Search "88-Keys" 3870 Items

CD | 2024 | WW | Original (Mr Bongo)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Deeply rooted in the Buddha-Bar DNA, music has always played a key role in our universe.Created in Paris back in 1996, our musical signature perfectly reflects the dreamlike atmosphere of our restaurants. Subtle and mesmerizing mixes, perfect blend of mystical house & electronic rhythms with African, Asian, Indian, Latino or Oriental sounds...Buddha-Bar Music spread its good vibes all around the world since 1996.This triple Best Of retraces our history from 2014 to 2024, gathering titles and artists carefully selected by Ravin, including Buscemi, Sahalé, Desert Dwellers, Kenneth Bager, Ali Kuru, Santi & Tugçe, El Bùho, Troels Hammer, ...

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Raul Gomez

I Know Why The Caged Bird Sings

Release: 2024 / WW – Original

Genre: Organic Grooves

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For the next reissue in Mr Bongo’s Cuban Classics series, we look to Raúl Gómez’s entrancing 1977 Instrumental album. Presenting a unique blend of orchestral disco and jazz-funk, with Afro-Cuban flavours and soundtrack influences, it’s rich with drum breaks, energy and evolving compositions. A record that forever keeps you guessing, powered by an exemplary orchestra at the top of their game.

Cuban composer and singer Raúl Gómez is most known for featuring in the groups Mirtha Y Raul and Los Bucaneros alongside producing the Cuban classic Los Reyes 73 album, amongst a whole host of other incredible productions over the years. Released on Cuba’s state-owned label Areito, Instrumental sees Gómez not only as an instrumentalist and author, but also as a producer and arranger.

It's an album that deftly evades pigeonholing. Floating between instrumental mood music and library/soundtrack mastery, followed by explosions of cosmic-Latin funk, psych guitar workouts and compositions that reflect the orchestrated disco coming out of the US at the time, from greats such as Love Unlimited or Mfsb. Lace that together with a healthy serving of Afro-Cuban magic to underpin the tracks and it’s a recipe for a record that captivates from start to finish.

Predominantly an instrumental album as the title suggests, the record showcases the Orquesta Egrem in full flow, soaring strings and vibrant horns at every turn. Highlights include 'Mi Samba Carnaval' with its breathtaking drum break, bubbling synths and sublime arrangements and the romantic film music impressions of ‘Tema De La Sierra', that have been a sampling source for many a producer. Elsewhere, ‘6 Son’ is a mind-melding psych guitar powerhouse, with 'Dacapo', written by Gilberto Peralta, offering up a slice of atmospheric and energetic Latin shuffle. One of only a handful of tracks where scat vocals compliment the orchestral tones, a Brazilian percussion theme marries with dancefloor sensibilities for a dose of feel-good, brilliance.

A wide-ranging, multi-dimensional release, Instrumental exhibits musicianship, composition and creativity at its finest and demonstrates another key example of the rich output of music that flowed from the island of Cuba post revolution.

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Rast

LP | 2020 | US | Original (Dope Folks)

RAST & 7L (The Czar Keys)

Release: 2020 / US – Original

Genre: Hip Hop

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Over the last decade Rast has made a name for himself as one of the undergrounds most original voices. Rast has released a handful of albums, freestyles and a slew of online singles (including collaborations with Czarface, Hus Kingpin and Your Old Droog). But before all this, Rast held down the 90’s as part of the New York Graffiti crew RFC. It was during this time that many of the tracks on “I Know Why the Caged Bird Sings” draw from. The album has no features and was produced entirely by The Czar-Keys (7L & Jeremy Page) - and this was done by design. 7L and Rast worked together on the vision and the direction they wanted to go with for the album. As 7L points out “I wanted to really take it back to a time when the rapper was the main focus. This is also why we didn’t go with a group name or a Rast & 7L title. For me it was really all about Rast, and his story is so personal that it just made sense for him to be the only voice you hear”. “I Know Why the Caged Bird Sings” is an album where, as pointed out in the albums intro "Caged", is Rast at his most honest and vulnerable.

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I Know Why The Caged Bird Sings

LP | 2018 | US | Original (Dope Folks)

29,99 €*

RAST & 7L (The Czar Keys)

Release: 2018 / US – Original

Genre: Hip Hop

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Over the last decade RAST has made a name for himself as one of the undergrounds most original voices. RAST has released a handful of albums, freestyles and a slew of online singles (including collaborations with Czarface, Hus Kingpin and Your Old Droog). But before all this, RAST held down the 90’s as part of the New York Graffiti crew RFC. It was
during this time that many of the tracks on “I Know Why the Caged Bird Sings” draw from. The album has no features and was produced entirely by The Czar-Keys (7L & Jeremy Page) - and this was done by design. 7L and RAST worked together on the vision and the direction they wanted to go with for the
album. As 7L points out “I wanted to really take it back to a time when the rapper was the main focus. This is also why we didn’t go with a group name or a RAST & 7L title. For me it was really all about RAST, and his
story is so personal that it just made sense for him to be the only voice you hear”. From the albums start, “Base” sets things off with organs that sound
straight off old Surf footage accompanied by a pounding break beat. RAST’s signature gruff voice goes from rugged raps to melodic singing and back. On “The Devils Playground” RAST delivers some of his most honest lines recalling his youth and battles with depression. On “I Lost My Mind and Found God” RAST states plainly in the hook “I ain’t gonna see no doctor unless I die". RAST delivers these lines with the maturity of a seasoned blues man. "Runaway Slave" is another great example of this, as the track roars with a powerful hook as if he were exorcising his demons over what sounds like a dusted church organ.
Other stand out gems like "Children of Attica", “The Little Boy Who Lived in a Tree” and “The Remarkable Story of the Silent Machine Gun” show that RAST is cut from a different cloth. “I Know Why the Caged Bird
Sings” is an album where, as pointed out in the albums intro "Caged", is RAST at his most honest and vulnerable.

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I Know Why The Caged Bird Sings

CD | 2018 | US | Original (Boston George)

LP | 2023 | EU | Original (April)

Release: 2018 / US – Original

Genre: Hip Hop

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Rasmus Oppenhagen Krogh

Until Then

Ras Taro, Red-I, One Love Keys / Ras Taro, Red-I, Dakila Horns

Release: 2023 / EU – Original

Genre: Organic Grooves

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Following the success and widespread critical acclaim of his 2020 releaseWhereabouts "", Danish guitarist/composer Rasmus Oppenhagen Krogh proudly presents his third record, Until Then The first singleHow U Look "", released on May 12th, has already garnered media attention and was placed on Danish Radio DR P8 Jazz s A rotation list. Grounded in the contemporary nordic noir sound, Until Then is dark, spacious, and meditative. Created in close collaboration with Danish producer, drummer and sound designer Rasmus Juncker, the album s 12 tracks are a sonic exploration of the coming together of jazz musicianship and contemporary pop/rock production techniques. Compositionally, Krogh works in the intersection between strict rhythmic progressions and open rubato passages, as well as the meeting between the through through-composed and the improvised. Led by his lush Frisell/Bro Bro-esque guitar sounds, the ensemble navigates through a wealth of cavernous soundscapes and rich harmonic planes. As on Krogh"s previous releases, he once again finds himself surrounded by some of the finest musicians that Denmark has to offer; Anders AC " Christensen on bass (Paul Motian, Jakob Bro), Simon Toldam on keys (Simon Toldam Trio, Efterklang), Jakob Hoyer on drums (The Raveonetes, Jakob Bro), Lars Greve on reeds (Bon Iver, Girls in Airports) and Victor Dybbroe on percussion (Girls in Airports). In addition to his own work on his personal projects, Krogh is in high demand as a guitar player and works with a great diversity of names including top singer singer-songwriter Guldimund, pop sensation Takykardia and has played with Kentaur as well as Danish master saxophonist and improviser Jesper Zeuthen.

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War, Dub, Melodica / Criminal, Dub, Horns

12" | UK (Oto)

18,99 €*

Release: UK

Genre: Reggae & Dancehall

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CD | 2019 | US | Original (Mello Music Group)

Ras Kass

Soul On Ice 2

Release: 2019 / US – Original

Genre: Hip Hop

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Miami Life / Goldyn Child

Ras Kass

7" | 2019 | EU | Original (HHV Boombap 45s)

Ras Cos Tafari / Reggae Remedy Riddim

Release: 2019 / EU – Original

Genre: Hip Hop

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Strongly limited edition of 300 copies of the 10th release in our »HHV Boombap 45's« series.

This time we present another classic cut from the mid-90's on 7", "Miami Life" by Ras Kass from his debut album "Soul On Ice". The b-side includes "Goldyn Child" produced by DJ Premier!

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Jah Love / Dub

7" (Reggae Remedy)

9,99 €*

Genre: Reggae & Dancehall

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7" | JM | Reissue (GG's Records)

Ranking Joe

Sensi Businez

8,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

CD | 2019 | UK | Original (High Focus)

Ramson Badbonez

Mic Day The 13th

12,99 €*

LP | 2019 | UK | Original (High Focus)

Release: 2019 / UK – Original

Genre: Hip Hop

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Following on from Ramson Badbonez’ super limited ‘Jason Bonez’ concept album release in May 2018,
the rapper is once again donning the blood stained hockey mask as he returns to the character of Jason
Bonez and presents us with the blood curdling ‘Mic Day The 13th’. Continuing where the first ‘Jason
Bonez’ left off, this LP is heavily influenced by the cult classic horror film ‘Friday The 13th’ - Badbonez
proceeds to execute, mangle & massacre everything in his path over 12 expertly produced tunes, taking
care to explore different flow patterns and cadences on each track, a true feat considering Badbonez’
already very impressive level of lyricism. Featuring gritty production from Illinformed, Jazz T, Skeleton
Key & Mark Fear Beats; ‘Mic Day The 13th’ is not for the faint hearted, taking the term hardcore to
levels unheard.

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Ramson Badbonez

Mic Day The 13th

LP | 1987 | US | Original (Columbia)

Release: 2019 / UK – Original

Genre: Hip Hop

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Ramsey Lewis

Keys To The City

9,99 €*

Release: 1987 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2023 | EU | Original (Phase Imprint)

Ram Godt / Victor Muerte

Baby Series 01

8,24 €* 14,99 € -45%

You Used To Salsa (Deep88 Remix)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Baby Series is born as an approach to young artists who propose a new dialogue. Artists little known to the general public that have a lot to contribute.With the musical quality as key factor, Baby Series gives a platform to people with solid projects for the future and that deserve to be heard to express themselves.

Ram Godt is a very versatile Belgian artist when it comes to producing and has a very strong sound. In this EP Ram Godt proposes a first track, "Raised by Goddess", more emotional and uplifting and a second cut, "Godt's Touch", thought in essence to be danced on the dancefloor, quality techno.

It is impossible not to find parallels between the sound of "La Ruta Destroy" and Victor Muerte. The young Valencian presents two somewhat different tracks. The first of these, "Corazón Valiente", with a more raw touch with vocals sung by himself and the second, "El Encuentro", with a more ambiental melody and somehow reminiscent to the trance proposed in past times

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Ralphi Rosario

12" | 2014 | US | Original (Henry Street)

Release: 2014 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

She Was From Another Time EP

Rai Scott

12" | 2023 | UK | Original (Ornate Music)

We Are The Ones / Fire / Forever

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Ornate Music has been serving up quality deepness since 2008 but it's been a while since we heard from them. Edinburgh based producer, Rai Scott, returns to Ornate Music, previously releasing on the imprint back in 2014. This long overdue followup to her Innershift EP brings ethereal atmospherics and hypnotising percussion. The opener is a dreamy and celestial vibe with gently rolling beats, while Version 2 is more defined by the smeared chords which spiral to the heavens. 'As Honest As She Lived' is another electric lullaby with well-crafted ambient pads and 'Nina' ends with layers of bells, glistening keys and shimmering melody that soothes the soul.

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Rahaan

12" | 2023 | UK | Original (BBE Music)

12" | 2023 | UK | Reissue (Rekids)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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In the debut EP ‘We Are The Ones/Fire/Forever’, Chicago DJ legend Rahaan collaborates with an incredibly talented group of musicians, including Marcus J. Austin on lead vocals, Nancy Clayton on backing vocals, Carnell C. Newbill (also known as Spike Rebel) on keyboards and backing vocals, Todd Swope on guitar, and Lou Terry on bass.

Together, they create a 3-track EP that perfectly showcases Rahaan’s production skills and the musical talents of the entire group. Rahaan’s experience and expertise as a DJ and producer are evident in each track, with grooves that are sure to keep the dancefloor moving.

The title track, ‘We Are The Ones’, is a story of adventure and return, with a twist. Created by Rahaan and The Ones while under the influence, the track was lost for years as it was unnamed on his computer. However, Rahaan’s determination to find it paid off, and with the help of Ohio Players’ Kenny Anderson on the horns, he built upon the elusive skeleton track.

With Marcus J. Austin on lead vocals and Nancy Clayton on backing vocals, ‘We Are The Ones’ delivers a soulful, 4-to-the-floor anthem that showcases the vocal talents of the group. And in ‘Fire’, Todd Swope’s guitar skills shine through, creating an epic production that draws spiritual inspiration from traditional AfroBeat rhythms.

It’s worth noting that The Ones features some truly talented musicians, including Carnell C. Newbill (Spike Rebel) on keyboards and backing vocals. Spike Rebel is a well-known producer and musician in his own right. With his soulful vocals taking center stage, Carnell Newbill leads the charge on “Forever,” he also superbly delivers on bass, keys, percussion, and guitar. Expertly mixed by Rahaan, this track is sure to become a dance floor anthem.

In summary, ‘The Ones’ EP is an impressive collaboration between some of the most talented musicians in the Chicago underground House and Disco scene. With Rahaan at the helm, this project is sure to be a hit with anyone who loves to dance.

Mastered with Love by the Grammy nominated The Carvery Studios, this is one for any worthwhile DJ’s record bag.

