Search "lunice+one+hunned" 28028 Items

2LP | 2024 | UK | Original (Nervous)

Release: 2024 / US – Original

Genre: Rock & Indie

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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.

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Teddy Douglas

I’m Here

12" | 2024 | UK | Original (Rekids)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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US House Music legend Teddy Douglas of Basement Boys and Jasper St. Co. fame gets set to unleash his first solo artist album, ‘I’m Here’, on the iconic label, Nervous Records. Teddy has gone all out to deliver one of his most creative and musically diverse albums to date. ‘I’m Here’ is a colourful pallet of meaningful songs and grooves that reach far beyond Teddy’s signature soulful Baltimore House sound, with added infusions of Funk, Rock and Jazz, yet still loaded with plenty of Teddy’s trademark House and Disco sounds that we all know and love.

Across the album he’s pulled together an array of heavyweight international vocal talent including; UK vocal diva Pauline Taylor; Danish award winning Folk and Blues artist, Richard Farrell; Chi Town Hip House legend, Fast Eddie; dance music’s legendary No.1 vocal queen, Ultra Naté; up and coming Brit Soul talent, Sipho; and Buckshot from Blackmoon appearing as BDI Thug. From the shimmering cover of The Frontline Orchestra’s ‘Don’t Turn Your Back On Me’ with Pauline Taylor on the vocals, to the downtempo rocky vibes of ‘Help!’ with Sipho delivering a spine-tingling gravelly vocal, ‘I’m Here’ is testament to Teddy’s finely tuned expert musicianship and impeccable knack for penning great songs and delivering vibrant covers.

Baltimore’s Teddy Douglas has produced everyone from Michael Jackson, Lenny Kravitz, Crystal Waters, Erykah Badu, Martha Wash and Ultra Nate’ and was an important figure in the development of the Baltimore “House” Sound. Teddy has held down a long and successful DJ career since 1983 staring out in Baltimore and spreading his wings globally gracing the decks at clubs such as Yellow in Japan to London’s Ministry of Sound and beyond. In 1985 he met Jay Steinhour and Thommy Davis, who later formed The Basement Boys production company. The Basement Boys have produced countless dance classics like Crystal Waters’ 1991 Gold single, ‘Gypsy Woman’. In the mid 90’s Teddy Douglas and Jay Steinhour opened Basement Boys Records and released club anthems from Teddy Douglas, Jasper St. Co., Ann Nesby, Those Guys, DJ Spen, Byron Stingly, Karizma, Kenny Bobien, Taja Seville and more

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Mathias Kaden

Circulate EP

2LP | 2024 | EU | Original (Classic)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Mathias Kaden returns to Rekids with the 'Circulate' EP, featuring a William Kiss Remix.

Mathias Kaden is back on Rekids after 2022’s ‘Blackbird’ EP, this time with the four-track ‘Circulate’ EP featuring a remix from the hotly tipped William Kiss. Kaden’s ‘Freedom’ kicks things off with stripped-back machine rhythm, tasteful stab melodies and a deeply satisfying low-end groove before an iconic gospel vocal joins in. Title track ‘Circulate’ is another infectious low-slung crawler with crunchy synth hits and a hypnotic and classy vibe that will get the dancefloor moving.

On the flip, William Kiss remixes Mathias Kaden’s ‘Freedom’ following his recent EP on Rekids' sibling label Rspx and the release of his collaborative project, Not Without Friends, with Luke Alessi and Jordan Brando on Rüfüs DU SOL’s Rose Avenue. Kiss turns the track into a pumping peak-time cut with additional percussion and plenty of his signature Jackin’ flavour. Closing out the record, Kaden’s ‘Twisting Shadows’ introduces an acidic bassline and warped, dubbed-out vocals before dropping into an energetic trip.

Active since the mid-90s, Mathias Kaden appeared on Radio Slave’s Rekids for the first time in 2019 for ‘Liberate Drums’. He now returns to the label with the ‘Circulate’ EP, adding to his versatile discography on labels like Dyinamic and Vakant while also remixing work by Matthias Tanzmann, Onur Özer, Anja Schneider, and Trentemöller.

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Floorplan

The Master's Plan

Jealous Gods (Yellow Vinyl)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Robert and Lyric Hood deliver their acclaimed fourth studio album The Master’s Plan on vinyl. This one-of-a-kind pressing features gold foiling on the sleeve and contains two transparent, red-coloured records, loaded with the remaining tracks from the LP that have not yet seen wax. Spanning 14 crafted house and techno tracks, Robert and Lyric playfully juxtapose the light and dark of their signature sound, navigating a spectrum of genres and styles on the revered body of work. The father and daughter duo demonstrate their unparalleled outlook on electronic music, operating on a divine level of blood harmony with their generational gap only strengthening their breadth of musical inspiration. From the dreamy house soundscapes of single ‘Feel It’, to features from Detroit artists Dames Brown, Earthtone and Lowell Pye, The Master’s Plan is an album with its sound deeply rooted in Floorplan’s Motor City home. With Classic remaining the duo’s home for some time since their solo debut on the imprint in 2021, it seems only right that label-mate Honey Dijon would also feature, adding her signature allure to ‘Fake & Unholy’. Described by Robert as “an invitation to eternal salvation”, Floorplan’s faith remains at the forefront of what they do, cementing this special vinyl edition of The Master’s Plan as a must-have for house and techno lovers globally.

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Poets Of The Fall

2LP | 2024 | Original (Insomniac)

35,99 €*

Chilli Beans. Translucent Orange Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Yellow vinyl.Ten years ago, the album, Jealous Gods, made a lasting impact on the international music scene. Now, in celebration of its anniversary, this classic is being reissued on vinyl! This special edition is not only a tribute to the band's incredible fans, or the album itself, but also includes an exclusive bonus track: a studio-live version of one of the Poets' most beloved songs, Daze. Get your copy and join us in celebrating a decade of this soulful, unforgettable music.

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Chilli Beans.

LP | 2024 | EU | Original (Black Screen)

33,99 €*

CD | 2024 | EU | Original (Souffle Continu)

Release: 2024 / EU – Original

Genre: Pop

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Translucent orange vinyl.Chilli Beans. are a three-piece band from Japan, formed in 2019 by Moto (vocals), Maika(bass & vocals) and Lily (guitar & vocals). Their neo-garage style fuses indie rock withgarage infused guitars and catchy melodies. Since 2019, the band has released 4 EPs andtwo albums on A.S.A.B. and played several nationwide headline tours in Japan.On July 13, 2022, Chilli Beans. released their first full-length album "Chilli Beans." including the hit singles "lemonade", "andron", "Tremolo" and "School". The song "you n me" from the third EP "mixtape" was selected as the opening theme song to the TV Tokyo J-Drama series "Play It Cool, Guys".

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Byard Lancaster

Funny Funky Rib Crib

Byard Lancaster, Keno Speller

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Funny Funky Rib Crib” is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul.

If Lancaster had already made successful albums in the same genre – notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal –, this one is an homage to James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone)...

Funny Funky Rib Crib’s cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of “Just Test”, “Dogtown” or “Rib Crib” – the two versions of which display leader Lancaster’s art of nuance. On both sides of the album, the group also moves into a calmer groove, infused by blues and soul, “Work And Pray” and “Loving Kindness” are meditative tracks where listeners can lay back and relax before asking for more: Funny Funky Rib Crib

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Exactement

2CD | 2024 | EU | Original (Souffle Continu)

19,99 €*

Byard Lancaster, Clint Jackson Iii

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

The recording of “Exactement” required two sessions in the studio: February 1st and May 18th 1974 – in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent Mother Africa. Two names appear on the cover of “Exactement”: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On “Sweet Evil Miss Kisianga”, his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow.

It is Lancaster’s horn-playing which really stands out: on alto (the sound of which is transformed by an octavoice on one track, "Dr. Oliver W. Lancaster") or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities.

Then, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note... ends up by playing exactement the note he had to play.

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Mother Africa

CD | 2024 | EU | Original (Souffle Continu)

Byard Lancaster, Steve Mccall, Sylvin Marc

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums). Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions.

When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking... Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims... The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today.

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CD | 2024 | EU | Original (Souffle Continu)

Pass The Loofah Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Us”, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender... Lancaster?) and the evergreen Steve McCall on drums.

On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album’s companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an “authentic representative of soul/free jazz”, to sum up this is great Black music.

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Naked Roommate

LP | 2024 | US | Original (Trouble In Mind)

Electric Bouquet (Lamplight Bouquet)

Release: 2024 / US – Original

Genre: Rock & Indie

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Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.

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Anna McClellan

LP | 2024 | Original (Father / Daughter)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Burnin Music)

Manuel Sahagun

De Viento Y Arena

12" | 2024 | EU | Original (Spirito Novanta)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Manuel Sahagun is considered one of the most relevant artists in Argentina's house music scene. After several EPs on Freerange, Lazy Days, True Romance and Get Physical, his new offering on Burnin Music doesn't disappoint.
Five tracks mixing different sides of house: a fusion of both modern and classic influences with fresh sounds that have elements from funk, soul, deep and techno.
Early support from:
Jimpster, Fouk, Bushwacka, Ella Knight (Rinse FM), Eddie Fowlkes, Terry Francis (Fabric), Oliver $, Yu Su (Music From Memory), Iron Curtis, Luther Vine (Phonica)

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Tobi

Noventa: Part One

Everything Matters, Everything's Fire Fire Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Argentinian starboy Tobi inaugurates the new Italian imprint Spirito Novanta with his high classy House sound. The first part of this double cut features four shimmering cuts that hit deep. That's the spirit !

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Lunar Vacation

LP | 2024 | US | Original (Keeled Scales)

27,99 €*

Olivier Romero, Mihai Popoviciu

Release: 2024 / US – Original

Genre: Rock & Indie

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Fire Red Vinyl.As one would expect of any historic city, the houses in Decatur,GA are old, and while many have been renovated to suit theneeds of the 21st century family, the one Lunar Vacation callshome has not. The porch is quaint and crumbly, the roof leaks,and there is a single bathroom shared by the band's fivemembers who insist that this is not, actually, a bad thing. "I usedto be so protective of the songs when I gave them over to theband," lyricist/vocalist/guitarist Gep Repasky says. "There's somuch trust involved, but this house helped us grow as bestfriends, as musicians, as a band."That newfound sense of trust is apparent on EverythingMatters, Everything's Fire, whose title, taken from theconcluding track "You Shouldn't Be," is a thesis statement.While Lunar Vacation's last album, 2021's Inside Every Fig is aDead Wasp, happily bathed in the waters of indie pop, theirlatest effort is exploratory, a product of many hours sharedexperimenting in a living room together. Inspired by prolificshapeshifters like Yo La Tengo and Björk, Everything Matters,Everything's Fire adopts an ethos that every idea has thepotential to be a good one."Our last album was super produced, manicured," guitarist/vocalist Maggie Geeslin says. "This one's organic. Weembraced mistakes; it made the work even better." In otherwords: everything matters, everything's fire.

