Search "hello+cruel+world" 12324 Items

Vale Of The Fallen Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Göden, the spiritual successor of Death Doom legends Winter, returns with a new album out in May 2024

Göden is back, and on their latest album the sound is heavier than ever. Creator Stephen Flam is best known for his previous work with the band Winter, whose sludgy dirge earned a cult following for decades to come. Göden is the spiritual successor to Winter. One could say Celtic Frost is to Triptykon what Winter is to Göden. Their debut album, “Beyond Darkness” stood on its own in creating a distinctive world.

Now, four years later, they explore new sonic territories with their second album, “Vale of the Fallen”. While "Beyond Darkness" was a concept album that propelled listeners into space, whether inner or outer, “Vale of the Fallen” brings us back to twisted reality. Their more in-your-face approach should only intensify the experience-much like a walk through a post-apocalyptic landscape in the bleakest imaginable conditions.

Sound-wise, Stephen Flam's heavier-than-life riffs, Vas Kallas' sardonic delivery and Tony Pinnisi's keyboards create oppressive atmospheres atop Jason Frantz's powerful drumming, while in contrast Margaret Murphy’s violin weaves ghostly motifs. Like its predecessor, “Vale of the Fallen” features interludes which provide brief respites between some tracks, only to return to the crushing heaviness in yet another avalanche of sound.

This might be your favorite album of 2024.

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Goden

LP | 2024 | EU | Original (Svart)

A World Only Lit By Fire White Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Godflesh

LP | 2014 | UK | Reissue (Avalanche)

32,99 €*

Nero Blue / White Vinyl Edition

Release: 2014 / UK – Reissue

Genre: Rock & Indie

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The duo of Godflesh, Justin K Broadrick and Ben Green, augmented by Machines, are seen as a pivotal entity in the world of 'heavy' music, impacting entire cultures of heavy music since the bands inception in 1988. It is regarded as a cultural icon, and its impact can be felt across generations of 'heavy' music, both mainstream and underground. It is credited as being one of the first bands to cross old British industrial music with down tuned primitive minimal metal, accidentally pioneering the 'industrial metal' sound, yet the band has so much more to offer than what that term displays.

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Godflesh

LP | 2023 | UK | Original (Avalanche)

Post Self Transparent Blue Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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4 Track EP with 'PURGE' single 'NERO' and 3 alternative mixes.The duo of GODFLESH, Justin K Broadrick and Ben Green, augmented by Machines, are seen as a pivotal entity in the world of 'heavy' music, impacting entire cultures of heavy music since the bands inception in 1988. It is regarded as a cultural icon, and its impact can be felt across generations of 'heavy' music, both mainstream and underground. It is credited as being one of the first bands to cross old British industrial music with down tuned primitive minimal metal, accidentally pioneering the 'industrial metal' sound, yet the band has so much more to offer than what that term displays.

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Godflesh

LP | 2017 | UK | Reissue (Avalanche)

28,04 €* 32,99 € -15%

The End Of The World Black Vinyl Edition

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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Godkiller

LP | 2024 | Original (Peaceville)

Release: 2024 / Original

Genre: Rock & Indie

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Godspeed You Black Emperor!

Luciferian Towers

LP | 2017 | CA | Original (Constellation)

Godspeed You Black Emperor!

Release: 2017 / CA – Original

Genre: Rock & Indie

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The seventh record by Godspeed You! Black Emperor will be released 22 September 2017 on Constellation.

‘Luciferian Towers‘ was recorded during the winter of 2016/2017 at Montreal’s Hotel2Tango, with Greg Norman once again engineering and co-producing (as he did on the band’s previous album ‘Asunder, Sweet And Other Distress‘).

The music on ‘Luciferian Towers‘ took shape over the past two years, amidst GYBE’s collaborative performances with the Holy Body Tattoo dance company’s monumental, and spurred by the commissioning of new compositions memorializing the 100th anniversary of the WWI Battle of Messines, which premiered at a live concert event on the site of the massacre at Heuvelland, Belgium this past June.

‘Luciferian Towers‘ is Godspeed’s third album since the group’s ‘reunion’ in 2011 and their second consecutive single LP-length record (following three double-album releases in 2000, 2002 and 2012).

this, this long-playing record, a thing we made in the midst of communal mess, raising dogs and children. eyes up and filled with dreadful joy – we aimed for wrong notes that explode, a quiet muttering amplified heavenward. we recorded it all in a burning motorboat.

(context as follows:)

1. UNDOING A LUCIFERIAN TOWERS – look at that fucking skyline! big lazy money writ in dull marble obelisks! imagine all those buildings much later on, hollowed out and stripped bare of wires and glass, listen- the wind is whistling through all 3,000 of its burning window-holes!

2. BOSSES HANG – labor, alienated from the wealth it creates, so that holy cow, most of us live precariously! kicking at it, but barely hanging on! also – the proud illuminations of our shortened lives! also – more of us than them! also – what we need now is shovels, wells, and barricades!

3. FAM / FAMINE – how they kill us = absentee landlord, burning high-rise. the loud panics of child-policemen and their exploding trigger-hands. with the dull edge of an arbitrary meritocracy. neglect, cancer maps, drone strike, famine. the forest is burning and soon they’ll hunt us like wolves.

4. ANTHEM FOR NO STATE – kanada, emptied of its minerals and dirty oil. emptied of its trees and water. a crippled thing, drowning in a puddle, covered in ants. the ocean doesn’t give a shit because it knows it’s dying too.

finally and in conclusion;
the “luciferian towers” L.P. was informed by the following grand demands:
+ an end to foreign invasions
+ an end to borders
+ the total dismantling of the prison-industrial complex
+ healthcare, housing, food and water acknowledged as an inalienable human right
+ the expert fuckers who broke this world never get to speak again

much love to all the other lost and wondering ones,
xoxoxox god’s pee / montréal / 4 juillet, 2017

PERSONNEL
Aidan Girt: Drums
David Bryant: Electric guitar, MG-One
Efrim Manuel Menuck: Electric guitar, organ, OP-1
Karl Lemieux: 16mm film projections
Mauro Pezzente: Electric bass
Michael Moya: Electric guitar
Sophie Trudeau: Violins, organ
Thierry Amar: Contrebasse, electric bass
Timothy Herzog: Drums

GUESTS ON TRACK ONE
Bonnie Kane (saxophone, flute, electronics)
Craig Pederson (trumpet)

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No Title As Of 13 February 2024 28.340 Dead

2LP | 2024 | EU | Original (Constellation)

12" | 2024 | EU | Original (Kooky Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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THE PLAIN TRUTH==we drifted through it, arguing.every day a new war crime, every day a flower bloom.we sat down together and wrote it in one room,and then sat down in a different room, recording.NO TITLE= what gestures make sense while tiny bodies fall? what context? what broken melody?and then a tally and a date to mark a point on the line, the negative process, the growing pile.the sun setting above beds of ashwhile we sat together, arguing.the old world order barely pretended to care.this new century will be crueler still.war is coming.don't give up.pick a side.hang on.love.

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Gogan

Ride On EP

GGP/RMX Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Polish DJ and producer Gogan gets back with vinyl-only "Ride On" EP on his own label Kooky. Side A of the record offers the title track which is a more than seven-minute journey into raw and a bit smoky but well-crafted minimal with a house feeling. The composition is nicely counterbalanced with more rounded, detail-oriented, and dancefloor-friendly remix by Lizz. Side B offers 2 more original tracks by Gogan, where the producer openly experiments with a few genres, intelligently searching for a fresh blend of breakbeat, house, minimal or electro ("In a Perfect World"), at the same time not losing focus on minimal and techy house ("Me and You") in which he definitely feels the most confident.

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GoGo Penguin

2LP | 2021 | EU | Original (Blue Note)

Gypsy Punks (Underdog World Strike)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Cooked up in the Blue Note Lab, RMX presents last year’s band-defining masterpiece, GoGo Penguin, re-imagined through the filter of some of the world’s finest producers and remixers.

For RMX the idea was both simple and inspired; commission a remix of every track from last year’s album and present a total re-imagination of the record, a remix, or as the band title it, a RMX.

In the end they went one better; with a remix of every track (and two of one) plus a remix of the track Petit_a, which was originally released only in Japan before surfacing on their Live from Studio 2 digital EP.

The idea behind RMX was also the catalyst for a remarkably inspired collaboration. The Manchester trio's music has always drawn heavily on electronica (alongside jazz, indie and classical influences) and so commissioning ten of their favourite artists to rework their music made perfect sense - and the results are spectacular. One of the very best remix projects you will hear anywhere.

Amongst the many highlights are Squarepusher’s thumping remix of F Maj Pixie, alongside Japanese producers Cornelius and Yosi creating sublime new landscapes with the band’s music on Kora and Embers. James Holden assembles an epic synth odyssey around Totem and Portico Quartet produce a sympathetic reworking of Don’t Go. Band faves Clark and Nathan Fake produce inimitable reworkings as does noted French producer Rone. While American producer Machine Drum turns Atomised into dance floor friendly ‘belter’ which is also the first single. Finally, the band have not forgotten their hometown - Manchester is well represented, with remixes from elder statesman and dance music legend Graham Massey (808 state) and new discovery Shunya, whose enigmatic reworking of To The Nth almost steals the record.

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Gogol Bordello

2LP | 2007 | US | Reissue (SideOneDummy)

Solidaritine Blue Vinyl Edition

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Damaged top left corner. Reord is in fine conditiom, probably not played much.

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Gogol Bordello

LP | 2023 | CA | Original (Cooking Vinyl)

LP | 2021 | US | Original (Mom's Base)

Release: 2023 / CA – Original

Genre: Rock & Indie

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Since 1999, Gogol Bordello has been bringing their unique fusion of punk rock and Eastern European influences to the world, including their legendary theatrical and rambunctious live shows. From its inception, Gogol Bordello has been a band of immigrants, with members hailing from Ukraine, Ecuador, Russia, and Ethiopia. With their upcoming eighth studio album and first in five years, Solidaritine, they are going back to singer, Eugene Hutz"s more punk rock roots as heard on the new single "Focus Coin" While finishing up the new record, the world turned upside down for Hutz and other members as the war in Ukraine started. With his mind now on helping out his homeland, Hutz has used his influence and art to raise money and awareness. He"s collaborated with everyone from Les Claypool to Billy Strings in recent months, to putting together benefits featuring Patti Smith and more. Now Gogol Bordello is ready to bring their new album to the masses, and use their art to help end the war and bring Solidaritine to the world.

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Goin' Places

Save The World

19,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Fortitude Black Vinyl Edition

Gojira

LP | 2021 | EU | Original (Warner)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Well Kept Secret)

Gold Connections

Fortune

12" | 2019 | US | Original (Fire Talk)

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

In 2021, Will Marsh ditched his music career, packed his bags and headed to New Orleans to pursue an MFA. Pandemic brain had firmly set in, so while Marsh dove into his work with Habitat for Humanity, he also found himself dazed and confused amidst such a turbulent time. Music wasn't at the forefront of his mind_ but it chased him.Let's rewind a bit. Will Marsh started Gold Connections at the College of William and Mary, where longtime friend Will Toledo (Car Seat Headrest) produced and recorded Marsh's debut self-titled EP, released via Fat Possum in 2017. Two EPs followed on EggHunt, 2018's Popular Fiction and 2019's Like A Shadow. This leads us to Fortune, the band's brand new LP, out worldwide on October 25 via New Orleans indie Well Kept Secret.It's a record that sounds like "a conversation between old Virginia and the buzzy psychedelic world of post-COVID New Orleans," according to Marsh. The eleven tracks on Fortune deftly navigate a geographical and spiritual journey: remorse, intoxication, anger, mystery, destruction, and regeneration, delivered with the same approach that NPR hailed as "undeniably catchy" and Sterogum claimed was "an animal of it's own."