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Radio Slave

Wild Life (Remixes)

Radio Slave Feat. Cagedbaby

Release: 2023 / UK – Reissue

Genre: Electronic & Dance

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Roy Davis Jr. & Byron The Aquarius and Jamie 3:26 & Danou P remix Radio Slave’s Wildlife.

‘Wildlife’, released a few months back, found Radio Slave tapping into his house and disco roots. It proved a danceﬂoor smash that got support from a wide array of artists, from DJ Bone and Tim Sweeney to Roman Flugel and Axel Boman. As such, the artists chosen to remix come from similar backgrounds and bring all new perspectives to this irresistible gem.

First up are Chicago house legend Roy Davis Jr. and keys playing maestro Byron The Aquarius. Both make the sort of dusty, feel-good deep house that will never grow old and have done so on the scene's best labels. Their sizzling seven-minute rework of 'Wildlife' has jazzy, life-aﬃrming keys and smeared synths that bring the warmth. The drums are rubbery and inviting, and the whole thing brings real musicality to the ﬂoor.

The second remix is from original Chicago innovator, deep digger and edit king Jamie 3:26 and a young Dutch artist he has long since mentored, Danou P. Between them, they have cooked up gems like 'What It Is' together on Shake Records and remixed for Defected, all with a healthy respect for disco, funk and soul from the 80s onwards. Their take on 'Wildlife' is a piano-laced and upbeat party starter. Noodling bass riﬀs,zippy synth details and lavish chords make for a sophisticated sound that will swell the heart.

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Amnesia

12" | 2024 | Original (Rekids)

New Beginnings Black Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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Lindstrøm remixes Radio Slave ft Cagedbaby ‘Amnesia’ The first remix package from Radio Slave’s ‘Venti’ LP features a remix and instrumental from the Norwegian artist.

A key single in the run-up to Radio Slave’s ‘Venti’ LP, the distinctly Balearic ‘Amnesia’ cut, which was the sound of Pikes in 2023, is remixed by Norwegian nu-disco pioneer Lindstrøm following the LP’s release in May. The original saw Matt Edwards team up with long-time collaborator Cagedbaby, aka Tom Gandey, for a blissful sunset track that won support from the likes of David Holmes, Sean Johnston, Jennifer Cardini, Peter Kruder and Perel.

On the ‘Amnesia’ remix package, Lindstrøm turns the downtempo breakbeat in Radio Slave and Cagedbaby’s original into a more upbeat groove with hints of 80s and 90s Euro-Dance in its piano breakdown and squelched-up acid-drenched guitar bass. The Norwegian artist, known for his frequent collabs with Prins Thomas and all-around superb nu-disco works, maintains the original’s sultry vocal, neatly scrubbed off in the instrumental mix for those looking for a party-staring club tool in this evoking ode to Ibiza.

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Radio Moscow

LP | 2017 | EU | Reissue (Svart)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Formed in 2003, the power trio led by Stratocaster genius Parker Griggs carved their own sonic niche fusing crunching, heavy Black Sabbath -style chords with fiery "Hendrixian" solos and a raw intensity that is addictive and captivating. From the self-titled debut back in 2007, which was produced by Black Keys' Dan Auerbach, over to "Live! In California" from 2016, Radio Moscow proved to be not just a cheap time machine but a direct descendant from the golden age of rock 'n' roll.

"New Beginnings", originally released by Century Media in 2017, is a bong-sparking blowout, packed to the brim with blazing tempos, cartwheeling jams and the wild-eyed shredding of frontman Parker Griggs. Expertly channelling the kaleidoscopic intersection of electric blues and cosmic psychedelia in the late 60s, tracks like Last To Know and Deceiver richly evoke the sense of freewheeling indulgence and improvisational showmanship of that era. Jams build upon jams without any regard for brevity and restraint, in sharp contrast to modern conventions.

Radio Moscow is:

Parker Griggs (vocals, guitar) Anthony Meier (bass) Paul Marrone (drums)

"The band actively evokes all that was great about hard-rock trios of the ‘60s, the Blue Cheers, the Creams, etc., but does it with such gleeful abandon you’ve got to admire both their spirit and whatever time capsule they rode in on. Great fun." – Dave Dimartino / Rolling Stone

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12" | 2022 | EU | Original (Thisbe)

Tetra Seeds EP

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After “Refined”, their first release on Thisbe Recordings back in April 2021, Radial Gaze are back on the Berlin-based independent label with “Tetra Seeds”, their brand new EP. It includes 3 original tracks and three remixes by Dominik Marz, Balam, and label owner Pyrame. The two St-Petersburg-based brothers , Andrey – electronic musician and producer, mixing and mastering engineer – along with Stas – sound designer, guitarist, and theatre director – stay true to their identity : In “Tetra Seeds”, they deliver an irresistible blend of slow techno, ethnic-infused electro, and percussive wonders. Printed on a yellow vinyl, the 6 tracks 12″ is a limited edition with astonishing artwork by Maksim Cherny.

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12" | 2021 | EU | Original (Thisbe)

Refined EP

12" | 2024 | EU | Original (Odd Pleasures)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Andrey and Stas aka Radial Gaze, one of the freshest production duos to emerge from Russia’s vibrant underground scene, are set to release their ‘Refined’ EP on April 23, 2021. Due out on Berlin-based independent label Thisbe Recordings, the project features three original tracks and two remixes. Drawing on Andrey’s background as a resident DJ at Skotny Dvor club and Stas’ background as a sound designer and both theatre and musical director, ‘Refined’ is a perfect representation of the dramatic club music the duo are known for.

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Radial Gaze & Ludviq

Ruins Of Argos

16,79 €* 20,99 € -20%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In Each Other EP Zombies In Miami & Thomass Jackson Remixes EP

12" | 2022 | EU | Original (Urge To Dance)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The indie dance and leftfield techno magicians Radial Gaze join the Urge To Dance family after remarkable releases for labels such as TAU, Feines Tier, Calypso and Eskimo. The Saint Petersburg-based project is accompanied by Thomass Jackson and Zombies in Miami on remix duties for the mesmerizingly exotic “In Each Other” EP. The leading track, In Each Other, is a multi-layered and infectiously danceable combination of addictive bassline, magical Cameroonian drums, Amazonian percussions and mystical marimbas creating a mysterious and exotic track. Psych Subsidy delivers dirty, energising and somehow hypnotic emotions. Entrancing sitars loops, long pitched synthesizer and a twisted old lullaby female vocal will get you on board for an amazing psych-trip. The B-side is where Thomass Jackson and Zombies in Miami deliver their wild and unorthodox remixes of In Each Other. The Thomas Jackson True Love Remix is emotional, hypnotising and yet so trippy, a true testament of Calypso Records Boss’ remixing skills. The second take of the leading track is by Zombies in Miami, a powerful and forward-looking track that blends the hypnotic percussions of the original with a rhythmic bassline and flawless simplicity of all elements used in this remix.

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12" | 2021 | EU | Original (Feines Tier)

Apollonius

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2LP | 2018 | US | Original (Blue Note)

R+R=Now

Collagically Speaking

43,99 €*

LP | 1980 | US | Reissue (Mesh-Key)

Release: 2018 / US – Original

Genre: Organic Grooves

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R+R=NO is a supergroup assembled by Robert Glasper but functionally egalitarian, in no small part because its members are visionary players, composers, and producers on their own: Glasper on keys, Terrace Martin on synthesizer and vocoder, Christian Scott aTunde Adjuah on trumpet, Derrick Hodge on bass, Taylor McFerrin on synth and beatbox, and newcomer Justin Tyson on drums.

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R.N.A. Organism

R.N.A.O Meets P.O.P.O

34,99 €*

LP | 1988 | EU | Reissue (Concord)

Release: 1980 / US – Reissue

Genre: Electronic & Dance

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Much appreciated reissue of R.N.A. Organism’s ‘R.N.A.O Meets P.O.P.O’ (first released by legendary Osaka label Vanity Records in 1980). A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A.O Meets P.O.P.O is a hallucinatory trip of dubby bass, churning guitars, sputtering rhythm boxes, twisted vocals and unidentifiable sound effects.

Carefully remastered by Stephan Mathieu from the original tapes, cut by Josh Bonati, pressed by RTI, and housed in a hefty Stoughton tip-on sleeve. This oedition also includes an expanded insert with an illuminating essay by R.N.A. Organism producer Kaoru Sato.

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R.E.M.

Green

LP | 2024 | JP | Original (Galabox Disx)

Release: 1988 / EU – Reissue

Genre: Pop

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“Green” is the sixth studio album by American alternative rock band R.E.M. and their first release for Warner Bros. Records. Co-produced between the band and Scott Litt, and released in November 1988, the album continued to explore political issues both in its lyrics and packaging. R.E.M. experimented on the album, writing major key rock songs and incorporating new instruments into their sound, including the mandolin, as well as switching their original instruments on other songs.

Upon its release, “Green” was a critical and commercial success. To promote “Green”, the band embarked on an 11-month world tour and released four singles: "Orange Crush", "Stand", "Pop Song 89", and "Get Up".

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Qujila

Sasagemono

38,99 €*

Quinteto Ternura / Trio Ternura

Release: 2024 / JP – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Qujila is back with their first original album in 11 years since the 2013 release of "Futari no Rajio wo Narasou yo." This highly anticipated album features 8 brand-new tracks, recorded with Qujila's signature band sound. Special guests Hiroyasu Yaguchi (sax) and Takashi Saikai (banjo, cho) add their talents to this remarkable release. Yasuo Sugibayashi, who released his first solo guitar and vocal album "Ichibanboshi no Shizuku Mitai da" in 2020, has carefully selected songs from his extensive catalog for this album. The tracks are arranged with distinct themes for each side of the vinyl, creating a cohesive and immersive listening experience. The album cover features photography by Kei Muramatsu, with design by Takashi Hokama and artist photos by Eichi Abe. This release, 11 years in the making, is a testament to Sugibayashi's dedication to his craft and his passion for vinyl.

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Baby / Filho De Zambi

7" | 2016 | UK | Reissue (Mr Bongo)

LP | 2020 | EU | Original (Veleno Viola)

Release: 2016 / UK – Reissue

Genre: Organic Grooves

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We’ve taken a selection of the most in-demand and asked-for titles in our Brazil 45’s catalogue and given them a loving remaster and repress.

This edition takes two hugely sought-after tracks from Quinteto Ternura, and their original outfit Trio Ternura, and cuts them loud and proud on either side of a seven inch.

First up, a hit of pure sunshine from Quinteto Ternura. Trio Ternura, who were made up of two sisters, Jussara, Jurema and their brother Robson, also formed Quinteto Ternura by joining forces with Léo and Zé Roberto. ‘Baby’ is an absolutely killer, blissful Brazilian modern soul jam written by Caetano Veloso, arranged by Arthur Verocai, covering Gal Costa. Once a real rarity in Brazil, this beauty is now accessible for all to enjoy and is one that rarely leaves our record bags. Taken from the Quinteto Ternura self-titled LP from 1974.

On the flip side, ‘Filhos De Zambi’ is an exquisite, uptempo samba-funk cut from the same year, but released as the siblings original Trio Ternura lineup. Infectious, feel-good fire from the trio, co-written by their father Umberto Silva and José Ribamar. Contains a brilliant, harmonised chorus and wondrous key change that is sure to light up any dancefloor.

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Quideau & Yellow Yawn

86-88

21,99 €*

The Long And Short Of It Forest Green Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Quideau and Yellow Yawn are the pseudonyms used by Tingis for experimental and minimal proto-industrial projects, operating in Carrara (Tuscany) during the 80’s. Analog gear and tapes were largely used. Veleno Viola is proud to release for the first time on vinyl this obscure and forgotten material. Limitied to 100 copies – Yellow Vinyl

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Quickly, Quickly

LP | 2021 | US | Original (Ghostly International)

The Long And Short Of It Black Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Debut full length from Portland-based DIY multi-instrumentalist; for Fans of King Krule, Unknown Mortal Orchestra, Thundercat, Shigeto, Mild High Club, Crumb. Portland, Oregon-based musician Graham Jonson started early: playing piano as a toddler, finding the music of J Dilla in fifth grade, and self-releasing singles by age 16. First appearing under the name quickly, quickly in 2017, his project's profile has since grown fervently with fans in the beats-oriented corners of SoundCloud, YouTube, and Reddit. Some of his early tracks tally north of 10 million plays on Spotify. The figure isn't meant to flex as much as it is to point out that Jonson's work has resonated without the traditional industry levers; he is a wunderkind DIY internet success story, but, by his own assessment at the present age of 20, he's only now getting serious. With The Long and Short of It, his Ghostly International debut, Jonson reinvents his project as a full-fledged songwriter, vocalist, and arranger, playing nearly everything from drums to keys and guitar. The resulting sound straddles jazz, hip hop, R&B, and psych-pop while suggesting a wholly genre-less path forward. Recorded during and after a short-lived move to Los Angeles, songs find Jonson cool and comfortable, navigating the planes between anxiety and apathy, distance and desire with lyrical vulnerability and introspection. A student of the Stones Throw catalog (his favorite is Madlib's Quasimoto), Jonson remains rhythm-driven at heart, trusting his instincts in this new palette of organic instrumentation and verse-chorus structure. Tracks glide and bump with tasteful care to tempo as his scene-building and storytelling knack comes into focus. Jonson's past material often suited passive listenership, the kind of bedroom-produced beat music that offers secondary utility and function as a companion to primary activities. The Long and Short of It showcases an evolutionary step into a style that uses chops cultivated in that niche that demand a more active listenership. That attention is rewarded with earworms, dazzling production flare, and earnest, genre-spanning songwriting. Opener "Phases" launches on the radical wisdom of the album's sole vocal feature, courtesy of renowned poet and activist, Sharrif Simmons, who contributes a psychedelic poem spanning cosmic existentialism _ something he wrote off the cuff during a session. As the fiery spoken word unfolds, a frenzy of drum grooves from Micah Hummel and strings from Elliot Cleverdon rise higher into the mix, all setting the stage for Jonson's debut at the mic and keys. The back half of "Phases" shifts into a hypnotic instrumental, the drums interlocking on guitar lines, pausing for a spacious break before reassembling twice as potent, riding into a blissful, cathartic saxophone solo by Haily Naiswanger. "Shee" was written on his girlfriend's guitar and every line glows with uncomplicated adoration. He is captivated in this daydream, which drifts off into a haze of strums and hums. We wake to the looping drums of "Leave It." Above the pattern, layering piano and guitar, Jonson pokes holes in himself _ his "cognitive dissonance," being "too jaded" to see what's right in front of him - the notions blurring back into that haze on an outro of sublime ambient psych-jazz. Jonson returns to the piano for "I Am Close To The River," the place he goes to break a creative rut, as he was the morning this bittersweet melody entered his mind. He says the song is loosely based on a psychonautic experience he had along the Willamette River. Once home, he put the song to paper, over time arranging a bucolic mix of shimmering chimes, saturated percussion, and orchestral strings from Elliot Cleverdon. A highlight on the record's b-side, "Everything is Different (To Me)" features all the traits of the new quickly, quickly in one ambitious suite: a catchy guitar loop, a classic hip-hop drum break, a swell of strings, and sly chord progression changes, all in clever contrast to Jonson's lyrics detailing bouts with lethargy. The album ends on a series of questions in the poignant "Wy," a delightful resignation. Jonson, lonely in LA, spins the hypochondriac wheel and checks off concerns that seem to plague internet dwellers; his neck hurts, his hands are shaky, his stomach feels off. He dismisses his need to self-diagnose and opts to lean into the moment through music. A billowing outro builds on airy synths, his contemplative guitar strums, and a soothing water droplet sound. The comedown is "Otto's Dance," a brief instrumental reverie nodding to one of his favorite Brazilian albums, Milton Nascimento and Lô Borges' Clube Da Esquina. That's The Long and Short of It, a summary of transition, self-validation, and a great leap forward in a young artist's life.

