Search "japan" 4893 Items

Conoley Ospovat / C_olvrin

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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In the Afro×jazz×global Bass scene, Galliano's Constantine Weir adds a new dimension. And incredibly, Congo Natty is joining as a producer. Featuring lyrics inspired by Islamic mysticism, accompanied by robust electronic bass music that floods the auditory senses. Constantine Weir initially signed with Acid Jazz Records, helmed by Gilles Peterson, and rose to prominence in the 1990s with the acid jazz group Galliano. He has also collaborated with S'Express, Paul Weller, Pressure Drop, Amy Winehouse, Outside, Ocean Colour Scene, Congo Natty, as well as contributed to works by Japanese artists such as United Future Organization (U.F.O) and Hirosi Kamayatsu.

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Perspectives Shift

12" | 2022 | EU | Original (Continental Drift)

Sings Award Winning Motion Picture Hits

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Number 23 from Continental Drift seems to be all about the journey. These are slowly evolving groovy tracks, never staying totally loopy and often being a bit sly about the direction they're headed. Perspectives Shift, the first track and release namesake starts out as a floating tune centering around the Mathew Jonson-style wandering bassline melody; it gradually churns thick with rhythmic action and counterpoint chords. Deep Summer Techno is trippy acid that plays with time and space, maybe channelling a bit of that Cabaret Recordings spirit from Ospovat's time in Japan. Finally, the whole B-side is dedicated to Conoley’s re-work of label co-owner and dear friend c_olvrin’s Cryogenic Freezing Of Friends, a more Chicago-house excursion, full of groove and many-textured details.

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Connie Francis

LP | 1963 | JP | Original (MGM)

泣かせないでね (日本語) = Don't Break The Heart That Loves You

Release: 1963 / JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing. taped spine

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Connie Francis

7" | 1962 | JP | Original (MGM)

LP | 2023 | EU (Hhh Records)

Release: 1962 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Confuse

1984-1985

CD | 2018 | US | Original (Transistor Sound)

Release: 2023 / EU

Genre: Rock & Indie

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Confuse was a noise punk hardcore band that started in Kyushu, Japan. They released a few records ("Indignation", "Nuclear Addicts", "Contempt For The Authority And Take Off The Lie", "Atrocious madness", and "Stupid Life") throughout the time they were around. They started off with a really raw noise Discharge type style and then evolved into a bouncier, more melodic sound. Awesomely weirdly produced noise thrash that just tears out your eardrums. Definitely insane.

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Con Brio

Explorer

7" | 2022 | JP | Original (P-Vine)

Release: 2018 / US – Original

Genre: Organic Grooves

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There’s a moment before each Con Brio show — before the backflips, the guitar solos, the buoyant horn lines over bass, drum and synth — when all seven band members come in for a huddle. It's a way to say grace; an acknowledgment of live music as a team sport; a moment of stillness before they explode. "Let's work," they say, their heads bowed together. And then they do.

Named for an Italian musical direction meaning "with spirit," Con Brio is a San Francisco Bay Area band that plays soul, psych-rock and R&B as fresh and freethinking as the place they call home. With charismatic singer Ziek McCarter bringing "the dance moves, splits and all, of James Brown" (KQED) and a band that "comes across like a party punk version of Sly and the Family Stone" (Consequence of Sound), Con Brio is known to convert anyone who sees their electric live show.

Founded in 2013 by veteran players with vastly different musical backgrounds*, the band quickly became a favorite up and down the West Coast, then across the U.S., and then overseas in places like Japan and the Netherlands.

Explorer, out on July 6th, both builds on the success of Paradise and serves as a travelogue of sorts — a reflection on the two years of nearly nonstop touring that followed their first record's success.

Having proved themselves on an international stage, Con Brio breaks new ground on Explorer, expanding beyond raw energy and retro sounds toward a more contemporary, layered production style, all delivered with road-tested confidence. On "I Wanna" — a lusty, mischievous ode to the art of catching a stranger's eye across a crowded club — McCarter pours his voice, richer than ever, over a thick, irresistibly danceable rhythm from Jonathan Kirchner (bass) and Andrew Laubacher (drums).

"Body Language" slows that theme to a simmer, with a nimble, lyrical horn line from Marcus Stephens (saxophone) and Brendan Liu (trumpet) front and center. Songs like "United State of Mind" and "Royal Rage," meanwhile, reflect on America's current moment, urging strength and perspective in the face of cynicism and apathy. Over a cheerful guitar lick from Andrews, the former track sings the praises of travel, the ways it can make the world feel bigger and smaller all at once — and how sometimes you have to leave home to see it with fresh eyes. "Rage" is a rally cry, a call to resistance, with Laubacher's kick drum leading the march: "Feeling the world pulling apart, where is the we in who we are?" asks McCarter. "When will it end, where do we start?"

Then there's Con Brio's tendency to upend expectations: they've never been afraid of a little genre-bending. "Heart Shaped Box" began as a fun cover the band arranged on a whim on a rare day off on tour; within weeks it became one of the most exciting moments in the band's live show. On the record, it's a playful yet potent tribute, served surprisingly well by horns and a smart, slinky synth line from Patrick Glynn.

Ultimately, Explorer is a leap for Con Brio in more ways than one. It's a big record, with plenty of joy, a few growing pains, and more questions than answers. What does it mean to be an American band traveling the world in the year 2018 with a message of hope and tolerance? The record sounds, unsurprisingly, like a band on the verge. Wherever Explorer takes them, they go with open eyes. They're ready to huddle up, take the stage, and get to work — where they've found that, night after night, the things that divide us don't stand a chance on the dance floor.

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Computer Magic

Running / Grand Junction

It's A Compton Thang Japan Import Edition

Release: 2022 / JP – Original

Genre: Pop

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The artist now known as Danz CM has a strong following in Japan, and P-vine has for a long time heralded her synth-lab experiments in pop having released her debut Scientific Experience back in 2012. On this limited 7” release is a chance to take a trip down memory lane with two pulsating cuts from the electro-wired cybernetic record. On the a-side is “Running,” a hypnotic track that would later power the engine of a Lexus global ad campaign, and on the b-side is “Grand Junction,” a throwback to 80s new wave records through the lens of sci-fi machinery.

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Compton's Most Wanted

CD | JP | Reissue (Universal Music Japan)

Release: JP – Reissue

Genre: Hip Hop

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2LP | 2019 | UK | Original (Honest Jon's)

Company

Epiphanies I-VI

27,99 €*

LP | 1987 | JP | Original (Atlantic)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Derek Bailey’s guests for Company Week at London’s ICA in July 1982 were contemporary classical pianist Ursula Oppens, folk/jazz singer-turned-improviser Julie Tippetts and her partner pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, and from Japan free jazz bassist Motoharu Yoshizawa and sound artist Akio Suzuki.

