Search "rom+foot+signal" 4847 Items

Release: 1994 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Blufoot vs. Jstar Feat. Mic Assasin ,& Infinite Livez

My Biro / Intchaaa ! (Jstar Remixes)

7" | UK | Original (Scenario)

Release: UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Blue Vomit

Discografia 198x

LP | 2023 | EU (F.O.A.D)

23,99 €*

7" | 2023 | UK | Original (Jazz Room)

Release: 2023 / EU

Genre: Rock & Indie

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Repress of the complete discography of these nihilistic Punk heroes from Torino, northern Italy - a key place for Italian punk that has also given birth to bands like Declino, Negazione, Kollettivo, 5# Braccio, Stinky Rats and many more. Originally released by F.O.A.D. on tape over 3 decades ago, later reissued (again on F.O.A.D.) on CD and vinyl in a very limited edition instantly sold out, this collection has been out of print for more than 10 years! 23 Tracks, compiling all their recorded material: - tracks from "Torino 198x" and "Torinoise" (1981-1982) - live in Vanchiglia and Via Artom, Torino 1982-1983 One of the most iconic bands out of Turin's 80's scene: from the early teenager delirium of "Non mi alzo in pullman", "La sfiga della suora", "Il maniaco" marked by their pure '77 punk approach, to the self-destructive, hallucinatory hardcore darkness which anticipates the class of their latter incarnation Nerorgasmo, with songs like "Vivo in una città morta", "Non sopporto", "Io non sono come voi" etc... 4 page insert with rare photos, Luca Abort's drawings, 'zine excerpts, lyrics, biographical notes and more!

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Blue Mode & El Chavo

Smells Like Teen Spirit

LP | 2019 | UK | Original (Faith And Industry)

Release: 2023 / UK – Original

Genre: Organic Grooves

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The A Side of course is just one of the biggest tunes from the grunge era and is given a Jazzy Funky Groovy version by Blue Mode of Nirvana's Biggest Hit. It turns out that they were influenced by everything from the Gap Band to Louie Louie and a fair smattering of 80's indie and this producytion by by Chip Wickham mixes together a Swinging '60's Blue Note Vibe with the Acid Jazz sound and brings it bang up to date with the Nu-Jazz Experience. First time on 45 and is already a DJ favourite after being included in the Paul Murphy set "Jazz Room" on BBE Records.
Side 2 is a Boogaloo Latin Jazz version (produced by Paul Murphy Live in the studio in Budapest when he was living there) of the Lonnie Smith track "Hola Muneca" beloved of the Acid Jazz era DJ's and previously released on a now impossible to find 7 inch single that goes for crazy prices.

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Blue House

Gobstopper

Release: 2019 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2024 | EU | Original (Punctuality)

Blu:sh

U Is For U And Me

Underground Makes The World Go Round

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Spray retires the eponymously, to instead seek Punctuality; a new label for ‘dastard club elegies in the dark’ hosted by the maestro himself. Blu:sh clocks in to provide the imprint’s inaugural extended player with U is for U and me, a pentagonal suite of nocturnal seductions for ‘U’, our dear listener, from ‘he’, its rosy-cheeked conductor.

B is for Blu:sh (sometimes Benoit B and Terra Utopia), a froward node in the artist’s trilateral soul whose previous charm offensives for Roza Terenzi’s Step Ball Chain and Rey Colino’s Kalahari Oyster Cult under the alias signalled the arrival of a new challenger to the ‘hits parade’. U is for U and me provides distinct variations on the theme of ‘club allure’, five tracks of sparkling body music that captivate in its relentless drive for kinetic salvation.

“A quick glance at the watch, and they’re off!”
AM PM strikes first more night than day, its throbbing bass line locks shoulders with precision rhythms within its psychedelic landscape. Whirlwind Mindsets is sassier, opting for more bump while the track’s aural mesh is grazed by sharp textures of live wires and melodious bleeps.

“... and they get back under way!” Magnetized Your Soul soundtracks the self-actualisation of sonic sophistication, applying the rave pressure with a current of discordant pads and haunted vocals bound by twisted attraction. Pixelated Pleasure Dome is pure sleaze, a wiggle-fested romp of leering subs and thunderous groove of pure self indulgence. High In Cloud City offers the finale of heads-down speedy exuberance with faint breaks and non-stomp pump right up until curtain call.

Written & Produced By Blu:sh
Mastering & Cut: Marco Pellegrino Distributor: One Eye Witness Artwork: Lucia Dominguez Release Text: Nevan Jio

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Blu & Fat Jack

LP | 2019 | Original (The Order Label)

LP | 2024 | EU | Original (Astigmatic)

Release: 2019 / Original

Genre: Hip Hop

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Two West Coast icons team up in Underground Makes the World Go Round, a powerful release with its basslines on the pulse of the Los Angeles hip hop community: yesterday, today, and tomorrow. South Central and Good Life legend Fat Jack and prolific West Coast producer Blu combine forces with a loaded lineup of guest artists, a veritable “Who’s Who” of the underground rap scene in LA: Busdriver, Medusa, Abstract Rude, Cashus King, Aceyalone, and Myka 9. Seven tracks ride the flow between lyrical poetry and heavy jams, an impressive feat that’s riddled with energy and rivetingly rapped. “U.M.T.W.G.R.” jumps in and shouts out with a catchy hook, its pure positive vibes continuing into the freestyle odes to Good Life and Project Blowed. You can feel the walls shaking through the bass splatter in “Low End Theory” as the ceiling crumbles down on your head. From the vital heft of “U.N.I.T.Y Freestyle” to the cascading poetics of “Me Vs. Aceyalone,” the album brings everyone out – and brings everyone together to celebrate the enduring vitality of the L.A. underground.

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Bloto

Grzybnia

CD | 2024 | EU | Original (Astigmatic)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Błoto’s bold 2020 debut brought forth three albums in just twelve months. This prolific creative burst, followed by an ongoing tour and involvement in other projects, meant that fans had to wait over three years for the next release. During this time, new ideas took shape, and the vision for their fourth LP crystallized. The wait for Błoto's new album is nearly over. As always, autumn signals the arrival of Grzybnia (Mycelium).

The idea for the album had been simmering within the band since the release of Kwasy i zasady and finally took shape in late January 2023 at Warsaw's Studio Pasterka, under the careful guidance of Piotr Zabrodzki. It was by far the most fruitful session in the group's history, with ideas flowing in abundance. The chosen tracks not only resulted in two well-received singles, Szlam / Ścieki and Bakteria, but also provided enough material for an EP set to drop next year.

The seemingly chemical title of the album Kwasy i zasady (Acids and Bases) ultimately referred to interpersonal relationships, describing traits that prevent harmony. The album embodied the polarization of societies in the 21st century. The metaphor of Grzybnia (Mycelium) goes a step further. It emphasizes the importance of cooperation as a fundamental skill that can yield various results (fruits, fungi)—both good and bad. Above all, it underscores the power of collective action beyond divisions.

In a complex, unstable modern world that is breaking apart into pieces, the concept of mycelium offers a powerful model. Mycelium thrives in degraded, seemingly lifeless environments created by humans. A key aspect of the broader significance of mycelium is that cooperation benefits all involved parties, where each contributes something and receives something in return. Mycelium is a symbiont, meaning it forms a symbiotic relationship with certain tree species through mycorrhiza, where the roots of the trees and the mycelium exchange essential life-sustaining substances. This results in mutual benefits. The world of mycelium exemplifies cooperation.

A single mushroom, like a person, dies, but mycelium endures, much like humanity itself. Thus, similar to culture, it is immortal. Błoto operates in a manner akin to mycelium. It undoubtedly belongs to the underground realm, embodying the essence of the underground. It is also a destructor of music. In what sense? The Polish Nobel laureate Olga Tokarczuk noted in her book Primeval and Other Times that “[...] Mycelium thrives by drawing the last remnants of life from what dies, decomposes, and seeps into the earth. Mycelium is the life of death, the life of decay, the life of what has died.” In the same way, Latarnik, Cancer G, Wuja HZG, and OlafSaxx, through their collaboration, process cultural products to create entirely new and surprising combinations. The result of this work is both edible and poisonous mushrooms, manifested in the form of fat beats, house, spiritual jazz, improvised music, illbient, organic techno, and genre-defying electronics.

