Search "boddhi+satva" 3173 Items

Northwest Battle Of The Bands Vol.2: Knock You Fla

LP (Beat Rocket)

28,99 €*

Genre: Pop

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Northwest Battle Of The Bands Vol.1: Flash And Cra

LP (Beat Rocket)

28,99 €*

Genre: Pop

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Non Stop Disco Hits, Vol. 2

LP | 1976 | FR | Original (Pathé Marconi EMI)

6,99 €*

Release: 1976 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Nippon Girls 2 - Japanese Pop Beat & Rock'n'roll 1966-70

LP | 2014 | UK | Original (Big Beat)

Release: 2014 / UK – Original

Genre: Rock & Indie

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Japanese Pop, Beat & Rock'n'Roll 1965-1970' - Compiled by international girl-pop authority and former Tokyo resident Sheila Burgel, here's the second LP-release dedicated to the wild world of Japanese female pop and beat from the second half of the '60s. The LP includes a gatefold cover sumptuously illustrated with rare items from Sheila's record collection. The LP comes with different artwork than the CD-edition. Leaving no stone unturned on her quest for groovy sounds, the LP includes compelling tracks by Kayoko Ishuu, Reiko Mari, Mari Henmi, Katsuko Kanai, Akiko Wada, Akiko Nakamura, Kemeko Matsudaira, the Peanuts, Kazumi Yasui and cover girl Chiyo Okumura, none of whom were featured on the first volume.

180g red vinyl LP!

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Naya Beat Volume 2: South Asian Dance And Electronic Music 1988-1994

2LP | 2024 | EU | Original (Naya Beat)

29,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Naya Beat Records reveals Volume 2 of its critically acclaimed series dedicated to South Asian dance and electronic music. Label founders Turbotito and Ragz have curated an exceptional 13-track compilation with a focus on an overlooked era of house and electronic music released between '88 and '94. While Volume 1 explored early 80s Balearic, synth pop, and disco, Volume 2 uncovers lost or forgotten future classics from later in the decade. The release spotlights a unique era in the late 80s and early 90s when fertile cross-cultural collaboration abounded in diasporic communities in cities like London and New York and when South Asian music was infused with acid house, New Beat, and dub. There is a true wealth of sounds here, from The Jets Orkhestra’s organ-fuelled house workout ‘x-290’ to the downtempo splendour of the Asha Bhosle fronted West India Company. Lady M lends the Hindi house track and arpeggiated wonder of ‘Kali Raat’ and Mantra’s eponymously titled cut is a hypnotic gem. Featuring other scintillating Balearic house, dub, and street soul from the likes of Asha Puthli, Bappi Lahiri, Johnny Zee, and Kuljit Bhamra, this double album is a treasure of never-before-reissued and previously impossible-to-ﬁnd holy grails. Often "too Asian for mainstream success in the West, and too Western for success in Asia," the pioneering music from this time was frequently released to short-lived success or relative anonymity. Naya Beat founders Filip Nikolic (aka Turbotito) and Raghav Mani (aka Ragz) have spent the last four years endlessly hunting through dusty records, obscure cassettes, and unreleased studio tapes to deliver a reference release for contemporary collectors, tastemakers, and bold selectors looking for fresh sounds. Featuring an incredible gatefold package with Naya Beat’s trademark stunning artwork and exhaustive liner notes, the 2LP release has been cut to vinyl for the discerning DJ and listener by Grammy-nominated Frank Merritt from The Carvery, London. Naya Beat Records is focused on uncovering foundational dance and electronic music from the subcontinent and South Asian diaspora through reissues, remixes and compilations. Success came immediately with ‘Naya Beat Volume 1’, which was named Vinyl Factory’s number 1 reissue of 2021, and has been followed up with more fascinating releases such as a two-part remix project with disco-jazz legend Asha Puthli, a scintillating bhangra acid house EP with Mr. Scruff, a reissue of Pinky Ann Rihal’s 1985 Hindi new wave album, and the superb Bollywood compilation ‘Awaaz Series 1’.

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LP | 1979 | JP | Original (Buddah)

More American Pops Vol.3

5,99 €* 7,99 € -25%

Release: 1979 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with obi.

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Kiosque D'orphee - Une Epopee De L'autoproduction

3LP | 2024 | EU | Original (Born Bad)

33,99 €*

Release: 2024 / EU – Original

Genre: Pop

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12" | 2018 | EU | Original (Koryu Budo)

IB-3672

10,19 €* 11,99 € -15%

Release: 2018 / EU – Original

Genre: Electronic & Dance

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12" | 2018 | EU | Original (Koryu Budo)

IB-3672

9,49 €* 9,99 € -5%

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2016 | DE | Original (Big Bait)

Gold

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Black vinyl!

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12" | 2016 | DE | Original (Big Bait)

Gold

6,99 €*

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

White vinyl!

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12" | 2014 | MT | Original (Batti Batti)

Giuseppe's Groove EP

6,49 €* 9,99 € -35%

Release: 2014 / MT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Dynam'hit Europop Version Française 1990-1995

