Search "aphroe 90" 4363 Items

House Of Riviera Sampler EP

12" | 2019 | EU | Original (Mona Musique)

Dream Bleeds Colored Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Ahead of its forthcoming compilation House Of Riviera, Mona Musique releases a sampler EP that contains three tracks selected by label manager Nick V, taken from the golden age of Italian House Music, two of which are exclusive to the EP.
Side A is “I Have Got It” by Ricky Montanari and Davide Ruberto under the alias Riviera Traxx, a moniker shared with various other Riviera producers. Released in 1997, this is the only track that is out of the 1991/1993 time scale that the compilation focuses on, standing alone thanks to its tough hypnotic drum beat and diva vocal stabs that are very reminiscent of the Junior Vasquez NY Sound Factory era. This was initially featured on Riviera Traxx 4 in 1997, the fourth and final release of the cult “Riviera Traxx” series on legendary Italian label Irma records.
On the B side are two cuts that are typical of the deep and emotional vibe of classic Riviera House productions of the early 90s. Firstly Ivan Iacobucci, Fabrizio Cini and Nicola Dragani deliver “Tribal Love” under the name of Anxious. Originally released in 1992 this was the B side cut of the Saxample EP, the first release of Hole records a label run by Ivan Iacobucci that enjoyed over 30 releases over the 10 following years. Subway Ground Master complete the release with the superb “Queensway” taken from their only ever release in 1992 on Calypso, a sub-label of Irma records.

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L/F/D/M

LP | 2019 | US | Original (Cititrax)

2LP | 2019 | EU | Original (Fuse)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Cititrax presents ‘Dream Bleeds’, a new vinyl release by Brighton, UK based producer L/F/D/M. L/F/D/M is Richard Smith who first emerged in 2013, inaugurating the Optimo Trax series with the Purple Maps EP. In 2014, he teamed up with former Factory Floor’s Dominic Butler to release two EP’s of hardware-driven atonal techno on Powell’s Diagonal Records. In 2015, Cititrax featured Moth Holes on Tracks Volume 2.

‘Dream Bleeds’ overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late ‘90s and the caustic spirit of EBM.

Richard Smith says about ‘Dream Bleeds’, “attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. These tracks thread together; each starting point completely open, each new step informed by the last. I find it interesting that the process is the same but the outcome somewhat unexpected; shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. They reach a different end point due to that evolution of circumstance.”

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Enzo Siragusa presents

A Decade Of Rave

12" | 2019 | EU | Original (Proform Series)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included. Enzo Siragusa adds fuel to FUSE’s milestone 10-year anniversary with the release of a metamorphic album that draws influence from the London institution’s cultivated sound, as well as the capitals ‘90s rave heritage that so heavily influenced their decade-long dominance.

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Love Of Eden

Love Of Eden EP

12" | 2019 | EU | Original (Drumcode)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Finnish duo Love of Eden is getting serious straight from the beginning of their self titled EP. 'Don't Tell Me' is a jackin' acid banger made for moving crowds with some Casio RZ-1 action and vocals that pretty much sum it all up: "Don't tell me what is acid, don't tell me what is not!" Instant classic! 'Clockwork Apple' takes things to a more mellow and late 80s/early 90s Chicago mood, just like Larry Heard & Co. have taught us. The B-side starts with another Casio RZ-1 acid banger, when Love of Eden perform 'Transfennica'. The EP comes to a beautiful end with 'Rocla', which once again paints a really powerful homage to the early pioneers of acid house. Again, another great release from ProForm Series and also another debut artist introduced to the world! Limited and numbered edition of 200, after that it's gone, no represses, no digital, so you know what to do!

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Veerus

Hypnosis

LP | 2019 | US | Original (GBV Inc.)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Veerus makes his Drumcode debut, after an impressive contribution to Truesoul’s VA EP in 2017.
The Italian has built up an impressive discography over the last decade, dropping records on labels including Terminal M, Octopus, Filth on Acid and his own Le Club imprint. His collaborative with Maxie Devine ‘My Train’ was a highlight of Solomun’s classic Boiler Room in Tulum, which has clocked 37 million views. In late 2017 he linked up with Brits OC & Verde for the fantastic ‘Naaki’ that featured on Truesoul’s first Various Artists EP, ensuring he was an artist well and truly in Adam Beyer’s sights.
His maiden outing for Drumcode mines 20 years of history, taking inspiration from classic trance and acid from the ‘90s, which he distils to create powerful modern techno works. ‘Hypnosis’ was a huge highlight of Beyer’s Awakenings show at Gashouder during ADE. It’s characterised by an engrossing call-and-response dynamic Veerus builds between the 303 acid warbles and the melodic stabs that run throughout. A track custom made for big moments. ‘Apocalypse’, like its name, is more menacing. Veerus constructs the work to mimic the dramatic theatre of a gladiatorial scene in a film, as heart-fluttering chord progressions, a piercing synth line and dystopian melody mark this memorable track.

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Guided By Voices

Warp And Woof

LP | 2019 | EU | Original (Chopped Herring)

Release: 2019 / US – Original

Genre: Rock & Indie

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Following Guided By Voice’s sprawling double-album Zeppelin Over China, Robert Pollard has written and recorded another full-length in record-breaking time. It’s Warp And Woof, exuberantly barreling through twenty-four songs in just thirty-seven minutes with a brevity similar to mid-90s GBV albums Alien Lanes and Vampire On Titus. GBV kicked this one out in a flash, recorded in studios, club soundchecks, hotel rooms and even in the tour van.

After completing Zeppelin, Pollard felt the itch to record a few EPs. Just as GBV had done back in 1994, he would use them to channel his everflowing ideas to an outlet. But when a magical boombox writing session produced six fully formed songs in under half an hour, Pollard realized he had an album on his hands. What to do?

With a band so formidable they’ve been dubbed the Golden Age of GBV, they completed much of the recording on the road. The 2018 Space Gun Tour provided impromptu recording venues. Pollard recorded vocals in hotel rooms, complimentary condominiums, and small studios. Doug Gillard cut guitar tracks for “End It With Light” through his Mesa Boogie rig at the soundcheck at the Ottobar in Baltimore. Bobby Bare Jr. recorded his spacey main rhythm guitars for album closer, “Time Remains in Central Position” at the same show, but in the backstage green room. Kevin March added drum tracks in a studio in his hometown Montclair, New Jersey. Gillard played guitar on “Bury the Mouse” in a van hurtling at 60-plus m.p.h., and Mark Shue laid bass on “Angelic Weirdness” as he balanced on the speeding van’s bench seat.

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Horror City

6th Boro

24,99 €*

Tape | 2019 | EU | Original (Kinship)

Release: 2019 / EU – Original

Genre: Hip Hop

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This might be the first time we have dropped a release on Herring with brand new rhymes over unreleased and unheard early-mid 90’s beats. Here we have the extremely dope Long Island representers Horror City. We first hooked up in 2010 to release the crazy nice ‘Prince Paul presents Horror City 1995 Demos EP’ which included a bunch of joints that were later reworked for Prince Paul’s ‘Prince Among Thieves’ album.

Superstar the man behind Horror City has been recording since the 80’s and the fact dude has come up with something so fresh and so relevant almost 40 years later is a testament to his talent and commitment to the art form. This is definitely a contender for one of the albums of 2019, that was originally conceived in 1993. Includes production from the Original DJ Kaos [Artifacts].

Dope artwork by Mark 563

Large Colour Sticker

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Air Cushion Finish

Chinese New Year

17,99 €*

Life Of A Kid In The Ghetto Record Store Day 2019 Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Comprises of composer Jayrope and natural vocal synthesizer Lippstueck, who have graced together Berlin’s underground scene since the 90's. Lippstueck sings, wordless and backwards in time while his partner jayrope tends to DIY, electronic, string or percussion instruments. Chinese New Year was recorded live on Jan 28th, 2017 at Dirk Bell Studio in Berlin Wedding upon a friendly invitation by World Peace. Spacious, with ancient tea leaves served in hot water.
Downloadcode + sticker included.

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Ed O.G & Da Bulldogs

LP | 1991 | US | Reissue (Get On Down)

26,99 €*

Return Of The SP1200 Record Store Day 2019 Edition

Release: 1991 / US – Reissue

Genre: Hip Hop

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The 1990s was a rich vein of classic hip-hop, especially on the East Coast, which rendered some of the greatest works from the likes of Wu-Tang Clan, Nas, Mobb Deep, and many others. Frequently lost in the genre's New York-centric history was Boston's burgeoning hip-hop scene during the 1990s, spearheaded by working class Roxbury native Edward Anderson, best known by his stage name Ed O.G Over the course of his career, which has spanned nearly 30 years, Ed O.G has maintained an admirably strong cult following, and has gone on to work with contemporaries like RZA, KRS-One, Masta Ace, Pete Rock, and Common, while touring the world over, and producing numerous solo and collaborative albums. Ed O.G.'s illustrious career debuted in 1991, with the release of what is arguably his best known album, Life Of A Kid In The Ghetto, a collaboration with his crew, billed as Da Bulldogs (which was actually an acronym for “Black United Leaders Living Directly on Grooving Sounds”), though Ed O.G was clearly the main event. An underrated classic in its own right, Life Of A Kid In The Ghetto runs a gamut of sounds ranging from the introspective conscious hip-hop of "Be A Father To Your Child", to the whimsical boasts of "I'm Different", to deeply political fare like the Ace & Quan and Def Jef-featuring "Speak Upon It", plastered across a backdrop of Joe Mansfield-produced sample-heavy soundscapes, which snatched clips from deep cuts of James Brown, Roy Ayers, and The Delfonics, to name just a few. It also managed to generate Billboardcharting singles out of tracks like "Bug-A-Boo", "Be A Father To Your Child", and "I Got To Have It", which would become Ed O.G's signature track, and sample fodder for 2Pac, De La Soul, and DJ Premier. Get On Down now presents Life Of A Kid In The Ghetto, an unheralded rarity of renaissance hip-hop, reissued on vinyl for the first time since 1991. The audio has been remastered from its original tapes, so every bit and piece of Ed O.G's masterpiece is crisp and clear on wax. An uncovered gem of 90s rap well worth a re-listen or first-time discovery, and a sterling representation of Boston hip-hop.

