Search "peaking+lights+936" 6129 Items

LP | 2017 | Original (Flying Nun)

Release: 2017 / AU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Vinyl with a couple of light marks, close to VG+

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The Courtneys

44,99 €*

LP | 2017 | EU | Original (Hidden Village)

Release: 2017 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs. Still in shrink, but opened, with hype sticker

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R.ess 048

CRG77

12" | 2017 | UK | Original (Lets Pet Puppies)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Mint

Excavated from a now lost cassette, ‘CRG77’ is a series of improvisations conceived of little sleep and minimal natural light. Perhaps best described as the sonic equivalent of a strong indica, contorted dance music under the influence of a forty year old echo pedal. Hidden Village is a new London based label with no agenda and no direction. Created by R.ess 048, a pseudonym for members of a well known South London crew who wish to remain nameless and were behind one of last year's most forward thinking underground releases. 'CRG77' is an after hours excursion into the deepest depths of the weed-box. Comes with ultra-Lo-Fi A4 b&w insert designed by one of the crew. Punk as fuck. Mining the same dusted plains as fellow travellers SVN, Madteo, Sex Tags, Regelbau etc etc

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Marcus Mixx

Liquid Love

LP | 2017 | UK (Static Shock)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Close to VG+

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Sheer Mag

Need To Feel Your Love

LP | 2017 | UK | Original (Rough Trade)

Release: 2017 / UK

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs

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Sleaford Mods

English Tapas

28,99 €*

12" | 2017 | FR | Original (Popcorn)

Release: 2017 / UK – Original

Genre: Hip Hop, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with light ring wear

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Paul Cut

Brooklyn Lady

Release: 2017 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs, closer to VG+

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Synthesize The Soul (Astro-Atlantic Hypnotica From The Cape Verde Islands 1973-1988)

2LP | 2017 | US | Original (Ostinato)

114,99 €*

LP | 2017 | DE | Original (Out Here)

Release: 2017 / US – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with light scuffs and hairlines, close to VG+. Cover with slightly bumped corners. With booklet.

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Mokoomba

Luyando

Keiji Yamagishi, Ryuichi Nitta, Mikio Saito

Release: 2017 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs, close to NM

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Ninja Gaiden The Definitive Soundtrack Vol.1

LP+LP+All Media | 2017 | US | Original (Brave Wave)

64,99 €*

Florian Fricke of Popol Vuh

Release: 2017 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with light shelf wear on the back cover. Orange and red vinyl.

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Die Erde Und Ich Sind Eins (I Am One With The Earth)

LP | 2017 | EU | Original (Wah Wah)

19,99 €*

LP | 2017 | US | Original (Last Hurrah)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Limited Edition.

Small light scuffs on side both sides.
Includes original inserts and booklet.

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Sinner Sinners

Optimism Disorder

24,99 €*

Orchestral Manoeuvres In The Dark

Release: 2017 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Splatter Red Blood Vinyl with a couple of light scuffs

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The Punishment Of Luxury

LP | 2017 | EU | Original (White Noise)

24,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side A.
Includes original inner sleeve with small seam split.
Cover with minor lamination creases.

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Realm Of Consciousness Pt.II

3x12" | 2017 | DE | Original (Afterlife)

69,99 €*

12" | 2017 | FR | Original (Tomorrow Is Now, Kid!)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover has light ring wear.

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Kid Sublime

Betta Tink Twice EP

7" | 2017 | Original (Plane Jane)

Release: 2017 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs, close to VG+. Stickers on labels

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Miles Bonny

Hello Jesus

12" | 2017 | SE | Original (Bror)

Release: 2017 / Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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DJ Lily

BROR04

8,99 €*

12" | 2017 | DE | Original (Kame House)

Release: 2017 / SE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Purple Vinyl with a couple of light scuffs. Cover with sticker residue on the front

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Infuso Giallo

Ode To Sansevieria EP

19,99 €*

12" | 2017 | US | Original (Warm Communications)

Release: 2017 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs, light marks and hairlines

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Hydro , War & Mateba

Clair Obscur / Nostalgia

8,99 €*

LP | 2017 | EU | Original (Avian)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Generic label cover

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Litüus

2236 S Wenthworth Ave

LP | 2017 | DE | Original (For The Love Of It)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM, but has a small inclusion on track 2 side B.

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Shuko & Frank Lotz

Cookies & Cream 4

LP | 2017 | DE | Original (Brausehaus)

Release: 2017 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened. Tiny wear.

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Stonehenge

Mild Thing

12" | 2017 | UK | Original (Stepback)

Release: 2017 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover has extremely light ring wear, barely noticeable. Record looks unplayed.

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Thinktank

Danger At 300 Fathoms EP

7,99 €*

Friendship Connection Part 2

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs

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Jerome.C & Dubfluss

12" | 2017 | DE | Original (Sleepless Musik)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with light wear

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3x12" | 2017 | NL | Original (SlapFunk)

Raw Joints #5

18,99 €*

Release: 2017 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Gatefold cover has a bent corner, slight wear. Vinyl has some scuffs and light scratches.

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Like When Outside Is Raining

12" | 2017 | DE | Original (Burbi)

6,99 €*

5x12" | 2017 | FR | Original (Oscillat Music)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Mandar

39,99 €*

LP | 2017 | EU | Reissue (Columbia)

Release: 2017 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Small light scuff on side A2.
Box is close to NM.

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Nas

Illmatic

29,99 €*

12" | 2017 | DE | Original (TFR)

Release: 2017 / EU – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Includes original inner sleeves with small seam split.
Small light scuff on side 2, record is close to VG+

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Tolga Fidan

TFR 002

Bruce Springsteen & The E Street Band

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Hammersmith Odeon, London '75

2LP | 2017 | EU | Original (Columbia)

34,99 €*

2LP | 2017 | EU | Original (Rocket Entertainment)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side 2, the rest is VG+.
Includes original inner sleeves.

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Elton John

Diamonds

29,99 €*

12" | 2018 | EU | Original (Optimo Music)

Release: 2017 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.
Includes original inner sleeves.
Small light scuff on side B.

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The Golden Filter

Dub Of Times

12" | 2018 | EU | Original (Cocoon)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Optimo Music don’t generally do limited edition releases but when The Golden Filter did these extra mixes of “End Of Times”, the A1 track off their recent EP we thought they were too good to remain in the digital domain so have pressed up a small run of 12” singles aimed specifically at DJs. The original single version is a future synth classic. These new dub versions take it to the dancefloor and have been tried and tested around the world over the last few months. They are considerably extended, dubbed out and add extra dynamics & ecstatic synth power with hints of the original vocal. There is a slo mo version at 103 bpm and a faster version at 118bpm which means the track should work any time from warm up to peak set. There is also a Drone-Apella version included too.

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Rico Puestel

973272

12" | 2018 | US | Original (Tachyon Audio)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Although Rico Puestel has been producing since 2005, he still seems to be something of an insider tip. Since "Caravel" though, his August release on Cocoon Recordings, things have taken a dramatic turn with Puestel currently enjoying "man of the moment" status, especially when it comes to progressive techno and peak time action on the dance floor.??"973" picks up exactly where "Caravel" left off, kicking powerfully with irresistable, effect-loaded breaks that really twist your melon. This one really works you over but there's also feeling and a touch of elegance, in fact we can't remember hearing anything like this since Len Faki's Dustin Zahn Remix! "973" proves that "Caravel" was no flash in the pan, just one tantalising glimpse into the musical world of Rico Puestel and that's not the end of it...??"272" is a little more stripped down and chilled to start with, but soon opens up into the same crazy atmosphere as "973". This is dominated by an up-and-running arpeggio synth, which combines with the now familiar effects-break motif to create an incredible hypnotic effect. A little less brutal than "973" but drenched in more reverb, "272" is something like "kicking Deep Techno" with a nod to the Tech House corner in the style of Mark Broom or Joris Voorn.
Mr. Puestel serves up two choice cuts here and there's no question that 973272 will be with us for a while. Buckle up, hold tight and off we go!

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Inhabitants

IGC EP

2LP+CD | 2018 | US | Original (Agitated)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Tachyon Audio is a new vinyl label that’s focused on forward-thinking sounds in the techno realm targeting sweaty, dark places, with large, high-quality sound systems.
Inhabitants make a strong offering with their first EP as a duo, IGC. These two primates are often found inhabiting dark spaces, forging ahead on complex math equations. Their distinct, driving, mathematical, and drumming techno is a result. Expect more solid work from these two mysterious beings on Tachyon Audio as the label continues its progression.
Tachyon Audio is coming out of the gates strong with a diverse EP that touches on three techno sounds that are helping to lead the march forward into the future of sound production. The first Tachyon release comes from the mysterious dark studio of Inhabitants, who’s inaugural release as a collaboration is sure to move feet on a diversity of dance floors. The A-side track, Mut14 (sc8.18 Mix) (A1) is a futuristic pounder that weaves its way into a frenzy with subtle yet penetrating synths that sweep through the soundscape. The simple and sound drumline will keep even the pickiest selectors satisfied. Side A ends with two separate open-source NASA space samples. The first, Iota_20_0.998_h (A2), is the repeating sound of two orbiting neutron stars. The second sample (A3) is two 50 solar mass black holes spiraling into an inevitable collapse, eventually becoming one. These samples are poised for reuse in production and make for good intro and looping material for performances.
The second side of the EP starts with the dark broken beat track, Mut7 (B1), that starts with a solid groove and works its way into a breakdown that captures the mind with a chopped and effected late 1990’s Frankie Bones vocal. By the end of the track you’ll be left wanting it to forge on, as it can flow well with a wide range of techno sub-genres, especially the dark, more broken beat tip. Inhabitants then continue to make their impression with Mut10 (B2), a track molded around an originally crafted 303 line that morphs and builds throughout and creates an atmosphere that separates itself from the remainder of the EP with a lighter, yet heady feel.

