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MM..Food 20th Anniversary Ediiton

Release: 2004 / US – Reissue

Genre: Hip Hop

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Limited edition of 3000 copies, only available at HHV!

Originally released in 2004, MF Doom's MM..FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave Doom plenty of room to explore the album's subjects. Throughout MM..FOOD, Doom embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, Doom uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM..FOOD is both a social commentary and a piece of social satire, showcasing MF Doom'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM..FOOD has been repackaged with all new artwork by Sam Rodriguez!

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MF DOOM

CD | 2004 | US | Reissue (Rhymesayers)

LP | 2006 | UK (Cemetery Greats Records)

Release: 2004 / US – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-15

Originally released in 2004, MF Doom's MM..FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave Doom plenty of room to explore the album's subjects. Throughout MM..FOOD, Doom embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, Doom uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM..FOOD is both a social commentary and a piece of social satire, showcasing MF Doom'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM..FOOD has been repackaged with all new artwork by Sam Rodriguez!

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Gang Of Four

Desperation A.M.

Release: 2006 / UK

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs. Cover with sticker residue on the front. Copy overall closer to VG+

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The Best Damn Thing Pink Vinyl Edition

2LP | 2007 | EU | Reissue (Legacy)

Release: 2007 / EU – Reissue

Genre: Pop

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The Best Damn Thing Black Vinyl Edition

2LP | 2007 | WW | Reissue (Sony)

33,99 €*

Release: 2007 / WW – Reissue

Genre: Pop

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Let The Right One In Black Vinyl Edition

Johan Söderqvist

LP | 2008 | EU | Reissue (Svart)

LP | 2008 | UK | Original (Warp)

Release: 2008 / EU – Reissue

Genre: Soundtracks

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Let the Right One In (Sweden, 2008) is one of the great cult favorites of the current millennium. The magical tale of childhood and vampirism in the suburbs of Stockholm is scored by the director Thomas Alfredson’s fellow countryman, composer Johan Söderqvist.

Svart are proud to present the deluxe vinyl and CD release of Söderqvist’s soundtrack. Combining dark orchestral textures with a strikingly melodic beauty, Johan Söderqvist has written a truly unique score for this critically acclaimed Swedish cult film. The Svart vinyl version comes in a gatefold sleeve with the original movie poster art adorning the sleeve. The inside of the cardboard of this limited edition is flooded with red splatters.

”Writing the music for Let the Right One In gave me a rare opportunity to write a score that consists of both darkness and light. The filmmakers weren´t looking for your typical horror soundtrack. The most important quality of the music in this film had to be melody and harmony, so even if the overall tone of the film and the score is dark and atmospheric, there is always a sense of hope and beauty.

Let the Right One In is one of the most beautiful films, visually, that I’ve ever worked on. The director, Tomas Alfredson, is a unique director who has enough confidence to allow his collaborators to explore, experiment and find their own way to contribute something unique to the film. Working with him was a big pleasure, and I hope that you will enjoy listening to this music as much as I did creating it.”

Johan Söderqvist – October, 2008

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Gang Gang Dance

Saint Dymphna

Strange Frame Of Mind Transparent Blue Vinyl Edition

Release: 2008 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Overall very close to NM

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Arabs In Aspic

LP | 2010 | EU | Reissue (Karisma)

Strange Frame Of Mind Black Vinyl Edition

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Re-release of “Strange Frame of Mind” the third album from Arabs in Aspic! Hailing from Trondheim in Norway, Arabs in Aspic has been mid-Norway’s flagship of 70s inspired progressive rock and proto-hardrock for the past 15 years. They’ve been described as a sweet mixture of loud, heavy guitars and drums, 12 string acoustics, funky bass and percussion, screaming Hammond organs, soft Rhodes, Mellotrons and 70s Synths, topped with plentiful vocal harmonies. After “Far Out in Aradabia”, the band played quite a lot of shows and also recruited Hammond virtuous Stig Arve Jørgensen on keys and backing vocals after seeing him perform “Hocus Pocus” by Focus. Hence, the new material became more technical and more progressive again, and in many ways “Strange Frame of Mind” from 2010 is the link between early Arabs in Aspic and the band we know today. The band overall changed a lot, and they had a hiatus for a couple of years. Erik Paulsen joined in on bass, and the sound changed to a more progressive and classic 70s style. The album was recorded at Studio Studio, run by TNT guitarist Ronnie Le Tekrø, but they were never pleased with the mastering job which was done by a guy who wanted them to sound like a 80s power metal band. Therefore, the album has been re-mastered by Jacob Holm-Lupo. This one has been out of print for a long time, and finally here’s a proper re-release. Enjoy!

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Arabs In Aspic

LP | 2010 | EU | Reissue (Karisma)

12" | 2010 | EU | Reissue (Skylevel)

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Skylevel

Skylevel01 2023 Repress

9,09 €* 12,99 € -30%

EP | 2010 | UK | Original (Ramp)

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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Out of the clear sky, the vinyl nerds from skylevel deliver two beautifully crafted gems of dance music, keeping the overall vibe of the originals alive without being afraid of deconstructing and rearranging heavily. The A Side features a concentrated, groove oriented arrangement that slides from part to part smoothly, playing with a certain rock attitude while holding back a few surprises. The

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Tokimonsta

Cosmic Intoxication

2LP | 2010 | US | Original (Vinyl Films)

Release: 2010 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Overall close to NM

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Sun Kil Moon

Admiral Fell Promises

139,99 €*

Daydreamer / Skyline Boulevard

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. With original inner sleeves. Cover with slightly bumped corner. Beautiful copy, overall closer to NM.

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Technicolour & Komatic

12" | 2010 | UK | Original (Technique)

39,99 €*

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs. Cover with sticker residue on the front. Overall copy closer to VG+

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Goodbye Lullaby White Vinyl Edition

2LP | 2011 | EU | Reissue (Legacy)

Release: 2011 / EU – Reissue

Genre: Pop

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LP | 2011 | US | Reissue (Captured Tracks)

Hanoi Janes

Year Of Panic

Release: 2011 / US – Reissue

Genre: Rock & Indie

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"With the obvious homage the name implies, you'd expect Hanoi Janes to be a group of riot grrrl angnsty types, displaced in time by about 20 odd years. Having taken on the nickname given to Jane Fonda in the 70s because of her anti-war stance on Vietnam, these girls would be all bent up about, well you know, stuff. You'd expect that, but you'd be wrong. It is in fact primarily the work of one guy from Sachen, Germany - Oliver Scharf. But then Hanoi Janes' album, 'Year of Panic', is able to inspire all kinds of misconceptions. Name of the band aside, would you expect a German guy (who's a bit handy with an eight-track) to produce a series of beautifully lo-fi, sub two-minute, surf-pop tracks, full of buzzing guitar and bubblegum spirit. Maybe - maybe not. But that's just what Scharf has done. The sound is distinctly garage, reminiscent of a 70s surf sound, and like The 5. 6. 7. 8's, Hanoi Janes are able to launch into the genre with the luxury of being removed from the scene itself. Tracks like opener, 'The Boys Are Out' and 'Beach Kids' are unashamedly infectious, utilising catchy hooks, hand claps and the odd 'Ooo ooo ooo' to great effect. The production is fuzzy, but that only adds to the overall charm of the album. Because charming is what it is, as Hanoi Janes have packed 'Year of Panic' with some real gems. 'Summer of Panic' offers something tinted with psychedelic sounds; 'Our Lives' could have been an early track by The Strokes had they been influenced by the Californian sun rather than the New York shadows; 'Good Bone' is a track which can only be performed if there are several oversized surf-boards nearby. 'Year of Panic' is lo-fi, scuzzy garage surf-pop at its finest and it deserves to be the sound-track of your summer" -BOWLEGS, UK

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12" | 2012 | EU | Reissue (SNTS)

Chapter 1

12" | 2012 | EU | Reissue (Pampa)

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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SNTS Is An Underground Techno Label, Commitment To The Vinyl Format As The Main Pillar And Overall Bring The Electronic In The Anonymity.

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Michel Cleis

Mir A Nero 2022 Repress

Georgia Anne Muldrow & Madlib

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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It's been three years since Swiss producer Michel Cleis conjured a storm with "La Mezcla", a Cadenza hit cemented into house canon as it was swiftly reissued by Strictly Rhythm, bringing the sabor latino into clubs worldwide. Some more 12"s and a number of high-profile remixes (going from tracey thorn to skunk anansie,for labels like rekids , bronswood or Aus) later, he's now teaming up with DJ Koze's crew for his next move: a colorful, crescendoing 12-minute tune that's ready to make a splash in your summer soundtrack. "Mir a Nero" begins with a steady, upbeat kick underlying a simple piano arpeggio - like if Philip Glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. By the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the track's overall organic feel, leading into the playful piano chords and colombian vocal hook. Simply put, this is Latin House with that anomalous Pampa Records swagger, drenched with flavor like Sangria-soaked mango. Flip that baby over and you get "Amaranthus", named after the famed flower that represents immortality. This piece stands as a color-negative of "Mir a Nero", an unwavering stomp with just shadows of the piano sample heard earlier. Freeze-dried rather than sun-ripened, "Amaranthus" is a dubby, more technofied counterpart to the A-Side, crafted for deeper and darker moments on the dancefloor.

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Seeds

LP | 2012 | US | Reissue (Someothaship)

29,99 €*

Attack On Memory Sky Blue Vinyl Edition

Release: 2012 / US – Reissue

Genre: Hip Hop, Organic Grooves

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On Seeds, Georgia Muldrow takes a step back and leaves the beatmaking to Otis Jackson Jr., aka Madlib. As producers, Muldrow and Jackson are not worlds apart, so the switch requires no adjustment on the part of the listener. That said, this is one dense and tight set, barely over half-an-hour in length, and it's definitely in contention for Muldrow's most focused, funkiest, and (somewhat ironically) personal release to date. Throughout the record, the emphasis remains heavily fixated on her family as a unit of salvation and purpose. The most direct track of the lot is "Husfriend," where she honors her relationship with Dudley Perkins (a/k/a Declaime, who appears on “The Few”). Muldrow can't quite divorce the planetary and personal issues, heard vividly on "Best Love," which sounds just like a simple, sweet, straight-ahead love song until she starts asking her other half for money to build water wells on three continents ("We can make a difference if we try now"). Overall, Seeds is another left-field deviation in Muldrow's career: it's one of her most captivating and immediate front-to-back statements of purpose as a singer, but it's also the first album where she's handed over all the production duties to somebody else. In celebration of this album’s decenary run, Someothaship Connect is pleased to reintroduce an anniversary edition repress of this captivating release in partnership with Fat Beats.

