Search "IR" 2329 Items

Release: 1980 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | JP | Reissue (Contemporary)

Phineas Newborn Jr.

A World Of Piano !

Release: JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2024 | EU | Original ()

Mikkel Rev

Ocean EP

14,99 €*

LP | 2024 | Original (We Are Busy Bodies)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Introducing Airways, Alpha Tracks’ new record label, crafted to be an ultra-inclusive platform that celebrates the full spectrum of electronic music.

Airways is a space for experimentation, where fresh and unexplored visions can thrive. It’s an auditory stage for musical ideas in all forms—a place where genre boundaries dissolve, and connections emerge between diverse musical tastes.

Kicking off this new era, the label debuts with a stunning masterpiece from Scandinavian trance artist and avant-gardist Mikkel Rev.

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Midi Janitor

Holy To Dogs

33,99 €*

Queen Omega & Chezidek / Irie Ites

Release: 2024 / Original

Genre: Electronic & Dance

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Using only a scavenged MIDI keyboard and sounds plundered from a wide swath of archaic media (90’s sampler CDs, 80s VHS docs, 70s student films) musician Jonathan Orr creates startlingly accomplished slabs of thick, lo-fi electro that shimmer and pounce like nothing else on the Vancouver scene. As on his previous release (2023's 'Bulk Order') the spiritual template here is the early unreleased tapes of Scotland’s Boards of Canada, particularly the twin holy grails of 'A Few Old Tunes Vol 1 & II', but this time around things feel noticeably weirder and more destabilized, as if that template were cracking apart under the weight of older, less definable influences.

The title of the album is taken from the Gospel According to Thomas: “Give not that which is holy to dogs, in case they throw it onto the dunghill.” Reading the text on the verge of sleep, Orr had mistakenly understood it as pertaining not to ‘holy things,' but instead to things which were specifically ‘holy to dogs.’ What would such things be? Orr pictured a shrine of objects not valued by the world; garbage, refuse, decay, the discarded. Things forgotten or only half-remembered, like the rusted bones of ancient cities or the clips of dead media entombed on his hard drive.

'Holy to Dogs' charts a weaving course through this narcoleptic vision, from the bright epiphany of ‘Petroglyph Park’ to the blackened repetition of ‘Roman Concrete’, the eerie momentum of ‘Split Foot,’ and the rhythmic hypnosis of ‘Far Speak’; each track building on the last in a series of audio snapshots of lost worlds, forgotten rituals, and discarded histories. An absolutely essential release from one of Vancouver’s brightest (and darkest) lights.

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Kill Dem / Dub

7" (Irie Ites)

Genre: Reggae & Dancehall

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12" | 2024 | UK | Original (Find Your Own)

Ceri

Can't Pay My Bills EP

12" | 2024 | EU | Original (X Erie)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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THE Remixes ARE Vinyl Only!
With Early DJ support from:
Kerri Chandler, Luke Una, Muallem, Eliza Rose, Chloe Caillet, Cassy, DJ Seinfeld, Skream, The Carry Nation, Samuel Deep, Enzo Siragusa, Djebali, Alison Swing, Fred P, Gerd, Nightmares on Wax, Jamie Jones, Radio Slave, Tsha, Moxie, Lakuti, Sarah Story and more...
From London to Ibiza via Berlin, inspired by Chigago and Detroit, Ceri finds her truth in proper house music. 'Can't Pay My Bills' EP provides a message of hope during uncertain times. Acknowledged as a "rising selector" by Crack Magazine, producer, label boss and record digger Ceri steps into 2024 with a brand-new EP 'Can't Pay My Bills" via her imprint "Find Your Own Records". "The title track is inspired by the current economic situation in the world, and also features a positive message that reflects the values and true origins of house music, reinforcing the belief that we can overcome our circumstances and improve our situation" - Ceri The new four track EP drips with Chicago, New York and Detroit jackin' house with garage influence, and a sprinkle of ripping UK breakbeat for good measure.
The people's producer D'Julz steps up, on remix duties, contributing not one but two remixes to the label's ongoing message of artist authenticity and collaboration. The remixes will be vinyl only, and the originals will see a digital release later in the year. "I have collected D'Julz music for many years, his label started around the same time I started DJing, and it was and still is, one of the few labels that I buy on sight. I know it will always be quality. Something I aspire to do with my label too."– Ceri.
As an artist led label 'Find Your Own Records' has become a home for genuine house legends Mr G, Fred P, Alex Arnout, and has rightly gained support from Mixmag, Resident Advisor, BBC Radio 1, BB6Music and BBC1Xtra. Support for the label so far comes from the likes of: Midland, Ben UFO, Move D, K-hand, Fumiya Tanaka, Fred P, Paranoid London, Steve O'Sullivan, Tristan Da Cunha, Ryan Elliot, Lakuti, DJ Deep, Kerri Chandler, Chloe Caillet, Fred P, Jeremy Underground, Cici, D'Julz, Chez Damier and more… As a DJ Ceri has performed marathon sets at Fabric, Corsica Studios, Pikes Ibiza, Thisishaven, and recently made her debut at the legendary Panorama Bar/Berghain. Confidently sharing the booth with club favourites Ryan Elliot, Jeremy Underground, Paranoid London and Objekt it's certain the next year of live shows will be ones to remember for the UK artist.

