *that* life affirming video) whilst Side B houses the outstanding, semi-slept-on "Turn Me Out".

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Bacaunau (VID)

Moving On

Ensemble Minisym Plays Moondog

Release: 2018 / EU – Original

Genre: Electronic & Dance

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RAWAX welcomes Sorin Rastoaca aka Bacauanu aka VID to the Family!
There is no need to introduce this great artist and A|ndromeda label boss. His music and discography are manifested to the undergound scene since 2012. "Moving On" is a 2 track beauty righ on time for the open air season.

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New Sound / Moondog Compositions

LP | 2017 | CH | Original (Les Disques Bongo Joe)

LP | 2018 | EU | Original (Sharpeye)

Release: 2017 / CH – Original

Genre: Classical Music

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❝ J'aime écrire de la musique de chambre et des chorales, et particulièrement de la musique pour orchestres. Mais il n'est pas toujours simple de voir ces dernières jouées, l'orgue devient alors le meilleur moyen de donner au compositeur de vastes ressources ❞, écrivait Moondog en 1978 pour accompagner l’album Selected Works – confidentiel cousin américain de Moondog in Europe le premier disque enregistré en Allemagne.

Avec New Sound l’Ensemble Minisym fait le chemin inverse, emportant les pièces pour orgue(s) qui constituent l’album A New Sound of an Old Instrument (1979) – ainsi que des pièces composées en Europe durant cette même période – vers une instrumentation nouvelle et singulière. Le travail de l’Ensemble se base alors sur une grande connaissance de l’univers de Moondog qui a lui-même – et tout au long de sa vie – régulièrement donné de nouvelles couleurs à de mêmes compositions en changeant leurs instrumentations. Ce qui est d’ailleurs particulièrement manifeste au sein de l’album A New Sound of an Old Instrument dont la première face est constituée de pièces essentiellement composées aux milieu du tumulte des rues de New-York et marquée par une incroyable science du métissage (« Oasis », « Single Foot ») quand la seconde fait la part belle à de nouvelles compositions inspirées par ce sol européen que Moondog foule depuis peu et de manière désormais définitive (« Barn Dance », « Elf Dance », « Log in B »).
Empruntant des chemins de traverses les musiciens de Minisym déchiffrent par ailleurs des pièces jusque là inédites, parfois jamais jouées ni-même enregistrées par Moondog (« Logrundr in a », « Ground in d minor », « Marche Funèbre (Vercingétorix) », « Shneeflocken »).
Loin des académismes, c’est un monde que l’on rencontre ici, à l’ombre des instruments aussi rares que chers à Moondog. Ce disque, fruit d’un travail au long cours permet un souffle aussi fidèle qu’iconoclaste sur la musique d'un compositeur qui a passé sa vie entière à échafauder une oeuvre d'une naïveté toute particulière.

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Rhythm Rhyme Revolution

Specific Objects, Gerald VDH, Matt Mor & Chris Klein, Bort

Release: 2018 / EU – Original

Genre: Organic Grooves

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Rythm Rhyme Revolution LP #1 (Gareth Tasker & Barrie Sharpe): Gareth plays and Barrie produces. Their sound is individual - based upon the funk of the early 70s: however, with a totally modern production. The clean unique Sharpe production places every part of the puzzle into the correct space: “every note is audible”. They are accompanied by the understated, haunting jazzy horn of Kenny Wellington (Beggar & Co / Light Of The World). Fritz Catlin (23 Skidoo) adds the final edge with his Studer 169…

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Meat Your Maker #2

12" | 2018 | EU | Original (Meat)

10,79 €* 11,99 € -10%

Vive La Void Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Vienna based Meat Recordings is back on vinyl with another compilation showcasing the labels diverse approach towards techno music. The four-tracker features tunes by Gerald VDH, Specific Objects, Matt Mor & Chris Klein as well as Bort, which range from boomy big room techno to old school acid bangers.