LP | 2021 | EU | Original (Born Bad)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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France, 1990. Fun Radio, NRJ, Skyrock set a new pace, and their crushing hegemony irrevocably marks the end of the free radio utopia. The giants become vital in the hit industry and carry on fuelling France’s greatest invention: la variété. A quintessentially French version of British dance pop with a very specific tang to it, too coy to emulate trendy clubs’ and rave parties’ music, europop cautiously tests the waters of what will soon turn into a tsunami : house music. Is house the soundtrack of the 90s? In Europe, it gave steam to comeback bands just as much as to the most memorable formations of the decade, while in France it paved the way for the global success of French Touch. “Real” house music emerges in early 80’s Chicago (where the Warehouse club, which allegedly gave its name to the genre, closes down in 1983). England’s acid house and Belgium’s new beat, its European offshoots, fed the cravings of tabloids in 1988 and 1989. The house music we’re interested in though, the type bound to soon overwhelm European charts, is already pretty far away from the afro-american music born in Chicago. So far away it inherited a new name: dance music. Just like it had been the case with disco a few years back, house and techno aren’t exactly in the good books – acid house and new beat even less so. And it’s precisely the genre’s mainstream iteration this compilation focuses on; the house en français, which strives to get on board the running train in 1990. The house which sports the all-over jean look, bandana, cap, chewing gum, peugeot 205 complete with snazzy beats on the radio. The big deal big fuss type, miles away from the original, underground house. It might not have been born in the nineties, but that’s clearly when house music became mainstream. What underpins house music might even be what is to define the decade to come: jingles and pin’s, megaclubs and clips. That and the hits. Very soon house is everywhere: on the air of the big radio stations and on TV, creeping in as far as kids’ programs. The French may not even notice, but they’re all listening to it. Meanwhile, music producers smell the gravy and, willy-nilly with the earnest, enlightened amateurs, propose their very own club versions, cross breeding French variété and house. The result: a chart and club ready ersatz that is to quickly seduce young audiences. Hits, that’s what we want – or tubes for the French, like in House Tube, one of the landmarks of this compilation. The tracklist, like the soundtrack to a club night that never happened, fictitiously reconstructs the fleeting moment when house made its arrival in France, bridging the gap between variété and eurodance. House quiproquo House music barges in like a UFO on European land. With the arrival of this repetitive, yet transgressive music, tabloids freak out, while widespread incomprehension over the genre inspires dubious misconceptions. The media are happy to suckle on the music’s popularity, though well hidden behind the veil of decorum: NRJ airs a remake of a famous new beat track, Rock To The Beat, in which, however, “ecstasy” is swapped for “fantasy”. Dechavanne, thoughtful as usual, calls fans junkies and nazis on his tv show, Ciel Mon Mardi – though the show’s theme song is nothing else than a house track. The footage became a classic, and the comments, sampled by producers, provided the vocals for a flagship new beat track (Dr. Smiley – L’Echo Dechavanne). The Dechavanne episode is representative of the general confusion surrounding this barbarian music; skepticism remained high, even (if not more so?) in the musical world. In fact, it’s the subject of the unequivocal House Tube: “House tube, bouse tube ; on n’aime pas vraiment le house tube House soupe, bouse soupe ; on n’aime pas vraiment le house soupe” That is: “House hits, house shit; we don’t really dig house hits House soup, shit soup; we don’t really dig house soup” The success of house music inspired many exasperated reactions, just like House Tube (the B-side of a deodorant ad’s theme). Laurent Castellvi, surprised that the joke-track he composed at the time still sparked interest, told us: “At the beginning of the nineties, house was all over the radio. It annoyed me a little that most tracks were based on the same two chords. House Tube is a joke, it’s me sitting at the piano playing two chords. And that’s what the lyrics say.” On the other hand and following up with the next track, Fred de Fred was clearly in the know. The Frenchman had moved to the epicentre of the English commotion, Sheffield, a few years prior to the arrival of house. That’s where Warp (Autechre, Aphex Twin) originated – and at the time Warp still went by the name FON, Fred already hung around in their studios. Robert Gordon, Fred’s pal and co-founder of the label, signs the remix of one of his 1989 tracks, Sous Sous. In 1991, he composes a record of songs, and when it comes to pairing a suitable club remix single, Fred knows what’s up. Je T’Aime En Amour, sleek rock, mutates into a syncretism of french chanson and nearly rave breakbeat (here provided in its “2020” version). Fred de Fred is exemplary of the variété-club crossover driving this record; his career started within the collective ZNR, he crossed paths with the likes of Alain Bashung and then the Stone Roses, was close to Warp, and ended up signing a record on Barclay. Studio sharks Electronic musicians are often referred to as “producers”. This emanates from the delimitation of roles in the making of recorded music, traditionally assigned as singer, songwriter and producer. The latter takes care of the recording per se; that is, he manages the project, rents the studio, hires the musicians (known as requins de studio – studio sharks – for accumulating studio sessions) and cashes in at the end. The artist in electronic music is the producer alone, who essentially combines all roles at once: totally autonomous in his home studio, he can do without musicians or singers. The moment we’re interested in is this transitory period in which the two types of producers coexist. On the one hand, the new producers, like Fred Rister with Everybody Dancing, who recorded in a shack on a 4-track recorder, according to the sound engineer. On the other, the revival of old brigade producers, always on the lookout for a hot deal. The producer behind Près De Toi is of the latter type – pursuing a long musical career though quick to forget Claire-An (and so did posterity). New beat’s heritage isn’t negligible : its pioneers fashioned the “new generation” producer formula, a one-man-band in his machine-filled home studio. They’re also the first to churn out major hits, hitting the floor of a few Belgian clubs and eventually making it to the European top 50. What seems like mad creative abundance (hundreds of tracks between 1987 and 1989) is in fact the work of a handful of Belgian producers, barely ten, hidden behind multiple aliases. Among them, Marc Neuttiens, Jack Mauer and Fabian Van Messen, who often work as a trio and produce some of the genre’s most iconic tracks. In the midst of which On Se Calme, produced under the name Bassline Boys, sampling none other than Christophe Dechavanne. It’s no coincidence then that Anne Zamberlan should knock on their door with in mind the idea of an antidrug track. She wants to make noise, they know how to make a hit. And the track has it all: proto-acid gimmicks, big beat, house piano, verses rapped with a hiphouse flow… It might have been great, but even a Virgin Megastore ad she appeared in two years later got her more success. À la folie, je danse This tale is also the one of the pioneers who brought house music to France, first on the radio, well before rave parties or Laurent Garnier’s nights in Paris. As soon as the early eighties, Robert Levy Provençal plays the edits of the young Dimitri from Paris on the airwaves of Radio 7. At the time they’re unusual: like one would use samples in hip hop, Dimitri loops soul, funk and disco tracks, creating extended mixes. He breaks down tracks, reducing them to a gimmick or a bass line, thus creating easy-to-mix tools for DJs and bringing them closer to the sounds of house and techno music. He soon becomes resident DJ on NRJ and hosts the popular show Hot Mix. Like his colleague RLP, Dimitri proposes a trailblazing selection, blending together French news and the odd new sound from the States. At the turn of the nineties, when europop wants in at the club, only these influencers master the dance side of things. There’s RLP, Bibi Fricotin, Dom T… And Dimitri, who becomes the assigned variété remixer, adapting dozens of songs that were never meant to make it into a club. The general tendency however is less to official remixes than to bootlegs: a “pirate”, unauthorised and often private remix – just like Jacques Dutronc’s Opium, stretched out into a nearly 7-minute-long mix. The nineties also set the stage for the first TV stars, the ones who become famous without anyone really knowing why. Take, say, Jordy, four years old. The kid, in his diapers, sings along a New York style, house piano production and somehow makes it to the top 50’s number 1. For years, Jordy plays out the role of the child star and demonstrates that dance music is a perfectly profitable affair: it fuels the radios turned juggernauts, and lands on TV, seeping through music programs… In 1989, Vincent Lagaf (a famous french TV host) dives in with Bo Le Lavabo. The pitch is simple: the TV host adapts a track well known overseas, Lil Louis’ French Kiss (without any direct reference), simply adding lyrics taken from a sketch. He’s rather clear on his intentions (“Well, that’s just how you make it to the top 50”) and has no mercy for a musical genre he clearly understands nothing about (“See? Easy.”). Single night stars The club is a democratic place where anyone can be a star for a night (a nineties remix of Andy Warhol’s famous saying, meaning to imply: never has fame been so near, yet so far). The ghost of stardom haunts all of these forgotten tracks… This is particularly true in the case of Techno 90, Fred Rister’s first band. The DJ hailing from Northern France takes part in the short-lived though seminal Maxximum radio and mixes everywhere on both sides of the Belgian border, quickly becoming a local celebrity. At the turn of the century, he starts collaborating with David Guetta – another DJ, slightly better known than Rister and a rising star of the Parisian club scene. Together they eventually co-sign a few global hits: Love Is Gone, When Love Takes Over, I Gotta Feeling. This tale is the story of French variété’s unforeseen encounter with the avant-garde, of DJs who rose to the status of pop stars and others who descended deep into the rave party scene. It’s all of these oddities our compilation seeks to recount, like a wacky TV show featuring anonymous stars, forgotten ghosts of a decade bygone (Jacques Dutronc, Jean-Francois Maurice) or yet to come (David Guetta), inspired though unlucky blokes plus a girl band. And somewhere in the shambles, the tracklist of our compilation, the B-side of dance music’s official story – what could have been France’s alternative hit machine.

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LP | 1992 | UK | Original (BDD Productions)

Dope Jams Volume 1

9,99 €*

Release: 1992 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

12" | 2011 | EU | Original (Big Bait)

DJ Killed 90 People

Release: 2011 / EU – Original

Genre: Electronic & Dance

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12" | 2011 | DE | Original (Big Bait)

DJ Killed 90 People

8,99 €*

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2017 | FR | Original (Born Bad)

Disque La Raye

Release: 2017 / FR – Original

Genre: Organic Grooves

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This cool release
compiles some of the best tunes in Creole boogaloo. The charm
of the restored sound of these old 7-inches is only matched by
the ardor of the interpretations. Like no music genre ever
before, boogaloo brought together African Americans and
Latinos, who already attended the same parties, but danced to
different tunes. Indeed, boogaloo overtook the West Indies with
amplified keyboards and electrified guitars, and this new wave
knocked out hierarchy and habits.

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Dirty French Psychedelics

LP | 2009 | EU | Reissue (Born Bad)

29,99 €*

Release: 2009 / EU – Reissue

Genre: Pop

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Repress of compilation of 60's psychedelic pop tunes, selected by Dirty Sound System and released under the banner of 'Dirty French Psychedelics'.

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Des Jeunes Gens Modernes 1978-1983 Volume 1

LP | 2008 | EU | Original (Born Bad)

Release: 2008 / EU – Original

Genre: Rock & Indie

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Post Punk, Cold Wave and Culture Novö in France 1978-1983!

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Culture Train Volume 1

LP (Soul Beat)

13,99 €*

Genre: Reggae & Dancehall

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Crazy World Of Music Hall Volume 3

LP | 2023 | EU (Beat Generation)

Release: 2023 / EU

Genre: Organic Grooves, Rock & Indie

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Finally, and thanks to the hard work of the fine folks at Inamu (Instituto Nacional de la Música de Argentina) and the amazing selection job of Nekro (Fun People & Boom Boom Kid), we're proud to present "The Crazy World of Music Hall vol 3", the third of a 3 volume set of mind blowing lp's compiling the finest of the 60's and 70's cuts output from the legendary Argentinian label Music Hall. This final volume presents tracks from both decades with a great selection of hot sounds ranging from pure unaltered wild Rock'n[Roll to Psychedelia, Latin sounds, visceral Hard Rock, Soul or Funk. Can't miss this final installment, the cherry on top of an amazing set!

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Catastrophe (DJ Jazz T Remix) / War Of The Worlds

7" | 2022 | EU | Original (Boot)

Release: 2022 / EU – Original

Genre: Hip Hop

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Boot Records proudly presents the Jazz T remix of Roughneck Jihad & Senz Beats' track "Catastrophe", from their 2021 EP (also on Boot Records) "The Little Assassination Handbook". The B-side offers up an exclusive cut from Lex Boogie From The Bronx & Senz Beats entitled "War of the Worlds", featuring scratches by DJ Jazz T.

DJ Jazz-T, owner of Boot Records, was the 1999 UK ITF Advancement champion. He has laced cuts on hundreds of tracks since 1995 and produces under the name of Jazz T and Boot Productions, which is Jazz & genius Dr Zygote. He was Tim Dog's tour DJ before he passed away, and he currently DJs for Gawd Status, Jehst, Micall Parknsun, Ramson Badbonez, Leaf Dog & BVA, Joker Starr and Diversion Tactics. Jihad the Roughneck MC started rhyming in the late 80's and was a member of one group before Third Sight (with Dufunk & D-Styles). He is originally from the city of Santa Clara in Northern California, relocating to the Los Angeles area in 2004. He has played shows in California, Nevada, Oregon and toured Japan twice with Third Sight.