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Pete Rock

LP | 2019 | US | Original (Tru Soul)

26,99 €*

A Historical Glimpse Of The Future Record Store Day 2019 Edition

Release: 2019 / US – Original

Genre: Hip Hop

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Pete Rock is widely recognized as one of the greatest hip hop producers of all time. His name is oft included in the pantheon of the greatest, alongside DJ Premier, RZA and J Dilla. In addition, Pete has one of the world’s most extensive vinyl collections, the sort of collection who’s size can only be estimated – and that estimate stands in excess of 100,000 LPs. 2019 will see the launch of Pete Rock’s own imprint, Tru Soul Records. And being a lover of all things vinyl, he’s decided that the label’s inaugural release has to be for Record Store Day. Rock’s production forte is the melding of Jazz with early 90s East Coast boom bap, as demonstrated though his work with partner in rhyme CL Smooth. But there was a time before Pete met CL, a time before the world came to know Pete Rock & CL Smooth, a time when Pete was a 19 year old in his basement in Mount Vernon, NY making beats with his SP-1200. These are those beats. Released for the first time ever on “Return Of The SP-1200” debuting on Record Store Day 2019.

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The Magnetics

LP | 1981 | EU | Reissue (Strange Disc)

12" | 2019 | EU | Original (Sulta Selects Silver Service)

Release: 1981 / EU – Reissue

Genre: Pop

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* Record Store Day Europe / UK 2019 Exclusive Release!
* First ever vinyl reissue since 1981
* Limited to 1,000 copies
* Includes insert with extensive liner notes + obi strip

Strange Disc Records proudly presents the first ever vinyl reissue of a landmark Icelandic minimal Synth album: The Magnetics ‘A Historical Glimpse Of The Future’ (1981). The Magnetics were Jakob Magnússon and Alan Howarth, an intriguing international & iconic duo. Keyboard player Magnússon was an Icelander who already had an impressive jazz resume, while Howarth was making a name for himself as a Hollywood composer – in 1981, the same year that A Historical Glimpse of the Future was released, he also was involved in the soundtracks for two hit John Carpenter movies, Escape from New York and Halloween II. Both have been quite successful in their post-Magentics careers, Howarth with more soundtrack work (They Live, Big Trouble In Little China, Christine etc. ) and Magnússon with various jazz outfits. Jakob would end up working as the Icelandic ambassador to the UK during the 90’s. Throughout the fantastic A Historical Glimpse of the Future album you can hear the soundscapes people came to associate with the 1980s films scored by Carpenter/Howarth. Dark and moody material but with a strange twist as you can hear on the synth cover of “The Lion Sleeps Tonight” & the old-timey cabaret-styled “I’m Getting Married Today”, two truly bizarre pieces that doesn’t seem to fit at all… and somehow by not fitting actually fits perfectly, which is the real story of A Historical Glimpse of the Future. Originally released in 1981 on WRT (and going for hefty amounts on the second hand market), Strange Disc Records proudly presents a deluxe vinyl reissue (1000 copies) containing an insert with extensive & exclusive liner notes from Jakob Magnússon himself. Released exclusively for Record Store Day (UK & Europe) 2019, available in participating stores on April 13.

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Hammer / Atlus

Ssss-3

CD | 2019 | US | Original (St. Hendrix)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Denis Sulta’s Silver Service imprint - an offshoot of Sulta Selects - present SSSS-3, a two-track collaborative package from the inimitable Hammer and Atlus, Denis’ own darker alias.
Taking reign over the A-side, Belfast export Hammer brandishes a weighty dose of low-slung, swollen bass and disorienting vocal stabs on ‘Dance Since’. Using a palette of cathartic 90s house vocals he morphs their energy into something far more twisted.
For the B-side, Atlus forges an equally hefty fusion of raw percussion and swirling vocals, spun round by a dizzying acid bass lead.
Wasting no time in heading straight to the dancefloor, SSSS3 sees two esteemed characters doing what they do best.

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Truth

The Fight For Survival

Release: 2019 / US – Original

Genre: Hip Hop

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Features Ill Bill, Tragedy Khadafi,
Royal Flush and DJ JS-1.

Production by Large Professor, PF Cuttin, Da Beatminerz,
DJ Doom, JK1 The Supernova and DreadInNY

"The Fight For Survival" is the follow up to this Queens based MC's 2016 album "From Ashes to Kingdom Come", which was well received and included the # 1 college radio hit "New Type of Something" ft. Sean Price. That album also enlisted Hip Hop heavyeights OC and AG (DITC). Production included Psycho Les (Beatnuts), PF Cuttin (Blahzay Blahzay), Da Beatminerz, DJ Doom, and up-and-coming producer JK1 The Supernova who handled the majority of the production.

Truth has returned right where he left off with another certified banger!

"The Fight For Survival" ups the ante with features from the likes of Ill Bill, Tragedy Khadafi and Royal Flush, plus production by Large Professor, PF Cuttin, Da Beatminerz, JK1 the Supernova, DJ Doom and Raheem Isom (DreadInNY). "The Fight for Survival" once again has that 90's feel to it and definitely does not disappoint from front to back with raw, witty lyrics and that New York sounding beat knocking, boom bap! If you are a Hip Hop head this album is definitely for you!

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12" | 2019 | US | Original (Fresh Meat)

Archival 3

Loveit Presents: JK Jo Pariota Remix

Release: 2019 / US – Original

Genre: Electronic & Dance

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FRESH MEAT drops a dope 4 track EP with Various Artists: ART OF TONES, YANN POLEWKA, AUDIO SOUL PROJECT and LUIS BARO. A1) "NORTH & DAMEN", a Chicago- style house cut A2) "MY RX", pays homage to 90's house. On the flip, B1) "THE LOOQ" is futuristic disco & B2) "REVES", filtered disco.

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12" | 2019 | EU | Original (Loveit)

10,99 €*

12" | 2019 | US | Original (Hobo Camp)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Next up on Loveit is head honcho JK himself, presenting a fine Reminiscence to 90s french house on the A1. With his remix, italian Jo Pariota transforms the title track into a veritable detroit house groover by adding warm pads and driving hats. JKs B1 is a moody deephouse affair including jazzy keys and a thought provoking spoken word sample by a certain saturn-visiting cosmic poet.

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M5K

Time 2 Jam

12" | 2019 | EU | Original (Rua Sound)

Release: 2019 / US – Original

Genre: Organic Grooves

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M5K returns to Hobo Camp with his brand new EP “Time 2 Jam”, a sonic affair of drum machine hits and synth lines, evoking a vision of a beach-side urban studio apartment blasting out party jams and smooth tunes from sunrise to sunset and beyond. Fusing equal parts classic electro, boogie-funk, house and R’n’B, M5K re-imagines the best of the 80s and 90s urban club scene using all legit studio equipment from the era, making absolutely sure that the vibe is right, the drums hit hard and crispy and the bass is pumping. This EP is a follow up to his 1st release on Hobo Camp, “Absolutely Real” from 2016, and just like all M5K productions, is guaranteed to dominate and destroy on the dance floor. “The One For Me” starts the EP off and instantly gets heads-nodding with its snapping drums, g-funk sub bass and west coast lead line. “Eternally” is hypnotic hip-house class, dipped in a liquid gloss with all the rave-y feels to get the folks moving, grooving, gesturing and voguing. “Time 2 Jam” is an homage to classic 80s electro, dominated by legit 808 programming and synth lines that OGs will have to assume is from the era. “City Vue” squeezes out a nice sticky funk paste with each sustained chord, and features Indonesian guest artist Munir (of Midnight Runners) to contribute his style to the jam. “All About U” bounces, bumps, and slices along with a heavy gangster bass lines appropriate for any lowered ride to cruise along and weave through it’s snappy drums. “Wait Up” is a spacey, sultry, slow g-funk electro, the perfect smooth jam to start or end any rendezvous or journey

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Touchy Subject

The General EP

LP | 1972 | EU | Reissue (Mr Bongo)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Rua Sound is pleased to announce we are back in action with our first release of 2019, and a welcome return to the label of Touchy Subject.
Fast becoming one of the go-to producers for rootsier takes on up-tempo 160-170 bass music, his second four-track 12" on Rua ups the ambition and knocks it so far out of the park it's broken windows in the next parish across.
The General EP veers wildly between neurofunk-but-actually-funky takes on dusty 90's boom-bapàla DJ Shadow on "Shudder" and 'Turnt Up', cavernous soundsystem workouts on "Seek and Find", and febrile halftime (just) jungle (barely) masterpiece in the shape of "General". Goosebumps. This is soundsystem music par excellence; cerebral, heady, and rousing - suffice to say we reckon it's sicker than the plane to Lourdes.
We apologise profusely to those of you whose resolutions for 2019 involved losing weight, but this is one of our fattest releases yet so you'd better go get them bassbins rumbling instead.

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Ronald Mesquita

Bresil 72

22,99 €*

Miami Life / Goldyn Child

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Classic Brazilian album from master drummer, Ronald Mesquita, originally released in 1972. Featuring songs by Jorge Ben, Antonio Carlos-Jobim, Gilberto Gil, Edu Lobo and others.
Mesquita is probably most well-known for playing with Luis Carlos Vinhas and his ‘Bossa Tres’ outfit, along with his own group, ‘Ronie E A Central Do Brasil’, that he formed after his return from the US in the early 1970s. He also played on several songs on Tenorio Jr.’s ‘Embalo’ album that Mr Bongo recently reissued.
The killer track ‘Balanca Pema’ was very big in the Jazz Dance scene in the 90s and also featured on the Mojo compilation ‘Dancefloor Jazz Volume Four’.
Madlib sampled ‘Balanca Pema’ on his Medicine Show Number 2 ‘Flight to Brazil’.
Official Mr Bongo reissue. Licensed courtesy of Universal Music Group Limited.

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Ras Kass

7" | 2019 | EU | Original (HHV Boombap 45s)

LP | 1976 | EU | Reissue (Mr Bongo)

Release: 2019 / EU – Original

Genre: Hip Hop

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Strongly limited edition of 300 copies of the 10th release in our »HHV Boombap 45's« series.

This time we present another classic cut from the mid-90's on 7", "Miami Life" by Ras Kass from his debut album "Soul On Ice". The b-side includes "Goldyn Child" produced by DJ Premier!

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Tom Ze

Estudando O Samba

22,99 €*

LP | 2019 | US | Original (The Flenser)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Incredibly unique concept album from the one and only, Tom Zé. As featured in Rolling Stone magazine's 100 Greatest Brazilian Albums of all-time list (2007).
One of Ze’s finest albums in our opinion, originally released by Continental Brazil in 1976 – a tough one to find at a good price in its original form now. ‘Estudando do Samba’ (or ‘Studying The Samba’) is a post-Tropicalia studio
experimentation laiden with layers of hypnotic percussion, effects & samples that deconstructs the ‘samba’ form. Recorded during what was arguably his most creative period.
David Byrne found the record in Rio in the late 90’s and included several songs on his Tom Ze collection for Luaka Bop a few years later. At that time Tom was not recording or touring much; playing low-key shows in Sao Paulo and
contemplating a move back to Irará to work at a service station owned by one of his cousins. Byrne’s project helped to reignite his career and he hasn’t looked back since.
Official Mr Bongo reissue. Licensed courtesy of Warner Music UK Ltd.