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Quickly, Quickly

LP | 2021 | US | Original (Ghostly International)

Deathfame Ink Stain Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Quelle Chris

LP | 2023 | US | Original (Mello Music Group)

29,74 €* 34,99 € -15%

Deathfame Construction Paper Vinyl Edition

Release: 2023 / US – Original

Genre: Hip Hop

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Limited to 300 copies.
When an artist consistently creates at the forward edge, there are no guardrails. Quelle Chris has been comfortable at the boundaries, leading Hip-Hop since he started.

Quelle’s vision extends beyond genre or format. He continued broadening his creative ambitions even beyond his own legendary four album run (BYIG, Everything's Fine, Guns, Innocent Country 2) and worked with Chris Keys to compose part of the score for the Oscar-winning film “Judas and The Black Messiah” with director Shaka King.

The new album, “DEATHFAME,” is a sonic treatment produced by Quelle himself, along with Chris Keys and Knxwledge. The record carries on like an incredible lost tape found at a flea market. It explores, unflinchingly, every moment of the trials the early 2020s has brought to all of us. Guests Navy Blue and Pink Siifu lend brilliance to the dynamic and unexpected new album coming May 13th on Mello Music Group.

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Quelle Chris

LP | 2023 | US | Original (Mello Music Group)

20,39 €* 33,99 € -40%

CD | 2023 | US | Original (Mello Music Group)

Release: 2023 / US – Original

Genre: Hip Hop

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When an artist consistently creates at the forward edge, there are no guardrails. Quelle Chris has been comfortable at the boundaries, leading Hip-Hop since he started.

Quelle’s vision extends beyond genre or format. He continued broadening his creative ambitions even beyond his own legendary four album run (BYIG, Everything's Fine, Guns, Innocent Country 2) and worked with Chris Keys to compose part of the score for the Oscar-winning film “Judas and The Black Messiah” with director Shaka King.

The new album, “DEATHFAME,” is a sonic treatment produced by Quelle himself, along with Chris Keys and Knxwledge. The record carries on like an incredible lost tape found at a flea market. It explores, unflinchingly, every moment of the trials the early 2020s has brought to all of us. Guests Navy Blue and Pink Siifu lend brilliance to the dynamic and unexpected new album coming May 13th on Mello Music Group.

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Quelle Chris

Deathfame

Quelle Chris & Chris Keys

Release: 2023 / US – Original

Genre: Hip Hop

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Innocent Country (2Dirt4TV) Blood Splatter Edition

LP | 2015 | US | Reissue (Mello Music Group)

29,44 €* 30,99 € -5%

Quelle Chris / Chris Keys

Release: 2015 / US – Reissue

Genre: Hip Hop

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Limited Edition of 500 copies on blood splattered vinyl.

Quelle Chris has recorded with plenty of producers but his bond with Chris Keys extends beyond music. After linking through mutual collaborator Roc Marciano, the two Chris’ became fast friends. About four years worth of hang-out sessions, bong hits, video games and take-out food culminated in 2Dirt4TV3: Innocent Country, a deceptively subtle character study of self disguised as an excellent piece of stoner headnod hip-hop.

Throughout the 33 minutes that comprise Innocent Country, our two protagonists are in synch like a pair of Jaeger pilots. Though the LP certainly has instances of energy and aggression, “Madness In The Oasis” and “Where The Wild Things Roam” are two, more often than not it lives within introspective mid-tempo moments like the languid “Nothing Moves.” Quelle is the wayward MC waxing bittersweet on the reflective “Well Running Deep,” filling Chris Keys’ sweeping string samples with palpable nostalgia. Our peregrine rapper is the lowkey consummate artist, powerful enough to give a rousing performance on the moving “I Asked God,” then turn on a dime and nail the hilarious and self-effacing “Drugfest TooThousandToo.”

Upon repeated listens, one might see that Innocent Country speaks to the blissful naivete of youth. It’s the soundtrack to self-medication as an escape from reality, but it doesn’t jump ship before the inevitable moment of clarity. Innocent Country is a party, but it’s also the morning after and the day before. A sweet experience on the surface, this is therapy billed as reefer night at your man’s spot.

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Innocent Country 2

CD | 2020 | US | Original (Mello Music Group)

Release: 2020 / US – Original

Genre: Hip Hop

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All Again Amber Gold Swirl Vinyl Edition

Queen Of Jeans

LP | 2024 | EU | Original (Memory Music)

LP | 2022 | EU | Original (FatCat)

Release: 2024 / EU – Original

Genre: Rock & Indie

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All Again. That's the title of the upcoming full-length record from Philadelphia's Queen of Jeans. The LP tracks an entire arc that, by the final hazy vibrato wash of "Do It All Again," bleeds back into the ambient first seconds of the record. "Thought I'd call tonight, hear how you're dealing," Miriam Devora sings to a distant lover on opener "All My Friends" in a neon-lit, melancholy tenor, the precise sound of lonesome love. The full band joins her in a beautiful night time sway, but it's still no use: "I got all my friends around, but I'm not home til I'm alone with you."The rest of the record follows this relationship as it tumbles through loneliness and longing, to elation and joy, to pain and anger, and finally to its foggy close, where Devora admits, "If I got to do it all again, I'd find you there like I did back then."Releasing on Memory Music, All Again is principally an enveloping, rich indie-rock record, changing dance partners between cheek-to-cheek '60s pop sweetness, '90s alt-rock dirt, spacious and pained emo, and the songcraft and melodicism of the sharpest acoustic singer-songwriter acts. Devora (vocals, guitar, keys) and Matheson Glass (lead guitar, piano) took extra care this time to create a Queen of Jeans full-length that reflected in sound and structure the emotional depths they were exploring.It's the first time since their 2015 debut, Dig Yourself, that they've had a full band, with drummer Patrick Wall and bassist Andrew Nitz, to build with. Where on releases like 2022's sparkling lockdown-pop Hiding In Place Devora and Glass had gone into producer and mix/master engineer Will Yip's Studio 4 with sketches and worked with Yip to arrange the songs in studio, this time, they went in with a complete vision for the record. That allowed them to use studio time to expand the record's sonic boundaries. "We had a lot more room to play with some of the ear candy we've always wanted to explore and get weirder in the studio," says Glass.Those elements lend a physicality and playfulness t...

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Queasy Pieces

Release: 2022 / EU – Original

Genre: Rock & Indie

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Breaking The Balls Of History

Quasi

LP | 2023 | US | Original (Sub Pop)

Tropics Peach Marbled Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Breaking the Balls of History is Quasi's tenth record, landing ten years after their last record, on February tenth. Three tens, which aligns with the thirty years they've played together. Sam Coomes and Janet Weiss have become Pacific Northwest icons, and Quasi has always felt so steadfast- their enduring friendship so generative, their energy infinite, each album more raucous and catchy and ferocious and funny than the last. But we were wrong to ever take Quasi for granted. For a while, they thought 2013's intricate Mole City might be their last record. They'd go out on a great one and move on. Then in August 2019 a car smashed into Janet's and broke both legs and her collarbone. Then a deadly virus collided with all of us, and no one knew when or if live music as we knew it-the touring, the communal crowds, the sonic church of the dark club-would ever happen again. And with the obliterated normal came an unexpected gift: uninterrupted time, hours every day, to make art. Quasi couldn't go on the road, so they got an idea: they would act as if they were on tour and play together every single day. Each afternoon, Sam and Janet bunkered down in their tiny practice space and channeled the bewilderment and absurdity of this alien new world into songs. Janet's strength returned and rose to athlete-level stamina. The incredible result of those sessions is Breaking the Balls of History, recorded in five days and produced by John Goodmanson at the legendary Robert Lang Studios in Shoreline, WA. Here are two artists at their prime, each a human library of musical knowledge and experience, entirely distinctive in their songcraft and sound. In Quasi-form, the band becomes alchemically even greater than the sum of its parts: Janet's galloping drums and Sam's punk-symphonic Rocksichord and their intertwining vocals make something gigantic, anthemic. In the thick of a cataclysmic social and political moment, they've crafted exquisitely melodic songs that glitter with rage and wild humor and intelligence, driven by a big bruised pounding heart. While it reflects the darkness of our time, Breaking the Balls of History surges with energy and pleasure and joy. "It felt so life-affirming. I can hear in the music how happy I am to be there and to be playing at that level again," Janet said. "I get to exist." Sam and Janet have lived through enough to understand that nothing is permanent, and that when your faith in humanity sinks, you turn to the life force of what you can rely on: the people you trust, the community that claims you, and what you can create. You can't control the time. But you can make a record of a time. And luckily for us, Quasi has again.

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Quantic

12" | 2024 | EU | Original (Aus Music)

12" | 2009 | UK | Original (1XA)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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This EP kicks off a run of four releases from different artists to mark the 200th outing of Will Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass-driven post-dubstep fusions.

Opener 'Tropics' is a fully live disco workout created by some of New York's best session musicians. The perfect celebratory single kicks off the 200 series with irresistible bounce and funky basslines. Dancing keys overflow with feel-good vibes while the chords have subtle hints of a Marshall Jefferson classic. The stirring 'Born Again' is a lush and sweeping groove packed with exuberant live musicianship, distant cosmic arps and splashing cymbals. Soaring up top are the beautifully pained and emotive vocals of Laura Roy, a Grammy-nominated talent who blends 70's folk and 90's r&b into her own style. After the instrumental version comes closer 'Japanese Knives' with its paddy kick drums and organic hits, tumbling fills and heart-warming chord work. It's a classy house vibe for cosy and loved-up 'floors.

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Quantec

Mandragora EP

8,99 €*

Release: 2009 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

The Algorithm Don't Like My Freek

Quaid

LP | 2022 | UK | Original (Apron)

20,99 €*

12" | 2018 | EU | Original (Bordello A Parigi)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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“After the software hallucination of my last record Dreem Static we reboot back into the Metropolis underground: a never-ending computer simulation inhabited by freak machines and rogue algorithms,” says Quaid of his latest release. “Trawling through past and future frequencies to help process today’s hyper-reality.” If this sounds loosely like the plot of a wild and exploratory sci-fi film then that’s because Quaid builds sonic worlds that mirror the breadth, scope and futuristic visions of such films. “Storytelling is a key part of my music making process,” he says. “I’m definitely channelling late 80s and early 90s sci-fi killers like Total Recall, Running Man, Robocop and maybe some Knight Rider in there too. But all respun for the post-pandemic hyper-real craziness of today.” The sci-fi element also fits into Quaid’s incredibly strong visual aesthetic, namely his futuristic and very distinct eye glasses. “The glasses are a Quaid trademark for sure,” he says. “I got the LED lights custom made by a guy in the US who worked on the Cylon outfits for the original Battlestar Galactica.”

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Quadratschulz

La Boum EP

LP | 2020 | US | Original (Badasonic)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Quadratschulz is famed for his unmistakable blend of smooth electro grooves and playful melodies. It is this combination that the German synthman brings to his debut 12” on Bordello A Parigi, La Boum. Four cheer soaked pieces make up the EP with the radiant title piece opening. A cocktail of crisp beats, clean keys and just a twist of acid are blended to produce a fresh and uplifting tune. Braindance and chiptune influences abound, coming to the fore in the squirming and squelching energy of “Unfriend.” Drums and stabbing keys are washed in a light 303 rinse for a mischievous musical medley. The flip is introduced by the rich analogue tones of “Beta Industries.” Lush, this subtle work is moulded with layers of understated snares, crystalline keys and textured pads to create a beautifully delicate piece. The last order, “For Your Mind”, is a tall glass of electrofunk. Razor sharp rhythms are further honed by slashes of vocoder lyrics, cascading notes and some bitter knob jerks culminate to round of the superb La Boum.