Lex Boogie From The Bronx grew up as a kid around the jams in the parks. He carries The Bronx with him wherever he goes. His different chambers of production and raps have seen him work with the likes of Stahhr, Marq Spekt, Boog Brown, Vordul Mega, billy woods, Mike Flo & more. Originally from Brussels, now based in Montreal, Senz' first approach to cutting records up was on a pair of Technics 1200s, which he and his best friend claimed mutual custody over (1 month each) in 1998. After over 15 years spent producing on MPC ("War of the Worlds" was produced on a 2000xl), 2020 saw Senz switch to Koala Sampler app, by Elf Audio. His crazy beats have grabbed the attention of legends such as Dibia$e & Grap Luva.

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LP | 1986 | EU (Born Bad)

Born Bad Volume 1

16,99 €*

Release: 1986 / EU

Genre: Rock & Indie

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12" | 2024 | EU | Original (Boot Waves)

Booty Beats EP

16,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Body 'N Deep)

BND Project Volume 5

14,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Jovonn's Body'N Deep label continues its fine form with the not to be missed BND Project Volume 5. The 5th in the series features heavy hitters such as DJ Spinna, Atjazz, Demuir and Dirty Harry. Buy on sight!

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LP | 1988 | UK | Original (Big Beat)

Blues In The Bottle

4,99 €*

Release: 1988 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP (Deb Music / Badda Music)

Black Echoes

Genre: Reggae & Dancehall

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LP | 2022 | UK | Original (Patta X Apron)

Better Together

26,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Apron Records has been instrumental in shaping the current landscape of contemporary electronic music coming out of the U.K. since 2014. After almost a decade of pushing their unique vision has made the Apron Records imprint one of the most in-demand labels in most independent record stores. Now more than 45 releases deep in their journey, Apron Records have teamed up with Patta Soundsystem to work on their first various artists release and to celebrate this monumental milestone, both camps have collaborated to create a clothing capsule to accompany this release. After working with the artist formerly known as Funkineven on ‘The Wave’ late last year, it was only right to showcase the diverse talents behind this movement.

Sharing a drawing board with Patta for the first time with Apron Records, together they have created a Trucker Cap and a Graphic T-Shirt that echo the racing theme of the whole project. Better Together is the slogan that runs throughout the entire collaboration, stressing how unity makes us stronger as individuals. Artwork for the record has been provided by Amsterdam based artist Jim Klok. His unique Acetone printing technique has now been immortalised on this LP, juxtaposing vintage cars with checkered racing flags to create a dynamic cover that would be right at home in a picture frame as well as a record bin.

System Olympia’s ‘Passi Mai’ is a beautiful 80’s inspired driving riddim layered with her own vocals that wouldn’t be out of place in an arcade or a sticky nightclub floor. Followed up by ‘Leven’ by Brassfoot, we get a wobbler from the NTS regular. Layed with Jamaican vocal samples and audacious arpeggiated bleeps, Leven is a soulful approach to techno tropes that have been bouncing around Brassfoot’s head. Shamos’ 737363 is a cryptic masterpiece. With dreamy pads as a backdrop for shuffling drum beats, euphoric sweeps and dynamically designed synthesis, this closes off the themes explored in the first half of the record.

Side B kicks off with J M S Khosah’s contribution to the record titled ‘Lessons’ which is a dancefloor filler, adorned with glamorous percussion, vocal samples and syncopated stabs ontop of a driving 4x4 kick pattern. Kicking things into 6th gear is a club-ready production from London's most soulful selector Shy One. Groovy basslines and a 2-step riddim make ‘Candy Floss’ an ode to the grimey and the glittery sides of London nightlife. This project champions one of the people that have been pivotal in the success of the label, Steven Julien whose track E46 is an emotional journey through his synth-laden East London studio. Bookending the project are two compositions from Compton’s-own AshTreJinkins. Showcasing his abilities to approach the project from both an ambient and a pure beat-making perspective in order to hold the whole project together.

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12" | 2012 | MT | Original (Batti Batti)

Basement Tracks EP 1

14,99 €*

Release: 2012 / MT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Awaaz Original Soundtracks Recordings From The Archives Of Cbs Gramophone Records & Tapes India 1982-1986

2LP | 2023 | EU | Original (Naya Beat)

38,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Bollywood rarities handpicked and remastered on a double LP release with laminate gatefold and multi-layered flower petal foldout. Featuring rare, overlooked or not-previously-on-vinyl music from Bappi Lahiri, R. D. Burman, Ilaiyaraaja, Kalyanji-Anandji, Anand Milind, Raamlaxman and Kirti Anuraag released between 1982 and 1986. Mastered for and cut to vinyl by multi Grammynominated Frank Merritt at his mastering studio The Carvery. Naya Beat is incredibly proud to present the first in our series of ‘Awaaz’ (‘sound’ in Hindi) archival projects focused on uncovering the sounds of 1980s Bollywood Original Soundtrack Recordings (OSTs). Series 1 focuses exclusively on the musical output of CBS Gramophone Records & Tapes (India) Ltd. Active during India’s peak disco era – a time when synthesisers and drum machines became a mainstay in Indian popular music – CBS India became a home for established composers to be experimental, up-and-coming composers to get their start, B-movie soundtracks, and straight-to-VHS releases. Expertly curated by Naya Beat co-founders Turbotito and Ragz, who were given unprecedented access to the original label archives, this compilation is not just a collection of four-to-the-floor Bollywood disco (although there are plenty of those). ‘Awaaz’ is designed to take listeners on a musical journey that includes everything from leftfield electronic and mood music to outrageous proto house. Be it classic and hard to find cuts like Ilaiyaraaja's "Aye Zindagi Gale Lagaa Le" and “Mere Jaisi Mehbooba” (Bappi Lahiri’s Hindi remake of Herbie Hancock's “Rockit”), or the instrumental mood music of Kirti Anuraag’s VHS movie soundtracks, to the proto house of Raamlaxman’s “Dil Gadbad Jhala” and Kalyanji-Anandji’s “Aage Bhi Dushman,” or the synth and guitar drenched breakdance madness of R. D. Burman’s “Dekho Idhar Jano Jigar,” the music on this compilation captures the output of a label that was unique as it was unconventional. An homage to the genre, every detail in this stunning release has been lovingly crafted. From the laminate cover to the absolutely incredible foldout, to the cut-out and collage design, to the font type and layout, there are countless authentic details and nods to classic Bollywood releases of the era. As much of the album has been made in India as is possible. The sleeves have been handmade in New Delhi. The liner notes have been compiled by music archivist Nishant Mittal (aka Digging In India).

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LP | 2018 | EU | Original (Born Bad)

Antilles Mechant Bateau

18,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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The West Indies - a sweet coastline subject to many clichés from another time. That postcard with coconut trees, a glass of rum to sip on, those so exotic madras dresses... Almost as many as in Compagnie Créole's "doudouist" songs, that say a lot about the misunderstandings from both sides of the ocean. West Indians are still as stuck with this distorted outlook as in the good old days of the colonies. Because, underneath the veneer of moldy images, a completely different reality is woven. 'They beat drums but were never number one' - to misquote the chorus by a Martinique-born French singer. This is the subject of this collection - musicians drumming on percussion as a way of asserting their creolized identity. Songs that tell, in veiled terms, a different reality from what mainlanders were fed with. Special cases, with cries of joy and laments accompanied by cadences, as an invitation to trance, all immersed in the Caribbean melting pot of rhythm.

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A Moi La Liberte - Early Electronic Rai Algerie 1983/ 90

LP | 2023 | EU | Original (Born Bad)

30,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Before becoming an international musical phenomenon, raï was first and foremost the expression of a social behaviour, of a way of being. It bothers, excites, seduces, but leaves no one indifferent! Delving into the deepest recesses of raï, this compilation serves as a tribute to its roaring years, but also as a rejuvenation of the genre in its sulphurous, subterranean version. It seemed like a good idea to dig into nearly untraceable cassettes, thus confirming it's in the oldest of Oranese pots that the very best of raï is to be found. Just 50 years ago, no one would have believed even a bit in a genre seemingly bound to forever turn round and round in its native Oran, laying low in one of its many coastal road clubs. In these underground venues, singers - backed up by a minimalist orchestration for lack of space - would move their audience to laughs and tears, sobbing in a beer or chuckling down (dry) whisky. Either way, the public would unfailingly be moved by their defying tunes, sounding like a challenge to the established, self-righteous order of things - complete with trumpets, electric guitars, accordions and an array of percussions. Through the pre and post-independence years, from 1950 to 1970, raï urbanised itself, with a generation growing up between asphalt and concrete to the sound of traditional flute, but also and mostly listening to twist, French variété and rock music. Their names were Boutaïba S'ghir, Messaoud Bellemou, Groupe El Azhar, Younès Benfissa or Zergui, and they passed on their collection of songs to the incoming "Chebs" -breathing a second youth into them. Oran, the capital of West-Algeria, will be at the heart of this rejuvenation. Raï's success was overwhelming, so much so that in 1985 - when it appeared at the Youth Festival in Alger and when Oran held its first raï festival - the Algerian authorities hastened to nationalise the genre, all the while calling for its "normalisation" (that is, the "purification" of its lyrics), and to declare it "an integral part...