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Elizabeth Colour Wheel

Nocebo

12" | 2019 | US | Original (The Nite Owl Diner)

Release: 2019 / US – Original

Genre: Rock & Indie

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Nocebo, the first full-length by the Boston, Massachusetts five piece Elizabeth Colour Wheel, is inspired by anxiety, the fear and the desire of being constantly overwhelmed. The album came to fruition over the summer of 2018, when the band embraced a heavy “kill your idols” mindset, crafting an album that is distinctly schizophrenic yet familiar, touching on ’90s heavy rock, shoe-gaze, and black metal influences.

Mixed and mastered by Seth Manchester of Machines of Magnets (The Body, Street Sects), Nocebo is a five-walled haunted house, constructed from the wild, chantlike vocals of Lane Shi, the heavy, reverberant guitars of Emmett Palaima and Alice Jackson, the sludgy, distorted bass of Billy Cunningham, and the powerful, aggressive drumming of Connor Devito. Inside these walls frequencies of spectral anger echo and resound, gathering into thunderous waves, which crash against the borders of the room before dying out into eerie silence.

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Alexander East

Hazy Shade Of Love

Black Savage / Majek / Ovid

Release: 2019 / US – Original

Genre: Electronic & Dance

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NITE OWL DINER'S newest comes from House veteran ALEXANDER EAST (UC, SUB- URBAN, FREERANGE) featuring rare mid-90s recordings of jacking Chicago House & Rave. "HAZY SHADE OF LOVE" is a future classic with soulful vocals & keys. "STR8 JACKIN" is a banginâ€™ jacker & "THE BOMBMAKER" is filtered real techno.

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CBS EP

12" | 2019 | EU | Original (Afro7)

17,99 €*

12" | 2018 | EU | Original (Rush Hour)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Afro7 is back and this time we’ve dug deep in the CBS Kenya vaults and found four fantastic soulful reggae tracks of early 80’s origin! First song is the bouncy ‘FIRE’ by Kenyan Black Savage Band (played out on the Worldwide show by Gilles Peterson back in the start of Summer 2018) Track two on the first side is Nigerian Sheila and Desmond Majek’s laidback soulful ‘GOT THE FEELIN’ and flip it for two fantastic tracks by the Kenya coastal outfit Ovid, check out the synth drum machine laden KARIBUNI and the party number OPERATOR. Mastered by Frank The Carvery. EP comes in super deluxe cardboard jacket made in Thailand with silk screened coastal-inspired artwork made by California resident Steve Roden. Limited to 500 copies, one copy per customer.

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Klein & MBO

The MBO Theme

Satisfied / I'm Waiting / Afterlife

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The 80s Italo disco /proto-house classic ‘MBO Theme’ by the mighty Klein & MBO, repressed! Comes with an heavy (and unheard) South African version on the flip. Huge Tip!
“The MBO Theme” (1983) has been a dance floor favorite since decades, created by Mario Boncaldo and Tony Carrasco - the legendary Italian/US duo Klein & MBO. The track got support in NYC and Chicago by greats as Larry Levan, Frankie Knuckles and Ron Hardy.
The rare version on the flip is created by a South-African band called Warrior. Rush Hour explain how they came across the track: “We bumped into this version on a South African record digging trip. It took us a few months to realize the scarcity of this version. Ian Osrin, a well respected engineer in South-Africa who was involved in many 80ties and 90ties Bubblegum, Kwaito and South African disco records, explained us about music distribution in South Africa during apartheid. Because the country was culturally banned at the time, a lot of releases weren’t imported or exported. Even when a track was huge, like “The Klein & MBO Theme”. So South African musicians would create their own versions which were sold locally.
We got in contact with Tony Carrasco from Klein & MBO. He also hadn’t heard Warrior’s version before, but he liked it as much as we do!"

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Jovonn

12" | 2019 | EU | Original (Groovin)

12" | 2019 | EU | Original (Vertv)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Jovonn is definitely one of the most iconic deep house producers.
Back on 1995, three gems from his huge 90's discography are now back on vinyl on Groovin Recordings.

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Armless Kid

Choices

The East Flatbush Project

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After prominent releases on Rekids, Classic or Copie Blanche, one of the most promising french young house music talent Armless Kid is joining the Vertv family for his new EP : Choices.As a Millennial, questioning his own condition of young adult, the 24 years old producer explores the themes that strike his generation like love through the digital age (Internet love), the pursuit of a meaningful life and the need of affirmation through vigorous choices while options are abundant. Melancholia is one of the consequences of this quests (Flirting With Regrets) but it also gives a compelling desire to enjoy life to the fullest (Deep Energy) even if it means eating junk food and watching silly VOD with friends (B3A).This EP is good example of Armless Kid’s music, catchy, fun and elegant with strong roots into the very French tradition of jazz-infused House music as well as bringing his very own twist on 90s influenced deep house thanks to his massive kick drums and sophisticated pads.

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Tried By 12 Feat. DeS / Instrumental

7" | 2019 | EU | Original (HHV Boombap 45s)

LP | 2019 | EU | Original (Seance Centre)

Release: 2019 / EU – Original

Genre: Hip Hop

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Strongly limited edition of 300 copies of the 9th release in our »HHV Boombap 45's« series.

This time we present another true underground classic from the mid-90's on 7", "Tried By 12" by East Flatbush Project with DeS on the mic backed with the instrumental version on the B.

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Short-Term Memory

Plus Or Minus Two

23,99 €*

CD | 2019 | UK | Original (Chopped Herring)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Plus or Minus Two compiles four songs from Kansas City wave pioneers Short-Term Memory’s first cassette album, Every Head Needs Cleaning, with two previously unreleased tracks recorded in the 90s.
This EP focuses on the group’s prescient dance-floor DIN-sync workouts which share sensibilities with contemporaneous early Detroit experiments by Juan Atkin’s Cybotron, Ron Hardy’s visionary Kikrokos tape edit, Shoc Corridor’s extended 808
exercises, and 90s Techno Pop by Haruomi Hosono. Rounding off the EP is the existential electronic soul ballad Words. Remastered from the original reels, 45rpm DMM pressing.
Kansas City, 1983: a band formed, wires connected and synapses fired. Three friends, tired of guitar/bass/drums rock started jamming with newly acquired synths and Roland TR 808. They called themselves Short-Term Memory. Thanks to the vanguard technology of the time, these
electronic instruments spoke to each other, and Jim Skeel, John Paul & Robert Duckworth could program their instruments, riding the DIN-sync wave. Weekly jams became more ambitious, and in 1983 they released their first album Every Head Needs Cleaning on their own Silly Poodle Music label. Over the 80s members drifted in and out of the group, and they released two cassettes, an LP and a 7” EP. By the 90s Jim Skeel was at the helm, the only original member, and joined by Tim Higgins he continued to record in MIDI mode for a few years before pulling the plug, leaving recordings and memories that resisted the great fadeout of time, and today sound vibrant and more visionary than ever.

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Supreme The Rude Boy

Supreme' Lounge EP

Tape | 2019 | EU | Original

Release: 2019 / UK – Original

Genre: Hip Hop

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Another crazy dope 90’s joint, this time out of Alabama, written and produced by multi-talented, mc and producer Supreme The Rude Boy. Supreme only released a limited run cassette single for “Friday Nite Live” back in 1996 as well an even rarer tape version of the album [still not on Discogs]. See below a short interview with the man himself where he discusses among other things his job at Motown and his father who penned tracks and recorded with The Blackbyrds, Taste of Honey and the Mizell Brothers who incidentally are his godfathers – wow. Just peep this project – we are starting off 2019 with a BANG!!! Produced and mixed by Supreme The Rude Boy for Soul Child Music/Unlimited Images
Entertainment 1996/7.
Remastered by Jee Van Cleef.

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DJ BK

Tape 60

9,99 €*

CD-R | 2019 | EU | Original

Release: 2019 / EU – Original

Genre: Hip Hop

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Congratulations to DJ BK! This is his 60th mixtape! Since the mid 90s he always puts out the dopest underground tracks. Impossible to miss out on something, if you pump his tapes regularly. Thank you very much, BK!

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DJ BK

Tape 60

9,99 €*

Rehab Doll Deluxe Edition

Release: 2019 / EU – Original

Genre: Hip Hop

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Green River

2LP | 1988 | EU | Reissue (Sub Pop)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Auf Togo And Becker & Mukai

Auf Togo Meets Becker & Mukai

12" | 2018 | EU | Original (SaS Recordings)

10,99 €*

7" | 2019 | EU | Original (HHV Boombap 45s)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Some time in 2018, the mighty AUF TOGO (members of In Flagranti and Mytron & Ofofo) met with the fierce BECKER & MUKAI (w/t members of Zongamin, Vanishing Twin, Floating Points live band, JeanGa & George) in the Sounds And Sons Studios in Shoreditch for a couple of long recording sessions, where they brought together drum machines and guitars, percussions and synthesisers.
These two outfits getting together in the studio was a match made in heaven, as one long improvised take gave way to another, each protagonist picking up a different instrument each time, recording hooks and beats and dub effects, and ultimately joined their production skills to create these four gems.
Mixing influences that run from balearic beat to the late 80’s Manchester sound, from psychedelic rock and space disco, this record is a singular piece of rugged mid tempo electronic music that works both on a dance floor in Berlin, at sunset in Ibiza or in a living room in London.
The artwork was hand-drawn by Susumu Mukai and is inspired by 90s reggae dub clashes.

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Shadez Of Brooklyn

Change / Instrumental

LP | 2019 | EU | Original (Sahel Sounds)

Release: 2019 / EU – Original

Genre: Hip Hop

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Strongly limited edition of 300 copies of the 8th release in our »HHV Boombap 45's« series.

This time we present another true underground classic from the mid-90's on 7", "Change" by Shadez Of Brooklyn backed with the instrumental version on the B.

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Hama

Houmeissa

24,99 €*

LP | 2018 | UK | Original (Holy Ghost Zone)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Nigerian composer Hama presents a groundbreaking album of traditional electronic desert folk songs, hovering somewhere between early 90s techno and synthwave. Nomadic herding ballads, ancient caravan songs, and ceremonial wedding chants are all re-imagined into
pieces seemingly lifted from a Saharan 1980s sci-fi soundtrack or score to a Tuareg video game. With a deep love and respect, Hama effortlessly takes back and re-appropriates fourth-world ethnoambient music.

