Search "garage" 3167 Items

G.Rag Y Los Hermanos Patchekos

Release: 2023 / EU – Original

Genre: Organic Grooves

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A marvelous double album as document of the historical collaboration between Don Cherry and Swiss pianist, composer George Gruntz, a central figure in European Jazz who always showed a special interest in extending his solid post bop skills through other languages such as ethnic or even baroque music. This is North- African deep flavoured Jazz recorded live in Tunisia and Germany in May and September 1969, with Cherry (cornet, flute) and Gruntz (piano, celeste) leading a highly mixed line-up featuring multi reeds player Sahib Shihab, bassists Henry Texier and Eberhard Weber and Swiss dummer extraordinaire Daniel Humair, plus four North African musicians on traditional instruments like bendir, ney, bagpipes, tabla and darbouka. A trance inducing Jazz ritual.

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Paradiso

LP | 2022 | EU | Original (Gutfeeling)

28,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Roland Kirk With Jack Mcduff

Kirk's Work Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)

Radical Stuff & Lo Greco Bros

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Roland Kirk was one of the most creative, extravagant figures in jazz history. A master multi instrumentalist with no boundaries in terms of language, style and technique. Here we find him co-leading a strong studio session with organ specialist Brother Jack Mcduff. Backed up by Joe Benjamin on bass and Art Taylor on drums, Kirk and McDuff give voice to a soulful post-bop set full of groovy riffs and highly inventive instrumental ping pong. Recorded by Rudy Van Gelder and released in 1961 by Prestige Records, this is a fine early step in Kirk's varied and intense career.

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Jazzy Rap Night Live

LP | 1992 | IT | Original (Flying)

41,99 €*

Damrau / Renaudin / Rattle / Previn / Gheorghiu / +

Release: 1992 / IT – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of scuffs and hairlines. Cover with light wear.

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Lenny:The Best Of Bernstein

LP | 2022 | EU (Warner Classics)

16,99 €* 19,99 € -15%

Release: 2022 / EU

Genre: Classical Music

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Giorgio Moroder Featuring Paul Engemann

Reach Out

12" | 1984 | EU | Original (CBS)

3,99 €*

Release: 1984 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

George Dekker & Horus All Stars

Sinner Man / Reap What You Sow Dub

7" | 2021 | EU | Original (Horus)

12,99 €*

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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George Shearing And Mel Tormé

An Evening With George Shearing And Mel Tormé

LP | 1982 | US | Original (Concord Jazz)

4,54 €* 6,99 € -35%

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

John, Paul, George, Ringo & Richard

Das Ist Die Zukunft, Aber Nicht Deine!

LP | 2021 | EU | Original (Phantom)

Release: 2021 / EU – Original

Genre: Rock & Indie

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George Nooks / Joe Gibbs & Professionals

Tribal War / The Sniper

7" | UK (Joe Gibbs)

10,99 €*

Release: UK

Genre: Reggae & Dancehall

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Ian William Craig & Daniel Lentz

In A Word

LP | 2021 | US | Original (Rvng Intl.)

George & Glen Miller / The Millers

Release: 2021 / US – Original

Genre: Electronic & Dance

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In a Word, the sixteenth installment of the intergenerational collaboration series Frkwys, brings together postminimalist composer Daniel Lentz with vocalist and sound artist Ian William Craig for an album that embraces erosion and the fertility of the loam left behind. A document of shared transformation, Lentz's elegant piano figures and Craig's trembling tenor are wilted, warbled, and looped through manipulated tape machines in a real time composition that evokes a strange warmth and layered beauty. Six panel fold-out CD edition includes artist essays and photographs.

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Easing / Version

7" | 1979 | UK | Reissue (Third World)

15,99 €*

OTHERLiiNE (George Fitzgerald & Lil Silva)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Disco crossover track originally on UK label Third World, 1979.

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Chimes

12" | 2019 | EU | Original (OTHERLiiNE)

9,74 €* 12,99 € -25%

George Shearing With Don Thompson

Release: 2019 / EU – Original

Genre: Electronic & Dance

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George FitzGerald and Lil Silva proudly present OTHERLiiNE and the debut track Chimes, out now.

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Live At The Cafe Carlyle

LP | 1984 | US | Original (Concord Jazz)

10,49 €* 13,99 € -25%

George Coleman - Tete Montoliu Duo

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Meditation

LP | 1979 | US | Original (Timeless Muse)

8,99 €*

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Art Pepper And George Cables

Goin' Home

LP | 1982 | US | Original (Galaxy)

George Benson Guest Hubert Laws

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US original.

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In Concert - Carnegie Hall

LP | 1976 | US | Original (CTI)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Albert Karch / Gareth Quinn Redmond

Picture
Coming Soon

Warszawa Limited

LP | 2024 | EU | Original (WRWTFWW)

36,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-12-06

G.Rag Y Los Hermanos Patchekos

How Sweet The Sound

LP | 2018 | DE | Original (Gutfeeling)

Masayoshi Takanaka, Jun Fukamachi, Carioca

Release: 2018 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new, looks unplayed.

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Horizon Dream

LP | 1981 | JP | Original (Kitty)

Georg Friedrich Händel / Kathleen Battle

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Ombra Mai Fù

12" | 1987 | JP | Original (Seven Seas)

4,99 €*

Jimmie Haskell, George J. Mayer

Release: 1987 / JP – Original

Genre: Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

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My Life - See How She Runs

LP | 1979 | JP | Original (Seven Seas)

6,99 €*

Release: 1979 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Giorgio Moroder Featuring Paul Engemann

Reach Out

12" | 1984 | US | Original (Columbia)

8,99 €*

Kirk Lightsey Trio & Chet Baker

Release: 1984 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Promo copy

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Everything Happens To Me

LP | 2024 | EU | Original (Music On Vinyl)

28,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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George Lewis & Kid Shots Madison

George Lewis & Kid Shots

LP | 1973 | JP | Original (DAN)

12,99 €*

Ruby Braff / George Barnes Quartet

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert

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Live At The New School

LP | 1974 | JP | Original (Overseas)

Michal David, Kroky, Pavel Horňák

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI, but with insert

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Jsme Sehraní ✽ Kotě

7" | 1986 | CS | Original (Supraphon)

3,99 €*

Release: 1986 / CS – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

George Benson Guest Hubert Laws

In Concert - Carnegie Hall

LP | 1976 | US | Original (CTI)

11,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

Freddie Steady Krc / Eve Monsees

Sing The Songs Of Clementine Hall

7" | 2024 | US | Original (Steadyboy)

Release: 2024 / US – Original

Genre: Rock & Indie

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Joe Williams And George Shearing

The Heart And Soul Of Joe Williams And George Shearing

LP | 1971 | US | Original (Sheba)

6,99 €*

Greg Ashley And The Playboys

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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LP | 2017 | US | Original (Third Man)

Release: 2017 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Wiener Philharmoniker Sir Georg Solti

Engima Variations

LP | 2023 | EU | Original (Decca)

33,99 €*

Release: 2023 / EU – Original

Genre: Classical Music

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Tony Hawk & Punk Rock Karaoke

In The City Silver Vinyl Edition

7" | 2023 | EU | Original (Cleopatra)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tony Hawk & Punk Rock Karaoke

In The City Purple Vinyl Edition

7" | 2023 | EU | Original (Cleopatra)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Georg Friedrich Händel / Kathleen Battle

Ombra Mai Fù

12" | 1987 | JP | Original (Seven Seas)

4,99 €*

G.Rag Y Los Hermanos Patchekos

Release: 1987 / JP – Original

Genre: Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

Includes OBI and insert.

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Esperanza

LP | 2023 | EU | Original (Gutfeeling)

30,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Cargo Cult / Texas Biscuit Bombs

The Two-Headed Cobra

2LP | 2023 | EU | Original (Modern City)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Giorgio Moroder And Chris Bennett

Love's In You, Love's In Me

LP | 1978 | US | Original (Casablanca)

11,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

M&S Featuring Robbie Craig

Special

2x12" | 1995 | UK | Original (Public Demand)

8,99 €*

Release: 1995 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Yeyo Pérez, Lasai, George Palmer

Raggamuffin / Old School Is Cool

10" | 2023 | EU | Original (Infini-T Music)

12,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Craig Bratley Feat. Amy Douglas

No In Between

7" | 2023 | UK | Original (Magic Feet)

12,74 €* 14,99 € -15%

Greg Osby And Sound Theatre

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Amy Douglas should need no introduction, having supplied song-writing and vocal duties for Horse Meat Disco, Róisín Murphy, Luke Solomon, Soul Clap, and worked with Joe Goddard on their Hard Feelings project, Here she teams up with Craig Bratley, who dusts off the analogue synths to produce something which clearly wears its influence on its sleeve, taking in elements of Balearic, Street Soul and early Sheffield Bleep. On the Ashigaru Dub, Craig explores these influences further, the result reminiscent of Mad Professors take on Massive Attack.

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CD | 1987 | DE | Original (JMT)

2,39 €* 5,99 € -60%

Release: 1987 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Manfred Krug / Günther Fischer-Quintett

No. 3: Greens

LP | 1974 | GDR | Original (AMIGA)

4,99 €*

Release: 1974 / GDR – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: G+

Kicking Dust: The Goa Way, A Full Circle Compilation

2LP | 2024 | EU | Original (Full Circle)

45,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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This one has been in the works for quite some time. A statement compilation showing what Full Circle is about, paying homage to the very roots of psychedelic dance music. A little town in India, which was a haven to a bunch of hippie outcasts, was throwing freeform outdoor parties since the day those freaks put their flag down. What was once a gathering around live music blew up into a rave as electronic music started to appear, paving the way to what would eventually become Goa Trance.

Full Circle, the duo project of Alexis Le-Tan and Joakim, started 10 years ago when Alexis accidentally discovered that some of his old Goa Trance records he was about to sell sounded great when played at the wrong speed : 33rpm instead of 45rpm. He called his long-time friend and collaborator Joakim to work on edits of those tracks that became the sound signature of this DJ duo : a slow, heavy and trippy sound that would eventually infiltrate the fringes of the underground club scene via like-minded DJs such as Vladimir Ivkovic, Jane Fitz, Ivan Smagghe and many more.

10 years later and a bunch of releases and remixes behind them, Full Circle decided to tell the story of how this Goa sound came to life. At a time when Trance has made a major

comeback and infiltrated pretty much all the sub-genres of club music, it felt right to look back at where it all started - going full circle, when Trance was not Trance, Goa was not Goa but the seeds of tripped out dance music were being sown.

After all, there are countless compilations about Balearism, the Italian Cosmic scene,The Loft, The Paradise Garage etc but none about the roots of this Goa sound.

This is a compilation of the best tunes played by the pioneer Goa DJs like Laurent, Goa Gil, Mike Maguire amongst others, between the late 80s and early 90s. Proto House, New Beat, early Techno, Industrial, with a distinct psychedelic tone, a few arpeggios here and there, acid lines, chopped up vocals, all elements of what would later constitute a genre of its own.

This beautifully packaged compilation includes liner notes by Tom Colebrooke and excerpts from Tom and Alexis’ interview of Mike Maguire of Juno Reactor fame, one of the pioneers of Goa Trance.

Check the liner notes for more info about the early Goa history !

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World's Smallest Portable Record Player (V2.0)

75,99 €* 79,99 € -5%

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Once again the RECORD RUNNER, originally known as the SOUNDWAGON is now available world wide! As the world's smallest portable vinyl record player, the RECORD RUNNER is for anyone who is a DJ, record collector or a simple music lover. It is a self-contained record player, small enough to fit in the palm of your hand. Just place it on any 33 1/3 rpm vinyl record and listen to its sound. Totally reengineered from the past 35-year-old model, the RECORD RUNNER is ALL NEW! We have made drastic measures to improve the quality. They are hand built, assembled, and MADE IN JAPAN. Whether shopping for vinyl records, checking out the stash at your local garage sale or listening to your old man's disco records (or your own), the RECORD RUNNER is a must. Amaze everyone with the RECORD RUNNER. VW Bully!

