Search "garage" 3151 Items

Yada Yada Colored Vinyl Edition

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Odd Couple

LP | 2018 | EU | Original (Cargo)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

G.Rag Y Los Hermanos Patchekos

How Sweet The Sound

LP | 2018 | DE | Original (Gutfeeling)

G.Rag + Die Landlergschwister

Release: 2018 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new, looks unplayed.

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Neue Stadt

LP | 2018 | DE | Original (Gutfeeling)

12" | 2018 | DE | Original (Elephant Moon)

Release: 2018 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new, seems unplayed. Original inner sleeve and insert included.

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Yamen & Eda

Computer Science EP

12" | 2019 | US | Original (Cultures Of Soul)

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Sabrina Rich

Smooth Operator

2LP+7" | 2019 | EU | Original (Wah Wah)

Release: 2019 / US – Original

Genre: Reggae & Dancehall

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Cultures of Soul is very excited to announce this killer tropical reggae cover of Sade's Smooth Operator. Recorded at Circle Sound Studios in Miami the backing track was recorded by members of the famous reggae outfit Inner Circle with vocals by local area rising star at the time, Sabrina Rich. Sabrina (her real name is actually Sabrena) had been making records in her and her ex-husband's studio in their garage for years. The result of which was the disco 12" Exit/Whispering. Around this time Sabrina was performing in the Palm Beach / Boca Raton area of Florida and performed with Jimmy Bo Horne. Some time after Sabrina worked with a man named Kenneth Corey who mastered her recordings. Kenneth referred her to Roger and Ian Lewis of Inner Circle to help press up their vinyl. They became friends and around 1985 recorded Smooth Operator. During this time they were working and partying hard and experimenting with different ideas and sounds. The track was originally released in small numbers as sort of a demo and never really took off. Shortly after Inner Circle went on tour in Europe and the single went into obscurity until many years later when copies of the record turned up in New York and Toronto. This 12" includes a special discomix edit by Duckcomb a.k.a. Patrick Billard, DJ and record collector extraordinaire.

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Omnibus

37,99 €*

The Beautiful Stories ... Forever Rejected

Release: 2019 / EU – Original

Genre: Rock & Indie

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New Jersey's Omnibus formed from the ashes of garage bands from the New Milford area: The Cliffhangers, The Forerunners and The Vandals. Original members came from these three local bands and consisted of Jay Polt, Al Raimondi, Bob Wegrzyn, Bobby Marcinczack and Jerry Garino. They soon hit the local scene and got in touch with brothers Steve and Eric Nathanson who would become their managers and finance their first recordings.

A United Artists recording deal was the next step, through wich the band issued their debut 45 "The Man Song" / "It's All In Your Heart" plus their eponymous LP in 1970.

Omnibus had an amazing psychedelic sound that took all the right elements from West Coast bands like The Doors or The Jefferson Airplane, Bosstown sound acts like Ultimate Spinach or Chicago hipsters like H.P. Lovecraft to produce their very own Made in Milford, N.J. mixture. Strong, dramatic vocals, tons of fuzz guitar and swirling organs built up their magic sound.

Wah Wah proudly offers the first ever reissue of their original 1970 album, plus a whole second LP compiling previously unreleased recordings from rare acetates with earlier recordings of some of the LP tracks and some non released songs. Also added is an extra bonus 7" with the garage killer "The Farm", which would have been an explosive 45 for the band had not been withdrawn from release.

A luxury remastered 2LP + bonus 7" set that includes a facsimile of a vintage Omnibus gig poster in a gatefold package respecting the original artwork, plus an 8 page booklet with photos, lyrics and liner notes written by Jay Polt himself and reissue curator Ezra Lesser - all this in a strictly limited edition of only 500 copies, get yours while still available!

If you like bands like The Doors, The Children, Ultimate Spinach, The Beacon Street Union, Fever Tree or Clear Light you ought to have this one on your collection!

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Invasionen

2LP | 2019 | EU | Original (Cargo)

Release: 2019 / EU – Original

Genre: Rock & Indie

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12" | 2019 | EU | Original (Cracki)

Leon X Leon

Rokanbo EP

Tape | 2019 | EU | Original

Release: 2019 / EU – Original

Genre: Organic Grooves

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A doctor by day and a musician by night, Leon x Leon has been producing songs in his Parisian home studio since 2013, where house, italo-disco and boogie are mixing. When he was younger, he was immersed in music by taking jazz drum lessons at the conservatory, and especially by seeing his father, a sound engineer, who had been building his own synthesizers since the 1970s. As a tribute, he used one of these unique synthesizers on a title of the disc.
After a remarkable remix of Cerrone's "Funk Makossa" and several tracks on various from “Red Laser Disco”, he released his project My Solar Brass on the same English label in 2017. Organizer of many Parisian parties, he also participated in the founding of the publishing label “Good Plus". With the release of Rokanbo on Cracki Records, Leon x Leon signs a mature EP with the influence of different styles.
The first eponymous title is a manifesto mixing Acid, House and Zouk. As soon as we launch the track, the pop & acid 80's sounds takes us to another world... A UFO from the Islands! The other parts of the EP don't leave us in the lurch! “Formant Sweep” delivers a soft and groovy bass that responds to an endless, spatial synthetic takeoff. On “Red Footpath”, the harder kick cleverly blends with an atmospheric blanket and a bright, lively flute solo straight from an abandoned piece of bamboo on a deserted beach. After that, “Jungle Juice” lets a crazy keyboard solo resonate in the middle of tropical fauna and flora, and finally on “Horizon”, the EP ends in beauty with an airy atmosphere. This last piece sounds like a beautiful sunset at the end of a long summer day.
Through all these tracks, Rokanbo EP offers us a clever contrast between synthetic notes and the warmth of tropical groove, and places our gaze towards the horizon, seeking the groove to disturb its line on the infinite sea.

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Kevoe West

Strictly Spezi Business

Release: 2019 / EU – Original

Genre: Hip Hop

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Beats For Brothels Volume 4

The Doppelgangaz

2LP | 2019 | EU | Original (Groggy Pack / HHV Records)

LP | 2019 | US | Reissue (Now-Again)

Release: 2019 / EU – Original

Genre: Hip Hop

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Strictly limited 2LP vinyl edition of 300 copies on black wax of the 4th installment in the "Beats For Brothels" series. The Doppelgangaz' trademark sound at it's best, perfect to nod your head to. Tip!

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Al Manfredi

Blue Gold

56,99 €*

LP | 2019 | US | Original (Saddle Creek)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Al Manfredi is the father of hip-hop producer Exile, and Blue
Gold is his little-known West Coast rock masterpiece from
1973. Manfredi’s dreams of securing a record deal with this
album faded, but he spent the rest of his life recording
music. This version of the album was overseen by Exile.
Born into a musical family Al Manfredi started writing songs when he was child. As a teenager in 1965, he formed the Nuts
& Bolts in the small beach town of San Clemente, California. Inspired by the Kinks, the Beatles and the Byrds, the group
separated themselves from the pack by also performing original material written by Manfredi and band mate Mike Ingram.
In late 1966 they changed their name to the Lost & Found and relocated to Phoenix, Arizona, where they cut a rare single,
“Don’t Move Girl” b/w “To Catch the Sun,” which now commands high coin from ‘60s garage collectors.
When they returned to San Clemente in early 1967 their music had taken a more psychedelic direction. The Lost & Found
were riding high that year, until tragedy struck. Ingram was found hanged under suspicious circumstances and soon after
Lost & Found drummer Mike Ryer died of cancer at the age of 19. Heartbroken, Manfredi gave up on the band scene
completely and moved to Garden Grove to teach at his family’s music store.
But alone, behind closed doors, he kept writing songs and working on his music, recording hours of tapes, often tracking
all the instruments himself. In 1973 he chose six of his best songs, some of them written back in the Lost & Found days,
and had them custom-pressed as an LP. Only a handful of copies were pressed, and most of these were sent out to various
record companies in the hope of landing a deal. Despite the outstanding quality of the music, there were no takers. But
decades later, collectors discovered the Al Manfredi album and hailed it a West Coast rock masterpiece. In his Acid Archives
book, Patrick Lundborg called its discovery a deus ex machina and compared it to David Crosby’s first solo album and
Hawaii-era Merrell Fankhauser, “not just the acutely captured mellowness, but the self-confidence and the talent.”
This little-known West Coast rock masterpiece was rediscovered and celebrated by Acid Archives founder Patrick Lundborg
and others around the time that Manfredi died in 1995. This version of the album, overseen by Manfredi’s son Exile,
and with Manfredi’s story told by Ugly Things’ founder Mike Stax, presents the complete package of an incredible lost and
found artist.

