Search "Seekae the worry" 44393 Items

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Nie X Nine)

Whelligan

In The Mean Mean Time

21,24 €* 24,99 € -15%

Shade Through The Night Door

Release: 2022 / UK – Original

Genre: Rock & Indie

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Songwriter and singer Jamie Whelligan is a pop troubadour in the classic late 1960s mode. A busker on the London Underground, an actor in arthouse film. One of those ever present characters who seems weirdly displaced in the modern world. • Whelligan’s songs mine that vein of melodic, psychedelic guitar pop that a certain type of English band are famous for. With songs spinning effortlessly from one genre to another, fans of XTC, Syd Barrett, and even The Rutles won’t be disappointed. • Recent years have seen Whelligan focus on a project called ‘Annexe The Moon’. A modern-psyche collaboration with award winning BBC Sound Designer/Producer Phil Channell (#1 podcast Death In Ice Valley). Their single ‘Full Stop’ was a firm favourite on Bbc6 Music, with notable plays from Guy Garvey, Radcliffe and Maconie, Vic Galloway, Marc Riley and Steve Lamaqc. • 2021 saw the first of a new crop of Whelligan tunes, and his forthcoming album ‘In The Mean Meantime’ is lined up for release in April ‘22. Co-produced by long term collaborator Nick Frater (Big Stir Records/Great Sheiks) whose trademark sonic fairy-dust brings the magic of Whelligan’s tunes to your ears. • Sweet vocals harmonise over warm and wiry guitars, while inventive lyrics are matched with floating melodies. The album promises an enjoyable trip down a psyche-pop rabbit hole

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Wheezing Maniac

LP | 2023 | EU | Original (Putojefe)

23,99 €* 29,99 € -20%

7" | 2009 | US | Original (Trouble In Mind)

Release: 2023 / EU – Original

Genre: Rock & Indie

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17 tracks of punk rock / skate rock from San Diego, CA recorded 1987-89

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Wheels On Fire

Bad Lie

7,99 €*

7" | 1995 | US | Original (Terminus)

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Colored vinyl. Copy n° 396/500

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Wheeljack / Year Zero

Burn! For Two

3,99 €*

LP | 2016 | US | Original (Pepper Hill)

Release: 1995 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Sleeve with matchstick.

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Wheeler Walker Jr

Redneck Shit

24,99 €*

Release: 2016 / US – Original

Genre: Rock & Indie

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Fuck You Bitch: All-Time Greatest Hits

Wheeler Walker Jr.

LP | 2020 | EU | Original (Pepper Hill)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sex, Drugs & Country Music

Wheeler Jr. Walker

LP | 2022 | EU | Original (Pepper Hill)

25,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Odyssey Music Network)

Wheel

The Path / The Divide EP

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Reissue (The Sign)

Wheel In The Sky

Heading For The Night

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Original (The Sign)

Wheel In The Sky

Beyond The Pale

27,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2022 | UK | Original (Box Red)

Wheats

The Blackout

13,99 €*

12" | 1981 | US (Harlem International)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Hypnotic drums, weighty kicks, and chest rumbling low-end forms the basis of Wheats latest release on BOX RED, centred around two sample flips that will have the heads turning.

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Whatnauts

Help Is On The Way

14,99 €*

Forbidden Cove / The Cashmere Chamber

Release: 1981 / US

Genre: Organic Grooves

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/ instrumental ... sampled by Common, De La Soul ...

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Whatitdo Archive Group

7" | 2023 | UK | Original (Record Kicks)

12,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves

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2LP | 2023 | EU | Original (Whatever The Weather)

Whatever The Weather

Take A Fruit

39,99 €*

Whatever The Weather (Loraine James)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Whatever the Weather is an indie/psychedelic folk band from Tours, France, founded by Aymeric Simon in 2021 and whose first album, Take A Fruit, was recorded in autumn-winter 2021 at "Master Studio (Fr). Musicians: David Millet (Bass/guitars/vocals)Mogan Cornebert (Drums)Take a Fruit is a colorful album made of original compositions.

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Whatever The Weather Black Vinyl Edition

LP | 2022 | US | Original (Ghostly International)

24,99 €*

OST The Black Stone Affair

Release: 2022 / US – Original

Genre: Electronic & Dance

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Loraine James' new ambient-minded alias, Whatever The Weather, follows her 2021 solo LP Reflection (Hyperdub). In contrast to her club music sensibilities, this mode embraces keyboard improvisations and vocal experimentation, foregoing percussive structure in favor of shaping atmosphere and tone. From this divergent headspace emerged new coordinates and climates, a new outlet: Whatever The Weather. A longtime fan of ambient-adjacent Ghostly International artists such as Telefon Tel Aviv (who she'd ask to master the album), HTRK (whose singer Jonnine Standish features on Nothing), and Lusine (whom she remixed at the start of 2021), James saw the label as the ideal home for this eponymous album of airy, transportive tracks as they began to formulate. The titling on Whatever The Weather works in degrees; simple parameters allowing James to focus on the nuances as a mood-builder. Her suspended universe fluctuates; freezing, thawing, swaying and blooming from track to track. James describes her jam-based approach for the sessions as "free-flowing, stopping when I felt like I was done," allowing her subconscious to lead. The improvisations have an intrinsic fluidity to them, akin to sudden weather events passing over a single environment - the location feels fixed while the conditions vary. The album opens at "25°C," a sunshower of soft hums and keys. As the longest piece, it serves to establish stability, the inflection point where any move above or below this temperate breeze breaks the bliss. Given James' proclivity for organized chaos in her production, this scene is fleeting, naturally. From that utopia, we plummet to the most melancholic read on the meter, "0°C," its isolated synth line traversing a hailstorm of steely beats and static. Next, the dial jumps for the propulsive standout "17°C." Like a timelapse of springtime in the city, the single accelerates across a frenzy of frames; car horns, screeching brakes, and crosswalk chatter fill the pauses between rapid jolts of multi-shaped percussion. For portions of the work, James leans neo-classical, rendering pensive vignettes of cascading piano keys and warm delay. "2°C (Intermittent Rain)" ends the A-Side on a short and stormy loop; a resulting sense of reset permeates the B-Side's opener, "10°C." The producer mingles intuitively on echoed organ, locking into and abandoning atypical rhythms that suggest her jazz-oriented interests. "4°C" and "30°C" display the range of James' vocal experiments. The former chops and pitches her voice to a rhythmic, otherworldly effect, the latter reveals James at her most straightforward (she cites Deftones' Chino Moreno and American Football's Mike Kinsella as inspirations), singing tenderly and unobstructed for nearly the duration before beats collide in the climax. Whatever The Weather closes at "36°C," while a sweltering heat by any standards the track eases along comfortably on a chorus of synth waves, acting as an apt bookend for this evocative, sky-tracing collection that started in a similar state. Cyclical, seasonal, and unpredictable, true to its namesake.