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Gold Dime

My House

LP | 2022 | US | Original (Centripetal Force)

Release: 2019 / US – Original

Genre: Rock & Indie

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Sometimes we can only come to know ourselves best when we let others in. Such can certainly be said of NYC multi-instrumentalist and artist Andrya Ambro, and her band Gold Dime, on the eve of their second full-length My House. See, she's played these instruments and crafted these songs her entire life, having honed her decisive sit/stand style of transfixing drumming and provocative singing to a degree of perfectionism. Coming from her previous, highly acclaimed noisy rock duo Talk Normal, Gold Dime's first release, 2017's Nerves, was the first time Ambro has had no one to answer to but herself. My House sees a new, more collective effort being made, with Ian Douglas-Moore on bass and John Bohannon (Ancient Ocean || J.R. Bohannon) on guitar. And it very much shows. Walking a tightrope between unapologetic art rock and disarming intimacy, she integrates triumphant doubled guitars whose distorted fuzz winks at the mayhem of Les Rallizes Denudes, deep floor toms that quick pivot to galvanizing beats on a bed of dead spinning cymbals, to sometimes spoken, sometimes sung Laurie Anderson-esque words that uplift into a many voiced choir. And the warm bass lines, well they would make Holger Czukay from CAN very proud.

My House, according to Ambro, is intended to be something of a gruff father's declaration at dinner, fist slamming on the table, but rather than the stubborn, undying manners that would come with 'living under my roof,' she only demands that everything be done with the same degree of tireless dedication and authenticity. 'I want every beat to be played with intention. 'Cause why play if you don't mean it?' Every moment of this album acts as just that'a demand to own something, whether it be self or art or place in this world. We have no choice but to listen, to respect it. This is her house... well Gold Dime's house.

Produced by Andrya Ambro recorded and mixed by Ernie Indradat, mastered by Sarah Register with artwork and layout by Eric Copeland.

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Gold Dust

The Late Great Gold Dust

35,99 €*

LP | 2022 | EU | Original (La Belle)

Release: 2022 / US – Original

Genre: Rock & Indie

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Western Massachusetts musician Stephen Pierce has used Gold Dust as a means for exploring his next journey, slowly piecing together songs that held the fragile wonderment of the Grateful Dead, the weary beauty of Elliott Smith, the melancholic twang of the Byrds, and the otherworldly density of My Bloody Valentine while always reaching for hope and connectivity in a way that was universal. Neither the slow-to-form creative process of the first album nor the ambling pace often taken by Pierce’s thoughtful, dreamily damaged psychedelia points to rapid evolution, but that’s exactly what’s taking place on second album The Late Great Gold Dust.

The themes of isolation and self-doubt that floated on the first album have sharpened, and the language around these difficult feelings have taken on a new clarity. Pierce’s songwriting has always held a distant sadness, but with The Late Great Gold Dust, the melancholy cuts through, feels more present and alive within the songs. There’s a muddy narrative arc to these twelve songs, getting more harrowing throughout the album’s second half as screams echo in the void until an exhausted sigh that sounds something like acceptance rises out of the murk.

The Late Great Gold Dust steps into new dimensions musically as well. Pierce continues the layers of jangle, fuzz, and sunny vocal harmonies that made the first album equal parts tender and strange, but takes new risks with production, texture, and instrumentation.

Pierce played every instrument and sang every vocal on the first album, and while he still handles the lion’s share of the performances here, he brings in several friends to add new angles to the tunes: guest vocals, moody Fender Rhodes, Hammond organ, damaged synth, and J Mascis (dinosaur JR.) lending his instantly-recognizable guitar with a “Maggot Brain” level solo on “Larks Swarm a Hawk,” the track that closes out side one. Eloquent weirdo Sean Yeaton of Parquet Courts contributes a short story for the liner notes, narrated from somewhere between the natural world and all the psychedelic computerized kitchens of the future.

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Golden Bug

Piscolabis

LP | 2024 | Original (La Belle)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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With 'Piscolabis', Golden Bug delivers a new UFO sound oscillating between electronica, robotic vibrations and psychedelic dub. Piscolabis embraces all the styles important to Antoine Harispuru and emerges as an astonishing opening onto new worlds. And he invited an impressive number of guests to his 4th studio album: The French from The Liminañas or Tim Glass, the Japanese Vega Voga, the Australians from Funboys, Spanish singer Pajaro Sunrise, it is because this project was born out of the turmoil caused by opposition.
'Colibri' is a psychedelic labyrinth, a sentimental and hypnotic ascent that radiates on the dancefloor. 'Variation Sur 3 Bancs' featuring The Liminañas, immerses us in the world of acid western and psychedelic pop and makes you want to hitchhike on the road. On 'Tokoyo No Kuni', Golden Bug invites Japanese singer Vega Voga to create a musical epic worthy of an imaginary soundtrack by Toshiya Fujita. With its slow rhythm and spellbinding melodies, 'La Boite Noire' explores Berlin electronica immersed in chloroform. 'La Goutte D’Eau' takes off, dark and throbbing. The fluid rhythm is left behind by hypnotic patterns that push the listener into their sofa, which will not come out until the very end of the interlude.
'Fata Morgana' excites with its dirty rhythm, hypnotic arpeggiator and cosmic sound effects. 'Nid de Guêpes' interstellar flute wraps around slowed dub effects, like a 7" in speed 12", and evokes emotion by repeating its heady loop, an obsessive and mutant vision of music. 'Bring The Light' with the support of Spanish singer Pajaro Sunrise is an ideal springboard to touch the stars and explores the clear face of Golden Bug by merging choppy oriental guitars, solar vocals and dub rhythm. Without interruption, 'Kotodama' continues the journey on an unknown planet, on which Vega Voga comes to pose her suave voice on dark electronic arrangements, transforming itself into indescribable and harmoniously eccentric binary code. To end this journey, 'Le Chant Des Sirènes', carried by the voice of Frenchman Tim Glass, plays along the lines of scintillating and nebulous pop.
Vocal textures with robotic vibrations, complex and indescribable psychedelic music are Ariane's thread of this new sensory and universal album. Music to listen to, see and feel.

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Golden Bug

Piscolabis II

LP | 2018 | US | Original (Nine Mile)

Release: 2024 / Original

Genre: Electronic & Dance

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Piscolabis (Part II) is a super sonic fan, featuring the organic yet robotic atmosphere of Piscolabis (Part I) and, of course, Golden Bug's own sonic experimentation.

The 10 new tracks on this follow-up are even wilder and stranger, in the best sense of the word. The rhythms are heavy, the guitars of Lionel from The Limiñanas are razor-sharp and the distorted grooves of the drum machines convey curious electronic impulses!

The introductory track ‘Paradis’, with its choral, fairytale and epic atmosphere, gives way to a series of slow, raw and bewitching tracks, such as ‘Hi No Tori’, with guest appearance by Japan's Vega Voga, and the heady, mechanical ‘Ricochet’, ‘L'E et Domino', driven by the voice of Anna Jean from Juniore, “Boomerang”, which rides the wave of dub with shamarnic tinges, “Poc a Poc”, which plunges us into the world of acid-western, or the retro-futuristic “Autobahn” embodied by the voice of Ruben Kielmannsegge.

Piscolabis II builds its own psychological environment to inhabit. And the deeper you go into it, the more synaesthetic the music becomes, the more the textures swirl together, igniting the senses. We encourage you to press play, sit back and listen to the album unfold in its entirety.

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Golden Dawn Arkestra

Children Of The Sun

20,99 €*

Tape | 2023 | US | Original (Not Not Fun)

Release: 2018 / US – Original

Genre: Rock & Indie

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Forever promoting belief in the transcendence of time and space, Golden Dawn Arkestra continues to experiment with a myriad of musical styles & genres, all the while remaining true to their expansive cinematic sound. The band's 3rd full-length album - Children of the Sun - takes listeners on a world tour from Brazil to Berlin, sweeping past Punk & Psych Rock, plunging into Disco & Soul, all the while romancing the World Beat. The Arkestra returned to their favorite recording studio and once again employed Erik Wofford (The Black Angels, Explosions in the Sky, My Morning Jacket) to engineer and produce. Erik's sense of space and reverberation are a beautiful fit for a band NPR described as "Sun Ra meets Sly and the Family Stone." Golden Dawn Arkestra will be touring the United States, Europe and South America in 2018 bringing their unique visual spectacle and healing vibrations across the globe. The band also taped an episode of NPR's Tiny Desk Concerts for 2018 release.

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Golden Hallway Music

Rules & Chance Volume 3

12,99 €*

LP | 2022 | Reissue (Side One Dummy)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Manhattan’s resident innerspace organist Zack Tornaben centers the third installment of his ongoing Rules & Chance series on breath, tone, and the ancient Qigong practice, “Eight Pieces of the Silk Brocade.” Working once again with the classic Golden Hallway Music palette of a pair of reel-to-reel tape machines, a 49-key Acetone combo organ, and an 80’s synth clone, he records everything live without overdubs in sprawling séance sessions, then digitally transfers them for distillation into choice excerpts.

Swirling, shivering reveries of skylines and stained glass, Tornaben’s process prizes intuition, intimacy, and “feeling around in the dark,” inspired by a pantheon of greats from the grand tradition of harmonic divination – Young to McClellan, Brouk to Battiato. Rules & Chance Vol. 3 gently expands his evolving lexicon of daydream minimalism, levitational and limitless, born of passing thoughts and everyday joys, rippling in the mind like light on water.

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Goldfinger

Hello Destiny

Release: 2022 / Reissue

Genre: Rock & Indie

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Hello Destiny Purple Blast Vinyl Edition

Goldfinger

LP | 2008 | US | Reissue (SideOneDummy)

28,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

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LP | 2008 | EU | Reissue (Unseen)

Goldmund

The Malady Of Elegance

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 2008 on CD and in a very limited vinyl edition, "The Malady Of Elegance" by Goldmund aka Keith Kenniff finally gets its long-deserved vinyl re-release, featuring a new artwork and remastered audio by Taylor Deupree.

Taking cues from 'Corduroy Road' Keith Kenniff (aka Helios) again restricts himself to the piano in conjuring up his humble soundscapes and again we are pulled into a deep, meditative and filmic world as the notes glide to a slow, pensive meter. Keith's precedent release was the challenging 'Two Point Discrimination' EP, released on the Western Vinyl label as part of their portrait series, but where that record was a collection of haunting experiments in form and sound, 'The Malady of Elegance' sees us back into the warming, homespun territory of 'Corduroy Road'. That's not to say these compositions are upbeat, far from it in fact, but there are lines to be drawn to folk music, and while Keith no longer draws on the American Civil War as a primary influence there is still the sense that the ghosts of old America haunt the keys.

On top of these references we see Keith tripping somewhat fittingly into a flickering filmic world somewhat in line with his taste in European film. There is a delicate narrative on show throughout the record from the opening hopefulness of Image-Autumn-Womb through the melancholy of Now to the sensitive romance of the album's closer Evelyn. Listening to the record almost creates its own cinematic accompaniment in the minds eye, and this is simply a testament to Keith's incredible talents as a composer.