The peak mushroom season in Poland occurs in autumn, which is why Grzybnia will be released on October 10, 2024, via Astigmatic Records. The limited edition vinyl, restricted to 500 copies, will be available for pre-order starting September 6, 2024, on Bandcamp. As always, mixing and mastering are handled by the mighty Kwazar, while the original visual representation of the mycelium metaphor is crafted by Sainer.

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Bloto

Grzybnia

Bliss Signal, Mumdance, Wife

Release: 2024 / EU – Original

Genre: Organic Grooves

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Bliss Signal

LP | 2019 | EU | Original (Caroline)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Unstoppable War Colored Vinyl Edition

Blind To Faith

LP | 2020 | EU | Original (Isolation)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Blind Prophet Feat. Daweh Congo

Good Morning Zion

12" | 2023 | UK | Original (Dub-Stuy)

15,99 €*

LP | NL | Reissue (Polydor)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Blind Prophet returns to Dub-Stuy with a 12'' featuring the mystical voice of Daweh Congo, the renowned roots reggae singer from Jamaica. Good Morning Zion is an uplifting cut blending deep dub vibes with positive roots lyrics from Daweh, a heavyweight steppers cut backed by two dub versions. All tracks were mixed live by the engineer McPullish to give this release a deep analogue resonance.

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Blind Faith

Superstarshine vol. 16

10,99 €*

Live In Goteborg, Sweden, June 3rd, 1969

Release: NL – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Blind Faith

LP | 2012 | RU (B 13)

29,99 €*

LP+CD | 2017 | EU | Original (Voodoo Rhythm)

Release: 2012 / RU

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with foxing. Blue vinyl

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Blind Butcher

Alawalawa

16,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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12" | 2017 | EU | Original (Skylax)

Bleu Blanc House

Republic

10,99 €*

LP | 2016 | US | Reissue (Fat Possum)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Bleu Blanc House is Hardrock Striker & Signal ST. Bleu Blanc House is throwing up parties all over paris but is also a house music storm trooper. For their first release, we got the chance to get 2 amazing monstruous tracks taken straight from the basement from one of the most original french producer Signal ST who teamed up with the legendary skylax label boss Hardrock Striker.

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Blaze Foley

The Dawg Years

30,99 €*

Release: 2016 / US – Reissue

Genre: Rock & Indie

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12" | 1994 | IT | Original (UMM)

Blast Feat. V.D.C.

The Princes Of The Night

2,79 €* 3,99 € -30%

2LP | 2023 | EU | Original (Axis)

Release: 1994 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Blake Reyes

Vernacular

21,74 €* 28,99 € -25%

LP | 2023 | EU | Original (X-Ray)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Titled “Vernacular", the debut album by Blake Reyes is set to release on Axis Records on Friday, October 27, 2023, in vinyl and digital formats. The album is personally overseen by Jeff Mills, and is part of the "Axis Jazz" collection.

This confirms the eclecticism and versatility of both Axis and Blake Reyes, through harmony and rhythm, cultural influences, and the right touch of fusion: characteristics that have always defined jazz.

The album was recorded in three different cities (Bologna, Milan, and Rome), with Jeff Mills present during all recording and mixing sessions. Particularly in Milan, work was done at the Officine Meccaniche studios, where Duke Ellington, Quincy Jones, and many others have recorded.

?Vernacular" is an album that draws from jazz, Detroit techno and funk. It evokes operatic work due to its aspiration to create strong emotional intensity. The album features a blend of acoustic instruments such as acoustic bass, acoustic and electronic guitars, and the Steinway & Sons Grand Piano - the same Duke Ellington played in 1963 when he recorded ?The Symphonic Ellington" album - alongside electronic instruments including drum machines and Roland synths.

?I titled the album ?Vernacular' because I focused solely on production and sound quality, drawing inspiration from vernacular art, as a self-taught and artisanal approach in the noblest sense of the term", Blake Reyes explains. ?The musical references can primarily be found in Jeff Mills and his Millsart project, and more broadly in the works of composers like Bruno Nicolai, Piero Umiliani, Piero Piccioni, Brian Bennett, John Cameron, and even Raymond Scott. For the lyrics of the track ?At Night,' the visual reference that inspired the lyrics can be traced back to certain paintings by Henri Rousseau, particularly ?The Dream,' ?The Snake Charmer,' and ?Sleeping Gypsy.' All of this was done in post-production, working alongside Jeff Mills: a wonderful experience, a continuous flow and exchange of ideas."

Producer, DJ, and sound designer Blake Reyes (born Luca Vertulli) divides his time between Milan and Ibiza. His productions consistently focus on the sounds and emotions derived from tapes, samplers, drum machines, and analog synthesizers. His mixes are broadcasted on stations such as Ibiza Global Radio, Ibiza Sonica, Radio Raheem, and Olà Radio. His DJ sets are distinguished by their elegance and quality, always bringing the dancefloor to the right temperature. He boasts releases on Trax Records and Rebirth Records, and in 2019, he founded Triton Records, his own record label.

Musicians: Dario Lutrino: piano, Stefano Brandoni: guitar, Niccolò "Bolla" Bonavita: bass, Anna Bassy: singer, Blake Reyes: drum machines and synthesizers.

Music composed, produced and directed by Blake Reyes. Lyrics written by Blake Reyes. Studio Engineer: Taketo Gohara, Mastering Engineer: Giovanni Versari, Producer: Jeff Mills.

Studios: Officine Meccaniche, Milan / Fonoprint, Bologna / Forum Studios, Rome

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Blaiz Fayah

Mad Ting 3

25,99 €*

12" | 2021 | UK | Original (Central Processing Unit)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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The leader of the European Dancehall/Shatta scene is still as productive as ever after his latest project Mad Ting 2 and a Europe/Latin America tour in 2022. By delivering multiple hits and appearing at major festivals, Blaiz Fayah is starting 2023 the same way he ended the previous year. The hit maker confirms his notoriety through his appearance in mixes played in clubs by the best DJs of the moment. His exponential growth on social networks, especially Tiktok, is also noteworthy.

A few digits: Blaiz Fayah has 850k monthly listeners on Spotify, 36M Spotify listens and 56M views YouTube for his hit "Bad", more than 9 million TikTok videos under the #blaizfayah.

For his upcoming project "Mad Ting 3" scheduled for June 2, 2023, which concludes the "Mad Ting" series, Blaiz Fayah highlights the vast range of his musical references by bringing in Dancehall, Kompa, Moombahton, Reggae, Shatta and Zouk influences.

For the occasion, some of the most renowned artists of their genre have been invited, such as Busy Signal, Jahyanai King and Nesly.

More than a mere sensation, the artist has seduced Dancehall fans all over the world with hits powered by a dancing energy that only he knows the formula. A unique energy that he was able to spread on some of the best European stages in 2022 (Solidays, Garorock) and that he will be able to continue to broadcast during some fifteen European dates in 2023 (Dour Festival, Reggae Sunska, No Logo...).

By collaborating with international DJs for the production of the tracks on his album (Netherlands, United Kingdom, Mauritius, West Indies...), the artist from the Parisian suburbs extends his influence across different international music stages, as shown by the success of his tour in Latin America (Colombia, Costa Rica, Chile...) and in the Indian Ocean (Mauritius, Reunion, Seychelles...).