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V.A.

X Erie 08

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Greatest Hits Marbled Numbered Vinyl Edition

LP | 1983 | Reissue (Magic Of Vinyl)

24,99 €*

Release: 1983 / Reissue

Genre: Rock & Indie

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LP | 1983 | JP | Original (Arista)

Greatest Hits

2LP | 1970 | US | Original (MGM)

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing withOBI!

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Eric Burdon & War

The Black-Man's Burdon

Release: 1970 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | JP | Original (Arista)

Now And Forever

3,99 €*

Release: 1982 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing without OBI!

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LP | 1978 | JP | Original (Warner)

All Fly Home

8,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI!

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LP | 1981 | JP | Original (Arista)

The One That You Love

12" | 2007 | UK | Original (Third Ear)

Release: 1981 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with OBI and insert. Vinyl is close to NM.

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Brendon Moeller

Jazz Space EP

5,99 €*

10" | 1994 | US | Original (Sm:)e Communications)

Release: 2007 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

cover is missing

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Air Liquide

Robot Wars

20,99 €*

Release: 1994 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Picture disc in stickered PVC sleeve.

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LP | 1977 | US | Original (MCA)

Galaxy

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | US | Original (Elektra)

Come Morning

OST The Life And Times Of Judge Roy Bean

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US Allied pressing. close to NM. Original inner sleeve

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Maurice Jarre

LP | 1973 | JP | Original (CBS/Sony)

45,99 €*

LP | 2005 | DE | Original (Nasoni)

Release: 1973 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Promo copy. Close to NM.

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La Ira De Dios

Hacia El Sol Rojo

75,99 €*

Release: 2005 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl and cover are close to NM. With insert. Limited edition. Original inner sleeve

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LP | 1981 | JP | Original (Arista)

The One That You Love

Release: 1981 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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LP | 1982 | JP | Original (Elektra)

The Best Is Yet To Come

23,99 €*

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Killer In Stereo: Cold, Cold Heart

Jerry Lee Lewis

LP | 2024 | US | Original (Sun)

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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210" | 1994 | US | Original (Sm:)e Communications)

Air Liquide

18,99 €*

Release: 1994 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Free Time Black Vinyl Edition

Jerry Paper

LP | 2022 | US | Original (Stones Throw)

23,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Elemental)

Jerry Butler

The Iceman Cometh

Release: 2019 / EU – Original

Genre: Pop

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12" | 2024 | EU | Original (Euro Plates / Blorp)

Ernesto

Táncolj! (Dance!)

15,99 €*

Issue 489 - November 2024

Release: 2024 / EU – Original

Genre: Electronic & Dance

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ERNESTO - Táncolj! (Dance!) Music that makes you 20 years
younger. Introducing Ernesto: a new project by Gnork. From
Euro to Italo, from earworms to theatrical drops. An eclectic
journey of musical self indulgement - 100% pleasure, 0%
shame.

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The Wire

OST Passing Vinyl Me, Please Edition

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In the magazine: Marshall Allen, Frank Chickens, Water Damage, IVTKYGYG, Seo, Callahan & Witscher, Kamilya Jubran, Invisible Jukebox: Pharmakon, Global Ear: Riga, Unlimited Editions: Reading Group, The Inner Sleeve: Eleni Poulou on Irdial, Epiphanies: David Borden on Bob Moog, and in the reviews sections: Blood Incantation, FaithNYC, Alan Lamb, Music From Elsewhere, Mark Ernestus’ Ndagga Rhythm Force, Mother Mallard’s Portable Masterpiece Co, MC5, BARK!, Stick In The Wheel, and more.

On the CD: 16 new tracks by Sealionwoman, Niton featuring John Butcher, Masayoshi Fujita featuring Moor Mother, Deaf Squad x Flowdan, Tristan Perich & Ensemble 0, and more.

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Devonte Hynes

LP | 2021 | US | Original (Vinyl Me, Please)

33,99 €*

LP | 2024 | US | Original (Grand Jury Music)

Release: 2021 / US – Original

Genre: Soundtracks

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Why you'll love it...
Passing is the 2021 film directed by Rebecca Hall based on the 1929 novel of the same name by Nella Larsen. “Passing” references African Americans who have skin light enough to be perceived as white which is the case for the two leading women. Set in the 1920s, Passing follows childhood friends Irene and Clare as they reconnect and reckon with the different paths their lives took. Devonté Hynes creates the intimate air throughout the film and paints a love letter to Harlem.

Limited to 450 copies, the VMP exclusive version of Passing (Music From And Inspired By The Original Motion Picture) by Devonté Hynes is pressed on White & Black Split vinyl at Memphis Record Pressing (MRP). The 1LP will arrive in a single, direct-to-board, numbered jacket.

