Search "de+la+soul" 42214 Items

Don Van Vliet & The Magic Band

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Rough, Raw And Amazing

2LP | 2015 | US | Original (Ozit/Dandelion)

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Terry Allen & The Panhandle Mystery Band

Smokin' The Dummy / Bloodlines

CD | 1997 | US | Original (Sugar Hill)

18,99 €*

Emil Miszk And The Sonic Syndicate

Release: 1997 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Artificial Stupidity

LP | 2020 | EU | Original (Alpaka)

Neil Young & Promise Of The Real

Release: 2020 / EU – Original

Genre: Organic Grooves

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The music on this album is strictly connected to our daily routine in the internet derealisation. It's more particular. It's Emil Miszk 2.0. „Followers, ads, likes - these things are really funny and stupid. Of course, I am also a victim of the system. Please, don't trust it and learn how to use it wisely. Especially in the context of our younger generations. Be kind for each other and care of human relationships. That's the most powerful thing.”

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OST Paradox

2LP | 2018 | US | Original (Reprise / WEA)

Release: 2018 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Junior Mervin / Joe Gibbs & The Professionals

Time Stiff / Better Times Ahead

7" (Joe Gibbs)

12,99 €*

Genre: Reggae & Dancehall

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Allo & Shanthi Meets The Royal Horses

Call It Life

12" | 2023 | EU | Original (Dig This Way)

11,99 €*

The City Of Prague Philharmonic Orchestra

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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After releasing the "Keithus Dimts Selassie I" vocal in 2020 on this great Royal Horses Riddim we are glad to present this 2nd version which was taken care by Radio Fontani Crew , Allo & Shanthi at the vocal with Fiaba at the mix of Side A , Side B with Michael Exodus at the mixes for a proper Dubwise!
Deep lyrics talking about the crazy reality of our times.

This is pressed in only 300 copies black.

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Music From The Star Wars Saga Transparent Red Vinyl Edition

2LP | 2023 | UK | Original (Diggers Factory)

41,99 €*

Release: 2023 / UK – Original

Genre: Soundtracks

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The Electrified A.G.B. (All Girls Band)

Fly Away (Disco Version)

12" | 2022 | UK | Reissue (Dome City)

11,99 €*

Knarf Rellöm & The Shi Sha Shellöm

Release: 2022 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with a bent corner

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Einbildung Ist Auch Ne Bildung

LP | 2004 | EU | Reissue (Misitunes)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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General Patton vs. The X-ecutioners

General Patton Vs. The X-Ecutioners Colored Vinyl Edition

LP | 2024 | US | Original (Ipecac)

31,99 €*

Release: 2024 / US – Original

Genre: Hip Hop, Rock & Indie

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The Partridge Family Featuring David Cassidy

Greatest Hits

LP | JP | Original (Bell)

12,99 €*

Return To Forever Featuring Chick Corea

Release: JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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No Mystery

LP | 1975 | JP | Original (Polydor)

17,09 €* 17,99 € -5%

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Martika / Martika And The We Ares

We Are Music

12" | 1987 | JP | Original (CBS/Sony)

14,24 €* 14,99 € -5%

Release: 1987 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Viceroys, Lone Ranger, Prince Alla

Trod On / Jah Love In The Morning

12" | 2023 | EU | Original (Fruits)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Bruce Woolley And The Camera Club

English Garden

LP | 1979 | JP | Original (Epic)

16,19 €* 17,99 € -10%

Dr Hook And The Medicine Show

Release: 1979 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

No obi.

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Alive In America Silver Marble Vinyl Edition

2LP | 2023 | UK | Original (Renaissance)

39,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Dr Hook And The Medicine Show

Alive In America Silver Vinyl Edition

2LP | 2023 | UK | Original (Renaissance)

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Country Side Of Harmonica Sam

Back To The Blue Side

LP | 2023 | EU | Original (Sleazy)

22,99 €*

King Sporty / The Extra Funk Factory

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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This album sound like a top of then line country music record for one reason only: The Countyry Side Of Harmonica Sam play their music that way. Harlan Howard famously stated that "all you need write a country song is three chords and the truth". Although he said that right, I believe that delivering the song also takes personality, musicanship, style, and other traits of that nature. In the case of these five Swedish honky-tonk heroes, they have it all. This band is bringing quality back in style, and I don't know about you, but I sure have missed it. Their work is characterized by the high standarts that used to be the very essence of recordings made for Decca Records in Nashville, or Capitol in California, but that somehow got more and more scarce as country music's path went on. I'm sure you will agree that these guys really have a way with a sad song. Their music rings with the sound of heartache, loneliness, and love. It is the kind of love that, whether it is faded, unrequited, or burning with desire, can make one lose his mind and stay out late wandering the streets after closing time. After listening to this record, you might catch youself thinking that being blue might be the most beautiful feeling in the world. Or at least it is when you have such a fine soundtrack to cry along to. Harmonica Sam and his team might be on the "Country Side", but they can't seem to shake off that lonesome feeling called the blues. Theo Lawrence

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Fantasy Jonny Rock Discomix

12" | 1984 | UK | Reissue (Emotional Rescue)

17,99 €*

Phonk D, Ise Jr. & Sascha Ciminiera

Release: 1984 / UK – Reissue

Genre: Electronic & Dance

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The last of the Konduko series from Emotional Rescue arrives now and quite possibly it is the best of the lot from Noel Williams. His 'Fantasy' saw him work with Larry Dermer aka Der Mer on what is an effective and catchy electro jam that operates at the higher end of the tempo chart with some classic vocoder vocal action to really make it pop. Despite being released originally in 1984 this one still bangs with its emulated Tr-808 beats and nagging melodies. The instrumental heightens that and then the Jonny Rock Discomix shuts down with long-form rework that shows why the DJ, editor and all-round amiable bloke is so well regarded.

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Footjob 001

12" | 2014 | DE | Original (Footjob)

5,09 €* 5,99 € -15%

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Gerhard Polt Und Die Well-Brüder

40 Jahre

2LP | 2023 | EU | Original (JKP)

Release: 2023 / EU – Original

Genre: Pop

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Vik And The Doctors Of Jive

We Love Italy

LP | 2023 | EU | Original (Logo)

28,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Linval Thompson And Friends & The Revolutionaries

Volume 2

LP | 2023 | EU | Original (Thompson Sound)

21,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Tommy Mccook & The Supersonics / Lloyd Williams

Ska Flea / I Wish I Had Someone

7" | 2022 | JP | Original (Duke Reid Classics)

Duke Reid / The Baba Brooks Band

Release: 2022 / JP – Original

Genre: Reggae & Dancehall

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Cool Ska Inst. Cover Of Spanish Flea backed with a funky vocal cut.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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Burial / Jow Snow Cone

7" | 2021 | JP | Original (Duke Reid Classics)

Naomi / Tommy Mccook And The Supersonics

Release: 2021 / JP – Original

Genre: Reggae & Dancehall

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The A side is an unreleased Uptempo Ska Vocal cut with a fire instrumental on the flip.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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Lipstick On Your Collar / Tribute To Ramasees

7" | 1969 | JP | Reissue (Duke Reid Classics)

Charlie Megira & The Modern Dance Club

Release: 1969 / JP – Reissue

Genre: Reggae & Dancehall

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Alternate Take. Wicked Female Early Reggae Vocal with a cool old time reggae instrumental on the flip.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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Love Police Black Vinyl Edition

2LP | 2009 | US | Reissue (Numero Group)

Count Basie With The Mills Brothers

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Provocative post-punk from Israel's undercover goth prince. Megira's lone album with the Modern Dance Club showcased a grimier, more driving vision of his brand of trashy no wave. Spread across 31 tracks and two LPs, Love Police schizophrenically mixes industrial soundscapes, surf ditties, hardcore, swamp pop, bubble grunge, screaming, ecstasy, and enough fuzz to warrant a needle check.

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Sixteen Great Performances

LP | 1982 | JP | Original (ABC)

11,99 €* 15,99 € -25%

Big Daddy Wilson & The Gossebumps Bros.

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, but with insert. Cover with seam split on bottom spine

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Plan B

LP | 2023 | EU | Original (Continental Blue Heaven)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Return To Forever Featuring Chick Corea

No Mystery

LP | 1975 | JP | Original (Polydor)

Teddy Douglas presents Francesco The Violin

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert. Copy closer to VG+

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The Caribou

12" | 2001 | US | Original (Basement Boys)

3,74 €* 4,99 € -25%

Release: 2001 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Danny Spice & the Wildstyle Tribute Band

Live At The Throwdown

12" | 2014 | UK | Original (Crate Escape)

13,99 €* 19,99 € -30%

Key To Life Featuring Monica Hughes

Release: 2014 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Copy n° 96 / 300

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Faithful (Is It Whatcha Want)

12" | 1997 | US | Original (Sub-Urban)

3,49 €* 4,99 € -30%

Release: 1997 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Elkie Brooks & The Royal Philharmonic Orchestra

Perfect Pearls

LP (Bellevue Entertainment)

16,99 €*

Genre: Organic Grooves

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Archie Shepp & The New York Co

Vol. 2

LP (Storyville)

Genre: Organic Grooves

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The Beatles Vs. Hip Hop Legends

An Adventure To Pepperland Through Rhyme And Space Swirl Vinyl Edition

2LP | 2015 | UK

49,99 €*

Kool Keith & We Are The Horsemen

Release: 2015 / UK

Genre: Hip Hop

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From the makers of Wu Tang vs The Beatles, 'An Adventure To Pepperland Through Rhyme & Space' continues the obsessive use of Beatles samples (and cover versions) but this time laced with all the classic MCs of the 90s such as Biggie, Nas, Big Daddy Kane, KRS-One, Rakim, Kool G Rap, Public Enemy, The Beastie Boys, Busta Rhymes, Large Pro, Lord Finesse and The Wu-Tang Clan. This record is as if the Beatles themselves were transported to 1990s New York (as implied by the intro) and set up a studio to make tracks with the legendary MCs. Nowhere else will you find the attention to detail in pairing up raw raps with Beatle based sample madness. The album was painstakingly made over a 4 year period and uses rare recordings and cover versions that were meticulously researched and filtered through to find loops that complimented each MC.

