Search "the+black+keys" 53613 Items

Afro Cuban Bop: The Long Lost Bird Live Recordings Record Store Day 2023 Edition

Release: 2023 / UK – Original

Genre: Organic Grooves

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Record Store Day 2023 first release limited to 2000 copies.
Queen Talk: Live at the Left Bank is an official, never-before-released concert recording from one of the greatest female jazz organists of all-time, Shirley Scott, featuring a powerhouse trio with George Coleman on tenor saxophone and Bobby Durham on drums, plus special guest vocalist Ernie Andrews on three tracks. This hand-numbered, limited edition (3000 worldwide), double LP set was transferred from the original tape reels and is pressed on 180g vinyl. It features 100 minutes of music and is packaged in a gatefold sleeve with an extensive booklet with liner notes by acclaimed music writer A. Scott Galloway, rare photos by Don Schlitten and Raymond Ross, and memorabilia from the Left Bank archives plus interviews with jazz organ icon Joey DeFrancesco, former Shirley Scott bandmate, saxophonist Tim Warfield, and pianist Monty reminiscing about drummer Bobby Durham. The set is co-produced by label owner/musician Cory Weeds and renowned archival recording producer Zev Feldman.

The show was recorded at the Famous Ballroom in Baltimore Maryland on August 20, 1972 and hasn't ever been previously available. Philadelphia-born Scott rose to fame in the late 1950s playing the Hammond B-3 organ influenced by blues and gospel evolving into '60s soul jazz. She recorded numerous albums for Prestige, Impulse!, Atlantic, Cadet and Candid performing with countless jazz legends including Stanley Turrentine, Oliver Nelson, Eddie "Lockjaw" Davis, Clark Terry and Kenny Burrell.

The 10-track set cooks on songs of the day like "By the Time I Get to Phoenix," "You Don't Mess Around With Jim," and "Never Can Say Goodbye," along with standards such as "Smile," "Witchcraft" and John Coltrane's "Impressions."

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Charlie Parker

2LP | 1977 | US | Reissue (Rockbeat)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Aloha Got Soul Selects Kalapana

Kalapana

5x7" | 2023 | US | Original (Aloha Got Soul)

Frank Black And The Catholics

Release: 2023 / US – Original

Genre: Organic Grooves

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Kalapana’s catalog is vast. For us (and many others), Kalapana is the crème de la crème of local music. Their catalog, whilst expansive across decades, feels most potent in its earliest days with its back-to-back triage of eponymous albums, starting with 1975’s Kalapana I and capping with 1977’s Kalapana III. By then, Mackey had left the group and keyboardist Kirk Thompson would soon carve his own path with Lemuria, Babadu, and other soulful projects. Even the most casual listener can discern a stylistic shift with III, which opens with Malani’s “Girl” and closes with D.J. Pratt’s “Alisa Lovely”. Following Aloha Got Soul’s vinyl reissue of Kalapana’s first and second albums, we asked ourselves what we’d want to see in Kalapana’s catalog.

Spanning 10 songs across five records, the Aloha Got Soul selects Kalapana 7-inch box set compiles all our favorite tunes that we love to play loud and proud, the songs that get people dancing, singing, laughing and loving.

Compiled from the band’s first three albums, each track is a certified jam. From Kalapana I, we selected the all-time classic grooves “The Hurt”, “What Do I Do”, “When The Morning Comes”, “All I Want”, and “Everything Is Love”. From their sophomore release, we chose the delightfully funky “Love Em”, and the uptempo jazz-rock tunes “Freedom” and “Black Sand”. From their third LP, we pulled our go-to tracks: the instrumental latin jazz-burner “Mana” and the ultra-catchy bop “Up To You”.

These are the Kalapana jams constantly on repeat for us. (We excluded ballads from our selection because we wanted this box set to be bangers from start to finish.)

Each box set is foil-stamped and numbered as part of a limited edition.

It contains five 7-inch records with custom Kalapana paper sleeves, and sealed with custom Kalapana tape. Each vinyl has a song lyric etched into the vinyl’s deadwax (the blank area in between the grooves and the label).

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Live At Melkweg - Expanded Edition

3LP | 2023 | UK | Original (Demon)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Live At The Harlem Square Club, 1963

Sam Cooke

LP | 1985 | JP | Original (RCA)

Live At Hammersmith '82! Black Friday Record Store Day 2022 Gold Vinyl Edition

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert, Vinyl close to NM

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Duran Duran

2LP | 1982 | EU | Reissue (Parlophone)

The Mystic Revelation Of Rastafari

Release: 1982 / EU – Reissue

Genre: Pop

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Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 10.000 copies. In 1982, as Duranmania was sweeping the globe following the release of Duran Duran’s smash hit album ‘rio’, the band recorded and filmed one of their three London dates at Hammersmith Odeon. Exclusively for Black Friday 2022 the audio from this legendary show will be pressed on vinyl for the very first time. This gold double vinyl edition, features live performances of Duran Duran hits - Rio, Hungry like the Wolf, Girls on Film and more. Plus, fan favourite cover of Steve Harley & Cockney Rebel’s Make Me Smile (Come Up and See Me). Strictly limited to 10,000 units.

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Grounation Deluxe Box Set

3LP+7" | 1972 | UK | Reissue (Soul Jazz)

Emahoy Tsegue Maryam Guebrou

Release: 1972 / UK – Reissue

Genre: Reggae & Dancehall

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One-off pressing limited-edition deluxe box set triple-vinyl edition complete with a free 45 single + art print + an exact-replica reproduction Mystic Revelation 1977 mag/zine + download code.