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Vive La Void

LP | 2018 | US | Original (Sacred Bones)

Release: 2018 / US – Original

Genre: Rock & Indie

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12" | 2018 | EU | Original (Atangana)

Fedia Laguerre

Divizion

12" | 2018 | US | Original (Fat Wreck Chords)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Founded in 2018 by DJ and producer Deni-Shain – the man behind acclaimed compilations Space Echo and Pop Makossa -, Atangana Records is the logical follow-up to more than 20 years of travels, constantly on the lookout for new artists and music around the world. As a “tropicalist globetrotter”, in this new project Deni-Shain, in partnership with Thomas Vicente, co-owner of the French restaurant “Le Verre Volé”, aims to dig, reproduce & transmit cross-cultural music, usually unreachable and/or less known by the public.
The goal is simple: share the love of music and to rediscover the pleasure of voicings, percussions and sadly forgotten harmonies, whether you find yourself in a jam packed club or the intimacy of your home.
Atangana’s first releases will be looking at the Caribbean’s Islands, especially into Haiti with the reissue – highly expected by various diggers – of the acclaimed single « Divizion » by singer Fedia Laguerre. Originally released in 1981, this first 12" comes with a remix by Voilaaa and an instrumental cut exclusively based on the additional work by the French afro-collective.

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Strung Out

Black Out The Sky

Release: 2018 / US – Original

Genre: Rock & Indie

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Tom Rogerson with Brian Eno

Finding Shore Black Vinyl Edition

LP | 2017 | US | Original (Dead Oceans)

26,99 €*

Release: 2017 / US – Original

Genre: Electronic & Dance

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Charlie Pickett with Peter Buck

What I Like About Miami

7" | 2018 | US | Original (Y&T Music / Bloodshot)

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Audio-Technica

AT-XP7

159,00 €*

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Preorder shipping from 2024-11-01

AT-XP7
DUAL MOVING MAGNET STEREO CARTRIDGE

• Excellent Tracking ability
• Superior sound without compromise
• Durable robust design for high-quality DJ playback
• Great visibility of stylus tip for instant positioning
• VM dual magnet cartridge with elliptical bonded stylus

The AT-XP7 is specially designed for the needs of DJs. This cartridge features a highly-rigid polyphenylene sulfide (PPS)/glass fiber body and a tracking force of 2 to 4 grams. It also offers a powerful output level of 6.0 mV, and its 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Plus, the cartridge is specifically designed to provide maximum visibility of the stylus tip.

• Durable robust design for high-quality specialist DJ playback
• Cartridges designed for DJ venue applications for their Hi Fi audio Performance
• Great visibility of stylus tip for instant positioning in dark environments
• Audiophile experience associated with DJ’ing environment with the signal output level and output impedance characteristics adapted to DJ professional mixing boards
• VM dual magnet cartridge with 0.3 x 0.7 mil elliptical bonded stylus
• Tapered aluminium cantilever
• Stainless wire suspension enables expressive higher frequency for clearer sound
• High-rigidity and Low-resonance cartridge housing
• Replacement Stylus: ATN-XP7

Specifications:
• Type: VM Dual Magnet
• Frequency Response: 20 - 20,000 Hz
• Channel Separation: 22 dB at 1kHz
• Vertical Tracking Angle: 20°
• Vertical Tracking Force: 2.0 to 4.0 g (standard 3g)
• Stylus Construction: Bonded Round Shank
• Recommended Load Impedance: 47,000 ohms
• Coil Inductance: 1.0 H (1 kHz)
• Output Voltage: 6.0 mV (mV at 1 kHz, 5 cm/sec)
• Output Channel Balance: Output Channel Balance
• Stylus Shape: Elliptical
• Cantilever: Aluminium tapered Pipe
• Static Compliance: 20 x 10-6 cm/dyne
• Dynamic Compliance: 8.0x10-6cm/dyne (100Hz)
• Mounting: Half-inch
• Dimensions: H17.2×W17.8×D28.3mm
• Accessories Included: Cartridge installation slotted screws 11.0 mm (0.43”) x 2 and 8.0 mm (0.31”) x 2, Washer x 2, Round nut x 2, Non-magnetic screwdriver x 1
• Recommended Load Capacitance: 100-200 pF
• Replacement Stylus: ATN-XP7
• Stylus Size: 0.3 x 0.7 mil
• Weight: 6.2g

User Manual: https://eu.audio-technica.com/resources/AT-XP7_UM_112301360_V1_11L_web_171018.pdf

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Audio-Technica

AT-XP5

89,00 €*

Mount Eerie with Julie Doiron & Fred Squire

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AT-XP5
DUAL MOVING MAGNET STEREO CARTRIDGE

• Excellent Tracking ability
• Superior sound without compromise
• Designed for DJ venue application for their Hi-Fi audio performance
• Durable robust design for high-quality DJ playback
• Great visibility of stylus tip for instant positioning
• Carbon ABS cantilever

The AT-XP5 is specially designed for the needs of DJs. This cartridge features a highly-rigid polyphenylene sulfide (PPS)/glass fiber body and a tracking force of 2 to 4 grams. It also offers a powerful output level of 5.5 mV, and its 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Plus, the cartridge is specifically designed to provide maximum visibility of the stylus tip.