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London Is The Place

12" | 2023 | UK | Original (Outernational Sounds)

16,79 €* 20,99 € -20%

Dave Aju & The Invisible Art Trio

Release: 2023 / UK – Original

Genre: Hip Hop

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The legendary Ultramagnetic MC touches down in London for a one-away collab with We Are The Horsemen, featuring the one and only Kaidi Tatham.

What you sayin’, Kool Keith...? Enter your spaceship for a transatlantic meeting of minds as the legendary Kool Keith links up with We Are The Horsemen (Outernational Sounds head honcho Harvinder Singh Nagi and producer Sub One) and the great Kaidi Tatham for a future-jazz flavoured trip through the great MC’s London adventures.

Kool Keith needs no introduction to hip-hop heads worldwide. As one of the greatest MCs ever to touch the mic, Keith has never stopped innovating and progressing. From his days in the seminal 1980s Bronx unit Ultramagnetic MCs, through his pioneering development of new conceptual characters and styles in the 1990s (Big Willie Smith, Dr. Octagon, Dr. Dooom, Black Elvis), to his continuous run of radically independent recordings in the 2000s and beyond, Kool Keith defines rap longevity and artistic originality. No one else in hip hop has a comparable record of continuous reinvention, conceptual boldness, and stylistic panache.

And after four decades in rap, Keith is still one of the hardest working rappers in the game, perpetually seeking new sounds to spit on and new collaborators from across the musical spectrum. Fresh off the acclaim for his new Black Elvis 2 release, the protean MC has touched down on Outernational Sounds for a unique collab with We Are The Horsemen and Kaidi Tatham. ‘London Is The Place’ finds Keith riding the Horsemen’s atmospheric, break-toughened riddim and reaching back in time to drop kaleidoscopic, stream-of-consciousness impressions of the Ultramagnetic MCs infamous 1989 tour, before flashing forward to the present in order to namecheck Honest Jons Records, saxophone star Nubiya Garcia and master keyboardist and broken beat pioneer Kaidi Tatham, who contributes trademark jazz keys and bruk steez to the AA side remix. The 12” is closed out by a third version, the Horsemen’s own Kool Jazz Mix, bringing see- sawing organ stabs and a neck-snapping Ultra-sampling hook.

Kool Keith, Kaidi Tatham and We Are The Horsemen, taking it higher and overcoming the pressure with ‘music so progressive’, to quote Keith himself! Limited press – don’t sleep on this one!!'

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Next 2 You

12" | 2023 | Original (Elbow Grease)

17,99 €*

Release: 2023 / Original

Genre: Electronic & Dance

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Old Owl & The Wings Of Time

Praise Jah Love / Wisdom Is Drums

7" | 2023 (Time & Place)

Release: 2023

Genre: Reggae & Dancehall

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Old Owl & The Wings Of Time

I Temple Loving / Dubbing

7" | 2023 (Time & Place)

Release: 2023

Genre: Reggae & Dancehall

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The Mighty Victim & Fr. Richard Holung

God & Caesar / Jesuit Music

7" | 2023 | UK (Common Ground International)

17,99 €*

Release: 2023 / UK

Genre: Reggae & Dancehall

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Peter And The Test Tube Babies

Keep Britain Untidy

LP | 2023 | EU | Original (Secret)

22,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tex Perkins And The Fat Rubber

LP | 2021 | EU | Reissue (Beast)

27,99 €*

Malcolm McLaren And The Bootzilla Orchestra

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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3rd pressing! The latest thrilling incarnation of master rock'n'roll storyteller Tex Perkins (The Cruel Sea, Beasts of Bourbon, Thug, Tex Deadly and the Dum Dums, Tex, Don et Charlie.) and the Fat Rubber Band began with a rare vinyl copy of Link Wray's Beans and Fatback album, recorded in 1971. Perkins and his respected musician, songwriter, producer and bandmate Matt Walker share a mutual admiration of the American electric guitar innovator, whose iconic power chords in his signature 50s rock'n'roll instrumentals, had a profound influence on the evolution of rock guitar. The Fat Rubber Band is borned with this rare vinyl, the pair have enjoyed countless musical conversations over the decade while hanging out backstage and on the road. Walker offered the debut album's opening track, the wide-screen drama of "Pay The Devil's Due". Perkins responded with the plaintive blues of "My Philosophy". Walker replied with the album's fuzz driven debut single "Danger Has Been Kind" and Perkins countered with the glacially-paced, intimate "Poor Simple Minded Fool". The pair road-tested their works in progress as a duo before enlisting bassist Steve Hadley, drummer Roger Bergodaz and Evan Richards on percussion to complete the Fat Rubber Band line-up to record the album's ten tracks at Walker's Stovepipe Studios in Victoria's Dandenong Ranges. "At Matt's studio - you open the door to the studio and nature floods in," Perkins says. "We wanted it to sound rural, to feel the dirt and the grass and the leaves." Even after all these decades, when you think you know that gravelly baritone inside out, Perkins finds new emotional tones in the service of the Fat Rubber Band's songs vivid narratives, with their characters wrestling, but sometimes dancing, with the tougher, darker qualities of the human condition. This is truly existential blues. Bubbling underneath those upfront vocals and raw harmonies are intricately entwined guitar conversations and unexpected percussive flourishes. "Another aspect that we wanted was for the sound to be sometimes a collision and sometimes a marriage of acoustic and electric instruments. We wanted that tension between mandolins and bouzoukis meeting fuzz guitars." "We also considered percussion to be a vital element of the sound we were going for; we noticed in the recordings we loved from the 50s and 60s that often the tambourine hit, or the maracas, or whatever percussion, was right up there in the mix, right next to the vocal," Perkins says.

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Call A Wave Remixes

2x12" | 2023 | Original (Be With)

34,99 €*

Elmore James And The Broom Dusters

Release: 2023 / Original

Genre: Electronic & Dance

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"Siri, what's 'Balearic'?"
Be With present the first ever reissue of the ultra rare double pack DJ promo of Malcolm McLaren & Bootzilla
Orchestra's "Call A Wave". Originally slipping out in 1989 to a select few, there were rumoured to be only ever 300
copies pressed. Indeed, the entire package never got a proper release and now goes for a small fortune.
Say what? Bootsy Collins, Jeff Beck and Malcolm McLaren, all in one band, composing over a Barry White sample?
And that's just the original. But you can forget about that for now. Here we have the incredibly sought-after "DFC
Dance Mix", mixed by Massimino Lippoli of Morenas / Sueño Latino fame for the legendary DFC Italy. It's a throbbing,
vital, dramatic slice of dreamy ambient house. A deep, entrancing track that's both blissful and dancefloor dynamite.
It features the iconic, disaffected female vocal chopped up over elegant piano snatches, Beck's ace guitar stylings
over rolling, heavy drums and a killer, hypnotic bassline with sparkling harp coming and going. It's exotic,
otherworldly and brimming with that very special late 80s/early 90s Mediterranean vibe. Yes, it's Balearic, it's House.
Above all else, it's a pure uncut slice of halcyon summer days, pressed on wax.
But on side B we also have the mesmeric "Breakdown Mix", again mixed by DFC Italy. For some, *this* is the mix to
have - and who are we to argue? This time, the vocals are treated so they're uttered backwards, contributing to the
wonderfully disorienting magic of this particular mix.
And how could we forget the equally iconic "Orbital Mix"? Not by the actual group Orbital, but courtesy of S'Express's
Mark Moore & William Orbit, no less. A brilliant, beautiful remix that's perhaps more musical. They make more
obvious use of the sample from the original Barry White track ("I'm Gonna Love You Just a Little More Baby") that
Malcolm was inspired by. Flip over to Side D to find the duo's uber-horizontal "Return To The Deep Ambient Mix", a
floaty, beatless gem that'll leave you swooning.
To round out this quite astonishing package, the "New Age Mix", again coming from the DFC Italy camp, elegantly
sends us off into the cosmos with minimal percussion and maximum vibes.
Every mix on this DJ double pack is truly killer. Simon Francis remastered the original audio for this release and
Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 2x12" well and truly pumps. The immaculate
Record Industry pressing will ensure this incredibly sought-after masterpiece finds a home in many more DJ boxes
this and every summer. For the artwork, we've recreated the original DJ promo, a plain white gatefold sleeve
complete with the iconic burnt orange hype sticker. Hold tight. Roof down, tops off

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Blues After Hours

LP | 1960 | JP | Reissue (P-Vine)

34,99 €*

Winston Reedy & The Inn House Crew

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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From Hound Dog Taylor to Ry Cooder and Derek Trucks, Elmore James, a giant of blues music who continues to influence many musicians, goes wild on slide guitar with his band, the Bloomdusters! Originally released on Crown Records in 1960, we are very proud to be able to officially reissue this important piece of blues history in the same jacket as the original release. Don’t miss this fantastic reissue on limited edition vinyl, with an iconic OBI-strip, available soon from P-vine Records!