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Carlton Melton

Mind Minerals

30,99 €*

12" | 2018 | EU | Original (Chuwanaga)

Release: 2018 / US – Original

Genre: Rock & Indie

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This is the new Carlton Melton album, the first full length release since 2015’s widely-lauded Out To Sea, itself a languid drifting of drones and psychedically-enhanced riffmongering. Admittedly, there has been some long EP releases since: Hidden Lights in 2017 (featuring the immeasurable drone-sike-float on “Rememory”) and Aground in 2016 (a companion, the Desert Island weather beaten psych-flow follow up to Out To Sea). Now its time to soak up Mind Minerals.

This album finds the band in fine fettle: all the songs were recorded and engineered at El Studio in San Francisco by Phil Manley over two days (except “Untimely”), with the studio suiting them—a logical progression from previous weekend recordings out at the Dome. Under Manly’s watchful ear / eye, the band have created a futurescape soundtrack, a 3001 Space Odyssey. The drums are more pounding and direct than ever, the constantly re-assuring bass creates a helping hand of propulsion through the clouds of static and shards of electrifying guitar dazzling the horizon. Synths help soothe the sharp edges and lull one into an out of body experience, while the orchestrated calamitous scree brings one back. This is a breathless, yet deep breathing album.

The core trio of Andy Duvall (drums/guitar), Clint Golden (bass guitar), and Rich Millman ( guitar/synth) have some alchemical bond that’s helped them create a post –rock / psychedelic / freeform organic slab of American Primitivism / space drift, unashamed head-music from the melting pot of Northern California. Five decades ago this album would have been released on the ESP Disk Label or even Apple. Carlton Melton provides the aural microdose to reset your mind and psyche!

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Koji Ono

Incognito EP

12" | 2018 | EU | Original (Veleno Viola)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Sometimes there’s a huge talent out there and you desperately want the whole universe to discover it. That’s pretty much the story of Parisian label Chuwanaga with young French artist Koji Ono, composer and producer of these four precisely crafted gems, recording everything by himself.
Brilliantly mixed by Greita from Disques Flegon, his first EP Incognito is the product of a lot of influences, from Metro Area vibes to the original Britfunk sound. With an inner sense of elegance in the arrangements - something we may link to his Japanese heritage? - The whole EP brings musicality back on the dancefloor.
We believe this could be the beginning of a great story for this talented musician, Koji Ono emerging from the incognito shadow to the whole light of the world.
Don’t miss out!

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Unhuman

Alpha - Omega

12" | 2018 | EU | Original (Groovedge)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Unhuman, founder of Liber Null Berlin, presents 3 twisted cuts of Proto-EBM turbulence with acidic peak, enhanced by a “seek&destroy” remix from the inimitable Charles Manier. The EP closes with a grotesque Synth-Punk track by Aktion Mutante, the upcoming project of Unhuman himself and Violet Poison.

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Franck Gerard

Ambios

2LP | 2018 | EU | Original (Bordello A Parigi)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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New release from the french shop and label Groovedge Records. After a first K7 on the imprint and a recent collaboration with Light On Earth owner’ Sentiments, Franck Gérard delivers AMBIOS, a patchwork of 6 smooth tracks EP. Its kind of braindance and ambiant with delicate drums or sometimes not. synthetisers in the high way, its powerfull and it should your new soundtrack of everyday life.

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Volta Cab

Rise Again

CD | 2018 | US | Original (Dirty Version)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Temperatures are dropping and we’re all feeling the effects. Bordello A Parigi is letting the cold winds of the north swirl inside its doors with Russia’s Volta Cab bringing a fresh 2LP to the table. A spread of influences come together for the eleven tracks of Rise Again. Take “Emerald’s Phantasy”, a piece built on layers of percussion that blends elements of disco with notes of techno. “Dark Room” is a different affair. Arctic chords are cut with electro and distant vocals for an unsettling treat. “Kruger” stomps to a terse beat before lush pads bloom in a work that builds to dizzying peaks. Warm blasts balance these colder moments, the rich grooves of “Savage Fury”, the floor filling funk of “Board Scandinavia” and the removed romance of “Sweet Exorcist” all show another shade to the Volta Cab sound and of course there’s more. Rise Again is an audio collection of vibrant colours and hues, tracks pitch from icy blues to autumnal ambers and fiery reds; a musical kaleidoscope that stretches across a spectrum of styles.

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Apathy

The Widow's Son

17,99 €* 19,99 € -10%

LP | 2018 | US | Original (Sub Pop)

Release: 2018 / US – Original

Genre: Hip Hop

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Featuring Pharoahe Monch, M.O.P., Celph Titled, A.G., Locksmith, Ryu and Diabolic. Production by DJ Premier, Pete Rock, Buckwild, Nottz, Stu Bangas, Chumzilla and more.

After developing a loyal cult following which spans over 15 years worth of catalog, seasoned veteran Apathy unleashes his 6th studio full length, which undoubtedly is one of the biggest albums of his career thus far. The Demigodz/Army of the Pharaohs MC maintains a hardcore vibe with surgically-precise writing and has brought along a who's who of legendary hip hop heavyweights to contribute on the project. Conceptually, the album is steeped within the mysteries of Freemasonry, showcasing songs that touch upon subject matter that only a Master Mason could craft. A theme running throughout the album that evokes intrigue with a sneak peak behind the curtain of an ancient fraternity. The concepts also delve in to the metaphysical, philosophical and spiritual -- Dissecting corruption of the government and holding a mirror to the ills of society, without losing the tradition of classic boom bap hip hop.

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Moaning

Moaning Loser Edition

LP | 2018 | EU | Original (Below System)

Release: 2018 / US – Original

Genre: Rock & Indie

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This Sub Pop Loser Edition is light blue Colored Vinyl! Moaning is a band defined by its duality. The abrasive post-punk trio comprised of LA DIY veterans, Sean Solomon, Pascal Stevenson, and Andrew MacKelvie, began nearly a decade after the three started playing music together. Their impassioned debut album comes born out of the member's experiences with love and distress, creating a sound uniquely dark and sincere. Although the band is just breaking out of their infancy, Moaning's sleek and cavernous tone emphasizes the turmoil of the era they were born into. One where the endless possibility for art and creation is met with the fear and doubt of an uncertain future. Solomon, Stevenson, and MacKelvie initially met as teenagers while growing up in the San Fernando Valley, and immediately developed a kinship through Los Angeles's local music scene. The three began regularly frequenting DIY institutions like The Smell and Pehrspace, eventually selling out dozens of their own shows at both venues with their first few bands. Moaning's conception came when Solomon sent Stevenson and MacKelvie the first demo for "Don't Go," setting the tone for the impulsive songwriting that would follow. The three fleshed out Solomon's primitive recordings, adding in MacKelvie's heavy syncopated drumming, and Stevenson's melodic driving bass and synth parts, capturing each member's personality in their sparse and fuzzed out tracks. Like many of their previous collaborative projects, Moaning forces pain up against pleasure, using the complexity of personal heart break to inform the band's conflicted sound. The band chose the moniker Moaning, admiring the ambiguity the name held, and hoping to reference both an intimate wail and an anguished scream. The band's homemade video for an early, home-recorded version of "The Same" caught the attention of Alex Newport, a seasoned engineer and producer who had previously worked with At The Drive-In, Bloc Party, and the Melvins. With Newport, Moaning began working on the tracks that would make up their self-titled release, employing a lush, open ended production quality that had never been at the band's disposal. Tracks like "Artificial" stand out among the recordings, where Moaning used the studio's recourses to take their frantic live arrangement and give it the intensity merited by Solomon's lyrics. As a whole, Moaning drifts from sentimental to catastrophic, hiding meek and introspective lyrics within powerful droning dance songs, giving sonic nods to some of the band's musical heroes like, New Order, Broadcast, and Slowdive. The band's youthful attitude is met with the weight of topics like loss, routine, and mental health, reflecting the anxiety towards the status quo that much of their generation faces today. Where many young bands take years to find their footing as writers and performers, Moaning has built up a confidence in sound and vision from the ten years of playing basements, bars, and ballrooms together in their previous projects. Yet, even with their polished exterior, Moaning continues to make the sacrifice of deeply personal anecdotes and emotions to their audience for the benefit of their craft.

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Verbal Kent & Superior

Half My Life

12" | 2018 | EU | Original (Dement3d)

Release: 2018 / EU – Original

Genre: Hip Hop

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Limited edition vinyl!
Chicago wordsmith Verbal Kent (Ugly Heroes) and Spanish-German beat maker Superior have joined forces. The resulting full-length album “Half My Life” is set for release via Below System Records. Known for his mixture of verbal gymnastics with humor and everyday pathos, Verbal Kent delivers what might be among his most personal rhymes.
Speaking on the significance of the album title Kent said “Half My Life signifies the amount of time I’ve been at this. I started rhyme writing seriously at 18/19 years old and never looked back. I’ve always felt grounded in my expectations, fame and fortune was never a factor for me. I love making music enough to do it seriously for 20 years now, and I doubt I’ll ever be able to stop.”
Superior’s creative use of psychedelic, rock, soul and funk samples create an eclectic yet cohesive musical backdrop. Some examples of the chemistry include the first single “The Little Things” which is Kent’s version of the love joint (see Common’s “The Light”) but
more in Seinfeld territory. Sample lyric “Dr. Kirschenbaum’s my dentist and now he’s your dentist and that goes for any practitioner of medicines.”
Tracks like “Classic Shit” and “For The Love” are deeply biographical tracks while there is also straight quality emceeing tracks including “Go Get The Dank” and “Steven Hawking Walking”. Guests that get it in on the album include Vic Spencer, Sonnyjim, Recognize Ali and Lance Ambu.
Initially linking up on a track on Superior’s album “The Journey” (released early 2017) the duo realized that they were a good combination. Speaking on the album process Kent said “when Superior started sending me beats I started realizing his beats are emotional, so I let them lead the way as a result a lot of the content is reflective.”
The budding of a serious team for boom bap lovers, Superior and Verbal Kent were able to link up in person this summer and perform at Hip Hop Kemp, one of Europe’s biggest festivals. “More on the way” Kent adds."