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Jordana

Lively Premonition

23,99 €*

Release: 2024 / US – Original

Genre: Pop

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LP | 2024 | Original (We Are Busy Bodies)

Christo Graham

Music For Horses

24,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Club AC30)

Air Formation

Daylight Storms

44,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Edged Circle Productions)

Yoth Iria

Blazing Inferno

48,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Rythmetic: The Compositions of Norman McLaren

Norman McLaren

LP | 2024 | US | Original (We Are Busy Bodies)

24,99 €*

Rare Birds Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Pioneering Scottish-Canadian animator Norman McLaren (1914-1987) - creator of seminal short films Dots, Neighbours, Synchromy and many more - is remembered in first ever release of soundtrack works, self-composed from the 1940’s to 1970’s and forecasting the following half-century of electronic music.

Norman McLaren was once described by composer, music theorist, and mathematician Milton Babbitt as “the first electronic musician.” In addition to his pioneering work in animation, the electronic soundtracks McLaren created for his own films employ astonishing foresight and a characteristically precise methodology. They also crystallise boundless creativity, wit and whimsy, and illuminative brilliance into a unique insight to his remarkable mind, with or without visual accompaniment.

Rythmetic: The Compositions of Norman McLaren marks the first time his soundtracks have been released on record, carefully curated from his most important film works, hours of archival tapes, and multiple versions of the same key compositions. It represents an essential overview of McLaren as a composer, in neat dovetail with McLaren the filmmaker. Both are crucial figures in the respective developments of their fields, opening doors to a future that might not have existed without McLaren.

As an animator, McLaren was renowned for utilising or inventing techniques at their very vanguard and shaping to his needs the rudimentary technology of the era. Many of these techniques and technological adaptations, developed at the National Film Board of Canada over the 1940’s and 50’s, would eventually become adopted into standard practice for animation. He also blazed new trails for soundtrack composition: having heard the glue of spliced film reel produce sound as it passed through his equipment, he began meticulously applying his own cuts and notches to the tape and measuring the frequency values of the tones these striations would emit. Over years of refinement, he created a series of cards to correspond to eight octaves of musical notes, frequency by frequency, and to recruit these cards to compose his soundtracks. It was a way to maintain total creative control and freedom over his own work - every single frame would be processed “the McLaren way”.

“He could have used a synthesiser,” writes long-term assistant, friend, and filmmaker of McLaren documentaries Don McWilliams, also at the National Film Board, “but he had his own method and he stuck with it.” John Cage was an ardent fan, inviting McLaren to his infamous downtown NYC socials and once even writing to McLaren to beg a recommendation for his recruitment at the National Film Board.

Unsurprisingly, McLaren was musically capable and aware throughout his career. He was an inquisitive listener, often drawn to rhythmic expression found outside western music, and he collected records for both reference and enjoyment. West African and Chinese music were particular pleasures, as well as the gypsy jigs that in his youth had informed his own practice as a violin player.

The opening piece to this compilation, “Now Is The Time”, is crafted from trilling, birdsong arpeggiations of dulcet high frequency tones that chatter and warble in scattered dialogue. Accompanying the clouds, multiple suns, and dancing figures of the film, the soundtrack is alive with joy and wonderment. Next, “Rythmetic”, soundtracking McLaren’s famed numeric sequence visualisation, pitters and patters with the types of glitching rhythms so coveted by contemporary electronic music almost a century later. Even from these first pieces alone, it is readily apparent that McLaren could not have achieved the effect he desired with scored instrumentation. The “McLaren way”, so crucial to his process, is as much foundational to his soundtracks as it is to the films themselves.

Despite his acclaim and recognition within the world of film and animation - he won an Oscar, a Palme d’Or, is a favourite of George Lucas’, and is recorded in UNESCO’s cultural heritage archives (none of which interested him) - Norman McLaren is not a Walt Disney, Tex Avery, Chuck Jones, or an Ub Iwerks. His work is unflinchingly outré. Seeking out experimental, innovative, and unconventional modes of storytelling, his creative expression went even deeper than pioneering methodology and a prolific output, becoming part of the man himself as his working hours in the studio became longer and longer as his career blossomed. Even his straightest films are decidedly odd at their core, revealing not only a playful and joyously childlike sense of humour, but also the perpetual pursuit of perfection that fuelled his filmmaking throughout his life.

A gay man, McLaren also resisted the normative social structures of the day in his personal life, acutely aware of the legal implications of his relationship with lifelong partner and fellow NFB director Guy Glover. He also remains revered as the most generous and trusting of teachers, bringing under his wing young or inexperienced filmmakers in whom he saw passion and promise. His second protegee George Dunning, who went on to produce Yellow Submarine for the Beatles, had only recently graduated when McLaren brought him to work in the NFB studios.

Towards the end of McLaren’s career, McWilliams asked him how he perceived his own legacy; how Norman McLaren would be remembered in a hundred years’ time. “A filmmaker who made some interesting films,” was his reply. Modest, funny, wise, and yet knowingly sly. An answer most McLaren.

William Norman McLaren was born 11th April 1914 in Stirling, Scotland. He died January 27th 1987 in Hudson, Canada.

