Search "Lil+Wayne" 17864 Items

LP | 2023 | UK | Original (Funk Embassy)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Dubquake Records dig deep in the vaults to reissue five more iconic Iration Steppas tracks from the 90’s!

Still buzzing from the hype around Part 1 of the ‘90’s Classic Cutz’, this new drop includes their very first release ‘Scud Missile’, the legendary ‘Hard Time Pressure In A Babylon’, ‘Locks’ featuring Tena Stelin, ‘Kitachi In Dubwize’ and their spiced up remix of Vibronics’ ‘One Drop’.

These tracks were produced and mixed by Iration Steppas’ founding members Mark Iration and Dennis Rootical at the High Rise Studio in Chapeltown, Leeds. At the time, the dub-making-duo were heavily experimenting with new sounds, blending dub with acid soundscapes in a way that had never been done before. At the frontier of reggae and electronic music, their ‘Dub Inna Year 3000 Style’ re-defined UK Dub in the 90’s and continues to inspire the new generation.

All tracks have been remastered and put onto five separate 12” slabs of wax. And to add to the excitment, each release features original mixes + previously unreleased ‘dubplate cutz’ that could only be heard live up till now!

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Rita Ray

A Life Of Its Own

LP | 2023 | EU | Original (Pancakes)

Release: 2023 / UK – Original

Genre: Organic Grooves

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"A Life of Its Own" is a soul and R&B album, that might just become as timeless as a Bill Withers' LP. The first single "Love Ain't The Same" enjoyed success, winning the "Song of the Year" at the Estonian Music Awards in '22. Straight to B-rotation on Jazz.fm, "No Greater Love" was released secondly. Rita Ray's sophmore album blends orchestral strings arranged by Miss Ray herself. Add a touch of Rhodes, Clavinet and a vintage sound that's authentic yet contemporary. The production duties were taken on by Future Classics. "A Life of Its Own" will be out on CD, vinyl and digitally via Funk Embassy Records.
Since her début "Old Love Will Rust" in 2019, Rita Ray has enjoyed a steady rise on the contemporary soul scene. Her songwriting, voice and grand productions in studio as well as live setting are a thing of beauty. While spurring comparisons to the likes of Aretha Franklin, Bill Withers and Duffy, one can safely say she's found her unique aesthetic. The small-town damsel's got a way to make you go through joy and pain. It was recognized by the Estonian Jazz Awards, handing over the "Young Jazz Talent of the Year" accolade to Rita in 2021. The crown jewel of Estonian R&B and soul, with her first-class band, is guaranteed to provide a journey on tape or before a crowd.

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Gacha Bakradze

Pancakes

24,99 €*

12" | 2022 | EU | Reissue (Be As One)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Gacha Bakradze releases his third album on Lapsus entitled "Pancakes", and while the name may appear conventional at first glance, it actually contains esoteric philosophical concepts. The Georgian producer perceives the making of pancakes -a transformative and healing parental activity that he loves to partake in with his son- as a metaphor for alteration, metamorphosis and change. A reflection that also accentuates the importance of balance during each process of preparing a simple recipe, which in turn highlights key human attributes such as patience, attention to detail and willingness to adapt to shifting circumstances. On a sonic level, Gacha's new album embodies precisely that: the contextual reworking of his music, while maintaining the essence of his previous work. "Pancakes" provides the typically melancholic yet vibrant genetics already recognisable in his music, but also embraces new genres, including his unique and personal take on hyper-pop and trance. It is an album of contrasting elements, where bucolic interludes make way for heavier tracks that are more suited to a club environment, an aural universe that hybridises IDM, electro, bass music and cutting edge techno, and once again demonstrates that trying to pigeonhole Gacha Bakradze's sound is a somewhat fruitless task.

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Vil & Cravo

The Reese

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Ltd 10 Blue Vinyl Edition

Yan Cook

12" | 2021 | EU | Reissue (Planet Rhythm)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Monotale)

Tala

Number 9

9,59 €* 15,99 € -40%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A recognize artist from the mouth to mouth is presenting this Ep on his own Label, Monotale Records, a part of Monotale's Instruments.

First track "Number 9" Begins with a barely intelligibly male vocal, that goes and comes in all kinds of glitchy processed ways, always surrounded by bass lines that comes from a non specific source or direction accompanied by pads who sustain the groove . All of this mixed in a harsh rhythm that remains a classic techno house track.

Next track "If I was you..." is a lovely and capricious ambient passage with some blinks to pop songs inside, a very deep chords on synths that moves the track to another time/space.

The B sides opens with a energy, crazy, resonant and ever changing groove called "Creepy Little Heart", is a kind of track more close to breaks than techno and with some IDM remains of how is developed, cut it in the middle by a female vocal and morphing pads, it is the perfect balance between craziness and dance floor scenarios.

Second B side, "Manifest 9" closes the idea from the artist around the number 9. Is an unclassified style, maybe we can call it as a avant-garde propose, where there is no recognizable or obvious groove. The track is leading again by a male voice put it inside a glitch group of instruments and non standard mixing technics with thru all it is possible to hear a real manifest about music.

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12" | 2023 | EU | Original (Yuna Imprint)

Yuna003

Brown For Whatever Ep Brown Marbled Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Hidden behind the walls lies a world of people, words, music and machines.

Yuna has arrived.

The Mystery Continues..

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Ghost In The Machine

12" | 2023 | EU | Original (Genosha Basic)

Nicola Brusegan & Camilo Gil (Remixes by: Luciano, Lil mark and Chris Carrier)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Write a blurb about the new four-track EP by Ghost in the Machine. It is the ninth release on their label Genosha Basic. The title of the EP is "Brown for Whatever".

The first track is called Just a Dream. Mention something about it being very dreamy and heavy.

The second track is called Somebody's Cream, which the artists must think is a very clever title.

The first track on the flip-side is called Uncut Scorpion. Say that it's a bit disappointing that it seems to have no relation to real scorpions and that given today's climate it should have been called Uncut Lobster.

The final track on the EP is called Liquid Surrender. Write something witty about it being a total acid face-melter. Say once again how amazing Ghost in the Machine is.

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Revolution Of Tha Mind 909 Poems By: Tea Time

12" | 2023 | EU | Original (Oblivium)

12" | 2023 | EU | Original (Almira)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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We celebrate 30 years of a drum machine that changed the history of music, of creating and projecting our musical dreams. In the first edition of Oblivium Records, the friends Nicola Brusegan & Camilo Gil, part of the worldwide agency Suena, use the best of their creativity, together with the Mc and Poet from Chile Tea Time (Perlon - Cadenza), to create a piece and three remixes of electronic music legends these 30 years as Chris Carrier, from the center of Paris in France and his remix with features Acid and Groove Lil Mark, a legend from the UK, and a sampler of swing, groove, and the sound that characterizes him as always and the Great Luciano, with his look at his times, of hyponitism and minimal techno, in a dimensional mix.

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Timid Boy

For Real EP

Pure Music Transparent Sea Foam Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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3rd release of the vinyl only label Almira Records launched by Damien Almira aka Timid BOY.

On << For Real EP >> this key player of the French electronic music goes back to 90's roots, electro & bleep music on the original track.

On his remix, Argentinian talent Cosenza delivers a perfect 00's touch, electro house catchy & crispy.

<< Ai Ai >> is a micro house dancefloor banger.

<< The Wave >> plays with the ryhtms & synthesizers in a a subtil & hypnotic way

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Strange Ranger

LP | 2023 | US | Original (Fire Talk)

20,99 €* 27,99 € -25%

2LP | 2023 | EU | Original (Second)

Release: 2023 / US – Original

Genre: Pop

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On Pure Music, Strange Ranger’s new album out on Fire Talk, the band indulges an obsession with Loveless, but they infiltrate any comparison to shoegaze with overtures to disco, house, and experimental pop. The Talk Talk inspired pean to isolation “Way Out” features a moody saxophone, while “She’s On Fire” is only a rock song until just after the midway point, when the drums throb, the snare skitters then snaps, and suddenly, you’re in a sweaty pit of swaying bodies dancing as dual vocals harmonize, “I would have thought the rhythm of the club might lead me somewhere. Pure Music embodies that manic state through interstitial interludes laced with YouTube samples that connect each track to the next so as to submerge the listener in its world, one that rewards catharsis. The alienated might gaze through panes of glass eternally, without breaching the gap between the self and the destabilizing chaos of the world beyond. Riding the train across the East River in the early morning, one witnesses thousands of individual stories, each contained within a glowing square of light, and it's a comfort to know that soon, those strangers will emerge from their solitude to rejoin the city. “Music makes us transcend the feeling of being alienated from or trapped by the world,” the band says. “I want the experience of listening to Pure Music to be euphoric.” Recorded by the band, mixed by Al Carlson and mastered by Joe LaPorta.

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Lakecia Benjamin

Phoenix

49,99 €*

LP | 2023 | EU | Original (Efficient Space)

Release: 2023 / EU – Original

Genre: Organic Grooves

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2x 180g, black vinyl. Gatefold. "Phoenix" is the highly-anticipated, expansive next album in the musical evolution of alto saxophonist and composer Lakecia Benjamin, and first for Whirlwind. The album was produced by the multi- Grammy- award winning Terri Lyne Carrington and featuring a star- studded line up of specially curated guests; Dianne Reeves, Georgia Anne Muldrow, Patrice Rushen, Sonia Sanchez, Angela Davis and Wayne Shorter. The band comprises trumpeter Josh Evans, Victor Gould on keys, Orange Rodriguez on synths, drummer Enoch (EJ) Strickland, percussionist Nêgah Santos and bassist Ivan Taylor. Trumpeter Wallace Roney Jr., Rhodes organist Anastassiya Petrova and bassist Jahmal Nichols all join for one track each.