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Blackploid

Strange Stars

12" | 2022 | UK | Original (Central Processing Unit)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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German electro producer Martin Matiske has recently breathed new life into his Blackploid alias. The project's revival continues to bear fruit with the Strange Stars EP, Matiske's third Blackploid release of 2021 and second for Central Processing Unit after issuing March's Cosmic Traveler EP through the Sheffield label.
Blackploid's two CPU drops have more in common than just stargazing titles. Those who enjoyed Cosmic Traveler will find plenty to like again in these four tracks, with Matiske serving up another quartet of snappy machine-funk joints this time around. However, while there is certainly a throughline between Cosmic Traveler and Strange Stars, this EP also finds Blackploid pushing the envelope at points by taking risks with his synth tones which thrill and enliven the record.
In keeping with the cosmic theme of Blackploid's recent output, Strange Stars kicks off with 'Star Patrol'. While this opening cut is full of the same needle-gun basslines and dinky synths that characterised Cosmic Traveler, the drum programming eschews the broken beats favoured by many in the scene for a straight house/techno snap. It makes for a very groovy jam, one with Drexciya, Computer World-era Kraftwerk and a pinch of Space Dimension Controller in its mix.
Indeed, the only track on Strange Stars which skips along on a broken beat is second entry 'The Signal'. 'The Signal' also features some of Blackploid's most impressive electronics programming to date, announcing itself with a brilliantly unusual synth that sounds like an old video game unit which has just gained sentience. When this alien tone is combined with another precision-engineered bassline the track invokes the grizzly bangers of the L.I.E.S. label, though the keyboard stabs which enter periodically also hint to the funkier electro of, say, Egyptian Lover.
'The Unseen', the first B-side of Strange Stars, finds Blackploid bringing together many of the things which made the two previous tunes such standouts. A steady four-on-the-floor and a slightly haunted feel to the synth choices casts back to 'Star Patrol', but much like 'The Signal' this joint also features some rather weird tones which are a hair's breadth away from machine malfunction. It's a feeling which runs through to closing cut 'Light Corridor', a number where melodies and anti-melodies zip around an array of gurgling electronic cells.
Martin Matiske's fine run of Blackploid EPs continues with the intergalactic electro stylings of Strange Stars.
Riyl: Drexciya, Cardopusher, Legowelt, Beau Wanzer, Jensen Interceptor

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Blackploid

Planetary Science

7" | 2012 | US | Original (Six Feet Under)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The Blackploid resurgence of recent years continues to gather steam. After laying dormant for some time, Martin Matiske's project roared back into life in 2021 with a pair of EPs for Central Processing Unit. It doesn't look like he'll be taking his foot off the gas any time soon - not only does the new Blackploid collectionPlanetary Sciencecomplete Matiske's hat-trick for the Sheffield label, but it also serves as a prelude to the full-length album which Blackploid will deliver on CPU in 2023.
If that LP is as good as the tracks we get here, then it's safe to say that we're on to a winner. This EP contains a quartet of top-tier machine-funk productions, the kind of crisp post-Drexciya joints we've come to know and love Blackploid for. Each track onPlanetary Sciencemakes good on the record's title by delivering club tackle flecked with FX which sound distinctly like spaceships blasting off into the cosmos.
There is also progression acrossPlanetary Science. While it still aims for the dancefloor,Planetary Scienceis a somewhat more textured listen than eitherStrange StarsorCosmic Traveler, Blackploid's previous CPU drops. Most notable is the increased use of synth pads, with Matiske draping chord progressions over all of these tracks in order to give his music a newfound depth.
Blackploid's subtle evolution is clear from the opening track. 'Dimension Unknown' may begin with a precision-engineered groove reminiscent of an early Legowelt joint, but things soon soften with the introduction of some rich keyboard chords. A few well-chosen bleeps and bloops flit in and out of the mix, but whereas some would use these to scuff up the track further here they are warm and playful.
The more confrontational stance of following cut 'Magnetron' makes it a yin to 'Dimension Unknown's yang. Blackploid works with similar tools here - machine-gun beat programming, chords playing off boinging bass - but there is a tension and buzz to the track which isn't apparent on its predecessor. The synths have a slight Eighties deep space thriller vibe about them, and the FX cut through the mix with more bite.
'Magnetron's energy carries through to 'Wire', the first track on thePlanetary ScienceB-side. Here a big, brutish bassline takes centre stage from the off, a chunk squarewave equal-parts Dopplereffekt and early Eskibeat. Around this swirls a queasy brew of synthesised tones, with the component parts all arranged in order to channel 'Magnetron's sense of unease.
Planetary Sciencecloses out with 'Neurotransmitter'. On this cut, Blackploid returns somewhat to where we started off, finding a midpoint between 'Dimension Unknown's more spacious feel and the livewire flavour of 'Magnetron' and 'Wire'. Tension remains, particularly when Matiske serves up one of the EP's snakiest basslines, but there's also a deftness to the synth pads here which makes 'Neurotransmitter' a little softer around the edges.
Blackploid limbers up for a forthcoming full-length on Central Processing Unit withPlanetary Science, an EP of stargazing electro joints that quietly expand the project's sonic world.
RIYL:Drexciya, Dopplereffekt, DMX Krew, I-F, Annie Hall

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Blacklisted

So, You Are A Magician?

Black Van Feat. Holy Ghost!

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Marble Grey Vinyl.

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Moments Of Excellence (Remixes)

12" | 2011 | DE | Original (Permanent Vacation)

48,09 €* 73,99 € -35%

Black Room / Diesel & Jarvis

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Doom! / I You We / Spend The Night

12" | 2013 | UK (Moton Records Inc.)

Cosmic Ritual Supertrip Orange Vinyl Edition

Release: 2013 / UK

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

White vinyl with a couple of light scuffs

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Black Rainbows

LP | 2020 | EU | Original (Heavy Psych Sounds)

28,99 €*

Cosmic Ritual Supertrip Colored Vinyl 2lp Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Black Rainbows are back with a brand new album! This time they are delivering 12 new and fresh tunes. Recorded and produced by Fabio Sforza, who was also behind the previous album Pandaemonium. “Cosmic Ritual Supertrip” has a monolithic force; guitars, drums and bass are all glued together to give the listener a punch in the face! This album gets its magic power from mixing together a 70’s attitude with a doom-occult and stoner rock sound in a masterful way. We can count a bunch of singles, such as “Isolation” and “Master Rocket Power Blast”, as well as a couple of doomy songs like “Universal Phase” and “Saacred Graal” and also more catchy tunes like “Radio 666” and “At Midnight You Cry”. This is the 8th album of the band and we believe the best one so far. Recorded at Forward Studios in Rome on a huge Neve desk, this new gem will be out May 1st, on Heavy Psych Sounds Records.
The amazing artwork, made by the one and only Robin Gnista, is matching in its entirety the album music concept.

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Black Rainbows

2LP | 2020 | EU | Original (Heavy Psych Sounds)

42,99 €*

Enta Da Stage Picture Disc Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Black Moon

2LP | 1993 | JP | Reissue (P-Vine)

49,39 €* 51,99 € -5%

Tape | 1993 | JP | Reissue (P-Vine)

Release: 1993 / JP – Reissue

Genre: Hip Hop

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Black MOON’s 1993 debut album Enta Da Stage was a gamechanger to those it reached. The pulse of the underground and DIY spirit flowed through the release as members Buckshot, 5ft and DJ Evil Dee dug deep into the record that would become an east coast hip-hop classic. Buckshot, front and center, shone with his foot on the gas, and no intention to sweeten the hard-hitting lyrical flow. 5ft carved out his own on “Ack Like You Want It” and “Son get Wrec”. DJ Evil Dee threw down an early career production masterclass on the jazzy “Who Got Da Props?” with Mr. Walt - the first of many production projects for Da Beatminerz. P-vine is excited to be reissuing the record for the first time as a double picture disc with two bonus tracks off the Buck Em Down 12” to complete this sixteen track deluxe record.

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Black Moon

Enta Da Stage

21,99 €*

Deadly Medley Feat. Royce Da 5'9" & Elzhi / We

Release: 1993 / JP – Reissue

Genre: Hip Hop

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Black MOON’s 1993 debut album Enta Da Stage was a gamechanger to those it reached. The pulse of the underground and DIY spirit flowed through the release as members Buckshot, 5ft and DJ Evil Dee dug deep into the record that would become an east coast hip-hop classic. Buckshot, front and center, shone with his foot on the gas, and no intention to sweeten the hard-hitting lyrical flow. 5ft carved out his own on “Ack Like You Want It” and “Son get Wrec”. DJ Evil Dee threw down an early career production masterclass on the jazzy “Who Got Da Props?” with Mr. Walt - the first of many production projects for Da Beatminerz. P-vine is excited to be reissuing the record for the first time as a limited edition cassette tape with two bonus tracks off the Buck Em Down 12” to complete this sixteen track deluxe record.

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Black Milk

7" | 2020 | US | Original (Fat Beats)

17,99 €*

LP | 2011 | US | Reissue (Fat Beats)

Release: 2020 / US – Original

Genre: Hip Hop

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After releasing music for 25 years, and with the passing of this past decade, Fat Beats is revisiting a few of their classic releases with special limited edition 7"s.

