Search "depeche mode" 7078 Items

12" | 2016 | EU | Original (Semantica)

10.I

12" | 2013 | UK | Original (Mote-Evolver)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Semantica Records marks 10 years with a worldwide tour and a 10 release series in 2016. Semantica 10.I features tracks from Donato Dozzy, Mod21, Stanislav Tolkachev and Skirt in a 4 track EP.

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Psyk

Arcade E.P.

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Built For Fighting Yellow Transparent Vinyl Edition

Damian Wilson

LP | 2016 | UK | Reissue (Blacklake)

20,99 €*

Baby I Cried, Cried, Cried / Never Had A Love So Good

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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The album, produced by Andrew Holdsworth, is Damian’s first solo album in more than 10 years. Following suit with his previous solo releases, Built for Fighting is a singer-songwriter album containing 11 new original songs and a cover of Depeche Mode’s Somebody. The album is mixed and mastered in Sweden by the Fascination Street duo Jens Bogren and Tony Lindgren.

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Charles Johnson

7" | 1980 | EU | Reissue (Alston)

Athena Black Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Dinked 7". Wow, this one's a biggie! Some smoothed out modern Soul for the discerning right here... dig it! Released in 1980 Charles Johnson's "Baby I Cried, Cried, Cried / Never Had A Love So Good" is a formidable double-sider, the A-side is a sweet slow jam where Charles lays it on the line in true grown man's fashion over a slick backdrop that is not a million miles away from some Philly style loving. The B-side is the big one though, a proper modern dancer, lovely production and the band is fully in the pocket. Drop this one and watch the dance light up, real music for the dancefloor! This particular 45 has long been a collectors item, and on a good day it can fetch hundreds on the Soul scene. This is a fully legit reissue, and features the classic golden Alston label artwork. A truly beautiful record, with each side primed to be played at the right time. Don't sleep!

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Sudan Archives

LP | 2019 | US | Original (Stones Throw)

36,99 €*

12" | 2019 | EU | Original (Seilscheibenpfeiler)

Release: 2019 / US – Original

Genre: Organic Grooves

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She first emerged as an avant-garde violinist who channeled her playing through loop pedals. Then songwriter, vocal performer, and beatmaker. She's captivated audiences at festivals around the world, touring her trail-blazing EPs Sudan Archives (2017) and Sink (2018). Sudan's many identity coalesces in her debut album, Athena: a psychedelic, magnetic take on modern R&B.

"When I was a little girl, I thought I could rule the world," Sudan Archives announces in the sparse, string-plucked opening bars of Athena, on the strident "Did You Know". Her musicality and sense of self-belief developed as a young child in the church. Born Brittney Parks, but called Sudan from a young age, she moved around Cincinnati, Ohio many times as a child; religion and music were the most stable forces in her life. It was in church that Sudan began learning to play the violin by ear, participating in ensemble performances. "I remember begging my mom to get me a violin," she says. "From there I just never let it go – it felt like I had a purpose."

Growing up with a twin sister, Sudan also learned young that she was the "bad twin". Her stepdad – a one-time music industry executive – tried to turn the two into a pop duo when they were teenagers, but Sudan would miss rehearsals and curfew so frequently that the project was abandoned. Still, the experience was valuable: "My stepdad basically planted this whole idea of artistry as a career," she remembers. Though she left the band behind, Sudan clung onto the idea of pursuing music when she moved to Los Angeles at age 19. While studying and holding down two jobs, she would spend her spare time "fucking around with some beats and making some weird shit", which she released tentatively under the name Sudan Moon – a combination of her childhood nickname and her love of Sailor Moon. The ethereal quality of those early lo-fi, G-funk-inspired beats would eventually make its way into Sudan's current sound.

It was once she discovered ethnomusicology, and learned to incorporate the violin into her beats, that she really unlocked a new level. Cameroonian electronic music pioneer Francis Bebey was an early inspiration: "His music is so simple, and the way he combines strings and electronic music is such a vibe.” From there, she educated herself about other artists and ethnomusicologists, learning about the history of one-string fiddling in Ghana, Sudan, and all over the world, which "blew my mind". Now a fervent crate-digger with ambitions of studying ethnomusicology, she changed her artist name to Sudan Archives.

After she met with Stones Throw A&R and Leaving Records founder Matthewdavid, Peanut Butter Wolf signed her to Stones Throw. Her self-titled debut EP introduced the world to Sudan's fusion of North African-style fiddling, layered R&B harmonies, and pared-back production. Her second EP Sink was a resounding six-track statement that, according to Jenn Pelly at Pitchfork, saw Sudan "level up as a songwriter" — especially true of the bold self-love song "Nont For Sale".

Those EPs, Sudan says, were "like a haiku of what the album is". Athena is "more in your face, more confrontational – and that's also how I've grown as an artist. I used to be a hermit who would make beats in her bedroom, but now I'm working with other writers, producers and instrumentalists, I've learned how to communicate. It feels like I'm almost back in church." At first, it was tough for Sudan to cede any control in her creative process, but as she got stuck into the sessions with producers Wilma Archer (Jessie Ware, Nilufer Yanya), Washed Out, Rodaidh McDonald (The xx, Sampha, King Krule), and Paul White (Danny Brown, Charli XCX), she opened up. The resulting album, whittled down to 12 taut tracks from around 60, is her most ambitious work yet.

On the album's cover, she poses as a Greek goddess sculpted in bronze. Simultaneously at her most powerful — channelling the energy of her princess warrior heroes Xena and Sailor Moon — and her most vulnerable, Sudan challenges the viewer to see what's under the surface. "I'm naked!" she says. "I don't have anything to hide at all, it's all out there."

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Peder Mannerfelt

Life Without Friction

Wounded Woman / Midnight Affair (Remastered)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The second 2019 release on Seilscheibenpfeiler is reserved for one of the most unique producers of our times and marks the label’s most experimental moment yet. Peder Mannerfelt’s discography stretches back more than ten years to when he first started putting out techno records as The Subliminal Kid. Amongst other things he helped producing two acclaimed albums by fellow Swedish artists Fever Ray and gained recognition under his real name, especially in recent years with releases for Numbers. or Hinge Finger and critically acclaimed albums like „Controlling Body“ (2016) or „Daily Routine“ (2018) on his own imprint.
Last year Mannerfelt contributed to Modeselektion Vol. 4, now he’s back with a set of four tracks following his unique strain of abstract techno. „Life Without Friction“ is about disruption as well as peculiar moods and rhythms, and other than its title may suggest, there’s a lot of friction and tenseness in these tracks. The title cut and „Un - Air“ show Mannerfelt in almost straightforward mode, always ensuring it never gets boring or too comfortable. „Lucid In The Sky“ and „Hold The Line“ combine mellow sounds with stabs of noise and twisted percussion. As always, Peder Mannerfelt’s productions remain unpredictable, but predictably great.

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Sandra Wright

7" | 2018 | UK | Original (Soul Brother)

9,99 €*

Release: 2018 / UK – Original

Genre: Organic Grooves

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Modern Underground Music Volume 4

12" | 2018 | US | Original (Black Catalogue)

LP | 1977 | EU | Reissue (Wah Wah)

Release: 2018 / US – Original

Genre: Electronic & Dance

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The fourth release in the MODERN UNDERGROUND MUSIC series: slices of underground house/beats/deepness from Detroit & beyond, with tracks from MELCHIOR, SLOPE 114, QUELLE CHRIS and re-release of a rare Chicago House gem from DOC LINK. Limited copies of this future classic.

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Franco Leprino

Integrati … Disintegrati

4LP | 2014 | US | Original (Merge)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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It was 1977, the year when punk rock exploded in the face of disco-music, but some thinking heads in Italy managed to escape the set trends of the year and walk a totally different path. Pioneers like Franco Battiato had already been experimenting with a crash of rock and electroacoustic music since the beginning of the decade, and others like Roberto Cacciapaglia or Riccardo Zappa would explore farther in those lands, mixing acoustic instruments with the bourgeoning synth technology. Among all these artists, an obscure little gem missed the attention it deserved: Integrati… Disintegrati, by Francesco Leprino, is undoubtedly one of the best albums of the genre. More freely unchained from the prog rock links that albums like Battiato's celebrated Fetus and Pollution LPs or Zappa's Celestion still retain, Leprino merges a very pure classical instrumentation of Spanish guitar, piano and flute with more modern electric guitar sounds, 12 string guitar and -of course- a V.C.S. 3 and Moog synths background that creates highly avantgarde atmospheres. Binson tape echoes, Hammond and Thomas organs, oboes, vibraphone and other additional instruments add texture richness to the final mix.

An outstanding opus split through both sides of an LP in two 20 minutes long pieces that has become a much sought after album among collectors. It will appeal those interested in the development of synth music, beautiful athmosferic landscapes and electronic-acoustic orchestrated sounds.

Reissued under license from Francesco Leprino in a 500 copies limited edition that respects the original artwork, comes with remastered sound and includes an insert with liner notes and photos.

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The Clean

Anthology

65,99 €*

Step By Step / On The Beach (AtJazz Mix)

Release: 2014 / US – Original

Genre: Rock & Indie

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Anthology serves as a celebration of The Clean, a band whose influence extends so far beyond their New Zealand home that even if you have never heard of The Clean before, you have surely heard of some of the bands (Pavement, Yo La Tengo, and Superchunk, to name a few) who have been influenced by their unique blend of homemade garage rock, hook-filled melodies, and psychedelic experimentalism.

The album is a compilation of songs from across The Clean’s legendary musical career, which began in 1981 and continues today.

The Clean’s story is on-again/off-again purely by design. It suits the trio’s creative desires and keeps them clear of the machinery that threatened to interfere with that process from the moment they threatened to get awfully popular awfully quickly over thirty years ago. The Clean’s modern age has seen them splitting time and hemispheres: David Kilgour has a reputable solo catalog; Robert Scott has The Bats; and Hamish Kilgour has been an endearing and enduring fixture in New York City, playing with assorted combos.

180g vinyl.

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Leon Ware

7" | 2011 | UK | Reissue (Expansion)

10,99 €*

12" | 2013 | DE | Original (Mo's Ferry Prod.)

Release: 2011 / UK – Reissue

Genre: Organic Grooves

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2 brandnew tunes from the modern soul legend!

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Dapayk & Padberg

Smoke

9,99 €*

12" | 1999 | CA | Original (Haute Couture)

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Grey marbled vinyl. Few paper scuffs.

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DJ Mateo

Cascade EP

19,99 €*

Release: 1999 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2024 | EU | Original (Artreform)

Brizman

Tomorrow Is A New Day

EP | 2006 | Reissue (Damaged Goods)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Arr049 Brizman - Tomorrow Is A New Day Craving for that perfect serving of benchmark minimal house with a flavor of psy-chill and euromantic? The Kyiv based vinyl label Artreform Records is ready to treat you to a tasty new EP by the long-established chef Roy Brizman. His new release, Tomorrow Is A New Day, looks well-prepped for repeating the success of Midnight Tales, the previous Artreform offering by Brizman from 2021. Brizman is a star of the Israeli electronic scene. Roy is also known as Gel Abril in Tel Aviv and far beyond. He has been in great creative form lately, releasing many new tracks and remixes his latest twist on Depeche Modes Policy of Truth" is just one example. Roy offers three new tracks in one sitting this time-a triad united by an overarching mood and atmosphere. It's the perfect soundtrack for diving deep into your feelings and thoughts right on the dance floor. The producers signature micro-house groove is so clear and transparent that you can hear the distant echoes of past electronic music-from New Age to Balearic. The release concludes with the lead track remixed by the ro-minimal star Floog. This gifted producer is alternatively known as George G-a member of the Premiesku project, which also includes Livio and Roby.

