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HHV Records 3241 Vinyl, CD & Tape 3196 Used Vinyl 513 Merchandise 17 DJ Equipment 9 Print & Design 19
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Annie Hall / Plant43 - Elephant Road
Annie Hall / Plant43
Elephant Road
LP | 2009 | EU | Reissue (Semantica)
16,99 €*
Release: 2009 / EU – Reissue
Genre: Electronic & Dance
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2022 Reissue of this split electro Mini-LP originally released on 2009.
Annie Hall - Plössl EP
Annie Hall
Plössl EP
12" | 2022 | EU | Original (Orson)
13,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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With a long time passion for music and a love of experimenting with new sounds Annie isn’t constrained by the same boundaries as others. Producing since 2005, she has released on labels such as Tresor (with ´Daughter Produkt´ proyect along Gerald Donald), 2020 Vision, Detroit Underground, CPU records, Delsin Records and now she continues the journey with Orson and we are over the moon.
Annie Hall - Rinº19 Overturn & Inter Gritty Remixes
Annie Hall
Rinº19 Overturn & Inter Gritty Remixes
12" | 2021 | EU | Original (Random Island)
11,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Annie Hall once again proves why she is one of the most interesting producers right now, continuing to carve her own niche of future machine funk right in between techno, electro and IDM. Overturn delivers a razor sharp remix with plenty of attention to detail, while Inter Gritty closes the EP with some serious old school vibes.
Annie Hall - Statics EP
Annie Hall
Statics EP
12" | 2018 | EU | Original (Musar)
12,99 €*
Release: 2018 / EU – Original
Genre: Electronic & Dance
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After more than a decade of deep, expansive productions on labels such as Detroit Underground and CPU, Annie Hall arrives on MUSAR for a record typically rich in texture and understated grooves. Indebted to vintage electro and IDM, Hall's music is no throwback, always looking forward and moving dancefloors in the most unexpected ways.
Annie Hall - Ultra Dynamic Information
Annie Hall
Ultra Dynamic Information
12" | 2024 | EU | Original (Lunar Disko)
9,74 €* 12,99 € -25%
Release: 2024 / EU – Original
Genre: Electronic & Dance
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The end of 2023 marks 15 years of Lunar Disko Records, but it's also the end of LDR as a label. We are delighted to present esteemed electro producer Annie Hall as our final release on Lunar Disko Records.

The Spanish producer continues her electronic explorations on the the four track EP 'Ultra Dynamic Information'. Another alluring addition to an already impressive back catalogue of Annie Hall releases.
Anohni - It's All Over Now, Baby Blue
Anohni
It's All Over Now, Baby Blue
7" | 2020 | US | Original (Secretly Canadian)
16,99 €*
Release: 2020 / US – Original
Genre: Pop
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A viscous embrace, a pulsating pouring out, Anohni's voice is above all else a vessel for political armament. On 2016's Hopelessness, her voice bombarded with explicit illustration of Obama-era atrocities -- of war crimes, of apocalyptic climate change, of patriarchal violence. Now sharing a dual cover set - Bob Dylan's `It's All Over Now, Baby Blue' and Nina Simone's `Be My Husband' - she casts a subtler, but no less powerful incantation towards change. The original tracks dating to 1965, a year marked by the Selma marches, the Watts Rebellion, and the landmark Voting Rights Act, illuminate the eerily parallel struggles of this year. Anohni's rendition of `It's All Over Now_' reads as a hopeful, future goodbye to times dominated by oppression. With `Be My Husband," textually woven with marital submission and want for acceptance, she examines our reliance on the very systems that fail us. In borrowing these songs, Anohni adopts their history along with her contemporary interpretations, respecting the lineage of the people's movement while calling for its continuance today. "When Biden said `Americans don't want revolution, they want a return to decency,' he was wrong," she explained. "We all know deep down that the continuation of our civilizations for much longer will require seismic change." On `It's All Over Now, Baby Blue', Anohni explained: "I recorded It's All Over Now, Baby Blue with Kevin Barker one afternoon a few years ago. I listened to it recently and it reminded me of Now, a nausea of nostalgia for the suffering of the present, or even the future. I did a couple of songs by Bob Dylan at that time, encouraged by Hal Willner, the producer who we lost to Covid 19 in April. I hope that this period, and this repugnant presidency, will be over soon, and that these bigots and apocalyptic capitalists and evangelicals will crawl back into their rotten little holes. But how can this happen unless the American media and social media are forced to tell the truth? I am glad to see the mobilization of Black Lives Matter and the re-emergence of the Occupy movement. When Biden said "Americans don't want revolution, they want a return to decency," he was wrong. We all know deep down that the continuation of our civilizations for much longer will require seismic change." On `Be My Husband', Anohni said: "I saw Nina Simone perform at Carnegie Hall in 1991 while I was still in college. The concert was not properly publicized, and the theater was only half full. I think it may have been her first time back in NYC in many years. She was rumored to be volatile and unpredictable. That night she sang and played with such dignity, so incredibly, and she did 5 or 6 encores. For me, she was the greatest musician of the 20th Century. She didn't write many songs, but the ones she wrote were among the most profound of the era. Be My Husband was one such song. The lyrics spin a paradox of romantic assertion and submission. This live version of the song was recorded at an Antony and the Johnsons concert at the Knitting Factory in NYC in 1999."
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Answer To Remember
Answer To Remember II
LP | 2024 | JP | Original (Universal Music)
47,99 €*
Release: 2024 / JP – Original
Genre: Organic Grooves
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Preorder shipping from 2024-11-15
Renowned as Japan's No. 1 drummer, Shun Ishiwaka has gained immense popularity and recognition through various sessions and recordings with artists across genres, including millennium parade, Quruli, Ringo Sheena, Kenshi Yonezu, and KID Fresino. His musical base is Answer to Remember (commonly known as Anrime). Following their critically acclaimed debut album "Answer to Remember," praised by Thundercat and released in 2019, the band now presents their long-awaited second album after a 4.5-year hiatus. This new album captures the band's spirit cultivated through live performances, exploring unprecedented sounds with a spirit of adventure and intuition. The band features a powerful lineup: Yusuke Sase (trumpet), Melraw (alto sax, guitar), Akina Nakajima (alto sax), Tomoaki Baba (tenor sax), Yuya Wakai (piano, keyboard), Kota Umihori (piano, keyboard), Marty Holoubek (bass), and Taikimen (percussion), most of whom are prominent leaders in their own right. Guest artists include KID Fresino, Himi, Mahiru Koda, ermhoi, Jua, Tomoki Sanders, Karai, and Akira Inoue. Answer to Remember will perform as the host band at Shun Ishiwaka's 20th anniversary live event, "Live Natalie Shun Ishiwaka 20th Anniversary What's Up Festival ~ At That Time I Was 11 Years Old ~," held at Ebisu Garden Hall on September 2nd (Monday) and 3rd (Tuesday).
Anthony Pateras - Two Solos
Anthony Pateras
Two Solos
LP | 2023 | EU | Original (Futura Resistenza)
23,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Futura Resistenza is pleased to present the latest release from the prolific, restlessly creative composer-performer Anthony Pateras, two side-long pieces - one performed by Callum G'Froerer on double-bell trumpet, the other sung by Clara La Licata - in which soloists are accompanied by numerous pre-recorded tracks of their own instrument or voice, creating acoustic halls of mirrors where the distinction between live performer and recorded accompaniment becomes difficult to perceive. Palimpsest Geometry (2020) for double-bell trumpet & tape works with rapidly pulsed single trumpet notes, at brisk tempos that hover at the perceptual threshold between rhythm and tremolo. The interaction between different rates of pulse produces skittering echoes, as if G'Froerer's layers of trumpets were really a single sound bouncing around the sonic space. There Is A Danger Only Our Mistakes Are New (2021) for voice & tape goes to work on a see-sawing two-note melodic cell, insistently transposed and transposed again, hummed or sung with open vowels, contracting to a semitone and expanding to a minor third. More than anything in the canon of Western art music, the piece calls up the criss-crossing repeated figures of Inuit vocal games or the interlocking repetitions of Banda-Linda music, where rhythmic and harmonic displacements of repeated motifs fuse together individual parts into the illusion of an impossibly rich and multi-faceted unitary sonic organism. Essentially homogeneous in texture yet built up from constantly changing details, broadly static yet always moving and shifting, these pieces exemplify Pateras' recent work while also pushing it into a new, strikingly immediate direction. Here, form grows organically out of the material itself; the results are sparkling, immersive, and quietly uncompromising. (Francis Plagne)
Anthony Wilson - Songs & Photographs
Anthony Wilson
Songs & Photographs
LP+Book | 2019 | US | Original (Goat Hill)
78,99 €*
Release: 2019 / US – Original
Genre: Organic Grooves
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Antico - What I Gotta Do (Hardcore Remix)
Antico
What I Gotta Do (Hardcore Remix)
12" | 1992 | IT | Original (Baia Degli Angeli)
4,99 €*
Release: 1992 / IT – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Stamp on label.
Antoni Maiovvi - Will To Powder EP
Antoni Maiovvi
Will To Powder EP
12" | 2016 | EU | Original (Schrodingers Box)
13,99 €*
Release: 2016 / EU – Original
Genre: Electronic & Dance
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Don´t confuse radio silence with inactivity. The music might not have been flowing, but the plans were at Schrodinger´s Box HQ. And finally, after a shedload of work; we´re back to the music. Anton Maiovvi is well known in the right circles. This Bristol born soundtrack virtuoso, italo disco savant and all round electronic guru has travelled labels far and wide with his smorgasbord sound. And that variety is plain to hear on Will to Powder. From the epic opener of “Clocks”, Maiovvi leads you through his labyrinthine hall of shapes and sounds. Expect warming melodies, cold beats, shimmering synthwork, brazen experimentation, a decent dollop of slasher scores and a pinch new wave romance in this. Undoubtedly his most diverse album to date.
Antonio Carlos Jobim - The Composer Of Desafinado, Plays
Antonio Carlos Jobim
The Composer Of Desafinado, Plays
LP | 2015 | EU | Reissue (Dol)
20,99 €*
Release: 2015 / EU – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Still in shrink, but opened, with hype sticker
Antonio Fresa & Orchestra Del Teatro La Fenice - Pantheon_roma A Soundtrack Experience APB - Something To Believe In Black Vinyl Edition
APB
Something To Believe In Black Vinyl Edition
LP | 2022 | US | Original (Liberation Hall)
29,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Scottish post-punk trio's 11-track best-of collection of 1980s alternative radio and dance rock club hits:Formed in Scotland in 1979, APB were a post-punk trio blending edgy guitars with funk and new wave sounds. The band had many early '80s alternative radio and rock dance club hits including "Shoot You Down", "Rainy Day" and "Palace Filled with Love". Those tracks along with seven others were originally released on the collection Something To Believe In in 1985. This new revised LP adds the group's first single "Chain Reaction" to the set making this its vinyl re-release. The band has recently toured and will be promoting the set with a full publicity campaign. In Adam Horowitz "Beastie Boy Book" he described the APB song "I'd Like To Shoot You Down" as 'a punk dance-floor classic. I love it'- Single "Chain Reaction" was not available on the original release, included here.- Vinyl has been out of print for over 30 years- Opened for and toured with the Clash AND James Brown- Neil Innes (Bonzo Dog Doo-Dah Band & The Rutles) plays keyboard on the album- band has recently toured, is touring and will be promoting the set with a full publicity campaign.For fans of Red Hot Chili Peppers, Franz Ferdinand, The RaptureClassic Black vinyl LP!
Arctic Monkeys - Live At The Royal Albert Hall
Arctic Monkeys
Live At The Royal Albert Hall
2CD | 2020 | UK | Original (Domino)
17,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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Arctic Monkeys and War Child UK are proud to announce the release of ‘Arctic Monkeys - Live At The Royal Albert Hall’ on December 4th 2020. All proceeds from the album will go to War Child UK to help fill what could be up to a £2 million deficit they are facing in 2021, caused by the devastating impact of Covid-19 on their fundraising. These funds are urgently needed to support those who are worst hit by the virus.