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The Triple B

12" | 2024 | EU | Original (Gettraum)

12" | 2024 | EU | Original (Sub Rosa)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A staple of Traumers DJ sets in the past months, Olivier Romeros dancefloor mega tools are finally getting a release ? incl. a remix from one of Romanias finest producers, Mihai Popoviciu.

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Univers Zero

Crawling Wind

Hall Of Mirrors Coke Bottle Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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First time vinyl reissue of Univers Zero's legendary Crawling Wind, originally released in 1981 on the Japanese 'Chaos International Series' label, with the original cover artwork has been beautifully redesigned by Thierry Moreau.

Toujours Plus à l'Est, as the title suggests, is heavily influenced by the traditional music of Eastern Europe, particularly Bulgaria., and paying tribute to the iconic catchphrase of Professor Calculus (Tournesol), the character from the Belgian comic series Tintin. Before The Heat, played live a few times, is an ambient composition by Andy Kirk, who is part of the EP's lineup alongside Daniel Denis, Guy Segers, Alan Ward, and Dirk Descheemaeker. Central Belgium in the Dark is a live improvisation from a period when Univers Zéro dedicated part of their concerts to complete improvisation. What makes this recording unique is that one of Andy Kirk's effects pedals picked up and emitted the sound of a mysterious radio signal, seemingly coming from "nowhere," especially noticeable at the end of the piece. The title of this improv is a nod to contemporary composer Charles Ives' work Central Park in the Dark. Central Belgium refers to the concert venue where the piece was recorded (Haine-St-Pierre).

Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music - most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.

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Acid Rooster

LP | 2024 | EU | Original (Tonzonen)

33,99 €*

2LP | 2024 | EU | Original (Head To Toe)

Release: 2024 / EU – Original

Genre: Rock & Indie

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cokebottle-green vinyl, limited to...

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Ninetoes

Pov

29,99 €*

LP | 2024 | UK | Original (Hive Mind)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ninetoes, the acclaimed DJ and producer behind the global hit “Finder,” is thrilled to announce the upcoming release of his debut album, ‘POV’ set to drop this October via his own label, Head To Toe. This highly anticipated album marks a significant milestone in Ninetoes' career, offering a fresh and personal take on the genres that have shaped his sound over the years.

‘POV’ is a definitive statement from Ninetoes, encapsulating his journey through the world of dance music. Fans can expect a diverse and dynamic album that traverses a spectrum of styles, including Afro House, Acid House, Techno, and Hip Hop. Each track from the collection reflects Ninetoes' deep connection to the roots of electronic music, reimagined through his unique creative lens.

“‘Having been involved in Dance Music a long time, the album touches on every genre that has shaped me since day one. So, I have recreated these styles with my POV‘.” - Ninetoes

The album features 10 tracks, including collaborations with a stellar lineup of artists such as A-Trak, Thomas Mapfumo, Davide Squillace, Mousse T., and Jazzy Jeff, among others. Each collaboration brings a unique flavor to the project, highlighting Ninetoes' versatility and passion for pushing musical boundaries.

The release of ‘POV’ will be celebrated with a worldwide tour, where Ninetoes will bring his distinct perspective on house music to dance floors across the globe. Fans can look forward to an immersive experience, blending his dynamic DJ sets with the innovative soundscapes of his debut album.

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Maalem Houssam Guinia

Dead Of Night

LP | 2024 | US | Original (Austin Boogie Crew)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Maalem Houssam Guinia Dead of Night

Hmrlp035 LP £12 Allah Allah Daym Molana Jangari Jahwari Bouri Bouriama Ya Jowadi Samaoui Matinba Mosawiyin (Souiri)

"Raw, deep and spiritual Gnawa music from Morocco to carry you through the night...

Recorded in a single late night session in a house in Casablanca, using a Tascam field recorder and 2 microphones, Dead of Night is the incredible new solo album from Maalem Houssam Guinia, the son of Maalem Mahmoud Guinia, and one of Morocco's most exciting young Gnawa masters.

The album was recorded live on the night of 3rd January 2022 in a relaxed session that lasted into the early hours of the next morning, and it captures Houssam at his most natural, singing and playing the Gnawa songs that have been with him since his birth, completely solo and free without percussion or backing vocals. Houssam described the album as containing the songs he knows best as these were the pieces his father would play and sing late into the night in their home when he was an infant.

What you'll hear on Dead of Night is raw, deep Gnawa music in its purest form played by a young Maalem who has been immersed in the culture his whole life and is a master of his craft. The whole performance has been beautifully and sympathetically captured by bassist and producer Karl-Erik Enkelman."

Voice & Guimbri by Maalem Houssam Guinia. Recording & Production by Karl-Erik Enkelmann. Mastering by Julian Tardo. Photography by Bader Naggay. Design by Marc Teare.

With thanks to Hamza Guinia, Khalil Mounji, Karl-Erik Enkelmann & Karl Jonas Winqvist.

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Jonny Tobin

Steppin' Out

32,99 €*

Scale And Scope (4x Flexidisc Vinyl Record Set)

Release: 2024 / US – Original

Genre: Organic Grooves

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Jonny Tobin is a Grammy and JUNO-nominated artist based in Vancouver. His sound resides in an alternate dimension between 90's video games and 60's Blue Note records, where fat synth funk grooves playfully collide with abstract jazzy undertones. To date, Tobin has released 5 original albums, making numerous official Spotify editorial playlists to the tune of over 10 million streams. As a live performer, recently Tobin headlined the 2023 Vancouver Jazz Festival and opened for notable acts like Adi Oasis, CARRTOONS and Braxton Cook.After the success of his 2019 vinyl debut "Sunrise" on Austin Boogie Crew Records, Tobin began work on Steppin' Out, his new and exceptional LP full of catchy modern funk songs. On this magnetic album executive produced by Austin Boogie Crew (ABC), the label connected Tobin with vocalists from all over. Featured collaborators include XL Middleton, Shiro Schwarz, Maya Killtron, The Vapor Caves, Rojai and Daniel David (FKA Trailer Limon), many of whom made previous appearances on ABC. Driven by Tobin's stellar production and synth wizardry, this project is a testament to the familial strength of the modern funk community in both good times and bad.

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Stefan Goldmann

7" | 2024 | EU | Original (Edition Kymata)

12" | 2024 | UK | Original (Slacker 85)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Scale and Scope is a set of four colour flexidisc records, each containing an instantiation of an individual microtonal designer scale, developed by Stefan Goldmann. The four discs are housed in a printed cardboard portfolio.
The flexidisc medium plays like a vinyl record, but is inherently noisier and tends to exhibit more signal disruptions than conventional vinyl. Expect occasional clicks, crackle and other variations, which differ substantially from copy to copy. These make each set unique.
The digital file versions are re-recorded directly from the flexidiscs, with very few corrections and a few spectral interventions by the original artist. The full resolution digital files used for cutting the flexidiscs will be available exclusively and individually to collectors who wish to acquire one of the scales as
instantiated in the recordings.

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Tres Mortimer

M1 City

18,99 €*

Burning Savage Transparent Red Vinyl Edtion

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Kicking off ‘M1 City’ is the simplistic, but refined and booth-rattling ‘Work That Body’. A crisp M1 stab is the main character in this, amplified by thunderous and high energy drums.

Then there’s ‘Secrets’, a house jam inspired by the likes of MK that utilises TR-909 drums, a subtle rolling bassline, intimately whispered and soulfully sung vocal shots, and, of course, classic Korg M1 synth stabs. Together with dramatic contemporary builds, a highly danceable house smasher is formed.

‘No More’ is pure gasoline for the dancefloor. Très pairs another barrage of clean M1 stabs with a rousing vocal sample that leads into, with the help of a rolling snare, another highly effective house drop. Following the extremely saucy ‘Big Daddy’ skit, we’re dropped straight into ‘One Of Those Nights’, a show-stopping track complete with cutting, sharp stabs, a bulging bassy synth and a West Coast-esque synth sound.

‘Bitch I’m From Chicago’ feat. Gleebz is, as the title suggests, a dedication to the city where house music found its name. Batting off all the poser cities like LA and Miami in the sassy lyrics, it embodies the spirit of Chicago with hefty kick drums and weighty chord stabs.

At the tail end of the release, ‘Let Me Go’ and ‘Love’ (featuring vocalist 7000 (7K)), bring things to a rousing emotive close. Both tracks see Très put clean vocals over piano riffs, giving off differing moods – the former is euphoric, the latter melancholic. Synths bubble beneath, and each track funnels their own respective house grooves, resulting in two tracks fit for both the dancefloor and headphones.

Très Mortiner explains: “The M1 sound is classic. It automatically transports you back to those timeless house songs that never get old. For me, house music is all about connection. People experiencing a little moment of euphoria together when they hear a riff that they all know on the dance floor. That’s what it’s all about. With this project I wanted to tap into that 90s rave sound and spirit. I wanted it to sound like the OG Chicago rave scene.”

“M1 City is my first project to be released on vinyl. I think vinyl is very much alive. It’s essentially for music connoisseurs now. I don’t expect people to have a vinyl collection when all music is always available to everyone on their phones. Nevertheless, I love the idea of some random DJ finding this record in a shop in 10 years. Who knows what I’ll be producing then?”

Très Mortimer is a key figure in Chicago's house scene, steadily building a strong following with his no-nonsense, dancefloor-driven sound. Drawing inspiration from his Polish roots, Trés has signed with major labels like Mad Decent, Insomniac’s IN/Rotation, and Ministry of Sound, while also launching his own imprint, Optics Records. He made his mark with a clever rework of Zombies' 1968 hit ‘Time Of The Season’ (1M+ streams). Standout releases include his downtempo collaboration with plumpy, "BAMBU," and his latest single, "At Night I Think Of You," which was recently given a remix makeover by Seth Troxler and Nick Morgan.

Slacker 85, launched in 2023, is the record label behind ‘M1 City’. Founded by Seth Troxler, it aims to give a platform to "oddball, esoteric and diverse sounds," positioning itself as a counter to the polished, refined dance artists dominating the scene. Troxler, upon the label’s launch, declared that he wanted to create something for "the anti-hero, the kids who could have done it but didn’t care to try”—essentially, "the slacker." So far, it’s delivered a range of releases from artists like Jackmaster, Danny Daze, Dan McKie, and Andre Salmon, offering tracks rooted in house music's past but evolving within its present boundaries.