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Coldgeist

Unknown Bodies

LP | 2018 | EU | Original (Erased Tapes)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Coldgeist's music on Unknown Bodies is an intimate reinterpretation of coldwave, techno and dark ambient codes, uttered with strength, guts, and an underlying romantic soul. Inspired by nocturnal runs of "bosozoku" bikers clans, who stem from this japanese subculture of the late seventies ; Coldgeist has created a series of soundscapes and songs that evoke speeding through foggy nights and fluorescent lights. Haunting repetitions and stiffness of the rhythms as a metaphor of mechanical gestures, of bodies turned into units of consumption, stranded from the life and passion they crave. The frustration of a youth that only finds relief in extreme experiences, danger, and the sexual tension of speed and crashes. With analog and digital instruments, field recordings but also his own voice and songs, Coldgeist has bred a truly unique record.

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Rival Consoles

Persona

12" | 2018 | EU | Original (Anagram)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The title ‘Persona’ was inspired by Ingmar Bergman’s film of the same name, specifically a shot in the opening credits of a child reaching out to touch a woman’s face on a screen, which is shifting between one face and another. This powerful image struck Ryan and it inspired the album’s main theme — an exploration of the persona, the difference between how we see ourselves and how others see us, the spaces in between; between states, people, light and dark, the inner persona and the outer persona.

“My music is generally inward looking. I like finding something about the self within music, that doesn't have to be specific but maybe asks something or reveals something. This record is a continuation on the self through electronic sounds. Like Legowelt once said ‘a synthesiser is like a translator for unknown emotions’, which I think sums up what I am trying to do. I think all these emotions we have make up our persona. So in a way by finding new ones you alter or expand your persona. And that is what I want my music to try to do. I deliberately aimed to be more sonically diverse with this record. I wanted to experiment more. I wanted to create new sounds and new emotions.” — Rival Consoles

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Sinfol

Pull Back

12" | 2018 | EU | Original (Bordello A Parigi)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Amsterdam based label Anagram readies label co-founder Sinfol's first solo release in three years entitled 'Pull Back'. The release, which features four passionate tracks, sees the light of day in the beginning of April. Since the launch of Anagram three years ago the label has put out a steady flow of releases from artists such as Anetha, Octual, Stefan Vincent, Elad Magdasi and Haze. However, the imprint has also acted as the main platform for Sinfol's own productions. Blurring the line between various subgenres, the Dutch artist is an eclectic one and meanders between acid, house, techno and more. The chords and arpeggios set the mood in 'Life Off Measure' where robotic elements rise to meet them, carving the way for 'Result' with its oscillating tones, clap fueled percussion and three-o-three licks. 'Pull Back' is packed with a thunderous energy that's intertwined with Sinfol's soulful vocals and ethereal synths, before swaying into deep house territory with 'Exhale'. The track's rolling bass, broken drums and twinkling melodies round off the latest instalment on the rising Amsterdam label off in a graceful manner.

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Light Cycles

Flowing

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Auke Riemersma (aka Aux Tha Masterfader). Erio Simonini and Gilberto Caleffi (aka Disco Doubles). Together this partnership from The Netherlands and Italy form Light Cycles, a trio raised on sci-fi sound tracks and smouldering synth anthems. These influences are omnipresent in the group’s debut 12”: Flowing. Addictively catchy hooks and clean beats are central to the Light Cycles’ sound with their dazzling melodies glimmering across the 12”. Elements of disco are folded into these spirited compositions as this forward-looking triumvirate marry past inspirations with a hope-filled future. Seamless radiance. Simply put, Flowing.

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LP+CD | 2018 | EU | Original (Jukebox Music Factory)

Shake-O-Rama Volume 2

12" | 2018 | EU | Original (Made In Thailand)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Impatience peaked, the music-loving hordes could no longer wait. While the 'Beach' 'n' 'Strip' compilations had been followed up, the inaugural 'Shake-O-Rama' remained sadly single. But today the sun shines again, with these 16 songs of pure unadulterated pleasure for dancefloor boogie bugs and groove-a-gogo grandees!

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Made In Thailand

Veil Of Light & Sleep Forever

Release: 2018 / EU – Original

Genre: Electronic & Dance

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While the info may be light on detail, the music is heavy on vibe.

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Apnea / Deter

12" | 2018 | EU | Original (Lux Rec)

Idris Ackamoor & The Pyramids

Release: 2018 / EU – Original

Genre: Electronic & Dance

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After a long hiatus, Lux Rec is ready with its next release. Veil Of Light and Sleep Forever, both from Zürich, share the two sides of LXRC32. Music for broken, estranged, regretful times. Shipwrecked and completely obliterated. This is the first part of a series of three, called Unsung and Defeated, which focuses on local musicians delving in the darkest possible corners of electronic music.

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An Angel Fell

2LP | 2018 | EU | Original (Strut)

A Parade, In The Place I Sit, The Floating World (& All Its Pleasures)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Strut presents the brand new album from cosmic jazz travellers The
Pyramids, led by saxophonist Idris Ackamoor, ’An Angel Fell’. “I wanted to use folklore, fantasy and drama as a warning bell,” explains Ackamoor.

“The songs explore global themes that are important to me and to us all: the rise of catastrophic climate change and our lack of concern for our planet, loss of innocence and separation... but positive themes too, the healing power of music, collective action and the simple beauty of nature.”

Produced by Malcolm Catto of The Heliocentrics, the album was recorded during an intense week at Quatermass studios in London and is one of the deepest, richest works yet from a band reaching their highest creative peak since the early ’70s. Some of the many highlights include the poignant title track depicting a fallen angel in purgatory, outrage and grief on the powerful, hard hitting ‘Soliloquy For Michael Brown’ and the lilting, beautiful album closer, ‘Sunset’.

The Pyramids originally came together in 1972 at Antioch College, Yellow Springs, Ohio where teachers included renowned pianist, Cecil Taylor.

After forming in Paris and embarking on a “cultural odyssey” across Africa, the group recorded three independent albums, ‘Lalibela’ (1973), ‘King Of Kings’ (1974) and ‘Birth / Speed / Merging’ (1976) and became renowned for their striking live shows, mixing percussive, spiritual and space-age jazz with performance theatre and dance. After migrating to San Francisco, they disbanded in 1977. 35 years later, the band reunited in 2012 following growing demand for their music from vinyl collectors.

German label Disko B released the freeform album ‘Otherwordly’ and in 2016, they released their first album for Strut, the acclaimed ‘We Be All Africans’.

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Loidis (Huerco S)

12" | 2018 | EU | Original (Anno)

14,99 €*

Hundred Acres Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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New twelve on Hank Jacksons Anno label by Loidis aka Huerco S. aka Pendant aka The Royal Crown of Sweden.

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S. Carey of Bon Iver

LP | 2018 | US | Original (Jagjaguwar)

Release: 2018 / US – Original

Genre: Rock & Indie

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12" | 2018 | EU | Original (Lovedancing)

Will Buck & Prtmnto

Soul Sides EP

LP | 2018 | EU | Original (Sharpeye)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The long awaited EP by Will Buckley finally comes sees the light. Soul Sides EP showcases Will's search for a perfect loop with three originals and a super smooth remix courtesy of Parallax, PKA C.Scott and Buscrates. Each original was mixed by Lovedancing's own, Pontchartrain.

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Rhythm Rhyme Revolution

24,99 €*

Go Down Judas Feat. Ricky

Release: 2018 / EU – Original

Genre: Organic Grooves

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Rythm Rhyme Revolution LP #1 (Gareth Tasker & Barrie Sharpe): Gareth plays and Barrie produces. Their sound is individual - based upon the funk of the early 70s: however, with a totally modern production. The clean unique Sharpe production places every part of the puzzle into the correct space: “every note is audible”. They are accompanied by the understated, haunting jazzy horn of Kenny Wellington (Beggar & Co / Light Of The World). Fritz Catlin (23 Skidoo) adds the final edge with his Studer 169…

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Sex Judas

2LP | 2018 | EU | Original (Optimo Music)

18,04 €* 18,99 € -5%

CD | 2018 | EU | Original (Kompakt)

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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It’s the return of the sexual vigilante Sex Judas and his trusted sidekick Ricky. This time in full album mode. Norwegian producer Tore Gjedrem of Ost & Kjex fame, channels his love of comix, bohemia and fascination with human vice, the unspoken, the Red Light districts, the alleys of the mind into his alter ego. Sex Judas is no bad character but certainly says what it’s author cannot. “I wanted to create a world where any musical idea is possible, wound together by the world and word of Judas, the ultimate sinner, reborn as a child of Venus.” Inspiration ranges from Africa to 80’s NYC, from Bohannon to Quasimoto, from Norwegian New Wave to Acid House. With contributions by friends in the Oslo scene as hometown legend Dj Pål Strangefruit Nyhus, composer Ole-Henrik Moe, jazzpianist Bugge Wesseltoft, Sidiki Camara from Mali playing that beautiful Ngoni, and multi instrumentalist Ivar Snuten Winther, the album touches anything from blues, funk, disco and post-punk to IDM, acid house and electronic explorer music.

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GAS

Rausch

14,99 €*

2LP | 2018 | EU | Original (Kompakt)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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All formats contain the full version of „Rausch“. The album is meant to be heard from beginning to end as a whole. It has been track marked or separated due to format restrictions. Rausch with no name / My beautiful shine / You are the sun / This is where I want to be / Rausch with no morning / This is where we burn / The Stars sparkle / In a sea of flames / Horns and fanfares / Fanfares of joy / Fanfares of fear / The wine we drink through the eyes / The moon pours down at night in waves / Careful with that axe Eugene / Personal Jesus / No beginning no end / Eighteenth of Oktember / The night falls / The king comes / The hunt starts / Freude schöner Götterfunken / The long march through the underwood / Trust me there’s nothing / Once upon a time there was a bandit / Who loved a prince / That was long ago / Spring Summer Fall and Gas / There is a train heading to Nowhere / Drums and Trumpets / Future without mankind / Warm snow / Alles ist gut / The bells toll / You are not alone / The murmur in the forest / The murmur in the head / Light as mist / Heavy as lead / Music happens / To flow like gas / A clearing / Heavy baggage / Debut in the afterlife / Death has seven cats / World heritage Rausch / Finally infinite. Wolfgang Voigt 2018

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GAS

Rausch

29,99 €*

No Brainer Yellow Marbled Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A download code is included.