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The Wolfmen

Jackie Says E.P.

12" | 2024 | US | Original (Only Child)

Release: 2006 / Reissue

Genre: Rock & Indie

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"Jackie Says" is the debut EP from THE WOLFMEN, the new band from Marco Pironni (ADAM & THE ANTS, Sinead O'Connor) and Chris Constantinou (ADAM & THE ANTS, JACKIE ONASSID). The four songs here show exactly where the band is coming from: the title track tells a story of Jack The Ripper, with music that's as arresting as the subject matter, while "Needle In The Camel's Eye" is a fierce cover of early Brian Eno. This may be the first buy-able release from THE WOLFMEN but their tracks have been leaking out through TV and cinema for the past year. Rimmel and Heineken have both used tracks in adverts and THE WOLFMEN wrote the soundtrack to Bravo TV's I Predict A Riot, which Time Out declared "astonishing" and The Times "compelling". Demos from the Jackie Says EP have been...

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Alex Burkat

Koreantown South EP

Som, Sangue e Raca Blue Vinyl Edtion

Release: 2024 / US – Original

Genre: Electronic & Dance

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For their second release, the Only Child label introduces a new sound for a new, fictional neighborhood in Manhattan. Alex Burkat returns for his take on modern deep house, as well as introducing Only Child newcomer, Kalyptra, bringing a unique Ecuador via Philadelphia flavor to dance music. The result of their sonic union is a modern interpretation of deep house, providing an ethereal, body moving soundtrack to walking the busy streets of Manhattan in 2024.

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Dom Salvador e Abolicao

LP | 1971 | EU | Reissue (Mad About)

29,99 €*

The Cabinet Of Dr. Caligari

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown.

Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.

The album ‘Som, Sangue e raça’ paves the way for future generations of musicians and producers of the Carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz, and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.

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Karl Bartos

LP | 2024 | EU | Original (Bureau B)

34,99 €*

Dias Raros Yellow & Black Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Pop

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Musician and writer Karl Bartos has long been admirer of Weimar-era culture. During his time in Kraftwerk, he helped create the stunning track "Metropolis", directly inspired by a band viewing of the classic1927 Fritz Lang film of the same name. The original orchestral music composed for The Cabinet of Dr. Caligari by Giuseppe Becce had long been lost and in 2005, after watching the film, Bartos imagined what it would be like to create an entirely new one in the 21st Century in his home studios in Hamburg. Now with crystal clear images, digitally restored by the Friedrich-Wilhelm-Murnau-Foundation, the film is visually the best quality it has ever been, and now, wit...

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Melenas

LP | 2022 | US | Reissue (Trouble In Mind)

LP | 2023 | US | Original (Suicide Squeeze)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Indie pop quartet Melenas hail from Pamplona, Spain, a picturesque region nestled just south of the Pyrenees. Such beauty can't help but inform the band's songwriting, but Melenas aren't content to just sit placidly & take in the scenery. Since they burst onto the scene in 2016, the band has hit the ground running, playing incessantly both locally & on the stages at national festivals like Primavera Sound & Eurosonic as well as releasing a debut full length (2018's "s/t" album) and a 7-inch single both triple-released on local labels Elsa, Nebula & Snap! Clap! Club. Trouble In Mind is honored to be releasing their new album Dias Raros and is the first label outside of Spain to release Melenas music to the world.Dias Raros hums right from the get-go, peppering their garage-pop punch with elements of lysergic dream pop, melancholic indie rock and strident guitar jangle. The album title translates to "Strange Days" an acknowledgement - according to the band - of "...those days where you spend more time inside than outside. Inside your own self, inside your bedroom and your own universe thinking about your wishes, dreams, memories, obsessions or fears." The lyrics - sung entirely in their native Spanish - reference "those interior dialogues where sometimes you fight to escape from a situation, you wonder what another person will be thinking about or feeling, you gotta say goodbye, or you just enjoy the time by yourself. Days that, for different reasons, you're feeling different, they are strange". Opener "Primer tiempo" buzzes with an urgent organ drone, unfolding into a yearning ballad of modern guitar-pop bolstered by the group's lush harmonies & sets the tone for the rest of Dias Raros. Songs like "No puedo pensar" "3 Segundos" and "Despertar" follow suit, with the rhythm section galloping headlong into an insistent guitar strum, while ballads like the tender "El Tiempo ha Padsado" rely on the band's melodious voices bolstered by a lilting guitar riff and gentle organ swells. Elsewhere mid tempo rockers like...

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Cotton Jones

The River Strumming

Integrated Tech Solutions

Release: 2023 / US – Original

Genre: Rock & Indie

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The American singer-songwriter tradition has always been tethered to a rustic austerity, the sort of front-porch authenticity that suggests an age where home electronics are still considered luxury items. But there's also the ongoing influence of Bob Dylan and The Band's Basement Tapes-that strange and beloved document of the magic that happens when private experiments with the folk template flourish into layered and lush songs-and its genesis through informal recording sessions. In our modern age, these kinds of casual DIY constructions are perhaps the more honest contribution to the Americana lineage-the true homespun artform.When Michael Nau and Whitney McGraw struck out on their own in the wake of the dissolution of their beloved indie-folk outfit Page France, they continued their songwriting practice with a new project called Cotton Jones Basket Ride. As legend has it, Nau and McGraw were working on the material for their debut full-length Paranoid Cocoon (2009) when they realized they had an entire album's worth of odds-and-ends from various recording sessions. The resultant album - The River Strumming - was released in 2008 on St. Ives in a batch of 300 unique hand-packaged LPs. As the label advertised it back in the day, the band "initially set out to make a cohesive record, and made just the opposite." Like The Basement Tapes, The River Strumming is a document of a band exploring possibilities without the weight of expectation. The band would eventually condense their name to Cotton Jones and make a name for themselves in the indie world for their fusion of dreamy folk and psychedelic baroque pop. But in the beginning, there was this weird and wonderful collection of songs made by musicians who were enjoying the private process of finding their path.Suicide Squeeze is proud to present a 15th-anniversary vinyl reissue of this long out-of-print classic with updated artwork by Kayleigh Montgomery-Morris.

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Aesop Rock

CD | 2023 | US | Original (Rhymesayers)

12" | 2023 | EU | Original (FA>IE)

Release: 2023 / US – Original

Genre: Hip Hop

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A tech company's "senior spirit guide" finally comes to the defense of the "financially unsuccessful" Vincent van Gogh; wonders of the natural world are reimagined as "muster points for brainstorming innovators"; the "artificial char lines" on fast-food burgers are cited as if signs of the apocalypse. For the better part of three decades, Aesop Rock has used the syntax of the moment to pinpoint the fault lines in that moment's supposedly solid foundation. With his tenth album, Integrated Tech Solutions, Aes wields insidious corporatespeak as a tool to pry that parasitic worldview away from the parts of life that truly matter. A concept album about an organization offering "lifestyle- and industry-specific applications designed to curate a desired multi-experience," Integrated Tech Solutions picks apart the charlatan language that hears app inventors put themselves on continuums starting with cavemen and continuing through da Vinci. On "Mindful Solutionism," the wheel evolves seamlessly into modern agriculture - and then into atomic bombs, Agent Orange, cigarettes, and surveillance cameras. In a rare moment of transparency, the engineers Aes give voice to sum up this spiral in just a few words: "We cannot be trusted with the stuff that we come up with." Appropriately, the album sounds like the past and future at once. Largely self-produced, Integrated Tech Solutions catches Aes at his leanest and most innovative, leveraging "SolutionismÖs careening bounce against the wistful "By the River" or the slow creep of "Salt and Pepper Squid." The effect is a record that sounds itself like an organism growing, mutating, hurtling toward profitability - and then destruction. As fans have come to expect, Aes is cuttingly funny and slyly profound at once, whether recounting a childhood restaurant run-in with Mr. T ("100 Feet Tall") or quipping, on "Pigeonometry," that "white dove is a pigeon - you motherfuckers is bigots." At the same time, Integrated Tech Solutions is working on another parallel project: tracing the sprawl of modernity and cutting directly to its core. "I've been doing laps of the lost worlds," he raps on "All City Nerve Map," sounding at once wearied and reinvigorated. "I can draw a map to the raw nerve."

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Louie Fresco

Pride

2LP | 2018 | EU | Reissue (Sugar Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Y'all ready to mangle peoples heads??? Most of you are, but not YOU,-YOU know who you are, get out of here with your NU Garage chipmunk vocal Bass-Hop shit...

Mr. Cool aka Louie Fresco aka El Cabrone has some heat right here. Get it- heat, cause he's from Mexico City, and cause the ep is Picante.

Pride is some dank ass bassment shit right here. Percussive grooves for days, mind melting sounds and a nice tripped out vocal to round it all out. Pride has a modern minimal shuffle, and that swingy greasy percussion that the Mexicans do so well,its even low rumble that hits just right in the booty.

A perfect combo of blended brains and brawn!

On the flip we have the K-Dot. I hope it's referencing some new drug that is microdot acid and K combined in a mind warping 250Mg tablet. This song sounds just like that, mind bending, face melting grinding madness, it rolls and rolls and evolves and evolves. Put that record on and just watch people make twisted faces and dance like they are puppets getting their strings pulled.

Mr. Cool nailed this, and I question his sanity, and life choices. Nobody normal makes music like this.

If you don't like this record now, you probably will in 18 years when it's the jam all over again cause a 65 year old Raresh drops it at Sunwaves 309.

Mind you if we keep this global warming shit up, all our vinyl gonna melt. Live in the moment and buy records now.

Jay Tripwire/Mr. Barcode/8channels Vancouver BC, Canada Chief Fake Records UK storyteller

https://www.facebook.com/jaytripwire.fanpage/ https://soundcloud.com/jaytripwire https://www.instagram.com/jaytripwire https://twitter.com/jay_tripwire https://www.discogs.com/artist/1850-Jay-Tripwire https://www.beatport.com/artist/jay-tripwire/88

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Motta

Vivere O Morire

37,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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12" | 2023 | UK | Original (Defected)

Ep17

LP | 1979 | EU | Reissue (Holy Basil)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Defected’s vinyl series continues to commit the label’s biggest digital releases to wax, delivering the best house music previously unavailable on vinyl. This seventeenth edition collates four unmissable releases from the first half of 2023. Opening the compilation, Grammy nominated producer and Saved Records boss Nic Fanciulli revisits his Skylark alias remix of ‘sos’ by A’Studio featuring Polina, maintaining the bouncy, rolling feel of the original and taking dancers late into the night. Next up, BBC Radio 1 Dance Future Star and one of DJ Mag's artists to watch for 2023, Parisian DJ and producer Chloé Caillet remixes a record box essential, bringing her busy French touch and disco-inspired sound to Tensnake's iconic 'Coma Cat'. On the B-Side is the humble House Master Harry Romero’s update of 'Revolution', a powerful, modern Jersey jam, layering a familiar vocal loop over tight percussion. Closing out this massive collection is the highly anticipated Defected debut from founder of esteemed Amsterdam label PIV; Prunk showcases his signature addictive grooves on ‘Keep It Simple’, with Poland based Rona Ray on vocal duties.