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Pyrotechnist

Fire Crackers

Let's Emerge Translucent Yellow Vinyl Edition

Release: 2020 / US – Original

Genre: Reggae & Dancehall

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After Moon Invaders split in 2014, Nico, former drummer and Pierre, former guitarist reconnected during a Slackers' gig in Belgium. They agreed that the Pum Pum Hotel Studio would be the perfect place to experiment a new dub project so they scheduled a date to meet there and give it a try. Just few minutes after entering the studio, the record key was pressed and the first tracks’ recording of Dub Rocketry was on the way. Nico playing drums with Pierre playing bass first and next Nico adding keyboard, melodica, percussions and Pierre adding the guitars. They were joined later by David Loos and Rolf Langsjoen, previously saxophonist and trumpetist of Moon Invaders. It took one year to record the 12 tracks and finish the dub mix using analog tapes machines, vintage effects and vintage instruments. With the help of Chuck Wren, "Dub Rocketry" first LP came out in 2016 on Jump Up Records the famous label from Chicago. They had so much fun doing this first album that they decided to renew the experiment and launched the "FireCrackers" recordings one year later, right on time for the Badasonic Records label creation. "FireCrackers" second LP comes out in February 2020.

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Pye Corner Audio

LP | 2022 | EU | Original (Sonic Cathedral)

31,99 €*

2LP | 2021 | EU | Original (La Casa Tropical)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Pye Corner Audio releases a new album, Let's Emerge!, for Sonic Cathedral. It's his first studio outing for the label following the acclaimed live recording Social Dissonance, which came out earlier this year, and it features Ride guitarist Andy Bell playing on five of its ten tracks. From the first glimpse of the artwork to the first note of the music it's a marked deviation from Pye Corner Audio's more traditional shadowy sounds. Whereas his last outing for Ghost Box (2021's Entangled Routes) was inspired by the underground fungal pathways through which plants communicate, this one is very much above ground, bathed in sunlight and acid-bright psychedelia. "This is a departure to sunnier climes, but a departure nonetheless," says Pye Corner Audio, aka Martin Jenkins. "It's something that I'd been thinking about for a while. I try to tailor my work slightly differently for the various labels that I work with, and this seems to fit nicely with Sonic Cathedral's ethos." Designer Marc Jones' bold and ultra vivid artwork consciously references the likes of LFO, Spacemen 3 and the early output of Stereolab. "I think it mixes together many of my earliest influences," explains Martin. "I've been a long-time fan of Spacemen 3 and Stereolab. Their moments of repetition and drone have always seeped into what I've tried to create. "I was living in a small apartment and I'd stripped down my studio set-up when I was recording this album. This enabled me to focus on a few key pieces of equipment and explore them fully." The recordings were fleshed out by Andy Bell, who Martin first met at the Sonic Cathedral 15th birthday party at The Social in London back in 2019 - the same show that became the live album Social Dissonance. "New alliances were formed and friendships made in that basement in Little Portland Street," recalls Martin. "When I met Andy, we agreed that we needed to work together in some way. After I'd remixed a few tracks from his album The View From Halfway Down, he kindly repaid the favour." The end r...

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PVP

Malende

23,99 €*

12" | 2023 | EU | Original (Indicate)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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After two tracks were successfully taken for a limited Maxi single, the whole album is now available on Double LP - Nicely remastered. Patience, Violet ,and Pinky recorded their first Album in 1992. Knowing each other from the music scene, the back up singers turned friends teamed up with Emmanuel Diale and signed with Mob Music to embark on their music career as their own act. The first two albums were straight African Disco, A leftover sound of the 80's that some had still hoped to capitalize on. By the time they released their third album Why O Nketsa so Baby, loosely translated to "Why are you doing this to me Baby", Kwaito was still called either Disco or International House, and it was new sound that was taking over. The third album was influenced by the Shangaan sound made largely popular by artists like Penny Penny and Peta Teanet. Looking back now, at the time Mob Music was really leading the pack with this new sound. Being one of the last labels to have official releases with artwork and a group of young talented producers given full creative freedom they pushed the sound in a way only few other labels of that time can be given the same credit. For their fourth and final album on Mob Music they worked with legendary producer/songwriter Malcom "X" Makume. With three years of songwriting experience and stellar talent behind the desk the result was the LP Malende. Eight tracks that would combine the early kwaito sound with the more uptempo International House topped off with productions heavily inspired by what had been slowly making its way from Chicago over the last 10 years. At the time they had some success and to this day are well known amongst the real heads. The girls would go on to record one final album once their contract with Mob was up and then after a 5 album catalog would hang up their matching outfits for work a in a newly free South Africa. They remain friends to this day.

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Pusher

Dusk EP

11,19 €* 13,99 € -20%

LP+7" | 2004 | EU | Reissue (Soulciety)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Dublin, Ireland’s Pusher returns to his own Indicate imprint this July with the ‘Dusk’ EP, comprised of two original cuts. Throughout the past decade, Irelands Pusher has been steadily unveiling his take on contemporary House music via his own Indicate label through self-released EP’s across both vinyl and digital. Here, Pusher delivers his latest work with ‘Dusk’, employing Balearic breaks laced with percussive textures and rich chords skilfully crafted with the upcoming summer’s dance floors in mind. Opening the release on the a-side is ‘On My Way’, employing bumpy broken drums, bright piano sequences and cinematic pad lines alongside resonant synth licks and a driving low-end groove. ‘Our World’ follows on the flip side, leaning more towards the Balearic summer sound with choppy keys, airy strings and raw, organic percussion laid out across six and a half minutes

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Push

Push People

24,64 €* 28,99 € -15%

LP | 2024 | EU | Original (Sinah)

Release: 2004 / EU – Reissue

Genre: Organic Grooves

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Original pioneers of rare groove, Push, make a welcome return with an existing and exciting album. Originally released in 2004, now 20 years later it’s still alive and kicking. “Push People” is a cross pollenation of classic underground rare groove and contemporary feel good funk n' soul in the shape of heartfelt songs and incredible instrumental pieces. Push emerged from the underground London club scene in 1987, where they were at the heart of a community that thrived on JB inspired Funk, Blaxploitation soundtracks and raw soul-jazz. Push toured Europe and Japan and were regulars onstage at Gilles Peterson's legendary Dingwalls’ Talking Loud & Saying Something sessions. They have worked with the likes of Style Council's Paul Weller and Mick Talbot and have long provided the soulful foundation for the regular European tours of US divas like Candi Staton and Marlena Shaw. The triumvirate of key band members Crispin Taylor (drums), Ernie McKone (bass) and Mark Vandergucht (guitar) also doubled up as the rhythm section for the innovative Galliano – a conscious and wayward band that sold in excess of 800, 000 albums. Push are one of the mainstays of the Eighties Rare Groove and Acid Jazz scene alongside Brand New Heavies, Young Disciples and Soul II Soul. Push is on a mission, bringing a breath of fresh air and a wealth of musical experience into a very popular scene for people that "Feel the Funk!"

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Purpleston

Soul Keys

23,99 €*

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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12" | 2023 | EU | Original (Pure Hate)

Pure Hate

Thrown To The Wolves EP

12" | 2023 | EU | Original (Key Vinyl)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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To Celebrate their 3rd anniversary Berlin’s Pure Hate Trax hand the reigns to resident artist Slave To Society. Andrew Bowen aka Slave To Society provided the debut EP on the label with his now infamous ‘Path Of Self Destruction EP’ which also featured a remix from UK Techno pioneer Perc. Since then Andrew has gone onto release on some key labels including PI Electronics, Scuderia, Natural Selection, Prspct & his own self titled Slave To Society imprint. This time on remix duty Birmingham born Berlin based Rebekah steps up to remix lead track Thrown To The Wolves. As one of the most respected figures in the world of hard-edged Techno, Rebekah has carved out an infallible reputation as a consummate artist and has established herself as one of the leading UK exponents of the sound currently operating on the global circuit. With 3 Experimental, Industrial, Breakcore originals packed full of Esoteric Noise, Distortion and Breaks with a straight up Hard Techno/Hardcore floor focused remix, Pure Hate Trax stamp their intent as they move into the next chapter. Ph006 is available in stores from 23rd August 2023, distributed by Ready Made Distribution, Berlin. Mastered by Joe Farr. Artwork by Slave To Society. Tracklist: A1. Thrown To The Wolves A2. Divine Ritual B1. Thrown To The Wolves [Rebekah Remix] B2. Assume Nothing

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Pulso & Translate

Kortvåg

LP | 2024 | UK | Original (Open Space)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Inaugurating their first ever vinyl release, KEY Vinyl welcomes young Argentinian duo Translate & Pulso.

Mischievous, sci-fi oriented, yet groovy and grounding sounds. And so it goes: "Ocular Optics" initiates the tour by offering a more laid-back, tooly cadence. Common thread between all tracks, A1 introduces a bleepy arp sequence adding dimension to the strong percussive elements. A punchy kick drum and snippets of a vocal top the whole off- one for layering. "Global Agreement" slightly changes the emotional gear to a more sinister, obscure energy. Powerful low frequencies merge with fluent pads and mysterious bleeps creating a very special ambience- tip.

Proceeding on the B side, "Nodes 2962" definitely makes an impression... A macabre soundtrack shadowing the night deeds of Krueger... Lastly, "Backup Quest" extends the eerie atmosphere which is glued beneath rich, atmospheric textures.

Definitely a pick for the dance floors !

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Puli

Swirling

Public Service Broadcasting

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Open Space is proud to present our first ever full-length LP by LA’s newest 3-man band, Puli. Some words from our dear friend Matt McDermott below: In recent years, a cadre of musicians from the east side of Los Angeles have reestablished the city of angels as the first city of Balearica. Alex Ho’s “Move Through It” followed in the lumbering footsteps of Project Sandro’s “Blazer.” Now, there’s a new landmark for the floating west coast sound. Swirling, the first album from LA supergroup Puli. If you’ve got your ear to the ground you know the names involved here. Drummer and producer Damon Palermo’s pedigree stretches back a good 15 years or so, starting off with dub punks Mi Ami. Phil Cho is one of the busiest DJs, musicians and advocates for the deep stuff in LA, throwing legendary hillside parties under the Third Place banner. John Jones, the preternaturally talented guitarist and electronic tinkerer, records as AV Moves, is a key member of the Suzanne Kraft and Baba Stiltz live configurations and plays in The Trilogy Tapes-affiliated act Geo Rip. But this listing of personnel and credentials puts too fine a point on it. Puli are three close friends who go to parties, DJ and get tacos together, repairing to their Chinatown studio a few times a week and coming out with remarkably textured, idiosyncratic downtempo jams. Building off the solid foundation of their 7-inch of heavyweight dubs for Melbourne’s Constant Delay, Swirling is an exploration of new horizons in chill out. “Ramona” acts a statement of purpose—with halftime/double-time dub-tinged rhythms, hazy yet bright synth motifs and atmospheric guitar from Jones, not terribly far from the expansive approach of Japanese dub aesthetes Pecker. “Cloudy,” meanwhile, is a sort of deconstructed and bittersweet Balearic pop featuring Cho’s ethereal vocals. “Bongo Springs” is steppers’ house not far from close LA peer Benedek or the Mood Hut crew up north. But what truly sets this record apart is the space and layers in the production—while it’s nominally an electronic record, Puli is a band that has slowly crafted these songs in the rehearsal space. “Havana Jam” cruises along a sliding roundwound bass guitar take with dubby chords and textural guitars. Palermo’s hand drums and live percussion enmesh perfectly with icy pads on “Leech Seed Dub.” Cho is back on the mic for the gorgeous closer, “C.S.B.”, underpinned by breakbeat and trunk-rattling sub bass. Puli doesn’t sound like anyone else, and is ultimately reflective of the city itself. Listening to Swirling feels like navigating a warren of side streets in the eternal sunshine. Take the drive and dive.

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This New Noise White Vinyl Edition

2LP | 2023 | UK | Original (Test Card)

29,74 €* 34,99 € -15%

Public Service Broadcasting

Release: 2023 / UK – Original

Genre: Rock & Indie

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Public Service Broadcasting today announce This New Noise, the newly remixed and remastered live recording of their acclaimed 2022 BBC Proms show at London’s Royal Albert Hall, released on 8 September 2023 via Test Card Recordings.

A celebration of the power of radio written in recognition of the centenary of the BBC, This New Noise saw the band joining forces with the 88 piece BBC Symphony Orchestra, conducted by Jules Buckley. A standout performance from 2022’s BBC Proms, it received 5*s in The Telegraph who called it “a resonant, timely and ultimately touching show”. Founder member J. Willgoose, Esq. remixed the concert from scratch, bringing out even more depth and texture from a multi-layered performance and showing it in a new light.

This New Noise is the second time Public Service Broadcasting have been commissioned for the BBC Proms. In 2019 the band performed an orchestral arrangement of their 2015 studio album The Race for Space with The Multi-Story Orchestra to mark the 50th anniversary of the first manned mission to the Moon.

In conjunction with the announcement, the band shares "Broadcasting House"

Public Service Broadcasting have been “teaching the lessons of the past through the music of the future” for more than a decade now. 2013’s debut album Inform - Educate - Entertain used archival samples from the British Film Institute as audio-portals to the Battle Of Britain, the summit of Everest and beyond. Two years later, The Race For Space used similar methods to laud the superpowers’ rivalry and heroism in orbit and on the Moon. An indie DIY phenomenon the album has remarkably since achieved gold disc status having sold over 100,000 copies in the UK alone. In 2017, joined by voices including Manic Street Preachers’ James Dean Bradfield, Every Valley was a moving exploration of community and memory via the rise and fall of the British coal industry.

Their most ambitious undertaking yet, Bright Magic brought the listener to Europe’s heart and de facto capital, the cultural and political metropolis that is the ‘Hauptstadt’ of the Federal Republic of Germany – Berlin. Released in late 2021, and debuting at No 2 in the UK album chart, the band’s fourth album was described by Electronic Sound as “their most ambitious, leftfield and majestic work to date, their glorious creative peak, their magnum opus”, DIY said “it flourished at its most calm and erupted at its most fervent” and Clash said it “cemented PSB's reputation as a vital act right at the top of their game”. The album also featured multiple BBC Radio 6 Music A-Listed singles, including “People, Let’s Dance” [ft. Eera] and “Blue Heaven” [ft. Andreya Casablanca].