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Cloud Nothings

LP | 2012 | US | Reissue (Carpark)

25,99 €*

Release: 2012 / US – Reissue

Genre: Rock & Indie

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To celebrate the 10th anniversary of Cloud Nothings' seminal album, Attack On Memory, the band has announced a very special limited edition vinyl pressing. It’s housed in a foil jacket with all new colorized artwork, is pressed on Sky Blue vinyl, and includes two bonus flexi 7"s with two never-before-released tracks, "You Will Turn" and "Jambalaya" from the original sessions at Steve Albini's Electrical Audio. Including digital download and Steve Albini's “Fluffy Coffee” recipe. In 2009, Cleveland’s Dylan Baldi began writing and recording lo-fi power-pop songs in his parents’ basement, dubbing the project Cloud Nothings. His music quickly started making the Internet rounds, and fans and critics alike took note of his pithy songcraft, infectiously catchy melodies, and youthful enthusiasm. Baldi soon released a string of 7”s, a split cassette, and an EP before putting out Turning On—a compilation spanning about a year’s worth of work—on Carpark in 2010. January 2011 saw the release of Cloud Nothings’ self- titled debut LP, which, put next to Turning On, found Baldi cleaning up his lo-fi aesthetic, pairing his tales of affinitive confusion with a more pristine aural clarity. In the interval since the release of Cloud Nothings, Baldi has toured widely and put a great deal of focus on his live show, a detail that heavily shapes the music of his follow-up album, Attack on Memory. After playing the same sets nightly for months on end, Baldi saw the rigidity of his early work, and he wanted to create arrangements that would allow for more improvisation and variability when played on the road. To accomplish this desired malleability, the entire band decamped to Chicago—where the album was recorded with Steve Albini—and all lent a hand in the songwriting process. The product of these sessions is a record boasting features that, even at a glance, mark a sea change in the band’s sound: higher fidelity, a track clocking in at almost nine minutes, an instrumental, and an overall more plaintive air. The songs move along fluidly, and Baldi sounds assured as he brings his vocals up in the mix, allowing himself to hold out long notes and put some grain into his voice. Minor key melodies abound, drums emphatically contribute much more than mere timekeeping, and the guitar work is much more adventurous than that of previous releases. For all of early Cloud Nothings’ fun and fervor, Baldi admits that it never sounded like most of the music he listens to. With Attack on Memory, he wanted to remedy this anomaly, and in setting out to do so, Baldi and co. created an album that showed vast growth for a very young band.

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12" | 2013 | EU | Reissue (SNTS)

Chapter 2

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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SNTS Is An Underground Techno Label, Commitment To The Vinyl Format As The Main Pillar And Overall Bring The Electronic In The Anonymity.

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Chapter 3 Black Vinyl Edition

12" | 2013 | EU | Reissue (SNTS)

Target Earth Black Vinyl Edition

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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Repress - SNTS is an underground techno label, commitment to the vinyl format as the main pillar and overall bring the electronic in the anonymity.

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Voivod

2LP | 2013 | EU | Reissue (Svart)

Target Earth Transparent Magenta Colored Vinyl Edition

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Svart Records set to release the 10 year anniversary edition of Voivod's Target Earth. 2LP edition, including a booklet with photos and extra graphics. The limited Svart exclusive colorway comes with a slipmat.

Target Earth is the thirteenth studio album, and the sixteenth release overall, by the Canadian heavy metal band Voivod, which was originally released in 2013. This is the first Voivod studio album to feature Daniel "Chewy" Mongrain on guitar (replacing the late Denis "Piggy" D'Amour) and the only one since 1991's Angel Rat with Jean-Yves "Blacky" Thériault on bass.

The main songwriters on Target Earth were Jean-Yves "Blacky" Theriault, in his first songwriting credit with Voivod since 1991, and Daniel "Chewy" Mongrain, who replaced Piggy. As Michel "Away" Langevin explained, Mongrain's role was both challenging and natural: "He had to think from his point of view how Voivod should sound like nowadays...He learned to play guitar listening to Voivod, and he knows all the albums, he's a fan of all the eras, so it feels very natural for him to write Voivodian material."

"Target Earth is somehow, against all odds, the best Voivod album since probably The Outer Limits. It’s super-prog, plenty heavy, and pretty damn weird. And it has something to offer fans of any era of Voivod’s past, while also having its own identity and direction. Welcome back, guys." - The Angry Metal Guy

"For this, VOIVOD's thirteenth studio album, ever present drummer Michel "Away" Langevin and long reinstated vocalist Denis "Snake" Belanger managed the coup of dragging founding bassist, Jean-Yves "Blacky" Theriault out of retirement, making it three-out-of-four original VOIVOD-ers - the better to facilitate new guitarist Daniel "Chewy" Mongrain's unenviable task of filling Piggy's space boots. To his credit, Mongrain blends right in, and so too does "Target Earth" blend in with numerous portions of VOIVOD's itinerant musical past, arguably making it the band's first truly "regressive" - not "progressive" - album, and, as such, likely good news for the band's oldest fans." - Blabbermouth

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Voivod

2LP | 2013 | EU | Reissue (Svart)

32,99 €*

IV: Empires Collapse Blue / Green Colored Vinyl Editoin

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Warbringer

LP | 2013 | EU | Reissue (M-Theory Audio)

24,74 €* 32,99 € -25%

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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We’re pleased to present the third of three classic Century Media vinyl reissues from Warbringer. The next generation’s thrash metal force Warbringer have built a commendable reputation for themselves with heralded albums and consistent touring supporting some of the biggest names in metal. We’re pleased to present a limited 500 copy run of this blue/green vinyl version with loads of extras in an expanded package 2013’s Warbringer IV: Empires Collapse showcased the band aiming to diversify their sound and taking chances by expanding boundaries by continuing to bring in more influences from black metal to punk to industrial in a overall more experimental and free effort that was initially met with mixed reactions but has become a favorite amongst many in the band’s fanbase. Continuing to work with producer Steve Evetts (Sepultura, Hatebreed, Symphony X) the band opted for a different mix and enlisted Brett Eliason (Pearl Jam, Avenged Sevenfold) who brought a cleaner and different approach to the traditional thrash band. Staples include “The Turning of the Gears,” “Hunter-Seeker,” “Black Sun, Black Moon” and the epic “Towers of the Serpent.” The reissue adds the band’s take on the Led Zeppelin classic “Communication Breakdown.” Touring continued with notable supports to Overkill and Kreator in the US and Iced Earth in Europe.

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Avril Lavigne Light Blue Vinyl Edition

2LP | 2013 | EU | Reissue (Legacy)

32,39 €* 35,99 € -10%

Release: 2013 / EU – Reissue

Genre: Pop

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Avril Lavigne Black Vinyl Edition

2LP | 2013 | WW | Reissue (Sony)

33,99 €*

Release: 2013 / WW – Reissue

Genre: Pop

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Madvillain (MF DOOM & Madlib)

Madvillainy

Tape | 2014 | US | Original (Stones Throw)

12,99 €*

12" | 2014 | EU | Reissue (Yoshitoshi)

Release: 2014 / US – Original

Genre: Hip Hop

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Madvillainy is the debut and only studio album by Madvillain, a collaboration between legendary rapper MF DOOM (Daniel Dumile) and acclaimed producer Madlib (Otis Jackson Jr.), released on March 23, 2004 by Stones Throw Records. The album is often hailed as a masterpiece of underground hip-hop, characterized by its unconventional structure, eclectic production, and MF DOOM’s intricate, surreal lyrics.

Madvillainy was a highly anticipated project in the underground hip-hop scene, bringing together two of its most respected figures. MF DOOM, known for his complex wordplay and villainous persona, and Madlib, celebrated for his experimental and sample-heavy production, combined to create a dense, atmospheric album.
The project was recorded over several years, with Madlib working on beats while traveling and MF DOOM crafting his lyrics with a stream-of-consciousness style.
The album has a lo-fi aesthetic, featuring short, fragmented tracks, many of which do not follow traditional song structures like verses and hooks. Instead, Madvillainy is more of a collage, with some tracks acting as interludes or musical sketches.

Madlib’s production is eclectic and layered, drawing from jazz, soul, Brazilian music, obscure soundtracks, and 1970s psychedelia, creating a moody and experimental backdrop for MF DOOM’s vocals.
The album’s beats are sample-heavy, often gritty, and feature unorthodox tempos and time signatures. Madlib also uses interludes and vocal samples from obscure sources, giving the album a cinematic, almost comic book-like feel.
MF DOOM delivers his signature abstract and multi-syllabic rhymes, filled with internal rhyme schemes, pop culture references, and complex wordplay. His delivery is intentionally offbeat, which complements the nontraditional structure of the production.

Lyrically, Madvillainy is a blend of surrealism, humor, and complex storytelling. MF DOOM’s persona as the masked supervillain is ever-present, with much of the album reflecting his mischievous, sardonic view of the world.
His lyrics often appear cryptic, with layers of meaning that reward close listening. He plays with words in ways that defy conventional hip-hop norms, eschewing clear narratives in favor of dense, puzzle-like rhymes.
Themes in the album include betrayal, paranoia, and the villain’s perspective, often narrated from a detached, almost nihilistic point of view. However, DOOM’s approach is often playful, filled with irony and wit.

Key Tracks and Highlights:
"Accordion" – A minimalist, standout track where MF DOOM delivers one of his most well-known verses over a sparse accordion loop. The track captures DOOM’s style perfectly, with cryptic, tightly-packed bars and Madlib’s minimalist approach.
"Meat Grinder" – A haunting, jazz-infused beat serves as the backdrop for MF DOOM’s dense wordplay, as he raps with a stream-of-consciousness flow, dropping surreal imagery and twisted humor.
"America’s Most Blunted" (featuring Quasimoto) – A playful, weed-themed track featuring Madlib’s alter ego, Quasimoto. The track is both funky and chaotic, with vocal samples interspersed between DOOM and Quasimoto’s verses.
"Curls" – One of the shorter tracks, with a smooth, almost nostalgic beat. DOOM’s verses are filled with detailed, vivid descriptions, encapsulating his ability to turn everyday observations into poetic rhymes.
"All Caps" – Perhaps the most iconic track on the album, known for its booming beat and DOOM’s punchy, comic book-inspired verses. The title refers to MF DOOM’s alias, urging fans to spell it in all capital letters, reinforcing his larger-than-life persona.
"Rhinestone Cowboy" – The album’s closer, featuring a soulful, downtempo beat and some of DOOM’s most introspective and reflective lyrics. It’s a contemplative end to an otherwise chaotic and fragmented album.

Madvillainy is a nonlinear album, with many of the tracks flowing directly into each other without clear transitions. It’s constructed more like a sonic collage, making the album feel like a continuous, abstract narrative rather than a collection of separate songs.
The album contains numerous interludes and brief tracks, some less than a minute long, but all contributing to the overall mood and atmosphere. Tracks like "Sickfit" and "Do Not Fire!" are instrumental breaks that give Madlib’s production room to shine.

Upon release, Madvillainy was met with widespread critical acclaim. It was praised for its innovation, lyrical complexity, and cohesive production, with critics noting its departure from conventional hip-hop formulas.
It quickly became regarded as one of the most important and influential underground hip-hop albums of all time, with its influence extending beyond just hip-hop into broader experimental music.
MF DOOM’s and Madlib’s artistic approach on Madvillainy helped solidify their reputations as avant-garde artists, unafraid to push the boundaries of the genre.
The album is frequently included in lists of the greatest hip-hop albums of all time and is particularly beloved by fans of alternative and underground hip-hop. It has been noted for its lasting influence on the sound and style of future hip-hop artists, especially in the abstract, lo-fi, and experimental spaces.
Impact on MF DOOM and Madlib's Careers:
MF DOOM further cemented his legacy as one of hip-hop’s most enigmatic and talented lyricists. His use of the supervillain persona, combined with his intricate rhyming style, made him a cult figure in the genre.
Madlib also gained widespread recognition for his unique production style, which merged elements of hip-hop, jazz, and experimental music. His ability to create deeply layered and textured beats without sacrificing their lo-fi charm became a hallmark of his production style.
Madvillainy’s success paved the way for other projects in the underground scene and inspired a new wave of artists who saw hip-hop as a medium for abstract, avant-garde expression.