Altogether they performed the stunning extended improvisation Epiphany.
In different, more intimate lineups they detonated numerous Epiphanies.

Here, to start, Yoshizawa and Oppens (both on the keyboard and inside her piano) bounce ideas off each other like ping-pong balls.
Then Tippetts, Wachsmann and Bailey do extraterrestrial cubist flamenco; and Lewis and Frith rumble at everyone magnificently.
Tippett and Oppens kaleidoscope the entire history of the piano into just over fifteen minutes (Fourth and Fifth) with added seasoning from LeBaron and Wachsmann.
To close, Akio Suzuki — despite once describing himself as “pursuing listening as a practice” — makes one hell of a racket with his self-made instruments: a flute, a spring gong and his analapos (two single-lidded cylinders attached by a long steel coil, which he can manipulate and strike, besides vocalising into the tube). Yoshizawa and Bailey give him a real run for his money, and it all builds to an ecstatic, swirling, grinding climax, with Suzuki whooping and hollering wildly.

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Company B

Release: 1987 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. With OBI. tiny wear and few paper scuffs.

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LP | 1986 | JP | Original (Polydor)

United

10,99 €*

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI, with insert.

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LP | 1978 | JP | Original (Motown)

Natural High

10,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM. Japanese pressing without OBI

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LP | 1975 | JP | Original (Motown)

Movin' On

49,99 €*

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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Midnight Magic

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with obi.

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Midnight Magic

8,99 €* 9,99 € -10%

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI and insert. Vinyl with a couple of light scuffs

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Midnight Magic = ミッドナイト・マジック

10,99 €*

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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In The Pocket

11,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI. With insert. Few paper scuffs. Tiny wear.

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In The Pocket

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Faintest foxing on back cover.

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In The Pocket

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert. Promo copy with white labels

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LP | 1980 | JP | Original (Motown)

Heroes

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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LP | 1980 | JP | Original (Motown)

Heroes

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with OBI and inserts.

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LP | 1980 | JP | Original (Motown)

Heroes

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Greatest Hits

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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LP | 1983 | JP | Original (Motown)

Commodores 13

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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LP | 1975 | JP | Original (Tamla Motown)

Caught In The Act

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese pressing with OBI!

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Ballade

4,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Japanese pressing without OBI, with insert.

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Ballade

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI and insert. Copy close to VG+

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LP | 1982 | JP | Original (Motown)

All The Great Hits

7" | 2023 | UK | Original (I Travel to You)

Release: 1982 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Comb Edits

I Know You Feel It

12" | 1981 | EU | Reissue (Rush Hour)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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After the success of Itty01, Comb is back with two more sides of love – a pair of fine-tuned edits on Norwich based label I Travel to You. 'I Know You Feel' It is a tropical-tinted soul hit with a powerful female vocal and killer funk bassline. The steaming vocals take you back to those intimate moments when you realise the love is real. Take a trip East on the B side with 'What a Night', a dubbed-out version of a Japanese production, the lyrics recall yearning for a lover and the sound of an unanswered phone call. Smooth keys, soaring strings, and a glistening solo.

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Colored Music

Heart Beat

12" | 2021 | EU | Original (Saisei)

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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12inch release of highly sought after Colored Music edits by Tokyo's, Chee Chimizu (Organic Music). The two cuts originally featured on the the bands seminal self titled album (from 1981) that remained a cult DJ secret weapon, for many years, all over the world. This heavy EP includes an alternative version of 'Heartbeat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Chimizu)

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Cologne

Deep Talk EP

12,59 €* 13,99 € -10%

Jazz Dance Fusion 3 Part 2

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Junki Inoue presents the second release on his recently founded label Saisei from prolific Japanese producer Takuya Sugimoto under his COLOGNe alias. Deep Talk EP features 6 tracks originally released on Japanese CD only label Viola in 1999 and is a snapshot of the elevated warped-techno meets IDM productions Sugimoto is so respected for. Famous for releasing under many synonyms including COLOGNe, Web and Sammansa it was his EVA EP - the first release on FatCat Records in 1996 that stands out in his recording history. The tracks were in fact licenced from Syzygy Records in Japan, which was one of the main Japanese labels including Viola that homed his work during the 90s era he was most productive in. More recently German label Acido released The Sound There, a mini album of previously unreleased Web material recorded between 1994 and 1995 which was released last year in 2020. Deep Talk EP presents 6 tracks of intelligent and elevated techno, which show the balanced and intricate approach Sugimoto applies to his output. It has all the warmth and positive essence of the 90s era of electronic music - combining deep and beautiful sounds with headsy and intricate constructions. This is the first time this music has been made available on the vinyl format. Saisei is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. Saisei’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.

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Colin Curtis

LP | 2022 | EU | Original (Z)

26,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 1976 | JP | Reissue (London)

Coleman Hawkins

The High And Mighty Hawk

Coleman Hawkins And Leon "Chu" Berry

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI, but with insert.

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The Big Sounds Of Coleman Hawkins And Chu Berry

LP | 1973 | JP | Original (London)

LP | 1973 | JP | Original (Mercury)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI! Cover is close to VG+!

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Coleman Hawkins

1944 Vol. 1

12" | 2018 | EU | Original (Dement3d)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert

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Coldgeist

Unknown Bodies

11,99 €*

12" | 1998 | EU | Reissue (Transmigration)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Coldgeist's music on Unknown Bodies is an intimate reinterpretation of coldwave, techno and dark ambient codes, uttered with strength, guts, and an underlying romantic soul. Inspired by nocturnal runs of "bosozoku" bikers clans, who stem from this japanese subculture of the late seventies ; Coldgeist has created a series of soundscapes and songs that evoke speeding through foggy nights and fluorescent lights. Haunting repetitions and stiffness of the rhythms as a metaphor of mechanical gestures, of bodies turned into units of consumption, stranded from the life and passion they crave. The frustration of a youth that only finds relief in extreme experiences, danger, and the sexual tension of speed and crashes. With analog and digital instruments, field recordings but also his own voice and songs, Coldgeist has bred a truly unique record.

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Cocoo

Third Gate EP

LP | 2022 | US | Original (No Quarter)

Release: 1998 / EU – Reissue

Genre: Electronic & Dance

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1998 Japanese deep techno EP originally released in limited quantities on the short lived Tokyo based Metro Juice Records. To date it remains the sole release of Sohei Nagasawa aka Cocoo, becoming a favourite for fans of stripped back percussive and earthy techno. Includes two new remixes.