• Durable design for high-quality specialist DJ playback
• Cartridges designed for DJ venue applications for their Hi Fi audio Performance
• VM dual magnet cartridge with 0.3 x 0.7 mil elliptical bonded stylus
• Audiophile experience associated with DJ’ing environment with the signal output level and output impedance characteristics adapted to DJ professional mixing boards
• Carbon ABS cantilever
• Great visibility of stylus tip for DJ use
• High-rigidity and Low-resonance cartridge housing
• Durable design for high-quality DJ playback
• Replacement Stylus: ATN-XP5

Specifications:
• Type: VM Dual Magnet
• Frequency Response: 20 - 18,000 Hz
• Channel Separation: 20 dB at 1kHz
• Vertical Tracking Angle: 20°
• Vertical Tracking Force: 2.0 to 4.0 g (standard 3g)
• Recommended Load Impedance: 47,000 ohms
• Coil Inductance: 1.0 H (1 kHz)
• Output Voltage: 5.5 mV (mV at 1 kHz, 5 cm/sec)
• Output Channel Balance: 2.0 dB
• Stylus Shape: Elliptical
• Cantilever: Carbon Fibre Reinforced ABS
• Static Compliance: 20 x 10-6 cm/dyne
• Dynamic Compliance: 6.0x10-6cm/dyne (100Hz)
• Mounting: Half-inch
• Dimensions: H17.2×W17.8×D28.3mm
• Accessories Included: Cartridge installation slotted screws 11.0 mm (0.43”) x 2 and 8.0 mm (0.31”) x 2, Washer x 2, Round nut x 2, Non-magnetic screwdriver x 1
• Recommended Load Capacitance: 100-200 pF
• Replacement Stylus: ATN-XP5
• Stylus Size: 0.3 x 0.7 mil
• Weight: 6.2g

Manual: https://eu.audio-technica.com/resources/AT-XP5_UM_112301370_V1_11L_web_171018.pdf

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Lost Wisdom

LP | 2008 | US | Reissue (P.W. Elverum & Sun)

27,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Reverend Beat-Man & The New Wave

Blues Trash

LP+CD | 2018 | EU | Original (Voodoo Rhythm)

2LP | 2018 | EU | Original (Hector Macello / HHV Records)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Former wrestling rock'n'roll one man band activist Lightning Beat-Man (1992-1999) turned into a primitive rock'n'roll blues preacher during the millennium change and released countless recordings on several labels. In 2017 he had a hand full of songs to record this album, and the idea was to record it with several musicians and not showing them the songs. They went to the studio and Reverend Beat-Man played the songs on the guitar one time, then the musicians had two takes for recording without rehearsal to keep it fresh. The result is a mix of blues trash, new wave folk and dark no wave garage punk and rock'n'roll. Featuring Nicole Izobel Garcia (vocals, organ, percussion), Mario Batkovic (accordion), Julian Sartorius (drums) and Resli Burri (Dead Brothers multi-instrumentalist).

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Jamin & Fid Mella

CIVIC Deluxe Edition

Release: 2018 / EU – Original

Genre: Hip Hop

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2LP | 2018 | EU | Original (Hector Macello / HHV Records)

Jamin & Fid Mella

Augenring Deluxe Edition

Release: 2018 / EU – Original

Genre: Hip Hop

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LP | 2018 | EU | Original (Editions Mego)