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Pirate / Steady Rock Record Store Day 2023 Edition

7" | 2023 | EU | Original

19,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Winston Reedy & The Inn House Crew

Cool It Amigo Record Store Day 2023 Edition

7" | 2023 | EU | Original

19,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Danny Spice & the Wildstyle Tribute Band

Live At The Throwdown

12" | 2014 | UK | Original (Crate Escape)

8,99 €* 19,99 € -55%

Release: 2014 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Tommy Stinson's Cowboys In The Campfire

Wronger Random Colored Vinyl Edition

LP | 2023 | US | Original (Icons Creating Evil Art)

30,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Sydney Salmon & The Imperial Majestic Band

A Heart For A Kingdom

LP | 2023 | UK | Original (Livity)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Mikey Mystic / Manasseh Meets The Equalizer

South Africa / Dub

7" | 2023 | UK | Original (Partial)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Winston Francis With Change The Mood

Let's Go To Zion / Zion Dub

7" | 2023 | UK | Original (Berends)

11,99 €*

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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The Real Thing Vs. Daren Deezer

You To Me Are Everything

LP | 2005 | EU | Original (ZYX)

14,99 €*

Release: 2005 / EU – Original

Genre: Electronic & Dance

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The Devil's Trade X John Cxnnor

Live At Roadburn Gold Vinyl Edition

LP | 2023 | EU | Original (Pelagic)

The Devil's Trade X John Cxnnor

Release: 2023 / EU – Original

Genre: Rock & Indie

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Roadburn festival is arguably the world's most cutting edge boutique music festival out there, and has been a fertile breeding ground for innovative acts from a broad spectrum of musical genres for many years. Last year saw the unique collaboration of Danish electro-industrial duo John Cxnnor and Hungarian doom-folk artist The Devil's Trade take the stage to deliver a sonic journey into the void of deep space. Today, we are ex- cited to release this iconic set on vinyl to immortalise this one-time convergence of three akin artistic minds. John Cxnnor is made up of one half of Danish sci-fi-sludge metal juggernaut Llnn and sees the brothers Rasmus G. and Ketil G. Sejersen collaborating with numerous fellow artists to explore the synth side of their main project. Inspired by the Terminator-franchise and the scores of other sci-fi movies, the Sejersen brothers have been creating menacing industrial electronic opuses, the frst of which a crushing rendition of a The Devil's Trade track. "We've been enjoying the music from The Devil's Trade for quite some time now," commented the duo on the release of «Dead Sister Merope», describing it as "an interesting match of musical expressions formed by the same DNA." Indeed, the haunting atmospheric folk compositions of The Devil's Trade mastermind Da'vid Mako' carry a similarly cavernous quality which, when taken to the stage of Roadburn, is only reinforced by the sonic violence of John Cxnnor. Unlike many other live records, this set is captured and excellently produced down to the finest level of detail. On centrepiece «Lullaby», the trio seem to have perfected their definition of heaviness, with heavy bass blasts beyond anything you've heard before booming from the speakers. Together John Cxnnor and The Devil's Trade reach new heights in their respective trades capturing both the pressing darkness that gathers `round a bonfire at night as well as the void darkness of deep space. FOR Fans OF Author & Punisher, Godfesh, Lustmord, Llnn, The Devil's Trade, The Body, Uniform

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Live At Roadburn Black Vinyl Edition

LP | 2023 | EU | Original (Pelagic)

23,99 €*

Jacqueline Du Pre / Daniel Barenboim / Eco

Release: 2023 / EU – Original

Genre: Rock & Indie

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Roadburn festival is arguably the world's most cutting edge boutique music festival out there, and has been a fertile breeding ground for innovative acts from a broad spectrum of musical genres for many years. Last year saw the unique collaboration of Danish electro-industrial duo John Cxnnor and Hungarian doom-folk artist The Devil's Trade take the stage to deliver a sonic journey into the void of deep space. Today, we are ex- cited to release this iconic set on vinyl to immortalise this one-time convergence of three akin artistic minds.John Cxnnor is made up of one half of Danish sci-fi-sludge metal juggernaut LLNN and sees the brothers Rasmus G. and Ketil G. Sejersen collaborating with numerous fellow artists to explore the synth side of their main project. Inspired by the Terminator-franchise and the scores of other sci-fi movies, the Sejersen brothers have been creating menacing industrial electronic opuses, the frst of which a crushing rendition of a The Devil's Trade track."We've been enjoying the music from The Devil's Trade for quite some time now," commented the duo on the release of «Dead Sister Merope», describing it as "an interesting match of musical expressions formed by the same DNA." Indeed, the haunting atmospheric folk compositions of The Devil's Trade mastermind Da'vid Mako' carry a similarly cavernous quality which, when taken to the stage of Roadburn, is only reinforced by the sonic violence of John Cxnnor.Unlike many other live records, this set is captured and excellently produced down to the finest level of detail. On centrepiece «Lullaby», the trio seem to have perfected their definition of heaviness, with heavy bass blasts beyond anything you've heard before booming from the speakers. Together John Cxnnor and The Devil's Trade reach new heights in their respective trades capturing both the pressing darkness that gathers `round a bonfire at night as well as the void darkness of deep space.FOR FANS OF Author & Punisher, Godfesh, Lustmord, LLNN, The Devil's Tr...

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Cellokonzerte

LP | 2018 | EU | Original (Warner Classics)

22,99 €*

Release: 2018 / EU – Original

Genre: Classical Music

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Simon Rattle / POL / The Ambrosian Singers

Holst: The Planets

LP | 2023 | EU | Original (Warner Classics)

Release: 2023 / EU – Original

Genre: Classical Music

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The Modern Jazz Quartet & Guests: The Jimmy Giuffre Trio & Beaux Arts String Quartet

Third Stream Music

LP | 1960 | US | Original (Atlantic)

18,99 €*

Kollage HHV Exclusive Yellow Vinyl Edition

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Sticker on front and tiny tear in top spine.

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Bahamadia

2LP | 1996 | EU | Reissue (Be With)

39,99 €*

Tape | 2022 | EU | Original (Leaving)

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Limited edition of 500 copies, only available hat HHV!

Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.

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Mattie

Jupiter's Purse

8,24 €* 10,99 € -25%

3LP | 2022 | EU | Original (Cocoon)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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“Have you ever really loved a human? Have you ever come across the wisest of them? They will slip right through your fingers, leaving the most unimaginable impression.”

Jupiter’s Purse is the debut EP by Dallas, Texas-based artist Mattie on Leaving Records. Produced in conjunction with fellow Dallasite Black Taffy, Jupiter’s Purse is an expansive and unique work of experimental soul. Featuring 2021’s lauded single “Human Thing,” Jupiter’s Purse broadens a window into the fresh and exciting vision of Mattie. Explaining the EP’s theme, Mattie states, “I’m very fond of the planet Jupiter in the astrological sense because Jupiter represents expansion. It also represents the planet that takes everything that it is that we desire to see for ourselves in this life and it expands it, right? I was inspired to call it Jupiter’s Purse because it also reminded me of a female womb in a sense, the incubation process that happens within the womb, and kind of the purse being the womb of Jupiter. And the planet is basically holding our things and incubating them until it’s time to expand them.”

Of collaborating with Black Taffy, Mattie says, “I felt like his melody and my pen, and the voice that was coming through me and what really wanted to be said through the lyrics, it’s like they just found a home together. And it was so effortless to really just kind of dance with his melodies and write these lyrics and these stories. So that’s basically how we kind of started working together, and yeah, I think we made a baby. A studio baby.” The EP’s five cohesive tracks loosely follow the story of a narrator named Mhuv. Mattie states, “It’s really a story of myself as Mhuv, and how it’s felt for me to be at times identified with the body as a person, and then other times being able to observe the body, and know myself as that as well, and what that has felt like, kind of being in this sense of duality. Jupiter’s Purse is basically a vocal representation of a lot of duality that I experienced. In coming to know my true self, that duality kind of came more to the forefront, so I started to write from that, and to really understand the power in the duality, while returning back to myself as source.”

Director Tramaine Townsend provides visuals for the project. Mattie states, “I wanted it to be clean but experimental, experimental and also clean. I wanted it to have that two-fold. I’ve been listening to a lot of recordings from Virgil Abloh, and he inspired me this year to really appreciate the duality that’s in my work. And even in the visuals, the cleanliness of it, but the experimental aspect. The purist meeting the tourist. The purist being that classic approach to visuals, which I appreciate Tramaine for, and then also allowing me as the tourist, the one that is experimental and that wants to have a different experience… Once you see it, you’ll see the beauty, the continuity of what we’re trying to say.”

Mattie concludes, “I feel like what I realized is that there’s a home in me that is comfortable no matter where I’m at. And my life is based on finding that and remembering that home within myself. And so my focus on the external things, even though I keep them up and I maintain the physical things, but I realize that my only purpose, if there was one, is to really remember myself, as if to remember that home within myself, so that I can be comfortable no matter where I’m at. And my music is an expansion of that, that surrender to that aspect of this experience which is to come home and find that home within myself. The music is about going through what it feels like when you are on the path to remembering yourself. What it feels like, that oiliness, that stickiness, that bulldozer, the big explosions, the feeling of ground zero, the feeling of heightened senses, the feeling of being a giant but then also you feel like you are David, and there’s a Goliath. I plan on moving through, which is why the character’s name is Mhuv in Jupiter’s Purse, because I see ourselves, everyone on the planet, moving through these spaces and them not being intended to be a sticking point for us. And so Jupiter’s Purse is what I would call maybe a gateway, a womb to the other side. Jupiter is going to expand this project, because that’s what Jupiter does, and has blessed this project already, so I know Jupiter’s going to expand it to be another side of this, where we won’t be speaking from duality, but we’ll be speaking from our natural state as wholeness.”

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Sven Väth

Catharsis

Language Barrier Translucent Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Catharsis is Sven Väth's first solo album in almost 20 years, and the 50th album to be released on his incomparable label, Cocoon Recordings. Produced alongside Gregor Tresher, it arrives on 25 February 2022 and is a musical autobiography that charts Svens most extraordinary life in techno.

Without the West German-born Väth, techno would look, sound and feel very different. Since falling in love with electronic music and DJing in 1981, his dedication to the art has never faltered. He plays every party as if it were his last. His broad smile has connected with millions of people around the world. His colourful and curious character has imbued techno with a personality it was often lacking. His selections remain hugely unpredictable, despite the fact that he has been playing around the world for more than 40 years. To remain not only relevant but innovative after so long is a testament to Sven's ability to connect through music on a deeper level.

Technically, of course, he is a DJ who can play for thirty hours and not miss a beat. His track selections seem almost divine, and his aura is certainly otherworldly. But more than that, he is a ringleader who is able to mix the artful side of techno with the playful side of partying. Most famously he has done this for more than 20 years at his iconic Cocoon parties in Ibiza. They single-handedly introduced techno to the White Isle and have been its beating heart ever since. Under his charge, strict style guidelines and exaggerated pigeonholing no longer apply. Instead, he has perfected the art of playing far and wide while always remaining true to his own musical identity.