Recorded at the start of the band’s ‘Tranquility Base Hotel + Casino’ tour, ‘Arctic Monkeys -Live At The Royal Albert Hall’, features 20 of the band’s finest moments to date.
Aretha Franklin - Songbook With Friends Marbled Vinyl Edition
Aretha Franklin
Songbook With Friends Marbled Vinyl Edition
LP | 2024 | EU | Original (Magic Of Vinyl)
30,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Aretha Louise Franklin was born on March 25, 1942, in Memphis, Tennessee, and grew up in Detroit, Michigan. With her powerful voice and gospel roots, she gained early recognition. In the 1960s, she moved to Atlantic Records and became a legend under the direction of Jerry Wexler. In 1967, the hit ”Respect“ brought her worldwide fame and became an anthem for civil rights and women‘s movements. Aretha was known for her emotional depth and incomparable live performances. Her many accomplishments include 18 Grammys, induction into the Rock and Roll Hall of Fame in 1987, and the Presidential Medal of Freedom in 2005. She is considered one of the best-selling artists in the world and was awarded the Pulitzer Prize. Rolling Stone called her ”the greatest singer of her generation.“ In addition to her music, she was involved in social causes, including civil rights, Hiv/aids awareness and hunger relief. Her impact on the music world is enduring. She also inspired generations of artists. Aretha Franklin passed away on August 16, 2018, at the age of 76. Her unforgettable legacy as an extraordinary singer and social activist lives on through her timeless songs. ”songbook With Friends“ is a collection of her most beautiful songs, some interpreted in extraordinary versions by other artists.
ARKVS & Thanos Hana - TAR005
ARKVS & Thanos Hana
TAR005
12" | 2020 | EU | Original (TH Tar Hallow)
11,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
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Armando Trovaioli - Una Magnum Special Per Tony Saitta
Armando Trovaioli
Una Magnum Special Per Tony Saitta
LP | 1976 | EU | Reissue (Holy Basil)
26,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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Una Magnum Special Per Tony Saitta (aka. Blazing Magnum: Strange Shadows In An Empty Room)> is a cop movie directed in year 1976 by Alberto De Martino and starring Stuart Whitman, Martin Landau, Tisa Farrow, and Gayle Hunnicutt. It was co-produced by Italy and Canada. An Ottawa police captain searches for the person who poisoned his sister, who was attending the university in Montreal. Later on, he desperately starts to use his own brutal methods to find the killer, but the truth turns out to be something different than what he had expected. Trovajoli has composed and conducted a score that elegantly occupies a place of all respect in the Cops/Giallo movies’ scoring. The score alternates between action-driven funky music to nostalgic/ romantic music in a reflection of the two dimensions of the protagonist: his cop job full of tasks and his private life full of sadness, but he becomes the superhero of the story by taking vengeance against those who hurt him by killing his beloved sister, and ultimately discovering the unexpected truth. For this vinyl album the original record master in stereo sound was used, restored and remastered to the highest quality. More or less the music in the movie is featured on this album, prepared for release by the composer himself for a very fine listening experience. Enjoy a half-hour with Armando Trovajoli and his cool sound!
Aroma Di Amore - De Sfeer Van Grote Dagen
Aroma Di Amore
De Sfeer Van Grote Dagen
12" | 1985 | EU | Reissue (Onderstroom)
18,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Harde Feiten
Aroma Di Amore
Harde Feiten
LP | 1986 | EU | Reissue (Onderstroom)
19,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Koude Oorlog
Aroma Di Amore
Koude Oorlog
LP | 1984 | EU | Reissue (Onderstroom)
19,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Koudvuur
Aroma Di Amore
Koudvuur
LP | 1987 | EU | Reissue (Onderstroom)
19,99 €*
Release: 1987 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Voor De Dood
Aroma Di Amore
Voor De Dood
12" | 1984 | EU | Reissue (Onderstroom)
18,99 €*
Release: 1984 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Zonder Omzien
Aroma Di Amore
Zonder Omzien
12" | 1986 | EU | Reissue (Onderstroom)
18,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Aroma Di Amore - Zwarte Doos
Aroma Di Amore
Zwarte Doos
Box Set | 2022 | EU | Original (Onderstroom)
144,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Comprehensive box-set of 6 LPs / EPs and their first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
Art Blakey & The Jazz Messengers - Art Blakey & The Jazz Messengers Gatefold Sleeve Edition
Art Blakey & The Jazz Messengers
Art Blakey & The Jazz Messengers Gatefold Sleeve Edition
LP | 2017 | EU | Original (Dol)
15,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves
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Gatefold 180g Includes Rare Or Exclusive Artwork Inside
Art Farmer / Jim Hall - Big Blues 45 RPM Vinyl Edition
Art Farmer / Jim Hall
Big Blues 45 RPM Vinyl Edition
2LP | 2015 | US | Original (ORG Music)
38,99 €*
Release: 2015 / US – Original
Genre: Organic Grooves
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Recorded at Electric Lady Studios in February 1978 and issued on the CTI label in 1979, "Big Blues" finds flugelhornist Art Farmer and guitarist Jim Hall pairing up for one of their first sessions together since their collaborations in the mid-60s and they literally don't miss a beat. The unique quintet project is rounded out by Mike Mainieri (vibraphone), Michael Moore (bass) and Steve Gadd (drums) and the results are as relaxed as they are lyrical.
The rich 4-track affair opens with a textured take on Benny Golson’s “Whisper Not” and then waltzes through Thad Jones' “A Child Is Born” before running down Jim Hall's own cool/bop title cut "Big Blues" and concluding with a first-rate jazz adaptation of Maurice Ravel's classical standard "Pavane For A Dead Princess."
Now this classic recording gets ORG Music’s audiophile treatment with this 180gram double LP 45 rpm reissue, mastered from the original analog tapes by Bernie Grundman Mastering and pressed at Pallas Group in Germany. Each copy of this limited edition release of 1500 copies will be individually numbered with a gold foil-stamp.
Arthur Russell - Calling Out Of Context
Arthur Russell
Calling Out Of Context
LP | 2004 | UK | Reissue (Rough Trade)
30,99 €*
Release: 2004 / UK – Reissue
Genre: Pop
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Arthur Russell - Iowa Dream
Arthur Russell
Iowa Dream
2LP | 2019 | US | Original (Audika)
48,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Over the past decade, the visionary musician ARTHUR RUSSELL has entered something close to the mainstream. Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as he’s ever been. Thanks to Russell’s partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russell’s vast archive of unfinished and unreleased work, the world now hears many versions of Arthur Russell. There’s the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him. Now, after ten years of work inside the Russell library, Lee and Knutson bring us Iowa Dream, yet another bright star in Russell’s dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russell’s utterly distinct songwriting. Features contributions from downtown NYC musicians ERNIE BROOKS, RHYS CHATHAM, HENRY FLYNT, JON GIBSON, PETER GORDON, STEVEN HALL, JACKSON MAC LOW, LARRY SALTZMAN and DAVID VAN TIEGHEM, along with PETER BRODERICK, who makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing. At once kaleidoscopic and intimate, Iowa Dream bears some of Russell’s most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s.
As Valet - Virgo Stellar
As Valet
Virgo Stellar
LP | 2021 | EU | Original (Futuristica Music)
18,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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The sound of deep, soulful electronica resonates throughout the genres with As Valet creating beautiful yet sometimes dark house and soul gems with his trademark abstract flourishes providing perfect sound beds for guest vocalists LaNote and J.Mcfysian to weave their magic touches. LaNote recently released her debut album on Futuristica with As Valet also orchestrating the production throughout where as J.Mcfysian was a featured vocalist on the album ‘Music 4 Alternative Souls’ by Dj Simon S in 2018. As Valet’s work is informed by the greats of the modern deep house era, think Theo Parrish, Andres, Osunlade and Kyle Hall but also the likes of Flying Lotus, Ras G and Madlib, prominent names on the West Coast Hip-Hop and Beat scenes. Virgo Stellar is another great album that continues the Electric Conversation legacy, a group for which As Valet and LaNote were both founding members.
Ash Ra Tempel - Gin Rose
Ash Ra Tempel
Gin Rose
2LP | 2020 | EU | Original (MG.Art)
26,99 €*
Release: 2020 / EU – Original
Genre: Pop
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Ashe - Rae
Ashe
Rae
Tape | 2022 | US | Original (Mom & Pop)
17,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Like a character out of your favorite movie or a novel you can’t put down, Ashe possesses her own mystique rooted in quiet wisdom, yet amplified with vibrance and spirit. For as much as she embodies timeless California cool (northern or southern, take your pick), she’s got enough gusto and moxie to hang on the East Coast or down South. Musically, she slides untouchable hooks over dusty instrumentation, connecting Laurel Canyon eloquence with UK rock scope. After an injury sidelined her future as a gymnast, she immersed herself in music as a kid. Attending Berklee College of Music in Boston, she kickstarted her journey with the single “Used To It” in 2017 followed by The Rabbit Hole EP a year later. Teaming up with Finneas as producer, she reached critical mass on 2019’s Moral of the Story: Chapter 1 EP. The single “Moral of the Story” appeared in NETFLIX’s To All the Boys: P.S. I Still Love You and exploded on streaming platforms, going platinum in the US and Silver in the UK. Her 2021 full-length debut, Ashlyn, arrived to widespread critical acclaim from Variety, Nylon, Billboard, and more. Beyond tallying nearly 2 billion total streams, she took over television with performances on Today, Jimmy Kimmel Live!, American Idol, The Late Late Show with James Corden, Late Night with Seth Meyers, and The Ellen DeGeneres Show. Now, she turns the page on another chapter of her story on her second full-length album, Rae [Mom + Pop] out on October 14th. Rae was produced by Leroy Clampitt (Jennifer Lopez, Justin Bieber), mixed by Manny Marroquin (Kanye West, Alicia Keys, Rihanna) and mastered by Michelle Mancini (Kid Cudi, Camila Cabello, Halsey).
Ashraf Sharif Khan & Viktor Marek - Sufi Dub Brothers Silver Vinyl Edition
Ashraf Sharif Khan & Viktor Marek
Sufi Dub Brothers Silver Vinyl Edition
LP | 2020 | EU | Original (Fun In The Church)
20,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
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Limited to 150 copies on silver colored vinyl. Only at HHV!