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The Bug Club

2LP | 2024 | CA | Original (We Are Busy Bodies)

38,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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LP | 1978 | Reissue (BMG Rights Management)

Jean-Michel Jarre

Oxygene

Release: 1978 / Reissue

Genre: Pop

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LP | 1976 | Reissue (BMG Rights Management)

Jean-Michel Jarre

Equinoxe

Release: 1976 / Reissue

Genre: Pop

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Les Chants Magnetiques Magnetic Fields

Jean-Michel Jarre

LP | 1981 | Reissue (BMG Rights Management)

Release: 1981 / Reissue

Genre: Pop

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Funky Best Black Vinyl Edtion

Jiro Inagaki & Friends

LP | 1975 | EU | Reissue (Cinedelic)

21,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 2024 | EU | Original (Poly Dance Theatre)

Androo

Tribute To Jackie Mittoo

28,99 €*

2LP | 2024 | US | Original (Varese Sarabande)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Hybrid is a word used indiscriminately in our daily lives. This record isn't a hybrid; it's beyond hybrid, post-hybrid, so to speak. Does this phrase sound complicated to you, and are you never overly convinced by music theory and its caricatural aspect? Then forget what you’ve just read and listen to both sides of this record. You'll soon realise that these tracks are deliciously deft, drawing their essence from dub while leaving room for some skillful jazz writing. For those of you intrigued by melodies, the art of musique concrète or the exploration of dub music’s deviant angles, this record will easily find its place on your turntable.

The two sides of the record are cut with play, improvisation and effects, while leaving room for themes and ideas. If this record’s first chapter was born from a request to remix and pay homage to Jackie Mittoo, its themes tell another story. They have been declined and even reduced to an explosion point. The tracks are also driven by subtle details of musique concrète, giving the record the effect of an intimate musical production – but, above all, one of uncategorisable beauty.

In Androo’s case, this is hardly surprising. He is a craftsman who is unassailable in every respect, a poetic dynamiter and, for this reason, one of the most unpredictable musicians in Geneva (and beyond). His appetite for dynamite is perhaps an indication of his conception of music as, first and foremost, an experience. His highly personal and inventive tribute to figures from free jazz and contemporary music proves the point. But perhaps it is also an indication of his attachment to Jean-Luc Godard. You'd have to imagine Androo at his mixing desk without a pre-written script. The idea of editing infuses the record. The two sides are very much in this style and spirit: (un-)shot, meticulous, (ir-)reverent. In this respect, this record is a formidable proposition, and perhaps difficult to understand, but not striving to be understood.

Its combination of improvisation and composition is underpinned by a razor-sharp precision and dexterity that's hard to ignore, especially if you're curious about the art of sound mixing and the romantic accidents. It has a dexterity that transforms musical grids into romantic essays and sketches. A romanticism in which Androo takes us on a liberating musical experience that makes us forget the inertia of the ramping formatting of the record industry. In any case, this record is an invitation to (un-)think the category, and will delight any ear curious to wander into territories of intuition where the word hybrid no longer makes sense.

Text by Carl Åhnebrink

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Jerry Goldsmith

OST Haunting

49,99 €*

Release: 2024 / US – Original

Genre: Soundtracks

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LP | 1980 | US | Original (Warner)

This Time

LP | 1962 | US | Original (Liberty)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Timi Yuro

What's A Matter Baby

12,99 €*

Release: 1962 / US – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Small tear in bottom spine. Original US mono pressing.

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LP | 1983 | US | Original (Arista)

Woman Out Of Control

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

US RCA Indianapolis original. Few slight paper scuffs. Original inner sleeve.

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LP | 1981 | US | Original (Warner)

Breakin' Away

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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LP | 1987 | JP | Original (Geffen)

After Dark

11,99 €*

LP | 1961 | US | Original (Liberty)

Release: 1987 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Close to NM. Japanese pressing. OBI is missing.

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Timi Yuro

Hurt!!!!!!!

Release: 1961 / US – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Original US Mono Hollywood pressing.

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LP | 1982 | JP | Original (Elektra)

The Best Is Yet To Come

LP | 1963 | US | Original (Liberty)

Release: 1982 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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Timi Yuro

Make The World Go Away

Release: 1963 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2024 | US | Original (Last Night Glasgow)

We Are Muffy

Lost Things Returning

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Palilalia)

Ava Mendoza

The Circulat Train

Tv En Francais: 10th Anniversary

Release: 2024 / US – Original

Genre: Rock & Indie

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Ava Mendoza has never made an album quite as personal as her second solo full-length, The Circular Train. Through her decades of collaborations with Nels Cline, Carla Bozulich, William Parker, Fred Frith, Matana Roberts, and Mick Barr—plus years leading her power trio Unnatural Ways and playing in Bill Orcutt’s quartet—the guitarist’s name has become synonymous with virtuoso technique, raw passion, and visceral resonance, a player pushing the edges of the guitar’s possibilities. Along the way, from 2007 to 2023, Mendoza was writing these slow-burning, incandescent songs. The Circular Train is comprised solely of her single-tracked guitar playing and, on two songs, her corporeal singing. Her first solo LP of original material since relocating from California to New York City a decade ago, much of The Circular Train was honed amid pandemic years that clarified the virtues of slowing down.