Like Sun Ra's Arkestra and John Coltrane are to jazz, the Mystic Revelation of Rastafari are to reggae - the ultimate expression of roots music and Rastafarian ideology in reggae music, music functioning at a high level of spiritual consciousness combined with an equally avant-garde and forward-looking approach to sound.The group's stunning, unique and groundbreaking 1973 album 'Grounation', a mighty conceptual triplealbum (the first ever reggae triple!) is, similar to Marvin Gaye's 'What's Goin' On', a definitive allencompassing cultural statement of its time and place. A sprawling album of raw and unique cultural expression that combined Rastafari consciousness with deep spiritual jazz music - an absolute and essential classic of Reggae music.The Mystic Revelation of Rastafari group came into existence at the start of 1970s, the union of two artists (and groups) of equal repute - Count Ossie and his African Drums and saxophonist Cedric 'Im' Brooks' and his group, The Mystics. Both Ossie and Brooks were alumni from the great Studio One Records.

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Spielt Eigene Kompositionen

LP | 2016 | US | Reissue (Mississippi/Change)

Bunny Boy Live In Frankfurt

Release: 2016 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue from 2016. Black labels. Vinyl with a couple of light scuffs. Copy close to NM

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Residents

2LP | 2021 | US | Original (Secret)

12" | 1989 | DE | Original (L.A.B.)

Release: 2021 / US – Original

Genre: Rock & Indie

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For the first time anywhere, a live album from THE Residents’ 2008 Bunny Boy tour! Bunny Boy was one of the most ambitious projects in the group's long history of experimental concept driven studio albums and stage shows. It began as an interactive web series about an old friend, "Bunny" trying to find his missing brother and soon after became a studio album, a soundtrack album, and a stage show that toured Europe and the United States. By the time the tour had finished the story had grew to 66 web episodes and eventually sprouted two additional limited-edition CDs of more studio recordings, a book that collected all the email responses to the videos, and even a comic book. This is the only tour by The Residents that has never had a live album released in any way. Now available in a limited edition of 250 copies on Hot Pink & Black Swirled Vinyl or 250 Blue & Black Marble Vinyl. All come inside hand-numbered matte finish gatefold jackets.

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The Front

You Can Dance

LP | 2004 | US | Original (Vagrant)

Release: 1989 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover has storage signs.

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The Get Up Kids

Guilt Show

Release: 2004 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2x12" | 1998 | DE | Reissue (Planet Vision)

Resistance D

Inexhaustibility

Release: 1998 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Art Blakey & The Afro-Drum Ensemble

The African Beat

LP | 1962 | US | Original (Blue Note)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US original.

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Stokyo

Black Box Cartridge Case

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2LP | 2017 | US | Original (Intervention)

Joe Jackson

Summer In The City

Release: 2017 / US – Original

Genre: Pop

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Intervention Records is thrilled to bring Joe Jackson's "Summer In the City" Live in New York to vinyl for the very first time! Previously available only on CD, "Summer In The City" joins IR's wildly successful vinyl reissues of Jackson's early New Wave classics "Look Sharp!", "I'm The Man" and "Night And Day". Naturally, "Summer In The City" will street on vinyl in the summer of 2017, in August.
"Summer In The City's" repertoire is an amazing bridge that spans the greatest hits of Jackson's early canon with stunning new arrangements and covers from other great songwriters. Jackson classics like "Fools in Love", "You Can't Get What You Want" and "It's Different For Girls" meet with covers as diverse as Duke Ellington's "Mood Indigo", The Beatles' "Eleanor Rigby" and Steely Dan's "King Of the World".
"Summer In The City" was mastered to vinyl by Kevin Gray at Cohearent Audio from brand-new high-res master files. "Summer In The City" was recorded live in New York City in August of 1999 by Steve Remote and Co-Producer Sheldon Steiger. Sony's archivists and Battery Studios' Mike Piacentini compiled new high-res digital master files from the original DATs with the final mixes, and IR consulted with Remote and Steiger on key aspects of the recording to ensure the best possible source files were used. The result is an absolute sonic stunner, brought to new life on this double LP set!
"Summer In The City's" original album art has been rebuilt into a beautiful gatefold jacket by IR's art director Tom Vadakan.

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Stokyo

Black Box Cartridge Case

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2LP | 2008 | UK | Reissue (XL)

The White Stripes

Elephant

Release: 2008 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP+CD | 2013 | EU | Original (Parlophone)

Babyshambles

Sequel To The Prequel

Vol. 6: Dil Withers Suite

Release: 2013 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl .Without CD. Still in shrink, but opened, with hype sticker

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Madlib The Beat Konducta

LP | 2008 | US | Original (Stones Throw)

Release: 2008 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

3LP | 1998 | US | Original (Jive)

A Tribe Called Quest

The Love Movement

2LP | 1995 | US | Original (Blunt)

Release: 1998 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

Records are close to if not VG+.

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Mic Geronimo

The Natural

Release: 1995 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1999 | EU | Original (Columbia)

Die Fantastischen Vier

4:99

LP | 2007 | US | Original (Polydor)

Release: 1999 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

LP has hairlines and surface marks.

