Search "we are rewind" 28837 Items

Release: 1977 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

It All Comes Out In My Song

Jerry Butler

LP | 1977 | US | Original (Motown)

5,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Saw cut and slight wear.

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L.T.D.

Something To Love

6,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | US | Original (True Ventures Records)

José Mangual Jr.

Tribute To Chano Pozo

LP | 1977 | US | Original (Epic)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G

US original.
Sleeve has taped edges.heavy wear.

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Joe Tex

Bumps & Bruises

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

7" | 1977 | EU | Reissue (Wolf)

Hoziah Lawrence

Money Lover

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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Hoziah Lawrence, at times spelled as Hosbah or Hosiah, recorded a handful of tracks during his brief career, primarily under the guidance of Jack Ruby. The distinct hard stepping and militant style of 'Money Lover' found its place on an obscure and unique label named Haughton Sound in 1977. This label was owned by the up-and-coming lawyer at the time Antonette Haughton who used to spar with many musicians in day. She later transitioned into a fiery and radical talk show host at RJR and more recently became a controversial lawyer who was eventually disbarred from the roll of attorneys before her passing in 2023. The reason behind Jack Ruby attributing production credits to Ms. Haughton remains a puzzle with speculation suggesting potential political motivations, according to the Estate of Jack Ruby. Nonetheless, 'Money Lover' has persistently captured the attention of rare vinyl collectors over the years, and we are delighted to present its reissue, contributing to the ongoing mystique surrounding its creation.

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Styx

The Grand Illusion

Release: 1977 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | DE | Reissue (Notes On A Journey)

Chuck Senrick

Dreamin'

30,99 €*

Juan Pablo Torres Y Algo Nuevo

Release: 1977 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

2017 reissue. Tiny wear. Vinyl is close to NM. Original inner sleeve

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Super Son

LP | 1977 | WW | Reissue (Mr Bongo)

23,99 €*

Release: 1977 / WW – Reissue

Genre: Organic Grooves

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The next release in the Mr Bongo Cuban Classics series, is one of Juan Pablo Torres' most-known and loved albums, the iconic Super Son from 1977. A wonderful record of tripped-out rumbas, psych-Afro-Latin funk and quirky orchestrated tracks with a big band horn section courtesy of Torres’ band, Algo Nuevo.

As well as being the director of Algo Nuevo and Cuban all-star ensemble Estrellas De Areito, the trombonist, bandleader, arranger and producer also released a wealth of albums under his own name predominately on the state-owned imprint Areito/EGREM.

Post-revolution, there was a contrast in Cuba’s musical world. State censorship was at play, but professional musicians were on the government payroll which gave them an artistic freedom. Experimentation emanated in the ‘70s and ‘80s and Super Son is a prime example of that. ‘Y Que Bien' kicks off the album taking you down a tripped-out, cosmic rabbithole, psych guitars and skat vocals opening up into a joyful funk groove laced with jazzy Afro-Cuban horns stabs. Tracks such as 'Pastel En Descarga' seem to come out of nowhere and are completely unique. Fuzzed-up guitar lines and percussion lay the groundwork, with those jubilant horns adding to the energy of this forever building track.

Elsewhere, there’s the ‘70s TV theme-tune feeling of 'Con Aji Guaguao', a playful funk number that boils and bubbles with blistering trombone playing by Torres. Or ‘Son A Propulsión' and ‘Son Riendo’, two more brilliant examples of psychedelic funk, wrapped up in a blanket of Afro-Cuban rhythms. The former sweeping you up in rushes of wind as trumpets, trombones and distorted guitars trade off, the latter, an intergalactic fiesta of tradition and exploration.

Super Son is up there as one of the funkiest Cuban records around, a playful fusion of ideas from a producer, player and group on fine form and, for us, one of our favourite gems to come out of Cuba in this period. A sheer masterpiece.

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LP | 1977 | BE | Reissue (Cortizona)

Noises

19,99 €*

Release: 1977 / BE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

With inserts. Limited edition 2019 reissue.