The first 3 feature music from Roc Marciano's Marcberg (2009, Fat Beats Records), Black Milk's AOTY (2010, Fat Beats Records) and Will Sessions' Elmatic Instrumentals (2011, Fat Beats Records)

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Black Milk & Danny Brown

Black & Brown

27,99 €*

Aether EP Jeff Rushin Remix

Release: 2011 / US – Reissue

Genre: Hip Hop

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No one is raising the standard in the underground as high as Black Milk and Danny Brown. After their collaborative track "Black and Brown" from Black's LP Album of the Year became a fan favorite, the two decided to record an entire EP together, fittingly titled Black and Brown. While the aforementioned track appears on the EP, the remainder of Black And Brown sees Danny Brown exclusively handling mic duties, with Black Milk showcasing his masterful production. Black Milk’s Album of the Year dropped in September 2010 to strong reviews and an impressive showing on the Billboard charts, and his stock has continued to rise ever since. Performing with a live band for over 80 shows on a worldwide tour in support of the album, he has established himself as one of rap’s best live performers. He also became the first rap artist to record and release music with rock superstar Jack White, who co-produced and played on the much-publicized “Brain” 7-inch single on White’s label Third Man Records. Never straying from his hip hop roots, Black Milk also serves as a member of the group Random Axe (with Sean Price and Guilty Simpson), and entirely produced their successful self-titled 2011 full-length release. Danny Brown first gained wide recognition with the release of his album The Hybrid as a free download in March 2010. Since the release, he’s emerged as one of rap’s most distinct new voices. The shock value of his drug-fueled and sex-laden rhyming has been frequently compared to the early works of Eminem, and his ear for progressive beats as well as his unique fashion sense has made him a favorite with critics. His latest project XXX was released as a free download in August 2011, and was instantly hailed as one of the top rap albums of the year by artists and fans alike, while receiving heavy coverage from media outlets like Pitchfork, MTV, and The Fader.

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Black Lotus

12" | 2019 | EU | Original (Flash)

12" | 2021 | EU | Original (Shall Not Fade)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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This third release of Black Lotus on Florian Meindl's FLASH Recordings enqueues in her reflection on space and physics and hypnotizes the listener in her usual kind.
According to ancient and medieval science, Aether is the material that fills the region of the universe above the terrestrial sphere.
In mythology it is seen as the personification of the heaven - the soul of the world and element of all life. An undetectable substance.
The invisible material thought to permeate all the empty space in the universe. The pure air that the gods breathe in the heavens.
Kicking off with the opening theme, with its wild synth hook and sweeping ride, ÔAetherÕ induces a solid trip on the dancefloor.
The second track explores deeper territories with its dynamic cymbals, spacey 303 textures and monotonous dark mood.
Distant Signal is a supernatural story about incessant galactic bleeps, accompanied by heavy kicks and a highly energetic percussion.
On remix duties, Jeff Rushin delivers a trippy vinyl version plus an additional digital bonus.
Safe trip!

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Black Loops

Circulation EP

Reflections Vol. 2: Black Decelerant

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After a wafting deep house collab with fellow Italian Berlin resident Ruff Stuff, Black Loops (Ricardo Paffetti) brings Shall Not Fade a third EP of rolling, danceable house of the highest calibre. Paffetti has built a reputation as a creative, high-class producer and does not disappoint on "Circulation EP" - the Shall Not Fade regular makes tribute to classic Italian house while adding a futuristic, unique spin. The 5-tracker opens with "Mike The Dog". It's a crazy electro-garage hybrid that foregrounds frenetic drum loops, while soft lofi chords give way to a disco-like bassline, starting the record off lightheartedly. Title track "Circulation" hits with a syncopated kick and dubbed out vocals that swirl in your head, contrasting a smooth, darker sound design made for sunset dancing. Paffetti perfects a meticulous sound palette across the B-side. From "Banana 20", a pacey track lead by its squelching bassline, to "Dream2gether" - gliding lead synth, trading spotlights with the echoed vocal - these are love songs for the dancefloor. The EP closes out to "Danse sur L'Hardcore", a pumping beast of a house track studded with sparkling chord stabs and g-funk synth trills.

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Black Decelerant

LP | 2024 | US | Original (Rvng Intl.)

26,99 €*

BK-One With Benzilla Featuring Hypnotic Brass Ensemble

Release: 2024 / US – Original

Genre: Organic Grooves

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Black Decelerant is the second installment of Reflections, a series showcasing contemporary collaborations orchestrated by RVNG Intl., recently inaugurated by Steve Gunn and David Moore.Black Decelerant, the duo of Khari Lucas, aka Contour, and Omari Jazz, explores jazz traditions, improvising with synthesizers, guitars, and electronics as a practice laid forth by their musical ancestors. This experience allows for sonic meditations on themes such as Black being/nonbeing, mourning/life, expansion/limitation, and the individual/the collective. The two strive to create a sonic surface which can simultaneously allow Black listeners a place to be still, and to serve as a basis for a movement beyond "the moment." The album's ten compositions configure vast, resonant landscapes with signals, weathers and spirits, suspended in memory and distilled in time. The Black Decelerant machine recalibrates archival relics and acoustic impulses into collages of amalgamated timbres, where harmony exists not without discordance. Across the expansive space of the record, cadent storms of modulated sound ascend beside serene melodic spells. Piano keys and bass lines tumble in free fall throughout the release, accompanied on tracks "two" and "eight" by the spectral trumpet improvisations of Jawwaad Taylor.The duo arrived at their name upon reading Aria Dean's Notes on Blacceleration, an article which explores Accelerationism within the context of Black being or non-being as a foundational tenet of capitalism. Coupled with the record's intended effect, "Black Decelerant" references the music being an invitation to slow down, while hinting at the shared politics between themselves and the artists and thinkers who inspire them.

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Tema Do Canibal EP

12" | 2011 | US | Original (Rhymesayers Entertainment)

26,99 €*

Release: 2011 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Bizz Od / Fit Siegel / Jared Wilson

Collection V1

12" | 2023 | US | Original (Fit Sound)

Tape | 2021 | US | Original (Drag City)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Collection V1" marks FIT SOUND's first compilation, showcasing tracks from renowned artists Jared Wilson, Bizz O.D., and FIT Siegel. Detroit’s own Jared Wilson is a true master of the Tb-303, delivering jacking and melodic acid for over a decade. 'Mind Travel' is a mesmerizing 10-minute journey that intertwines melodic acid lines with ethereal strings. Bizz O.D., an enigmatic figure known for her jackin' acid techno tracks released between '93 and '98, emerges once again with the previously unreleased floor-killing acid stomper, 'One Two,' which, despite being recorded in the mid-'90s, remains as fresh as ever. FIT Siegel's contribution, 'No Feedback,' originated as a sampling exercise in the studio and transformed into an experimental yet functional piece that would find its home in the crates of adventurous DJs."

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Bitchin Bajas

Switched On Ra

Bit Machine Feat. Daisy Dee

Release: 2021 / US – Original

Genre: Organic Grooves, Rock & Indie

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It's almost four years since their last opus - two years since the most-recent run of live shows! Now, Bitchin Bajas return from whatever kind of rare ether they occupy when they're at home, bearing the riches of the whole cosmos in their hands. And strictly OG as well - on cassette only! Switched On Ra is the outcome of a typical Bajas exercise: pouring some out for the pioneers that came before (as they've done with Bitchitronics and their participation in the annual Chicago performance of "In C" over the years). It's a nice way to get a flow - they play a little of themselves, then some for the pioneers, then a little more for the band. Before long, they're playing with the inspirations twined, as they can only come from within. For Switched On Ra, this meant a deep delve into the song-book of one of their soul-predecessors, Sun Ra, whose music is literally written in the Bajas DNA. Digging into this music sounded wild on paper: the drone synth group taking on the Arkestra harmonies and Ra's loose grooves? The trick was to get that sense of rhythm to translate across the spectrum from Ra to Bajas, in a way that worked for them both. Their rearrangements of the tunes went good - up and down the EQ band, they were finding the round sounds and jagged edges that brought Ra's music into their own thing. Then at the last minute, there was another twist - why not pay tribute to the Queen herself, and think of the arrangements with a Wendy Carlos vibe? A little side homage? After all, Switched on Bach was visionary, bringing analog synths from the outside all the way into the mainstream in the late 60s - and this take on Ra is meant to take him to new ears everywhere. Sun Ra of course was his own kind of original keyboard visionary, using electric keyboards in the late 40s and 50s to fill a role in jazz that had traditionally been played on acoustic piano only. Once he'd done so, he took his writing in directions inspired by the electricity, places no one had thought to go before then. Doing what he did on the keys was a stand for individuality that became the background radiation of his journey through the cosmos; the search for a place beyond earthly dominance, for all the people who desperately wanted the fuck OUT. Bitchin Bajas have been content to dominate in a microtonal world, usually without a single chord to be found anywhere. But here, they step up righteously, their vibe triangulated as they bring Ra's music forward with some Wendy C style, making an unexpected space for all to thrive. There's a real feeling of joy as these collected signals bounce off the tape and through the speakers into your space. To get this unique colloid exactly right, Bitchin Bajas used nineteen different keyboards. They abstained from deploying their arsenal of reed and woodwind instruments: everything had to be on the keys. This meant Yamahas, Rolands, Korgs, Casios, a MicroMoog and of course their trusty Ace Tone organ. They even broke out the Crumar Ds-2, to have some of Ra's chosen tone in the mix. Then Jayve Montgomery added an EWI as a solo voice on a few tunes, just to get some air-blown signal (and a natural shout out to EWI master Marshall Allen) in there, after all. It felt like somewhere in the universe, Ra was decreeing it. Switched On Ra is an effervescent celebration of music throughout time and space.