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Belver Yin

Para Mi Madre

21,74 €* 28,99 € -25%

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2023 | EU | Original (Subject To Restrictions Discs)

Anna Vs. June

Ersi EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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“As I walk between the shadows I can see my full light” is the mantra and story Anna Vs June tells on “Ersi”, her debut on Subject To Restrictions Discs. It is about personal thoughts and experiences on topics like faith and motherhood. Beginning with “As I Walk” as the clumsy state of any beginning, it continues with “Between The Shadows” where Anna relives her years as a teenager. Continuing the narrative with “I Can See”, we listen to what it was like to grow up, finally ending with the yearning acceptance of the unknown on “My Full Light”. Anna Vs June’s musical language is based on her exploration of traditional Greek music, which she learns and whose characteristics she reinterprets in her own production. This album was produced in Anna’s studio in Athens during the months of lockdown.

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Tape | 2023 | UK | Original (Sounds Of Ogigia)

Terpsichore Dance

Time Zone Featuring John Lydon And Afrika Bambaataa

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Disciple of the god Apollo, Terpsichore was the Muse of the dance, and it was known to be the most enigmatic of the nine Greek muses. She was the mother of the sirens, and she would lure sailors to shipwreck on their island with their music and hypnotic, beautiful singing. Terpsichore has been invoked as a metaphor for rhythm and ordered movement in the universe. The planets orbit the sun and the sun, with other stars, orbits the center of the Milky Way galaxy. The planets go through the Milankovitch cycles in which their orbits around the sun adjust in very regular, periodic, or rhythmic, ways. Terpsichore’s influence goes beyond just the humane, as It can also be seen in the observable universe. She is now the Muse not just of human dance but also the cosmic dance in which the whole universe participates. Music by Anna VS June, Steve Pepe, Francesca Colombo, Bear Bones, Lay Low, Pannotia, Nixxon, Tassilo Vanhoefen, Yuto Takei, Amerza, Orestt, The Dude Of Stratosphear, Anatolian Weapons, Théo Muller, Konsistent, Vidock & Ghassen Chiba

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World Destruction (The Complete Celluloid Mixes)

12" | 2017 | EU | Original (Celluloid)

24,99 €*

2LP | 2023 | EU | Original (Midnight Shift)

Release: 2017 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Record Store Day. White Vinyl.
Includes original inner sleeve.

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Wrecked Lightship

Oceans And Seas

12" | 2003 | IT | Original (Not On Label)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Pointillist club rhythms and dense, porous dub clouds encircle the Wrecked Lightship as Laurie Osborne and Adam Winchester set sail for phantom islands once more. The nocturnal boatswains chart a course guided by pronounced percussive impulses, using physicality to navigate the looming atmospheric pressure that has become their signature style.

Opening tracks ‘Arial’ and ‘Third Law’ speak to the roots of Osborne and Winchester’s respective work as Appleblim and Wedge, dealing in dancefloor abstractions where techno, electro and dubstep once stood, but there’s much more at play than simple genre tags could ever express. ‘Third Law’s electro-static interference calls back to Winchester’s work in Dot Product, while the twitchy urgency and gnarly bass echoes Osborne’s Also project with Second Storey.

Wrecked Lightship is an anchorless concern, free to drift into experimental waters if the currents surge that way, and so ‘Kill Mirror’ and ‘Hydrotower’ head away from forthright structures to play around with sound design and full-frequency manipulation. It’s too kinetic and jagged to be considered ambient, even if it willfully shirks the dancefloor. But for every starboard swerve there’s a prevailing wind, and the likes of finely-tuned club weapon ‘Take It Back’ whip ahead with laser-eyed focus.

Nailing their split interests between immediacy and the avant-garde to the mast, Wrecked Lightship deepen the reach of their project on their second album. Whatever shape a specific track might take, Oceans & Seas serves as a paean to the art of sonic manipulation and spatial processing.

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Key Hole

Holdin' On

1,99 €* 3,99 € -50%

It's You That Drives Me Wild

Release: 2003 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+

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Kim Ann Foxman

12" | 2016 | UK | Original (The Vinyl Factory)

9,99 €* 19,99 € -50%

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Do You Know Who You Are?: The Complete Collection Translucent Purple Vinyl Edition

Side By Side

2LP | 2023 | US | Original (Revelation)

44,99 €*

LP | 2023 | US | Original (Flatspot)

Release: 2023 / US – Original

Genre: Rock & Indie

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They came from some of the most popular, if not polarizing hardcore bands of the early ’90s (shelter, 108, Ressurection), but by the time Texas IS THE Reason formed in 1994, a new aesthetic crystallized almost instantly and reduced its members’ previous efforts to history. Indeed, it was only a year later, when Revelation Records released the band’s selftitled EP—their name derived from a lyric in the Misfits song “Bullet”—that Texas IS THE Reason were already headlining their own tours in America and well on their way to defining a new moment in post-punk. In April of 1996, the band reinforced that initial success with their first and only album, produced by JAWBOX’s J. Robbins and named after the last words that John Lennon was alleged to have heard: Do You Know Who You Are? In the years since, Spin, Alternative Press, and Paste would all go on to call Do You Know Who You Are? an essential ’90s album. Unfortunately, after a year of heavy promotion and touring for the record, inner-band tension came to a head, and Texas IS THE Reason officially split in 1997. Its members would go on to form Jets TO Brazil, NEW END Original, and Atlantic/pacific. Since then, the band had only reunited once—for two sold-out New York City shows in 2006—but their presence has barely waned: Newer generations of bands like Spitalfield, Into IT. Over IT., and Transit have covered Texas IS THE Reason songs over the years, and even vets like Thursday, Taking Back Sunday, and Armor FOR Sleep have all publicly cited their influence. Marketing / Selling Points • New pressing on opaque purple vinyl • The complete recorded discography featuring the Do You Know Who You Are? LP & the self-titled EP, as well as two B-sides, and two previously unreleased tracks written in 1997 and recorded in 2012 with J. Robbins • Packaging includes never-before-published photos, a comprehensive concert history for the band from 1995-2012, and complete lyrics • Fully remastered by Vlado Meller (muse, Jeff Buckley, Kanye West, Weezer) • Two-LP set, gatefold jacket, mastered and sequenced for high-fidelity

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Bad Blood

The Bad Kind Decides

32,99 €*

LP | 2023 | US | Original (Indecision)

Release: 2023 / US – Original

Genre: Rock & Indie

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“No nonsense hardcore with a punch and a pulse.” That’s how Scott Vogel (terror, Buried Alive) introduces BAD Blood, the newest project featuring the esteemed vocalist. The band formed in Buffalo, NY, after tossing around the idea of playing music together with guitarists Eric Ellman (they Live, Violent Way) and Mason Hutchins (Violent Way), bassist Greg Vinal (exhibition), and drummer Nick Terlecky (Violent Way). The result is the five brutal tracks that make up The Bad Kind Decides EP, set for release on Flatspot Records. The songs were laid down live with producer Jay Zubricky at GCR Studios and mastered by Will Killingsworth at Dead Air Studios. Taking influence from ’80s hardcore bands like Warzone and Brotherhood, BAD Blood has created a fast, in your face sound with lyrics that deal with the negativities of reality. With the release of The Bad Kind Decides, BAD Blood is packing honesty in aggression that’s set to connect from your headphones to the pit.

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In Time

Save Your Breath

30,99 €*

12" | 2023 | UK | Original (Mint Condition)

Release: 2023 / US – Original

Genre: Rock & Indie

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Save Your Breath, the new 12” EP from Ventura, CA’s IN Time, is a shining example that traditional hardcore can be modernized and still keep its core sensibilities without feeling like rehash or a tenth generation photocopy. Raised in the 805, an area code known for it’s connection to the Nardcore scene, the five tracks on Save Your Breath spend as much time paying homage to those local roots as they do embracing various punk and hardcore influences from all across the country. This is only their beginning.

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Red Seal

Spinning Top

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to Manchester, London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in......

Only a handful of releases exist from Red Seal, but it's quality over quantity that is on display with these guys. The 1996 original was released on Rob's Records, a label founded by the legendary Rob Gretton (rip), former Joy Division and New Order manager, as well as Factory Records and Hacienda co-owner. Penned by Red Seal and produced by Martin Moscrop, of A Certain Ratio fame, this 3 tracker would set the World's dancefloors alight and become a much lauded and bonafide classic.

'Spinning Top' kicks off with flanged hats and dark brooding synths, the breakbeat is tough and delivers a potent punch. The wam analogue bass keeps the track moving throughout, the distinctive lead line and arpeggios build and drop in all the right places. 'Twister' continues the vibe, the heavy weight bass and top drawer percussion deliver the funk. The deft synth programming gives this track a lighter feel, but is no less energetic. Finally 'Hula Loop' heads off into tripped out acid territory, the break beats roll, and the infectious 303 undulates in a way that both captivates and enthrals.

This EP is packed with peak time heat, an essential rarity sought after by diggers around the globe. Unavailable for decades, a repress has most definitely been long overdue. 'Spinning Top' has been legitimately re-released with the full involvement of Red Seal, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!!

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Pro-Ject

Speaker Box 5 (Paar)

279,00 €*

2LP | 2014 | EU | Reissue (Music On Vinyl)

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2-way bookshelf speakers

And these are comments from audio testers:
• Well tuned and upbeat basslines
• Lively dynamics
• Surprisingly low coloration
• Good transparency and reasonable image depth
• Bass is fast and tuneful, this is what really matters!

