Search "little simz" 3167 Items

Vulnicura Remixes - Notget Lotic Fromdeath Version

Release: 2015 / UK – Original

Genre: Electronic & Dance

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The 78 Project Movie - Special Edition DVD

DVD | 2015 | US | Original (The 78 Project)

27,99 €*

2LP | 2015 | UK | Original (Rough Trade)

Release: 2015 / US – Original

Genre: Rock & Indie

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The 78 Project is on a journey across America to make one-of-a-kind 78rpm records with musicians in their hometowns using a 1930s Presto direct-to-disc recorder. With one microphone. With one blank disc. In one 3-minute take. Along the way, a kaleidoscope of technologists, historians and craftsmen from every facet of field recording—Grammy-winning producers, 78 collectors, curators from the Library of Congress and Smithsonian—provide insights and history. In Tennessee, Mississippi, California, Louisiana, the folk singers, punk rockers, Gospel and Cajun singers in the film share their lives through intimate performances, and find in that adventure a new connection to our cultural legacy. With musical performances by: Reverend John Wilkins (Como, MS), Louis Michot, Corey Ledet & Ashlee Michot (Arnaudville, LA), Victoria Williams (Los Angeles, CA), John Doe (Fairfax, CA), Dawn Landes (Brooklyn, NY), Holly Williams & Chris Coleman (Nashville, TN), John Reilly & Tom Brosseau (Pasadena, CA), Gaby Moreno & Adam Levy (Los Angeles, CA), Jaron Lanier (Berkeley, CA), Ella Mae Bowen (Franklin, TN), Dylan Leblanc (Franklin, TN), Coati Mundi (Murrieta, CA), The Bo-Keys with Percy Wiggins (Memphis, TN), John Paul Keith (Memphis, TN), Ben Vaughn (Wonder Valley, CA), Sea Of Bees (Sacramento, CA), The Easy Leaves (Santa Rosa, CA) and Little Wings (Topanga Canyon, CA). Special edition DVD with over 30 minutes of bonus materials including complete musical performances and never-before-seen interview footage.

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Sun Kil Moon

Universal Themes

7" | 2015 | US | Original (Numero Group)

Release: 2015 / UK – Original

Genre: Rock & Indie

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Universal Themes is the follow-up to Sun Kil Moon's 2014 album Benji, which unexpectedly became one of the most critically acclaimed albums of that year. Like that album, Universal Themes is extremely autobiographical, with songwriter Mark Kozelek spinning yarns about friends, family, his childhood, and other life experiences, with frequent references to boxing, music, films, television, and food. Lyrically, Universal Themes isn't as heavily fixated on death as Benji; instead, there are more songs like "Ben's My Friend," wherein Kozelek sings about his experiences traveling and playing shows. Opener "The Possum" does both, intertwining a story about an old dying possum with an anecdote about hanging out with Justin Broadrick before witnessing an incredible concert by his band Godflesh. "Little Rascals" and "Garden of Lavender" reference previous Kozelek songs by name, as well as fans' reactions to his lyrics, such as a heckler who asks if he really hates Nels Cline (he doesn't; his name just happened to rhyme). The album doesn't contain any references to Kozelek's notorious one-sided media feud with the War on Drugs, but it does include "Cry Me a River Williamsburg Sleeve Tattoo Blues" (complete with text message notification sounds), which starts out from the point of view of a jaded fan who complains that Kozelek won't play his old material, before going into several grim short stories about early deaths and tortures, in order to drive home the first-world-problems message. There's also plenty of lighter, more joyous recollections, such as Kozelek's memory of receiving his first guitar, and a multitude of stories about the best times of his life spent with family and friends. Most of the album's eight songs hover around nine or ten minutes in length, and there are stretches of spoken monologue rather than singing. Musically, Kozelek plays almost all of the instruments himself, other than drums from Steve Shelley and guest appearances by bassist Alex Schwartz and keyboards by Chris Connolly on one track each. A few of the songs rock out more aggressively than any of Kozelek's previous work, and he practically barks out "With a Sort of Grace I Walked to the Bathroom to Cry." As with all Sun Kil Moon albums, Kozelek produced the album himself, and his arrangements remain inventive and gorgeous; the lengthy songs are layered, multi-part suites that frequently switch tempos, drifting off into ethereal passages or graceful tarantellas before snapping back to the driving rhythm framing the story at hand. Like Benji, Universal Themes is a challenging listen, and some might view it as Kozelek's most indulgent album yet. But his brilliant musicianship and guitar playing combined with his fascinating storytelling skills ensure that his music is as poignant and life-affirming as ever, and the album is yet another success in his remarkable catalog. - Paul Simpson at allmusic.com

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Trevor Dandy

Is There Any Love

Release: 2015 / US – Original

Genre: Organic Grooves

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A branch pruned from West Indian-born Trevor Dandy’s 1970 LP Don’t Cry Little Tree, “Is There Any Love” is the stand out track from our 10th release, Good God: A Gospel Funk Hymnal. Produced by composer Paul Zaza in his basement studio in Toronto’s Etobicoke municipality, the socially turned-on Don’t Cry was intended to be sold to Dandy’s congregation. When Dandy failed to hit his promised sales goal of 2000, most of the pressing was relocated to the dump. “Is There Any Love” has since gone on to be sampled by a plethora of artists, including Kid Cudi, Ghostface Killah, Monsters of Folk, and Common. In 2009 we pressed up 200 copies of a one sided version of Dandy’s signature tune in conjunction with United Record Pressing and gave most of them away. It has since become one of the most in demand 45s Numero has ever issued. This unlimited repressing ups the ante slightly, as we’ve added an identical second “bonus” side for discerning DJs and home hifi enthusiasts alike to add their own cue burns, scuffs, and scratches to.

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Vulnicura Remixes - Notget Lotic Keptsafe Version

Release: 2015 / UK – Original

Genre: Electronic & Dance, Pop

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Part of a series of single-sided etched translucent 12” records, each with their own unique etching and die-cut ‘Vulnicura’ wound sleeves, designed by M/M, Paris.“Lotic is the one of the first musicians Alejandro introduced me to in Autumn 2013 with piles of enthusiasm: I got immediately obsessed enjoying how always total nature he was!! The most clublike flamboyant anthems of his always seem like shrieks of beasts, dark insects and pagan birds displaying their feathers in a territorial way: a colourful celebration!! The reason why I asked him to do ‘Notget’ was there are certain suspension-like elastic gravitydefying beat structures that him and Alejandro share (each in their total idiosyncratic way though) that Notget has and I had a gut feeling he would take further. Which he did.” - Björk. “When Björk sent over the original track to review late last year, I couldn't believe how well she had intuited that ‘Notget’ was the perfect selection for me. Perhaps it was a bit of coincidence, but I was very much still tending to the scars left from my previous relationship while at the same time nurturing my current one. ‘Notget’ is both the mourning and the eulogy; I knew this meant remixing the song would be difficult, both technically and emotionally. In the end, I felt I had to attempt to amplify both the desperation the song expresses as well as the inspired, reminiscent joy.” – Lotic

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Vulnicura Remixes - Lionsong Kareokjeijd Version By Mica Levi

Release: 2015 / UK – Original

Genre: Electronic & Dance, Pop

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Part of a series of single-sided etched translucent 12” records, each with their own unique etching and die-cut ‘Vulnicura’ wound sleeves, designed by M/M, Paris. “Mica is someone I have been following growing since 2008, like a proud aunt, I might even have been at her first concert? Sooo exciting to witness her grow into a full on composer and carry the weight of such things as ‘Under The Skin’... And I still adore her upbeat stuff withTirzah too !!!” - Björk. “I did a karaoke version more than a remix, because I love her string arrangements
and thought it would be an opportunity to draw attention to them. I hope Björk isn’t
offended that I took her voice out, [but] you can hear it in your head - or sing
along.” - Mica Levi

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Vulnicura Remixes - History Of Touches Kramphaft Remix

Viceroys / Lone Ranger / Prince Alla / Roberto Sanchez

Release: 2015 / UK – Original

Genre: Electronic & Dance, Pop

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Part of a series of single-sided etched translucent 12” records, each with their own unique etching and die-cut ‘Vulnicura’ wound sleeves, designed by M/M, Paris. “Krampfhaft is someone I have been listening to for few years adoring his hyperbeauty, orchid techno I nickname it in the
vein of plaid and others: brave enough to take joy on in the often rather apocalyptic
environment of electronic music” - Björk. “I was very honoured to be part of this, although it was a pretty daunting task to
rework a song with such an intimate topic! As the original is very stripped down, all
I could think of doing was adding in [even more] tension and drama. So I layered the
whole track on to a bed of heavily compressed cloth movement and gradually built up
the tension from there.” - Kramphaft

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Trod On / Trod Along / Jah In The Morning / Jah Lov

12" | 2015 | EU | Original (Fruits)

Little Junior's Blue Flames

Release: 2015 / EU – Original

Genre: Reggae & Dancehall

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An excellent 4-track roots and dub reggae 12-inch on the French Fruits Records label, of which the first release was I Kong's 'A Little Walk' album.