NOTE: The sound is not the greatest. Please note that the Record Runner is a toy and no audiophile equipment! Also we don't recommend to use it with your rarest records. But hey, it's fun watching it.

Video: https://youtu.be/_efv3ZGPc7A

Important New Facts for version 2.0:
• Newer firmware
• better tracking
• ultra pitch adjust
• newer tires (silicone)
• sound improvements due to tracking and more
• stylus and cartridge system, powered by Audio Technica (Replaceable needle)(hhv-ID: 558983)

Common Facts:
• Officially Licensed by Volkswagen
• NEW Enhanced SOUND QUALITY (best in its class)
• NEW Battery powered with 2 x AAA batteries (no longer uses 9V) [batteries not included]
• NEW Volume control
• NEW LED Track/Power light
• NEW On and Off switch with two speeds for temperature and environment settings
• NEW Automatic stop function at the end of the record
• NEW Stylus and Cartridge System, powered by Audio-Technica (Replaceable needle) (hhv-ID: 558983)
• ENTIRELY and NEWLY engineered (Electrical/Mechanical)
• NEW and IMPROVED SPEAKER, for better SOUND QUALITY with sound expansion through the body
• Made in Japan
• Number one sought after record player in the world
• Always has been the mistery player for diggers and collectors
• Smallest, most convenient record player in the world
• Covered worldwide in magazines, tv, movies, etc.
• Once known as the "Vinyl Killer" and "Soundwagon", now the Record Runner
• From Stokyo, the originators and the people who brought you the "Soundwagon" and "Vinyl Killer"
• Parts and various components upgraded since it's last version ("Soundwagon")
• Introduced back in the 80s, the RECORD RUNNER is the only vintage record player still in existence today (with some improvements of course)

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World's Smallest Portable Record Player (V2.0)

79,99 €*

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Welcome To Paradise: Italian Dream House 90-94 Volume 3

2LP | 2018 | EU | Original (Safe Trip)

27,99 €*

A Bad Donato Verve By Request Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Safe Trip is taking one final deep dive into the warm waters of Italian dream house with Welcome To Paradise Volume 3, the concluding chapter in the label’s journey through the previously overlooked world of one of dance music’s most vibrant and influential underground movements.
While the influence of dream house continues to echo through the ages, the style was at its peak between 1989 and ’94, when producers across Italy delivered a high volume of loved-up, wavy and occasionally blissful productions that fused contemporary deep house tropes – most notably from Chicago, New York and New Jersey – with elements borrowed from ambient, jazz and Balearica.
It’s this six-year period that provides the focus for Welcome To Paradise Volume 3, which draws together a spine-tingling mixture of sought-after classics, unheralded gems and little-known delights from the original Italian dream house movement.
Thrillingly, Welcome to Paradise Volume 3 co-curator Young Marco has managed to source two previously unreleased tracks during the dream house period: the gently unfurling, sunrise-friendly bliss of Jacy’s “Resounding Seashell” and a special “Longer Edit” of Neurostate’s brilliant “Dance To The House”, a track that – somewhat surprisingly – has never previously been issued on vinyl before.
Elsewhere, there are plenty of treats to set the pulse racing, from the must-have deep house brilliance of Leo Anibaldi’s “Universe” – a rare foray into dream house territory from the Italian techno pioneer – and the Afro-bleep-goes-dream-house trip of Golem’s “Sun City”, to the cowbell-driven, New Jersey garage-influenced warmth of Deep Choice’s “Children Trip” and Cosmic Galaxy’s “Walkin’ On The Moon”, a Detroit techno-influenced outing with a deliciously saucer-eyed, extended ambient intro. You’ll also struggle to find a more inspired house record than Green Baize’s “Tramp Heart”, which mixes familiar dream house elements with spacey electronics and tribal chants that recall Italy’s early ‘80s Afro-cosmic scene.
It all adds up to another essential selection of rich, glassy-eyed dream house treats tailor-made for sound-tracking drawn-out Adriatic sunsets, Mediterranean sunrises and loved-up parties the world over.

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Joao Donato

LP | 2023 | EU | Reissue (Verve)

34,99 €*

What Do You Call It? From Grass Roots to the Golden Era of UK Rap

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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The White Stripes' Elephant Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 200-gram 45 RPM double LP limited to 10,000 copies! Mastered from the original analogue master tapes by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12-page booklet featuring liner notes from Ben Blackwell (co-founder and minority owner at Third Man Records and the official archivist of The White Stripes) and never-before-seen session photos by David Swanson Purest possible pressing and most visually stunning presentation and packaging!

The fourth studio album by the American rock duo the White Stripes was an extraordinary success. It peaked at No. 6 on the Billboard charts and topped the U.K. Albums Charts. To date it's sold 4 million copies worldwide, achieving platinum-sales certification from the Recording Industry Association of America and 3x platinum from the British Phonographic Industry. It spawned the hit single "Seven Nation Army," the band's signature track that's become a sports anthem, plus the hits "I Just Don't Know What to Do with Myself," "The Hardest Button to Button" and "There's No Home for You Here." Elephant has received critical acclaim and it's often cited as the White Stripe's best work, including receiving a nomination for Album of the Year and a win for Best Alternative Music Album at the 46th Grammy Awards in 2004.

Rolling Stone ranked the album No. 449 on its 2020 list of the 500 Best Albums of All Time. The Stripes, it said, exploded out of Detroit with a minimalist garage-blues attack: just Jack White on guitar and Meg White on drums, taking on the world.

Hybrid Stereo Sacd release from Analogue Productions! Mastered direct to DSD by Ryan K. Smith at Sterling Sound Plays in all CD and Sacd players Includes 12-page booklet featuring song lyrics and credits

Jack and Meg insisted they were a brother and sister, even after people learned they were secretly a divorced couple. But against all odds, the low-budget duo became a global sensation for their sheer rock power. Rolling Stone says Elephant "seethes with raw desperation and lust" in "Seven Nation Army," "Hypnotize," and "The Hardest Button to Button." Jack plays guitar hero in the seven-minute jam "Ball and Biscuit."

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David Kane

Velocity Press

Tramp Anniversary Crimson Splash Vinyl Edition

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Preorder shipping from 2024-11-22

In July 2019, eleven years after Jay-Z became the first hip-hop artist to headline Glastonbury, Stormzy became the first English rapper to follow suit. Wearing a customised stab-proof vest designed by Banksy, the South London rapper delivered an explosive performance and finished by thanking the “legends for paving the way,” name-checking Wiley, Dizzee Rascal, and Giggs. Despite how unlikely it seemed for decades, UK rap was now firmly a part of pop music and the greater hip-hop canon.

Rich, nuanced, and often misunderstood, the history of UK rap is a story of music that refused to stand still. Factoring in socioeconomics, gender, identity, music industry disruption, and innovation, What Do You Call It? charts the artform’s first four decades, beginning when rap landed on our island in the early 1980s. Shaped by sound system culture, inspired by punk, and accelerated by rave, it has evolved from Britcore, UK hip-hop, and trip-hop of the late twentieth century to garage, grime, and drill.

Through cultural theory, historical research, and original interviews with key figures and collaborators in the UK rap scene, from pioneers like Malcolm McLaren, Soul II Soul, Tricky, Roots Manuva, and Roll Deep to modern artists like Dave, CASISDEAD, Little Simz, Loyle Carner, and Skengdo x AM, adds a rich human dimension to the UK rap story — one that helped change British music and culture forever.

Cover design by Trevor Jackson.

“A long overdue exploration of rap music in the UK and its longstanding – albeit overlooked – legacy and influence. In an era when UK rappers dominate the charts, star in major movies and TV shows and front huge advertising campaigns for multi-national corporations, Kane traces back the arduous journey from maligned sub-culture to celebrated mascot of neoliberal capitalism.” Jehst

“David Kane writes with a deft touch and possesses a disarming and deeply insightful interview style. Sparking life, humour, and sorrow across every page of more than three decades of UK rap history.” Charlie Dark MBE

“Kane builds bridges in a rich musical universe full of heroes and villains—and plot twists. With an inimitable style, he merges culture high and low to bring new meaning to the music. What Do You Call It? is a landmark tome for UK rap music.” Brian DiGenti, Wax Poetics

“A mind rich in ideas” Stanley Ledbetter, The New Yorker

Weight: 0.4 kg
Dimensions: 23 × 3 × 17 cm

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Sharon Van Etten

LP | 2012 | US | Original (Jagjaguwar)

32,99 €*

Release: 2012 / US – Original

Genre: Rock & Indie

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Dear Reader, About a year or two ago, Naomi Yang (of Galaxie 500) reached out to me after she rediscovered a video that we had made together in 2011, during the making of Tramp, just before the album's release. It was for the song Serpents. The timing was uncanny, approaching the anniversary of Tramp. Thinking about my time in New York while in the bubble of Los Angeles and my home. Thinking about how restless I was, and now settled down and stable. Thinking about how Aaron Dessner took a chance on me after I messaged him with a fury of demos. He could see through the hiss and crappy vocals on my GarageBand demos, and that I had something to say. He gave me the confidence to be loud and to scream my rage and feel founded and justified in my own pain. He gave me more tools to find catharsis in my work. I have carried that with me ever since. Being on the west coast the last two years, I look back on my community in New York and am forever grateful. I had so many friends and peers step up and help me unfold these demos. The album that it became. Doug Keith and Ben Lord from my original touring band, Logan Cole, Peter Silberman from The Antlers, Jessica Larrabee from She Keeps Bees, Thomas Bartlett of Doveman, Rob Moose of yMusic, Jenn Wasner of Wye Oak, Julianna Barwick, Zach Condon of Beirut, Matt Barrick (of the Walkmen), Clarice Jensen, Ben Lanz, Bryce Dessner, and Bryan Devendorf (of The National). I had almost forgotten about a song titled This Is Too Right that didn't make it onto the record. It was one of the first guitar "riffs" I had ever written and Jenn Wasner sang on it with me. A song about not believing how good I had it, like the other shoe was about to drop. I hope everyone that helped make this record and supported it, feel the love and admiration that I continue to hold for all of you. I hope that in sharing this record again, with a new video and this forgotten track, that new listeners are brought into this album and find meaning and relevance in it today. All of the musicians on this album helped me come to life and perform in ways I never had before. May these songs find you well. Sending all my love, Sharon.

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House Of Riviera Volume 2

2LP | 2022 | EU | Original (Mona Musique)

28,99 €*

LP | 2022 | US | Original (Dirt Cult)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following up on the success of House Of Riviera released in 2019, Mona Musique releases House Of Riviera Volume 2 curated by label head Nick V, a compilation that pays homage to forgotten gems of the classic Italian House scene, circa 1991-1994. 9 tracks from the artists and record labels that were central to this seminal era of House music, including two never released cuts from Ricky Montanari, Davide Ruberto and Ivan Iacobucci. In the early 1990s, Italy hosted one of the most prolific scenes in the burgeoning world of House music. Whilst the majority of Europe was only just beginning to digest the arrival of this new musical genre born in the US, Italian clubs, DJs and labels were hot on the heels of their counterparts in the already established scenes of New York and London. The clubs of the Adriatic coast, also known as the Italian Riviera, were full every weekend, hosting the major US and UK Djs of the time, but also seasoned resident DJs that had been honing their trade since the early 80s. By the early 90s, Italian House music was regularly exported around the world with labels such as UMM, MBG, Flying, Palmares, DFC, Oversky, Zippy, D:Vision, Irma - and its sublabels Antima and Calypso, releasing tracks inspired by the original New York House and Garage sound, but with a very different, unique and emotional take. This was the specific aesthetic that was to become the House sound of the Riviera, the soundtrack to the golden era of Italian House music. With all releases between 1992 and 1994, House Of Riviera Vol. 2 unites a selection of 9 tracks that encapsulates the atmosphere, the energy and creativity that reigned during that era. Including 2 previously unreleased tracks from Ricky Montanari and Davide Ruberto, and Ivan Iacobucci, both in the vaults since 1992, the compilation spans the different shades of the genre : from classic deep vocal house by Ricky Montanari and Sound Set, to the more dubbier late night dance floor cuts by Workin’ Happily and Night Communication, with Mental Detector and More Heavy Soul bringing some well chosen disco samples to their contributions, without forgetting the characteristic deep Italian dream house style by Green Baize. Artists featured are iconic producers and DJs from the day : Ricky Montanari & Davide Ruberto, Alex Neri & Marco Baroni, Ivan Iacobucci, Workin’ Happily and More Heavy Soul.