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Hand Habits

Placeholder

30,99 €*

LP | 2019 | US | Original (Yeggs)

Release: 2019 / US – Original

Genre: Rock & Indie

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Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time.

Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world.

The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings -- carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.”

Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.

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Hearing Things

Here's Hearing Things

LP | 2019 | US | Original (Red Music)

Release: 2019 / US – Original

Genre: Organic Grooves

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Take one listen to Hearing Things and youll be led straight through the grooves of a well-worn 45, back to a time of instrumental pop hits like Walk Dont Run by The Ventures, Tequila by The Champs, and Sleep Walk by Santo & Johnny. Dressed in searing white blazers, Hearing Things weave elements of surf rock, lounge pop, soul, and jazz. The band crafts songs that speak without words, borrowing a language that feels familiar yet unexpectedsomething we last heard through a speaker in the late 50s and early 60s. With the first single, "Tortuga," the band delivers a garage-au-go-beat that has been a runaway live show favorite.

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Kirk Knight

Iiwii Blue Vinyl Edition

Release: 2019 / US – Original

Genre: Hip Hop

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Giorgio Moroder & Raney Shockne

OST Queen Of The South (Original Series Soundtrack)

2LP | 2019 | UK | Original (Invada)

31,99 €*

Release: 2019 / UK – Original

Genre: Soundtracks

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12" | 2019 | EU | Original (Rua Sound)

Touchy Subject

The General EP

When You Hear The Music, It's Yours

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Rua Sound is pleased to announce we are back in action with our first release of 2019, and a welcome return to the label of Touchy Subject.
Fast becoming one of the go-to producers for rootsier takes on up-tempo 160-170 bass music, his second four-track 12" on Rua ups the ambition and knocks it so far out of the park it's broken windows in the next parish across.
The General EP veers wildly between neurofunk-but-actually-funky takes on dusty 90's boom-bapàla DJ Shadow on "Shudder" and 'Turnt Up', cavernous soundsystem workouts on "Seek and Find", and febrile halftime (just) jungle (barely) masterpiece in the shape of "General". Goosebumps. This is soundsystem music par excellence; cerebral, heady, and rousing - suffice to say we reckon it's sicker than the plane to Lourdes.
We apologise profusely to those of you whose resolutions for 2019 involved losing weight, but this is one of our fattest releases yet so you'd better go get them bassbins rumbling instead.

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One Of Hours

LP | 2019 | EU | Original (Out-Sider)

LP | 2019 | US | Original (Rum Bar)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Cool late ‘60s US Pepperish psychedelia with inventive arrangements, fuzz guitars, studio effects…Recorded in 1967-68 but shelved at the time.
Famous for their “Psychedelic Illusion” 45, US garage-psych band ONE OF HOURS formed in Lexington, KY, in 1966. After adding guitar player Bob Willcutt to their line-up, they released their second 45, “Feel the Pain" / “Psychedelic Illusion”, in 1967. Work then began on an album of a complete but varied musical experience called "When You Hear the Music, It's Yours".
Fuelled by the creative force of band member Shawn Foreman (a true visionary who would create the cult electro / disco project Transistor-Jet in the 80s), the group (now called Dandelion Wine) entered Chetwyd Studios where they, in true psychedelic mode, experimented and used unusual techniques like backwards recording, paper under piano strings, singing through a comb, interconnecting Fuzz boxes, etc.
The finished master tape containing 12 songs with titles like “Two Heads For 25 Cents”, “Sweet Dragonfly” or “Incense C-19X” was sent to the Liberty label with the promise of an album contract for 1968…but the deal never came through and the master tape was destroyed in a warehouse fire. Luckily, Bob Willcutt kept a first generation copy of the master with perfect sound which we present here in a deluxe vinyl edition, housed in a silver mirrored die-cut sleeve.

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Brad Marino

Extra Credit

The Notorious B.I.G. / Craig Mack

Release: 2019 / US – Original

Genre: Rock & Indie

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Brad Marino, singer, guitarist, songwriter, and co-founding member of beloved garage rock n’ roll band The Connection, is about to embark on a journey
stepping into the spotlight front and center on his own. Brad has spent the past year writing, recording, playing every instrument, and producing his
solo full length debut ‘Extra Credit’ with a little ‘extra’ help from his friend Kris Rodgers on the keys and mixing board. What you have is an album filled
with tried and true rock n’ roll with hints of country, stabs of punk, and jolts of power pop, created in the garage. Rockpile meets the Ramones, Mick and
Keef get into a tussle with the Flamin’ Groovies, The Knack gets all tangled up in blue… get the picture? Featuring the lead single “C’Mon C’Mon C’Mon”
which sat atop at #1 on the Indie Radio Alliance’s Secret Weapon Radio for several weeks, along with the power pop punk sweetness of “Broken Record
Baby”, head boppin’ and fist raising of “Fit To Be Tied”, Mick Jagger swagger of “No One Else Tried It”, and the country hearted barroom twang of “What
Comes Naturally”, we can go on and on but we want you to hear this for yourself.

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B.I.G. Mack (Original Sampler)

LP+Tape | 2019 | US | Original (Rhino)

50,99 €*

Unlock The Box White Vinyl Edition

Release: 2019 / US – Original

Genre: Hip Hop

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All bangers on a replica of the original promo record to promote both albums.

Given out as part of the ''B.I.G. MACK'' promo only package from Bad Boy Entertainment in 1994. To
create a buzz around the new record label and these artists Puff Daddy came out with an unforgettable marketing campaign. The results would exceed everyone's expectations. Craig Mack's Funk Da World would go gold and the single ''Flava In Your Ear'' would go platinum. As everyone knows Biggie's career went into the stratosphere with his
album Ready To Die eventually going 6x platinum and the single ''Juicy'' going gold that same year.

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The Grouch

2LP | 2019 | EU | Original (Legendary Music / HHV Records)

They Don't Have This Gold Vinyl Edition

Release: 2019 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies on white colored vinyl!

The most recent The Grouch album gets a proper vinyl release. Includes feature artists and guest producers such as Eligh, Gift Of Gab, Amp Live of Zion I, YMTK, Myka 9, Scarub, Kelli Love, Elusive, Kenny Segal and more!

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The Grouch

2LP | 2019 | EU | Original (Legendary Music / HHV Records)

Walking To New Orleans-Remembering Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Hip Hop

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Limited edition of 500 copies on gold colored vinyl!

A true fan-favorite finally gets a proper vinyl release, The Grouch's "They Don't Have This". Includes features by The Cuf, Bicasso, PSC and a few more usual suspects.

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George Benson

LP | 2019 | EU | Original (Mascot Label Group)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Peter Doherty & The Puta Madres

Peter Doherty & The Puta Madres Clear Vinyl Deluxe Edition

LP+CD+DVD | 2019 | UK | Original (Strap Originals)

Talking About The Love I Have For You / It's Not Safe To Mess On Me

Release: 2019 / UK – Original

Genre: Rock & Indie

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Limited clear vinyl edition including a CD and a DVD.