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Feelin' Good / Fussin & Fightin Blues

7" | 1953 | US | Reissue (Sun)

Release: 1953 / US – Reissue

Genre: Organic Grooves

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The Boss Of The Blues Sings Kansas City Jazz

Big Joe Turner

LP | 1956 | UK | Reissue (Pure Pleasure)

38,99 €*

2LP | 2015 | UK | Original (Rise Above)

Release: 1956 / UK – Reissue

Genre: Organic Grooves

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Besides helping to invent rock 'n roll with his hit "Shake, Rattle and Roll", Big Joe Turner was one of the most soulful blues shouters of all time. His best albums married the boogie-woogie piano stylings of the great Pete Johnson with a jazzy jumpin' horn section. "Boss Of The Blues" is arguably Joe's best recording, in part because he sang with particular gusto during these 1956 sessions. At the time, "Boss Of The Blues" marked a nostalgic return to the jump-blues style that Turner helped pioneer in the '40s. Besides Johnson, Boss featured some of Kansas City's finest ever jazzmen and various members of Count Basie's band, including Joe Newman (trumpet), Pete Brown (alto sax), Lawrence Brown (trombone), Frank Wess (tenor sax) and Freddie Green (guitar). The bawdy "Cherry Red" and the rollicking "Roll 'Em Pete" are my favorite Turner-Johnson collaborations. Both feature some incredible playing by the piano master. Turner's versions of "I Want A Little Girl", "Low Down Dog", "You're Driving Me Crazy", and "Morning Glories" are definitive. If I had to compile a list of my 10 favorite albums, "Boss Of The Blues" would be there.

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Cathedral

In Memoriam

34,99 €*

LP | 2015 | US | Original (NNA Tapes)

Release: 2015 / UK – Original

Genre: Rock & Indie

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As with a choice few truly great bands, the first self-financed cassette recording by Cathedral - made available in October 1990 - was a pioneering underground masterpiece in its own right; the sound of a young band exploring its newfound chemistry, finding confident variations on a flawless list of influences and cultivating a sound and style that would prove hugely inspirational throughout the 1990s and beyond, being a major influence on everyone from Electric Wizard through to Reverend Bizarre.
Where most demos are little more than a dry run for the first album, "In Memoriam" still has its own distinct and important identity in the Cathedral canon. The debut LP that followed, "Forest Of Equilibrium", has a sombre, devout, melodic and mystical grandeur all of its own - but 'In Memoriam' has a far murkier, earthier, more deathly intent. Creepy, cryptic and bowel-looseningly heavy, it represents the first time that the doom metal stylings of Trouble, Saint Vitus, Pentagram and Witchfinder General had been rendered in a new, more extreme metallic form. At the beginning of the new decade, it was really only Cathedral who were proud to assert the influence of true doom metal - a perennially unfashionable genre, but especially in a turn-of-the-decade metal scene so obsessed with speed, technicality, brutality and modernity.

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Drainolith

Hysteria

20,99 €*

LP | 2015 | US | Original (Woodsist)

Release: 2015 / US – Original

Genre: Rock & Indie

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NNA is very proud to present our second release from Canadian hero Alexander Moskos’ Drainolith project. Following up 2012’s “Fighting!” full length LP (Spectrum Spools), “Hysteria” reaches new levels in the Draino sound world, resulting in his most fully realized record to date. Moskos has spent years marinating solo in the cold Northern underground, cutting his chops as lead axegrinder with Montreal-based noise punks AIDS Wolf, and most recently rolling with North American all-star clan Dan’l Boone. “Hysteria” is the result of nearly two years spent in various studios with producers and fellow ‘Boone brothers Nate Young (Wolf Eyes) and Neil Hagerty (Royal Trux), working diligently together to take a few steps beyond Trip Metal and extract the skeleton out of “rock”, inserting it into a newer, much weirder, humanoid skin. The epicenter of this sound rests humbly on the foundation of guitar and voice, two facets of sound that Moskos has carefully cultivated through years of experimentation and digestion from a wide array of musical influences. The relaxed, loose, and energetically electric technique of guitar playing is reinforced by Drainolith’s unrivaled tone, which has morphed throughout the years but now stands alone atop a mountain of shredders. It is ripe with Bluesy fuzziness and the humanity of Americana, while punctuated by the gritty stab of 80’s death metal, and further rounded out with a sprinkling of EVH-esque chorus zones and free jazz adventurousness. The result is a sound that pre-dates the internet in a fabulous way. Each note seems to leave behind a glistening impression like a spot of grease on a pizza box. A tone as unique as this is only bolstered by the vocal delivery, the literal voice of the Mind of Moskos. This beautifully cold, dripping baritone is unmistakable, it’s fried-yet-poetic articulation recalling a halfway point between a melting Dylan and a blazed Robert Ashley. Over-tired, over-wired, and over it. Moskos lets every word kerplunk into a mesmerizing puddle of observation, giving something as mundane as staring out the window or a Vancouver hotel foyer the poignancy of a published work. With guitar and voice at the core, the additional instrumentation on “Hysteria” is the bizarre glue that binds it all together, using the palette of electronics, keys, and haphazardly triggered beats and percussion in an intensely layered fashion to ensure maximum disorientation. The compositions are fully stacked, allowing little room for sparseness or tender moments. Tracks like “Qix” stagger forward in a deranged manner, it’s elastic percussion hearkening back to purple Nike foot-pounding of 2011’s “Where Are Ye Col. Leslie Groves?” cassette and the “one man band” era, for those of us fortunate enough to witness Drainolith’s live experience. Other tracks like “Joy Road” burn on patiently, disintegrating piece by piece into the ether of time amid a bed of Fender Rhodes eeriness... almost like a rare Canadian B-side to the Lizard King’s “An American Prayer”. Blues notions are confronted by Beastie-esque guitar stabs, smeared together with repetitive, angular riff rotations and flailing synth filigree, creating a densely-layered intensity that feels like the anxiety of standing in a rat’s nest of instrument cables and leaky pipe water in a moist basement. Pleasant melody is of little interest here, instead thriving on dissonance and reminding us of the OGs of post-punk, when rock met experimentation and abstraction head on, shoving a properlygreased square peg into a circular hole. While thematically cryptic, “Hysteria” drops rough clues to the heart of it’s content, filled withtales of Quebec biker wars, sinking into couches, Detroit street hassles, sneaker worship, sidewalk slush, sexual desire and seasonal affect disorder. At it’s heart, “Hysteria” is the product of a musician who has much love for the past, but also little interest in recreating it. It is a song cycle that reflects the complexities of our day to day world through the psyche of the modern jammer, fueled by the quintessentially Moskosian diet of caffeine and nicotine. Someone who isn’t content sitting stagnant in a crowd of tradition, and who acknowledges that radical ideas are necessary to propel things into the future.

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Little Wings

Explains

Release: 2015 / US – Original

Genre: Rock & Indie

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Kellion / The Stories Of A Young Boy

Long Arm

CD | 2015 | EU | Original (Project: Mooncircle)

Kellion / The Stories Of A Young Boy

Release: 2015 / EU – Original

Genre: Hip Hop, Electronic & Dance

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‘Kellion’ is the story of a young boy who was born into a mysterious world he explores with his curious eyes, ears and hands. Every new experience lets him grow as a person and also expands his knowledge of the world that surrounds him. His young mind is sometimes blurrying the lines between imagination and reality, dreaming and being awake, reality and fantasy. Making sense of this world in its very own unique way, his world is filled with fantastic and surreal magical creatures and quirky characters.

Over the course of the ten songs many different little adventures unfold and await the young boy, slowly building his character while he explores nature in all its varieties and learns to appreciate it. He lives through new emotions and gets to learn about his own feelings during the process. The title track ‘Kellion’ represents the very inner world of the kid – it is his cocoon where he can always return to and be safe after his journeys and adventures.

„I was trying to live his life with him together and feel what he felt. I tried to understand and recollect what it feels like as a little boy walking around in this big world. I attempted to see the world through his eyes, to experience his fears and happiness and in doing that, just helping him to be a kid.“ – Long Arm

‘Kellion’ is the long awaited sophomore full length album by Long Arm and will come out worldwide on double vinyl in a beautiful gatefold cover as well as on CD and cassette tape, all including download codes.