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Daydream

Mystic Operative

20,99 €*

12" | 2022 | US | Original (Bad Time)

Release: 2022 / US – Original

Genre: Rock & Indie

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Holy shit, Portland punk, chuck me in a rock grinder and turn the motor on supersonic, guillotine the king, chuck his carcass off the end of the plank and let the hammerheads rip it apart. Don’t let the name of the band fool you into thinking this’ll lullaby your brain into a state of theta. This is gamma-wave punk rock and roll, divergent binaural fuzz ripping into focused rapid-fire slash and burn, clear cuts the cop in your head like a chainsaw running on trichlorethylene, short loud and fast like you like it. Pounding your eardrums like a maniac on Benzedrine, slashing your brain like a whipping of razor wire. And when it’s all said and done, maybe you will indeed settle into a theta state of mind. Clear cut the riot police from your brain and give the pine trees room to grow. To free your head, feed the heads of state to the hammerheads, decapitate the heads of state in your mind and bring the dream into the light of day, make your own head the head of state. To understand how something works, sometimes you gotta take a hammer and break it. Mystic Operative manages to balance the unpredictability of post-punk with the groove of garage rock, the fury of hardcore and the recklessness of classic punk. Roll those ingredients into a ball, then watch it roll down the hill and wipe out everything in its path. – Scene Point Blank If you’re into dense, angular, and inventive post-hardcore, this record is a stunner. – Sorry State Records Daydream from Portland deftly maneuver through eleven songs of noisy punk with obvious anarcho leanings and a call for higher consciousness. I do love it when a band incorporates so much into their art and sound that, while it makes my job harder, it only proves that some things just can’t quite be described with mere words. I’m getting hits of everything from Crass, the Wipers, and the Shitty Limits but even then I’m probably shortchanging the band, of which members have previously kicked around in PDX greats such as Physique and Dodlage as well as the Chinchees from Minneapolis. Suddenly, it makes sense why this record is so fucking good. - Razorcake There’s a lot going on, but the hyper-propulsive drums, DEVO-lved guitar stabs, and urgent vocals clatter together in an explosive concoction of progressive punk noise. Thick-necked, spiraling bass riffage and off-kilter weirdness remind me of (a less brooding) Dead AND Gone, or an anarcho-BOREDOMS. Get your ’90s fix without succumbing to nostalgia. Great stuff. – Maximum Rock N Roll

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Mike Park / Catbite

Wavebreaker #2

18,99 €*

12" | 2022 | EU | Original (Heist)

Release: 2022 / US – Original

Genre: Rock & Indie

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SKA Legend Mike Park AND Rising Stars Catbite Join Forces FOR A Generation Spanning Second Installment IN THE BAD Time Records ‘wavebreaker’ Series ON Limited Edition SEA Blue Vinyl If you’ve ever dipped a toe into the world of ska, vinyl, or DIY punk music from the past 30 years... there’s a good chance that the name Mike Park has come up. Founder of Asian MAN Records, Skankin’ Pickle, THE Bruce LEE Band, and a wealth of solo material and side projects, Mike has been pairing his love of punk and ska with damn good song writing throughout his career. On Wavebreaker #2 he brings us two ska instant classics, starting with “I couldn‘t wait out through the night”... a more traditonal track with a heavy groove and soulful sax, featuring vocals by the equally legendary Karina Denike of Dance Hall Crashers. He follows it up with “Lose With Me”, a speedy ska punk dance-floor filler that’s sure to please all generations of Park’s fans. It’s clear that he’s got an ear for great songwriting when you listen to these songs (or even just take a look at the AMR roster)... but when asked who is favorite modern ska band is, Mike says without hesitation... “Catbite!” If you’ve dipped a toe into the re-blossoming world of ska over the past 4 years, there’s also a good chance that the name Catbite has come up. Hot off of their 2021 sophomore LP “Nice One”, Catbite has been bringing their unique spin on two-tone style ‘garage punk’ ska across America. Fresh off of tours with Jeff Rosenstock and Streetlight Manifesto, Catbite is poised to bear the torch for the next generation of ska bands and fans. “Spiral” is an rhymitcally upbeat but lyrically dark aural fistfight with depression and self deprecation, played with a vigor and venom of a band totally locked in and all topped off with a staggering vocal performance from singer Brittany Luna. “Everybody Talks” certainly lightens the mood, and makes you instantly realize why the band would choose to cover this Neon Trees hit... it’s executed perfectly. Born out of mutual respect and a love of ska music, Wavebreaker 2 showcases two artists at the top of their game giving an under-appreciated genre just the jolt of addrenaline it needs and deserves.

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Orlando Voorn

Heist Mastercuts EP

Santa Cruz Gold Transculent Dyed Hair Pink Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Heist welcomes, late 80’s DMC World DJ Championship contender, Techno veteran, and house royalty Orlando Voorn to the label with his ‘Heist Mastercuts’ EP.

Orlando Voorn is a man who needs little introduction. He’s played a pivotal role in the development of the electronic music scene in the Netherlands, as well as in the USA where he now lives. With countless aliases, he has released everything from old school hiphop to sample heavy breaks, to banging Detroit techno to soulful house music. His recent outings as ‘Frequency’ on Clone, as well as his latest EP on our sublabel Transient Nature, are proof that even after 30+ years, the man is still very much on top of his game.

The Heist Mastercuts EP sees Orlando dig deep in his archive for some of his undercover hits from the nineties that have been remastered for this EP. On top of that, he delivers a new track in the form of soulful house bomb “Be with you.”

“Be with you” starts off with a hazy groove and distant pads. The steady beat and funky electronic chops set a steady foundation for a rush-inducing string sample that works together with looping diva vocals for maximum dancefloor excitement. No heavy drumrolls, FX or other tools necessary here: It’s clever sampling and Orlando’s soulful touch that make this track tick.

Next up is the vinyl only track “Love Feelings” – originally released in ’96 on Urban Sounds of Amsterdam-. Think 130+ BPM vintage house grooves with hazy pads and you’ll get an idea of what’s coming. Love Feelings is an up-tempo dreamhouse track that, even though it’s almost 25 years old, still ticks all the boxes of a contemporary festival groover.

On the B-side you’ll find 2 versions of “Tenderness”: The original mix and the Late nite dub, both originally released on Clubstitute records back in ’95. The original has a 90’s garage groove with male vocal chops, old school house keys and strings. The late night dub is exactly that: a dreamy ethereal deephouse groove with warm synth hits, introverted percussion some very on point sax loops.

The Heist Mastercuts EP is the first EP of Orlando Voorn on Heist Recordings but considering the connection we’ve built with him over the last year and having heard the music he’s shared with us, we’re sure you’ll see much more of him on Heist in the future.

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Herman Dune

LP | 2022 | EU | Original (Bb* Island)

29,99 €*

LP | 2021 | US | Original (Western Vinyl)

Release: 2022 / EU – Original

Genre: Rock & Indie

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"Santa Cruz Gold" consists of 11 songs written and recorded in San Pedro, California in 2018. Limited colored "translucent dyed hair pink" vinyl LP, including poster. This limited editon also includes an additional album on CD with 13 songs, entitled "Santa Cruz Gold Nuggets". David Ivar on Santa Cruz Gold: "These songs are the songs of a Swedish-French Jewish immigrant in California. Straight to your ears from my studio, this album was meant to come out for Hannukah, on December 2nd of 2018. I produced and recorded the album, playing almost everything from Drums to Harmonica and had the pleasure to have wonderful guests like Nashville's Caitlin Rose and Steelism, Jolie Holland, Jon Natchez (War On Drugs) and Mayon who sings with me on all songs. I recorded this album after setting up a studio in my garage, for a soundtrack I was working on (Blockbuster, first French Netflix movie). I had just severed ties with all labels, publishers I'd been working with since 2006, and had also completely stopped touring, only performing in San Pedro, Long Beach and the Los Angeles area. Writing and recording at a time when no one was pressuring me to, and I must say at a time when I doubted that anyone would be interested in my songs was more of an existential need than anything else, and definitely not a career move. I shared these songs with David Berman (Poet also known as The Silver Jews) who told me these were my best songs, and even helped me shape the album the way you'll hear it now, editing the tracklist and even some lyrics. If these were my best songs, I was going to make them Gold (a reference to the old 20th century habit of rewarding sales with Gold Records), that's why I called this album Santa Cruz Gold." ***"This guy is the best lyricist going, the only act I've ever put forward that works my kind of turf" - David C. Berman (The Silver Jews) ***"i always follow and collect the songs of David Herman Dune_ from lo-fi home recordings to studio productions! He continually provides me with the very best example of what a songwriter should be, with charm and bravery and tremendous heart." - Jeffrey 'Lightning' Lewis (Singer & Artist) ***"i have said that David-Ivar 'Yaya' Herman Dune is like the Parisian Jonathan Richman. I have said he's like the Leonard Cohen I know. He's a deep songwriter with a powerfully unique voice." - Jolie Holland (Singer)

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Chorusing

Half Mirror

26,99 €*

Senyawa Vs. Black To Comm

Release: 2021 / US – Original

Genre: Rock & Indie

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On his debut album Half Mirror, Matthew O'Connell superimposes warm analog synths onto self-described "confessional folk" with a simultaneously cosmic and earthly outcome. Tracked at home in the mountains of North Carolina using a vintage tape delay, electric guitar, and a self-designed synthesizer named `Balsam,' Half Mirror is at once a lonesome push-pull of electronics humanized by folk elements, and folk music made alien by electronic adornments. O'Connell's own story is just as captivatingly segmented. While growing up on a farm in Palmyra, Indiana, he became obsessed with metal drumming and spent most of his free time practicing in the garage, occasionally recording on four-track tape machines with his brother Joe (Elephant Micah). Reflecting on those formative years, O'Connell says, "I think that period instilled two things in me: a long attention span, and the ability to work obsessively on something in solitude." It's these monastic inclinations that helped form the spirit of Half Mirror. While in college, his interest in math led him to participate in a six-month intensive study program in Budapest, Hungary. There, he continued writing song fragments on a borrowed guitar and fiddling with musical electronics at the Kitchen Budapest_a collective of artists, theorists, and coders. In 2011, his interest in electronics and engineering led him to Asheville, North Carolina, where he worked for Moog Music calibrating and building synthesizers, and testing vintage analog delay chips by day. At night he would spend his time building homemade synths and writing songs. It was here in Asheville that he began the bulk of the work on Half Mirror, imbuing his music with the qualities of his environment almost by necessity. O'Connell made a deliberate effort to keep the album's production sparse. His interest in restraint stems in part from his love of albums like Nearly God by Tricky and Ghost Tropic by Songs: Ohia, both of which feature uncomfortably bare vocals and uncanny production that commands the listener's attention. Additional inspiration came from Mark Hollis' striking minimalism, and the freeform songwriting of Arthur Russell and John Martyn. Filtering the poetry of fractured, imperfect memories through a lush, yet sparse palette of sounds, Half Mirror evokes a profoundly moody sense of place: the fog heavy in the mountain peaks, the dew present on early morning walks, and the musky smell of rhododendrons in the air.

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Alkisah Versi Hitam

LP | 2021 | EU | Original (Dekorder)

LP | 2021 | EU | Original (Maple Death)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Alkisah Versi Hitam is a radical deconstruction and reimagination of Indonesian duo Senyawa's most recent album Alkisah by Hamburg's Marc Richter aka Black To Comm. The original album was released to critical acclaim in February of this year as a decentralized release on a multitude of labels from all corners of the world, Germany’s Dekorder being one of them. Richter is now completely reinventing the original album from scratch by doing an almost Teo Macero-level production job here, cutting up the originals and (re)constructing new material from scratch.