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Hits Of BBC And Alaska Records 2

LP | 1977 | PL | Original (Polskie Nagrania Muza)

Release: 1977 / PL – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1977 | US | Original (A&M)

Billy Preston

Girl

»1-2-3-4« (We Ain't Got Much Time)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Mandy B. Jones

7" | 1977 | DE | Original (CBS)

Release: 1977 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Passage

LP+7" | 1977 | EU | Reissue (678)

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Dutch Treat

Tranquility

39,99 €*

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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1977: In the middle of the era of punk groups, up-tempo music, high-energy rock and a mini rock-'n-roll revival, a record with the cheeky title Tranquility by the group Dutch Treat has come onto the market. A record - as the title suggests - that exudes tranquility. The record is a serious product by five of Holland's best-known and most-talented studio musicians: Jan Huydts, Wim Essed, Hans Hollestelle, Louis de Lussanet and Steve Boston. Jan Huydts: ‘We want to make music that brings people peace and tranquility. We are a recording group. We like each other. We are just close friends. The idea was to make non-aggressive music with aggressive instruments like synthesizers and electric guitars. You may even call it background music, maybe with a double meaning.’

Wim Essed in 2024: 'After decades it is still amazing that in all their diversity the pieces on this album fit together so well, taking the listener on an instrumental road trip through rainy as well as sunny landscapes.'

'When we had finished the original recording, the first and only issue was marketed by Polydor records, in quite a modest edition, instigating an equally modest success. Nowadays many more can get access through the web and Tranquility has since found a certain following and cult status, as the original record got harder to come by and more expensive on the second-hand market. So people started to ask for a reissue, which we can at last and proudly offer, bonus material included!'

‘tranquility’ by dutch treat was recorded, mixed and mastered between October 1976 and January 1977 at Procom Studio in Kirchhellen, West Germany

Remastered in August and September 2023 by Fritz Fey (original assistent engineer) at Double-D Mastering, Oberhausen, Germany For the remastering a direct transfer from the original master tape in 192 kHz and 24 bit was used. The master was cut in a lacquer and the actual reissue is a 180 gram hi quality pressing

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LP | 1977 | JP | Reissue (A&M)

Dennis Brown / Azul / Jay Glass Dubs

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. 1979 reissue

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Milk And Honey

12" | 1977 | EU | Reissue (Wise)

19,99 €*

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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Dennis Brown's roots classic "Milk and Honey" freshly remastered, complete with Clive Hunt's original "Bitter Sweet" dub (under his Azul moniker) on the A Side. On the B side, Jay Glass Dubs unfolds a skewed and deconstructed contemporary dub. Strictly limited-edition white label vinyl.

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New LP Releases / August Releases 1977

2LP | 1977 | US | Original (Nashboro)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Przyjaźń - Freundschaft - дружба

LP | 1977 | GDR | Original (ETERNA)

Release: 1977 / GDR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Roots (The Saga Of An American Family)

Quincy Jones

Release: 1977 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: G+

US original.
Writing on label.
Includes original inner sleeve.
Writing on cover.

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Rita Coolidge

Anytime... Anywhere

You Can Fly On My Aeroplane Deep Sky Vinyl Edition

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi.

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Wee

LP | 1977 | US | Reissue (Numero Group)

27,99 €*

2LP | 1977 | CA | Original (MCA)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Scoring the lives of small-time players, pimps, junkies, and prostitutes lurking around his simultaneously blessed and cursed existence, Wee mastermind Norman Whiteside lived in an entirely different Columbus than Capsoul's Bill Moss or Prix's Clem Price. Alternating between Stevie Wonder's dreamy soul and Sly Stone's druggy groove, You Can Fly On My Aeroplane bypasses Whiteside's everyday gritty street life reality, focusing instead on the airy sounds of fantasy and masquerade. Smooth, sexy, and synthy, You Can Fly On My Aeroplane is a peerless and sprawling psychedelic soul concept album and a sure'fire panty soaker to boot.

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War

Platinum Jazz

Release: 1977 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Gatefold cover has some wear and a drill hole.

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LP | 1977 | FR | Original (Barclay)

Le Disco Album

Release: 1977 / FR – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

2LP | 1977 | JP | Original (A&M)

Superdisc Carpenters '77

Release: 1977 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI

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King Harvest

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi

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Pablo Cruise

A Place In The Sun

6,99 €*

Release: 1977 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert.

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Passage

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI. Tiny wear.

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Live At The Palladium

18,99 €*

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Without OBI. close to NM

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20,99 €*

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

No obi. vinyl is Close to VG+

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Rita Coolidge

Anytime... Anywhere

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Rita Coolidge

Anytime... Anywhere

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Japanese pressing. Cover is missing.