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Budgie

Holy Ghost Zone

18,99 €*

12" | 2018 | US | Original (Dark Entries)

Release: 2018 / UK – Original

Genre: Hip Hop

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“The spiritual successor to The Gospel According To Budgie mixtapes and The Good Book albums with Alchemist. Holy Ghost Zone picks up right where they left blending 90's Gospel with a 2018 bounce.”

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Photonz

Etheric Body Music EP

12,74 €* 16,99 € -25%

Life. Love. Shirts. - A Collection Of Hardcore Clothing

Release: 2018 / US – Original

Genre: Electronic & Dance

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Photonz is the alias of Marco Rodrigues a DJ, producer and driving force of Lisbon's underground scene. For little over a decade now, he's been crafting his own deeply personal style of Portuguese house and techno for labels such as Créme Organization, 20:20 Vision, Don't Be Afraid, Skylax, Unknown To The Unknown and his own One Eyed Jacks. As a DJ, Photonz grew a reputation for deep crates and intensely euphoric sets and in 2017, together with Violet (co-founder at his Radio Quantica) and Lisbon's own Rabbit Hole collective, he started the now infamous Mina parties - a monthly, sex-positive, queer and intersectional-feminist techno party aimed at using the dissociative potential of intense raving to create a temporary space of suspension away from patriarchal expectations.

Etheric Body Music is Photonz’s debut 6-track EP for Dark Entries and a simultaneous reference to hermeticism and EBM (Electronic Body Music). Marco loves that “aesthetic when 80s industrial and EBM bands split up and start to make trance in the early 90s and all the ritual magick pushes them to zen stuff and they do ecstasy.” There's this concept in theosophy and hermetic philosophy of the Etheric Body, which is an energy body superimposed and connected to the physical body, similar to the acupuncture idea of an energetic body. That idea manifests itself as six primal club cuts, which also channel early techno, Drexciyan rhythms, balearic & old school jack. Raw arpeggiated synth lines and bass blast jut against metallic stabs and highly percussive shakedowns to create mournful atmospheric warped house. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a psychedelic jacket with snakey green and purple velvet in an electric acid spewing weird biological alien energy form designed by Eloise Leigh.

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Orhun Öner

Revelation

39,99 €*

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The world of hardcore is renowned for the preservation of its own history. The history has been well-documented in records that have all been reissued, websites devoted to its preservation, an oral history that has been passed down through generations of show-goers, and now, through books that explore even the most minute and obscure details of underground hardcore culture.
This book documents an incredibly important aspect of hardcore’s culture that has, until now, not been documented in any print format: hardcore band T-shirts through the diligent collecting and cataloging of hardcore enthusiast Orhun Öner. The 200 pages of Life.Love.Shirts. - A Collection Of Hardcore
Clothing features the colorful T-shirts that were bought and sold in the sweaty clubs of the ’80s and ’90s, many of which are extremely rare and fetch astronomical sums on the collector’s market. Many of the shirt photos are accompanied by stories from the bands, labels, and those who had a hand in the production and distribution, a glimpse of the rich tradition of hardcore band T-shirt production that continues on to this day!

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Audio-Technica

AT-VM95C

34,00 €*

Let Us Pray / Dread In The Mountain

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The AT-VM95C, the new Audio-Technica entry model Conical cartridge will replace the legendary AT90 Series models such as AT91, AT91R and CN5625AL

Also the AT-VM95C is a “budget” cartridge featuring a conical stylus, the compatibility in the range will allow to upgrade with any of the 4 other LP styli of the Series such as Elliptical, Elliptical Nude, Microlinear and Shibata.

Aluminium cantilever
4.0mV output voltage
Compatible body with all VM95 Series stylus assemblies
Replacement for AT91, AT91R and CN5625AL

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VM9E SERIES COMPATIBILITY WITH THE AT-XP SERIES DJ CARTRIDGES
The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers.
VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers.
Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli.
The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing.
The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction.

CONICAL BONDED STYLUS
The benefit of conical styli, even if the cartridge is "lean", is the ball surface of the stylus touches the groove of vinyl records precisely.

Model AT-VM95C
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 20,000 Hz
Kanaltrennung 18 dB (1 kHz)
Kanalbalance am Ausgang 2.5 dB (1 kHz)
Ausgangsleistung 4.0 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Conical
Nadelabmessungen 0.6 mil
Schaftform der Nadel Bonded Round Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 17 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 6.5 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 6.1g
Abmessungen 17.2 x 18.9 x 28.3 ( H x W x D mm)
Ersatznadel AT-VMN95C
Beiliegendes Zubehör Two 11 mm installation screws;
Two 8 mm installation screws;
Two washers

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Black Uhuru

12" | 2018 | EU | Original (Top Ranking Sound)

12,99 €*

LP | 1993 | EU | Reissue (Music On Vinyl)

Release: 2018 / EU – Original

Genre: Hip Hop, Reggae & Dancehall

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Black Uhuru first formed in 1972, initially as Uhuru (Swahili for 'freedom'). Over the years the group has undergone several line-up changes with Derrick "Duckie" Simpson as the mainstay. As a unique singer in his own right, Delroy "Junior" Reid had the opportunity to reach a wider international audience when he was offered the chance to be the lead singer in Black Uhuru in 1986. Jr. Reid was from the same area of Kingston, shared a similar vocal style and already had a reputation for writing strong reality lyrics. After joining the group, Jr. Reid elevated the group to another level delivering militant songs such as Let Us Pray and Dread In The Mountain. Songs as these taken from the "Brutal" sessions, sung over typically robust rhythms from Sly & Robbie, tailored to fit in with developments on the international scene whilst upholding Black Uhuru’s penchant for uncompromising roots music with the emphasis on tight, forward-thinking arrangements.

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Melvins

Houdini

12" | 2018 | EU | Original (Quartz Music)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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The iconic fifth album Houdini by the Melvins captures the band's power, vision, and musical strangeness. It's an essential '90s release, combining elements of grunge with hard rock and sludge metal. Their biggest commercially success and first major label release is an album where they displaying the full width of their musical abilities. Buzz Osbourne's guitar sound is deep and heavy and combined with Dale Crover's powerful drum rolls and fills it sounds really impressive. Kurt Cobain (Nirvana) added his guitar skills to the track "Sky Pup" and can be heard as a percussionist on "Spread Eagle Beagle". It's one of the most accessible Melvins albums and the gateway to explore more records by the band. Houdini is the ultimate Melvins classic and a must have for every grunge and music fan in general.

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DJ Sodeyama

I Wanna Dance

Solomon Childs & Tone Spliff

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Following releases by label boss Paul Ritch and Portuguese producer Cardao, Quartz Rec welcomes a new addition to its roster, DJ Sodeyama, with I Wanna Dance EP. DJ, producer, label owner & founder of ARPA records, Yoshifumi Sodeyama started Djing in the early 90s in his native Tokyo. His well crafted productions have been released on Japanese and international labels, including a recent appearance on Nina Kravitz's Trip compilation I Have A Question. On this EP, from the building tension of the opening track, to the beautiful acid sounds of the last, DJ Sodeyama manages to create great atmospheres using repetitive patterns with drifting sounds that will surely make the dancer's mind wander.

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The Prophet And The King

CD | 2018 | US | Original (Mind Write Music)

Manos Limited Peak Edition

Release: 2018 / US – Original

Genre: Hip Hop

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"The Prophet and the King" is a collaborative project from Solomon
Childs and Tone Spliff. The album hosts 11 solid tracks (two of which
are only available on CD) and 3 skits.
Solomon and Tone called upon the heavy-hitters ; Inspectah Deck (Wu
Tang), Sadat X (Brand Nubian), Rock (Heltah Skeltah), Conway the
Machine (Shady Records/Griselda), Realio Sparkzwell, Recognize Ali,
Sav Killz, Mazzi & Stryfe for the album's guest appearances.
ABOUT SOLOMON CHILDS:
Rapper and Staten Island native Solomon Childs (born Walbert Ryan
Dale in 1975) became affiliated with the mighty Wu-Tang Clan through
his family ties to god-brother Cappadonna and cousin Ghostface Killah.
Solomon contributed to various Wu-Tang related classics throughout
the late '90s and early 2000s, including verses on Cappadonna's The
Pillage, RZA's Bobby Digital, Ghostface Killah's Supreme Clientele and
others. In the early 2000s he was a member of the Ghostface affiliated
group Theodore Unit, as well as appearing on tracks by other artists
and working on his own releases.
In 2016 Solomon was shot twice in a drive-by shooting while out
shopping in Staten Island. The rapper underwent multiple surgeries
but survived the attempt on his life.
"The Prophet and the King" is Solomon's second album from when this
tragic incident occurred.
ABOUT TONE SPLIFF:
Los Angeles based DJ and Producer Tone Spliff (born Anthony John
Mucitelli in 1981) is grounded in an east coast sound and steeped in
tradition with an ever present emphasis on the DJ/Turntablist.
Tone links up with Solomon Childs to deliver an instant classic Hip Hop
album, sounding like a beast on the drum machine and the 1’s and 2’s,
it’s apparent Tone Spliff has some skills to flex on this album.
The beat-creator, originally from Utica, NY, has made his mark in the
underground Hip Hop community by working with artists such as
Royce Da 5'9, Sean Price, Krumbsnatcha, Big Shug, Planet Asia,
Apathy, Slaine, Ed OG, Skyzoo, Big Noyd, El Da Sensei, Saigon and
many more. Songs from his previous albums have made a worldwide
buzz by landing on popular sites and radio shows like: The Source
Magazine, XXL, HipHopDx, 2DopeBoyz.com, Rap Is Outta Control with
DJ Eclipse (Shade45/SirusXM), Live from HeadQuarterz with DJ
Premier (Shade45/SiriusXM) and many more.