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This New Noise Black Vinyl Edition

2LP | 2023 | EU | Original (Test Card)

34,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2011 | US | Reissue (Jagjaguwar)

Pterodactyl

Spills Out

LP | 2021 | EU | Original (Pelagic)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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On third album Spills Out, Brooklyn noise-punk mischief-makers Pterodactyl have mutated from their abrasive loft-show roots into a glorious, broken-pop juggernaut. The band's squealing, sweat-soaked art-bustle had rapidly put them alongside contemporaries like Oneida, These Are Powers and Parts & Labor; but Spills Out gently leads the trio towards the uplifting, wistful harmonies of '60s rockers like The Zombies, CSNY and the pre-acid Beatles. Pterodactyl's onomatopoetic barks have been replaced by a luxurious three-part croon; their adenoidal squawk has been expanded to include Spectoria...

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Psychonaut / Saver

Emerald - Split Album

21,99 €*

People Are Giving And Receiving Things At Incredible Speeds

Release: 2021 / EU – Original

Genre: Rock & Indie

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Classic Black Vinyl!

Psychonaut and SÂVER are akin in many ways: both artists embody and explore corporal, physical heaviness in their sound as much as spirituality and philosophy, both artists often stretch their compositions close to the 20 minutes mark, and both artists redefine the concept of the classic power trio within a context of genre-bending, modern heavy music: where SÂVER plea for calculated minimalism, PSYCHONAUT employ an arsenal of percussion instruments on their recordings, and it is even more so astonishing how well they manage to reduce the polyphonic assault to the trio in a live setting.
Psychonaut and SÂVER, are two bands sharing a side apiece on this Emerald split LP. The Belgian troupe lead off with the 16-minute “The Great Realisation,” bringing progressive textures and patient melodic build en-route to a satisfying onslaught, volume trades not necessarily unpredictable but welcome nonetheless, as Norway’s SÂVER follow with the 19-minute “Dimensions Lost, Obscured by Aeons"
PSYCHONAUT literally came from out of nowhere - Mechelen, Belgium, to be precise.
Their 2020 album Unfold The God Man showcases excellent musicianship and song writing abilities, heavily influenced by 70’s bands like Led Zeppelin and Pink Floyd, but also drawing inspiration from contemporary heavy artists like Tool or
Amenra.
SÂVER from Oslo, Norway delivered an equally astounding debut album of sublime heaviness, shimmering moogs, abrasive vocals and a devastating, gnarly bass tone. Their jaw-dropping performance at the renowned Oya Festival in Oslo in the summer before the pandemic, accompanied by mesmerizing visuals on a huge screen, was a foreboding of what to expect from this band in the future.
The pandemic caused harm, but it also granted time.
Ole Rokseth took this time and translated it to magic, giving birth to the first half 'Dimensions Lost' with his arsenal of synthesizers recorded in different studios around Oslo. The contrast to the latter half 'Obscured by Aeons', the dissonance between the soft and eerie and the furious anger, is a reflection of the key element we want to incorporate in our sound. The void between darkness and light. Ole Rokseth´s extended use of clean vocals gives SÂVER the power to emphasize this even more on 'Emerald'.

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Proswell

12" | 2021 | EU | Original (Central Processing Unit)

Bonne Chance à Toi / I'll Stay With You

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Since emerging in the early 2000s with releases on the seminal Merck label, Proswell (Joseph Misra) has proven to be one of the most original voices in IDM. People Are Giving And Receiving Things At Incredible Speeds (pagartais), his debut on Sheffield's Central Processing Unit, is another Proswell record which overflows with creative energy. Containing five widescreen electronic epics, Pagartais showcases some of the most ambitious work in the discographies of both artist and label.
The core sonic palette of Pagartais is one schooled in the IDM and electronica sounds of imprints like Rephlex Records, B12 and Skam. These tracks are helmed by thick washes of keys, an array of playful synth tones and drums so deft it's sometimes hard to tell whether they have been programmed or played live. However, across almost forty minutes of music here Proswell explodes preconceptions about genre and form, his music gleefully jumping from one new sound to the next while assimilating electro, prog, computer game music, post-jazz and pretty much everything in between.
Opener 'Pagartais I' sets the tone for the rest of the record. This is a track which never sits still - beginning with a distorted melee of drums that comes off like a strange new version of breakbeat, 'Pagartais I' moves through some thrillingly idiosyncratic takes on Rephlex-school IDM, stargazing Detroit electro and The Comet Is Coming's futurist electronic jazz across its near-ten-minute runtime. Following number 'Pagartais II' is no less impressive, referencing the hyper-modern computer sounds of Iglooghost and Kai Whiston while containing a driving opening section which could have soundtracked one of the legendary Wipeout games.
Although this fabulously unpredictable record often zips along at high speeds, Proswell is also able to dial things back when he needs to. Indeed, the second half of Pagartais finds him slowing down a tad in order to deliver some of the album's most atmospheric material - 'Pagartais Iii' blends cutting-edge electronics with sonorous jazz harmonies and fizzing improvised lead lines, the mysterious 'Pagartais IV' is a sort of freeform variation on the maximalist, colourful electronica of Galaxy Garden-era Lone, and the slinking computerised Braindance number 'Pagartais V' recalls Calum Gunn's recent CPU drop Addenda.
Really, though, none of these comparisons quite do justice to the inventive capacity of this music - Proswell's in a lane of his own here. An incredibly innovative fusion record that takes in IDM, prog, computer music, electro and plenty more besides, People Are Giving And Receiving Things At Incredible Speeds (pagartais) is the sound of a unique musical mind in full flight.
Riyl: Calum Gunn, Kai Whiston, Iglooghost, Rustie, Bogdan Raczynski

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Promo 84-88

7" | 1970 | FR | Original (P.A.I.)

4,99 €*

Curses From The Past Times

Release: 1970 / FR – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

Back cover is slighty discolored.

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Proleter

LP | 2011 | EU | Reissue (Banzai La)

22,99 €*

Gilt Lime Green Vinyl Edition

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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His first album, critically acclaimed and certified with a platinum single, places the French producer as a key player on the independent beatmaking scene.

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Profit Prison

12" | 2024 | EU | Original (Avant!)

12" | 2024 | EU | Original (Avant!)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Four years and one pandemic after his latest Dreams Of A Dark Building EP, the herald of dungeon synth pop is finally back from his shallow grave.

Life has not been gentle with Seattle-based solo producer Parker Lautenschlager over the past few years, imposing its unpredictability and forcing him to channel all the feelings that come with it into Profit Prison’s music.

It’s no surprise that his first full-length album Gilt marks one futher step towards the dark corners of italo / hi-nrg body music. Typical Profit Prison’s vocals and melodies, reminiscent of OG synth masters Kraftwerk, Giorgio Moroder and Orchestral Manoeuvres in the Dark, are still here, buried in the mix and waiting to haunt the listeners and drag them down in one sulfurous dancing spiral.

Lead single Sophia juxtaposes some weirdly camouflaged vocals with one heavenly chorus that seems willing to revive your fortunes while instead it literally sings “But I lost it all”. A Matter Of Tact displays pop escapism over some throbbing minimal synth tension, Seven Words sounds like a throwback to 70’s italo filtered through the eyes of a 21st century punk rocker. Katalina has a rampant synth à la Carpenter climbing over a story of loss and Katalina, An Ascetic is a solo ramble reaching for the inner light on a carpet of cold keys.

What’s more, tracks got longer in Parker’s recent songwriting, with most of the songs being now five minute long and reaching peaks of seven minutes with the closing, almost progressive disco jam of A.R.P. (Amphetamine Research Project), nothing short of a lucid dream on the floor of Studio 54.

Last but not least, the artwork by French artist Robin Roche delivers medieval-yet-punk graphic vibes to match just perfectly the sounds on this record.

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Profit Prison

Gilt Black Vinyl Edition

22,49 €* 24,99 € -10%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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X1 (Pro-Ject Pick it S2 MM)

854,00 €*

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Pro-Ject‘s classic turntable design reimagined!

Real high-end features – True audiophile sound

The X1 is based on the same concept as the P1, but improved in every aspect thanks to modern materials and new production methods. Inside it houses a sophisticated DC/AC generator board which, combined with the convenient speed control board, delivers clean and stable power to the quiet-running motor. For even further improved performance, the motor is decoupled from the main plinth using a new motor suspension system. In the X1, the motor drives a new, heavy, non-resonant Acryl platter via a sub-platter drive system and a premium grade main bearing for liquid smooth rotation.

The X1 is also better than its predecessors, thanks to the super-stiff, perfectly tempered Carbon/Alu sandwich construction tonearm. This new 8.6” tonearm design is incredibly light and stiff, with improved resistance to external interference. Finished as a one-piece, with no resonance-inducing headshell, the X1 can also be set for azimuth and VTA adjustment. The tonearm is then supplied with a TPE-damped counterweight, further reducing cartridge-tonearm resonances.

Supplied with a brand new Pro-Ject Pick it S2 MM cartridge, manufactured by the cartridge experts at Ortofon but voiced by the design team at Pro-Ject, it can be ready to play within a few minutes of unboxing. Also supplied in the box is our Connect-IT E RCA cables, a semi-balanced, low-capacitance cable with superior shielding that’s optimized for turntable use. Lastly, height-adjustable feet in their Alu/ TPE sandwich construction are a very exclusive but necessary feature to level up the turntable and effectively isolate it from the surface it is place on. The X1‘s 8 layers of painting and the hand-polished finish guarantee its luxury appearance.

In the box:

X1 with Pick it S2 MM cartridge
Connect it E RCA Cable
Dust cover
Adapter for 7“ singles
Round drive belt for 78 r.p.m.
Power supply, allen key

Features
Speed control with electronic speed switch for ultimate speed stability
Carefully isolated motor for less vibration and noise
Sub-platter with extremely low 0.001mm bearing tolerances
Stainless steel platter-bearing with soft brass bushing and teflon mirrors for lowest rumble and noise, and a stable, accurate speed transmission
Resonance free, 1.5 kg heavy acryl platter
8,6” carbon/alu sandwich tonearm with best internal damping and TPE damped counterweight
Kardan ultra-low friction 4 pin point precision tonearm bearing
Ortofon Pick it S2 MM cartridge newly developed with Ortofon
Massive and heavy, precision CNC‘d MDF chassis
Luxury 8 layers of painting and hand-polished finish or real-wood, satin-waxed veneer
Super shielded, semi-symmetrical, low-capacitance Pro-Ject phono cables
Height adjustable, aluminium feet for massively reduced risk of acoustical feedback
Handmade in Europe

Technical Specifications
Speed 33, 45, 78 (electronic speed change)
Principle belt drive
Speed variance 33: 0.30% 45: 0.25%
Wow & flutter 33: 0.15% 45: 0.13%
Platter 20mm thick, 1.5 kg heavy acryl
Main bearing stainless steel/brass
Tonearm 8,6” carbon/aluminium sandwich
Effective arm length 218,5 mm
Overhang 18 mm
Effective tonearm mass 10,0g
Tracking force range 0 - 30mN
Included accessories 15volts DC /0,8A power supply, Dust cover, Connect it E Phono cable, feltmat
Power consumption 5,0 watts max /< 0.3 watt standby
Dimensions 415 x 125 x 335 mm (WxHxD)
Weight 7 kg net / 9.5 kg gross weight

Manual: https://www.project-audio.com/wp-content/uploads/2019/04/X1-Manual.pdf

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X1 (Pro-Ject Pick it S2 MM)

854,00 €*

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T1 Phono SB (Ortofon OM 5E)

426,00 €*

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Preorder shipping from 2024-11-08

New Generation Audiophile Entry Level Turntable

Built-in Phono Stage & Electronic Speed Switch – Made in Europe

The stylish CNC-machined plinth of the T1 features no plastic parts and is carefully manufactured to ensure there are no hollow spaces inside, therefore avoiding unwanted vibrations within the chassis. Carrying this philosophy through the design, the glass platter is also a heavy, zero-resonance design. Finally, the purpose-chosen turntable feet also do a good job of isolating the T1 from ambient vibrations around your hi-fi system. In the T1 the motor drives a belt-system, attached to a newly designed sub-platter, which is mounted into an ultra-precise 0.001mm main bearing with a hardened steel axle and brass bushing. The tonearm new tonearm has an effective length of 8.6”. This one-piece aluminium tonearm also features low-friction bearings for absolute accuracy in use. The T1 comes with a pre-adjusted Ortofon OM 5E Moving Magnet cartridge and is ready to use right out of the box. Also super shielded, semi-symmetrical, low-capacitance Pro-Ject phono cables are included.

Compared to the base T1-model, the Phono SB version includes a built-in, Pro-Ject designed, high-quality phono MM stage and an electronic speed switch between 33 and 45 RPM. For the drive system, where most alternative products may use unregulated DC motors with wide speed fluctuations, the T1 Phono SB features our proven system of an electronically regulated, precision-speed AC motor.