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Oscar Rocchi Quintet

Alchemy In Jazz

LP | 2024 | WW | Original (Force)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Besides being a leading session musician in Milan's jazz scene between the 60s and 90s, Italian pianist Oscar Rocchi created a number of exquisite library albums in the pop-jazz genre. These include among others "Erbe Selvatiche", "Pop-Paraphrenia" and "Woman's Colours" (the latter co-written with his friend Giancarlo Barigozzi) as well as "Alchemy in Jazz", which is now available in digital format for the first time ever. Originally released on Ring, an imprint of Edizioni Minstrel, the album was recorded by a quintet featuring Rocchi on piano plus long-time collaborators Hugo Heredia (sax and flute), Sergio Fanni (trumpet), Gianni Cazzola (drums) and Furio Di Castri (double bass), and has since become a cult record in countries from the US to Japan, where it was released for the first time on CD in 2013. With a palette ranging from frenzied post-bop echoes("Gold-Fast", "Nigredo") to sentimental nocturnal ballads ("Solution", "Rubedo") to cheerful modern-jazz vibes ("Mercury", "Silver-Bop", "Sulphur"), here Rocchi paints an elegantly syncopated musical fresco that, like the magical, alchemical process referred to in the title, transmutes the harsher aspects of jazz syntax into a graceful and more euphonic style that is approachable for jazz neophytes and yet enjoyable for seasoned jazz lovers.

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LL Cool J

The Force

30,99 €*

2LP | 2013 | EU | Reissue (Columbia)

Release: 2024 / WW – Original

Genre: Hip Hop

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Hip-hop legend LL Cool J returns with The FORCE, his first new album in more than a decade. Produced in it's entirety by A Tribe Called Quest's Q-Tip, The FORCE (an acronym for Frequencies Of Real Creative Energy) represents years of intense work. The result is an album that sounds thoroughly modern - full of razor-sharp writing and nimble, elastic vocals - but rooted in a rich tradition.

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Depeche Mode

Delta Machine

Release: 2013 / EU – Reissue

Genre: Pop

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Audio-Technica

ATN3600 LC Stylus

19,99 €*

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LP | 2022 | UK | Original (Warp)

Bibio

Bib10 Gold Vinyl Edition

27,99 €*

In A Landscape Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Bibio is an artist who never likes to stay in one sound for too long. His humble beginnings producing lo-fi folk-tronica transformed dramatically into the hip hop inspired kaleidoscopes of his Warp debut Ambivalence Avenue, launching a series of constant shifts from intricate house beats to dazzling funk through to haunting ambient soundscapes, often all within the space of one album. While the quintessential Bibio sound may be hard to define, the guitar has stuck with him throughout all of his sonic experiments, and it’s what he pays homage to on his milestone tenth album.

“I like contrast between my albums,” says Stephen Wilkinson aka Bibio “When I finish an album, I crave doing something different for the next one.” Bib10 is perhaps the most outwardly pop Bibio has ever leaned into, delving deeper into the funk and disco direction previously hinted at with releases like 2016’s The Serious EP while his natural pastoral folk inflections still shine through. Though the slick riffs of tracks like ‘Off Goes The Light’ are dressed in fuzzy CRT television colours, they never fall into the trap of sounding nostalgic, featuring refreshing songwriting that can only be placed in modern day.

A metropolitan energy flows through many tracks, such as ‘S.O.L.’ with Olivier St. Louis’s silky, infectious vocals, or the sweet rotations of saxophone and guitar on ‘Cinnamon Cinematic’, trading jubilantly extended solos with each other. Elsewhere, Bibio’s hearty folk origins appear on the intimately drifting ‘A Sanctimonious Song’ and the acoustic ode to analogue on ‘Phonograph’. Both of these worlds are glued together in ‘Rain And Shane’, where lilting violin lends simultaneously wistful and soaring melodic refrains to twirling electric guitars.

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Max Richter

2LP | 2024 | EU | Original (Decca Classics)

39,99 €*

Release: 2024 / EU – Original

Genre: Classical Music

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LP | 2024 | EU | Original (Astigmatic)

Uniri

Infinite Reflections

Heavy Soul Violet Lightning Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Revision of new beats on the horizon Every 20 years or so, certain musical movements come full circle. Young musicians are inspired by genres dating back two decades, channelling them through their modern sensibility. The legendary J Dilla’s Donuts album was released in 2006 and instantly marked a starting point for the work of musicians worldwide, laying the foundations especially for the beat scene in Los Angeles. A whole young generation of musicians brought up on the new, instrumental and abstract hip-hop has carried jazz into a new era. The four London-based musicians who make up Uniri have gone one step further by abandoning the idea of a jazz band and "bedroom production" in favour of collective composing, creating a new look at the new-beat aesthetics, framing it as a road novel set in an unspecified time and space.

Uniri translates as ‘one unified dream’ and is the key driving motto of the project conceived by Chiminyo (Cykada, Maisha), the band's founder and head honcho. The project materialised in his private studio, where he invited fellow jazz musicians Amane Tsuganami (Jorja Smith, Maisha), Al Macsween (Nubya Garcia, Gary Bartz, Kefaya) and Luke Wynter (Nubyan Twist, Golden Mean) to spontaneously compose together. Hence, despite this being the band's first album, it wouldn't be right to call them rookies. The result of Uniri's collaborative work is the psychedelic, rhythmic album Infinite Reflections, packed with cosmic and warm synths, which neatly balances hip-hop beat and jazz composition. It's safe to say this music is even more appealing when played live, although it's equally suited to the club dancefloor.

UK Jazz has become a permanent fixture in the London landscape, but also across Europe and the US. Today, the musicians who shape the new wave of jazz are drawing on more and more genres, reducing solo improvisation for the benefit of composition and increasingly drawing on influences from the beat scene. Among such formations are the British NOK Cultural Ensemble, the Polish Błoto, the Belgian Echt!, and the Dutch Comité Hypnotisé. Uniri is part of this emerging yet already international trend, creating an entirely fresh aesthetic that echoes artists such as Flying Lotus, Samiyam, Dorian Concept, Ras G and Nosaj Things oriented around the Californian 'new beats generation' scene.

The title Infinite Reflections alludes to a phenomenon observable on the open sea or during intercontinental flights. Gazing at the horizon blurs the boundary between the ocean and the sky, forming an infinite palette of blue shades. This inspiration sparked an elusive musical narrative, navigating between a sea voyage and an astral journey, destination unknown.

The album will be released by Astigmatic Records, with the album scheduled for release on March 29, 2024.

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Joanne Shaw Taylor

LP | 2024 | EU | Original (Journeyman)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Box Set | 2023 | EU | Original (Mecanica)

Deutsch Nepal

Vol. 1

148,99 €*

LP | 2022 | EU | Original (Wax Nine)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Peter Andersson, aka Lina Baby Doll, is the man that sustain the heavy structure behind Deutsch Nepal. A legend in the scene of industrialism, avant-garde, music and art in general. He is capable to re-create and re-design old school industrial and electronica, taking elements from apparently dissimilar concepts such as Dadaism and Tribalism, or “contradictory” ideas such as Heathenry and Christianity and converge them into a typical cocktail blend that characterises a unique and now famous style. Manic rhythmic redundancies, strange indefinable samplers, metallic sounds, distorted guitar chords are common elements found in all his works. His main goal?. Mesmerize the listener to subjugate the mind and put the spirit into reverberation mode.

It is difficult to reduce his works to a simple description. All of them seem to be the evolution of an early idea, a baby that grows old, getting monstrous and divine while doing so. The music itself is a never ending universal paradox in where beats and rhythms have a primary role. Deutsch Nepal is surreal landscapes strongly conducted and cut through with the violent and precise pounding of the repetitive aspect of percussion. It’s a black and white obsession, changing shapes and tonality.

This boxset compiles the first five albums released by Deutsch Nepal throughout the 90’s (“Deflagration of Hell”, “Benevolence”, “Tolerance”, “¡Comprendido!… Time Stop! …And World Ending” and “Erosion”) plus an extra record (“Dystopian Selection”) with a selection of tracks taken from old compilations. Limited edition of 535 copies with six vinyl records on individual sleeves, three postcards set, numbered certificate and a sticker.

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Johanna Warren

Lessons For Mutants

LP | 2019 | EU | Reissue (Century Media)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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“I think it’s a mistake to equate ‘perfection’ with flawlessness. To be human is to be perfectly flawed,” Johanna Warren observes while describing the joys of analog recording. Her new LP Lessons for Mutants was tracked live with a band to two inch tape—a revelatory new way of working for Warren. “Tape forces you to commit to a performance, eccentricities and all. The little glitches and anomalies that we’re tempted to ‘correct’ are often what make a thing magical.”

Lessons for Mutants is the prolific songwriter’s sixth solo LP and her second for Wax Nine/Carpark Records. The album’s running theme of metamorphosis (the title of the closing track, “Involvulus,” is Latin for “caterpillar”) reflects major changes in Warren’s personal life: after a decade of relentless touring, as the world was closing its borders, the American multi-instrumentalist unexpectedly found herself quarantining in rural Wales, where she’s now permanently homesteading.

Though tracking for the new album began in New York in 2018 in tandem with the sessions for 2020’s Chaotic Good, the majority of Lessons for Mutants was recorded in the UK surrounded by sheep, cows and a forager’s paradise of wild edible plants—a far cry from the urban jungle of LA that Warren had most recently called home. The body of work that emerged from this dramatic about-face is Warren’s most dynamic to date, shapeshifting seamlessly from searing punk screams to sparkly psych-folk soundscapes, from the bootleg ambivalence of Dylan’s Basement Tapes to cosmic stoner grooves reminiscent of Black Sabbath’s acoustic moments.

“Sometimes I can relate to myself/ I disassociate more than I’d like to, but what can you do?” Warren croons in “Tooth for a Tooth,” a wistful piano ballad that conjures the grainy romance of some smoke-filled 1940s jazz club. This kind of to-the-bone lyrical honesty has always been one of Warren’s strong suits, but these latest reflections are especially unflinching. Being forced to stop touring brought no shortage of self-examination for Warren, who quickly came to view her history on the road as an addiction from which she’s been detoxing. This sentiment dances through opening track “I’d Be Orange,” a drum-driven indie rock number replete with Beatles-esque male backing vocals: “Thirst for power, hunger for fame/ Always was a junkie for pain,” Warren confesses. This exploration of masochistic ambition and artistic martyrdom overflows into grunge anthem “Piscean Lover”: “It’s alright, we’re not ok/ We burn out not to fade away.”

“There’s this unspoken rule in modern music—modern life, really—that everything needs to be Auto-Tuned and ‘on the grid,’” Warren concludes. “This record is an act of resistance against that. There’s beauty and power in our aberrations, if we can embrace them.”