All formats contain the full version of „Rausch“. The album is meant to be heard from beginning to end as a whole. It has been track marked or separated due to format restrictions. Rausch with no name / My beautiful shine / You are the sun / This is where I want to be / Rausch with no morning / This is where we burn / The Stars sparkle / In a sea of flames / Horns and fanfares / Fanfares of joy / Fanfares of fear / The wine we drink through the eyes / The moon pours down at night in waves / Careful with that axe Eugene / Personal Jesus / No beginning no end / Eighteenth of Oktember / The night falls / The king comes / The hunt starts / Freude schöner Götterfunken / The long march through the underwood / Trust me there’s nothing / Once upon a time there was a bandit / Who loved a prince / That was long ago / Spring Summer Fall and Gas / There is a train heading to Nowhere / Drums and Trumpets / Future without mankind / Warm snow / Alles ist gut / The bells toll / You are not alone / The murmur in the forest / The murmur in the head / Light as mist / Heavy as lead / Music happens / To flow like gas / A clearing / Heavy baggage / Debut in the afterlife / Death has seven cats / World heritage Rausch / Finally infinite. Wolfgang Voigt 2018

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Coops

12" | 2018 | EU | Original (High Focus)

38,99 €*

Tracyanne & Danny Peak Edition

Release: 2018 / EU – Original

Genre: Hip Hop

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Tune after tune, Coops consistently delivers truly original and unique music, his newest single 'Jetpack' taken from the recently announced 'No Brainer' project is no exception. Twist up a paper plane and take flight with Coops as he transports us out of the mundane into completely uncharted territory with this perfectly executed audio/visual experience. At High Focus Records, we are firm believers in artistic freedom, so when an artist as versatile as Coops delivered this 14 track project, it was a ‘No Brainer’ to share these highly innovative creations with the world.
'Jetpack', alongside previous singles 'That J azz', 'Bob Dylan' & 'What You Want' can all be found on Coops' forthcoming 'No Brainer' project which is now available to pre order on limited edition splatter vinyl, CD, cassette tape and on all digital platforms. This forthcoming record showcases Coops' versatility and creative approach to his craft displaying a broad palette of sounds and moods. The cosmic cover art shows the two sides of the brain, representing the different approaches Coops has taken when crafting this project, ranging from experimental modern soundscapes to that classic Hip Hop sound. 'No Brainer' isn’t really a album but more an experiment... I made most of these tracks alongside music I'd been making for an album... People have always tried to categorise me as a "Boom-Bap artist" but that I have never been. I am constantly making music of different styles and never work on one project at a time. Sadly some of these tracks never see the light of day, even though they are still of high quality and sick, so this time it was a No Brainer' that I put some of these tracks out.' - Coops

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Tracyanne & Danny

LP+7" | 2018 | US | Original (Merge)

25,99 €*

12" | 2018 | EU | Original (Housewax)

Release: 2018 / US – Original

Genre: Rock & Indie

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Peak Edition LP is double gatefold jacket & poly sleeve + opaque red vinyl + black 7-inch + LP3 coupon. Qty ltd to 3,000 worldwide. Tracyanne & Danny is a new collaborative project between singer-songwriters Tracyanne Campbell (Camera Obscura) and Danny Coughlan (Crybaby). Tracyanne hails from Glasgow, Scotland. London-born Danny is based in Bristol, England. Their paths first crossed in 2013 when introduced by mutual music industry pals. Tracyanne dug Danny's Crybaby album (released on Helium Records) and invited him to open some Camera Obscura shows in the UK. Mutual artistic respect led to the swapping of song ideas, but tentative plans to work together were set aside while Camera Obscura wrote, recorded, released, and promoted their fifth album Desire Lines. Following the death of Camera Obscura's Carey Lander, all band activity stopped. Time passed. Tracyanne and Danny revisited the idea of collaborating. A pool of songs were honed and crafted. On the suggestion of their manager (and Teenage Fanclub drummer) Francis Macdonald, they recorded at Clashnarrow, a studio in Helmsdale in the highlands of Scotland owned by the esteemed Edwyn Collins. Sessions took place throughout 2016 and 2017. Edwyn co-produced along with engineer and multi-instrumentalist Sean Read (Dexys). They had the use of Edwyn's vintage gear (including the guitar pedal which features on his global hit "A Girl Like You") as they invoked a range of shared influences: The Roches, Dion, Lou Reed, The Flamingos, Serge Gainsbourg, Santo & Johnny, and The Style Council. Edywn pops up with a guest vocal on first single "Alabama," an intentionally "joyous" tribute to Tracyanne's late friend and band mate Carey Lander. Tracyanne & Danny is not a diverting curio or a wee stop on the road to someplace else. It is a shared artistic aesthetic, forged over time. They have figured out how to fit round each other and work together, creating a rewarding musical synergy. There will be more songs.

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Daniela La Luz

Did You Ever Remixes

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Parallel Berlin head Daniela La Luz returns to her home away from home, HOUSEWAX with a few friends to rework her modern classic, "Did You Ever". Originally released in 2014 "Did You Ever" was an instant classic amongst decerning house heads, but it was when Detroit legend, Moodymann dropped it as closing track on his DJ Kicks compilation the year later. The light well and truly spun onto La Luz and her sublime approach of house and techno. Now to kick off 2018 Housewax have invited Virgo 4, Dah Ruh and Cinthie to offer their spin on "Did You Ever". Together they each offer 3 unique takes from house to deep techno, yet managing to stay true to the soulful flavor of the original.

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Welcome To Paradise: Italian Dream House 90-94 Volume 3

2LP | 2018 | EU | Original (Safe Trip)

27,99 €*

The Pawnshop White Cover Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Safe Trip is taking one final deep dive into the warm waters of Italian dream house with Welcome To Paradise Volume 3, the concluding chapter in the label’s journey through the previously overlooked world of one of dance music’s most vibrant and influential underground movements.
While the influence of dream house continues to echo through the ages, the style was at its peak between 1989 and ’94, when producers across Italy delivered a high volume of loved-up, wavy and occasionally blissful productions that fused contemporary deep house tropes – most notably from Chicago, New York and New Jersey – with elements borrowed from ambient, jazz and Balearica.
It’s this six-year period that provides the focus for Welcome To Paradise Volume 3, which draws together a spine-tingling mixture of sought-after classics, unheralded gems and little-known delights from the original Italian dream house movement.
Thrillingly, Welcome to Paradise Volume 3 co-curator Young Marco has managed to source two previously unreleased tracks during the dream house period: the gently unfurling, sunrise-friendly bliss of Jacy’s “Resounding Seashell” and a special “Longer Edit” of Neurostate’s brilliant “Dance To The House”, a track that – somewhat surprisingly – has never previously been issued on vinyl before.
Elsewhere, there are plenty of treats to set the pulse racing, from the must-have deep house brilliance of Leo Anibaldi’s “Universe” – a rare foray into dream house territory from the Italian techno pioneer – and the Afro-bleep-goes-dream-house trip of Golem’s “Sun City”, to the cowbell-driven, New Jersey garage-influenced warmth of Deep Choice’s “Children Trip” and Cosmic Galaxy’s “Walkin’ On The Moon”, a Detroit techno-influenced outing with a deliciously saucer-eyed, extended ambient intro. You’ll also struggle to find a more inspired house record than Green Baize’s “Tramp Heart”, which mixes familiar dream house elements with spacey electronics and tribal chants that recall Italy’s early ‘80s Afro-cosmic scene.
It all adds up to another essential selection of rich, glassy-eyed dream house treats tailor-made for sound-tracking drawn-out Adriatic sunsets, Mediterranean sunrises and loved-up parties the world over.

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Braen / Raskovich / Kema

12" | 2018 | EU | Original (Four Flies)

The Pawnshop Black Cover Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Limited to 300 copies.

The obscure early 70s combo formed by Alessandro Alessandroni, Giuliano Sorgini and Giulia De Mutiis is finally back to the light with this amazing 12'' EP with all their works, including an unreleased gem buried in the archives until today and recorded in the same session of the legendary "Telegraph is Calling" and "My Shade".

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Braen / Raskovich / Kema

12" | 2018 | EU | Original (Four Flies)

12" | 2018 | US | Original (Dark Entries)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Miss Kittin & The Hacker

Lost Tracks Volume 2

NYX EP Keith Carnal Remix

Release: 2018 / US – Original

Genre: Electronic & Dance

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Miss Kittin & The Hacker are the Electro duo of Caroline Hervé and Michel Amato from Grenoble, France. The pair met during the early 90s at a rave and soon after bought turntables and began DJing. In 1996, they started writing music heavily influenced by 1980s synthpop and post-punk bands like Fad Gadget, DAF, Liaisons Dangeuresues, and Yazoo, as well as Italo Disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. Upon hearing their demos DJ Hell signed them to his Munich-based International DJ Gigolo label and released their first 2 EPs in 1998 and 1999. Their debut album ”First Album" was released in 2001 followed by . in ?.