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Whatatido Archive Group

LP | 2021 | EU | Original (Record Kicks)

24,99 €*

OST The Black Stone Affair

Release: 2021 / EU – Original

Genre: Organic Grooves, Soundtracks

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For the first time ever, Record Kicks is pleased to announce the release of the long lost soundtrack by Whatitdo Archive Group to the Italian Cinematic Masterpiece "The Black Stone Affair'' on beautiful gatefold vinyl, CD and digital format on April 09 2021. Long thought to be lost alongside the movie itself by the production studio, the soundtrack's master reels were recently recovered and its audio meticulously restored and remastered by J.J. Golden in Ventura, CA.

The movie itself was understood to be unusual for its time: a globetrotting adventure/western-noir written and directed by aspiring visionary, Stefano Paradisi. Unfortunately for Paradisi, the tragic loss of his masterpiece during a fire also meant the end of his short lived career in movies. People who worked on the film have been cited as saying this film was very ambitious, set to be a turning point in Paradisi’s carrier putting him on the map alongside the likes of Sergio Leone and Antonioni.

While the movie never saw the light of day, the soundtrack by obscure band Whatitdo Archive Group has thankfully been recovered. The music itself is staggering to hear, each track evoking all the senses almost all at once. "The Black Stone Affair (Main Theme)" sets the story with its dizzying bassline

underneath a Morricone-esque harpsichord melody eventually all digressing into a psych-freakout of guitars swirling over what is the overarching motif groove of this iconic soundtrack.

We then get taken into the giallo-steeped melody of "Blood Chief". What can only be the theme of the antagonist, this cut offers crunchy drum breaks, reverb-drenched bongos and a sinister baritone guitar line that seems to be indicative of its character. "Ethiopian Airlines" transports the movie into exotic lands with its afro-centric rhythms and mysterious horn melody. The search is on for the elusive Black Stone, an artifact so coveted it had been hidden for decades for its fatal power of seduction. For fans of KPM and De Wolfe Music, "Il Furto Di Africo" definitely delivers a similar 'library' flavor popular at the time. Our ears are treated to an ambiguous sense of center. What were Whatitdo Archive Group thinking? There almost seems to be two key centers at once and a slithering flute line blending between both. We can only imagine that the Black Stone was successfully stolen from the small Italian village of Africo with this track.

What movie really is complete without a lounge-y Bossa number? "Italian Love Triangle" delivers that sun-soaked Mediterranean romance. Our cunning female lead, Lola, decides the only way she can acquire the Black Stone is to pit the trio of characters against each other with an erotic love triangle she carefully crafts to exploit the vulnerability of Blood Chief and Beaumont Jenkins. "Last Train to Budapest" finds our two male leads in a gun-wielding, high-stakes train chase through the dizzying mountains of Bosnia racing to Hungary's capital city. The music brilliantly calls upon the soundtrack's multiple melodic motifs to all collide into a single stressful heart-racing track sure to put a knot in your stomach. Probably the most unusual song appearing in this soundtrack is the French infused "L'amour au Centre de la Terre", an obvious yet tasteful homage to the composers' musical hero, Alain Goraguer. A lilting monologue is recited by who seems to be Lola, the tragic female lead in "The Black Stone Affair". Her passage speaks of the entangled romance she shares with the other two male leads and her plan to acquire the elusive Black Stone for herself. It's every man (and woman) for themselves! Paranoia and deceit has crept into the minds and motives of our conniving trio. No one can be trusted and false alliances are crumbling from within.

"The Black Stone Affair (Reprise)" evokes the characters' gut-wrenching feeling with its ever-rising key center. "Farewell Lola" is the saddening funeral dirge and exit of the aforementioned Lola. Sworn enemies Beaumont and Blood Chief stand silently outside the church and watch as Lola's casket is lowered into her untimely grave. This is merely an armistice between the remaining opponents, only to resume after paying their respects to their former 'lover'. A gory fight leaves Blood Chief standing. Beaumont is nowhere to be seen and only a cloud of dust slowly settles into the landscape as the mournful guitar and harmonica of "Beaumont's Lament" plays quietly in the distance. All is not lost. Triumphantly, Beaumont Jenkins stands tall, throws one last devastating blow to Blood Chief leaving him incapacitated. "The Return of Beaumont Jenkins" plays loudly in the face of Blood Chief desperately reaching for the stone only to realize it's a false! Our new hero, Beaumont Jenkins, sustained by Alessandro Alessandroni Jr.'s cinematic whistle, rides away victoriously into the night sky... the Black Stone hidden cleverly in his hat. End credits.

Steeped in obscurity, a cult following of crate-diggers and musical oddity collectors has been brewing over the mysterious releases of the Whatitdo Archive Group. Surfacing in 2009 from the high deserts of Reno, NV, USA, this recording collective focuses solely on curating, performing and preserving esoteric soundtrack, library and deep-groove collections. The personnel of the group consist of three musicians; each of them avid composers, recording engineers and obsessive record collectors. Alexander Korostinsky, Mark Sexton and Aaron Chiazza met in college and have been working together on producing music for over 10 years. (Both Korostinsky and Sexton also happen to write and perform in

critically-acclaimed soul group “The Sextones”). In 2015 they quietly released a small batch of lo-fi deep-groove demos recorded exclusively to cassette in an old garage. This became their first full length offering, Shit’s Dope, and it began to quickly spread across the internet piquing the interest of record collectors and DJs all over the world—a record Fleamarket Funk describes as “Falling in between some Headhunters and Lunar Funk 45s” and becoming a bestseller on Bandcamp of that year.

During this time, the Whatitdo Archive Group also began what is often hailed as a vital turning point in Reno music history; by hosting their famous “Whatitdo Wednesday” residency at a local venue. These packed performances drew the attention of not only live music-goers, but also the most accomplished jazz musicians in the area, often joining them on stage. Eventually, these shows stumbled into the arena of obscure performance art, where the band would facetiously distribute written and multiple choice tests during their performance for the audience to participate in.

After their residency came to a bittersweet end, the Whatitdo Archive Group refocused their attention on the wonderful world of 1970’s soul-jazz, where they wrote and recorded what would be their follow up 7” release, Crocker Way / Steve’s Romp. This limited edition 45rpm became a hot ticket item for UK record collectors who had been previous fans of WAG’s older lo-fi work. Crocker Way was also a featured track on BBC Radio 6. Shortly after producing Crocker Way / Steve’s Romp, the group again started production on their crown jewel of a record, a concept album that had been tossed around for several years beforehand but never executed. As band member Mark Sexton explains “We wanted to create an album that encompassed everything we love and admire about old Italian soundtrack scores, and bring that energy back into the spotlight”. The group spent 9 months of research, digging through their personal collections of dusty LP’s scrutinizing the work of Piccioni, Torossi, Roubaix, Alessandroni and of course Morricone, recording, mixing and working with over 24 skilled musicians. The Whatitdo Archive Group finally completed what would be their finest work to date, The Black Stone Affair. Recorded entirely in Korostinsky’s home studio, this record is a labor of love, dedication, appreciation and respect for the golden age of Italian Soundtrack and Library music.