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Long Arm

2LP | 2015 | EU | Original (Project: Mooncircle)

Kellion / The Stories Of A Young Boy

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Long Arm

Tape | 2015 | EU | Original (Project: Mooncircle)

LP+CD | 2015 | EU | Original (Italic)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Harmonious Thelonious

Santos

23,99 €*

Nobody Knows Where The Red Fern Grows

Release: 2015 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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"I use music as a medium to talk to other people", Sun Ra once revealed. The Düsseldorfer Stefan Schwander would agree with this statement by the avant-garde jazz great, though he would not necessarily sign his name to it. He also speaks to people through music. Yet he also likes to let music talk to music. Since 2008, as Harmonious Thelonious, on numerous EPs and two albums, he blends the reduced patterns and structures of American minimalist music with African, Latin American and Caribbean rhythms.

For his new work "Santos", which he sees as an LP with a unified concept, he embarked on a mental journey to the north of the African continent and became entranced by Moroccan trance music. The resulting pieces are light, with traces of pop, interweaving the atmospheres of the Master Musicians Of Joujouka and Gnawa music with the driving force of techno. This time Schwander invited a handful of guest musicians to serve as sound sources. The Berliner Ghazi Barakat, former bass player of Stereo Total and man behind the psychedelic experimental project Pharoah Chromium, contributed modified sounds from his Moroccan flute. A second guest musician is the Cologne-based composer Volker Zander, who has long played double bass and electric bass with Calexico. For songs like "Mountains" or "Belloumi" he played a melody on the Turkish Tambur, lending an oriental flair to the vital rhythms of the tracks. The intricate rhythmic patterns also incorporate instruments such as banjo, mandolin and Afro-Cuban drums, played by the percussionist Stefan Suhr, who studied Afro-Cuban ritual drumming in Cuba. Schwander's electronic sequencing blurs these organic sources and brings them into a fluid dialogue with his electronic ideas. For a piece like "Rendez-vous of the Dead", for example, Harmonious Thelonious projected himself out of the studio onto the Djemaa el Fna square in Marrakech. Here, every evening after sunset, local musicians meet and play themselves into a frenzy on distorted mandolins. Harmonious Thelonious translates this dream into a quaking dance monster whose home might be a techno club with an experimental sonic approach. Of course, most of the pieces of "Santos" are heavily danceable, although this time Harmonious Thelonious' tracks roll a little slower than previously. Their rugged beauty has also given way to a very smooth sound. His music, however, has lost none of its complexity. The many voices speak together, propelling each other toward something that traverses traditional genre boundaries, creating a playful trance.

The cover of "Santos" underscores this: It is a collage designed by the artist himself, depicting his notion of an all-star band. Everyone must decipher for themselves exactly who is to be found there. Here, once again, the pictures are not direct portrayals, but veiled references to an emotional state hidden far beyond the visual realm. Just like the music of Thelonious Harmonious, which uses various layers tell countless stories.

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All The King's Horses

12" | 2015 | EU | Original (Back 2 Da Source)

LP | 1971 | US | Reissue (Fat Possum)

Release: 2015 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies. All the songs of the EP have been recorded at Razor's Edge Recording which is a little studio in San Francisco, California, that saw names like Nirvana, Melvins, NOFX, and others - it's not hip hop but damn if you don't know Kurt Cobain where do you come from? In 1995, 2 years after "Nobody Knows...", they did some featurings on Mystik Journeymen's "Unsigned & Hella Broke Vol. 1" tape (prod by Sunspot Jonz of Living Legends). This wax is the real deal if you dig the real west coast shit before it turned into gangsta & commercial garbage. Tip!

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Ann Peebles

Part Time Love

LP | 1977 | EU | Reissue (Wah Wah)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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There were so many competent records coming out of Memphis that any burgeoning greatness can only be detected by a careful listening. Ann Peebles deserves that kind of extra care. Her style is so subtle and economical that the finer qualities of her talents might be passed over as being merely competent. This would be a crime because little Ann has so very much to offer. Ann stresses the melody (rather than rhythm for its own sake). This is not to say she can’t sing funky; she can and does very effectively. It just means Ann shines extra brightly on the slower bluesy numbers. For example “Give Me Some Credit” is such a moving lament, filtering faint traces of early Smokey Robinson and the album’s two most tender cuts, “I Still Love You” and “Steal Away” are the places where Ann Peebles makes such a great impression. These are the kinds of song that become “personal” classics. Ann sings seven up-tempo numbers on which she illustrates her tight, full-bodied voice and shows why she’s presently way up on R&B charts all over the country. Her renditions of “It’s Your Thing,” “Part Time Love,” and “Make Me Yours” are unfettered delights. Ann Peebles goes past the apparent and into the sublime. She stands beyond the predictably competent. And you know that’s where it’s at.

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Franco Leprino

Integrati … Disintegrati

Diamonds And Rust In The Bullring 200g Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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It was 1977, the year when punk rock exploded in the face of disco-music, but some thinking heads in Italy managed to escape the set trends of the year and walk a totally different path. Pioneers like Franco Battiato had already been experimenting with a crash of rock and electroacoustic music since the beginning of the decade, and others like Roberto Cacciapaglia or Riccardo Zappa would explore farther in those lands, mixing acoustic instruments with the bourgeoning synth technology. Among all these artists, an obscure little gem missed the attention it deserved: Integrati… Disintegrati, by Francesco Leprino, is undoubtedly one of the best albums of the genre. More freely unchained from the prog rock links that albums like Battiato's celebrated Fetus and Pollution LPs or Zappa's Celestion still retain, Leprino merges a very pure classical instrumentation of Spanish guitar, piano and flute with more modern electric guitar sounds, 12 string guitar and -of course- a V.C.S. 3 and Moog synths background that creates highly avantgarde atmospheres. Binson tape echoes, Hammond and Thomas organs, oboes, vibraphone and other additional instruments add texture richness to the final mix.

An outstanding opus split through both sides of an LP in two 20 minutes long pieces that has become a much sought after album among collectors. It will appeal those interested in the development of synth music, beautiful athmosferic landscapes and electronic-acoustic orchestrated sounds.

Reissued under license from Francesco Leprino in a 500 copies limited edition that respects the original artwork, comes with remastered sound and includes an insert with liner notes and photos.

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Joan Baez

LP | 1989 | US | Reissue (Analogue Productions)

46,99 €*

12" | 2015 | EU | Original (Clone Jack For Daze)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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The album chronicles a show performed by Baez in a bullring, naturally, in Bilbao, Spain, in 1988, and it demonstates what makes her such a draw overseas. Half of the collection, side two of the LP, consists of songs sung in Spanish.
»This record was made in a bullring in Bilbao, Spain, in 1988. It is dedicated to the Mayor and the people pf Bilbao, who came out between thunderstorms to see me perform. The song in Catalan "Txoria Txori" is about a sweet little bird ... I want to thank Pasku who taught it to me, and thank the Bilbao public for singing it so beautifully.« — Joan Baez. Illustrations by Joan Baez; additional vocals Mercedes Sosa.

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DJ Haus

Helta Skelta

LP | 1958 | UK | Reissue (Sam)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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DJ Haus goes a little freaky on the Helta Skelta EP. This 4 track ep show his strangely funky side with some odd and jerky rhythms and melodies. It takes it ques from the windy city but doesnt hide DJ Haus's roots in the UK with a bleepy techno twist and pirate radio energy.

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Donald Byrd

Byrd In Paris

37,99 €*

LP | 1982 | EU | Reissue (Dub Mir)

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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»They’d been living in Europe for months. They’d appeared in Cannes and at Knokke (…) yet the only thing missing was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio, in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well-served in Paris.« (Jazz Magazine). Hard bop had arrived! Hallelujah! On its first French appearance, in July ‘58 at the Cannes Festival – the first and only Cannes jazz festival – the Donald Byrd Quintet had brought the house down. Yet four of its five members were relatively unknown in France … The French knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins was the Messengers’ bassist, and that pianist Walter Davis Jr. was still only 18 when he’d played with Charlie Parker. As for Art Taylor, even if his name meant something to fans, it was still difficult for people to have a more precise idea of his musical qualities. Only Bobby Jaspar was well-known to Paris audiences, and the tour marked the return of the prodigal son, the musician who’d decided, after setting the Club St. Germain on fire, to try his luck in the States early in 1956 – J.J. Johnson had hired him, and then Miles Davis (for a short spell) before Donald Byrd brought him into the group he was taking to Europe. This new tour would climax at the Olympia theatre during one of the “Jazz Wednesdays” that were organised there, ever since the "Jazz At Carnegie Hall” tour – Zoot Sims, JJ. Johnson, Lee Konitz, Phineas Newborn – had inaugurated the series a little earlier. Byrd and his band took pains not to disappoint a Paris audience they knew to be particularly fickle, and they astutely varied the public’s pleasures throughout the evening. The complicity that united the rhythm section – Walter Davis Jr., Doug Watkins and Art Taylor – was much in evidence on Ray’s Idea; mistrusting the traps of the spectacular at all costs, Donald Byrd, producing brilliant inventions on the trumpet, took the lion’s share of the honours on a theme that was then much in fashion, "Dear Old Stockholm", adapted from a Swedish traditional song; on "Flute Blues", Bobby Jaspar proved he was still a specialist on that instrument, and Paul’s Pal showed that, on tenor, the playing of Sonny Rollins hadn’t gone unnoticed. It must be said that it didn’t have much effect on the discreet lyricism underlying the choruses he played during his “St. Germain” period. The Olympia spectators weren’t sparing in their applause for the five musicians. How else could they have reacted, faced with the fire the band showed during a tune like "The Blues Walk"? It wouldn’t take much for us to applaud, too, even if it is fifty-five years later…