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Peter Frampton

I'm In You

LP | 1977 | JP | Original (CBS/Sony)

Release: 1977 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Jo Stafford

Jo's Greatest Hits

12" | 1977 | EU | Reissue (Miss You)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

OBI is missing!

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Susan Cadogan

Nice & Easy

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Mint, Cover: Mint

Mowtown heavy hitter duo Freddie and Christine Perren's originally titled “Do It Baby” by the Miracles put through the production lens of Lee “Scratch” Perry, and the sweet goosebump inducing voice of Susan Cadogan, bound to upset. Original version accompanied by an extension for the hungry dancefloor, and for the extra adventurous jock we leave you with the entire track cut in reverse. Faithfully re-mastered with a extra care given to the low end, cut at 45 for maximum precision.

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Disco Hits Explosion Vol. 3

LP | 1977 | JP | Original (Overseas)

24,99 €*

Marilyn McCoo & Billy Davis Jr.

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with OBI and insert. Vinyl close to NM. Faintest foxing on cover and insert otherwise VG+

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The Two Of Us

LP | 1977 | US | Original (ABC)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Average White Band & Ben E. King

Benny And Us

LP | 1977 | US | Original (Atlantic)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1977 | US | Original (Natural Resources)

Motown Show Tunes

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

L.T.D.

Something To Love

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1977 | US | Reissue (Superior Viaduct)

Joe McPhee

Tenor

25,99 €*

2LP | 1977 | US | Original (Kudu)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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“There are lots of outstanding Joe McPhee LPs. Nation Time being chief among them, but there’s also Pieces Of Light, Oleo and Topology. The Poughkeepsie, New York-based multinstrumentalist, by now an international star of free music, has amassed a daunting discography, no doubt. If you want to peer deeply into the soul of Joe McPhee, however, there’s no way around it, you need to spend some quality time with Tenor. “Tenor is McPhee’s first solo record. He did not set out to make it. It was an afterthought, quite literally, born of a gathering of friend s at the Swiss farmhouse of cellist Michael Overhage. A beautiful meal, some drinks, warm conversation, and ... why not, an impromptu recital. Hat Hut producer Werner X. Uehlinger was there and a year later issued it as McPhee’s third LP for the label (Hat Hut C in their famed letter series). “The existential blues ‘Knox’ sets the stage, indicating that this will not just be a toss-off postprandial singalong. ‘Good-Bye Tom B.’ carries on with aching melancholy, through burred notes and hushed harmonics. The relatively jaunty ‘Sweet Dragon’ is also emotionally loaded with Ayler-esque vibrato, slurs, wipes, and blasts of tone. The side-long title track comes without a theme, as a kind of pure investigation of the horn, its potential, its limits, its expressive capacity. There have been few solo sessions as comprehensive and devastating as this spontaneous after-dinner diversion in rural Switzerland in 1976. We’re very lucky someone pressed record.” John Corbett (excerpt from the liner notes)

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Grover Washington, Jr.

Live At The Bijou

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Billy Preston

A Whole New Thing

LP | 1977 | US | Reissue (A&M)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Writing on cover. Monarch pressing. Original inner sleeve

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Gato Barbieri

Ruby, Ruby

LP | 1977 | EU | Reissue (Studio 16)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve, Vinyl is close to NM. 1977 repress.

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Joe Gibbs

African Dub Chapter 2

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1977 | EU | Reissue (Joe Gibbs Record Globe)

Joe Gibbs

African Dub Chapter 3

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1977 | EU | Reissue (Joe Gibbs Record Globe)

Prince Far I

Under Heavy Manners

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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7" | 1977 | EU | Reissue (Joe Gibbs Music)

Prince Far I

Deck Of Cards

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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7" | 1977 | EU | Reissue (Joe Gibbs Music)

Culture

Two Sevens Clash

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1977 | EU | Reissue (Joe Gibbs Music Globe)

Trinity

Three Piece Suit

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1977 | JP | Reissue (P-Vine)

Gary Marks

Upon Oanda's Wing

34,99 €*

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2025-02-14

American jazz singer Gary Marks was born in New York in 1950. After he self-produced his first album, Gathering in 1973, he relocated to the West Coast in 1976, where he collaborated with artists such as Art Lande and Paul McCandless, a member of the band Oregon, producing two albums. Among his many works, his highly acclaimed 1977 second album Upon Oanda’s Wing and his 1978 third album Thoughts Of Why are being reissued on LP for the first time ever by P-vine, and we are proud to present them. His blend of jazz with AOR and folk resonates with the music of artists like Kenny Rankin and Michael Franks. For this reissue, the albums have been newly remastered, ensuring high-quality sound for music fans worldwide.