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Whatatido Archive Group

LP | 2021 | EU | Original (Record Kicks)

19,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: Near Mint

What Kind Of Human Have I Become

Avoiding The Diggy Diggy Dogs

7" | 2024 | US | Original (Soft Abuse)

LP | 2022 | EU | Original (Alien Transistor)

Release: 2024 / US – Original

Genre: Rock & Indie

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What Kind of Human Have I Become is a new vehicle helmed by Matt Plunkett (Cuticles, The Trendees, etc.). Conceived as a solo endeavor, the designation got a bit blurry following an invitation to record his new songs with Stefan Neville (Pumice, etc.) at the studio he shares with Ben Holmes (Oksun Ox, etc.) in Auckland.

Once in the studio, Plunkett’s songs puffed in a wholly new way with Neville at the controls, and backing and bits from both Neville and Holmes perhaps channeling Nag and Bendie. Fans of Matt’s past and current activities will find much to rejoice in here; Avoiding The Diggy Diggy Dogs plucks three songs from the sessions. More to come in due time.

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What Are People For?

19,99 €*

What Are People For? / The Notwist

Release: 2022 / EU – Original

Genre: Electronic & Dance

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What Are People For? make the perfect kind of dystopic dance music for our times. Born from a collaboration between artist Anna McCarthy and musician/producer Manuela Rzytki, the band could be the illicit lovechild of Tom Tom Club and Throbbing Gristle, displaying the ideal balance of hip shaking vibes and dark provocative content.

On their collaborative debut, McCarthy and Rzytki share songwriting duties. The album was produced by Rzytki herself. They are joined by Paulina Nolte on backing vocals and Tom Wu on drums, while Keith Tenniswood mastered the record.

The whole project stems from a publication and exhibition by McCarthy laying the foundations for the content and lyrics of the album, which is humorous, poetic and political. As a lyricist, McCarthy uses her storytelling ability to explore anxieties and desires, digging into free surreal word associations reminiscent of Su Tissues’ tongue in cheek experiments with Suburban Lawns, but also explosive and gripping like a Kae Tempest rap. Rzytki’s precise sonic palette and talent at penning structured bangers perfectly complement McCarthy’s playful and subversive language manipulations. Rzytki's beats are rooted in old school Hiphop loop principles and an authentic love for the analog. Her use of an array of synthesizers and other "real" instruments adds to Wapf's depth, soul and sincerity.

The album opens with a joyful anthem, full of energy and melodic hooks. The audience is confronted with the quintessential titular question What Are People For? and told that they are just a mere disposable commodity. Throughout the album, lyrical themes revolve around underground aspects of society, violence, political ideologies, sexuality and mysticism. The content is deep but the album is as danceable as it is biting.

73, with its drum machine hysteria and hypnotic synth basses is a a text collage written on the 73 bus through London, consisting of situations and conversation snippets encountered along the way. Drones indulges in the narrator’s paranoia as they feel they are being watched by cigarette machines, whilst the haunting choir is half spoken, half sung, ending on the orgasmic chanting of the word “mummy”. Nursery Rhyme brings more soothing incantations. There is definitely an affinity for fairytales, albeit adult ones and especially the anarchistic ones such as The Moomins, who were a consistent influence on the band. The artwork for the record, created by McCarthy, is a beautiful children's book-style painting of the group in a forest, seemingly about to engage in a magical encounter to which we are invited.

Wapf? have absorbed and digested a variety of influences. Trip hop, Punk and Techno are rubbing shoulders on Party Time. 1977 was coined “Summer of Hate” in the UK and unsurprisingly in Wapf?’s Summer of War, ethereal singing alternates with a powerful marching Garage/Grime chorus reminiscent of street protests and UK culture.

Mz. Lazy starts like an invitation to meditation and references Gertrude Stein’s book Ida in which she develops the idea that publicity is a new religion and people are now famous for being famous. Repressed anger explodes into violence and freedom at the end of the song as our heroine eventually grabs an axe to destroy her oppressors. Fantasize, on its part, is raw, sexual and liberating while the closing track Bring Back the Dirt is a welcome hymn into a world that is becoming more and more sanitised.

While exploring deep subject matters throughout their album, Wapf? manage to remain satirical, exciting and funny. Each and everyone of their songs have a cathartic quality.

The visual identity of the band is intrinsic to their appeal. Live, they are eccentric, wild and unapologetic, wearing see-through costumes, bright miniskirts and intricate headpieces while delivering their songs with sharp intensity. Their performances radiate queer sexiness and transcend B52's thrift store aesthetics, creating a space for collective dreaming.

Wapf? is a rare combination of contemporary punk energy, irresistible groove, absurdist dry humour and astounding depth of field. They have the mighty power to create a party with their music and soon you will find yourself lifting your arms as if controlled by an external force, to chant: Wapf? Wapf? Wapf?

– Marie Merlet (Malphino, Little Trouble Girls, London)

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Criminals / Illusions

7" | 2024 | EU | Original (Alien Transisto)

15,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Following their acclaimed debut album from 2022 on Alien Transistor Records, What Are People For? now release their first 7" single from the upcoming album, with a dark ambient R’n’B banger "Criminals" on the A-side, telling tales of snoozing criminals and tantalising promises of "Someday we will all be rich".

The already legendary B-Side features a charming smokefilled-bubblegum Spanish & English cover of the Cypress Hill song "Illusions", together with The Notwist, which they developed whilst on tour together last year. Obviously, a product of the recent legalisation of marijuana in Germany: Ich liebe dich Marianne.

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The Singles: Echoes From The Edge Of Heaven Vinyl Box Set

Box | 2023 | EU | Original (Sony Music Catalog)

235,19 €* 335,99 € -30%

Release: 2023 / EU – Original

Genre: Pop

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12 x 7" vinyl, cassette, book and memorabilia

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The Singles: Echoes From The Edge Of Heaven Blue Vinyl Edition

2LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Pop

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Pressed on 2x 140g blue vinyl, comes in gatefold sleeve.

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The Singles: Echoes From The Edge Of Heaven Black Vinyl Edition

2LP | 2023 | EU | Original (Sony Music Catalog)

29,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Singles: Echoes From The Edge Of Heaven Black Vinyl Edition

2LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Pop

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Pressed on 180g black vinyl, comes in gatefold sleeve.