Jung An Tagen

Agent Im Objekt

14,99 €* 19,99 € -25%

S & M Trading Co. (Fit Siegel & DJ Sotofett)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Jung an Tagen is practicing sonic animism on a molecular level. With 'Agent im Objekt' he confronts us once more with a form of highly abstracted electronic music - puristic clubsounds for an accelerated future.
Kicking off with an accumulation of high-pitched, psychoactive sounds, 'Agent im Objekt' takes us into a hyperreal sphere reigned by sonic entities. Playing with swarm-dynamics and singular signals, moments of distance and proximity and noise textures that stimulate our perception, Jung An Tagen transgresses the common syntax of clubmusic. His strategies resemble computer music composition and focus on timbre, texture and structure in an almost analytical way. The sounds filtered from his synthesizer are polished and bright, but behave in an astonishingly organic way, forming propulsive melodic sketches. Arranged in multiple layers of versatile polyrhythms, the tracks are nurtured by the forceful dialectics of precisely arranged chaos and ecstatic order.
With his titles, Jung An Tagen is further adding an enigmatic narrative to his tracks, transcending the actual sphere of the dancefloor towards fictional storytelling. Following the structure of a one-sided chatlog, they evoke associations from the X-file series or mystery novels, revealing a brainteaser that is drawn from mysterious coordinates and secret codes.
In addition the official video "20:03 [Y] HOW IS THAT POSSIBLE?" underlines Jung An Tagen's interdisciplinary interest in synaesthetic processes. Developed in collaboration with the programmers JeongHo Park and Scott Sinclair the video visualizes particle explosion data from CERN - the European Organization for Nuclear Research. Inspired by Peter Kubelkas 'Arnulf Rainer', the resulting geometric figures are exposed to a 'complimentary stroboscope' that glitches your receptors and stimulate your brainwaves with photo- and EEG-stimulation close to seizure, inducing a hallucinative reality.
'Agent im Objekt' is playful but analytical, uplifting but mentally disturbed. While the dynamic use of reoccuring motives forces your body to move, cerebral timbres provoke a series of stimuli to massage your brain. It is intellectual body music that might mark a poetic turn in progressive dance music.

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Metal Surface Repair

12" | 2018 | US | Original (Fit Sound)

Rock Island Black Vinyl Edition

Release: 2018 / US – Original

Genre: Electronic & Dance

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FIT Siegel and DJ Sotofett join together on their first 12" collaboration as S & M Trading Co. - a voyage many years in the making. Dark and atmospheric strings sail over a thumping bass line, all while a banging 909 beat and percussions keep this ship on course. The route is long, the conditions are rough,but soon a mysterious landscape beings to take shape beyond the haze. *12" also contains Acidic and Synthetic mixes

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Palm

LP | 2018 | US | Original (Carpark)

18,99 €*

Music From Planet Earth Volume 3

Release: 2018 / US – Original

Genre: Rock & Indie

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On Rock Island, their second LP, Palm produces evidence of a distinct musical language, developed over time, in isolation, and out of necessity. On the island, melodies are struck on what might be shells or spines. Rhythms are scratched out, swept over, scratched again. Individual instruments, and sometimes entire sections, skip and stutter. There is the sense of a music box with wonky tension or a warped transmission in which all the noise is taken for signal.

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V.A.

10" | 2018 | EU | Original (Stag-O-Lee)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Serato x Lefto

Lefto Control Vinyl

64,99 €*

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LP+CD | 2018 | EU | Original (Voodoo Rhythm)

The Dead Brothers

Angst

16,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2017 | EU | Original (://about blank)

V.A.

://about blank 003

8,99 €* 9,99 € -10%

Concorde MkII DIGITAL Single

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Egon Elliut, ZK Bucket, Perel, Jessamine. Once again we are sending a new release of acoustic signals from the collectively-run kindergarten at berlins east cross. After a techno focus on the last release, this one is a bit more melodic and housey. With "hot lies," Egon Elliut contributes a well-crafted house track, newly revised in the "ZKB taking the bus version" by one of our current favorite producers, ZK Bucket. With lots of love for detail, it's a real pleasure. Perel is no stranger to ://about blank. For years she has convinced us with her fantastic live sets; as a DJ, she is just as grounded. "opal" sounds exactly like that -- a shimmering, contemporary version of disco, an album on dfa is coming soon! Our resident Jessamine is releasing his first track ever on this mini compilation-- rough and warm, with a touch of the 80's in sound design, "more love later" has become a beautiful, harmonious and melodic love slider--suitable more for the later club hours.

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Ortofon

149,00 €*

Concorde MkII DIGITAL Stylus

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Concorde DIGITAL is designed to extend the life of timecode vinyl and minimize errors in decoding
• At the same time DIGITAL provides optimal output voltage and sound quality for use with conventional vinyl.
• This optimized 10 mV output voltage maximizes the signal-to-noise ratio of the audio being fed to the software, which results in better interpretation of the timecode signal.
• Furthermore, a decrease in the reproduction of frequencies where vinyl wear & crackle occur helps to minimize errors in the interpretation of the timecode signal and helps timecoded vinyl records last longer.