Scope of delivery:
• 2x Speaker Box 5
• 2x speaker grill black
• 1x pair of gloves

Features:
• Audiophile bass-reflex design
• Gold-plated speaker terminal (single-wired)
• Simple Wall-mount included
• Magnetically shielded
• Front cover with magnetic attachment
• Speaker-Box Wall Bracket available as an option

Technical Specifications:
• Sensitivity (1W/1m): 86 dB
• Recommended amplifier power: 10 to 150 watts
• Tweeter: 25 mm Ø silk-dome Neodymium magnet
• Woofer: 130 mm Ø fiberglass cone
• Frequency response: 55 Hz - 20 kHz
• Impedance: 4 - 8 Ohms
• Dimensions: W x H x D 160 x 255 x 210 mm
• Weight: 4.2 kg

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Depeche Mode

Playing The Angel

44,99 €*

CD | 2023 | US | Original (Big Crown)

Release: 2014 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

180 gram vinyl.
Includes original insert.

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Les Imprimes

Reverie

Reverie Lucid Blue Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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Big Crown Records is proud to present the debut full length offering from Les Imprimés, Rêverie. The stirring and ethereal sounds of Les Imprimés have been making fans of anyone who hears them since their first 7" single hit the speakers. Morten Martens is the man behind the band. Born, raised, and working in Kristiansand, Norway, he keeps a low prole while making his heart felt, highly infectious, and unique music. This album is a long time coming for Martens and it is sure to make him a name to be reckoned with. The first thing you notice listening to Les Imprimés is the high level of musician-ship. Martens plays nearly every instrument on the recordings and handles the production and arranging. He has been making records for decades, winning a Spellemann Award (aka, the Norwegian Grammy) in 2006 for producing a HipHop album as well as getting nominations across three other genres. While awards and accolades speak to the level of his talent, this new album really shows who he is an artist on his own terms. Moving away from being a hired gun on the touring scene naturally led him to start doing more studio work. Slowly collecting gear and getting more experi-ence behind the boards he built his own studio on the island of Odderoya and was making a living playing with and recording other people's music. As the story goes, after those sessions would end he would work on his own project into the wee hours of the night. From these late night sessions, Les Imprimés was born and Rêverie began to take shape. However, "it wasn't until COVID, when things locked down, that I was really able to nd the time to focus on Les Imprimés" Morten says about creating and leading his own solo project. "It was a scary time. But I knew I had to do something with it." He took the sum of his inuences, combined them with his own vibe and got busy writing the music, playing the instruments, and singing the songs. "It's soul music, but I don't exactly have the soul voice," Morten explains humbly. "But I do it my own way, in a way that's mine. "It is his sound, his fingerprint, his sensibility, that makes his music hard to put in a box. The album showcases both Martens' range and his ability to make a cohesive album. The lead single "Falling Away" starts with a raw drum break and turns into a lushly arranged tune that paints the picture of love when it slips away. On "Still Here" he professes his resilience through life's twists and turns over a thundering track that puts a new spin on the B side ballad genre. Songs like "You" and "Our Love" mix tones from 60s and 70s Soul with arrangement nods to Doo Wop records while Martens' lyrics and delivery leave you singing the melodies long after they finish. "Love & Flowers" finds Martens in a moment of clarity with a song that ts the niche sub genre of happy break up tunes, the four on the floor track will move the dancefloor or while the message will resonate with anyone who put too much effort into the wrong situation in their lives. However, it is songs like "Muse" and "Chess" that really encapsulate the uniqueness of Les Imprimés as they push the boundaries of genre, one a profession of love for music and the other a cover of an electronic record respectively. Martens' lyrics, emotion, and delivery truly make the whole thing come together and stand out from any of his peers. There's an infectiousness and a pop sensibility in the writing that is done with the utmost class and taste giving Les Imprimés the rare quality of immediate attraction that only deepens the more you listen.

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Les Imprimes

LP | 2023 | US | Original (Big Crown)

Black Spuma (Lauer & Fabrizio Mammarella)

Release: 2023 / US – Original

Genre: Organic Grooves

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No No No

LP | 2023 | Original (Permanent Vacation)

21,99 €*

The Gen Z Archives (Lost Tracks From The '00s) Blue Vinyl Edition

Release: 2023 / Original

Genre: Electronic & Dance

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A famous anthem once begged: “Don’t Make Me Wait.” Sometimes, though, it’s good to make ‘em wait—even just a little bit. Case in point: The production duo of Fabrizio Mammarella and Phillip Lauer, known to clubbers, DJs and music heads as Black Spuma.

Three years after their last EP—and nearly a decade into their production existence—the duo have finally given us a full-length manifesto. Sure, there have been a smattering of remixes and EPs over the years on labels like Futureboogie, International Feel and Live At Robert Johnson. But on their new LP “No No No,” the Spumas at last get to stretch out and give us their full-meal-deal.

The pair birthed the tracks at Lauer’s famed Pyramide III studio, with 10 tunes finalised and selected remotely, thanks to the wonders of high-speed Internet. While the Spumas are well-known (both together and as solo acts) for their melodic, 80s-tinged club workouts, the album format has allowed the guys to push their sound into parts unknown. The album drops at the end of May on Permanent Vacation, and it distils all the things we love about the duo: The melody, the playfulness and the musicianship of two veterans in full command of their powers.

Take the tune “Obereggen,” which expands a punchy, staccato bassline into that sweet spot where trance and italo can play next to each other. Or the cut “Fracture,” which is built on a Detroit-like chassis but makes room for gorgeous pads, subby bass and a nimble breakbeat.

For the established fans, there’ll be plenty to latch onto, including the title cut (and first single), which sounds like something Robocop may have produced if he’d taught a violence diversion program.
Meanwhile, cuts like “Dillingen” remind us of one of those lost Eurythmics B-sides that show up in the dark corners of MixesDB. The album was mixed and mastered by Lopazz, and boasts a colourful cover from Berlin-based artist Ilja Karilampi.

So, 17 years after initially meeting, we finally have a full album from these Spuma Men. And in the end, it was worth the wait.

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Rico Puestel

2LP | 2023 | Original (Exhibition)

30,99 €*

Weather Report Colored Vinyl Edition

Release: 2023 / Original

Genre: Electronic & Dance

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Rico Puestel (Cocoon / Break New Soil) presents an exclusive collection of long-lost Techno tracks from his 2002-2004 archives on blue double vinyl, accompanied by a dream painting Rico did in basic school as full colour artwork!

Seemingly and somehow being ahead of their time, these tracks never made it to an official release although Rico always desired their sheer existence and overall sound, standing out in many different ways...

A further exhibition on the run!

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Weather Report

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Mr. Gone Colored Vinyl Edition

Weather Report

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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8.30 Colored Vinyl Edition

Weather Report

2LP | 1979 | EU | Reissue (Music On Vinyl)

33,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Buchstaben Über Der Stadt Violet & White Marbled Vinyl Edition

Tomte

LP | 2006 | EU | Reissue (Grand Hotel Van Cleef)

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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Endlich Nichts Blue & Transparent Marbled Vinyl Edition

Spaceman Spiff

LP | 2014 | EU | Reissue (Grand Hotel Van Cleef)

Release: 2014 / EU – Reissue

Genre: Pop

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Provincial Blue & Transparent Marbled Vinyl Edition

John K. Samson

LP | 2023 | EU | Original (Grand Hotel Van Cleef)

Release: 2023 / EU – Original

Genre: Pop

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John Mayall & The Bluesbreakers

A Hard Road

LP | 1967 | EU | Reissue (Proper)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 2023 | EU | Original (Proper)

John Mayall

Plays John Mayall

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Proper)

John Mayall

Blues Alone

Release: 2023 / EU – Original

Genre: Organic Grooves

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Alone: Live At Hunter College 1976

John Lee Hooker

2LP | 2023 | EU | Original (BMG Rights Management)

34,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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7" | 1976 | UK | Reissue (Epsilon)

Dana V Andrews

Mr Justice

17,99 €*

12" | 2014 | EU | Original (DFA)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Dana V Andrews is a man who is still very much in love with music of all types. At 23 years old and far from living a perfect life, his love of music led him to go to Los Angeles, California in 1973 with a talented songwriter in search of fame and fortune. Dana played a role while working on a song and album that was a big hit for the now deceased Mr. Barry White. In 1975 he met David Futch and together they formed a record and publishing company that recorded R&B and Gospel music. One of the gospel Groups, the Highland Park Community Choir out of Highland Park, Michigan had a song nominated for a Grammy Award in 1976.

That same year, Dana V. Andrews recorded two songs titled “Mr. Justice” because he was distressed by the social injustice he saw and still sees in our world. His humble hope was that “Mr. Justice” could be a rallying call for the majority of good people in the world. To unite and vote for responsible, fair, politicians who had helping the people foremost in their hearts. And “Everything’s Gonna Be Alright” because he had faith that eventually right will win out over wrong. He still does to this day. He still believes today that when the majority of people stand for righteous justice with genuine love leading the way that governmental bipartisanship will defeat hate, prejudice, and injustice.

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The Juan MacLean

Get Down (With My Love)

5,84 €* 12,99 € -55%

12" | 2013 | DE | Original (Ton liebt Klang)

Release: 2014 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Single sided vinyl.

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Felix Jaehn

Sommer Am Meer

19,49 €* 38,99 € -50%

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

20,000 Leagues Under The Sea

Jonny Trunk

LP | 2016 | UK | Original (Trunk)

CD | 2023 | UK | Original (Text)

Release: 2016 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Special Edition, Clear Blue Vinyl. Copy close to NM

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Fred Again.. & Brian Eno

Secret Life

8,99 €*

Tuff Darts! Red Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

Produced by Brian Eno and Fred Gibson

4th April 2020 - 23rd December 2022

Mastered by Kieran Hebden

Lacquer cut by Bernie Grundman

Artwork by loose

Gatefold photograph by Brian Eno

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Tuff Darts

Release: 2023 / EU – Original

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
INCLUDES AN INSERT
1978 DEBUT ALBUM BY THE NYC
PUNK ROCK BAND TUFF DARTS!