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And In The Darkness, Hearts Aglow Clear Vinyl Edition

LP | 2022 | US | Original (Sub Pop)

Release: 2022 / US – Original

Genre: Rock & Indie

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Technological agitation. Narcissism fatigue. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow. The celestial-influenced folk album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, and The Guardian admiringly named it one of 2019's best.) While Titanic Rising was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. "We're in a fully functional shit show," Mering says. "My heart is a glow stick that's been cracked, lighting up my chest in an explosion of earnestness." And in the Darkness, Hearts Aglow opens with the wistful, winsome "It's Not Just Me, It's Everybody," a song about the interconnectivity of all beings, despite the fraying of society around us. "I was asking a lot of questions while writing these songs. Hyper-isolation kept coming up," Mering says. "Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal." Other tracks follow in kind. The lullaby-like "Grapevine" chronicles the splintering of a human connection. The otherworldly dirge "God Turn Me into a Flower" serves as allegory about our collective hubris. "The Worst Is Done" is an ominous warning, set against a deceivingly breezy pop melody. "Chaos is natural. But so is negentropy, or the tendency for things to fall into order," she says. "These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment."

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And In The Darkness, Hearts Aglow Black Vinyl Edition

LP | 2022 | US | Original (Sub Pop)

Release: 2022 / US – Original

Genre: Rock & Indie

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And In The Darkness, Hearts Aglow

Tape | 2022 | US | Original (Sub Pop)

13,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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And In The Darkness, Hearts Aglow

LP | 2022 | EU | Original (Sub Pop)

23,99 €*

LP | 2019 | EU | Original (Kompakt)

Release: 2022 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl!

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Weval

The Weight

30,99 €*

LP | 2023 | UK | Original (Absolute)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Straight in the wake of their eponymous debut LP released on the label back in 2016, Weval return to Kompakt this year with their sophomore album, 'The Weight', breaking their pop-mellow, nostalgia-friendly facet further out in the open as they arrive "at this place again were everything felt spontaneous, new and exciting, like we had in the beginning". Orbiting around that ever luminous yet wistful melodic halo that surrounds their music, this second full-length effort sweeps an extra-wide and languidly woven palette of emotions and moods, making for a uniquely ambitious and generously coloured mosaic of sound.

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Wet Wet Wet

The Journey

36,99 €*

Release: 2023 / UK – Original

Genre: Pop

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LP | 1989 | EU | Original (The Precious Organisation)

Wet Wet Wet

Holding Back The River

5,99 €*

12" | 1983 | EU | Reissue (S.T.D.)

Release: 1989 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Tiny sticker residue on front. Original inner sleeve included.

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Wet

That's The Game

10,99 €*

2LP | Original (Wharf Cat)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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An impressive, ahead of the game pre-acid house anthem from 1983, later sampled by Moodymann on "Dem Young Sconies". Still relevant almost 40 years later.

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Wet Hair

The Floating World

22,99 €*

Release: Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Youth Riot)

Wet Fruit

Dandelions At The Gate

14,99 €* 24,99 € -40%

LP | 2019 | US | Original (Run For Cover)

Release: 2023 / US – Original

Genre: Rock & Indie

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Limited Edition of 200 140g Black Vinyl For fans of Pacific Northwest Indie Rock "The weird and wonderful Wet Fruit of Portland, Oregon, return with a full-length of mathy psychedelia that always feels intricate rather than fussy, like a lucid dream of indie rock, the band always ready to push their songs into more abstracted territory while keeping everything to a snappy three minutes or less. Dandelions At The Gate is a record that deserves repeated listenings, not because it is difficult to understand or objectively weird but because it really is so interesting, and there is much enjoyment to be had growing familiar with the many eccentric blips and bloops the band employs to adorn the spaces between their spiraling guitars and looping vocals." - Bandcamp Essential Releases Sept. '23

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Westkust

27,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Western Standard Time Ska Orchestra

Bluebeat Holiday

LP | 2023 | EU | Original (Nu-Tone)

27,19 €* 33,99 € -20%

Release: 2023 / EU – Original

Genre: Pop

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LP | 2018 | Original (Free Dirt)

Western Centuries

Songs From The Deluge

23,99 €*

Release: 2018 / Original

Genre: Rock & Indie

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The Best Of Western (Hey Mr Banjo, You Are My Sunshine)

Western Blood

LP | JP | Original (Concert Hall)

9,99 €*

12" | 2020 | EU | Original (Delusions Of Grandeur)

Release: JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Cover with foxing. Vinyl close to VG+

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Westcoast Goddess

The Soul's Return EP

Westberlin Maskulin (Taktloss & Kool Savas)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Westcoast Goddess first came to our attention at the end of 2018 following his debut release on Canadian label Heart To Heart, but his productions actually date right back to ’93 (under various different guises) when he first began making music with his trusty Roland Dr550 and Kawai K1. With a fresh and distinctive sound, WG successfully fused soulful touches and late 80’s-era digital synths with raw, punchy grooves and a euphoric, ravey atmosphere. Since then, the Berlin-based producer has built a solid following amongst underground house heads with subsequent releases dropping on esteemed labels such as Omena, Slam City Jams and Let’s Play House.

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Hoes, Flows, Moneytoes Black Vinyl Edition

LP | 2017 | DE | Reissue (Fick Die Biaaatch Rekordz / Essah / HHV Records)

19,99 €*

Release: 2017 / DE – Reissue

Genre: Hip Hop

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The Soul's Return Test Press

West Coast Goddess

12" | 2023 | Original (Delusions Of Grandeur)

Release: 2023 / Original

Genre: Electronic & Dance

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Wesley Bright & The Honeytones

Happiness / You Don't Want Me Black Vinyl Edition

7" | 2018 | US | Original (Colemine)

10,99 €*

Release: 2018 / US – Original

Genre: Organic Grooves

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The Midwest Book Of The Dead

Wes Tirey

LP | 2022 | EU | Original (Mapache)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wes Tirey’s The Midwest Book Of The Dead, is an intimate study of the Midwestern condition. A double album, it tells of silos like chapels, spiders in the cane, of drunkards and saints and fugitives; it speaks of wild geese, and the good life, rhinestone suits, Coca Colas, and dishes drying on the rack. Sincerity, sensuality, and humor all reside in the candor and weight of these songs — its playing and arrangements, rich but unfettered, and Tirey’s voice grown several feet deeper and more sonorous. It is a sublime expansion of a trademark style he has come to call “rustic minimalism”.

The Midwest Book of the Dead finds Tirey both solo for acoustic laments and backed by close collaborators for barroom ballads, with Ryan Gustafson (Hiss Golden Messenger, Phil Cook, Charlie Parr) taking the helm as producer.

This assemblage of strangers and stories and snapshots of lives that make up The Midwest Book of the Dead, Tirey likens to “the book of photographs that you find at a Goodwill” — perhaps in Dayton, or Fayetteville, or in any of the stops on the highways that separate them. And while there are clues laid out across these lyrics, he believes there is an open-endedness to these songs. Still, the clues carry us on, into this land of high corn and pool halls, of farmboys, rusty Fords, and fathers like Elvis. Blue herons, hearts of steel, vinegar and piss; a land where people might rise “with everything to show, strong and comely as a colt.” They are songs told straight and sincere, but that are nonetheless beguiling; the work of a master songwriter, a craftsman, an artist; a man who will always be part of the Midwest.