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Feist

The reminder

Release: 2007 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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2LP | 2004 | US | Original (Koch)

The Diplomats

Diplomatic Immunity 2

2LP | 2013 | US | Reissue (Content (L)abel)

Release: 2004 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Dday One

Heavy Migration

Wallflower Black Vinyl Edition

Release: 2013 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Limited Edition, Features cover artwork done by Dday One visually remixing his original photography using "Image Transfer" technique. Each record is hand number out of 115 worldwide

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Jordan Rakei

2LP | 2017 | UK | Original (Ninja Tune)

2LP | 2020 | Reissue (Island)

Release: 2017 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Tame Impala

The Slow Rush

Between The Buried And Me

Release: 2020 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

180 gram cream coloured vinyl. Insert and original inner sleeves included.

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The Parallax II: Future Sequence

2LP | 2021 | EU | Reissue (Metal Blade)

Lost At Sea: Rarities, Outtakes And Other Tales From The Deep Colored Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Violet with black and white splatter vinyl version!

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Howlin Rain

2LP | 2024 | US | Original (Silver Current)

OST Ace Ventura: When Nature Calls

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

Howlin Rain’s grand 3xLP archival statement and untold story, written over nearly two decades in invisible ink between the lines. Features never before heard songs from The Russian Wilds, The Dharma Wheel, The Alligator Bride, Mansion Songs, Live Rain and the lost Ethan Miller Band sessions.

With a broad cast of musical characters including Rick Rubin (Producer/American Records), Luther Dickinson (North Mississippi Allstars), Scarlet Rivera (Bob Dylan’s Rolling Thunder Revue), Joel Robinow (Once and Future Band), Isaiah Mitchell (Earthless/ The Black Crowes) and many more.

Includes songs by The Rolling Stones, Grateful Dead, Leon Russell and Neil Merryweather.

“I wanted to compile the record so it would have impact like our grandest, wildest, most unabashed studio album. I left out home demos, and songs from quiet corners, sketches, etc, in favor of fully formed, fully finished, studio level tracks from front to back. Lost at Sea is intended to be something that you can pour yourself into and get swept away in.”

—Ethan Miller (Founder, bandleader)

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V.A.

LP | 2017 | US | Original (Enjoy The Ride)

Through The Looking Glass Part 1

Release: 2017 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Guano Bowl vinyl

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Dom & Roland

12" | 2008 | UK | Original (Dom & Roland Productions)

Release: 2008 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

One Woman - The Ultimate Collection

Diana Ross

2LP | 1993 | UK | Original (EMI United Kingdom)

LP | 1983 | UK | Original (Island)

Release: 1993 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with edge wear

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Black Uhuru

Anthem

LP | 1962 | US | Original (ATCO)

Release: 1983 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl closer to NM

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The Coasters

Those Who Throw Objects At The Crocodiles Will Be Asked To Retrieve Them

Release: 1962 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear on the back, close to VG+

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Bruno Pernadas

2LP | 2023 | PT | Original (Pataca Discos)

Release: 2023 / PT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2015 | EU | Reissue (Rough Trade)

The Strokes

Is This It

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2015 | EU | Reissue (Rough Trade)

The Strokes

Is This It

LP | 2024 | EU | Original (SCMD Music)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened

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Conway The Machine

Blakk Tape

Release: 2024 / EU – Original

Genre: Hip Hop

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Eric Bibb And Needed Time

Spirit And The Blues

2LP | SE (Opus 3)

Release: SE

Genre: Organic Grooves

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LP | 1999 | US | Original (Level Plane)

You And I

The Curtain Falls

2LP | 2002 | US | Original (Jade Tree)

Release: 1999 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs. Cover with slightly bumped corner and small beginning of seam split on top spine. Overall copy closer to VG+

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Jets To Brazil

Perfecting Loneliness

2LP | 2021 | EU | Original (To Whom It May Concern.)

Release: 2002 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Gold Marble vinyl is close to NM, the cover as well.

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ionnalee, iamamiwhoami

Konsert

2LP | 2023 | EU | Original (Universal)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Translucent Moss Green vinyl closer to NM. With insert.

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Imelda May

11 Past The Hour

Release: 2023 / EU – Original

Genre: Rock & Indie

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An Introduction To The New Mastersounds

The New Mastersounds

LP | 2007 | DE | Original (Legere)

The Amazing Bud Powell, Volume 2

Release: 2007 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with scuffs and hairlines. Copy n° 037. Cover with bumped corner

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Bud Powell

LP | 1966 | US | Reissue (Blue Note)

The Lyman Woodard Organization

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has some wear, yellowing and two tears on the back! Record has a few scratches!

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Saturday Night Special

2LP | 2007 | EU | Reissue (BBE Music)

LP | 1987 | UK | Reissue (Cooking Vinyl)

Release: 2007 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl close to NM

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The Gun Club

Mother Juno

The Spirit Of The Beehive

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Yellow translucent vinyl!

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Entertainment, Death

LP | 2021 | US | Original (Saddle Creek)

LP | 2014 | UK | Original (Death Waltz Recording Company)

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tan vinyl version!

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Akira Ifukube

OST Godzilla

LP+LP+All Media | 2007 | DE | Original (Alerta Antifascista)

Release: 2014 / UK – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Black and yellow vinyl.

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Fall Of Efrafa

Elil

LP | 2020 | US | Original (Relapse)

Release: 2007 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Near Mint

First pressing of 2,000 copies on black vinyl with gatefold sleeve.

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Nothing

The Great Dismal

LP | 2024 | Original (Wurmgroup)

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

US original.
Limited edition picture disc.