Fans of Erik Satie, Sylvain Chauveau and Hauschka need look no further, 'The Malady of Elegance' is a deeply personal meditation which you cannot help but get lost inside.

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Goldring

GR3

899,00 €*

The Universe Also Collapses

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Combining the company’s century-old legacy with modern-day convenience, GR3 represents Goldring’s stylish re-entry into the turntable arena.

Developed in collaboration with a renowned British hi-fi manufacturer, GR3 is equipped with the multiple award-winning Goldring E3 moving magnet cartridge, offering true plug-and-play functionality. Its built-in phono pre-amplifier allows seamless compatibility with any amplifier or powered speaker, while designed to maximise the flywheel effect, its Phenolic resin platter ensures consistent rotational speed for enhanced audio fidelity.

Additionally, GR3 comes with a choice of high-quality interconnects from Goldring’s world-renowned sister brand QED, ensuring a vigorous connection and sound quality.

Key features at a glance:
• Pre-fitted with a Goldring E3 moving magnet cartridge: This serial award-winning cartridge comes pre-installed and perfectly aligned on the GR3 tonearm, offering a balanced, refined and dynamic sonic performance.
• Built-in phono stage : For maximum convenience, GR3’s integrated pre-amplifier enables effortless connections to any amplifier or powered speaker of choice.
• Phenolic resin platter: Designed to maximise the flywheel effect, the platter ensures consistent rotational speed for enhanced audio fidelity.
• Choice of QED interconnects: Goldring provides a choice of either a 1.5 m phono-to-phono or a 3 m phono-to-3.5 mm cable from QED, one of the most respected names in audio interconnects and cables, ensuring optimal connection and sound quality.
• Elegant design: GR3 pairs premium performance with a high-gloss black plinth and perspex dust cover, offering a sophisticated aesthetic that matches its superior sound.

Pre-fitted Goldring E3 moving magnet cartridge
Goldring’s E3 cartridge is considered one of the best performers at its price point – just see the six consecutive What Hi-Fi? best buy awards for proof. Combining plug-and-play simplicity with uncompromised audio performance, the E3 arrives pre-fitted and pre-adjusted to the GR3 tonearm.

It features a stiff and lightweight aluminium cantilever offering accurate tracking, more detail and reduced distortion, while a 'dual magnet' generator ensures authentic reproduction, better channel separation and a more musical soundstage. Designed and engineered in the UK, micro-adjustments during production ensures a consistent and reassuring performance for the life of the product.

Built-in phono stage
Not every amplifier or powered speaker has the necessary gain and EQ to deal with the signal from a turntable. So, to make life easier, GR3 boasts an integrated phono pre-amplifier in order to do this job. It means this single turntable that can happily connect to any amplifier or powered speaker you decide to use without the need for extra phono amplification or boxes. Combine it easily with Q Acoustics M20 or M40 powered speakers for a user-friendly and musically powerful vinyl system.

Phenolic resin platter
The remarkable speed stability of the GR3 is maintained by employing a phenolic resin platter with an enhanced fly-wheel effect. By distributing the majority of its considerable mass at the outside of rotation, inertia is increased and therefore speed variations are suppressed. This gives the GR3 a very good wow and flutter performance which in turn ensures that the fidelity of its musical reproduction remains high.

Choice of QED interconnects
Goldring’s sister company, QED, is one of the most credible and highly regarded manufacturers of analogue and digital interconnects in the world - so choosing either a 1.5 m phono-to-phono or 3 m phono-to-3.5 mm cable to plug GR3 into a compatible amplifier or powered speakers, ensures a stable and robust connection.

Elegant design
To complement the GR3’s class-leading performance, a combination of a stylish high-gloss black plinth, covered by a perspex dust cover delivers a premium and sophisticated design that can match perfectly with any system or fit seamlessly into any interior design space.

Specifications:
• Tonearm: Hand assembled and carefully matched tonearm
• Cartridge: Factory-fitted Goldring E3 moving magnet cartridge
• Motor: 24 Volt low noise, low vibration motor
• Plinth: Gloss Black finish with Goldring gold branding
• Platter: Phenolic resin with flywheel mass on the rim
• Phono amp RIAA accuracy: (100 Hz to 20 kHz) ±0.4 dB, typically better than ±0.25 dB
• Dimensions (lid closed) (W x H x D): 450 x 120 x 360 mm
• Weight (unpacked): 5.5 kg

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Gong

LP | 2019 | EU | Original (Kscope)

28,99 €*

LP | 1977 | EU | Reissue (Wah Wah)

Release: 2019 / EU – Original

Genre: Rock & Indie

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The vanguards of 20th and 21st Century psychedelic music lead the way with their new studio album
Gong is more than a band. It’s an idea. A way of life. A continuum that exists in all times, in all places, everywhere.

Gong’s new album, The Universe Also Collapses, due for release on 10th May, their first for Kscope, is the latest shining point on that continuum, a masterpiece of visionary 21st century psychedelia, a celebration of the magick of science, a journey both internal and external, bridging the worlds of lysergic exploration and quantum physics, equal parts Terence McKenna and Stephen Hawking.

“We wanted to make what we thought of as the ultimate psychedelic rock album,” says Gong’s singer and guitarist Kavus Torabi of The Universe Also Collapses. “The word ‘psychedelic’ gets bandied around a lot, and a great deal of the stuff that gets called psychedelic nowadays doesn’t match up to the description. I want to hear music that makes me feel like I’m on drugs.”

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Gontran

L'Envol

Tape | 2023 | UK | Original (Mètron / Small Measures)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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In his youth days, Gontran lived on the road. He describes himself as a member of the alternative hippie generation, not of those who claimed wanted to change the world, but of those who actually took an alternate way of living. He travelled, took any jobs available to make some money to live wherever he was, and wrote beautiful songs accompaining himself on guitar. From time to time, when the stars aligned, when there was the chance, he would rent some studio time and lay down his compositions, always in a pretty bare way with little arrangements added on the spot, mostly by musicians who happened to be there and who improvised their parts - one take, we have it. With this procedure he released Funambule in 1975 and L'envol in 1977. He also worked with Dominique Le Roux on a joint venture LP in 1979.

On offer here is the first ever vinyl reissue of Gontran's second album L'envol, recorded in two hours on a Paris studio with a bass player (F.D. Aldonse) and two female vocalists whose surnames have been lost in the depths of time - Victorine and Theodorine. As the other Gontran albums, it was self released in a limited run private pressing which has nowadays become an elusive piece in the collectors market - so rare that it doesn't even appear on Phileas Folk's great The French Folk Magic Time Guide book.

The beautiful music contained within is a delightful sample of Gontran's excellent singer-songwriter qualities and his commitment to portray his inner world and livings through his musicated poems. He names as his biggest influences big names like Leonard Cohen, who he had the chance to meet and chat with when in Mumbai back in 1999, Bob Dylan or Jack Kerouak, but Gontran was centered in his vivences and commited to his need to express himself that he really doesn't sound like anyone but Gontran.

Amazing homemade folk sounds from an artist who, ironically, was always traveling abroad and stayed little at home!

A very rare private pressing, recently featured in Hans Pokora's last Record Collector Dreams book, valuing an original copy with 4 stars!

The Wah Wah reissue has been made with the great help of Gontran himself and features a faithfull reproduction of the original album artwork with the addition of an insert with photos, lyrics and liner notes. It is an edition of 300 copies only!

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Gonubie

Signals At Both Ears

Hugh Greene & The Lucies Made Me Red Marbled Vinyl Edtion

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Born and based in Cape Town, South Africa, Gonubie is an interdisciplinary artist with a background in fine art, landscape architecture and urban design. A classically trained musician and flautist, her debut album, Signals at Both Ears, acts as a personal sonic exploration of the notion of space and ideas surrounding the making of home. On Signals at Both Ears, sonic elements are combined organically through a process akin to painting. Incorporating the movement of synthesisers and percussive drumming with expansive chords, the compositions aim to immerse the listener in a world where sound is the primary tool for navigation and finding refuge. Profits from physical album sales will be donated to Bridges for Music, South Africa, a non profit organisation focused on empowering young talent from under-served communities. Recently highlighted in DJ magazine (djmag.com)

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Goodbye Karelle

LP | 2023 | CA | Original (Return To Analog)

14,99 €* 19,99 € -25%

Release: 2023 / CA – Original

Genre: Rock & Indie

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It Looks Like Love / Super Jock

Goody Goody

12" | 2019 | EU | Original (South Street Disco)

12" | 2024 | EU | Original (Adlibitum Tum Tunes)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Endlessly sampled across the board, for those dreamy guitar licks, killer Rhodes keys and luscious strings, Goody Goody ‘It Looks Like Love / Super Jock’ is a 1978 masterpiece of disco gold. Original copies of the Atlantic Promo 12” sell for upwards of £65 so it’s about time a remastered, officially reissue landed.
Produced by Vince Montana of MFSB and The Salsoul Orchestra fame, ‘It Looks Like Love’ was a Larry Levan / Paradise Garage classic and still commands dancefloors the world over. Flowing flutes, sultry vocals and xylophone twinkles open up proceedings, as those iconic, funk-flavoured staccato guitars and rising strings step up to the plate. Combined they produce a glistening groove that captures the feel-good factor of NYC’s disco apogee.
Delectable disco, fuelled by an undeniable funk that continues to be harnessed, chopped and sampled by some of house music’s biggest players from Nick Holder and Armando, to Tom Trago and Glenn Underground.
On the B side, soul-searching cosmic fluctuations via ‘Super Jock’, with interplanetary vocal refrains stretching out above a full-bodied bass, tight drumming and spacey Rhodes. Montana’s world class arrangement sees bongo-led percussive interludes and dancing keys solos take listeners to a mesmerising galaxy, far far away.
A double dose of that good stuff!

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Goose & Hosca

Rinkuuddo EP

2LP | 2021 | EU | Reissue (No Coincidence)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Vinyl Only. Limited Introducing the latest vinyl gem from Adlibitum Tum Tunes, it's the highly anticipated release number 004 by the dynamic duo, Goose & Hosca. These two maestros aren't just DJs and producers, they're true sonic artisans, crafting mesmerizing soundscapes that resonate with the soul. Their collaborative project emerged organically, sparked by countless sessions of impromptu jams fueled solely by hardware. From these creative depths sprung a unique sound, one that seamlessly blends elements of acid, electro, and dub into a tapestry of sonic delights. With each track, Goose & Hosca invite listeners on a journey through their musical universe, a realm where the boundaries between genres blur and the energy is palpable. Track A1, "Gently Weeps," sets the tone with its hypnotic acid groove, while "Lost Hera" on A2 delves deeper into introspective territories with its mesmerizing breaks. A3, "Serene Echo," brings a moment of tranquility to the EP with its chillout breaks, providing a soothing respite amidst the rhythmic intensity. On the B side, "Rinkuuddo" (b2) brings the EP to a crescendo with its infectious energy and intricate rhythms. And nestled between these originals lies the crown jewel of the EP, the B1 track, "Rinkuuddo (Havantepe Remix)." Renowned dub techno artist Havantepe lends his expert touch to the duo's work, transforming it into a mesmerizing sonic journey that will leave listeners spellbound. Prepare to be enchanted, dear vinyl enthusiasts, as Goose & Hosca invite you to immerse yourself in their sonic world. This EP is not just a collection of tracksâ€”it's a journey, a testament to the power of music to transcend boundaries and unite souls on the dancefloor. Adlibitum Tum Tunes is a division of MixCult Records.