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The Wes Montgomery Trio - A Dynamic New Sound

LP | 2023 | EU | Original (Waxtime)

Release: 2023 / EU – Original

Genre: Organic Grooves

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The Incredible Jazz Guitar Of Wes Montgomery Gatefold Sleeve Edition

LP | 2018 | EU | Original (Dol)

15,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Complete Full House Recordings Live

3LP | 2023 | EU | Original (Craft)

56,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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The Best Of Wes Montgomery

LP | 1968 | US | Original (Riverside)

10,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original. storage and seam wear

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LP | 1985 | PT | Original (Yes To Jazz)

Solitude

Release: 1985 / PT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

seam split

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Maximum Swing The Unissued 1965 Half Note Recording Black Friday Record Store Day 2023 Vinyl Edition

3LP | 2023 | EU | Reissue (Play It Again Sam)

69,99 €*

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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Maximum Swing: The Unissued 1965 Half Note Recordings is the first official release of the complete previously unissued recordings from jazz guitar giant Wes Montgomery with the Wynton Kelly Trio at the famed Half Note jazz club in New York City in 1965 with drummer Jimmy Cobb and bassists Paul Chambers, Ron Carter, Herman Wright and Larry Ridley. Including over 2 hours from the original radio broadcasts with host Alan Grant, the limited-edition 3-lp 180-gram (and deluxe 2-cd) set will be mastered by Matthew Lutthans and come in a deluxe triple gatefold with an elaborate booklet containing previously unpublished photos taken at the Half Note by Raymond Ross; plus a new essay from acclaimed journalist and author Bill Milkowski; interviews with jazz legends Herbie Hancock and Ron Carter, who both recorded with Wes; guitar icons Bill Frisell and Mike Stern; plus bassist Marcus Miller, who is Wynton Kelly’s cousin! 2023 marks Wes Montgomery’s Centennial (born March 6, 1923), and this is Resonance’s 7th release of Wes Montgomery recordings in cooperation with the estate. Now Wes Montgomery fans can hear the rest of the music from the Half Note that was only broadcast on the radio nearly 60 years ago.

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LP | 1960 | EU | Reissue (20th Century Masterworks)

Incredible Jazz Guitar

18,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Elemental)

A Day In The Life

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Reissue of the debut album on A&M Records by jazz guitarist Wes Montgomery, released in 1967. It reached #1 on the Billboard Jazz Album chart and #2 on the R&B chart. Considered by far the best of his three albums on A&M (in partnership with Creed Taylor’s CTI Records), A Day in the Life features a plethora of star sidemen, such as Herbie Hancock, Ron Carter, Ray Barretto, and Grady Tate, among others, as well as superb arrangements by Don Sebesky. The LP was masterfully engineered by Rudy Van Gelder.

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LP | 1967 | JP | Reissue (A&M)

A Day In The Life

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI! Gatefold cover is close to VG+ and the record is close to VG!

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LP | 1967 | US | Original (A&M)

A Day In The Life

9,99 €*

Wes & Cannonball Adderley Montgomery

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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The Poll Winners

LP | 2024 | Original (20th Century Masterworks)

18,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2021 | US | Original (Half A Million)

Wes Buckley

The Towering Ground

From The Cave To The Grave

Release: 2021 / US – Original

Genre: Rock & Indie

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Wes has been working in and around the Berkshires for some time, performing solo, duo, or with full band. His music stretches out quite a bit, sometimes offering a more homespun, traditional mountain bus folky type feel, other times extending outward toward Dead spaces or even Arkestra-esque freakouts. He’s released records with Michael Hurley, self released CDs, and been collected on CD by the wonderful Mystra label. His record with us, The Towering Ground, will be his first LP and we’re very excited about it. The songs collected here maintain a bit of his folky character, but they offer something more in the way of a hazy, If I Could Only Remember My Name / Fred Neil’s 'The Dolphins' languor. The songwriting chops Wes displays are strong, and while he’s a New Englander, there’s a California sunset melancholy running through these tunes, recalling a bit of FJ McMahon’s mournfulness or John Wonderling’s knack for somehow still chilled-out grandiosity..."—Half A Million Records

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Werewolves

LP | 2022 | EU | Original (Prosthetic)

32,99 €*

Wendy Walker & Legal Assault

Release: 2022 / EU – Original

Genre: Rock & Indie

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Start digging your bomb shelters: WEREWOLVES are releasing their third full-length album ‘From the Cave to the Grave’ 24th June 2022. "‘From The Cave to The Grave’ keeps up the searing pace of the first two WEREWOLVES albums, with a mix of black and death metal and unprecedented aggression that is coalescing into a style of its own. Opener ‘Self-Help Book Burning’ kicks the door in Hate Eternal-style before deforming into a blackened ending worthy of Marduk. It’s followed by stadium crowd-pleaser ‘We Are Better Than You’, blaster ‘All the Better to Eat You With’, and social credit score-destroyer ‘Crushing Heaven’s Mandate’. ‘Harvest of the Skulls’ is an ode to the horror of genocide and the rest of the album blasts through to closing threat ‘Watch Your Mouth’, leaving you to enjoy your ringing ears and mild trauma.

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We've Got One

7" | 2023 | UK | Reissue (Athens Of The North)

13,99 €*

Maggots-The Record Black Friday Record Store Day 2023 Red Vinyl Edition

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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One of the finest tracks from Anthony Brightly's work with a young Wendy Walker. This track has always been a personal favourite, so whilst working with Anthony on another project we thought why not do a nice little 45 of this classic. Flipped with Legal Assault's, 'Nice & Slow' also from the Sir George label, this is another long time spin, it's a no-brainer all Killer 45. Strictly AA

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Wendy O. Williams

LP | 2023 | EU | Reissue (BFD)

32,99 €*

LP | 2024 | Original (BFD)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Quantity: 1500
Release type: RSD Exclusive Release

Maggots: The Record is the fourth studio album by American rock singer Wendy O. Williams and her band Plasmatics. It is often credited as being the first "Thrash Metal Opera." This comes largely because of the album follows the rock opera formula done in a form of thrash metal. Every other track on the album is spoken-word and is used to describe various scenes between songs. On colored vinyl for RSD Black Friday.