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Somebody Real

12" | 1995 | DE | Original (Dance Street)

6,99 €*

Red Light Habits Red / White Marbled Vinyl Edition

Release: 1995 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam split.

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Bird's View

LP | 2023 | EU | Original (Drakkar)

23,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Red Light Habits Red Vinyl Edition

Bird's View

LP | 2023 | EU | Original (Drakkar)

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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House Of Commando Transparent Blue Curacao Vinyl Edition

Bird's View

LP | 2024 | EU | Original (Drakkar Entertainment Gmbh)

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Substrata [Alternative Versions]

Biosphere

LP | 2022 | UK | Original (Biophon)

25,99 €*

CD | 2022 | EU | Original (Modal Analysis)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Substrata was the third studio album by the Norwegian electronic artist Biosphere, released 25 years ago by All Saints Records in London. In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time. Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
David Stubbs´review of the original album in Melody Maker ,July 12th 1997.
Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata" is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.

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Biomass

B-Trade

14,39 €* 15,99 € -10%

Bing Crosby With London Symphony Orchestra

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Panos Kyveleas a.k.a. Biomass returns to Modal Analysis after his debut EP "M.D.O.F. in 2015, in collaboration with Italian performers R.O.M. 'B-Trade' is his first album since 2009, debuting also the CD catalogue of the Athens' label. Focusing on instruments like Cretan Lyra and Violin, this is an ambient/drone cinematic album of 12 tracks by the Greek musician credits.

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Bing At Christmas Silver-Clear Splatter

LP | 2023 | EU | Original (Decca)

33,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Christmas

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Billion Ft. Code:breaker & Sense MC

Defence

12" | 2012 | Original (Alignment)

7,99 €*

Bill Watrous Quartet With Derek Smith, Linc Milliman And Ronnie Bedford

Release: 2012 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Generic label cover

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Roaring Back Into New York, New York

LP | 1983 | US | Original (Famous Door)

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Bill Mackay And Nathan Bowles

Keys

LP | 2021 | US | Original (Drag City)

19,19 €* 31,99 € -40%

Release: 2021 / US – Original

Genre: Rock & Indie

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12" | 2018 | US | Original (Fit Sound)

Bill Converse

Converse EP

10,99 €*

CD | 2021 | US | Original (Air Vinyl)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Acidic powerhouse Bill Converse makes his debut on FIT SOUND. His sound is a refreshing perspective informed by the midwest warehouse parties of which he was schooled mutated into his own blend. Treading the line between melody and brutality, while never being heavy handed, Converse has proved himself once again to be a true original lurking in the underground today.

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Big Turks

Big Turks Redux

17,99 €*

LP | 2022 | EU | Original (Proto)

Release: 2021 / US – Original

Genre: Hip Hop

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BIG Turks is Rome Streets, Jamal Gasol, Lord Juco, Ro Data, Jordan Commandeur, and Jonny Botsch. The group's self-titled concept album dropped almost exactly a year ago and was praised as Album of the Year by many. "big Turks Redux" collects remixes that were exclusive to the CD release of "big Turks" and the "Director's Cut" vinyl, as well as new remixes by Mr. Green, Hobgoblin, Observe Since 98, and MichaelAngelo. To reinforce the Turkish theme, the group invited Turk producer Smek to remix "Leave It To The Turks," while Oberseve Since 98 and Halal Cool J (aka Don Leisure) both used Turkish samples for their respective remixes.

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Big Mountain County

Klaus

15,99 €*

Big Miz Presents Friends Fm Ep Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Two years after the release of their last album Somewhere Else, BIG Mountain County releases a new EP. That's Klaus, the result of an evolution in sound and style that the band has carried out during the long months of forced absence from the scene. Unlike the past, the artistic production was in fact entirely in the hands of BIG Mountain County, which, never as this time, feel perfectly represented their soundscape in the tracks engraved on vinyl, available here from April 22. To open the dances there is (literally) What?, already released digitally last July. It is a song that, despite its attitude rooted in punk, is about artifice, about pushing the sounds to reach new landscapes. The super groovy bass lines, the crunchy drums, the connection between the synths and the vocals, raw, edgy but also refined and elaborate, push the band's style beyond the garage-psych overtones to which they have been associated. The lyrics are about a personal relationship, centered around someone very close who can turn into an unbearable person, leading us to a definitive reaction. But the song is also a vehicle for emotional release, so yell "What?" it becomes an indomitable will to move forward, to go through these absurd times that we are all living, a cry of anger against any kind of impediment. For What? was shot a video, released last July, signed by Paolo Sfirri. It follows the title-track THE Klaus Crossing, the unique track not yet unveiled. It is the track closest to the old production of BIG Mountain County, who speak of it as follows: “In such a "chaotic and fragile" period we need to dream even more strongly. On a heartbeat marked by the arpeggiator, a weave of guitars is being created to send the present to an other side, where we are stripped of material consistency and imagination takes the power. These days are too grey, some relationships are too worn out, there are no expectations, only the prospect of sinking. So we hurry: energies fade, time runs fast, but spring is just around the corner. And to be born it is necessary to die.” Side A is closed by Where ARE YOU?, released as a single in January. Here the contamination of psych sounds, exquisitely analog, with rhythmic and melodic lines with a more synthetic flavor is evident. Over a skeleton of a reiterated rhythm that is not afraid to refer explicitly to the krautrock of Can, we hear guitars and synthetic riffs that remain around Berlin, but look towards California, remembering The Brian Jonestown Massacre. In the middle of this combination, a synthetic arpeggio breaks in, to soon gets stuck in the pressing rhythm, and finally get confused in the closing explosion, BIG Mountain County's trademark. The band's "flirt" with Berlin and California doesn't end with the A-side. Side B, in fact, features the two remixes of Where ARE YOU?, both already released digitally last March. The first one is signed by AL Lover, , cult name of the international psych scene, known for his unique approach to psychedelic and experimental electronic music. Already author of remixes for bands such as Thee Oh Sees and Night Beats, he has collaborated with several labels (Stolen Body Records, The Reverberation Appreciation Society, Fuzz Club Records, Hoga Nord Rekords, Pnkslm Records and Crash Symbols) and artists such as The Brian Jonestown Massacre, White Fence, Goat and Cairo Liberation Front. He has also been the official DJ for festivals such as Levitation and Desert Daze. When Big Mountain County approached the California-based producer about remixing Where ARE YOU?, these were his words: "I really love this track! Been jamming it loud! I love the vibe of the original track and the production value. I tried to preserve some of those elements but with a different twist. I was able to sit down with this over the last few days. Really digging the results, I went with a mix of krautrock / shoegaze / chopped and screwed trip hop vibes." The result doesn't betray his words, but according to the band it goes even further: “The Californian producer Al Lover puts the music of Big Mountain County on film. He projects it on the big screen, cleverly uses photography and rewrites the plot with a very personal editing. Colors of the East, no longer intended as a lysergic space, but as a chaotic traffic of men, vehicles and animals on any given day in the Indian subcontinent (in Mumbai). In this marasmus the echo of what has been, or what could be, is there to re-propose the question that led to writing the screenplay: "Where are you?”. With the second remix, which closes out the EP, Big Mountain County are infected with a tropical disease in this remix masterfully produced by Tropicantesimo, aka UGO Sanchez, metropolitan prophet of slow rhythms and star of nights with no end, if not in hallucinated dawns front of the sea. Big Mountain County talks about it like this: “Here, more than hangover, that's "saudade" . So, the sense of lack becomes a curse - How does it feel to live so far away for me? - to be shouted, shared and cried. But outside, in some crowded city in the South of the world, it's Carnival and Summer is still there to be lived and danced, perhaps at a slower and more rhythmic pace.” An experiment, that of the remix of their songs, long in the band's wish book, finally fulfilled by Hugo Sanchez, cult Rome-based DJ and producer, recently protagonist of the recording declination of Tropicantesimo, a musical ritual dilated in time, through the celebration of sound and dance. This is a party, which over the years has become a real experience of listening, sharing and discovery out of time and space, finding home among the records and recordings of Pescheria, space-studio, but also record project, which sees Hugo Sanchez at the center of a collective of artists of various forms, musical, visual and sound installation. After having premiered two tracks by Klaus at the last Esns in Groningen (nl), Big Mountain County will return to play from April 23rd, in a tour with more than twenty gigs in Italy, Switzerland, Germany, France, Belgium and UK. In July they will be back in Berlin for the Fusion Festival 2022.