In the studio, Sven has always been just as unique. He has worked under several aliases but always brought a fresh perspective. Whether securing chart hits as part of OFF in the eighties, serving up brutalist techno and trance-tinged sounds in the nineties or crafting major label albums in the 2000s, his music has remained utterly forward-looking. That legacy continues with Catharsis as Sven teams up with highly respected producer Gregor Tresher for his latest long-form offering. Tresher has long been part of the Cocoon family and is a revered artist in his own right, when the two got together in the studio it was clear they had an instant connection and there would only be one person fit to co-author this LP.

It is a record inspired by Sven's interest in the physical and spiritual processes that take place when we dance. "They are realms into which we immerse ourselves to experience our own mysticism and ecstasy," he muses. "Dancing is a conversation between body and soul and it spiritually connects us with each other." Because of the pandemic, that is of course a feeling that we all missed out on for so long. "No dancing, no paradise!" says Sven. "My imagination for this record was fueled by the many cultural experiences and encounters I have had in my life. They gave me the strength to find a way, the way to myself." And that way to himself is through music, through purifying dancing rituals and the exchange of spiritual energies that are generated in the club.

The thirteen-track album explores all facets of Sven's sound. It opens with the stomping drums but sleek synths of 'What I Used To Play' and unfolds through deep and dirty rhythms like 'The Worm', subtly euphoric highs on 'The Inner Voice' and the bubbly tribalism of the title track. There is the impassioned call-to-arms that is 'Feiern', peak-time melodic workout 'Mystic Voices' and soothing electronic lullabies like 'Being In Love'. The second half of the album takes in many more twists and turns such as the exotic strings and driving drums of 'Butoh', the paranoid techno minimalism of 'nyx' and expansive synthscapes of ambient gem 'The Cranes Of Gangtey Valley' before things play out though rugged beats and emotive chords on 'We Are', which is named after the idea that we are what we think. "With our thoughts, we make the world.? says Sven.

Then comes the moody reflection of 'Silvi's Dream', which was written in French for Sven's girlfriend. Last but not least we have the immersive dream that is 'Panta Rhei', which completes a trio of electronica tunes on the album. Ambient music has been an integral part on almost every album Sven has written because it can bring a certain emotional deepness, a quality that Sven always has been looking for.

'Catharsis' is an adventurous album that captures the good times, the sad times and, most importantly, the times of hope.

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Chuckamuck

LP | 2020 | EU | Original (Staatsakt)

19,79 €* 21,99 € -10%

LP | 2023 | EU | Original (Hyperjazz)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Limited to 150 copies. Only at HHV.

“It has not been definitively proved that the language of words is the best possible language” -
Antonin Artaud
If this is your first time to hear about Chuckamuck, there's a good reason for that: This is a reach-out project, beyond the personal and commercial barriers that exist for a European band that sings in their own mother tongue. Language is a tricky business in Rock and Roll, especially for a German band. To resign oneself to sing in English, and be open to the dominant Anglophone music market whilst hoping your tunes resonate with local scenes and fans, not only risks billing a band as less unique, but also denies them the right of native poetry by applying their best-known language to express themselves lyrically. In the greater music market, it has been acceptable to hear German in parodist stereotypes, such as the robotic nature of Kraftwerk or violent sexual imagery of Rammstein, which are consumable for international audiences. However, over the 14 year career of Chuckamuck, their expressions have varied from their teenage years as “punk rock Rimbauds” into teary-eyed mysticism, soulful desire, despotic vexation and much more. And as dedicated artists and lyricists, they have intimately touched their German speaking fans; however due to this language barrier, they have been frustrated to not share the full “Chuckamuck experience” with fans during their European tours with The Black Lips, King Khan and the Shrines, Beatsteaks, Demons Claws and The Strange Boys. As founding member and main crafter of the Chuckamuck world Oska Wald says, “You originally think 'its music, it's going to be understood in any language', but Chuckamuck is so much more than our songs, it's an enterprise of our art, animation, live shows, videos, comic books, an entire world we have produced”. Which brings us to the Language Barrier project: In essence, this extremely ambitious project is a Chuckamuck “Best Of”, with remakes of pearls from different periods of the band since their inception in 2006, translated into 8 languages (Italian, French, Spanish, Swedish, Polish, English, Hebrew and Japanese), recorded by bandmember and songwriter Lorenz with longtime Chuckamuck engineering pals Thomas Götz and Max Power at O'tool Studio. Each song is impressively presented in its own unique video clip, defining the images and moods of the band. The whole project was produced over three years with a great deal of patience and heart. Inspired by the efforts of the Beatles in the 60s, who saw it fit to record awkward versions of their early hits into French and German, as well as the wealth of worldwide 60s bands who recorded pop songs into a “third language” by naively and phonetically singing in English, Chuckamuck wanted to capture this excitement of reaching potential new audiences and actually being understood. Another big influence has been the flawless multilingualism of their Staatsakt labelmates, Stereo Total. A few elements make this project really special. Firstly, as a Berlin band, Chuckamuck employed the
help of their local international family to help with the translations. These world class artists worked together to recreate songs in their own languages, so that the deliveries maintained the life and ingenuity of the original works. These include the sensational Swiss folk musician Melissa Kassab,
renown Swedish comic artist Crippa Almqvist, and Japanese cartoonist and animator SHOXXX. Of particular interest over the record is the transformation of 'Eis Am Stiel', an older Chuckamuck classic, inspired by the joint Israeli-German cult film of the same name. Translated by the bands' newest member, Amit Alcalai of The Gondors, its transition into the original language of the film is notably cultural and impressive. Similarly, the hit "Sayonara" translated makes it sound like the 80s Japanese new wave song it always begged to be and is very addictive. Chuckamuck's anthem to their own ironic ennui of being German and desiring to sound like a 70's Nashville band, 20.000 km performed in French accentuates their honest desire and is incredibly effective. On top off all this, 11 complete music videos have been produced for each song off of this album, all including original hand-drawn animations by award-winning cartoonist Oska Wald. Three weeks after a particularly rough mushroom trip, Oska had a flashback to a moment of intensity and visual disturbance from the trip – and began drawing, plate by plate, the original animations which would continue for three gruelling years to complete these creative masterpieces. Each clip highlights in leitmotifs what each individual member of Chuckamuck brings to their sound and attitude, which is now available for you to explore, as Chuckamuck has so lovingly reached out to you, in your own
language. Do them the favour back of exploring the work of this diverse, energetic, and romantic punk band on the eve of their 14th anniversary!

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Khalab

Layers

20,69 €* 22,99 € -10%

Spragga Benz, Rodney P & DJ Phantasy

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry — a reflection of our life journey until this point. On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record, out on August 25th with his own Hyperjazz Records, represents the culmination of a creative journey that began with his Eunoto EP (Black Acre Records, 2015), evolved with the Afro-Futuristic soundscapes of 2018’s highly acclaimed album Black Noise 2084 (On The Corner Records/!K7), and has since developed further through a series of experiences and deep musical collaborations. Layers summons all the alchemy of Khalab’s live performances, and embodies the transcendental power of music making as a collective art form. Over the past five years, Khalab has shared the stage at Italian and International festivals with many exceptional musicians, an experience which has sharpened the musicality of his compositions and enhanced the depth and complexity of his sound. “Since the release of Black Noise 2084 I’ve increasingly developed the stage and band dynamic, focusing on arranging with the musicians in mind, and this album was almost entirely conceived together with musicians I’ve collaborated with” says Khalab. In a testament to the label’s close-knit and highly collaborative nature, Khalab's live band includes a cadre of musicians from the Hyperjazz family, including David Paulis and Enrico Truzzi of Phresoul, as well Pietro Santangelo, Fabio Sasso, and longstanding creative-partner Nicola Guida. The album’s nine tracks feature an impressive lineup of collaborators old and new, including UK drummer and producer Emanative, Burkinabe singer, guitarist, and m’bira player Gabin Dabiré (passed away a few weeks ago), Italian producer Clap! Clap!, multi-wind instrumentalist Tamar Osborn, drummer and producer Tommaso Cappellato, British-Bahraini trumpeter Yazz Ahmed, Bristol’s vocalist and producer Grove, multi-instrumentalist Tenderlonious, Italian jazz singer Alessia Obino and British-born Nigerian spoken-word artist Joshua Idehen. Layers still revolves around the key components of Khalab’s sound — dark and trancey electronics and his research into Black music and all its evolutions — but with a bigger emphasis on harmonic arrangements. Across the album, Khalab’s productions twist and pulsate into mesmerizing motifs, as the interplay between different instruments coalesce into focused melodies and rich, complex textures. Khalab and his collaborators masterfully blend gloomy and radiant tones, eliciting feelings of both doom and hope. The album will be preceded by three lead singles: “Layers” feat. Joshua idehen, “Tunnel Of Jealousy” feat. Lady Blue Eyes, and “Female Side” feat. Tommaso Cappellato.

For Khalab, Layers represents the end point of a journey that began with the synthesis of ancestral rhythms and electronic experimentation on Black Noise 2084, and has taken him on a meandering route through a Mauritanian refugee camp (M’berra, Real World Recordings, 2021), and deep into the catalogs of legendary Italian labels Soul Note and Black Saint (for the Hyperituals compilations, released on his own Hyperjazz label). In Khalab’s own words: “For me this feels like coming full circle, because everything will be more experimental going forward”. Credits All tracks written & arranged by Khalab Produced by Khalab & DJ Knuf With the vital contribution of these amazing musicians: A1. Yazz Ahmed (flugelhorn, trumpet), Alessia Obino (voice), Nicola Guida (synths), Fabio Sasso (drums) A2. Emanative (drums), Tamar Osborn (baritone saxophone), Grove (lyrics, voice) A3. Lady Blue Eyes (voice) A4. Cristiano Crisci (synths), Pietro Santangelo (tenor saxophone) A5. Joshua Idehen (lyrics, voice), Cristiano Crisci (additional synths) B1. Tommaso Cappellato (synths), Enrico Truzzi (drums), David Paulis (electric bass), Cristiano Crisci (additional synths) B2. Gabin Dabiré (voice, m’bira) B3. Tenderlonious (flute) B4. Magnus PI (percussion), Alessia Obino (voice), Pietro Santangelo (tenor saxophone), Enrico Truzzi (drums) Mix by DJ Knuf at Studio 33, Rome Remix by Khalab at Studio 33, Rome Megamix by Satori Stereo Saiyan Mastered by Frank Merritt at The Carvery, London Visual project design by Marco Klefisch

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Mygraine

12" | 2023 | UK | Original (Buttercuts)

Pajko, Fire In The Forest On The Mountain

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"Alternative Hip Hop Artist Rebel ACA Channels his Pain in ""Migraine"" ft. Spragga Benz, Rodney P
LONDON - The word ""migraine"" can make you twinge, especially if you experience the pounding head, vertigo, and tinnitus associated with migraines. Imagine if you put all those feelings into music - that is what Rebel ACA did with his latest single, ""Migraine.""