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Goose

Shenanigans Nite Club

37,99 €*

LP | 2022 | UK | Original (Music In Exile)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Connecticut-based quartet Goose _ Rick Mitarotonda [vocals, guitar], Peter Anspach [vocals, keys, guitar], Trevor Weekz [bass], and Ben Atkind [drums] _ shimmy through the cracks between jam, funk, alternative, and rock with head-spinning hooks, technical fireworks, and the kind of chemistry only possible among small-town and long-time friends. After selling out theaters coast-to-coast and a series of seismic festival performances, the musicians welcome everybody to this place on their 2021 second full-length, Shenanigans Nite Club. "In many ways, Goose is a conglomeration of music from the town we grew up in, and the songs are a collection of many different experiences and influences," observes Rick. "Where we come from has inevitably informed and enabled our music. We get these four defined seasons in rural Connecticut, and there's a powerful stillness.""Our area is a very reflective place," agrees Peter. "We're in the woods, and we all find peace from the setting. Being in the sticks positively affected what we're trying to do.""While we've been touring, the record has been happening in the background," says Rick. "We've done our fair share of sweating it out and paying our dues on the road. There was a natural progression until we really got on the same page creatively. It's been a long, weird trip. At times, it was tumultuous. The record is a companion to those growing pains."Goose introduce the record with "So Ready" and it's counterpart "(s?tellite)." Just shy of ten minutes together, the tracks twist and turn through synthesizer "emitting hilariously sexual vibes," jazz-y bass, and a chantable hook."Labyrinth" dives down "a deeper rabbit hole" as warm guitar wraps around shimmering piano originally culled from Rick's school days."`Labyrinth' is one of the only pieces I wrote in my latter high school days," he recalls. "It's got this thematic relevance with the weird sense of humor, rambunctiousness, and partying from back in the day."As the first proper Goose song, "Spirit of the Dark Horse" originated after a "twelve-minute meditation" between Rick and Trevor back in 2015. It unfurls as a captivating trip in and of itself and "holds a lot of meaning." The same could be said of the album title. As legend has it, Shenanigans Nite Club really popped off in the eighties. Rick's uncle worked as a bouncer and manager for the iconic haunt and shared all manner of wild stories with his nephew. He even gave Rick a sign from the original club, which overlooks the basement where the boys jam."Shenanigans has always been around," Rick elaborates. "It became the idea of the record. It celebrates this element of nostalgia and good memories as we move forward."In the end, Goose chart their own course and ultimately encourage everyone else to do the same."In the end, our dream is to inspire people to step off the beaten path," Rick leaves off. "There are a lot of voices that tell you to play it safe. I think the coolest thing in the world is when someone breaks free and goes for whatever weird shit they dream of doing."

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Gordon Koang

Community

25,99 €*

LP | 2020 | EU | Original (Svart)

Release: 2022 / UK – Original

Genre: Organic Grooves

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First, we had Unity. Now, South Sudan’s undisputed ‘King of Music’, the Juba-via-Melbourne eccentric outsider Gordon Koang, returns with his second full-length of original material since emigrating to Australia, the masterly titled follow-up, Community.

Eight tracks recorded in Melbourne with a cast of the city’s finest musical minds, including Zak Olsen, Jesse Williams, David “Daff” Gravolin and Jack Kong, the record draws upon Gordon’s pitch-perfect pop sensibility and compulsion for composing irresistibly catchy melodies. Add to this brew the extensive creditienals of his collaborators, who are known for their work with Trafik Island, ORB, Leah Senior and more, and you have yourself a perfect blend of East African pop and vintage psychedelia that is surely one of the most interesting records of the year, outstripping it’s Australian counterparts both in songwriting, production value and downright good energy.

After seeking asylum in Australia in 2012, Gordon Koang, along with his cousin, collaborator and bandmate Paul Biel, has gone on to become something of a darling in the Melbourne music community, delighting audiences year round with high energy shows and an irresistible enthusiasm. The pair have settled in the city’s outer suburb of Frankston, where Koang sits in isolation at home while Biel goes out to work each day; he was born blind, and has never seen neither his homeland in the Upper Nile Valley of South Sudan nor his new home on the streets of Melbourne.

This has done little to stop Koang channeling his creativity energy into music; he writes incessantly, and Community marks the twelfth full-length album of his career and his second since arriving in Australia (the previous ten currently lost to the streets of Juba in CD and cassette form - sure to be unearthed one day by Western tastemakers!)

His years of waiting for permanent residency in Australia, and prior to that of Civil War and unrest at home, have done little to dull the bright point of Koang’s positivity. He is without a doubt the man with the biggest smile in the room. A few short minutes with Koang will leave the listener walking away in a daze, his trademark phrases and bouncing laughter echoing for weeks. Community does for listeners what Koang can’t do himself - it reaches out to thousands around the world, providing him with a platform to personally greet and smile at each individual, to share a few words of encouragement and a quick observation about the warmth of the sun, or pleasure in simply being in company. If there is a silver lining to be found, chances are Gordon has already written an album about it.

The record is warm, fuzzy, catchy, lighthearted, and it packs a punch. It rocks hard with the best of them, Olsen’s beautiful production value drawing out the best in Koang’s eccentric and spiralling melodies, the band grinding themselves into an endless groove before bursting into some new impossible melody. Somewhere between William Onyeabor and King Gizzard, this is surely the soundtrack to round out what has been an incredible year of music post-pandemic.

Community is out everywhere Friday, November 11 via Music in Exile / Above Board (uk/eu) / Polyvinyl/Dispatch Dept. (North America).

Music in Exile is a not-for-profit record label and artist services company based in Melbourne, Australia, championing stories of culturally and linguistically diverse musicians and striving for a music industry that fairly represents all in our society.

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Gorilla Angreb

14,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 2013 | US | Reissue (Revelation)

125,99 €*

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Clear Vinyl.

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Gorilla Biscuits Turquoise Vinyl Edition

7" | 1988 | US | Reissue (Revelation)

13,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits’ first classic record by one of the most influential bands from the New York straight edge hardcore scene. Features Anthony Civarelli (civ) on vocals and Walter Walter Schreifels (quicksand, CIV, Rival Schools) on guitar.

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Gorilla X T-Shirt

Available Sizes: S, M, L, XL

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The Gorilla Biscuits Gorilla X Tee is equipped with the following features:
• rib crew neck with interior tape
• Gorilla Biscuits logo printed on left chest and on back
• regular fit
• 100% cotton single jersey

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Hold Your Ground Hoodie

49,99 €*

Available Sizes: S, M, L, XL

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The Gorilla Biscuits Hold Your Ground Hoodie features include:
• drawstring-adjustable two-layer hood with metal eyelets
• Hold Your Ground artwork printed on the front
• kangaroo pocket
• stretch rib cuffs and bottom band
• relaxed fit
• 80% cotton, 20% polyester brush-back fleece

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Hold Your Ground Pocket T-Shirt

Available Sizes: S, M, L, XL

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The Gorilla Biscuits Hold Your Ground Pocket Tee is equipped with the following features:
• rib crew neck with interior tape
• Gorilla Biscuits logo printed on left chest
• Hold Your Ground Pocket artwork printed on back
• regular fit
• 100% cotton single jersey

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Hold Your Ground T-Shirt

Available Sizes: S, M, L

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The Gorilla Biscuits Hold Your Ground Tee is equipped with the following features:
• rib crew neck with interior tape
• Hold Your Ground artwork printed on front and back
• regular fit
• 100% cotton single jersey

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Tape | 1989 | US | Reissue (Revelation)

Start Today

18,04 €* 18,99 € -5%

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits' "Start Today" is one of the most influential records in hardcore. Hailing from NYC, Gorilla Biscuits carved a niche within the NY hardcore scene. Blending the aggression and energy of bands like Agnostic Front with a sense of melody likened to Dag Nasty, Gorilla Biscuits still stands as a unique reference point for many hardcore bands that have come after them. Now available again on cassette.

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Start Today Baby Blue Vinyl Edition

LP | 1989 | US | Reissue (Revelation)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Start Today Translucent Green Vinyl Edition

LP | 1989 | US | Reissue (Revelation)

25,99 €*

Gorilla Club (Locas In Love)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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OK Cool!

LP | 2021 | EU | Original (Staatsakt)

25,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Mask Off! Black Vinyl Edition

Gorilla Pulp

LP | 2023 | EU | Original (Ammonia Rec.)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Earth Ep 2024 Repress Edition

Gorje Hewek

12" | 2024 | DE | Original (Watergate)

18,99 €*

12" | 2024 | Original (Lumberjacks In Hell)

Release: 2024 / DE – Original

Genre: Electronic & Dance

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Gorje Hewek follows up last year’s impressive ‘Life EP’, with a new 5-track package brimming with
collaborative spirit. The work also marks the Watergate label debut of the legendary Hernan
Cattaneo.
The artist is a mainstay of the All Day I Dream collective and a master of intricately woven electronic
compositions, which also transfix the dancefloor. For his return contribution to Watergate Records he brings
a string of cohorts in toe – Dulus, Polo & Molac from his excellent Shanti Records imprint, alongside ADID
affiliate Roy Rosenfeld and Argentinean great Cattaeno.
The opener ‘Altitude’ is a dreamy bass-driven heater that unfolds beautifully over an eight-minute period
and is highlighted by a key driven melody that’s both playful and emotive. ‘Astro World’ is an eclectic slice
of organic house that captivates with a string-laden break before dropping down into a rhythmic second
half. The EP’s title track is a silky sunset cut resplendent with twinkling pads that has enough groove to
seduce a dusty dancefloor. ‘Vida’ begins life as a slinky percussive jam, before the dam breaks and a
colourful river of melody drives the track home. A delight. ‘Kaleidoscope’ stays true to its name driven by a
lush chord melody that cascades throughout. A gem made for big moments.

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Goshawk

Loyalty EP

16,99 €*

Dreams Of Angels Pink Vinyl Edition

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

Lumberjacks in Hell proudly presents its next 12" from the English producer Goshawk, marking his much-anticipated debut on the label. Goshawk brings a solid repertoire of productions characterised by a soulful disco vibe, already showcased in his collaborations with Erik Rico on Atjazz Record Company and Situatism, not to mention his stellar remix for Groovement Inc. - Love and Affection.

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Goson X Dreamfield

LP | 2022 | EU | Original (Lofi)

28,04 €* 32,99 € -15%

12" | 2007 | UK | Reissue (Isophlux)

Release: 2022 / EU – Original

Genre: Hip Hop

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Swedish multiinstrumentalist Goson and international duo Dreamfield collaborate to bring you their latest album “Dreams of Angels”. Listen to a meditative profusion of strings, piano, drums and percussions, mixed with floating guitar layers and vocals that paint dreamy landscapes, as you drift off into a fever dream and arrive in a utopian forest where angels and old gods reside. Feel the warmth on your face of the golden sunlight streaming through the canopy from the heavens above. Neon trails of magic spiralling around the tree barks hint that there’s more to this place than meets the eye. Surrounded by nature, calm your nerves in a tumultuous world and look forward to a peaceful future where dreams come true.