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Big Miz

12" | 2023 | EU | Original (Shall Not Fade)

13,59 €* 15,99 € -15%

Big Joe Turner With Pee Wee Crayton And Sonny Stitt

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Big Miz returns to Shall Not Fade, this time with a collaborative project featuring some incredible producers; Hayley Zalassi, Van Damn & Bessa!

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Everyday I Have The Blues

LP | 1991 | US | Reissue (Original Jazz Classics)

LP | 2023 | Original (Rumi Sounds)

Release: 1991 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Big Daddy Mugglestone

Hangman & The Rainmaker

7" | 2023 | US | Original (Swimming Faith)

Release: 2023 / Original

Genre: Rock & Indie

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Big Daddy Mugglestone is back, with his first full-length solo release in over 2
decades! Rumi Sounds is proud to
present this collection of songs about Life,
Love, and God that really embody the idea of Americana Gothic. The
songs are dark but not bleak, giving a glimpse of forgiveness...even the
12-minute long murder ballad for which the album is named is still a love song.

With a mixed band of Denver and Berlin-based friends, Mugglestone steps out of the shadowy depths
to create a record you and yr auntie could listen to while doing the dishes or
lounging on the sofa on a rainy day.

The psyche-melodic guitar swirls of Oska Wald and the alluring back-up
vocals of MTN GRL elevate his wry
croon, not quite country but not quite
contrary. Something like if Lee Hazlewood and John Prine both wanted to buy
the same vintage lamp...

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Big Clown

Beatdown

Sir Lucious Left Foot: The Son Of Chico Dusty Vinyl Me, Please Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Big Clown is a group of best friends from Memphis, TN and Jackson, MS who got together one night to try and make a record without writing or rehearsing anything beforehand. What came out of it was a car-hitting-a-brick-wall style explosion, true living room punk from southern freaks trying to create something memorable and honest in the smallest timespan they can. The rules were simple: every song has one good idea and only one good idea. Get in, get out. Don’t linger. Tune each string to the same note. When it’s done, it’s done. Fast forward four years, three main releases, one Japanese exclusive tape, and several Gonerfests later to Beatdown. Written after a road trip gone wrong soundtracked by 16 hours of buttrock hits, Beatdown is what happens when your guitars tuned to only one note need to play something new. Beatdown is what happens when you write songs to amuse yourself and hope other people come along for the ride. Beatdown is what happens when your city faces a near insurmountable water crisis and you know exactly who is to blame. Sometimes you just gotta laugh.

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Big Boi

2LP | 2010 | US | Reissue (Vinyl Me, Please)

43,99 €*

Sir Lucious Left Foot: The Son Of Chico Dusty

Release: 2010 / US – Reissue

Genre: Hip Hop

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Why you'll love it...
While fighting through label limbo and placing his budding film career on freeze, Antwan “Big Boi” Patton spent a couple years readying the artillery for his solo close-up. Sir Lucious Left Foot: The Son of Chico Dusty is both a testament to the maturation of Big Boi and a tribute to his late father; underneath, it’s a speakeasy at breakneck speed, sittin’ on 32s. Where many other formidable MCs would be eaten alive, Big Boi shapeshifts across every mood and landscape with his trademark tenacity. He’s an effortless showboat who can portray sleaze with ease, but he’s a true class act who’s got nothing left to prove, yet will never let it show. Flanked by his known co-conspirators and many more, Big Boi blesses the senses the way only an East Point playboy can; it’s an intergenerational time warp, and another funky ride in HD. The final product is a natural progression of his Organized Noize lineage, sent across dimensions to return with an assemblage of time-tested potent Black grooves, then pressure-cooked in the kitchen of thefinest booty club in Georgia.

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Big Boi

2LP | 2010 | US | Original (Def Jam)

44,99 €*

LP | 2001 | EU | Reissue (Fat Cat)

Release: 2010 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: VG+

With insert. White vinyl edition. Cover is close to NM.

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Big Bill Broonzy

Best Of

Release: 2001 / EU – Reissue

Genre: Organic Grooves

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Comin All The Way From Detroit

Big Barn Combo

LP | 2001 | Original (Jungle Room)

15,99 €*

Release: 2001 / Original

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Warner)

Biffy Clyro

Only Revolutions

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Betty Everett With Guest Artist Jerry Butler

Starring Betty Everett

LP | US | Original (Tradition Everest)

Betty Black & The Family Fortune

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover has small seam split.

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Sweet Dreams (Are Made Of This) Black Vinyl Edition

7" | 2023 | UK | Original (Skyline)

18,99 €*

Bessie Smith With Louis Armstrong

Release: 2023 / UK – Original

Genre: Organic Grooves

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After the great success of Cry Me A River - voted by Craig Charles as his TOP Funk record of 2022; Betty Black has now taken things even further. Black's cover of Sweet Dreams is a phenomenal, 1960sesque, up tempo, gospel vibe banger. Raw and wild she takes this tune to another level. Already tipped as the summer hit of 23', DJ's who have had a sneak preview are going nuts over it. On the b-side is a FLying Fish dub version, featuring Ed Moris on Hammond and the legendary Danny Huckridge on bass. Do not let this sassy, sexy, vibrant number pass you by, when you hear it you'll just want to hear it again and again. A hip-shaking, foot-sliding dancer: quite simply, a winner. Boom.
450 x black vinyl available

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The Bessie Smith Story - Vol.1

LP | 1951 | US | Reissue (Columbia)

LP | 2020 | EU | Original (Fat Cat)

Release: 1951 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

torn spines. 1956 reissue

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Bessie Smith

Very Best Of

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Rhyme & Reason)

Bernard Fowler

Inside Out

21,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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7" | 2000 | JM | Original (Fat Eyes)

Beres Hammond & Flourgon

I Love Jah

Release: 2000 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Beres Hammond Feat. Jah Youth

Good Old Dancehall Vibes

7" | 2003 | US | Original (VP)

Release: 2003 / US – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Benny Goodman With Harry James / Lionel Hampton / Martha Tilton

The Benny Goodman Story

LP | 2010 | ES | Reissue (Capitol)

9,99 €*

Release: 2010 / ES – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2024 | US | Original (Warner)

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Benji & Fede

Rewind

43,99 €*

Release: 2024 / US – Original

Genre: Pop

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LP | 2022 | EU | Original (Saos)

Bengoa

Music For Your Red Parts

Bengoa Feat Kristina Berger / Brothers' Vibe

Release: 2022 / EU – Original

Genre: Electronic & Dance

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8 years after his debut album entitled "What You Give", it's time for the Greek musician's second long player! No doubt, this is Bengoa's most mature work to date and a product of countless studio hours. Pushing his electronic sound forward, the Greek musician, dj, songwriter and label owner, delivers an outstanding 9-track LP, floating between trip hop, nu-jazz, mid and downtempo motifs. The extensive use of physical instruments like saxophone, trumpet, guitars, piano, percussion and bass add musicality and deepness to the whole record, on which Bengoa has also written most of the lyrics himself. "Music For Your Red Parts" flows like an undercurrent of nervy isolation and late night melancholy, toying with the emotional structure of it's own sound. Songs that signal something memorably, indelibly and hypnotically sexy, without talking about sex. Music that you feel - strong, soft and filled with emotion. It wants to meet you in your deepest parts. It will play games with you, fill you with sorrow, or send you into a deep reverie. out now through Saos Records.