“Lost Tracks Vol. 2” contains 4 previously unreleased demos recorded between 1997 and 1999. The duo fused 80’s European New Wave/Italo Disco with 90’s Detroit Electro acts like Le Car and Dopplereffekt. By utilizing verse-chorus structures, they playfully shook up the loop based hard techno and electro that was popular at the time. Their studio set up at the time was a Korg MS-20, Roland SH-101, TR-606, TR-808, Siel DK80, and Boss DR-660 drum machine. The songs are direct, spontaneous, seemingly improvised in places. Miss Kittin sings about falling in love in the new millennium, snuff movies and controlling the unknown trip to death, all in her cheekily derisive French accent. All songs have been transferred from the original DAT tapes by the band and remastered for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a glossy jacket featuring a black and white photo of the duo taken in 1996. Each LP includes a postcard with liner notes from Miss Kittin and The Hacker designed by Eloise Leigh. As Miss Kittin says of these demos, “We were naive, innocent, adventurous and we didn’t expect anything in return”

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Sad Girl

12" | 2018 | EU | Original (Mary Go Wild Black)

LP | 2018 | US | Original (Slumberland)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Sad Girl delivers her first EP on Mary Black. Nyx is the personification of the night and was born out of chaos. A shadowy figure like the mysterious Sad Girl herself. Standing at the beginning of creation, Nyx mothered Aether (brightness),Hypnos (sleep) and Oizys (pain), being the titles of the three original tracks. Keith Carnal did a fantastic remix of Oizys on the flip and completes this dreamy yet forceful trip from the darkness into the light and back into black.

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Tony Molina

Kill The Lights

12" | 2018 | EU | Original (Passport To Paradise)

Release: 2018 / US – Original

Genre: Rock & Indie

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With his brilliant new album "Kill The Lights," West Bay native Tony Molina continues his artistic evolution, steadily moving away from raging Weezer/Teenage Fanclub-style power-pop nuggets fueled by shredding guitar pyrotechnics and Tony's ironclad DIY HC roots to mostly acoustic arrangements that owe as much to "Horizontal"-era Bee Gees and the Fanclub's mellower moments as they do to Georges Harrison and Martin. From the Byrds-y opener "Nothing I Can Say" to the subtly wrenching "Wrong Town" and the gorgeous folk-picking of "Now That She's Gone" we hear Tony synthesizing his influences with great skill and intention These classic folk and pop styles are being employed in the service of stellar songs and universal lyrical truths, reflecting a dedication to craft combined with an intense commitment to self-expression that transcends simplistic genre boundaries and is totally true to Tony's DIY punk roots.

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Loud E

Volume 1

11,19 €* 13,99 € -20%

Ordinary Corrupt Human Love Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The folks at Passport to Paradise deliver more exotic sounds from the farthest reaches of Earth and beyond, for your aural pleasure. Your concierge today is cosmic disco maverick Loud E, taking us from 123 to 456 to 789 in a masterclass of disco edit wizardry. Step inside the elevator...
The doors close. Loud E welcomes you with '123', flicking gears and switches while offering you a space mojito. It's a smooth ascension; suddenly, the elevator wobbles and the lights blink to the beat of 124bpm. Still with us? We land on '456', and the doors creak open to reveal the orange surface of Mars.
Space dust floats around a disco ball; strobe lights penetrate the atmosphere. By '789', you're seeing stars - literally. Loud E takes us from nought to sixty in the blink of an eye, or perhaps the stamp of a passport. Three cosmic cuts for the more enlightened of dancefloors.
Join the Passport to Paradise ride, but be careful - you might never come.

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Deafheaven

2LP | 2018 | EU | Original (Epitaph)

LP | 2018 | UK | Original (Ndeya)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Deafheaven’s new album, Ordinary Corrupt Human Love, finds them working with old friends again. The Jack Shirley-produced and Nick Steinhardt-art directed (of Touché Amoré) collection gets its title from Graham Greene’s novel The End of the Affair, referencing a moment when someone is looking for love, in all of its
imperfection and simple beauty. This sentiment is carried throughout the hazy, yearning romanticism of the record with song titles and words as sumptuous as the sounds around them. Clarke describes the composition of Ordinary Corrupt Human Love beginning with “small seeds of healing, repair, and rebirth,” and like each subsequent Deafheaven album, this record is, in fact, a revelation.
Defeat has inspired some of our best art. If you survive something terrible, you surface on the other side, walk toward the light, and come back to life. If you’re an artist, this kind of new self-knowledge can lead to creating something universal and remembered, something that can live longer than you do. While Deafheaven have managed to cross over this road in the past, they’ve nailed the feeling wholly with Ordinary Corrupt Human Love, a feeling that comes with experience and wisdom.
Yes, everybody deals with hurt, everybody’s been the cause of their own implosions, and everybody has the capacity to overcome and love again. Deafheaven have found a way to externalize all of this, and in making their most complete record to date, they turn it into a balm and a cathartic exorcism.

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Jon Hassell

Listening To Pictures

31,99 €*

Release: 2018 / UK – Original

Genre: Organic Grooves

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12" | 2018 | EU | Original (Stripped Down)

Claudio Rricci

Warschauer Strasse

8,99 €* 11,99 € -25%

12" | 2018 | EU | Original (Unknown To The Unknown)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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With new track 'Warschauerstrasse', Claudio Ricci has created an expansive seven minute workout of twisted synths and deep house drums. The first remix comes from long time techno heavyweight Timo Maas and the prolific and inventive Basti Grub. Their singular remix speeds up the original and layers in fluttering toms and percussive sounds as well as broad, groaning synths and the distant sound of a bustling city at rush hour. Sudam label boss and Ibiza based artist Kintar flips the track into something spacious and haunting. Eerie keys and sweeping synths keep you on edge as the rubbery techno groove rolls on into the night. Bulgarian based Metodi Hristov loves to experiment and has a distinctive techno style that gains support from the likes of Richie Hawtin, Carl Cox and Adam Beyer. In his hands the track becomes a peak time tech banger.

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Stratton

Dance Trax Volume 15

7" | 2018 | US | Original (Star Creature)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Stratton released two of last years stand out 12s on Natural Sciences & Of Paradise. Here he debuts on Dance Trax with 4 jackin house slammers.. ready to light up dancefloors all summer long.

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Family Of Geniuses

Let's Not Start A Fight

Panic in Fort Greene Park EP

Release: 2018 / US – Original

Genre: Electronic & Dance

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Seven piece boogie band from Chicago with their debut on Star Creature featuring peak floor filler "Let's Not Start A Fight" on the A side plus a nice cover of E Live's "Do Me Like That" on the flip. Uptempo party funk just in time for the summer.

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The Juan MacLean

12" | 2018 | EU | Original (Razor-N-Tape Reserve)

15,99 €*

2LP | 2018 | UK | Original (Ninja Tune)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Veteran NYC producer and DFA regular Juan MacLean hops on the RNT wagon for a rolling EP of drum-machine driven grooves for the Reserve sub-imprint. The record starts with the peak-time stomper Fine Time, building exquisite tension and release through looped and filtered samples, and then moves on to the boogie-infused swing of Don't Stop For Nothing. Everybody Clap leads off side B with a soulful and string-laden vocal over a bouncing hi-hat-focused house arrangement, and the EP closes out on the dubbier tip with the eponymous Panic In Fort Greene Park, a synthy and smooth slow burner. All around beautifully produced and eminently playable, Señor Maclean has made himself a most welcome addition to the Razor-N-Tape family with this dynamic EP.

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Helena Hauff

Qualm

27,99 €*

12" | 2018 | EU | Original (Bokeh Versions)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Helena Hauff cracks through the ice with Qualm, her new album for Ninja Tune. Titled after the German word “Qualm” (kvalm) which translates as fumes or smoke, this murky feeling runs through the album’s intended lo-fi production quality and translates Hauff’s sound as electro with an uneasy feeling of doubt, worry, and fear, especially about one's own conduct.

Widely regarded as one of the leading lights within the darkened expanse of modern EBM DJs and producers, Helena Hauff has consistently throughout her DJ sets and records created an entire universe of dystopian electro, acid and post-punk techno. Having already racked up releases and mixes for PAN, Blackest Ever Black, Dark Entries, Bunker, and Werk, by this point in her career it would be easy for Helena Hauff to take a step back when locked in the studio and knock out ten or eleven tracks of crunchy loops and distorted acid b-lines. Yet Hauff does exactly the opposite, submerging herself in twelve tracks of raw electronics, that then emerge above ground to soundtrack your own street-level science fiction.

Having spent some proper time with Qualm, we'd say it’s probably the most cohesive and enjoyable record Helena Hauff has put out yet. Treating her productions with the same vigour as her extensive DJ sets, Hauff lays the blueprint for each track with a crushing drum beat that plays on while she searches out new and inventive ways to build up vast blocks of tightly built acidic electro, all put right by her modus operandi of jamming on her collection of machines. In her own words, Qualm is about “trying to create something powerful without using too many instruments and layers”.

Hypnotising yet cutting throughout, Qualm is like a nightmarish vision of the day to day ambience of the Kowloon walled city that is created after dark.

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The Bush Chemists

I Came I Saw Remixes

Ego Death / East Liberty Quarters - Mids

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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The first vinyl appearance of 'I Came I Saw' from 90s steppas legends the Bush Chemists (which appears as a bonus track on some CD editions of the now-classic Light Up Your Spliff LP).
Comes with a typically screwed jungle refix from Bokeh staples Seekersinternational + a ragga noise deconstruction from Bristol's industrial terracorps Bad Tracking (FuckPunck / Mechanical Reproductions).

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Trailer Limon & Max Kane

7" | 2018 | US | Original (Omega Supreme)

14,99 €*

2LP | 2018 | US | Original (Hit & Run)

Release: 2018 / US – Original

Genre: Organic Grooves

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41Funk Crew and Bay area legend MAX KANE teams up with one of the Bay's rising star's and one of most versatile musical talents TRAILER LIMON, combining their superpowers to put their stamp on the next wave of modern Funk with "EGO DEATH". MAX KANE rolls out a masterful arrangement that commands your attention and has us walking in rhythm with drums that slap, a rubber bassline with a boogaloo bounce and laser lead synths lighting up the path for TRAILER LIMON to complete the sonic funk baptism with his flawless voice and even more powerful message. This might be the opening single for any funk night trying to achieve and complete FULL FUNKALATION!

After transformation comes pure love and that's exactly what EAST LIBERTY QUARTERS delivers with "MIDS" a beautiful arrangement with their classic delicate abilities that shine light and open up the horizon to pure sonic bliss. After a short break this masterful trio returns with a enchanting and hypnotic groove that builds up with ice cold synth arrangements and then bodies you with warm basslines sewed together with flawless drums. MIDS way through you realize you have fully left planet earth and you are now on the EAST LIBERTY QUARTERS MOTHERSHIP, enjoy the glide!