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70024 Beats Roots Volume 1

12" | 2022 | EU | Original (Ruff Stuff Music Ltd.)

12,99 €*

12" | 2018 | EU | Original (Body Theory)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Ruff Stuff Music returns with its first release in four years this March, the project sees label head Ruff Stuff releasing material from himself and three other artists, all of which come from the same town, have been friends from many years and share the same love for a particular style of house.

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UVB

Remembering The Heat

12" | 2019 | EU | Original (Body Theory)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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UVB’’s new release on Body Theory with 3 industrial funky tracks.

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UVB

All Or Nothing

12" | 2018 | EU | Original (No Future But What We Make)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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All Or Nothing from our man UVB.

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Uun

Veil Of Ignorance EP

Utarid / Am I Dead Yet / The Mock Heroic / A Fine Boat, That Coffin!

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Two long-time friends Juho Kusti (Deep Space Helsinki, Parabel) and Ville Vähäsaari (Rezonans) bring you their brand new label, No Future But What We Make. The label’s first release features two broken beat burners on the A-side from Detroit-based Uun (Mord, Ego Death) coupled with a more straightforward remix from acid mammoths Boston 168 (BPitch, Odd Even, Enemy Records) on the B-side. Make a difference. Get involved. There’s no future but what we make.

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4 Way Split

LP | 2006 | DE | Original (React With Protest)

6,99 €*

Release: 2006 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | EU | Original (Born Bad)

Use

Coleur Brique

LP | 2016 | EU | Original (Born Bad)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Couleur Brique, third album released by Born Bad for one-man-operation Use?, opens with a coughing fit spurting on a piano, while a guitar gently dies in the back of a hangar. The connoisseur will rekindle fond memories of his underground hit "ampheta-amphe?ta- amphe?tamine", this time to warn us about the "chef d'e?, chef d'e?, chef d'e?-tat". We won't know what he had to spit about to the president, but he's got some left on his trousers.Use? literally punches songs, beating the snare drum to celebrate a lover that bites and claws. It's mostly about boy-meets-girl and tough love in these seven romances that taste like beer chasing uppers, and end up in the back of a van.Praise be, to the melodic effort, supported by layers of sharp and bitter synths, and a straightforward vocal performance. It's a ride in forsaken land, beer in hand, documenting horny guys at the fun fair, late evenings in a shabby pub, and dirty sheets. Here and there, when least expected, flashes of unpretentious drunken wisdom hit the spot.The record is fueled by the broken drummer's energy, but also a verified writing effort. Those songs will be sung, bonded in the wastelands, to fight against buzzkill.Once active in local politics, Nicolas Belvalette settled down for acting, recently starring in "Tout fout le camp" where he plays his own role. But he's at his best on his turf, small rooms and scroungy festivals, where the great romantic weirdo spits on his tits, crawling under a raving audience. You'll have to buy the record if you want to get the lyrics, because at a gig, it's hard to follow when you're busy figuring out whether it's sweat, piss or beer that's connecting you to your neighbor.A fine collection of autumn tunes to get wasted, start a bar fight with new friends, and fall asleep on the counter with no shame.

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Use

Chien D'La Casse

Release: 2016 / EU – Original

Genre: Rock & Indie

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12" | 1994 | Original (Beat De Ville)

Urgency

Born To Be Alive 95

4,99 €*

Release: 1994 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Urbs Remix EP Volume 1 (Retrogott, Brenk Sinatra, Cookin' Soul)

Urbs

12" | 2017 | EU | Original (Beat Art Department)

9,99 €*

Release: 2017 / EU – Original

Genre: Hip Hop

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Beat Art Department releases an EP with remixes from the upcoming album of the Vienna DJ and producer Urbs by Retrogott, Brenk Sinatra and Cookin' Soul.
Retrogott aka Kurt Hustle from Cologne, who completely reshaped the track "10.000 Years Behind Me", is one of the most important representatives of
German Independent Hip Hop ever since the mid-2000s. Collectors spend a small fortune for his 2007 debut album “Jetzt Schämst Du Dich!”, which
has become the blueprint of German rap. He has remained popular, even when he changed his name.

It has been eleven long years since Urbs dropped his last album which was called “Toujours Le Meme Film”. Back then, the musician, DJ and producer created the soundtrack to a fictitious Film Noir, which was released on Kruder & Dorfmeister‘s G-Stone Label, but after touring Europe he almost completely retreated from public life. He does not consider his creativity as
being his career, but rather as a part of his life which rarely is subject to concrete planning, and that is why Urbs quite consciously took his time to create his latest –untitled- album.

Urbs: “A lot of people totally appreciated my last album “Toujours Le Meme Film”, and over the years I’ve learned that it really means a lot to some of them. Which was a burden, because, obviously, you do not want to disappoint these people. By now, I think enough water went down Danube river to perhaps surprise some of them with something completely new.
Those who know me know that I’ve always simply produced dope hip hop
tracks.”

This time, as a consequence, this is no all instrumental album but a collection of 12 soulful hip hop tunes that feature some handpicked vocalist
of the international rap, dancehall and soul scenes. On the album right next to EMC’s Wordsworth or R.A. the Rugged Man from New York, you will hear Ward 21 from Kingston, Jamaica, Voice Monet from New Orleans, One Self’s Blu Rum 13 from Washington DC, as well as long time companions like Skero from Vienna or Blabbwona from the group Abstract Art, who now lives in Munich by choice.

There also is a simple answer to the question of why the album has no title:
“This album, so to say, is my competitive exhibition in this field and owing to the endlessly long ripening process it is wonderfully and intensively boiled
down and on point. Therefore, no intros, no interludes, no title, no gimmicks, simply 12 good songs – period."

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Random Acts Of Total Control

LP | 2022 | EU | Original (Bad Vibrations)

18,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Pressing Info: 180g 12" black vinyl, standard sleeve, limited to 500 copies, download card included. The long sold-out 'Random Acts of Total Control' EP by French outfit Unschooling is now being reissued by London-based label and promoters Bad Vibrations. The five-track EP was originally released in 2021 and deals in an energetic, lo-fi post-punk that revels in calculated discord. Their chaotic ensemble of complex mathy guitar lines, dissatisfied vocals and twitchy rhythm sections have drawn comparisons to such contemporaries as Omni, Crack Cloud and Women, but all wrapped up in a Contortions-esque No Wave spontaneity.

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New World Artifacts Clear Vinyl Edition

LP | 2023 | EU | Original (Bad Vibrations)

27,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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'New World Artifacts' is the debut album from Rouen, France-based group Unschooling, arriving following their 2021 'Random Acts of Total Control' EP and 2019's 'Defensive Designs' tape. Out October 6th via Bad Vibrations, it's a collection of lo-fi post-punk clocking in at 30 minutes, underscored with subtle pop melodies and structures but never far away from bouts of chaotic no-wave dissonance. Here, Unschooling claim loud and clear their desire to return to a sound which is less calibrated, less obvious. As they themselves write, "New World Artifacts is an ode to the unexpected, a tribute to many art rock bands who are always where you least expect them." Already heralded as one of the most exciting up-and-comers in the new school of post-punk revivalists, having spent the last couple of years playing to busy crowds and festival fields across the continent, 'New World Artifacts' might just mark them out as the best in class.The Unschooling quintet, as referred to on the album's collage artwork, is made up of Vincent Fevrier (Vocals/Guitar), Damien Tebbal (Bass), Paul Morvant (Guitar), Marc Lebreuilly (Guitar/Synth) and Thomas Fromager (Drums). Although their music might revel in discord, it is a calculated one. The musicianship is complex and meticulous, hardened by their time spent together playing on the road. For 'New World Artifacts', additional musicians were also brought in to expand the sound in new ways, including saxophonists Levi Gillis (The Dip, Beat Connection) and Emeline Morisset (Les Agamemnonz), and Kyleen King (Stephen Malkmus & The Jicks, My Morning Jacket) on strings. Pressing Info: 180g clear vinyl, download card included.