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Idyot EP

12" | 2023 | UK | Original (B2)

2LP | 2023 | UK | Original (ESP Institute)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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B2 Recordings rolls out more of its quality-assured deep house here with Label head Bengoa stepping up next for a new three-tracker that comes with featured guests Kristina Berger and Brothers' Vibe. 'Idyot' kicks off with deep and pulsing synths and clacking hits that bring an early Chicago vibe next to the libidinous and erotic vocals which really tease. 'Meet Me Halfway' sinks into a super silky groove that is deep as you like and driven by stylish drum hits under a muttered vocal. 'Come On Now' then sinks into a more acid-laced atmosphere with sustained chords keeping you on edge next to loose and jumbled percussion. It's a stylistically diverse EP, this one.

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Benedikt Frey

Fastlane

36,99 €*

Storm Shelter Black Friday Record Store Day 2021 Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Close your eyes and merge into Benedikt Frey’s 'Fastlane'. Imagine sitting in the driver’s seat of a an automobile, one with exceptional horsepower and torque, as you stare out the windshield at the red light, warping in fata-morgana a mile down the road. It’s a straight-away, a black top with two lanes, and against your better judgment you decide to floor the gas. No hesitation in your muscle, your ankle or the ball of your foot, which you now realize is some kind of universal pivot, the first point of contact fusing your body with the will of machine. In this moment you’re in awe that you, a human, an animal, grew from pond scum into something so advanced as to engineer this thing, a mechanical beast capable of overwhelming power and exhilaration. But you also feel a seductive dread, an outside force diverting you from caution toward a dangling carrot of curiosity, asking yourself, ‘How far can I take this thing?’ The dread, now a constant, is numbed, equalized by an adverse intoxicating gratification. You feel both sensations in real time, however, rather than take responsibility for yourself, friends, family and innocent bystanders, you cement your foot to the floor and lean your head back. Noise around you fades to mute. Smell the benzene-scented air, feel the wind on your face, the menacing vibration of the vessel you control beneath you and every grain of asphalt under its tires. This mile has now lasted an eternity and you’ve left your body for some objective view, as if watching climax of a film. Past the point of no return, you embrace abandon and lean into fate. The film becomes slow motion, a crawling pace so mesmerizing you convince yourself of an option to eject yourself from this madness, but as you finally let go of your last morsel of fear, you run the red light head-on into the nucleus of a fantastic glistening sculpture of torn metal, glass, oil, broken dreams and heartache. 'Fastlane' may be just drum machines and synthesizers if you’re timid, but listen harder and know the catastrophic reality of existence, a wreckage so gruesome we dare not rubberneck, but afterall it is our nature to stare.

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Ben Watt

LP | 2021 | EU | Original

17,99 €*

LP | 2024 | EU | Original (Blume Editions)

Release: 2021 / EU – Original

Genre: Pop

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Originally released earlier this year as stream and download, it is a stripped-back companion piece to Storm Damage; a 6-song piano-vocal set that features covers of Ten City’s That’s The Way Love Is and Sharon Van Etten’s Comeback Kid plus new versions of three songs from Storm Damage, and one from my 2016 album, Fever Dream.

All the songs were recorded in one day at RAK Studios in London a couple of months before the pandemic and are engineered and mixed by Bruno Ellingham.

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Ben Vida

Vocal Trio

30,99 €*

LP | 2023 | UK | Original (Shelter Press)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Since its founding back in 2014, Blume has carved a unique place in cultural landscape, issuing free-standing works, spanning the historical and contemporary, that represent singular gestures of creativity within the field of experimental sound. Joining their broad efforts in building networks of context and understanding that already includes the works by Werner Durand, Sarah Hennies, Bruce Nauman, John Butcher, Jocy de Oliveira, Mary Jane Leach, Valentina Magaletti, Alvin Curran, Julius Eastman, Alvin Lucier, and shortly after returning with the first ever vinyl release to attend to James Tenney’s legendary “Postal Pieces”, the label is now offering a brand new, ambitious work by the American composer Ben Vida, entitled “Vocal Trio”, conceived, performed, and recorded in Bremen, Germany, during the Spring of 2022. A truly stunning work of compositional conceptualism, combining the ideas of systems based synthesis with real-time vocal collaboration - issued in a highly limited vinyl edition of 200 copies mastered by Stephan Mathieu, featuring specially commissioned liner notes by Bradford Bailey and a leporello insert offering the piece visual score - it’s a landmark in contemporary experimental practice and arguably the most forward-thinking and exciting piece by one of the most exciting American artists working today.

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Ben Vida

The Beat My Head Hit

26,99 €*

12" | 2014 | UK | Original (Love Fever)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Where Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by its four stewards through a simultaneity of effort. The pace, across five pieces, hurries and relaxes but never outruns or distends language. You could find a story in the words being sung, if that’s what you need. But there are unfamiliar dimensions too. So many threads, so many timelines. A story or a thousand, or a litany of scraps: language complete but raw, language that can or cannot be translated. Singers fused at the breath. Oppositions or dualities—a question and an answer, two sides of a conflict, the sense of being here or over there—are drawn together into a single sentiment, plural with feeling. Voices negotiating in unison how to articulate a stance. Musical cues doling out tension as needed. The five pieces that make up The Beat My Head Hit were developed with Yarn/Wire over the last four years, with roots in Vida’s 2018 performance for four voices and electronics “And So Now” at BAM in Brooklyn. The Yarn/Wire ensemble, founded in 2005, has been collaborating with a broad range of experimental composers and sound artists since its inception: most recently, they have performed work by the likes of Sarah Hennies, Annea Lockwood, Catherine Lamb, and Alvin Lucier. Vida, meanwhile, has maintained a practice as both a musician and a visual artist, which has included drone-leaning solo work for electronics as well as improvisatory collaborations with musicians including Martina Rosenfeld and Lea Bertucci. Working with Yarn/Wire, for Vida, was something like joining a band. Following a few early live performances, the material was worked through in the studio across many permutations, a process during which Vida, Dante, Russell Greenberg, Laura Barger created what Vida calls “a meta-voice out of the blending of our four voices.” Sustained presence—language bringing a group to the place of breathing in unison— becomes the backbone of the piece. That presence is an engine, but it’s still full of negative spaces and exhales. It’s thrilling, for example, to find oneself disarmed by the subtle harmonies introduced by the inevitable but infinitesimal distance between Vida and Dante’s voices. Or the introduction of subterranean bass on “Drawn Evening”: breath trapped? When ambient stillness steps in out of nowhere to replace fast talk on the title track, the evacuation of language is some other form of breath, too. The beat my head hit finds not just truth or reality in what happens at the periphery, but a kind of peace.

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Ben Sun With Mic Newman

Fall Upon You

6,99 €* 9,99 € -30%

Ben Sims Feat Tyree Cooper

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover has light ring and corner wear, seam split in top spine. Vinyl has some paper scuffs and hairlines, close to VG+.

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Get Behind The Groove

12" | 2013 | UK | Original (Retro-Vert)

28,99 €*

Broadcast Signal Intrusion

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Green transparent vinyl with foxing

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Ben Lovett

LP | 2021 | US | Original (Death Waltz Recording Company)

2LP | 2024 | Original (Layer)

Release: 2021 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: Near Mint

Blue vinyl is close to NM. Limited edition.

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Ben Klock & Fadi Mohem

Layer One

31,99 €*

Ben Frost & Francesco Fabris

Release: 2024 / Original

Genre: Electronic & Dance

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(2XLP, gatefold cover, printed inner-sleeves) Ben Klock and Fadi Mohem reveal new album "LAYER ONE" featuring Flowdan. "LAYER ONE" eschews the techno both artists are known for in favour of IDM, ambient and experimental flavours. Flowdan and Coby Sey feature as guest vocalists.The project is out on November 29th via the Berghain residents' new label, LAYER.