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Coconuts

24,99 €*

LP | 1986 | JP | Reissue (P-Vine)

Release: 2022 / US – Original

Genre: Rock & Indie

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12 years after their self-title debut this is the "lost" second album from Coconuts (the NYC duo of Tim Evans and Jordan Redaelli)."Coconuts, as I have known them, cracking bunk PAs in NYC hovels, is simply inertia; steam-propelled on the hot guts of rock's past. They mainline into a legacy of pop obfuscation, in which sheer sonics and the sensuality of the guitar-as-tractor-beam blinds any sort of lyrical message or rock narrative. The sound is dire and low and vaguely menacing, like the pulse of an opiated Ritchie Valens slow dancing with the Dead C or the saucer-eyed paens of Japanese mopers The Jacks. And though the 'Nuts are lauded for their no-mind electric antic, their craft reveals a collective instinct honed over countless late nights of bleary deep listenings." - Daniel Lopatin / Oneohtrix Point Never

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Cock C'nell

Boys Tree

37,99 €*

2LP | 2023 | EU | Original (Be With)

Release: 1986 / JP – Reissue

Genre: Organic Grooves, Electronic & Dance

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Preorder shipping from 2025-02-28

The music of the Japanese New Wave band Cockc' Nell is clearly underrated. Their first album, released in 1986 by Balcony Records, can be considered a masterpiece of the Japanese underground scene in 80s era. Featuring contributions from Tori Kudo of Maher Shalal Hash Baz, Akihiro Ishiwatari, and Takeharu Hayakawa, the ethereal vocals of Setsu Nogata beautifully resonate throughout all the tracks, with "Yoru no Uta (The Night Song)" standing out as a particularly special piece. P-vine is proud to reissue this lost work on vinyl for the first time, introducing it to music fans.

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Coastlines

Coastlines 2

34,99 €*

Rotate Violet Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Balearic believers rejoice! Japanese tropical-fusioneers Coastlines are back with the worldwide vinyl release of Coastlines 2. The follow-up to their classic debut, this is the sound of Coastlines's global influences. If the dedication to intricate sonic details is particularly Japanese, the overarching feel captures the sprawling grandeur of the international balearic community. As they put it, Coastlines 2 presents "a more precise and beautifully polished magic hour." If that isn't Balearic, we don't know what is.

Takumi Kaneko and Masanori Ikeda don’t radically alter their sumptuous template with this second LP; and we wouldn't want them to. Yet with a more focused flow from first track to last, both Coastlines and Be With feel this is an even stronger album than their first. One thing that hasn't changed is the use of instrumentals instead of words to express their themes; namely, "the emotional expression of being soaked."

Opener "Tenderly" is appropriately titled, a gentle Latin shuffle easing you back into the Coastlines sound. An organ-heavy synthy exotica that's in step with Lovelock's contemporaneous "Washington Park". Their über-horizontal take on Hawkshaw & Bennett's "Mile High Swinger" (from Synthesiser And Percussion, reissued by Be With!) evokes cocktails-by-the-pool as the sun slowly sets. The blunted deep jazz-funk swing of "Alicia" is a rearranged reimagining of the Gabor Szabo song from his classic Jazz Raga LP. This here sounds like an outtake from The Chronic.

As the sun goes down, "Combustione Lenta" soundtracks the relaxing slow burn of an idyllic bonfire on an isolated beach. Displaying a beautiful new side of Coastlines, we're treated to Moments In Love vibes and melancholic guitar arcs. The piano-laden early morning wonder of "Night Cruise" started life as a completely different song, but the duo found a particularly good loop from the initial sketch and reconstructed it into this sophisticated 80s instrumental soul groove. "Waves And Rays" is all undulating acid waves and lighthouse light. A chopped and screwed steel drum G-Funk with soaring synths and nods toward the squelchy machine soul of Mtume and Jam & Lewis. Yes, *that* good.

The bouncy futureboogie cosmic chug of "Sky Island" represents the beginning of the sunrise, casting images of 80s Japanese fusion and definitely one to play out early doors to get the crowd stepping. "Area Code 868" is the strutting staccato sound of Joe Sample waking up in the Caribbean to craft his piano funk drenched in sunshine. Accordingly, the tentative, naive melodies of "Sand Steps" represent that vivid feeling first thing in the morning, as you step on to the sandy beach in the sunshine and take a deep breath. The world is yours.

The emotional, organ-piano-steel drum-driven "Song For My Mother" is a slo-mo show of sincere gratitude to all the great mothers. "Yasmin's Theme" is Coastlines's Brazilian homage, recalling for them that early summer feeling. It's propelled laconically by the carnival beat of batucada`s big bass surdo drum and complimented by sweeps of warm keys and radiant vocal harmonies. Blissful beatless closer "Asafuji" conjures a scene from a wonderful morning spent with the people of Shizuoka, the symbolic mountain of Japan, Mt Fuji and its inhabitants. It sounds like Dâm-FunK jamming with Sabres Of Paradise.

Coastlines 2 was painstakingly crafted, across the pandemic, at Masanori's rented place in Tokyo and then brought back to his home studio and worked on slowly and repeatedly. With limited time to see each other, the duo became more united in their "consciousness with natural progress."

Mastered by Simon Francis and cut by Cicely Balston at Air Studios, this magnificent double LP has been pressed by the good people at Record Industry.

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Co-Pilot

LP | 2023 | UK | Original (Dell'Orso)

26,99 €*

2LP | 2022 | US | Original (Fire Breathing Turtle)

Release: 2023 / UK – Original

Genre: Pop

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After taking time out from working together to focus on separate musical projects, maverick composer Alan Roberts (Jim Noir) and crowd-rousing vocalist Leonore Wheatley (International Teachers of Pop / The Soundcarriers) have re-joined forces to introduce Co-Pilot. Each the other’s wing person, they’re plotting an escape through Manchester’s claustrophobic grey skies with the pencil case colour of a hand-sewn multi-coloured primary school patchwork quilt. “We are both the creators in charge of navigating Co-Pilot’s overall sound which changes from track to track,” Leonore hints at what to expect. “There are about 6 different genres on one album, it's a pick n mix record!”

Happy in the haze of many boozy hours the album was recorded over just a few months whilst holed up and hanging out in Al’s city centre Dookstereo studio. The former Mill allowed the pair to relax, laugh and create without constraint. Armed with their original demos and vocal recordings from Al’s flat, they’d nip by the offie to pick up some Dutch courage before setting to work: building arrangements from a drum beat and basic chord pattern, the pair were so in tune they rarely spoke, allowing only the music to lead the way. “We’d communicate through nods of agreement or grimaces of dismay,” Leonore recalls. “Using the instruments with Al in production mode, we let the sound dictate the process whilst being drunk enough to follow it.”

The sound of life coming full circle after honing their separate crafts, Leonore had previously played keys and vocals in Jim Noir’s live band before moving on to front International Teachers of Pop for two critically lauded albums of joyous dancefloor filling bangers - their self-titled debut (2019) and Pop Gossip (2020). During that time Al would further expand Jim Noir’s universe with AM Jazz, which was celebrated as the no.1 album in Piccadilly Records’ ‘End of Year Review’ (2020), followed by the Deep View Blue E.P. (2021) cementing his status as one of Manchester’s finest songwriters.