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Jeremiah Jae

DAFFI

28,99 €*

LP | 2018 | US | Original

Release: 2018 / US – Original

Genre: Hip Hop

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Jeremiah Jae (aka Black Daffi) is an experimental hip-hop artist born and raised on the south side of Chicago. He is a visual artist, producer, emcee and founding member of Black Jungle Squad, a music collective consisting of close friends and family. Early works by Jae dating back to 2007, display his unique style and approach to crafting his own version of “hip-hop”. The genre is one of many foundations the artist uses to communicate his range of styles as shown on previous self-released albums, compilations and collaborations (Holy Smoke, Oliver The 2nd, L’Orange, CohenBeats, PBDY), as well as praiseworthy offerings on Brainfeeder and Warp Records. With his newest solo album DAFFI, Jae expands on his production and speaks in the persona of his alter ego to express a darker side. The 16-track self-produced album was recorded in both Chicago and his Los Angeles home studio The Black Light. Contributions by fellow Black Jungle Squad brethren Oliver The 2nd (“Backpacks”), The Koreatown Oddity (“Figure Skating”), Busdriver (“In Da Zone”), Karenbe (“All Me”), and his legendary band leader and musician father Robert Irving III (“Nefertiti”) help carry the album to exalted heights and somber lows. It is with much merit for anyone to experience such a wide range of emotions, yet return to an even heightened state of artistry with such artistic beauty and grace. Jeremiah Jae’s DAFFI will be released with Los Angeles artist crew HIT+RUN assisting with the glorious double vinyl offering (plus 16-page full-color art book featuring stunning supplementary graphic work by Jae) with collectible one-of-a-kind screenprinted jackets. All of the double 12” vinyl of this modern classic include five bonus tracks (“Bells”, “Field”, “Harpoon”, “Know You” ft. Trent Truce, and a Jae remix of “Streetwatchers”) not available on the digital release.

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Haze & Evilldewer

Outer Limits

28,99 €*

LP | 2018 | EU | Original (One Little Indian)

Release: 2018 / US – Original

Genre: Hip Hop

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Another dope duo from Boston city, rapper Haze and beatmaker EvillDewer made this original boom bap album named Outer Limits featuring Paranom & Josh Bliss Lighten. A journey into a psychedelic world with some ethereal instrumentals composed by EvillDewer with harsh lyrics and dope flow from Haze. Limited to only 300 copies

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Manu Delago

Parasol Peak

Release: 2018 / EU – Original

Genre: Soundtracks

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Here We Go Again / Jam, Jam, Jam (All Night Long)

People's Choice

12" | 2018 | EU | Original (Philadelphia International)

15,99 €*

LP | 2018 | US | Original (Innovative Leisure)

Release: 2018 / EU – Original

Genre: Organic Grooves

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A classic slice of Philadelphia funk from People's Choice, officially remastered and reissued for 2018.
‘Here We Go Again' is a definitive, feel-good disco stomper combining a full frontal bassline, infectious keys and staccato guitar licks that effortlessly build and build throughout the track. Cries of 'Here We Go Again' ring out at it's peak epitomising the feeling that this groove could last forever.
Keeping up that perpetual good time groove the B side houses the mighty 'Jam, Jam, Jam (All Night Long)'. A track doused in the funk, from the rugged vocals to the addictive hooks, it'll worm it's way into your head for weeks.

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The Molochs

Flowers In The Spring

Still Cyco Punk After All These Years Black Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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First, let’s meet back up with the Molochs—you remember them, right? Their America’s
Velvet Glory was the earliest burst of light and energy to hit in 2017, an album of electrified
rock ‘n’ roll like Dylan and Lou Reed by a band named after the Ginsberg-ian glutton god
who demanded the sacrifice of all things good and pure. But now it’s 2018 and Moloch
himself is fatter and happier than ever, so the Molochs couldn’t just make another record.
After Glory showed the world who they were, they needed to make an album that showed
what they could do. So Flowers In The Spring is where the Molochs worked harder, thought
harder and fought harder to be the kind of band that the times demand: “I like to think the
world just needs some good solid songs out there,” founder Lucas Fitzsimons says. “It’s
simple. It’s not easy … but it’s simple.”
America’s Velvet Glory, their first-ever record for L.A.’s Innovative Leisure label, had sparked
their first-ever U.S and European tours, first-ever festival sets, first-ever international press
and more. (Top music mag Mojo even said they’d made one of the year’s best albums—“Any
year!”) Follow-up Flowers bloomed almost exactly a year later at Long Beach’s Jazzcats
studio between December of 2017 and January of 2018, where Fitzsimons and longtime
band member Ryan Foster had recorded Glory. By the time they’d returned, they had a slate
of songs that had come to Fitzsimons in flash moments, written on nerve-wracking
transcontinental flights or on isolated nights in an L.A. apartment, captured at once in bursts
of insight or rescued from almost-abandonment in discarded notebooks.
As on Glory, inspiration from Syd Barrett, Dylan, Nikki Sudden and kindred spirit Peter Perrett
of the Only Ones was at work, but the Molochs are endlessly (appropriately?) ravenous when
it comes to things to read and listen to and learn from. On Flowers they’d refine and
recombine their sound, working in that long tradition of poets who cover (or discover)
themselves in pop songs. “To Kick In A Lover’s Door” blows Flowers open with the wit and
precision of the Go-Betweens, and “I Wanna Say To You” draws more from some of
Creation Records’ dreamiest dreamers than it does from any esoteric 60s howlers. “Flowers
In The Spring” and “Pages Of Your Journal” could be two lost Kinks singles from two
different Kinks eras—that Ray Davies-ian venom stays the same, of course—and the
charming/disarming “Too Lost In Love” makes feeling down sound like cheering up, just like
the Clean did.
Yes, they do have their first-ever string section here, and that could confuse some people.
(“People go, ‘Wow, it sounds more mature.’” says Fitzsimons. “What kind of boring shit is
that?”) But Flowers isn’t a grown-up album or a show-off album or a break-up album or a
just-had-to-make-another-album album because the Molochs don’t pick targets that tiny.
Love and disgrace and life and death blur and bleed into each other, but at the core of
Flowers is a story about standing against the inhuman by being more human, however
messily honest that needs to be. (Or like Fitzsimons sings at the end of the record: beware
that “determination by a whole / to destroy the human soul.” Funny how that comes in a
song where he claims he can’t explain everything that happens to him, because he sort of
just did.) So consider their new Flowers In The Spring a meticulously plotted counterattack
against all things Moloch-ian, with clear, concise, immediate, undeniable, simple, direct pop
songs, says Fitzsimons, each sharpened enough to cut through anything it touched. That’s
what he needed to do, he says, because that’s what felt most true. Maybe it really was that
simple, even if it wasn’t easy. Like he’d explain in a song with just seven words: “There’s
something I wanna say to you.”

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Suicidal Tendencies

LP | 2018 | EU | Original (Suicidal)

27,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Music Save Me (One More Time)

Mocky

LP | 2018 | EU | Original (Heavy Sheet)

LP | 2018 | US | Original (Sub Pop)

Release: 2018 / EU – Original

Genre: Pop

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Compilation of so far digital only/unreleased or japan only tracks by the canadian producer Mocky, who most recently co-produced/co-wrote Feist's „Pleasure“; Joey Dosik's „Inside Voice“ and Kelela's „Take Me Apart“. Featuring guests Jamie Lidell, Chilly Gonzales, Joey Dosik, Pegasus Warning, Moses Sumney.

For the first time on vinyl at album length this is Mocky’s collection of the best of Japan-only/unreleased gems and favorites from his so far digital only mixtape-series "The Moxtapes" Vol. I-IV. The A-Side delves deep into his songwriting/lyrical side and features some of his most intense and touching songs thus far like "The Fortress" (featuring Chilly Gonzales on piano), "Problematic" (which casts Mocky's crooning in a glitched-out new light) and "Exception To The Rule", a radiant track that features breakout artists Joey Dosik on keyboards and Moses Sumney on background vocals. The B-Side showcases Mocky's off the grid soulful groove compositions like "You Can't Rush The Funk", „How It Goes“ or "Keep Feelin This (feat. Jamie Lidell), bringing back memories of their classic work together on Lidell’s “Multiply”.

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Low

Double Negative

12" | 2018 | EU | Original (Hell Yeah)

Release: 2018 / US – Original

Genre: Rock & Indie

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In 2018, Low will turn twenty-five. Since 1993, Alan Sparhawk and Mimi Parker_the married couple whose heaven-and-earth harmonies have always held the band's center_have pioneered a subgenre, shrugged off its strictures, recorded a Christmas classic, become a magnetic onstage force, and emerged as one of music's most steadfast and vital vehicles for pulling light from our darkest emotional recesses. But Low will not commemorate its first quarter-century with mawkish nostalgia or safe runs through songbook favorites. Instead, in faithfully defiant fashion, Low will release its most brazen, abrasive (and, paradoxically, most empowering) album ever: Double Negative, an unflinching eleven-song quest through snarling static and shattering beats that somehow culminates in the brightest pop song of Low's career. To make Double Negative, Low reenlisted B.J. Burton, the quietly energetic and adventurous producer who has made records with James Blake, Sylvan Esso, and The Tallest Man on Earth in recent years while working as one of the go-to figures at Bon Iver's home studio, April Base. Burton recorded Low's last album, 2015's Ones and Sixes, at April Base, adding might to many of its beats and squelch and frisson beneath many of its melodies. This time, though, Sparhawk, Parker, and bassist Steve Garrington knew they wanted to go further with Burton and his palette of sounds, to see what someone who is, as Sparhawk puts it, "a hip-hop guy" could truly do to their music. Rather than obsessively write and rehearse at home in Duluth, Minnesota, they would often head southeast to Eau Claire, Wisconsin, arriving with sketches and ideas that they would work on for days with Burton. Band and producer became collaborative cowriters, building the pieces up and breaking them down and building them again until their purpose and force felt clear. As the world outside seemed to slide deeper into instability, Low repeated this process for the better part of two years, pondering the results during tours and breaks at home. They considered not only how the fragments fit together but also how, in the United States of 2018, they functioned as statements and salves. Double Negative is, indeed, a record perfectly and painfully suited for our time. Loud and contentious and commanding, Low fights for the world by fighting against it. It begins in pure bedlam, with a beat built from a loop of ruptured noise waging war against the paired voices of Sparhawk and Parker the moment they begin to sing during the massive "Quorum." For forty minutes, they indulge the battle, trying to be heard amid the noisy grain, sometimes winning and sometimes being tossed toward oblivion. In spite of the mounting noise, Sparhawk and Parker still sing. Or maybe they sing because of the noise. For Low, has there ever really been a difference?