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Diehumane

The Grotesque

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

2LP | 2024 | JP | Original (C.A.E.)

Tristan Honsinger

From The Broken World

Young Rome Featuring Skeem

Release: 2024 / JP – Original

Genre: Organic Grooves

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Produced by Maki Asakawa in 1992. First double-LP release of the album created by cellist Tristan Honsinger with Toshinori Kondo and Takeshi Shibuya! This is the second work in the "zero Hour" series released after "noyuri". This free jazz piece features the classical Honsinger bow, the mesmerizing trumpet of Toshinori Kondo, and the powerful touch of Takeshi Shibuya. The content is wonderful with moments of serene aspect and intense intertwining of sounds.

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The War Is On

LP | 1997 | EU | Reissue (Grave Fillers Records And Tapes)

Playing In The Yard Cobalt Blue Vinyl Edition

Release: 1997 / EU – Reissue

Genre: Hip Hop

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Officially licensed reissue for the first time on vinyl! Limited to 100 copies only!!

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Jazz Ensemble Of Memphis

LP | 2024 | UK | Original (Memphis International)

Release: 2024 / UK – Original

Genre: Organic Grooves

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The Toronto Tape Snowball Deluxe Vinyl Edition

Bozack Morris

2LP | 2024 | CA | Original (GGBR)

Release: 2024 / CA – Original

Genre: Hip Hop

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Deluxe double vinyl edition of "The Toronto Tape" by Bozack Morris on Iceberg vinyl. Includes second black vinyl disc with bonus tracks.

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Trio De Curda

Liber Tango

LP | US | Reissue (2xhd)

The Humble Bee & Offthesky

Release: US – Reissue

Genre: Organic Grooves

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180g

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Here In, Absence

IIKKI

The Cloaks (Awol One & Gel Roc)

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»Here In, Absence« is the result of the dialogue between the Finnish photographer Mikael Siirilä and ambient artists The Humble Bee & Offthesky. Mikael Siirilä describes himself as a darkroom artist based in Helsinki, Finland. »My small individual photographs examine the themes of absence, presence and outsiderhood. My characters appear immersed in their inner worlds and moments of being: simultaneously absent and intensely present.«

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A Cloak Rework Orange

2LP | 2023 | US | Original (Oooohh! That's Heavy / Audio Recon)

Venereal Dawn White Vinyl Edition

Release: 2023 / US – Original

Genre: Hip Hop

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A Cloak ReWork Orange is the remix album for A Cloak Work Orange.

This is a limited run of 2xLP, double gatefold with matte finish, and foil stamped numbered sleeves.

Raps by The Cloaks, Awol One and Gel Roc

Artwork by Awkward Logo by Propr Beer Tape Layout by Awol One credits released December 1, 2023

Intro by

Circus 2Mex Fat Jack Dante Ross Open Mike Eagle Charlie Tuna Fat Mike

The Cloaks, Awol One and Gel Roc

Guest Appearances by

Dose One and Mestizo as A7pha, Aceyalone, Megabusive, Quaesar, Brevi, Demrick, and Pawz 1

Remixes by

Controller 7 D-Styles Aceyalone Awol One Megabusive Paris Zax Fono Awkward Kenny Segal OG Calmer Factor Chandelier

Scratches by

Sir Beans D-Styles Roach The DJ

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Dark Fortress

2LP | 2024 | US | Original (The Circle Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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Venereal Dawn Red Vinyl Edition

Dark Fortress

2LP | 2024 | US | Original (The Circle Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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Release: 2023 / Original

Genre: Pop

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Misadventures White Vinyl Edition

Pierce The Veil

LP | 2016 | US | Original (Fearless)

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

7" | 2017 | UK | Original (Haus Of Pins)

Pins

Serve The Rich

LP | 1966 | US | Original (Cameo)

Release: 2017 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Pink vinyl!

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? & The Mysterians

96 Tears

Tracings: Photography And Thought

Release: 1966 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with punch hole

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Daniel Schwartz

Thames & Hudson

2LP | 2024 | US | Original (Kid Katana)

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The first longterm appraisal of the photography of Daniel Schwartz.

Daniel Schwartz's photographs explore human activities set against an immense range of political geography and cultural history, touching on such monumental themes as imperial warfare, ancient history, environmental collapse and the vanishing cryosphere. Tracings reveals a body of work that is humanistically motivated and anchored in reality, blurring the divide between photojournalism and art.

Positioning Schwartz’s work to date in the wider history of the medium, Tracings draws together themes tackled in five monographs concerned with cultural history, political geography and the environment published by Thames & Hudson between 1986 and 2017. Essays by Beat Wismer, Giovanna Calvenzi and Carolin Emcke examine the ways Schwartz’s documentary photography intersects with the arts; look at photographic affinities and methods in Schwartz’s work, analysing the narrative of his previous books; and study Schwartz’s depiction of the individual at work, and how photographs of human activities are interwoven with photographs of nature.

Tracings is not so much a retrospective as a project tracing and continuing an evolutionary line through all Schwartz’s projects to date.

'Invites the reader to interact with its pages … an intricate and sophisticated volume that rewards the time spent with it' Black + White Photography

About the Author: Daniel Schwartz is a Swiss photographer. He is the author of While the Fires Burn: A Glacier Odyssey (2017), Travelling Through the Eye of History (2009), Delta: The Perils, Profits and Politics of Water in South and Southeast Asia (2004) and The Great Wall of China (2001), all published by Thames & Hudson. Beat Wismer (b. 1953) is an art historian. He has curated numerous exhibitions of historical and contemporary art, on which he has also written and published widely.