Output voltage at 1000Hz, 5cm/sec. - 10 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Frequency range at -3dB - 20-18.000 Hz
Tracking ability at 315 Hz at recommmended tracking force - 100 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm
Tracking force range - 3 - 5 g
Tracking force recommended - 4 g

Cartridge weight - 18,5 g
Replacement stylus unit - DIGITAL

Video: https://youtu.be/nO6b2q2FqQA

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Ortofon

59,00 €*

Concorde MkII DIGITAL Twin

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The new stylus features
Replacement stylus offers a tactile feedback when seating, indicating a snug and secure fit, while a cut-out area in the front allows for far more accurate needle drops.

• Larger, wider and more robust stylus body
• Easier to grip and handle
• Better fix by metal spring
• Tactile feedback of correct mount
• Large stylus viewing cut‐out

Output voltage at 1000Hz, 5cm/sec. - 10 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Frequency range at -3dB - 20-18.000 Hz
Tracking ability at 315 Hz at recommmended tracking force - 100 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm

Tracking force range - 3 - 5 g
Tracking force recommended - 4 g
Recommended exclusively for Concorde MkII DIGITAL

Attention: Matches the new Concorde MkII only!

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Ortofon

289,00 €*

7" | 1989 | EU | Reissue (Fat Bwoy / Top Ranking Sound)

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Johnny Lee

There You Go

Automatic For The People 25th Anniversary Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Reggae & Dancehall

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Reissued in a fine style, the ultra-classic 80s thriller ‘There You Go’ by Johnny Lee on the original Fat Bwoy imprint. This long time and in-demand gem is distributed through TRS Records by popular request. The people have spoken. Sweet vocals on this heavy and bold ‘Declaration Of Rights’ riddim, perfect combination and class.

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R.E.M.

LP | 1992 | DE | Reissue (Craft)

Release: 1992 / DE – Reissue

Genre: Rock & Indie

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Goon Mat And Lord Benardo, The

Take Off Your Clothes

LP | 2018 | EU | Original (Voodoo Rhythm)

16,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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The ? Question / Rat Poison

Max Romeo

7" | 2017 | EU | Original (Horus)

LP | 2017 | EU | Original (HFN Music)

Release: 2017 / EU – Original

Genre: Reggae & Dancehall

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A reissue of a Max Romeo tune recorded at Lee Perry’s Black Ark around 1974/75 with a trombone instrumental / Dub on the B side.

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Null + Void

Cryosleep

Mario Diaz De Leon with TAK Ensemble

Release: 2017 / EU – Original

Genre: Pop

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Cryosleep is the debut album from Null + Void, the alias of prolific New York producer Kurt Uenala. It's an album of contrasts and tension, where darkness is pierced by blinding light, and where moody new wave bleeds into stark electronics. In one moment, joyful memories give way to isolation and regret, and in the next, Cryosleep explores the catharsis of crowded dancefloors. Throughout the record, Uenala matches his dynamic production with incredible vocalists-from Depeche Mode's Dave Gahan and the inimitable Shannon Funchess, to Black Rebel Motorcycle Club and The Big Pink. Null + Void's take on dark pop meshes with his love for Detroit electro, poignant synth melodies, and cold atmospheres. With the cinematic opener "Falling Down" and brooding instrumentals like "Come To Me", Cryosleep can feel like the soundtrack to a lost space epic. No doubt, the album evokes Blade Runner, dystopian landscapes, and the splendor of far-off galaxies. As Uenala puts it, Cryosleep is inspired by "classic sci-fi stuff," images of futuristic machines sustaining humans frozen in a dreamstate. The melancholy "Foreverness" explores what they might be thinking: "A collection of fragments, memories of a life lived-preserved, but incomplete and jumbled." Meanwhile, "Into The Void" paints a peaceful, otherworldly picture, "like soaring towards a white light."

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Sanctuary

LP | 2017 | EU | Original (Denovali)

You Don't Have To Fall / Super Bright Gold Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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For the third full length document of his classical works, Mario Diaz de Leon presents his most unified offering to date, distilling the modernistic hellfire of his previous releases to a crystalline essence. “Sanctuary” is an album length piece created in collaboration with TAK Ensemble, a brilliant NYC based quintet devoted to energetic and virtuosic performances of contemporary music. Featuring soprano voice, flute, violin, bass clarinet, marimba, and the composer’s own synthesizer work, the album is a hypnotic and ritualistic journey through realms of angelic and demonic experience, combining acoustic and electronic elements with visionary intensity.