‘M1 City’, this ode to a piece of gear that consistently finds itself at the heart of house music history, highlights Très Mortimer’s respect for and knowledge of the scene and its key gear. Trè combines this admiration and inspiration of house music’s greats with a modern sensibility, resulting in eight tracks worthy of today’s dancefloors and today’s ravers.

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Obnoxious Youth

LP | 2024 | EU | Original (Svart)

12" | 2024 | UK | Original (Agogo)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Total speed metal rager Obnoxious Youth return with a new album out in October.

The Swedish-Finnish speed and thrash metal quintet Obnoxious Youth is back with a bang after a four year break. New album Burning Savage will be out in 18th October 2024.

-“A total speed metal rager manifesting the driving force behind the onslaught that is Obnoxious Youth. A sexual flame and a satanic force of nature. An urge to discover and embrace the primitive flame that grows inside. Succumb to the Burning fucking Savage” Affe ”Phantasma” Piran, the vocalist of Obnoxious Youth, manifests.

The sperm of Satan’s cock AKA the Obnoxious Youth was born in 2002 in Uppsala/Sweden. But the fully fledged and perverted behemoth that stands before you today was an international collaboration brought to life in 2009 by John ”Zeke” Finne, Affe ”Phantasma” Piran and Frans ”Cult” Utterström. But today Edde ”Shit” Aftonfalk and Lukas ”Spine” Häger are added to the live lineup of the band.

The purpose of the band was to break boundaries and to return to the time when extreme music didn’t have any rules or regulations. When there was no ”death metal” or ”thrash metal”, when there was just ”metal” or ”punk”. Just channeling the most insane music that was humanly possible. Using methods that was founded in the 80’s, Obnoxious Youth fully encloses itself and gets swallowed by the power of extreme music and getting influences from a feeling rather than other bands. Taking the listeners back to a time when heavy music was something to fear.

In 2012 the band received a Manifest Award for the debut album The Eternal Void and has since then released two EP’s (Suck On The Cross, 2013 and Mouths Sewn Shut, 2020) and one more full length album Disturbing the Graves in 2017. They have established themselves as a fierce live band that leaves no one unaffected.

Members of Obnoxious Youth has played in or currently plays in bands such as Vorum, Undergång, Endtime, Reveal!, Morbus Chron, Century, Tøronto, Degial, Begravningsentreprenörerna, Entombed and No Future.

Svart Records releases Obnoxious Youth’s new album Burning Savage 18th of October 2024 on black, transparent red and limited yellow/red/black marble vinyl versions – and of course on glorious CD. Pre-orders are now available on Svart Records’ webstore.

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Trinka

Release: 2024 / UK – Original

Genre: Organic Grooves

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Trinkais about the strength of the encounter that music provides between Dandara Modesto, Brazilian singer and songwriter, João Pires, Portuguese composer and guitarist and Juninho Ibituruna, Brazilian percussionist. Sewing of Atlantic music, they build a path between Bahia, Portugal and Minas Gerais. Each arranged in one place echoing the connection through the music that unites them in complementarity: João's melodies and guitar with Dandara's voice and interpretive power and the pulse rhythm ancestor of Juninho.

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Gomma Dancefloor Gems Volume 3

2LP | 2024 | Original (Toy Tonics)

Tape | 2024 | US | Original (Dear Life)

Release: 2024 / Original

Genre: Electronic & Dance

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TOY TONICS continues with re-releasing the best tracks of GOMMA RECORDS. The German label that between 2001 and 2015 was one of the key imprints of the then so hyped indie dance, new wave funk and proto disco sound (along with James Murphy’s DFA, Trevor Jackson’s Output records and later Ed Banger records). The Y2K sound.. that now starts to become in demand again.

The most important releases on Gomma were by Peaches, WhoMadeWho, The Rammellzee, James Murphy of LCD Soundsystem and Nick McCarthy of Franz Ferdinand. Their Gomma-tracks were on the first two parts of this GOMMA DANCEFLOOR GEMS compilations series on Toy Tonics.

Now here comes a 3nd compilation part with music by Dimitri from Paris who also did several EPs on Gomma in the 2000s. Also legendary Belgian disco DJs The Glimmers are featured (they had one album on Gomma in 2008) and UK legend Justin Robertson aka The Deadstock 33’s and one of the first ever releases by Daniel Avery (also on Gomma back then). You find remixes by Nicky Siano (Studio 54 DJs legend) and Horse Meat Disco who back then just started their party series and already were connected to Gomma records. The is an amazing Flamenco Disco track by Spanish producer Hugo Capablanca and T.Keeler that has been hammered by everybody from Optimo to Ivan Smagghe back then and Italian music diggers The Barking Dogs together with now fashion designer Marcelo Burlon are featured with an amazingly catchy Electro Pop track. Of course also Munk who was the founder of Gomma records is on the compilation. Munk is Mathias Modica and as you might know since a few years works under the name Kapote. He was the co-founder of Gomma and later Toy Tonics records. Toy Tonics actually starts as a mini sublabel of Gomma records in 2013 but took over later. While Gomma has been closed since 2015.

Gomma not only was a record label, but was also a home for cutting edge design, wild T-shirt styles, underground exhibitions with new artists from the Berlin scene and crazy poster and fanzine design.

Gomma not only preceded many musical trends by experimenting with club music and mixing up different styles but was also very respected for the graphic design work and almost initiated several graphic design trends of the last years in their poster and sleeve designs. And many record and street wear labels of today look a bit like Gomma was looking before ...

The Gomma visuals world was exposed in a couple of exhibitions around the world and at a big exhibition at Museum Haus der Kunst München before the label was closed in 2015.

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Anne Malin

Strange Power!

16,99 €*

Chameleon Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Strange Power!, the fifth record from Durham, NC-based songwriter and poet Anne Malin Ringwalt, emerges from the darkest waters of the self into a world remade. Releasing inconjunction with her second book of poetry, What Floods (Inside the Castle, Oct. 2024), Strange Power! overflows with Ringwalt's teeming and sensuous personal symbolry: glowing lilacs andgentle queens, dolphins wild and girls who grew up brave _ T.S. Eliot sung by Cat Power, backedby Mount Eerie. She sings: "I rose up from water."Ringwalt writes and performs with the authority of a lifetime spent harnessing the alchemy of storytelling; her belief in the power of words to heal and transform is palpable in each achingly- delivered lyric. Made amidst profound inner and outer change, Strange Power! also sees Ringwalttaking up the role of self-producer for the first time, mirroring and supporting the record's Orphic quest by gathering contributions from a coterie of friends wielding an electric range ofAmerican instruments. Violins, vibraphones, drum machines, electric guitars dappled with springreverb, wind-blown shells, and a host of other numinous sounds form an unfurling and shadowy world which was then carefully honed during the mixing process (shepherded by MichaelCormier-O'Leary and Lucas Knapp) _ settling the final record in an eerie meridian betweenspareness and verdancy.The result is a beguiling and darkly blooming realm: the sound of a personal cosmos beingremade, piece by piece. Ringwalt is at the height of her spirit as both songwriter-poet and singer, her willowy voice by turns conjuring and keening as she reckons with her deep past and thestories told since. Opening track "The Pines" sets the stage for a record of truly life-long scope: "I was a child, now Ihold her / I was asleep for many years." Some songs, like the gorgeous "North Carolina" and "TheSaint," were written as early as 2013 but, Ringwalt says, "insisted upon being remembered" as therecord took shape; in its final form, they serve as inc...

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Trauma Ray

LP | 2024 | US | Original (Dais)

Pekka Laine & The Enchanted In Slumberland Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Pekka Laine

LP | 2024 | EU | Original (Svart)

Welcome To My Castle Sunrise Pearl Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Pekka Laine and The Enchanted's second album out on Svart Records in September

"In a dream I heard music with a strange bubbling sound. People were dancing to it in a surreal, cavernous space. What is this, I asked. One of the dancers stopped and answered. It's an underwater disco. In the morning, I grabbed my guitar and tried to recall what I had heard. Those foggy fragments became Malibu Beach”.

Helsinki 4th of June 2024, Pekka Laine

For Pekka Laine, the twang of an electric guitar is not a warm blanket of nostalgia. Instead, the echoing sound usually associated with surf and retro instrumentals is a ticket to the imaginary.

On this sonic journey, Laine is joined by The Enchanted, his powerhouse live band that has taken both festival and club stages by storm. Pekka Laine and his trusty space-age guitar take the listener to a place where a futuristic and humid disco sound, perfect with obese beats and robotic vocals, reigns supreme. Trippy vocoder vocals and Moog wizardry are provided by Antti Vuorenmaa, the synth sensei associated with several leading Finnish indie bands and a trusted member of the extended Enchanted family.

Pekka Laine's second album Pekka Laine & The Enchanted in Slumberland will be released on 27th of September 2024 digitally, CD and in three different vinyl versions: on a classic black vinyl, wonderful transparent green vinyl and limited edition of 100 white/green/orange marble vinyls hand-crafted by Pekka Laine himself at the Helsingin Levypuristamo. The limited edition is available only on the Svart Records online store.

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Chilli Beans.

LP | 2024 | EU | Original (Black Screen)

33,99 €*

LP | 2024 | EU | Original (Avant!)

Release: 2024 / EU – Original

Genre: Pop

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Sunrise Pearl Vinyl.Chilli Beans. are a three-piece band from Japan, formed in 2019 by Moto (vocals), Maika (bass & vocals) and Lily (guitar & vocals). Their neo-garage style fuses indie rock withgarage infused guitars and catchy melodies. Since 2019, the band has released 4 EPs and two albums on A.S.A.B. and played several nationwide headline tours in Japan.Their second full-length album "Welcome to My Castle" was released on December 13th, 2024 and featured 13 songs, including the single "Raise" which was the ending song themefor the TV anime series "One Piece", as well as "I like you", the main song of the TV series "Toki wo Kakeruna, Koibito-tachi".

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No Filter

Sans Filtre

22,99 €*

X, Wheel + The Liars Tell...

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Here comes a new punk.

If you know anything about me – as in Andrea, the record label’s head – you know I have a thing for Oi since I was a teenage skinhead.

And with Avant! being a coldwave/synthpop label, our next release couldn’t be more special. No Filter are three children of the French region of Dauphiné, active in the black metal scene for 20 years through different projects.