Arcane chants and vocal cut-ups, fierce freeform percussion, grimy No Wave collage, monochrome drones exploding into multicolour streams, unearthly psychedelic Noise and sheer sonic mayhem, warped discordant rhythms between moments of calming beauty - it's never easy to digest but the outcome is both ecstatic and transcendental - never sounding anything less than a fully formed singular album.

A special cassette version of the album will be released by Jordanian label Drowned By Locals.

Black TO Comm is the moniker of Hamburg composer/musician Marc Richter who is creating intricate multi-layered collage based works for labels like Thrill Jockey, Type and Dekorder. His 2019 album "Seven Horses For Seven Kings" revealed an increasingly angry, transcendental and fearless approach, attaining new levels of urgency through noise, volume, rhythm, repetition, atonality and beauty.

Jogjakarta’s Senyawa embody the aural elements of traditional Indonesian music whilst exploring the framework of experimental music practice, pushing the boundaries of both traditions. Their music strikes a perfect balance between their avant-garde influences and cultural heritage to create truly contemporary Indonesian new music. Their sound is comprised of Rully Shabara’s deft extended vocal techniques punctuating the frenetic sounds of instrument builder, Wukir Suryadi’s modern-primitive instrumentation. Inventions like his handcrafted ‘Bamboo Spear’; a thick stem of bamboo strung up with percussive strips of the animal skin along side steel strings. Amplified it fuses elements of traditional Indonesian instrumentation with garage guitar distortion. Sonically dynamic, the instrument can be rhythmically percussive on one side whilst being melodically bowed and plucked on the other.

They have collaborated and performed with many notable musicians such as Stephen O'Malley of Sunn o))), Otomo Yoshide, KK Null, Keiji Haino, Rabih Beiani, Trevor Dunn, Greg Fox, Arrington De Dionysus, Melt Banana, Damo Suzuki and Oren Ambarchi.

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Whitney K

Two Years

LP | 2020 | EU | Original (Out-Sider)

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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Rolling through life, an open mind like an ocean, an infinite ride that comes furiously crashing to a halt. This is Whitney K’s ‘Two Years’, a deep dive into the Canadian songwriter’s journey through vulnerability, change and ultimately letting his guard down.

Whitney K is the wandering stalwart Konner Whitney, a Whitehorse Yukon resident who has spent time in Vancouver, Montreal, Burnaby and Los Angeles. We met the character in 2016 through his intoxicating 4-track recorded manifesto ‘Goodnight’, a head on collision into 24 hours of illusioned romance and modern day escapism. Fast forward to 2021, lift those curtains, aptly titled ‘Good Morning’ is the opening track on ‘Two Years’, a different cracker, a deliberate record about transformation, where to put it simply, Whitney K has arrived. Enlisting the aid of main collaborator and bandmate Josh Boguski and drummer Avalon Rossignol-Tassonyi, the focus has been shifted, folklore and realism becoming reckoning and truthfulness, what was outsider folk is now political poetry, life in motion delivered through a freeway ridden baritone voice that transforms the mundane into extraordinary. Written with a completely different mindset and a conscious effort to break with the traditions of a corrupt, hypocritical, and hateful society/lineage, Konner’s pen is precise and daring, uniting the earnestness of Willie Nelson and the comedy relief of Harry Nilsson on the beautiful ‘Me Or The Party #165’, or when painting Canada’s colonial past and heartland image on the primitive rock’n’roll anthem ‘Trans-Canada Oil Boom Blues’. There is no avoidance, no excuses, whether your self portrait in the mirror resembles a five dollar caricature sold on a boardwalk, the John Cale-esque opener ‘Good Morning’, or whether you learn you are worthy of love like on the poignant vignette ‘Maryland’, the beautifully arranged album closer that echoes Tin Pan Alley with Lou Reed’s grit. ‘Two Years’ also presents plenty of fun, the perfectly stumblin’ garage rocker ‘Last Night #2’, the honky tonk blues coming-of-age episode ‘Cowboy City Rocker’ and the cello/violin belter ‘Hit This Pipe’. One of Whitney K’s many gems is ‘The Weekend’ a minimalist spectral ode to hope where the band’s restriction brings out the pure force and vocal command of the ramblin’ troubadour. Time to open your arms, he’s coming out of no fun city and aiming straight for you.

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Peabody Co.

21,99 €*

12" | 2019 | EU | Original (A&R Edits)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Famous for their freaked out ride down “Tobbaco Road” (included on the now legendary “A Fistful Of Fuzz” comp), Peabody Co. were a mysterious US band who left behind a set of 10” acetates, collected here for the first time. Late 60s acid-punk / garage-psych, featuring seven self-penned songs plus three terrific cover versions of “I Can’t Explain” (The Who), “Let’s Live For Today” (Rokes / Grass Roots) and the aforementioned “Tobbaco Road” (based on the Blues Magoos cover but including an extended crazed theremin/drum freak out!).
NYC psych collector Mike Ascherman recalls how he came to acquire the acetates:
"Pyramid Records was a classic small used record store that opened in 1982 or 1983 and was open for about ten years. It was a gold mine for psych and private press LPs in a time when there was virtually no competition in the City for those. On the day it opened, psych collector/dealer Paul Major walked in and found a copy of Gandalf the Grey. That was but the tip of the iceberg."
"Not long after, I made my first trip there one day after work, and it immediately became my favorite store. Over the years, I became friends with both owners. As a result, I was often given the opportunity to see the new psych arrivals before they were placed in the bins in addition to my usual digging through the store. This led to me being able to buy the first known copies of such gems as Daybreak on RPC (offered to me) and the first BLO LP (2 copies, one the same day as I found my only copy ever of Spirits & Worm - all for $15 each)."
"One day in 1990, I came into the store and was shown a set of 10" acetates that one of the owners had just unearthed in one of his well-guarded secret digging spots. He asked me if I'd ever heard of a band called Peabody Co., to which I replied I had not. He then played their cover of Tobacco Road and I was instantly hooked. He then offered the set to me at a moderately hefty but very reasonable price. It took me about two seconds to hand him the cash. The rest is, as they say, history, leading up to now, when they are finally being given the LP release they should have had over 50 years ago. Many thanks to Alex and Out-sider for making a dream become reality."

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Moplen

A Minute / Can't Hide

LP | 2019 | US | Original (Dirtnap)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Having returned from a 4-year break in August with its latest release from GW & Henry, A&R Edits follows up with a debut for Moplen. With a recent remix of Frankie Knuckles ft. Jamie Principle and a Salsoul Reworks EP, Luca Moplen has been gaining new traction of late, so it felt fitting to release two of his evergreen edits on vinyl for the first time. Moplen’s edit of Tavares’ classic disco stomper ‘It Only Takes A Minute’ coupled with Greg Wilson’s edit of Moplen’s edit of Larry Levan’s mix of David Joseph’s ‘You Can’t Hide (Your Love From Me)’, if you can follow all that!
An all brother group hailing from Providence, Rhode Island, Tavares were a band that evolved with the disco sound, hitting their peak in 1976 when both ‘Heaven Must Be Missing An Angel’ and ‘Don’t Take Away The Music’ became huge club favourites. They scored their first R&B #1 in ‘1974 with a cover of Hall & Oates ‘She’s Gone’ and in 1975 they returned to the top of the R&B chart whilst going top 10 pop and scoring a #2 Disco hit with ‘It Only Takes A Minute’. In 1992 a cover by boy band Take That would gift them their first top 10 entry, many people unaware that this track had first been recorded 17 years earlier.
Rising to prominence in Brit-funk band Hi-Tension, David Joseph soon found his footing as a solo artist after they’d split, with his first release being ‘You Can’t Hide (Your Love From Me)’ in February 1983. That same month, Greg Wilson appeared on The Tube, mixing between two copies of this very record – the first time mixing had been demonstrated on British TV. It would subsequently enter the UK chart, climbing into the top 20. The track would then be remixed by legendary Paradise Garage DJ Larry Levan, resulting in a #2 placing on the Billboard Dance chart. Upon hearing Moplen’s extended dub edit, Greg worked further into it reintroducing the song – given his history with the track it was unthinkable that he’d play it without the vocal. The result is a unique version where Moplen’s dub sets the vibe during the first half of the edit before the song is finally introduced.

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The Hussy

Looming

18,99 €*

LP | 2019 | US | Reissue (Now-Again)

Release: 2019 / US – Original

Genre: Rock & Indie

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The Hussy formed as a duo in Madison, WI in June 2008. Fronted by both Bobby Hussy (guitar / vocals) and Heather Hussy (drums / vocals), the band carved a trash-punk path through the 2000s into the 2010s playing shows alongside contemporary peers and timeless classics such as Mudhoney, Ty Segall, Thee Oh Sees, Twin Peaks, Reigning Sound, Spectrum (Ex-Spacemen 3), Black Bananas (ex-Royal Trux),The Black Lips, King Khan & BBQ, White Fence, The Faint, Tenement....and way too many more to all mention here. Known for their intensely chaotic live shows, they quickly gained a cult following in the Midwestern underground. After the release of the band’s classic and long sold out sophomore album, Weed Seizure (2012 - Tic Tac Totally), they played pinnacle garage rock festival Gonerfest in Memphis. The band is slated to play Gonerfest 16 later this year.

The Hussy’s hyper-prolific output has spanned 20+ different record labels and every format imaginable. Both Bobby and Heather write songs and contribute equally to the project. Nearly all releases have been tracked by Bobby Hussy himself. In 2015 The Hussy added Tyler Fassnacht (Fire Heads, Proud Parents, T.S. Foss) as an official full-time third member to help fill out the sound at live shows. Now bolder and noisier than ever, The Hussy is exciting old and new fans alike with scuzz-pop gems chock full of hooks that rot and stick.

At the end of 2018 The Hussy started tracking their new LP, Looming. Their last album saw the band move into a more focused direction with earnest mid-fi production and added arrangements, while still keeping true to the band’s knack for writing consistently catchy pop morsels. This album takes the band in a decidedly dismal and defiantly dark direction. It tackles topics such as death, sudden loss, divorce, addiction and these politically depressing times. The record is sixteen tracks of trash-pop that run the entire gamut of punk-rock-n-roll. There are spacey leads, heavy sonics, slicing rhythms and generally gnarly sounds all tucked beneath The Hussy’s patented blanket of hook. This is the “new” heavier three-piece version of The Hussy, but the band hasn’t lost any of it’s knack for a sugar sweet melodies.

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Al Manfredi

Blue Gold

56,99 €*

LP | 2014 | US | Original (Barsuk)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Al Manfredi is the father of hip-hop producer Exile, and Blue
Gold is his little-known West Coast rock masterpiece from
1973. Manfredi’s dreams of securing a record deal with this
album faded, but he spent the rest of his life recording
music. This version of the album was overseen by Exile.
Born into a musical family Al Manfredi started writing songs when he was child. As a teenager in 1965, he formed the Nuts
& Bolts in the small beach town of San Clemente, California. Inspired by the Kinks, the Beatles and the Byrds, the group
separated themselves from the pack by also performing original material written by Manfredi and band mate Mike Ingram.
In late 1966 they changed their name to the Lost & Found and relocated to Phoenix, Arizona, where they cut a rare single,
“Don’t Move Girl” b/w “To Catch the Sun,” which now commands high coin from ‘60s garage collectors.
When they returned to San Clemente in early 1967 their music had taken a more psychedelic direction. The Lost & Found
were riding high that year, until tragedy struck. Ingram was found hanged under suspicious circumstances and soon after
Lost & Found drummer Mike Ryer died of cancer at the age of 19. Heartbroken, Manfredi gave up on the band scene
completely and moved to Garden Grove to teach at his family’s music store.
But alone, behind closed doors, he kept writing songs and working on his music, recording hours of tapes, often tracking
all the instruments himself. In 1973 he chose six of his best songs, some of them written back in the Lost & Found days,
and had them custom-pressed as an LP. Only a handful of copies were pressed, and most of these were sent out to various
record companies in the hope of landing a deal. Despite the outstanding quality of the music, there were no takers. But
decades later, collectors discovered the Al Manfredi album and hailed it a West Coast rock masterpiece. In his Acid Archives
book, Patrick Lundborg called its discovery a deus ex machina and compared it to David Crosby’s first solo album and
Hawaii-era Merrell Fankhauser, “not just the acutely captured mellowness, but the self-confidence and the talent.”
This little-known West Coast rock masterpiece was rediscovered and celebrated by Acid Archives founder Patrick Lundborg
and others around the time that Manfredi died in 1995. This version of the album, overseen by Manfredi’s son Exile,
and with Manfredi’s story told by Ugly Things’ founder Mike Stax, presents the complete package of an incredible lost and
found artist.