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Jazz Women (A Feminist Retrospective)

2LP | 1977 | US | Original (Stash)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

The Best Of Sun Rockabilly Vol. 1

LP | 1977 | UK | Original (Charly)

Release: 1977 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover with beginning of seam split on top spine, close to VG+

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LP | 1977 | BR | Original (Soma)

Canto De Fé

19,99 €*

Release: 1977 / BR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Average White Band & Ben E. King

Benny And Us

LP | 1977 | US | Original (Atlantic)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US PR Presswell pressing

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Brothers Johnson

Right On Time

5,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1977 | EU | Original (A&M)

L.T.D.

Something To Love

6,99 €*

Release: 1977 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1977 | US | Original (Warner)

Al Jarreau

Look To The Rainbow

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1977 | US | Original (Seabreeze Records)

Joe Albany

The Albany Touch

LP | 1977 | US | Reissue (A&M)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM

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Gato Barbieri

Ruby, Ruby

2LP | 1977 | US | Original (Kudu)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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Grover Washington, Jr.

Live At The Bijou

Lionel Hampton Presents: The Music Of Charles Mingus

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover has slight ring wear.

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Charles Mingus

LP | 1977 | US | Original (Who's Who In Jazz)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1977 | DE | Original (ABC)

The Mighty Clouds Of Joy

Truth Is The Power

Release: 1977 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Marilyn McCoo & Billy Davis Jr.

The Two Of Us

LP | 1977 | UK | Original (ABC)

Release: 1977 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Gato Barbieri

Ruby, Ruby

5,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Brothers Johnson

Right On Time

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With insert

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Montreux Summit, Volume 1

2LP | 1977 | US | Original (Columbia)

18,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US Terre Haute pressing. With insert

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Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1977 | US | Original (MCA)

War

Galaxy

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Brothers Johnson

Right On Time

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Banjoman - The Original Soundtrack

LP | 1977 | JP | Original (Philips)

Roots (The Saga Of An American Family)

Release: 1977 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Quincy Jones

LP | 1977 | US | Original (Warner)

Release: 1977 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Sealed copy with slight wear and a cut out.

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Joe Farrell

La Catedral Y El Toro

LP | 1977 | UK | Original (A&M)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US pressing.

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Joan Armatrading

Show Some Emotion

Release: 1977 / UK – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1977 | DE | Original (Kudu)

Grover Washington, Jr.

Live At The Bijou

Release: 1977 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Sampled by Das EFX, Gangstarr & Lootpack. Vinyl has some light scratches. Track C2 has a scratch, otherwise vg++. Cover is a bit used and lamination peels off.

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Third World

Now that we found love

12" | 1978 | US (Island)

We Are Family / He's The Greatest Dancer

Release: 1978 / US

Genre: Organic Grooves, Reggae & Dancehall

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/ one cold vibe

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Sister Sledge

12" | 1978 | US (Cotillion)

13,99 €*

LP | 1978 | EU | Reissue (PMG)

Release: 1978 / US

Genre: Organic Grooves

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/ he's the greatest dancer

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Friimen Musik Company

We Can Get It On

21,99 €*

LP | 1978 | EU | Reissue (ECM)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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By the mid 1970s in Nigeria, the Biafran War was a distant memory and the music scene in the eastern city of Aba was booming again. Bands such as The Funkees, The Wings and The Apostles grabbed the headlines, but the more interesting stuff was coming from smaller groups like the Friimen. The Friimen, or the Friimen Musik Company to use their official name, were influenced as much by pre-'Saturday Night Fever' Bee Gees as Jimi Hendrix and James Brown. Their album 'We Can Get it On' is a hybrid of West Coast ballads and dancefloor chuggers.

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Jan Garbarek

Places

25,99 €*

Voyage: A Journey Into Discoid Funk

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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“Places” is an important album for the Norwegian saxophonist with its stellar transatlantic line-up.