The swing of Ashraf Sharif Khan and Viktor Marek is performed live with their Beats, Bass and Sitar, leaving behind rows of earthlings* with their mouths wide open (grinning) - and just as open soles (dancing). Their album "Sufi Dub Brothers" is a testimony to this decree of comet-like fate and gathers nearly the complete recorded song material of this musical sensation.

An elusive "Sufistep" (Viktor Marek) somewhere between HipHop, Acid, Electro and Dub meets a masterful Sitar performance (Ashraf Sharif Khan). The two of them took more than 10 years of time in the Hamburg Ebbe-Road-Studios to find a suitable sonic space for this album. A long way, after all they transform South Asian classical music into western club music - and not vice versa. Except in the song "Maschinenland" which is a cover version of a song originally performed by the German group Abwärts.

Ashraf Sharif Khan, born in Lahore, Pakistan, is the son of sitar master Ustad Muhammad Sharif Khan Poonchwala, at times just as famous in India and Pakistan as Ustad Vilayat Khan and Pandit Ravi Shankar. Like his father and grandfather before him, he belongs to the Poonch Gharana Sitar tradition. He is a member of the Pakistani Music Hall Of Fame.

Viktor Marek is an outernational superstar. His sensitivity is also evident in his ongoing collaborations with Jacques Palminger or Knarf Rellöm and in spontaneous encounters with, for example, Felix Kubin, Jamie Lidell or Anthony "Shake" Shakir. In the early nineties Marek and his trio 8Doogymoto released on Matthew Herbert's label soundslike and travelled the world. With no other project before, Viktor Marek has come as close to his musical core as in his recent work with Ashraf Sharif Khan.
Asmus Tietchens / Miki Yui - Neues Boot
Asmus Tietchens / Miki Yui
Neues Boot
LP | 2021 | EU | Original (Tal)
19,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Astor Piazzolla - Tangos Del
Astor Piazzolla
Tangos Del
LP | 2014 | EU | Original (Angel Y del Diablo)
34,99 €*
Release: 2014 / EU – Original
Genre: Organic Grooves, Classical Music
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Atfc / Gene Farris - Spirit Of House EP
Atfc / Gene Farris
Spirit Of House EP
12" | 2021 | UK | Original (Toolroom)
14,99 €*
Release: 2021 / UK – Original
Genre: Electronic & Dance
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Spirit Of House’ is a jackin' 90’s Chicago inspired groove. It’s an uplifting, dance floor ready track from two of House music's finest. Those unmissable vocals from the legendary Gene Farris add a stamp of old authenticity – he’s a bonafide Chicago legend, who’s contributions to the House music scene are undebatable. He’s been pushing musical boundaries for close to three decades, working with world-leading labels and artists such as Relief, Dirtybird, ViVa Music and Defected. Atfc is a longstanding label favourite and household name in the scene. He has 3 UK top 40 hits under his belt and has remixed tracks for the likes of P Diddy, Missy Elliot, Simply Red, Faithless and Dido. He’s entered Pete Tong’s Essential Mix hall of fame - and the BBC Radio 1 tastemaker himself described Atfc’s productions as ‘verging on genius’. This collaboration is a match made in heaven. ‘Spirit Of House’ is a deeply playable, feel-good House record from two of the most established producers in the scene. ‘R U’ features a catchy piano hook, tough drums and that deep, powerful vocal from Gene Farris himself. It’s a stripped back, gritty house cut and we're proud to be giving it a home on Toolroom. Whilst sampling can be a sticky subject in dance music, 'Tech House Kinda Thing' is a fine example of how digging deep and being creative can be hugely rewarding. The vocal sample on this record is from another house titan; Harry Romero. This was taken from an event promo video that Harry recorded himself and posted on his Instagram page. Being the creative soul he is, Atfc heard it, sampled it, brought the idea to a Toolroom writing camp last November, and voila, this record was born! The record itself is an energetic club workout, produced with the detail and finesse you'd expect from such a legendary producer such as Atfc. With driving rhythms, off beat quirky stabs and that unique, spoken vocal, this really is a special record! ‘Not Enough’ is an uplifting, funky, feel-good tune. It oozes that Atfc warmth and the vocals from Mia Mendez add some serious sunshine vibes! Her voice is super powerful and within seconds of hitting play on this record you're whisked away to a sun drenched terrace!
Atmo - Telegiornale
Atmo
Telegiornale
LP | 1971 | EU | Reissue (Holy Basil)
28,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's "Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both evocative and emotionally charged. The title itself, which translates to "newscast" in Italian, hints at the album's concept of offering a musical narrative akin to the ever-changing stories and emotions conveyed through a news broadcast, captured in this beautiful Italian library recording.
Atras Del Cosmos - Cold Drinks, Hot Dreams
Atras Del Cosmos
Cold Drinks, Hot Dreams
LP | 2024 | EU | Original (Blank Forms Editions)
30,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Atrás del Cosmos were a central force in Mexico City's creative arts community, and often considered the first free jazz group in the country. Founded by a trio composed of pianist Ana Ruiz, percussionist Evry Mann, and saxophonist Henry West, the ensemble was prolific in mentoring a generation of improvisers, cultivating an expanded additive roster, and organizing workshops in downtown Mexico City_including inviting Don Cherry to play and instruct on his "organic music" approach in 1977. Between 1977 and 1983, the group lived and rehearsed in a residential space behind the Cosmos theater, hence their celestial-tinged name. But despite their central importance to the local scene, Atrás was rarely recorded and had a scant international presence, leaving behind just a single cassette before their disbandment.Now issued on LP for the first time, the aforementioned tape Cold Drinks, Hot Dreams is a red-hot recording documenting the core group plus double-bassist Claudio Enriquez performing live in 1980_a delirious improvisation with high peaks and low valleys, sucking in an amalgam of influences including New York loft style, Mexican folk music, and the surrealism of Alejandro Jodorowsky into its heady gravitational pull. Ruiz's playing style is virtuosic and expressive, pulling off monumental chords and using the piano's whole register, recalling Cecil Taylor's percussive approach, Matthew Shipp's emotive voicing, and Duke Ellington's mystifying arabesques. Evry Mann dabbles in polyrhythms in tracks like the solo marimba meditation "Clapping Music II," and Henry West wails heavy in the show-stopping cut "M.D." Now finally available after forty years, the music of Atrás del Cosmos will be sure to stun spiritual jazz veterans and newcomers alike.
Attacker - The God Particle Black Vinyl Edition
Attacker
The God Particle Black Vinyl Edition
LP | 2024 | EU | Original (Cruz Del Sur Music)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Audrey Hall - Groove Situation
Audrey Hall
Groove Situation
7" | 1976 | EU | Reissue (Horus)
13,99 €*
Release: 1976 / EU – Reissue
Genre: Reggae & Dancehall
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Aura Safari - Island Dreams
Aura Safari
Island Dreams
2LP | 2023 | UK | Original (Hell Yeah)
27,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Red hot Italian DJ and production collective Aura Safari is back with a second full-length album, Island Dreams. It lands on Hell Yeah Recordings on September 15th and is another live and sun-kissed odyssey through balmy Mediterranean evenings, gorgeous sundown sessions and funky analogue grooves.

Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni, Nicholas Iammatteo, Lorenzo Francioli, Ruggero Bonucci and Nicola Pitassio are Aura Safari, and between them they play drums, percussion, bass, keys, and guitar. They contributed to the first volume of the Buena Onda compilation in 2020 on this label, a year after serving up a debut album on London's Church Records. Since then they have become ever more entrenched in their local scene in Perugia, playing summer sets at the Umbria Jazz Festival, winter warmers at the legendary Red Zone Club and host their own Tropical Climax parties each month in the town centre.

Aura Safari are also deep-digging music collectors who have extensive and far-reaching tastes. When cooking up their sounds they draw on everything from Afro to Italo, house to disco, 80s boogie to world music, jazz and Balearic beats. This new album shows that once more across four sides of vinyl that sweep you up and transport you to somewhere idyllic.

The title track kicks off with steamy Mediterranean grooves embellished with lush Rhodes chords and sprinkles of cosmic magic. 'Sur Mon Balconnet' then slips into dubbed-out disco territory with 80s synths and leggy drums while 'Riserva Naturale' is a new-age jazz house sound with majestic lead synths and heart-melting chords that speak of a sunset dance on the beach. 'Onda' has squelchy boogie bass with hip-swinging drums, 'Wave Riding' is a lo-fi funk excursion with hints of West Coast Californian swagger and 'Magic Malbe' is loose-limbed Balearica with clear blue skies and blissed-out chords.