This expressive avant-rock is a definitive introduction to one of the most uncompromising and inquisitive visions in creative music. Mendoza’s thrilling melange of free jazz, blues, noise, classical training, and blazing experimental rock’n’roll all coheres with ecstatic feedback, with picking and solos that crest with shimmer. Sometimes she sounds like a one-woman Sonic Youth with guttural and poised vocals that equally evoke Patti Smith and blues greats like Jessie Mae Hemphill. Conceptually, The Circular Train is presented as a psychogeographical train ride through certain of Mendoza’s musical homelands. The songs draw on ancestral and recent familial memories, notably of her parents’ roots in mining towns—in her father’s home country of Bolivia and mother’s hometown of Butte, Montana, each country with its own history of colonialism, racism, forced labor, the eradication of culture and the subsequent excavation of it.

These adventurous songs were composed in cars and planes, in the heart of the Mississippi Delta, in Los Angeles and upstate New York—which is to say in motion. “Ride to Cerro Rico,” named for the mountain and silver mine at the center of Potosi, Bolivia, was inspired by Mendoza’s great grandmother’s life there in a Quechua mining family. “Dust From the Mines” drew from that history as well as Mendoza’s familial lineage of miners in Montana, building up to stunning swaths of shredded iridescence. “Pink River Dolphins” was inspired by a visit to the Amazon rainforest, swimming with dolphins alongside her father—the pink bufeos that inhabit both Bolivia and Columbia—and the song is dedicated to the memory of Mendoza’s late friend, the Colombian-American trumpeter jaimie branch. They shared a fascination with those intelligent and agile creatures who often communicate by echolocation. “Make a sound, it comes back around,” Mendoza sings, and later, “Echo, echo/The answer in a sound,” evoking what branch knew well: through music we navigate life.

The Circular Train contains one cover, “Irene, Goodnight,” composed by Gussie Lord Davis and popularized by Leadbelly; Mendoza has been performing it for over 20 years. Almost as deeply embedded in her repertoire is the penultimate track, “The Shadow Song.” “Treat your shadow kind and it might treat you good,” Mendoza sings on this song that she’s been reworking for over a decade, an emblem of devotion. “Treat your shadow kind and it might treat you right,” she repeats, becoming a blues mantra. What is a shadow self if not one’s secret world, which, once laid bare, awaits an echo, a return?

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We Are Scientists

LP | 2024 | US | Original (Universal)

45,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Keep Planting Flowers Cornetto Black & Red Vinyl Edition

Stick To Your Guns

LP | 2025 | EU | Original (Sharptone Inc.)

30,99 €*

Release: 2025 / EU – Original

Genre: Rock & Indie

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Ray Parker Jr. And Raydio

A Woman Needs Love

LP | 1981 | US | Original (Arista)

Ray Parker Jr. And Raydio

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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A Woman Needs Love

LP | 1981 | US | Original (Arista)

5,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1980 | JP | Original (Elektra)

Winelight

19,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert. Copy close to NM

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LP | 1979 | US | Original (MCA)

The Music Band

11,99 €*

Hot Hot Hot-The Best Of Arrow

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve with seam splits

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Arrow

LP | 2022 | EU | Original (BMG Rights Management)

30,99 €*

Release: 2022 / EU – Original

Genre: Pop

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Ray Parker Jr. And Raydio

A Woman Needs Love

LP | 1981 | US | Original (Arista)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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LP | 1983 | US | Original (Arista)

Woman Out Of Control

4,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Gene Chandler & Jerry Butler

Gene & Jerry - One & One

LP | 1970 | US | Original (Mercury)

10,99 €*

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | DE | Original (RCA Victor)

Outlaw

Release: 1982 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is close to VG!

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12" | 1982 | DE | Original (RCA Victor)

You Got The Power

Release: 1982 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | JP | Reissue (Reprise)

Glow

19,99 €*

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert. Copy close to NM

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LP | 1979 | JP | Original (MCA)

The Music Band

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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LP | 1982 | JP | Original (Arista)

The Other Woman

14,99 €*

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing, comes with Obi and inserts. Tiny wear.

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LP | 1980 | JP | Original (Elektra)

Winelight

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Comes with OBI.

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LP | 1973 | US | Original (Kudu)

Soul Box Vol. 1

11,99 €*

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

John Williams & Grover Washington Jr.

The Hollywood Sound

2LP | 2024 | EU | Original (Music On Vinyl)

40,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Duncecap & Steel Tipped Dove

The Need To Know

LP | 2024 | US | Original (Fused Arrow)

31,99 €*

LP | 2024 | US | Original (Smartpunk)

Release: 2024 / US – Original

Genre: Hip Hop

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The Need to Know is Queens-based rapper Duncecap’s most refined project to date. steel tipped dove (Armand Hammer, Fatboi Sharif) crafts the new album with a cinematic touch, soundtracking the worlds Dunce builds with dusty kicks and bespoke samples.

Art-rap legends doseone and Skech185 lend verses to the project, and stalwart collaborator Samurai Banana lends his cutting hand for frenzied scratching over Dove’s plucky thumps and sprawling loops.