“Places” brings together another congregation of musicians that could only come from ECM. Drummer Jack DeJohnette lassoes his scurrying loops to the acoustic hooks of guitarist Bill Connors, while John Taylor supplements most of the cargo with organ. At the helm of this vessel is Jan Garbarek, whose saxophonism starts high and goes only higher. With cumulative notecraft and a heartfelt commitment to atmosphere, he and Taylor unwrap a lush nexus in the stunning opener. The occasional harmonic falls like a dandelion seed onto this pool of night as cymbals splash all around us. Taylor weaves a fine spread, anchoring us with sustained bass lines and attentive chording, leaving Garbarek to seal every crack with his sonic caulk. Connors seeks to light his surroundings, striking at the flint with his percussive gesticulations in hopes that one spark might show the way. Garbarek sharpens himself with arid flavor and carves out a miniature oasis in the crumbling image of exotic desire. The organ weaves in and out like a halo circumscribing us with subtle urgency until it pulls us beyond the point of no return, where dwells only silence in these “Reflections.” We then find the organ “Entering” into an electric guitar embrace. Bass and drums give us footholds where we might not expect to find them. Thus, what began as an elegy turns into a far-reaching journey that is over too soon. But in the next track we’re still “Going Places,” spurred by DeJohnette’s steady pulse and Garbarek’s hidden thermals. The energy comes in waves, subsiding here for a guitar solo and swelling there at Garbarek’s call. “Passing” ends where the album began, in a fluid ostinato of organ over which Connors looses his wavering song. Garbarek draws an ascendant pattern between those quiet strings, lifting us to an arena in which age curls into a semblance of time.

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Brian Bennett

LP | 1978 | US | Reissue (Isle Of Jura)

25,99 €*

Clube Da Esquina Volume 2

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Isle Of Jura's first LP reissue, the highly sought after 'Voyage'. A Journey Into Discoid Funk by Brian Bennett originally released in 1978. A cosmic disco classic completely re-mastered from the original master tapes by Matt Colton. 180g vinyl. Bootlegged badly in the past, re-issued with love now, the sound quality s top notch! TIP.

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Milton Nascimento

2LP | 1978 | BR | Reissue (Polysom)

75,99 €*

12" | 1978 | US | Reissue (Get On Down)

Release: 1978 / BR – Reissue

Genre: Organic Grooves

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The release is on 180g vinyl and in a gatefold cover. Milton's second volume of tracks cut with his legendary "corner club" – with a very similar approach to the landmark first volume! Loads of great artists make guest appearances on here, like Lo Borges, Wagner Tiso, Toninho Horta, and Chico Buarque – and the production has haunting blend of baroque, jazz, and soul that we can only define as "Nascimento like"! A really fitting companion to the first volume, and a double-length set with tracks that include "E Dai", "Pao E Agua", "Canoa, Canoa", "Credo", "Nascente", "Meu Menino", "Que Bom, Amigo",

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Bumblebee Unlimited

Lady Bug

LP | 1978 | UK | Reissue (Pink Flag)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Originally released in 1978 on Greg Charmichael's Red Greg Records, "Lady Bug" and ""Love Bug"" are probably Bumblebee Unlimited's most recognizable hits. Much like Cloud One, Universal Robot Band and Inner Life, Bumblebee Unlimited was a studio-based disco unit
conducted by Patrick Adams and Gregory Carmichael. Their only album "Sting Like a Bee" was released by RCA in 1979 with contributions from longtime Adams & Carmichael collaborators Leroy Burgess (vocals), Norbert Sloley (bass), and Richard Taninbaum (drums). With an undeniable groove, signature keys and arrangements by Patrick Adams in addition
to the comically sped-up vocals, Lady Bug is considered by many to be one of the most important underground tracks of the Disco era. As with the original "Lady Bug" 12" Single, the John Morales and Frank Trimarco "Sunshine Sound" mix takes the A-side of the RCA release. A true Disco version in every sense of the word, this almost 10 minute mix brings out the Latin percussions to the front making
it a true dance floor classic and establishing John Morales as one of the best remixers in the industry.
The B-Side belongs to one of New York City's hottest DJs at the time: Larry Levan. Despite being a very early remix by the Legendary Paradise Garage DJ, the talent was evident and his understanding of a club mix in wide display. It’s no wonder Larry Levan would go to become one of the most respected and revered remixers of his generation. Similarly to the Morales/Trimarco version, the percussions are accented throughout the
mix making it ready for the discotheque. However the two mixes are undoubtely different with Levan’s bringing out more funk out of the Adams composition
focusing more on the keys and the infectious bass lines. No real point in arguing which is better, so let’s just be glad we have both.