Peter Doherrty has a new Band, The Puta Madres. And they are set to release an album by the end of April which is described as “a devastatingly intimate portrait of love, loss and being lost” and was recorded in a French fishing village across four consecutive days last summer. The debut sees Doherty and his new bandmates heading back to his garage rock roots for a selection of eclectic songs that have all been road-tested over the last 18 months.

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George Jackson

7" | 2019 | UK | Original (Kent Dance)

8,99 €* 11,99 € -25%

Teapot # 1 / Children Love To Run

Release: 2019 / UK – Original

Genre: Organic Grooves

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George Jackson’s beautiful ‘Talking About The Love I Have For You’ has become increasingly in-demand in recent years and the original pressing is now fetching hundreds of pounds. To make this release even more tempting we have added his late 60s recording ‘It’s Not Safe To Mess Over Me’, a real southern soul stomper that was a star track on our “Fame Northern Soul” CD and debuts here on vinyl.

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Outer Spaces

7" | 2019 | US | Original (Saddle Creek)

5,99 €* 11,99 € -50%

Release: 2019 / US – Original

Genre: Rock & Indie

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12" | 2019 | EU | Original (2000black)

Marvin Jupiter

Reach

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Marvin Jupiter is an 18 year old artist who mainly makes hip-hop music, using bass lines as rhythms more associated with funk. He uses and creates the sound of the modern day interpretation of trap adding his own personal twist.

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12" | 2019 | EU | Original (Beste Freunde)

Beste Freunde 07

Samuel Kerridge & Taylor Burch

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Kevin Over, Rindeau, Cuartero, Frazer Campbell. The collective Beste Modus Cinthie, Diego Krause, stevn.aint.leavn, Ed Herbst and Albert Vogt launched the label in 2012 as a platform for their own material, not long after came the realisation that many other artists around them were keen to be involved with the imprints burgeoning success and this led to the birth of Beste Fruende, a home for music from friends and affiliates of the label. Kevin Over’s ‘Butchers’ leads on the package with a swinging drum groove, emotive piano chords and a garage sub-tinged sub bass line alongside resonant synth licks and infectious vocals. Rindeau follows with ‘Wax On The Moon’, taking things deeper via twinkling Rhodes lines, dusty robust drums and modulating percussion. Cuartero’s ‘Floor Paca’ opens the flip side with choppy bass stabs, soft chord hits and a subtly nuanced rhythmic drive before ‘Slow Motion’ rounds out the package, employing classic deep house tropes with airy ethereal pads, vocal chops and shuffled, strippedback drums at its core.

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The Other

2LP | 2019 | EU | Original (Downwards)

22,99 €*

12" | 2019 | EU | Original (Wolf Music)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Sam Kerridge teams up with DVA Damas’ Taylor Burch in ‘The Other’, a narrative-structured collaboration set to an absorbing contrast of seething electronics and technoid impulses riddled by droll vocals in billowing negative space. Opening his sound up to mutual spirits, and allowing more space and time for his sounds to take hold, ‘The Other’ locates a newfound sense of maturity and sensuality in Kerridge’s music. His arrangements here feel more layered and ductile, finely consolidating the gloomy slow pressure of his earliest work for Horizontal Ground with the uptick in pace and rabid energy found on 2017/2018’s ‘The Silence Between Us’ and ‘The I Is Nothing’. The adaptation is necessary as the music now accounts for half of an AV live project with Daisy Dickinson and also needs to accommodate Taylor Burch’s low key vocal delivery. In the process Kerridge is pushed to rethink and more subtly reframe his sound after seven years squashing and pummelling listeners into submission.

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Medlar

Wolfep050

12" | 2019 | EU | Original (Cracki)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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There’s no better man to mark the fiftieth release on WOLF Music than South London stalwart and OG WOLF family, Medlar. Marrying techy touches and UKG stylings, with sonar bumps and Medlar's signature, sample-heavy groove, it’s a fitting way to bring in the half century.
The Peckham powerhouse throws down from the off with the rubbery, wiggling, ‘Novanta’. A garage infused lo-fi shuffle, springing samples and saturated stabs mingle with a choice vocal snippet. Looping up a Rhodes top line Medlar adds a certain swagger to this South of the river saunter.
'Pampas Drums' gets the room spinning with metallic percussive hits, twisting samples and wiggy zaps that form a cosmic swirl of echoes. Like a perpetually charging ray gun that's about to blow, the rising swells add layers of suspense to this hardy drum workout. Perfect laid over tracks or to shock dancers in it's own right.
Take to the flip for ‘Paloma’ showcasing Medlar’s fondness for a dose of UKG. Swinging hats and skipping claps blend with offbeat vocal cut-ups that give a classic underground '90s spark. Rolling subs add a weight whilst a crunched-up soulful synth offers a fresh flavoured touch to this tough jam.
Medlar rounds off the E.P in the Rye Wax basement with late night slammer, ‘Monday Boy’. Straight up, synth heavy club business, rich in analogue power and perfectly interlaced melodies, that has peak time written all over it.
Ten years in the game for WOLF Music and a landmark 50th release produced by a man who's been part of the brotherhood since the beginning.

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Renart

Wyvern Chill Music

7" | 2019 | US | Original (Third Man)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Renart, A Young Producer, Is One Of The Proudest Representatives Of The New French Techno Scene.

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The Stools

When I Left

10,99 €*

12" | 2019 | EU | Original (Kindisch)

Release: 2019 / US – Original

Genre: Rock & Indie

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Jesus Christ! The Stools! This is the kind of mangled barking terrifyingly manic garage that the Midwest pumps out better and more consistently than anybody and the Stools seem to be challenging every one of us to a frenetic fistfight for top spot. With 4 songs averaging 2 minutes, the When I Left EP feels like a whirlwind experience from its opening distortion to final feedback.

The title track When I Left is a garage punk banger a la Gun Club meets the Oblivians that tremors and nearly buckles under its own weight before it ends. American Convertible Stools chugs almost entirely on the same infectious blues riff, which could be repetitive with another group at the helm, but here is just incredibly fun and vital. The B-side? You've got the desperate and evil blown-out blues of Black Fly Stew butted up with the gone-before-it-was-here urgency wrapped up in a Bo Shitley beat of Don't Need Nothing.

Give this a spin and you won't need to care about what anyone has to say about anything anymore.

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Giorgio Maulini

P252

It Looks Like Love / Super Jock

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Giorgio Maulini doesn't stop surprising us with his music. This is his 3rd EP with us and this time we decided to go also on vinyl. Quality work from the Venezuelan producer delivering a 4 track EP all originals from him. Not much words needed to describe this tracks full of emotions and feelings. Pure quality work. Keep an eye to this young producer and DJ. With work like this we don't doubt that he will have a bright future ahead.

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Goody Goody

12" | 2019 | EU | Original (South Street Disco)

LP | 2019 | EU | Original (Super Disco Edits)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Endlessly sampled across the board, for those dreamy guitar licks, killer Rhodes keys and luscious strings, Goody Goody ‘It Looks Like Love / Super Jock’ is a 1978 masterpiece of disco gold. Original copies of the Atlantic Promo 12” sell for upwards of £65 so it’s about time a remastered, officially reissue landed.
Produced by Vince Montana of MFSB and The Salsoul Orchestra fame, ‘It Looks Like Love’ was a Larry Levan / Paradise Garage classic and still commands dancefloors the world over. Flowing flutes, sultry vocals and xylophone twinkles open up proceedings, as those iconic, funk-flavoured staccato guitars and rising strings step up to the plate. Combined they produce a glistening groove that captures the feel-good factor of NYC’s disco apogee.
Delectable disco, fuelled by an undeniable funk that continues to be harnessed, chopped and sampled by some of house music’s biggest players from Nick Holder and Armando, to Tom Trago and Glenn Underground.
On the B side, soul-searching cosmic fluctuations via ‘Super Jock’, with interplanetary vocal refrains stretching out above a full-bodied bass, tight drumming and spacey Rhodes. Montana’s world class arrangement sees bongo-led percussive interludes and dancing keys solos take listeners to a mesmerising galaxy, far far away.
A double dose of that good stuff!