Format:Hardback Size:25.4 x 23.8 cm Extent:192 pp Illustrations:150 Publication date:14 September 2023 ISBN:9780500026342

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Nicolas Bredin

Under The Waves

Release: 2024 / US – Original

Genre: Organic Grooves

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2LP | 2000 | US (Not On Label (The Roots))

The Roots

Instrumentals Album

Release: 2000 / US

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

4LP | 2023 | EU | Original (Long Branch)

The Hirsch Effekt

Urian Fanbox

Release: 2023 / EU – Original

Genre: Rock & Indie

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Complete Execution Black Vinyl Edition

Blood Money

3LP | 2023 | EU | Original (Svart)

Kenny Barron / Buster Williams

Release: 2023 / EU – Original

Genre: Rock & Indie

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Blood Money were the ultimate Nwobhm cult act, playing frantic thrashing heavy metal at a breakneck pace like no one else.

This is the complete collection of all existing recordings by Blood Money. It features remasters of both of their studio albums, Red Raw And Bleeding and Battlescarred, plus demos and radio live tracks, and a scrapbook zine with photos and other materials. The demo/live LP and the zine are available in the box set only.

Being active during the latter days of the Nwobhm movement, Blood Money took more influence from speed metal bands like Agent Steel and the unpolished punk metal of early Venom than the classic rock groups and Black Sabbath that influenced their earlier Nwobhm brethren. Recommended for anyone into obscure but great 80's metal in the vein of Agent Steel, Carnivore, Venom, Piledriver, Savage or Tank.

Approved by the band, this is the last and perhaps the final word on Blood Money, containing every song the band left on tape during their short lifespan in the late 80's.

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The Complete Two As One

LP | 2023 | EU | Reissue (Red)

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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Joe Henderson / Charlie Haden / Al Foster

The Complete An Evening With

LP | 2023 | EU | Reissue (Red)

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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Taking Time To Hit The Right Notes

Pirvu

4LP | 2023 | EU | Original (Playedby)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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4LP | 2001 | US | Original (Interscope)

2Pac

Until The End Of Time

Release: 2001 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: G+, Cover: VG

DJ stickers.

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Rap ABC Kids Hawaiian Shirt

Swizz Beatz & Alicia Keys

Available Sizes: 3-4 YRS, 5-6 YRS, 7-8 YRS, 9-11 YRS

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Preorder shipping from 2024-11-22

Awesome ABCs x The Dudes Rap ABC Kids Hawaiian Shirt - features:
• Rap ABC graphics printed all over
• lapel collar
• button front closure
• straight bottom hem
• regular fit
• 100% cotton

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Giants: Art From The Dean Collection Of Swizz Beatz And Alicia Keys

Phaidon

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Football ABC Kids Hawaiian Shirt

Available Sizes: 3-4 YRS, 5-6 YRS, 7-8 YRS, 9-11 YRS

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Awesome ABCs x The Dudes Football ABC Kids Hawaiian Shirt - features:
• Football ABC graphics printed all over
• lapel collar
• button front closure
• straight bottom hem
• regular fit
• 100% cotton

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Skateboard ABC Kids Hawaiian Shirt

Available Sizes: 3-4 YRS, 5-6 YRS, 7-8 YRS, 9-11 YRS

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Awesome ABCs x The Dudes Skateboard ABC Kids Hawaiian Shirt - features:
• Skateboard ABC graphics printed all over
• lapel collar
• button front closure
• straight bottom hem
• regular fit
• 100% cotton

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Rock ABC Kids Hawaiian Shirt

Available Sizes: 3-4 YRS, 5-6 YRS, 7-8 YRS, 9-11 YRS

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Preorder shipping from 2024-11-22

Awesome ABCs x The Dudes Rock ABC Kids Hawaiian Shirt - features:
• Rock ABC graphics printed all over
• lapel collar
• button front closure
• straight bottom hem
• regular fit
• 100% cotton

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Rock ABC Classic Kids Hoodie

The Brutalists: Brutalism's Best Architects

Available Sizes: 3-4 YRS, 5-6 YRS, 7-8 YRS, 9-11 YRS

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The Awesome ABCs x The Dudes Rap ABC Classic Kids Hoodie is equipped with the following features:
• drawstring-adjustable two-layer hood with interior tape
• Rap ABC Classic artwork printed on front
• stretch rib cuffs and bottom band
• regular fit
• 80% cotton, 20% polyester

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Owen Hopkins

Phaidon

Shot! By Rock: The Photography Of Mick Rock

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As seen in The New York Times, Architectural Digest, Forbes, Elle Decoration, and Design Milk

An unprecedented survey of more than 250 architects who continue to define one of the most polarizing yet celebrated of styles

Brutalist architecture inspires a passionate response, be it adulation or contempt. There is no disputing, however, that the style produces some of the world’s most breathtaking buildings. This landmark volume documents the movement as never before, by profiling the architects behind the style.

Featuring more than 250 historic and contemporary architects (organised alphabetically) along with specially selected examples of their work, this book includes international icons alongside those who are less well known or who have for too long been neglected, providing a unique record of this influential global architecture movement. The book includes 350 stunning images of more than 200 iconic Brutalist buildings, alongside fresh and surprising masterworks from 1936 to the present day, creating the ultimate companion to the Brutalist masters.