LIMITED NUMBERED EDITION OF
750 COPIES ON TRANSLUCENT RED

COLOURED VINYL

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OST Iris Crystal Clear Vinyl Edition

30,99 €*

Release: 2023 / EU – Original

Genre: Soundtracks

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180 GRAM AUDIOPHILE VINYL
INCLUDES INSERT
PVC PROTECTIVE SLEEVE
ACADEMY AWARD, BAFTA & GOLDEN GLOBE
AWARD WINNING 2001 FILM STARRING JUDI

DENCH & KATE WINSLET

SCORE BY JAMES HORNER (TITANIC, AVATAR)
FEAT. JOSHUA BELL

AVAILABLE ON VINYL FOR THE FIRST TIME
LIMITED EDITION OF 500 INDIVIDUALLY NUMBERED

COPIES ON CRYSTAL CLEAR VINYL

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OST Cafe Society Clear & White Marbled Vinyl Edition

Ian Dury & The Blockheads

Release: 2023 / EU – Original

Genre: Soundtracks

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180 GRAM AUDIOPHILE VINYL
GATEFOLD SLEEVE
INCLUDES 4-PAGE BOOKLET WITH MOVIE PICTURES
CRITICALLY ACCLAIMED 2016 MOVIE BY WOODY ALLEN
FEATURING JAZZ STANDARDS BY GRAMMY AWARD
WINNERS VINCE GIORDANO & THE NIGHTHAWKS

CLASSIC RECORDINGS FROM BEN SELVIN, BENNY
GOODMAN AND COUNT BASIE

LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED
COPIES ON CLEAR & WHITE MARBLED VINYL

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Laughter

LP | 2023 | EU | Original (BMG Rights Management)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sometimes I'm Dizzy When I Scream

Deer Anna

LP | 2023 | EU | Original (Dancan)

22,99 €*

Release: 2023 / EU – Original

Genre: Pop

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LP | 2023 | EU | Original (Beast)

Broken Waltz

Fables And Bones

23,99 €*

2LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Dark ballads, black litanies... Broken Waltz imagines a blues-rock cabaret, with demonic elegance and plunges us into the bayous of Louisiana where voodoo beliefs intermingle the universes of the living and the dead, the real world, and the supernatural world. Broken Waltz is still martial, stormy and pagan, but darker. The trio still rides on the tracks of Nick Cave, Tom Waits and even The Cramps!

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Blof

Omarm

35,99 €*

Release: 2023 / EU – Original

Genre: Pop

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LP | 2023 | UK | Original (Discrepant)

Mark Vernon

Call Back Carousel

20,99 €*

LP | 2023 | UK | Original (Eastern Glow)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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“This device isn’t a spaceship, it’s a time machine. It goes backwards, and forwards… it takes us to a place where we ache to go again. It’s not called the wheel, it’s called the carousel. It lets us travel the way a child travels - around and around, and back home again, to a place where we know we are loved.”

(Don Draper)

Call Back Carousel is an audio time-travelogue, a slideshow of the mind’s eye - projecting Kodachrome memories directly into the listener’s mind by means of sound alone. It is a way of travelling without ever having to leave the home. A vicarious vacation for the imagination. Pure audio escapism.

Each episode is based on a found tape of a pre-recorded slideshow commentary. Most of these tapes were made by amateur tape recording enthusiasts and hobbyist photographers of the 60s and 70s. Their recorded commentaries would at one time have been used in conjunction with a sequence of 35mm slides but only the taped voices now remain. The recordings themselves come from Vernon's own archive of found reel-to-reel tapes that he has collected over the past twenty years.

Using these found slideshow commentaries as a framework, a series of musical soundscapes have been created to bring the absent images to life, activating the listeners’ imagination in the classic tradition of ‘cinema for the ears’. It’s a little like looking through a family photo album where only the hand written captions and mounting corners remain; the photographs themselves have all been removed. The evocative rattle and clack of the projector shuffles through different slides as the fragile voices of our tour guides accompany us on a sonic journey that fractures time - and through the cracks, the past bleeds through into our present.

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The Album Leaf

Future Falling

34,99 €*

Volume One Transparent Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Jimmy LaValle’s The Album Leaf has spun from solo outlet to full band and back in its nearly 25 years. His acclaimed catalog spans releases for labels such as Sub Pop, City Slang, Relapse, and others. He also composes music for film and television, scoring over 20 projects (narrative features, documentaries, and TV series) since 2009. The cinematic sensibilities of The Album Leaf were present from the beginning. His 1999 debut introduced the start of a signature sound: melodic and meditative electro-organic soundscapes constructed with guitar, percussion, Rhodes, and field recordings.

His seventh full-length LP, and first since 2016, arrives in 2023 via Vancouver’s Nettwerk Records. Future Falling finds LaValle working with an array of musicians, shaping slightly darker, more spacious, and synth-driven songs with contributions from Bat For Lashes, Kimbra, and many others.

The music registers a shade darker and more synth-driven than most moments in his acclaimed catalog, a bridge between shadowy, cerebral terrain and dreamy precision pop, where softly percussive frameworks meet shimmering sound design and emotive instrumentation.

LaValle sees the construction of Future Falling as less conventional than past work. Contributions were done remotely with a “throw everything at it” mindset, making LaValle the arranger of layers from all over: drums, synths, horns, violins, voice, and more. LaValle created a pastiche of these layers and elements; in some cases even moving vocal takes to new tracks entirely. Without the in-the-room dynamics, he had more time to experiment, adding and subtracting ad infinitum.

The album opens on “PROLOGUE,” an evocative, slow-building instrumental that rides a pattern into a symphonic sea of static. Keys and horns glide atop the rhythmic pulse of “dust COLLECTS,” setting the contemplative scene for “AFTERGLOW,” the record’s most pop-minded performance. Here Kimbra, the Grammy-winning New Zealand singer-songwriter, renders a striking recollection of past love as percussive elements shimmer and swirl.

A plaintive piano line moves throughout “Cycles 19.9” encircled by light ambient washes, both a valley between two peaks and a powerful composition in its own right. “Future Falling” follows; with origins tracing back to 2015, the track embodies the full sonic journey LaValle has taken. All the hallmarks of The Album Leaf — melodic builds, vivid sprawl, tonal shape-shifting — assemble to a blissful finish.

For the next stretch, “Cycles” begins with a uneasy Rhodes loop that builds and erupts into a wall of texture paving its way into “Give In,” where LaValle models a movement that begins subtle and measured before curving up with skyward, percussive bursts (“Stride”) and settling back down to the album’s back-half centerpiece, “Near” featuring the acclaimed English artist Natasha Khan aka Bat For Lashes. “Do you feel me near?” she sings into a mist of widescreen synths and soothing, distant drum beats as if searching through the dark.

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Deepriver

LP | 2023 | UK | Original (n5MD)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Deepriver is the recently formed intercontinental project of Cape Town-based Jason van Wyk and long time Stockholm-based collaborator Joni Ljungqvist.

Having worked previously in collaboration mining the more introspective side of trance, Deepriver’s inaugural aural statement, “Volume One”, finds the two experimenting with atmosphere and composition to maximal effect. Van Wyk's recent viscerally experimental direction seamlessly coalesces with Ljungqvist's conceptually reflective approach in a way that recalls the sounds and nostalgia of electronic music from decades past

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12" | 2005 | UK | Original (Not On Label (Basement Jaxx))

Untitled

7,64 €* 16,99 € -55%

LP | 1982 | EU | Reissue (Lantern)

Release: 2005 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Writing on label sticker.

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The Paragons

Now

Stitched-Back Foot Airman

Release: 1982 / EU – Reissue

Genre: Reggae & Dancehall

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Fully remastered and licensed, ltd to 500 copies. Reissued on vinyl for the very first time, the third Paragons album, originally released in 1982 on the UK reggae label Starlight. All songs are backed by the Aggrovators, the Bunny Lee’s house band, that includes Sly & Robbie, the Barrett brothers - both also with Bob Marley & the Wailers - Jackie Mittoo, Earl “Chinna” Smith, Winston Wright and many others. Produced by Bunny Lee, mixed by Prince Jammy. “Now” marked the Paragons return to the scene, in a big way. Great vibrations, dreamy melodies, a roots reggae masterpiece, not to be missed!

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Shake Up

12" | 1987 | UK | Original (In Tape)

1,79 €* 3,99 € -55%

Symphony No. 107 - The Bard

Release: 1987 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has scuffs and hairlines.

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Mev

LP | 2023 | EU | Original (Black Truffle)

LP | 2023 | EU | Original (Optimo Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce Symphony No. 107 –The Bard, a previously unheard archival recording of the legendary improvising ensemble MEV (Musica Elettronica Viva), captured in concert at Bard College, New York in 2012. Formed by a group of American expat composers in Rome in 1966, the MEV ensemble played an important role in the development of free improvisation, bridging the live electronics tradition begun by Cage and Tudor and the high-energy squall of free jazz. Early recordings like Spacecraft or The Sound Pool unleash volleys of metal and glass amplified with contact microphones, howling winds, primitive synthesizer bleep and raucous audience participation, the intensity of which puts much later ‘noise’ to shame. In later decades, the ensemble would go through many iterations, often including legendary free players like Steve Lacy and George Lewis. In its final years, MEV settled into the core trio of founding members heard here: Alvin Curran, Frederic Rzewski, and Richard Teitelbaum, using piano, electronics, and small instruments.