Rebel ACA's new single flows through his twenty-year journey of advising on international tax by day and rapping and producing by night. Perhaps, the ACA stands for his accounting qualification.

Dropping in April, there will be two versions, an original version and a DJ Phantasy Remix of ""Migraine"" on streaming platforms. Depending on the version, ""Migraine"" is a musical representation of a severe headache. The drum and bass mix features a funky, constant drone throughout the track, while the original version is a funk-latent hip-hop song.

""I suffer very badly from migraines every week,"" said Rebel ACA. ""To me, it was logical to write a song about migraines. The lyrics talk about what it feels like by using synthesizers to bring out the feeling of a migraine.""

Joining Rebel ACA on the single is Spragga Benz and Rodney P. The duo shares their thoughts on using marijuana to cure a migraine. While Rebel ACA acknowledges he is not a medical doctor, studies have shown that smoking weed can reduce migraine pain.

""We talk about smoking weed to fight the migraine,"" he said. ""The lyrics revolve around what it feels like to have one in your head. Doctors have told me that migraines are caused by triggers like alcohol and getting f*cked up. Then you get a migraine and now you get more f*cked up on pills or weed to feel better."" This revolving cycle spirals throughout the single.

Born and raised in the UK, Rebel ACA experienced London's musical melting pot from birth. Hailing from northwest London, he was exposed to the rich Caribbean influence and massive underground music scene.

From squat parties to illegal raves, London's music was all mashed up, and Rebel ACA soaked up every genre and cultural influence. As a result, he is a successful singer/songwriter/producer who fuses hip hop, reggae, and indie sounds to create his unique style.

""Where I come from, the UK hip hop is like the 90s hip hop in America,"" he stated. ""There is a hip hop scene that talks about poetry. I'm trying to keep it real with my lyrics and talk about things that are important other than guns, money, and bitches.""

Rebel ACA's music is versatile but uniquely his own by utilizing numerous live instruments and coming in hard with a big boom-bap sound. The Rebel ACA sound is born by adding a funk influence on his tracks aligned with funky bass. On ""Migraine,"" he uses some vintage 70s French influence vibes to give the single a flavor of its own. There is nothing out there like ""Migraine.""

Rebel ACA records under Buttercuts Records, a company he owns and operates. The London-based production company has been ""bashing out buttery beats"" since 2000. Buttercuts Records is the go-to place for releasing hip hop, reggae, breaks, funk, soul, and folk records with a tongue-in-cheek attitude and marketing that surpasses witty wordplay.

As ""Migraine"" gains international attention, it is easy to understand how Rebel ACA combines old and new hip hop with effortless flows and brilliant lyrics. Maybe the world is ready for an international tax advisor who drops bars and vibes out to some wicked rhymes.

Make sure to stay connected to Rebel ACA on all platforms for new music, videos, and social posts.

Amazon Music: https://music.amazon.com/artists/B01IUCK482/rebel-aca

Apple Music: https://music.apple.com/us/artist/rebel-aca/1086797152

Bandcamp: https://rebelaca.bandcamp.com/track/she-wants-to-love-me

Soundcloud: https://soundcloud.com/rebelaca-music

Spotify: https://open.spotify.com/artist/0ze2Yu0NUzfbXo6OqnOW22

YouTube: https://www.youtube.com/channel/UC4IwpcbAaVJM57DnPgcZsBA

Facebook: https://www.facebook.com/rebel.aca

Instagram: https://www.instagram.com/rebel_aca/

Twitter: https://twitter.com/rebel_aca"

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Sokratis Votskos Quartet

LP | 2024 | UK | Original (Fair Weather Friends)

37,99 €*

Box | 2022 | US | Original (Nonesuch)

Release: 2024 / UK – Original

Genre: Organic Grooves

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A few words for the album Moment’s Aeternity: a 12/8 composition celebrating the raw power of the “moment”, marked by whirling improvised moments between drums, bass clarinet and Harris P’s Armenian duduk.

Pajko, fire in the forest on the mountain: in Sokratis own words: “I have a really vivid memory as a child. I was staring at the Djena mountain from my window in Archangellos which sits on the Pajko mountain. A little beam of light shone far in the horizon; it was a fire that in my little eyes looked as if the giants of Almopia were trying to communicate with each other using phryktoria (a way of contacting through fire in Ancient Greece).”

Footprints of some Giant Steps: While the classic compositions of two true Jazz Giants- Wayne Shorter and John Coltrane- are certainly different, they do both connect in a mystical way. Rearranged in 5/8 combining half of each melody and half of each one’s chord progression, keeping the form of the piece for improvisation, still in 5.

Oson Zeis Fainou (Seikilo’s Epitaph): found in a tomb stone in the Northeast of Greece, this is the only melody saved from the ancient times. It is accompanied by lyrics contemplating the meaning of life: Ὅσον ζῇς φαίνου μηδὲν ὅλως σὺ λυποῦ πρὸς ὀλίγον ἐστὶ τὸ ζῆν τὸ τέλος ὁ xρόνος ἀπαιτεῖ. ‘’While you live, shine don’t feel blue for anything because our life is short and time demands an end.’’

Here is to Oghene K: ’’Hey man, where is the groove?’’, he would say, just to trigger another wave of inspiration for Sokratis. Oghene was a true force of nature, a well of kindness, a masterful artist that left this world too early. This one is for him.

Balkan Riff (for Milcho Leviev): Milcho Leviev (1936-2019), was a long-time friend and collaborator and a true inspiration for expression, creativity and colorfulness. Expressing the deep sentiments evoked by the Balkan sound and history, this is a sorrowful dialogue between bass clarinet and contrabass.

Spirits of Djena: one of the most esoteric and personal moments of the album. Composed and recorded during the challenging times of the COVID-era, you can hear the baritone and tenor saxophone firmly grounded on a crispy, hypnotizing contrabass groove.

Sokratis Votskos Quartet Kostas Anastasiadis / Giorgos Klountzos - Chrysidis: Drums Leandros Pasias: Piano Vaggelis Vrachnos: Contrabass Sokratis Votskos: Soprano Saxophone, Bass Clarinet and Compositions

Sokratis Votskos is a jazz saxophonist, clarinetist, composer, educator, and bandleader from Greece. Deeply invested in unearthing the folk sounds and heritage music of Greece and Eastern Europe, he weaves these into modern jazz compositions though the use of melodies, polyrhythms, and his reedy, timeless tone. He leads the Sokratis Votskos Quartet, he is one half of Kolida Babo and member of the Reggetiko Project. A highly regarded sideman and ensemble player, he has worked extensively with renowned jazz musicians with several highly acclaimed releases (MiC, Jazzman, Walt Disney and now Fair Weather Friends Records).

He has performed his music in numerous venues and festivals worldwide from Vinterjazz in Copenhagen, to the EFG London Jazz Festival where he performed at the legendary Ronnie Scott’s alongside Greg Foat.

He is also an archaeoacoustics researcher and enthusiast, having completed his Master studies on the field of ancient ritualistic caves of Greece research.

Leandros Pasias was born in Thessaloniki, Greece. At age 10 was introduced to piano, continuing his studies at the Modern Conservatory of Thessaloniki and later at the Conservatorium van Amsterdam in the department of jazz piano.Ηe holds a classical harmony diploma and a BA at the Department of Music Studies at the Aristotle University of Thessaloniki. In 2020 he received jazz improvisation lessons from Aaron Parks.

With a series of appearances in multiple international jazz festivals, Leandros has collaborated with a wide range of musicians from Nicolas Masson and James Wylie to Marina Osk, Ivo Papasov and Haris Lambrakis, among others.

A member of the Yako Trio, he released “OdesSea” on Fair Weather Friends Records (2021).

Vangelis Vrachnos was born in Thessaloniki, Greece, in 1989. While he started playing the bass at the age of 12, alongside his brother, his studies would commence a few years later. Introduced to double bass at the age of 23, he undertook jazz double bass studies at the Codarts Αcademy of Rotterdam. He has participated in several festivals such as the Technopolis and Odessa international jazz festivals. Since returning to his hometown, in 2015, he has been a founding member of Mordana and Yako Trio and has collaborated with a series of musicians like James Wyllie, Sokrates Votskos and Dimitis Agelakis, among others.

Kostas Anastasiadis is a tireless researcher, that has been diligently studying Tradition and its evolution, creating a fresh amalgam of sound moods. His mature improvisational virtuosity highlights a uniquely individual artistic expression and was recognized with the ̈Unique Individual Stylist" award by the PIT (Percussion Institute of Technology) in Los Angeles, California. He has been associated with various ensembles that have garnered significant interest in the global music scene. As an educator, he is the founder of "The Harmony of Rhythm" musical method, which aims to explore and establish the elements that constitute the concept of rhythm.

Giorgos Klountzos-Chrysidis was born in Thessaloniki in 1991. Following studies at the Modern Conservatory of Thessaloniki, he moved to France and the Conservatoire de Nice. With performances at well-known festivals like Nice Jazz Festival, Nuits du Sud and Jazz à Vienne, he had the opportunity to meet the American drummer Leon Parker, who encouraged him to move to Paris, where he spent the next two years under his tutoring and guidance.