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Klimate

Esp / To See You

Lucien & The Kimono Orchestra

Release: 2019 / EU – Original

Genre: Organic Grooves

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When growing up as a young teenager many dream of hitting the recording studio and getting that record deal.
The sheer musical drive inside you to lay down those raw and emotional feelings.
The chances of going to high end studios were slim and expensive. Opportunities were sparse to say the least.
So the next best thing was to go into one of the ever growing number of home studios that were popping up in the 1980's
Studios in peoples garages or in the spare bedroom.
And so we bring you to a small group of teenagers called Klimate.
They ventured into a un-named 8 track studio in Walsall around 1981 to record a series of 2 tracks.
There is little remembered about the group of lads from member Harbans Srih who played drums on both tracks and was in charge of writing duties. Harbans Srih was also the man behind sde 42 Sticks & Co "Jazz Dancin"/"Jazz funkin" .
The 5 piece band was very multicultural that really represented music in britain at the time. 3 of the players were of Afro-Caribbean decent giving us lead vocals, guitar, bass and keyboard. The 4th member was only known as a ginger haired youth (we like him!!) who was on saxophone duities.
shortly after these recordings tragedy struck Klimate and the bass player was killed in a car accident whilst on vacation in Italy.
fast forward 37 years and Harbans Srih discovers just a single D.A.T from that 1981 session.
We did our utmost to sonically get the recordings up to our very high standards at Super Disco Edits. Whilst we feel it perhaps just falls short, we couldn't ignore these recordings that optimises British youth culture and the heritage of Brit funk .
We hope you enjoy them.

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Hayao's Garden

12" | 2019 | EU | Original (Cracki)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Damaged Goods)

The Galileo 7

There Is Only Now

Release: 2019 / EU – Original

Genre: Rock & Indie

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Brand new album from Medway's finest psych-beat combo! Heritage can be a harsh mistress. Ex-This, formerly of That. Past acclaim - particularly when it's attached to some of the most visceral and elemental rock 'n' roll of one's generation - can become both a help and a hindrance; impossible to shake off but crucial to continued acceptance in the fickle world of pop music. Not that this is any concern of The Galileo 7 of course. As the title of their sixth album proudly proclaims, There Is Only Now, and this record is nothing if not Now! From humble beginnings 10 years ago as a DIY outlet for Allan Crockford's songwriting ambitions (he was rarely afforded such luxuries as bass-wielding anchorman of The Prisoners, JTQ, Prime Movers, Solarflares et al) The Galileo 7 has evolved into a powerhouse live act delivering the kind of lysergically-inclined technicolour garage-rock rarely witnessed these days; one born of experience, exploration and an enjoyment of one's own craft. Following a period of fluctuation, the present line-up stabilised around Crockford (vocals, guitar), Paul Moss (bass, vocals), Viv Bonsels (keyboard, vocals) and the busiest man in garage, Matthew 'Mole' Lambert (drums, vocals) - yep, there are a lot of vocals in the mix here and the record is all the brighter for it. The G7's long-players since 2016's storming "live in the studio" set Live-O-Graphic have carried way more clout as a result of this newfound energy, breathing fresh life into Crockford's songs as the songs themselves delve ever more skilfully into a pool populated with Dandyish psychedelic pop, British Invasion muscle, new-wave sparkle and that ever-present Medway magic. "I wanted to make an album a lot quicker this time," Allan explains. "The last one took nearly two and a half years. This one has been written and recorded in less than a year, which is pretty good going for us. This time we were rehearsing and recording the songs pretty much as soon as I'd written and demoed them, and I think it has a unified feel that I really like." The approach to capturing the group's hot sound on tape remains the same. "The tracks would go down on 8-track tape then be transferred onto my digital multi-track, then put on the computer at home for all the overdubs and mixing. I'd like to record in a 'proper' studio for a month with an engineer, lovely 2-inch tape and vintage compressors, but this is a budget operation!" Ah, the tracks - a more panoramic, dare we say eclectic selection than we've heard before from the G7. The pastoral psych-pop moments are more colourful, the crash-bang-wallop gear more dynamic, the riffs sharp enough to take your eye out. "I don't know if 'challenging' is the right word," he continues, "but in the context of this kind of 'garage' sub-genre we all get lumped into, it's almost like we're taking a risk by doing something a little different, quiet, slow, odd, proggy, whatever. We're just a pop group, in the original sense of the word, so if I accidentally write something a bit different we'll have a go at it." For the first time all four members are featured as lead singers. "I wanted everyone to sing at least one song on this album, mainly because I get sick of hearing my own voice for 40 minutes. I'm probably the least accomplished vocalist in the band. I think having different vocalists and some 'different' songs on the album makes this album a better listen as a whole - it was definitely easier to come up with a decent track listing that varied the pace and feel." "Improvising on a theme of doubt," Crockford sings on 'The World Looks Different Today', yet There Is Only Now is possibly The Galileo 7's most satisfyingly determined record yet; its sonic peaks and troughs bound together by four people singing and playing in unison, and from the heart. And doing it loud. Andy Morten Shindig! February 2019

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Classics Volume 3 - The Armand Van Helden Mixes

12" | 2019 | EU | Original (4 To The Floor)

Patrick Adams Presents Phreek

Release: 2019 / EU – Original

Genre: Electronic & Dance

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4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. The third edition of the series pays homage to one of the most heralded names in house music - Armand Van Helden. While Armand’s productions like ‘U Don’t Know Me’ and ‘Bonkers’ have soared to #1, he has remained a true legend of the underground. One of the most illustrious remixers in the game, this 12” package celebrates this part of Armand’s skillset. Kicking off the A-side is his remix of the 1993 club anthem by Tonja Dantzler ‘In And Out Of My Life’, followed by Shan & Gerd Janson’s edit which amplifies the Armand’s remix even further. On the flip is a classic bouncing house and garage sound from 1997 on Armand’s remix of Geoffrey Williams’ ‘Sex Life’, followed by the more recent Armand remix of Lee Walker vs. DJ Deeon’s ‘Freak Like Me’ – an explosive club track that was championed by everyone from Marco Carola to Annie Mac.

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Weekend

12" | 2019 | EU | Original (South Street Disco)

Ah! Quel Cinéma! Standard Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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The masterful, supergroup of Phreek lead by Patrick Adams, sees three of its sought-after masterpieces, two of which have never been on a 12 inch, officially reissued and remastered on a label that’s fast becoming a go-to for in demand reissues, South Street Disco.
A pure classic, ‘Weekend’, was born back in ‘78 written by Leroy Burgess and James Calloway and produced by Patrick Adams and Burgess, they lead an expertly curated troupe for this massive Paradise Garage staple and Larry Levan favourite. That late ‘70s sound where synthesisers rose to prominence, sees a combination of cosmic keys, freakish strings and power-play funk guitars, tied together with tight percussion, bold basslines and Christie Shire’s lead vocals, that whole heartedly captures the spirit of disco. Famously remade into a house anthem 10 years later by Todd Terry, ‘Weekend’ is a timeless slice of celestial magic.
In a similar fashion ‘Everybody Loves A Good Thing’ does another blast around the cosmos - a Universal Robot Band feel emanating from the buzzing synths and awe-inspiring vocal prowess of Leroy Burgess, coupled with ‘Shining’ star, Venus Dodson. As uplifting as it gets, complete with a killer piano breakdown to draw out every ounce of anticipation.
Flip it over and a whole side is devoted to the greatness of ‘I'm a Big Freak [R*U*1*2]’. A mesmerising, fast-paced, disco workout with sensuous groans, sleazed up, supernatural keys and a heavy bass that just goes and goes and goes! Favoured by the biggest and best out there, from Ron Hardy to Theo Parrish, it’s got the power and energy to light up even the most demanding of dancefloors.