Curran, Rzewski, and Teitelbaum were life-long friends blessed, as Curran says, with ‘incompatible personalities’: major figures in the post-Cagean experimental tradition, they explored countless divergent and even contradictory paths as composers and performers, from agitprop songs to brainwave-controlled synthesis. MEV is the sound of these three personalities coming together, their contributions radically individual yet attaining a state of ‘fundamental unity’ that Rzewski, in a text written in the collective’s earliest years, defined as the ‘final goal of improvisation’. Of course, listeners familiar with aspect of the trio’s individual works might hazard some guesses about who is doing what: the crisp piano figures are probably Rzewski’s, the cut-up hip-hop samples most likely Curran’s, the sliding, squelching synth possibly Teitelbaum’s. But often these identities are dissolved in a constantly shifting hall of mirrors, the listener unable to tell which of these pianos is live and which is a sample of a past virtuoso, or whether a horn blast derives from ethnographic documentation or Curran cutting loose on Shofar. The two side-long sets here occupy a similar terrain of constantly shifting texture and instrumentation, unexpected interruptions, and moments of sudden beauty. The first set is sparser, at times almost ominous, as a bell repeatedly sounds across wheezing harmonica, seasick orchestral textures, and creaking wood, making room for episodes of yodelling and delicate prepared piano before exploding into a storm of buzzing synth and piano fragments. The second set is more frenetic, moving rapidly across centuries and continents: cars crash into post-serial piano pointillism, wailing voices collide with chopped and screwed hip-hop samples, Hollywood strings are buried under layers of electronic gurgles. The performance slows in its final moments, making way for a sampled voice repeating the phrase ‘protest and the good of the world’, reminding us that MEV’s idea of freedom was always more than musical. Symphony No. 107 –The Bard is a beautifully recorded example of the endlessly multi-layered later MEV sound, accompanied by new liner notes by Alvin Curran (now the only surviving member of the group) and a selection of previously unseen photographs from across the many decades of the group’s activity. Arriving in an elegant sleeve bearing a beautiful photograph by Francis Zhou of the Olin Hall at Bard College where the concert was recorded, this is an essential document from a major group in the history of experimental music. As Rzewski wrote, this music is ‘like life, unpredictable, sometimes making sense, mostly not’.

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Kaukolampi

Inside The Sphere

21,99 €*

Jeanne Lee / Gunter Hampel / Michel Waisvisz / Freddy Gosseye / Sven-Åke Johansson

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Timo Kaukolampi, frontman for Finnish electronic rock group K-x-p and tireless sonic wanderer, is releasing his second solo album, this time on Optimo Music. Exquisitely rendered, shadowy, curiously claustrophobic and even occasionally paranoid, Inside The Sphere is an album wholly deserving of its name.

A sense of paranoia is one of the threads through this glittering, winking electronic maze. Kaukolampi says “I came up with this metaphysical concept of the “sphere”. When you are manipulated you are ‘Inside The Sphere’. It’s like this dome of ‘undue influence’ that you don’t know exists around you. It’s a bit like the inside of a cult.”

Indeed, it’s amazing the effects achieved with a few sparse electronic textures, the odd smattering of studio trickery, and two or three well-placed synthesizer parts. Though the result might sound ostensibly simplistic, Inside The Sphere is an album of reduction rather than addition. The rhythmic and textural scaffolding is based around what’s not there, rather than what is. Take ‘vcs3’. At first listen, it seems forged from a few synth lines and a simple percussion part – so far, so simple. But listen closer, enter the sphere, look behind the mask – notice the slightly detuned drones, the chattering percussive textures, that distant swell of bass, the way the central fugue shifts and mutates somehow statically, like a barber’s pole.

Might we be listening to an album within an album, a more complex song cycle hiding within the folds of an ambient electronic album? This ties in with another of Kaukolampi’s thematic frameworks – that of the mask. He references Oscar Wilde’s quotation that “Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.”

Inside The Sphere is not a one-note album. For every moment where a clammy ambient space enters, a buttery analogue bassline is there to fill it. This clash seems to be the album’s engine room, its power supply.

Timo references devotional and choir music as an influence on this album. The paranoia and foreboding is tempered by these headier aspects. Kaukolampi mentions “empty and hollow spaces” in relation to several of the songs. Perhaps this is the very space behind the mask, where outward disguise merges with inner reality. Perhaps inside the sphere is not always such a bad place to be.

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Scheiße '71

LP | 2023 | EU | Original (Black Truffle)

24,99 €*

Ann Young & Yuji Ohno Trio

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Following on from the Bergisch-Brandenburgisches Quartett’s anarchic Live ’82 (bt095), Black Truffle continues its deep dive into the archives of legendary drummer/accordionist/photographer/composer/conceptual prankster Sven-Åke Johansson with Scheisse ’71. Recorded in November 1971 during the Berliner Jazztage at a heavy-hitting concert that also included the Spontaneous Music Ensemble and groups led by Peter Brötzmann, Manfred Schoof, and Masahiko Sato, Scheisse ’71 is the only document of a wild, otherwise unrecorded quintet featuring Johansson on drums, accordion and oboe d’amore, legendary free jazz vocalist Jeanne Lee, her husband Gunter Hampel on vibes, flute and bass clarinet, live electronics pioneer Michael Waisvisz on modified Putney (vcs 3) synthesizer, and the unknown Freddy Gosseye on electric bass. Part of a festival centred on giants of jazz like Duke Ellignton and Dizzy Gillespie, the radical performance shocked its audience, who can be heard heckling and yelling abuse at points, including the titular exclamation of ‘Scheiße!’ Clocking at just over half an hour and recorded in raw but detailed stereo by Johansson himself, the music burns with intensity while also making room for spacious passages and frequent dynamic movement. Beginning with Lee’s voice, Hampel on flute and Johansson on oboe d’amore in a bird-like game of call and response, the unexpected entry of Waisvisz’s tortured, squelching synth bursts prompts the first of many changes in energy and instrumentation, as Gosseye’s busy, roving bass enters and Johansson moves to the kit, his swinging cymbal work and juddering toms extending the approach of Sunny Murray or early Milford Graves. The presence of synthesizer, electric bass, and Lee’s highly amplified voice moves the quintet away from conventional free jazz textures, at times pushing into zones of abstract free sound reminiscent of what groups like MEV, AMM or Johansson’s MND were exploring in the same years. But the energy and joyful melodicism of the music keep it rooted in the tradition of American fire music and its European inheritors. Capable of changing gears in an instant from ferocious blow outs to fragile tapestries of chiming vibes and fizzing synth, the music finds space for Lee’s post-bop free scat (which integrates shrieks and howls just as a post-Ayler saxophonist might), Gosseye’s virtuosic bass runs (a rare attempt to apply the classic free jazz style of players like Alan Silva or Henry Grimes to the electric instrument), Johansson’s folkish accordion interjections, and even a sustained passage of unison bass clarinet and electric bass riffing in its second half. Special mention should be made of Waisvisz’s Putney performance, one of the earliest documents of this under-recorded instrument inventor and player, here playing a major role in giving the music its wildly exploratory, primordial air, his buzzing glissandi and bubbling filter sweeps at times howling like a distressed monkey. Arriving in an austerely stylish sleeve with beautiful black and white photographs by Johansson, Scheisse ’71 is an essential recording that adds yet another layer to our appreciation of this golden era of radical free music.

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As Well Be Spring

LP | 1975 | JP | Reissue (Columbia Japan)

60,99 €*

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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* American club singer Anne Young's first album recorded when she came to Japan in 1975
Anne Young sings emotionally and lively. The Yuji Ohno Trio that draws out and enhances its charm to the fullest. I am fascinated by the absolute masterpiece 'Speak Low' American club singer Anne Young's first album recorded when she came to Japan in 1975. Backed by a trio of Yuji Ohno, Yoshio Ikeda and Yasuyoshi Okayama. It is a masterpiece that has been sought after for a long time both in Japan and overseas, with the recording of the absolute masterpiece 'Speak Low', which is glossy and full of dynamism. Eyes and eyes tend to be attracted to the same song, but this work has an emotional singing such as the light and neat 'Old Devil Moon', the graceful and beautiful 'Autumn In New York', and the earnest appeal 'Don't Explain'. The charm of young people is packed. And the arrangement and performance that draws out and enhances its charm to the fullest is also excellent. This work is also attracting attention as one of Yuji Ohno's valuable piano trio works. text by Yusuke Ogawa (universound/deep Jazz Reality)'

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Dancefloor Classics Volume 3

12" | 2023 | EU | Original (Rajaton)

13,29 €* 18,99 € -30%

White Zombie Zombie & Jungle Hand Poured Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Sasu Ripatti presents the third volume in his "Dancefloor Classics" series with five 10" releases coming throughout 2023. Music for imaginary dancefloors, released on Ripatti's own label "Rajaton".