They created No Filter with the aim of exploring punk, Oi and coldwave sounds. They started by singing in English but after their first demo they decided to opt for French to improve their lyrics by singing in their own native language. Themes addressed in their songs are violence, hatred, party nights, the countryside, their roots and friendship. “Synth punk, bagarre et blousons noirs” in their own words. Musically speaking they somehow fit in the current Cold Oi French scene (Bromure, Syndrome 81, Cran, Kronstadt) but they exaggerate the synth/wave element ending up sounding like one unprecedented, fresh as hell mix between New Order and The 4 Skins.

If you think you’ve heard this one before it’s because one year ago they self-released a 10-track cassette called “Sans Filtre” which is exactly what we are pressing now on vinyl for the first time because this was simply too good to stay only on tape forever.

To make this even more special we have recruited Canadian multi-instrumentalist and artist Nakkabre (Conifère, Spleen, Vespéral, HazeHound) to do a brand new artwork and spice things up for the occasion!

Black vinyl LP edition limited to 400 is out 22 November.

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Heith

LP | 2024 | Original (Pan)

38,99 €*

LP | 2024 | Original (Carton)

Release: 2024 / Original

Genre: Rock & Indie

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Heith is the alias of Milan-based artist and musician Daniele Guerrini who crafts a mesmerising and ritualistic subterranean soundscape, a resonant and eclectic collage of distinct sonic elements: from celestial percussion intertwined with jarring, mechanical oscillations to haunting vocals atop murky dubbed-out beats.Exploring the textures of consciousness through research into the ritual animism, he kept an omnivorous and universalist approach to cultural and sonic influence. This is central to X, wheel, Heith's debut album and first release on PAN. It's a deep dive into his creative and spiritual practice, one where art and life are inextricable. The Liars Tell..., on the other hand, feels like a kind of respite, a moment of meditation and pause from the fatigue of dimension-hopping. As if the traveller dismounted their carriage and, standing puzzled on a crossroad, listened to the echoes of distant places. Occupying a liminal space and letting thousand of contradictory tales form the lyrics to one unfathomable song.

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Abacaxi

Quetzal

Release: 2024 / Original

Genre: Rock & Indie

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Quetzals are strikingly colored birds in the trogon family. Their wings are suited to camouflage under rainy conditions.The name quetzal , from the mesoamerican Nahuatl language, refers to " an upstanding plume of feathers " in terms of standing up. The origin of churros is unclear. One theory suggests the concept was brought to Europe from China by the PortugueseAnother theory is that the churro was made by Spanish shepherds to substitute for fresh baked goods. Churro paste was easy to make and fry in an open fire in the mountains, where shepherds spend most of their time.Licasso is a thermodynamic sound world where colors and sounds become the same thing.

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Issue 929: Diggin' Secondhand Finds

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Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

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Popeye

Magazine House

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Issue 922: Style Sample '24

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Popeye

Magazine House

Monkeymarc Vs The Planet Smashers

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Monkey Marc

12" | 2024 | EU | Original (Jahtari)

20,99 €*

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Coming straight from a solar powered shipping container in Australia is this highly addictive amalgam of dub and hiphop by Melbourne’s number one sampling warrior Monkey Marc.

With the analogue filter modules in constant overdrive mode, a groove not found on any map and a bass too deep to measure, this rugged masterpiece develops a complete life of it’s own.

All faithfully recorded to cassette and then dubbed out to the max by disrupt – including a dub of Roots Manuva‘s “Who Goes There” (from his 4everevolution LP).

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Goldring

GR3

899,00 €*

Wild Classical Music Ensemble

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Combining the company’s century-old legacy with modern-day convenience, GR3 represents Goldring’s stylish re-entry into the turntable arena.

Developed in collaboration with a renowned British hi-fi manufacturer, GR3 is equipped with the multiple award-winning Goldring E3 moving magnet cartridge, offering true plug-and-play functionality. Its built-in phono pre-amplifier allows seamless compatibility with any amplifier or powered speaker, while designed to maximise the flywheel effect, its Phenolic resin platter ensures consistent rotational speed for enhanced audio fidelity.

Additionally, GR3 comes with a choice of high-quality interconnects from Goldring’s world-renowned sister brand QED, ensuring a vigorous connection and sound quality.

Key features at a glance:
• Pre-fitted with a Goldring E3 moving magnet cartridge: This serial award-winning cartridge comes pre-installed and perfectly aligned on the GR3 tonearm, offering a balanced, refined and dynamic sonic performance.
• Built-in phono stage : For maximum convenience, GR3’s integrated pre-amplifier enables effortless connections to any amplifier or powered speaker of choice.
• Phenolic resin platter: Designed to maximise the flywheel effect, the platter ensures consistent rotational speed for enhanced audio fidelity.
• Choice of QED interconnects: Goldring provides a choice of either a 1.5 m phono-to-phono or a 3 m phono-to-3.5 mm cable from QED, one of the most respected names in audio interconnects and cables, ensuring optimal connection and sound quality.
• Elegant design: GR3 pairs premium performance with a high-gloss black plinth and perspex dust cover, offering a sophisticated aesthetic that matches its superior sound.

Pre-fitted Goldring E3 moving magnet cartridge
Goldring’s E3 cartridge is considered one of the best performers at its price point – just see the six consecutive What Hi-Fi? best buy awards for proof. Combining plug-and-play simplicity with uncompromised audio performance, the E3 arrives pre-fitted and pre-adjusted to the GR3 tonearm.

It features a stiff and lightweight aluminium cantilever offering accurate tracking, more detail and reduced distortion, while a 'dual magnet' generator ensures authentic reproduction, better channel separation and a more musical soundstage. Designed and engineered in the UK, micro-adjustments during production ensures a consistent and reassuring performance for the life of the product.

Built-in phono stage
Not every amplifier or powered speaker has the necessary gain and EQ to deal with the signal from a turntable. So, to make life easier, GR3 boasts an integrated phono pre-amplifier in order to do this job. It means this single turntable that can happily connect to any amplifier or powered speaker you decide to use without the need for extra phono amplification or boxes. Combine it easily with Q Acoustics M20 or M40 powered speakers for a user-friendly and musically powerful vinyl system.

Phenolic resin platter
The remarkable speed stability of the GR3 is maintained by employing a phenolic resin platter with an enhanced fly-wheel effect. By distributing the majority of its considerable mass at the outside of rotation, inertia is increased and therefore speed variations are suppressed. This gives the GR3 a very good wow and flutter performance which in turn ensures that the fidelity of its musical reproduction remains high.

Choice of QED interconnects
Goldring’s sister company, QED, is one of the most credible and highly regarded manufacturers of analogue and digital interconnects in the world - so choosing either a 1.5 m phono-to-phono or 3 m phono-to-3.5 mm cable to plug GR3 into a compatible amplifier or powered speakers, ensures a stable and robust connection.

Elegant design
To complement the GR3’s class-leading performance, a combination of a stylish high-gloss black plinth, covered by a perspex dust cover delivers a premium and sophisticated design that can match perfectly with any system or fit seamlessly into any interior design space.

Specifications:
• Tonearm: Hand assembled and carefully matched tonearm
• Cartridge: Factory-fitted Goldring E3 moving magnet cartridge
• Motor: 24 Volt low noise, low vibration motor
• Plinth: Gloss Black finish with Goldring gold branding
• Platter: Phenolic resin with flywheel mass on the rim
• Phono amp RIAA accuracy: (100 Hz to 20 kHz) ±0.4 dB, typically better than ±0.25 dB
• Dimensions (lid closed) (W x H x D): 450 x 120 x 360 mm
• Weight (unpacked): 5.5 kg

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Confined

LP | 2024 | EU | Original (Born Bad)

LP | 2024 | EU | Original (Exile On Mainstream)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Wild Classical Music Ensemble is a Belgian experimental rock band formed in 2007 by artists with mental disability within the social-artistic non-profit organisation Wit.h in Kortrijk. Their unique sound is a blend of punk/rock riffs, fanatical rhythms and soaring flutes and fiery synths, over which gravitate multiple, multilingual voices that scratch harshly as much as they comfort. There's something very Belgian about this harshness and noisiness. We often think of compadre Arno, from the TC Matic era.During the Covid crisis, the disabled members of the Wild Classical Music Ensemble were undoubtedly subjected more than others to the harsh conditions of confinement, alone in their rooms. Damien Magnette was still able to visit them with sound equipment. This was one of their all-too-few windows onto the world. Forbidden to meet, let alone play together, the members of Wild were nevertheless able to compose songs in tandem with Damien. The tracks were then sent to musician friends - Fabrice Gilbert, Ava Carrère, Wim Opbrouck, Shht, Arthur Satàn, Nathan Roche and Julien ZLDR - who added their artistic touch. Jean Lamoot and Carl Roosens joined the adventure, one as mixer, the other as video director.It's a result of the conditions under which it was created, this is the band's most highly-produced album, and perhaps its most accessible: frankly rock, with a great deal of freedom in production, and sometimes with a certain pop allure. Jean Lamoot's contribution to the mix had a lot to do with it. In addition, the forced slowdown allowed us to devote much more time and attention to writing the lyrics.Leader Damien Magnette says: "For over a year, we were all confined. But what about when you're a mentally handicapped person? Well, it's very different from you and me... We have the right to choose, the luxury of deciding for ourselves what rules we want to follow or not. We have free will. They don't. This series of confined songs is dedicated to all the people who have gone through this...

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Conny Ochs

Troubadour

Pass The Loofah Metallic Silver Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Exile On Mainstream Records presents Troubadour, the intimate new album from nomadic German singer/songwriter CONNY OCHS.Since 2010, CONNY OCHS has been capturing the hearts and minds of curious music fans around the globe through his expressive and emotive songcraft. Through eight full-length releases - including two collaborative albums with Scott "Wino" Weinrich of Saint Vitus, The Obsessed, and more, and not to mention his work in Trialogos and other projects - OCHS has expanded his sound from stripped-down singer/songwriter anthems based almost entir...

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Naked Roommate

LP | 2024 | US | Original (Trouble In Mind)

Enemmän Kuin Mitään Muuta Purple Vinyl Edtion

Release: 2024 / US – Original

Genre: Rock & Indie

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Aino & Hajonneet

LP | 2024 | EU | Original (Svart)

Release: 2024 / EU – Original

Genre: Rock & Indie

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OST Top Gun Clear Vinyl w/ Pink Splatter Vinyl Edition

Harold Faltermeyer

2LP | 2024 | US | Reissue (Enjoy The Ride)

44,99 €*

2LP | 2024 | UK | Original (Rewarm)

Release: 2024 / US – Reissue

Genre: Soundtracks

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Comes as a gatefold 2LP on clear vinyl with pink splatter effect. Limited to 310 copies.
As Top Gun was the most successful movie in 1986 (350+ million dollars), I don’t think this one needs a lot of explanation.
This action movie with Tom Cruise in leading role got rereleased in 2013 and the soundtrack earlier reached a nine times Platinum certification.
For the first time on vinyl, this soundtrack includes bonus tracks, demos, and an extended album mix.