Madvillainy continues to be revered as a benchmark in underground hip-hop. Its influence can be heard in the work of countless artists, from Earl Sweatshirt and Tyler, The Creator to more experimental producers and MCs who were inspired by Madlib's and MF DOOM’s fearless approach to crafting an album.
The mystique surrounding MF DOOM, especially after his untimely death in 2020, only added to the album’s legendary status, with Madvillainy often considered his definitive work.
The album’s blend of complex lyricism, unorthodox production, and nontraditional structure helped redefine what could be done in the hip-hop genre, making it a timeless work of art.
In summary, Madvillainy is a landmark album in hip-hop, pushing the boundaries of both lyricism and production. Its influence is far-reaching, and its status as one of the greatest underground albums remains unchallenged. The partnership between MF DOOM and Madlib resulted in a project that is as dense, surreal, and captivating as it is groundbreaking.

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Alcatraz

Give Me Luv Remixes

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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It takes a lot to achieve the status of legendary or era defining in dance music, its sands shift so quickly artists, genres and labels have often come and gone before you realise.
So it's with some pride and deserved justification that Yoshitoshi marks its 20th anniversary with celebratory remix packages of its most iconic tracks.

Already riding high in the Beatport charts with the success of the Uto Karem and Robosonic mixes of Eddie Amadors House Music, the latter of which has spent the past month in the overall top 5, the label now plans a one, two punch with the follow-up: Alcatraz seminal Giv Me Luv.

We thought long and hard about how we scheduled this 20th anniversary project, says label boss Sharam, little point launching big and then following up with a whimper so we deliberately chose Alcatraz for this difficult task.

But the challenge didnt end there; a massive record still deserves a massive remix and I think its safe to say we found the perfect woman for the job...
Step forward undisputed techno titan Nicole Moudaber who leapt at the opportunity to remix the track.

Ive got so many fond memories of Giv Me Luv, it was one of my favourite tunes from my formative clubbing days, recalls Nicole happily, so, when Yoshi mentioned the idea of me remix-ing it I just couldn't say no.

In fact I was so familiar with Alcatraz I was already awash with ideas of what I could, or should, do with it.

As I got into the mix one of those ideas just grew and grew, namely an extended breakdown that constantly builds; layering the memorable vocal to an intense pay-off and (hopeful) moment of real dancefloor drama. Nicoles humble description doesn't quite do the end result justice, which is a modern, masterful take on the classic.
Her iconic techno beats, dark twisted stabs and arrangement of that bassline drive toward the mentioned break, which will undoubtedly rival the fireworks of any impending NYE celebrations.

In fact, expect this track to be THE soundtrack to many a dance floor come the all-important hand-over to 2015. And, just in case that weren't enough, Yoshi has also secured the skills of Tent Cantrelle to deliver the perfect deep house foil to Nicoles techno ferocity as Sharam concludes, We wanted a real slice of contemporary funk from the companion mix.

Yoshi is synonymous with exploring the line between deep house and techno, perhaps no more so than during its formative years, so this re-mix completes the package perfectly.

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12" | 2014 | EU | Reissue (SNTS)

Scene I

LP | 2014 | EU | Original (Green Tree)

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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SNTS is an underground techno label, commitment to the vinyl format as the main pillar and overall bring the electronic in the anonymity.

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Solar Project

Aquarmada

28,99 €*

LP | 2014 | Reissue (Not Now)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Solar Project don´t try to impress with technical craftsmanship, fast licks or complex passages, but concentrate with a Pink Floyd-like overall sound. This overall picture is filled with excellent keyboard and guitar parts, various singing voices, mysterious sound effects and nice solos. The fact that Solar Project are heavily influenced by Pink Floyd only contributes to the overall idea. On Here I am, you hear that Solar Project do have a sound of their own. The core of the band is formed by keyboardist Robert Valet and guitarist Peter Terhoeven, two German musicians with a progressive heart of gold. They are assisted by several guest musicians, who are the backing band for Solar Project. Complex art rock, sometimes heavy, sometimes floydian-style filigrane, sometimes psychedelic, this perfectly describes the musical spectrum.

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Everly Brothers

Greatest Hits

18,99 €*

Release: 2014 / Reissue

Genre: Rock & Indie

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The Way Clear Vinyl Edition

Buzzcocks

2LP | 2014 | UK | Reissue (Audio Platter)

3LP | 2014 | EU | Reissue (Delsin)

Release: 2014 / UK – Reissue

Genre: Rock & Indie

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Re-issue of Buzzcocks' 9th studio album 'The Way' on stunning Clear vinyl! It was their first album since 2006 and ninth overall, Shelley and Diggle delivered their patented fuzzed out melodies with traces of surf rock, hard rock and influences from both Ramones and The Beatles. Shelley’s voice sounded great, especially considering his age, and the hooks and riff heavy sounds are a great reminder of the legacy these legends are still cultivating. This clear vinyl is surely a must-have for any Buzzcocks fan collection!

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Yagya

Sleepygirls 2024 Repress

32,99 €*

Siggatunez & Oliver Bernstein

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

Limited 10 year anniversary repress with black/white artwork. In May 2014, Icelandic producer Yagya released his fifth album, Sleepygirls, across three slabs of vinyl on Dutch label Delsin. It's a deep, spacious and dubbed out affair that stays locked at a pleasingly sedentary tempo throughout. Since 2002 Yagya has been crafting lush electronic albums and always manages to find pure bliss and beauty and his simple, nature inspired soundscapes. "I wanted to create an album that's atmospheric, repetitive, and easy to listen to over and over again," says the man himself. "Something that works well in the background (e.g. when concentrating on work), as well as up close in a big sound system. I also wanted to learn how to make my music sound better than before, since I'm a huge sound-nerd, so that was a part of the goal for me personally." The album is a fine fusion of tropes from Yagya's earlier albums, features jazz instrumentalists that improvise beautiful melodies over monotonic, almost drone-like, techno beats and also uses live recordings of Japanese vocals, saxophone and guitar to counter the repetitiveness of the rhythms. Right from the rolling bliss of the opener, you're suspended in a womb like pillow of sound that is soft, warm and serenely beautiful. As tracks roll on, the pace stays the same but themes vary from upright and summery to more elongated and insular. This is natural, organic dub that is a delight and a pleasure to listen to. The vinyl versions of each track have been specially mixed with random LFOs, sonic quirks and unique fingerprints making them the subtly different to the CD version, but overall this is a brain soothing and mind melting album that can soundtrack lazy days, long summer afternoons and warm winter evenings in equal style.

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Funkplace

12" | 2014 | DE | Original (Laubenpiepers Finest)

8,99 €*

LP | 2014 | DE | Reissue (ZYX Music)

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Overall close to NM.

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Coming Soon

The Everly Brothers

Greatest Hits

Release: 2014 / DE – Reissue

Genre: Pop

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Preorder shipping from 2024-12-20

Mannequin Black Vinyl Edition

Sun And Sail Club

LP | 2014 | EU | Reissue (Heavy Psych Sounds)

Mannequin 3 Color Striped Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Sun and Sail Club’s debut album “Mannequin” embarks on territory that is both new and exciting. Not surprisingly, “Mannequin” spearheads the obvious future and progression of hard rock fury, bringing to the table the true professionalism and mastery, and dynamic musicianship that has been on full display from Fu Manchu, Kyuss and The Obsessed in years past, but also adds a completely new level of precision, technicality and accuracy to make an album that is almost completely flawless from start to finish. "Overall, this record is heavy and dark. It’s Inspired by Devo, Voivod, Kraftwerk, Torche, Slayer as much as it’s inspired by Aswad, JOE Pass and WES Montgomery. I wanted a super heavy groove that would support angelic vocal harmonies. I think we achieved that." – Bob Balch. New artwork made by Mirkow Gastow.

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Sun And Sail Club

LP | 2014 | EU | Reissue (Heavy Psych Sounds)

2LP | 2015 | UK | Original (Late Night Tales)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Jon Hopkins

Late Night Tales

Sound Of Sinning Black Vinyl Edition

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Unmixed Double 180 gram Vinyl (Includes download code to the Jon Hopkins mix and full unmixed tracks as wav/mp3)

Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.

After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno and David Holmes, produced King Creosote and via Eno, worked on three Coldplay albums. He released the breakthrough album 'Immunity' in 2013, which was nominated for the Mercury Prize.

The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. . Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.

Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.

Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with additional sound design by Hopkins.

"Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible." - Jon Hopkins, December 2014

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Monophonics

LP | 2015 | US | Original (Transistor Sound)

27,99 €*

LP | 2015 | US | Original (Captured Tracks)

Release: 2015 / US – Original

Genre: Organic Grooves

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Raised amid the rich musical culture and history of the San Francisco Bay Area, Monophonics proudly carry the torch through the generations into today’s musical landscape. Holding on to tradition, but by no means purists of any kind, they play their own brand of music known as “Psychedelic Soul.”

The 2012 release of Monophonics last album In Your Brain saw the band pulling influences from such acts as early Funkadelic, Sly and The Family Stone and the The Temptation's Norman Whitfield produced records. With the new album, Sound of Sinning (April 14, 2015 on Transistor Sound Records), the band has grown in all areas of record making and felt a need to explore other important in- fluences. While the group has come to cherish these inspirations, With Sound of Sinning they started venturing beyond, to the groups that were inspiring those soul acts to embrace the psychedelic sound of the 60's and 70's. Bands such as The Zombies, The Beatles, Beach Boys and Pink Floyd. Even with the experimentation of new musical territory, they display the sound that people know and love about Monophonics. Touching on Northern soul, doo-wop, rock and roll, Psych pop, and cinematic music, Monophonics show off their diversity while remaining true to their roots. Overall it's heartfelt music and old school vibes, without losing sight of the present. This is is music steeped in that timeless feeling when people could write and produce songs that you could listen to over and over again. Sound of Sinning was produced by Kelly Finnigan & Ian McDonald and recorded on an old Tascam eight-track 1/4” tape machine at Transistor Sound Studios in San Rafael, CA.

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Mac DeMarco

Another One

28,99 €*

Late Night Tales Black Vinyl Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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Like the days of Steely Dan, Harry Nilsson or Prince releasing a classic every year (or less) comes Mac DeMarco’s Another One, a mini-LP announced almost one year to the date of the meteorically successful Salad Days. Conceived and recorded entirely by himself in a short period between a relentless tour schedule at his new place in Far Rockaway, Queens, Another One is eight, freshly written songs, expanding the arsenal of Mac’s already impressive catalog. There’s a bittersweet, romantic sensibility present. The overall feeling is lost love, or perhaps love never found, yet Mac embraces this without making it an overly somber experience for the listener. It’s at times haunting and warm, and a bit more refined and sophisticated, but still plenty playful, retaining the guts and soul of classic Mac.