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Gosub

Night Mal'Ach

16,99 €*

It's A Wonderful World / Irie Nite / In The Cove

Release: 2007 / UK – Reissue

Genre: Electronic & Dance

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Experience the Revival of a True Electro Classic Welcome to the dark, immersive world of Gosub's "Night Mal'ach," now reissued and remastered by Isophlux Records. Originally released in 2007 and revered for its limited run of just 500 black labeled copies, this seminal album from the electro maestro Shad T. Scott is back, sounding fresher and more vital than ever. About the Album:"Night Mal'ach" dives deep into the heart of electro, blending shadowy melodies with moody, brooding soundscapes. This reissue breathes new life into Gosub's iconic tracks like "Forcequit Your Love," "Fuck Satan," "Init Your Mind," and "Populated Data Cells," each meticulously remastered to captivate a new generation of listeners while honoring the purists.

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Gota Nishidera

7" | 2023 | JP | Original (Gotown)

21,99 €*

7" | 2022 | JP | Original (Gotown)

Release: 2023 / JP – Original

Genre: Pop

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The 3rd release from Gotown Records, produced by Gota Nishidera from Nona Reeves!! The 7" includes Original Love's "It's a Wonderful World" featuring Maharajan on vocals and guitar, and a cover of Hiromi Go's "In the Cove". Original Love released this soulful masterpiece in 1994. This is a brilliant cover produced by Yudai Ohi (SANABAGUN.). The B-side is "In the Cove" from Hiromi Go's masterpiece album "super Drive" released in 1979. The mellow groove directly related to City POP composed by Tetsuji Hayashi is brilliantly interpreted in the 2020s!

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Gota Nishidera

Klaxon Of Summer / Tokai

20,99 €*

Gotho Versus Fartark Colored Vinyl Edition

Release: 2022 / JP – Original

Genre: Electronic & Dance

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The label's commemorative first release title is a limited 7inch with 2 covers from City POP Anthems, "Klaxon of Summer" by Junichi Inagaki and "Tokai" by Taeko Onuki!! The A-side "Klaxon of Summer" (Natsu no Klaxon) is Junichi Inagaki's fifth single, released in July 1983. The song was used as a commercial song for Fujifilm's cassette tapes at the time, and is a classic summer song, originally written by Gota Nishidera's biggest inspiration, Kyohei Tsutsumi. The B-side is "Tokai", from Taeko Onuki's second solo album "sunshower", released in July 1977 after the breakup of Sugar Babe, and is now heard all over the world as a classic City POP song!! ◇Cover Art: "Midnight" by Gota Nishidera

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Gotho

LP | 2024 | EU | Original (Supernatural Cat)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Gotho are an extremely transversal instrumental duo that formed in the summer of 2020. Synths, electric piano and bass guitar are their only instruments (no loops or overdubs); their approach touches on progressive rock, metal, jazz, disco music, psychedelia, post-rock, classical... In short, impossible to define in a single genre. They have collected numerous live performances around the country, receiving great feedback. In November 2024, ‘Gothron Versus Fartark’ will be released on Supernatural Cat.

The album has a sci-fi setting, which tells the story of the clashes between two robot enemies for the sorts of their worlds. Synthesizers, electric piano, vocoder, trumpet and keyboard are the instruments used to tell the story of how Gothron, the robot leader of the saga, manages to defeat, after various vicissitudes his enemy Fartark, avoiding the destruction of the universe. Gotho are an extremely transversal instrumental duo that formed in the summer of 2020. Synths, electric piano and bass guitar are their only instruments (no loops or overdubs); their approach touches on progressive rock, metal, jazz, disco music, psychedelia, post-rock, classical... In short, impossible to define in a single genre. They have collected numerous live performances around the country, receiving great feedback. In November 2024, ‘Gothron Versus Fartark’ will be released on Supernatural Cat.

The album has a sci-fi setting, which tells the story of the clashes between two robot enemies for the sorts of their worlds. Synthesizers, electric piano, vocoder, trumpet and keyboard are the instruments used to tell the story of how Gothron, the robot leader of the saga, manages to defeat, after various vicissitudes his enemy Fartark, avoiding the destruction of the universe.

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Bring On The Music - Live... Volume 1 Purple Vinyl Edition

2LP | 2019 | EU | Original (Mascot Label Group)

Release: 2019 / EU – Original

Genre: Rock & Indie

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No two Gov't Mule shows are alike, as the band draws on the more than 300 songs in their repertoire (and often a host of special guests) to create a unique experience each and every time. Warren Haynes [vocals, guitar], Matt Abts [drums], Danny Louis [keyboards, guitar, and backing vocals], and Jorgen Carlsson [bass] – have galvanised a global fan base with their improvisational virtuosity, leading them to be recognised as one of the most timeless and revered bands in the world.

"Twenty-five years... By the time you hear the performances from these two shows, Gov't Mule will have celebrated 25 years as a band -- something we never could have imagined. It's no easy task keeping a band together for 25 years. You don't get to do that without having built, nurtured, depended on, tested, damaged, and rebuilt important relationships. In fact, with any band that's stayed around that long, it's all about relationships. When we made the decision to document where the band is currently (musically speaking), it immediately occurred to us that this would be, among other things, a celebration of a lot of those relationships -- starting with the one between the four of us.

The title, Bring On The Music, is obviously taken from the song of the same name that deals not only with loss and the passing of time, but also with our relationship with our audience as well. Without our audience, there would be no chance or reason for us to be around 25 years later.

It was also obvious that we wanted to film and record at the Capitol Theatre in Port Chester, New York, which is one of our favorite venues. Since its re-opening in 2012, myself and Gov't Mule (together and separately) have played there many times and have had many magical shows there. To quote Jerry Garcia, 'There's only two theaters, man... The Fillmore and the Capitol Theatre.' " - Warren Haynes

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Bring On The Music - Live... Volume 2 Blue Vinyl Edition

2LP | 2019 | EU | Original (Mascot Label Group)

Release: 2019 / EU – Original

Genre: Rock & Indie

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The Deep End 2 Blue Vinyl Edition

2LP | 2021 | EU | Original (Floating World)

39,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Gov't Mule is an American Southern rock jam band formed in 1994 as a side project of The Allman Brothers Band by guitarist Warren Haynes and bassist the late Allen Woody. The band released their debut album Gov't Mule in 1995, and have since released an additional nine studio albums, plus numerous live releases. This is a limited edition release on blue vinyl – 500 copies only!

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The Deepest End 1 Blue Vinyl Edition

2LP | 2021 | EU | Original (Floating World)

39,99 €*

Seven Hills Presents: Governed By Rhythm 94 - 97

Release: 2021 / EU – Original

Genre: Rock & Indie

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Gov't Mule is an American Southern rock jam band formed in 1994 as a side project of The Allman Brothers Band by guitarist Warren Haynes and bassist the late Allen Woody. The band released their debut album Gov't Mule in 1995, and have since released an additional nine studio albums, plus numerous live releases. This release is a limited edition release on blue vinyl – 500 copies only!

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Governed By Rhythm

2LP | 2023 | EU | Original (Seven Hills)

Boycott Stabb Complete Session White Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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We’re taking another wild excursion into the world of Andy Jones, the mastermind behind Precise Daily Rhythm, a label we reissued back in 2020. Governed By Rhythm was an outlet for Andy’s faster, trancier dance tracks, as opposed to the grooving techno and tech house of PDR.

Shrr06 comprises three never before heard tracks on Disc 1, as well as four from the original label on Disc 2. Additions to the original music are; Anwam, a 16 minute long acid ambient wormhole, Kik The Can, a pumping bassline driven piece of tech trance, and the early 90’s Italian-style Bedroom.

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Government Issue

LP | 1983 | US | Reissue (Dischord)

Governor's State University Jazz Band

Release: 1983 / US – Reissue

Genre: Rock & Indie

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“In November of 1982, I went into the studio with Government Issue to record what was to be their first full-length album. Up until that time, they had only released the Legless Bull 7-inch EP, and the tape they recorded early 1982 would take over a year and a half to be released as the Make An Effort 7-inch EP. The members of G.I. excelled at driving each other crazy and there was a lot of arguing, but still we had a great session at Inner Ear and we managed to track 20 songs in one day. From the beginning the band had been divided on what to record, and it was only after much debate that they decided to leave off the material they had recorded with the earlier line-ups and only put out 10 new songs. In early 1983 Dischord was strapped for cash, meaning that we could only work on one release at a time. Since all of our money was tied up with the manufacturing of Minor Threat’s Out of Step 12-inch EP, the G.I. record would have to wait. A new DC label, Fountain of Youth expressed an interest in releasing Boycott Stabb, so it was decided to do a ‘split-label’ record. In this case, Fountain of Youth put up the money and we let them use the Dischord Records name to help with context and distribution. It has since been reissued on a number of different labels and formats, but after coming across the master tapes and hearing the songs that had been left off, we thought it would be cool to release the complete session, and to fi nally release the record on Dischord proper. In going through the tapes, I discovered that most of the outtake songs were never mixed, so earlier this year I took the recordings back into the studio. Hearing the separated tracks amazed me. Such great playing and songs! With the technological advances in the recording world making multi-tracking and overdubbing so common, it’s easy to forget that studios could also be used as something more akin to a photo-booth, capturing what was happening at that very moment. Most of the early Dischord sessions were essentially ‘live’ recordings, so the bands had to be able to play, and because the budgets were minuscule, they had to get the songs down in short order. G.I. stepped up on both counts.”—Ian MacKaye, August 2010.

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Gsu Jazz Live!

LP | 1974 | JP | Reissue (P-Vine)

31,99 €*

LP | 2023 | UK | Original (Grace Petrie & Robot Needs Home)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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This is a live albumperformed by a band of college students from the Governor's State University in Chicago under the direction of Warwick L. Carter.Although therewere many college bands that existed at the time, this is one quite unlike any other and under the strong leadership of Carter, the group rose to towering heights in a performance very fortunate to be recorded to tape.

The almighty jazz-funk cover of "Freedom Jazz Dance" under the title of "Listen Here" bursts with a strong break, and is full of intense jazz-funk that crosses the bounds of amateur performance into something else entirely. College band performances are often seen as just a means to an end; a necessary development stage before embarking on a career, but this doesn't apply here with renditions packed full of skillfully realised creative ambition owing greatly to the teaching of Carter. The originaledition which was released in 1974is hardly foundinmarkets becauseof its rarity. One of the long awaited reissuesforRare Groove fans is arriving at last on vinyl for the first time in the world!

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Grace Petrie

Build Something Better

Build Something Better Red/White Smoke Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Pop

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It’s two years since Connectivity (2021) smashed into the top 40 and debuted at #1 in the UK download chart, propelling the fiercely independent voice of Grace Petrie from critics’ choice to the main stages of major festivals across The UK and Ireland, Australia and Canada.

For a seasoned road dog who spent almost 15 years clocking up tours with the likes of Billy Bragg, Frank Turner and Hannah Gadsby, the Covid lockdowns were like a cage for Petrie and when restrictions lifted, she hit the road harder than ever, armed with her most searing and successful record to date, and determined to make up for lost time. Sell-out headline tours across the UK, Australia, Canada and New Zealand followed, with audiences from Melbourne to Toronto mesmerised by the ferocity of her socially urgent lyricism and the barnstorming power of her live show. But travelling the globe hasn’t diminished her laser focus on the political issues plaguing the UK, with two more Prime Ministers, endless blunders and evermore division seen since she last swapped microphone for pen and paper.