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Big Scary

Not Art

27,99 €*

Sueddeutschland & Der Untergang Des Hauses H. Red Vinyl Edition

Release: 2014 / US – Original

Genre: Rock & Indie

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The story of Big Scary begins in Melbourne, Australia, where duo Tom Iansek and Jo Syme, armed with just acoustic guitars and egg shakers, started playing songs together in the living room of Syme’s parents’ house, gradually working up to a bolder, more expansive sound by incorporating electric guitars, drums, synths and piano. What began as a few rainy day acoustic ballads in their first incarnation soon grew, and before long, the newly named Big Scary were writing anything they pleased – fuzzed-out garage rock; piano-led pop; intricate, pastoral instrumentals – each imbued with an effortless pop sensibility and lightness of touch that would quickly see the duo attract a strong following in their home country. Following a series of early self-released singles and EPs, Big Scary released the intimately crafted debut album Vacation in 2011 via the band’s own label Pieater. The album brought the pair widespread acclaim, and earned the duo a large Australian audience with nominations for ‘Album Of The Year’ from Triple J and ‘Breakthrough Artist Of The Year’ from AIR (Australian Independent Record Labels Association), plus a small but growing cult following overseas. 2012 saw Big Scary take its first small steps onto the world stage – earning further underground acclaim via a self-funded North American tour that saw Tom and Jo play SXSW, CMW, and CMJ, impressing whatever audiences happened upon the versatility, lovable magnetism, intelligent songwriting and dynamic live performances that make up the band’s riveting shows.On the heels of their adventures abroad, an invigorated Tom and Jo returned home and began recording their second full length album. Grappling with the pressures and perceived responsibilities of their Australian success, the daunting goal of bringing their music to wider audiences, and their own expectations of themselves as writers and creators, the band eventually settled into making an album that would be, paradoxically, hotly anticipated at home while acting simultaneously as a first introduction to almost all audiences elsewhere: Not Art.The Melbourne-based duo has become a household name in Australian indie-pop circles and has a growing cult following overseas. Barsuk Records is thrilled to be the U.S. home for the band’s forthcoming album Not Art, a slow-burning stunner produced and engineered by Iansek and mixed by Tom Elmhirst (Amy Winehouse, The Kills, Arcade Fire, Adele) that distills influences of indie rock song structure, pop and hip-hop production, and experimental ambient music.

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Familie Hesselbach

LP | 2024 | EU | Original (Play Loud)

36,99 €*

April March / Kelley Stoltz

Release: 2024 / EU – Original

Genre: Organic Grooves

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merch community
Süddeutschland & Der Untergang des Hauses H.
by Familie Hesselbach

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Süddeutschland (Lautt Sampler, 1983) 00:00 / 04:09
Digital Album
Streaming + Download
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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Limited Edition 12" Red Vinyl
Record/Vinyl + Digital Album
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Includes unlimited streaming of Süddeutschland & Der Untergang des Hauses H. via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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edition of 300
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1.
Süddeutschland 05:12
2.
Das Bild 04:46
3.
Rimini 03:34
4.
Zur Kur 04:10
5.
Süddeutschland (Lautt Sampler, 1983) 04:09
6.
Siechtum (Der Untergang des Hauses H. Tape, 1985) 02:41
7.
Fred (Der Untergang des Hauses H. Tape, 1985) 03:57
8.
Paul (Der Untergang des Hauses H. Tape, 1985) 03:14
9.
Susi (Der Untergang des Hauses H. Tape, 1985) 03:26
10.
Barbara (Der Untergang des Hauses H. Tape, 1985) 03:55
11.
Baden (Der Untergang des Hauses H. Tape, 1985) 02:31
about
TEXT ENGLISH
"40 years after six students from the prestigious university of Tübingen were latecomers to the German new wave (...), it is once again the turn for Familie Hesselbach, who have always been called "The German Talking Heads", something we could agree with, if we add to their sound the rhythm schemes of A Certain Ratio, the groovy bass of Bush Tetras, the skronky disco-esque of James White, and turns Byrne's voice to a more spastic and cons ice one. Berlin´s play loud! label reissued in vinyl this early 80s German new wave gem, and if you think of all the bands we've named, you know this is going to blow your mind!" (Tremendo Garage about the first LP "1982").

After re-releasing "1982" (first LP) and the double LP "Froh zu sein & 8-EP-Sampler", play loud! now completes the Familie Hesselbach catalog (1980-1985) with the third vinyl LP "Sueddeutschland & Der Untergang des Hauses H." Enjoy!

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April March Sings Kelley Stoltz Record Store Day 2024 Edition

LP | 2024 | UK | Original (Agitated)

21,84 €* 22,99 € -5%

LP | 2023 | US | Original (Neon Taste)

Release: 2024 / UK – Original

Genre: Rock & Indie

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4 special tracks recorded by April March and Kelley Stoltz, whereby April sings Kelley Stoltz songs in french, and also in english; Music by kelley, vocals by April! A one off meeting of undrground pop legends, and overground garage rock royalty. Mixed / Masterd by Warren DeFever at Third Man. Red Color Vinyl version. Ooh La La! C'est Magnifique April March: I was in Nashville with Olivia Jean on a little break from shooting our "Allons Y" video at Third Man. I got in her car and she cranked up her playlist. Out jumped "Double Exposure". I went bananas right there in the passenger seat. "Kelley Stokes!", she smiled wide. It reminded me of something I'd heard in a dream. I went around singing songs from "Double Exposure" for a few weeks zeroing in on "Are You My Love" and "Your Face". I thought to myself cover-wise there's nothing to add here, they're perfect as is but maybe some French versions would be a kick so I asked for an intro. A few months later I was in San Francisco kicking out the Bonne Mamans with Kelley in his studio. Lucky me and thanks to Agitated Records lucky you too. Kelley Stoltz: “Like almost everyone in the world I was dazzled by April March's take on "Chick Habit" back in the late 90s. It was such an up feeling and joyful sound in the music and vocals. At odds with the manly wails and bleak outlooks that were standard song fare of those days. You can develop a crush on the voice in your speakers, you know! I did anyway. I was so pleased to hear from her in person and out of the blue, years later, and find out she wanted to do her own versions of my songs. I soon got to re-recording the music bits, and as she asked, stayed pretty true to their original form… maybe even improving on them just a tad. She appeared at my door one day and we instantly hit it off and laughed and sang and climbed on an elliptical machine. We did some recording and then took a walk and ate tacos. She even gave my daughter her first book. We're just friends, but I'll always have that crush when I hear her voice! I hope you enjoy April March Sings Kelley Stoltz as much as I did working on them.”

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Chain Whip

Call Of The Knife

31,99 €*

Together Transparent Pink Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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"At some point it becomes clear to all of us that trying to navigate life on The Darkest Timeline is pretty heavy going. Politics, economics, human rights… all that grown-up stuff you have to worry about as an adult. Turns out they’ve all been surrendered to ideological grifting and cynical culture wars, which should be enough to make you pretty fkn furious. And you know what? We’re gonna need a soundtrack to this that sounds equally pissed off; something loud, fast and ‘orrible that gives you the impetus to finally drive that bulldozer through the cop shop. In case you hadn’t guessed where this was going, please welcome the grand, timely and thoroughly welcome return of Chain Whip. Straight out of the gate, their second full-length Call Of The Knife is absolutely raging. The opening title track might have you squinting at the turntable for a couple of seconds to check that someone hasn’t reanimated the young Circle Jerks, but as soon as frontman Josh Nickel’s voice kicks in, hardcore cognoscenti will be under no illusions that they could possibly be listening to anyone else. His voice is a righteous, gravelly roar that cuts straight through the noise with the very loose subtext ‘I’m having a bad day and it’s imperative that you know about it’. There’s a vitality to it that helps make these Vancouver boys one of the best bands in punk today, and it helps that he’s backed up by a rattling, rolling collective who remind us all that good old-fashioned hardcore (like the ‘80s used to make) remains one of the best ideas anyone’s ever had. Suck on that idea for a moment, poindexter! You know what you’re getting with song titles like ‘Class Decay’ and ‘Hatewave’, but there’s something about the band’s garage-slanted take on the genre that makes ‘em a cut above. Panache? Chutzpah? Just the simple matter of really fkn good songs? Impossible to say, so let’s just settle by agreeing that this album does it all: you can skate to it, you can slam to it, you can paint your bedroom black to it. You can even listen to it while kicking over the statues and kickstarting that violent and bloody revolution we’ve been promised. Look, this is serious stuff that also happens to be oodles of fun. ‘Something’s gotta give,’ they sing, and maybe it’s your resistance. On this sort of delicious form, no one can touch Chain Whip right now. Form a cult and get obsessed immediately."—Will Fitzpatrick

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Dexta & Crypticz

12" | 2017 | EU | Original (Diffrent Music)

13,29 €* 13,99 € -5%

Diggin' Deeper Red Vinyl Edtion

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Dexta and Crypticz are delighted to announce their long awaited 12" single, 'Together', featuring two remixes from Munich-based Danny Scrilla. Two years in the making, the project will finally see the light of day on 10th November 2017 via Diffrent Music.

A fusion of Drum & Bass, Jungle, House and Garage, 'Together' is built for the dancefloor. The track borrows vocals and breaks from the early '90s, while blending drum machines, bass samples and vintage effect processes crafted by Dexta & Crypticz.

Danny Scrilla debuts on the label with a pair of remixes. The 'Reslice', is a great example of signature Scrilla, manipulating the original parts into an exploration of dubby, half time soundsystem music. His 'Reflop', meanwhile, is a 140bpm re-think, splicing chopped up breaks and bass stabs from the original along with strong percussion lines and weird vocal edits.

Since his outing on Hospital Records in 2015, and his debut 'SE4 EP' on Diffrent Music last year, Dexta - otherwise known as Londoner Chris Royle - has released the third part in an ongoing series for None60 Recordings, honing tracks for dancefloors and stereos alike.

Somerset's Crypticz (aka Jordan Parsons) has had quite an eventful 12 months, with his 'Echo Sound EP' on Doc Scott's 31 Recordings, and more recently the 'Forever EP' Om Unit's Cosmic Bridge imprint, while evolving his club performance from a DJ set to a custom live show consisting solely of his own music and explorations in sound design. This single comes two weeks after his latest release, the 'Access You EP', also on Diffrent Music, which set a new benchmark for Jordan, refining his sound to its highest quality.

Danny Scrilla (born Daniel Pirkl) has gone from strength to strength this year, dropping a cassette tape project on Cosmic Bridge, compiled of 16 synth and hardware-led experiments. Last month Dan also released a collaborative 12" with Sam Binga called 'Weird In Munich' - a superb effort, pushing boundaries from both their usual styles - before putting out an EP for Amit's AMAR imprint in early September.

'Together' will be available as a limited 300 run of 180gsm coloured 12" vinyl, and will be officially released on 10th November 2017. An exclusive small batch will be available at the Clashmouth D&B Label Market on 28th October 2017 at Cafe 1001 on London s Brick Lane.