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Wire

Chairs Missing

27,99 €*

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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12" | 1978 | EU | Reissue (Fleet)

Charly Kingson

Born In Africa

Horace Tapscott With The Pan-Afrikan People's Arkestra

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Charly Kingson, (ps. for Charlie Kingue Soppo) is a legend of afro-funk who managed to shake the entire continent up with his infamous 1978 LP, Born In Africa. Often forgotten when conversations turn to Afro-dance, and the likes of Tony Allen or Fela Kuti, he has been an incredible source of inspiration to many musicians exploring the funkier side of jazz-dance, and this album itself goes way beyond any traditional notion of tropical discotheque. "Born In African" itself is a funky groover for the dancefloor and here is the original 1982 Remix, made by Dutch legendary percussionist Eddie Conard available again, featuring “Nimele Bolo” on the flip-side. Released in 1982 on Ariola/Fleet, but also pressed on the original Fleet label. The latter (remarkably with identical catalog-number) never saw daylight. But, we got them all! All in all, this hard to find 12” (at Discogs copies on the Ariola/Fleet label go for around 250 euro) was recently re-discovered, and now you can finally enjoy it again.

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Flight 17

2LP | 1978 | EU | Reissue (Outernational Sounds)

32,99 €*

LP | 1978 | EU | Reissue (Speakers Corner)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Available on vinyl for the first time in 40 years, Outernational Sounds proudly presents a cornerstone document from the Los Angeles jazz underground, Flight 17 – the first appearance on record of the legendary Pan-Afrikan Peoples Arkestra, led by their founder and mastermind, Horace Tapscott.

"The Arkestra would allow the creativity in the community to come together, would allow people to recognize each other as one people and ask, “Now what can we do to make this community better? What can we do for this community together?”...That’s how the Pan-Afrikan Peoples Arkestra – the Ark – began, with the knowledge that we wanted to preserve the black arts in the community."
Horace Tapscott

Horace Tapscott’s Pan-Afrikan Peoples Arkestra (P.A.P.A.) was one of the most transformative, forward-thinking and straight-up heavy big bands to have played jazz in the 1960s and 1970s. Countless musicians passed through its ranks, and in Tapscott it was led by a musical visionary who should be ranked with the very greatest names in the music. If P.A.P.A. doesn’t have the interstellar rep of that other famous Arkestra, and if the name Tapscott doesn’t ring bells like Monk or Tyner, there’s a reason why: in an industry dominated by record labels, a band that doesn’t record doesn’t count. And the Pan-Afrikan Peoples Arkestra didn’t record for nearly twenty years. But recording success was never their concern – they weren’t about that.

First formed as the Underground Musicians Association in the early 1960s, Tapscott always wanted his group to be a community project. From their base in Watts, UGMA got down at the grassroots. They played for the people, organising fundraisers in parks and coffee houses, hosting teach-ins and workshops for young and old, and mixing it with radical theatre groups, firebrand poets, political radicals, Black separatists, community groups and churches. They lived communally, supporting each other and their people, and built an ark for the Black arts in the heart of the city. The group was renamed the Pan-Afrikan Peoples Arkestra in 1971, and soon after they established a monthly residency at the Immanuel United Church of Christ which ran for over a decade, while still playing all over LA and beyond. But through all this, they never released a note of music.

It was the intervention of Tom Albach, a fan of Tapscott and the group, that finally got them on wax. Determined that their work should be documented, Albach founded Nimbus Records specifically to release the music of Tapscott, the Arkestra, and the individuals that comprised it. The first recording sessions in early 1978 yielded enough material for two albums, and the first release was Flight 17. From the surging avant-gardism of Herbie Baker’s title track to the laid- back summertime groove of Kamonta Lawrence Polk’s ‘Maui’, or Roberto Miranda’s uptempo Latin jam ‘Horacio’, Flight 17 showcased the radical voices of the Arkestra’s members. Led out by Tapscott’s hard-swinging piano, this is the first flight on wax of the West Coasts’ foundational community big band – energised, hip and together. Open up the gates and prepare for departure!

This edition of Flight 17 contains two tracks previously only available on the 1997 CD edition: ‘Coltrane Medley’ and ‘Village Dance’, recorded live at the Immanuel United Church of Christ. It is released as a limited vinyl-only edition on a 180g pressing by Pallas. Fully licensed from Nimbus West founder Tom Albach.