'Dancing in the Moonlight' feat. Zeke Manyika has all the vibrant feelings of bubblegum pop with Afro vocals and steel drum sounds next to rich xylophone sounds. There is plenty of heat and exotic charm to the proto-Afro house of 'Tropical Climax' and as well as dub versions of 'Sur Mon Balconnet' and 'Dancing in the Moonlight' come the scuffed-up Dam-Funk style beats and boogie of 'Disco Mantra' before closer 'Patagonia' shuts down with elastic drums and bass and playful synth leads that send you home wanting more.

Island Dreams is a tropical escape to a rich world of fusion sounds that look back to go forwards. It's a feel-good record to accompany hot nights and lazy afternoons, cocktails at dusk and dancing till dawn.
Aura Safari - Lagos Connect Feat Villy
Aura Safari
Lagos Connect Feat Villy
12" | 2021 | EU | Original (Hell Yeah)
13,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Automat & Max Loderbauer - Verstärker
Automat & Max Loderbauer
Verstärker
12" | 2015 | DE | Original (Selekt)
11,99 €*
Release: 2015 / DE – Original
Genre: Electronic & Dance
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Automat and Max Loderbauer open proceedings on the new SELEKT label quite masterfully with an auspicious 4 track EP - Verstärker / Hall / Kompressor / Echo. How did this come about? Automat, busy recording their second album, came across Max Loderbauer in
Automatic - Excess Black Vinyl Edition
Automatic
Excess Black Vinyl Edition
LP | 2022 | CA | Original (Stones Throw)
28,99 €*
Release: 2022 / CA – Original
Genre: Rock & Indie
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Automne Six aka Philippe Poirier & Stefan Schneider - Automne Six
Automne Six aka Philippe Poirier & Stefan Schneider
Automne Six
LP | 2022 | DE | Original (Tal)
22,99 €*
Release: 2022 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Original inner sleeve. Tiny wear.
Automne Six - Automne Six
Automne Six
Automne Six
LP | 2022 | EU | Original (TAL)
25,99 €*
Release: 2022 / EU – Original
Genre: Pop
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First ever vinyl edition of this one off collaboration between Philippe Poirier (Kat Onoma) and Stefan Schneider (to rococo rot / Tal) which was initiated by La Batie - Festival de Geneve, in 2002. The original recordings of the album took place the same year at Bleibeil Studios, Berlin. Engineered by Bernd Jestram. Restauration and mastering by Detlef Funder at Paraschall, Düsseldorf in 2022.

"19 or 20 years, what difference does it make if the beautiful things in life are able to transport us back to Year Zero - again and again. The moment when this album was created. It is the timeless horizon that motivates the artist. “Dad, what’s the line doing there ?” - a good start for a story. Philippe Poirier and Stefan Schneider recount tales of slow travel, far beyond the known continents. The adventures of a certain Corto Maltese, mysterious love stories in long forgotten harbours. A love that creates its own time, just like a chess game, an ocean liner or propeller airoplanes. The enthusiasm for cartography which Philippe Poirier and Stefan Schneider share, time and again, similar to dream. The dream of an idea, of exploration, of finding. The first lines of a drawing that become the great painting. The sequences and the words which design a world in its own right. A tremendous reservoir and my old friend knows that there is an ideal companion for every journey. This time Philippe Poirier is a narrator who finds a sound like sand flowing through fingers and who knows how deep each object accompanies each love. Les Choses de la Vie." Detlef Weinrich (tolouse low tax), Paris 2021
Axel Holy & Marka San - Chess
Axel Holy & Marka San
Chess
7" | 2023 | UK | Original (rx:tx)
12,99 €*
Release: 2023 / UK – Original
Genre: Hip Hop
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Axel HolyandMarka Sandeliver three songs off their first collaborative effort, the Chess (ep), available on limited 7" vinyl. "Strange World," "Parlez Vous," and "Chess," are the first offerings from the pair's EP.
All 7" include a free download code for the full EP.
The full6-track features six original tracks with an incredible amount of depth: grime, hip-hop, and trap. Axel Holy delivers gritty UK grime vocals over Marka San's dark post-apocalyptic atmospheric soundscapes.
Bouncing nitty gritty beats and rhythms between Ljubljana and Bristol, Axel Holy and Marka San's goal of a small EP quickly turned into 20-plus songs. The duo handed the songs over to their label,rx:tx, to finalize the track list of what would become theChess (ep).
Make sure you check out this exclusive 3-track release from Axel Holy and Marka San's upcomingChess (ep). Don't miss out, get yourself a limited vinyl while supplies last!
Axodry - Loosing You Blue Vinyl Edition
Axodry
Loosing You Blue Vinyl Edition
12" | 1991 | EU | Reissue (DBH Music)
13,99 €*
Release: 1991 / EU – Reissue
Genre: Electronic & Dance
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Axodry was founded in Frankfurt am Main in 1983 , the founding members were Talla 2xlc and RaHen aka Ralf Henrich. The first release Feel It Right was a success (see also Sound of Frankfurt ). RaHen and Talla 2xlc composed and programmed the debut song in RaHen's home studio . The Westside label made the final production possible in Axel Henninger's Dynaton Studio. There RaHen later produced the songs Surrender and The Time Is Right as well as many other songs and bands for Westside with Axel Henninger . At times Kurt Ader and Alexander Maurus were part of the band. The Music Hall concert in Frankfurt am Main took place in this line-up.
Azar Lawrence - Shadow Dancing Black Vinyl Edition
Azar Lawrence
Shadow Dancing Black Vinyl Edition
LP | 1985 | US | Reissue (Tidal Waves Music)
19,99 €*
Release: 1985 / US – Reissue
Genre: Organic Grooves
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Saxophonist Azar Lawrence (born 1952) needs little introduction, as a young musical prodigy he was lovingly tutored by his mother, who taught music and led their church choir. At age 5, he played violin in the Los Angeles Junior Symphony, then viola, but his ears were turned to the saxophone at age 13. Azar spent his teen years immersed in jazz at the home of his best friend, none other than the late Reggie Golson, son of the great composer/arranger/saxophonist, Bennie Golson. From then on it was jazz, jazz and more jazz!

Azar Lawrence began his jazz career at the renowned Dorsey High School Jazz Workshop. After high school he played in Horace Tapscott's ‘Pan Afrikan Peoples Arkestra’ and started performing in the Los Angeles club circuit. He soon found himself playing with the Ike & Tina Turner band, the Watts 103rd Street Band and War. At the age of 19, Azar joined John Coltrane’s drummer Elvin Jones for over 3 years before being invited by McCoy Tyner to join his quartet (an alchemy that lasted for 5 exuberant years). During his tenure with Tyner, he also recorded with Miles Davis on the album Dark Magus at the famed Carnegie Hall.

Upon leaving Tyner, Azar Lawrence recorded his own projects on Prestige Records, including Bridge Into The New Age (1974), Summer Solstice (1975) and People Moving (1976). After these three albums it would take over a decade before Mr. Lawrence would record another solo album (Shadow Dancing, released in 1985). Azar went on to record/write and perform with luminaries such as Freddie Hubbard, Busta Rhymes, Roberta Flack, The Headhunters and Mulatu Astatke. His sensational collaborations of the period included writing and performing on Earth Wind & Fire’s highly acclaimed platinum album, Powerlight, and on Marvin Gaye’s Grammy award winning, Hear My Dear. Azar Lawrence’s work was sampled by renowned artists/acts from the likes of Madlib, Cypress Hill…and many others.

In the early 2000s, Lawrence surged back onto the jazz scene and continues to electrify audiences with outstanding original compositions and chart hitting albums. His band, The Azar Lawrence Experience (tale) appears with as many as eight musicians who sizzle to the sounds of Azar's powerful compositions, as well as songs from the Coltrane songbook. To this day Tale dedicates itself to sharing a lifetime of Azar Lawrence’s music, art and spirituality with global audiences.

On the album Shadow Dancing (released in 1985), which we are proudly presenting you today, you can hear the musical versatility only an artist like Azar Lawrence can deliver. Next to his trademark jazz sound, this album is filled with funk, soul and boogie influences. If you’re looking for THE perfect mix of synth filled boogie & jazz-funk where the Sax takes the center stage…then this is a highly recommended gem for your record collection (and a must-have for seekers of rare grooves).

Also featured on these recordings are some serious all-star guest musicians from the likes of Oren Waters (Herbie Hancock, Curtis Mayfield), Roy Galloway (Jimmy Cliff, Gladys Knight), Fred Johnson (The Temptations, George Clinton), James Gadson (Bill Withers, Quincy Jones), Leo Nocentelli (The Meters, Maceo Parker), Marlo Henderson (Gil Scott-Heron, Ahmad Jamal), Denzil Miller (Kurtis Blow, Diana Ross) and Eddie Brown (Stevie Wonder, Dennis Coffey).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released in 1985 on Riza Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.
Azar Lawrence - Shadow Dancing Clear Vinyl Edition
Azar Lawrence
Shadow Dancing Clear Vinyl Edition
LP | 1985 | US | Reissue (Tidal Waves Music)
32,99 €*
Release: 1985 / US – Reissue
Genre: Organic Grooves
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Saxophonist Azar Lawrence (born 1952) needs little introduction, as a young musical prodigy he was lovingly tutored by his mother, who taught music and led their church choir. At age 5, he played violin in the Los Angeles Junior Symphony, then viola, but his ears were turned to the saxophone at age 13. Azar spent his teen years immersed in jazz at the home of his best friend, none other than the late Reggie Golson, son of the great composer/arranger/saxophonist, Bennie Golson. From then on it was jazz, jazz and more jazz!

Azar Lawrence began his jazz career at the renowned Dorsey High School Jazz Workshop. After high school he played in Horace Tapscott's ‘Pan Afrikan Peoples Arkestra’ and started performing in the Los Angeles club circuit. He soon found himself playing with the Ike & Tina Turner band, the Watts 103rd Street Band and War. At the age of 19, Azar joined John Coltrane’s drummer Elvin Jones for over 3 years before being invited by McCoy Tyner to join his quartet (an alchemy that lasted for 5 exuberant years). During his tenure with Tyner, he also recorded with Miles Davis on the album Dark Magus at the famed Carnegie Hall.