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The Spinanes

LP | 1993 | EU | Reissue (Merge)

12" | 2018 | EU | Original (Afro Acid Plastik)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Peak edition is opaque yellow vinyl and includes a photo booklet of ephemera of the era! The Spinanes were Portland OGs singer-guitarist Rebecca Gates and drummer Scott Plouf and were snapped up by Sub Pop in the post-Nirvana feeding frenzy. Gates was a guitar manipulator more artful and poetic and sensual than her peers, with a voice full of emotion and warmth_a deep, distinct standout among the samey girly-girls. Plouf was a powerhouse drummer, exact and on-point, with a giant collection of shades and enough mod swagger to make Paul Weller proud. Their urgency was soft but they pummeled us hard. When they recorded their debut album, Manos, with Brian Paulson at AmRep in Minneapolis, they brought a ridiculous amount of energy: Few acts manage to capture that live spark in the studio. A college radio hit, "Manos" was characterized as indiepop or indie rock or alternative, but also had a touch of art rock, folk, emo, math rock, postrock, even jazz, nearing the same spiritual space as '90s bands like Unrest, Sebadoh, and Versus. Gates told our zine (chickfactor) in 1993 what kind of record she wanted to make: She wanted it to be really magical - the way the first Verlaines record is or a Replacements record - things that you can put on when you feel horrible. Named after a misheard Jesus Lizard lyric, "Manos" is just that: It sounds like smoky venues and dance parties at punk houses: woozy, tight, fraught, wrought, tense, intense, swoony, breathy, fast, worldly/weary -?sophisticated and primitive, stressful and soothing. Twelve songs and nary a dud: "Noel, Jonah and Me", the epic title track (a hip-swayer full of lust and longing), the rifftastic "Grand Prize", the catchy "Sunday". "Manos" was an original in a crowded market in 1993, and the Spinanes seemed to be everywhere. All hail its reissue, one quarter century later. - Gail O'Hara

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DJ Pierre

Jack City Volume 1

The Public Opinion Afro Orchestra

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The godfather of acid house, DJ Pierre, is back – bringing four heavyweight Chicago cuts to the fore, two of which, ‘Pinball Machine’ & ‘The Spirit’ are unreleased, exclusives. ‘Sexy Aquarian’ showcases Pierre’s unique style putting his trademark spin on this classic vocal, combining it with a bumping bass and dizzying acid lines, to trigger old memories whilst giving you something new for your mind, your body and your soul. Next up ‘Pinball Machine’ goes in heavy on the percussion – filling those speakers with a barrage of weighty toms, crisp hats and crunched up snares. The frenzied synth line bounces around relentlessly, pinging off the sides of your brain like a sonic arcade. Take to the flip for a lesson in how to take jackin' house to another level. ‘Whats Mine is Mine’ delves beyond the beat, mixing sassy vocals and spiritual organ stabs, with a touch of swing reminiscent of an era long gone. Closing out the EP, ‘The Spirit’ utilises another treasured vocal layering it behind punchy drum programming, a rumbling bass and atmospheric touches that add an ethereal tinge to the track.

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Naming & Blaming

LP | 2018 | US | Original (Hope Street)

7" | 2018 | US | Original (GBV Inc.)

Release: 2018 / US – Original

Genre: Organic Grooves

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After a long wait, Melbourne’s Public Opinion Afro Orchestra (The POAO) is set to release their second album, Naming & Blaming, a pulsing, percussive journey into classic afrobeat. Recorded by a 17 piece
ensemble, led by fierce vocals and a howling horn section, it’s a fitting 21st-century response to the world-shaking music of 1970s Nigeria. The result is true to the afrobeat blueprint of hypnotic, extended songs,
improvisation and political comment but adds to the formula a host of pan-African influences and hip-hop elements that reflect the deep ranging roots of the band. As the title suggests, and in true afrobeat tradition, Naming & Blaming pulls no punches. It is an outspokenly political record, a cauldron of strong
opinions where indignation and optimism coexist. Led by the vocals of MC One Sixth and singer Lamine Sonko, the critique of colonialism is applied to both the African and Australian experience, the battles of many cultures informing the group’s ethos as does the importance of community and staying true to one’s convictions. Uplifting visions of a brighter possible
future as laid out in “No Passport,” the album’s rambunctious opening song, are balanced with honest reflections on injustice like guest Robbie Thorpe’s take on Australia’s chequered history in the title track.
For the Naming & Blaming cover, the band was honoured to have the opportunity to work with one of the originators of the Afrobeat movement
Lemi Ghariokwu, the legendary collage artist and illustrator responsible for all of Fela’s most famous album covers of the 1970s. This relationship is what the POAO is all about, paying respects to the culture and keeping it alive and relevant in the 21st century. Over the last decade, The POAO have established themselves as a firm festival favourites with their
contemporary approach to Afrobeat.

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Guided By Voices

Winecork Stonehenge

LP | 2018 | EU | Original (Alone)

Release: 2018 / US – Original

Genre: Rock & Indie

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After 2018’s critically acclaimed Space Gun LP and a string of jaw-dropping, sold-out shows, Guided By Voices has announced a sprawling double-album, Zeppelin Over China. to be released on February 1. But before this one has even made it to the warehouse, Robert Pollard has written and recorded another full-length in record-breaking time. It’s Warp and Woof (April 2019), exuberantly barreling through 24 songs in just 37 minutes with a brevity similar to mid-90s GBV albums Alien Lanes and Vampire On Titus. GBV kicked this one out in a flash, recorded in studios, club soundchecks, hotel rooms and even in the tour van.

And because you can never have too much GBV, the album is being teased on four vinyl-only (1000 copies) limited edition 7-inch EPs: Winecork Stonehenge and 100 Dougs will be released in November. Umlaut Over The Özone and 1901 Acid Rock in March.

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Tiamat

Gaia

LP | 2018 | US | Original (Dark Entries)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Gaia is one of the most acclaimed and popular songs taken off the "Wildhoney" album. It became one of the keystones in doom metal and evokes the lyrics of a classic melody.
The band, led by visionary guitarist, singer and songwriter Johan Edlund have been at the forefront of doom and rock innovation since the early 90s, deeply influenced by Pink Floyd and paying the pertinent tribute here with their own interpretation of “When You´re In”. With revamped artwork and layout, Alone Records gives Gaia it's first vinyl treatment ever.

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Kittin (Miss Kittin)

Cosmos

Crusader For Justice White Vinyl Edition

Release: 2018 / US – Original

Genre: Electronic & Dance

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Reclaiming her original moniker of Kittin, electroclash pioneer—formerly known as Miss Kittin—presents Cosmos, a continuous twelve-track LP of organic, leftfield electronica. Throughout her illustrious career, Kittin has carved a considerable niche for herself, assimilating references from New Wave and '90s techno to form an inimitable sound that resonates with electronic music fans the world over. Despite being most recognizable with ‘Miss’ before it, Kittin was in fact her original artist name—the prefix often added without her consent at promoter’s will and eventually becoming the norm.

Cosmos is her most spiritual release yet, influenced by her time in the French countryside after a bout of touring exhaustion. She gives up any formulas from her past; verses/chorus, pop or club beats, to come to the essence of chords and textures, peeling away the non-essential to find joy in music yet again. In retrieving her chosen name from more than 20 years ago, Kittin also returns to the essence of her musical journey. By liberating herself from the constraints of formal structure she opens the door to a new set of aesthetics, exploring her influences without restraint. Sonically, the voice acts a central instrument, whilst the album drives continuously forward with no breaks, paying homage to her love for ambient and electronica whilst wandering calmly into the unknown.

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The Grouch

2LP | 2018 | EU | Original (Legendary Music / HHV Records)

LP | 2011 | EU | Original (Adrenalin Fix)

Release: 2018 / EU – Original

Genre: Hip Hop

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Limited edition of 500 copies on white colored 2LP vinyl.

The Grouch's sixth album from 2003, "Crusader For Justice", gets its first ever vinyl edition. Being a founding member of the Living Legends crew, The Grouch has made his name from the mid-90's on as one of the leading artists out of the flourishing Westcoast Underground scene. All independently, all DIY. We at HHV are very excited to finally get his full back catalogue out on vinyl, for the first time ever!

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Flying Over

No One Gets Out Alive

10,49 €* 13,99 € -25%

Release: 2011 / EU – Original

Genre: Rock & Indie

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Big Business / Wind Of Change

LP | 1973 | UK | Reissue (Be With)

24,99 €*

The Silver Globe Colored Vinyl Edition

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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The two sides of 1973’s Big Business / Wind of Change are mainly the work of the great Keith Mansfield but there’s a killer cameo each from Alan Hawkshaw and David Snell to help deliver “a thematic suite, diverse in mood, applicable to dramatic and environmental situations”. A Be With favourite and truly one for the heads.

The Big Business of side A is all the work of Keith Mansfield. It’s heavy on the suspense and features the vital “Hot Property”, an insistent groove so good that Madlib sampled it to lace the ace “Long Awaited” by Lootpack with Dilated Peoples.

“Sleeping Giant 1” is a more fleshed out version of the equally-dazzling “Fatal Error”, evoking the orchestral magic of David Axelrod. Indeed, it conjures images of Diamond D falling over himself in the early-to-mid 90s to loop its intoxicatingly eerie soundscape. Complete with guitar fills that recall Paris, Texas-era Ry Cooder, you need this record for this piece alone.

The horn-and-flute-led "Tycoon" is a head-nodder and "Power Complex" has some fantastic percussion. Other highlights include the breezy glide of “Whistle Stop Tour” and its sister groove “Clean Air.”

Over on Side B is the more expansive Wind Of Change, which includes the David Snell and the Alan Hawkshaw contributions. But these ain’t no filler. Snell’s shuffling “International Flight” sounds like a smooth Dorothy Ashby track tossed from the heavens. Hawkshaw’s “Road And Rail” is about as luxurious and strung-out as the great man gets and it might just be the highlight of this whole set.

Not to be outdone, if Mansfield’s “Balance Of Power” doesn’t make you feel like king of the world then you must be playing it wrong. Oh, and did we mention “World In Action”?!

As with all ten re-issues, the audio for Big Business / Wind of Change comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Jane Weaver

LP | 2018 | EU | Original (Fire)

27,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Artemisia)

Vouna

RAST & 7L (The Czar Keys)

Release: 2018 / US – Original

Genre: Rock & Indie

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Wolves In The Throne Room will be releasing the sorrowful and grand self-titled debut album by Cascadian funeral doom band Vouna through their own Artemisia Records. All music on Vouna was composed and all instruments performed by front-person and fellow native to the Pacific Northwest Yianna Bekris, previously of Vradiazei, Eigenlicht, and Sadhaka. This debut evokes the devastating and beautiful journey of becoming the last person on Earth. Razor sharp tremolo picked guitars cut through the heart like a knife. Mournfully sung vocals and cinematic melodies are combined with crushing doom drumming, while layers of primitive ’90s digital synths conjure a lush and rugged soundscape. The music is inspired and influenced by Finnish funeral doom, Eastern European black metal, and Greek folk music, a must-hear for fans of My Dying Bride, Skepticism, Shape Of Despair, and similar acts.