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Brownout

7" | 2017 | US | Original (Fat Beats)

Brick Body Kids Still Daydream

Release: 2017 / US – Original

Genre: Organic Grooves

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An 8-piece outfit formed ten years ago by members of Grammy Awardwinning Latin revival orchestra Grupo Fantasma, Brownout has evolved into a musical force all its own. After garnering their third Austin Music Award last year, the band has continued to produce music that is unflinchingly progressive, while evoking the classic influences of artists such asWAR, Cymande and Funkadelic. They’ve performed at events including Bonnaroo, High Sierra Music Festival, Pickathon, FFFFest, Bear Creek Music Festival, Utopia Festival and Pachanga Fest, while regularly touring the U.S. Brownout’s also served as a highly in-demand backing band for artists including Prince, Daniel Johnston, GZA and Bernie Worrell.

This 45 features two cuts from their latest release, Over The Covers, on limited edition gold vinyl

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Open Mike Eagle

CD | 2017 | US | Original (Mello Music Group)

14,99 €*

2LP | 1992 | US | Reissue (Fat Possum)

Release: 2017 / US – Original

Genre: Hip Hop

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With the first song of his 2014 masterpiece, Dark Comedy, Open Mike Eagle reintroduced himself by defining his style: “I’m bad at sarcasm so I work in absurdity.” On that album, Mike deconstructed our overstimulated and over-surveilled society with ease and caustic wit. But what do you do when the world warps and bends into a shape so absurd that it can no longer be exaggerated?

Brick Body Kids Still Daydream is a searingly political record for systolic political times. It chronicles the life cycle of the Robert Taylor Homes, a housing project on the South side of Chicago that was demolished completely ten years ago. Families that had lived under the same roof for three generations were forced to scatter, condemned by bureaucrats and faceless cranes and public indifference. Mike Eagle brings the Robert Taylor Homes back to life--literally, with arms and eyes and a head like the dome of a stadium--and fights until the last brick is made to crumble.

As always, Mike slips in and out of various grey areas; on the opener “legendary iron hood,” he raps, “you think it's all good, but it's really a gradient.” The nostalgia (“95 radios”) is a little bit painful, the triumph (“hymnal”) comes through painstaking, incremental work. Everything needs to be earned, even the radio signals that are picked up through tinfoil wrapped on children's hands.

The thesis becomes fully formed on “brick body complex,” where the hook is a towering statement of identity: “Don't call me ‘nigga,’ or ‘rapper,’ my motherfucking name is Michael Eagle.” But this is not a departure from the man-as-building conceit--the flesh and blood and brick and mortar are inextricable.

In case there was any ambiguity about the political and cultural forces that lead to the Robert Taylor Homes’ eventual destruction, Brick Body Kids Still Daydream ends with perhaps the most powerful song of Mike Eagle’s catalog to date. “my auntie’s building” is a tour de force. “They say America fights fair,” he raps. “But they won't demolish your timeshare.” This is the point: the decay and eventual destruction of public housing--and of the physical lives of Black Americans generally--has been normalized in a way that should be grotesquely absurd. “They blew up my auntie’s building / Put out her great-grandchildren / Who else in America deserves to have that feeling? / Where else in America will they blow up your village?”

Production comes courtesy of Exile, Toy Light, Andrew Broder, Illingsworth, DJ Nobody, Kenny Segal, Caleb Stone, Lo-Phi, Elos, and Has-Lo, who produces and guests on “95 radios.” “hymnal” also features a superb turn from Sammus, who maintains the same rhyme scheme throughout her defiant verse.

As grave as the album’s stakes are, it's still anchored by Mike Eagle’s irrepressible sense of humor. (His live comedy show, The New Negroes, is upcoming via Comedy Central.) “no selling” is a hilarious take on practiced indifference, and “TLDR” bridges the economic gap with withering wit: “If you was rich and ‘bout to be broke, I can coach you / ‘Cause I can show you how to kill a roach with a boat shoe.”

Eagle has earned rave reviews in Pitchfork, the LA Weekly, and wherever brilliant, avant-garde rap is appreciated. Brick Body Kids Still Daydream is his most overtly political work to date, and puts to use all the dazzling technical skills he's perfected over more than a decade at the forefront of rap’s underground. In chaotic and increasingly fractured times, it has a few crucial things to bring to your attention.