As Leonore added her vocal magic to Al’s early demos of what would eventually become Co-Pilot’s ‘Spring Beach’ and a crooked original version of closing track ‘Corner House’, the vibe was prophetic “like the ending of Grease as Danny and Sandy take flight through the clouds”, letting their imaginations fly. The songs were the catalyst to spark a new phase of the pair working together, picking up where they left off. “From messing about with sounds during rehearsals in the very beginning it was always clear we liked the combination of sounds we made,” Leonore recalls.

Powered by a ‘try anything’ approach, Co-Pilot blends the musical DNA of what you’ve come to expect from each of the pair’s previous flight paths. “Whatever is switched on or nearby gets used. There's no 'correct' for us. If it sounds good, record it,” Al tells. United through typically turbulent wonky pop and lurking samples, whether culled from 70s TV themes or recreations of past and found sounds (see Al’s 60s tropicalia guitar on ‘Brick’, or the innocent ‘Swim to Sweden’ which opens with an ice cream van jingle Al recorded from his bedroom window) their process offers up a bucket load of Easter eggs. The album even features snippets from dearly departed pal Batfinks whilst ‘Motosaka’ is perhaps the most expensive 2-minutes on the album, featuring a Columbia Records Japan-cleared sample of Ryuichi Sakamoto’s ‘Thousand Knives’. Its synth squelches and Tom Tom Club funk also received the blessing of Haroumi Hosono, Godfather of Japanese Electronica, who agreed to being sampled in an original version of the song. “We just kept listening back and hitting gold,” Al recalls. “I was thinking ‘yeah, not sure what this is but I like it! We were buzzing with what we had made.”

But the sound wouldn’t come without self-imposed instrumental challenges. Thanks to an old mellotron sample on ‘Move To It,’ the moog riff and nautical accordion breaks on ‘Swim To Sweden’ and the 6/8 and 7/8 jaunt of ‘Brick’, time signatures were lovingly skewed to create Co-Pilot’s unique mood. “It was a bastard getting the drums right,” Leonore reveals, “but I like the wonkiness”. Levelling up through the lyrics, the words of smoky and evocative ‘She Walks In Beauty’ are based on a Lord Byron poem, with the sentiment of remembering Leonore’s late grandparents. “I wanted to see how much I could get away with just singing on one note, and how I could harmonically change everything else around it vocally,” she says. Elsewhere ‘Can You See’ was written from the perspective of a concerned sister to a brother which tells of keeping someone safe. “The lyrics are quite metaphorical about day-to-day happenings, people loved and lost. Others are rhythmic nonsense! It’s up to the listener to figure out what’s true.”

It’s clear from Al’s productive production techniques and Leonore’s knack for vocals and lyricism, Co-Pilot’s course is engineered by two aeronautically adept sonic storytellers. “We share a pretty similar sense of humour,” Al tells, “It is funny listening to this quite serious album but knowing we were giggling as we recorded it all. It’s been great to have another brain to bounce off.” Their destination might be unknown, but the clouds are about to part for a sound that is light years ahead. “You'll like at least one song,” Leonore suggests, “and hopefully them all.”

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Climax Golden Twins

65,99 €*

LP | 1974 | JP | Original (Vogue)

Release: 2022 / US – Original

Genre: Rock & Indie

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The first new Climax Golden Twins record in many years. Founded in 1993 by Robert Millis and Jeffery Taylor, Climax Golden Twins is perhaps best known for the soundtrack to Session Nine (directed by Brad Anderson in 2001, original soundtrack on Milan International). CGT have released ambient recordings (Lovely on Anomalous Records), compilations of rare 78rpm shellac records (the Victrola Favorites book on Dust-to-Digital), field recording, collage, and musique concrète experiments (Dream Cut Short in the Mysterious Clouds on the Japanese Meme label), and instrumental rock, noise, and improv (5 Cents A Piece on Abduction Records and Imperial Household Orchestra on Scratch). Their new double-LP continues many of these threads and features contributions by friends from Seattle's vibrant music scene and beyond including Alan and Richard Bishop (Sun City Girls ), Ko Ishikawa (master Japanese sho player), Greg Kelley (extended trumpet technique specialist), Porest (Sublime Frequencies' Mark Gergis), members of Kinski, Diminished Men, the A Frames, Dreamsalon, and more. The last official Climax Golden Twins release of new sounds was 2008's Journal of Popular Noise. In the years since, CGT composed the score to the film Chained (directed by Jennifer Chambers Lynch in 2012), united with Seattle's A Frames to record a few LPs as Afcgt (including one on Sub Pop), released further Victrola Favorites cassettes and CDs, and continued to perform live. In addition, Jeffery Taylor plays with the improv outfits Hound Dog Taylor's Hand and Spider Trio, while Robert Millis has released solo recordings, pursued installation and sound art projects, plays with Idol Ko Si and has worked extensively with the Sublime Frequencies record label (producing Indian Talking Machine and Paris to Calcutta: Men and Music on the Desert Road, in addition to films and compilations of music from Korea, Thailand, Japan, Myanmar, and more).

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Clifford Brown

Paris Collection Vol. 1

LP | JP | Reissue (Vogue)

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. OBI is missing. Seam split.

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Clifford Brown

Memorial

Release: JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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The Best Of Max Roach And Clifford Brown In Concert!

LP | 1976 | JP | Reissue (GNP Crescendo)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing with OBI!

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The Best Of Max Roach And Clifford Brown In Concert!

LP | 1976 | JP | Reissue (GNP Crescendo)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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LP | 1977 | JP | Reissue (Mercury)

Study In Brown

23,99 €*

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Brown And Roach Incorporated

LP | 1974 | JP | Reissue (Mercury)

LP | 1974 | JP | Reissue (Emarcy)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Vinyl closer to NM

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Clifford Brown All Stars

LP | 1971 | JP | Reissue (Mercury)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing, no Obi.

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Clifford Brown All Stars

LP | 1971 | JP | Reissue (Mercury)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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Clifford Brown All Stars

12,99 €*

LP | 1984 | JP | Original (EMI)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Cliff Richard

The Rock Connection

11,99 €*

Boogie Woogie Dancin' Shoes

Release: 1984 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing. With OBI. Vinyl is close to NM.