In 2016, came a defining moment in his career as he traveled to New York for the first time. He participated in the quartet of saxophonist Diego Rivera for a series of performances and attended lessons by Rodney Whitaker and Randy "Uncle G" Gelispie at Michigan's State University.

Collaborations include Xavier Davis, Ricky Ford, Nicolas Masson, Diego Rivera, Craig Bailey, Baptiste Herbin, Marc Abrams, Pantelis Stoikos, Antonis Anissegos, David Lynch, Ziad Rajab and Ivo Papasov, among others

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John Adams

Collected Works

130,89 €* 153,99 € -15%

One Theme & Subsequent Improvisation

Release: 2022 / US – Original

Genre: Classical Music

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The forty-disc box set features recordings spanning more than four decades of the composer’s career with the label. The release includes two extensive booklets containing new essays and notes by Timo Andres, Julia Bullock, Robert Hurwitz, Nico Muhly, and Jake Wilder-Smith. This will be released on the 24th of June via Nonesuch. Nonesuch Records releases the forty-disc John Adams Collected Works, a box set featuring recordings spanning more than four decades of the composer’s career with the label. The release includes two extensive booklets containing new essays and notes by Timo Andres, Julia Bullock, Robert Hurwitz, Nico Muhly, and Jake Wilder-Smith.

Nonesuch made its first record with John Adams in 1985. He was signed exclusively to the label that year, and since then the company has released forty-two first recordings and thirty-one all-Adams albums, of which six are full-length operas, oratorios, or staged theatrical presentations. Four of Adams’ Nonesuch records have won Grammy Awards, among other honours.

“John Adams coming to the label was one of the central events in our company’s history,” says Robert Hurwitz, Nonesuch’s longtime President and current Chairman Emeritus. “The idea of a label recording all of the works of its most cherished composers had been long established in the classical record business, most notably the efforts of Columbia with Stravinsky, Decca with Britten, and Deutsche Grammophon with Stockhausen.

“While most of Columbia’s Stravinsky recordings were made decades after the works’ premieres, and many of the admirable Decca Britten recordings came after his death, this Nonesuch collection is unique in the sense that the recordings were done in real time, mostly within a few months of a piece’s first performance. Every recording was either conducted by John, or made under close supervision of the composer, who was in the control booth for every album – when he wasn’t on the podium.”

Hurwitz continues: “As the record business changed, we realised the urgency of preserving this amazing accomplishment in a physical form; the music’s importance to our culture cannot be underestimated and the idea of much of it only being available digitally in the future was difficult to imagine.

“In making the box we left a little extra space, since Nonesuch plans to continue recording John’s work.”

John Adams occupies a unique position in the world of music. Long embraced by the world’s leading orchestras and conductors, instrumental soloists and singers, choreographers and opera directors, his works are among the most performed of all contemporary classical music. Early in his career, Adams was composer-in-residence of the San Francisco Symphony (1982-85), and creator of the orchestra’s highly successful and controversial New and Unusual Music series. Many of his landmark orchestral works were written for and premiered by the San Francisco Symphony, including Harmonium (1981), Grand Pianola Music (1982), Harmonielehre (1985), and Absolute Jest (2012).

In 1985, Adams began a collaboration with stage director Peter Sellars that has resulted in more than three decades of groundbreaking operas and oratorios: Nixon in China (1987) and The Death of Klinghoffer (1991), both to libretti by Alice Goodman; El Niño (2000), Doctor Atomic (2005); A Flowering Tree (2006); The Gospel According to the Other Mary (2012); and Girls of the Golden West (2017).

Since 2009 Adams has held the position of Creative Chair with the Los Angeles Philharmonic where he has been instrumental in the success of that orchestra’s highly creative Green Umbrella new music series.

Adams also has become a significant mentor of the younger generation of American composers. In his liner note, Adams’ label mate, composer and pianist Timo Andres, says: “I don’t think it’s an exaggeration to say that when Road Movies was dropped into my lap as a college freshman, it triggered a chain reaction that led me where I am now… John’s music has been such a constant in my life that it’s reached a base level of my consciousness – it’s part of the way I hear all music now.”

This year launched with a major focus on Adams’ music in Zürich with the Tonhalle Orchestra, from January to March. Orchestras around the world will likewise present major performances of his works including Cincinnati Symphony, NDR Elbphilharmonie, Hong Kong Philharmonic, Budapest Festival Orchestra. This spring, Adams’ piano concerto Must the Devil Have All the Good Tunes? tours to orchestras around the world: Seattle, St. Louis, Cleveland, Zürich, Iceland, Gothenburg, and San Francisco; Adams conducted a performance of it by the Cleveland Orchestra and Jeremy Denk earlier this year. In September 2022, Adams’s new opera Antony & Cleopatra will open the San Francisco Opera’s centennial season.

Nonesuch Records has historically had close relationships with modern composers. During the years of Tracey Sterne, the label made multiple recordings of Elliott Carter, George Crumb, Charles Wuorinen, and William Bolcom. Since 1985, Nonesuch has made multiple recordings of works by Philip Glass, Stephen Sondheim, Laurie Anderson, Caroline Shaw, Louis Andriessen, John Zorn, Adam Guettel, Henryk Górecki, Timo Andres, Nico Muhly, and Donnacha Dennehy. For Steve Reich, like John Adams, Nonesuch has recorded every new piece of his music since 1985 and will also release a collection of his complete works – in 2023.

While Nonesuch recordings comprise thirty-five of the forty discs in Collected Works, the set also includes recordings from other labels, including: the Los Angeles Philharmonic’s recordings of The Gospel According to the Other Mary and Must the Devil Have All the Good Tunes?, with Yuja Wang, on Deutsche Grammophon; a recording by Christina and Michelle Naughton of Roll Over Beethoven on Warner Classics; and the San Francisco Symphony’s recordings of Absolute Jest and Grand Pianola Music. The Berlin Philharmonic’s recording of Harmonielehre, conducted by Adams, is the final CD in the set, serving as the bookend to the piece’s first recording, by the San Francisco Symphony led by Edo de Waart on Nonesuch that is the first disc of the set.

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Sam Wilkes

LP | 2022 | EU | Original (Leaving)

Super Eagles Band With The Mushi Players

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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For his sophomore full-length album, LA-based Bassist/Producer/Composer Sam Wilkes is prompted with ten questions from Leaving Records community mentor & facilitator Carlos Niño.

1. Carlos: Prior to gathering and setting up in the Studio for the Recording Sessions that this record is sculpted from, how much did you talk with any of your collaborators? What did you talk about? What kind of direction, inspiration, example, or association did you give, if any?

Wilkes: i told Christian Euman “I want to make a double drum record with you” The thought had occurred to me after seeing a few shows in New Orleans in 2019. I asked “If you could record it with any other drummer who would it be?”

he responded quite instantly: “Greg Webster” (aka Greg Paul)

together in one 4 hour session we recorded 3 different improvisational pieces … and a chart of mine

this album is entirely the 2nd of those 3 improvisations

I spent a lot of time living with that 40 minute musical block of granite, getting to know it, wondering prodding how to connect the frame-able moments

after 5 to 6 months Jacob Mann and Chris Fishman record over the piece separately. I offered very little instruction to them,

then I read an interview of Gerhard Richter & Hans Ulbrich Obrist “Lives of the Artists, Lives of the Architects” excellent use of Helvetica on the cover. They discuss Richter’s process destroying his own work to find something new in it.

I had an epiphany.

the possibility of improvised sonics(?) with the intent of creating contingency through destroying the audio of specific sections of this 40 minute piece to discover new music(s) in the process.

I contacted Ethan Braun: “What other musicians and artists Besides Stockhausen and Cage, got into a similar kind of process?” He sent me: Pierre Schaefer, Kazuo Shiraga, and Butch Morris. I combined with my past research on Phillip Guston, and Richter. I organized and prepared for my process in collaboration with Chris Sorem to see it through -

2. Carlos: What went into your choice to have 2 Trap Drummers on this record? Had Christian and Greg ever met? Had they ever played together before?

Wilkes: New Orleans April 2019 with Jacob Mann. Small bar Fried chicken wings being sold outside. delicious. Brass band performing “for the love of you” by the Isley brothers what an arrangement I am ecstatic Band had 2 drummers playing marching snare drums One drummer on kick and cymbal. I knew. 2 drummers.

Christian and Greg had not played together formally but had always wanted to… It was special to witness . all of our first time playing with others Since, you know. The situation and concept of the session, To do one tune and spend the rest of the time just playing Was a release.. listening back in the control room Delirious -

3. Carlos: How did you come to choose the Studios that you worked in for this record? The Musicians and Instruments?

Wilkes: i’ve always respected loyalty. It feels like a hug. I frequent Nest Recorders and I frequent Lucy’s Meat Market.

I knew Jacob Mann would know what to do After hearing his take I realized this additional opportunity: Chris Fishman on an Arp-2600 -

4. Carlos: Please tell us how you feel about, Richter: "Surprises always emerge,"

Wilkes: how lucky i am to discover for myself that this is true. -

5. Carlos: In what ways did the Improvisations that you and your group played, (that You Produced & Arranged this record from,) begin? A look, a word, a gesture? Something else?

Wilkes: i hit play on a maestro rhythm king. I got lucky with the tempo. I played a chord progression a cell that I had written a few years ago to say to christian and greg: go

Jacob said yes pressed record reacted

Chris Fishman and I together with Pete Min at Lucy’s meat market Chris playing his heart out.

after, we’d drive around my neighborhood 2-3 o’clock in the morning listening to this music discussing the arrangements where to cut the fat, where to chew. Chris Fishman was so important in this album’s completion.

Chris Sorem and me At nest recorders Playing with tape Recklessly Laughing Fighting exhaustion. So much gear set up Only half of it used. Destroying and discovering No time to waste to hear something new -

6.Carlos: What does "One Theme" mean to You?