Now the songwriter is back - stronger, older and a whole lot angrier than ever before. As right wing ideologues trade in suspicion and cynicism, tearing communities apart against a backdrop of crumbling public services, the ordinary folk of Britain continue to suffer the consequences of corruption and individualism.

From within this maelstrom of despair comes Build Something Better - the new, uncontainable album from Grace Petrie.

Recorded raw and unflinchingly with folk-punk legend Frank Turner in the producer’s seat, Build Something Better is a return to blistering protest form for Britain’s most relevant political songwriter, a decade after being hailed as “a powerful new voice”, (The Guardian) and “a millennial’s Billy Bragg” (Huffington Post). In a world that seems to make less sense than ever, these are songs made to both holler along to from the crowd barrier and to tear up with on a lonely latet night train. A record for everyone whose broken heart beats for, and whose boots stomp in time with, the hope a brighter tomorrow.

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Grace Petrie

LP | 2023 | UK | Original (Grace Petrie & Robot Needs Home)

Manhole Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie, Pop

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Grace Slick

LP | 2012 | EU | Reissue (Floating World)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Graciela Maria & Robot Koch

Many Places

CD | 2010 | EU | Original (Project: Mooncircle)

6,99 €*

Graciela Maria & Robot Koch

Release: 2010 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

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Many Places

LP | 2010 | EU | Original (Project: Mooncircle)

12,99 €*

Anches En Maat White Vinyl Edition

Release: 2010 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Grails

LP | 2023 | US | Reissue (Temporary Residence)

2x12" | 2023 | EU | Original (Re:Discovery)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Anches En Maat is the first new album from Grails in over a half-decade - following the masterful Chalice Hymnal in 2017 - and their first album recorded with all members in the studio together since Doomsdayer's Holiday in 2008. With every Grails album released since Doomsdayer's Holiday being a sprawling double-album endeavor, Anches En Maat was conceived as a return to the comparatively efficient single LP runtime. With that, Grails set out to craft the same sonically dense world that their longer albums showcased, while trading singular indulgences for live collaborative interplay. The core group of founding members Alex Hall and Emil Amos (Om, Holy Sons) joined Jesse Bates, Ilyas Ahmed, and AE Paterra (Zombi, Majeure) in Atlanta, GA to record Anches En Maat together - a novel event for a band who had become so accustomed to recording separately and then laboring in post-production for months or even years on end. An improbable blend of melted 1980s softcore and daytime soap opera soundtracks, cosmic minimalism, aching Westerns, melancholy electronic pulses, and massive soul-disco strings, Anches En Maat is one of Grails' most ambitious albums of their 20+ year career.

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Grain

Two Zeros

2x12" | 2023 | EU | Original (Re:Discovery)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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re:discovery records is proud to release for the first time, a vinyl edition of 'Two Zeroes' by Grain for it's 25th anniversary.

Grain was a west coast project that emerged out of the psychedelic music and art scenes in Los Angeles in the early 1990s. After a few of their tracks were featured on the key chill out compilations United State of Ambience 1&2 and Excursions in Ambience and many local live performances, they released two ep's on local labels. Shortly after in 1998, 'Two Zeroes' the full length project appeared. A west coast chill out classic that unfortunately did not get much disribution outside the west coast let alone to the world.

To classify this album is very hard. Think early Jammin Unit with a touch of the Orb and dash of west coast breakbeat and chill out styles and you still can't fully pin it down. A unique album that sonically, was leaps and bounds ahead of most albums in this style thanks to sound designer, audio instalation architect, scientist and artist Jimmy Johnson along with illustrator and fellow sonic artist Peter Ehrlich. Featured on double vinyl with updated artwork by the original designer, Kevin Hanley and presented on beautiful gatefold with a shimmering silver vinyl to match. This could be one of the discoveries of the year for those that have never heard this album. Dare to Dream with us.

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Grain

Two Zeros

LP | 2020 | UK | Original (Desert)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

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Gral Brothers

Caravan East

19,24 €* 34,99 € -45%

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (#14)

Grand March

Back To The Wall

31,99 €*

LP | 2021 | EU | Original (De W.E.R.F.)

Release: 2024 / EU – Original

Genre: Rock & Indie

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To have your back to the wall is to make a statement. It is the end of a cycle, with no way out unless you climb the wall and see what's on the other side. Having your back to the wall is also a reminder, an echo of a time when, with hammers and will, an entire generation showed the world that division only lasts for so long - the time of a record, says Grand March."

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Grand Picture Palace

20,99 €*

Grandmaster Flash / Grandmaster Flash & The Furious Five

Release: 2021 / EU – Original

Genre: Organic Grooves

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Grand Picture Palace is a jazz quintet and a string quartet that blend different worlds together led by Anneleen Boehme (LABtrio).

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The Adventures Of Grandmaster Flash On The Wheels Of Steel / The Birthday Mix

12" | 1981 | US | Reissue (Sugar Hill)

17,99 €*

Release: 1981 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Generic

Grandmaster Flash & Melle Mel

White Lines

12" | 1983 | US (Sugar Hill)

13,99 €*

Grandmaster Flash & The Furious Five

Release: 1983 / US

Genre: Hip Hop

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/ melle mel's groove

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It's Nasty (Genius Of Love)

12" | 1981 | DE | Original (Sugar Hill)

6,99 €*

Release: 1981 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1982 | US (Sugar Hill)

Grandmaster Flash

The Message

14,99 €*

Release: 1982 / US

Genre: Hip Hop

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Grandmaster Melle Mel & The Furious Five

Grandmaster Melle Mel And The Furious Five

LP | 1984 | DE | Original (Sugar Hill)

8,99 €*

Release: 1984 / DE – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Live At Club Mozambique Black Vinyl Edition

Grant Green

2LP | 2006 | US | Reissue (Blue Note / Third Man)

48,99 €*

Release: 2006 / US – Reissue

Genre: Organic Grooves

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LP | 2022 | US | Original (Yep Roc)

Grant-Lee Phillips

All That You Can Dream

Grant Phabao Afrofunk Arkestra

Release: 2022 / US – Original

Genre: Rock & Indie

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Grant-Lee Phillips' new album, All That You Can Dream, is a turbulent and highly musical rumination that finds the veteran singer-songwriter addressing the strange fragility of life. The collection of songs bears the markings of his prolific output, a melodic prowess and an ear for lyric in everyday conversation. Comparable to the works Low or Duster, Phillips offers a salve to a wounded world, struggling to regain equilibrium. This is Grant-Lee Phillips at his most reflective, wrestling with the most pertinent of questions. Focusing on life in quarantine ("A Sudden Place," "Cruel Trick") and the ever-shifting political landscape ("Rats in a Barrel," "Cut to the Ending"), this collection shows that Phillips remains one of the finest singer-songwriters of our time. A limited edition art postcard featuring original artwork from Grant-Lee is included with this LP pressing.

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LP | 2018 | EU | Original (Paris DJs)

28,99 €*

12" | 2023 | Original (Krachladen Dub)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Limited edition of 250 copies only!
Only one copy per customer!
Access to groovy, funkin', rockin', psychedelic, revolutionary (etc.) African music as we've grown to like it at Paris DJs was not for everyone before the internet age. For Paris DJs co-founder Loik, it began in the early 80s when he met with a former Fela Kuti horn player, who introduced him to Afrobeat. When Loik arrived at Radio Nova in 1986 (he was radio programmer there between 1987 and 1997), he then discovered marvels of African Music (other than Fela), through the radio's vast record collection, which soon led to the word-famous "La Sono Mondiale" concept.
At the same time, Grant Phabao, in his late teens, discovered Congolese music through friends from Zaire. He gets access to Afrobeat in the mid-90s with a Fela Kuti CD gathering the "Zombie" and "He Miss Road" albums, which long-time friend Djouls brought back from his diggin' sessions in Paris. Many friends ripped and burned that CD, for sure. Then the legendary Daktaris album happened on Desco Records in 1998, followed by the beginning of the Antibalas, the Comet Records & Strut Records compilations in 2000, and soon after Soundway Records… the rest is history but that's roughly how African Music started for us at Paris DJs.
At this point we met online with Calumbinho on the Soulseek P2P network. Such a mind-bending experience… The man was sharing hundreds of full albums, all sorted by country, and had music from every corner of 1960s/70s/80s Africa! We asked for advice, he listed 50 records to begin with! All those records, digital files, influences & experience gathered together gave birth in 2006 to a series of mixes on the Paris DJs podcast, "African Mashed Potato Popcorn", blending old and new African music from all over the world. It was an instant smash, DJs from all over the world reaching out asking us to keep on focusing on this amazing music coming from Africa (or inspired by music from Africa).
Around that time, the Paris DJs crew met with musicians from Antibalas (Martín Perna, Duke Amayo / USA), and from the Poets Of Rhythm/Karl Hector bands (Ben Abarbanel-Wolff, Jan Whitefield / Germany). They had all played with Fela Kuti's guitar player Oghene Kologbo by then. The German guys had even started a band with him, the Afrobeat Academy, releasing an album together in 2007. Little did we know that from this point on, Kologbo and African music would grow to become a very important part of our lives.
We started collaborating with Samy Ben Redjeb from Analog Africa, Miles Cleret from Soundway or Quantic from Tru Thoughts, among many others very influential record collectors, for some exclusive mixes of rare afro/latin music on the Paris DJs podcast. In 2009 we co-organized the first Ebo Taylor show in Europe, with German musicians from the Afrobeat Academy/Whitefield Brothers/Jimi Tenor crew backing him along with Kologbo. Soon we helped open the Superfly Record Store and got our hands (and ears) on many rare, original African Records. Loik started recording Kologbo's second solo album "Africa Is The Future" (featuring Tony Allen and Pat Thomas!), Grant Phabao was producing his first afrofunk tunes, and all this new music was damn funky…
Phabao went on a trip to Benin and Ghana, where he ended up hooking up with Ben Abarbanel-Wolff, who was recording with Ebo Taylor and Pat Thomas there. After a two-year period during which Grant Phabao and Djouls partnered with famous Irish-born, Paris-based producer Doctor L, and released with Cameroonian artist Franck Biyong no less than 16 digital albums and conceptual compilations, the Paris DJs label was born in 2012, with the addition of poster artist Ben Hito to the gang.
Five compilations in the "Tropical Grooves & Afrofunk International" series were released, with artists from all over the world, featuring the first tracks from the Grant Phabao Afrofunk Arkestra project, with Grant Phabao at the controls and many guests from the now global African music scene adding their own, original touch. Most of those were compiled in the "Massive Hits From the Grant Phabao Factory" LP in 2015.
It was a long read, many years of learning and sharing back, but we wanted to tell how African music slowly but surely infiltrated its way into Paris DJs' daily life, which led to the Kologbo LP being released at the end of 2017, and to this Grant Phabao Afrofunk LP to be released june 2018, featuring 20 guests among which Tony Allen, Oghene Kologbo, Sandra Nkaké, RacecaR, members of Antibalas, The Breakestra, Brownout, Fela Kuti's Egypt 80, Jungle Fire, Les Frères Smith, Ebo Taylor's Afrobeat Academy, Osemako… coming from Paris, Berlin, Lagos, Washington, Austin or Los Angeles!