Featured architects include: John Andrews; João Batista Vilanova Artigas; Lina Bo Bardi; Bogdan Bogdanović; Marcel Breuer; Douglas Cardinal; André-Jacques Dunoyer de Segonzac; Bertrand Goldberg; Ernő Goldfinger; Jadwiga Grabowska-Hawrylak; Agustín Hernández Navarro; John M. Johansen; Louis I. Kahn; Denys Lasdun; Le Corbusier; João da Gama Filgueiras Lima; Alberto Linner Díaz; Owen Luder; Paulo Mendes da Rocha; Oscar Niemeyer; William L. Pereira; Affonso Eduardo Reidy; Paul Rudolph; Moshe Safdie; Alison Smithson; Clorindo Testa; Decio Tozzi; and John Carl Warnecke

About the author:
Owen Hopkins is an architectural writer and curator. He is Director of the Farrell Centre at Newcastle University. He is the author and editor of numerous books about architecture, including Postmodern Architecture: Less is a Bore, also published by Phaidon. Hopkins has written widely on architecture for publications including the Independent, Dezeen, Icon, Architectural Review, and Domus.

Specifications:
Format: Hardback Size: 290 × 205 mm (11 3/8 × 8 1/8 in)
Pages: 368 pp
Illustrations: 350 illustrations

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Mick Rock

Edition Olms

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Magma

CTRL Case MPC One

59,90 €*

OST Mortal Kombat 1 Fire Ice Vinyl Edition

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The CTRL Case MPC ONE is custom designed to a hold the new AKAI MPC ONE and is a very lightweight and convenient solution to carry your sampling workstation well protected to your next studio or live session. Crafted from rigid Durashock molded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize audio cables and accessories.

FITS:

• Akai MPC One

BASICS:

• Crafted from 6 mm thick and rigid Durashock molded EVA foam and water rejecting polyester exterior shell
• Sturdy zipper
• Including practical cable organizer panel
• Incl. removable egg-foam padding to protect knobs, faders and pads
• Compatible with Decksaver® cover

SPECS:

• Outer measures: 32 x 32 x 13,5 cm
• Inner measures: 28 x 28 x 10 cm
• Weight: 0,8 kg
• Color: black/red (Item-No.: 48031 / EAN-Code: 4041212480316)

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Wilbert Roget II

3LP | 2024 | US | Original (Enjoy The Ride)

59,84 €* 62,99 € -5%

Rapper's Deluxe - How Hip Hop Made The World

Release: 2024 / US – Original

Genre: Soundtracks

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Enjoy The Ride Records in conjunction with WaterTower Music, Warner Bros. Games, and NetherRealm Studios proudly presents the Mortal Kombat 1 (Original Video Game Soundtrack).

It's In Our Blood. Mortal Kombat 1 is the latest title in the acclaimed Mortal Kombat video game franchise developed by award-winning NetherRealm Studios. The game introduces a reborn Mortal Kombat Universe that has been created by the Fire God Liu Kang, featuring reimagined versions of iconic characters as they’ve never been seen before, along with a new fighting system, game modes, bone krushing finishing moves, and more. Mortal Kombat 1 (Original Video Game Soundtrack) showcases the game's music by Wilbert Roget, II and features stage music composed by Dan Forden, Stephanie Economou, Nathan Grigg, Dan Negovan, Dean Grinsfelder, Casey Edwards, and Joel Corelitz.

Wilbert Roget, II is a veteran composer in the video game and film industries. He joined LucasArts as a staff composer in 2008, where he scored several games in the Star Wars universe, including Star Wars: The Old Republic and Star Wars: First Assault. He later became a freelance writer, scoring Mortal Kombat 1, Star Wars: Outlaws, Call of Duty: WWII, the Emmy Award-winning Star Wars: Vader Immortal, and many other high-profile game scores. He has also written for Japanese anime, scoring the upcoming Gundam: Requiem for Vengeance. His work has earned him several awards and nominations from ASCAP, the Game Audio Network Guild, the Academy of Interactive Arts and Sciences (D.I.C.E. Awards), and others. Roget also co-founded Impact Soundworks, a successful music software company, and is an accomplished lecturer on game music. He frequently gives online masterclasses and tutorials on music composition and production and has a passion for teaching the craft. He is an avid multi-instrumentalist, performing solo flute, keyboards, world instruments, and guitar on many of his scores.

Available on vinyl for the first time, Mortal Kombat 1 (Original Video Game Soundtrack) is a 3xLP, housed in a soft touch gatefold jacket with spot gloss accents. It includes a full-color double-sided 12"" x 24"" poster

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Dr. Todd Boyd

Phaidon

59,45 €* 69,95 € -15%

Emerald City Nights Live At The Penthouse Black Friday Record Store Day 2023 Vinyl Edition

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‘50 years later, hip hop’s influence has never been stronger. This book is proof of that – a must have for collectors, artists, dreamers, and hip hop heads everywhere.’ – Swizz Beatz (Kasseem Dean), record producer and rapper

A visual and cultural history of hip hop, charting its meteoric rise from underground trailblazer to global tastemaker

To tell the story of contemporary American culture is to tell the story of hip hop. From its humble, underground origins, hip hop transcended the confines of rap music and spread its influence across a broad spectrum of American life – fashion, film, art, sports, politics, language – to become a cultural movement of profound influence.