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Townes Van Zandt

Rear View Mirror

30,99 €*

Release: 1992 / US – Reissue

Genre: Rock & Indie

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LP | 2017 | UK | Original (Domino)

Xenoula

22,99 €*

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Low In High School Clear Vinyl Edition

Morrissey

LP | 2017 | US | Original (BMG Rights Management)

32,99 €*

7" Control Vinyl Performance-Serie

Release: 2017 / US – Original

Genre: Rock & Indie

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Low In High School will be Morrissey’s first studio album since 2014 and his debut for BMG. The album will see BMG partnering with Morrissey on the new release and on the launch of his new label, Etienne Records. Low In High School was recorded at La Fabrique Studios in France and in Rome at Ennio Morricone’s Forum Studios. The record is produced by Joe Chiccarelli (who has worked with The Strokes, Beck and The White Stripes to name a few).

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Serato

29,00 €*

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LP | 2017 | EU | Original (Underdog)

Flox

Taste Of Grey

LP | 2017 | US | Original (Fat Possum)

Release: 2017 / EU – Original

Genre: Reggae & Dancehall

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This journey started for Flox on the Reunion island, in the lost heights of the Mafate cirque. It is in this area cut of from the world, only accessible by foot, that the English multi-instrumentalist found himself face to face with the thrilling and endless feeling of being lost and in danger once again. A sensation that had faded away through time, weakening the flickering flame of inspiration.
Listening only to his instincts, leaving aside past experiences and moving forward freely are the main ingredients of this sixth album Taste Of Grey. An album conditioned by inspiration, each song catching the feeling of the moment and releasing unblemished emotions. At ease with the different lines of artistic creation, the multi-talented craftsman once again composed, arranged, played, and recorded Taste Of Grey; a complex mix of organic and digital music balanced between deep Jamaican rhythms and loose funky beats. Breaking down styles to build his own, spending hours reinventing a personal electro vibe that moves back and forth from rap to singing and from darker to lighter landscapes.
Rather than the simple choice of black or white, Flox has chosen a path with more subtle shades of grey. A step into the unknown, writing love songs when political issues had mainly been a major theme. Writing about feelings, unclenching fists to come up with an album that tells a full story. You could listen to the album Taste Of Grey in random but this would also change the story line…

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R.L. Burnside

Worried Blues

30,99 €*

Release: 2017 / US – Original

Genre: Organic Grooves

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Skratch Practice Clear Vinyl Edition

DJ T-Kut

7" | 2017 | EU | Original (Play With)

Skratch Practice Clear Vinyl Edition

Release: 2017 / EU – Original

Genre: Hip Hop

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The master in scratch Dj T-Kut together Dj Yamal and Cut Sound Brothers have cooked this new battle vinyl ready to be to squeezed to the maximum, “Scratch Practice”. Composed by 2 instrumental tracks and 8 tracks tools,
each track is inspired in the classic tracks of the turntable worldwide that converts this record an indispensable piece for the fanatics. The cover is an art of the well-known graffiti artist Mast. Masterized in 126 Productions House. All tracks signed by Dj T-kut.

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DJ T-Kut

LP | 2012 | EU | Reissue (Play With)

14,99 €*

2LP | 2017 | US | Original (RCA)

Release: 2012 / EU – Reissue

Genre: Hip Hop

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The master in scratch Dj T-Kut together Dj Yamal and Cut Sound Brothers have cooked this new battle vinyl ready to be to squeezed to the maximum, “Scratch Practice”. Composed by 6 instrumental tracks and 8 tracks tools, each track is inspired in the classic tracks of the turntable worldwide that converts this record an indispensable piece for the fanatics. The cover is an art of the well-known graffiti artist Mast.
Masterized in 126 Productions House. All tracks signed by Dj T-kut.

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Foo Fighters

Concrete And Gold

35,09 €* 38,99 € -10%

2LP | 2017 | EU | Original (RCA)

Release: 2017 / US – Original

Genre: Rock & Indie

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Just as Foo Fighters’ anthem of the summer “Run” “opens as a dreamy, slow burner then… quickly turns heavy as thunder” (BILLBOARD) with its “huge triumphant chorus” (STEREOGUM), Concrete and Gold marries some of the most insanely heavy FF riffs ever with lush harmonic complexities courtesy of a first time team-up with producer Greg Kurstin (Adele, Sia, Pink).

“I wanted it to be the biggest sounding Foo Fighters record ever,” said Grohl. “To make a gigantic rock record but with Greg Kurstin’s sense of melody and arrangement… Motorhead’s version of ‘Sgt. Pepper’… or something like that.”