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Luke Una

Everything Above The Sky

44,99 €*

That Look Of You / The New York Business

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Exploring late-night, after-hours meditations on sound; ‘Everything Above The Sky (Astral Travelling with Luke Una)’ is a new compilation by the titular DJ, promoter and enigmatic cultural curator. Off the back of the E Soul Cultura phenomena, this compilation comes at a timely point in Luke’s rich career as he soars the heights of playing all over the world. Avoiding any chance of his sound being pigeonholed, Luke has put together a tracklist of songs and music that have a transcendental feel, after coming off the grid, going back to source, outside the city walls .

Music has long been believed to aid out of body experiences and many of us have searched long and hard for a combination of those elusive ingredients that might alleviate some of the monotony of everyday life, our daily routines and obligations, and those things that seem to block us from the spirit of the universe. In this collection, Luke selects music with all the right ingredients in just the right quantities, allowing the listener to engage in an esoteric journey of enlightenment through sound. Being a prolific collector of music, Luke initially delivered enough tracks to compile several compilations, making the licensing process the biggest effort to date for the label. The music moves softly and slowly, never becoming too intrusive, exemplifying the wonderful elevating properties of simple songs played from the heart.

Luke’s Everything Above The Sky manifesto reads, “Astral Travelling in the meadowlands with acid folk, spiritual jazz, around midnight hocus pocus, cosmic psychedelic soul, magical spellbound whirling swirling love songs, Brazilian ballads of light into machine soul gospel utopia dreaming, Balearic bossa, Outer Space ancient African drum, the breath of trees, escaping the big bad modern world, gathering round winter fires, walking amongst the bracken in Padley Gorge in late summer twilight, overlooking the Hope Valley, escaping ego, detaching and finally letting go amongst the stars with the slowly floating people. It’s beautiful beyond. Everything above the Sky”.

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene. Then came Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to É Soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ+ cultural landscape. Luke’s Friday evening show on Worldwide FM captured imaginations and became a cult four-hour must-listen monthly journey for fans all over the world. Today, Luke remains, as ever, at the forefront of a changing milieu, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.

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Lloyd And The Joys

7" | 2024 | Original (Sound Essence)

16,99 €*

Million Years From Now Just Rain

Release: 2024 / Original

Genre: Organic Grooves

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Music lovers will be familiar with his love of Caribbean pearls from the compilations "Ritmo Caliente" and "Message from the Islands" as well as other releases such as "Los Yoyi", "Mighty Shadow" and "Wild Fire". Now Tom Sky, the former creative head of Black Pearl Records, is pulling another tropical discovery out of his travel treasure box on his new record label Sound Essence.
Lloyd and the Joys is truly a real holy grail and one of the most sought-after funky hotel records from the Caribbean islands. Deep, groovy synth Soul with the song "That Look Of You" meets jazzy funk breaks with the strong tune "The New York Business". There are also two stylish 70s postcards from Lloyd himself in a vintage design in each sleeve. The release is a must for all tropical music connoisseurs.

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Guy J

12" | 2024 | Original (Early Morning)

People Of The Fast Flowing River

Release: 2024 / Original

Genre: Electronic & Dance

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One of the leading names in contemporary underground music, Guy J, embarks on a new journey. As a dedicated futurist and sound enthusiast who pushes boundaries akin to science fiction, Guy delivers the first track on his new label with an abstract vision of the layered future of sound. This 15-minute preview of Guy J's forward-thinking, innovative work indicates a promising future for his label. Experience the birth and transformation of a new era in sound from day one!

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Work Money Death

LP | 2024 | UK | Original (ATA)

7" | 2024 | US | Original (Pibe)

Release: 2024 / UK – Original

Genre: Organic Grooves

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ATA Records are proud to announce the new albumPeople of the Fast Flowing RiverfromWork Money Death,following previous albumsuccessesWork Money Death"This album can only be a future classic" – Jazzman Gerald, andThought Action Interaction Reaction"Sounds sublime" – Gilles Peterson.

PianistRichard Ormrod, bassistNeil Innes, and drummerSam Hobbsprovide a trio backing for tenor saxophonistTony Burkillon this heartfelt and charged excursion into the further realms of spiritual jazz: the four extended-play tracks range in influence from India to Central Africa to the Baptist church, and from the meditative blues sound of Alice Coltrane [The River Becomes The Stream]to the soulful swagger of Galt MacDermot [We Are The People].

Throughout, the quartet is supported by thehornsof Ormrod,Johnny Enright(tbn, tuba), andOlivia Cuthill&Tom Sharp(tpts), the percussion ofDanny Templeman.

Whether it's the harmonium onHeadwaters Of The Soul, the congas and driving shekere onThe Fast Flowing River, the trilling flute behind the sax onWe Are The People&The River Becomes The Stream, or Burkill's impassioned and perfectly-paced tenor explorations throughout the whole, this album is full of nuanced details that will make it a hit with fans of Pharaoh Sanders and Alice Coltrane.

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Kero One

Portishead Remixes

20,99 €*

7" | 2024 | EU | Original (Hot Casa)

Release: 2024 / US – Original

Genre: Hip Hop

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Back in the 90’s, hiphop kids like myself would often gravitate towards bands like Portishead to take a break from hip hop without going on a complete vacation. Since the sampled drums were gritty and the instrumentation and singing were soulful, it gave people that familiar hiphop vibe while being completely unique.

Now, Portishead’s style and influence can be heard everywhere in modern music as a legendary group who led the way for “trip hop”, fusing hiphop, electronic, film scores, and soul music in rare form. Included in this limited run (green vinyl) 7” are Kero 1 remixes of their quintessential tracks, “Glory Box” and “Roads”. On Glory Box, Kero mashes togehter a mixture of Bossa, Amapiano and house for dance floor energy along with the previously released Roads remix on the B-side, which reached a million streams online with critical acclaim for not destroying the original but actually elevating it. On Roads, Kero adds a fuller dimension using a 80’s analog synth bass while still allowing the lead vocalist, Beth, to remain the focus. In the end, Kero hopes this remix renews interest in Portishead among listeners who aren’t familiar with an entire music genre they helped pioneer.

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Vaudou Game

Râler

12,99 €*

12" | 2024 | EU | Original (Ilian Tape)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Vaudou Game is back with a Funky Afro Cumbia 7 inch release !
First single of their 5th album, the french afro funk band's influences have spread beyond the city and country limits, crossing the Atlantic to reach Colombia and the afro latin world.
« Afro Cumbia » is one of the new musical direction took by the band.On the track «Râler» helped by the brilliant voice of the Spanish-english singer Clara Serra López, you'll hear the funky fusion between high-life guitars and typical cumbia guiro and bass. An original soulful duo sharing Spanish and Mina lyrics.
Koliko is a tribute of the west African street food and specially the sweety donuts , you can find in the morning in Lomé or Cotonou. "Nana Benz du Togo" band are invited to sing the chorus on this funky highlife dj friendly anthem .
Recorded on analog equipment at Otodi Studio in Lomé (Togo)
From the album "Fintou" (out January 15 th 2025)

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Stenny

Maha

12" | 2024 | Original (Token)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited one time pressing fast paced dancefloor mechanics on 180g vinyl.

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Kr!z

Angels Landing

12" | 2024 | EU | Original (Shades Of Blur)

Release: 2024 / Original

Genre: Electronic & Dance

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(early support by Luke Slater, Ben UFO, Marron & Border One) In the wake of a string of record releases, Token's curator returns to his label with 'Angels Landing' highlighting his mission statement. 4 delirious & dissonant techno cuts from the Belgian artist have proven to be a stylistic favorite in both his productions and his DJ sets. With a wink to older production techniques, Kr!z keeps this contribution to Token fresh and efficient while reaffirming the historic label's sonic identity.

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Szop

Plama

12" | 2024 | Original (Figure)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A newly unveiled secret label by one of the most esteemed artists in the scene offers a unique blend of New Wave and Post-Punk flavors on its inaugural record. This exciting release promises to be a standout addition to any collection.

Only Vinyl.

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Arkan

Lightworker Part 1

As Always Jordan Fields Disco Version

Release: 2024 / Original

Genre: Electronic & Dance

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The latest addition to the Figure roster comes in form of French producer Arkan. A musician from young age, he combines minimalist, deep-cut grooves with understated harmonies.

His first release on the label arrives as part one of his Lightworker double EP, giving the artist ample room to showcase his own vision of contemporary, „mental techno“ as he dubs it himself.

Fitting this description, opener Delirium is a deeply hypnotic tune, mastering the subtle art of sustain and release to effortlessly cycle its own energy. Vicious Night then tips towards a more percussively lead momentum yet stays true to the less-is-more approach of Arkan.
On the flip he gets to further build on his musical ideas, whether it be the melodic fragments echoing pensively in and out of the 4/4 grid over the galopping beat of Voltaris or eventually the saccharine, IDM-reminiscent ambient closer What Is Born Cannot Die.

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Explorations

12" | 2024 | US | Original (Explorations)

LP | 2024 | UK | Reissue (Universal)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Tokyo's Explorations deejay crew strikes again with this unreleased disco cover version of Stevie WONDER's classic "AS Always". With additional production by Chicago's own Jordan Fields. 1-sided heavy weight green colored vinyl in paper sleeve. Very limited like the last one!

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Big Youth

Dread Locks Dread

12" | 2024 | DE | Original (Superstition)

Release: 2024 / UK – Reissue

Genre: Reggae & Dancehall

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Originally released on Klik Records, in 1975, Dread Locks Dread became one of the new Front Line label’s first key releases when reissued in 1978.

One of reggae’s best and most recognizable ‘toasters’, Big Youth broke new ground as a DJ in the early ’70s with a flowing, chant-like cadence that was equal parts melodic and invigorating, applying his infectious vocal approach to heavy social and political lyrics.

A huge favourite of the punk and new wave artists at the time of release, Big Youth was embraced by The Clash, via Don Letts, and PiL, amongst others. John Lydon was part of Richard Branson’s A&R envoy to Jamaica, helping sign credible artists to his new Front Line reggae label.

Featuring the legendary Skin, Flesh & Bones band, formed around Lloyd Parks (bass), drummer Sly Dunbar (before he started working with Robbie Shakespeare), Ansel Collins on keyboards, and trombonist Vin Gordon. The album was produced by Tony Robinson and Errol Thompson and mixed at the famous Joe Gibb’s studio.