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The Doobie Brothers

Minute By Minute

34,99 €*

Life After Life / Life After Dub

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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How the Doobie Brothers came to form a “family” is not only a fateful event but also a good story. While getting high on a marihuana joint (or doobie) that was passed from one to the other in a practice room, one of the group apparently uttered the following momentous words: »We are all Doobie brothers«. Later, when in possession of all his faculties, the co-founder of the group, Tom Johnston, was thinking along the lines of a Motown sound, with a bass line resembling that of Seals and Crofts, and vocals in the style of Stevie Wonder. That "Minute By Minute", the first album to appear in the post-Johnston era, so perfectly reflects the mature style of the group is mostly thanks to the two experienced former Steely Dan musicians Jeff “Skunk” Baxter and singer Michael McDonald.
Subtle, gently electrified groove epitomizes the main focus of this album. Its laid back, colourful and glittering sounds are rounded out with powerful rhythms and warm sounds ("What A Fool Believes"). Solo vocals are layered over rolling chords on the piano, a snappy bass and a multi-voiced background to create an appealing harmony ("Here To Love You"). Perfectly tempered and accomplished solos from the lead guitar and saxophone are welcome extras that never drown out the impressive leader of the group. So much brotherliness on a record certainly deserved to be recognized with three Platinum Records and a Grammy Award.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1978 at Warner Bros.-Studios, North Hollywood, by Donn Landee and Loyd Clifft
Production: Ted Templeman

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Alternative TV

7" | 1978 | UK | Reissue (Ethbo)

LP | 1978 | EU | Reissue (Jet)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Following hot on the heels of Ethbo's excursion to Russia, with Letov, Suchillin and Pillayev, Howard Williams' Ethbo swivels its telescope to Deptford, South London in 1978.

The band Alternative TV were, and remain, a radical creative force. Originally formed by Mark Perry (Mark P), and Alex Fergusson (later of Psychic TV) in the early days of punk, when Perry was editor of the pioneering punk fanzine, Sniffin' Glue.

Early rehearsals were held in Throbbing Gristle's Industrial Records studio, with Genesis P-Orridge on drums. After line-up changes, the 1978 release of Life After Life saw Dennis Burns on bass, Chris Bennett on drums, Kim Turner on guitar and Mark P. on vocals. The session was produced by prolific Trojan Records artist and producer Joe Sinclair, and released on the independent label Deptford Fun City Records.

The song presents a “conscious” lyric through an urban music form of its time. And here’s the result, more than 40 years on, the dub still rocks. Perry’s vocal, like no other from the punk era, talks of the afterlife, in a twisted nod to Nietzsche, he chants “Wake Me Up When We Are Dead”.

A Venn diagram of Mark P and Mark E Smith, leader of The Fall, would show some common ground. Both band leaders survived numerous member changes throughout the decades, had a baleful eye on the producers and consumers of their music, and expressed themselves through a poetic, existential form of lyric writing and musical experimentation. In the early days Smith cited Alternative TV in a list of favourite music - alongside Johnny Cash.

Remastered with love, pressed at RAND, with sleeve and label artwork re-jigged by Will Bankhead, there's no better way to skank yourself to Armageddon.

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Thony Shorby Nyenwi

Sweet Funk Music

28,99 €*

Guilherme Coutinho E O Grupo Stalo

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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For fans of Fela Kuti, Ofege, Assagai, The Funkees, Mixed Grill, Bob Marley
Reissue of a long lost afro beat and Nigerian funk classic from 1978
A massive collection of captivating grooves and haunting melodies.

Who said that all Nigerian afrobeat from the 70s was dark and though provoking with a melancholic edge despite the ongoing powerful grooves and a more or less political message denouncing the the methods of the countrys leaders to increase their own wealth and power while the simple people suffer. Well, this 1978 album by bandleader Thony Shorby Nyenwi proves this idea wrong. What we have here is a sacredly rare gem, fetching 300 for a copy in playable condition. A crown jewel of Nigerian afrobeat and funk music that is an utter joy listening to.