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Scientist

Wins the World Cup

24,99 €*

7" | 2014 | EU | Original (Top Smile)

Release: 1982 / EU – Reissue

Genre: Reggae & Dancehall

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Scientist’s name will be found on many dub releases in people’s record collections. His connection to King Tubby is inseparable and many would say that when dub had fallen on quieter times it was Scientist who breathed new life into it. His paired down mixing style suited the new dancehall reggae sound that came as the 70’s rolled into the 80’s. This 1982 LP includes the priceless dub to Johnny Osbourne’s classic Give A Little Love, as well as further cuts to the likes of Hugh Mundell and Wayne Jarrett. Scientist is always in control! Includes 6 bonus tracks!

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Little Harry

Hard Life

7,99 €*

Release: 2014 / EU – Original

Genre: Reggae & Dancehall

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12" | 2014 | EU | Original (From 0-1)

Milkplant

Time Dilation

LP | 1985 | US | Reissue (Light In The Attic)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Seattle/San Francisco based Techno label, From 0-1 issue "Time Dilation", a 12" vinyl/digital EP by label director, and co-owner Milkplant (Justin Pennell) of the San Francisco Bay Area. Andrei Morant and From 0-1 co-owner Sone join in as remixers. Including an endless groove and two locked grooves, this piece of vinyl is meant to be as utilitarian for the vinyl DJ as possible. 'Dimension 4' starts off the EP with a classic big room percussive Techno vibe, closing in an endless groove. Following is Andrei Morant's absolutely punishing treatment of Dimension 4, a tearing lead, and searing percussion point to the main room. Two locked grooves, one percussive, the other synth based close out side '0'. On the flip side Milkplant's 'Spherical' reps a tight "future-retro" vibe; elements of old Motor City Techno dominate with a bit of grit to keep it dirty. Sone dials in a perfect toned down, more expansive and hypnotic interpretation of Spherical showcasing slowly evolving filters and modulation fit for the wee hours of the morning. 'Plasmic' is included only as a digital extra in this release- tough, noisy, and a little tripped out with a bit of swing to keep them on the floor.

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Lewis

Romantic Times

25,99 €*

CD | 2011 | US | Original (Thizz Ent.)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Earlier this year, Light In The Attic released the mysterious, bewitching L’Amour, a 1983 private press record thought to be the only release by one of music’s true lost talents: Lewis.

So lost, in fact, was Lewis, he eluded every effort to track him down. Scant details were known: just a series of possibly apocryphal stories about a sports car-driving Canadian with a model on his arm and a habit of skipping town when there were bills to be paid.

Deciding that Lewis’ spider web-delicate songs demanded to be heard, we put the album out anyway, offering to present the due royalties to anyone who could prove they were Lewis.

One sure thing was this: Lewis was a man of many names: Randall A. Wulff among them. Now we have either found another alias – or perhaps even his real name – on the sleeve of a completely unknown album.

Sourced soon after the re-release of L’Amour, Romantic Times is the 1985 follow-up to L’Amour – and it’s released as Lewis Baloue. The name may be slightly different, but this is absolutely our man: a familiar blond posing on the sleeve, a familiar, tortured voice pouring his heart out over languid synths and synthetic waltz beats.

Remastered from a sealed, vinyl copy of the ultra-rare album, the album was discovered in the vaults of DJ and collector Kevin “Sipreano” Howes in Vancouver, BC. It’s so rare that what is, at present, the only other known copy – found in the same Calgary store where Aaron Levin discovered a batch of sealed copies of L’Amour – is presently soaring into quadruple digits on eBay.

Even engineer Dan Lowe, credited for working on the album at Calgary’s Thunder Road Studios, remembered little about the session other than that Lewis seemed to be “under the influence”. Yet the music is utterly captivating.

The album further fleshes out the Lewis myth – we see him pictured in that white suit with his famous white Mercedes and a private jet too; we hear him focussing more intently on matters of the heart, and appearing to unravel in the process. “I felt like I was witnessing a full-blown exorcism of a phantom clad in the finest linen,” writes filmmaker and historian Jack D. Fleischer in his brand new liner notes. “This record went further [than L’Amour ]. It was a personal plea, of sorts. Something had gone wrong. Nerves were clearly exposed.”

It paints Lewis, then, as being more like a David Lynch character than even his debut did, exposing the darkness beneath the sheen. The album is presently being readied for release to the throng of new fans Lewis has found, willingly or not. The man himself remains a total enigma.

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Mac Dre & Kilo Kurt

From The Ground Up

Cuffed Collared And Tagged

Release: 2011 / US – Original

Genre: Hip Hop

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From the beginning to now, before and after, Mac Dre passed away Thizz is still going strong. This soundtrack for the Thizz nation, from Da Ground Up, is going to be a fan favorite with all new tracks from all your favorite artists. Featuring Dubee, Mistah Fab, J. Stalin, Jacka, J-Diggs, Philthy Rich, Rydah J. Klyde, Crest Creepaz, Zoe Da Roaster, D-Lo, Sleepy D, Gold Toes, Little Bruce, Lil Italy, the Mob Figaz and more.

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Swamp Dogg

LP | 2013 | US | Original (Fat Possum)

Release: 2013 / US – Original

Genre: Organic Grooves

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One of the great characters in rock and soul music is Jerry Williams, better known as the eccentric, idiosyncratic, and always entertaining Swamp Dogg (no relation to Snoop Doggy Dogg). A Virginia native, Williams invented his own legend by claiming that he had little proper schooling, only to wake up one day and find himself a musical genius (his words). Actually, Williams is very talented, and an early association with Jerry Wexler and Phil Walden led to him working for a number of years as a producer, engineer, and occasional songwriter with Atlantic in the '60s. At decade's end, however, he decided that the time was right to unleash Swamp Dogg's singular view of the world on an unsuspecting public. The initial result was one of the most gloriously gonzo soul recordings of all time, Total Destruction to Your Mind. The album's charm may have to do with Dogg's world view: part libertarian politics; part Zappa-style critiques of commerciality and capitalism; and part horny male, the latter defining for better and worse his view of women. Although he spent years working in the industry, Dogg was simply not the standard-issue soul type. And that was good. Dogg continued to make records, albeit infrequently, after 1969, some good, a few great, and most all extremely difficult to find. With contemporary soul sounding increasingly mannered and sterile, Dogg's yelling, screaming, and general craziness is missed. Thankfully, he hasn't disappeared for good, although he only makes records when he feels like it. It would be wise to not count him out; just when you think this Dogg is down and out, he sneaks up and bites you.

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2LP | 2002 | UK | Reissue (One Little Indian)

Greatest Hits

Release: 2002 / UK – Reissue

Genre: Pop

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LP | 2014 | EU | Original (Walt Disney)

OST The Little Mermaid

Release: 2014 / EU – Original

Genre: Pop, Soundtracks

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LP | 1968 | EU | Reissue (Lion / Groovie)

Yays & Nays

22,99 €*

12" | 2014 | EU | Original (Wolfandlamb Music)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Monster rare USA private pressing from 1968, rated with 6 stars in the Hans Pokora 3001 Record Collector's Dreams book. The Yays & Nays were a groovy, hip group (says so on the original LP jacket!) comprised of three guys and three girls. Theirs is a truly unique sounding album, full of creative songwriting and vocal arrangements and a style that defies categorization. There's garage folk-rock-the opening track 'Gotta Keep Traveling' is really astounding!, tracks with vocals in a kind of 'Kicking Against the Pricks"-era Nick Cave-channelling-Tony-Joe-White-meets-Johnny Cash vein, a little country flair, and some cuts of an ''Incredible Strange Music'' type. Weird and wonderful, in it's own peculiar way. Reissued for the first time, in collaboration with band members, and with original artwork.