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Wendy O. Williams

Maggots: The Record

32,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (The Wendy James Label)

Wendy James

The Shape Of History

53,99 €*

Release: 2024 / UK – Original

Genre: Pop

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Preorder shipping from 2024-11-01

LP | 2020 | US | Original (Ba Da Bing)

Wendy Eisenberg

Auto

23,74 €* 24,99 € -5%

Release: 2020 / US – Original

Genre: Rock & Indie

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Drawing the connections between Wendy Eisenberg’s releases feels like undertaking a wide-ranging investigation. Albums of wildly inventive guitar, tempo-shifting avant rock and curiously leftfield pop fit together as offerings of Eisenberg’s curious mind. On Auto, their most innovative and inner-reaching album yet, Eisenberg explores emotional, subjective truth, and how it interacts with an objectivity no person alone can grasp. Inspired by the solo work of Mark Hollis (Talk Talk) and David Sylvian’s Blemish, with playing skills that have already seen them climbing Best Guitarist lists and an unvarnished vocal immediacy, Wendy Eisenberg has created an album of subtle display that resonates with maximal impact. Auto has multiple meanings. First, automobile: “A lot of these songs were written about and mentally take place when I’m in the car on my way to gigs,“ says Eisenberg. Immediate melodies came to them on these trips, to which they’d later add complex guitar parts. And automata: “I make myself into a machine, which is why everything that’s played is precise.” Finally, they frame their work in the literary technique of auto-fiction, “the semi-fictionalized presentation of the self in a narrative form of growth,” as Eisenberg sees it. The album served as a means toward working through emotional conflicts from adolescent trauma and Ptsd, and dissects the dissolution and conflict that led towards the breakup of their former band. With much of it written while its events played out, Auto faces the grief of losing what one thinks is their future while experiencing a dramatic reshaping of their past; it delves openly into the limited nature of one person’s narrative. After making a few efforts to record Auto, Eisenberg ultimately chose to collaborate with childhood friend Nick Zanca, who contributes electronic elements and production. Mirroring the personal and organic offered by Eisenberg, synthetic sounds form a kind of boundary or context for everything. They “sound like commentary on songs that were written from an organic or subjective perspective,” says Eisenberg. Their place on the album is integral for Eisenberg’s goal “to outweigh the subjectivity of normal singer-songwriter guitar songs with the objectivity of electronic sound.”

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LP | 1988 | US | Reissue (Tidal Waves Music)

The Carnivorous Lady

18,99 €*

Release: 1988 / US – Reissue

Genre: Organic Grooves

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Rocket Love / No Turnin' Back

7" | 2023 | UK | Original (Athens Of The North)

Wendell Harrison & Phil Ranelin

Release: 2023 / UK – Original

Genre: Organic Grooves

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A rather obscure and fantastical 45 byAmerican jazz clarinetistand tenor saxophonistWendell Harrison. A moody dusty fingers style downtempo cover of Stevie Wonder's sleeper Rocket Love from the LP 'Hotter Than July'. This one seems to have passed by many collectors, including myself, I was only turned onto it recently despite loving Wendell's catalog. credits releases January 27, 2023

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What We Need / The Wok

7" | 2022 | JP | Original (P-Vine)

20,69 €* 22,99 € -10%

Wendell Harrison & Phil Ranelin

Release: 2022 / JP – Original

Genre: Organic Grooves

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“A New Dimension In Cultural Awareness” were the words of Tribe Records’ co-founder and trombonist Phil Ranelin as the label emerged in a vibrant Detroit in 1972. Together with other co-founder and saxophonist Wendell Harrison, the duo delivered the first of what would become a treasure trove of spiritual jazz releases with 1973’s Message From the Tribe.

P-vine has lifted its first track, the bold and socially conscious “What We Need”, for an a-side that highlights the power of Tribe Records as a vehicle for social change as much as it was a label with a driving musical pulse. “We need knowledge and education. We need books with black history” begins a compassionate chorus of needs to right the wrongs of enduring displacement and loss experienced by black Americans. The b-side “The Wok” is taken from Harrison’s 1981 album Organic Dream.

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A Message From The Tribe Box Set Cover Design B

Box | 2023 | JP | Original (P-Vine)

476,99 €* 529,99 € -10%

Wendell Harrison & Phil Ranelin

Release: 2023 / JP – Original

Genre: Organic Grooves

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Includes : 6 Vinyls (Three albums, one 7" and onde 10") + 18 Magazines + Poster

About "A Message From The Tribe"

Tribe’s inaugural release in 1972 would see three editions released in as many years. 1972’s first edition featured a photo of the ocean on the front, the following year’s second edition had a drawing of the Earth, while 1974’s third edition had a colorful illustration of Tribe founders Wendell Harrison and Phil Ranelin’s faces. Each version is unique.

A MESSAGE FROM THE TRIBE 1st version (LP + 7")

The inaugural release from Tribe is getting its first ever analog reissue. The Tribe collective was focused primarily on live performances, and as an extension often included theatre and poetry. This first edition features a recording of one of their first performances, a musical entitled An Evening With The Devil, performed at the Detroit Institute of Arts. Highlights include original takes of “Where Am I”, a tune that morphs from fiery free jazz to breezy jazz fusion, and “What We Need”, a politically conscious jazz-funk number. The bonus 7-inch includes “Where Am I” and “How Do We End All Of This”, available only on this release.

A MESSAGE FROM THE TRIBE 2nd version (LP + 10")

Perhaps the best known version of this album, the second edition is adorned with an illustration of the Earth. Despite a track list overlapping with the first edition, each take is different from the prior edition, with a level of sophistication that was lacking from the previous disc. The A-side features music by Phil Ranelin, with precise grooves and a tight band making these renditions particularly funky. B-side features music by Wendell Harrison, offering forward more groove-forward tracks that are simultaneously thought and dance provoking. The second edition is smoother, groovier, and more modern than its predecessor but no less political. The attached 10-inch includes never before heard
instrumental versions, available only on the attached 10-inch disc. Highlighting the immense talent of the musicians that played on these recordings, the expansive horn section playing on these instrumental tracks makes for an almost big band-esque jazz funk sound. This is an important part of jazz history that you must listen to for yourself.

A MESSAGE FROM THE TRIBE 3rd version (45rpm Double LP)

The final edition is remixed and remastered, with special care taken during the mastering and cutting processes to ensure that the audio would be of the highest quality. Featuring a colorful illustration of Harrison, Ranelin, and vocalist Jeamel Lee on the front cover, the third edition sounds like a whole new record. Take “What We Need”, where the louder bass and kick drum has turned the funkiness up to 11, a mix that would be right at home at any club. Some of the grooves are almost hip-hop-esque, like the repetitive bassline and fender Rhodes on “How Do We End All Of This Madness” or the hi-hats and snares of the Harrison-penned jazz-funk “Beneficent”. We took special care to ensure that the audio quality would remain as originally intended, cutting the record as a double LP on 45rpm, heavyweight vinyl.

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A Message From The Tribe Box Set Cover Design A

Box | 2023 | JP | Original (P-Vine)

529,99 €*

Release: 2023 / JP – Original

Genre: Organic Grooves

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Includes : 6 Vinyls (Three albums, one 7" and onde 10") + 17 Magazines + Poster

About "A Message From The Tribe"

Tribe’s inaugural release in 1972 would see three editions released in as many years. 1972’s first edition featured a photo of the ocean on the front, the following year’s second edition had a drawing of the Earth, while 1974’s third edition had a colorful illustration of Tribe founders Wendell Harrison and Phil Ranelin’s faces. Each version is unique.