Dread Locks Dread skanks from punchy, rhythm-heavy reggae to the deepest, dubbiest roots. The hypnotic Some Like It Dread reworks Dennis Brown’s “Some Like It Hot”, where the DJ’s toast is entwined with a bluesy harmonica (the dub version re-titled (Black Man Message). Also features a fiery version of Burning Spear’s “Marcus Garvey” (Marcus Garvey Dread), a tasty take on the John Holt classic “Keep on Moving” – Moving On and a scintillating dub of the Techniques’ rocksteady masterpiece You Don’t Care.

Not your typical DJ album by any means, the music equals the toasts and vice versa – an essential release for a dub fan or a Big Youth supporter.

Re-mastered at Abbey Road Studios, London.

Out of print for over 20 years!

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Quazar

The Seven Stars EP

LP | 2024 | US | Original (Waxwork)

Release: 2024 / DE – Original

Genre: Electronic & Dance

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QUAZAR are pioneers of the first house- and techno-generation of the early 90’s. Formed in Amsterdam by producer Gert van Veen, QUAZAR debuted in 1990 with the 12 inch ‘The Seven Stars/Day-glo’, which became an underground hit all over the world, from the UK and Germany to The USA, Goa and Australia. It’s still considered as one of the ultimate classics of the original rave-scene.
‘The Seven Stars’, a wild and exciting musical voyage, full of instrumental crescendoes and rushes, is a hard hitting techno-track that set dance floors on fire with its fierce energy.
The raw persuasive power of the a side and the acid tinged 'Moon Turns The Tide' is balanced by the gentle, melodic ‘Day-glo’ - a predecessor of the later minimal style and a favourite of Ricardo Villalobos, that unexpectedly became just as popular as ‘The Seven Stars’.
During the Amsterdam Dance Event 2024 ‘The Seven Stars EP'will be rereleased on vinyl, two weeks later followed by the rerelease of the first QUAZAR album ‘Seven Stars’.
‘The Seven Stars EP' 12" presents remastered versions of the three tracks on the original record plus a 2024 QUAZAR remake of ‘The Seven Stars’, mixed by Dutch house legend Olav Basoski.
To celebrate these releases, QUAZAR, still one of the best live-acts in the Netherlands, will do a special hardware-only live-gig at DOKA/The Volkshotel in Amsterdam on Wednesday October 16 2024.

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Anna Drubich

Barbarian

40,99 €*

Release: 2024 / US – Original

Genre: Pop

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Czarface (Impostarr) - Ultimates! Action Figure

Czarface

Super7

59,99 €*

Alex Preston & Mofunk present

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Wreaking havoc in Czarlem, Impostarr is the Deacon of Deception casting an evil red shadow on Czarface’s good name! The latest 7” scale, highly articulated Czarface ULTIMATES! Impostarr figure features Earth 808’s anti-hero in a slick metallic red-and-silver colorway. Featuring intricate sculpt and premium paint detailing, this figure also comes with multiple interchangeable heads and hands, a removable soft goods cape, and single and double missile accessories. One of Czarface’s most formidable foes, Impostarr’s dastardly deeds have earned this Czarface ULTIMATES! a spot in your collection!

Features:
• Inspired by Hip Hop supergroup Czarface’s superhero mascot
• Figure is 7” scale and highly articulated, and features intricate sculpt and premium paint detailing
• Includes multiple interchangeable heads and hands, a removable soft goods cape, and single and double missile accessories
• The perfect gift for any Czarface fan; collect the entire lineup of Hip Hop legend action figures, apparel, and accessories by Super7!

Accessories:
• 3x Interchangeable Heads
- 1x Neutral head
- 1x Open mouth head
- 1x Laser eyes head
• 9x Interchangeable Hands
- 2x Grip hands
- 4x Open hands
- 3x Fists
• 1x Double missile
• 1x Single missile
• 1x Soft goods cape

Details and Specs:
• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9.75 x 4.25 x 9
• Product Weight: 1.5 lbs
• Case Weight: 12.49 lbs

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The Secret Weapons

12" | 2024 | EU | Original (Robsoul)

Archie Shepp & Annette Lowman

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Robsoul Is Proud to Finally Release on Vinyl 4 Incredible House Cuts by 2
Great Australian Dj’s. We Have Selected the Most in Demand Tracks From the
3 Secret Weapons Projects Initially Released Digitally Only, and We Have
Added One Exclusive Unreleased Track to Offer You This Great House
Package....

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Lover Man

2LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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12" | 2024 | EU | Original (Sex Tapes From Mars)

Victorious

Play Safe E.P.

You're Never Alone With A Schizophrenic

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Elon Dust’s Sex Tapes From Mars imprint gives Victorious’s 90’s “Play Safe EP” new life, with three remastered house emeralds.

"All My Love” stands alone on the A-side, and Victorious has successfully bottled the magic of classic house music, delivering a track that strikes brilliance being both timeless and timely. It's a soulful, uplifting affair, sharing an emotive yet slinky journey through rich, sultry vocals and a vintage melody that breaths deep with warmth, swing and euphoria.

On the flip, “Can You Feel It” is anchored by dubby, shuffling drums that provide a hypnotic groove, and Victors voice yet again delivers a performance that is as enigmatic as it is intoxicating, layering the track with a sensual, almost haunting allure.

A wiggly bassline sets a playful yet driving tone on “Do It To Me”. Spacey synths glide then sweep in, building an atmosphere that is both expansive and intimate, perfectly primed for the after-hours. Each element is carefully placed to serve the groove, making "Do It To Me" a masterclass in restraint. It’s a track designed to move bodies without unnecessary flair, relying on its raw energy and drive to carry the listener. This is house music in its purest, finest and most functional form.

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Ian Hunter

2LP | 2024 | Original (Chrysalis)

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Chrysalis)

Ian Hunter

Short Back N Sides

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Sagome)

Picture
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III

Rain Text

25,99 €*

Ron Carter & Cedar Walton

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The smell of damp tarmac rising up through open windows, a smell which is uniquely evocative for us all depending on our individual histories: a suburban pavement, a school playground, a basketball court. The rain cut through a band of low pressure that had been lying over the city for days, pinging rhythmically off metal, causing rolling tyres to hiss and spit.

The music that soundtracked this meteorological shift was the debut full length from Rain Text (Giuseppe Ielasi & Giovanni Civitenga), simply titled III. Scattered throughout the nameless eight tracks there are moments of low-end pressure relieved by the fizz and clatter of metallic rhythms; there is static, there is discord, there is release.

The individuals comprising Rain Text have a long history of manipulating sounds for evocative ends, Giuseppe Ielasi has been making music as one half of Bellows for many years, each album stretching and destroying their sound in beautiful increments. He has also released reliably inspirational music either solo or in collaboration for the likes of Editions Mego, Shelter Press and Faitiche. His sensitive ears are also in high demand as a mastering engineer. It is worth perusing the 800+ releases he has technical credits for on Discogs: from classics of the avant-garde to the freshest faces of the Swedish underground, the chances are some of your favourite albums are included.

Giovanni Civitenga helms the Skyapnea long-running NTS show. Joining him, you can enjoy the fruits of a lifetime of deep listening through shows that flit between the industrial and the devotional, a space that is fully explored on III.

The album was recorded quickly over three fertile days in Ielasi’s studio in Monza, but of course results like this can only be achieved at such a pace by spending a lifetime obsessing over the mechanics and possibilities of sound.

Those who are enamoured by the rain—who are returned by it to the surfaces, smells and sounds of a lost and idealised youth; who feel themselves restored—are known as ‘pluviophiles’. Their response to rain may well have a biological explanation: when rain hits tarmac negative ions are released into the air, which are thought to result in feelings of wellbeing and positivity. All the more reason, then, to return to the vivid ecosystem that Rain Text has so carefully cultivated for III."

Words by The Dengie Hundred – August 2024

Music by Giovanni Civitenga and Giuseppe Ielasi. Mastered by Giuseppe Ielasi. Photo by Irwin Barbé. Graphic Design by Federico Spini. LP shots by Paolo Rizzi. Distributed by Honest Jon's.

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Heart & Soul

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (W.E.R.F.)

Kct

Adult Swing

12" | 2024 | US | Original (Must Have)

Release: 2024 / EU – Original

Genre: Organic Grooves

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"Adult Swing" is the first full album as KCT (aka Karel Cuelenaere from Black Flower, John Ghost and Ping O.D and is immediately one that will put the trio firmly on the map.

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Pür Royale

Mi Amor

22,99 €*

Thunder Express Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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You may not have heard of Long Beach O.G. Greg Royal aka Pür Royale, but you're definitely familiar with his work. With a resume of remix, production, engineering, and editing work ranging from Dr Dre's "The Chronic" to Bobby Brown's "My Prerogative", to the dub version of Patrice Rushen's "Feels So Real", Greg left an indelible mark on contemporary black music from the mid-80's to mid-90s.

In 1993 however, a one off 100 copy house 12" self titled as "Royal Phenomena" on the surface didn't seem to quite fit with the more traditional hip-hop and r&b output of his extensive discography. I only found out it existed through connecting with another unsung west coast pioneer, Aaron Paar, for Must Have's 2016 Teflon Dons compilation. Greg is credited as a mixing and recording engineer on practically every release on Aaron's own consistently excellent label Worldship. After listening to Aaron tell his story, it was clear Greg's studio experience and mentorship were key elements in the development of Aaron's signature tough SP-1200 house sound. "Royal Phenomena" remains an elusive connecting point for LA hip-hop and underground deep house, and Greg and Aaron remain friends and frequent collaborators.

Aaron put me in touch with Greg, who miraculously kept his original DAT tape recordings of these unique house excursions and was happy to finally share them with a wider audience. Blending hip-hop production techniques, west coast Latin sleaze, midwestern minimalism, and a dash of UK bleep, the LA underground house sound remains singular.

PUMP IT!!

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MC5

LP | 2024 | EU | Original (Jungle)

25,99 €*

Sugar Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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MC5 (Motor City Five), the legendary Detroit band. Their first single (included here) was released in 1967. In 1968 they played the infamous Democratic Convention that turned into a police riot, and they went on to be the "Official White Panther Party Band". Their manager John Sinclair became a hippie martyr, after being jailed for 10 years for 2 joints, inspiring John Lennon"s "10 For 2" song. Thrown off their first label Electra, they signed to Atlantic for 2 more albums but only achieved underground success. Now greatly revered as one of the seminal rock"n"roll bands and a huge inspiration for punk. Thunder Express documents their last and first studio works: - six tracks recorded in France at Studio Castle Herouville for a TV show in 1972; plus four tracks from their debut singles from "67 & "68. The title track is not available elsewhere. In 2024 MC5"s guitarist Wayne Kramer, drummer Dennis Thompson and manager John Sinclair all passed away, marking the end of the MC5 era.