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Stereo Total

LP | 2019 | EU | Original (Tapete)

7" | 2019 | EU | Original (Suicide Squeeze)

Release: 2019 / EU – Original

Genre: Pop

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This is the regular LP version with 14 tracks. Please be aware of the limited double LP edition with 20 tracks that we offer.

An album title with not one, but two exclamation marks, meaning something akin to “what a palaver”as it primes the listener for songs like “Cinemascope”. Themes such as personal injuries (“Ich bin cool”), betrayal (“Mes copines”), personality deficiencies brought on by drug abuse (“Methedrine”), rage (“Hass-Satellit”), inflated opinions of oneself (“Brezel says”), suicide (“Le Spleen”), grief (“Dancing with a memory") and souls in torment ("Elektroschocktherapie") are presented in widescreen format in and often in the most entertaining fashion.

Françoise Cactus apparently once said of herself: "I am a linguistic artist who can live with the laughs". Which says it all really, although Stereo Total’s penchant for wordplay is not in evidence in all of the lyrics on this record. Many tracks here echo the rather more sombre, desperate songs she wrote for her first band "Les Lolitas". Nevertheless, the anarchic humour which we have come to associate with Stereo Total resurfaces on compositions like "Keine Musik" and "Einfach".

Musically, this Stereo Total disc, their twelfth, cannot be readily aligned with anything at all. If earlier albums resonated with influences from chanson, trash or disco to punk, rock’n’roll and NDW (German New Wave), Stereo Total have now arrived in their very own musical universe which pays no heed to stylistic devices, reminiscent of “rien de tout”. What we can say: Françoise Cactus excels in the art of 8-track cassette recording, thus creating an extraordinary sonic experience. Brezel Göring draws on his favoured array of instruments more likely to be found in the hands of children in households where a musical education is not on the agenda: plastic baby organ and dreadful mouse piano, accompanied by home-made guitars glued together by less than gifted artisans.

1. Stereo Total continue to make electronic music with flea market Casio sounds which fly in the face of what is generally accepted to be electronic music. Each musical instrument could probably be translated into social coordinates and in this sense, the tools of Stereo Total’s trade speak an unequivocal language.

2. Stereo Total continue to play LoFi garage rock music which makes a mockery of all the masculine clichés associated with guitars. When Françoise Cactus plays the drums, the rhythms of feminism, anti-professionalism and subversive dilettantism come to the fore.

Any attempts to pigeonhole Stereo Total are destined to fail. In the words of Flann O'Brien: "When shall we ever see their like again?"

A word to our younger readers: Stereo Total began making music before the internet existed, before the Euro, before Germany reunited and before there were even bands or music. They will probably still be playing when all that has been consigned to the dustbin of history. The group comprises Françoise Cactus, who spends her time as a radio presenter, author and artist between band sessions, and Brezel Göring, a man whose very choice of stage name was motivated by a desire not to be taken seriously by music and art scribes.

When they began making music together, they made it their mission to disrupt rules, to destabilize ideas. They may not have thrown European harmonic structure or 4/4 time out of the window, but they have certainly asked questions of every other aspect of musical and lyrical techniques. Lines like "you look good from the back", "love as a threesome", "I am naked", "I’m the young gigolo with a smoker’s lung " and "sex complex" are designed to repel serious music lovers whilst shocking them with sound engineering which falls well below the standards of mainstream listeners.

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The Paranoyds

Hungry Sam

CD | 2019 | EU | Original (Mello Music Group)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Your phone, your TV, your computer - who (or what) is watching you? It's an oft-asked question in the digital age, and one that The Paranoyds echoed when it comes to the origins of their name. Part of a generation immersed in oversharing and ease of surveillance, The Paranoyds know better than anyone, it's scary out there. But the band's fearless pursuit of a good time won't stop them from crafting the kind of gritty, Southern California garage rock that refuses to hide.

The Paranoyds' debut release on Suicide Squeeze offers a taste of what The Paranoyds have been crafting. The Los Angeles four-piece of Laila Hashemi (keyboardist-vocals), Lexi Funston (guitars/vocals),Staz Lindes (bass/vocals) and David Ruiz (drums, vocals) share a mission to craft songs with the gritty spunk and dark playfulness of a cult-classic splatter film. "Hungry Sam" is a binge-worthy feast of chugging guitars and belly-rounded drums. B-side "Trade Our Sins" is a cautionary slowdance fit for the end of the night or the end of the world. Their self-described "sister vocal act" shares the snarling, over-it-but-totally-into-it vocals throughout their songs, moving from dirty surf-pop guitar jams to power-packed garage rock.

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Georgia Anne Muldrow

Vweto II

7" | 2019 | EU | Original (Ace)

Release: 2019 / EU – Original

Genre: Hip Hop

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i'd like to thank the silence
it's the womb of all vibration
and very rare to find
because most of the time
everything is singing
but when it does arrive
it's a healing force too.
i'd like to thank the wind
for being so dear.
i wanna thank the blues
for helping me out
and the fonk
for setting me free
as i can possibly be
under this oligarchy.
and a special thanks
to the sweet scent
the rain leaves behind itself
cause
it makes me wanna make music
i wanna thank you
for sharing this moment with me.
uhuru na haki
g
produced mixed and recorded by g.a.m. at SomeOthaShip
mastered by Romeo "D.J. ROMES" Jimenez

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Bobby Jameson

Viet Nam / Instrumental

Give & Take / Nickle & Dime

Release: 2019 / EU – Original

Genre: Rock & Indie

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‘Viet Nam’ was originally issued on Mira Records in 1966 but vanished without a trace. Far from radio friendly with its fearsome Bo Diddley beat, wailing harmonica and strong anti-war lyric, the track has gone on to become a much sought-after garage rock classic and is now almost impossible to find on 45 at any price. It made an appearance on 1967’s Mondo Hollywood soundtrack, the sort of record Quentin Tarantino might have in his collection. This 45 is mastered straight off the original 3-track tape and on the flip we have a fantastic instrumental version.

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Long Hots

7" | 2019 | US | Original (Third Man)

6,04 €* 10,99 € -45%

12" | 2019 | EU | Original (Seilscheibenpfeiler)

Release: 2019 / US – Original

Genre: Rock & Indie

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Third Man is very excited to release the debut vinyl single from ''boogie trance'' trio Long Hots. What ink can we spill about this trio of Philadelphian rollers that hasn't already been hyperbolied in year-end lists worldwide? Their 'Monday Night Raw' cassette never left our deck since it's release and we're proud as all hell to release their first ever 7'' of fried zoner boogie blues.

Long Hots are the true Philly phrenetic, an unpolished combo of fuzzed out & agitated guitar, undercurrent bass choogle and bare bones drums. Theirs are the kind of long-form weighty psych jams that bring to mind heroes like Moe Tucker, Stooges and Dead Moon. Tasteful, smart, fun and fresh for your late summery nights.

A-side song Give and Take is 4 sturdy minutes of drone garage groove capturing the feeling of loose tension in between giving and taking and pushing and pulling. On the flip side, Nickel and Dime is a mucky pop song zeroing in on a dude unfit to pull his own damn weight and, from the sounds of it, not worth the trouble.

TRACK LISTING
A1. Give and Take
B1. Nickel and Dime

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Nautiluss

Angels & Daemons

9,59 €* 15,99 € -40%

LP | 2019 | US | Original (Innovative Leisure)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Two are surely better than one. Following Lory D and Fadi Mohem, Toronto based producer Graham Bertie aka Nautiluss also steps up for his second outing on Seilscheibenpfeiler, marking the label’s 10th overall release. Once more, Nautiluss is transforming playful and rhythmically intriguing bass music into prime dancefloor cuts, encompassing a rich array of sounds and moods ranging from upfront rave action to delicate deepness.
„Guccifer“ kicks things off with a dark, shuffling beat, creating a subtle hardcore/jungle vibe with atmospheric overtones. „Snakes And Ledgers“ is a percussion-heavy tune led by a fat and thumping bassline and completed with muffled chants by Toronto rapper Matthew Progress. Next up is „WiFi Oasis“, again fronted by a memorably melodic and reverberating bassline while the track explores airy and enigmatic IDM territory. „Moment Of Clarity“ rounds off the EP with ethereal synth pads and big breaky beats, providing an ideal closing track for every extended club night.