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I Know Why The Caged Bird Sings

LP | 2018 | US | Original (Dope Folks)

The Charmels / L.V. Johnson

Release: 2018 / US – Original

Genre: Hip Hop

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Over the last decade RAST has made a name for himself as one of the undergrounds most original voices. RAST has released a handful of albums, freestyles and a slew of online singles (including collaborations with Czarface, Hus Kingpin and Your Old Droog). But before all this, RAST held down the 90’s as part of the New York Graffiti crew RFC. It was
during this time that many of the tracks on “I Know Why the Caged Bird Sings” draw from. The album has no features and was produced entirely by The Czar-Keys (7L & Jeremy Page) - and this was done by design. 7L and RAST worked together on the vision and the direction they wanted to go with for the
album. As 7L points out “I wanted to really take it back to a time when the rapper was the main focus. This is also why we didn’t go with a group name or a RAST & 7L title. For me it was really all about RAST, and his
story is so personal that it just made sense for him to be the only voice you hear”. From the albums start, “Base” sets things off with organs that sound
straight off old Surf footage accompanied by a pounding break beat. RAST’s signature gruff voice goes from rugged raps to melodic singing and back. On “The Devils Playground” RAST delivers some of his most honest lines recalling his youth and battles with depression. On “I Lost My Mind and Found God” RAST states plainly in the hook “I ain’t gonna see no doctor unless I die". RAST delivers these lines with the maturity of a seasoned blues man. "Runaway Slave" is another great example of this, as the track roars with a powerful hook as if he were exorcising his demons over what sounds like a dusted church organ.
Other stand out gems like "Children of Attica", “The Little Boy Who Lived in a Tree” and “The Remarkable Story of the Silent Machine Gun” show that RAST is cut from a different cloth. “I Know Why the Caged Bird
Sings” is an album where, as pointed out in the albums intro "Caged", is RAST at his most honest and vulnerable.

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I've Done It Again / Seeing Is Believing

7" | 2018 | UK | Original (Deep Soul)

2LP | 2018 | UK | Original (Confunktion)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Ace’s access to the Stax vaults in the 90s lead to some historic tracks being heard by soul fans for the first time. The ones by the major acts like Otis, Carla and William Bell hit the headlines but the lesser artists demonstrated what talent they had on previously unheard musical gems.

Both the Charmels’ ‘I’ve Done It Again’ and L.V. Johnson’s ‘Seeing Is Believing’ are simply breathtakingly beautiful soul records that anyone with an interest in the music will appreciate as truly great records.

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Mr. Confuse

Only A Man

26,99 €*

De Vibez Red Axes, Smagghe & Cross Remixes

Release: 2018 / UK – Original

Genre: Organic Grooves

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This album is about the depths of Mr. Confuse and therefore a very personal album in a way. The way he produces his music is inspired by growing up with the '90s hip hop producer technique of creating something new by referring unheard funk and soul. This from of appreciating '60s and '70s music in order to bring it on a new level of musical expression is a clear trademark of Mr. Confuse. This time he re-funked the well-known freestyle electro classic 'Let The Music Play' by Shannon.

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Beatfoøt

12" | 2018 | EU | Original (Garzen)

12,99 €*

LP | 2018 | EU | Original (Soundway)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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One of the top drummers in the Israeli scene, Tel-Aviv based songwriter and producer Beatfoot launches his solo project with the powerful new EP De Vibez, a fanciful gutter-glam cross between stoner-acid-pop and 90’s-garage-punk. Side A contains some stunning originals alongside a surprising cover of a melancholic oldie by the legendary german singer Nico. Side B be the remixes: the first, a colorful club-driven remix by Garzen Records head honchos & electronic duo Red Axes, followed by a groovy down tempo drone version by the mesmerizing Smagghe & Cross.

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Grupo Controle Digital

A Festa E Nossa

7" | 2018 | EU | Original (Sex Tags Amfibia)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Soundway Records delivers a beautifully remastered reissue of Brazilian duo Grupo Controle Digital’s only album, “A Festa É Nossa”. First released in 1988, the album is now housed in a tip-on heavyweight sleeve and restored artwork.
With the title track “A Festa É Nossa” having circulated the last few years in the DJ sets of influential tastemakers, the album has become highly sought after by electronic fans and collectors alike. Lo-fi synths and cruising bass lines permeate the record, influenced by the group’s Brazilian contemporaries at the time such as Tim Maia, Cláudio Zoli, Secos E Molhados, and rock outfit Made In Brazil.
Band members Billy Jaguar and Gel Valiery regularly performed in various groups in São Paulo throughout the 80s and 90s, but after Gel passed away, Grupo Controle Digital was no more - the band and the album faded into obscurity and Billy became a priest, working with gospel music. It remained that way until Brazilian DJ Millos Kaiser (from label Selva Discos, and one half of Brazilian street party organisers Selvagem) tracked down the remaining member of the group to be able to include one of their tracks on the highly anticipated Soundway compilation “Onda De Amor: Synthesized Brazilian Hits That Never Were (1984-94)”, released in July 2018.
Audio restored by Neal Birnie and re-mastered by Frank Merritt at The Carvery, London. Artwork restored by Lewis Heriz.

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Geir Tore Holm

Muohttagis Callime

8,99 €*

12" | 2018 | UK | Original (Cabaret)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Sex Tags Amfibia presents Norwegian/Sami multi-crafted artist Geir Tore Holm's landmark sound piece "Writing in snow" – a typically poetic, funny and down to earth approach to nature, sound and every day reflections in the artists trademark style. Holm has since the early 90's been part of breaking down the established notion of ruling institutional qualities in Norway with countless projects involving sculptures, food, installations, farming, photography, video, sound & music (also incl. on AMFIBIA 10 - Sørfinnset Skole/the nord land 10"). This piece is feat. on a one sided flexi disc – an easily transportable and physical presentation of a sonic piece – outside the galleries and museums, and rather in peoples homes.

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Roots Foundation

Aye Le (Rough World)

RAST & 7L (The Czar Keys)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Reissued from the original masters, Pal Joey unearths an early ‘90s gem from his much sought-after back catalogue

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I Know Why The Caged Bird Sings

CD | 2018 | US | Original (Boston George)

Release: 2018 / US – Original

Genre: Hip Hop

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Wanted Cumbia - From Diggers To Music Lovers

LP | 2018 | EU | Original (Wagram)

Release: 2018 / EU – Original

Genre: Organic Grooves

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12" | 2018 | EU | Original (Smile For A While)

Matthieu Faubourg

I'll be Fine EP

12" | 2018 | EU | Original (Arts)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Upcoming french producer Matthieu Faubourg, who has worked extensively with guys like DJ Boring and Black Loops, is firing up this heavy 12" on "Smile for a while." Stripped down House bangers all the way - from more laid-back, synth-oriended stuff over to some 90s-tingled House groover, ending up with a frantic 6 a.m. anthem on the B-side this EP is all you need to keep your floor dancing till the end of the year.

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JoeFarr

Dedicate

Elder Jeffrey Roberson & The New Life Singers

Release: 2018 / EU – Original

Genre: Electronic & Dance

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After many years of steady work Bristol-based artist JoeFarr created a well-respected profile on his own, He is now joining the label showing a side of his works that many never saw probably, and others always knew but never saw on a record. Development always takes time, and time is nothing when the art comes out in his true form. This is 'Dedicate' an very important record that represent something deeper than a peace of wax, label boss Emmanuel took the big responsibility to remix the title track and make his own view of JoeFarr's dedication.

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Old Time Way

LP | 2018 | EU | Original (High Jazz)

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Gospel you want to be digging...just made it's way to the surface!

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Flux Hifi

FLUX-Sonic Nadelreiniger

99,00 €*

3LP | 2018 | US | Original (Sound Signature)

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Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

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Specter

Built To Last

60,99 €*

LP | 2018 | EU | Original (Smoke On)

Release: 2018 / US – Original

Genre: Electronic & Dance

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The Chicago-based artist, real name Andres Ordonez, has been a fixture in US house music circles since the '90s, releasing a string of EPs on labels like Sistrum, Semantica and Sound Signature. Theo Parrish's outlet, which last year put out a live mix from Ordonez, will handle his first album.

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Blahzay Blahzay

ENYthyng iz Possible

23,99 €*

LP | 2018 | EU | Original (Hip-Hop Enterprise)

Release: 2018 / EU – Original

Genre: Hip Hop

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Sensation! Blahzay Blahzay are back with a brandnew album.
Their debut single, "Danger", released in 1995, is a classic joint on every Golgen Age/ Real Hip Hop Party, every Best of 90s Rap Mixtape (When the East is in the House, oh my God, Danger!"). The debut album "Blah Blah Blah" had many more bangers to offer. Later PF Cuttin did a lot of mixtapes, but the MC, Outloud took a step back and only had some appeareances here and there. In Germany, Blahzay Blahzay were featured on a successful single by Massive Töne ("Rapgame") in 1999. The German label Smoke On Records - which also brought back legendary MC Nine and released unheard jointy by him - now signed Blahzay Blahzay for their sophomore album. And it continues where the debut left many wanting more. ENYthyng is Possible, that's proven with this great album.

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Soul Kid Klik

Invisible Army

28,99 €*

Borreroak Baditu Milaka Aurpegi

Release: 2018 / EU – Original

Genre: Hip Hop

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Soul Kid Klik are a New York based crew that was formed by producer/rapper/Jazz musician/legend G-Clef Da Mad Komposa in the mid 90's and were one-time Wu-Tang affiliated. The crew hailing from different boroughs of NY delivered classic track after another and in 2001 the album finally dropped but only on CD leaving vinyl heads hungry for this gem. The wait is over and the elpee is now finally here! Limited to only 300 copies, don't sleep!

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Negu Gorriak

2LP | 1993 | US | Reissue (Esan Ozenki)

33,99 €*

Food of The Gods aka Zig Zag Zig

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Both in the studio and live, the top rock-hardcore band south of the Pyrenees in the
90s. 25 years have passed since Rockdelux magazine chose this as the best disc of the
year. A dense, powerful piece of work, that improves with time.

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That Was Then… This is Now 1992-1996 E.P.

12" | 2018 | US | Original (Chopped Herring)

Release: 2018 / US – Original

Genre: Hip Hop

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Wow this is SOME unheard/unknown/unreleased 90's project. Mindblowing material, for reel. Following on from our Big Sha EP [1994] from earlier on this year, we have the Food of the Gods aka Zig Zag Zig - That was Then...This Is Now 1992-1996 EP. Incredible material from this QU crew steeped in that 5%-er 90's flava. Reminiscent of the Zig Zag EPs we dropped [no ish!] this is a must for fanz of big old jazz b-lines and righteous lyric!

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2LP | 1997 | US | Reissue (Goner)

OST The Sore Losers

Hip Hop Raised Me Deutsche Ausgabe

Release: 1997 / US – Reissue

Genre: Soundtracks

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Reissue of an out-of-time and ahead-of-its time garage rock soundtrack to the typically out-of-his-mind Mike McCarthy aka JMM movie Sore Losers. The film is full of aliens, comic books, rednecks, zombies, boobs, gals, gals fighting, and rock ‘n’ roll. Starring the Oblivians’ Jack Oblivian, with Guitar Wolf, Mike Maker, the deliciously curvy D’Lana Tunnell, and a guest appearance by exploitation master David F. Friedman himself.