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Vakning

LP | 2023 | UK | Original (Room 40)

30,99 €*

LP | 2013 | Original (La Vida Es Un Mus)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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More recently best regarded as soundtrack composer, Ben Frost here follows work with
interdisciplinary sound artist Francesco Fabris on the ‘Dark’ OST with a plunge into purest rock
music, as in the actual sound of molten material rising to the surface and solidifying. With an
impressionistic-artistic license also found in work by Chris Watson, Jana Winderen or Giuseppe
Ielasi, the duo uncompromisingly revel in the sounds of nature’s biting point, using various
production methods to make audible the sound of the earth beneath our feet in the process of
creation, on location at Fagradalsfjall, Reykjanes Peninsula Iceland.
Here’s label boss Lawrence English on the subject
“As stable as we might choose to think it is, this planet is anything but that. A paper thin crust,
the zone in which we find ourselves, and mostly concern ourselves with, exists as a modest veil
cloaking a dynamic seismic turbulence that is as powerful as it is unknowable. There are moments
though where ruptures occur. The pressure from within carves its way to, and through, the
surface of the planet simultaneously delivering destruction and virgin landscapes, as primordial
as any we might care to imagine. It is here, in these places, where we can literally see the living
planet, that geologic time is condensed and world building is made visible, and audible to us, in an
unrestrained and provocative detail.
These volcanic ruptures, such as those captured on Vakning by Francesco Fabris and Ben Frost,
speak to the very living geology of Earth. These recordings, captured at close range, exist at a
nexus where liquid rock becomes solid. They capture moments of transformation, of obliteration
and of creation, often all at once. These are recordings of a living, material planet, dynamic and
unrestrained.”

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Belgrado

Siglo Xxi

Release: 2013 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (La Vida Es Un Mus)

Belgrado

Intra Apogeum

22,49 €* 24,99 € -10%

Release: 2023 / EU – Original

Genre: Pop

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12" | 2023 | UK | Original (Gunfinger Food)

Beerus

Booty Frooty Volume 1

14,44 €* 16,99 € -15%

Release: 2023 / UK – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (A Colourful Storm)

Beequeen

Winter

7" | 2003 | JM | Original (Top Brass Music)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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A Colourful Storm presents a new album by Beequeen, the duo of Frans de Waard (Kapotte Muziek) and Freek Kinkelaar (Brunnen). Over two long-form pieces, new material from 2020 and almost-discarded fragments dating back to 1988 are collaged to form a brand new composition. Think woodblock, guitar, static radio signals, ethereal ambience. An honourable addition to Beequeen’s discography and a beautiful piece of the Dutch avantgarde with historic ties to Edward Ka-Spel, De Fabriek, Merzbow and Nurse With Wound. Mastered by Peter Johan Nyland with full-colour sleeve photography by Alfred Borland.

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Beenie Man feat Storm

Give It To You

Release: 2003 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Beenie Man Feat. Calibe / Christopher Birch

L.O.V.E. / Birch In A Mirror

7" | 2003 | JM | Original (Big Yard Music Group Ltd.)

Release: 2003 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Release: US

Genre: Rock & Indie

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Beebe Gallini Christmas Flexi Single

Beebe Gallini

7" | 2022 | US | Original (Rum Bar)

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Startracks)

Bedroom Eyes

Sisyphys Rock

18,69 €* 21,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2020 | EU | Original (Music With Soul)

Bechan & Alex Figueira

Moerarie Morei Atjara

Beautify Junkyards With Belbury Poly

Release: 2020 / EU – Original

Genre: Organic Grooves

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Music With Soul returns with another genre-defying instant classic, expanding the limits of the Tropical Dance music universe.
Staying true to the label's essence, founder Alex Figueira places a high bet with this new release, introducing a brand new breed of traditional “Hindoestan” (Indian diaspora in Surinam) music and Cumbia. Taking the music of underground Surinam musician and empresario A. Bechan for an explorative excursion into the depths of the Colombian caribbean coast, this explosive combination raises the bar unquestionably. Equally weird, groovy and trippy, this 45 will turn any party upside down, regardless of any factors. The only problem you will encounter is what to play after. The solution is right on the other side. Just flip the record and give them the Instrumental version, featuring electric guitar, an alternative percussion set up and the beloved classic Juno-60 synthesizer in the leading role for another 4 minutes of dancefloor catharsis.

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Painting Box

7" | 2021 | UK | Original (Ghost Box)

Beau-Guard With Too Tough M.C.

Release: 2021 / UK – Original

Genre: Electronic & Dance

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The A side is a cover of The Incredible String Band’s Painting Box, originally written by Mike Heron. It’s a collaboration between Beautify Junkyards and Belbury Poly and produced by Jim Jupp. The flipside is an original by Beautify Junkyards, Ritual in Transfigured Time, produced by João Branco Kyron.

Both have a delightfully disorientating sound. The artists complement each other perfectly with their through-the looking-glass electronic psychedelia.

Beautify Junkyards: A talented group of Lisbon based multi-instrumentalists headed up by João Branco Kyron on vocals and keyboards with Helena Espvall (formerly of Espers) on cello, flute and electric guitar, Martinez on vocals, João Moreira acoustic guitar and keyboards, Sergue Ra on bass and Antonio Watts on drums and percussion.

Belbury Poly: Jim Jupp is co-manager of UK label Ghost Box Records. As Belbury poly he’s released EPs, singles and six albums on the label. He is also a member of The Belbury Circle along with Jon Brooks (of The Advisory Circle) and occasional collaborator, John Foxx. He’s remixed tracks for several artists including John Foxx and Bill Ryder-Jones (The Coral) and has co-written a song with Paul Weller for his 2020 album On Sunset.

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All Systems Go

12" | 1992 | DE | Original (!Hype)

Release: 1992 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2023 | UK | Original (Room 40)

Beatriz Ferreyra

Ufo Forest +

29,99 €*

12" | 1997 | IT | Original (V.O.T.U. Records (Voice Of The Underground Records))

Release: 2023 / UK – Original

Genre: Electronic & Dance

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From Lawrence English
I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid
2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the
festival at that time, GRM and musique concrète more generally was very much a point of focus.
That said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great
many others). In 2017, I had the great pleasure to meet Beatriz in Braga, where we both were performing as
part of the excellent Semibreve Festival. Subsequent to that I invited her to perform in Australia and we also
had the pleasure to send time together in Rio during the Novas Frequencies Festival. Across these meetings, I
have come to realise the incredible focus, generosity and vision that Beatriz has maintained across her life in
sound.
Beatriz Ferreyra is one of only a handful of female concrète composers who were active across the second
half of the 20th century through to today. Her work, which is still very much an active investigation, is
simultaneously complex and elegantly simple. Often drawing upon singular object of focus, Ferreyra’s use
of tape and other forms of manipulation radically reconfigure her chosen sound materials, opening them
outward.
UFO Forest + collects together works from both her practices in tape based music and also computer based
works. The pieces featured here epitomise her prowess in create dynamically rich sound works that are
effortless in their sense of otherworldliness. Beatriz Ferreyra has created a sonic terrain all her own, and here
is lies the proof.

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Beat Project

Stop The Beat

Beat Per Bar / 4 A.M. 2021 Repress Edition

Release: 1997 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Label cover.

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Beat Per Bar / 4 A.M.

12" | 2021 | EU | Original (Mixed Signals)

13,99 €* 19,99 € -30%

Another Shape Of Essential Sounds Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2021 repress! Under the pseudonyms 4 A.M. and Beat Per Bar, Lupos Sobre-Vega released two eccentric 12”s, of what, in retrospect, can be called vernacular house music. Both records are individualistic collisions of New Wave, Bass, Freestyle, Hi-NRG, Acid, and Sample House recorded in Sobre-Vega’s home studio in Orange County, Los Angeles. Using a Yamaha Qx-5, Roland S-50, his mom's Roland Juno 60, EMU drum machines, and Yamaha Dx-7, he put his nascent jazz chops to use and laid down the idiosyncratic dance tracks that he would self-release on his own label, House Hold Records, in 1988 and 1989 respectively. Although both 12”s were credited to groups, Sobre-Vega confirms that “the so-called band members were club friends. A couple were models and actors, or just plain good ol’ dancers. They were strategically picked by me, of course. So yeah, 4 A.M. and Beat PER BAR are 300% me. There is no other.” Despite working within the confines of dance music’s ready-made rhythms, Sobre-Vega’s sensitivity transcends the inarticulate 4/4 beat - vulnerable, idealistic and yearning. The timeless themes on the records reveal his youthful worries about money, intimacy, love and sex. Looking back at dance music history, it is luminaries such as Arthur Russell, Sylvester, Grace Jones, Theo Parrish, and Larry Heard, that stand out as enduring visionaries that transcended stylistic trends. Mixed Signals is proud to illuminate Sobre-Vega’s work in the constellation of dance music’s radical dreamers with this EP comprised of two songs from each his scarce and singular 12”s

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Beat Bronco Organ Trio

LP | 2023 | UK | Original (Rocafort)

22,99 €*