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Waves & Us, The

The Waves & Us

LP | 2014 | EU | Original (Warner)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us. Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

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Royal Blood

26,99 €*

2LP | 1994 | EU | Reissue (Music On Vinyl)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Royal Blood unleash their fantastic debut album. Royal Blood is a mixture of anguished vocals, ferocious drumming and bass that provides intricate detail as well as a rumble of rhythm. Royal Blood are the result of a lineage that stretches from present day heroes Queens of the Stone Age to the influential Led Zeppelin, and all the way back to early blues pioneers. Encapsulating their ferocious, bluesy bass and drums groove, 'Come On Over' blisters with an immediate intensity that matches their recent breakthrough singles 'Out of the Black' and 'Little Monster'.

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Korn

33,99 €*

LP | 1969 | US | Reissue (Lion)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Korn is the eponymous debut studio album by the American Nu-Metal band Korn. It was released in 1994, right after the band toured with Biohazard and House of Pain. A little more than a year after release, the album went Gold in the United States. The album spawned 4 singles; "Blind", followed by "Need To", "Shoots and Ladders" and "Clown". The album has now sold over 10 million copies worldwide and was never before issued on vinyl.

Including 6 page insert.
Pressed on 180g audiophile vinyl.

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49th Parallel

26,59 €* 27,99 € -5%

LP | 2014 | UK | Original (Soundway)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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In the spring of 1969, 49th Parallel had a hit in with ‘Twilight Woman’, a lovely song that sounds like a poppier version of what bands like Tomorrow were doing in England. That success led to the release of 49th Parallel’s only album. All hyperbole aside, it is easily one of the top Canadian rock albums of the psychedelic era. The album is strong throughout—from the pulsating psychedelia of ‘Lazerander Filchy’ and the ultra-strange ‘(The) Magician’, the shimmering beauty of 'Twilight Woman', to the quintessential slashing guitars punk edginess of ‘Now That I'm a Man’ and ‘(Come On Little Child &) Talk To Me’. Dan Lowe's blazing fuzz guitar work stands out on ‘Missouri’ and also when matched by organist Jack Velker's brilliant work on ‘Eye To Eye’, ‘Talk To Me’ and ‘(The) People’.

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My Panda Shall Fly

Tropical

Donuts by Jordan Ferguson

Release: 2014 / UK – Original

Genre: Electronic & Dance

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A kaleidoscope of rainbow textures and rhythms disperse into the exotic soundscape of ‘Tropical’. Electronics, real folk instruments and noise-making objects feature here generously on this six-track concept album, blending together a sonic palette influenced by a rich variety of music and people and places.

The material was initially written over the course of a few months during what Seneviratne called "a beautiful burst of inspiration". Working with veteran producer Asier Leatxe Ibanez d'Opakoa (Electric Lady Studios, NYC), Seneviratne then set about disassembling all the songs and re-working them meticulously, enriching the sounds by adding a huge range of live instrumentation, before processing the audio through vintage analogue studio gear.

Suren Seneviratne, born in Sri Lanka before settling in London in 1996, first caught the attention of the music world with a remix that featured on Pitchfork back in 2010. Since then he has released a plethora of diverse records, gaining support from the likes of Clash Magazine, The Fader, Mixmag and Dazed Digital, as well as regularly touring internationally. He has also remixed the likes of The Weeknd, Stay Positive & Little Boots as well as appearing at festivals like BBC Hackney Weekender, Outlook Croatia & Glade as well as performing at prestigious venues such as The Design Museum, Tate Modern & Barbican.

My Panda Shall Fly has gone through many an incarnation but it was around seven years ago that music from other continents first began piquing his interest, filling his head with new sounds that eventually seeded the ideas for this project. On ‘Rainfall’ he works with the sound of tongue mallets, cymbals and synthesized bass while on ‘'Yapeyú' he manipulates the sound of pan pipes with poly-rhythmic Rhumba percussion.

With the release of ‘Tropical’, My Panda Shall Fly has yet again set himself apart as one of the most unique contemporary electronic musicians around today.

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J Dilla

33 1/3

7" | 2014 | US | Original (Fat Wreck Chords)

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From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying?

Drawing from philosophy, critical theory and musicology, as well as Dilla’s own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist’s declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.

152 pages.

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Sundowner

Little Elephant Session

3LP | 2014 | UK | Original (Ninja Tune)

Release: 2014 / US – Original

Genre: Rock & Indie

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Last fall, while touring on the Fat Wreck Chords debut full-length album Neon Fiction, Sundowner made a pit stop at Little Elephant Studio in Toledo, OH. Run by two engineers, Rob Courtney and Brian Gross-bias, Little Elephant has built a reputation recording high quality video of bands performing live and making those performances available to the public. Once the Sundowner session was complete, Chris Mccaughan was so happy with the outcome that he decided to release the audio recordings on a 7" via Fat Wreck Chords in conjunction with Little Elephant rolling out the video footage. The 7", titled Little Elephant Sessions, contains four tracks total; one from each of the three Sundowner full-lengths and one Lawrence Arms classic. All four songs are done in the stripped-down intimate style that has endeared so many fans to Sundowner, just Chris, his guitar, and artistically-crafted, unforgettable songs.

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Martyn

The Air Between Words

31,99 €*

The Quasi Dub Development

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Somewhere between House, Detroit Techno & Bass, Martyn comes through strong with a little help from Four Tet & Inga Copeland!

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Little Twister vs. Stiff Neck

LP | 2014 | EU | Original (Pingipung)

16,99 €*

Nabuma Rubberband Deluxe Edition

Release: 2014 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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The Quasi Dub Development (QDD) has been founded as a collective four years ago by Luca Fadda and F.S. Blumm. After “Limousine To The Guillotine” (2011) comes now their new album. The QDD love Dub, obviously, but they play it by hand with their many instruments and effects, instead of working in the studio along the classic post production methods of the genre. Their friendly, handmade „Quasi Dub“ is at the same time experimental and accessible. This sound has convinced nobody else than of the pioneers of the Dub genre, Lee Perry, to make an appearance in “Let's Communicate”.

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Little Dragon

LP+CD | 2014 | EU | Original (Because)

2LP | 2014 | EU | Original (Project: Mooncircle)

Release: 2014 / EU – Original

Genre: Pop

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4th album, inspired by the more experimental pockets of Prince's back catalogue, club culture & the vintage Janet jackson slow jams Yukimi used to listen to wandering around Gothenburg during the unrelenting winter.

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kidkanevil

My Little Ghost

CD | 2014 | JP | Original (Project: Mooncircle)

Release: 2014 / EU – Original

Genre: Hip Hop, Electronic & Dance

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A bright and colourful scenery: Shrill blinding sights, piercing foreign sounds, a fusion of disparate scents blended into a cocktail of curiosity. Fleeting attempts embrace a thousand senses in one single second. Bustling around in the shadows of buildings as high as mountains, an almost eerily overwhelming sense of contentment is omnipresent - but something doesn't appear to be right...
Stranded on a lonely island in the midst of a chaotic metropolis, disconnected - a feeling of drowning in an ocean of overstimulus and importunities of disproportionately inflated personalities, without ever even being registered or taken notice of.
What's left is nothing more than the ghost of a young soul, wandering about and curiously studying the surrounding, forever looking for answers that would otherwise seem trivial.

After “Kidsuke” the critically acclaimed collaboration project with Daisuke Tanabe, “Tokyorkshire” based producer kidkanevil continues his fascination with Japan and readies his latest solo album My Little Ghost. Inspired by a summer spent in Tokyo collaborating, exploring and generally refusing to grow up, the double vinyl is due May 2nd on Project: Mooncircle and features a wide range of guests including PMC's own submerse and Tokyo vocalist Cuushe.

'My Little Ghost' comes out worldwide on limited gatefold, double, pink vinyl (including download code (on the insde of the cenetr fold)) as well as a limited edition CD including a bonus track via flau records - http://www.flau.jp/ in Japan.

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kidkanevil

My Little Ghost

LP | 2014 | US | Original (Side One Dummy)

Release: 2014 / JP – Original

Genre: Hip Hop, Electronic & Dance

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A bright and colourful scenery: Shrill blinding sights, piercing foreign sounds, a fusion of disparate scents blended into a cocktail of curiosity. Fleeting attempts embrace a thousand senses in one single second. Bustling around in the shadows of buildings as high as mountains, an almost eerily overwhelming sense of contentment is omnipresent - but something doesn't appear to be right...
Stranded on a lonely island in the midst of a chaotic metropolis, disconnected - a feeling of drowning in an ocean of overstimulus and importunities of disproportionately inflated personalities, without ever even being registered or taken notice of.
What's left is nothing more than the ghost of a young soul, wandering about and curiously studying the surrounding, forever looking for answers that would otherwise seem trivial.

After “Kidsuke” the critically acclaimed collaboration project with Daisuke Tanabe, “Tokyorkshire” based producer kidkanevil continues his fascination with Japan and readies his latest solo album My Little Ghost. Inspired by a summer spent in Tokyo collaborating, exploring and generally refusing to grow up, the double vinyl is due May 2nd on Project: Mooncircle and features a wide range of guests including PMC's own submerse and Tokyo vocalist Cuushe.