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Mayhem

Daemon Re-Issue 2022

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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3LP | 2021 | EU | Original (Century Media)

Oceans of Slumber

Oceans Of Slumber

Release: 2021 / EU – Original

Genre: Rock & Indie

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Far Away From The Sun +Bonus

Sacramentum

LP | 2020 | EU | Reissue (Century Media)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Century Media)

Backyard Babies

Sliver And Gold

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Century Media)

Havok

Release: 2020 / EU – Original

Genre: Rock & Indie

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Teenage Engineering

EP-1320 medieval

339,00 €*

12" | 2024 | EU | Original (Dubøka)

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EP–1320 medieval - The world’s first medieval electronic instrument

Hurdy gurdys, lutes, gregorian chants, thundering drums and punishing percussive foley fx. The EP–1320 is the first of its kind: featuring a large library of phrases, play ready instruments and one-shot samples from an age where darkness reigned supreme, the instrumentali electronicum is the ultimate, and only, medieval beat machine.

Unlock the magic of medieval sounds
The EP–1320 comes with hundreds of medieval sounds and samples, a redesigned set of send effects and punch-in fx, a brand new arpeggiator and a collection of craftily captured multi-sampled instruments. the line input and the internal microphone allow you to sample your own sounds in just seconds. whether you’re into making sultry serenades or bubonic beats, the EP–1320 has you covered.

Become your own bard
Alongside a bucketful of one-shot samples the instrumentalis electronicum features a number of readily playable medieval instruments - play them on the paeds or on an external midi keyboard.

Summon your inner troubadour
In demus mode, choose any of the 9 medieval songs and jam along using the sounds and instruments on the four banks. add some punch-in fx and you’re ready to send any tavern floor into a frenzy! (also perfect for banquets and fetes).

An unrivaled medieval experience; EP-1320 features a hundreds of built-in medieval sounds for your nostalgic pleasure. go back in time and play along with the built-in magical melodies, sultry serenades and bubonic beats. included in the box are 4 knobs, a sticker pack and a quick start guide for you to hit the ground running.

Features:
• built-in mic and speaker
• 6 stereo voices / 12 mono
• 128 MB memory including 96 MB ROM sounds and 32 MB user sample memory
• 9 built-in demo songs
• 9 user projects
• 7 built-in pocus and 12 punch-in pocus
• pressure sensitive keys and multifunctional faedr
• sampling frequency: 46 kHz / 16-bit
• 1x stereo in/out, sync in/out, midi in/out and usb-c
• powered by 4x AAA batteries, or via usb-c.
• dimensions: 240 mm x 176 mm x 16 mm
• weight: 620 g

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Mihai Pol

Right Now EP

Mess 10th Anniversary Colored Vinyl Edition Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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We are proud to announce our latest release with Mihai Pol titled 'Right Now'. The three track EP debuted on our sub label 'Blanc.' Featuring three dynamic tracks that are bound to ignite dance floors worldwide, this collection is a testament to Mihai's signature sound in the realm of music.

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Liars

2LP | 2024 | Original (Mute)

44,99 €*

Release: 2024 / Original

Genre: Pop

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12" | 2024 | UK | Original (Central Processing Unit)

Larionov

Space Threat

12,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy.
The opening title-track is precisely the sort of thing which would soundtrack a voyage to the outer-edges of the solar system. 'Space Threat' is a nervy, restless bit of machine-funk, the track moving forward at a midtempo which manages to be at once steady and slightly fidgety. The beat skitters and swerves, a perpetual-motion machine of minor-key bass, strange modular flutters and thwacking snares. All of this is draped in icy washes of keyboard - think Drexciya if they blasted into outer space rather than delving deep down in the ocean.
'Asteroid Attack' works from the same blueprint for 'Space Threat' but ratchets up the intensity a little to take the track to another galaxy. It's still powered by a livewire neurosis, all piston-sharp drums and whirligig synth percussion. However, an increased tempo, strangely poignant keyboard lines and little snatches of vocoder-drenched vocals turn 'Asteroid Attack' in the direction of modern practitioners like Cardopusher and CPU homie Silicon Scally.
Opening up the EP's B-side, 'Flying High' finds a midpoint between its predecessors, returning to the steadier pace and twitchy vibe of 'Space Threat' but maintaining 'Asteroid Attack's single-note counter-melodies and digified vocals - although here the ghostly treatment on the voice makes for a hugely eerie atmosphere. Around the four-minute mark, the track peels back the veil of synth pads and wobbling keys stabs to turn the attention wholly to the rhythm section, a choice which feels like taking a stiff drink in order to redouble your energy for the next part of the night.
'Vimana Ride' runs with 'Flying High's approach to see Space Threat out in style. There's something to the digital vocal sighs that make up the melody of this cut which gives things a really uncanny quality - it's the kind of sonic choice that Sadboys producers like Yung Gud and Yung Sherman would make, but applied wholly to the service of crafting body-popping, acid-tinged electro.
Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments.
Riyl: Cardopusher, Silicon Scally, Annie Hall, Cygnus

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AIAIAI

UNIT-4 Wireless+

799,99 €*

The Sound Of Music Black Vinyl Edition

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AIAIAI introduces world’s first professional wireless studio monitors

UNIT- 4 frees the music creation process with battery powered portability and ultra-low latency wireless audio.
With UNIT-4, what was previously confined to the traditional studio is now liberated in the hands of the creator, enabling them to break free from boundaries. Whether at home, on the road, or with friends, UNIT-4 allows for freedom of movement and increased opportunity for collaboration.

AIAIAI brings innovation in audio technology and acoustic design that packs professional studio monitor performance into a compact size of only 2.5kg. UNIT-4’s advanced wireless technology allows for wireless, uncompressed audio with only 16ms of latency. Three different modes of connection means complete versatility in one speaker with Wireless+ ultra-low latency, Bluetooth and cabled options. Designed from the inside out without using glue, UNIT-4 allows for total disassembly and component replacement, and is made from 100% recycled plastic.

The introduction of UNIT-4 is AIAIAI’s latest step in expanding its family of products using the W+ Link technology, which began with the introduction of the TMA-2 Wireless+ headphones in December of 2021. The W+ Link has been specifically developed for wireless audio with ultra-low latency in a stable and robust connection, designed for enhanced freedom for music making.

The UNIT-4 Wireless+ studio monitors allows creators to finally break free from the cable and expand their creative freedom. Experience unparalleled flexibility and truly liberating mobility in your creative process as a music producer. These studio monitors allow you to create and mix music with accurate sound representation and powerful performance wherever you are. Connect wirelessly to your devices and enjoy crystal clear audio without the hassle of cables.
Take control of your creativity and elevate your music to the next level with these wireless portable studio monitors.

The key features uniquely designed for enhanced freedom and set UNIT-4 apart from other speakers are the following:

Complete wireless freedom
• Battery powered with 20H+ of playback time
• W+ Link ultra low latency wireless audio for music creation - only 16ms of latency, uncompressed audio and robust connection
• Complete wireless freedom - both audio and power cables

Reference monitor performance
• 2 way active monitor featuring a 4 inch high-excursion woofer and 1 inch silk-dome tweeter
• Precision tonal accuracy over a flat +/-2dB frequency response from 50Hz to 20kHz
• Bass vent and boosting EQ tuned to provide a clean bass extension down to 40Hz
• Precise soundstage and point-source accuracy provided by the minimal front panel design, incorporating a directivity controlling tweeter waveguide
• Stage monitor design enables you to place the speaker upright or angled horizontally, to optimise your sound field in changing workspaces
• Shape UNIT-4’s sound to your environment or preference using the AIAIAI app customisable 5-band EQ

Portable, compact and rugged
• Size and weight of only 3 litres / 2.5kg
• Rear bass vent designed to be a comfortable carrying handle when on the move
• Removable steel grille provides sturdy protection for the woofer and tweeter

Connect to everything
• W+ Link - use the X02 transmitter for low latency wireless music creation
• Bluetooth 5.2 - listen to music from your Bluetooth enabled devices
• Cable - connect directly via 3.5mm mini-jack and 6.3mm balanced TRS inputs

Responsible design
• Main components produced from 100% recycled plastics, from post-consumer sources
• Designed for disassembly in a glue-free design - take the whole speaker apart using twoscrewdrivers
• Replace worn out components including battery and drive units
• Future-proofed for new technologies with upgradeable wireless electronics

WHAT’S IN THE BOX?
• UNIT-4 Wireless+ Studio Monitor x2
• X02 W+ Link Transmitter
• Power supply x2

TECHNICAL SPECIFICATIONS:
UNIT-4 AUDIO
• Response: +/-2dB 50Hz-20kHz
• Low cut-off: 40Hz
• Peak SPL: 104dB
• Enclosure: Bass reflex
• Woofer: 4 inch high excursion
• Tweeter: 1 inch silk dome
• Crossover: 3kHz
• Amplifier: Class D 2x 80W peak
• DSP: Loudness adaptive bass EQ
• EQ adjustment: 5-band (AIAIAI app)

UNIT-4 AUDIO CONNECTIONS
• Low latency audio: AIAIAI W+ Link
• Bluetooth version: 5.2
• Analog inputs: 3.5mm aux / 6.3mm balanced

UNIT-4 POWER
• Battery playback time: 20 hours
• Charging time: 2 hours
• Battery capacity: 77Wh
• Power supply: 120-240VAC - 15VDC

X02 W+ LINK TRANSMITTER
• Latency: 16 ms
• Audio quality: Uncompressed
• Operating range: 12 m
• W+ Link connections: 2 devices

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Laibach

LP | 2018 | UK | Reissue (Mute)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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What Cha Gonna Do With My Lovin / You Gonna Make Me Love Somebody Else

12" | 2023 | UK | Original (Quantize)

Play With The Changes Remixed Red Vinyl

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Next up on DJ Spen’s Quantize Recordings, the main man himself teams up with all time production and remix legend John Morales under the moniker Spencer Morales to deliver a seriously spellbinding set of tracks. Featuring Phebe Edwards on vocals they have delivered a sublime rendition of Stephanie Mills’ 1979 soul classic, ‘What Cha Gonna Do with My Lovin’ on the A side, with a heavenly cover of The Jones Girls’ ‘You Gonna Make Me Love Somebody Else’ featuring Tasha LaRae on the flip. When it comes to disco house, it really doesn’t get much better than this. A masterclass of modern production, both crisp and powerful, brimming with instrumentation yet with every element given the space it deserves. What else would you expect when you’ve got DJ Spen and John Morales in the hot seat.

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Rochelle Jordan

LP | 2023 | US | Original (Young Art)

Release: 2023 / US – Original

Genre: Electronic & Dance

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A Sign Of Things To Come Splatter Vinyl Edition

Sylosis

LP | 2023 | EU | Original (Nuclear Blast)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Hamburg Spinners (Carsten Erobique Meyer, David Nesselhauf, Dennis Rux, Lucas Kochbeck)

Die Hamburg Spinners Im Schwarzwald HHV Exclusive Black in Clear Yolk Vinyl Edition

LP | 2024 | EU | Original (a sexy)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Kinda' Kinky 20th Anniversary Redux A Skillz Remix

Ursula 1000

7" | 2022 | UK | Original (Insect Queen)

By The Ash Tree / Upstream Dream Gray Marble Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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In 2002, New York producer Ursula 1000 released his groundbreaking, genre-busting album Kinda' Kinky, meshing groovy retro sampladelic licks with modern breaks and beats. For its 20th anniversary this year, Ursula revisits the 60's swinging London mod shaking title track with his own 2022 redux. UK breakbeat master A.Skillz remixes the flipside into a relentless, giggling funky disco monster! The cover design is by world renowned space-age bachelor pad artist Shag.