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Tijuana Panthers

Carpet Denim

Tape | 2019 | US | Original (Innovative Leisure)

Release: 2019 / US – Original

Genre: Rock & Indie

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The Tijuana Panthers are back and this time they’re all grown up (kind of). Combining their signature surf rock with new experimentations in sound, Carpet Denim is the culmination of nearly three years of work and the band’s subconscious evolution into deeper, more personal places.

Taking concepts that have long been percolating, this album is the musical version of a beachside, drop-top cruise -- punctuated by deeply human lyrics. Carpet Denim hits deep notes of introspective darkness with songs like “You Died,” a ballad-y jam that delves into the complex emotional wreckage of a father’s passing, and the album’s single, “Path of Totality,” about a close friend of the band’s who lost the fight against alcoholism.

These soulful forays are offset by Tijuana Panthers singular, upbeat sound, with the playful jam “Little Pampelmousse” that celebrates fatherhood and refers to Phil’s nickname for his new, beloved baby.

Then there’s “710,” a spirited coast down memory lane that embodies the band’s signature sunniness - all while reminiscing about growing up in Long Beach.

The culmination of the band’s many years on the road and making noise, Carpet Denim falls deeper into their weird and wild tendencies (there’s even a synthesizer that makes an appearance). It’s inspired by everything, from politics to the guys’ personal lives, Haruki Murakami and Twin Peaks. There’s the perfectly dissonant “TV People,” a creepy little number that combines simple guitar with a roving bass to create an abstract jam that’s hard to forget.

This album is the same garage-y Tijuana Panthers you love, but this time, they channel their unbridled energy into a moody maturation of their music. The band returned to their hometown of Long Beach, CA to record Carpet Denim at Jazzcats studio. Unlike earlier albums such as Poster and Wayne Interest - which were recorded in a flash-bang, marathon sitting, the band’s latest album was methodically assembled by Jonny Bell over multiple days. Pouring over production, Carpet Denim is a collective deep breath that weaves together years of songwriting -- all jam-packed with summertime vibes, peaks of punk rock and Tijuana Panthers’ signature oddball adventures.

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Tijuana Panthers

Carpet Denim

LP | 2019 | US | Original (Innovative Leisure)

Release: 2019 / US – Original

Genre: Rock & Indie

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Pinky Pinky

Turkey Dinner

12" | 2019 | EU | Original (SlothBoogie Jamz)

Release: 2019 / US – Original

Genre: Rock & Indie

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'pinky pinky are the rising queens of l.a. garage rock' - i-D 'It's always exciting when young ones who are way cooler than you'll ever be make music that sounds polished and tight right out the gate' - THE FADERPinky Pinky have good gut instincts. During an era of limitless distractions, societal pressures and sonic trends, the three best friends are focused on being happy and blissfully on the outside of all that noise. You can hear that on their new music which follows two prior EPs & multiple tours straight out of High School which has earned them some early fans with some of Rock's biggest names (Dave Grohl to Brian Bell of Weezer to Albert Hammond Jr of The Strokes).As they gear up to release their debut album this summer, the first single is a patchwork quilt of garage rock and oddball indie with pop sensibilities via Producers Hanni El Khatib & Jonny Bell. It's rooted in classic bass, drums, guitar, but it's bolstered by the perspectives of a trio of LA youths writing about their everyday observations, anxieties and passions. As a result, it's unpretentious, raw and unpredictably zany.

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2XM

Dulcet EP

OTHERLiiNE (George Fitzgerald & Lil Silva)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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2XM are back on our shores with another sun kissed and emotive EP.
Four new tracks covering 2-step garage, deep percussive house and synth laden electronic grooves with a powerful vocal performance from rising star Neil Macleod.
These two are really developing their own signature sound and we’re all in.

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Chimes

12" | 2019 | EU | Original (OTHERLiiNE)

9,74 €* 12,99 € -25%

LP | 2019 | US | Original (Third Man)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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George FitzGerald and Lil Silva proudly present OTHERLiiNE and the debut track Chimes, out now.

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Olivia Jean

Night Owl

23,99 €*

12" | 2019 | EU | Original (Soul X Tension)

Release: 2019 / US – Original

Genre: Rock & Indie

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Olivia Jean is back on the beat with her second full-length (and first self-produced) album, Night Owl.
Night Owl is exactly what it sounds like: the wee-hour workings of an artist engrossed in a project, pushing against omnipresent forces of fear and judgment to do exactly what she’s always wanted to do and be exactly what she’s known she is. It's candy-coated and also bittersweet, fully aware and also full-hearted.
The album mines the shared spaces between bubblegum, beach pop undercurrents and fuzzed out garage a la B-52s and Dick Dale, lyrically diving headfirst into the frustrations of perfectionism, mental barriers, obsession and modern heartache. Unlike Bathtub Love Killings, on which we found Olivia playing every instrument on the vast majority of the album, Night Owl is decidedly more collaborative, with a studio band of buddies backing up her up.

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Ebende & Matinda

Logik EP

12" | 2019 | EU | Original (Sneaker Social Club)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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New Swedish label Soul X Tension delivers groovy, adventurous & playful dance music. For the 1st release label heads Ebende & Matinda bring you a diverse but coherent split EP. 4 well crafted cinematic pieces of Electronica, with elements of UK Garage, Ambient, Techno, House & Tribal.

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Chavinski

I'll Keep Her Safe Boy

Release: 2019 / EU – Original

Genre: Electronic & Dance

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G&D (Georgia Anne Muldrow & Dudley Perkins Aka Declaime)

Black Love & War

LP | 2019 | EU | Original (eOne)

LP | 2019 | US | Original (Dirtnap)

Release: 2019 / EU – Original

Genre: Hip Hop

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Georgia Anne Muldrow and Dudley Perkins aka Declaime, collectively known as G&D present their new album ‘Black Love & War’ which will be released August 9, 2019. Both life and musical partners, G&D have been together for over 13 years raising 3 children together. The album celebrates ‘black love’ and the unity of the black family, but the album also delves into many of the socio-economic and racial issues that still have them at ‘war.’ The album features production from Oh No and Mike & Keys (Nipsey Hussle). Vocal features include Aloe Blacc, Latoiya Williams, Sean Biggs and Ms. Dezy.

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The Hussy

Looming

LP | 2019 | EU | Original (Don't Be Afraid)

Release: 2019 / US – Original

Genre: Rock & Indie

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The Hussy formed as a duo in Madison, WI in June 2008. Fronted by both Bobby Hussy (guitar / vocals) and Heather Hussy (drums / vocals), the band carved a trash-punk path through the 2000s into the 2010s playing shows alongside contemporary peers and timeless classics such as Mudhoney, Ty Segall, Thee Oh Sees, Twin Peaks, Reigning Sound, Spectrum (Ex-Spacemen 3), Black Bananas (ex-Royal Trux),The Black Lips, King Khan & BBQ, White Fence, The Faint, Tenement....and way too many more to all mention here. Known for their intensely chaotic live shows, they quickly gained a cult following in the Midwestern underground. After the release of the band’s classic and long sold out sophomore album, Weed Seizure (2012 - Tic Tac Totally), they played pinnacle garage rock festival Gonerfest in Memphis. The band is slated to play Gonerfest 16 later this year.