'My Little Ghost' comes out worldwide on limited gatefold, double, pink vinyl (including download code) as well as a limited edition CD including a bonus track via flau records - http://www.flau.jp/ in Japan.

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Andrew Jackson Jihad

Christmas Island

14,99 €* 19,99 € -25%

Tape | 2014 | EU | Original (Project: Mooncircle)

Release: 2014 / US – Original

Genre: Rock & Indie

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Their fifth album is a little bit silly, a little bit serious. It's a record that's irreverant yet somber, full of humor and full of pathos, its twelve songs combinging the two to creat a record that truly cuts right to the bone of the human condition.

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kidkanevil

My Little Ghost

The Average Joe Gold Vinyl Edition

Release: 2014 / EU – Original

Genre: Hip Hop, Electronic & Dance

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A bright and colourful scenery: Shrill blinding sights, piercing foreign sounds, a fusion of disparate scents blended into a cocktail of curiosity. Fleeting attempts embrace a thousand senses in one single second. Bustling around in the shadows of buildings as high as mountains, an almost eerily overwhelming sense of contentment is omnipresent - but something doesn't appear to be right...
Stranded on a lonely island in the midst of a chaotic metropolis, disconnected - a feeling of drowning in an ocean of overstimulus and importunities of disproportionately inflated personalities, without ever even being registered or taken notice of.
What's left is nothing more than the ghost of a young soul, wandering about and curiously studying the surrounding, forever looking for answers that would otherwise seem trivial.

After “Kidsuke” the critically acclaimed collaboration project with Daisuke Tanabe, “Tokyorkshire” based producer kidkanevil continues his fascination with Japan and readies his latest solo album My Little Ghost. Inspired by a summer spent in Tokyo collaborating, exploring and generally refusing to grow up, the double vinyl is due May 2nd on Project: Mooncircle and features a wide range of guests including PMC's own submerse and Tokyo vocalist Cuushe.

Limited handmade and handpainted pink cassette edition (including download code).

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Joe Kickass

LP | 2014 | EU | Original (Project: Mooncircle)

Burn Your Fire For No Witness

Release: 2014 / EU – Original

Genre: Hip Hop

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After the success of his previous releases, Amsterdam based Joe Kickass sets out to create a worthy follow-up to his ‘Mind Joe’ legacy. It’s been a long time coming but now his second full length album, ‘The Average Joe’ is finally here. Named in celebration of the millions of unique stories that make every individual the person they are, this record gives a little more insight into the man behind the mic. The past years leading up to this release have been somewhat of a rollercoaster ride, with a lot of things happening in Joe’s personal as well as artistic life. All of the different resulting emotions and contemplations are reflected in the diversity and maturity of his sophomore LP.

Besides crafting his own beats, Joe enlisted a small army of talented musicians to contribute to this album. From the nu-soul sounds and vocals of Sacha Vee, via the dusty warmth of Vinyl Frontiers to the boombap vibes of Polish veterans O.S.T.R. and DJ Haem, just to name a few of the influences and collaborators on ‘The Average Joe’. In addition, with trustworthy partners in crime Killing Skills as the executives, every track is produced into perfection. With this second LP, released on gold colored vinyl, Joe is taking Project: Mooncircle back to it’s legendary hip hop roots. The Average Joe kicks ass, indeed.

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Angel Olsen

LP | 2014 | US | Original (Jagjaguwar)

23,99 €*

LP | 1982 | UK | Reissue (Greensleeves)

Release: 2014 / US – Original

Genre: Rock & Indie

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Many of the superlatives describing Angel Olsen refer to how seemingly little it takes for her to leave an audience speechless, even spellbound. But Olsen has never been as timid as those descriptors imply, and the noisy, fiery hints in her earlier work find a fuller expression on her newest LP, Burn Your Fire for No Witness. Here, Olsen sings with full-throated exultation, admonition, and bold, expressive melody. Also, with the help of producer John Congleton, her music now crackles with a churning, rumbling low end and a brighter energy.

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Johnny Osbourne

Never Stop Fighting

24,99 €*

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 2014 | US | Reissue (Truth & Soul)

Shirley Nanette

Never Coming Back

LP | 2014 | EU | Original (One Little Indian)

Release: 2014 / US – Reissue

Genre: Organic Grooves

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We could get some more copies for a lower price, so we also lowered your price. A bargain! /

In the early seventies, Hank Swarn and Shirley Nanette collaborated to form Never Coming Back. Swarn had been on the road for five years, lending his guitar-backing talent to Earl Grant and his band. While on tour, he wrote some tunes that were ultimately released on the Never Coming Back album. Al Nanette approached Hank about putting together a record with Shirley, who was also keen on getting in the studio. Luckily, Swarn already had songs to bring to the session. With the support some talented local musicians, the album was recorded–mostly in one or two takes–in a little over a week. Unfortunately, the album saw little exposure. Needless to say, this tremendous effort by Nanette, who continues to sing and perform in Portland, has touched the hearts of many who’ve recently heard the album for the first time.

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Asgeir

In The Silence

Release: 2014 / EU – Original

Genre: Pop

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LP | 2013 | US | Original (Bar / None)

Ezra Furman

Day Of The Dog

26,99 €*

Darkside (Nicolas Jaar & Dave Harrington)

Release: 2013 / US – Original

Genre: Rock & Indie

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Chicago native Ezra Furman has always positioned himself as a singer-songwriter with or without the Harpoons.
His acoustic based music would sometimes rock or burst forth with technicolor pop flourishes. On 2012’s The Year of No Returning the production was especially sophisticated but now like Dylan in ‘65 he is ready to harness the electricity and delve a little deeper into life as a rock and roller with punk panache.

On Day of the Dog Ezra re-invents himself as an angry young man ready to throw himself on the pyre for the redemption that will follow. With a tight rockin’ combo he re-works ‘50s grooves through primal-Lennon outbursts, glam hissing, right up and full circle into Pixies-style/Buddy Holly rave-ups. It’s an instant classic that could have fit on Stiff between Costello’s debut and the Damned.

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Psychic

2LP | 2013 | US | Original (Matador)

12" | 2013 | EU | Original (Big Bait)

Release: 2013 / US – Original

Genre: Electronic & Dance

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After touring to supports Jaar's 2011 album 'Space IS Only Noise`, Harrington & Jaar put together a nice little gem of an album!

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Chocky

Stoney Clouds

8,99 €* 11,99 € -25%

Sarah Neufeld of Arcade Fire

Release: 2013 / EU – Original

Genre: Electronic & Dance

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London underground sound meets south German dopehouse science: Shuffling Grooves, deep chords and the little extra spice of bigbait flavour – that’s the Stoney Clouds EP. On this groundbreaking 4-tracker we introduce London- based producer Chocky, supported by Big Bait stalwarts de:pot and Scherbe.

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Hero Brother

LP | 2013 | UK | Original (Constellation)

25,99 €*

LP | 1962 | EU | Reissue (Doxy)

Release: 2013 / UK – Original

Genre: Rock & Indie, Classical Music

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Sarah Neufeld is a violinist and composer based in Montréal, Canada. Best known as a member of Arcade Fire, she is also a founding member of the acclaimed contemporary instrumental ensemble Bell Orchestre and has performed and recorded with many other groups, including The Luyas, Esmerine and Little Scream.

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Sylvie Vartan

Sylvie

12" | 2013 | EU | Original (Big Bait)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Sylvie Vartans seminal 1962 debut LP transformed the 18-year-old collegiénne du twist into the French pop diva, whose songs (and high-profile marriage to Johnny Hallyday) would dominate the European pop charts throughout the 1960s. Songs like Est-ce que tu le sais and Le Loco-motion remakes of Ray Charles What Id Say and Little Evas Locomotionbecame two of her first smash hits.

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Jenifa Mayanja

Random Nature

6,59 €* 11,99 € -45%

Release: 2013 / EU – Original

Genre: Electronic & Dance

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With her 3-track-smasher “Random Nature” Jenifa Mayanja gives us an impression of what House Music in 2013 should sound like! The Random Nature EP is a tasteful collection of warm and Detroit like Deep-House- Meditations with definitely that little extra spice of Afro-American awareness for rhythm and sound! After the release of her very successful album “Woman Walking in the Shadows” – rated by the Groove Magazine as one of the best albums in 2011 – and a celebrated DJ-tour through Europe’s most famous clubs, Jenifa now makes her debut at Big Bait Records with this amazing 3-track EP.