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Slow Meadow

LP | 2024 | US | Original (Hammock Music)

27,99 €*

Go My Own Way / Faith Black Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Limited Gray Marble Vinyl.This vinyl edition includes two EPs, one on each side: 'By the Ash Tree' and 'Upstream Dream', originally recorded and released in 2020 and 2021 respectively. To connect these compositions, Matt Kidd (Slow Meadow) composed new segues/crossfades from song to song, allowing the pieces to be experienced in one cohesive and harmonious flow.From Marc Weidenbaum's 'Disquiet' review: "Slow Meadow's new album, 'By the Ash Tree', opens with cascades of delays and proceeds through three tracks of reflective piano". The title track of 'By the Ash Tree' is one of Slow Meadow's most popular and enduring compositions.'Upstream Dream' was composed around the time of 2019's Happy Occident. Soft electronics, bearing otherworldly tones and, at times, a sense of playful mischief, subtly shift expectations and bring discovery and wonder at every turn. It bookends a period of creative output that introduced Kidd's vision of calming and meditative ambient music. With a foundation of piano, string orchestration, and an ever-evolving electronic palette, Slow Meadow traverses the borders of neoclassical and minimalist electronics and delivers a deeply personal and transportive experience that speaks directly to the ebbs and flows and mundanity and marvels of life.

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The Vapor Caves

7" | 2024 | EU | Original (The Sleepers Recordz)

LP | 2022 | EU | Original (Mad About)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Austin, Texas duo The Vapor Caves venture into ominous, mid-tempo magic on “Go My Own Way.” Oscillating between breezy nu-disco and beachy house, this effort feels like an evolution for the duo who explores the endless search for life’s meanings and a desire to be independent. The salsa-inspired, melancholic chording and tasty acoustic bassline set the stage for Yadira’s lead vocal here, pleading for her freedom, wrapped up in her impeccable ability to write muti-faceted harmonies and lyrics that can be re-interpreted endlessly. “Go My Own Way” marks The Vapor Caves’ first single on Italian label, Sleepers Recordz, which will release this on a 7” vinyl record mid-summer. An upcoming West Coast tour will celebrate the release and have VC sharing stages with modern funk greats XL Middleton & Moniquea, as well as Jonny Tobin & Maya Killtron. “Faith” is a syrupy, Zapp & Roger-inspired, modern funk ballad. A co-write with longtime friend, Aidan Kennedy (recent Neil Francis remixer), this tune evolved into the story of a fallen angel, lost somewhere between two worlds. Featured to close this soulful, yacht rock-sounding jam is nu-jazz phenom & Canadian composer Jonny Tobin, who delivers the synth solo of the decade, chock-full of arpeggios & unique chording. “Faith” anchors this two-song EP as a very vulnerable b-side, with a smooth change of pace, rarely heard from The Vapor Caves, but swiftly becoming a staple tempo in their catalog.

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Sam Sanders & Visions

The Gift Of Love

Release: 2022 / EU – Original

Genre: Organic Grooves

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MAD About Records is honored to present the official reissue of the legendary LP by Sam Sanders & Visions for the first time worldwide “The Gift of Love.” Highly recommended 80s Detroit Spiritual Jazz Masterpiece. Classic Detroit Jazz in the Tribe Records, Strata East jazz vein.

Official Reissue under exclusive license by Viola Vaughn

Although most of the sessions with Sanders from the 60s or 70s are either nowhere to be found or still unreleased, 'The Gift of Love' - perhaps the only release of Sanders as a leader during his lifetime and privately pressed by what I presume to be his own label That African Lady - offers a document of this Detroit great's music with his band Visions. Fellow Strata musician Kenny Cox, even sits in on keys on a few tracks. Sam Sanders, a unique saxophonist whose approach to music made him a legend in Detroit Jazz. While sometimes likened to John Coltrane, Ornette Coleman, or Joe Henderson, Sanders had an unmistakably unique style. His group, Sam Sanders and Visions - for many years with bassist Ed Pickens and drummer Jimmy Allen, was known for extremely aggressive post-bebop jazz bordering on the Avant-Garde. Sanders was also active as an educator and concert producer. He was an instructor at the Detroit Metro Arts complex and at Oakland University. He was instrumental in creating the Detroit Jazz Center - an open jazz school and concert venue presenting artists such as Jackie MacLean, Donald Byrd, and Woody Shaw, with local artists Kenn Cox, Marcus Belgrave, Roy Brooks, Charles Boles, and Danny Spencer, among many others. Sanders began playing while attending Northeastern High School in the 50s with fellow classmates Alice Coltrane, Kenn Cox, and Bennie Maupin. He later attended the Teal music school and studied privately with Detroit Jazz Legend: Yusef Lateef. During his career, Sanders performed with various artists, including: Milt Jackson, Rahsaan Roland Kirk, James Blood Ulmer, Sonny Stitt, Pharoah Sanders. Before forming Visions, Sanders and trumpeter Marcus Belgrave fronted a band with pianist Harold McKinney called the Creative Profile. Belgrave and Sanders would continue to perform together, often with Sander's big band, the Pioneer Orchestra. During the last decades of his life, Sanders traveled often to Senegal and eventually settled there with his wife, Viola Vaughn.

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LP | 2020 | EU | Original (El Palmas Music)

Color De Trópico

27,54 €* 28,99 € -5%

Archie Bell & The Drells / The Intruders

Release: 2020 / EU – Original

Genre: Organic Grooves

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Color de Trópico is a carefully-compiled work of healing and reconstruction, documenting a special moment in the history of Venezuelan music, when the country’s democracy was just a few years old and the profound impact of the oil industry on society had only just begun. DJ El Palmas and El Dragón Criollo have chosen eight impossibly hard-to-find jewels, originally released between 1966 and 1978, reissued here for the first time on vinyl. In this period, Venezuelan musicians assimilated a wide range of influences and styles, both local and global, to generate something new, a “modern” identity for Venezuelan music; artists who set their eyes on the future without giving up the search for their own sabor (flavour). This is how jazz, rock, salsa, funk, psych, prog and disco, sat next to guajira, cumbia, cha-cha-cha and even the hugely-popular Venezuelan style of joropo. It started a long tradition of Venezuelan musical pioneers, many of whom are still to get the recognition they deserve. Seconds after the needle drops on the vinyl, “El Despertar” (“The Awakening”) kicks off things with a goodbye for it was the last single Los Darts released before their dissolution in 1974. In the 60s they became the youthful face of pop, however, “El Despertar” settles into a later maturity, having digested the tumult of the times. A cha-cha-cha rhythm with bossa nova piano, bluesy stylings and a Caribbean context – a blueprint for tasty miscegenation – with the use of electric guitar, arriving in waves of chords, signalling the onset of modernity. “Guajira con Arpa” by the pioneering Hugo Blanco, who lists the creation of countless rhythms and his early adoption of rhythms like ska amongst his claims to fame, is a fusion that arrives without complexities. It approaches indigenous forms from a multitude of different angles, yet in the middle of its Caribbean approach it creates a melody so close to the pajarillo that the song seems to flip on its head. With “Zambo” the party is on. Here we have an all-star line-up comparable to master Cortijo’s brief project with his Time Machine in Puerto Rico. Alex Rodríguez, one of the most important jazz guitarists in Venezuela and his Retreta Mayor give a twist to the fusion by daring to venture into Latin jazz, funk and salsa. “Gaita Universal” by El Combo Los Capri, gives us a moment of solace, recalling the cultural, rhythmic and even spiritual brotherhood of Venezuela not only with the Caribbean but with the continent, South America and neighbouring Colombia. This cumbia is special, it interweaves musical phrases in the style of a popular party wanting to propose the permanence of culture. Rhythm is the point of union between all human beings and, as its name indicates, its proposal goes beyond the physical and particular. It’s pure tropical hedonism. Nelson y sus Estrellas reminds us once again of the Caribbean wave but here under his “urban” outfit. Nelson plays guaguancó in the style of original salsa, specifically in this version (the theme evolves over time) with a disco-soul twist on “Fantasía Latina”. It takes the sound of early masters like Eddie Palmieri but is developed with eclectic elements, a climatic structure in which a trumpet with vibrato, salsa-rock riffs with acoustic guitars and a flute that, unlike the charangas in those that Johnny Pacheco partook at the same time, rather have a cinematic character. The cosmic “Tu y Yo” from Almendra plots a journey between soul-jazz and psychedelia that sails over a Moog until ending as a P-Funk descarga. Despite the fact that the principal instruments are an organ and a synthesizer, the acoustic guitar provides a unique colour. A tropical psychedelic journey from beginning to end seasoned with congas. The album closes with Tulio Enrique León y Su Organ playing “Bimbom”, a European pop-styled track from 1975. It’s a version of Bimbo Jet’s Eurodisco “El Bimbo” that immediately became famous among popular easy listening orchestras throughout summer in Europe. Tulio Enrique shines by turning it into an enigmatic and spectral cumbia. Tulio was an organist whose blindness did not prevent him from becoming one of the most popular artists in the world, as cited by Billboard in 1965. We have left the politically-incorrect “Socorro, Auxilio” by Germán Fernando for the end. According to music journalist Alfredo Churión “those who saw him attested to having witnessed something indescribable”, a mysterious man who doubted even his sanity and of whom today practically nothing is known. He was someone who dared to show a completely foreign effrontery, signing unintelligibly, moving frantically and throwing himself to the ground before the stunned gaze of his audiences. Venezuelan writer Luis Armando Ugueto states: “his art could go from the sublime to bad taste – and it was craved by the press – when he subjected viewers to strange songs where he pleaded for socorro and auxilio [help].” Germán Fernando had a histrionic proposal that was a thousand times misunderstood and that even popular presenters of the time like Renny Ottolina dubbed “his follies”. A theme close to the jazz orchestra soundtracks of James Bond and Batman accompanies the showman here who comes across like a creole Screaming Jay Hawkins. He creates a whirlwind of sound that, while as agile as a featherweight, is also capable of knocking out all the old ideas we had about Venezuelan music.