--

”Look up, into the light” she said, while the camera shutter clicked. ”Like this? Does it look holy?” His neck felt stiff. Her reply: ”Yes, just like that. What do you mean holy? Like religious? ”No, more like trying to look very far, somewhere beyond what we can see.” ”Okay, stand still, I’m going to come close to you now. The light hits your face great.” click, click, click. He noticed her fingernails. They were not polished. Natural. Even somewhat rugged, as if something wore out the fingers slightly. What had these hands held besides the camera? What made the edges of her fingernails drift off? He thought it’s weird to look straight into the camera. The photographer had closed her left eye, the one not looking into the lens. Then it opened, she looked up, perusing the surroundings, then she closed her eye again, then looked up, closed, looking up, very quickly. It all seemed very professional. Maybe she calculated the light, making sure it’s close to perfect. ”What will these photos look like?” – the thought popped into his head briefly. It was liberating to think it wouldn’t matter. ”What’s that song playing?” he asked. ”Wait a sec, Ol’ Dirty Bastard?” she replied. ”Oh yeah, right. But the sample?” ”Hey, could you look up again, like that. No, lower.” New directions: ”Look out from the window, turn left.” ”My left or yours?” ”Yours, I always try to think from the direction of my model.” How professional! This is a good shoot, so natural. Should I worry about how the photos look like? No, I don’t want to. His thoughts bounced around. What would the story be like? It’s a big newspaper, everyone will read it. Maybe someone drinks coffee and eats a stroopwafel while they do it. Will they place the waffle on top of the mug for a brief while, so that it gets hot and the syrup melts a little? Then it feels wet, and you can bend the cookie. She broke his train of thought off midway through: ”Now turn right, but look left, and slightly up, but don’t turn your face right.” ”Umm, like this? Sounds like a set of pilates instructions.” [she laughed] ”You do pilates?” ”Yeah, it’s hard sometimes. Have you tried?” ”No”, she said. ”I’m not good for sports that are done in groups.” ”Yeah, but in pilates you can just be inside your mind, drowning in your private thoughts.” ”What are you thinking in pilates?” she asked, taking more photos. ”Well, mostly just which way is right. And which left.” click, click.

--

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Rob Zombie

LP | 2023 | US | Original (Waxwork)

38,99 €*

Love You, Drink Water Blue Vinyl Edition

Release: 2023 / US – Original

Genre: Soundtracks

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Rob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks. “Rob Zombie Presents” will feature several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker.

“I have always been a huge fan of movie soundtracks. So I jumped at the opportunity to work with Waxwork on this project.” Says Zombie, “I can’t wait to release these albums. So many of these films are greatly under appreciated and, they all contain such great music. So, to be able to release these deluxe packages is a dream come true.“ - Rob Zombie

Rob Zombie and Waxwork are thrilled to announce their first soundtrack title as “Rob Zombie Presents White Zombie”. Starring Bela Lugosi, 1932’s White Zombie is considered the first zombie movie. It was also filmed on Universal Studio’s lot, using several props from other horror films of that time. Starring Madge Bellamy, Robert W. Frazer, and John Harron, the film follows the cast as they navigate zombies, love, obsession, and treachery. Initially slammed by critics upon its release, the movie has been reevaluated and praised by recent critics for its classic horror production. The film has gone on to influence mainstream media, even influencing the band name of White Zombie. Rob Zombie has said of the film, “It’s a great film that not a lot of people know about. It amazes me that a film that is so readily available can be so lost.”

After working together on the successful release of the official soundtracks to Zombie’s films House of 1000 Corpses, The Devils Rejects, 3 From Hell, The Lords of Salem, Halloween 1 & 2, and The Munsters, Zombie explored other ways to collaborate with Waxwork in an effort to unearth, re-master, and release classic, left-of-center Horror soundtracks from films that he is a life-long fan of. The line of soundtracks features deluxe packaging, heavyweight colored vinyl, new artwork by prominent Horror illustrator Graham Humphreys, liner notes and interviews conducted by Rob Zombie with filmmakers and actors. Titles include premiere releases of Spider Baby, Carnival Of Souls, The Last Man On Earth, The House On Haunted Hill, Island Of Lost Souls, and many selections from the Hammer film library.

ROB Zombie Presents White Zombie Original Motion Picture Soundtrack Features:

The Original Soundtrack Available For The First Time On Vinyl Liner Notes by Rob Zombie 180 Gram "Zombie & Jungle" Hand Poured Colored Vinyl Old Style Tip-On Gatefold Jackets with Matte Satin Coating New Art by Graham Humphreys 12"x12" Insert

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Awir Leon

LP | 2023 | EU | Original (Five Flower)

LP | 2023 | EU | Original (X-Ray)

Release: 2023 / EU – Original

Genre: Rock & Indie, Pop

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For his third album, 'Love You, Drink Water', Awir Leon opens a more direct and personal window on his music. The album is about inner monsters, the search for meaning, failure and hope. The music he proposes plays with the porosity of the lines, because it is at the same time complex, rich, stripped, raw, without compromise, and without pretense. It wants to express in the most vulnerable way what it means to be alive today.

Often compared to renowned explorers such as James Blake, Frank Ocean or Thom Yorke, Awir has spent the last two years travelling the world as the opening act for another great spirit, French artist Woodkid, on an international tour for his latest album S16. During this tour, Awir decided to write this new album, testing and perfecting the songs in front of a large audience that knew nothing about his music.

It is both this audacity and the constant desire to jump into the void that makes Awir an artist apart.

The seemingly simple title, which sounds like a joke, actually hides something much more vital and human.

"One day my three-year-old niece said goodbye to me with the exact words "I love you, drink water". It came out of nowhere, and I thought it was the most thoughtful thing anyone had ever said to me. It was like an epiphany; it was exactly what I wanted to express through my songs.

For Awir Leon, constant research and sincerity are the main drivers of a music that is undeniably singular and powerful. Music that he shapes and dances gracefully over chasms, as if it were necessary to make failures into new points of escape towards vitality.

Love You, Drink Water is silk sewn in pain, a raw and resilient jewel.

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Blaiz Fayah

Mad Ting 3

25,99 €*

12" | 2023 | UK | Original (Berceuse Heroique)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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The leader of the European Dancehall/Shatta scene is still as productive as ever after his latest project Mad Ting 2 and a Europe/Latin America tour in 2022. By delivering multiple hits and appearing at major festivals, Blaiz Fayah is starting 2023 the same way he ended the previous year. The hit maker confirms his notoriety through his appearance in mixes played in clubs by the best DJs of the moment. His exponential growth on social networks, especially Tiktok, is also noteworthy.

A few digits: Blaiz Fayah has 850k monthly listeners on Spotify, 36M Spotify listens and 56M views YouTube for his hit "Bad", more than 9 million TikTok videos under the #blaizfayah.

For his upcoming project "Mad Ting 3" scheduled for June 2, 2023, which concludes the "Mad Ting" series, Blaiz Fayah highlights the vast range of his musical references by bringing in Dancehall, Kompa, Moombahton, Reggae, Shatta and Zouk influences.

For the occasion, some of the most renowned artists of their genre have been invited, such as Busy Signal, Jahyanai King and Nesly.

More than a mere sensation, the artist has seduced Dancehall fans all over the world with hits powered by a dancing energy that only he knows the formula. A unique energy that he was able to spread on some of the best European stages in 2022 (Solidays, Garorock) and that he will be able to continue to broadcast during some fifteen European dates in 2023 (Dour Festival, Reggae Sunska, No Logo...).

By collaborating with international DJs for the production of the tracks on his album (Netherlands, United Kingdom, Mauritius, West Indies...), the artist from the Parisian suburbs extends his influence across different international music stages, as shown by the success of his tour in Latin America (Colombia, Costa Rica, Chile...) and in the Indian Ocean (Mauritius, Reunion, Seychelles...).

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Don't DJ

Album Sampler

Tape | 2023 | EU | Original (Osàre! Editions)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"Don't DJ is back with his new album sampler to teach the imitators how it is done.

Leftfield tribalism at it's best, with a pinch of Martin Denny and Les Baxter exotica for some flavour and a little bit of Zoviet France fourth world voodoo for the 5am crew that wants to get hazy in the dance. Florian knows how to incorporate percussion sounds that at first you think that they wouldn't work but it always works and this is only a taste of what is gonna come with the release of his album (soon come).

Morgan Buckley of the mighty Wah Wah Wino crew, takes this deep and intense trip and he goes ballistic while he is playing a live Bodhran to invoke the ancient spirits of Ireland. If the essence of a remix is to keep the original vibe of the tune and add a different flavour to it then Morgan Buckley nailed it in a big way.

Two drum wizards at their best and it's an honour to have them together in one record."

Illustrations by Non Yung Hoon. Design by NMR.

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Anna Funk Damage

Il Corpo Che Si Rompe

Best Available Technology

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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An icy wave of distortion. Gristle and bone bass. Incantatory, bloodcurdling poetics. Anna Funk Damage returns to Osare! Editions with a full-length LP, laying down 13 occultist tracks, turbocharged by industrialism, dissolution and heartbreak. The Italian producer more than lives up to his namesake, delivering his signature, genre-destroying blend of experimental-punk-techno and steely dance floor deviance.

Opening with a howl, clatter and smash, on 'Sono Spento’, Andrea Natale takes the shape of a self-annihilating robot, his heavily pitched-down vocals laden in layers of FX. ‘Maybe I’ whirls into a slow build screech while 'Allegri Rimpianti’ joins together organic, pummelling percussion, sharp synth chords, and jangly guitar for a nightmarish trifecta of throbbing noise. Occasionally, Natale's presence falls away entirely, allowing for unadulterated machinic ecstasy to take over. Cogs grind on 'Memoria, Solitudine’, a dark and lolloping track, thrumming with sinister, malicious intent, before 'La Fine’ signs off, lurching skittishly like an anxious, artificially pumping heart.

Interweaving elements of avant-garde ambient, rock, and even black metal, all rewired through a Moog Dfam and a Mother-32 interface, II Corpo Che Si Rompe is powered by unrelenting energy as Natale descends to ever more demonic, punishing depths.

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Untitled

LP | 2023 | EU | Original (blundar)

LP | 2023 | EU | Original (blundar)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Portland-based Kevin Palmer returns to blundar with his Best Available Technology for another release (having previously been featured on cassette). This time it’s on vinyl but still messing about with the same business of constructing and deconstructing head-nodding beats into a foggy bowl of ambience that has become the trademark sound of BAT.

Initially inspired and influenced by the sound-worlds created by Hank Shocklee, BDP and Kday, Palmer spent his formative years combing pawn shops for samplers. This kicked off his self-described obsessive compulsive work crunching out impossibly naive and obviously unschooled jams in what might have been and continues to be an attempt to capture and document something he felt when listening to the bombastic sonic collages of early hip hop.