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Krash Slaughta

LP | 2023 | UK | Original (Krash Slaughta)

32,99 €*

Diggin' Deeper Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Hip Hop

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You know Krash Slaughta right? The man behind the recent wildly successful Doom/Sugacubes mash-up LP Sugar-Coated Doom, not to mention his unofficial remixes of the Wu’s K.R.E.A.M. and P.L.O. Style and collab. 45 with Phill Most Chill, Rebel Base? ‘Is he at it again?’ the monkey hears you ask. Yes, he is at it again, though the closest of the the three aforementioned releases to what he’s about to drop is the Wu remix 45. And what he’s about to drop is Diggin Deeper, not a single this time but a whole remix album of one of his (and the monkey’s!) all-time favourite hip-hop LPs – to wit, Niggamortis – more usually known as Six Feet Deep (especially in the U.S., though minus the best track under that name) by hip-hop supergroup Gravediggaz.

As many will know, this LP with its horror-movie fixated lyrics gave birth to a whole hip-hop sub-genre – that of ‘horrorcore.’ However, none of those who came after seemed to manage the lyrical humour of The RZArector, The Grym Reaper and The Gatekeeper (a.k.a. RZA, Poetic and Frukwan) and the only bit of production by The Undertaker (a.k.a. Prince Paul) that they seemed interested in was the sub-metal rap sludge of the shouty Bang Your Head – i.e. the LP’s one weak spot. But don’t worry, Krash isn’t interested in that sort of thing. Not only does he avoid rap-metal beats for Bang Your Head, he doesn’t use any on the LP at all – hurrah! What he does do is employ, arguably, as eclectic an array of sample sources as Prince Paul on the original – though with an entirely different end result. Bang Your Head with its apparently sixties garage band-derived beat for example is one of the standouts. The skeletal piano skank of 6 Feet Deep is another, while a beat featuring spaced-out eighties synths forms the new musical backdrop to Constant Elevation. Two more of the monkey’s favourites on this one are Here Comes The Gravediggaz, now underpinned by double-bass-led funk and the glorious inappropriately joyous bounce of Blood Brothers. The result? Your favourite cuts on this one might not be the same as your favourite cuts on the original. Two different versions of a much-loved LP, then; it’s why people remix hip-hop. All the vocal stems were created by Krash and the ultimate intention is to do a limited vinyl release. Cover art is by the Dead Residents’ Junior Disprol.

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Krash Slaughta

LP | 2023 | UK | Original (Krash Slaughta)

29,69 €* 32,99 € -10%

Release: 2023 / UK – Original

Genre: Hip Hop

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Denshi Ongaku No Bigaku / The Aesthetics Of Japanese Electronic Music Volume 2

2LP | 2023 | EU | Original (Cosmocities)

33,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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On this second volume, focus is laid on the boogier side of Japanese sonics, nimbly moving the cursor from jazz to Afro-house, via deep technoid wares and spaced-out funky business. Setting the tone without further ado, Seiji Ono’s sun-streaked chugger ‘Celebrate Your Life’ is the very epitome of a time-proof party anthem; a buoyant and catchy ode to Larry Levan’s Paradise Garage that keeps on giving even after the thousandth listen. A dynamic ride down memory lane, Uyama Hiroto’s Afro-Bossa number ‘Compass’ delivers a suspended moment in time, halfway the soothing ethereality of Brazilian folk and syncopated patterns of African music. Up with the very much sub-Saharan-influenced ‘Pray’, J.A.K.A.M. takes us on a luminous ride across endless dunes of sand and lush oases of melodic abundance and polyrhythmic flair.

Yuu Udagawa turns in the jacking ‘We Float’, a proper NYC-style piece of abstract hip-hop and Chicagoan house laced into one lithe dance-floor churner, whereas Jazztronik summons ancient woodlands spirits on the kalimba-heavy ’Neon Forest’, ushering us into a world of pure soulfulness where ghostly silhouettes float in a haze of shakuhachi flutes and vaporous pads. We all know a classic slab of piano house done the right way is hard to resist, but when Brisa opts for this tried-and-tested route on ’State of Mind’, he nevertheless injects it with the kind of refinement and oomph you simply have to bow down before. The Backwoods remix of Ryoma Takemasa ‘Deepn’’ opens a spacious window that looks out onto a dreamy skyscape where the stripped-back rhythmic grammar of atmospheric techno rubs shoulders with that of electronica’s deep focus.

Not just contributing the aforementioned remix, The Backwoods - alias DJ Kent, steps up with the big-room momentum of ‘Cloud Nine’ - an alt-rock-influenced piece of racing electronics bound for ecstatic after-partying and beachside boogie with your loved one at sunrise. In the hands of Hiroshi Watanabe, 909state ‘RaTaTaTam’ morphs into an entrancingly beautiful mix of slo-burning prog techno and neo-classical orchestration, just as sleek and elegant as it proves deadly in a club context. Graced with similar melodic accoutrements, Satoshi Fumi’s rework of Tomi Chair ‘Remorse’ offers a grandiose and mood-enhancing display of piano-riddled techno bravura, clearly geared up for climactic DJ use. A magmatic finale that lacks neither that stadium-sized oomph, nor Fumi’s hallmark of all-around compositional excellence.

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World's Smallest Portable Record Player (Bluetooth Version)

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BT-Version! Now with Bluetooth!

Once again the RECORD RUNNER, originally known as the SOUNDWAGON is now available world wide! As the world's smallest portable vinyl record player, the RECORD RUNNER is for anyone who is a DJ, record collector or a simple music lover. It is a self-contained record player, small enough to fit in the palm of your hand. Just place it on any 33 1/3 rpm vinyl record and listen to its sound. Totally reengineered from the past 35-year-old model, the RECORD RUNNER is ALL NEW! We have made drastic measures to improve the quality. They are hand built, assembled, and MADE IN JAPAN. Whether shopping for vinyl records, checking out the stash at your local garage sale or listening to your old man's disco records (or your own), the RECORD RUNNER is a must. Amaze everyone with the RECORD RUNNER. VW Bully!

NOTE: The sound is not the greatest. Please note that the Record Runner is a toy and no audiophile equipment! Also we don't recommend to use it with your rarest records. But hey, it's fun watching it.

Video: https://youtu.be/_efv3ZGPc7A

Important New Facts for version 2.0:
• Newer firmware
• better tracking
• ultra pitch adjust
• newer tires (silicone)
• sound improvements due to tracking and more
• stylus and cartridge system, powered by Audio Technica (Replaceable needle)(hhv-ID: 558983)

Common Facts:
• Officially Licensed by Volkswagen
• NEW Enhanced SOUND QUALITY (best in its class)
• NEW Battery powered with 2 x AAA batteries (no longer uses 9V) [batteries not included]
• NEW Volume control
• NEW LED Track/Power light
• NEW On and Off switch with two speeds for temperature and environment settings
• NEW Automatic stop function at the end of the record
• NEW Stylus and Cartridge System, powered by Audio-Technica (Replaceable needle) (hhv-ID: 558983)
• ENTIRELY and NEWLY engineered (Electrical/Mechanical)
• NEW and IMPROVED SPEAKER, for better SOUND QUALITY with sound expansion through the body
• NEW with Blutooth
• Made in Japan
• Number one sought after record player in the world
• Always has been the mistery player for diggers and collectors
• Smallest, most convenient record player in the world
• Covered worldwide in magazines, tv, movies, etc.
• Once known as the "Vinyl Killer" and "Soundwagon", now the Record Runner
• From Stokyo, the originators and the people who brought you the "Soundwagon" and "Vinyl Killer"
• Parts and various components upgraded since it's last version ("Soundwagon")
• Introduced back in the 80s, the RECORD RUNNER is the only vintage record player still in existence today (with some improvements of course)

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World's Smallest Portable Record Player (Bluetooth Version)

12" | 2024 | UK | Original (Find Your Own)

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Ceri

Can't Pay My Bills EP

Release: 2024 / UK – Original

Genre: Electronic & Dance

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THE Remixes ARE Vinyl Only!
With Early DJ support from:
Kerri Chandler, Luke Una, Muallem, Eliza Rose, Chloe Caillet, Cassy, DJ Seinfeld, Skream, The Carry Nation, Samuel Deep, Enzo Siragusa, Djebali, Alison Swing, Fred P, Gerd, Nightmares on Wax, Jamie Jones, Radio Slave, Tsha, Moxie, Lakuti, Sarah Story and more...
From London to Ibiza via Berlin, inspired by Chigago and Detroit, Ceri finds her truth in proper house music. 'Can't Pay My Bills' EP provides a message of hope during uncertain times. Acknowledged as a "rising selector" by Crack Magazine, producer, label boss and record digger Ceri steps into 2024 with a brand-new EP 'Can't Pay My Bills" via her imprint "Find Your Own Records". "The title track is inspired by the current economic situation in the world, and also features a positive message that reflects the values and true origins of house music, reinforcing the belief that we can overcome our circumstances and improve our situation" - Ceri The new four track EP drips with Chicago, New York and Detroit jackin' house with garage influence, and a sprinkle of ripping UK breakbeat for good measure.
The people's producer D'Julz steps up, on remix duties, contributing not one but two remixes to the label's ongoing message of artist authenticity and collaboration. The remixes will be vinyl only, and the originals will see a digital release later in the year. "I have collected D'Julz music for many years, his label started around the same time I started DJing, and it was and still is, one of the few labels that I buy on sight. I know it will always be quality. Something I aspire to do with my label too."– Ceri.
As an artist led label 'Find Your Own Records' has become a home for genuine house legends Mr G, Fred P, Alex Arnout, and has rightly gained support from Mixmag, Resident Advisor, BBC Radio 1, BB6Music and BBC1Xtra. Support for the label so far comes from the likes of: Midland, Ben UFO, Move D, K-hand, Fumiya Tanaka, Fred P, Paranoid London, Steve O'Sullivan, Tristan Da Cunha, Ryan Elliot, Lakuti, DJ Deep, Kerri Chandler, Chloe Caillet, Fred P, Jeremy Underground, Cici, D'Julz, Chez Damier and more… As a DJ Ceri has performed marathon sets at Fabric, Corsica Studios, Pikes Ibiza, Thisishaven, and recently made her debut at the legendary Panorama Bar/Berghain. Confidently sharing the booth with club favourites Ryan Elliot, Jeremy Underground, Paranoid London and Objekt it's certain the next year of live shows will be ones to remember for the UK artist.

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Luke Una Presents E-Soul Cultura

CD | 2022 | EU | Original (Mr Bongo)

Release: 2022 / EU – Original

Genre: Organic Grooves

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With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo. Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of “E-Soul Cultura”.

It’s best described by Luke himself, who writes: “As the 5AM city sleeps and the strobe lights are slowly turned off, we gather on the wrong side of town in a transcendental journey alone together. We are the late night disenfranchised holding on in various after parties, flats, lofts, random kitchens and basements into the outer cosmos with É Soul Cultura. Music from exotic tear jerkers, Afro-spiritual jazz, cosmic Brazilian celestial grooves, machine street soul, dark horses, lost B-sides, £1 bargain-bin bombs, hidden gems, late night Italo dubbing, deep velvet N.Y.C garage, bass buggin sonic futurism, wrong speed 33bpm pitched up +8 new beat, majestic sunset strings, sweet vocals from heaven, no half steppin jazz dancing in outer-space and odd numbers. Yes… magical moments, together, holding on in witness protection suburban cul-de-sacs and Castle Court flats. Cosmic É high, 3000ft above the city getting evangelical to murky, wonky timeless beautiful music. This thing of ours dreaming of better days. Fail we may, sail we must, the sun will come up again.”

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene, and later Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to E soul, house, disco and techno. Luke’s much loved, long running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s Lgbtq cultural landscape.

Luke’s Friday evening show on Worldwide FM has captured imaginations and has already become a cult four hour must-listen monthly journey with fans all over the world. Today Luke remains, as ever, at the forefront of a changing scene, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.