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Max Essa

Han Zon Roc EP

Cosmic Temple The Remixes

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A year after his debut outing on the label, Max Essa makes a welcome return to Hell Yeah with the Han zon Roc EP, which is another of his impossibly laidback offerings.
Essa is of course the long time UK talent who has become a part of the Balearic mafia thanks to releases on labels like Aficionado, Music for Dreams, and his own Jansen Jardin. This is the second coming together of artist and label and is another timeless excursion far out to sea.
Opener 'Han zon Roc (Midori Coup)' is an epic 12 minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. They grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. It's like the soundtrack to an afternoon boat party all condensed into one brilliant cut.
‘How You Showed Me Everything' then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. Withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing.
Last of all, 'Rain Bird's Alfalfa Jam' is a analogue drum work out with early 90s hip hop influences and diving basslines. It's light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of Essa works so brilliantly escapist.
Artwork by Andrea Amaducci.

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Daniele Baldelli

2LP | 2018 | EU | Original (Mondo Groove)

LP | 2018 | EU | Original (Into The Light)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Brand new release on Mondo Groove with a Remix double pack of selected tracks from Daniele Baldelli classic “Cosmic Temple” six chapters that were out on the italian label from 2015 to 2017. You can find everything for everyone in these new versions. DJ Tennis and In Flagranti tributing pure Cosmic sound with their interpretations of „Gandharva“ and „Afelio“, DJ Ralf transforming „Kosmaro“ into a house stomper, Tiger & Woods adding their subtle boogie touch and edit science to „Vhanessa“, Clap!Clap! going deep and percussive on „Isotropo Funk“, Alkalino tripping italo-disco with „Inner Light“, Club Paradiso in an afro-balearic clash on „Joka Joka“, Eric Duncan working a deep-techy groove on „Diffrazione“, and Dionigi, often production partner of Baldelli, finishing in glory with a brilliant funky take on „Taxon“. You can’t sleep on this.

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Cass.

Postclub Prism

18,99 €*

Pyramids Colored Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Into the Light is launching a parallel and limited series with contemporary material from both Greek and international artists. First stop is the album 'Postclub Prism' by the German producer Cass. offering ten gorgeous ambient pieces about light and romance.
Since 2012, Niklas Rehme-Schlüter aka Cass. has released albums of varying styles, from the rather organic and loop based ambient pieces on 'Loops & Farewell Sketches’ and the 'Red Atlantic' EP on Throne of Blood in 2017, influenced by 80’s pop sonics, to the more balearic and percussive recordings on 'The Sound of Glades' together with Wolf Müller in 2016. On his new record 'Postclub Prism’ Cass. explores his affinity to calm and atmospheric ambient music at the threshold to the reverberant sound of club music.

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Mitch von Arx

2LP | 2018 | EU | Original (Project: Mooncircle)

21,99 €*

12" | 2018 | EU | Original (Bordello A Parigi)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The debut album 'Pyramids' comes out worldwide on limited double, green vinyl (including download code).

Pyramids. Jagged teeth pushing through immaculate skies. The ever-changing light. The expansive sense of freedom. The wide open spaces. The textured landscape seen from above. Mountains. Watchful and immobile for thousands of years, weathering seasons, transcending change.

It's December 2016. I've left the London madness to hit the reset button and compose new music in a tiny village in the Swiss Alps. I'm over 10,000 feet high, it's minus 15 degrees and the snow is scintillating under a rich blue sky. I turn around and suddenly this gigantic pyramid-shaped peak is towering over me, staring me in the face. Mind blown. Senses overwhelmed. Perspective. Lightbulb moment. I have my album concept.

I wanted to put into sound my cathartic experiences of the mountains. Every track title was chosen before composing. The title would be a catalyst for visual memories, narrative and overall vibes. I continued developing the tracks on occasional trips to Switzerland, but mainly back in the gritty habitat of London's Hackney Wick. The urban-nature contrast had an impact on the music too.

I use a lot of found sound, stuff I have collected over the years, and a lot of resampled guitar sounds and textures. I love imperfections in sound. Detuned synths. Distortions and glitches. Rhythmic flutters and percussive frenzy. 'Manual' cut-ups. I love moving to house and disco and getting lost in the more melodic side of techno. I love polyrhythms and melodic counterpoints. I love the energy and rawness of a live rock band. I channel all this to create my own sonic palette.

Artwork by Jimmy Turrell, graphic artist and video director who combines a love of handmade collage, drawing, screen printing and painting alongside digital techniques. He has worked for Universal Music, Nike, Lexus, Levis, MTV, The New Yorker, Intro, Capitol Records, The New York Times, Green Peace, Beck, The Prodigy/XL Recordings, Channel 4, The Guardian, GQ, The Times, LA Times, Newsweek, Getty Images, Adidas, Sony Music, New York Magazine, Wired, Glastonbury Festival, and Vanity Fair amongst others.

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Quadratschulz

La Boum EP

Laulik-Elektroonik - Explorations In Estonian Electronic Folk Music - The First Years, 1979-1983

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Quadratschulz is famed for his unmistakable blend of smooth electro grooves and playful melodies. It is this combination that the German synthman brings to his debut 12” on Bordello A Parigi, La Boum. Four cheer soaked pieces make up the EP with the radiant title piece opening. A cocktail of crisp beats, clean keys and just a twist of acid are blended to produce a fresh and uplifting tune. Braindance and chiptune influences abound, coming to the fore in the squirming and squelching energy of “Unfriend.” Drums and stabbing keys are washed in a light 303 rinse for a mischievous musical medley. The flip is introduced by the rich analogue tones of “Beta Industries.” Lush, this subtle work is moulded with layers of understated snares, crystalline keys and textured pads to create a beautifully delicate piece. The last order, “For Your Mind”, is a tall glass of electrofunk. Razor sharp rhythms are further honed by slashes of vocoder lyrics, cascading notes and some bitter knob jerks culminate to round of the superb La Boum.

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Olev Muska

LP | 2018 | EU | Original (Frotee)

12" | 2018 | EU | Original (Chuwanaga)

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Deep compilation that sheds light on Estonian Electronic Folk Music between 1979 - 1983. Big tip! "Laulik-elektroonik" LP by an ex-pat Estonian musician Olev Muska is the new release of Estonian archival label Frotee Records. The compilation subtitled as "Explorations in Estonian Electronic Folk Music - The First Years, 1979-1983" brings together all Muska's Estonian-themed songs recorded prior to his debut album from 1985, "Old Estonian Waltzes". It includes previously unreleased material and tracks from limited edition tapes and 7" single. For its 10th release, Frotee has expanded its scope and is now also offering insights into quality music by Estonians all over the world. Olev Muska was born to a family of expatriate Estonians in Australia. From 1979 onwards he recorded unique versions of Estonian folk songs on various electronic music instruments at his home studio. As Muska was into contemporary experimental music and also bored with the conservative take on Estonian culture prevalent in the activities of the Australian ex-pat community, he decided to combine these two influences to create his unique brand of electronic Estonian folk music. As Muska had access to more advanced musical equipment, he achieved a level of quality in his arrangements that would not have been possible in Soviet Estonia. He managed to create surprisingly amazing Estonian minimal wave with his group Elektrio but wasn't ashamed to make medley of Estonian themes with cheesy-sounding small Casio synthesizer either. His early versions of some folk songs, like "Kaera-Jaan" or "Saaremaa", are less crazy than on his debut LP and as such a welcome addition to Frotee's collection of Balearic sounds. Although Muska was not a stranger to the contemporary Australian underground music scene, he continued to record with a couple of close friends and performed only at local Estonian events. Thus Olev Muska has been a well kept secret amongst Estonian music fans, one that remained entirely unknown to Australian record collectors until Chris Bonato from Left Ear Records introduced "Old Estonian Waltzes" LP to a wider audience. Left Ear Records has now licensed "Karjapoisi lugu" off the 1985 LP for their Australian underground music compilation "Antipodean Anomalies".

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Sunpalace

The Lost Songs 1982 1984

13,49 €* 14,99 € -10%

Autobiography (Music from Wayne McGregor's Autobiography)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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You may know of “Rude Movements”, an early dance music classic produced by SunPalace (Mike Collins and Keith O’Connell) back in 1983 that brought together proto-house, balearic beats and funky vibes. In 1984, the tune quickly became an anthem that could regularly be heard at David Mancuso’s “The Loft” or at Larry Levan’s “Paradise Garage” for example. Thanks to Mike Collins, the studio veteran still in the business after more than 35 years and currently busy perpetuating the legacy of SunPalace, more material from the archives has been ‘surfacing’ over the past few years on UK-based record labels. After a very productive meeting earlier this year, Parisian label Chuwanaga is really proud to present four unreleased songs produced between 1982 and 1984! Co-written by Mike Collins from SunPalace and Breeze McKrieth, a founder member of Britfunk bands Light Of The World and Beggar & Co, these Lost Songs are the almost forgotten result of this seminal collaboration, an exclusive musical rendez-vous between experienced studio music makers and funksters at the top of their game, including some of the finest Britfunk musicians. Bringing together eighties influences and futuristic sounds, the result covers a wide range of genres, from jazz-funk to new wave: it captured a unique moment in British musical history, a smooth transition to a more electronic sound. Definitely not one to be missed!