In the box:

T1 Phono SB with Ortofon OM 5E cartridge
Connect it E Phono Cable
Felt mat
Dust cover
Adapter for 7“ singles
Power supply
Allen key, stylus pressure gauge

Features
Precision belt-drive with accurately regulated speed stability and electronic 33/45 RPM speed change
Built-in switchable phono stage - no external phono preamp required
Anti-resonant sub-platter design
Heavy 8mm, zero-resonance blasted-glass platter
Precision CNC‘d heavy full chassis: NO hollow spaces, NO plastic
Ortofon OM5e moving magnet pickup
8,6“ highly precise and light aluminium tonearm
Low friction, vibration free tonearm bearing
One-piece tonearm design with integrated headshell
Super shielded, semi-symmetrical, low-capacitance phono cables - purpose designed by Pro-Ject
Vibration absorbing feet
Elegant dustcover with adjustable hinges
Available in High-Gloss Black, Matt White and Walnut
Hand-made in Europe

Technical Specifications
Speed 33,45 (electronic speed change)
Principle Belt drive
Speed variance 33: 0.7% 45: 0.6%
Wow & Flutter 33: 0.25% 45: 0.23%
Platter Heavy 8mm, blasted-glass platter with felt mat
Main bearing Stainless steel/brass
Signal to noise 65dB
Tonearm 8.6” aluminium
Effective arm length 218.5 mm
Overhang 22.0 mm
Effective tonearm mass 8.0 g
Counterweight for mass 5 - 10g (pre-mounted)
Tracking force range 0 - 50mN (17.5 mN pre-adjusted)
Outputs RCA Phono/Line (switchable)
Included accessories dustcover, feltmat, high quality Connect it E RCA Phono cable
Built-in Power Supply 110 - 240V/50, 60Hz; 15 V DC 800mA
Power consumption 4.5 Watt max
Dimensions 415x100x335 mm (WxHxD)
Weight 3.8 kg net

Manual: https://www.project-audio.com/wp-content/uploads/2019/04/PJ-T1-PhonoSB-Manual.pdf

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T1 (Ortofon OM 5E)

350,00 €*

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Audiophile Entry Level Turntable

A New Generation of Turntable – Made in Europe

The stylish CNC-machined plinth of the T1 features no plastic parts and is carefully manufactured to ensure there are no hollow spaces inside, therefore avoiding unwanted vibrations within the chassis. Carrying this philosophy through the design, the glass platter is also a heavy, zero-resonance design. Finally, the purpose-chosen turntable feet also do a good job of isolating the T1 from ambient vibrations around your hi-fi system. In the T1 the motor drives a belt-system, attached to a newly designed sub-platter, which is mounted into an ultra-precise 0.001mm main bearing with a hardened steel axle and brass bushing – just like our Essential III turntables. The tonearm new tonearm has an effective length of 8.6”. This one-piece aluminium tonearm also features low-friction bearings for absolute accuracy in use. The T1 comes with a pre-adjusted Ortofon OM 5E Moving Magnet cartridge and is ready to use right out of the box. Also super shielded, semi-symmetrical, low-capacitance Pro-Ject phono cables are included.

In the box:
•T1 with Ortofon OM 5E cartridge
•Directly soldered Connect it E Phono Cable
•Felt mat
•Dust cover
•Adapter for 7“ singles
•Power supply
•Allen key, stylus pressure gauge

Features
•Belt-driven
•Anti-resonant sub-platter design
•Heavy 8mm, zero-resonance blasted-glass platter
•Precision CNC‘d heavy full chassis: NO hollow spaces, NO plastic
•Ortofon OM5e moving magnet pickup
•8,6“ highly precise and light aluminium tonearm
•Low friction, vibration free tonearm bearing
•One-piece tonearm design with integrated headshell
•Super shielded, semi-symmetrical, low-capacitance phono cables - purpose designed by Pro-Ject
•Vibration absorbing feet
•Elegant dustcover with adjustable hinges
•Available in High-Gloss Black, Matt White and Walnut
•Hand-made in Europe

Technical Specifications
•Speed 33,45 (manual speed change)
•Principle Belt drive
•Speed variance 33: 0.7% 45: 0.6%
•Wow & Flutter 33: 0.25% 45: 0.23%
•Platter Heavy 8mm, blasted-glass platter with felt mat
•Main bearing Stainless steel/brass
•Signal to noise 65dB
•Tonearm 8.6” aluminium
•Effective arm length 218.5 mm
•Overhang 22.0 mm
•Effective tonearm mass 8.0 g
•Counterweight for mass 5 - 10g (pre-mounted)
•Tracking force range 0 - 50mN (17.5 mN pre-adjusted)
•Included accessories dustcover, feltmat
•Built-in Power Supply 230V 50Hz (US: 110V 60Hz)
•Power consumption 3 Watt max
•Dimensions 415x100x335 mm (WxHxD)
•Weight 3.8 kg net

Manual: https://www.project-audio.com/wp-content/uploads/2020/07/T1_T1_Phono_SB_T1_BT_Manual.pdf

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Speaker Box 5 S2 (Paar)

649,00 €*

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Speaker Box 5 S2 (Paar)

649,00 €*

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Primary E Phono (Ortofon OM)

329,00 €*

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Audiophile Plug & Play turntable - Made in Europe!

Built-in phono stage and switchable phono/line output

With a smart tonearm design we were able to combine pure sound quality with an easy setup. Our Plug & Play design with pre-adjusted tracking force and anti-skating for the included Ortofon OM cartridge has saved us costs and is extremely efficient in handling for our customers.

No compromise in sound: On contraire, the lightweight and low friction aluminium tonearm is optimized for the Ortofon cartridge and will bring out its maximum potential. Also the vibration absorbing feet isolate the turntable from the surface it is place on to deliver the best sound possible. The Primary E Phono is equipped with a switchable phono/line output, so it can be run with a dedicated external phono preamp or with the integrated phono preamp connected to a line input (for example AUX, CD, Tuner, Tape, etc.). With intelligent construction and without needless features we were able to keep the price attractive, despite this product being handmade in Europe. This way we‘re able to offer our customers the sound quality they deserve!

In the box:

Primary E Phono with Ortofon OM cartridge
Gold-plated RCA Phono Cable
Felt mat
Dust cover
Adapter for 7“ singles
Power supply
Allen key, stylus pressure gauge

Features
Built-in phono stage
Switchable phono and line output
Belt-drive with synchronous motor
Ortofon quality OM cartridge
Vibration absorbing feet
Machined special composit fibre chassis
Light-weight, high-precision aluminium tonearm
Sapphire tonearm bearing
Gold-plated contacts
Stainless steel bronze bushing
Elegant dust cover with adjustable hinges
Silicon belt with optimum damping
Handmade in Europe

Technical Specifications
Outputs RCA Phono/Line
Speed 33, 45 (manual speed change)
Principle Belt drive
Speed variance 33: 0.8% 45: 0.7%
Wow & Flutter 33: 0.29% 45: 0.27%
Platter 300 mm with felt mat
Main bearing Stainless steel
Tonearm 8.6” aluminium
Effective arm length 218.5 mm
Overhang 22.0 mm
Effective tonearm mass 8.0 g
Counterweight for mass 3 - 7 g (supplied)
Tracking force range 0 - 25mN (18mN pre-adjusted)
Included accessories Dust cover
Power consumption 4.5 Watts max
Dimensions 420 x 112 x 330mm (WxHxD)
Weight 4.0 kg net

Manual: https://www.project-audio.com/wp-content/uploads/2018/09/PJ-Phono-Primary-E-Phono_Userguide-140818.pdf

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Pick it PRO - Tonabnehmer

149,00 €*

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Audiophile MM Cartridge

Lively & robust with a high dynamic range

Intensive research, development and listening tests have been necessary to gain the the desired sound from the new Pick it PRO.

THE DIFFERENCE IN SOUND
Cartridges are electromechanical transducers, where mechanical energy is transformed into an electrical signal. The real difference in sound happens here. The colour and life of the music come from the cartridge.
You cannot judge the cartridge by looking at just one specific part. Experience and the art of fine-tuning make a cartridge unique and special. The perfect combination of components is the key to achieve the great charismatic sound of the Pick it PRO.

Technical Specifications:
• Cartridge principle: MM (Moving-Magnet)
• Output voltage at 1 kHz: 4 mV
• Channel separation at 1 kHz: 22 dB
• Tracking ability at 315Hz: 70 μm
• Frequency response: 20 - 20 000 Hz +/- 2dB
• Stylus type: Elliptical
• Stylus tip radius: r/R 8/18 μm
• Tracking force, range: 1,8 - 2,2 g (mN)
• Tracking force, recommended: 2,0 g (mN)
• Tracking angle: 20°
• Internal impedance, DC resistance: 750 Ohm
• Internal inductance: 450mH
• Recommended load resistance: 47kOhm
• Recommended load capacitance: 150-300pF
• Cartriddge weight: 7,2 g

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Phono Box E

79,00 €*

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Phono preamplifier

Phono Box E: Pure vinyl listening pleasure at an absolute bargain price!

Today, many amplifiers do not have a specific phono cartridge input. Phono Box E is an ideal phono preamplifier for these hifi systems. Phono Box E accepts MM cartridges and offers an audiophile music experience at an entry level price. Advanced circuitry and SMD construction keep noise and distortion at a surprisingly low level. A built-in internal shielding and an outboard DC power supply leave no risk for external interference. Because of its small casing, Phono Box E can be placed near the turntable. Input and output sockets are gold-plated for preservation of quality. Phono Box E can be connected easily to a line-input (AUX etc) of your amplifier.

Features:
• Amplification and RIAA equalisation for MM cartridges
• Design principle inspired by Dr. Sykora
• SMD circuitry
• Special low noise components
• Internal metal shielding
• Small size allows installation close to record player
• Gold plated RCA connection sockets
• Outboard power supply included
• Black casing

Technical Specifications:
• Input impedance: 47 kohms
• Input capacitance: 120 pF
• Gain: 40 dB
• Output voltage(typically): 500mV/ 1kHz at 5mV/1kHz
• Noise floor: 88 dB (A weighted)
• THD: <0,05%
• RIAA deviation: deviation max. 0.5 dB/ 20 Hz - 20 kHz
• Input: 1 pair RCA socket
• Output: 1 pair RCA socket
• Outboard power supply: 18 V/500 mA DC; 220 - 240 V, 50 Hz
• Standby power consumption: < 1 watt
• Power consumption: 20 mA DC
• Dimension W x H x D (D with sockets): 120 x 32 x 100 (106) mm
• Weight: 269 g without power supply

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Debut PRO White Edition (Ortofon 2M White)

799,00 €*

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After the Debut Carbon EVO revolutionized the Debut series in 2020, the Debut PRO raises the bar even higher.

A MILESTONE FOR THE NEXT DECADES
The Debut PRO brings an absolutely new design to Pro-Ject turntables. The audiophile turntable is convincing in all respects – not only visually, but more importantly also in terms of sound.
The precision CNC milled parts are optically perfectly coordinated and lead the Debut PRO to its modern simple, elegant and unprecedented design. The nickel finish of all these aluminium components result in a hard, resistant surface. This process enables us to produce very high-quality and sustainable components and avoid plastics and similar materials that continue to age over time and would more importantly also degrade sound quality.

The tonearm bearing is a completely new design. Precision CNC'd out of a single block of aluminium, you can see all the production stages above. The last step is putting a nickel finish on it. This will increase the rigidity of the bearing, ensuring free and fluid movement of the tonearm and precise tracking without material degration in looks or function.

DEEPLY DRIVEN
The electronically regulated synchronous motor drives the platter and guarantees the most accurate and stable speeds. Change between them easily with the toggle switch. With the supplied round belt for 78 rpm you can also listen to your shellac records.

A NEW PLATTER – A DEEPPER DISH
The new Debut PRO platter is a first on any Pro-Ject turntable. It features a notch for the record label and together with our Record Puck PRO (available separately) the puck's weight will press your record tightly against the platter. The die-cast aluminium platter is reworked and precision balanced in an extra step to obtain an evenly spinning platter. It is anti-magnetic, allowing MC cartridges to work properly. Delve deep into the vast upgrade path the Debut PRO has to offer!
The anti-magnetic heavy aluminium platter has a ring made of TPE (thermoplastic elastomer) on the inside that helps to dampen all resonances and minimizes wow and flutter. Our seperately available Record Puck PRO provides an extra level of damping and stability, so it is the perfect add-on for the Debut PRO.

HYBRID TONEARM
The new Debut PRO features a one-piece carbon-aluminium sandwich tonearm. The carbon layer gives the tonearm a high degree of rigidity, while the inner aluminium tube takes over the damping of the tonearm. This makes the tonearm perfect to be upgraded with higher-end MC cartridges!

AZIMUTH & VTA ADJUSTMENT
The newly designed tonearm base allows you to adjust both the azimuth and the vertical tracking angle (VTA). The tonearm height can be continuously adjusted by loosening the two grub screws. These settings give you the option of adapting the tonearm to height changes allowing the use of different turntable mats or other cartridges to always achieve the best sound quality. Setting and experimenting with the VTA & Azimuth is crucial in extracting every last bit of performance out of your cartridges.

Features:
Pick it PRO
Lively and robust sound
The perfect combination of components is the key to achieve the great sound of the Pick it PRO.

Nickel Coating
Sustainable components
The nickel finish of the aluminium components results in a hard, resistant surface.

Hybrid Tonearm
Carbon Aluminium Sandwich
This super stiff and uniquely dampened tonearm ensures perfect tracking of the record groove.

VTA & Azimuth
Fully adjustable
The Debut PRO comes with fully adjustable Azimuth & VTA. It offers you the possibility to modify your turntable as you want it.

33/45/78 RPM
High precision motor control
The playback speeds are electronically controlled with precision, which guarantees the most accurate and stable music reproduction. Change between speeds easily with the toggle switch.

Bearing block
Complete new design
The precision CNC milled and nickel coated tonearm bearing parts are completely new and designed just for the PRO.

Special Platter
TPE damped & anti magnetic
The heavy aluminium platter has a ring made of TPE (thermoplastic elastomer) on the inside that helps to dampen all resonances and minimizes wow and flutter.

Metal Feet
Damped & height adjustable
The three height adjustable damped aluminium feet guarantee the perfect stand & massively reduce risk of acoustical feedback.