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Nils Frahm

2LP | 2015 | UK | Original (Late Night Tales)

12" | 2015 | EU | Original (Drumcode)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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A hypnotic voyage through modern and classical composition, experimental electronics, jazz, dub techno, soundtracks and soul; Frahm's Late Night Tales haunts and beguiles. It’s not mixing, so much as gently layering, like a particularly fluffy goose-down duvet folding in on itself, the folds part of the attraction, the layers part of the overall picture being painted.

Many of the tracks have been edited, effected and re-made. The subtly overdubbed parts on Rhythm & Sound's ‘Mango Drive’ adding to the haunting hypnosis, while choral interruptions aid Miles Davis’ ‘Générique’ on its journey towards the light. Meanwhile, on Boards Of Canada’s ‘In A Beautiful Place Out In The Country’, the tempo is somewhat sluggish, the organs slurred, as Frahm slows it down to a funereal 33rpm that nevertheless fits perfectly. The purring of his girlfriend's cat Cleo transitions playfully between Nina Simone's definitive version of 'Who Knows Where the Time Goes' and unearthing the gentle electronics of Dub Tractor.

Eddy Arnold’s ‘You’re The Only Star’, a country tune that sounds like its transmitting from a mid-west diner wireless circa 1947, is straight from the soundtrack to an imaginary David Lynch movie, comforting and dismaying all at once. This crackly reality abounds, as on Finnish band Gentleman Losers’ ‘Honey Bunch’, that adds an unsettling texture, with a sound that is modern but as nostalgic. Frahm's own tracks bookend the mix, opening with an inspired "rework" of the infamous silent John Cage piece '4:33' ("I sat at the piano in silence and worked from there. I listened and took in the atmosphere and this is what came out of it") and ending with a solo piano version of 'Them', taken from his recently released score of the film 'Victoria'. The traditional Late Night Tales spoken word epilogue is voiced by actor Cillian Murphy (Inception, Batman, 28 Days Later), reading a short story by Edna Walsh (Hunger, Disco Pigs).

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Luigi Madonna

Magic Land Part 2

15,99 €*

Down In The Basment Volume 2

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Luigi's Primo and Unconditional Beauty both made their way through the charts to become number one in the techno charts and we are tipping Magic Land to do the same! Storming his way back onto Drumcode Luigi Madonna closes off the Summer with a 2 track EP smasher that will see him welcome in Autumn with a bang.

Each track contains the solid, raw drums that are the backbone to each track Luigi has conjured up.

With a brooding undertone, the simplicity found in each track gives the lead lines and ideas more space to breath, which overall creates a unique and charismatic submission that can only be found from the Italian.

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Julien Dyne

12" | 2015 | EU | Original (Down In The Basement)

10,99 €*

12" | 2015 | US | Reissue (Cititrax)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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New Zealand based crate digger Frank Booker invites good friend Julien Dyne to drop the second release on his new imprint Down In the Basement.
JD picks up where The Man Called Booker left off on Vol 1 and gets straight up to speed cutting up rare boogie, disco and Afro jams and employing his trademark raw cuts in an old school style, while lacing oodles of FX 'n stuff into the mix.

The overall sound is reminiscent of the early Idjut Boys material, which is so close to Mr Booker's heart.

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Cititrax

Tracks Volume One EP

29,99 €*

12" | 2015 | IT | Original (Attic Music)

Release: 2015 / US – Reissue

Genre: Electronic & Dance, Pop

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Cititrax is excited to present the first in a series of 4 song samplers showcasing the talents of some of the most innovative producers of the moment. Cititrax: Tracks Volume One features Amato, an edgy new project brought to you by The Hacker, Tzusing, a young producer from China known for his hard-hitting L.I.E.S. releases, our beloved Berlin based former New Yorker An-i, and Oliver Ho’s stunning Broken English Club. The overall sound can be described as modern, uncompromising and guttural. Each artist reinvents dance music by bringing their own unique vision to the floor. Artwork designed by Veronica Vasicka and sourced from Polaroids shot in NYC clubs in the 1980s.

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Overall Severity

Helene

12,99 €*

12" | 2015 | DE | Original (Sichtexot)

Release: 2015 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM.

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Obba Supa

W.I.D.E

4,99 €*

12" | 2016 | EU | Original (Drumcode)

Release: 2015 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

Overall close to VG+

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Marco Faraone

Climax

15,99 €*

12" | 2016 | DE | Original (Unterton)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Italy's fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4- track EP, Climax.

Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track Climax grows gradually with the introduction of a single synth note and skipping hi-hats.

Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second half of the track, making for a powerful ending as all the elements join together.
Boost starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping Boost evolve into a catchier, more playful track.

First up on the B side Spectre is a no-nonsense piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

Rounding off the EP Over The Clouds as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.
Overall, Climax is an outstanding example of Faraone's ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors.

Having recently warmed up for Adam Beyer at Tenax, Marco Faraone's relationship with the iconic label continues to grow...

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Nitam

Cancellate EP

8,99 €*

12" | 2016 | UK | Original (Paper)

Release: 2016 / DE – Original

Genre: Electronic & Dance

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5 years old, born, raised and based in Berlin, but all at home in the club. Nitam’s debut Retold EP (U-TON 06) already set the tone in 2015, and here we are three catalogue numbers and 14 months later with his second 12" release on Unterton taking a similar line as his debut four-tracker did: new varied sonic themes with an overall fresh sound. Although still being young of age, Nitam outlines once again his interest in dance music from the late 80s and early 90s, presenting himself schooled by classic Detroit House as well as Chicago Acid House, but all without limiting himself to a restricted pallet of styles or catering towards musical expectations.

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Flash Atkins

The Life and Times EP 2

Denying The Antecedent EP

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Flash Atkins hits hard with the second 12" to be taken from his critically acclaimed "The Life and Times" album on Paper Recordings.

This time he pulls in three of the world's best producers of underground future disco and all of them step up the the plate to score a bullseye with their first throw.

First up The Emperor Machine has taken Summer of Love to analogue heaven with arps, heavily treated vocals, electro bass and wacked out beats. The track's stripped back dynamics keep changing as it's deep drug chug rocks out for over 10 sublime proto-disco minutes.

Man of the moment Fila Brazilia's Steve Cobby is enjoying a renaissance after two albums that have ruled 2014 / 15.

On Forbidden Flesh he takes Crazy P's Danielle Moore's vocals and lays them over a soulful techy track that will fit any after dark occasion with devastating results. And it's got loads of cowbell.

After the veterans it's time for a young gun to nail his colours to the mast. Iceland's B.G.Baarregaard has been one to watch and his blend of good time disco has been lining him up as Todd Terje's heir apparent.

This remix is peak-time nu-disco that wears it's musicality lightly and sacrifices nothing for sheer playability.

Overall, a 12" that takes the Flash Atkins originals and breathes new life in to them for three cuts that will smash anything they are thrown at.

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Dubiosity

12" | 2016 | EU | Original (Planet Rhythm)

Wonky Bassline Disco Banger Kink & Leopard Eats Luke Remixes

Release: 2016 / EU – Original

Genre: Electronic & Dance

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For the 9th installment in the PRRUKWHT series, Holland based ''Dubiosity'' makes his re-appearance on the Planet Rhythm imprint with the 4 tracks spanning ''Denying The Antecedent EP''. For the A1 ''Richter Scale'' the Dutch producer goes into very atmospheric territories with a pad based track that keeps on building whilst maintaining an overall mellow vibe. Title track ''Denying The Antecedent'' is a more dubbed out operation which cleverly uses non 4X4 drum patterns and crawling synth blops. This track is also based upon an utterly atmospheric pad sound. ''Juxtaposed'' is a more firm track that's somewhat tense but also with a smooth ambiance. ''Sunk Cost Fallecy'' serves as the more aggressive and paranoid closing down.

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Red Rack'Em

12" | 2016 | EU | Original (Classic)

12" | 2016 | EU | Original (Stroboscopic Artefacts)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Strong contender for dance record of the year- Red Rack’em’s incredibly wonderful and fantastically wonky, Disco Banger, was rereleased on Classic this year.

After a few months of slowly embedding itself in people subconscious, it returns with new mixes.
First up in the marvellously talented KiNK - Strahil is no stranger to Classic, having made a stamp on the label many years ago with his remix 3rd Face. He's gone from strength to strength with his productions which have been accompanied by his glorious live performances. Kink goes in, heads down with some proper techno Wonk. This is indeed a beast.

On the flip Luke Solomon joins forces with Bristol’s very own Eats Everything and Lord Leopard, creating a Bristol “Circle of Three.” The Luke Eats Leopard edit adds a slight bit of conformity to the drums and the arrangement, without taking out too much of the Wonk but taking it ever so slightly into “house “ territory.

Overall this is a monstrously Wonky package - and just in time for Xmas too.

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Yotam Avni

Tehillim

10,99 €*

10" | 2016 | UK | Original (Dug Out)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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The Israeli producer Yotam Avni, though not one of the main players in the Stroboscopic Artefacts story to date, nevertheless shows that he is definitely here for a reason: having contributed with an entry in the Monad series back in July,he returns with a new set of tracks that fit perfectly into the label's overall aesthetic of evolving hyper-reality, while also being a strong personal statement.

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Augustus Pablo

The Sun

It's Immaterial Green / Yellow / Black Vinyl Edition

Release: 2016 / UK – Original

Genre: Reggae & Dancehall

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First time out for this wildly raw dubplate, sister-recording to the Pablo master-rhythm, shot through with other-worldly, illusively allusive incantation.
Surely that's Family Man stalking a sunken cavern, and his bro battering all seven shades out of his drum-kit, like Meters on fire; and Chinna on guitar, glazed and violent. The mixing rears up right in your face.
Producer Gussie Clarke says Theophilus 'Easy Snappin' Beckford is playing piano, with the front removed so he can strum the strings (like he finally snapped) — but he credits the work overall to Augustus Pablo.
Transferred from acetate — fuss-pots don't grumble, just be humble — though the flip brings a clutch of criss, unmissable alternates, direct from Gussie's tape-room (where the files are entitled ‘Classical Illusion / The Sun’).
Heavy, heavy funk. Simplicity People dug in. Stunning.

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Black Marble

LP | 2016 | CZ | Reissue (Ghostly International)

2LP | 2016 | EU | Reissue (Svart)

Release: 2016 / CZ – Reissue

Genre: Rock & Indie

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Black Marble Release Their Second Full-Length, It's Immaterial. Their First For Ghostly, It's Immaterial Follows Up Their Highly Acclaimed Debut Full-Length A Different Arrangement (Hardly Art/October 30, 2012). Still Featuring Stewart At The Helm Along With Select Collaborators As Supplementation, The Band's Recent Shift In Locale From East Coast To West Coast Lends A Great Deal To The Overall Feel Of The New Album.Pulling From The Pre - "Simply Irresistible" Days Of Early Robert Palmer And First Wave Pioneers Such As Silicon Teens, Iron Curtain, Lives Of Angels, And Solid Space, Black Marble Dialed In On A Clear Understanding Of Its Own Specific Sound, Showcased Most Clearly On This New Release With Stewart Becoming More Comfortable In Being Clear With What He's Trying To Say, Both Subjectively, In Terms Of The Stories He's Telling And The Things He's Willing To Talk About, And Object...