The Hussy’s hyper-prolific output has spanned 20+ different record labels and every format imaginable. Both Bobby and Heather write songs and contribute equally to the project. Nearly all releases have been tracked by Bobby Hussy himself. In 2015 The Hussy added Tyler Fassnacht (Fire Heads, Proud Parents, T.S. Foss) as an official full-time third member to help fill out the sound at live shows. Now bolder and noisier than ever, The Hussy is exciting old and new fans alike with scuzz-pop gems chock full of hooks that rot and stick.

At the end of 2018 The Hussy started tracking their new LP, Looming. Their last album saw the band move into a more focused direction with earnest mid-fi production and added arrangements, while still keeping true to the band’s knack for writing consistently catchy pop morsels. This album takes the band in a decidedly dismal and defiantly dark direction. It tackles topics such as death, sudden loss, divorce, addiction and these politically depressing times. The record is sixteen tracks of trash-pop that run the entire gamut of punk-rock-n-roll. There are spacey leads, heavy sonics, slicing rhythms and generally gnarly sounds all tucked beneath The Hussy’s patented blanket of hook. This is the “new” heavier three-piece version of The Hussy, but the band hasn’t lost any of it’s knack for a sugar sweet melodies.

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rRoxymore

Face To Phase

King Salami & The Cumberland Three

Release: 2019 / EU – Original

Genre: Electronic & Dance

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rRoxymore's long-anticipated debut album, Face To Phase, was born of her annual creative hibernation practice. Whereas her previous appearances for Don't Be Afraid - Thoughts Of An Introvert, Parts 1 & 2 - revealed inner worlds of saturated colour and natural expressiveness, she retreated into her studio at the turn of winter 2018 occupied with the idea of dismantling the dancefloor-centric pressure paradigm.
The resulting album, Face to Phase, finds rRoxymore methodically and mindfully stripping back to fundamentals: rumbling minimalist dub, sparse polymetric drums, boldy unpredictable melodic narratives and subtleties which hover out-of-reach or disappear into vapour. Forged by the spirit of club music cultures, Face To Phase favours deep listening; resisting the temptation to reflect on the past or project towards the future, it's an album that is firmly rooted in the contemporary.
Sparked by her own archive of field recordings, and produced primarily but not exclusively in the box, Face To Phase adds several facets to rRoxymore's already wide repertoire. The pensive and beatless opener "Home Is Where The Music Is" was inspired by her longtime friend Planningtorock, while "Forward Flamingo" is a spiraling dream-state of house music dissociation; elsewhere "Energy Points" remains anchored to the ocean floor, radiating heavy dub waves, "Passages" is a ghoulish skeleton of UK break beats, "What's The Plan" closes the album in a blissfully blunted fashion, while twisting, shape-shifting rhythms push and pulse "PPS21" into series of ever-evolving shapes and forms.
Through and in between the eight songs of Face To Phase, rRoxymore fortifies her status as a seasoned artist, grounded by over a decade of live performance and touring, collaboration, composition and experimentation. With a new live performance collaboration with a percussionist set to debut the LP at Atonal on 1st September, rRoxymore is primed to expand her reputation even further as one of the most vital and distinctive artists on the fringes of contemporary club culture.

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Kiss My Ring

LP | 2019 | EU | Original (Damaged Goods)

LP | 2019 | EU | Original (Damaged Goods)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Kiss My Ring is the fourth full-length studio album from London-based rhythm 'n' blues garage rockers, the follow-up to 2017's Goin' Back To Wurstville. It features fourteen tracks, a mix of brand new original compositions and the band's eclectic choice of covers. The album was recorded at London's legendary Gizzard Studios by Ed Deegan (Holly Golightly).The band truly represents the best of multi-cultural London, the members having a mix of Caribbean, French, Japanese and Spanish heritage. With a repertoire influenced by many of the great songs of the '50s and '60s made to sound fresh and new to modern ears, you won't be able to help but move your feet when the Cumberland Three are blasting out of your speakers. The King howls like Screaming Jay Hawkins with Bo Diddley chasing his coat-tail whilst Andre Williams tries to offer up some of his bacon fat, and the Trashmen do the Surfin' Bird behind him. This is a man that never stops shakin' and twistin' and groovin'. The Cumberland Three (former members of punk rock bands, including The Parkinsons) rock up a storm with their own branded mix of vintage rockabilly, desperate rock 'n' roll and stomping soul, with fire, energy, gusto and, above all, fun!The band has played pretty much everywhere in Europe, plus Australia, the USA and Japan, and more recently in China (Shanghai, Beijing, Nanjing, Wuhan, and elsewhere from big cities to rural villages), the Middle East, Turkey, and recently the South Pacific, and have shared a stage with the likes of the Standells, Pretty Things, Trashmen, and the Mummies, to name a few. You might have catch them starring on BBC's TV series UK'S BEST PART-TIME BAND (presented by Rhod Gilbert), and they also have 2 songs in the soundtrack of the Hollywood movie Death Race 2050 (remake of Death Race 2000) produced by the legendary Roger Corman!Equal parts rock 'n 'roll and soul, with a healthy dose of blues and rockabilly and a good bit of punk rock attitude, Kiss My Ring is a record you NEED in your collection!

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Fabienne Delsol

Four

LP | 2019 | EU | Original (Rough Trade)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Fabienne Delsol's new album Four is a culmination of a year or so's activity at Toerag studios. The big change this time around is the co-production by Fabienne alongside Luke Oldfield, himself a long-time engineer and producer at Toerag. Though swathed in the same toil and tears of her previous three solo albums, Four has a more nuanced and mature sound, rooted in psych whilst retaining some snappy French pop and '60s garage styles of auld. There is also a mass of complimentary instruments, in particular the Mellotron is a welcome and worthy addition to many of the tracks. The contemporary and original songs 'I'll Never Be Lonely Again' and 'See How They Run' are masterfully crafted for Fabienne's distinct delivery, and both feature a strong '60s groove in-keeping with her trademark sound, the latter being a contender for the highlight of this classy album.As is archetypal of a Fabienne Delsol LP, carefully chosen covers are lovingly interpreted via Fabienne's delicate voice - take Lyme and Cybelle's 'Follow Me', itself a wonderful heavy-handed garage-folk jaunt, or the stunning take on the Human Beinz' second album opener 'Face', a spellbindingly solid piece - praise indeed to the assembled players on both. A lifelong devotee of "the Quo", it's no surprise then to hear Fabienne tackling a Spare Parts album track, only here 'When I Awake' is pared-back and sparkling, whilst Francoise Hardy's smouldering French classic 'J'ai Fait Du Lui Un Reve' is reimagined with a sumptuous air of the ethereal, with stark emotion in that voice and slowly building up tonal layers as the track progresses - you'll struggle to hear anything as haunting this year.

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Starcrawler

Devour You

Release: 2019 / EU – Original

Genre: Rock & Indie

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Starcrawler sind auf den Straßen von Los Angeles groß geworden und saugen seit ihrer Jugend die besondere Energie ihrer Heimatstadt auf. Seit der Bandgründung in 2015 hat sich die Band, bestehend aus Frontfrau Arrow de Wilde, Gitarrist und Sänger Henri Cash, sowie Bassist Tim Franco und Drummer Austin Smith aus der Garage, wo sie gemeinsam Punk-Klassiker spielten, in die Herzen von Ikonen wie Shirley Manson oder Elton John gespielt. Und nebenbei Künstler und Bands wie Beck, die Foo Fighters, Spoon, The Distillers oder MC5 mit ihrer einzigartigen, sowie Energie-geladenen Auftritten supportet. Diese sind manchmal blutrünstig, extrem prächtig und dabei so elegant wie eine Ballett-Aufführung. Auf ihrem am 11. Oktober erscheinenden Zweitwerk "Devour You" fängt die Band nun eben jene Energie ein. Der Nachfolger des selbstbetitelten 2018er Debütalbums wurde von Nick Launay (Nick Cave & the Bad Seeds, Yeah Yeah Yeahs, L7) produziert und zeigt nun die Weiterentwicklung der Vier als Band und Songwriter.à"Devour You" ist eine Coming Of Age Platte, die von ihrer Teenage Angst getriebenen Energie lebt.