Rapper’s Deluxe is a critical contribution to America’s cultural canon, shining a light on hip hop’s ability to redefine and influence culture, through: photographs; fine art; advertisements; book, magazine, and album covers; film stills; and more. Organized chronologically from the 1970s to the present, image-rich and dynamic layouts show the people, places, events, objects, outfits, and inspirations that redefined the world as we know it – from fur-coated fans lining up for a Muhammad Ali fight at Madison Square Garden to a legendary party in the “Boogie Down” Bronx, through the hoods of South Los Angeles and the trap houses of Atlanta to the extravagant red carpet looks of the Met Gala.

Drawing on a broad range of curated examples, Dr. Todd Boyd re-examines hip hop’s legacy and how the genre remixes ‘high’ and ‘low’ culture, past and present, to come up with a style that is uniquely its own. Filled with original insights and clever wordplay, Rapper’s Deluxe is a tale of transformation, following hip hop’s arduous, but always triumphant, journey as it rose up to dominate the game.

‘A sumptuous object and a museum of a book. It’s probably everything you think it is, and it’s definitely then some.’ – Art Spiel

‘A visual and cultural history of hip hop, charting its meteoric rise from underground trailblazer to global tastemaker.’ – Aspire Design and Home

About the author
Dr. Todd Boyd is Price Chair for the Study of Race and Popular Culture and Professor of Cinema and Media Studies at USC. A media commentator, author, producer, and consultant, Dr. Boyd has appeared in documentaries such as The Last Dance (ESPN, 2020) and the Ken Burns-directed Muhammed Ali (PBS, 2021). His body of work includes seven books and his essays have appeared in the New York Times, Los Angeles Times, and the Guardian.

Specifications:
Format: Hardback
Size: 270 × 205 mm (10 5/8 × 8 1/8 in)
Pages: 298 pp
Illustrations: 430 illustrations
ISBN: 9781838666224

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Ahmad Jamal

LP | 2022 | EU | Reissue (Jazz Detective)

59,39 €* 65,99 € -10%

Stereo-Cinch / Stereo-Cinch abgeschirmtes Kabel mit Erdung für Plattenspieler, Class-B, 1m Länge

Release: 2022 / EU – Reissue

Genre: Organic Grooves

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Emerald City Nights: Live At The Penthouse 1966-1968 is the third set of previously unreleased recordings of the iconic pianist Ahmad Jamal, captured live at the Penthouse jazz club in Seattle with bassist Jamil Nasser and drummer Frank Gant. This RSD Black Friday release features a deluxe 2 LP on 180g vinyl in gatefold jacket includes an extensive booklet with rare photos and essays. Also included are interviews with pianists Les McCann, Monty Alexander and Emmet Cohen, plus producer Marshall Chess of Chess/Argo Records and others.

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Neo d+

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Audio-Technica

ATH-SQ1TW

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ATH-SQ1TW

Enjoy music, movies, games, and more with truly wireless audio. Designed for all multimedia needs, the ATH-SQ1TW colorful earbuds are easy to use, comfortable, and convenient. From the flexible dual or single earbud usability, to the hear-through functionality, the ATH-SQ1TW true wireless earbuds are not only stylish, but suitable for every lifestyle.

The ATH-SQ1TW earbuds are compatible with Bluetooth® 5.0 technology, delivering high- quality audio in a compact, lightweight design. As one of the most comfortable earbuds for small ears, the sleek design is easy on various ear shapes. The compact body is unobtrusive while also preventing the TWS earbuds from coming loose or falling out.

For quick usability, the earbuds automatically power on when removed from the included charging case. In one touch, users can Fast Pair for user-friendly connection with Android devices. Touch sensor controls on both sides respond to user commands, such as playing or pausing music, skipping between tracks, answering hands-free calls, and adjusting the volume without having to use a smartphone.

Equipped with exclusive 5.8 mm drivers, users can easily receive clear and powerful sound from any source, and experience minimal sound delay with these low latency wireless earbuds. The ATH-SQ1TW offers up to approximately 6.5 hours of continuous use on a full charge, or 19.5 hours with both the earbuds and charging case fully charged. Charging for just approximately 15 minutes provides about 60 minutes of continuous playback.

With the hear-through function, the built-in microphone captures ambient sounds to ensure users remain aware of their surroundings, even while listening to music or making calls.

The ATH-SQ1TW wireless earbuds have feature a splashproof design, protecting the earbuds from dripping water, such as rain and sweat. Not only are the ATH-SQ1TW earbuds compatible with the latest Bluetooth® 5.0 technology, but they also feature a multipairing function (for registering multiple devices) and voice guidance functionality.

Choose from a range of colored wireless earbuds, from classic shades to unique combinations. Available in licorice/black (ATH-SQ1TWBK), popcorn white (ATH-SQ1TWWH), blueberry (ATH-SQ1TWBL), caramel (ATH-SQ1TWMU), popsicle red/navy (ATH-SQ1TWNRD), and cupcake pink/ brown (ATH-SQ1TWPBW).

Included Accessories: The ATH-SQ1TW comes with a charging case, charging cable, and four pairs of eartips for earbuds.

Features:
• Superior audio from an exclusive 5.8 mm driver in a small square design
• 6.5 hours of continuous playback with up to 19.5 hours* of extended use
• Touch sensor control allow users to play or pause music, skip between tracks, answer calls, and adjust the volume
• Enjoy minimal sound delay while watching videos or playing games with low latency mode
• Hear-through function that lets in ambient sounds
• Supports Fast Pair for convenient connection with Android devices
• Flexible dual or single-ear usability
• Automatic power-on when removed from the case
• Rain and Water Splashproof Design (IPX4**-equivalent)
• Six color variations available, from classic shades to unique combinations
** IPX4 equivalent means that there is no harmful effect even if water is splashed from all directions. It cannot be used in hot and humid places such as baths. It is not completely waterproof.