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Luke Una Presents E-Soul Cultura

2LP | 2022 | EU | Original (Mr Bongo)

Release: 2022 / EU – Original

Genre: Organic Grooves

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World's Smallest Portable Record Player (Bluetooth Version)

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World's Smallest Portable Record Player (Bluetooth Version)

2LP | 2018 | EU | Original (Melting Pot Music)

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Summers Sons & C.Tappin

Uhuru

25,99 €*

Return Of The Strobelight Kid

Release: 2018 / EU – Original

Genre: Hip Hop

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Debut album by UK trio following their “Undertones” EP on Meltin Pot
Music, the label that brought you Twit One, FloFilz, Suff Daddy, Brenk
Sinatra, Dexter and others!
"Uhuru" is the debut album by Summers Sons & C.Tappin from London and Bristol.
The journey of this album started back in 2015 and was inspired by the people and
places of Tanzania. After three years of channelling the vibe into beats and bars, it is
finally here!
Summers Sons are Turt (rap) + Slim (beats) who are actually brothers. They are
longtime friends with vocalist and pianist C.Tappin. Their music can be described as
rap with a lot of jazz. We like to call it cool bap.
Turt first got into hip-hop through Grime but also cites UK wordsmith Jehst as a
major influence. Slim was doing UK Garage for a while, when his brother asked him
for some more chilled beats to rap to. Tappin came up in a musical family, picked up
the piano as a kid and played in indie bands.
With such diverse backgrounds Summers Sons and C.Tappin are not your average
rap group. They would actually rather name their crew a band. Which makes total
sense when you catch them live. Slim slices up the beats on his SP404. Tappin gets
busy on the keys and adds vocal harmonies while Turt holds down the vibe on the
mic, spitting lyrics with a message.
Still only in their early twenties Turt, Slim and Tappin are somehow old souls when it
comes to music. If you listen to "Uhuru" you are unmistakably reminded of the
Soulquarians school of fusing hip-hop, soul and jazz. Follow the Sons' "Road To
Uhuru" playlist on Spotify and you are treated with gems from D'Angelo, Dilla, Badu
and Bilal back to back with new UK Jazz tunes from Alfa Mist or Ezra Collective.
Rounded up with a selection of dusty beats from German beatmakers like Hubert
Davis and Twit One. On their own songs Summers Sons and C.Tappin are
connecting these dots in their very own style and fashion.
While Slim had already released beats on Banoffee Pies and Brownswood, Turt and
Tappin made their official debut on the "Hay Luv" album by Twit One , who they had
met when he played a DJ gig in Bristol some years ago. With the release of the
Summers Sons' "Undertones" EP on MPM in early 2018 the London - Cologne
connection became official. The six tracker introduced the sound of the Summers
and Tappin to a bigger audience and included remixes by FloFilz and Twit One.
Now get yourself ready for "Uhuru" ! To learn more about the album we recommend
the liner notes: We’re all as simple complex as the next man. No one really comes
correct with a set plan. It’s all guesswork. Feet stepping, Keep checking with my
head first.

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Duncan Forbes

2LP | 2023 | UK | Original (49 North)

29,99 €*

Join The Future - Expanded & Updated Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Having firmly re-established his underground roots, through a series of killer EPs on his newly birthed imprint, 49North - the Spooky and Animated legend now turns his attention to solo album number 1 - his first ever, as Duncan Forbes. Laying its first foundations some 5 years ago now - ‘Return Of The Strobelight Kid’ has been stealthily taking shape and developing organically ever since. And as a result, the 8 tracks which now make up the final running order, feel very much a direct reflection of all that was experienced during that time; as someone who - whilst having well and truly bought the t-shirt several times over by now - nevertheless finds themselves back on the starting grid, having to do it all over again from scratch. But embarking on new adventures from way back on square one - is something Duncan’s no stranger to; and on this album, he invites us to join him on this journey of his, and experience all the ups, downs, twists and turns that come with such intrepid territory. However, for the first port of call, Duncan somewhat eases us in - re-uniting us with a true stand out moment from his post-lockdown 7-strong EP series. This time round, however - ‘Bluer Than Blue’ takes a more gossamer, blissed-out form; swapping the staunch 4/4 for a sprightlier garage-flavoured approach in its (Slight Return). Next up, and cut from the same rhythmic cloth is ‘Hold That Thought’; its adrenalized 2-step rhythm and murky, murmuring pads making for a sunk-low, shadow-lined heater - positively slathered in thick and beckoning atmosphere. Then, with its bounding, locomotive drum track and elastic, sky-reaching synths - ‘Rise Above (Bassbin)’ takes us to brighter, more versicolour climbs; that is before we go stratospheric, for the Jungle-licked, ghostly roller - ‘Quantum Particles Floating In Space’ (Redux). ‘Floating’ keeps the unearthly fires burning - but when it comes to stoking - instead opts for a more direct, trippier and psyche-tinged approach. The propulsive, locked groove theme continues with ‘Another World’, but this time, all the space above and around it - feels an altogether darker, eerier and far gnarlier proposition. The wide-eyed majesty of ‘Serendipity’ then takes us down the penultimate stretch - rifling through a star-studded sky of its own making, in all its acid-licked, trance-kissed - breaky Techno glory; leaving Duncan’s most personal creation to date - ‘The Future Of Love’ - to close proceedings on this maiden, solo outing - by stripping things right back and reminding us just how powerful and affecting Electronic music can still be, when presented in its purest, most elemental form.

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Matt Anniss

Velocity Press

Tape | 2023 | US | Original (Hardly Art)

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The previously untold story of British dance music’s first sub-bass revolution, tracing the origins, development, impact and influence of bleep techno, and the subsequent musical styles it inspired, on UK club culture.

Originally published in 2019, it has now been revised, updated and expanded. Errors have been corrected, some chapters have been expanded, analysis has been added and further footnotes have been included to include even more information and citations.

There’s also now an additional ‘Afterword’ chapter that reflects on the story, the author’s journey as a researcher, and changing perspectives around UK dance music history.

"Since the dawn of the 1990s, British dance music has been in thrall to the seductive power of weighty sub-bass. It is a key ingredient in a string of British-pioneered genres, including hardcore, jungle, drum & bass, dubstep, UK garage and grime.

In the Join The Future book, dance music journalist Matt Anniss (Resident Advisor, DJ Magazine, Red Bull Music Academy) traces the roots, origins, development and legacy of the sound that started it all: the first distinctively British form of electronic dance music, bleep techno.

A mixture of social, cultural, musical and oral history, Join The Future reveals the untold stories of bleep’s Yorkshire pioneers and those that came in their wake, moving from electro all-dayers and dub soundsystem clashes of the mid-1980s to the birth of hardcore and jungle in London and the South East.

Along the way, you’ll find first-hand accounts of key clubs and raves, biographies of forgotten and overlooked production pioneers, stories of bleep outposts in Canada and the United States, and the inside story of the early years of one of electronic music’s most iconic labels, Warp Records.

Based on five years of research and hundreds of hours of new interviews, the book is a radical alternative history of the rise of British dance music during the late 80s and early 90s.

Join The Future is also available as a compilation album.

Quotes

“This was a vital creative era in British electronic music that deserved deeper exploration, so Matt Anniss’ history of ‘bleep and bass’, which sets the sound in the socio-political environment of its time, is a significant addition to the literature of dance culture.”
Matthew Collin, author of ‘Altered State’ and ‘Rave On’

“You wouldn’t have had hardcore had it not been for bleep. If you took bleep out of the equation, Britsh dance music would be completely different.”
Mark Archer, Altern8

“Bleep provided the building blocks of the UK sound that followed – the emotions, the edge, the darkness and the sub-bass. Later generations have taken these elements and done something new, but the fundamentals are still there.”
Neil Landstrumm"

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Shana Cleveland

Manzanita

Manzanita Maroon Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Manzanita is the common name for a kind of small evergreen tree endemic to California which has strong medicinal properties. It's also the name of the brand new full length by visual artist, writer, songwriter, and musician Shana Cleveland. Subtle, powerful, and unafraid. We can't actually tell you how much we love this record because you'd never believe us, so we'll just say that it is her strongest and most personal album to date. These songs are as strong as the bricks in the Brill building, and seem destined to be covered by others in years to come. Where her previous record, 2019's Night of the Worm Moon (Hardly Art) functions as a collection of speculative fictions equally inspired by Afro-futurist pioneers Herman "Sun Ra" Blount and Octavia Butler, Manzanita concerns the love that loves to love. "This is a supernatural love album set in the California wilderness," Cleveland explains. The combinations of words and song structure are so strong throughout that one hardly notices Cleveland's nimble fingerpicking on first listen, or how much is packed into the arrangements. The lyrics are satisfyingly direct, with the buoyantly whimsical descriptions typical of the 1960s New York School of poetry. It's peppered with the kind of unexpected turns that make the words more modern, and in their spookiness they are more West Coast, as in "Mystic Mine," with its "Mystic Mine Lane, cars rotting away/ I feel so relieved to be/ Back in the country." So much of the pop music we love is propelled by those first blushes of infatuation and lust, but Manzanita concerns the kind of love that one can only experience with time, work, and devotion. Cleveland says: "The songs were all written while I was pregnant (side A) or shortly after my son's birth in that weird everything-has-quietly-but-monumentally-shifted state (side B)," she says. Moving to the country, starting a family, laughing for real at the same joke the thirteenth time you've heard it, surviving heavy shit (this is the first release since Cleveland's successful treatment for a diagnosis of breast cancer at the start of 2022). This is a love album that's somehow populated with the insect world, ghosts, and evil spirits. Sonically, Manzanita sits in a meadow similar to her previous solo records, set back and away from the genre-recombinant garage pop of her band La Luz. This is part due to the fact that there's a different sonic palette in use here. While Cleveland continues to play guitar and vocals; Johnny Goss, who has recorded all of Shana's solo material and early La Luz recordings, and Abbey Blackwell (Alvvays, La Luz) play the bass; Olie Eshleman is on pedal steel; and Will Sprott plays the keyboards, dulcimer, glockenspiel, and harpsichord-little of which would have been out of place on her previous two solo records-Sprott also adds layers of synthesizer infused with the sounds of the natural world.

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Shana Cleveland

LP | 2023 | US | Original (Hardly Art)

26,99 €*

LP | 2006 | EU | Reissue (Ernest Jenning)

Release: 2023 / US – Original

Genre: Rock & Indie

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Boise Cover Band

Unoriginal Artists

LP | 2020 | EU | Original (Wolf Music)

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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First Time On Vinyl!
Reissue of one-off 2003 project by Doug Martsch (Built to Spill), featuring Ned Evett, Ian Waters, and John Mullin
Includes covers of David Bowie, Captain Beefheart, The Pretenders and more

Boise Cover Band’s "Unoriginal Artists" is basically a Built to Spill album, the vision of its founding member Doug Martsch.

In 2002 while Built to Spill was on hiatus, Doug was inviting various local musician friends to his home studio for improvised jam sessions. Eventually he settled on guitarist John Mullin, long time BTS Soundman Ian Waters on drums and his former Treepeople bandmate Scott Schmaljohn on guitar. Doug played bass. After a while they lost interest in improvising and decided to learn a few covers.

When Scott no longer had time for the project he was replaced by boise guitar player Ned Evett. While Doug, John , and Ian were ok musicians Ned was a world class virtuoso, winner of the 2003 North American Guitar compitition and inventor of the glass-necked fretless guitar which he plays on the album.

No one seems to remember exactly how long the band existed, maybe a couple months. There were no ambitions, it was all just for fun. They played the Pretenders song “Back On The Chaingang” but without first listening to the original, relying only on memory. There was talk of maybe playing a show or two but the band ended up never performing live. When everyone’s lives got too busy for the band they made this record and called it quits.

It was recorded on Doug’s 16 track 1/2 tape machine in the same room where the band had always rehearsed, a garage behind his house that his three-year-old son had named the Man House because it had been built for humans, not for lions or elephants. Long time Built to Spill producer Phil Ek engineered the live tracking sessions and then Doug finished the record alone, adding more guitars, some keyboards, lead vocals, and the backing vocal parts that the other band members had been singing during rehearsals. He mixed it alone and Up Records executive Pete Ritchy designed the K-Tel style cover and released a few hundred CD’s on his unofficial side label Jo-Ri. Built to Spill sold them on tour and that was that.