Wilkes: 8 bar harmonic and melodic passage that repeats. -

7. Carlos: How does this new record make You feel? Wilkes: i see orange! -

8. Carlos: Was everyone set up in the same room, or in multiple rooms within each Studio?

Wilkes: yes & no

Nest Recorders: SW, CE, GP Jacob Mann’s Apartment in Alhambra: JM Lucy’s Meat Market: CF, SW -

9. Carlos: How has your sound, concept, approach been changing, evolving, metamorphosing, from your perspective?

Wilkes: for me to know And you to find out.

I practice everyday still sometimes, I write just as much Sometimes I don’t Sometimes im sculpting chipping away at music Hoping to find something Sometimes I forget Sometimes im tired. Sometimes im watching or reading the lord of the rings Hopefully I’m improving Hopefully I can be present and Grow. I want to be compassionate and not so hard on myself. -

10. Carlos: Please tell us something special, to You, about the making of this record.

Wilkes: The album title is exactly what the album is.

&

i am unbelievably thankful for the people who made this record with me. lucky to collaborate with them. lucky to know them: Christian Euman Greg Paul Jacob Mann Chris Fishman Chris Sorem Pete Min Mark Chalecki

I love you all, thank you

: )

SW 09/26/21 -

Thank You! Love!!! Carlos Niño 092021 Full Harvest Moon

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Sock It To Me

7" | 2024 | JP | Original (Mushi 45)

14,99 €*

Release: 2024 / JP – Original

Genre: Hip Hop

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Acid Mothers Temple & The Melting Paraiso UFO

Trust Masked Replicants

LP | 2024 | EU | Original (Important)

Cool "Cal-S.K.I" The Street Kid Intellect

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Japan's long running masters of psych/kosmische jamming return to Important Records for a vinyl outing featuring beloved original member Cotton Casino.

Trust Masked Replicants finds AMT in fine form, creating experimental psych-rock improvised around skeletal compositions. The group's leader, Kawabata Makoto, holds the group together while they navigate chaos infused, drone based jamming at the outer edges of human consciousness.

Side B, featuring the 20 minute track Asoko Ananda, is a classic side-long fast paced AMT burner combining sped up kosmische rhythms, filter sweeps, free-jazz piano, tabla drumming and vocal experiments. Asoko Ananda utilizes many of the group's skills, ascending to the height of their collective, mountainous ability.

Channeling prog, krautrock, modern composition and noise, Kawabata Makoto formed the Acid Mothers Temple in the early 90's. The group has gone on to release countless albums while touring the globe.

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Better Late Than Never

CD | 2024 | UK | Original (Chopped Herring)

The Waeve (Graham Coxon & Rose Elinor Dougall)

Release: 2024 / UK – Original

Genre: Hip Hop

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Sick 10 track solo EP from Thunder Jam Alliance artist "Cal-S.K.I." from 1996-1998.

Best to Peep THE Interview Here for more info from the man himself.

Killer 90s indie flavas for the heads!!!!

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City Lights Extended Orange Vinyl Edition

2LP | 2024 | Original (Transgressive)

45,99 €*

Release: 2024 / Original

Genre: Pop

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The Pains Of Being Pure At Heart

The Pains Of Being Pure At Heart Silver Nugget Vinyl Edition

LP | 2009 | US | Reissue (Slumberland)

23,99 €*

Release: 2009 / US – Reissue

Genre: Rock & Indie

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The Guy Hamper Trio Feat. James Taylor

Dog Jaw Woman

LP | 2024 | Original (Damaged Goods)

21,99 €*

My Life With The Thrill Kill Kult

Release: 2024 / Original

Genre: Rock & Indie

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Here we have the third LP by the excellent Guy Hamper Trio, featuring James Taylor on Hamond organ, and Guy Hamper on guitar (sometimes called Childish) and what a first-class LP this is! 'Instrument of Evil' in particular has a very eerie vibe. We asked the man himself what was the inspiration for it? G.H. The track is the sequel to '7% Solution', which featured on the last Guy Hamper Trio LP (with Thee Headcoats standing in as rhythm section). A 7% Solution being the amount of morphine Dr Watson administered to Sherlock Holmes. For 'Instrument of Evil' I took Sherlock Holmes' later designation of his syringe as "an Instrument of Evil". This is originally a quote from the bible- "Wicked men do at times reject God's purpose for the state, transforming the good of civil government into an instrument of evil." Point of interest: Morphine addiction happens to tie in with another aspect of the song. In the section that nods to Elmer Bernstein's main title theme to the film of the book The Man With the Golden Arm, in which the main character is also a morphine addict. Another ingredient - we added six-string bass to that section in tribute to Jet Harris - he formerly of top group The Shadows, who recorded a great version of Bernstein's classic. To top it all off the record sleeve references the fine graphics of the great Saul Bass. The track also features contributions from Tom Morley (trumpet) and Anna Jordanous (sax) . Both Were a pleasure to work with. My job at the wheel is to basically make a playground and let Jamie, Anna and Tom loose in it with very little direction, apart from pointing out the swings and location of the roundabout. I told Tom "you're a Spanish trumpeter stood on a hill in Spain." For Anna, I think we said "go low and nasty." Other titles are taken from early poetry chapbooks I made in my youth. 'The First Creature is Jealousy' and 'Dog Jaw Woman' being examples. The title 'Incense Rising From a Censer' comes fromDostoevsky's The Brothers Karamazov, a book I really recommend....

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Confessions Of A Knife Black Vinyl Edition

LP | 1990 | US | Reissue (Wax Trax!)

Planet Asia X A Plus Tha Kid

Release: 1990 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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We are happy to bring you the thirty year anniversary of a true Thrill Kill Kult Klassic. This cornerstone release from the original Wax Trax! catalog has been re-mastered from the original analog tapes.

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Cashmere Corners

LP | 2021 | US | Original (Air Vinyl)

25,99 €*

Cool "Cal-S.K.I" The Street Kid Intellect

Release: 2021 / US – Original

Genre: Hip Hop

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Planet Asia has been a mainstay in underground Hip-Hop for decades, but somehow he just keeps getting better with age. After a highly praised album with 38 Spesh behind the boards at the top of the year, he is giving fans a joint EP with fellow Fresno native A-Plus Tha Kid to end 2020. This pairing of OG and young buck is the perfect balance of energies. Six of the seven tracks here are produced by Asia’s frequent collaborators DirtyDiggs, while Spesh provides the beat for the album closer. Guests include Trust queen Che Noir and Asia’s close compadre Washeyi Choir.

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Better Late Than Never

LP | 2024 | UK | Original (Chopped Herring)

The Uprising Maytone / Bill Hutchinson All Stars

Release: 2024 / UK – Original

Genre: Hip Hop

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Sick 10 track solo EP from Thunder Jam Alliance artist "Cal-S.K.I." from 1996-1998.

Killer indie flavas for the heads!!!!

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Unchangeable Love / King Street Special

7" | 2023 | EU | Original (Hornin Sounds)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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The Frankenstein Drag Queens From Planet 13

Songs From The Recently Deceased Ghoul Vomit Marbled Vinyl Edition

LP | 2024 | EU | Original (Svart)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Jello Biafra & The Guantanamo School Of Medicine

The Audacity Of Hype Blue Vinyl Edition

LP | 2009 | US | Reissue (Alternative Tentacles)

Acid Mothers Temple & The Melting Paraiso U.F.O.

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

In the twenty or so years since his brainchild, The Dead Kennedys, officially disbanded, Jello Biafra has made a career of spoken word gigs interspersed with musical collaborations with some of the most compelling figures in underground music. Recording projects and touring with the likes of Melvins, NoMeansNo, DOA, Mojo Nixon, and Lard (with Ministry's Al Jorgensen) among others have kept his "punk as political weapon" message sharp, but the lack of his own band made these collaborations usually short-lived and left Biafra with a ton of songs that never saw the light of day. Inspired by The Stooges gig on Iggy Pop's 60th birthday in San Francisco, Biafra laid plans for his own 50th birthday party and finally decided it was time to start a band of his own. After cramming practices for a month, the four-piece dubbed themselves Jello Biafra and the Axis of Merry Evildoers! and featured Biafra, Ralph Spight (Victims Family, Freak Accident, Hellworms), Jon Weiss (Sharkbait, Horsey), and Billy Gould (Faith No More) The band took the stage in a sold-out two-night stand at San Francisco's Great American Music Hall. Flush from that exhilarating triumph, nine months of rehearsal and writing followed; they added ace guitarist Kimo Ball (Freak Accident, Carneyball Johnson, Mol Triffid, Griddle), and christened themselves Jello Biafra and the Guantanamo School of Medicine. The Audacity of Hype was produced by Biafra and engineered by hip hop producer and longtime co-conspirator Matt Kelley (Hieroglyphics, The Coup, Digital Underground, Victims Family, Tumor Circus) at Prairie Sun Recording in Cotati, CA, and San Francisco's Hyde Street Studios. The band's twin guitar attack retains some of the space-punk overtones and spy-music-on-meth chaos of The Dead Kennedys while adding a healthy dose of Detroit-style proto-punk flavored with Weiss' industrial excursions into metal percussion.

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Mantra Of Love

LP | 2024 | UK | Original (Riot Season)

28,99 €*

David Morales Presents The Face / Fpi Project

Release: 2024 / UK – Original

Genre: Rock & Indie

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Acid Mothers Temple & The Melting Paraiso U.F.O. releases Mantra Of Love, remastered by James Plotkin, in a limited edition pressing.

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Needin U / Rich In Paradise (Going Back To My Roots)

12" | 2023 | UK | Original (Snatch!)

Wipe The Needle Vs Jeru / Mobb Deep

Release: 2023 / UK – Original

Genre: Electronic & Dance

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A double shot of stone-cold classic remixes taking on two unquestionable anthems, David Morales Presents The Face 'Needin' U' and FPI Project 'Rich In Paradise (Going Back To My Roots)' available for the first time ever on vinyl via Snatch! Records.

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Playin Yaself / Hell On Earth

7" | 2023 | UK | Original (G.A.M.M)

16,99 €*

Guy Hamper Trio Featuring James Taylor, The

Release: 2023 / UK – Original

Genre: Hip Hop

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Back in the early days of Gamm we used to release Hip Hop reworks of classic golden era favourites.