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New World Artifacts Blue Vinyl Edition

LP | 2023 | EU | Original (Bad Vibrations)

26,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Bad Vibrations)

Defensice Designs

12" | 1997 | IT | Original (Disco Gold Collection)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Pressing Info: 180g 12" pink vinyl, standard sleeve, limited to 500 copies, download card included. 'Defensive Designs', the self-released 2019 cassette tape from French outfit Unschooling, is now being reissued on vinyl for the first time by London-based label and promoters Bad Vibrations. With its blend of energetic post-punk and lo-fi math-rock, the nine-song collection saw Unschooling make an instant splash in their home country's indie scene and draw comparisons to contemporaries like Omni, Women and Preoccupations. Soon becoming positioned at the forefront of the new school of post-punk revivalists, Unschooling followed the release of 'Defensive Designs' with their 'Random Acts of Total Control' EP (also being reissued by Bad Vibrations) and latest single 'Shopping On The Left Bank', plus heavy touring around the UK and Europe and festival appearances at Great Escape, Green Man, Wide Awake, Le Printemps De Bourges, Levitation France, Dot to Dot and more.

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Unlimited Beat

Beatles Medley

Release: 1997 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2020 | EU | Original (Koryu Budo)

Unkle Fon

47 Ronin EP

Unity Stars / Sir Collins & Big Dread

Release: 2020 / EU – Original

Genre: Electronic & Dance

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We are back on wax again with a very special release. It means a great pleasure for us to have one of the pivotal figures of the Madrid underground techno scene on board, Herr Unkle Fon. Some years ago, Madrid clubscene was formed by conventional clubs in conventional locations with conventional opening and closing times and usually, conventional programming. Manuel Cano then founded Utopía Secret Society and things changed forever for the city’s underground nightlife. Now as you may have noticed there is no club scene at all, neither conventional nor illegal, sign of the times. Musically speaking, Manuel started as a guitarist and soon evolved into studio engineer, label owner, club promoter, record shop owner (Ater Cosmo), social agitator… and adventurous character that reflects in his productions all his knowledge of the dancefloor. Jisatsu is a slow paced broken beat surrounded with smooth textures, soon joined by a repetitive synth line that adds the hypnotic component. Genroku Ako follows with a cosmic approach, continuous percussive and synthetic lines run together on a fast BPM exercise obsessive, linear and mental. On the flip side, 47 Ronin uses dreamy stabs over a relentless groove mixing liquidity with tension. Closing the release Shuppatsu is an almost beatless exercise, just with 909 rimshots, toms and snares spiced with ethereal components A timeless futuristic release that can wait on your record bag until things go in better directions. Writen & Produced by Unkle Fon. Distributed by Ready Made. Artwork by Futaba Hayashi.

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Blood And Fire / Mistitled - I Got To Go Girl

7" | 2020 | UK | Original (Collins Down Beat)

10,99 €*

Release: 2020 / UK – Original

Genre: Reggae & Dancehall

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Everything That Dies Comes Back 15th Anniversary Silver Vinyl Edition

Uniform & The Body

LP | 2019 | US | Reissue (Sacred Bones)

26,99 €*

LP | 2023 | EU | Original (Bite)

Release: 2019 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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In celebration of the label's 15th year anniversary Sacred Bones is repressing this second collaborative album on new silver Color Vinyl. Comprised of an amalgam of abrasive influence that spans Swans-y dirge and purge, Whitehouse's clenched-jaw noise, middle-period Ministry's penchant for metallic post-industrial everything, New Order's nose for melodic emotionality, and Juicy J-inspired beats, Uniform & The Body's approach delves deeper down the rabbit hole than before, igniting a sonic world of terror and bliss poised to grip the throats of fans yet again. Much like the collective's bombastic debut, the second album was built over a series of collaborative sessions with Seth Manchester at Machines with Magnets in Rhode Island, mixing industrial-influenced synths, squalls of harsh noise, manipulated guitar, oodles of samples along with hard rock-inspired riffs, saccharine pop, and the alternately antagonistic and harrowing vocals of Michael Berdan and Chip King. The result is nine tracks of ear-bleeding and confrontational fury with defined moments of beauty that bring to mind equal parts No Trend, Merzbow, and Information Society while forging a path that is distinctly their own.

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Unhuman & Petra Flurr

Mala Vida

LP | 2013 | US | Original (Infinity Cat)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Unhuman & Petra Flurr is the collaborative synthpunk-technoid project of Bite label stalwart, Berlin-based Greek artist Unhuman and legendary queer wave figure Petra Flurr. 'Mala Vida' is their debut album on Bite that further evolves their sound beyond genre borders. The duo deliver an 8-track LP consisting of punk body music exhibiting the team's mastery on production, their androgynous vision and diverse influences. Petra Flurr's staggered, often effected, vocals cruise over pounding beats, bold iconic hooks and psychedelic atmospheres. His lyrics reference the seedy underbelly of Berlin's sex underground. Meanwhile, Unhuman's productions broadly range from the post-punk references of 'Labyrinth' to the new beat grooves of 'Short Life' featuring Ukrainian duo Garden Krist to the melodic orchestrations of 'Rush'. All this is reinterpreted by techno duo New Frames on a digital remix of 'Unzivilisiert'. 'Mala Vida' is a direct inspiration from their debut performance at Berghain for last year's Bite label night. After which, they swiftly retreated to the studio to compose, still in their platform heels. The two paint a coat of neon red over their preexisting batcave of sound. While the artwork by Liam Noonan compliments the gender fluidness of the album, distorting and digitally manipulating images of the creators themselves. Using heavy rhythmics, wavy mandates, an androgynous stare and unavoidable sexuality, Unhuman & Petra Flurr introduce us to their culled brand of queer death techno. Always with a wink.

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Uncle Bad Touch

Release: 2013 / US – Original

Genre: Rock & Indie

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Ultimate Breaks & Beats

Robot Toy

Street Beat

249,99 €*

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Used Vinyl

Medium: Sealed, Cover: VG+

Unopened copy with small stains on the inside of the pastic! Box shows some scratches and a stuffed corner!

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LP | 2024 | UK | Original (4Bit Productions)

Transit Tribe

23,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-22

*** LP with CD in cardboard sleeve & 8 page CD booklet incl. liner notes by Steve Barker & DL Code ***

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub.

The nearest comparisons to his new album Transit Tribe can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Rather than to allow the names of Ulrich Troyer's collaborators be merely listed in the album credits, what they bring to this joyful affair needs to be outlined, albeit briefly: Co-producer credits go to Osman Murat Ertel from Istanbul, who employed a variation on the old foolproof Nick Lowe method for checking out the impact quality of his own sound productions by playing tracks through his car sound system speakers!
Murat is a member of the electro-psych-folk group Baba Zula where he plays electric saz, oscillators and theremin and played a key part in the creative development of the album. Mamadou Diabate, the balafon master originally from Burkina Faso and now resident in Vienna, has developed his own unique technique of playing solos that replicate the sound of three instruments playing in unison; however the multi-talented Mamadou is engaged here on singing and playing the talking drum. From South Tyrol Reinhilde Gamper is a member of the experimental trio Greifer who are bringing the sound of the zither into the twenty-first century using new playing techniques and electronic gadgets. Susanna Gartmayer is an Austrian composer and bass clarinetist specialising in improv and multimedia sound research. Diggory Kenrick has been engaged with creating new dub fusions and also re-energising classic rocksteady and roots reggae classics, renowned for his interventions on flute. Didi Kern is an electronic dance musician and drummer from Vienna with a focus on free improvised music. Hamidou Koita, a singer and multi-instrumentalist, is from a traditional Griot family in Burkina Faso but now resident in Vienna and a regular musical partner of Mamadou Diabate playing drums and calabash. Austrian Lukas Lauermann is both a studio and live musician playing cello, also working on electronic sound design and writing string arrangements. He has recorded extensively and appeared on stage with both Mark Lanegan and Hans-Joachim Roedelius. Martin Mallaun is a Tyrol-born specialist in both the development of the zither in modern music and also as a researcher in the effects of climate change on the vegetation of Alpine ecosystems. After studying classical percussion Flip Philipp is now a jazz vibraphone player and member of the Vienna Symphony Orchestra. Wolfgang Pfistermüller is a member of the Vienna Trombone Quartet and the developer of the incredible bass-trombone Aurora with its uniquely warm and resonant sound. Roger Robinson is a renowned British poet, winner of many contemporary poetry prizes and member of the experimental music group King Midas Sound. Kwame Yeboah is a Ghanaian born UK based keyboard wizard who tours regularly with Yusuf / Cat Stevens, Ms. Dynamite and Pat Thomas.
So contained on the album is an astonishing mix of musicians and instruments: sounds of cowbells recorded in the South Tyrolean alps processed by modular synthesizers and heavy analogue bass synths combined with instruments such as zither, bass-zither, electro saz, flute, talking drum, trombone, cello, marimba, djembe, contra-alto clarinet, Farfisa - all bound together by organic live-drums and dub effects.
Liner notes by Steve Barker
(DJ, Radio Presenter - On the Wire, BBC 1984 – 2023, now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:

Mamadou Diabate: vocals (3) & talking drum (3)
Osman Murat Ertel: electric saz (6, 7) & guitar (7)
Reinhilde Gamper: zither & bass-zither (9)
Susanna Gartmayer: contra-alto clarinet (8)
Diggory Kenrick: flute (2)
Didi Kern: drums (1, 2, 5, 6, 7, 8), percussion (3, 6)
Hamidou Koita: vocals (3), djembe (3)
Lukas Lauermann: cello (1)
Martin Mallaun: zither (9)
Wolfgang Pfistermüller: trombone (1)
Flip Philipp: c-marimba (1, 9), percussion (6)
Roger Robinson: vocals (4)
Ulrich Troyer: analog synthesizers (1-9), analog drum-machines (1-9), e-bass (1, 5, 7), sampler (1-9), prepared zither (1), field recordings (3, 6, 8), dub effects (1-9)
Kwame Yeboah: rhodes (5), vox (5), farfisa (5)

Written & arranged by Ulrich Troyer except 2 written by Diggory Kenrick & Ulrich Troyer / 3 written by Mamadou Diabate, Hamidou Koita & Ulrich Troyer / 4 written by Roger Robinson & Ulrich Troyer / 5 written by Kwame Yeboah & Ulrich Troyer / 6 & 7 written by Osman Murat Ertel & Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna - except: electro saz on track 6, 7 & guitar on track 7 recorded by Osman Murat Ertel at Saniki Studio, Istanbul / flute on track 2 recorded by Diggory Kenrick at Holloway Studio, London / vocals on track 4 recorded by Roger Robinson at Dog Heart City Studios / c-marimba recorded by Ulrich Troyer at Konzerthaus, Vienna / rhodes, vox & farfisa on track 5 recorded by Kwame Yeboah at Kwashibu Music Studio, Accra

Mixed by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna
Produced by Ulrich Troyer & Osman Murat Ertel / kindly supervised by Diggory Kenrick
Cover Artwork: Ink drawings & design by Ulrich Troyer / kindly supervised by Eva Kelety
Mastering & Laquer-Cut: Kassian Troyer at Dubplates & Mastering, Berlin

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Moments

9,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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The Viennese audio-architect with South Tyrolian roots delivers two exciting new tracks, co- produced by Osman Murat Ertel (Baba Zula) from Istanbul.
Ulrich Troyer's Moments transforms classical & acoustic guitar recordings through tape machine treatment, guitar effect pedals, analog & digital effects into a shimmering soundscape. The combination of textures and effects generates excitement and invites to listen repeatedly, surprising each time with new details.
Fractured tones, beautifully rooted and held together by the tune underneath.
Credits:
Guitars, Tapemachine & Electronics: Ulrich Troyer Recorded & Mixed by Ulrich Troyer @ 4Bit Bungalow, Vienna Written by Ulrich Troyer Produced by Osman Murat Ertel & Ulrich Troyer Mastering & Lacquer Cut by Kassian Troyer at Dubplates & Mastering, Berlin Cover Art © Eva Kelety & Ulrich Troyer
Period of creation: 2021-2022
Premiered at Meakusma, September 2022, Eupen (be)
Kindly supported by the City of Vienna (ma7 - Kultur), Federal Ministry - Republic of Austria (Arts, Culture, Civil Service & Sport) & Ske-fonds

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Latzfonser Kreuz / Feltunerhütte

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"latzfonser Kreuz / Feltuner Hütte scheduled for release on September 20th 2024 is the third single to be lifted from Ulrich Troyer's Transit Tribe due later this year.
Mamadou Diabate, originally from Burkina-Faso and now resident in Vienna, who is also a world-famous virtuoso balaphon player, collaborates on "Latzfonser Kreuz" with fellow countryman Hamidou Koita to produce a remarkable percussion track, both singing and employing talking drum and djembe to come up with a sound that can only be described as dubbed-out Nyahbinghi-style electro-beats! The track references the little church at Latzfonser Kreuz, which is the highest pilgrimage spot in South Tyrol, one of the highest in Europe; every year in June, the Black Lord, a black carved Gothic wooden cross, is brought from the village church in Latzfons to thepilgrimage church, where it remains throughout the summer.
On the flip for "Feltuner Hütte" Ulrich Troyer is joined by co-producer Osman Murat Ertel, founding member of the electro-psych-folk group Baba Zula from Istanbul, who has worked internationally for many years collaborating with the likes of Jaki Liebezeit, Fred Frith and Mad Professor. But here Murat takes us on a dub psych-out trip with his favoured electric saz, with wha wha FX, delay and echo, like Link Wray meeting King Tubby on the old streets of Istanbul."
Steve Barker (DJ, Radio Presenter - On the Wire, BBC 1984 – 2023, now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:
Mamadou Diabate: vocals (A) & talking drum (A)
Osman Murat Ertel: electric saz (B)
Hamidou Koita: vocals (A), djembe (A)
Didi Kern: percussion (A), drums (B)
Flip Philipp: percussion (B)
Ulrich Troyer: analog synthesizers & drum-machines, sampler, field recordings, dub effects (a+b)

A written by Mamadou Diabate, Hamidou Koita & Ulrich Troyer
B written by Osman Murat Ertel & Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna - except electro saz on track B recorded by Osman Murat Ertel at Saniki Studio, Istanbul
Mixed & arranged by Ulrich Troyer at 4Bit Bungalow, Vienna
Produced by Osman Murat Ertel & Ulrich Troyer
Mastering & Lacquer Cut by Kassian Troyer at Dubplates & Mastering, Berlin
Cover Drawing by Ulrich Troyer

Special thanks to Steve Barker, Mamadou Diabate, Osman Murat Ertel, Diggory Kenrick, Eva Kelety, Didi Kern, Hamidou Koita and Flip Philipp

Kindly supported by the City of Vienna (ma7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), Ske-fonds (at) & Amt für Kultur, Bozen (IT

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Echoes

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"echoes Part 1 and 2 scheduled for release on 17th of May is the first of three singles set to introduce the next album project of Ulrich Troyer - Transit Tribe - to be released later this year.

Featuring the jazz vibes of Flip Philipp of the Vienna Symphony Orchestra, "echoes" has all the resonance of pure gamelan in dub, stately, processional and instrumentally rhythmic with its sparser second part isolating contrasting pulses as the complexity unfolds and dazzles.

Twenty years in the making, now the fully developed vision of multi-instrumentalist Vienna-based Ulrich Troyer can be heard coming to its final fruition. The interface of electronics and the unique warmth of human interplay is apparent on this track as well as all the other sounds to be heard on the album where a remarkable array of new and old friends contribute to the proceedings. Thematically the album, as may be gathered from its title, is a clear appeal for humanity to be shown as the people of the world struggle to cope with increasing problems, whether caused by movement or lack of movement."

Steve Barker (DJ, Radio Presenter - On the Wire, BBC 1984 – 2023,
now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:
Flip Philipp: vibraphone, c-marimba
Ulrich Troyer: analog synthesizers, drum-machine, sampler, field recordings, dub effects

Written & arranged by Ulrich Troyer
Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow except Vibraphone, C-Marimba recorded by Ulrich Troyer at Konzerthaus, Vienna
Mixed by Ulrich Troyer at 4Bit Bungalow, Vienna
Produced by Osman Murat Ertel & Ulrich Troyer
Mastering & Lacquer Cut by Kassian Troyer at Dubplates & Mastering, Berlin
Cover Drawing by Ulrich Troyer

Kindly supported by the City of Vienna (ma7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), Ske-fonds (at) & Amt für Kultur, Bozen (it)

Special Thanks: Steve Barker, Osman Murat Ertel, Eva Kelety & Flip Philipp

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Autostrada Del Brennero

10,99 €*

LP | EU | Original (La Agonia De Vivir)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"Following on from May's "echoes Part 1 & 2" this is the second single of three to be released as an introduction to the next album project of Ulrich Troyer - Transit Tribe - to be released later this year.

This time it's one for the reggae fans and dubheads with contributions from Diggory Kenrick who has been busy over the last few years adding the distinctive sound of his flute to many new reggae productions. He is also an associate of the U.K. reggae label Pressure Sounds that specialises in reviving classic sounds from the roots and dancehall eras of the genre. Also joining the production is Takafumi Noda aka Mystica Tribe, a Japanese producer and musician who has specialised in a new form of dub techno and is known for adding the signature sound of his melodica to productions of dub friends from around the world.

The subject of travel, especially along modern, fast routes has long been subject to fascinate musicians, from the days of Kraftwerk's "Autobahn" and now the whole genre of dub techno seems to be one built for listening on long journeys. The Autostrada Del Brennero / Brennerautobahn is one of the most important motorways in Italy, as it connects the Po Valley with Austria through the Brenner Pass and features many modern bridges and overpasses that are ready built illustrations for the covers of dub techno albums! On this release this major European truck route is celebrated musically by Ulrich Troyer with inputs from Diggory and Taka to create two modern dub classics."