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Tonic

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | EU | Original (Time To Kill)

Sacred Reich

Surf Nicaragua

7" | 2024 | Original (Pampa)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Surf Nicaragua is an EP from Arizona thrash metal band, Sacred Reich. It was released on October 4, 1988 onMetal Blade Records and follows the band's debut album, Ignorance, released the previous year.The EP contains a cover version of the Black Sabbath song, "War Pigs", which also appeared on the band's nextEP, Alive at the Dynamo in 1989, in live form. The song "Surf Nicaragua" contains a part from the song "WipeOut" as well as the drum part from the Hawaii 5-0 theme song

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DJ Koze

Wie Schön Du Bist EP

Release: 2024 / Original

Genre: Electronic & Dance, Pop

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7"
DJ Koze - Wie schön du bist EP
Two sides, one message - love in its purest form, captured at 45 RPM
A. Wie schön du bist (feat. arnim & The Düsseldorf Düsterboys)
AA. Amor (feat. César Lacerda)

A
DJ Koze, Arnim Teutoburg-Weiß aka arnim, and the Düsseldorf Düsterboys enchant with a touching homage to Holger Biege - one of the legendary architects of East German soul. DJ Koze once again proves his unparalleled sense for the extraordinary. Around the line "Du hast erzählt, gelacht / Mir gezeigt, wie schön du bist" from Holger Biege's 1978 song "Bleib doch", Koze weaves a small masterpiece, infused equally with nostalgic depth and futuristic elements.

Arnim Teutoburg-Weiß aka arnim (frontman of the iconic Beatsteaks) opens our hearts with his heavenly radiant voice. With full sincerity - pure and straightforward - he sings the love declaration of a lifetime.
Floating on a cloud, the Düsseldorf Düsterboys sprinkle lyrical stardust with their brilliant harmonies - fluffy and bizarre at the same time. It feels as if this cosmic quartet boarded a time machine and returned to the present to plant the essence of days gone by into today's matrix.

"Wie schön du bist" is not just a tribute to Holger Biege's work, but a loving bow to his entire musical legacy. It is an anthem to the timeless magic of music and the enduring power of love that connects us all.
Koze, arnim and the Düsterboys have created something truly unique here: a gem-a homage, a time travel, and a love letter all in one. Music can indeed be something magical.

AA
"Amor," a dandelion of a song, was created in collaboration with Brazilian singer César Lacerda. It is an acoustic love letter in its purest form-warm, crackling, and everlasting.

On September 13, the two original Amiga albums "Wenn der Abend kommt" and "Circulus" by Holger Biege were re-released as a double album and are available here
https://konsum.buschfunk.com

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Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999

2LP | 2024 | EU | Original (Music From Memory)

29,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The next installment of MFM's popular multi-artist compilation Virtual Dreams: 'Virtual Dreams - Ambient Explorations In The House And Techno Age, Japan 1993-1999'. As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.

The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.

'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.

'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.

Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita,

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999

2CD | 2024 | EU | Original (Music From Memory)

20,99 €*

Do It To The Music Michael Gray Remixes

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Raw Silk

12" | 2024 | UK | Original (Fool's Paradise)

Shapeshifters / Johnnie Taylor

Release: 2024 / UK – Original

Genre: Electronic & Dance

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We’ve got a very special vinyl release for you; a brand-new rework of the 1982 classic ‘Do It To The Music’ by New York Dance group, Raw Silk being refreshed for 2024 by legendary UK DJ and producer, Michael Gray. Perfectly in-keeping with the Fool’s Paradise brand and ethos we have built over the past year, West End Records was a label close to our hearts having been one of the most influential dance labels of the past forty years and went on to define the sound of New York City during the heyday of Disco and the ever-popular, Studio 54. With the original reaching #5 in the US Billboard Dance Chart and #18 in the UK SinglesChart, such a classic West End Records record could only be revisited by one of the very best, and who better than Michael Gray to refresh this dance floor gem! Michael’s reworks pays true homage to the original adding his signature flair and groovy, funk-leaden sound. Featuring an exclusive reprise mix which is only available on the vinyl package!

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Lola's Theme / What About My Love

7" | 2024 | UK (Jackin' Disco)

12" | 2024 | UK | Original (Atjazz Record Company)

Release: 2024 / UK

Genre: Electronic & Dance

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Early 2000's house anthem on 7" for the first time ever, plus the soulful disco track that was jacked to make it!

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Abel feat. Brutha Basil

Hand Made

12" | 2024 | UK | Original (Dub-Stuy)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A slick techy dance-floor banger featuring the sultry tones of US Vocalist ‘Brutha Basil’.

Hand Made has been a go-to number from Abel’s well-received ‘Cosmic Law’ album. Taking a deeper and much more techy approach to sound design, Abel and Atjazz enlisted the brilliant ‘Brutha Basil’ to lay down some truth about ‘doing this music thing for the right reasons’. With some incredible remixes from Peacey who swipes things up to a new energy level, Rocco Rodamaal whose punchy re-work takes us way back to NYC’s early days of house music, and South Beach Recycling’s Chicago and Detroit-inspired late-night groover. This is one of those releases that will stay on target for a long time, no doubt!

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Dubamine

Bulletproof

The Sojourner 2024 Repress

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Bay Area producer Dubamine returns to Dub-Stuy with yet another sureshot featuring the label’s own JonnyGo Figure on vocals. The title track, Bulletproof, is a classic Dubamine tune: a ghostly, flute melody riding over a deceptively minimalist riddim that showcases his skills in crafting compelling beats. Jonny comes correct on this one, mashing up the dance in his own trademark style. The flipside is another Dubamine banger, this time sampling the unmistakable voice of an iconic British DJ, over a rolling riddim with righteous horn lines that channel Aswad. Mastered by Joker for maximum weight.

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The Ensemble Al-Salaam

LP | 2024 | JP | Original (P-Vine)

LP | 2024 | UK | Original (Bastard Jazz)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Originally released in 1974 on pioneering jazz label Strata-East, ‘The Sojourner’ by the incredible Ensemble al-Salaam would become one of the label’s most sought-after records. A highlight of the spiritual jazz movement, the record sees a band at the height of their powers, perfectly in sync as they express their spirituality through one ethereal groove after another. Album opener “Music is Nothing But a Prayer” sets the tone for the album, as gentle piano arpeggios, warm flute improvisations, and spacy guitar combine with the haunting vocals of Beatrice Parker to create a sonic atmosphere which seems to wash over you with every passing beat. The song picks up as a repeating bass riff emerges, with blaring saxophone improvisations contrasting with Parker’s clear vocals - yet nothing ever clashes. In comparison to the enveloping avant-jazz of “Music is Nothing But a Prayer”, “Malika” takes inspiration from late-career Coltrane, with sheets of sound-esque saxophone solos set to breakneck rhythms. “Peace (Salaam)” sees the group return to warm spiritual tones, complimenting a beautiful melody to bring the album to a close.

For years, the only way to get your hands on this record was to spend your entire life savings, or pray that you stumbled upon it at a yard sale. With our previous two pressings selling out almost immediately, we knew we had to give this legendary record a third pressing. P-vine is proud to be repressing this phenomenal album for the third time, now with a new and improved obi-strip!

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Posy

The Garden

Release: 2024 / UK – Original

Genre: Organic Grooves

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Posy is the recording name of Rudy Klobas, Portland-based producer and multi-instrumentalist with a unique sound that intersects jazz, R&B, and electronic music

A true DIY and analog enthusiast, Posy plays every instrument but the horns onThe Gardenand recorded with vintage gear onto reel to reel tape

Has received extensive Spotify editorial playlist support having been added to Lofi Beats, Soft Office, Office Studio, Fresh Finds Jazz and more

Worldwide Radio support from stations like Kexp + Kcrw (us), JazzFM, Soho Radio, + NTS (uk), 2ser (au) and more

Press support includes Jazziz, Stereofox, Clash Magazine, Fusicology, and more

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12" | 2024 | EU | Original (Afrosynth)

Music Team Sampler

19,99 €*

Deepstar feat. Donna Allen / Melba Moore

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Selection of all winners from the Music Team label - mid 80s to early 90s gems on here!

One of South Africa’s biggest independent labels for more than a decade, Music Team offered working musicians a shot at fame via access to top studios, producers, songwriters and session musicians, as well as distribution via a number of imprints: CTV, Red Label, Solid, Spinna, Mambo Music and others. Artists in the stable who tasted success would typically release a few albums over as many years before moving on to other labels or falling off the radar as times changed. At their peak, according to label boss Maurice Horwitz, Music Team was selling a million records a month, and was at the forefront of South African pop music as it evolved from soul to disco and beyond.

Afrosynth Records’ ‘Music Team Sampler’ dusts off six rare and long-forgotten gems from the Music Team catalogue, originally released between 1986 and 1992. Four are typical of the label’s take on the popular ‘bubblegum’ sound of the day — Isaac ‘Cool Cat’ Mofokeng’s ‘Candy’, ‘I Won’t Let You Go’ by Linda Oliphant, Jappie Lebona’s ‘My Love is Yours and ‘Instant Love (Eyami Lendoda)’ by Thandi Zulu (aka TZ Junior). Two instrumentals — Mr. Ace’s ‘Ace 1’ and ‘Axe Chop’ by The Hard Workers, a studio project by Music Team’s in-house producer Tom Mkhize — meanwhile hint at the imminent rise of kwaito and house.

Forged in the fire of a cruel and volatile political system that was gradually unraveling, instead of addressing political realities these indelible pop songs sought to provide an escape to a world where love and music were all that mattered.

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Sugar / My Heart Belongs To You

12" | 2024 | UK | Original (Soulfuric)

12" | 2024 | UK | Original (Drumcode Limited)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Two 2024 remixes of classic records appear on wax for the first time on this four-track vinyl package from Soulfuric - Richard Earnshaw’s remix of Deepstar’s ‘Sugar’, and Groove Assassin’s version of ‘My Heart Belongs To You’ from Melba Moore. The opening cut delivers the classically trained and soulful house maestro Richard Earnshaw’s version of Deepstar’s ‘Sugar’ featuring American dance vocalist Donna Allen - originally by Marc Pomeroy AKA one half of Jazz N Groove - appearing on vinyl alongside the soulful, groove-laden vocal mix. On the flip, the Grammy award-nominated and Tony award-winning Melba Moore’s record box staple ‘My Heart Belongs To You’ is spotlighted in all its glory. The widely respected DJ and producer Groove Assassin remixes the classic track for house heads in the know, with his unique spin appearing alongside Ron Carroll’s BMC Vocal Classical edit that first accompanied the release in 2005.