After tons and tons of Disco, Jazz, House and Latin reworks we thought it was time to bring it back to the streets of the American east coast with a three part 7" inch series produced (not edited) by the mighty Lee Gomez aka Wipe The Needle.

The beats are all brand new production but you'll probably recognise the vocals. Over the 3 releases you'll hear shades of inspiration from classic producers like Pete Rock, DJ Premier, Dilla and Ditc. It almost sounds as if these are the original productions. No joke...it's that strong!!

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All The Poisons In The Mud

LP | 2022 | EU | Original (Damaged Goods)

19,99 €*

T Bone Burnett / Jay Bellerose / Keefus Ciancia

Release: 2022 / EU – Original

Genre: Rock & Indie

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Debut LP from The Guy Hamper Trio! For fans of Booker T & The MGs, James Taylor Quartet, Georgie Fame, Big Boss Man. Groovy Hammond garage rock instrumentals from Billy Childish (Thee Headcoats/CTMF etc) and featuring James Taylor (Prisoners/JTQ). Q & A with Billy Childish:Q: We're loving this new album by The Guy Hamper Trio! Who's in the band sunshine?A: Mainly myself on guitar, Julie on bass, Wolf on drums, and of course Jamie on Hammond. A great bonus is Thee Headcoats with Bruce and Tub guest as rhythm section on a track or two.Q: You and James Taylor go back a long way. Do you remember how you first met?A: The Prisoners were a young group who played with us (the Milkshakes) in the early 1980s. One day they turned up with an organ player, Jamie. Jamie used to then borrow my Selmer guitar amp to play through. Q: You've revisited a few old classics on this album, and given them a true makeover. How would you describe The Guy Hamper Trio's sound?A: I guess there must be a derogatory term for it but I might need some help finding it. In the very early days of The James Taylor Quartet (Wolf was their drummer back then), I was in the Natural Born Lovers (A blues group with Big Russ and Sexton Ming). We used to be the support for them. I really liked their sound and I guess The Guy Hamper Trio is not a million miles from that blues-influenced, film soundtrack vibe, man. Thereyou made me say "man". Next thing you know I will be saying "cool!" Let's just say it's a wizard sound, Jamie is such a great player.Q: Prior to this album The Guy Hamper Trio's sole release was the `Polygraph Test' 7" from 2009. Why such a big gap?A: It takes time for all of us to get all our solders in line. "Get on with it mush! And trifle not, your time is but short!"Q: What inspired the album's title track All The Poisons In the Mud?A: It's actually the title of a novel I've been writing, and rewriting, over the past 12 years, and is taken from a quote from I Claudius by Robert Graves - a formative influence on m...

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The Invisible Light: Spells

2LP | 2022 | EU | Original (Verve)

14,99 €*

Release: 2022 / EU – Original

Genre: Pop

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Paradox, The (Jean-Phi Dary & Jeff Mills)

Live At Montreux Jazz Festival

2LP | 2022 | EU | Original (Axis)

27,99 €*

Rim And Kasa / Rim And The Belivers

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Techno legend Jeff Mills and keyboard wizard Jean-Phi Dary embark on an exciting, ground-breaking musical trip that takes Techno and electronic dance music to a new level. In the past Jeff has spoken of the need to, "take a few steps back and try andassess what has been done, and what might need to be approached to be able to go forward." Paradox: Live at Montreux is the result.

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Too Tough / I'm Not Going To Let You Go

2LP | 2015 | EU | Original (BBE Music)

23,99 €*

Flag Of Democracy (Fod) & The Dead Milkmen

Release: 2015 / EU – Original

Genre: Organic Grooves

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Following hot on the heels of our well-received reissue of his first album, Rim Arrives, we now present the two other key records that have made this a cult figure for lovers of both African music and ‘disco’ in its widest sense. Too Tough, a superb three track EP from 1982, on Sum-Sum Records, was credited to Rim and Kasa, whilst he issued the cracking 12” I’m Not Going To Let You Go as Rim And The Believers for Harmony Records the following year.
Too Tough kicks off with Shine The Ladies, an epic Afro-disco jam in call and response format, with the female lead vocals (Ms. Anita Berry) prompting a series of replies from the backing vocalists, setting the scene for a series of exciting solos set against a backdrop of punchy horns and swirling synths; tenor sax, guitar, drums (introduced with chants of ‘Play me some drums!’) and vibes all take a turn before the track fades out, clocking in just short of nine minutes. Next up is Love Me For Real, reminiscent of August Darnell with its girlie vocals and Latin flavour, ending with a mad swirl of synths and Rim’s own vocals. And lastly, I’m A Songwriter is cosmic Afro-reggae, bringing to mind Roy Ayers in his Fela phase, given a mad punk-funk twist … this one has to be heard to be believed!
The mood changes with I’m Not Going To Let You Go, which eschews the female chorus for an altogether mellower, instrumental ride, veering from out-there cosmic synth vibes to loungey jazz piano. It’s original flip, Peace of Mind, raw Afro-boogie track with a male vocal, is also included.
Those of you who had been searching in vain for Rim’s oeuvre for some years now having had it handed to you on a platter (well, two platters, actually), will be pleased to know that there is yet more material from the man Rim Kwaku Obeng to come from us at BBE …watch out for the digital-only release of four previously unreleased cuts from this legend of Afro-disco, taken from a long-lost acetate!

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Split 7 Inch

7" | 2024 | US | Original (Sra)

Release: 2024 / US – Original

Genre: Rock & Indie

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The Guy Hamper Trio Feat. James Taylor

Intrument Of Evil

7" | 2024 | Original (Damaged Goods)

10,99 €*

King Tubby Meets The Ring Craft Posse

Release: 2024 / Original

Genre: Rock & Indie

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Superb 45 featuring two Hammond-led instrumentals!We caught up with Mr Guy Hamper for an insightful Q&A_ Q: What a cracking single this is! 'Instrument of Evil' in particular has a very eerie vibe. What was the inspiration for it?A: The track is the sequel to '7% Solution', which featured on the last Guy Hamper Trio LP with Thee Headcoats standing in as rhythm section. A 7% Solution being the amount of morphine Dr Watson administered to Sherlock Holmes. For 'Instrument of Evil' I took Sherlock Holmes' later designation of his syringe as "an Instrument of Evil". This is originally a quote from the bible: "Wicked men do at times reject God's purpose for the state, transforming the good of civil government into an instrument of evil." Point of interest: Morphine addiction happens to tie in with another aspect of the song. In the section that nods to Elmer Bernstein's main title theme to the film of the book The Man With the Golden Arm, in which the main character is also a morphine addict. Another ingredient - we added six-string bass to that section in tribute to Jet Harris - he formerly of top group The Shadows, who recorded a great version of Bernstein's classic. To top it all off the record sleeve references the fine graphics of the great Saul Bass. Phew!Q: The track features contributions from Tom Morley (trumpet) and Anna Jordanous (sax). What's it like working with them?A: They are great and easy to work with. I basically make a playground and let them loose in it with very little direction, apart from pointing out the swings and location of the roundabout. I told Tom "You're a Spanish trumpeter stood on a hill in Spain." For Anna, I think we said "go low and nasty." Q: On the flip side you have 'Incense Rising From a Censer'. A very evocative title for an evocative track. Do you have lyrics in mind for this for a possible later release?A: No lyrics have sprung to mind as yet - but it's always possible. The title is from The Elders observation in Dostoevsky's The Brothers Karamazov, a b...

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Dub Too Much Volume 3

LP | EU (Patate)

Release: EU

Genre: Reggae & Dancehall

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Reverend Beat-Man And The New Wave

Blues Trash

LP+CD | 2018 | EU | Reissue (Voodoo Rhythm)

18,99 €*

Phyllis Dellon/ Tommy Mccook And The Supersonics

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Born in 1967 and former Wrestling Rock'n'Roll One Man Band Activist Lightning Beat-Man (1992-1999) turned into a Primitive Rock'n'Roll Blues Preacher in the Millenium Change and released countless recordings on several labels. 2017 he had a hand full of songs to record this album, the idea was to record it with several musicians and not showing them the songs, they went to the studio and Reverend Beat-Man played the songs on the guitar one time, then they had 2 takes for recording without rehearsal to keep it fresh. Anyway the idea was Free Style and so is that whole Album, the result was a mix of Blues Trash, New Wave Folk and Dark No Wave Garage Punk and Rock'n'Roll. He selected the NEW WAVE from musicians he loved the most at the momentNICOLE IZOBEL GARCIA is From Los Angeles with Mexian roots, a singer that has the gift to connect her voice direct with your heart, she plays an unorthodox organ and plays part of drums and percussion like the devil itself. With her, Reverend Beat-Man plays the most shows as a duet.MARIO BATKOVIC is a classical and kraut avantgarde accordionist. He creates film and game music and has a one man band himself he's a total genius (prodused by Geoff Barrow of Portishead).JULIAN SARTORIUS another Bern original, he's probably one of europs or even worlds most extraordinary drummers these days, he is one of the few drummers that can play his drums as an instrument not just as a machine, he plays a lot of free jazzand improvisation (sophie hunger, colin vallon trio, manuel troller, hans koch, bruno spoerri etc). RESLI BURRI is a legendary Bern musician who has a jam-band together with Mario and Beat-Man - he is a multi instrumentalist who plays in the Dead Brothers, Patent Ochsner , and is a film and circus music writer.

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Don't Stay Away / Continental

7" | 2021 | JP | Original (Duke Reid Classics)

The Guy Hamper Trio Feat. James Taylor

Release: 2021 / JP – Original

Genre: Reggae & Dancehall

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1967 released. A certified old hit tune and masterpiece to come out of the Treasure Isle studios. Great Female Rock Steady Vocal. The flip (also from 1967) is an alternate take of a great Rock Steady Instrumental.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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Man In The Mouth Of A Cave

7" | 2023 | EU | Original (Damaged Goods)

10,99 €*