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Oranssi Pazuzu

Värähtelijä

30,59 €* 33,99 € -10%

Wild Boy: The Lost Songs Of Eden Ahbez Black Vinyl Edition

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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In 2013 Finland’s Oranssi Pazuzu issued their ‘Valonielu’ LP, an album of timeless creative immensity that was met with ubiquitous praise throughout the world, and solidified the band’s position as one of the most forward-thinking and interesting metal bands. Now, in the early months of 2016, Oranssi Pazuzu returns with the follow-up album and fourth overall, the mind-bending masterwork ‘Värähtelijä’.

Oranssi Pazuzu, since birth, has never been satisfied to stick with a formula. Each album has seen the band expand upon its previous incarnation and then, like a supernova, blow it up and transform again into something recognizable but completely new. ‘Värähtelijä’ continues in this vein, giving the band much more room to diverge and explore the vast regions of hypnotic progressive psychedelia and the nebulous outer limits of Scandinavian black metal. Songs explode with radiant ultraviolet color and plunge into the deep black darkness of innermost consciousness. If ‘Valonielu’ was the creation of a universe, ‘Värähtelijä’ is the magnification and expansion of its infinite boundaries.

A 70+ minute sprawling voyage, ‘Värähtelijä’ more accurately represents the stunning live presence of the band where the songs often span new and previously unheard dimensions of form and structure. Not meant for genre purists, Oranssi Pazuzu are on a trip all their own; modern electric pioneers on an expedition to unlock the keys to the hidden spaces all around and inside us. 20 Buck Spin are pleased to once again present the innovative brilliance of Oranssi Pazuzu and ‘Värähtelijä’.

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Eden Ahbez

LP | 2016 | EU | Reissue (Everland Psych)

Wild Boy: The Lost Songs Of Eden Ahbez Colored Vinyl Edition

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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“Wild Boy …” is a reissue of the well-known 2016 release curated by Brian Chidester, renowned researcher and biographer of Eden Ahbez. Especially for this album, Brian wrote an interesting text about Abi’s life, which definitely became the decoration of the release. With the new 2020 re-release, we went a little further and kept what is commonly referred to as studio cuts. It’s a few more minutes in the studio with ahbez himself, full of emotion and life. In addition, to the delight of fans, the edition includes an additional composition Nature Boy (Mantovani Orchestra). Especially, it is worth noting the outstanding mastering prepared from practically decomposed tapes by the Grammy-nominated Jessica Thompson, which guarantees the deepest and warmth possible sound. Jessica a huge ahbez fan and we’re highly appreciated for what she has done to save his music for the future. Eden Ahbez is definitely at the origin of psychedelic music and this release can be taken as further proof. Over the past twenty years, the iconic figure of the world’s first hippie Eden ahbez has become famous primarily for his 1948 song “Nature Boy”, praising universal love, and his amazingly solo album from the 1960s called “Eden’s Island” – one from the first concept albums in the history of music and probably the first psychedelic music album. “Wild Boy: The Lost Songs Of Eden Ahbez” deepens understanding of the origins of the psychedelic movement in the 1950s. The disc contains a musical selection of works by Eden ahbez himself, written by him in the period after Nature Boy. The inclusion of songs such as “Palm Springs” – Ray Anthony Orchestra and “Hey Jacques” by Erta Kitt gives the listener the chance to discover for the first time the little-known recordings of world-famous artists composed by Eden ahbez. Through “Wild Boy” and “Surfer John” you can hear the author’s handling of absurd rock and exotic experimentation, as well as sweet psychedelic pop like Monterey (with Paul Horn on flute). Overall, Wild Boy: The Lost Songs Of Eden Ahbez offers an overview of the lost works of 1949-1971 with seven unpublished recordings and eight rare singles.

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Eden Ahbez

LP | 2016 | EU | Reissue (Everland Psych)

32,99 €*

LP+Flexi-disc | 2016 | US | Original (Fat Beats)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Wun Two

Baker's Dozen

49,99 €*

12" | 2016 | DE | Original (This Charming Man)

Release: 2016 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs. Cover has some light wear on the back. Witho Flexi 7". Overall copy closer to VG+

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Karies

Karies EP

Take All My Loves: 9 Shakespeare Sonnets

Release: 2016 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Magenta Vinyl. Overall close to NM.

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Rufus Wainwright

2LP | 2016 | EU | Original (Deutsche Grammophon)

LP | 2016 | EU | Reissue (Parlophone)

Release: 2016 / EU – Original

Genre: Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

only minor flaws, overall close to NM.

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David Bowie

Hunky Dory

Guilty Simpson & Small Professor

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with very light wear, overall closer to NM

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Highway Robbery Colored Vinyl Edition

LP | 2016 | US | Reissue (Coalmine)

31,99 €*

LP | 2017 | EU | Original (Leisure System)

Release: 2016 / US – Reissue

Genre: Hip Hop

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Indie Exclusive - Coalmine Records digs into their storied discography to unveil their ten-year anniversary reissue of Highway Robbery, the collaborative concept album from Detroit’s heavyweight emcee Guilty Simpson and Philly beat smith Small Professor. Weighing in at 11 tracks, the project places the listener in a seemingly post-apocalyptic Detroit where the mentality is feast or famine. Highway Robbery plays as one long narrative of Guilty’s day-to-day survival in Detroit’s concrete jungle, all set to the tone of Small Professor’s foreboding, percussion heavy production. Featuring guest appearances from Detroit’s Boldy James, A.G. (of D.I.T.C.), Elucid and Castle, the album is further highlighted with the meticulous turntablism of both Statik Selektah and DJ Revolution. This reissue also boasts the Zilla Rocca remix of “Go” which features Audible Doctor on the cuts. A decade removed from its original release, Highway Robbery remains a gratifying listen and strong addition to anyone’s hiphop record collection with its high-level lyricism, avant-garde production value and overall creativity.

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Dopplereffekt

Cellular Automata

24,99 €*

12" | 2017 | EU | Original (Soma)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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"Cellular Automata" is the new album from Dopplereffekt (Rudolf Klorzeiger and To-Nhan), their first in ten years since 2007’s Calabi Yau Space on Rephlex. Cellular Automata approaches mathematical growth and decay as an iterative process, with each data input considered individually relative to the overall model. The result represents one of the group’s boldest creative endeavors, defying expectations while remaining unmistakably Dopplereffekt. Cellular Automata is the third Dopplereffekt release to come via Berlin’s Leisure System label, following 2013’s "Tetrahymena" and 2014’s "Hypnagogia".

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Rebekah

Code Black EP

LP | 2017 | EU | Original (Habibi Funk)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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As we gradually build toward the release of Rebekah's debut album on Soma, the hard hitting DJ/producer drops her 3rd single in the shape of the Code Black EP. Rebekah is on somewhat of a frenzied run of form at the moment with not only an exhaustive touring schedule but a slew of releases that stand as a testament to her dedication to Techno.

Title track Code Black hits the ground running with ice cold percussion and thunderous kicks running the show before a more jacking vibe is introduced backed by some seriously perilous pads. Disaster looms even more as Relapse Paradigm tears in next with clunking beats and straight percussive workouts as screeching synths and hooks give an overall foreboding atmosphere. X Confessions closes out the EP in no less vicious terms and Rebekah sets out on the warpath utilising pulsing rhythms and calamity inducing sequences to really rip into the dance floor.

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Al Massrieen

Modern Music

24,99 €*

12" | 2017 | EU | Original (Crucial)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Al Massrieen: Disco, Funk and modernized Arabic Pop from Egypt

In the beginning of Habibi Funk, our search was focussed on vinyl records. Around a year ago though, we got to the point where we realized that it became substantially harder to discover music, that we enjoyed and hadn’t heard before. It became apparent that it was time to start looking for other formats. Cassette tapes were the obvious alternative. These were introduced in the arabic world around the late 1970s. In some countries they took over a bit earlier, in others a bit later, but eventually they pushed the vinyl format out of the market in the 1980s. In Egypt this trend already even started in the late 1970s.

Al Massrieen was one of the first bands I learned about once I discovered the tape format for myself. They were really popular in Egypt in the 1970s and the more of their music I found on either tapes or Arabic pirate mp3 sites, the more I was becoming a fan. Only very few bands from the region can match the band’s versatility as well as their strive for innovation. Hany Shenoda is the man behind the Al Massrieen band. He is a reknown figure of the Egyptian music scene and has worked with everyone from Abdel Halim Hafez to Mohamed Mounir. Al Massrieen was his attempt to introduce his ideas of modernizing Egyptian music, heavily encouraged by Naguib Mahfouz (Egypt's only winner of the Nobel Price for literature) after discussing his ideas with him.
Al Massrieen's sound goes from lush disco like “Sah” to psych rock like “Horreya” or incredible jazz fused pop on songs such as “Edba Mn Gded”. I was shocked to realize the band seemed to be hardly known outside Egypt, even though I feel they're at least on the same level as Ahmed Fakroun. An relative obscurity which I largely attribute to the fact that their releases never have been pressed on vinyl (apart from a Greece best of LP which wasn’t a strong compilation of the group’s songs). One way or another it felt like this band and especially their composer, band leader and overall brain Hany Shenoda was in need to get some recognition outside of Egypt. The release is fully licensed from the band and comes with an extensive booklet with liner notes, interviews and unseen photos.

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Oxossi

Escher EP

10,99 €*

CD | 2017 | US | Original (Young & Foolish)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Los Angeles based up-and-comer Oxóssi excels in utilizing his lifelong exposure to a diverse range of music, which has allowed him to successfully craft his highly eclectic, ambient and bass heavy style; one that blends his deeply rooted musical upbringing with his own creative individuality. His atmospheric and unconventional take on raw bass music production enables his listeners to be transported beyond the music itself into different mental spaces, facilitating a form of meditation on music. With releases already on Banana Stand Sound (BSS001), Crucial Recordings (CRUCIAL005) and Silent Motion (SMV001), Oxóssi is well on his way to infecting the underground with his unique musical personality.

Oxóssi is making a valiant return to Sleeper’s Crucial Recordings imprint for his newest release, CRUCIAL011. This blistering, four-track EP sees the rising bass music artist shattering genre boundaries and abandoning stylistic expectations with its unorthodox, yet equally infectious and highly volatile grooves. Oxóssi’s CRUCIAL011 boasts mercurial melodies jam packed with avant-garde moods, undeniably fresh attitudes and energetic, forward momentum; forcing listeners to rethink what they’ve come to know about bass music. While “Escher” and “Fall of Mevia” deliver relentless, dynamic and vivacious beats to CRUCIAL011, “Nightmares” and “&” add a much darker, more jarring tone to the overall personality of the release, resulting in a collection that’s as multifaceted and complex as it is innovative and powerful.

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Nooky Jones

19,99 €*

Die Angel (Ilpo of Pan Sonic)

Release: 2017 / US – Original

Genre: Organic Grooves

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After 3 years of captivating audiences with their unique blend of soul, jazz, and undertones of hip-hop, Minneapolis-based Nooky Jones are finally releasing their debut self-titled album via Young And Foolish Records. A truly cohesive collection of love stories and music that takes listeners to beautiful places alongside deeply provocative characters, the album is a much-needed artistic expression of self for vocalist/frontman Cameron Kinghorn.