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Claudja Barry

LP | 1979 | JP | Original (Chrysalis)

27,54 €* 28,99 € -5%

Claudio Segovia & Héctor Orezzoli

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert

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Tango Argentino - Original Cast Recording

2LP | 1986 | JP | Original (Atlantic)

LP | JP | Original (Canyon)

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI and insert. Vinyl with scuffs and hairlines

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Claude Ciari

Fashion Sounds With Love

10" | 2023 | JP | Original (P-Vine)

Release: JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl with a couple of light scuffs

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Clammbon

Folklore

27,99 €*

LP | 1979 | JP | Original (EMI)

Release: 2023 / JP – Original

Genre: Rock & Indie

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Clammbon is a Japanese musical trio, consisting of vocalist / keyboardist Ikuko Harada, bassist Mito and drummer Daisuke Itou. Their music is characterized by their quirky sound combining jazzy chord progressions with J-pop and electronica influences. To celebrate the 20th anniversary of Clammbon's 2003 album "imagination," P-vine will release "Folklore," a song from the album that is particularly popular as a standard song in their setlists, on a 10-inch EP with the special etched vinyl. In 2007, a remixed version of this song called "Imaginary Folklore" by Nujabes was released and it began to gain listeners not only in Japan but also overseas. It is no exaggeration to say that it is now one of the most iconic songs of Clammbon.

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Cissy Houston

Step Aside For A Lady

14,24 €* 14,99 € -5%

LP | 1994 | EU | Reissue (Dais)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Copy close to NM

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Cindytalk

Wappinschaw

23,99 €*

Love Life w/ Damaged Sleeve

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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- For Fans Of: This Mortal Coil, Xmal Deutschland, Interpol, Zoviet France, Clan Of Xymox- First Ever Reissue - Cd And Vinyl Download Card Include Three Rare B-Side Bonustracks// Cindytalk Is The Mercurial, Expressionist Outlet Of Scottish Artist Cinder. An Evolution Of Her Early 1980's Edinburgh-Based Punk Band The Freeze, She Launched The Project Upon Moving To London, Inspired By The Crossroads Of Exploratory Uk Post-Punk And Early European Industrial. Her Work Thrives On Chance And Transformation, Collaging Elements Of Noise, Balladry, Soundtrack, Catharsis, And Improvisation. After A Series Of Celebrated Albums For The Midnight Music Label As Well As Collaborations With This Mortal Coil And Cocteau Twins,Cinder Migrated To The United States, Becoming Involved With Various Underground Techno Collectives Around The Midwest And West Coast. Subsequent Relocations To Hong Kong And Japan Further Expanded Cindytalk's Horizons, Resulting In A Fruitful Partnership With Viennese Experimental Institution Editionsmego, For Whom She Released Five Albums Of Swooning, Granular Atmosphere. 2021 Finds Her As Engaged As Ever, At The Precipice Of Long-Awaited Back Catalog Reissues Alongside Multiple New Works, Guided By Her Lasting Love Of Discovery And Deviation: "New Pathways Always Being Uncovered." Across Decades Of Activity Cinder's Body Of Work Has Forever Followed Its Ownelusive Muse But Nowhere Is This Restless Spirit More Apparent And Ambitious Than The 4th Cindytalk Lp, Wappinschaw. Conceived As "A Call To Arms" Inspired By Scotland And Its Struggle For Independence, The Title Refers To An Archaic Scottish Battle Inspection During Which Clan Chieftains Surveyed Their Group's Weapons To Ensure They Were Combat Ready. A Mindset Of Reflective Preparation Threads Throughout The Record, Manifested In Forms Both Naked And Noisy, Ancient Andanguished. Opening With An Aching Solo Vocal Rendition Of The British Folk Standard "The First Time Ever (I Saw Your Face)," The Album Then Surges Into The Cindytalk C...

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Cindy

LP | 1986 | JP | Reissue (Universal Music Japan)

45,99 €*

2LP | 2023 | UK | Original (Ecstatic Editions)

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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First vinyl reissue since original 1986 release
Japanese pressing

Cindy is a female vocalist who has worked with Tatsuro Yamashita and Yumi Matsutoya as a backing singer.

Her music has been used in many scenes in the anime 'Mezong Ikkoku' as background music, probably due to the fact that she debuted in the opening the

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Ciel

Ecstatic Editions Vol. 1

29,99 €*

LP | 1995 | EU | Reissue (Music On Vinyl)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Ecstatic Editions is the new label by Eris Drew. Due to changes in the industry, the cost of production, and the wait times for manufacturing, the renowned vinyl-only deejay laments not having more of her favorite producers’ music on vinyl, so she decided to start a label for special vinyl editions, as well as archival releases. The first volume of Ecstatic Editions is an anthology of work previously unavailable on vinyl by the Xi’an-born and Toronto-based musician, Ciel. Her work was the impetus of the label because many of her amazing productions, collaborations and remixes have never been pressed to vinyl. As a producer, DJ, pianist and radio presenter, Ciel’s work is not only prolific and compelling, it involves an international network of individuals, labels, projects and artists; a musical meeting-place of positive intentions and creative interactions. This volume is needed not only because it makes these incredible original productions and remixes available to vinyl DJs, enthusiasts and collectors for the first time, but also because it tells a cohesive story, in a physical object, of an artist with a truly unique rhythmic, melodic and psychedelic style.

Included here are three tracks from The Trojan Horse EP, a track from Naive’s “No Justice No Peace” compilation and fund-raising effort, Ciel’s remix for the Stockholm-based band Off the Meds, a track by Psychedelic Budz (a collaboration between Ciel and fellow Canadian D. Tiffany), a track from the Montreal Bass Coast Music festival’s annual digital-only compilation titled 12 Days, a remix of Toronto's downtempo soul saviors, the electronic duo LAL, and Ciel’s remix for Japanese artist Cuushe, which originally came out digitally on Tokyo’s Flau.

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Cibo Matto

Viva! La Woman

28,99 €*

Born Under A Mad Sign Black Vinyl Edition

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Cibo Matto was a Japanese-American band formed by Yuka Honda and Miho Hatori in New York in 1994. Their debut album Viva! La Woman is the only album to be released by them as a duo, before Sean Lennon, Timo Ellis and Duma Love joined the band. It therefore also sounds quite different from the rest of the Cibo Matto catalogue: the album is best described as a trip hop fused with pop and alternative hiphop, and its lyrical subject matter is mostly concerned with food. Two singles were released from the album: 'Birthday Cake' and 'Know Your Chicken'. The album was critically acclaimed by music critics, whom labelled it innovative and catchy. The package contains an insert, and is available on black vinyl.

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Church Of Misery

2LP | 2023 | UK | Original (Rise Above)

28,99 €*

Language Barrier Translucent Red Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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When the riffs start to flow, the concrete turns red with blood. Undisputed masters of bloodthirsty Sabbathian purity, Church Of Misery returns to kill again.

Formed in Tokyo, Japan, in 1995, Church Of Misery had a pin-sharp and focused vision from the very start. Led by bassist and mercurial riff-machine Tatsu Mikami, they conjured a perfectly pulverizing new strain of doom metal purity, wherein an endless succession of monstrous pentatonic riffs collided with obnoxious levels of swing and swagger. Early releases like 1998’s seminal Taste The Pain EP and full-length debut Master Of Brutality (released in 2001) heralded the arrival of a uniquely potent and obsessive force. With every song dedicated to a documented serial killer, Church Of Misery set fire to stoner rock’s peace and love principles and plunged deep into humanity’s darkest horrors instead.