With a triumphant pessimism, The Need to Know examines the human condition through big-box store nostalgia and city parking; trans-humanism, and anxiety. steel tipped dove accentuates the levity and tension of Duncecap’s writing with nuanced expertise, bringing out funky colors from the bouncy darkness.

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Roses Are Red

Conversations

31,99 €*

2LP | 2024 | Original (Other People)

Release: 2024 / US – Original

Genre: Rock & Indie

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Ocean colored vinyl. Roses Are Red's Conversations is a heartfelt exploration of emotion, weaving poignant lyrics with dynamic melodies and powerful instrumentation. This vinyl reissue captures the band's raw energy and emotional depth, making it a must-have for both long-time fans and new listeners alike. With it's lush soundscapes and introspective lyrics, Conversations stands as a testament to the mid-2000s post-hardcore and emo scene. Includes the band's cover of Smashing Pumpkins' "Cherub Rock" and a demo version of "Time Signals Progress".

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Nicolas Jaar

Piedras 1 & 2

30,99 €*

2LP | 2008 | EU | Reissue (Proper)

Release: 2024 / Original

Genre: Electronic & Dance

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The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.

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We Are Scientists

Brain Thrust Mastery

46,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Proper)

We Are Scientists

Brain Thrust Mastery

31,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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You Spin Me Round (Like A Record) 40th Anniversary Black Friday Record Store Day 2024 Edition

Dead Or Alive

7" | 2024 | UK | Reissue (Demon)

TBA

The final price is not yet known.

Release: 2024 / UK – Reissue

Genre: Pop

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Coming Soon 2024-11-29, 12:00 CET

RSD Limited Run / Regional Focus, Limitation: 1000

40th Anniversary of the iconic smash hit from Dead or Alive released as a fantastic Picture Disc Edition. A must-have for every Dead or Alive fan!

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The Vinyl 1977-1994 Black Friday Record Store Day 2024 Edition

5xLP | 2024 | Reissue (Rhino)

159,99 €*

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 1500

The Vinyl 1977-1994 is the next in series of the special edition box-sets celebrating WAR's 50+ years of music making.
The Vinyl 1977-1994 includes Platinum Funk (1977), Galaxy (1977), The Music Band (1979), Outlaw (1982) and Peace Sign (1984) and features original new artwork from Dave Van Patten, and newly remastered by Bernie Grundman. This collection travels from the "L.A. Sunshine" to the "Galaxy" and beyond, deep into "The Jungle" and "All Around The World." While each album is wildly different, they all contain WAR's signature genre-defying sound.

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Wow! Live In Perormance At The Childe Harold 1976 Black Friday Record Store Day 2024 Edition

2LP | 2024 | US | Reissue (Resonance)

TBA

The final price is not yet known.

Release: 2024 / US – Reissue

Genre: Organic Grooves

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Coming Soon 2024-11-29, 12:00 CET

RSD First, Limitation: 1300

Wow! Live in Performance at the Childe Harold is a stunning, powerful and passionate performance by the legendary singer and songwriter Al Jarreau, captured at his first appearance in Washington, DC in August of 1976. Previously unreleased and originally recorded for WHFS radio in Washington, D.C., the tape remained tucked away for nearly 50 years until now.
The limited-edition 180g 2 x LP set will be mastered and cut all-analog by Matthew Lutthans at The Mastering Lab, and include liner notes by acclaimed music writer A. Scott Galloway and an essay about the Childe Harold by former Washington Post music critic Richard Harrington; plus interviews with artists who knew or were inspired by Al Jarreau. This exhilarating and driving performance highlights Jarreau at an amazing time in his career, swinging for the fences.

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Jerry Garcia Band

Electric On The Eel: August 29th, 1987 Black Friday Record Store Day 2024 Orange Vinyl Edition

3LP | 2024 | Reissue (ATO)

TBA

The final price is not yet known.

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD First, Limitation: 4000

Electric on the Eel: August 29th, 1987 brings the first Eel River show to vinyl.
Co-produced by Bill Graham Presents and the Hog Farm, this show lent an air of familiarity not always present in the urban setting Jerry usually played in. With his quintessential band in tow – Gloria Jones, John Kahn, David Kemper, Jacklyn LaBranch, and Melvin Seals – fans traveled across the country to see JGB in the heart of the Emerald Triangle.
Limited edition of 4,000 pressed on Orange Sunshine vinyl.

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Jerry Garcia Band

Electric On The Eel: August 29th, 1987 Black Friday Record Store Day 2024 Orange Vinyl Edition

3LP | 2024 | UK | Original (Round)

99,99 €*

Dark Matter/Dark Energy Clear Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

Electric on the Eel: August 29th, 1987 brings the first Eel River show to vinyl. Co-produced by Bill Graham Presents and the Hog Farm, this show lent an air of familiarity not always present in the urban setting Jerry usually played in. With their quintessential band in tow – Gloria Jones, John Kahn, David Kemper, Jacklyn LaBranch, and Melvin Seals – fans traveled across the country to see JGB in the heart of the Emerald Triangle. Limited edition of 4,000 pressed on Orange Sunshine vinyl.