Going backwards in order to go forward could be an apt mantra to describe the philosophy behind BAT. Often attached with labels like nostalgia and melancholy, Palmer surely deals with the longing for that perfect time capsule of N.Y. hip hop in the 90s - but where others zoning in on that era simply imitate it, Palmer goes way further into a world of his own making.

Far removed in both time and place to the outskirts of Portland, the sonics of Palmer filters through an outsider’s perspective, sometimes offering a personal journal of the here and now via field recordings from skateparks and surfing trips.

As if one would imagine looking slightly to the left of what was supposedly going on, these tracks continuously shift one's focus. That funky feel good beat is there, but almost always just out of grasp. Palmer gives us the sound of a memory slipping away.

Yet this reads not as the end of something, but rather a stepping stone into a world of possibilities. Operating at the outskirts of genre, you could imagine anything from dub, hip hop, ambient or techno to emerge and crystalize from the haze, yet it never does. This is all those things and nothing. Or maybe it’s just some “sad fucked up funk” as Palmer puts it.

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Jorgen Teller

Untitled

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Perhaps best described as a pioneer of the underground experimental scene, the signature of Jørgen Teller on the musical landscape of Denmark traces back to the late 1970’s. Sprung out of a whirlpool of post-punk and art school ideas, Teller has relentlessly been chiseling away on the constrictions of music in various bands, collaborations and solo projects ever since. Searching out its farthest outposts - be it free jazz, noise or acousmatic music - Teller has strived towards an approach to music without rules, often by way of improvisation and usually with the aid of electric guitar.

This album is based on a live performance held at the Inter Arts Center in Malmö in early 2022, where Teller performed a semi-improvised piece in homage to the poet Poul Borum, whom he had worked with in the mid-90’s closely before Borum’s death in 1996.

As a composer, Teller relies on a set of “basic choices” that becomes a “precise point of departure” - where he can then go against his “good knowing” of the science, trends and different schools of music and go straight into his own instincts as a performer. For this performance, he used pre- recorded material of three rhythm boxes (all out of sync), timbales and sessions on Erica synths.

In dialogue with the label, Teller has focused on extracting the recording of the rhythm boxes and timbales alone, emphasizing the tension between the rhythms. With minimalist drum sequences that could easily be placed in a proto-techno context, and the whooshing of what might be an ancient rhombus instrument, there is a feeling of a primitive presence to Teller’s rhythmic excursions. A throwback to the spiritual realms of a wordless society fighting the demons of chance.

Occasionally pierced by stark industrial drum crashes and rattling post-punk percussion, it also conjures echoes from the darker side of the 1980s. In citing Borum as its inspiration, Teller shares that he channels the poet’s energy and their shared love of “noisy stuff and darkness”. But the pace can also go somewhere close to breakbeat on track B2, where a whirlwind of rhythmic elements clash into a deranged deconstructed club tune.

The album also features a remix by a fellow colleague of the acousmatic community; the composer Jacob Riis. On the closing track B3, Riis quietly manipulates and balances the elements of Teller’s recordings and gently releases them into a contemplative pool of static.

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Bullshit Detector Two Grey Vinyl Edition

2LP | 1982 | EU | Reissue (One Little Independent)

23,99 €* 29,99 € -20%

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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CALLING ALL BULLSHITTERS. Crass Records have remastered the infamous ‘Bullshit Detector’ series in all its glorious entirety.

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Bullshit Detector Two Black Vinyl Edition

2LP | 1982 | EU | Reissue (One Little Independent)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Bullshit Detector Three Grey Vinyl Edition

2LP | 1984 | EU | Reissue (One Little Independent)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Bullshit Detector Three Black Vinyl Edition

2LP | 1984 | EU | Reissue (One Little Independent)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Bullshit Detector Grey Vinyl Edition

LP | 2023 | EU | Original (One Little Independent)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bullshit Detector Black Vinyl Edition

LP | 2023 | EU | Original (One Little Independent)

25,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Fire Talk)

Strange Ranger

Pure Music

Power Games Red & Silver Mixed Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Jaguar

LP | 1983 | EU | Reissue (Music On Vinyl)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Distino Di Belita Blue Vinyl Edition

Cesaria Evora

LP | 2023 | UK | Original (Castles In Space)

Release: 2023 / EU – Original

Genre: Organic Grooves

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180 GRAM AUDIOPHILE VINYL
SLEEVE PRINTED ON HEAVY CARDBOARD WITH
SOFT TOUCH LAMINATE FINISH

INCLUDES INSERT WITH LINER NOTES
THE COMPLETE ALBUM AVAILABLE ON VINYL FOR

THE FIRST TIME

FEATURING HER CLASSIC SONGS “NOVA SINTRA”
AND “DISTINO DI BILITA”

LIMITED EDITION OF 1000 INDIVIDUALLY
NUMBERED COPIES ON BLUE COLOURED VINYL

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Paul Cousins

Vanishing Artefacts

LP | 2023 | UK | Original (The state51 Conspiracy)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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This debut album is the work of London based producer, sound artist and composer, Paul Cousins. Paul works with meticulously maintained reel to reel tape machines to transform and alter his electronic compositions. His prepared tape loops form the basis of ‘Vanishing Artefacts’ 12 intricate compositions. The original ideas processed through 1/4” tape become a hazy facsimile of their former state as tape is manipulated and effected to mould something new.

“There is great freedom in limitations. The sonic limitations of tape, at least in the lo-fi way I use it, are also a factor. Being able to physically touch and manipulate the sound is a very important and visceral part of this. Opposed to a lot of ambient music I have written, I want this music to be tactile, and very tangible. Yes, it can float away, but I also want to show the string tied to the balloon. For this reason many of the tracks contain the sound of the room, and the wonderful noises these machines make."

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Shit & Shine

2222 & Airport

25,99 €*

LP | 2023 | UK | Original (Castles In Space)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Singular Texan musician Craig Clouse hurtles unstoppably towards the 20th birthday of his dancefloor-splintering electronic project Shit And Shine, releasing a landmark LP, his first full-length for The state51 Conspiracy, ‘2222 And AIRPORT’. Acid house, minimal techno, electro, funk, krautrock, hip hop, found sound, spoken word, live percussion and industrial are blown apart stupendously and then reassembled – mad-scientist style, in a way peculiar to Clouse – into 13 hypnotic and transportative tracks.

Lead single SWISS, out 24 March, is a gloriously minimalist funk jam that sounds like the exact point at which someone turns the lights off at a lowkey house party and a wild night for the ages gets under way. An almost scornfully skeletal riff, sounding like a misfiring Cyberdine Systems Model 101 summoning up a Prince circa Sign “O” The Times riff while crashing head first into the hyper-processed early work of Prefuse 73, also featuring a cheeky sample of revered Mancunian DJ Luke Una talking about “existential fucking darkness”.

This is followed on 4 April by INFINITE SHITE, arguably the epic central track to the album, is a Shit And Shine banger for the ages, its dancefloor affect, undeniable. An unforgiving, pulsating Byetone-style bass drone worthy itself of being blasted on a Funktion-One rig, is just the background for a colossal acid b-line, destroying all in its path.

Micro details bristle at the liminal level, threatening to only reveal themselves to those in a club, those listening on headphones or those experiencing a heightened sensory state.

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Kosmonaut

Contagion Vapours

Cassette | 2023 | UK | Original (Already Dead Us)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Contagion Vapors was recorded between May 2020 and March 2021, in tandem with 'Transgressive Transmissions'. Both albums have been released by Castles in Space, however they feature completely different sonic energies.

Caught up in the first wave of pandemic doom/gloom which resulted in a bizarre creative bloom for Patrick, both albums have unique sounds anchored in the immense Patrick R Pärk/Kösmonaut discographies. This one is definitely a Kösmonaut record, however.

Patrick’s Contagion Vapors is a vaporwave sonic adventure which
soothes the worn soul like an icy balm with its motorik repetitions and sonic patterns and swirls.

Uncharacteristically upbeat and always positive, the album was a personal exercise in not becoming consumed by COVID isolation and misery. Major influences were Patrick Cowley, Cybotron, Automat, Cluster, and Harmonia and the entire album was recorded / mixed in the midnight witching hours over the course of only 2-3 days.

Ever prolific, Patrick is currently deep diving hard into post Y2K New Age conjurations with his massive Galactic Mirage project which should see another CD box set later this year. There's also some forthcoming Teeth Of Glass vinyl coming from Library Of the Occult later this year and plenty of Patrick’s self released "chrome sonic babies" in between.

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Bag

Momentary Lapses

13,99 €*

Music For Film: Tramps! & Women Against The Bomb

Release: 2023 / UK – Original

Genre: Electronic & Dance

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BAG X COLLAPSING DRUMS is a collaboration between experimental producer Collapsing Drums (Charlie Behrens) and spoken word/electronic duo BAG (Jody DeSchutter and Dan Allison). Modular synth, spoken word, field recording, experimental play and abstract guitar are a few of the practices visited by the project.

Momentary Lapses was born of an improvisational outburst sewn into a back and forth process, the three diverse perspectives nurturing creation and dissection along the way. This album maps multiple landscapes and conditions as drawn by the trio in an exploratory document, providing a journey through textures and atmospheres, beats and spaces, construction and reassembly. During the 18 months of the album’s creation, a series of bereavements disrupted and informed BXCD’s journey.

DeSchutter’s dada-esque verse moves purposely forward, fragmented through synaesthetic habitats. Her words, woven into the electronic compositions of Behrens and Allison, touch on themes of re-interpretation, incongruity, and longing. Momentary Lapses celebrates all that is unknown, pluralistic, and paradoxical as proposed antidotes to a binary mode of knowing. Sonically bridging the gaps between postpunk, IDM and experimental, BAG X COLLAPSING DRUMS promises a fresh take on the possibilities of sonic abstraction.