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Graph

Mad World Astonished

Release: 2023 / Original

Genre: Electronic & Dance

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Terrapin Station Emerald Green Vinyl Edition

Grateful Dead

LP | 2024 | EU | Reissue (Grateful Dead)

12" | 2012 | US | Reissue (Hardly Art)

Release: 2024 / EU – Reissue

Genre: Rock & Indie

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Newly Mastered by Grammy® Award-winning engineer David Glasser. Produced for release by David Lemieux The first Arista Grateful Dead album, and the first studio album featuring an outside producer their debut album a decade earlier, Terrapin Station is one of the deepest, densest, most ambitious album in the entire Dead catalog. Arista president Clive Davis vowed to get the Dead a hit record (that would take another 10 years), so he paired the Dead with Fleetwood Mac producer Keith Olson, and they created an album unlike anything they'd ever made before, filled with strings, horns, a choir, and countless other new sounds in the Dead world. And the songs...what a collection! Estimated Prophet, Samson and Delilah, Passenger, Dancing In The Street, and Donna Jean Godchaux's first lead vocal on a Dead album, Sunrise, make up Side 1. And Side 2 is the entire Terrapin Station suite, with many parts and twists and turns. Truly one of the most exciting sequences of music ever committed to vinyl by the Grateful Dead.

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Grave Babies

Gothdammit EP

18,99 €*

LP | 2020 | EU | Original (Jolly Roger)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Colder than what might be comfortable is one of the warmest places you'll ever find yourself. There are particular melodies that bite you as they travel through the air and into your ears. Grave Babies hurl such soundwaves towards you like a ton of bricks. Yet even as Grave Babies' sounds maul you, their songs pull you right in. Their music describes a world of constant turmoil, and how exciting that world can be. With their newest release, Grave Babies expand this world beyond relentless struggle to recognize the inherent balance this constant back-and-forth actually brings. Across this EP's five tracks, Grave Babies expand on their raw, exploded sounds they've used to communicate the concepts and inspirations occupying the lush-but-seemingly-uninhabited landscape of their art. Gothdammit is an ambitious step forward for the band and plays heavily on the lo-fi post-punk aesthetics they've become known for. With Gothdammit, Grave Babies offer disarmingly uplifting anthems and search for a way forward, as opposed to drowning in their usual filth. Submerging achingly pretty melodies in fathoms-deep oceans of solvent distortion, Grave Babies are unlike any other band in Seattle, and Gothdammit is their newest release: a 12" EP featuring five brand new tracks. Limited pressing on black vinyl. All 12"s include a download code.

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Grave Digger

Symphony Of Death

Motherblood Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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The beginnings of Grave Digger date back to 1980. After various appearances at small festivals, the band recorded a song for the compilation album “Rock From Hell” in 1983. A year later, Grave Digger released their debut album “Heavy Metal Breakdown”, second album “Witch Hunter” in 1985. Then some changes happened in the line-up. Further festival appearances, a tour as the supporting act for Helloween, and a triple headlining tour with Celtic Frost and Helloween, followed before the release of the third album “War Games” in January 1986, still on Noise Records, as the previous ones. Then Uwe Lulis on guitar joined the band in 1987 and the band's name was changed to Digger, the name under which they released the album “Stronger Than Ever”. This album hardly had anything in common with the earlier music of Grave Digger. It was more an attempt to reach the masses with mainstream rock like that of Bon Jovi or Van Halen. The album flopped, as it was not readily accepted by fans nor the mainstream. As a result, Chris Boltendahl declared the break-up of the band at the end of 1987. However, the band partially reformed in 1991. Chris Boltendahl and Uwe Lulis, along with two newcomers, Tomi Göttlich and Jörg Michael (Rage, later in Running Wild, Stratovarius), released a comeback record, “The Reaper”, returning to the true roots of Grave Digger. “Symphony Of Death” followed in 1994, with the same line-up of “The Reaper”. In the meantime, Grave Digger, now with new drummer, Frank Ullrich, toured Germany, playing as the supporting act for Manowar. In 1995, the album “Heart Of Darkness” was released, considered one of the best of the band. In 1996, Stefan Arnold became the new drummer. This year also marked the release of the concept album “Tunes Of War”, which dealt with the early history of Scotland. The second album, “Knights Of The Cross”, with Jens Becker (Running Wild) on bass, was completed in 1997 and was about the rise and fall of the Knights Templar. The third and final part of the middle-age trilogy, “Excalibur” (1999), explored the legend of King Arthur and the Knights of the Round Table. Shortly after the band embarked on a world tour and was joined by keyboardist Hans-Peter Katzenburg, who later became a permanent bandmember. In 2000, Grave Digger celebrated their 20th anniversary. To mark the occasion, they performed a sold-out concert at the Zeche in Bochum. This concert marked a defining chapter in the band's history, as Uwe Lulis left the band shortly before the show due to both personal and business-related differences. A replacement was found in ex-Rage guitarist Manni Schmidt, who first appears in “The Grave Digger” (2001) with lyrics of the album inspired by Edgar Allan Poe's books. Their first live album, “Tunes Of Wacken”, was released in 2002. About a year later new album followed, entitled “Rheingold” inspired on the opera “Der Ring Der Nibelungen” by Richard Wagner. After the successful Rheingold-Tour the band recorded a new album, “The Last Supper” (2005). All these last 4 albums were released under Nuclear Blast. 2007 saw the release of “Liberty Or Death” (on Locomotive Records) and later that year, Grave Digger performed at the legendary Wacken Open Air. In October, a new member joined the Grave Digger family, Thilo Hermann (Running Wild) became the second guitarist. Grave Digger split with Locomotive, dealing with Napalm Records. “Ballads Of A Hangman” was released in the summer of 2009 entering the charts in Austria and Switzerland, it reached number 31 in the German Media Control Charts. Fueled by the tremendous feedback, they embarked on an extensive tour, also playing selected shows at numerous European festivals. Due to personal and musical differences, both guitarists Thilo Hermann and Manni Schmidt left the band, prior to entering the studio. Axel Ritt took over all guitar duties on “The Clans Will Rise Again.” With lyrics returning to the Scottish Highlands. To mark their 30th anniversary, Grave Digger invited many guests on stage at the Wacken Open Air 2010 to join in the celebration. The amazing reaction of the fans and the outstanding chemistry of those involved led to the fantastic double package “Ballad Of Mary” and “The Clans Are Still Marching”. On their latest album “Clash of the Titans”, Grave Digger entered the legendary realm of Ancient Greek and its gods and creatures. After this release the band recorded, always for Napalm Records, 3 more albums "Return of the Reaper", "Healed by Metal", "The Living Dead" and "Exhumation, The Early Years" compilation.The new recording is planned for 2020. With this long discography in over 35 years of career, Grave Digger shows to be one of the most longeval and appreciated band devoted to classic and old school HM.

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Grave Pleasures

LP | 2017 | EU | Original (Svart)

LP | 2024 | Original (Single Lock)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Svart Records proudly present the vinyl reissue of Grave Pleasures’ modern classic album Motherblood

There are still those rare bands out there in the world that have a unique ability to combine macabre, mystifying rock with a more pop-oriented flare, a la early Bowie or early The Cure. Grave Pleasures are such a band that is equally suited for playing on a stadium stage, or in some Lynchian nightmare. It’s that duality and electrifying contradiction that makes their music so exhilarating.

Lead guitarist Juho Vanhanen (Oranssi Pazuzu) steps up to write the majority of the songs together with British-born outcast Mat McNerney (Hexvessel, ex- Beastmilk/DHG/Code). His screaming telecaster and unique interplay of discord and harmony has become a trademark of the band’s sound. Together with guitarist Aleksi Kiiskilä (ex - Kohu 63), their strings shimmer, hammer and howl out a web of sound which is distinctly Grave Pleasures. Fleshed out by the hypnotic signature rhythms of Valtteri Arino (ex- Beastmilk) on bass and Rainer Tuomikanto frenetically pounding the funeral drums (Ajattara, ex- Shining Swe), this group of well-established punks have started to reach up to their zenith on their sordid testament Motherblood.

Motherblood was recorded at Orgone Studios in the UK with Jaime Gomez Arellano (Ghost, Ulver, Paradise Lost) in March 2017 and originally released by Century Media on the same year. The studio was suitably situated on the site of an old WW2 coding bunker and brought with it the isolation of the bleak British countryside. The setting helped give the album an intense and smiling urgency that picks up where 80s UK bands such as Magazine, The Wire and Echo And The Bunnymen left off, but never stopping long enough to look back too much into the past. Featuring guest vocals from David Tibet from Current 93, the band sets the tone for their inspirations, from the esoteric underground of England’s hidden reverse to Manchester’s sound of misery. With their own metallic raw tone clashed with pop hooks, Motherblood is a furiously passionate and contemporary record, which re-defines post-punk as a “war-cry for the eternally doomed.”

They have been described as "A post-punk wet dream," or perhaps more honestly as "bat-shit lunatics," and their music is in a funereal world of its own. Motherblood is a truly danceable, pop-feast of raw, banging pleasure – in all its primitive, gothic tribalism. Dance-floor death rock that brings with it an uncanny sense of inspired song craft that made Bowie’s Berlin era sound so fresh and revolutionary, Killing Joke’s tribal anthems so desperately ominous and dark throbbing melancholy of Depeche Mode’s atmospheric pop so damn sexy. Just about every part of this record bleeds menace, or emanates nuclear fumes. It’s unsafe territory which in turn makes it thrilling, sexy and most dangerously of all, catchy.

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Gravel Springs

Crow's Nest Meditations

LP | 2022 | US | Original (Beach Impediment)

Release: 2024 / Original

Genre: Rock & Indie

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Luther Dickinson, 10-time Grammy nominated North Mississippi All Star, joins up with noted Bay Area mensch David Katznelson to chase the spirits and get weird. World Boogie is Coming!This is the debut project from Luther Dickinson and David Katznelson, who famously signed The Flaming Lips. It also features the last known audio of Jim Dickinson and is limited to 400 foil stamped numbered vinyl copies.

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Graven Image

Studio Sessions: 82-83

31,99 €*

2LP | 2023 | EU | Original (Kill Rock Stars)

Release: 2022 / US – Original

Genre: Rock & Indie

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In the summer of 1982, an already burgeoning scene in Richmond, VA saw the arrival of some new blood in the form of Graven Image. Taking both inspiration and influence from the hardcore punk explosion that was well underway all over the world, these youngsters who met at a local skate ramp channeled their aggression through the no bullshit hardcore punk that they churned out in their few years of existence. Having shared the stage with a veritable who's who of punk at the time (Bad Brains, Minor Threat, Necros, C.O.C., Void, The Fu's, etc.) throughout the Mid-Atlantic, the band's explosive live performance fronted by the powerful and charismatic Dwayne Curd was evidence that they could hold their own when billed with the aforementioned titans of the genre. the Studio Sessions: '82-'83 features the entirety of GI's recorded studio output—first from the Your Skull Is My Bowl session circa fall of 1982 that became the extremely rare and sought after split tape with fellow local juvenile upstarts Honor Role, and lastly from the Kicked Out Of The Scene EP session that was recorded in 1983 and released the following year, plus some previously unreleased tracks from each of the studio outings that yielded these 22 tracks of Ushc fury! Carefully transferred and restored from the original reels, each record comes with a 12-page booklet chock full of photos, flyers and even some liner notes from guitarist Nick Smilek and drummer Joey Boisineau. For admirers of early American Hardcore and not much else.