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Foo Fighters

Concrete And Gold

26,99 €*

12" | 2017 | EU | Original (Studio Barnhus)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Wheelman / Hanky

Split Single

7" | 2017 | EU | Original (Finders Keepers)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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It's split single time at Studio Barnhus as we come correct with two pieces of proper-not-proper house music for the daredevil deejay. Jonathan Fernandez is only 23 but has lived in Glasgow forever - under his Wheelman moniker and as head of label/party Stereotone, our brilliant new friend has quickly become Scotland's worst kept secret. Track comes overflowing with mind-expanding rave signal and ruff-ruff square bass for your face! Hanky – secret new alias of one of Stockholm's most recent and most exciting dance music exports – delivers a chaotic yet steady "super-groove”, equally primed for the club floor and the anger management class. Artwork by Johan Jonason, award-winning film director/artist and elusive lead singer of Man Tear.

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Emma De Angelis

On Se Pousse Yoruba Soul Remixes

Release: 2017 / EU – Original

Genre: Organic Grooves

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As one of the most enigmatic figures of the 1970s Italian soundtrack and library music network Emma De Angelis and her short recording career provides thirsty fans of speedball psychedelic rock and drum heavy instrumental funk with a tight discography rivalling many of the long-standing bastions of the otherwise male-orientated business.
Born in Rocca di Papa, near Rome, into a flourishing musical environment, Emma was the younger sister of future award winning composers Guido and Maurizio De Angelis, a duo who, under names like Oliver Onions and Dream Bags, would write chart-topping lyrical theme tunes for a wide range of Italian crime, Giallo and Spaghetti Western films featured alongside full scores by Ennio Morricone and the Magnetic System composers (Bixio Frizzi Tempera).
With encouragement from her brothers, Emma, who would also write music under the pseudonym of Juniper, would record a tight clutch of solo-penned material and seldom credited studio contributions to Guido And Maurizio’s film commissions, such as the score for Giuliano Carnimeo’s ‘Simone e Matteo: Un gioco da ragazzi’ (aka ‘Convoy Buddies’). While simultaneously pursuing a career as an illustrator and set designer the De Angelis family contacts would lead Emma to the offices of Romano Di Bari, whose up-and-coming Flirt label was finding success providing custom-built mood music for use in TV and film. Alongside important composers like Alessandro Alessandroni, Gerardo Iacoucci and A. R. Luciani, the young Emma Di Angelis would record a small number of tracks for a compilation called ‘Underground Mood’ (credited in the small print to E De Angelis - not to be confused with Italian singer Edoardo De Angelis). It is from this rare LP that the record you are now holding is compiled. Within the Flirt family of labels Emma De Angelis would also share schedules with other important female composers such as Daniela Casa and Giulia ‘Kema’ De Mutiis - both of whom have appeared on dedicated Finders Keepers releases.
The tracks on this record provide us with a rare glimpse into Emma De Angelis’ short musical career before she became a full time visual artist. With an unknown personnel or studio date it is easy to speculate a potential family jam in Piero Umiliani’s Sound Workshop studio in 1972. One only has to take a listen to Guido And Maurizio’s instrumental theme ‘Gangster Story’ from Enzo G. Castellari’s 1973 thriller ‘High Crime’ (which later appeared on Tarantino’s ‘Death Proof’ soundtrack) or the trippy title theme to Paolo Poeti’s kinky 1976 drama Inhibition to spot the family resemblance.

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Vaudou Game

12" | 2017 | EU | Original (Hot Casa)

16,99 €*

Serato x Eskei83 x Crispy Crust

Release: 2017 / EU – Original

Genre: Organic Grooves

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A 12inch single from the incredible French Afro Funk band including remixes by the one and only Osunlade under the collective name of Yoruba Soul!
Since their first acclaimed album Apiafo and its irresistible single “Pas contente”, these Lyon (France) natives never turned down the heat over 160 stages across Europe, Africa, Canada, Japan... Peter Solo has displayed his amulets, voodoo chants and charisma around the globe. When it came time for them to harness their Afro Soul sound for the second time, they turned their attention once again to their analog strengths. On the road Peter Solo and Osunlade met and could share their musical visions. It was obvious that this two will share their spiritual music experiences.
Kidayu is the name of the second opus which means “sharing”: it’s exactly what those versions of “On se pousse” are about: a true futuristic Hi-life, a great meeting of two ardent defenders of the Afro Soul sounds ! Limited press, mastered by Carvery.

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Eskei83 x Crispy Crust Control Vinyl

79,00 €*