Upon leaving Tyner, Azar Lawrence recorded his own projects on Prestige Records, including Bridge Into The New Age (1974), Summer Solstice (1975) and People Moving (1976). After these three albums it would take over a decade before Mr. Lawrence would record another solo album (Shadow Dancing, released in 1985). Azar went on to record/write and perform with luminaries such as Freddie Hubbard, Busta Rhymes, Roberta Flack, The Headhunters and Mulatu Astatke. His sensational collaborations of the period included writing and performing on Earth Wind & Fire’s highly acclaimed platinum album, Powerlight, and on Marvin Gaye’s Grammy award winning, Hear My Dear. Azar Lawrence’s work was sampled by renowned artists/acts from the likes of Madlib, Cypress Hill…and many others.

In the early 2000s, Lawrence surged back onto the jazz scene and continues to electrify audiences with outstanding original compositions and chart hitting albums. His band, The Azar Lawrence Experience (tale) appears with as many as eight musicians who sizzle to the sounds of Azar's powerful compositions, as well as songs from the Coltrane songbook. To this day Tale dedicates itself to sharing a lifetime of Azar Lawrence’s music, art and spirituality with global audiences.

On the album Shadow Dancing (released in 1985), which we are proudly presenting you today, you can hear the musical versatility only an artist like Azar Lawrence can deliver. Next to his trademark jazz sound, this album is filled with funk, soul and boogie influences. If you’re looking for THE perfect mix of synth filled boogie & jazz-funk where the Sax takes the center stage…then this is a highly recommended gem for your record collection (and a must-have for seekers of rare grooves).

Also featured on these recordings are some serious all-star guest musicians from the likes of Oren Waters (Herbie Hancock, Curtis Mayfield), Roy Galloway (Jimmy Cliff, Gladys Knight), Fred Johnson (The Temptations, George Clinton), James Gadson (Bill Withers, Quincy Jones), Leo Nocentelli (The Meters, Maceo Parker), Marlo Henderson (Gil Scott-Heron, Ahmad Jamal), Denzil Miller (Kurtis Blow, Diana Ross) and Eddie Brown (Stevie Wonder, Dennis Coffey).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released in 1985 on Riza Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.
B.H.P. (Black Hole Posse) - Eastbound Black Vinyl Edition
B.H.P. (Black Hole Posse)
Eastbound Black Vinyl Edition
2LP | 1998 | US | Reissue (Mint Underground)
52,99 €*
Release: 1998 / US – Reissue
Genre: Hip Hop
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B.H.P. (Black Hole Posse) is a legendary Denver, Colorado based rap group which consists of AK Love and O.G. Glide. This is there album titled, "Eastbound". The production on Eastbound is superior to most albums from the late 1990's. The "Nightfall" introduction is reminiscent of a Sade sound. Other songs like "The Block", "Scrilla", "Ride With Me" and "Niggas Be Hatin'" are solid hardcore gangster tales over laid back G-Funk Rhythms. Then there's tracks with versatile lyricism over being conveyed over dark and hard hitting gangster funk beats such as "Lyrical Twist", "Is There A Place", and "Valley Of Death". Let's not forget the mob style tale song's that even the women can get with like "Ballin'" and "Lover & Friend". There's also a club banger in "All Nite". This album is full of pure dopeness for you eardrums! We highly recommend this album to all Hip Hop enthusiasts.
B.H.P. (Black Hole Posse) - Eastbound Clear Vinyl Edition
B.H.P. (Black Hole Posse)
Eastbound Clear Vinyl Edition
2LP | 1998 | US | Reissue (Mint Underground)
45,04 €* 52,99 € -15%
Release: 1998 / US – Reissue
Genre: Hip Hop
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B.H.P. (Black Hole Posse) is a legendary Denver, Colorado based rap group which consists of AK Love and O.G. Glide. This is there album titled, "Eastbound". The production on Eastbound is superior to most albums from the late 1990's. The "Nightfall" introduction is reminiscent of a Sade sound. Other songs like "The Block", "Scrilla", "Ride With Me" and "Niggas Be Hatin'" are solid hardcore gangster tales over laid back G-Funk Rhythms. Then there's tracks with versatile lyricism over being conveyed over dark and hard hitting gangster funk beats such as "Lyrical Twist", "Is There A Place", and "Valley Of Death". Let's not forget the mob style tale song's that even the women can get with like "Ballin'" and "Lover & Friend". There's also a club banger in "All Nite". This album is full of pure dopeness for you eardrums! We highly recommend this album to all Hip Hop enthusiasts.
Bad Religion - The New America (Remastered Edition)
Bad Religion
The New America (Remastered Edition)
LP | 2010 | EU | Reissue (Epitaph Europe)
23,99 €*
Release: 2010 / EU – Reissue
Genre: Rock & Indie
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Badawi - The Book Of Jinn
Badawi
The Book Of Jinn
LP | 2023 | EU | Original (Penny)
16,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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“Ghost Producer” aka Badawi (aka Raz Mesinai aka Bilal ibn Yakub al-Badawi) is a prolific producer and artist whom has been on the forefront of underground experimental jazz and electronic music scenes around the world for over thirty years, with a massive catalog of genre defying albums on such legendary labels as Roir, Asphodel and Tzadik under various monikers dating back to the late 1980’s. Ghost Producer released his first albums starting in the late 80’s under the monikers “Psy Co.” and “Ruff Riddim Productions”, selling his cassette tapes in NYC, he produced, on average, at least one album per week since 1988 till present day. One of the twenty or so monikers was “Badawi”, later being signed to Roir Records and releasing the seminal experimental dub, punk albums “Bedouin Sound Clash” and later “The Heretic of Ether” on Asphodel. Spending time as a child between Occupied Jerusalem, the West Bank (Balata) and New York City (Rock Steady Park) during the height of the B-Boy era in the 70s and 80s informed Ghost Producer’s singular sound of heavy driving Sufi rhythms, sonic experiments, percussion, piano playing and sound design which has connected him to a wide variety of artists ranging from Maryanne Amacher to John Zorn, to added elements of darkness to music by such artists as Hanz Zimmer (Black Hawk Down) and rappers Danny Brown (Pneumonia) and Skepta and Double D (Don) among many others. At age 14, Ghost Producer was discovered by visionary jazz and rock musician, Juma Sultan (Jimi Hendrix) whom later trusted Ghost Producer with producing the archive of over 2000 hours from recordings from “Studio We” and the Free Jazz Loft Movement in NYC in the 60s and 70s. As a composer, he has worked with Kronos Quartet and has had premiers at Carnegie Hall (Cross Fader, The Echo of Decay) and Lincoln Center (String Quartet For Four Turntables). In addition, Ghost Producer has released several albums on John Zorn’s Tzadik label, where he explored producing to the books of Franz Kafka (Before The Law, Resurrections for Goat Skin, Cyborg Acoustics) As a composer for film, he coined the term “score design” to describe his work in conceiving and producing scores for films with particularly demanding needs, working on such films as A Late Quartet (director Yaron Zilberman composer: Angelo Badalamenti), The Fountain, Black Swan and The Wrestler (Darren Aronofsky/Clint Mansel), Black Hawk Down (Ridley Scott/Hans Zimmer) and many more. In 2014, he was awarded as a fellow in the Sundance Composers Lab. In 2015, Ghost Producer formed the “Underground Producers Alliance”, a unique program for developing producers, performers and composers, with co-founders Scotty Hard (Wu Tang Clan, Medeski Martin and Wood, De La Soul), HPrizm aka High Priest (Anti Pop Consortium), Honeychild Coleman (the 1865, The Slits) and Prince Paul (Jungle Brothers, De La Soul), where Ghost Producer produces entire albums with student participation in his master course on production “The Ghost Program”. This album, The Book of Jinn, is one of many productions done within the course, featuring players/mentors Juma Sultan (percussion), Chandenie (voice) and Shahzad Ismaily (electric bass), with additional student participation from Adam Culbert and Jonah Sollins (aka Goodnight 1500) on synths and percussion as well, then all remixed and rearranged by Badawi into what you hear here, The Book of Jinn.
Bakers Of The Holy Bread - The End Of A Cold Experience
Bakers Of The Holy Bread
The End Of A Cold Experience
Tape | 2022 | EU | Original
17,99 €*
Release: 2022 / EU – Original
Genre: Hip Hop
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Bakers Of The Holy Bread from Umeå, Sweden, was composed in the 1990s by David Lenneman, Göran Lindhof and Tobias Addo. This trio are some of Sweden's early hip hop pioneers and Return Of Boom Bap Records will drop "The End Of A Cold Experience" in its entirety on vinyl now, 27 years later. Produced by the Swedish dream-team Pete W & P Collén and features by Field Nigga Soup from New York.



Limited to only 300 copies on double vinyl, including inlay and an extra bonus track called "Underground Funk"!
Bakers Of The Holy Bread - The End Of A Cold Experience Colored Vinyl Edition
Bakers Of The Holy Bread
The End Of A Cold Experience Colored Vinyl Edition
2LP | 1995 | EU | Reissue
37,99 €* 39,99 € -5%
Release: 1995 / EU – Reissue
Genre: Hip Hop
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Bakers Of The Holy Bread from Umeå, Sweden, was composed in the 1990s by David Lenneman, Göran Lindhof and Tobias Addo. This trio are some of Sweden's early hip hop pioneers and Return Of Boom Bap Records will drop "The End Of A Cold Experience" in its entirety on vinyl now, 27 years later. Produced by the Swedish dream-team Pete W & P Collén and features by Field Nigga Soup from New York.