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Jlin

2LP | 2018 | EU | Original (Planet Mu)

LP | 2018 | UK | Reissue (Mr Bongo)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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By now, the story of how Jlin went from working in a steel factory in Gary, Indiana to being one of the most widely appreciated electronic musicians is well known. “Black Origami” was one of the most reviewed and lauded albums last year. Seriously prolific and seriously hard-working, she has toured constantly since its May 2017 release and despite being involved in a wide range of projects, still manages to find a balance and “do some personal healing and growing.”
Here we are over a year later with “Autobiography,” the score for her collaboration with renowned British choreographer Wayne McGregor arranged by Unsound. This isn’t technically her third album (that’s due to arrive in 2019 or 2020), but the soundtrack stands up on its own with all the emotional peaks and troughs of a well-sequenced longplayer.
For Jlin, making music for dance is the fulfillment of one of her lifelong dreams – and remarkably, Company Wayne McGregor’s performance was the first show she’d ever seen. She describes the process of working with Wayne: “We first met face to face in October 2016 in a downtown Chicago hotel, talking for about a solid two hours. Immediately, I saw Wayne was very friendly and energetic. He’s brilliant, witty, and knows exactly what he wants; an absolute gem to work with. Before I even started composing for Autobiography, Wayne told me so gently that he trusts me completely with my direction of creating the score. That was the best feeling in the world. I would wake up at two in the morning and work until six in the evening until I completed all the pieces. We were both very happy with the outcome. Creating the score for an impeccable piece of work such as Autobiography changed my life as an artist.”
“Autobiography” is a highlight in an evolving and growing career. During the last year, Jlin has also become an in-demand remixer, securing her place among a roster of music heavyweights. Unsurprisingly, given her positive and outgoing nature, she also developed friendships with the artists she has remixed such as Björk, Max Richter and Ben Frost.
Jlin will be touring with Company Wayne McGregor performing “Autobiography” this year in addition to completing a commission for the Kronos Quartet titled “Little Black Book.” She still approaches every performance “with the same attitude of doing my best to execute a good show, no more, no less. Doing my best is what’s most important to me.” She also still lives in Gary, Indiana, which keeps her grounded. She notes with her typical humility, “The local community is a little more knowledgeable of me now. But I don’t mind my community taking its time.”

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Gyedu Blay Ambolley

Simigwa

I Mo Jah / Phillip Fullwood

Release: 2018 / UK – Reissue

Genre: Organic Grooves

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Legendary Ghanain album – with one of the music iconic covers ever! – that fuses Highlife, afrobeat, folk and funk. Ambolleys debut solo album originally released in 1975, written and produced with Ebo Taylor. Ambolley grew up during the peak of Highlife in Ghana and was a key figure in its fusion with soul and funk influences from the USA. He played in many bands including Houghas Extraordinaires, Meridians Of Tema, Ghana Broadcasting Band and the Uhuru Dance Band, for which he was recruited by his friend, Ebo Taylor. The group went to Nigeria in 1973 to play with Fela at his legendary Shrine spot. ‘Simigwa’ was a chance for Ambolley to release his own productions and to experiment to a certain extent. A main inspiration for this album was the work of the mighty Mr. James Brown, something that is evident from the rhythm section, horns, vocal stabs and percussion breaks throughout the record. Official Mr Bongo reissue, replica original artwork. Licensed from Essiebons.

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Rockers from the Land of Reggae / Words In Dub

2CD | 2018 | EU | Original (Pressure Sounds)

Bacao Rhythm & Steel Band

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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The 100th release on Pressure Sounds is the brilliant set of I Mo Jah's ‘Rockers from the Land of Reggae’ and ‘Words in Dub’, as two single vinyl releases, and a double cd. It's surprising that these two albums have not been re-released before, as both albums are seriously sought after. There will be 3 bonus tracks on each of the CDs. The albums come with full sleevenotes with excellent sound quality. The CD pack includes a full package with graphics and the usual high quality annotation and mastering. _____ . ______
Notes for the two albums:

A contemporary of Ras Michael & the Sons of Negus, Eric Donaldson and Freddie McKay, Philip Fullwood started out composing for Studio One and playing percussion for Burning Spear.

Both "Rockers from the Land of Reggae" and "Words in Dub" were backed by Sly & Robbie, Leroy "Horsemouth" Wallace, Clive "Azul" Hunt, Bingy Bunny and Flabba Holt, among others.

The striking sleeve of "Rockers...", in black and white with green handwritten typography, told the story of Jamaica, with Arawaks overseeing the arrival of Christopher Columbus’ ship Santa Maria, whilst between two sound systems the dreads were dancing and smoking a spliff under a tree. The art was drawn by Magnus Johnstone, a painter and deejay who presented the radio show ‘Reggae Mukasa’ on WMBR, and would later become the foremost champion of the burgeoning hip hop scene in Boston.

“When I made "Rockers from the Land of Reggae" I was taking about 500 to Jamaica and I was told I had to have a license to go through the customs. I got fed up and I just leave the album with them. They wanted me to get a license and all them things, and I said ‘Why I want a license to bring my own thing to Jamaica?’. They said no, so I leave them at customs. I don’t know what happened to them. Maybe they sell them. And that was the end of it. I give the rest of them to Chin Randy’s in Jamaica Queens to distribute.”

And so "Rockers from the Land of Reggae" soon vanished into obscurity. By 1983 Phillip Fullwood had settled permanently in the US and virtually retired from music. Over the years, partly fuelled by its extreme rarity, the album’s reputation has grown immensely, and original copies now command a very high price. Phillip is thrilled that this reissue will now expose it to a wider audience.
“Life happen that way. I got kids and grandkids. I’m just a small guy who was with Spear and just tried to do my thing, like everybody else in the entertainment biz. My occupation, my passport you know says entertainer. Wishing a t’ing, yunno.”

"Words in Dub", the highly unique set, released in a stark hand-printed sleeve, comprised self-produced rhythm tracks and some donated by friends, such as ‘Africa Rock’, a dub of ‘See Dem Da’ (Jah Marcus Roots 7”) by Burning Spear, with member Rupert Wellington on lead vocals. The first side also featured dubs of Purple Lights’ ‘Pestilence’, fronted by the singer Bangie, and ‘Revolution’ by Jah Blue & The Originals, who included Winston Rodney’s brother. ‘Reorganize The Race (Marcus Say)’, with its dense layers of digital reverb in the intro, later features singing about ‘weeping and wailing’ also by Jah Blue & The Originals, though the vocal cut was never released. Several rhythms would later get a do-over by Phillip’s American-based group I-Mo-Jah, perhaps the most thrilling being ‘Jah Say Love’, rerecorded by I-Mo-Jah as ‘Peace & Love’. ‘Hotter Fire In Babylon’ is a dub of Burning Spear’s ‘Spear Burning’ (Spear 7”), and the album closes with ‘Bubbling’, a dub of ‘Maybe’ (Yah Congo 12”) recorded by Phillip’s long-time friend Eric Donaldson.

The original recordings were primarily laid at Channel One with Barnabas and Crucial Bunny at the mixing board, with ‘Hotter Fire In Babylon’ recorded at Randy’s by Chin Randy himself, and ‘Bubbling’ at Dynamic Studio. The final dub mixes were done at Channel One and also at the legendary Black Ark by Phillip Fullwood’s own hands.

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55 Reissue Single Vinyl Edition

LP | 2018 | US | Original (Big Crown)

This Is My Story / Blue Light

Release: 2018 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is the reissue coming as one LP not double vinyl. We do have some double vinyl versions left, if you would rather have that. Last batch. //// Shrouded in mystery, hailing from Hamburg, Germany, Bacao Rhythm & Steel Band (BRSB) releases their long awaited debut “55” on Brooklyn’s own
Big Crown Records. Long time multi-instrumentalist and band leader Bjorn Wagner spent a few months in Trinidad & Tobago where he became fascinated
with Steel Drums. His initial intrigue with local steel pan music culture led him to learning the instrument both through help of local players and on his
own. After he became proficient on the pans Bjorn had his own instrument built from a used oil barrel by legendary pan man Louis C. Smith.
Upon returning home to Germany, Bjorn set out to blend the Tropical Steel into his already sharply honed Funk, Soul, and Hip Hop sensibilities. The
outcome is an updated take on a classic format, a truly unique sound. Their first two recordings were covers of The Meters “Look A-Py-Py” & “Ease Back”
which they self-released on a 45. Looking back on these two sides you can tell they were just getting their chops up for what was to come next. This is
evidenced by how all hell broke loose when they went on to cover 50 Cent’s hit PIMP taking the DJ and vinyl collecting communities by storm. Many
people thought the recording was the original sample and probably still do to this day when it is played.
The original Mocambo pressing sold out quickly and is now a collector’s item fetching heavy prices when it changes hands. It was this tune that made
the introduction between Bjorn and Danny Akalepse of Big Crown. They immediately hit it off and starting making plans to do a full length project with
the band.
Keeping in the tradition of Steel Drum records, 55 is a journey through re-interpolations and covers with an updated approach, pushing Steel Pan music
to uncharted territory. Flawlessly bringing previously untouched genres into the steel pan cannon ranging from Underground Hip Hop tunes to staple
Funk tracks and some of all that falls in between. BRSB’s 55 is reinvigorating tunes both well-known and helping to shed some light on tunes still largely
undiscovered. However, some of the strongest tunes on the album are original compositions, from spaced out Disco vibes on “Beetham Highway Ride”
and “Port Of Spain Hustle” to the ugly face inspiring drums of “Laventille Road March”.
Recorded to analog 8 track tape at The Mocambo Studios in Hamburg, 55 is a gritty, punchy journey in sound drawing on music from around the world,
using production aesthetics from across both eras and genres, all coming together seamlessly. If the 45s that have already come out on Mocambo, Plane
Jane, and Truth & Soul are an indication, this full length is going to be a staple to both casual listeners and Disc Jockeys alike.

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Holy Hive

7" | 2018 | US | Original (Big Crown)