In early 2014, Kinghorn was working mostly as a trumpet player and singing in cover bands around town when he caught the eye of local trumpet player Adam Meckler, who tapped him to front a new project he was starting with drummer Reid Kennedy. That new project would eventually become Nooky Jones, and it would be Kinghorn’s first real foray into this type of artistic expression.

Produced over the course of 15 months at RiverRock Studios in the band’s hometown of Minneapolis, their debut album relies on each musician’s unique style as a critical part of the overall sound. Atop airtight yet comfortably loose drum and bass grooves often reminiscent of 90s R&B and Hip-Hop, layers of harmonically complex piano, organ, and Fender Rhodes create a lushness associated with jazz that rarely integrates into pop music so tastefully. Adding flairs of excitement throughout, the horns bring their powerful chops to the forefront when appropriate without ever stepping on the vocals, which float effortlessly from deep sultry textures to a silky smooth falsetto on par with the best soul crooners in the business. A non-stop rollercoaster of emotions, the album masterfully draws the listener in with slow burns that eventually boil over, only to be brought back down and start over again.

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Entropien I

LP | 2017 | EU | Original (Cosmo Rhythmatic)

19,99 €*

LP | 2017 | US | Original (Beyond Beyond Is Beyond)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Ilpo Väisänen (Pan Sonic) and Dirk Dresselhaus (Schneider TM) retitle themselves die Angel for Entropien 1; their eighth LP of electro-acoustic music together, and the duo’s debut for Shapednoise’s Cosmo Rhythmic label. Accompanied by skilled improvisor Oren Ambarchi on two tracks, die Angel model a complex physicality through raw, elemental inputs, exploring a flux of reactive feedback processes and mutating, unstructured sonic states generated from crackling fusions of electronics, drums, electric guitar and field recordings warped and riddled with FX. Taking its title from both the Finnish word and German plural for entropy - in physics, the measure of thermodynamic disorder within a system - Entropien 1 renders seven examples of their kinetic systems in elusive action, keening from arrhythmic mulch to sloshing brownian motions and a brilliantly towering 15 minute exploration that tips into billowing, white hot feedback with scintillating effect. The amorphous results document and describe a freeness of energy travelling from body to machine and diffused across alternating acoustic environments. Each player works as controlled, external variables which act upon and interact with the different acoustic conditions to tempestuous impact, convulsing between squashed, recursive diffractions in Roha, to the sublimated roil of jazz drums and electric guitar wail in Terminen Kevät, before harnessing sloshing feedback chaos in the combustible, diaphanous two parts of Entropia - both North and South - which bring the LP to its logical, compelling conclusion.With the addition of Wold or KTL-like metal emulsification and lacquer-bubbling grain in Kitka, and Ambarchi’s plasmic overdubbing in the burning plasmic plong of Silvaticum, the overall impression is like auditive DMT, dissolving the senses and the ego - simultaneously theirs and the listeners - to better snag us in the music’s metastable potential and aid our unanchored exploration in those dimensions. Entropien 1 is dedicated to Mika Vainio.

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Heaters

Matterhorn

20,99 €*

2LP | 2017 | US | Original (Cody Jinks Music)

Release: 2017 / US – Original

Genre: Rock & Indie

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Just more than a year ago, Heaters shepherded the release of Baptistina into the world, which itself followed their debut album, Holy Water Pool, by less than a year. Now, the Michigan-made music machine is set to lay claim to a new parcel of mountainous terrain, in the form of their latest release on Beyond Beyond Is Beyond, entitled Matterhorn. Its a relentless pace, made all the more impressive not by the infrequency with which its met by Heaters peers, but rather by the lasting quality of each release. In this way, Matterhorn is more of the samethirty-eight minutes of propulsive, precisely sculpted sonic signatures. In other crucial ways, however, Matterhorn represents massive change for Heaters: first, in the form of a largely revamped line-up, and second, in the form of an album whose wave crests above even the bands previous high-water marks of consistency. Short of attending group therapy together, its difficult to ascertain exactly what contributions these new sparks have contributed to Heaters overall sound, just as its impossible to dismiss how utterly ignited by change Matterhorn sounds as a result. If Baptistina showed a picture of a band attaining greater control over their quite-rideable waves of reverb and rhythm, Matterhorn is the master-class in its execution. Its a full-screen image of dawn, dusk and darkness, never scanned-and-panned, and never less than mesmerizing. At the risk of putting too fine a point on it, the landlocked levitation previously made possible via Heaters psycho-surf majesty is luminously leavened on Matterhorn, with the bright light of the jingle-jangle morning (which may or may not come following youbut will likely lead to repeat listens).

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Cody Jinks

Adobe Sessions

Release: 2017 / US – Original

Genre: Rock & Indie

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Cody Jinks' credible grit and meaningful tattoos are no fad. They define exactly who he really is: someone who was raised on the sounds of country music and metal. Ultimately, Jinks found himself back to where it all began. His father loved the outlaw country icons: Johnny Cash, Waylon Jennings and The Hag. That never ending consistency of incredible music growing up laid some very deep seeds and those early influences shine through his music. Jinks' beloved 2015 album Adobe Sessions, his fourth overall, is available on vinyl for the first time with bonus track "Fast Lane" and Side-D etching. "In 2015 a great crop of fresh faces in country and Americana arose on many people's radars," writes Country Perspective. "Hands down one of the best artists to emerge amongst this group was Cody Jinks...[His] 2015 album Adobe Sessions felt like the awaited breaking out of the next big star in the independent country scene. The album is full of traditional country, plenty of steel guitar and ballads on life and love."

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Goodbye Lullaby Black Vinyl Edition

2LP | 2017 | WW | Reissue (Sony)

33,99 €*

Release: 2017 / WW – Reissue

Genre: Pop

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12" | 2017 | UK | Original (Jiaolong)

Daphni

Hey Drum / The Truth

8,99 €*

Tape | 2017 | US | Reissue (Captured Tracks)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Overall close to NM.

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Mac DeMarco

This Old Dog

LP | 2018 | US | Original (Authors)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Before you ancients out there turn your heads and scoff at the premise of a twenty-something rock-and-roll goofball calling himself an old-anything, consider this: Mac DeMarco has spent the better part of his time thus far writing, recording, and releasing an album of his own music pretty much every calendar flip. This Old Dog makes for his fifth in just over half a decade_bringing the total to 3 LPs and 2 EPs. According to the DMV, DeMarco is 26. But in working-dog years, ol' Mac here could easily qualify for social security. To stay gold, turns out all he needed was some new tricks.It was a little space_in time, location, and method_that inspired DeMarco while making the record. Moving from his isolated Queens home to a house in Los Angeles helped give the somewhat transient Canada-native a base, and a few more months on his calendar to create did their job as well. Arriving in California with a grip of demos he'd written in New York, he realized after a few months of setting up his new shop_complete with a few new toys_that the gap was giving him perspective (insert tooth joke here).Right off the bat, from the pops and clicks of the CR-78 drum machine and acoustic strums on the album-opening "My Old Man," the synth-drenched beauty of the second track, "This Old Dog," it's clear that DeMarco's bag is filled with new tricks indeed. This Old Dog is rooted more in a synth-base than any of his previous releases, but he is careful not to let that tactic overshadow the other instruments and overall "unplugged" mood of the work: "This is my acoustic album, but it's not really an acoustic album at all. That's just what it feels like, mostly," says DeMarco.Despite the changes considered during the creation of This Old Dog, Mac DeMarco's mid-twenties masterpiece, it's clear that the engine that motors him is in no danger of slowing down.

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Danny Watts

Black Boy Meets World

LP | 2018 | EU | Original (Exile On Mainstream)

Release: 2018 / US – Original

Genre: Hip Hop

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Now the vinyl for Danny Watts' "Black Boy Meets World" on Jonwayne’s imprint Authors Recording Company. Beats were supplied in full by Jonwayne, creating the environments that mesh to Danny Watts’ introspective lyricism and soulful cadences on the mic. The Houston based rapper has created a body of work that details his life experiences with an honest and uncompromising lens, jumping out of the Authors Recording Company gates as the first release after the critically acclaimed Rap Album Two.

Danny Watts and Jonwayne recently captured Black Boy Meets World in the span of only a week, recording the 11-track LP at the Los Angeles recording facility Cosmic Zoo. Danny also wrote all of the lyrics to the album in this same window, finishing up to three songs per day as the Cosmic Zoo sessions occurred in an intense yet efficient form. Mixing and mastering was completed by Low End Theory’s Daddy Kev and artwork was supplied by Authors’ creative director Shane Sakanoi. With executive oversight and production on every track supplied by Jonwayne, guest contributions and features include Ray Wright of Warm Brew, DIBIA$E, Leaving Records’ Kiefer, Dr. Octagon collaborator Juan Alderete de la Pena, Zeroh, and many others. The overall effect presents the ethos of hip-hop’s many forms, pulled into the weight of classic sounding kicks, snares, hi-hats, basslines, keys, synths, and horns.

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Treedeon

Under The Manchineel

19,99 €*

12" | 2018 | EU | Original (Dope Noir)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Treedeon 2017 is a thunderous riff-machine taking the next step and cultivating the ground that they’ve been breaking over the past years. 7 new tracks deeply-rooted in Sludge, Noise, and Doom, while incorporating unexpected melodies in the overall massive sound. No heavier band on the planet right now.

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Waldeck

Stay Put EP

12" | 2018 | EU | Original (Something)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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It is hard to believe, but Waldeck´s signature album “Ballroom Stories” is 10 years old. The people at Dope Noir Records feel that this marks the perfect occasion to celebrate its anniversary with the release of a legitimate successor going by the name of “Atlantic Ballroom” - due later in 2018.
For those curious what the new album might sound like the wait will be sweetened by this very “Stay Put” EP available on 150 gr vinyl & digital formats.
Four brilliant downtempo tracks, all of them featuring Waldeck´s new chief-chanteuse Patrizia Ferrara whose extraordinary vocal performance will give you goose bumps right from the beginning all the way through.
Ferrara, being half Sicilian & half Austrian spent the better part of her musical career in Brooklyn, NYC. Asked for a comment Waldeck simply smirks:
“She is a real million-dollar baby”
As with previous releases this one once again hits the spot and highlights Waldeck´s ability to create a whole new sound universe. “Electro-Blues” meets “James Bond- in Casablanca”.
The first track “Stay Put” is quite obviously inspired by the legendary blues & swing icon Fats Waller and captures the mood of the early days of swing, when Al Capone allegedly hi-jacked Waller for a couple of days to play exclusively on one of his private mob parties.
Followed by “So it shall be” – a real beast - that lures with a snake charming seductive Ethiopian groove.
With “Rough Landing” Waldeck then time travels to the 21st century. It could well serve as a title song to the yet to be finished Bond movie “James Bond in Casablanca” (2024).
The last song “Je t´aime beaucoup” is a super slow downtempo blues that haunts you with a longingly whisper for love. A late night in Paris…. no questions asked.
Waldeck dwells on smokey Jazz riffs & bluesy piano lines. He likes to keep the overall electronic feeling subtle, but yet present.