Limited to only 300 copies on double vinyl, including inlay and an extra bonus track called "Underground Funk"!
Banco Del Mutuo Soccorso - Come In Un'ultima Cena
Banco Del Mutuo Soccorso
Come In Un'ultima Cena
LP | 1976 | EU | Reissue (Universal Music)
40,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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Banco Del Mutuo Soccorso - ...E Via Yellow Vinyl Edition
Banco Del Mutuo Soccorso
...E Via Yellow Vinyl Edition
LP | 1985 | EU | Reissue (Catalog)
31,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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Banco Del Mutuo Soccorso - Io Sono Nato Libero Green Vinyl Edition
Banco Del Mutuo Soccorso
Io Sono Nato Libero Green Vinyl Edition
LP | 1973 | EU | Reissue (RCA)
55,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Banco Del Mutuo Soccorso - Orlando: Le Forme Dell'amore
Banco Del Mutuo Soccorso
Orlando: Le Forme Dell'amore
2LP+CD | 1972 | EU | Reissue (Insideoutmusic)
31,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Banco Del Mutuo Soccorso - OST Greggio E Pericoloso
Banco Del Mutuo Soccorso
OST Greggio E Pericoloso
LP | 2024 | EU | Original (AMS)
30,99 €*
Release: 2024 / EU – Original
Genre: Soundtracks
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Band Of Holy Joy - Dreams Take Flight
Band Of Holy Joy
Dreams Take Flight
LP | 2021 | EU | Original (Tiny Global Productions)
26,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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The Apotheosis Of Band Of Holy Joy's Bile Toward Today's Pathetic State Of Affairs Will Be Released Shortly - A Blistering Remix Of "The Devil Has A Hold On The Land" From Their Last Album, Neon Primitives. Remixed By Youth (Killing Joke Bassist, Paul Mccartney Collaborator, Producer Of Melanie C And U2!), Who Was So Taken By The Song As To Remix It Gratis, The Remix Will Be Part Of A Series Of 23 Discrete 7" 45s By Jon Langford Of The Mekons And An Assortment Fellow Travellers From Around The Globe. Dreams Take Flight Transitions From Political Discourse Into A Post-Virus Rebirth Of Human Relationship And The Inevitable Fumblings Of The Society's Psychological Reconstruction Over The Forthcoming Year. Have You Ever Wondered What Purpose Your Joy Or My Pain? All Those Moments Shared Together To Be Washed Away By The Rain . . . Have You Ever Doubted Our Super Hipster Being Love-In At All? Just A Pair Of Urbane Fools Passing Through Waiting For Our Call . . . Take A Leap Into The Great Unknown. Almost Perversely Heart-On-Sleeve, Johny Brown And Compatriots Have Never Fitted Well Within A Particular Scene - Nor Have They Ever Seem To Try. Although Recorded Under The Existence Of Quarantine And A Healthy Amount Of Paranoia, In Search Of The Joy Of Greatly Hindered Collaboration, The Band Has Opted To Turn Over Each Song To A Different Visionary Video Artist For An Exhibition Which Will Take Place For A Week At London's Gallery 46 Beginning At The End Of February And Open To The Public. The Video Exhibition Will Subsequently Be Available Online, Before The Album's Release.While Still Featuring Some Of The Band's Strongest Songs, Dreams Take Flight Has A Strange Film-Like Ambience In Parts, Almost As If Planned As A Soundtrack, A Thought Mirrored In Inga Tillere's Sublime, Dream-Like Sleeve, Best Seen In Real Life. "A Leap Into The Great Unknown" And "Notes From A Gallery" Will Likely Be Heard As Too Disarmingly Direct For Radio, And The Videos Will Likely Never See The Entry Door To Mtv, But Dreams Tak...
Band Of Holy Joy - Fated Beautiful Mistakes
Band Of Holy Joy
Fated Beautiful Mistakes
LP | 2023 | EU | Original (Tiny Global Productions)
29,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Early Band Of Holy Joy existed somewhere on the cut-up side of proto-industrial music, resting between Marc Stewart & Maffia, Sonic Youth, and Current 93, and proponents of a more romantic musical language - Virginia Astley, Dead Can Dance and Cocteau Twins among them - all artists whose work BPHJ's music sat comfortably alongside across on a stream of low-budget vinyl and cassette compilations after the start of the eighties. A great leap in polish led to a deal with Rough Trade and several early '90s albums which flirted with the mainstream, with BOHJ almost an odder, less obvious cousin to Dexys Midnight Runners. When these releases failed to take off as hoped, lost years followed on smaller labels and self-released projects, until the renewed urgency of the 2016 Brutalism Begins At Home EP and increasingly majestic albums on which saw leader Johny Brown's lyricism enter a new phase. The common thread through BOHJ's four decades of recordings is the foundational warmth and humanity of Brown's words. The band's earliest recordings seemed garnered from street-level observations of neighbourhood people and sights. By the time of near-hit "Tactless", their songs - whatever the underlying impulses may have been - had become immediate enough to overcome the mystery of a line like "Do you remember the swan that was shot in the park?" Over each of their last three albums - Funambulist We Love You, Neon Primitives and Dreams Take Flight - BOHJ has bettered itself, and may now have reached their apex, Fated Beautiful Mistakes. We live in a time of generally justifiable gloom and awkward uncertainty. So it may appear cavalier to claim this album sounds revelatory in that context, but Band Of Holy Joy's strengths rest largely in Johny Brown and the band's ability to capture a wider societal feeling. One listen to the escapist fantasy of "Our Flighty Season Under The Flighty Sun" and its slightly-haunted ending speaks volumes beyond most of what passes for music in 2023, and it's just one of many perfect moments on this album.
Baptisma - Pes EP
Baptisma
Pes EP
12" | 2018 | EU | Original (Disk)
15,99 €*
Release: 2018 / EU – Original
Genre: Electronic & Dance
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‘BAPTISMA is 55 years old, lives in Nagoya and runs an art space and concert venue called Spacio Rita. He has never before released any music.

In the hot and humid Japanese summer of 2016 YPY and I played a show at Sapcio Rita, Shintaro was DJing and BAPTISMA played a short show, too. It was impulsive and driving while somewhat earthy and dark, buzzing with dense energy like a jungle yet spacious like the hall of the mountain king.

BAPTISMA’s powerful sound creates strange places - as inviting as shady.
I was captivated. BAPTISMA liked the idea of a release and we embarked on that long journey that finally led to DISK16. Along the trip we proudly welcomed HODGE from Bristol as a stowaway. His unexpected remix well rounding this square project. Finally MARIA MENDES from Lisboa served as our beacon, providing a simple and beautiful jacket for this neat release!’

Florian Meyer / Don’t DJ
Baraka - Psycho
Baraka
Psycho
12" | 2024 | EU | Original (Baraka)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Baraka returns with a fresh Rock infused EP named Psycho. Six new songs blending big beat, drum’n bass and trance with their touch of madness. A powerful piece shaped for the live with a nameless energy from start to finish. Psycho dives the duo into a new sonic and visual universe in which they reveal their alter egos. A more sharpened and distorted sound that would transform a concert hall into a dance floor or build up a club's energy to the level of a punk show. The first single going by the same name is supported by a bonus digital remix from acclaimed dj and producer Roza Terenzi. A way for the duo to push the boundaries of their music and give it a real club aspect, trademark of the band.
Baris K - Valhalla
Baris K
Valhalla
12" | 2022 | EU | Original (Live At Robert Johnson)
14,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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Please welcome Barış Karademir, Istanbul's edit master, DJ, and musician with Insanlar on Live At Robert Johnson!

If you're a person that likes to get up late, Barış's first track »Noon« is the one for you. It sort of sets the mood for the whole EP with a groove that is deep and hypnotic and above all psychedelic. There's tremolo en masse plus these in and out fading voices that suck you into Mr. K's world - all kept together by this steady forward marching Barış beat. Pleasure, joy, and happiness - all in on groove - and not only effective at noon.

»La Dame Noir«'s most prominent feature is a mean bass line - plus more of those otherworldly sounds that Barış manages to pull out of his magician's hat while creating a superb shuffling riddim for all you dancers to shuffle along to, throwing in that oh so subtle triangle now and then.

With the last track »Valhalla«, Barış enters the mythological place of Asgard, where Valhalla, Odin's hall of the slain can be found in his Glaðsheimr castle. That kinda sounds a bit archaic and dark but don't be afraid: where there is shadow there is also light - light which can be heard in the first opening lines, lines that do sound a bit like played by our favorite shoegazer band "My Bloody Valentine". To get to Valhalla, Barış accelerates the tempo by a couple of beats, yet throws in all trademark ingredients to cook up a tune for peak time dancing in Valhalla … erm … I mean in the club.