Steve Barker (DJ, Radio Presenter - On the Wire, BBC 1984 – 2023,
now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:
Diggory Kenrick: flute
Taka Noda: melodica
Didi Kern: drums
Ulrich Troyer: analog synthesizers, analog drum-machines, sampler, dub effects

A written by Diggory Kenrick & Ulrich Troyer
B written by Taka Noda & Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna - except flute recorded by Diggory Kenrick at Holloway Studio, London / melodica recorded by Taka Noda at Mystica Sound Studio, Tokio
Mixed & arranged by Ulrich Troyer at 4Bit Bungalow, Vienna
Produced by Osman Murat Ertel & Ulrich Troyer
Mastering & Lacquer Cut by Kassian Troyer at Dubplates & Mastering, Berlin
Cover Drawing by Ulrich Troyer

Special thanks to Steve Barker, Osman Murat Ertel, Diggory Kenrick, Eva Kelety and Takafumi Noda

Kindly supported by the City of Vienna (ma7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), Ske-fonds (at) & Amt für Kultur, Bozen (it)

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Ulises Lima / Shonen Bat

Split

Release: EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Buda Musique)

Ukandanz

Yeketelale

Release: 2018 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Double Drop: Cosmic Essentials 1

Uffe / Petwo Evans

LP | 2021 | EU | Original (On The Corner)

19,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Bounding on from the Door to the Cosmos, the label'sexpansive triple vinyl compilation, OnTheCorner has paired up new artists in this series of cosmically twinned EPs. Twinning EPs on a single piece of wax reduces the impact on the environment and wallet friendly. Each brace of cosmically twinned OnTheCorner artists interstellar balearic for the deepspace bound. Each 12" will be split taking over a whole side of black wax. Party wax loaded with Stardust. Get your fix of tomorrow's sound, tonight! Side A is UFFE's 'Not All the Stars EP' - an underground emissary channeling dark bass weight through a prism of jazz-house - dub-tech hitters. A singular talent leading the charge into new frontiers with OnTheCorner. Not All The Stars EP is aprelude to his first LP on the label and follows on from City's Dead and that featured on Door to the Cosmos in 2020. Petwo Evans' 'Bootstrap EP' on the flip side is made of soundsystem-primed, innovative club tracks. Welsh Futurism, celestial electrics and objects of space-junk percussion. Cern loops, cyber kinetic grooves, machine pulses and chugging house kicks converse in the orbit of 'Gyroscope'. Petwo Evansfeeds the tracks compulsion with heady layers awash with dreamy vocal stabs, synths and hazy harmonics.

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LP | 2019 | EU | Original (Bad Afro)

Triprapport

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Bad Afro)

Triprapport

18,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Galmandsværk Purple Vinyl Edition

LP | 2020 | Original (Bad Afro)

Release: 2020 / Original

Genre: Rock & Indie

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- Vierte Pressung, Limitiert Auf 500 Stück - Lila Vinyl - Zum Release Schaffte Es Das Album Auf Platz 1 Der Dänischen Album-Charts Uffe Lorenzen (Alias Lorenzo Woodrose) Ist Der Frontmann Von Baby Woodrose Und Spids Nogenhat, Der Bei Diesem Projekt Allerdings Unter Seinem Bürgerlichen Namen Aufnahm Und Zudem Auf Dänisch Singt. Das Erste Ergebnis Ist Das Neue Soloalbum "Galmandsværk", Das Am 10. November Erscheint Und Während Eines Urlaubs Auf Der Kleinen Vulkaninsel Gomera Nahe Der Küste Von Marokko Geplant Wurde, Wo Er Sich Zum Großteil In Einem Kleinen Raum Verschanzte Und Nichts Anderes Tat, Als Zehn Wochen Lang Neue Songs Schrieb. Uffe Lorenzen: "Ich Hatte Im Vergangenen Winter Die Gelegenheit, Für Ein Paar Monate Zu Reisen Und Entschied Mich, Viel Zeit Damit Zu Verbringen, Den Ozean Zu Betrachten Und Songs Auf Dänisch Zu Schreiben. Ich Glaube, Ich Habe Meine Eigene Methode Gefunden Und Vielleicht Sogar Einen Persönlicheren Blickwinkel. Ich Denke Immer Noch, Dass Das Schreiben Auf Dänisch Eine Herausforderung Darstellt, Aber Ich Glaube, Dass Der Ehrlichere Ausdruck Eine Ehrlichere Darstellung Verdient, Daher Sollte Der Name Lorenzo Woodrose, Der Wirklich Nur Für Leute Außerhalb Dänemarks Zwecks Aussprache Gedacht War, Fühlte Plötzlich Merkwürdig Oberflächlich An ".Galmandsværk (Übersetzt "Akt Des Wahnsinns") Enthält Zehn Lieder, Die In Viele Richtungen Gehen Und Sich Anhören, Als Ob Baby Woodrose, Spids Nogenhat Und Dragontears Verschmolzen Sind Und Zu Etwas Neuem Wurden. Der Sound Des Albums Ist Überwiegend Akustisch Mit Vielen Exotischen Instrumenten Wie Sitar, Tablas, Bansuri, Drehleier Und Geige. Uffe Lorenzen: "Ich Denke, Ich Bin An Einem Punkt Angelangt, An Dem Ich Neue Wege Finden Muss, Um Den Prozess Interessant Und Motivierend Zu Gestalten. Diesmal War Das Schreiben Auf Dänisch Nur Eine Herausforderung Von Vielen. Wir Haben Zum Großteil Akustikinstrumente Verwendet Und Versucht Die Üblichen Fehle Rzu Vermeiden, Indem Alle Songs Mit Einer Einfachen Aufnahme Von Gesang Und Gitarre An...

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Galmandsvaerk Black Vinyl Edition

LP | 2017 | EU | Reissue (Bad Afro)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Beat Jazz International)

Venetian Blinds

Release: 2022 / EU – Original

Genre: Hip Hop

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The vinyl edition is limited to 300 copies and comes in a cardboard sleeve.

Next in line is "Venetian Blinds" by Cologne's music aficionado Twit One. Expect that trademark vibe on 17 slaps full dusty drums and hazy hi-hats paired with laid back loops and melodies.

Available on vinyl and all digital platforms.

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10" | 2022 | EU | Original (Melting Pot Music)

Prelude To A Desaster

Release: 2022 / EU – Original

Genre: Hip Hop

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This new 10’’ contains 10 songs and has no features. “Prelude To A Disaster” will be available on 4th March at selected record stores worldwide. A digital release follows later. The album cover has been art-directed by Twit himself. Photos were taken by Robert Winter in Köln-Nippes with lettering by Chicken. K-Def has mastered the songs in New Jersey. We have pressed 1.000 copies.

PS: For the die-hard Twit One fans: this text includes one false fact. If you spot it you are in.

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10" | 2022 | DE | Original (Melting Pot Music)

Prelude To A Desaster

13,99 €*

Release: 2022 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2021 | EU | Original (Melting Pot Music)

Objets Trouvés

Release: 2021 / EU – Original

Genre: Hip Hop

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LP | 2021 | EU | Original (Melting Pot Music)

Objets Trouvés

16,99 €*

Release: 2021 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. tiny wear

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LP | 2021 | EU | Original (Melting Pot Music)

Objets Trouvés

Release: 2021 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2022 | JP | Original (Bad News)

Twigy

Waking Life

58,99 €*

LP | 2023 | EU | Original (Beat Surrender Music)

Release: 2022 / JP – Original

Genre: Hip Hop

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The 2021 album, produced by Muro, Olive Oil and others, is now available in analogue format! Twigy has always been at the forefront of the scene with his unique sense of language and original style of freaky flows, and his latest album Waking Life, his eighth solo album, is now available on LP! Twigy has been on the scene since the late 80s, at the dawn of hip-hop, and has collaborated with various artists such as Beatkicks with Bladehead, Microphone Pager with Muro, Lightning and Lamp Eye's 'Testimony', and has left behind a body of work that has had a huge influence on the expression of Japanese rap. Released 10 years after his last album Blue Thought ('11), Twigy's latest is a collection of minimal and mellow tracks that have been stripped down to the bare essentials, including "Illminati" by Olive Oil and "I Told You" by Microphone Pager ally Muro. The album features 10 tracks in all, including "Illminati" by Olive Oil and "I Told You" by Microphone Pager ally Muro, with sharp and sharp rapping on minimalist and mellow tracks.