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Simina Grigoriu

Declare Me

Dulling The Horns Mustard Yellow Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The Berlin-based artist Simina Grigoriu debuts on Dcltd. The opener 'Declare Me' steps up the energy with searing intent, while never losing a sense of deep brooding atmosphere. One for the marathon Sunday afternoon sets. ‘Astral Waters’ bubbles away with tight drum work and a deep Motor City vibe. ‘Technology of Prayer’ mixes late-night techno soundscapes with driving rhythms. An essential tool for bridging moods during longer sessions. And finally ‘The Right Calibre’ positions tribal rhythms at the fore for a rolling cut that doesn’t take a backwards step from creating plenty of tension through the mid-section via a stirring break.

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Wild Pink

LP | 2024 | US | Original (Fire Talk)

30,99 €*

Moon & Palms Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

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Barber In The Livingroom

LP | 2024 | JP | Original (Lawson)

38,99 €*

Release: 2024 / JP – Original

Genre: Pop

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A runway leading into the night sky, accompanied by the sea breeze. Barber IN THE Livingroom, a 5-piece city pop band from Fukuoka, will release their long-awaited second album (pink vinyl)!

Barber IN THE Livingroom is a 5-member city pop band based in Fukuoka that has become a hot topic with its soulful singing voice and groovy rhythm section, along with a jacket drawn by Hiroshi Nagai. Continuing from last year, the long-awaited second album "Moon& Palms" will be released at "citypop on Vinyl 2024"! If the debut album "Barber IN THE Livingroom" was a landscape of daylight and mirages, "Moon & Palms" is a landscape of lights and nighttime flights flowing from dusk to night. Like the previous album, this album was produced remotely, and the songs and sounds spun by the members far away become five birds, gliding over skyscrapers, over the city, and soaring beyond the horizon of the ocean...a song that evokes the image of... is being knitted.

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Toolroom Sampler Volume 13

12" | 2024 | UK | Original (Toolroom)

LP | 2024 | UK | Original (Peak Oil)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Kicking things off on Toolroom’s next 4-track vinyl sampler series is Mark Knight’s hugely successful rework of Groove Armada’s seminal classic ‘Get Down’. Considered one of the holy-grail records of their back catalogue so it’s an absolute honour for us, and Mark Knight, to be re-presenting this incredible record to a new audience. Fusing those unique vocals from Stush and classic Groove Armada synth line, coupled with the energy and insatiable groove of a Mark Knight record, this is a sure-fire dance floor weapon for 2024! Next up are a fan favourite of the label, the mighty duo Illyus & Barrientos who make their long overdue return with ‘When You Gonna’. Tracks such as ‘Shout’, ‘Promise’ and most famously, ‘So Serious’, propelled them to be one of the most exciting and sought after acts in the World. This record is trademark Illyus & Barrientos and reflects their personalities as artists perfectly. Think high energy house music filled with fun and peak-time dance floor vibes! Leading the charge on the b-side is an incredible collaboration from 2 heavyweight house artists, working together for the very first time! David Penn has a career spanning over 25 years. He was recently crowned the #1 house artist on Beatport and boasts over 1 million monthly listeners across leading streaming platforms. Offaiah appears on Toolroom for the first time in his career under this alias, although he was a firm part of the original Toolroom Family line up as Michael Woods. So this is a Special ONE! The record screams sun-drenched terraces, pool parties and chilled cocktails! A huge bass line, infectious tribal vocals and some lush house pianos for good measure. Last but not least, Long-standing Toolroom Family member and fan favourite, Ben Remember returns to the label with ‘Waiting 4 You’. As with all of Ben’s records, this is super creative and super original. Based around an infectious disco vocal sample and all created using out-board, analogue studio gear which gives the track a real gritty undertone.

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Lifted

Trellis

2LP | 2024 | EU | Original (Ara)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The core duo of Max D and Matt Papich debut on Peak Oil following full-lengths for Future Times and PAN with a fresh suite of tactile, diffuse fusion. Half the collection emerged from a 2021 session at Tempo House rounded out by Dustin Wong, Mezey, and Jeremy Hyman, while the rest took shape in moments both collaborative and isolated, collaged together with CDJs into something more liquid and liminal than the sum of its parts.

Across fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.

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Kangding Ray

Zero

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2 years after his critically acclaimed “Ultrachroma” album, Kangding Ray returns to ARA with a decisively dance- floor LP named “zero”.

As the artwork suggests, his different explorations and influences converge into one point on this record, where sound becomes a raw vibration, precisely engineered to bring bodies into movement.

This record marks both a return to the source of his sound in its purest shape, with hints of his debuts on the experimental label raster-noton, as well as the hypnotic journeys he is now for with his DJsets.

As an artist who is constantly reshaping his own sound in search of new forms, Kangding Ray offers here a singular take on modern dance music, driven by a visceral and futuristic approach.

“When an audio signal crosses the X-axis, there is an infinitesimal moment of silence. Zero is inspired by this quiet instant, a point of inversion where vibrations die and are reborn at the same time” . KR

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Brown Acid - The Nineteenth Trip Black Vinyl Edition

LP | 2024 | US | Original (Riding Easy)

29,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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There is NO Light at the end of this tunnel! Brown Acid: The Nineteenth Trip fires ten more savage nails deep into the coffin of ‘60s psychedelic idealism. This series is THE premier top dog journey into the rarest and most wasted early local eruptions of heavy rock, unleashed at a time when harsh reality, human nature and disillusionment drove prevailing underground rock glimpses of a ‘better’ world into ever darker selfabsorbed comedowns. Mind expanding ’60s love energies transform into toxic aggression right before your ears! The great thing is that these moves are totally justified, ‘we are all one’ is cosmically good in theory but ‘get it while you can’ ends up perhaps better advice in the light of human history. Both of those angles of awareness can coexist, some of these bands deliver unrelenting sideways positive energy but they aren’t over-thinking it, they are youthfully driven by hunger for life and satisfying the undeniable urges their DNA thrusts upon them. Sonically, the results in the Brown Acid series never fail to breathe hot and heavy, the guitars kill it every time, the variety of approaches these tracks take keep the scenery shifting into new places. The key element that makes this stuff so potent is that They (the bands) are in control. Captured genuinely with no compromise, right out of the gate. No doubt they had ambition with high hopes for the future when they laid down these primal efforts, the fact that they captured their energy so vividly at a moment in time when the only direction imaginable was UP creates a hard hitting life affirming subtext to the proceedings. That is the core energy of blues and rock and roll, dealing with the struggles of existence by flipping a gigantic ‘what the fuck’ high energy bird right in the face of the moronic defective reality these bands were born into. If you take this stuff too ‘seriously’ you are utterly missing the point, it is beyond analysis, it is life itself! No amount of thinking will get you there quicker! Brown Acid: The Nineteenth Trip is scary... the bottomless pit of deranged vintage heavy rock the series presents continually expands over time... one deadly dose too many and you might be trapped in the bad trip loop forever... enjoy it or lose your mind!

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12" | 2024 | UK | Original (Soul Quest)

Quest One

18,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-22

No Return!

Soul Quest Records, one of the most exciting new labels to emerge from the soulful end of the deep house spectrum recently, proudly announces the release of ‘Quest One’ its first-ever vinyl-only compilation. This limited-edition vinyl release brings together five of the most popular tracks from the label’s impressive catalogue, offering a must-have collector's item for deep house enthusiasts. Since its inception just 18 months ago, Soul Quest Records has made waves with a string of eight successful releases, capturing the hearts of fans and tastemaker DJs such as Gilles Peterson, Antal, Danny Krivit, Glenn Underground, Laurent Garnier & Kai Alce with its signature blend of deep, soulful, and sexy sounds.

Now, ‘Quest One’ spotlights that winning formula with tracks from standout artists such as 2fox, KingCrowney, Zoe Kypri, as well as two of the label's co-founders, Slxm Sol and Max Sinàl.

The release cements Soul Quest Records' reputation for curating quality music that resonates deeply within the house community. The attention to detail and passion that has defined Soul Quest’s journey is encapsulated in this exclusive release, making it a must-have for vinyl collectors and house music aficionados. .

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12" | 2024 | EU | Original (Mole Music)

Holy Guacamole Volume 1

Brown Acid - The Nineteenth Trip Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After an extensive catalog of digital deep, minimal and tech house releases, Mole Music makes its debut in the realm of vinyl with a fresh selection of dancefloor weapons from a fine array of artists, each offering their unique takes on deep house, tech, and minimal sounds.

The A-side kicks off with JHNS "Nevermind", a minimalistic, low-end heavyweight groove driven by rubbery drums and a tight bassline. Steve End & Colau follow with a silky late-night hypnotic track, while El Funkador closes the A-side with an uplifting, drum-shuffling deep house cut, complete with funky synths and chord progressions.

On the B-side, "Night Strobe", a collaboration between Alben, LAJE, and Erratic, brings a retro-futuristic feel with a fast-paced, garage-tinged vibe. This sets the stage for HOT DLVRY's "Friction", a thumping deep groove led by spacious chords and keys, all anchored by an analog bassline. To round off this well-balanced compilation, Craftsmanship delivers a warm, humid deep house sound featuring bold chords and punchy drums - one of the defining motifs of this standout EP.

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V.A

LP | 2024 | US | Original (Riding Easy)

12" | 2024 | UK | Original (Up The Stuss)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

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S.A.M

Check It Out EP

16,99 €*

Game Of Thrones: Season 5

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A mastermind in showcasing various shades of house music in their inimitable manner, Danish-born, Amsterdam-based DJ/producer Samuel Andre Madsen, aka S.A.M., stands as a rare talent within the current house landscape. Whether crafting trippy, cosmic and psychedelic late-night excursions, delicate, hazy journeys, or groove-driven, heady cuts, their studio naus and innate musical talent has seen them release via a list of leading labels while heading up their own Delaphine, Dahlia and Oscillat imprints - not to mention their longstanding role as one-third of globally renowned trio Mandar. Returning to Up The Stuss following their stand-out collaborative ‘Get Together’ project with label boss Chris Stussy three years ago, 2024 welcomes a blissful late summer outing with the excellently crafted ‘Check It Out’ EP. From the deep, captivating and hypnotic sonics of the title track to the skippy Tiger Balm’, the bumping grooves of ‘Race To Lose’ and the classy tones of ‘Forever Rhodes’, prepare to be transported across the house realm with yet another faultless EP from one of the best around.

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Ramin Djawadi

2LP | 2024 | EU | Original (Music On Vinyl)

38,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Preorder shipping from 2024-11-22