Thony Nyenwi's music is a monument of the genre carved in rock. His vocal melodies are more at the lighter and happier side of life, somehow hypnotizing with reduced note progressions on repetitive rhythm figures that rush through your whole body to make you groove along. A fine funky wah wah guitar sound and a mind blowing keyboard sound including electric piano, farfisa organ and others hook up to add colour to the stoic rhythms. The atmosphere literally cooks. This is certainly more modern with a slightly more polished feel than the political music of Fela Kuti or Segun Bucknor, but still bears an unparalleled intensity that makes this album a dance floor sweeper at each club. Coloured lights are flashing into the white haze from the fogging machines when people in glittering bell bottom trousers and twinkling shirts happily get into the groove. 70s galore. Well, the folks can also shift down a gear and rock out a sweet reggae tune that later on turns into a smooth funk, to add more variety to this black wax jewel.

No matter what Thony and his mates do here, they do it with passion and divine talent.
The arrangements are a dense network of sounds, beats, melodies, voices and it goes on and on throughout the whole record. You as a fan of 1970s black music, funk, reggae, soul, all mixed up in a typical Nigerian way, will be enchanted and become swallowed by the holy cloud emerging from the speakers. A beautiful discovery after such a long time that will bring more joy to a new generation of black music aficionadoes.

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LP | 1978 | EU | Reissue (Mad About)

24,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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LP | 1978 | EU | Reissue (PMG)

Pogo Limited

We Shall Win

21,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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LP | 1978 | EU | Reissue (Mad About)

Jay Days

Between The Swells

24,99 €*

LP | 1978 | EU | Reissue (Rebirth On Wax)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Killer AOR Rarity. Highly recommended ! Jay Days' only album presents eight killer funky AOR sounds and blue eyed soul tracks. Rarely surfaced in the collectors' market but now the album is finally reissue on vinyl. A band formation with mysterious session men who support JAY Days of slack guitar vocal, gentle electric piano with jazzy rock, blue-eyed soulful medium mellow, female chorus with mystic groove. It contains Hawaiian-style acoustics and dense performances unique to the Private Press. It is a hidden AOR masterpiece where you can feel the tropical atmosphere of the street along with the wind of the West Coast.

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Les Ya Toupas Du Zaire

Les Ya Toupas Du Zaïre

22,99 €*

2LP | 1978 | EU | Reissue (A&M)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Les Ya Toupas is a band formed in 1976 by Bopol Mansiamina (Bass - Success Mode, 4 Stars ..), Manuaku Waku (aka Grand Zaiko Wawa) and Ray Lema (Piano, Organ and Guitar) Between 1976 and 1978, they recorded several 7inches including the famous title “Je ne bois pas beaucoup” (1976) compiled on the series of Sofrito (Tropical Discotheque ) in 2011. In 1978, they recorded this unique and unclassifiable instrumental album, Les Ya Toupas du Zaïre, produced by Gérard Akueson (founder of Akue Records and Abeti's producer). The LP is composed of minimalist Afro Jazz rhythms and Deep Funk grooves that are close at times to a tropical trance, all played by musicians who used to offer more classic Rumba rhythms. It is their only album before the departure in 1979 of Ray Lema for the United States and then France. Ray Lema's departure follows a violent disagreement which opposed him to the dictator Mobutu then in place in Zaïre. Let's not forget that the album was released in 1978 and can be seen as their last musicial project.

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The Police

Outlandos D'amour

22,99 €*

Release: 1978 / EU – Reissue

Genre: Pop

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The New York Disco Orchestra

Reverie Black Vinyl Edition

LP | 1978 | EU | Reissue (Espacial Discos)

21,99 €*

7" | 1978 | UK | Reissue (Discs Of Fun And Love)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Sought-after disco / funk / boogie album from the US, 1978!! Pro-sounding recording with top level musicianship and perfect sound quality, comparable to any other major album of the time (think Love Unlimited Orchestra!). Mixed by Disco legend Joaquin J. Lopes and featuring brothers John & Rocco Giamundo. Mostly instrumental with superb arrangements (string, keys and even the Vako Ochestron on one track) and surprising occasional fuzz/effects electric guitar. Originally released as a promo album in blank sleeve (now impossible to find) on the band’s own Artemis label, it was subsequently issued in Belgium (under the Reverie – Get Up And Dance title) and Japan, both housed in picture sleeves. Including club / rare-groove classics like “It’s True” (compiled on “Under The Influence Vol. 2 by Paul Phillips), “Get It On And Dance”, “The Way We Were” (a disco-symphonic version of the Barbra Streisand movie hit) and more… Here’s the first ever reissue featuring new artwork (based on the band’s original idea for the intended but never finished US cover) and master tape sound.

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Alonzo Turner

Whoever Said It

12,99 €*