‘DeSchutter treats words and syllables as malleable matter; haptic objects to be stretched out, twisted and molded. Allison and Behrens’ electronics, taking in dub-deep negative space, pristine sound design and ghostly frequencies, add not so much a backing track as a dialogic component. Pronunciation weaves into beats, language harmonises with pure music, to create an outline of the slippery worlds that can’t be pinned down by either sound or words’ Daryl Worthington, The Quietus

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Memorials

2LP | 2023 | UK | Original (The state51 Conspiracy)

39,99 €*

Box Set | 2023 | US (Past Inside The Present)

Release: 2023 / UK – Original

Genre: Soundtracks

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A seismic, cinematic double dose from two sonic veterans with previous in Wire, Electrelane, and Better Corners. MEMORIALS’ kaleidoscopic debut covers broad musical territory, encompassing protest songs, fuzz-flooded pop, searing drone, and psychedelic freakouts whilst carving out a sound that is uniquely their own.

Both halves of this dynamic double album were originally conceived as individual film soundtracks but once the multi-instrumental duo of Verity Susan & Matthew Simms brought ‘Music For Film’ into a live space, the desire to shape it into a cohesive whole was more than they could resist. The resulting, intoxicating, musical odyssey can be viewed independently from the associated films and stands proudly as an ambitious artistic statement.

“The music we like and admire ranges from challenging to really tuneful, and we try to bring all that together in a way that sounds natural.” - MEMORIALS

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Bvdub

Slowly Shifting Lakes

56,99 €*

12" | 2014 | UK | Original (Not On Label)

Release: 2023 / US

Genre: Electronic & Dance

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Barely a week goes by without BVDUB popping up with a vast new collection of his absorbing ambient music. Hot on the heels of February's Fumika Fades album is this, Slowly Shifting Lakes, another epic collection of fuzzy, lo-fi, gorgeously textured and lived-in ambient. It's intense and full by some ambient standards - soundscapes that demand the attention and go from misty, rainy visions to more serene and blissed-out vibes. This is the perfect way to pick this album up - as both a double CD and also a double cassette including download codes.

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Jones

Deep / You

8,09 €* 17,99 € -55%

2LP | 2003 | US | Reissue (Get On Down)

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Limited Edition.

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Viktor Vaughn (MF Doom)

Vaudeville Villain

Unhealthy Indie Exclusive Green Vinyl Edition

Release: 2003 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Note: INCOMPLETE!
Side A&B only. Side C&D is missing.
Record with just a few paper scuffs.

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Anne-Marie

LP | 2023 | EU | Original (Warner)

Release: 2023 / EU – Original

Genre: Pop

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Unhealthy Clear Vinyl Edition

Anne-Marie

LP | 2023 | EU | Original (Warner)

Release: 2023 / EU – Original

Genre: Pop

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Raab Van Endert Tortiller

Hope & Gratitude

LP | 2023 | EU | Original (JazzSick)

20,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Tough Love)

Current Affairs

Off The Tongue

14,99 €* 24,99 € -40%

LP | 2023 | EU | Original (Association In My City)

Release: 2023 / EU – Original

Genre: Rock & Indie

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To call Current Affairs a Glasgow band may initially seem misdirection. Though Joan Sweeney (ex-Rose McDowall’s Band, Aggi Doom, The Royal We) is a lifer, Sebastian Ymai (Comidillo Tapes, Pissy, Anxiety) came from Chile via York, recently relocating to Berlin in 2021, and new member Gemma Fleet (The Wharves, Order of the Toad, Dancer) alongside Andrew Milk (Shopping, Pink Pound) were persuaded to leave London for the ‘second city’ after touring through with previous bands. However, Glasgow is the heart and hub of the band’s music, musical life and the place where Off the Tongue was solidified and produced.

Their current line up formed in 2020, but the four have been circling each other for years, touring and playing with their previous bands within the close UK network of DIY music. Stalwarts of their respective scenes they finally began working together through the creation of the Spitehouse collective – a project designed to promote Queer and female-fronted music through events mainly held at Transmission Gallery and Glasgow Autonomous Space, putting on many local and international acts (Sneaks, Sacred Paws, Still House Plants and Comfort amongst others). When an opening for a new bassist arrived, Gemma was the obvious compliment, the slogan of Spitehouse being the language of Current Affairs – “Everyone’s welcome, but don’t get it twisted.”

Following on from 2019’s singles collection, Object & Subject, the wait for their debut full-length may belie the urgency of its sound. Songs that were written in pieces over a long time and distance, but fully formed in the instant of the recording room across just a few days by producer Ross McGowan at Chime Studio. Current Affairs’ song-writing process has always been collaborative. Songs are developed responsively, with each of the band’s members sending/bringing elements or hooks to each other, but practices being the place where the songs flesh out, structure and are fully realised. These new songs feel a little brighter than their previous offerings, yet still hold true to their propulsive and caterwauling sound. Still embryonic in the most exciting way that that can be. Current Affairs’ music straddles new-wave pop and gothic post-punk in the way that you should expect a Glasgow-Berlin band to do so: with grit and panache.

Written from within the world of crumbling services, broken bonds and wounded spirits, Off the Tongue rolls off an ecstatic rage, filled with hope for you, them and everyone else. It’s a rallying cry away from hopelessness, forgiving your fears and laying them to waste. Their album holds a place for you to be angry and to be focussed. In lieu of having anything else, we’ve always got each other, and an uncertain future is open game for us too.

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Dageist

The Abyss Of Years

23,99 €*

The Light Within Blue Marbled Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Dageist's latest CD (ep) "The Abyss of Years" is the result of a special project between the duo from Lille and Philippe Lomprez, the singer of the mythical band Trisomie 21. The Abyss of Years sounds like a tribute and makes us travel in the universe of the Lomprez brothers' band, whose insiders will recognize the numerous references in the lyrics. The whole is carried by Philippe's characteristic voice which gives a lively and melancholic emotion, just like the bass or the guitar, to which is added the lighter singing of Schago (voice of Dageist) in the choruses.Faithful to its musical signature, Dageist has chosen to complete this CD The Abyss Of Years with 3 other terribly effective compositions, which oscillate between cold, dark and new wave.

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Aural Imbalance

12" | 2023 | EU | Original (Spatial)

18,99 €*

2LP | 2023 | EU | Original (Critical Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A1 - Mystical Path

Opening the EP we have a serious sensory treat from Aural Imbalance, as he ditches his own rulebook unleashing a myriad of rapidly combining elements synergising over glorious echoed intro-beats, before an uncharacteristically heavy slice of breaks punches its way into the track, electrifying the atmosphere while the trademark melodies dance above like fireflies in the night.

A2 - Luminosity

An airy intro slowly welcomes in snappy snares, staunch forthright bass tones and those delicious airy pads we know Aural Imbalance so well for, gradually enveloping the listener in a luscious web of glorious serenity. Layers of intricate textures and rhythms build upon one another, creating a mesmerizing and hypnotic sonic journey inviting repeated listens.

AA1 - Moonscape

Aural Imbalance crafts a true gem here as Moonscape opens with a serene hit of soothing pads before the wonderfully analogue breakbeats join the party, laden with hi hats and subtle poise. The backdrop exudes whimsical birdsong until halfway we are treated to a true earworm melody carrying us through to the clean ritualistic outro.

AA2 - Sunlight Through Clouds

Simon closes the EP with Sunlight Through Clouds, opening with wistful muffled grooves before the bubbly apache break reveals itself and whisks us on a synthful audio feast, built on the immersive, meditative soundscapes he is so well known for. The track has a soothing, reflective vibe and fits perfectly as a curtain call for his latest extended player.

Words by Chris Hayes (Spatial / Red Mist)

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Hyroglifics

I'll Wait, I Guess

37,99 €*

12" | 2023 | EU | Original (X/Y/Secret)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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"Good things come to those who wait", says Matt Harris aka Hyroglifics about the theme of his debut album, 'I'll Wait, I Guess', a personal journey to hope and healing reflected through 16 tracks of ever-evolving music and the stories that lie within them. "I believe that good things happen with time, however, I also wanted this album to depict the realities of waiting for something and how seemingly hopeless it may seem at times".

After committing to music full time after getting picked up by RBMA for 2016's Montreal academy, Hyroglifics has released key tracks and EPs on Critical Music, 20/20 LDN, Hooversound, and System. Written and recorded in Bristol before sessions in London and Los Angeles, where he now lives, 'I'll Wait, I Guess' is his most diverse body of work so far. Though led by the detailed drum and bass he's best known for, the album also includes tracks leaning towards grime, half-time, hip hop, techno and ambient music.

"I really wanted to create something that shows my range as a producer and artist", Hyroglifics explains. "My taste is always evolving, so it's hard to pin down a specific 'sound', as I really enjoy exploring the process of trying to create hybrids of genres."

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Torc

Positive Disintegration

LP | CA | Original (Not On Label)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Our second release is made by the hands and ears of Torc.

X/Y/Secret cofounder and infamous YouTuber, Oscar from Underdog is showing us a lot of his technical abilities in this one!

The result is a fast-paced journey through intricate club grooves, crafted with mastery.

The remix is courtesy of Insolate. She leads the original into bolder territories without disturbing its flow, which elevates it in all the right ways.

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Natasha Baby

Sun Seed Present

4,94 €* 10,99 € -55%

Mutationem Ost Colored Vinyl Edition

Release: CA – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

Writing on labels

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Anno

LP | 2023 | CA | Original (Very Ok Vinyl)

47,99 €*