Specifications:
Headphones
• Type Dynamic
• Driver Diameter 5.8 mm
• Frequency Response 20 - 20,000 Hz
• Sensitivity 100 dB/mW
• Impedance 16 ohms
• Battery Headphones: DC 3.7V lithium-ion battery; Charging case: DC 3.7V lithium-ion battery
• Battery Life Headphones: Max. approx. 6.5 hours*; Charging case: Max approx. 13.5 hours*
• Weight Headphones: Approx. 5.2 g (0.18 oz) (L), approx. 5.2 g (0.18 oz) (R); Charging case: Approx. 34.2g (1.2 oz)
• Charging Time Headphones: Approx. 1.5 hours*; Charging case: Approx. 2 hours*
• Operating Temperature 5°C to 40°C (41° F to 104°F)
• Microphone Type MEMS
• Microphone Sensitivity −38 dB (1V/Pa, at 1 kHz)
• Microphone Frequency Response 100-10,000 Hz
• Microphone Polar Pattern Omnidirectional
• Accessories Included 30 cm (12”) USB-A/USB-C charging cable, eartips (XS, S, M, L)
Notes *depending on operating conditions

Bluetooth®
• Bluetooth® Version Bluetooth version 5.0
• Operating Range Line of sight - approx. 10 m (33')
• Maximum RF Output 10 mW EIRP
• Frequency Band 2.402 GHz to 2.480 GHz
• Modulation Method FHSS
• Compatible Bluetooth Profiles A2DP, AVRCP, HFP, HSP
• Support Codec SBC
• Supported Content Protection Method SCMS-T
• Transmission Band 20-20,000 Hz

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Ortofon

GT Stylus

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Preorder shipping from 2024-11-15

GT Replacement stylus for tough handling - extremely sturdy for scratching DJs
GT was developed by Ortofon in close co-operation with SWS Audio GmbH. The cartridge was named "Great and Tough" and was based on the construction of the well-known Ortofon Series 500 design - mend for standard half inch mounting - in a black housing with white printing.

The vital parts in the GT are based on a very robust and reliable parts used in Scratch. Further, during development of GT, efforts were also concentrated on supplying a very high output of 8 mV and improvement of frequency response to give higher resolution and sound image.

Tracking avility is decisive for the DJs especially when scratching and back-cuing. In this situation raise of tracking force could be an immediate, but in many cases not very effective solution. The reason is that the antiskating adjustment, if not at a very moderate level, will double the skating effect when back-cuing.

As a rule, never use more than half of normal antiskating related to the tracking force! To make GT even more resistant against violent handling, such as drop or touch of fingers, we have made a rubber suspension of the cantilever even more rigid against axial pull.

GT Stylus Technical data
Output voltage at 1000Hz, 5cm/sec. - 8 mV
Channel balance at 1kHz - 1,5 dB
Channel separation at 1kHz - 25 dB
Channel separation at 15 kHz - 18 dB
Frequency range at -3dB - 20-20.000 Hz
Frequency response - 20-18.000 Hz +/- 2 dB
Tracking ability at 315 Hz at recommmende tracking force - 80 μm
Compliance, dynamic lateral - 6 μm/m N
Stylus type - Spherical
Stylus tip radius - R 18 μm

Tracking force range - 3.0-5.0 g (30-50 mN)
Tracking force recommended - 4.0 g (40 mN)
Tracking angle - 20°
Internal impedance, DC resistance - 1000 Ohm
Internal inductance - 580 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-400 pF

Compatible with cartridges - GT (discontinued and no longer available)

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Ortofon

Record Stabilizer

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Ortofon Record stabilizer - Black - 240 g

The Ortofon Record Stabilizer is offered in two versions: Standard and Heavy, meticulously designed to seamlessly complement a variety of turntables. Completely reengineered, these stabilizers boast an elegant aesthetic and user-friendly functionality. No preparations are needed; simply place the stabilizer on the record before playback to experience improved playback with reduced vibration.

Crafted with precision, the Ortofon Record Stabilizer comes in a premium satin matte anodized finish, available in Silver or Black, featuring the distinctive Ortofon textured wave-grip. The Standard version is ideal for entry-level and sub-chassis turntables, made from aluminum with a smooth felt underside.

Enhance your vinyl listening experience effortlessly with the Ortofon Record Stabilizer, where form meets function for optimal sound performance.

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Ortofon

Record Stabilizer

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

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Ortofon Record stabilizer - Silver - 240 g

The Ortofon Record Stabilizer is offered in two versions: Standard and Heavy, meticulously designed to seamlessly complement a variety of turntables. Completely reengineered, these stabilizers boast an elegant aesthetic and user-friendly functionality. No preparations are needed; simply place the stabilizer on the record before playback to experience improved playback with reduced vibration.

Crafted with precision, the Ortofon Record Stabilizer comes in a premium satin matte anodized finish, available in Silver or Black, featuring the distinctive Ortofon textured wave-grip. The Standard version is ideal for entry-level and sub-chassis turntables, made from aluminum with a smooth felt underside.

Enhance your vinyl listening experience effortlessly with the Ortofon Record Stabilizer, where form meets function for optimal sound performance.

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V.A.

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

4LP | 2016 | US | Original (FXHE)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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