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STL

Patched Up Noise

Everything Is Always A Process

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A freshly constructed Something analog disk has landed on planet earth in good faith and with the target to shift emotions, bones and your interiors. Join the overall thrilling tune of this 12″ with open ears and it will flow neat-sticky through your ready made receivers directly into intuitive grounds with the purpose to move, amaze and captivate. The sounds on Stephan Laubner’s new Something Vinyl are raining down straight out of deep blue skies. It’s unusual approach is coming nice yet mind-boggling and will vibrate your inner corners as soon as you’ve spotted the musical language within these STL translated rills.

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Bluestaeb

LP | 2018 | EU | Original (Jakarta)

18,99 €*

12" | 2018 | EU | Original (Hivern Discs)

Release: 2018 / EU – Original

Genre: Hip Hop

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Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.

He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.

Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment.
Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin.

"Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / Bluestaeb

Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.
Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie.

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Lion's Drums

9,99 €*

12" | 2018 | EU | Original (Ascetic Limited)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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When Harold Boue aka Abstraxion invited Fantastic Man into his studio after playing together the night before he didn't knew he was planting the seed for a new project. As he recalls, it was "a day of intense sun in Marseille with not enough sleep", but the result was so great that it inspired Harold to work on new tracks around the idea of creating music to reflect his city: a bit rough, but luminous and influenced by elements of Mediterranean, African and Northern European cultures. This has translated into a heavily percussive sound, in which tribal disco grooves invoke the spirits of voodoo-techno. Three cuts driven by warmly distorted rhythms, bursts of primitive drums, rubbery synths and uplifting chants that overall feel like the first sunrays after an excursion through a dark cave: both blinding and blissful. The project's name is a tribute to the astrological sign of Harold's son, who was born at the same time as the music on the EP. It was the definitive signal he needed to convince himself it was the right time to start something new and different. And an event that for sure helps understanding the vibes that this music transmits: as pure, fresh and powerful as only a new beginning can be.

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Wrong Assessment

8th Floor EP

12,99 €*

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Ascetic Limited is shifting gears, focusing on solo EPs dedicated to the artists that form the collective. To kick it off they present an EP from renowned Milanese techno producer Wrong Assessment, who throughout his career in techno has proven himself to be one of the most interesting producers coming out of Italy. From his collaborative works with the late Max_M as Overall Severity to his solo works as Wrong Assessment, his tracks are always unique. Influences ranging from minimal to hard pounding techno bangers, through house grooves and ambient arrangements, he still is able to transmit his sound and vision with his music.

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Pyramids Colored Vinyl Edition

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Summertime might feel like this highly anticipated long stretch of lazy - but in actuality you just canalize your energy differently as youd normally do because life just feels a bit easier as soon as you squint in the bright sun. You hustle as hard as you ever do but suddenly your daily routine seems to be filled with swimming strokes and mastering summersaults.
Lodowns latest adventures into creative procrastination is titled Lemonade - an aptly chosen variable for each and everyones favorite season - which will offer an even more colorful, wild, sexy, funny, silly, adventurous and overall entertaining ride than usual. Some might even say it is filled with the same magic usually connected to summertime only.

Featuring:

Benjakon, Ed Harrington, Saint Hoax, Icy & Sot, Cain Caser, JAck Daly, French Fred (Mortagne), Stephen Burridge, Sinziana Velicescu, Eve De Haan, Fanakapan, Erin D. Garcia, Olimpia Zagnoli

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Mitch von Arx

2LP | 2018 | EU | Original (Project: Mooncircle)

21,99 €*

LP | 2018 | EU | Original (Mana)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The debut album 'Pyramids' comes out worldwide on limited double, green vinyl (including download code).

Pyramids. Jagged teeth pushing through immaculate skies. The ever-changing light. The expansive sense of freedom. The wide open spaces. The textured landscape seen from above. Mountains. Watchful and immobile for thousands of years, weathering seasons, transcending change.

It's December 2016. I've left the London madness to hit the reset button and compose new music in a tiny village in the Swiss Alps. I'm over 10,000 feet high, it's minus 15 degrees and the snow is scintillating under a rich blue sky. I turn around and suddenly this gigantic pyramid-shaped peak is towering over me, staring me in the face. Mind blown. Senses overwhelmed. Perspective. Lightbulb moment. I have my album concept.

I wanted to put into sound my cathartic experiences of the mountains. Every track title was chosen before composing. The title would be a catalyst for visual memories, narrative and overall vibes. I continued developing the tracks on occasional trips to Switzerland, but mainly back in the gritty habitat of London's Hackney Wick. The urban-nature contrast had an impact on the music too.

I use a lot of found sound, stuff I have collected over the years, and a lot of resampled guitar sounds and textures. I love imperfections in sound. Detuned synths. Distortions and glitches. Rhythmic flutters and percussive frenzy. 'Manual' cut-ups. I love moving to house and disco and getting lost in the more melodic side of techno. I love polyrhythms and melodic counterpoints. I love the energy and rawness of a live rock band. I channel all this to create my own sonic palette.

Artwork by Jimmy Turrell, graphic artist and video director who combines a love of handmade collage, drawing, screen printing and painting alongside digital techniques. He has worked for Universal Music, Nike, Lexus, Levis, MTV, The New Yorker, Intro, Capitol Records, The New York Times, Green Peace, Beck, The Prodigy/XL Recordings, Channel 4, The Guardian, GQ, The Times, LA Times, Newsweek, Getty Images, Adidas, Sony Music, New York Magazine, Wired, Glastonbury Festival, and Vanity Fair amongst others.

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O Yama O

Release: 2018 / EU – Original

Genre: Rock & Indie

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O YAMA O explores a certain domestic and democratic quality of everyday life, born through associations to folk music of Japan and a folding of myth, tradition, and routine; the non-spectacular and the sublime.

Formed of musician and artist Rie Nakajima and Cafe OTO co-founder Keiko Yamamoto, the group has performed since 2014 at venues and festivals such as noshowspace, Ikon Gallery, Wysing Arts Centre, Supernormal, Borealis Festival, Mayhem, and allEars Festival.

Nakajima’s performance often focuses on the use of found and kinetic objects, using modest items such as rice bowls, toys, clockwork, balloons and small motors as instruments to create a “micro orchestra”. Elements are layered into impressive and immersive atmospheres. Yamamoto alternatively floats and charges through this with body and voice; chanting, incanting, thundering, whispering, stamping on the floor.

Their debut album consolidates their musical conversations into keenly paced studio music, the duo working with additional instrumentation and a resolved focus on melody to provide vivid portraits of folkloric Japan in song.

They move between pop and the philosophical, defined by the overall space afforded to texture and movement. In small, delicate sound an intimate musical climate is established that reflects on life, telling stories of improvised clockwork, whispered dreams, small movements of the hand and the rhythm to be found in the shuffle of a deck of cards.
Grandly theatric and dramatic flourishes add solidity to these illustrations, operas driven by the swooping energy and power of Yamamoto’s voice can be playful or emotionally charged, particularly when the duo arrange themselves in ensemble with violinist Billy Steiger and percussionist Marie Roux. Production by David Cunningham creates the shadowy presence of a leftfield Flying Lizards dubwise depth that adds subtle strangeness to the atmosphere. The result is something raw, full-bodied; full of energy, grace and mystery.

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Glorious

Turntable Lowboard

219,99 €*

LP | 2018 | EU | Reissue (Mansions & Millions)

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The Glorious Turntable Lowboard is a high-quality piece of furniture in a retro 1960’s design and is ideal for placement in your living room. With a dedicated surface for a turntable and plenty of space for your vinyl collection, the Turntable Lowboard is ideal as a listening station. The open record crate invites you to dig through your collection and allows direct access to up to 130 12''-records.

• High-quality turntable lowboard in 60s retro design for your living room
• Listening station: provides storage space for a turntabel and plenty of space for records
• Open record crate for diggin through you collection and access to up tp 130x 12"-records
• Front compartment with push mechanism for amplifiers, CDs or boocks
• Cavity on the rear panel hides unsightly wires
• Timeless design made of wood with white high-gloss finish
• Stable and elegant stand made of solid ash wood (white ash)
• Shock-absorbing rubber feet for damping vibrations

Material corpus: MDF wood with white high-gloss veneer
Material stand: Ash wood (white ash)
External dimensions corpus: 862 x 240 x 420 mm (L x H x W)
Overall height: 444 mm
Weight: 17 kg

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John Moods

The Essential John Moods

18,99 €*

LP | 2018 | EU | Original (Green Tree)

Release: 2018 / EU – Reissue

Genre: Pop

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Alone in the world, we find ourselves. Inside ourselves, we find something to share with the world.

The Essential John Moods, a solo album in all senses of the word, is what Jonathan Jarzyna of Fenster found in himself during a summer spent hiking along the Iberian coast, and he now wants to share it with you. A mini-guitar on his back and a copy of GarageBand on his phone allowed Jarzyna to record songs each evening as he arrived in a new town after a long day traveling by foot. (He did, admittedly, add live drum tracks and some additional instrumentation back in Berlin.) The album preserves this peripatetic feeling, each song relating to the next as one city or village relates to its neighbor, its unique situation contrasting with the shared architectural vernacular. Blipping instrumental interludes (“Trainride,” “Pontevedra,” “Coastal Way”) even capture the disordered, delirious feeling of transit hubs and the sleep-bleared mystery of waking on an unfamiliar road.

“I just came alive completely” are the first words Jarzyna murmurs on “New Spring,” invoking the spirit of the album. He speaks not of the liveliness of manic activity, but the heightened, tender sensitivity of presence. It’s a fullness of living captured by the transition from the lush, jangling groove of “The Weight” to the spacious contemplation of “Pawns.” The dreamy echo of the 60s’ and 70s’ soft rock and folk troubadours suffuses the album, and the organ-soaked “Where In The World” even has a psychedelic tinge. But the overall effect is quite contemporary, from the back-of-the-nightbus lounge funk of “Take It Home” (featuring an amazing turn from arch-crooner Sean Nicholas Savage) to the mournful cupboard jazz of “Almost Gone.” “Dark Wall” sounds like a honkytonk ramble alongside a robot tentatively learning to play lap steel. “Leap of Love,” an early album highlight, passes over the listener in shimmering waves, a love song which remains a mystery even to its creator.

In the meditation tape coda “Relax Your Foot,” Jarzyna selects the perfect sample to encapsulate The Essential John Moods’ hopeful receptivity: the late Professor Carl Sagan reminding us that “despite our limitations and fallibilities, we humans are capable of greatness.”

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Solar Project

Utopia

24,64 €* 28,99 € -15%

Alternative Funk: Volume 1

Release: 2018 / EU – Original

Genre: Rock & Indie

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V.A.

LP | 2018 | EU | Reissue (Platform 23)

24,99 €*

2LP | 2018 | EU | Original (Vendetta)

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Platform 23 launches with the reissue of the seminal Alternative Funk compilation series, presenting a selection of music across 2 volumes.

Known for the highly heralded "Folie Distinguee" album in 1985, what is often over looked is the fact there accompanied 2 further "Alternative Funk" cassette compilations that same year. Coming within the Audiologie series on Vox Man Records, these "Various Artist" selections were indicative of labels that sprung up in the early 80s around the DIY post-punk scene.

As founders of Vox Populi!, Axel Kyrou and Francis Man, working with close associate Pierre Jolivet's aka Pacific 231) VP 231 label, released a number of cassettes, 7" and LPs between 1982 and 1988, as much to self-release their own music as to push new or contemporary artists.