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Tighten Up At The Disco / Be Thankful For What You Got

7" | 2024 | EU | Original (Mad About)

Radio Broadcast 1994 Honolulu

Release: 2024 / EU – Original

Genre: Organic Grooves

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By the end of the 1970s, Archie Bell and his crew had achieved enviable status in the Philly International organization. “Strategy“ was one of the last LPs for the label and the line-up included the dancefloor anthem ‘Tighten Up At The Disco’, which finally has its first ever release on 7" single. Way back in the 1970s, William DeVaughn, a Washington D.C. government worker and aspiring singer-songwriter saw an ad in a magazine for Philadelphia’s Omega Sound. This record operation had a unique business model as they would seek out artists then charge them to record at the studio. DeVaughn sent Omega some demos and eventually paid $900 so he could record “Be Thankful for What You Got” a re-written version of his original “A Cadillac Don’t Come Easy” in 1972. In the same year that the original was released The Intruders, another great Philly International group did a more up-tempo version of this classic song. It's the closing track on the LP “Energy of love” LP by The Intruders. It has never been released on 7” either. Licensed by Sony Music Portugal

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Depeche Mode

LP | 2024 | EU (Radio Broadcast)

Vultures Mustard Colored Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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The second of two consecutive concerts in Honolulu during the 1994 Exotic Tour. This is the last concert of this tour to have Andrew Fletcher on keyboards; the remainder of the tour has Daryl Bamonte in his place due to Fletcher suffering from a nervous breakdown and not continuing with the remainder of the tour.

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1000mods

LP | 2014 | EU | Reissue (Heavy Psych Sounds)

What's The Use? / Instrumental Record Store Day 2023 Edition

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Reissue of the 1000mods sophomore album in brand new Colored Vinyl. “A hard rocking 38-minute affair that packs quite a punch. Stoner Rock and Fuzz Rock combine for one hard-rocking adventure that will speak volumes to the Stoner Rock crowd. Vultures is a lot different to their 2011 album – Super Van Vacation. Yeah there is lots of fuzz to worship to but Vultures sees the band moving into dangerous territory as Vultures has a darker feel compared to the previous album’s sunnier and easy-going vibe.” (The Sludge Lord) All music and lyrics written by 1000mods. Produced and mixed by 1000mods and George Leodis. Engineered by George Leodis at Shakti Sound Studio during March 2014. Mastered at Sweet Spot Studios by Tolis Economou. Artwork by Indyvisuals. Hammond on "Modesty" by Greg Chour. Wise words on "Reverb of the New World" by Carl Sagan, performed by Simon Bloom.

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Tony Troutman

7" | 1977 | UK | Reissue (Jerri)

Niger EP 2 Green Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Incredibly sought after (and once bootlegged) sweet modern soul track from Georgia's Tony Troutman. Feel-good grooves, delicious harmonies and joyous vocals make for a recipe that will lift any lacklustre mood. Finally released as an official reissue with original label artwork this super rare record, has been known to change hands for over £800 in the past, with only the top diggers able to hunt down this one. Yellow label version, white sleeve.

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Mdou Moctar

LP | 2023 | EU | Original (Matador)

LP | 1969 | EU | Reissue (Cosmic Rock)

Release: 2023 / EU – Original

Genre: Organic Grooves

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"In 2021, we started the Mdou Moctar mixtape series. These releases compiled field recordings, cell phone voice memos, interview clips, conversations captured in the tour van, and blown-out board recordings from shows all over the world. As a continuation of those mixtapes, we present the Niger EPs, which examine the roots of the Mdou Moctar band. Early Mdou recordings were contained on cassettes, though the humble tape was soon replaced by the quick and easy facilityof cell phone technology. Long bus rides are common in West Africa. On one of these rides, you might be seated next to a stranger and ask "what are you listening to?", then a song exchange would begin over Bluetooth. This is a very real way artists found their music distributed far from home. In that vein, the Niger EP series features solely recordings taped in Mdou Moctar"s home country of Niger. Volume 1 begins the series with a mix of recordings from 2017- 2020, documenting the band at weddings, picnics, rehearsals, and even impromptu house concerts. A must have for any Mdou Moctar fan!" - Mdou Moctar bassist Mikey Coltun

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The Advancement

12" | 2022 | EU | Original (Mulen)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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After collaborating with Gabor Szabo on such influential ‘rare groove’ albums as ‘More Sorcery’ and ‘Dreams’, bassist Louis Kabok and drummer Hal Gordon further embraced jazz-rock fusion under The Advancement monicker. Their self title album from 1969 opens with the moody expressiveness of "Juliet" moving on "Moorish Mode" on more interesting drums break. Their heady melting pot of jazz, hard rock and psychedelia is anyhow well described on closing number "Fall Out"

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iO (Mulen)

Ecstasy EP

The Electric Bee EP Yellow Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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iO (Mulen) returns to his home - Mulen Records after a quite long production pause because of the full-scale Russian invasion in Ukraine. Despite all the troubles that are going with the war in your home, half of this release (the B-side) was written after 24.02.2022. Signature minimalistic and euphoric at the same time examples of a modern house with the retro feel - that's what we're having here.

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Red Axes

12" | 2022 | EU | Original (Shall Not Fade)

Lateef At Cranbrook Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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We're beyond excited to be announcing the next release on our Classic Cuts series, pertaining to none other Israeli duo, Red Axes. The Tel Aviv techno stalwarts are veterans of the scene, over the years honing an inimitable sound which draws on a unique concoction of influences ranging from post-punk and EBM to disco and new wave.

As is encapsulated in the title, Electric Bees EP focuses on constructing strange, uncanny worlds which at times are disorienting, spooky and hostile ('The Electric'); and at others transportive to times past. 'Next One Is Bill' and 'The Bee' combine the retro quality of squelchy, square wave acid synths with an uber-polished production value to see a modern take on the classic sound, whilst 'Axes In The Sky' sees the EP's energy climax. Set apart from the rest of the tracks with a BPM of 130 and distinctly contemporary feel, it gives you a whiplash tour around a myriad of sounds, taking sharp and unanticipated corners at each breakdown.

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Yusef Lateef

LP | 1958 | EU | Reissue (Sowing)

The Minutes White Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Lateef at Cranbrook (also reissued as Yusef Lateef) is a. live album by multi-instrumentalist Yusef Lateef recorded in 1958 at the Cranbrook Academy of Art and originally released on the Argo label. Saxophonist, flautist, oboist and all-round reeds maestro Yusef Lateef was a renowned cross-pollinator of Eastern modes with the more traditional harmonic repertoire of American jazz. During the course of his covetable career he worked side-by-side with Dizzy Gillespie, Charles Mingus and Miles Davis among others.

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Alison Moyet

LP | 2022 | UK | Original (Cooking Vinyl)

27,99 €*

Faces In The Rocks Colored Vinyl Edition

Release: 2022 / UK – Original

Genre: Pop

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Alison Moyet, a British pop singer known for her rich, remarkably bluesy voice, went on to become a steady presence on the U.K. charts, however, with each of her studio albums reaching at least the Top 30. The Minutes was Produced by Guy Sigworth , and was first released in 2013. The Minutes marked a return to club minded electronics while keeping her sound distinctly contemporary. It became her highest charting album since Raindancing in the U.K., reaching number five.

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Mariee Sioux

2LP | 2008 | EU | Reissue (Whale Watch)

33,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Originally released in 2008, Mariee Sioux’s Faces in the Rocks immediately elevated the songwriter to the vanguard of a burgeoning California folk revival alongside Joanna Newsom, Devendra Banhart, Vetiver, and Alela Diane. Although Mariee had already made a name for herself as a touring member of Brightblack Morning Light, it was not until the release of Faces in the Rocks that Mariee’s agile fingerpicking and impressionistic songwriting made her one of the movement’s leading figures. Whale Watch Records (Assorted Orchids, Bingo Club) is proud to present this first-ever pressing of Mariee’s beloved modern folk classic on “Bone”-colored vinyl.

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Genre: Rock & Indie

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Emerges Black Vinyl Edition

Stone Harbour

LP | 1974 | EU | Reissue (Out-Sider Music)

Fast Idol Golden Nugget Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones.

“Two multi-instrumentalists creating a melancholic dreamlike state with songs fading in and out of the speakers, cavemen drums, primitive electronics and murky fuzz lurking in the background. The best tracks go into places no other albums reach” Patrick Lundborg (Acid Archives). " ‘Emerges’ as in slowly from the primordial sludge of the universe. 'Emerges' like a slow, slouching spectre hauling itself out of the swamps. But then what's a boy to do?

It's 1974, you're young and have a head full of Hawkwind and Roky and the Elevators, old brutalist blues in the Hound Dog Taylor / Fred McDowell backwoods whisky-fucked mode, freakfolk and LSD; you're stuck in Hicksville, USA - that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year of so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man.

So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos. Slowly, slowly Stone Harbour emerge.

Stone Harbour were Ric Ballas - electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar percussion and voice - and Dave McCarty - lead vocals, drums and percussion... and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia.

The music? What can I tell you? ‘You'll be a star’ shimmers and aches in the midnight; cymbals wash over you, Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; ‘Rock & Roll Puzzle’ is dark, twisted fried garage punk blues brutality in the same mould as 'White Faces' or 'Cold Night for Alligators', pre-empting The Gories and Pussy Galore by a good ten years!!

"Who invented rock & roll? And who invented soul? Was it you or was it me?" Indeed. Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.

‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. Best record I've heard all year." Hugh Dellar (Shindig!)

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Black Marble

LP | 2021 | US | Original (Sacred Bones)

Ultimate Flight Case Multi Format Turntable MK2

Release: 2021 / US – Original

Genre: Rock & Indie

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On Fast Idol, LA-based Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. `Somewhere' opens in sombre herald, before dropping into a fast freeway tempo; the glassy synths and crisp beats cut through the anxious moods on `Bodies' and `Try' sits in a lineage with cult bands like Asylum Party. `The Garden' is a journey through a post-apocalyptic cityscape, earthed by the pulse of a drum machine whereas `Ship To Shore' could be a lost Oppenheimer Analysis B-side, and the album's closer `Brighter and Bigger' catches a sentiment like The Dadacomputer has learned to feel emotions. He captures the loneliness of Ray Bradbury's atomic-era sci-fi and the apocalyptic but revolutionary spirit of Godard's Sympathy for the Devil, as in `Preoccupation', the beating heart of the album, which conjures ambivalent scenes of an empty world and the comfort to be found in a shared humanity. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.

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UDG

189,99 €*

LP | 1977 | EU | Reissue (Mad About)

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We, at UDG have further fined-tuned already a great design concept of our flight case into one specially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal “Stage Grip” pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminum profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Multi Format Turntable Black MK2 also features heavy duty spring loaded handles for a secured lift & load.

UDG Ultimate Flight Case Multi Format Turntable Black MK2 not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incoporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black colored combination.

EAN 8718969212762
Color Black
Weight 7,80 kg / 17.16 lbs
Outer Dimensions (W x H x D) 51.1 x 42.6 x 23 cm | 20.1 x 16.7 x 9.1 inch
Inner Dimensions (W x H x D) 45.1 x 38.6 x 7.8 cm | 17.7 x 15.2 x 3.1 inch
Material Heavy duty construction of 9 mm thick plywood
Protection Extra-wide black solid aluminum profiles
Secure stacking due to stackable ball corners
Sturdy construction
Full padded interior keeps controller well-protected
High density diamond embossed EVA foam protective padding
Extra's Laminated in a black finish with a honeycomb/hexagonal "Stage Grip" pattern
Fits Technics SL-1200MK7, SL-1200GR, SL-1200GAE, SL-1210GR
Pioneer PLX-1000
Denon DJ VL12 Prime
Reloop RP-8000MK2, RP-7000MK2, RP-4000MK2, RP-2000MK2, RP-1000MK2
Stanton ST-150, STR8.150, T.52, T.55 USB, T.62, T.92 USB
Vestax PDX-3000
Numark TTX
Audio Technica LP120-USB, LP1240-USB, LP120XUSB, LP1240-USBXP, LP140XP, LP3, LP5, LP7, LPW40WN
American Audio Power Drive 2.2
Mixars LTA, STA
or similar size turntables
And accessories

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Syndicate

Conveyance

25,99 €*

Hifiklub + Matt Cameron + Daffodil + Reuben Lewis

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In Summer 1977, Syndicate band from Las Cruces, New Mexico, recorded and released this album "Conveyance". It is the only recording the band ever released. Super rare Latin Funk album from New Mexico with a killer cover of Curtis Mayfield and the Sisters Love masterpiece "Give Me Your Love".