And then seventeen years later Doug asked his friends at EJRC if they could make it available again because it is probably his favorite record he ever made.

Loving Pauper (Dobby Dobson)
Ashes To Ashes (David Bowie)
I Love You More (Lee Williams and the Cymbals)
Strange (The Delusions)
Chain Gain (The Pretenders)
I'm Glad (Captain Beefheart and His Magic Band)
Ta Magia Sto Pegadi (Georgios Trakis)

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Velour

18,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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“Easy rider, come and take me higher”. When the world seemingly crumbles around, music can provide an escape few other mediums can. For their debut self-titled LP, Velour effortlessly levitate you above the madness below, each track taking a new turn, cruising over hazy flecked skylines, bustling walkways and bleary eyed bedlam. A trajectory that takes in all of jazz’s vibrancies, blending elements of neo soul, broken beat and hip hop coupled with a much-needed sense of hope across nine deep, soul-searching tracks released via Wolf Music Recordings. A style and sound taking influence from genres and moods, environments and experiences, Essen-based Velour stretch their legs for this, their first full length album. From the off, they nestle you under their wing with the rustling sax washes of opener ‘clp’ before diving into an epic slo-mo burner, swooping down into the chaos as singer, Eva Czaya, wistfully narrates the scenes beneath. Unafraid to shift pace within songs, the likes of ‘Pose’, sauntering from soulful summer groove into woozy late night affair, and ‘Tom's Garage’, that progresses from roadside recounting to grungy basement blowout, finished with a sample of jazz-tinged dusty beats, show that accomplished and adept heads rest on the shoulders of these relative newcomers. Wolf Music mainstay Mr Fries continues to head up production for Velour, his trademark touch capturing the intimacy of Velour’s sound presenting it in a way that’s considered yet raw - nothing feeling rushed, nor cluttered. A separation and space that gives each element the room it deserves to breathe, with short interludes and skits providing the perfect bridge between tracks, guiding you through smokey jazz bars and twilight whisperings. Moving through the album, Czaya at points wanders in a serene spoken dialogue, at others letting her voice loose, but always with an ethereal demeanour that comes off with natural ease. One of many highlights, ‘Anthony Davis’ shows off this celestial prowess whilst perfectly embodying Velour’s dream-like escapism. A pent up release of creativity, as moody bass tones mix with deft keys, rolling snares sit behind swirling saxophones. The journey ends with ‘Luminate’, a transcendent closer laced with space-echoed vocals that reverberate around over-driven Rhodes and feverish drums. Cymbals crash, as modulated synths rise, building and building before easing you off into the night and on your way to a parallel universe. As a body of work, ‘Velour’ is a shining example of the freedom, energy and enthusiasm of the new school of jazz that’s been captivating minds the world over. An instant on repeat staple - let go, feel the flow, it’s what we need in a time like this.

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World's Smallest Portable Record Player (Bluetooth Version)

LP | 2024 | US | Original (Birdman)

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Infinite River

Tabula Rasa

2LP | 2023 | EU | Original (WeMe)

Release: 2024 / US – Original

Genre: Rock & Indie

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While their first two releases (Prequel and Space Mirror) saw these veterans of post-punk, new psychedelic noise, and 1990s garage rock expertly navigate the murky waters of Covid isolation with yoga-worthy ambient excursions, on their third record the quartet slides into fifth gear and terraplanes toward a fresh take on instrumental prog-rock. It’s not entirely unexpected, but there’s rapid accelerated growth at play on Tabula Rasa.

Infinite River is composed of Gretchen Gonzales (Universal Indians, Slumber Party, Terror at the Opera), Warren Defever (His Name is Alive, ESP Beetles, Ethan Daniel Davidson), Joey Mazzola (Detroit Cobras, Sponge, Sugarcoats), and special guest drummer Steve Nistor (Sparks, Ural Thomas, Seedsmen to the World). These instrumental recordings were tracked between the end of 2022 and the start of 2023 in Warren Defever’s new loft studio space in glorious Hamtramck, MI, where the sessions were supervised by Defever’s cat, Brother James. “My apartment is a big, echoey room; previously we were close together in a tight space,” Defever explains. “The other studio is cozy; this is an art gallery. So it’s a really different vibe.”

Tabula Rasa is closer to what the band is like live now. It highlights the point at which new age type music can become biker rock—which at times approximates Hawkwind or much German music from 1976, while rarely sounding like anything but itself. Tracks like “Around the Sun” and

“Sky Diamonds” definitely have evolved out of the group playing new age type music together. But here, the melodies are more pronounced; the chords and harmonies are more like pop music. Drone-based elements remain, but the pieces are shorter and far more propulsive.

Gonzales shows off her noise-guitar pedigree with both subtlety and aggression. Defever has largely ditched his tanpura for a bass synthesizer. It’s a joy to hear Nistor, who’s been a member of Sparks for close to two decades, open up, and just go gonzo on his kit. Mazzola’s songwriting has followed suit; these are great (and often lovely) compositions here. And his practice in playing with the band, especially Nistor, allows Mazzola to open up new possibilities for downright prog than he’s ever shown before.

A highlight has to be their crunchy and multi-part take on “Favorite Things,” which truly shows off Infinite Rivers’ diverse backgrounds. Defever relates that “Gretchen only knew the song from Coltrane’s take, while Joey only knew it from Sound of Music.” If that’s not worlds colliding, what is?

- Mike McGonigal

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Not Mdk

The 140 Album

25,99 €*

Pan Afrikan People Arkestra

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Not_mdk is not MDK. Like a human ship of theseus. Martin Wood-Mitrovski's 3rd album. 23 years since the 2nd. He lives at building number 23 in Skopje. MDKs ticket exploded. He can not return. This is Not_mdk's first album. Not_mdk is exploring ideas with depth, in depth. Every track is Grime and 140 BPM. Grime is a genre that covers a huge area of sound A fixed tempo is a gravitational well of coherence That is to say: Martin Wood-Mitrovski is a musical lifer - someone whose enthusiasm cannot be dimmed by time. The Coventry-raised polymath first came to public attention in the late 1990s as a keystone part of the Spymania crew, which also first showcased Squarepusher, Jamie Lidell and Cassette Boy. Even among such esteemed company, Martin's two albums, one EP and various collaborative contributions to the label stood out for their audacity and variety. Detroit techno, death metal, bleak ambient, golden age hip hop and dozens more sounds besides made implausible sense next to each other, and bleeding into one another. Now, though, relocated to the Balkans, returning to album making after over two decades of only sporadically slipping tracks out, Martin has taken an entirely opposite approach to genre. This album is entirely built around instrumental grime. But it's built with such finesse and a scholar's knowledge that there's still extraordinary variety within that. Subsets of OG 00s grime producton - Eski, Sino-grime, breakstep, sublow, and sounds with no name at all - are threaded together with the finessed modernist abstractions that came together around London's Boxed club in the 10s, and also with electronic predecessors. The ghosts of jungle, of bleep'n'bass, of warehouse techno, of various flavours of garage, leave traces through these tracks - or maybe he's waking those ghosts in the grime. It's a perfect fit for Belgium's W?M? Records. The label has always specialised in artists who get to the deep fundamentals of acid, electro and other pillars of electronica - and here, Martin has shown the wiring that were always there connecting those things into grime. It's a record where Timbaland and Terror Danjah, Nightmares On Wax and N.A.S.T.Y. Crew, Kraftwerk and Kromestar all operate on a plane of consistency. But it's no intellectual exercise or history lesson: the sounds and patterns here are there because they work - they sound spectacular coming out of big speakers. That's what it's always been about. Whether carving up genres in the Spymania days, or distilling them now, whether MDK or Not_mdk, before all other considerations it's all about a joyful noise.

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60 Years

2LP | 2023 | UK | Original (The Village)

47,19 €* 58,99 € -20%

B Dom, Brous One & Greco Murillo

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"60 Years" is a compilation of previously unreleased Papa recordings, featuring one track from each decade of the band's history, carefully picked by our team along with Papa members. From a recording of a small ensemble in Horace Tapscott's garage in the very early 60s to the Arkestra playing in its current form in 2019, from artists like Butch Morris all the way to Angel Bat Dawid, the range of Papa is shown in incredible detail. In 1961, a giant awoke in South Central Los Angeles: a musically radical, deep-rooted, politically engaged band, its members drawn from the community it represented and served, and its music composed by them alone – The Pan Afrikan Peoples Arkestra. The brainchild of pianist and composer Horace Tapscott, the Arkestra was intended to preserve Black music, nurture Black musicians, and above all contribute positively to community building in South Central LA.

60 Years celebrates six decades of his radical and uplifting musical and social vision. Digging deep into the Arkestra’s archives, the album gathers breath-taking unreleased material, including previously unheard compositions, from every stage of the band’s development – from Tapscott’s earliest iterations of the group, recording at home in 1961, to the current incarnation of the band, led by the new generation of young musicians. Tapscott passed on in 1999, but the Pan Afrikan Peoples Arkestra was built to outlast him: over more than half a century it has stayed true to its roots and to Tapscott’s vision, welcoming multiple generations of players into its fold, and celebrating their music. And with current leader Mekala Session – son of the Arkestra’s veteran altoist Michael Session – at the helm, the Ark is still going strong. 60 Years selects a song from every decade of its life, show-casing a musical family tree that includes renowned musicians such as Arthur Blythe, Dwight Trible, Phil Ranelin, Butch Morris, Kamau Daáood, Sonjia Maia Harper, Nate Morgan, Linda Hill, Adele Sebastian, Michael Session, Jesse Sharps and of course the late, great Horace Tapscott himself.

Remastered from archival sources by the Arkestra’s longstanding engineer Wayne Peet, 60 Years is presented by The Village – a label operated by members of the Pan Afrikan Peoples Arkestra. With archival photographs documenting the Arkestra’s history, the album arrives with liner notes featuring track-by-track commentary from Arkestra members past and present. In the words of Mekala Session, ‘This release is the culmination of 60 years of Black history through sound’. South Central’s musical colossus is still very much awake, and 60 Years reveals the secrets of the Ark.

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Drivin' Far Away

LP | 2021 | EU | Original (Besser-Samstag / HHV Records)

Sam Wilkes, Craig Weinrib, Dylan Day

Release: 2021 / EU – Original

Genre: Hip Hop

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Limited editon of 500 copies on black vinyl.

“Drivin’ Far Away” is not a way to avoid reality, but a process of going further to find your own paths, especially in harder times. A trip you don’t necessarily need to take alone. B Dom, Brous One and Greco Murillo found the route together in the search of a unique sound, crossing borders and finding travelers with different perspectives along the way.
With “Drivin’ Far Away” the three Chilean artists put together their first EP, a six-song selection with influences that ranges from Jazz, Funk, and Soul to Hip-Hop with a Lo-Fi aesthetic. It all began with Brous One looking for a team of musicians to create the perfect soundtrack to let you feel and release your emotions. A very intimate project with deep sensations and at times sexy feelings.

To round it all up, every single track was remixed by some of the best European producers at the moment. FloFilz, Psalm Trees, Philanthrope & Leavv, Retrogott, Spaze Windu, and Misha gave their own touch and perspective to make a good project even greater.

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Tape | US | Original (Leaving)

Release: US – Original

Genre: Organic Grooves

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Little Kirk / Keety Roots On Melodica

Milk And Honey, Dub / Vibe Of Elisha, Dub

10" (Sir Logie Int.)

11,99 €*

Genre: Reggae & Dancehall

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Derrick Morgan And George Dekker / Visions

Ben Johnson Day / Gleeful

7" (Hop)

Genre: Reggae & Dancehall

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Ray, Goodman & Brown Introducing Greg Willis

Mood For Lovin'

LP | 1988 | US | Original (EMI-Manhattan)

4,49 €* 5,99 € -25%

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Early Clover & The Georgia Soul Drifters

Freedom / Think It Over

7" | 2014 | EU | Original (Record Kicks)

6,99 €*