Here then is a snapshot of the Alt Funk albums, selecting songs that avoid recent or upcoming reissues, to dive deep in the series from industrial to cold wave, proto-dub percussion to avant spoken word pieces. Featuring the likes of Son Of Sam, Philippe Laurent, Fist Of Facts - with a long lost first ever recording - and Human Backs, stepping out from semi-cult name dropping to sit alongside unknowns and never heard from again in Scoop!, Kosa, Zoohtee and the wonderful Randall Kennedy.

What is apparent is an idiosyncratic nature to the selections. In the same way many independent labels of the time - such as Auxilio De Cientos' Terra Incognita volumes or Final Image's Nightlands - created a label snapshot by pulling together far and wide contributions but retaining an overall 'sound'.

The Volume 1 and 2 reissue achieve that, mixing experimental with electro, post punk with noise, to offer more than the sum of their parts - an Alternative Funk.

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Ultha

Converging Sins

34,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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3LP | 2018 | UK | Original (Not Now)

The Everly Brothers

The Platinum Collection

37,99 €* 39,99 € -5%

Release: 2018 / UK – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Ghostly International)

Mary Lattimore

Hundreds Of Days

Mad But Soft Green Vinyl Edition

Release: 2018 / US – Original

Genre: Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

Overall close to NM. Download included.

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Mecha Maiko

LP | 2018 | US | Reissue (Newretrowave)

24,74 €* 32,99 € -25%

12" | 2018 | IT | Original (Presto!?)

Release: 2018 / US – Reissue

Genre: Electronic & Dance

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Presenting the multi-talented force that is Mecha Maiko, who is also known as Hayley Stewart, and previously one-half of Dead Astronauts. This debut span many sounds influenced by many cultures and synth implementation. The overall effect is killer sonics and a fresh sound we have been waiting for. Mad But Soft is a solid debut for Mecha Maiko, and all retro lovers and synth maniacs alike will enjoy this album.

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Gabber Eleganza

Never Sleep #1

64,99 €*

LP | 2018 | EU | Original (Rarenoise)

Release: 2018 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG+

Cover with very light creasing near the spine, overall closer to NM

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Worldservice Project

Serve

30,99 €*

2LP | 2019 | EU | Original (!K7)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Vinyl LP pressing. 2018 release. As a follow up to 2016's For King and Country, World Service Project delivers another powerful punk-jazz manifesto with a sly grin on Serve, their second RareNoise release and fourth album overall. Showcasing their signature blend of discipline and chaos, the edgy London-based avant-funk quintet combines throbbing grooves, huge backbeats, grinding fuzz-bass onslaughts and ferocious free blowing on eight potent tracks, with just a dash of Monty Pythonesque's irreverence thrown into the mix.

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Bjarki

Happy Earthday

20,99 €*

Home Made Ice Cream 45rpm, 200g Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Electronic artist and founder of bbbbbb Bjarki announces new
album ‘Happy Earthday’ with a slew of tour dates in the new year,
including shows in London, Berlin, Paris, Amsterdam, Sydney and
Barcelona.
“Maybe you can feel the melancholy of my life, the nature overall.
Volcanos and the lava flowing down the slopes, the frightening
noise of the ocean beating the land, the strong wind in the
mountain passes and a glimpse of the first ray of the rising sun
over the glacier. Now that is the dawn of a new day.”
An expressive electronic album filled with sadness, yet one with
the sort of positive, stirring resolve that leaves you feeling utterly
comforted, Bjarki’s new album ‘Happy Earthday’ is influenced by
his home country Iceland as well as environmental issues.
Having released bodies of work on Nina Kraviz’s label and
his own label bbbbbb, Bjarki views ‘Happy Earthday’ as his
proper debut album; he feels it’s a more coherent and conceptual
body of work that finds him offering up music he never thought he
would release.

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Tony Joe White

2LP | 2019 | US | Original (Analogue Productions)

69,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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You may or may not know of Tony Joe White, but we all know his two most famous songs — "Polk Salad Annie" and "Rainy Night In Georgia". This record is up to the standards of those great numbers. So soulful, humid, rich and textured. Or as Tony Joe would say, »It's swampy«.
And because it's such a classic, such a southern musical touchstone, we've gone and upped the ante — making this standout a 45rpm double LP release. Veteran audiophiles know and hear the difference. With more LP real estate, inner groove distortion is reduced and tracking by your stereo cartridge is improved. That's a major sonic advantage! Mastered by Kevin Gray at Cohearent Audio from the original analog tape, this LP sounds phenomenal from the first note to the last fade out.
The last four songs on side two of this album are going to positively floor you. They are so sparse and bluesy and emotional. And the sound is as good as the music. With this new QRP pressing, the sound is so good it's tape-like. So solid and jet-black is the foundation from which the music just jumps. Ya gotta hear it to understand what we're trying to describe. It's one of those jaw-hit-the-floor, sit-in-stunned-silence, goose-bump-raising, tears-in-your-eyes records. You know, the kind we're all looking for as audiophiles?
When Chad decided to reissue this album, he knew that it wasn't going to be a top-seller. But it's one of his all-time favorites for music and sound, and we feel that whoever takes a chance on this one is going to be richly rewarded. We gotta figure this one is going to end up being one of the favorites of some of our customers, too. If you trust us at all, you can buy with great confidence.
"Homeade Ice Cream" was originally released in 1973 on Warner Bros. and was co-produced by White and legendary Atlantic producer Tom Dowd. It's White's sixth overall record and his third for Warner Bros. This is very much a back porch acoustic affair. The music has the space to breathe, one of the reasons for the life-like sound.

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Thorens

TD 202

549,00 €*

12" | 2019 | EU | Original (Hidden)

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New TD 202 completes the new series of manual plug and play turntables. Compared with its “smaller” brother TD 201 it comes with a more massive plinth and a AT 95E cartridge.

SPECIAL FEATURES
The integrated phono stage includes an additional analogue/digital converter with USB out. So the record played will be automatically digitized and can easily be recorded on a computer using several kinds of recording software that can be downloaded from the web.

TD 202 Specification

Turntable section
• Drive System Belt Drive
• Motor DC Motor
• Speed 33 1/3 RPM, 45 RPM
• Rotation Speed Variation +/–2%
• Wow and Flutter 0.2%
• Signal-to-Noise Ratio 67dB or higher (A-weighted, 20kHz LPF)
• 60dB or higher (unweighted, 20kHz LPF)
• Platter Aluminum Die-cast
• Diameter of Platter 12", 300mm

Tonearm section Alumi tube
• Type Static Balance, Straight
• Effective Arm Length 8.8", 223.6mm
• Stylus Pressure Range 0 to 4g
• Supported Cartridge Weight 3.5 to 6.0g
• Overhang 18.6mm
• Anti-skating Adjustment Supported

Cartridge section
• Type MM type (Audio-Technica AT-95E)
• Stylus Construction Bonded Diamond
• Frequency Response 20Hz to 20kHz
• Channel Separation >18dB
• Channel Balance 2.5dB
• Vertical Tracking Angle 20 degrees
• Supported Load Impedance 47k ohms
• Output Voltage 2.5mV (1kHz, 3.54cm/sec.)
• Stylus Pressure 2.0g +/–0.5g
• Cartridge Weight 5.7g +/–0.5g
• Head-shell Weight 11g (including Screws, Nuts and Wires)

Analog Output
• Connector RCA Pin jack (Gold-plated)
• Power AC 100 to 240V, 50/60Hz
• Power Consumption 1.5W (less than 0.5W at Standby)
• Overall Dimensions (W x H x D) 420 x 355x 121mm
• Weight Approx. 3.9 kg

Manual: https://www.thorens.com/images/downloads/plattenspieler/202/TD202-User-Guide.pdf

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Deepak Sharma

Patala Tadeo Remix

12" | 2019 | EU | Original (Seilscheibenpfeiler)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Side A begins with ‘Patala’ and frenetic synths influencing the mind through airy hypnotism, exhibiting subtlety in creating a dance-floor groove. Tadeo’s ambitious remix blossoms from the original adding new musical landscapes and marvelous sounds. Side B starts with ‘Prithvi’ keeping you on edge between the underlying vocals scattered between a gripping baseline and off-kilter synth movements with timely off-beat drums that culminate into a dramatic show overall. ‘Svarga’ stretches out with twisting and curving synth lines and intensifies with an ebb and flow of eerie sound and spacious atmosphere.

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Nautiluss

Angels & Daemons

9,59 €* 15,99 € -40%

LP | 2019 | EU | Original (Teklife)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Two are surely better than one. Following Lory D and Fadi Mohem, Toronto based producer Graham Bertie aka Nautiluss also steps up for his second outing on Seilscheibenpfeiler, marking the label’s 10th overall release. Once more, Nautiluss is transforming playful and rhythmically intriguing bass music into prime dancefloor cuts, encompassing a rich array of sounds and moods ranging from upfront rave action to delicate deepness.
„Guccifer“ kicks things off with a dark, shuffling beat, creating a subtle hardcore/jungle vibe with atmospheric overtones. „Snakes And Ledgers“ is a percussion-heavy tune led by a fat and thumping bassline and completed with muffled chants by Toronto rapper Matthew Progress. Next up is „WiFi Oasis“, again fronted by a memorably melodic and reverberating bassline while the track explores airy and enigmatic IDM territory. „Moment Of Clarity“ rounds off the EP with ethereal synth pads and big breaky beats, providing an ideal closing track for every extended club night.

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Traxman

Tekvision Volume 2

15,99 €*

LP | 2019 | EU | Original (Hipnott)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Tekvision Volume 1 was a stone cold classic, with Rolling Stone charting it at #3 in their top 20 EDM of 2017. Two years on, Cornelius 'Traxman' Ferguson returns with the second instalment, featuring 7 exceptional new Footwork productions. Traxman is a bonafide OG, with a discography dating back to the halcyon era of Ghetto House in the late 80's and early 90's. 30 years on, Traxman is a revered figure in Chicago's urban music scene, having presided over the evolution from Ghetto House to Juke and from Juke to Footwork culture. Originally released in 1989, Work Dat Mutha Fucker by Steven Poindexter is considered to be one of the most influential tracks from the early days of Ghetto House. Traxman remixes it brilliantly on this release, reworking the stripped back, minimalist drum beat of the original into an upfront Footwork pattern. This sense of continuity is equally evident on Let Me See You Naked feat. DJ Juicy, and Traxman's remix of To Da Hoooz by DJ Deeon. These productions successfully capture the sexual energy and exuberance of Ghetto House, turbo charged at 160 BPM. Elsewhere on the record, Traxman explores different moods whilst always keeping the dance floor firmly in mind. The opening track It's Lasting Bass lays an infectious vocal harmony over complex drum patterns and a fearsome bassline. Osaka opens with mellow, sultry keys before introducing a wobbling synth and diced up Orchestal samples. 4 Da Lyfe is a soulful and slightly more meditative track, with a vocal loop expressing solidarity and self-affirmation. Wildcard feat. Jana Rush, stands alone as the only track without a vocal element, instead utilising a piercing and insistent synth to create a powerful sonic intensity. Overall this is triumphant record, and a worthy successor to the original Tekvision release, proving once again that Traxman is an unrivalled exponent of MPC-driven footwork energy.

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Von Pea (Tanya Morgan)

City For Sale