Five full-length albums, numerous split releases, and multiple trips around the planet to spread the bloody code of doom later, few would dispute that Mikami’s crew are the living, breathing, riffing epitome of everything Lord Iommi taught us. And now, with the utterly peerless Born Under A Mad Sign, Church Of Misery are back to reclaim the throne.

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Chuckamuck

LP | 2020 | EU | Original (Staatsakt)

19,79 €* 21,99 € -10%

Release: 2020 / EU – Original

Genre: Rock & Indie

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Limited to 150 copies. Only at HHV.

“It has not been definitively proved that the language of words is the best possible language” -
Antonin Artaud
If this is your first time to hear about Chuckamuck, there's a good reason for that: This is a reach-out project, beyond the personal and commercial barriers that exist for a European band that sings in their own mother tongue. Language is a tricky business in Rock and Roll, especially for a German band. To resign oneself to sing in English, and be open to the dominant Anglophone music market whilst hoping your tunes resonate with local scenes and fans, not only risks billing a band as less unique, but also denies them the right of native poetry by applying their best-known language to express themselves lyrically. In the greater music market, it has been acceptable to hear German in parodist stereotypes, such as the robotic nature of Kraftwerk or violent sexual imagery of Rammstein, which are consumable for international audiences. However, over the 14 year career of Chuckamuck, their expressions have varied from their teenage years as “punk rock Rimbauds” into teary-eyed mysticism, soulful desire, despotic vexation and much more. And as dedicated artists and lyricists, they have intimately touched their German speaking fans; however due to this language barrier, they have been frustrated to not share the full “Chuckamuck experience” with fans during their European tours with The Black Lips, King Khan and the Shrines, Beatsteaks, Demons Claws and The Strange Boys. As founding member and main crafter of the Chuckamuck world Oska Wald says, “You originally think 'its music, it's going to be understood in any language', but Chuckamuck is so much more than our songs, it's an enterprise of our art, animation, live shows, videos, comic books, an entire world we have produced”. Which brings us to the Language Barrier project: In essence, this extremely ambitious project is a Chuckamuck “Best Of”, with remakes of pearls from different periods of the band since their inception in 2006, translated into 8 languages (Italian, French, Spanish, Swedish, Polish, English, Hebrew and Japanese), recorded by bandmember and songwriter Lorenz with longtime Chuckamuck engineering pals Thomas Götz and Max Power at O'tool Studio. Each song is impressively presented in its own unique video clip, defining the images and moods of the band. The whole project was produced over three years with a great deal of patience and heart. Inspired by the efforts of the Beatles in the 60s, who saw it fit to record awkward versions of their early hits into French and German, as well as the wealth of worldwide 60s bands who recorded pop songs into a “third language” by naively and phonetically singing in English, Chuckamuck wanted to capture this excitement of reaching potential new audiences and actually being understood. Another big influence has been the flawless multilingualism of their Staatsakt labelmates, Stereo Total. A few elements make this project really special. Firstly, as a Berlin band, Chuckamuck employed the
help of their local international family to help with the translations. These world class artists worked together to recreate songs in their own languages, so that the deliveries maintained the life and ingenuity of the original works. These include the sensational Swiss folk musician Melissa Kassab,
renown Swedish comic artist Crippa Almqvist, and Japanese cartoonist and animator SHOXXX. Of particular interest over the record is the transformation of 'Eis Am Stiel', an older Chuckamuck classic, inspired by the joint Israeli-German cult film of the same name. Translated by the bands' newest member, Amit Alcalai of The Gondors, its transition into the original language of the film is notably cultural and impressive. Similarly, the hit "Sayonara" translated makes it sound like the 80s Japanese new wave song it always begged to be and is very addictive. Chuckamuck's anthem to their own ironic ennui of being German and desiring to sound like a 70's Nashville band, 20.000 km performed in French accentuates their honest desire and is incredibly effective. On top off all this, 11 complete music videos have been produced for each song off of this album, all including original hand-drawn animations by award-winning cartoonist Oska Wald. Three weeks after a particularly rough mushroom trip, Oska had a flashback to a moment of intensity and visual disturbance from the trip – and began drawing, plate by plate, the original animations which would continue for three gruelling years to complete these creative masterpieces. Each clip highlights in leitmotifs what each individual member of Chuckamuck brings to their sound and attitude, which is now available for you to explore, as Chuckamuck has so lovingly reached out to you, in your own
language. Do them the favour back of exploring the work of this diverse, energetic, and romantic punk band on the eve of their 14th anniversary!

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Magic

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI

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Magic

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with obi.

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LP | 1982 | JP | Original (CBS/Sony)

Love Notes

14,99 €* 19,99 € -25%

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. close to NM

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Fun And Games

Release: 1980 / JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert. Cover closer to VG+

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Fun And Games

Release: 1980 / JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

Japanese pressing. close to NM

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Fun And Games

6,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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LP | 1979 | JP | Reissue (A&M)

Feels So Good

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert.

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LP | 1977 | JP | Reissue (A&M)

Feels So Good

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. 1979 reissue

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LP | 1979 | JP | Reissue (A&M)

Feels So Good

5,99 €*

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI!

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LP | 1986 | JP | Original (A&M)

A&M Gold Series

23,99 €*

LP | 1981 | JP | Reissue (Mercury)

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+. Japanese pressing without OBI, with insert

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Chuck Berry

Johnny B Goode

24,99 €*

LP | 1970 | JP | Original (Mercury)

Release: 1981 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with obi.

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Chuck Berry

Chu Ishikawa & Der Eisenrost

Release: 1970 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. With insert. Tiny tear in top spine.

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OST Tokyo Fist

LP | 2023 | EU | Original (WRWTFWW)

26,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance, Soundtracks

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Wrwtfww Records is deeply honored to announce the release of Chu Ishikawa & Der Eisenrost’s soundtrack for experimental action drama Tokyo Fist, released in 1995 and directed by legendary director/producer/writer Shin’ya Tsukamoto (Tetsuo: The Iron Man and its sequels, Bullet Ballet, Hiroki The Goblin, Nightmare Detective). Previously only published on CD in Japan, the cult movie soundtrack is available on vinyl for the first time ever and housed in a heavy 350gsm sleeve. The Tokyo Fist soundtrack gorgeously blends explosive industrial music, heavy percussion, martial rhythms and noise experimentations with contemplative ambient and emotion-filled synth soundscapes, perfectly encapsulating the nihilistic pain felt by the characters of the movie and the brutally visceral rebirth they go through. Ishikawa and Der Eisenrost’s compositions hit hard, sometimes truly terrorizing, sometimes heart-gripping in gloomy and bewitching ways. This is no holds barred music, a venture into the darkest yet most strangely beautiful corners of the human mind (and heart). The late great Chu Ishikawa was one of the innovators of the industrial and experimental scene in Japan and has collaborated with Shin’ya Tsukamoto on numerous movies. He also worked extensively with Takashi Miike, another visionary filmmaker from his home country. Ishikawa was the leader of groundbreaking Industrial-Metal-Percussion unit Der Eisenrost whose live performances around Japan left an indelible mark on the genre’s history. This new project by Wrwtfww Records follows previous Japanese soundtracks from the catalogue: Ghost in the Shell, Patlabor 2, Evil Dead Trap…and more to come.