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Gravy Train

Hello Doctor

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU (Cult Legends)

Green Day

Chicago 1994

16,99 €*

Black Harvest Orange Vinyl Edtion

Release: 2024 / EU

Genre: Rock & Indie

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Green Day is one of the most successful bands in the world and named best punk rock band of all time by Rolling Stone. Emerging in the early 90’s, influenced by the late 70’s British punk, the American trio took a more mainstream turn by incorporating catchy hooks and harmonies into their loud, energetic sound. They popularized punk rock in the US to the point of selling out stadiums, especially after the release of “Dookie” in 1994 which sold 15 million copies woldwide. The singles “Basket Case” and “When I Come Around” spent weeks on top of the the American modern rock charts. All the classics are present on this excellent live recording.

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Green Lung

LP | 2022 | EU | Original (Svart)

LP | 2024 | UK | Original (Ameritz Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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In four short years of existence, Green Lung have risen from the murk of the UK heavy underground to become a true cult band with a devoted following. Debut album Woodland Rites, released independently in early 2019, quickly garnered attention, resulting in a single being named ‘Track of the Week’ in the Guardian, plays on Daniel P. Carter’s Radio One Rock Show, a tour with fellow UK heavies Puppy and festival appearances across Europe.

This brought the band to the attention of the wider music industry, and after multiple offers from a variety of labels, the band decided to stay true to their roots and sign with the Finnish audio wizards at Svart Records, home to several of their doomy inspirations including Reverend Bizarre and Warning. Svart’s deluxe reissue of the album, and the preceding EP Free the Witch, sold out several pressings.

Two years later, the folk horror-obsessed fivesome have re-emerged from their mulchy catacombs armed with dozens of freshly-whittled riffs. Black Harvest, the sequel to Woodland Rites, is a more colourful reimagining of the band’s sound - Dawn of the Dead to its predecessor’s Night of the Living Dead.

Recorded at Giant Wafer Studios in rural mid-Wales over the course of two weeks with longtime producer Wayne Adams (Petbrick, Big Lad), it’s a more expansive and textured record than anything the band have done before, boasting a cinematic quality and more attention to detail. All samples were sourced from the local countryside and from instruments found in the studio, including the haunting opening vocal of ‘The Harrowing’ which was recorded on a whim after the band broke into the local church (the organ can be heard creaking in the background). The album was recorded in late autumn, and the seasonal atmosphere seeped into the music, which is redolent of mists, falling leaves, and the crumbling glory of the Magnificent Seven cemeteries of London, the city the band call home.

The album also soaks in new sonics beyond the ‘Black Sabbath meets Brian May’ blueprint of what went before. ‘The Harrowing’ takes the band’s tradition of instrumental opening tracks to dizzy new heights, like Atomic Rooster jamming with Boston, while ballad ‘Graveyard Sun’, based on the folklore around the ‘Highgate Vampire’, adds gothic synth lines that would give Type O Negative pangs of jealousy. That’s not to say the hooks n’ heaviness approach that made the band’s name isn’t here in abundance, as the Sabbath-meets-Purple chug and groove of revolutionary lead single ‘Leaders of the Blind’ and the Hammer Horror riff frenzy of ‘Upon the Altar’ prove. Closer ‘Born to a Dying World’ is unlike anything the band have written before; an endtimes ballad with an almost gospel feel, tying the band’s omnipresent nature themes to the Anthropocene.

Mastered by John Davis at Metropolis (Led Zeppelin, Royal Blood), Black Harvest comes packaged in stained glass artwork by renowned artist Richard Wells (Doctor Who, Dracula, Ben Wheatley’s In the Earth), and is available in gatefold vinyl and CD formats.

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Greg Foat

The Rituals Of Infinity

7" | 2024 | US | Original (Dead Oceans)

Release: 2024 / UK – Original

Genre: Organic Grooves

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London-based keyboardist and composer Greg Foat is back with his new album, 'The Rituals of Infinity'. Greg's first memory with the piano goes all the way back to his Aunt's house at aged 3 - where he fell off the piano stool. Since then, his relationship with the piano has evolved into a fulfilling, and successful career. He began taking an interest in composing at the age of 11, and truly ignited his love for Jazz after attending a workshop with Jeff Clyne, Olaf Vas, Trevor Tomkins and Nick Weldon at the age of 15. He then studied jazz at Middlesex University, followed by 6 months in Sweden on an Erasmus grant which lead to his first professional studio session there at 21. Greg has worked as a professional musician ever since, and has moulded and wonderfully multifaceted career within the Jazz music genre. Greg is planning a debut performance of 'The Rituals of Infinity' at Worthy Earth Festival in late September, in Hampshire.

'The Rituals of Infinity' album is inspired by many of things. Some titles are named after some iconic science fiction books such as The Rituals Of Infinity, A Private Cosmos, The Dark Labyrinth and The World of the Red Sun. Minerva's Owl, on the other hand, is about the Ancient Greek Legend. "The owl of Minerva takes flight only at dusk." so wrote G. W. F. Hegel, the nineteenth century's major philosopher of history. By that he meant that any given phase of history can be understood only in retrospect — after it's over. A beautifully fitting closing of the album. The album features the legendary Art Themen on Soprano and Tenor Saxophones, Trevor Walker on Trumper and Flugel Horn in a fine supportive role harmonising with Katherine Farnden on Cor Anglais. Natcyet Wakili has such a fluid approach to the drums which really makes the album special, alongside Jasper Osbourne on Bass Guitar. Shawn Lee also stopped by the studio with his horror movie classic waterphone - adding some eery atmospheric finishing touches to the album.

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Greg Mendez

First Time / Alone

19,99 €*

12" | 2020 | EU | Original (Deep Explorer)

Release: 2024 / US – Original

Genre: Rock & Indie

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First Time / Alone, Greg Mendez's new EP and first release withDead Oceans, came together in late summer and early fall of2023; the songs here appear in the order in which they werewritten, recorded straight to four-track in the small spare roomof his West Philadelphia apartment. It's a four song arc, aspectral passageway, one brief and fluid body of work thathangs together from the mournful opening of "Mountain DewHell" to the pitched-up vocals on "Pain Meds," a tiny songfloundering in the enormity of grief. The experience of listeningthrough is like waking up from a half-remembered dream, ashadow in the corner of the room, a strange solitude, a temporalNew York autumn with gray skies and naked trees. But whilethe release is sparse and spontaneous, it's tactile andconsuming, a glimpse into the beautiful, lonely worlds that livein the core of a Greg Mendez song.First Time / Alone is the inverse of his 2023 self-titled album, ameticulous and labored-over collection of songs that went on tobecome a surprise slowburn success. Mendez has releasedmusic in various capacities across 15 years living in Philadelphiaand New York, but the self-titled was what propelled him to awider attention, a critical breakthrough on best-of lists fromRolling Stone, Pitchfork, Paste, and more. That forwardmomentum came to a quick halt following an intensive surgeryon his right wrist in the summer of 2023 - a four-monthpurgatory of bad TV, canceled touring, and physical therapyensued, a painful stretch of boredom leaving Mendez unable toplay guitar. "Mountain Dew Hell" and "First Time," the funerealA-side of the EP, are time capsules of that fever-dream; "Alone"was the first song Mendez wrote once he was able to play guitaragain. Likely none of the songs would have existed as-is ifMendez's right hand hadn't been out of commission, but they'reartful in their directness and simplicity. He initially thought hewould need to refine them, building them out to the same scaleas...

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Gregor Yan

Earth

17,99 €*

Goodbye Morals, Hello Happiness

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Gregor Yan comes back to DeepAExplorer, the label that showed to the world the amazing talent of this young artist. After his successful "Jazz City EP" , is now time for a long play album of eight tracks full jazz and groovy beats for demanding djs and collectors. Go ahead explorers

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Gregory Fleckner Quintet

12" | 1996 | UK | Original (Clear)

3,99 €*

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

One Man Against The World

Gregory Isaacs

LP | 2024 | UK | Original (Kingston Sounds)

17,99 €*

LP | 2024 | EU | Original (Freedom To Spend)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Gregory Isaacs (b.15 July 1951, Kingston, Jamaica) the Cool Ruler as he became known, grew up in the ghetto district of Kingston Jamaica. His influences lay not only in the American singers he heard on the radio such as Sam Cooke, Otis Redding, but also local singers such as Alton Ellis, Delroy Wilson, and John Holt. His debut release ‘Another Heartache’ was recorded for producer Winston Sinclair and was released under Winstons’ name in the U.K. This saw Gregory move on to work with producer Rupie Edwards forming a vocal group called The Concords alongside two local singers Bramwell and Penros Releasing ‘Buttoo’, I Need Your Loving’ and ‘Don’t Let Me Suffer’ as a trio on Rupies’ Success label. Then as a solo artist with ‘Far Beyond The Valley’, ‘Too Late’ and ‘Black and White’. The latter track becoming a big hit in the U.K. for the group Greyhound. Gregory Isaacs always had his sights on forming his own label which he did in 1972 alongside Errol Dunkley, called African Museum. Working out of his record shop of the same name on Chancery Lane in Kingston town itself. Gregory carried on working with various other producers throughout his career,work that helped fund his own label. One of these producers was Tappa Zukie.

Tappa Zukie (b.1956 , David Sinclair, Kingston, Jamaica.) was also raised in the rough and tough areas of Kingston Jamaica, and very much like Gregory Isaacs found music as a way out of the tough environment in which he was surrounded. Music seemed like the only way out of a life of crime and gang culture. A path that Tappa Zukie found and by the mid 1970’s was establishing himself as a named star on the DJ Roots circuit. Back home in Jamaica he was also getting a name for his production work for other local singers such as Prince Allah and the group Knowledge. To release his own productions, like Gregory Isaacs, he formed his own label called `Tappa Records’. These two artists working

together was a match made in heaven and resulted in this set of songs.

Nine of these songs originally saw the light of day in 1988 released on Tappa Zukie’s `Tappa Records’ initially called ‘Red’. We had added some additional material also produced by Mr Zukie around the same time to expand that release and make their work together more of a complete story. The CD edition of this release carries the version sides to ‘Tickle Me’ and ‘One Man Against The World’. The title track of this release seems to suit Mr Isaacs stance perfectly. A great set of songs worked by two of the great names in reggae. Songs that we think deserve to be put out again to enjoy.

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Gregory T.S. Walker

Minstrels & Minimoogs

Lipstick Traces - Von Data Bis Punk

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Gregory T.S. Walker’s Minstrels & Minimoogs was self-published by a young, nomadic composer and virtuoso in 1988 to accompany an immersive multimedia performance at the University of Colorado Boulder’s Fiske Planetarium. Created with this outer, and other, world setting in mind, the four tracks find Walker stretching toward an ancient-to-future vision where Egyptian myths and Hieronymus Bosch-ian tableaus are rendered in a screaming three dimensional circuitry of electronic drums, synth guitars, and, of course, Minimoog. Given the musical terrains and outmoded topics traversed, and that this entirely DIY effort was originally released as a micro one-sided 12” edition, Minstrels & Minimoogs is as perplexing and euphoric a document lost-to-time as it is now found.

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Greil Marcus

Ventil

30,00 €*

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LP | 2023 | JP | Original (P-Vine)

Grey October Sound

Lo-Fi Anime

34,99 €*