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Membranes

2LP | 2015 | UK | Reissue (Louder Than War)

43,99 €*

Dark Matter/Dark Energy Pink Teardrop Within Black Vinyl Edition

Release: 2015 / UK – Reissue

Genre: Rock & Indie

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In 2015, Membranes released their first album for 25 years.

It was a critically acclaimed double album about life, death, and the universe. An ambitious work, it became the band's best-selling album in a long and unconventional career. “Dark Matter / Dark Energy” was both the band’s critically acclaimed return and best-selling release and, due to public demand, it is now reissued as a double vinyl album in stunning and experimental, ground-breaking new artwork and packaging.

The album which will be launched in December with gigs at the Albert Hall in Manchester and Shepherds Bush Empire in London was inspired by Membranes’ John Robb, meeting John Incandela the head scientist from the Cern project at a TEDx talk they were both giving.

Incandela had just completed his work on the Higgs Boson particle project, and Robb became friends with him and other scientists from the project. Their conversations about the universe were mind-blowing, and the album attempted to capture these in musical form.

The band toured the album around the world, supporting The Stranglers, The Sisters Of Mercy, and Mark Lanegan, who called the Membranes one of his favourite all-time post-punk bands and said that ‘John Robb is a legend - I’m truly honored to know him’.

The Membranes were formed in Blackpool in the late seventies and were big John Peel and music press favourites with their innovative bass driven discordant Death To Trad Rock sound providing a template and influence for many bands over the years including Big Black, Mercury Rev, The Wedding Present and even the likes of the Lambchop who covered them.

John Robb is also a well-known face on TV and radio as well as running the Louder Than War music and culture website and writing best-selling books like ‘Punk Rock - An Oral History’ and ‘The Art Of Darkness - The History Of Goth. He is currently working on his mémoires and a new Membranes album.

The new edition of the album comes in revolutionary and stunning new artwork gatefold sleeve, complete with lyric sheet, and a poster of the original album cover, all of which captures its interstellar themes.

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Membranes

2LP | 2015 | UK | Reissue (Louder Than War)

43,99 €*

Black Sabbath Marbled Vinyl Edition

Release: 2015 / UK – Reissue

Genre: Rock & Indie

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Black Sabbath

LP | 1970 | EU | Reissue (AR)

39,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Warning Marbled Vinyl Edition

Black Sabbath

LP | 2024 | EU | Original (AR)

39,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Last Judgment Marbled Vinyl Edition

Black Sabbath

LP | 2024 | EU | Original (AR)

39,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Seara De Jazz Cu Aura Black Vinyl Edition

Aura Urziceanu

LP | 1974 | EU | Reissue (Electrecord)

43,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Tape | 1974 | EU | Reissue (Electrecord)

Aura Urziceanu

Seara De Jazz Cu Aura

18,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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OST The Haunting Green Deluxe Vinyl Edition

Jerry Goldsmith

2LP | 2024 | Original (Concord)

33,99 €*

Release: 2024 / Original

Genre: Soundtracks

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38 Spesh & Big Ghost Ltd.

A Bullet For Every Heathen

CD | 2024 | EU | Original (Air Viny)

36,99 €*

Release: 2024 / EU – Original

Genre: Hip Hop

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LP | 1972 | US | Reissue (Motown)

All The King's Horses

2x12" | 2001 | DE | Original (Negabass)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

1981 reissue.

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DJ Ara

Macht Negabass Mit...

8,99 €*

Mike Parker / Steve Bicknell

Release: 2001 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover has slight corner and ring wear. Vinyl has some scuffs and hairlines.

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In The Years Ahead

12" | 2024 | EU | Original (Reclaim Your City)

14,99 €*

12" | 2024 | Original (Wrong Era)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Reclaim Your Cities next frequency-jammer comes in the form of a heavyweight split 4-tracker, courtesy of two true techno pioneering figures: Mike Parker and Steve Bicknell. The continued influence of these two artists on both our early raving days and now as a team working on providing you the most exciting, boundary-pushing tech wares is second to none. As you'll experience from the four jams constitutive of this unparalleled mindtrip of an EP, 'In The Years Ahead' is the living evidence the steadfastness of Parker and Bicknell's vision remains absolutely untouched. Zeroed in on taking ravers on an entrancing ride across pulsating corridors of whirring machine funk, sizzling acid and shape-shifting waves of sound, both sides of this EP share the best lot of both producers' uniquely innovative approach to rhythm and production. Parker's opening cut, 'Solar Limb' is a textbook example of his complex, and heavily layered sound-design. An unflinching swing keeping time, brutal kicks punching holes in your head like giant steel hammers, the track may evolve slowly, repeating its post-industrial mantra over and over again, its flame doesn't flicker one iota. Switching onto red-level dance floor menace, 'Badlands' pulls out the heavy artillery: an overkill bombardment of puncturing 909 drums, vortical winds blowing in the back like some solar storm of sorts, and this ebb-and-flow of FX-drenched synth ripples branded on your cortex like odd signs of cult belonging. Bicknell's takeover starts with the rugged and wild 'Chaotic World', whose title is definitely not usurped. Enter a blazing maelstrom of frantic synth assault knocked askew, intense bass tectonic movements and smashing arpeggios on the path of war. The track develops a massive momentum, swelling from primordial raw matter into weirdly arranged modular constructions, like that of Kubrick's monolith emerging with ominous presence. 'In The Years Ahead' serves up a much distinctively elegant, glossy type of textural experience, synths playing pong in a hall of mirrors, interlacing and distorting as the percussive line unfolds its linear train-like groove. It dashes across landscapes of hypermodern glass and concrete with unrelenting horsepower, from techno's early sanctuary right up onto tomorrow's temple of unmapped potentialities. *This much special release, so dear to our heart, comes clad in a beautiful piece of design, and will be pressed to 180g audiophile quality vinyl for an enhanced listening experience.