Technical Specifications:
• Speed: 33, 45/(78) (electronic speed change)
• Drive principle: belt drive with electronic speed control
• Platter: 300mm, die cast aluminium platter with TPE damping and felt mat
• Platter bearing: high precision stainless steel axle in bronze bushing
• Wow & flutter: 33: +/-0,16%; 45: +/-0,14%
• Speed drift: 33: +/-0,40%; 45: +/-0,50%
• Signal to noise: 68dB
• Tonearm: 8,6” one-piece carbon-aluminium tonearm
• Effective arm length/mass: 218,5 mm / 10,0 g
• Overhang: 18,5mm
• Included accessories: 15V DC / 0,8A power supply, dust cover, 78 RPM round belt, 7‘‘ single adapter
• Power consumption: 4W / 0W standby
• Dimensions: 415 x 113 x 320mm (WxHxD)
• Weight: 6 kg net

Manual: https://www.project-audio.com/wp-content/uploads/2021/07/PJ-Phono-DebutPro-Manual.pdf

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BT Box S2 HD

199,00 €*

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BT Box E HD

159,00 €*

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12" | 1992 | UK | Original (Kaos)

Pro-Gressive

So Alive

3,99 €*

Release: 1992 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

All That I Wanted Was You / Fantasy

Private Funk-Shun

7" | 2022 | UK | Original (Freestyle)

LP | 2020 | EU | Original (Anette)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Another brit-funk single excavated by Freestyle Records, Private Funk-Shun's super-rare All That I Wanted Was You / Fantasy 7" originally released in 1986 has been officially licensed, remastered and pressed up in a limited 45 run for all those who can't jive with dropping hundres of pounds on an OG copy!
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Private Funk-Shun were a band formed in 1984 originating from the Loughton and Tottenham areas of north east London & Essex, and featured the vocal talents of Maxeen Edman-Messam - who would later go on to find fame in the early 1990s as key street soul artist Maxeen.
Originally performing under the name of Slipstream, but changing to Private Funk-Shun in 1985 after finding out another group were operating under with the same name, they toured around London & South East bringing a dedicated brit-funk following with them. Despite writing approximately 20 original tracks in their time, this self-released two-track 7" from 1986 was their only official output and has since become a certified rare groove, fetching upwards of £250 on the secondhand market.

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Prison Kit

Uhrwerk

Release: 2020 / EU – Original

Genre: Hip Hop

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Princess Goes To The Butterfly Museum

Thanks For Coming

2LP (Morphonic)

33,99 €*

Genre: Pop

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Fall In Love In Outer Space / Reworks

Prime Time Band

12" | 2022 | EU | Original (Too Slow To Disco)

Seven Keys To The Discomfort Of Being

Release: 2022 / EU – Original

Genre: Electronic & Dance

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DJ Supermarkt came across this rare private press 7 Inch a long time ago, and since tried to locate the band to include the track on his Too Slow To Disco compilation series. After years he found bandleader Jeff Wollman, who gave Tstd permission to finally rerelease this funky space beauty for the first time on the new compilation Tstd 4. The story could have ended here, but Jeff and DJ Supermarkt went one step further, and came up with the plan to give the track to a few selected producers for new versions/reworks. We contacted our favorite smooth space approved producers of today, and they all said “Yes” and we are super proud to now give you: The Reworks!

About Prime Time Band: Some bands excel at turning up, turning it on and getting the job done. Prime Time Band have spent an unlikely 38 years in the business as we write, throwing down a smooth, funky-yet-jazzy set for discerning listeners in the USA, Japan and beyond. “Fall in love in outer space”, their 1986 almost-hit, hits that sweet spot between 80s funk-pop and the disco era’s love of anything galaxy-tinged. Guy Maxwell (bass), Larry Vann (drums), Jeff Wollman (keys), Kenn Peterson (guitar) and Tom Marken (vocals) gifted us a rather delicious spacey groover that feels as ready for

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Predatory Void

LP | 2023 | EU | Original (Century Media)

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (100%)

Precipitation

Glass Horizon

LP | 2024 | UK | Original (Worried Songs)

Release: 2022 / US – Original

Genre: Electronic & Dance

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The first full-length vinyl collection by Tokyo-based producer Zefan Sramek aka Precipitation crystallizes his evolving synthesis of new age ambience, tape hiss, and house music into a riveting suite of motion and mirage: Glass Horizon. Field recordings of tidepools, birds, and cicadas crossfade into fluid mandalas of bass, keys, and drum machinery, while synths glide and glisten, rising like heat off sand.

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Prairiewolf

Deep Time

12" | 2019 | EU | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

Prairiewolf make easy listening music for an age of fracture. They almost do it in spite of themselves. No one can seriously question the head music bona fides of the members of this Colorado-based trio. Guitarist Stefan Beck has already assembled a formidable discography of jewel-toned guitar zone-outs under his Golden Brown moniker. And keyboardist and guitarist Jeremy Erwin and bassist Tyler Wilcox have both made their reputations as chroniclers of the vast world of out music. Erwin helms the indispensable Heat Warps blog, a performance-by-performance archive of Miles Davis’s labyrinthine electric period. And Wilcox has been covering the ragged edges of psychedelia and experimental rock at Aquarium Drunkard and other publications, not to mention his own virtual basement for heads, the great bootleg blog Doom and Gloom from the Tomb. These guys come by it honestly. And yet, given their backgrounds, Prairiewolf’s self-titled debut last spring was remarkably free of face-melters, brown acid blowouts, and ascendant spiritual jazz odysseys. Instead, they dropped a record of beautiful, elegant, low-key cosmic groovers that sounded like the piped-in background music to a resort hotel on Jupiter. It was an unlikely psychedelia, brocaded with mid-twentieth century sonic threading from the hi-fi era: vintage synthesizers, smears of spaghetti western, luxe tropical details, the faint schmaltz of space age pop. Imagine something like a Harmonia residency in the airport lounge. And yet somehow it all worked brilliantly. Prairiewolfbecame last summer’s cool-down standard.

After a year woodshedding around Colorado’s Front Range region, the Prairiewolf boys have fired up their trusty Korg Sr-120 drum machine for another outstanding collection of suborbital exotica. The appropriately titled Deep Time operates in its own chronology, unspooling at its unhurried pace. All its incongruous period and stylistic references—the new age pulses, Hawaiian steel, shaggy hippie rambles, lysergic guitar spirals, and orchestral synthesizer flourishes—float atop the album’s own singular temporality. Deep Time makes its own time. From the moment Beck folds his slide guitar, origami-like, into a sound resembling the call of gulls on the tranquil album opener, “Peach Blossom Paradise,” there is a sense of departure from everyday life. The shimmering “Lighthouse” has a similar sunbaked nonchalance, like an afternoon passed day-drinking in a seaside bar. That they named their lush, kaleidoscopic downtempo track “The Meander” pretty much says it all. The ranging, propulsive “Saying Yes to Everything” seems like a nod in the direction of Rose City Band’s brand of wookie krautrock. And the motorik noir of “Demon Cicadas in the Night” also goes hard. Beck and Erwin’s intertwined guitar jam on the eerie album standout “The Cold Curve” evolves into something that sounds like primitive computer music. A genteel bassline from Wilcox on another album highlight, “Revisionist Mystery,” sets the stage for a loopy space jazz turn from guest clarinetist Matt Loewen of Rayonism. The title of post-rock cowboy tune “Another Tomorrow” might refer to the alternative future that so many critics heard in the music of Prairiewolf’s first album. Or it might simply refer to the persistence of time, however deep.

Either way, I’m thankful for the way Prairiewolf make each of their tunes a little oasis or sanctuary, each subsisting according to its own crystalline little logic for a few minutes. It is no simple task to filter out the omnipresent anger and anxiety of everyday life these days. But Prairiewolf are out here making it seem easy.

Brent S. Sirota

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Powerline

Journey

12,99 €*

LP | 2024 | EU | Original (Casa Voyager)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Classic jazz/funk/disco cut that became an instant anthem on all discerning dance floors when it was originally released, and for decades to follow. Includes the previously commercially unreleased Sax Mix of ‘Journey’, cut loud at 45rpm.
Championed by DJs including Francois Kevorkian, David Mancuso, Larry Levan and more, it’s a record that, alongside tracks like Atmosfear’s ‘Dancing In Outer Space’, become synonymous with the UK influence on US club music at the time. A sound that many forward thinking DJs in New York, Chicago etc. embraced to stand out from the crowd and bring depth to the dance floor.
Driving jazz/funk, legato bass, grooving beats, subtle keys, dubbed out percussion and guitar licks that bring you to a simple but infectious piano melody.
A collaboration between Andy Sodjka and Jerry Pike, mastered by Herb Powers.
Licensed from Chemical Discs.

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Post Industrial Boys

1971

LP | 2021 | EU | Original (Sheep Chase)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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After 8 years Georgian pioneer George Dzodzuashvili is back as Post Industrial Boys with a new album. It's his most personal record to date and opens up its own world: a world full of memories of a bygone time and observations so precise you almost feel like you are living and capturing them yourself with a Super8 camera.

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Porto Geese

Duck Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (Khoi Khoi)

Portable

The Transit Of Mercury

12,99 €*

Unless You Speak From Your Heart

Release: 2020 / EU – Original

Genre: Electronic & Dance

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‘Mercury in Transit’ is a rare astronomical event when the closest planet to the Sun passes directly between the star and a superior planet. It’s also the title of Portable’s new album, which sees its release on KhoiKhoi,Here in a selection of the dance floor orientated tracks from the album is the shimmering product of arguably one of the most favoured multi- talented underground electronic acts unleashing yet another other-worldly wealth of solitary craftmanship. A diverse range of sounds all in the South African’s signature style firmly affix Portable, real name Alan Abrahams, in the realms of the future, converging through driving and bubbling melody-fuelled dancefloor journeys ‘Climb’ builds as a percussion- laden crescendo. This truly is a special selection of treats from the Parisian-based producer, with Laurent Garnier hailing 'Ohh whaouuu... Excellent album', Honey Dijon describes it as "So Good" and Motor City Drum Ensemble says "Love your harmonies and rhythm programming “. Side B of the package is a selecttion of remixes vby the South African’s Bodycode alias, duo Bergemeann & Legget as well as a version from Johannesburg producer Sound of Xee. While the original is a whirlwind of poignant vocals, floating melodies entwined in a tight leftfield house groove, Bergemann & Legget’s cleverly strips back, delving in the intensity of the single. It really is a testament to Portable’s ability to build an unsettling sense of beauty. Sound of Xee makes his mark with a slow-building, progressive, rolling take, slipping into its own frenzy of percussion – a Khoikhoi mainstay at the forefront of South African electronic music in full force right here. And finally, Portable’s own Bodycode moniker leads ‘This Horizon’ further into club territory with the seriously good ‘Bellycloud’ remix – jutting keys and 4x4 energy ending things in a place of all-out party.

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Porcelain Raft

7" | 2012 | US | Reissue (Secretly Canadian)

LP | 2023 | Original (Vampisoul)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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PORCELAIN RAFT's thesis statement hits when side A kicks off with "Unless You Speak From Your Heart". Remiddi's enigmatic vocals carrying a hook so simple that you might think you sang it first; keys and bass that might make the needle jump off of your turntable; and a sense of raw sincerity that has come to trademark Remiddi's songs is what ultimately resonates. The b-side, "Something In Between", with its shimmering Cocteau Twins guitar line, cleft bass, and colorful reverb is the gentlest of tornados. One that's sturdy enough to pick you up & take you for a spin but at, the end, sits you back down leaving you feeling like you just had your first Summer romance.

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Poppy Y Sus Piranas

Quiero

34,99 €*

LP | 2024 | UK | Original (Poppy Ajudha)

Release: 2023 / Original

Genre: Organic Grooves

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First time reissue of “Quiero…” by Peruvian-Cuban singer and composer Króffer Jiménez, leader of Poppy y sus Pirañas, one of the key figures in Peruvian tropical music.Recorded in 1969 but not released until 1972, this album comprises guarachas and cumbias that were ahead of their time, mostly original compositions. Unfortunately the album went almost unnoticed back in the day, becoming a sought-after collector’s item in recent times. Quintets such as Compay Quinto, Pedro Miguel y sus Maracaibos and Los Totos were the stars of the Peruvian tropical scene at that time, winning over listeners with their powerful rhythm section and fast-paced melodies. In contrast, the dozen guarachas and cumbias on "Quiero..." are slower and more relaxed, where the elegant intonation displays Króffer’s Cuban roots, with the Pirañas contributing during the more festive moments. The cumbia 'Mala mujer' and the guarachas 'Amar en el mar' and 'El sortilegio' were ahead of their time, as the singing style adopted would only become fashionable from 1971 onwards. 180g vinyl.

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Poppy Ajudha

Poppy

31,99 €*

LP | 2020 | EU | Original (Edizioni Mondo)

Release: 2024 / UK – Original

Genre: Pop

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Preorder shipping from 2024-11-22

Multi-talented artist Poppy Ajudha will be announcing her sophomore album, titled ‘Poppy’, which will be released 22nd November 2024. This follows Poppy’s triumphant return to releasing music this year with the release of 'My Future', following a two year hiatus. ‘Poppy’ was created alongside Mike Malchicoff (Kanye West/King Princess) with contributions from the likes of producers Maestro (Rihanna), Fred Ball (Alicia Keys/Raye/Mariah Carey), Grades, (Kali Uchis, Dua Lipa, Britney Spears), and Travis Sayles (Ariana Grande).

Poppy says: “I can’t believe I’m writing this, but my sophomore album is finally coming out! After numerous trips back and forth from London to LA, millions of revisions to perfect each song and a lot of moving the track listing around, I’ve made an album I’m so in love with, with people who I felt truly seen by, who I respected and found a natural synergy with. I really put everything into this album, it is a reflection of my growth over the last 2 years, an outward pouring of my raw vulnerability, the inner workings of my chaotic brain and the deep desire I have to challenge myself with everything I do. I’m really proud of what we made, and I hope that when you hear it, it means something to you too. Thank so much to all the special people who contributed to the making of this project, the producers, engineers, musicians, visual creatives, the friends who listened to me while I processed my life in order to write it down, I wouldn’t have been able to manifest this dream without you.”