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Rupture Pink Vinyl Edition

LP | 2020 | EU | Original (Electric Valley)

18,99 €*

LP | 1978 | EU | Reissue (Mad About)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Rupture", Hifiklub new album - recorded during quarantine - with French producer Daffodil, experimental jazz trumpet player Reuben Lewis and Pearl JAM / SOUNDGARDEN’s drummer Matt Cameron. In a way, spring 2020 has offered us the luxury of time. Eight unforeseen weeks of creation during which french experimental rock band Hifiklub was able, on the one hand, to provide the single "Staying At Home" with Jad Fair (Half Japanese) for Joyful Noise Recordings compilation 'Safe In Sound - Home Recordings From Quarantine' but also, on the other hand, remotely record this brand new album with producer Anthony "Daffodil" Belguise, drummer Matt Cameron (Pearl Jam, Soundgarden) and trumpet player Reuben Lewis (I Hold the Lion's Paw). That, while reformatting the internal balance of the group, returning to an “open trio” formula - and no longer a quartet around permanent members Pascal Abbattucci Julien, Jean-Loup Faurat and Régis Laugier. All this, above all, by having only the means at hand in such circumstances. The instrumental character of this new discographic stage, made up of six distinct movements, is only shaken by rare vocal interventions supporting passages where the music becomes more intense. This real sound puzzle assembled by Daffodil reveals the darkness and modernity characteristic of his latest productions. His meticulous mixing work allows this 25-minute musical piece, thought of as a whole, to evolve in the sandstone of unexpected rhythmic and harmonic breaks during which the trumpet and electronic sounds constantly revive the machine.

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Jay Days

Between The Swells

LP | 2018 | US | Original (Grilchy Party)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Killer AOR Rarity. Highly recommended ! Jay Days' only album presents eight killer funky AOR sounds and blue eyed soul tracks. Rarely surfaced in the collectors' market but now the album is finally reissue on vinyl. A band formation with mysterious session men who support JAY Days of slack guitar vocal, gentle electric piano with jazzy rock, blue-eyed soulful medium mellow, female chorus with mystic groove. It contains Hawaiian-style acoustics and dense performances unique to the Private Press. It is a hidden AOR masterpiece where you can feel the tropical atmosphere of the street along with the wind of the West Coast.

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Da Buze Bruvaz

Ni&$@Tivity

30,99 €*

Panic White Vinyl Edition

Release: 2018 / US – Original

Genre: Hip Hop

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Da Buze Bruvaz have created a modern Blaxploitation epic in hip-hop form. Known for their raw and unapologetic over the top lyrics, they have built a strong cult following. They now present Ni$&@tivity, their official follow up to 2017’s Adebesi Hat LP. This project is even more over the top and sounds like Richard Pryor having a hardcore battle with Redd Foxx. The Philadelphia duo have taken it up a degree and should offend pretty much any and everyone fairly. Aside from rhymes they are also longtime members of the legendary NY posse the LoLifes, founded by Thirstin Howl 3rd and are heavily regarded in that movement.

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Caravan Palace

2LP | 2012 | UK | Reissue (MVKA)

30,99 €*

Love On The Shelf / Bring Your Love Closer

Release: 2012 / UK – Reissue

Genre: Pop

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Taking in influences as diverse as Massive Attack, Django Reinhardt, and Gorillaz, Panic is the second studio album from Caravan Palace, the Parisian electro-swing six-piece responsible for transferring the traditional sounds of gypsy jazz to the modern-day dancefloor. The follow-up to their 2008 self-titled debut includes two cuts from 2011's Clash EP (the title track, "12 Juin 3049") alongside the lead single "Rock It for Me."

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Mighty Fire

7" | 2017 | UK | Original (Super Disco Edits)

The Telescopic Aulor Of Atlas

Release: 2017 / UK – Original

Genre: Organic Grooves

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The last and final instalment of the brilliant mighty fire unissued reels. And again two beautiful sides straight from the pen of Melton Bolton. These tracks were sitting around before they cut a deal with Elektra records. Melton Bolton has been a prolific player and musician for over 40 years. Writing for Motown plus a host of other record labels.
The label salvaged the reels, cleaned them up a bit. Nothings perfect in this music world. But the chance to give these songs a new vehicle gives Super Disco Edits always a great pleasure.

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Lukas De Clerck

LP | 2024 | EU | Original (Ideologic Organ)

Go My Own Way / Faith White Bone Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Lukas de Clerck brings us the ancient greek instrument, the aulos, of which his new interpretation of long form expression is coaxed forth on this tremendous recording.Lukas de Clerck explores a niche of archaeological research in music; the aulos is a historical Greek instrument that Lukas analyzed and reinterpreted by a luthier in modern times_navigating this impression as an artwork or living sculptural object, as there is an absence of historical partitions or written information about how to recreate technique on the instrument. Lukas de Clerck has interpreted information from the rare archaeological resources and visual art of the classical Greek period to recreate both playing technique and possible sound timbres with the instrument. With his contemporary approach to drone, post-minimalist music, and contemporary folk, we find a deeply satisfying and compelling, even playful set of songs, timbral exercises and compositions.An important document of new music meets contemporary archaemusicological research via Stephen O'Malley of SUNN O)))'s label Ideologic Organ._The telescopic aulos is speculative: might it have existed? It takes on features from the historical aulos, a double-reed instrument of which we know how it looked but little about what music was played on it or how it would have really sounded. It's an instrument without the limitations of canon or manual, providing creative freedom and awakening curiosity.The new instrument featured on this album is ancient and futuristic at once. The aulos has no tone holes; instead, each of the two tubes consists of three parts that can slide into each other. In this sense, the metal pipes bear a certain resemblance to the principle of a trombone. However, since both hands are already in use to hold both tubes, the sliding has to be done by way of gravity and the help of a «phorbeia», a leather mask which helps keep the reeds in place. The aulos's material is metal (instead of wood), which gives it a certain electronic allure and intensity, as well...

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The Vapor Caves

7" | 2024 | EU | Original (The Sleepers Recordz)

22,99 €*

LP | 2024 | EU | Original (Laser Media)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Def Leppard

Rock Rock 'Till You Drop

32,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hoshi No Suna (Stardust) Clear Orange Vinyl Edition

Saucy Lady

7" | 2022 | US | Reissue (Austin Boogie Crew)

20,99 €*

12" | 2024 | EU (Plastik People)

Release: 2022 / US – Reissue

Genre: Organic Grooves

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City Pop meets Modern Funk on the newest Austin Boogie Crew (abc) release by intergalactic artist Saucy Lady! Originally from Japan and based in Boston, singer-songwriter/DJ/producer Saucy Lady exudes an attitude of confidence and sensuality in her music, channeling the free self-expression celebrated in the Disco era. Her newest 7" single Hoshi no Suna (Stardust) is a catchy mid-tempo dancer with alluring Boogie influences. Poetically written in Japanese by R&B artist Lisa Yamaguchi. Warm production by U-key and Saucy Lady, layered with slapping drum machines, funky bass, pretty chords, ear candy leads, and a floating mysterious bridge. Given City Pop’s tremendous resurgence in the States and Japan, this lovable record has strong international appeal. 45 comes in a sleek anime influenced pic sleeve jacket with lyrics printed on the back for the fans. Includes an instrumental version, the ideal soundtrack for a starry night drive!

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Katermurr

Takin It Back EP

Milestones Numbered Limited Edition 180G LP SuperVinyl

Release: 2024 / EU

Genre: Electronic & Dance

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The Plastik People label is a great repository for deep house that is timeless but never tired. Katermurr is next up to prove that point with an EP that transcends the ages. It opens with a lovely throwback Chicago vocal over fresh modern drums. After 'Wanna Be With You' gets you going, 'Let's Dance' brings the party vibes with some busy lead melodies that will get hands in the air old school style. 'Donny' then keeps it deep with some languid grooves and a nice smoky soulful vocal drifting above. Last of all is the more bumping and dusty drums of 'Show Some Love' to close out a classic EP.

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Miled Davis

LP | 1958 | US | Reissue (Mobile Fidelity Sound Lab)

74,99 €*

LP | 2023 | EU | Original (Mad About)

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Miles Davis created just one studio album with his original sextet: Milestones. And he made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, Davis not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Sandwiched between the more famous 'Round About Midnight and the epochal Kind of Blue, Milestones remains a seminal work of art.

Sourced from the original master tapes and pressed on dead-quiet SuperVinyl, Mobile Fidelity's numbered-edition 180g LP grants each musician their own space amid broad soundstages. Afforded the benefits of a nearly non-existent noise floor and supreme groove definition, this vinyl reissue doubles as a time machine back to the February-March 1958 recording sessions.

Colors, shapes, and dimensions appear in the manner that resembles what you'd glean from behind a studio control room's window. Davis' burnished trumpet is rendered in three-dimensional perspective and seemingly coaxes the band to play with unburdened zest. Coltrane's trademark saxophone teems with lifelike tonality and images with specificity; his solos work in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the keys as he hits full stride, the chords and fills slithering around skeletal frameworks.

Inducted into the Grammy Hall of Fame and selected as a "Core Collection" record by the Penguin Guide to Jazz, Milestones is as famous for its title track – widely considered ground zero for modalism and bolstered by Jones' hallmark "Philly Lick" rim shot – as the players that produced it. The launching pad for many of Davis' improvisational flights, the album teases the explorations Coltrane would soon chase. Davis' own solo work broaches territories that far exceed what he had done in his bop-rooted past. Every song is a highlight.

Take the bravado "Dr. Jackle," featuring a hot-foot pace and bebop strains, or "Sid's Ahead," which continues the album's blues theme while juggling edgy harmonics and inside-out structures. On "Billy Boy," distinguished with an arco bass solo from Chambers, Garland gets a turn in the spotlight and channels the openness practised by one of his heroes, Ahmad Jamal. Even more instructive is the band's reading of Dizzy Gillespie's "Two Bass Hit." Three years removed from the version Davis and company recorded for the trumpeter's Columbia debut, this interpretation demonstrates the extent to which the group had jelled in a relatively short amount of time.

Then there's "Straight, No Chaser," the definitive rendition of Thelonious Monk's signature piece. Coltrane's marbled playing pulls at the tune's borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting "When the Saints Go Marching In" while demonstrating his knowledge of tradition and casting an eye towards the future.