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Kenya Special: Selected East African Recordings From The 1970s & '80s

3LP+7" | 2013 | UK | Original (Soundway)

27,99 €*

2LP | 2013 | UK | Original (Soundway)

Release: 2013 / UK – Original

Genre: Organic Grooves

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Soundway Records present Kenya Special: Selected East African Recordings from the 1970s & ‘80s - a treasure-trove of rare and unusual recordings from East Africa. Spread out over two CDs and one triple LP, Kenya Special is accompanied by detailed liner notes, original artwork and photographs.

It follows on from Soundway’s much acclaimed African ‘Special’ series that to date has focused on the highlife and afrobeat output from 1970s Nigeria and Ghana. Kenya Special is a collection of 32 recordings (most of which were only ever released on small-run 45rpm 7" singles) that stand out as being different or unique as well as some classic genre standards. From Kikuyu language ‘liquid soul’, Luo benga and Swahili afrobeat to genre-bending Congolese and Tanzanian tracks recorded in Nairobi, Kenya Special sees Soundway yet again taking the less trodden path. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse the music scene in Kenya was at the time.

In 1970s Kenya the two threads of rumba and benga loosely dominated the music scene. Benga quickly became Kenya’s unique contribution to afro-pop; spreading like wildfire through the interior countryside with it’s fast, 4/4 machine-gun beat and intricate electric guitar layers. The Congolese take on Afro-Cuban rumba was introduced by touring bands many of whom settled in East Africa - influencing bands from Kenya and Tanzania to come up with their own take on this popular style. Alongside these styles were small ensembles and hotel-sponsored bands, playing a blend of music that often included rock ‘n’ roll riffs, elements of ‘afro’ music (influenced by West African musicians like Fela Kuti), and multiple other combinations from South African and Zambian guitar styles to disco, funk and Swahili coastal rhythms like chakacha.

Painstakingly compiled, assembled and researched over two years by a team of five people from five countries (Kenya included), Kenya Special is a collection that looks beyond the mainstream and brings new life and recognition to some little known gems and forgotten classics of Kenya’s past.

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Chico Mann of Antibalas

Magical Thinking

LP | 1957 | UK | Reissue (Pure Pleasure)

Release: 2013 / UK – Original

Genre: Organic Grooves

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Chico Mann’s fifth album will be anticipated by the single "Same Old Clown", featuring the sultry vocals of New York based Kendra Morris.

Displaying his mastery over an arsenal of studio weapons and synthesizers, Chico Mann (aka Marcos Garcia) scores his fifth long player against a backdrop of pop sensibilities and guest vocalists. The album draws as much on 80's funk, boogie and electro as merengue and Afro-beat.

A member of Antibalas, multi instrumentalist and guitarist, Garcia has in the past worked with the likes of TV On The Radio, The Roots and Dam Funk as well as remixing Little Dragon and Alice Russell.

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Nina Simone

Little Girl Blue

34,99 €*

Release: 1957 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by Ray Staff at Air Mastering!

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Back From The Grave Volume 3

LP | EU | Original (Crypt)

Finest Ego: Faces 12" Series Volume 4

Release: EU – Original

Genre: Rock & Indie

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Better sounding and better looking! Featuring The Chentelles, Little Willie & The Adolescents, Ken & The Fourth Diimension, Me & Them Guys, etc.

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Lomovolokno / Sieren

12" | 2013 | EU | Original (Project: Mooncircle)

LP | 1995 | US | Reissue (Maverick)

Release: 2013 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Project: Mooncircle & Finest Ego have teamed up to establish a fresh new 12” producer series, entitled “Faces”. On every edition, you will find two different producers. Respectively, each producer will have their own record-side and unique cover artwork by the aspiring Bioniq, known for his surrealistic portraits, blending humans and technology.

On our fourth “Faces” edition we are featuring the two ascending artists Lomovolokno and Sieren, presumably the two most unknown so far. Originally hailing from Krasnodar, Russia and Bielefeld, Germany, one was inspired by naive childhood memories of imaginative creatures seen floating in the nighttime sky, while the other looks into an uncertain future that holds the anxiety of a fresh start but also the ever present risk of failure. The artwork takes these motifs and implements them in a vision of technological enhancements of human capacities and evolvement, forming a futuristic symbiosis that enables for synaesthetic senses heightened to an subatomic degree. But it is unsure, however, if these augmentations can actually expand our human experience or rather amplify our solitary existence and emotional void while traveling across fantastic worlds and the universal vacuum filling the space between.

Krasnodar, Russia: In the midst of grey soviet housing projects, a young boy enjoys playing and improvising his first little melodies on his parents piano. Always being inspired by the nature nearby the city - memories of peaceful springtime swimming sessions in the Black Sea come to mind – Lomovolokno grows up fascinated by machinery like samplers and the rapidly increasing possibilities of modern computers. Delving deeply into twisting melodies, building sounds and crossing notes leads his way to first field recordings resulting in an influx of elements ranging from waves of the sea, the wind, sand, crackling noises, banging and rustling becoming a part of his sound.

Sieren is the maiden name of Matthias Frick’s mother and also his current alias under which he started to release his first free tracks in 2011. Rumor has it that he has a dark secret history of producing experimental techno, albeit his love for UK influenced bass music existed for more than one handful of years. It was not until recently that he began to make the most of his love for field recording and experimental soundscaping and is now throwing his full force into music, while simultaneously finishing a university degree in computer science and design before moving from small town to métropole to follow a new set of challenges and advance to the next stage of his life.

Bioniq is an artwork designer, DJ and producer from St. Petersburg in cold Russia and Project: Mooncircle's special KGB agent. With his drawings he aims to create new horizons on paper and draws inspiration from historic tales, events of the present age but also possibilities the future might hold.

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Alanis Morissette

Jagged Little Pill

Release: 1995 / US – Reissue

Genre: Rock & Indie

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12" | 2012 | EU | Original (Trelik)

Soul Capsule

Overcome

LP | 2012 | EU | Original (Counter)

Release: 2012 / EU – Original

Genre: Electronic & Dance

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Back in! Trelik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule. These tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.

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Pop Levi

Medicine

2LP | 2012 | CZ | Original (Heinz)

Release: 2012 / EU – Original

Genre: Rock & Indie

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Recorded in three purpose-built private home studios - in Norway, Greece and Los Angeles - "Medicine" rubs Pop's obsession with Prince up against his love of Bolan, throws in a little Paul McCartney, some early Stooges, a chunk of Lindsey Buckingham and even a dash of Peter Gabriel for a record which channels bubblegum pop through Satanic ritual and classic rock for one of the oddest, funniest, most compellingly unique records you're likely to hear in 2012.

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Pink Martini

Hang On Little Tomato

36,99 €*

Release: 2012 / CZ – Original

Genre: Organic Grooves

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The Cool-Aid Benefit Album

2LP | 2012 | US | Original (Light In The Attic / Lion Productions)

23,99 €*

LP | 2012 | US | Original (Peoples Potential Unlimited)

Release: 2012 / US – Original

Genre: Rock & Indie

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At the end of the 1960’s, there was a house in Vancouver that was a home solely for Hippies and homeless youth; it was known to locals as "the Cool Aid House." When the Canadian government withdrew funding in 1970, the house was in danger of closing. All of the top bands in the Vancouver area offered to record songs for a benefit album—and since the local music scene produced some of the best bands in Canada, the album that resulted was stunning; it has long been a much sought-after collector's item. What no one knew until recently was that the original “Cool Aid Benefit Album” was intended as a two-record set: contractual problems with Capitol Records forced Cool Aid House founder John Walsch to drop tracks by Mother Tucker's Yellow Duck—tracks that are now restored to this package. Other cuts include the strange proto-electronic burbles of Mock Duck (quite unlike almost everything else they ever recorded) on ‘As the Bullet Enters Anton’ and ‘Pointillistic Scherzo’; the vicious snarl of Black Snake’s ‘Carousel,’ and the strange Spalding Grey-ish acoustic song/poem ‘The Planet Man.’ Hydro Electric Street Car have left little behind them, but their lovely ‘High Memory’ sounds like a lost Grateful Dead track from their early, dreamy period. A terrific discovery!

The end result of the joint efforts of Light in the Attic and Lion Productions is this deluxe 2xLP package, jam-packed with stand-out music by Vancouver’s top bands of the day: Mother Tucker's Yellow Duck, Papa Bear's Medicine Show, Mock Duck, Hydro Electric Streetcar, Route Nine, Blacksnake Blues Band, Nancy, Spring, and Greydon Moore and Leo Jung. Obscure cuts available nowhere else, in a wide variety of styles: weird electronic sounds, heavy garage fuzz guitar freakouts, stoner rock, and acoustic folk.