Alongside the announcement of her upcoming album, Poppy has also released new single ‘Lean On Me’, a bold pop banger about the importance of community and showing support for each other even during challenging moments. ‘Lean On Me’ was written by Poppy with production from Wesley Singerman (Kendrick Lamar/Anderson Paak).

On ‘Lean On Me’, Poppy says: “We realise true friendship in the moments we are most vulnerable with each other. When I wrote ‘Lean On Me’ I was going through a breakup and struggling to make sense of my world. My friend who was experiencing their own kind of grieving found the time to give me the advice I needed, and the next day I wrote this song about the power of friendship, community, unconditional love and showing up for each other through our hardest times.”

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Polysick

Flora E Fauna

LP | 2023 | UK | Original (Butter Sessions)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Rome’s Egisto Sopor has been making little waves with his releases for quite a while now. As Polysik, he’s put out music on Legowelt’s Strange Life Records, on 100% Silk label, and on Mike Paradinas’ Planet Mu. As ‘TheAwayTeam’ he’s released a DVD ‘Relax & Sleep’ and a cd ‘Star Kinship’ on Japanese label Moamoo, and he’s also one half of the low key video unit Aavv (whose work has graced many of the important releases of new lofi electronic movement). This time around he delivers another fine instalment to the Edizioni Mondo’s kaleidoscopic catalogue.

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Polito

Collapse Phase

17,99 €*

LP | 2023 | EU | Original (B-Otherside)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Proper full-length outing from Naarm quartet and venerable live show Polito! Though prior associations with Butter Sessions have birthed EP's and compilation appearances, Collapse Phase gathers the most cohesive body of work from the group to date. Self-described as "a meeting of improvised contemporary dance and live improvised techno music, working together to create entrancing performance experiences", the project translates impressively to the long-player format. Holding no pretence with its title, opening cut 'Chuggalug' swirls around the stereo field building upon sustained synth warbles with low-key basslines and breaks propelling the track. As the album progresses from the chug into gridlocked, Mills-ian loops and fast, extra-terrestrial sound design (all swinging 909s + decay), we're also treated to contrasting downtempo acid cuts and dubwise, day-time festival vibes ('Fortune Teller'). 'Nine Lines' layers various patterns in a classy exercise of dancefloor tension building, with an undoubtedly in-the-moment feeling evidencing Polito's live show foundations. Across the board the group showcase their mastering of a kind of addition/subtraction push and pull, but the varying influences in sound design provide an extra layer of depth to the whole thing and cement the Polito brand. On both 'Inside The Sphere' and 'The Sphere Is Collapsing', the dreamier, more reflective edges of 90s IDM are given a nod and these two strike as up there with the best on the album. Head for 'Mercado Waltz' for a super interesting fusion of loopy techno and modular dubstep.
Polito is a collaboration between musicians Robert Downie and Finnian Langham, and dancers Arabella Frahn-Starkie and Hillary Goldsmith.

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Polaroid Buffalo Club

B-Movie Sundown

LP | 1988 | EU | Reissue (Arabusta)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Polaroid Buffalo Club is a surf/psych pop band based in Athens, Greece that consists of Kostas Miliaras (vox , guitar), Giorgos Papakostas (organ), Vasilis Gakis (bass, backing vox) and Dimitris Kalonaros (drums). Polaroid Buffalo Club would describe their sound as retro pop but with a modern touch. The band's influences derive from 60's surf, San Francisco sunshine folk/pop and moody garage to today's neo-psychedelia and indie surf music. Names like The Doors, Jefferson Airplane, Strawberry Alarm Clock, The Mamas and The Papas, The Byrds but also Allah-Las, Mystic Braves, The Growlers and Levitation Room are easily identifiable on their sound. "B-movie Sundown" was produced and mixed by Kostas Miliaras and it was mastered by John Vulgaris (drummer for Bazooka). The song "Sun Tribe Ritual" features the well-known Austrian psych singer-songwriter Juleah on drone backing vocals and the cover art was done by Dustin Kalynuk (aka Chakras System). B-Movie Sundown represents the band the most so far, because its memember brings its own idiosyncracy of playing, giving a unique quality to the final result. Also, before the new album they've released the semi-acoustic video/EP "Sunroom Session" in which they've also played unreleased stuff from their second album. On that session you can see/hear Giorgos playing acoustic guitar instead of keys and Vasilis playing percussion instead of bass. Sunroom Session was recorded and mixed by Kostas as well and it was mastered by Gregg Kollias (guitarist for Echo Train), the photo of the cover was taken by Maria Lekaki and Kostas did the design of it. The vinyl release was made from B-otherSide records in Audiophile 200 gr. vinyls, at 300 hand numbered copies, from which the first 150 include the "Sunroom Session" DVD and all of them include a 2 page color insert with photo and song's lyrics.

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Pluto Shervington

Rhythm Of The City

Puzzlewood Black Vinyl Edition

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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* First ever official reissue * LP includes insert featuring lyrics and liner notes with artist bio and album story * Pressed on black vinyl

Rhythm Of The City

The time was 1988, and urban life in Miami was at its apex. After having moved from Jamaica to The Magic City in the summer of 1977, Pluto saw the future. Rhythm Of The City fully expresses this forward thrust, where technology, nightlife, love and urban vibes mingle in an exciting vision of a past future. Recorded at Earthman Studio in Miami, and produced by Geoffrey Chung, the album overthrows the normal rules of reggae, mixing it together with funk, soul and disco, and giving birth to what Pluto himself describes as urban reggae folklore.

Pluto Shervington

Leighton “Pluto” Shervington was born in Kingston, Jamaica on August 13th 1950. Determined to be a musician for as long as he remembers, Pluto built his very first guitar with his own hands, and in 1966, at the age of sixteen, joined his first band: The Presidents. After The Presidents came The Hurricanes, and in 1968 he became a member of the showband Tomorrow’s Children.

After releasing hits like I Man Bitter, Ram Goat Liver, Dat, Your Honour and I Man Born Ya, Pluto climbed the charts, both in Jamaica and overseas, and established his solo career, selling tens of thousands of copies with every album release. In 1972 he founded Sound Associates Limited, a recording studio which provided radio, TV and advertising agencies with original jingles produced on a sixteen-track reel to reel recorder and a twenty-four-track mixing board which Pluto had bought from Byron Lee.

In 1977, due to political shifts in Jamaica, Pluto moved to Miami, where he formed Pluto & Co. The band played regularly for eighteen years at Sunday’s On The Bay in Key Biscayne, Florida, and in June 1982 toured throughout England, Wales, Scotland, and Ireland. In August 1984, Pluto returned to Jamaica on tour, performing at the Reggae Sunsplash in Montego Bay. Through the years, Pluto continued his musical career between the United States and Jamaica, and is yet to stop experimenting and exploring what he can do with reggae music.

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Plone

LP | 2020 | UK | Original (Ghost Box)

LP | 2019 | EU | Original (Born Bad)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Black Vinyl ediiton limited to 500 copies.

The long awaited third album from much loved vintage synth maestros Billy Bainbridge and Mike Johnston, finally finds its home on Ghost Box Records. This is unironically joyful and melodic electronica; informed by library music, music for children’s TV and a deep passion for the history of music technology.

Plone are very much part of Ghost Box’s DNA. They were a central part of the 90s retro-futuristic scene in Birmingham that included Broadcast and Pram and to which the label has always had strong ties through graphic designer and co-manager, Julian House. They are also cited by the label’s other boss, Jim Jupp, as a major influence on his work as Belbury Poly.

The band was formed as a three-piece in the mid-90s and their debut single, Press a Key, was championed by John Peel. The first album, For Beginner Piano, was released on Warp Records in 1999. Their warm, witty and unfunky music stood out from the crowd, almost in defiance of the moody and masculine post-rave electronica of their contemporaries.

A selection of bootlegged demos from the early 00s was rumoured to be the follow up album, but it never materialised. After that Billy went on to tour with Broadcast and later formed Seeland with another former band member Tim Felton (also of Ghost Box’s Hintermass). Meanwhile Mike formed the ZX Spectrum Orchestra, released solo singles as Mike in Mono and was a member of The Modified Toy Orchestra.

Twenty years on and Plone have reconvened as a duo with a third album, Puzzlewood. It’s compiled from material recorded at various points since the “lost album”, right up to the present day.

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Pleasure Principle

Plastikman & Chilly Gonzales

Release: 2019 / EU – Original

Genre: Rock & Indie

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I’m going to say “I” because I think I can’t write about my music other than in the first person. I’ve been playing drums since I was fifteen years old and I’ve always had bands since. Even if I always contribute artistically, to different degrees, my latitude of action, from a creative point of view, has always been limited by the fact that I am a drummer. Like many people, I learned to play very approximately the guitar and keyboard, and I spent years going over obsessions and recurring patterns, in my room and in my head, without doing any of that, and knowing that even though I was and still am extremely involved in my past and present bands (Skategang, La Secte du Futur, Marietta to a lesser extent, and ), the music we were making was only partially representative of me. I’ve always listened to a lot of reggae, dancehall, music from Ghana, Nigeria, Congo, and overall music that is based more on repetition and intention than composition, and that’s something I could never really develop in there.
In 2015 my brother and friend Benjamin Dupont, the human behind Bryan’s Magic Tears, moved into my flat share / Noah’s Ark at 35 rue Clignancourt, in the 18th arrondissement, and it was him who unlocked everything by showing me how to record music by myself ; and one September morning, lying on my back, I saw the light.
It’s really a new world that’s opened up to me, I started recording at a pretty intensive pace, just letting myself be carried away by what I’ve had in my head and fingers for years; I’ve accumulated a lot of material, including a lot of unfinished pieces, and I’ve tried – I’m still trying – to understand for myself what my point really is and to learn how to systematize and channel my obsessions to make it something personal.
Recording a lot, without any constraints of format, group or expectations, by letting myself be totally carried away by what was coming out in the moment, it allowed me to give myself a certain insight into myself; I am not one of the people who compose music by having an idea of where they want to go, but by repeating the exercise, something coherent ends up taking shape. I would say that it oscillates, for the music, between synthetic krautrock, dancehall lo-fi, Manchester sound recorded with toys, rock à la Velvet and Memphis rap for children; and between Les Négresses Vertes and Julien Gracq for the texts. I still write the basis of my lyrics without music, and I attach a lot of importance to it; French has become obvious because I want to say something true and I would not be able to do it otherwise – even if the text of “The Fur” is in English, but it was to seduce a girl (it didn’t work), and it won’t happen again. This is my friend Paula from J.C. Satan and Succhiamo, who sings on “Mariposa” and “Venera 16”, because I had no idea what to do about it; I sent her the songs and she sang on her phone, it was great so we recorded it.
This first album is a kind of best-of from 2015 to 2018, the songs that held up best, the ones I had lyrics on, the best finished drafts, basically. I owe its existence to my friends at the Megattera micro-label who, after hearing my songs at home at night, decided to release them confidentially on tape first; without them, they would still be on my hard drive. Under the spell, Born Bad Records then entrusted Olivier Demeaux de Cheveu/ Heimat with the mission of mixing the “best” tracks to give them the lustre they deserve and make these few crazy and scattered tracks a full-fledged album. I asked Adam Karakos, from Villejuif Underground, Guillaume Rottier, from Rendez-Vous, Nikolaj Boursniev, from Quetzal Snakes, and Milia Colombani, who plays in half the bands in Paris, to play live with me.
Pleasure Principle is located somewhere within a triangle formed by Francis Bebey, Add (n) To X and Ludwig Von 88; it is a solitary race to the outside, an ode to the forward flight, a way to escape in the peaceful expectation of the great liberating flash. I often find myself dancing like a monkey who forgets the world when I record at night in my room, and I hope to provoke the same reaction in people.
Paul Speedy Ramon

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Consumed In Key White Vinyl Edition

3LP | 2022 | EU | Original (Turbo)

32,99 €*

Reflection / Reaction Part Two

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Turbo Recordings presents its grandest achievement yet, a reimagining of Plastikman’s 1998 magnum opus ‘Consumed’, Transformed as a new collaborative composition between original artist Richie Hawtin and musical genius Chilly Gonzales… This is an album three decades in the making, brought into the world by Executive Producer Tiga. A masterpiece of restraint, depth, and music as architectural vision, ‘Consumed’ was profoundly influential, defining the soon-to-emerge minimal movement. Shortly after its 20th anniversary, Chilly Gonzales was inspired to compose accompanying piano pieces (counterparts) for each of the tracks and shared them with Tiga, who became the conduit between both artists and led the project to fruition on his label. Hawtin mixed the new combined work, allowing each artist their own space within the project, more of a sonic conversation between them than a conventional collaboration. Consumed in Key will be available digitally and as a deluxe triple vinyl LP on April 1st, 2022. The artwork is a reinterpretation of the original album’s, flipped to black and white and with the cutout size transposed to the dimensions of a piano key, the die-cut in the white outersleeve revealing a shiny black foil stamp on the black innersleeves. The product is available both in regular black and special white vinyl. In an effort to be eco-friendly, the vinyl and packaging were made using recycled materials.

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Plant43

12" | 2023 | UK (Plant43)

12" | 2017 | EU | Reissue (Shipwrec)

Release: 2023 / UK

Genre: Electronic & Dance

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Four more lively, lovely electro offerings from Plant 43, the second in a limited edition series of EPs focussed on tracks written over the course of the winter of 2022/23. Opener 'Submolecular Shifting' is bright and bubbly, joining the dots between Kraftwerk and Model 500, while 'Eccentric Elliptical Orbit' follows on slower and more grandiose, echoing early New Order's icy cool synth sounds. 'Encased' has a more otherworldly Aphex-like feel, although the juddering, on-off bass keeps it plugged into the dancefloor. 'The Forgotten Storm' closes proceedings, more low key again and graced with ethereal, adding angelic choirs. Energised enough and streamlined enough to be good dancefloor gear, but expertly executed and, as ever, brimming with enough personality to be a decent home listen as well.

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Plant43

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