Anyone who has seen his movies can attest to the fact that Mike McCarthy always overdelivers. Sore Losers is as good / bad an example as any. Whole soundtracks would be filled out around just one of the acts on this thing—case in point, Greg Oblivian doing a toy instrument version of the much-loved “Bad Man” that is worth the price of the record by itself. Plus The Gories / Dirtbombs’ Mick Collins, The Makers, Jack Oblivian himself, and the mighty Guitar Wolf! Also New Orleans garage/ frat kings Royal Pendletons, Jeffrey Evans of the Gibson Bros with his ’68 Comeback, and also featuring Jack Taylor, the most amazing / fucked up guitar player ever. His guitar tone started with the legendarily messed-up solo in the Velvet Underground’s “I Heard Her Call My Name” and then added four fuzz pedals to it, creating modern art! RIP Jack Taylor. There is also Nick Diablo of Viva L’American Death Ray Music, The Drags, The Makers, Tim Feleppa, Gasoline… This is quality ’90s garage rock, still raw and vital as ever.

This rerelease coincides with McCarthy’s new edit of the film. Southern sci-fi trash has never looked or sounded so good.

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DJ Semtex

Edition Olms

39,95 €*

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12" | 2018 | EU | Original (Hell Yeah)

Max Essa

Han Zon Roc EP

LP | 2018 | UK | Original (Brainfeeder)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A year after his debut outing on the label, Max Essa makes a welcome return to Hell Yeah with the Han zon Roc EP, which is another of his impossibly laidback offerings.
Essa is of course the long time UK talent who has become a part of the Balearic mafia thanks to releases on labels like Aficionado, Music for Dreams, and his own Jansen Jardin. This is the second coming together of artist and label and is another timeless excursion far out to sea.
Opener 'Han zon Roc (Midori Coup)' is an epic 12 minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. They grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. It's like the soundtrack to an afternoon boat party all condensed into one brilliant cut.
‘How You Showed Me Everything' then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. Withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing.
Last of all, 'Rain Bird's Alfalfa Jam' is a analogue drum work out with early 90s hip hop influences and diving basslines. It's light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of Essa works so brilliantly escapist.
Artwork by Andrea Amaducci.

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Dorian Concept

The Nature Of Imitation

23,99 €*

2LP | 1997 | EU | Reissue (World Circuit)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Following the release of “Joined Ends” in 2014 – a deeply intimate and textured project he describes as his “chamber music” record – Dorian Concept performed everywhere from Glastonbury to Sonar to MoMA PS1’s Warm Up and then deliberately took himself off the radar. The time since has been spent meticulously un-learning his prodigious production process and developing a brand new sound that even the most clued-up won’t be expecting – showcased on ‘Promises’, in the most prominent use of his voice to date. The recording and processing of his vocals represent not only a more human expression of his highly technical sound, but also an inclination toward recursion – the challenge, ephemerality, and demand for attention of “unequal repetition” which shapes the build and deconstruction of energy throughout the record.

Taking inspiration from multi-generational eclecticism (‘60s jazz, ‘70s fusion, ‘80s neo prog-rock, ‘90s electronica), Dorian Concept sought to replicate “modern” music elements with old-fashioned methods, live-playing and hand-recording deceptively digital sounds in service of a tongue-in-cheek “parody of nostalgia”. Having produced the record largely in the years 2016 and 2017 – widely characterized as periods of a cultural reckoning throughout the democratic world – he ambitiously took timely themes of cumulative error, shortening attention spans and subjective experience and transposed them into his making. As is to be expected from him by now, for all the considered, high-concept musing, the result is refreshingly unpretentious: dizzying swells, cacophonous breakdowns and formidable rhythms are both expert and childlike, hyperactive and hyper-focused.

Born Oliver Thomas Johnson, the self-taught keyboardist and producer should be no stranger to those in the Brainfeeder orbit. He first caught the attention of the crew in its infancy, when head honcho Flying Lotus discovered Dorian Concept’s MySpace profile and swiftly included a remix in his lauded debut Essential Mix (2008). Dorian Concept went on to tour with FlyLo’s live band, appeared at some of Brainfeeder’s earliest international label nights in 2009 (Off-Sonar in Barcelona and the infamous Hearn Street Car Park session in London), and released a string of celebrated EPs and albums for Kindred Spirits imprint Nod Navigators, Affine and Ninja Tune – as well as remixing Taylor McFerrin, contributing production to Thundercat’s “The Golden Age of Apocalypse” and playing keys on Flying Lotus’ seminal “Cosmogramma”.

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Afro-Cuban All Stars

A Toda Cuba le Gusta

33,99 €*

Release: 1997 / EU – Reissue

Genre: Organic Grooves

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SaMTV Unplugged Limited Deluxe Edition mit Blu-Ray

Samy Deluxe

| 2018 | DE | Original (Vertigo)

Release: 2018 / DE – Original

Genre: Hip Hop

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Hallelujah Anyway Larse, Dr Packer, Moplen & Frankie Knuckles Remixes

Candi Staton

12" | 2018 | EU | Original (Glitterbox)

LP | 2018 | EU | Original (Orbeatize)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Following the 7” revisiting Candi Staton’s much-loved gospel anthem, this Glitterbox Recordings 12” features four diverse remixes of ‘Hallelujah Anyway’, three of which are new to vinyl. Kicking off with Larse’s Vocal mix, touching deeper territory with a mid-tempo house rendition, Dr Packer’s indulgent piano-littered mix is next, picking up the energy and re-introducing the disco beat. Italian producer Moplen delivers a 90s-influenced Classic Club Vibe mix, maximising Candi’s uplifting vocal. Finally is FK’s Director’s Cut Signature Praise 12” Edit, a Frankie Knuckles and Eric Kupper production which is available here on vinyl for the very first time. Picking up the pace with soaring synths and a grooving beat, the mix takes the anthem firmly back to the dancefloor, compelled by the original song’s call for jubilation. Four must-hear mixes from Glitterbox, breathing fresh energy into this timeless record.

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Michel Nolet

Electronic, Absolutely

LP | 2018 | US | Original (Don Giovanni)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Remastered from two private tapes (1990 "Absolutely Electronic" and 1992 "Memories From Times To Come") that Michel Nolet - the one man band - used to share in the 90's with other music collectors and hometapers from Canada, England and Germany only.

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Jeffrey & Jack Lewis

City & Eastern Songs

27,99 €*

12" | 2018 | EU | Original (Boomarm Nation)

Release: 2018 / US – Original

Genre: Rock & Indie

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The classic third album from Jeffrey Lewis, originally released on CD by Rough Trade Records in 2005, appearing on vinyl for the first time, fully remastered and with bonus material inserts! Produced by NYC indie-rock mad genius Kramer (Galaxie 500, Daniel Johnston, Low) this album, the first studio production in the Jeffrey Lewis discography, established Jeffrey Lewis (and his co-credited brother Jack) as an undeniable force to be reckoned with. The perfect mash-up between Jeffrey's previous lo-fi songwriting efforts and later full-band releases, this album features all-time fan-favorite tracks like "Don't Be Upset" and "Anxiety Attack". Not to mention the jaw-dropping shaggy-dog "Williamsburg Will Oldham Horror", the closest thing the 21st Century hipster generation has ever had to boasting their own generation-defining Alice's Restaurant Massacre. The rock songs rock and the folk songs dazzle. Black vinyl with 4 page artwork/lyric sheet + additional replica insert of original "Williamsburg Will Oldham Horror" lyric Scrawl + Download code for album & 5 bonus tracks. Don't miss it!

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Lokal Affair

Seremunia EP

Ben Salisbury & Geoff Barrow

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The first new release exclusively via TAD from Boomarm Nation, who welcomes Tunisian producer Lokal Affair to their family. His debut Seremunia EP, 3 tracks of deep percussive jams, is inspired by life in the Sahara desert, evening fire rituals, and ecstatic drumming styles from across the globe. Lush, mid-tempo spiritual sounds for your sound system. Lokal Affair AKA Malek Midouni is a Tunisian born musician currently living in Lyon, France. As a bonus the label commissioned an incredible thundering remix of the percussion heavy tune “Goumari” from good brother Alter Echo

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OST Annihilation

2LP | 2018 | UK | Original (Invada)

30,99 €*

Release: 2018 / UK – Original

Genre: Soundtracks

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12" | 2018 | EU | Original (Bokeh Versions)

The Bush Chemists

I Came I Saw Remixes

9,99 €*

Career Crooks (Zilla Rocca & Small Professor)

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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The first vinyl appearance of 'I Came I Saw' from 90s steppas legends the Bush Chemists (which appears as a bonus track on some CD editions of the now-classic Light Up Your Spliff LP).
Comes with a typically screwed jungle refix from Bokeh staples Seekersinternational + a ragga noise deconstruction from Bristol's industrial terracorps Bad Tracking (FuckPunck / Mechanical Reproductions).

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Thieving As Long As I'm Breathing

Tape | 2018 | US | Original (Urbnet)

LP | 2018 | EU | Original (823)

Release: 2018 / US – Original

Genre: Hip Hop

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Since receiving critical acclaim for their debut LP Good Luck With That, an album which was praised for the duo’s classic east coast touch, and secured a spot on Bandcamp’s 10 Best New Hip Hop Releases of 2017, Career Crooks (producer Small Professor and rapper Zilla Rocca) are back to prove that no idea is original. The two have kept busy throughout 2017, not only performing alongside Busdriver, Billy Woods, Quelle Chris, Elucid, and B Dolan, and releasing their LP, but also gearing up for their new air tight collection of remixes, titled Thieving As Long As I’m Breathing.

The new single “Crook With a Deal”, is a reworking of the 50 Cent and Mad Rapper classic “How to Rob”, targeting indie rappers like Open Mike Eagle and Run The Jewels. The album also features five in-house remixes from Small Pro and Zilla Rocca, draped in styles inspired by the likes of DITC and the Beastie Boys. Canadian MPC champ FreshKils also makes an appearance and flips the fan favorite “Steve Martin” into a soundtrack for a car chase outside a Chemical Brothers show. Other remix features include DJ Manipulator, Willy, Shane Great, Rolled Gold Beats, and John Morrison.

The twelve track LP moves as fast as a cat with its tail on fire and maintains its own vibe while paying homage to that which has come before it. The group’s primary sound encompasses “…raw ‘90s flows while still maintaining a modern edge.” (Philip Mylnar, Bandcamp.com)

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Quickly, Quickly

Over Skies

12" | 2018 | EU | Original (Depth Over Distance)

Release: 2018 / EU – Original

Genre: Hip Hop

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he 2nd release on 823, a creative project founded by Ta-ku, is featuring the label debut of Portland wunderkind quickly, quickly.