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Uku Kuut

Vision Of Estonia

Release: 2012 / US – Original

Genre: Organic Grooves

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PPU's first long-play LP highlights some of the early beginnings of one of our favorite producers, Uku Kuut. Written and recorded at Uku's home studio in Los Angeles and Stockholm between 1982 & 1989. Some tracks co-written with Maryn E. Coote, famous jazz vocalist who had her beginnings in 1960s Soviet Union. "That's my mom" recalls Uku, "I remember when I was little, sitting under the mixing board at her sessions". Growing up in studios, Uku's love of music production began early, and over the years he has amassed a vast collection of domestic and soviet electronic gear. In true PPU style this LP is a mix of Uku Kuut's raw cassette demos, forgotten masters and unreleased magic.

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2LP | 2011 | UK | Original (One Little Independet)

Biophilia

Release: 2011 / UK – Original

Genre: Rock & Indie

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LP | 2011 | EU | Original (Favorite)

Hawa

My Little Green Box

LP | 2011 | EU | Original (Project: Mooncircle)

Release: 2011 / EU – Original

Genre: Organic Grooves

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Produced by Patchworks!

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40 Winks

It's The Trip HHV Bundle

17,99 €*

2LP | 2011 | EU | Original (Project: Mooncircle)

Release: 2011 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Join 40 Winks on a road trip to anywhere. Bring your music player and tell your honey you won’t be home for dinner. It’s the trip, not the destination.“
About 40 Winks:
No hay banda! (“there is no band”, Mulholland Dr. 2001) pretty much sums up where 40 Winks aims to go with its instrumental hip hop: meticulously chop and paste samples together, to create an atmosphere of beats and vibes which steps beyond unimaginative loops. 40 Winks hit the scene in 2002, with a whole slew of laidback beats. Eager to share their sound with the world, they released a couple of albums independently. The attention they got from this, allowed them to build with people from around the world. One of these independently released albums, More Than Loops, got reissued in Japan on Swamp Records, after that the ball kept rolling. On their first worldwide release, Extended Pleasure on Escapism Records (2005), they reached listeners well beyond the (instrumental) hip hop community with the song “Melancholia”. After appearances on compilations, like Weapons Of Hope on Little-D (2006), they got a chance to do their thing on the renowned label, Merck Records with Sound Puzzle (2007). All this led them back to Europe, where the German based Project: Mooncircle welcomed them with a spot on the compilation Heart On The Right Spot (2007) and a full album The Lucid Effect (2008). In 2009 they took some time off, doing solo stuff and remixes. In 2011 40 Winks is back with a double LP called It’s The Trip (2011) on Project: Mooncircle.
Artwork By Afreux.

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40 Winks

It's The Trip

Graciela Maria & Robot Koch

Release: 2011 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Many Places

LP | 2010 | EU | Original (Project: Mooncircle)

Graciela Maria & Robot Koch

Release: 2010 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

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Many Places

CD | 2010 | EU | Original (Project: Mooncircle)

6,99 €*

12" | 2010 | UK | Original (Dug Out)

Release: 2010 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Little John & Billy Boyo

What You Want To Be

Release: 2010 / UK – Original

Genre: Reggae & Dancehall

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LP | 1961 | US | Reissue (Blue Note)

Johnny Coles

Little Johnny C

Release: 1961 / US – Reissue

Genre: Organic Grooves

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The Jimi Hendrix Experience

Axis: Bold As Love

LP | 2010 | US | Reissue (Legacy)

32,99 €*

The Hawk / The Link Quartet

Release: 2010 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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- "Experience" sampled by A Tribe Called Quest for "If the Papes Come"

- "Little Miss Lover" sampled by A Tribe Called Quest for "Scenario" and
Luscious Jackson for "Daughters of the Kaos"

- "EXP" sampled by Beastie Boys for "Jimmy James (Single Version)" and
Yomo & Maulkie for "Soul Psychedelic Side"

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Don't Judge A Book By It's Cover Feat. Little Hannah Collins / If You Wanna Be My Man Feat. Gizelle Smith

7" | 2010 | EU | Original (Record Kicks)

Release: 2010 / EU – Original

Genre: Organic Grooves

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LP | 2009 | US | Reissue (Fat Possum)

Al Green

Let's Stay Together

7" | 2009 | UK | Original (Gusto)

Release: 2009 / US – Reissue

Genre: Organic Grooves

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180g vinyl

- "Let's Stay Together" sampled by Little Brother for "Light it Up"

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The Stratoliners

What do you want

3LP | 2004 | EU | Reissue (One Little Indian)

Release: 2009 / UK – Original

Genre: Organic Grooves

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/ Little Willie John 'I'm skanking'

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Cody Chesnutt

Headphone Masterpiece

28,99 €*

Release: 2004 / EU – Reissue

Genre: Hip Hop

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2LP | 1999 | EU | Reissue (One Little Indian)

Sneaker Pimps

Splinter

The great crossover potential

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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remastered from the original master tapes and presse on 200g audiophile vinyl

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The Sugarcubes

2LP | 1998 | EU | Reissue (One Little Indian)

CD | 2008 | US | Original (Nature Sounds)

Release: 1998 / EU – Reissue

Genre: Electronic & Dance

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numbered limited edition Direct Metal Mastering 200 gram vinyl reissue!

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Babu

Duck Season Volume 3

CD | 2008 | US | Original (Green Streets)

Release: 2008 / US – Original

Genre: Hip Hop

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produced by DJ Babu (Dilated Peoples / Beat Junkies) ... feat. M.O.P., Dilated Peoples, Little Brother, MF Doom, Sean Price, Guilty Simpson, AG, Bishop Lamont, MED, Strong Arm Steady, Oh No, Cali Agents, Roc Marciano, etc. ... some super tasty duck roast!

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Fakts One

Long Range

17,99 €*

CD | 2008 | US | Original (Nature Sounds)

Release: 2008 / US – Original

Genre: Hip Hop

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long lost album from Perceptionists DJ/producer feat. Mr.Lif, Little Brother, Boot Camp Clik, Akrobatik, PLanet Asia, Grayskul, ...

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Pete Rock

NY's Finest

16,99 €*

CD | 2007 | US | Original (Ubiquity)

Release: 2008 / US – Original

Genre: Hip Hop

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the chocolate boy wonder Pete Rock returns feat. Jim Jones, Max B, Royal Flush, Raekwon, Masta Killa, Redman, Styles P, Sheek Louch, Rell, Little Brother, Chip Fu, Rene (Zhane), Doo Wop, Papoose & Lords Of The Underground ...

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Orgone

The Killion Floor

16,99 €*

London Is The Place For Me

Release: 2007 / US – Original

Genre: Hip Hop, Organic Grooves

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The Los-Angeles-based band’s reputation amongst the funk and soul fraternity is backed-up by an impressive and quickly growing resume that is expanding their reach. This includes landing a spot in an adidas campaign, touring with major-label crew Little Brother, and going out as backing band for The Pharcyde, Plantlife (including a BBC performance for Jools Holland), Tone Loc, and New Orleans funk legend Eddie Bo at the Hurricane Katrina benefit. Members of Orgone also feature in the make-up of Ubiquity acts Connie Price and Breakestra and perform regularly at the Root Down in LA.

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Volume 4: African Dreams And The Piccadilly High Life

2LP | 2006 | EU | Original (Honest Jon's)

27,99 €*

LP | 1972 | US | Reissue (Polydor)

Release: 2006 / EU – Original

Genre: Organic Grooves

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Calypso, kwela, highlife and bebop, a little rock n roll and an Indian mambo, a shango hymn, some Sun Ra-style cha cha cha. A lake in a Johannesburg zoo, a Chinese on the Harrow Road; astronauts and prostitutes, landlords, streetfighters and cricketers.

The music and notes are presented alongside rare artist photographs by Val Wilmer.

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Little Royal

Jealous

Release: 1972 / US – Reissue

Genre: Organic Grooves

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12" | 1980 | US (Prelude)

The Nick Straker Band

A little Bit Of Jazz

2LP | 2005 | US | Original (Interscope)

Release: 1980 / US

Genre: Organic Grooves

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/ space age

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Beck

Guerolito

43,99 €*

LP | 1996 | EU | Original (One Little Indian)

Release: 2005 / US – Original

Genre: Rock & Indie, Electronic & Dance

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... 'guero's' little remixed companion 'guerolito' ... with remixes by Air, El-P, Subtle, Boards Of Canada and many more!

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Skunk Anansie

Stoosh

Release: 1996 / EU – Original

Genre: Rock & Indie

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LP | 1995 | EU | Original (One Little Indian)

Skunk Anansie

Paranoid & sunburnt

Release: 1995 / EU – Original

Genre: Rock & Indie

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2LP | 2002 | EU | Original (One Little Indian)

Greatest Hits

59,99 €*

Release: 2002 / EU – Original

Genre: Electronic & Dance, Pop

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Diamond D And The Psychotic Neurotics

Stunts, Blunts & Hip Hop

2LP | 1992 | US | Reissue (Mercury)

24,99 €*