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Karolina Bnv

Yet To Come

Rave Immortal Black Vinyl Edition

Release: 2024 / Original

Genre: Organic Grooves

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The prolific Karolina Bnv returns to Wrong Era with 'Yet To Come', an industrial-infused, masterful exploration deeper into her ever unfolding sound. Karolina Bnv brings her sophisticated sounds and undeniable strengths to Wrong Era once again, broadening her horizons with skillful taste.

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Alt Blk Era

LP | 2025 | Original (Earache)

Release: 2025 / Original

Genre: Rock & Indie

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12" | 1992 | UK | Reissue (Underground Resistance)

The Final Frontier

17,99 €*

Toda La Verdad Sobre Dame Area

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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Outer space or Cyber space, you decide… Fantasy or an urban introduction into the vast possibilities of the internet? Honoring sci fi heroes, citing inspiration, or something more sinister?

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Dame Area

LP | 2024 | EU | Original (Mannequin)

28,99 €*

12" | 2024 | UK | Original (Sound Du Jour)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Dame Area's highly anticipated fourth studio album, "Toda la verdad sobre Dame Area" ("The Whole Truth about Dame Area"), a collaboration with the renowned labels Mannequin Records and Humo Records.

Formed in 2017 within the vibrant underground scene of Barcelona's Màgia Roja club, Dame Area comprises the Italian-Catalan duo Silvia Konstance and Viktor Lux Crux. They fuse industrial-tribal polyrhythms with minimalist synth basslines, drawing profound inspiration from avant-garde masters such as Esplendor Geometrico, Throbbing Gristle, Suicide, Einstürzende Neubauten, Can, Coil, Swans, Big Black, and Wolf Eyes.

This record represents a new phase in Dame Area's discography. It's a big step up in terms of sound, composition and ideas. This record it's the perfect representation of what they have been playing live the last three years and what most people know them for. Also it serves as a companion piece to 2022’s Toda la mentira sobre Dame Area ("All The Lies About Dame Area"), which had a stronger focus on melody, while this latest record is more aggressive and industrial-influenced, with a greater emphasis on percussion.

Tracks like the Suicide-influenced "Si no es hoy cuando es" and "Sempre Cambiare" are an onslaught of industrialism and experimentalism—formidable, volatile, and unpredictable avant-garde subversion. Silvia explains, "One of our biggest influences is doing what our influences wouldn't do. We're more into dynamics and structures atypical of electronic music, with changes in time signatures, starts and stops, and dynamics more typical of rock music. We use any musical idea from any genre. Some songs on the album are based on flamenco rhythms, others influenced by '60s experimental pop, heavy metal, or contemporary electronic music."

The confrontational "Vengo dall'aldilà" accelerates with heavy percussion, while "Tu me hiciste creer" builds into a rhythmic, transcendent noise of yelled vocals and hypnotic beats. Viktor adds, "This song took us more time to complete than any other we have recorded. It was a very organic process, evolving slowly from some instrumental percussive stuff we were doing live. Then we started using feedback as a rhythmic element (through a metallic sheet), and this was the first song where we incorporated this element, typical of noise-rock and experimental rock."

Elsewhere, "Esto Es Nuestro Ruido" represents a manic, eclectic form of contemporary industrial music, post-punk, and EBM. Silvia notes, "It's the first album we recorded outside a studio. Although we've been playing live with metallic percussion and floor tom from the very start, in the studio, with some exceptions, it was mostly sample-based until now. On Toda la verdad sobre Dame Area, all drums and almost all metallic percussion have been recorded live."

With a growing reputation as one of the best live bands around since their inception, Dame Area has toured extensively across Europe, performing at renowned festivals like Atonal, CTM, Nuits Sonores, Dour, and Fusion, as well as legendary clubs such as Berghain, Tresor, Apolo, and Spook Factory.

Recorded at Sol de Sants Studios and Estudio Hermetic between August and November 2023

Silvia Konstance: vocals, synths, percussions, electronics, production
Viktor L. Crux: synths, drums, percussions, electronics, production
Mixing and additional production by Guillermo Sánchez Rojo
Mastering by Paul Mac at Hardgroove Mastering
Designed by Leo Sousa
Photography by Fabio Calabretta
Photo concept by Dame Area

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Tasteless Talk

Love's Destination

17,99 €*