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Trockener Kecks

>Tk

29,99 €*

Release: 2023 / EU – Original

Genre: Pop

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LP | 2021 | EU | Original (Bad Afro)

Trip Hill

Ain't Trip Ceremony

12" | 1996 | NL | Original (Colors)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Trip Hill is a one-man operation by Fabrizio Cecchi out of Florence, Italy. With a naïve approach to making music and inspiration from all over the world he is making his own homemade and original version of trippy psychedelia and krautrock.Fabrizio Cecchi played in various garage and psych rock bands in the early 90's but by 1994 he set his own cause and started to work alone and in his own universe. Originally a bass-player he since taught himself guitar, drums, keyboards and various other instruments to be able to find his own way in making psychedelic music.Ain't Trip Ceremony is the latest output in a long string of experimental home productions recorded in his basement studio. Until recently it was only available on his Bandcamp and as a very cool limited edition CD-R with covers printed on thick cardboard with a special linograph technique. But now it gets the proper release on vinyl via Bad Afro Records that these recordings deserve. 1st print is limited to 500 copies on black vinyl.

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Tricky Stuff

True Devotion

Release: 1996 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2019 | DE | Original (Beat Art Department)

Tribez. X Maniac

Paragon Collection 1

19,99 €*

Release: 2019 / DE – Original

Genre: Hip Hop

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12" | 2011 | FI | Original (HPTY)

Trevor Deep Jr.

DoRight! EP

Release: 2011 / FI – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

12" | 2021 | EU | Original (Beat Camp)

Trends

Industrial Injection

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tre Per Una (Rea, Golino, Moriconi)

Fortissimo

LP | 2023 | EU | Original (Pdu Music & Production Sa)

25,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Nothing I Write Can Change What You've Been Throug

LP (Hopeless)

32,99 €*

Genre: Rock & Indie

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Heaven Can Wait Pink Vinyl Edition

LP | 2024 | Original (Hopeless)

28,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Emotive and raw, British (St. Albans) punk/alternative band returns with fourth album "Heaven Can Wait." With "Heaven Can Wait.", the band effortlessly blend punk rock and post-hardcore; shining melody and searing lyricism. New album includes features from Eric Vanlerberghe of I Prevail on single "Be Someone" & Kenta Koie of Crossfaith on single "filthy//RIGHTEOUS".Shifting their classic pop-punk to something grittier highlights the extent of the band's development from their very beginnings in 2014, and stresses the transition into a new era for them in 2024.For Fans Of: Trophy Eyes, Boston Manor, The Story So Far, Knuckle Puck, I PrevailPink Colored Vinyl!

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Don't You Feel Amazing Colored Vinyl Edition

LP | 2021 | Original (Hopeless)

27,99 €*

Release: 2021 / Original

Genre: Rock & Indie

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Don't You Feel Amazing?

LP (Hopeless)

32,99 €*

Genre: Rock & Indie

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Genre: Rock & Indie

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You Broke My Heart In 17 Places

Tracey Ullman

LP | 1983 | AU | Original (Stiff)

5,99 €*

Release: 1983 / AU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2023 | US | Original (BDA)

Toribio

Tongue In Cheeks

13,99 €*

Release: 2023 / US – Original

Genre: Electronic & Dance

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Toribio, Sam Wilkes & Jacob Mann

Bring Dat Jazz

12" | 2024 | UK | Original (BDA)

15,99 €*

Toodles & The Hectic Pity

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Brooklyn producer / bandleader and DJ Toribio returns for the 2nd 12" on his newly launched BDA Imprint. Diving head first into his lifelong love affair with jazz music (Toribio is a Berklee Graduate) , the "Bring Dat Jazz EP" is a direct result of the intersection of Jazz and Dance music, which can be seen time and time again in his DJ sets.
Things kick off with "Jazz Misconduct", a mid tempo funk burner already in DJ Spinna & Danny Krivit's rotation with a bumping bassline, vibey piano chords and a soulful organ solo in Toribio's reformatting of a track from acclaimed Tenor sax player Joshua Redman. Next up is an official edit of Sam Gendel & Jacob Mann's "Dr.T" - maintaining the spirit of the original, Toribio beefs up the four on the floor, adds swung drums and accentuates the synth lines, while adding his own analog flourishes to the original. On the flip, "Bumples" draws from saxophonist Chris Potter with knockin jazz drums, syncopated claps, frantic horns and an acid line making it's way in towards the end. Rounding off the EP is an unexpected left turn in "My Humps (So Real)" - Toribio takes the completely overlooked acoustic piano and vocal chant ending of yes, that notorious track & brings in an understated drum break, twisting synth lines and his own voice to create a heavenly dancefloor stew out of ingredients no one had thought to use. Another direct show of the boundless creativity from the man affectionately known as 'Papi' throughout the NYC scene.

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Hold Onto Happiness With Both Hands Colored Vinyl Edition

LP | 2023 | EU | Original (Specialist Subject)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Foreign Crazy / Vacancy Deh A Hell

Tony Rebel / Patriot

7" | 2001 | JM | Original (Boot Camp)

OST Akiba Maid War - Character Songs

Release: 2001 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Original Jamaican pressing

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Tontokoton All Staff

LP | 2024 | JP | Original (Kaiju Panda / Ookami Koubou)

57,99 €*

LP | 2024 | JP | Original (Kaiju Panda / Ookami Koubou)

Release: 2024 / JP – Original

Genre: Soundtracks

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The character songs of the controversial anime "Akiba Maid War", broadcasted in the winter of 2022 and produced by Cygames and P.A.WORKS, will be released on vinyl! The time is 1999, Akihabara. The Tontokoton staff find themselves immersed in a world where firearms and blades clash, enveloped in a mix of "moe" (cute) and violence, and someone loses their life. The controversial work "Akiba Maid War" is a major production that makes you feel as if you are watching a yakuza film! The production staff has selected the soundtrack, along with the original song collection CD that was included with the visual software, for this release on LP. The content is perfectly tailored to the world of 1999, where both CDs and records coexisted.

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Tontokoton All Staff

OST Akiba Maid War

57,99 €*

LP | 2023 | EU | Original (Born Bad)

Release: 2024 / JP – Original

Genre: Soundtracks

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The original soundtrack of the controversial anime "Akiba Maid War", broadcasted in the winter of 2022 and produced by Cygames and P.A.WORKS, will be released on vinyl! The time is 1999, Akihabara. The Tontokoton staff find themselves immersed in a world where firearms and blades clash, enveloped in a mix of "moe" (cute) and violence, and someone loses their life. The controversial work "Akiba Maid War" is a major production that makes you feel as if you are watching a yakuza film! The production staff has selected the soundtrack, along with the original song collection CD that was included with the visual software, for this release on LP. The content is perfectly tailored to the world of 1999, where both CDs and records coexisted.

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Tonn3rr3 & Bikaye

It's A Bomb

12" | 2023 | EU | Original (Beat In Me Japan)

Release: 2023 / EU – Original

Genre: Organic Grooves

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For a long time, the music of Congo-born Bony Bikaye had to be sought in the purgatory of "world music", where diamonds in the rough cohabited with bland nightmares of white dudes who froze rumba like fish sticks. Worse, they did put it on the menu, when so many longed to move on. Take Bikaye, who grew up listening to modern european music, digs Krautrock, struggles with tradition, obviously looking for trouble in the genre. In Brussels, he recorded a few albums with CY1 (Loizillon/Micheli), and brilliant defectors from Aksak Maboul, produced by Hector Zazou.Now it's up to french trio TONN3RR3 to take up the torch and build this project that proudly brags: "It's a bomb".Thought up at home by Guillaume Gilles (compo/keyboards), the album was finished at One Two Pass It studio, with Olivier Viadero and Gae"lle Salomon on percussion, Yoann Dubaud (machines & bass) and Guillaume Loizillon (synth of CY1 fame, and matchmaker of this affair). It's a deeply musical record, crafted by no-attitude reference players with nothing left to prove, and you can hear it. Floats well above the fray."Keba na butu", beware. Indeed : beyond the simple pleasures of soukouss, or the rumba guitar riff that spins like a merry-go-round that skipped technical inspection, lie lush orchestrations. Freestyle, synthetic : something old, something new, something what-the- fuck-is-that-now. There's straight, there's syncopated, there's 808 and knee-jerk inducing bass patterns_with a vision. BIKAY3 plays his voice more than ever. His crazy vibrato has improved like hard liquor over the years. In "Zela" and "Balobi" in particular, he puts it to good use with flamboyant, Screamin' Jay Hawkins-style antics. He can also resort to pure storytelling : "La fore^t et les dieux", is a French-spoken excursion into the wild, moving along in grasslands of synths and percussion with TONN3RR3. A tale of gods and spirits, plain and simple. Nicole Mitchell brings the occasional flute in "Akei" for this trip in the bush of ghosts where lingal...

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Tomohiro Yano

Sazae EP

14,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Wildflowers & All The Rest

Tom Petty

3LP | 2020 | EU | Original (Warner)

46,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Westwood 1 Fm Broadcast Stephen O'connell Center Gainsville Fl 4th November 1993 Magenta Vinyl Edition

Tom Petty

LP | 2023 | UK (Second)

Release: 2023 / UK

Genre: Rock & Indie

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Tom Petty & The Heartbreakers

OST Angel Dream

LP | 2021 | EU | Reissue (Warner)