So yes, please let us invite you to Barış K's wonderful world of sound - you won't regret it.
Bastions - Bedfellows Part 1: The Bastard Son
Bastions
Bedfellows Part 1: The Bastard Son
12" | 2013 | UK | Original (Holy Roar)
16,99 €*
Release: 2013 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Green Glass vinyl
Battra - 2014-2017
Battra
2014-2017
LP | 2023 | EU | Original (Phantom)
20,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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BBNG (BadBadNotGood) - IV White Vinyl Edition
BBNG (BadBadNotGood)
IV White Vinyl Edition
LP | 2016 | EU | Reissue (Round Hill)
29,99 €*
Release: 2016 / EU – Reissue
Genre: Organic Grooves
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Beastie Respond - Syncopy
Beastie Respond
Syncopy
12" | 2011 | DK | Original (Teal)
6,99 €*
Release: 2011 / DK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
close to NM
Beatconductor - Gatt 1-5
Beatconductor
Gatt 1-5
5x7" | 2024 | US | Original (Gatt)
46,99 €*
Release: 2024 / US – Original
Genre: Electronic & Dance
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Limited collection of the five Gatt 7" releases at a special price. The prolific Swedish mashup maestro remixes cuts from TOM Petty, Donna Summer, Beyonce, Mariah Carey, Hall & Oates, Whitney Houston, Stevie Wonder, Rolling Stones and more. Fans of his releases on Gamm and Soundscape will love these. “FINGER ON THE TRIGGER” is arguably worth it all by itself.
Beatconductor - Gatt003
Beatconductor
Gatt003
7" | 2022 | US | Original (Gatt)
15,99 €*
Release: 2022 / US – Original
Genre: Electronic & Dance
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Mariah CAREY's diva vocal gets a proper retro revamp over a synth heavy classic on "human Emotions". It'll be hard not to smirk when this comes on A totally recontextualized Fab 4 deep cut gets reworked on the B-Side. McCARTNEY vs. a very spaced out Hall & Oates classic.
BEC - Solitude
BEC
Solitude
12" | 2022 | EU | Original (Second State Audio)
11,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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Becky Hall - A Tribute To Bessie Smith
Becky Hall
A Tribute To Bessie Smith
LP | 1958 | US | Original (AAMCO)
12,99 €*
Release: 1958 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
tears in spines
Becky Hill - Believe Me Now Beige
Becky Hill
Believe Me Now Beige
LP | 2024 | Original (Polydor)
25,99 €*
Release: 2024 / Original
Genre: Pop
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Bedouin Soundclash - Mass Black Vinyl Edition
Bedouin Soundclash
Mass Black Vinyl Edition
LP | 2019 | UK | Original (Mr Bongo)
17,99 €*
Release: 2019 / UK – Original
Genre: Reggae & Dancehall
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Nearly a decade since their last record, Jay Malinowski and Eon Sinclair better known as duo Bedouin Soundclash, return with their fifth studio album ‘MASS’ to be released Oct. 4th via Mr Bongo.
While pulling from their old catalogue of eclectic post-punk world-beat tendencies, the band journeys further into New Orleans jazz, afro-pop, electronic and gospel on their latest offering, reflecting a creative rebirth influenced by the cities and musicians that surrounded them. Co-produced by Bedouin Soundclash and legendary Philadelphia House DJ King Britt, along with musical direction from Ben Jaffe of Preservation Hall, ‘MASS’ spans two communities, recorded at Marigny Studio’s in New Orleans with the Preservation Hall Jazz Band, and in Vancouver at St. James Church with the children of the St. James Music Academy.
Mirroring the magnetic energy of New Orleans, ‘MASS’ is a dense sonic journey that incorporates an impressive array of musical influences including Big Band swing to New Orleans jazz, pop, electronica, and more. From the post-punk-soca of album opener ‘Salt Water’, the jangling Big Band swing-pop of recent single ‘Clockwork’, to the Talking Heads-channelling ‘When We’re Gone’, and the dubbing afro-pop gospel of ‘Holy’ that features Mike Dillon distorting his marimbas into another sonic dimension, ‘MASS’ is jam-packed with infectious melodies and summery feel-good vibes.
Bedouin Soundclash - Mass Pink Transparent Vinyl Edition
Bedouin Soundclash
Mass Pink Transparent Vinyl Edition
LP | 2019 | UK | Original (Mr Bongo)
17,99 €*
Release: 2019 / UK – Original
Genre: Reggae & Dancehall
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Nearly a decade since their last record, Jay Malinowski and Eon Sinclair better known as duo Bedouin Soundclash, return with their fifth studio album ‘MASS’ to be released Oct. 4th via Mr Bongo.
While pulling from their old catalogue of eclectic post-punk world-beat tendencies, the band journeys further into New Orleans jazz, afro-pop, electronic and gospel on their latest offering, reflecting a creative rebirth influenced by the cities and musicians that surrounded them. Co-produced by Bedouin Soundclash and legendary Philadelphia House DJ King Britt, along with musical direction from Ben Jaffe of Preservation Hall, ‘MASS’ spans two communities, recorded at Marigny Studio’s in New Orleans with the Preservation Hall Jazz Band, and in Vancouver at St. James Church with the children of the St. James Music Academy.
Mirroring the magnetic energy of New Orleans, ‘MASS’ is a dense sonic journey that incorporates an impressive array of musical influences including Big Band swing to New Orleans jazz, pop, electronica, and more. From the post-punk-soca of album opener ‘Salt Water’, the jangling Big Band swing-pop of recent single ‘Clockwork’, to the Talking Heads-channelling ‘When We’re Gone’, and the dubbing afro-pop gospel of ‘Holy’ that features Mike Dillon distorting his marimbas into another sonic dimension, ‘MASS’ is jam-packed with infectious melodies and summery feel-good vibes.
Bee Gees - Timeless The All-Time Greatest Hits
Bee Gees
Timeless The All-Time Greatest Hits
2LP | 2018 | EU | Original (Universal)
38,99 €*
Release: 2018 / EU – Original
Genre: Pop
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Bees Made Honey In The Vein Tree - Aion Black Vinyl Edition
Bees Made Honey In The Vein Tree
Aion Black Vinyl Edition
2LP | 2023 | EU | Original (Magnetic Eye)
32,19 €* 45,99 € -30%
Release: 2023 / EU – Original
Genre: Rock & Indie
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Bees Made Honey In The Vein Tree - Aion White Vinyl Edition
Bees Made Honey In The Vein Tree
Aion White Vinyl Edition
2LP | 2023 | EU | Original (Magnetic Eye)
46,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Belle Phoenix And The Subterranean Sea - The Glorious Dead
Belle Phoenix And The Subterranean Sea
The Glorious Dead
LP | 2021 | UK | Original (Beast)
21,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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After way too long Belle Phoenix finally steps out of the shadows and exposes, "The Glorious Dead". This is her long anticipated album that's taken snapshots of her journey from Australia via New York and UK to a Finland resident exploring her next challenge. Belle's forte is collecting musicians and spring boarding her honest songwriting with a chosen few band members that weave their influences into time using themes inspired by an investigation into the stories of war, politics, dead-end jobs, failed relationships, and clairvoyant dreams. The Glorious Dead began in New York. Belle was residing in Sydney, she jumped at the chance to work with Mark Plati (Lou Reed/Bowie) leaving behind Australia's, 40 degree days, plunging into a N.Y. winter and recording at Alice's Restaurant where she and Mark worked to capture Belle's vision. From these sessions emerged Livin' Life Blues, Dead Inside! (Lost the dance), Maker Of The Man (inspired by camping in the Nevada Desert) and The Glorious Dead. A return home to Sydney, teaming with Trent Marden (The Holy Soul) brought a dark-country vibe, to Soul Killers. Dancing All The Time, & New York City was Belle's first attempt at producing the tracks at Australia's iconic Albert Music Studio, home of Ac/dc. Always looking for fresh influences and sounds she headed to the UK where she played shows on a regular basis at almost every venue they had. She held down two part time jobs at a laundrette and a burger place but found herself homeless after returning from the Nxne festival in Toronto, where she played shows at Cherry Cola's and The Great Hall. With few options Melbourne Australia, became Belle's next base after meeting Melbourne guitarist, Osker Bickford in London who had played for Tomorrow People and Brian Henry Hooper (Beasts of Bourbon). They recruited Tim O'Shannassy on Drums (Brian Hooper, Paradise Motel, Penny Ikinger) and Andrew McCubbin on Bass for live shows and with the end in sight the band was christened, [1]elle Phoenix and The Subterranean Sea' described by Belle as spawned out of the alchemical, subconscious creative processes which reflect a cathartic, spontaneous capture of inspiration.
Ben Kaczor & Niculin Barandun - Pointed Frequencies
Ben Kaczor & Niculin Barandun
Pointed Frequencies
LP | 2024 | EU | Original (Dial)
26,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-11-15
Ben Kaczor & Niculin Barandun - Pointed Frequencies

mending space entering streams of mist for visible becomes the rays of light, time touches the equilibrium in transition echoes of ephemeral breathing to the floating forest folding futures present wake the dust in obscurity the sea brings, waves of casted silver softly crawls, into moss we sink shallow winds in atoms kissing, harvest nights forgotten lights. strain the end of new beginnings

Carla Patricia Kojich

Ben Kaczor and Niculin Barandun reveal their debut album on Dial Records, dedicated to the healing properties of sound. Pointed Frequencies contains six mesmerizing compositions and comes along with two video shorts by the artist Marie Sutter. The collaboration between Niculin Barandun and Ben Kaczor started in 2022 with a carte blanche for an audiovisual show at Digital Art Festival Zurich. While working on the performance, a common understanding of sound aesthetics emerged and the foundation for the duo’s project was laid. At that time Ben Kaczor studied sound therapy. Niculin Barandun was intrigued by the concept, and it became subject of the album's creation. The intention behind Pointed Frequencies is to explore the therapeutic potential of binaural beats and solfeggio frequencies, providing listeners with a healing experience. These elements are subtly integrated into the recordings, becoming a freeform blend of experimental and ambient music. A contemporary approach suspends the esoteric background common in this field. Instead, the focus is on crafting a unique sound that is appealing to those seeking a more accessible form of musical recreation. With the dynamics of free improvisation, Ben Kaczor and Niculin Barandun create virtuosly interwoven sound structures. Ambient timbres evoke the presence of the room and create an experience of wordless thinking. An immersive journey invites the listener to sense of intimacy and movement. Calmness and contemplation, beauty and melancholy meet unconventional and stochastic scenes of dramatic character. The exquisite visualizations for the live performance as well as two experimental short-films are supplied by artist and director Marie Sutter. Fluid abstractions of light move inside her structural compositions. Sutter’s videos reflect the brooding energy and nascent forms of Pointed Frequencies perfectly. A poem by writer Carla Patricia Kojich is embedded in the titles of the tracks. Artist Inga Danysz created the cover artwork and the graphic design comes by Sandro Weber (Atelier Maeve). Pointed Frequencies marks the 25th anniversary of Dial Records, founded in the winter of 1999/2000. While the label is best known for it’s club-oriented music, Dial has a long tradition in releasing experimental music and ambient, starting with the album by Gluehen 4 (2003) followed by Phillip Sollmann’s Something Is Missing (2006). Recent releases in this regard are Lawrence’s Music For Plants (2020) and Christian Naujoks, Nocturne (2024).
Ben Kaczor - Petrovo Uho
Ben Kaczor
Petrovo Uho
2x12" | 2023 | DE | Original (Dial)
31,99 €*
Release: 2023 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Still in shrink, but opened, with hype sticker
Ben Pest & Kursa - Hide Rate
Ben Pest & Kursa
Hide Rate
12" | 2024 | UK | Original (Love Love)
16,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Love Love host a collaborative release by two of the freshest contemporary Avon producers, Best Pest and Kursa. Kursa (also one half of S.Murk) has built a notable following in the UK as well as in the USA, playing out often at big stateside events with his own style of tight, maximalist bass music - think Tipper, Eprom, Noisia etc… Ben Pest is no stranger to Love Love with 2 previous solo releases under his belt, best known for his crunchy techno & electro and ripping hardware live-sets. Here they come together for a 5 track genre-hopping EP, each flexing their respective production sensibilities, splicing elements of dubstep, grime, hardcore & garage together, along with a healthy dose of multi-dimensional sound design, to make some of the noisiest modern dance music going.