A MESSAGE FROM THE TRIBE 1st version (LP + 7")

The inaugural release from Tribe is getting its first ever analog reissue. The Tribe collective was focused primarily on live performances, and as an extension often included theatre and poetry. This first edition features a recording of one of their first performances, a musical entitled An Evening With The Devil, performed at the Detroit Institute of Arts. Highlights include original takes of “Where Am I”, a tune that morphs from fiery free jazz to breezy jazz fusion, and “What We Need”, a politically conscious jazz-funk number. The bonus 7-inch includes “Where Am I” and “How Do We End All Of This”, available only on this release.

A MESSAGE FROM THE TRIBE 2nd version (LP + 10")

Perhaps the best known version of this album, the second edition is adorned with an illustration of the Earth. Despite a track list overlapping with the first edition, each take is different from the prior edition, with a level of sophistication that was lacking from the previous disc. The A-side features music by Phil Ranelin, with precise grooves and a tight band making these renditions particularly funky. B-side features music by Wendell Harrison, offering forward more groove-forward tracks that are simultaneously thought and dance provoking. The second edition is smoother, groovier, and more modern than its predecessor but no less political. The attached 10-inch includes never before heard
instrumental versions, available only on the attached 10-inch disc. Highlighting the immense talent of the musicians that played on these recordings, the expansive horn section playing on these instrumental tracks makes for an almost big band-esque jazz funk sound. This is an important part of jazz history that you must listen to for yourself.

A MESSAGE FROM THE TRIBE 3rd version (45rpm Double LP)

The final edition is remixed and remastered, with special care taken during the mastering and cutting processes to ensure that the audio would be of the highest quality. Featuring a colorful illustration of Harrison, Ranelin, and vocalist Jeamel Lee on the front cover, the third edition sounds like a whole new record. Take “What We Need”, where the louder bass and kick drum has turned the funkiness up to 11, a mix that would be right at home at any club. Some of the grooves are almost hip-hop-esque, like the repetitive bassline and fender Rhodes on “How Do We End All Of This Madness” or the hi-hats and snares of the Harrison-penned jazz-funk “Beneficent”. We took special care to ensure that the audio quality would remain as originally intended, cutting the record as a double LP on 45rpm, heavyweight vinyl.

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Farewell To The Welfare Teal Vinyl Edition

LP | 2022 | US | Reissue (Now-Again)

33,99 €*

Release: 2022 / US – Reissue

Genre: Organic Grooves

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"Farewell To The Welfare Is Now Available In A Limited Edition Teal Vinyl Pressing
The Tribe Records co-founder’s lost album, rumored to exist no more.
Mastered from the original tapes and lacquered by Bernie Grundman.
“As I thought about re ecting on an aggregate of music for this album, I projected my attitude
and spirit while living and working here, in Detroit, Michigan. We are earning and learning a
new way of life, which explicitly tells us to become self-reliant in taking care of our families
and each other. Government hand-outs are not an option for us.”
-Wendell Harrison
The first ever issue of this Spiritual Jazz album.
The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment.
This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century
Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves,
“Music is the healing force of the universe.”
Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe,
in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American
empowerment in the latter half of the 20th Century.
The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday."
.

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Farewell To The Welfare Black Vinyl Edition

LP | 2022 | US | Original (Now-Again)

30,99 €*

Release: 2022 / US – Original

Genre: Organic Grooves

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The Tribe Records co-founder’s lost album, rumored to exist no more. Mastered from the original tapes and lacquered by Bernie Grundman. “As I thought about reecting on an aggregate of music for this album, I projected my attitude and spirit while living and working here, in Detroit, Michigan. We are earning and learning a new way of life, which explicitly tells us to become self-reliant in taking care of our families and each other. Government hand-outs are not an option for us.” -Wendell Harrison The first ever issue of this Spiritual Jazz album. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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LP | 1973 | US | Reissue (Now-Again)

Evening With The Devil

30,99 €*

Wendell Harrison And The Tribe

Release: 1973 / US – Reissue

Genre: Organic Grooves

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The Tribe co-founder’s debut, remixed from the original mutli-track master tapes under the direction of its creator and lacquered by Bernie Grundman. Now-Again presents the denitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Farewell To The Welfare

7" | 2022 | JP | Original (P-Vine)

21,99 €*

Release: 2022 / JP – Original

Genre: Organic Grooves

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Released in 1975, Farewell To The Welfare' is the only Tribe release to actually have “The Tribe” in the artist name! Originally released on 7” vinyl by “Wendell Harrison and The Tribe” without a cover, we’re reissuing the album with original artwork and modern remastering on limited edition 45rpm vinyl!

As you would expect from the sole release with “The Tribe” as part of the artist name, Wendell Harrison (ts. fl.), Phil Ranelin (tbn.), Harold McKinney (pf.), and Lopez Leon (ba.) are all present, with Harrison playing one of the most electrifying solos of his career over a breakneck jazz-funk beat. But that’s not it! The Tribe are here in full force, with Detroit musicians Ron English (gt.), George Davidson (ds.), and Ralph Jones (sax.) also making appearances on the track.

Farewell To The Welfare is jazz-funk of the highest caliber, with wah’d out staccato guitar strumming, unison horn lines, and a groove so tight you couldn’t slide a piece of paper in it. Harrison’s fantastic solo at the beginning of the solo section is followed by Jones on the soprano saxophone, his tone almost bracing as he occasionally pushes the boundaries of harmony with extended lines before making his way back home. The track is rounded out by a solo from English. Compared to the fiery solos from the two saxophonists before him, it seems understated. But his mellow tone and impeccable phrasing fit perfectly with the rhythm section, playing off of McKinney’s piano lines and Leon’s bass.

Reissued for the first time ever with artwork made specifically for this release and modern digital remastering, this is sure to be one of the hottest 7”s of this year!

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An Evening With The Devil

LP | 1973 | JP | Reissue (P-Vine)

36,99 €*

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Tribe co-founder and saxophone legend Wendell Harrison’s 1973 leader debut!

Following the 1972 release of Message From The Tribe, the second release from vaunted spiritual jazz label Tribe, was co-founder Wendell Harrison’s solo debut, An Evening With The Devil. Originally included on the A-side of Message From The Tribe’s first version (the edition featuring a photo of a quay on the cover), the release of An Evening With The Devil in 1973 saw the suite fully realized, with two additional songs and studio knowhow making the album a true spiritual jazz masterpiece. Opener “Mary Had An Abortion” is part-spoken word poetry and part-free jazz freak out, but as Harrison’s gravelly baritone intermingles with atonal piano lines, it transcends the limitations of both. “Consciousness” is in a similar vein, with cymbal crashes and drum fills serving as a backdrop for a poem with references to police brutality and racism that seem as relevant now as they were 50 years ago.