823 is also the numerical representation of the phrase 'Thinking Of You'. It represents the appreciation for the people/ideas/places that inspire us and push us forward. As a label we are proud to present a series of musical releases that showcase the artists musical & visual endeavors. The artwork is shot by the artist themselves & each release has an accompanying photo zine that acts as a visual story that compliments the music they wrote at that time.

There’s a maturity to the sound of Portland, Oregon-based producer quickly, quickly that makes it difficult to believe he’s just 17 years old. Using elements of jazz, hip hop, and R&B, quickly, quickly weaves a tapestry of wispy productions that feel equally inspired by the dusty drums of early ’90s boom bap as they do by the whimsical electronics of head-turning contemporaries like Tennyson. Taking over on vocals, bass, drums, and piano, he offers insight into a greater understanding of musicality, There’s time devoted to each audible layer and it shows.

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McGregor

Reality EP

Save Them Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Depth Over Distance is bringing new talent to the limelight with its second release. A collection of cosmic grooves spanning 5 original tracks conjured by young Bristolian Mcgregor.

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AZ / Raekwon / Prodigy

7" | 2018 | EU | Original (Tuff Kong)

17,99 €*

Marlowe (L'Orange & Solemn Brigham)

Release: 2018 / EU – Original

Genre: Hip Hop

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Strictly limited vinyl edition!
Only one copy per customer!
In an interview released to Billboard in 2017, east coast veteran AZ explains how this collaboration with legendary DITC producer Buckwild came along:
"The sound was shifting. A lot of brothers in the street were telling me "You got to save us." And I'm like, "Save y'all from what?" So I took that title to save the people, then Buckwild played a joint in the studio called "Save Them," and I was like, "This is it."
The two don't really need no introduction: with the Brooklyn lyricist gracing the mic since the mid 90's beginning with one of his first appearances alongside Nas on "Life's A Bitch" and dropping legendary classics such as "Doe Or Die", and the Bronx producer providing beats to artists that range from old school acts such as The Notorious B.I.G., Jay Z, Kool G Rap, Big Pun, modern day legends such as Vinnie Paz, Meyhem Lauren, Termanology and, last but not least, legendary DITC members Big L, Fat Joe, Diamond D and the list goes on and on.
AZ had to recruit "some brothers who I know respect the craft" and found them in Wu-Tang Clan's own Raekwon alongside the late great Prodigy of Mobb Deep. The song was released in April 2017 and brought a breath of fresh air with its classic vibe, together with a video being released just days before Prodigy's untimely passing in June 2017. The rest, you already know, is straight up hip-hop history.
Tuff Kong Records teamed up with Mr. Anthony Best aka Buckwild to bring this legendary track on wax as a limited edition of 1000 hand-numbered copies. The first 200 are pressed on bronze marbled vinyl and come with a limited edition patch and die-cut sticker, 300 on clear red vinyl and the remaining 500 on black vinyl.

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Marlowe Colored Vinyl Edition

LP | 2018 | US | Original (Mello Music Group)

27,99 €*

Clear Blue Skies / I'm Leaving Feat. Gudtyme

Release: 2018 / US – Original

Genre: Hip Hop

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L'Orange & Solemn Brigham are Marlowe

"An artist afraid to overreach himself is as useless as a general who is afraid to be wrong.”

Over a half-century later, the axiom remains true for hyper-kinetic hip-hop innovators, North Carolina’s L’Orange and Solemn Brigham—the hard-boiled duo behind the fun house fever dream, Marlowe.

Released on Mello Music Group, Marlowe is a triumph of ambition, a rap bricolage blending prohibition and civil rights-era samples with Asian psychedelic rock flourishes. Solemn Brigham controls the microphone like a general who can’t help but be right. His flow is a blitzkrieg. It’s an Olympian sprint, gliding over snares and kick-drums like hurdles. He’s a showman seeking revolution—resolute in his desire to strike equilibrium between awareness and entertainment.

Solemn applies the fictional protagonist’s search for the truth towards different ends. His crimes are existential yet specific, rooted in the injustices of the past and the attempt to redress them in the present. He’s an artist perennially seeking something to fight for, channeling energy from the music of the civic rights era, stealing timeless rhythms and inflection from classic funk and soul. An old soul with original ideas, tapping into the eternal reservoir of Sam Cooke to Ice Cube, Otis Redding to Chuck D, Curtis Mayfield to KRS-One.

Over the course of 17 tracks, Solemn hurls sharp darts at counterfeits trying to crack his religion, the onslaught of time, and prevaricating rappers—all while paying homage to those who paved the road for him. He bounces off the beats like a trampoline placed in a speakeasy, doubling up on the vocals, burrowing into dense cryptic tangles of slang and then stretching them out with melodic ease.

With dazzling cinematic mise en scene, L’Orange crafts a world that sounds like an old-time medicine show dropped into 90s Brooklyn, with Solemn summoning the holy spirit of Big L. Cymbals crash, drums pound, fuzzy guitars ride out, a bronze rain of horns cascade. This is gorgeous celestial dust, high-powered fuel with every syllable meticulously ordained. Marlowe cracked the case, but how they did it can only become clear under deeper investigation.

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Juggaknots / Rob Swift

7" | 2018 | EU | Original (HHV Boombap 45s)

Release: 2018 / EU – Original

Genre: Hip Hop

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Strongly limited edition of 300 copies of the second release in our fresh established »HHV Boombap 45's« series.

At the beginning we are focusing on a few quality tracks of the Golden Era that we love to spin on vinyl. We are very excited to come with a split single featuring the Juggaknots underground uber-hit "Clear Blue Skies" backed with one of our favorite late 90's cuts called "I'm Leaving", produced by the almighty DJ Rob Swift.

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Onda De Amor: Synthesized Brazilian Hits That Never Were (1984-94)

2LP | 2018 | EU | Original (Soundway)

10" | 2018 | EU | Original (Back 2 Da Source)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. On Soundway’s latest release - a treasure trove of synth jams, pop, samba boogie, balearic and electro from 1980 & ‘90s Brazil - the tracks are picked by Millos Kaiser, one half of the Brazilian duo Selvagem, who are at the helm of throwing some of the country’s best dance parties. It’s a rare compilation that offers Brazilian music actually picked by a Brazilian.
Whilst names such as Ricardo Bomba, Villa Box, Fogo Baiano, Electric Boogies and Batista Junior may not be household names, they tell an untold, yet rich and important part of musical history in Brazil. The release also covers a decade that has been intentionally forgotten and brushed aside by many in the country.
Onda De Amor is a release that is loaded with smooth grooves, bubbling bass, glistening synthesisers, funk strutting guitar lines and sheen of production that undeniably marks it of its time. For Kaiser this compilation is about reintroducing music during a period of reappraisal, catching a new wave and hoping contemporary listeners will ride it with him. “The idea is to do justice to these songs. Songs that combine all the right ingredients that should have put them on radio playlists when I was growing up or at least in the cases of more adventurous DJs”.
Millos Kaiser is a DJ, digger, vinyl junkie/dealer born in Rio de Janeiro and living in São Paulo for the past 8 years. He launched the dance party/club night Selvagem with partner Trepanado in 2010, bringing thousands of dancers one Sunday a month to a public square in the heart of São Paulo.

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Sham & The Professor

The Warrior EP

18,99 €*

The Cimarons / J. Clergue & E. Gentet

Release: 2018 / EU – Original

Genre: Hip Hop

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Strictly limited edition!
Only one copy per customer!
Back 2 Da Source presents another dope drop from the Source with Sham & The Professor – “The Warrior EP”, consisting of 3 unreleased tracks. Those ill tracks were secretly kept hidden by Sham and The Professor for years and those are their only 90s unreleased track. Back 2 Da Source thought it was time to put them on wax for the Hip Hop sake . If you liked “Split Personalities” LP, you gonna dig this! RIP Brotha Scratch!!

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Ethiopian Romance / Abyssinian Dance

7" | 2018 | EU | Original (Hornin' Sounds)

2-2-4 (2 Bad 2 Be 4 Real)

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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Heavy Roots Track called Ethiopian Romance by The Cimarons recorded in the early 80's @ Easy Street Studio.
Has been released on CD back in the 90's but unfortunately never on vinyl.
Now released for the first time on vinyl !

Dub version was sadly never recorded…
Now the flip side received a proper Dubwise recorded & mixed @ Honey Studio.
Mastered @ Rectape Studio.
Limited Edition /// Letterpress printed the old fashioned way.

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Psycho Les Presents

LP | 2018 | US | Original (Dope Folks)

21,24 €* 24,99 € -15%

LP | 1989 | EU | Reissue (Radiation Reissues)

Release: 2018 / US – Original

Genre: Hip Hop

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Strictly limited edition vinyl!
Only one copy per customer!
Dope Folks’ 90th release comes from the vaults of The Beatnuts' own PSYCHO LES! Formed in 1988, 2*2*4 (2 BAD 2 BE 4 REAL) consisted of Psycho Les, JMD, Universal and cuts by Rob Swift. 2*2*4 only released one single back in 1988 ("ILL Tempo" b/w "I Don't Play") and that was it... until now!
Psycho Les has gone through his DATS to find the demos that would've made up their full-length album. This 12" features both tracks from their only official release, and 6 previously unreleased tracks! Straight from the DATS of Psycho Les, these are the only existing tracks of the group! Dope Folks did their best to clean up these raw demos to compile an 8-song historic document that kicked off the careers of Psycho Les, and Rob Swift! Limited to 350 copies (50 colored vinyl, 300 standard black) and never to be repressed. This is the BLACK VINYL version.

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The Crack

In Search Of The Crack

David Waciuma & The Rapture Voices

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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Founded in 1982, the CRACK didn't release their debut album until 1989. These British punkers were often tied into the Oi! scene of the mid-80s along with Cockney Rejects, and The Business, they had more in common with the melodic punk stylings of 999 and mod groups like The Jam or Secret Affair. Featuring a blistering wall of guitars and biting melodies, from the classic album opener "My World" to the raw closer "The Giddy House" The Crack deliver ten fantastic original tunes that, while firmly rooted in 1980s UK anthemic punk, also features a pop sensibility that presages the oncoming Brit-pop scene that would absolutely dominate the '90s. Seriously, we'd bet the farm that the young Gallagher brothers were blasting this back in 1989. Absolutely essential 1980s UK punk that bridges the gap between 80s OI! and the Brit-pop/power-pop revival. Killer.

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Devil Go / Jesu Kristo

7" | 1976 | EU | Reissue (Afro7)

12,99 €*