Early support from: Clouds, Giant Swan, Rob Hall, A Made Up Sound, Om Unit, Nikki Nair, Luke Sanger, Deft, Warlock, Second Storey...
Ben Watt - Storm Shelter Black Friday Record Store Day 2021 Edition
Ben Watt
Storm Shelter Black Friday Record Store Day 2021 Edition
LP | 2021 | EU | Original
17,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Originally released earlier this year as stream and download, it is a stripped-back companion piece to Storm Damage; a 6-song piano-vocal set that features covers of Ten City’s That’s The Way Love Is and Sharon Van Etten’s Comeback Kid plus new versions of three songs from Storm Damage, and one from my 2016 album, Fever Dream.

All the songs were recorded in one day at RAK Studios in London a couple of months before the pandemic and are engineered and mixed by Bruno Ellingham.
Benefits - Nails White Vinyl Edition
Benefits
Nails White Vinyl Edition
LP | 2023 | UK | Original (Invada)
27,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Benmont Tench - Nervous From The Fall Black Friday Record Store Day 2019 Edition
Benmont Tench
Nervous From The Fall Black Friday Record Store Day 2019 Edition
7" | 2019 | US | Original (Thinkindie)
12,99 €*
Release: 2019 / US – Original
Genre: Organic Grooves
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Limitation: 400 copies worlwide. RSD limited run. Two covers from Benmont Tench, Live from Rockwood Music Hall in NYC
Bennett Wilson Poole - I Saw A Star Behind Your Eyes, Don't Let It Die Away
Bennett Wilson Poole
I Saw A Star Behind Your Eyes, Don't Let It Die Away
LP | 2023 | UK | Original (Bwp)
19,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Nearly five years on from their acclaimed debut, Bennett Wilson Poole reveal the follow up. It's been a long time coming, but... That eponymous first album was only ever intended as a one-off collaborative project — a serendipitous series of events which began with a late evening session where the trio wrote ‘Hate Won't Win’. A response to the murder of MP Jo Cox, it was something of a fresh take on Crosby Stills Nash and Young’s classic protest song ‘Ohio’. The release saw Bennett Wilson Poole embraced by the Americana community, playing live on the Andrew Marr show and crowned as ‘UK Artist of the Year’ at the 2019 UK Americana Awards, in front of a watching crowd including Graham Nash himself. The new album came together in similar fashion; Robin (Bennett) and Danny (Wilson) started writing new songs late into the night whilst on tour to promote the first record — a tour which unfolded from a three-night residency in a London pub into a year-long odyssey culminating in a headline show in Hall One at King’s Place — and before they knew it, there were enough songs to begin recording an unplanned second album. Where the first record drank deep from 70s US west coast folk-rock, the second has been heavily spiked with 1960s British psychedelia, even featuring a cover by legendary counterculture artist John Hurford (whose credits include 60s artwork for Oz Magazine and International Times).* Tony Poole’s meticulous and inspired production has spun Robin and Danny’s fresh batch of songs into a delicate web of musical delight. Fans of the ‘spot the reference’ game Tony started on the first record won’t be disappointed this time either, as there are plenty more to be found here. As with the first album, the lyrics don’t shy away from current affairs – by the end of that year of touring, the band were already playing “I Wanna Love You (But I Can’t Right Now)”, reflecting on the state of US politics, yet optimistic that the problems are only temporary. Many of the tracks on the new album feature live rhythm section Fin Kenny (drums) and Joe Bennett

(bass) for the first time on a BWP record.

The title of the album comes from the lyrics of ‘Help Me See My Way’, the first single, a prayer for strength in difficult times, the trippy animated video for which was originally issued during lockdown. The dreamy positivity of the line "I saw a star behind your eyes" is tempered with the plea "don't let it die away", a message which feels as important as ever two years on.

All three collaborators have had critical acclaim in their own right. Danny Wilson’s credentials go back to his days in Grand Drive with brother Julian, and his consistent high calibre output with his Champions of the World led them to sweeping the board at the first UK Americana Awards with Album, Artist and Song of the year awards richly deserved; Tony Poole’s Starry Eyed and Laughing were hailed as “the English Byrds” on the back of their two CBS-released albums in the mid-seventies and he has since built an enviable reputation as producer and engineer; Robin Bennett has been relentlessly turning out timeless songs from his Oxfordshire base in bands from Goldrush to The Dreaming Spires
Benny Goodman - The Famous 1938 Carnegie Hall Jazz Concert
Benny Goodman
The Famous 1938 Carnegie Hall Jazz Concert
2LP | 1979 | JP | Reissue (CBS/Sony)
14,99 €*
Release: 1979 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl with a couple of light scuffs
Benny Goodman - The Famous 1938 Carnegie Hall Jazz Concert - Vol. 2
Benny Goodman
The Famous 1938 Carnegie Hall Jazz Concert - Vol. 2
LP | 1956 | US | Reissue (Columbia)
10,99 €*
Release: 1956 / US – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
beppo & Fuzl - Sphäre
beppo & Fuzl
Sphäre
LP | 2024 | EU | Original (Daily Concept)
22,99 €*
Release: 2024 / EU – Original
Genre: Hip Hop
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Beres Hammond - Just A Man Black Friday Record Store Day 2024 Edition
Beres Hammond
Just A Man Black Friday Record Store Day 2024 Edition
LP | 2024 | Reissue (Vp /Harmony House)
TBA
The final price is not yet known.
Release: 2024 / Reissue
Genre: Reggae & Dancehall
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Coming Soon 2024-11-29, 12:00 CET
RSD Exclusive, Limitation: 1500

1979’s Just A Man reveals an early version of lover's rock master Beres Hammond, an R&B/ Disco crooner – and quite a convincing one. This 1979 album presents a who's who of reggae heavyweights and contains the highly-sought-after UK Soul hit “Do This World A Favour,” plus seven other full length and funky tracks that treat listeners to a different side of Beres’ roots.
This newly re-mastered, colored vinyl edition will feature the super-rare “Rolls Royce cover art,” originally released on the Joe Gibbs label. It was produced by Joe Gibbs, arranged by Willie Lindo, and engineered by Errol Thompson. Featured musicians include Val Douglas, Mikey Chung, Dean Fraser, Clive Hunt, Harold Butler, Robbie Lyn, and Pam Hall on vocals.
Bernard Herrman - OST Psycho 180g Colored Vinyl Edition
Bernard Herrman
OST Psycho 180g Colored Vinyl Edition
LP | 2015 | EU | Original (Dol)
15,99 €*
Release: 2015 / EU – Original
Genre: Soundtracks
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Bernard Purdie - Soul Drums Deluxe Edition
Bernard Purdie
Soul Drums Deluxe Edition
2LP | 2018 | US | Original (Nature Sounds)
33,29 €* 36,99 € -10%
Release: 2018 / US – Original
Genre: Organic Grooves
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Bernard Purdie is one of the most well known drummers of all time, and probably the most recorded in history. From his early days as a session player, Purdie rose to become Aretha Franklin’s musical director, did overdubs for The Beatles, and recorded with the likes of Steely Dan, Cat Stevens, Joe Cocker, Hall & Oats, Quincy Jones, Roberta Flack, and James Brown, to name a few. In 1967 he entered a studio with several friends to cut his first solo album, “Soul Drums”. The album was critically acclaimed upon its initial release, only to reach mythical proportions once being rediscovered by DJs and hip-hop producers years later, when it became one of the most sought-after drum LPs among vinyl collectors. “Soul Drums” is now available on vinyl for the first time in years, along with an entire bonus LP comprising Purdie’s long-lost follow-up LP “Alexander’s Rag Time Band”, which was never given a proper release. This deluxe gatefold re-issue also includes liner notes taken from a recent interview with Purdie, plus rare photos from the late 1960s.
Bernard Purdie - Soul Drums Expanded Version
Bernard Purdie
Soul Drums Expanded Version
CD | 2009 | US | Original (Green Streets)
16,99 €*
Release: 2009 / US – Original
Genre: Organic Grooves
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Bernard Purdie is one of the most well known drummers of all time, and probably the most recorded in history. From his early days as a session player, Purdie rose to become Aretha Franklin’s musical director, did overdubs for The Beatles, and recorded with the likes of Steely Dan, Cat Stevens, Joe Cocker, Hall & Oats, Quincy Jones, Roberta Flack, and James Brown, to name a few. In 1967 he entered a studio with several friends to cut his first solo album, “Soul Drums”. The album was critically acclaimed upon its initial release, only to reach mythical proportions once being rediscovered by DJs and hip-hop producers years later, when it became one of the most sought-after drum LPs among vinyl collectors.
Bert Jansch - Bert At The Bbc
Bert Jansch
Bert At The Bbc
4xLP | 2022 | US | Original (Earth)
116,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Bert At the BBC is a comprehensive collection of Jansch's appearances at the BBC, featuring over eight hours (CD box set & vinyl bonus download) of rare and unreleased recordings, including live-on-air spots, studio sessions and full concerts straight from the BBC vaults, delving further into this legendary performer's canon. Bert Jansch was the very essence of folk music, providing inspiration for everyone from Paul Simon and Neil Young to Led Zeppelin and countless folk revivalists. This unparalleled limited-edition compendium is available as a 4xLP and 8xCD set, housed in a coffee-table book set with a lavish 40-page book tracing the recordings from Bert's earliest moments at the BBC. It includes interviews and insights from Lauren Laverne, Jools Holland, Johnny Marr, Jacqui McShee, Bob Harris, Bernard Butler, Mark Radcliffe and many more. Twenty broadcasters, producers and collaborators contribute at length to the booklet, with great affection for this gentle, maverick genius. Bert's BBC legacy remains the most significant and exciting untapped reservoir of his music. The undeniable advantage of recordings made for broadcast is that they were, by their nature, created for public consumption and, barring live-on-air appearances - which might go well or go badly, but were going out either way - were explicitly signed-off by the artist as representations of his art that were good enough to be heard. The set is compiled by Colin Harper, author of Dazzling Stranger: Bert Jansch and the British folk and blues revival (Bloomsbury, 2000), who contributes detailed liner notes to the package. The release is mastered by IFTA award-winning engineer Cormac O'Kane. The vinyl release features 48 tracks on LP and is accompanied by a download card with over six hours of extras spanning 1966-2009, including BBC4's St Luke's concert (2003), and a complete Queen's Hall, Edinburgh concert (2004) for BBC Radio Scotland. It is also available as a special 8xCD set containing all 147 tracks and encased within a coffee-tab...
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