“Angry Young Men”, originally recorded on Message From The Tribe, is now split into two parts and placed at the end of the A-side and opening of the B-side, physically and musically bridging the original suite with the new compositions. A horn line that could only be described as angry descends over an aggressive drum pattern, and as Tribe regulars Marcus Belgrave, Phil Ranelin, Charles Moore, and William Austin take turns soloing, the rhythm section seems to get more aggressive, undulating under these solos that take the song’s message and express it through simple notes. But it’s Harrison’s extended solo on the B-side that truly makes the song. He starts out almost subdued, playing fairly standard hard-bop lines over minimal accompaniment. But he quickly picks up, letting his horn honk and screech, with flurries of notes that almost sound like screams. The rhythm section matches him, building and building until Harrison plays the head once more - finally allowing the band to return to normalcy.

In comparison, album closer “Rebirth” is almost calm, with Marcus Belgrave playing a somber melody over a bed of rumbling percussion. It practically sounds like a requiem, until five major chords are struck by the band, ending the album on a literal joyous note. If Harrison hoped to express death and rebirth with this final song, the juxtaposition of the two completely disparate sections does a perfect job.

The hallmarks of a Tribe album are all over An Evening With The Devil. It’s spiritual and technical, and words simply don’t do it justice (despite my best attempts). Yet it also stands out among the Tribe releases by being one of the first. The DIY aesthetic and iconic design language are all there, but when presented with a sound that could only be described as raw, these early recording techniques are just right. The only way to truly experience the album is to put the needle to the groove, and let the music of Wendell Harrison wash over you. P-vine is proud to be reissuing Wendell Harrison’s An Evening With The Devil with modern remastering and an obi-strip on limited edition black vinyl.

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An Evening With The Devil

LP | 1972 | UK | Reissue (Pure Pleasure)

34,99 €*

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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»The compositions we play are reflective of the music of our times whereby we play Jazz, Rock, and African music with its poly or many rhythms. I wrote all the tunes on this particular LP and it is written as a suite in 5 movements which means that the music can be performed along with poetry and dancers. On our last LP called “Message From The Tribe” we featured the compositions of our very talented composer, arranger, and trombonist Phil Ranelin. On one side he wrote all the compositions and on the flip side I wrote all the tunes. This album was produced by us on the Tribe record label. As far as the music on “Evening With The Devil” is concerned it really speaks for itself. In addition to the music it features some relevant poetry by two very talented young poets named Oba and Vajava who are also members of a very excellent theatre group in Detroit called The Black Messengers.«
Extract from the sleeve notes of this album by Wendell Harrison.

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An Evening With The Devil

LP | 1973 | JP | Reissue (Deep Jazz Reality / Tribe / Octave-Lab)

62,99 €*

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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LP | 2017 | US | Original (Barbes)

Wembler's De Iquitos

Ikaro Del Amor

Release: 2017 / US – Original

Genre: Rock & Indie

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The Spacejam Sessions Volume 1 Crystal Clear Vinyl Edition

Weltraum

LP | 2024 | UK | Original (Tonzonen)

Release: 2024 / UK – Original

Genre: Rock & Indie

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7" | 2005 | JM | Reissue (Dynamite)

Welton Irie

Walk And Talk

9,99 €*

Release: 2005 / JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2017 | EU | Original (Blue Central)

Wellbad

The Rotten

Release: 2017 / EU – Original

Genre: Organic Grooves

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12" | 2004 | UK | Original (BCD)

Well Hung / BCD Project

The Unreleased E.P.

12,99 €*

Release: 2004 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1989 | JP | Reissue (Groove Diggers)

Weldon Irvine

Weldon And The Kats

34,99 €*

The Sisters Red Vinyl Edition

Release: 1989 / JP – Reissue

Genre: Organic Grooves

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* First ever reissue with the original LP artwork * New remastering * Japanese OBI-strip After releasing some albums through RCA and Strata-East, Weldon Irvine returned to his own label Nodlew Records to release 'Weldon and The Kats' which was consistent with a lot of session recordings. Along with sessions in the 80s, the album has his early work 'Mr.P.C.' recorded in 1968 with Steve Grossman (T.Sax) and Lenny White (Drums) who played in the Miles Davis band. This is the first time it has been reissued with original LP artwork!

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Weldon Irvine

LP | 1998 | US | Reissue (Nature Sounds)

29,99 €*

Amadou Project - The Price Of Freedom

Release: 1998 / US – Reissue

Genre: Organic Grooves

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Keyboardist and composer Weldon Irvine is among the most celebrated Jazz-Funk artists of all time. A longtime bandleader for Nina Simone, he wrote the lyrics for Simone's iconic civil rights anthem "To Be Young, Gifted and Black". Throughout the 1970s, Irvine released a series of seminal albums full of deep, soulful, funky grooves, many of which were later mined for samples. The Sisters is a collection of lost tracks and demos from his late-1970s studio sessions with fellow Jazz-Funk luminary Don Blackman. A potent mix of instrumental and vocal tracks from a remarkably consistent artist, The Sisters contains the hit single "Morning Sunrise", famously sampled on Jay-Z's "Dear Summer". Now, this rare album is available on limited red colored vinyl while supplies last.

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Weldon Irvine

2LP | 1999 | JP | Reissue (P-Vine)

43,19 €* 47,99 € -10%

LP | 2022 | US | Original (Indecision)

Release: 1999 / JP – Reissue

Genre: Organic Grooves

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This is a 1999 album by Weldon Irvine, who gained new recognition with the rise of the hip-hop scene and the rare groove movement in the 90's and beyond, including appearances on Q-tip and Mos Def albums!　Now, for the first time ever, P-vine is releasing this historically significant work on LP, as the original CD is hard to find. Featuring guests such as Q-tip, Mos Def, Talib Kweli, and other artists representing the street scene of the time, the jazzy and tight groove is a must-listen, with a crossover of 70s feeling and 90s sound!

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Welcome To Our Life

There Is No Turning Back

36,99 €*

Never Going To The Town Where You Live Anymore

Release: 2022 / US – Original

Genre: Rock & Indie

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2022 is the 20th anniversary of Welcome TO Your LIFE’s only full-length release, There Is No Turning Back. The band was comprised of former members of Bleeding Through and Show OF Hands and toured the U.S. once in their short-lived existence. This was originally a CD-only release, so this is the first time it has been available on vinyl.

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Weiscape

Tape | 2024 | US | Original (Noshi Z Label)

22,99 €*

Release: 2024 / US – Original

Genre: Hip Hop

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Preorder shipping from 2024-11-15

Live At The Whisky Hollywood 1977

Weirdos

LP | 2023 | EU (Suicidal)

OST Weird: The Al Yankovic Story Pink Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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The Weirdos.....The most influencial punk band from the Original Hollywood scene ( X, Flesh Eaters, Black Randy, Alley Cats, Screamers, Skulls, Bags, Deadbeats, etc.). This was their first multiple night stand at the Whisky a Go Go 1977! A legend indeed!

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Weird Al Yankovic

2LP | 2023 | US | Original (Legacy)

49,99 €*