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LP | 1985 | JP | Original (Warner)

Every Turn Of The World

Release: 1985 / JP – Original

Genre: Rock & Indie, Pop

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Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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LP | 1979 | JP | Original (Warner)

Release: 1979 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese pressing without OBI.

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LP | 1983 | JP | Original (Warner)

Another Page

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. With insert. slight foxing

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LP | 1983 | JP | Original (Warner)

Another Page

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

No obi. Original inner sleeve. Japanese pressing. Tiny wear.

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LP | 1983 | JP | Original (Warner)

Another Page

6,99 €*

Urfuglen Red Vinyl Edition

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with obi. tiny wear. With inserts

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Christian Winther

LP | 2022 | UK | Original (Fysisk Format)

22,99 €*

LP | 1982 | EU | Reissue (Orbeatize)

Release: 2022 / UK – Original

Genre: Rock & Indie

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"What happens when a band decide to fly? They become the primordial bird from Tor Ulven’s poem. The sensation of flying is striking. The musicians seem to levitate, so too their audience." – Susanne Christensen

On his sophomore album, Urfuglen, Christian Winther draw lines back to the post-punk era’s way of combining contemporary impulses with artistic sensibility. And following up on his debut album from last year, «The Clearing» (Fysisk Format), noise and experimentation is part of the picture also here, but with a genuine desire to find the beautiful moment, the shimmering harmony.

«It becomes the evocative sound of joy, immensely uplifting and markedly anti-depressive.», writes the danish art critic and writer Susanne Christensen on the album’s liner notes.

Behind the title and the Norwegian lyrics, Tor Ulvens surreal debut «The shadow of the primordial bird» from 1977 shines through. In Winther’s, like in Ulven’s, fabulating universe, surrealism’s instinctive, inward-looking and dreamy pictures are used as a way of processing the often cold and ruthless ravaging happening out there. But most importantly; to remind us of the connections we have with each other.

The «flying» band consist of some of the country’s most open minded, or post-punk-thinking, musicians from bands like Broen, Valkyrien, Monkey Plot and Mall Girl. Anja Lauvdal on synths/piano, Tuva Syvertsen on fiddles/vocals, Ina Sagstuen on vocals/electronics, Magnus Nergaard on bass and Veslemøy Narvesen on drums, in addition to Winther on guitars and voice. They each have strong signature expressions and contribute to an open soundscape full of spice, surprises and spontaneity. The intuitive is striking, and the record is mainly recorded live in the studio.

Urfuglen was born as a commissioned work for the edgy Oslo-festival Motvind’s 5 year anniversary, a perfect arena to present forward thinking music that can stand on its own completely free from the established genres. Within the open festival umbrella rock, free jazz, poetry, protest and spontaneity naturally coexist, and Urfuglen is exactly that. Last year’s lockdown turned the live premiere into a studio premiere, the musicians exhibiting a strong improvised attitude on top of Winther’s alternative rock compositions.

Although noise and experimentation is part of the picture, the influence from Brazilian music, or the way the guitar somehow found a new melodic balance in the 90s Chicago scene, seems just as strong. Contrasts find a harmony here, listen to Valkyrien’s Tuva Syvertsen singing harmonies with Winther on «Urfuglen, Pt. 2», or the acoustic guitars on «Marmor» intertwining like something Jim O'Rourke and Gastr Del Sol companion David Grubbs would come up with in the 90s. The musical relations are many; in addition to the post-punk-mood, threads go out to Brazilian Tropicalia, Japanese psychedelia and Oslo’s improv scene, who most of the musicians on the record are a part of.

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Chris Neal

Crosstalk

LP | 1980 | JP | Original (Progressive)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1982, including tracks written for Crosstalk (a science fiction thriller film made in Australia) and other electronic themes, it was written, performed and recorded by Chris Neal in his home studio, using Roland System 700 and Roland MC8.
In 1982 there were only a few System 700s ever produced and Roland was more interested in promoting their more commercial System 100M (that's why it was credited on the 1982 original cover to give them a plug). The System 700 was developed by Taro Kakahashi and his team in Japan as a direct challenger to the Moog modular system.
The ORBEATIZE remastered reissue also includes a special bonus track remixed and produced in 2017 by Jolly Mare.

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Chris Connor

Chris' Corner

LP | 1983 | JP | Original (Polydor)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

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Chris Beckers Splash

Night Moves

Brother Sister / Candlelight Hugo Lx / DJ Spinna Remix

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Cho & Random Impetus

12" | 2022 | EU | Original (Menace)

16,49 €* 21,99 € -25%

Cho Co Pa Co Cho Co Quin Quin

Release: 2022 / EU – Original

Genre: Organic Grooves

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Straight out of New York, the debut 7 inch by Cho and Random Impetus was presented by Menace label and first released in the USA in July 2019. Featuring the two singles "Brother Sister" and "Candlelight", the EP is a powerful call to humanity. Previously released on vinyl, this project was directed by Japanese artist Cho and features local musicians. It was recorded in analog, giving the track a very old school vibe by utilizing jazz, funk, soul and disco melodies to create a rich 1970s-esque sound. "Brother Sister", is a feel-good modern disco that could easily pass as something from the heyday of the genre, and "Candlelight," another sure-shot tune is a funk groover with its jazzy horn harmonies and strong male vocals. Many DJs featured the 7 inch record during their sets shortly after its release, including Floating Points, DJ Muro, Richie Medina and many more... becoming a club anthem in New York City. The record also caught the attention of Paris-based French DJ Hugo LX, who is very close to the Menace collective and also a genuine funk and disco enthusiast. Offering a remix album for Cho and Random Impetus' 7-inch record seemed evident for him. He invited DJ Spinna, the renowned hip-hop and house producer from Brooklyn, as well as his long-time friend and collaborator, to join him on the project. This remixed record actually enters a cycle in Hugo LX's work, as he collaborates with Japanese artists on a yearly-basis, among others Satoshi Tomiie, Toshio Matsuura, Kuniyuki or Takecha. The Paris-NYC-Tokyo triangle is also key in his work: his music drew many influences from these cities. Hugo LX remixed the track "Brother Sister" in a style matching the soul, funk, and disco vibes of his DJ sets, with a more contemporary approach. As for DJ Spinna, he delivered a progressive version of the track "Candlelight": more electronic-sounding, it feels softly psychedelic