About that future. Garland already had one foot out the door during the Milestones sessions to the extent Davis spells him on "Sid's Ahead." Jones would stick around for a bit longer but soon plot his exit. History proves Davis navigated the changes with visionary aplomb. Yet the chemistry, excitement, and beauty the sextet achieves on Milestones cannot be overstated. This reissue helps put the album in proper perspective – and presents the music the fidelity it deserves.

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Leila Pinheiro

29,99 €*

Behind The Tea Chronicles

Release: 2023 / EU – Original

Genre: Organic Grooves

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Leila Pinheiro is a legendary Brazilian singer, songwriter, and pianist. Over her 41-year career, she has released over 20 albums, showcasing her musical versatility and creativity. Her debut album, "Leila Pinheiro,” included the boogie anthem “Tudo em cima”, which featured the participation of renowned musicians such as Tom Jobim, Ivan Lins, Francis Hime, João Donato, and Lincoln Olivetti.

In 1970, Leila began her piano studies under the guidance of the legendary Guilherme Coutinho. As part of celebrating the 40th anniversary of this important milestone in Brazilian music, Mad About Records presents a worldwide vinyl reissue for the first time.

Under exclusive License by Leila Pinheiro

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Ed Motta

LP | 2023 | EU | Original (Musik Produktion Schwarzwald)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Belaya Polosa Cloudy Clear Vinyl Edition

Molchat Doma

LP | 2024 | US | Original (Sacred Bones)

7" | 2024 | EU | Original (Boogie Back)

Release: 2024 / US – Original

Genre: Rock & Indie

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Belarusian post-punk / synth pop group Molchat Doma have always exuded the kind of brutalist aesthetic of the architecture that adorns their album art. It's cold, gray, imposing, industrial_and yet there are human hearts beating within those foundations. In the wake of their breakthrough success in 2020, the trio endured a polarity of experiences, from the nadir of an uprooted life and forced relocation away from their native Minsk to the apex of headlining massive shows across the world. It was in this headspace that the band settled into their new home of Los Angeles to finish writing their fourth album Belaya Polosa, a testament to change in difficult times, a love letter to the digital pulse of the `90s, and a technicolor reinvention of the band's somber dancefloor anthems.From the opening synth swell and drum machine throb of "Ty Zhe Ne Znaesh' Kto Ya," to the goth / post-punk austerity of "Son", to the swirling electronic textures mixed with reverb-drenched guitar flourishes, expansive space, and yearning vocals of title track "Belaya Polosa" - that suggests Depeche Mode at their most reflective or The Cure at their most downtrodden - to the sultry and seductive "Chernye Cvety"_ a track reminiscent of Duran Duran's early `90s output in its fusion of dreamy guitars and authoritative mechanized beats _ and the interwoven layers of instrumentation, soaring chorus, and melodic sophistication of "Ya Tak Ustal", it's clear that Molchat Doma are operating on another level.Molchat Doma gained following with earlier albums that sound like third-generation bootlegs of banned recordings from the Eastern Bloc made after a few key entries in the Factory Records catalog were smuggled in from the West. Belaya Polosa propels them into a new direction while retaining their cold minimalist delivery they're known for. The basement grime and dirty tape-head sound of their previous work are now making space for digital luster and shimmering production values.And while Molchat Doma's broadened aural spectrum adds a syne...

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Lalomie Washburn

Try My Love

Mark Grusane & Eric Schwab

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Lalomie Washburn is a US soul vocalist (*1941 – † 2004) from the Soul/Funk 70's band „High Voltage“ who released her solo album, „My Music Is Hot“, in 1977. Over decades she collaborated with many artists including Stevie Wonder, Quincy Jones, Chaka Khan and Ray Charles. In 2005 she was inducted into the Omaha Black Music Hall of Fame. In 1992, she released several 12" singles including the independant hit „Try My Love“. This was the lead single to her second solo album (self-titled) in 1997. It became a huge Acid Jazz classic to be found on various compilations in the mid to the late 90s. Lalomie Washburn's Try My Love is a sophisticated blend of electronic, funk and soul, originally released in 1991. This album seamlessly merges acid jazz, soul, downtempo, and contemporary r&b styles. Side-1 features 'Try My Love,' an underground jam that highlights Washburn's ability to blend these genres into a classy, enjoyable track. Side-2 presents the 2024 Boogie Back remix of 'Try My Love,' which smooth's things out and transforms the original into a melodic disco groove. This remix adds a fresh, modern twist while retaining the soulful essence of the track. Now, 20 years later this song still got it all! The energy and musicality, the club appeal, especially with the addition of the 2024 „Boogie Back Remix“ on the flipside. DJs will have even more reason to spin this Boogie Bomb and prove their love for it...

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Midwest Rhythms Volume 2

12" | 2024 | EU | Original (Disctechno)

18,99 €*

LP | 2024 | EU | Original (Howl)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Chicago icon and Disctechno label head Mark Grusane teams up again with Detroit-based Eric Schwab for a second volume of the Midwest Rhythms series with four versatile house tracks.

The A1 ‘Easy Strider’ uses low-slung skittering drum patterns, a classic FM bass walk and a touch of 303. ‘Acid Hole’ layers a tension-building acidic pulse over a jacking 707 beat and spacey effects and fills. On the B-side, “You’re In Danger” combines dissonant pads, plucky synth and bass lines, and warbled verbal warnings. The record concludes with Eric’s reconstructed version of the title track from Mark’s 2023 album, “A House of My Own,” using assorted gear to bring new colors to a modern Chicago house classic.”

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Mighty Oaks

High Times

19,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 2023 | EU | Original (Oraculo)

Maman Küsters

Happy Meal EP

One Second Limited Reissue 2022

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Normandy duo Maman Küsters delivers one of the best electro-ebm sound we could find in planet earth, their fully analog sequences create an immediate kind of state of trance that only very few artists reach to delivery. This EP, that comes out at the same time as their new albumb ” Le Petit Chaos De” released via our partners of Unknown Pleasures Records, arrives with 2 mind-blowing remixes by Gareth Jones (renowned as Depeche Mode producer, among many other gigantic acts) and the techno producer Insider. If you like to make dance, buy this plastic immediately. Comes presented in a one-off truly limited edition of 300 copies lacquered pressed on 180gr. high quality solid black vinyl. All tracks have been specially remastered for long cut vinyl by Daniel Hallhuber at Young and Cold Studios.

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Yello

LP+12" | 1987 | EU | Reissue (Polydor / Island)

42,99 €*

Release: 1987 / EU – Reissue

Genre: Pop

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LP | 2022 | US | Original (Ghostly International)

Fort Romeau

Beings Of Light

Please Wait (Ta-Ku & Matt McWaters)

Release: 2022 / US – Original

Genre: Electronic & Dance

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After a run of critically-acclaimed singles and EPs, British producer Michael Greene, aka Fort Romeau, returns to the full-length format with Beings of Light, the long-awaited follow-up to 2015's Insides and his second LP on Ghostly International. While a prolific DJ who orients many of his productions for the dancefloor, Greene still sees the album as the ultimate statement of intent, "a space to stretch out, to speak in full paragraphs rather than stunted sentences." He has explored several stylistic fragments in recent years (including the summer 2018 anthem "Pablo," hailed a Best New Track by Pitchfork), but when faced with the extended pause to the dance community in 2020, Greene felt compelled to focus on a larger body of work. Embracing a back-to-basics mentality, he amassed over a dozen hours of sounds, asking himself throughout the sessions: "Does the music move you? Is it honest?" He came out the other end with Beings of Light, an expressive collection traversing rainy day ambient, moonlit disco, and dream-like techno in pursuit of the power found within our subconscious. Album opener "Untitled IV" ushers in a sprinting tempo in its exploration of the human voice, a recurring device in the Fort Romeau project. Greene uses it as a compositional layer, disembodied with its context often opaque or reduced to a single phrase. Here the voice is scattered in percussive twitches, colliding with a kick drum to induce a near state of hypnosis as horns sound off in the distance. Propulsive standout "Spotlights'' is Greene's ode to the romanticised New York City that lives in our hearts, nocturnal and carefree. A vocal snippet repeats the title with a breezy poise, reminiscent of classic house cuts. "Ramona'' honors the beloved Robert Johnson club in Offenbach, Germany. Hazy, spacious, and sustained, Greene designed the beat with their system in mind, "also with a strong nod to the more modern lineage of exceptional minimal house music from Frankfurt," he says. Two ambient pieces surround the track, "(In The) Rain" sets the scene and "Porta Coeli" (a Latin phrase which loosely translates to "heaven's gate") soundtracks the comedown. The album's closer, the title track, is an arc constructed with atmospheric textures, euphoric swings of percussion, and a well-placed piano refrain, "Beings of Light" is adaptive; one could imagine it reverberating from a club, scoring the emotional apex of a film, or radiating through the realm of dreams.

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Black & White EP

LP | 2019 | EU | Original (823)

17,99 €*

Pass The Knowledge: Reggae Anthology

Release: 2019 / EU – Original

Genre: Organic Grooves

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“Please Wait“ (Ta-ku & matt mcwaters) releasing their EP „Black & White“ featuring soon to be mega star Masego and others via 823 & Jakarta Records.
After releasing last year’s very successful tribute-record “25 Nights for Nujabes” (almost 13 mio. plays on Spotify to this day), Perth-based artist Ta-ku finally returns with brand new music!

Please Wait is the culmination of numerous online exchanges and years of sharing voice memos, stems, musical ideas & TikTok links between Ta-ku and Canadian producer matt mcwaters. Their cathartic approach to this body of work has been more about self-expression than anything else and has culminated in an EP that covers a range of issues and experiences from different times in their lives.
While the 1st single features Jamaican-American multi-talent Masego and will also have a video, the 2nd single features up & coming singer/songwriter Alayna.
Ta-ku’s 823 label represents the appreciation for the people/ideas/places that inspire and push us forward. The artwork is shot by the artists themselves and each release has an accompanying photo zine that acts as a visual story to compliment the music being showcased.

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Mighty Diamonds

LP | 2013 | US | Reissue (17 North Parade)

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2013 / US – Reissue

Genre: Reggae & Dancehall

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Cut loud and proud with ten tracks carefully selected for black wax lovers ‘Pass The Knowledge’ includes first time on LP appearances for many sought after sound-system favourites alongside the big signature hits ('Right Time', 'Bodyguard', 'Pass The Kouchie')! - The Mighty Diamonds have stayed true their roots since inception, still going strong today with an unchanged line up; ‘Pass The Knowledge’ demonstrates that Diamonds are indeed forever! - This vinyl issue is accompanyimg the latest in VP’s critically acclaimed Reggae Anthology 2CD+DVD series that shines the spotlight on The Mighty Diamonds.

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Puddle Of Mudd

Famous

Release: 2024 / EU – Original

Genre: Rock & Indie

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Leif Maine & Jackson Mathod

Volte-Face

LP | 2024 | UK | Original (Def Presse)

32,99 €*

Release: 2024 / UK – Original

Genre: Hip Hop

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Tape | 2024 | US | Original (Sacred Bones)

Molchat Doma

Belaya Polosa

12" | 2024 | HR | Original (Imogen)

Release: 2024 / US – Original

Genre: Rock & Indie

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Imogen Soundsystem

Paloma EP