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Tradition

LP | 2024 | UK | Original (Cho Co Pa)

35,99 €*

12" | 2022 | EU | Original (R&S)

Release: 2024 / UK – Original

Genre: Rock & Indie, Pop

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Named after one of the basic rhythms of Cuban folk music and drawing on influences from across the globe, Cho Co Pa Co Cho Co Quin Quin are quite simply a world unto itself. Comprised of three childhood friends, Daido, Yuta and So, who reconnected during the coronavirus pandemic, Cho Co Pa initially emerged as a playful way for the three 23-year-olds to pass the time. Tapping into their youthful connection, they created a sound that exudes confidence and curiosity, a homage to the masterful world of YMO’s and Happy End’s Haruomi Hosono, rooted in the trio’s own idiosyncratic experience of the present. Recorded at home and promoted on hugely popular DIY TikTok videos, their debut album Tradition is a technicolour exercise in armchair travelling – a kind of lockdown exotica for the housebound whose nostalgic flights of fancy are laced with a sense of whimsical melancholy for the lost freedoms of youth. Referencing everything from Afro-Cuban percussion to lo-fi beats, Buddhist spirituality to trap, each member of the band brings different musical inspirations to the table. Latin American and Middle Eastern styles sit adjacent to a fascination for the electronic music of Aphex Twin, Dorian Concept, Underworld and Daft Punk. At times, the music verges on acid pop bliss, at others, it grooves with the instrumental funk sensibility of Badbadnotgood. “In the first place, when I create a song, my goal is to transport the listener to a mysterious place,” vocalist Daido explained in a recent magazine interview. Using lyrics as another sonic texture in the composition of ideas, Cho Co Pa paint beguiling sonic postcards of far-flung moods across 12 highly original tracks. Marrying the organic and the electronic on rhythmically sophisticated compositions like ‘Chichibu’ and ‘Watatsumi’, it is on the album’s standout track ‘Gandhara’ that the experimental sound of Cho Co Pa comes to the fore. Referencing the ancient city of Gandhara through which Buddhism made its way from India to China, the track is a vocoder-trap-inspired, Udu drum-driven pop jam that lilts with unmistakable Balearic flair. If that’s difficult to imagine, then know simply that ‘Gandhara’ sounds like nothing else on this side of Saturn. Even Daido seemed surprised by the outcome: “I feel like we were able to create something that exceeded our abilities. That was huge!” Hugely popular in Japan, with festival appearances lined up alongside Badbadnotgood at Asagiri Jam in October, it's safe to say the success of Tradition has taken Cho Co Pa by surprise. Released digitally in July 2023, Tradition will get a full international vinyl release in January 2024. You won’t have heard anything like it.

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Chizawa Q

Lost Asia EP

12" | 1984 | EU | Reissue (Miss You)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Originally released on R&S Records in 2006, Chizawa Q revives his ‘Asia’ release with the surfacing of a new remix, the ‘Asia 4 (Lost Q Mix)’. The Japanese producer, who has enjoyed a modest string of releases for F-Communications and Deka Traxxx, fires out an epically irresistible remix that is sure to soundtrack the summer clubs and festivals ahead. With its roots in the Detroit school of techno, it’s easy to hear the influences of such legends as Underground Resistance and Rolando, and the melodic style of jazzy techno established by artists like R&S Records’ Dave Angel, Vince Watson and Steve Rachmand, but the ‘Lost Asia’ EP is no pastiche. Emotive and musical, delivered with the purity and spirit often lacking in modern techno, Chizawa Q’s music is a reminder that the authentic sounds always rise to the top in the end.

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Chipen

Volao

Welcome To My Castle Sunrise Pearl Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Two gypsies with pedigree backgrounds in Flamenco got together with a drum machine in a studio during the early 80's and the result was Chipen, a somewhat poppy chart oriented project featuring Peret Reyes the grandson of legendary Catalan Gitano musician Peret (aka "El Rey de la Rumba") and Johnny Tarradellas. "Volao" is a mid tempo effort to bridge Pop and Rumba, mixing catchy funk guitar riffs with elements of Flamenco in unprecedented ways. "Chiribiri" sounds like it could be the theme song to a Catalan morning show or even a Japanese 80's Toyota Camry ad, reeks of stereotype and cliche, except that Chipen is the real deal, as real as the darkness of the hair dye on the cover photo. Extended version of Volao on the B side. Remastered at Manmade Mastering in Berlin.

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Chilli Beans.

LP | 2024 | EU | Original (Black Screen)

Chilli Beans. Translucent Orange Vinyl Edition

Release: 2024 / EU – Original

Genre: Pop

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Sunrise Pearl Vinyl.Chilli Beans. are a three-piece band from Japan, formed in 2019 by Moto (vocals), Maika (bass & vocals) and Lily (guitar & vocals). Their neo-garage style fuses indie rock withgarage infused guitars and catchy melodies. Since 2019, the band has released 4 EPs and two albums on A.S.A.B. and played several nationwide headline tours in Japan.Their second full-length album "Welcome to My Castle" was released on December 13th, 2024 and featured 13 songs, including the single "Raise" which was the ending song themefor the TV anime series "One Piece", as well as "I like you", the main song of the TV series "Toki wo Kakeruna, Koibito-tachi".

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Chilli Beans.

LP | 2024 | EU | Original (Black Screen)

Chikara Ueda & The Power Station

Release: 2024 / EU – Original

Genre: Pop

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Translucent orange vinyl.Chilli Beans. are a three-piece band from Japan, formed in 2019 by Moto (vocals), Maika(bass & vocals) and Lily (guitar & vocals). Their neo-garage style fuses indie rock withgarage infused guitars and catchy melodies. Since 2019, the band has released 4 EPs andtwo albums on A.S.A.B. and played several nationwide headline tours in Japan.On July 13, 2022, Chilli Beans. released their first full-length album "Chilli Beans." including the hit singles "lemonade", "andron", "Tremolo" and "School". The song "you n me" from the third EP "mixtape" was selected as the opening theme song to the TV Tokyo J-Drama series "Play It Cool, Guys".

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Super Fusion For Super Boy

12" | 1980 | JP | Original (Denon)

22,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. promo Japanese pressing.

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LP | 2002 | JP | Reissue (Universal Music Japan)

This Armor

57,99 €*

Release: 2002 / JP – Reissue

Genre: Pop

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LP | 2002 | JP | Reissue (Universal Music Japan)

Sugar High

57,99 €*

Release: 2002 / JP – Reissue

Genre: Electronic & Dance

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2LP | 2001 | JP | Reissue (Universal Music Japan)

Insomnia

68,99 €*

Release: 2001 / JP – Reissue

Genre: Pop

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7" | 2024 | JP | Original (Universal Music Japan)

Gekkou