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Louisville In The 60's The Lost Allen-Martin Tapes

LP | 2019 | EU | Original (Out-Sider)

LP | 2019 | EU | Original (Treibender Teppich)

Release: 2019 / EU – Original

Genre: Rock & Indie

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14 tracks from the Louisville late 60s/early 70s garage-psych scene.
These cuts (all of them previously unissued except for one originally released on a rare 45) were found in the archives of the city's well known Allen-Martin Studio, after the owners retired and the place closed down.
Including some rather well known names such as The Rugbys, The Illusions, The Keyes and The Oxfords, as well as more obscure local heroes like Free Reign, The Premieres, Roc, Conception…Highlights include fabulous psych rockers by Rugbys and Oxfords; fuzzed out garage by Blues and Illusions; psychedelic hard-rock by Babylon and Free Reign; jangly teen beat by JB and The Young Wheels; killer psych covers of Beatles and Traffic by Keyes and Company Front,…

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Wolf Mountains

Urban Dangerous

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Arbutus)

Sorry Girls

Deborah

LP | 2019 | EU | Original (Mono-Tone)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Think your new favourite album couldn't possibly pair earnest songwriting, irreverent danceable pop, and a synth-harmonica solo played over a collage of cinematic sound fx? Think again. Deborah - Sorry Girls' debut LP - marks their first release with legendary Montreal based label Arbutus Records. Written and recorded by the duo over two years and mixed by David Carriere of TOPS, the LP has a decidedly honed and cared for aesthetic. It chronicles the ebb and flow, ups and down of loving, of finding yourself. Moving seamlessly from moments of refined tension to contemplating the torment of a lost-love, it flirts seamlessly with the heartfelt songwriting of the 60s, the smooth groove of the 70s, the synth-mania of the 80s, and the angst of the 90s, without ever feeling anything less than Sorry Girls. Sorry Girls is a Montreal based duo consisting of Heather Foster Kirkpatrick and Dylan Konrad Obront. The Two met in 2008 while studying at university, making joke songs on Garage Band together over pots of Kraft Dinner on the floor of their friends' apartment. It wasn't until one serendipitous afternoon eight years later that they pooled their combined interest in powerful pop ballads to write 'This Game' sparking the inspiration for their debut EP Awesome Secrets, self-released in November 2016. Since then they have become a staple of Montreal's live music scene, embarked on a tour across Canada, performed at SXSW, and released a double-single 7" titled Easier with Arbutus Records. Deborah, the much anticipated follow up to Easier (released Nov 2018), is sure to tickle the fancy of all those who have patiently awaited its arrival.

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Lorete Velvette

Don't Crowd Your Mind

25,99 €*

12" | 2019 | EU | Original (Traxx Underground)

Release: 2019 / EU – Original

Genre: Rock & Indie

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First time ever on LP for this compilation of songs originally on rare 45s and CDs for the ex Panther Burns and Hellcats member, with guests like Alex Chilton and MickCollins! Ex Panther Burns and Hellcats member here on her own with guests like Alex Chilton, Lee Baker, Doug Easley and Mick Collins! Garage blues and raunch'n'roll, originals songs and startling covers - the true Memphis sound, savage and soulful!

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Keepin' Soul

Valencia And You EP

Tape | 2019 | EU | Original (Intrauterin Tapes)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After almost a year Traxx Underground comes back with a dope EP that remembers the sound from where it all began, garage and deep. All this by Keepin’ Soul.

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Baze.DJunkiii

The Gangster Files

Release: 2019 / EU – Original

Genre: Electronic & Dance

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As cassette tapes are making a comeback it is time for us to revive Intrauterin Tapes after a 15 years hiatus with a new release by Intrauterin Recordings mastermind baze.djunkiii who is bringing on his latest mixtape outing “The Gangster Files” for all lovers of original and classic UK Garage / Sublow as well as real Jungle / Drum’n'Bass headz featuring a massive vinyl selection of rare whitelabel cuts and essential classics. The history: Originally launched in 2001 and operating until 2004 the Intrauterin Recordings sister label Intrauterin Tapes released eight volumes in these first years, making a previously unprecedented move in German mixtape culture in focusing on studio recorded, MC-free vinyl only DJ-mixes for true bass music lovers, covering a musical spectrum from Drum’n'Bass, DarkJungle and UK Garage, put together by both hot, emerging talent from the local Hamburg underground as well as a special final edition featuring US-based (Dark)Jungle legend and scholar Larissa Mann a.k.a. DJ Ripley for a preliminary closing in 2004.

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Brown Acid - The Ninth Trip Riding

LP | 2019 | US | Original (Riding Easy)

Peggi Blu & Gregg Diamond

Release: 2019 / US – Original

Genre: Rock & Indie

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The forthcoming ninth edition of the popular compilation series featuring long-lost vintage ’60s-’70s proto-metal and stoner rock singles, Brown Acid - The Ninth Trip is set for release! Some of the best thrills of the Internet music revolution are the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a century—particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins—often hoarding them in private collections, or selling at ridiculous collector’s prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks collected on Brown Acid.

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I Want It All Now / This Side Of Midnight (Justin Van Der Volgen Edits)

12" | 2019 | EU | Original (My Rules)

12" | 2019 | EU | Original (Glass Talk)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Back in 2009 My Rules label owner Justin Van Der Volgen released a mix cd done completely with his own edits titled Try To Find Me Vol 2. The mix was received incredibly well and had fans scrambling for years to try and spot the track list. It earned a 4.5 review on Resident Advisor, and had a certain rather known and respected DJ opening their sets with it.

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Henry Greenleaf

Patent

10,99 €*

George Clanton & Nick Hexum

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Following on from the release of a spilt EP from rising stars Gramrcy and Gaunt late last year, GlassTalk Records returns in 2019 with the sophomore EP from Bristol's Henry Greenleaf, "Patent".
The unassuming producer has been making waves with his bassy 130bpm productions which seem almost custom-made for the later hours of dark club settings.
Since his debut release on Par Avion last November, Greenleaf has been focused on increasing the sonic scale and clarity of his work; something that's apparent on the whole of "Patent" but especially on the opener, "Inch". A true 'creeper' of a track, the groove and harmonic arrangement of the 3-minute build-up is somewhat entrancing but then gives way to a head-wringing breakdown.
True to his previous output, Henry doesn't sit still stylistically on "Patent". The EP's second track, "Tare", moves away from the 4x4 structures of "Inch" and into more syncopated territory previously occupied by producers like Mickey Peace or Paleman. "Tare" is a masterclass in polyrhythms with all manner of kicks, claps and vox samples skittering over each other. This deft use of drum programming is complemented by serene and uplifting synth sections, cleansing the tonal pallet before the beat forcefully drops back in.
On the B-Side, "Caved" keeps the energy and the tempos high with supremely processed high hats and a rumbling low-end landscape. Here Henry Greenleaf's adoration of Paula Temple's music shines through more than ever. Much like her output, it's kind of hard to know which way is up in "Caved" with its ever-shifting palette of sounds and grooves.
Closer and EP title track "Patent" is probably the vastest song Greenleaf has created during his recent mission to grow his productions in scale. It's a mammoth techno track with a pulsing low-end juxtaposed against some sporadic & icey synth pads.
This release solidifies Henry Greenleaf's already hard-to-dispute status as one of the leading lights of the 'Bristol sound'. Almost impossible to define; his work sits in that amorphous sweet spot where techno, dubstep, garage and a load of other UK influences bleed into each other to form something unique. Put your headphones on and let the grooves swallow you up.

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Crash Pad & King For A Day Colored Vinyl Edition

7" | 2019 | EU | Original (100% Electronica)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Innovative Leisure)

Iguana Death Cult

Nude Casino

2LP | 2019 | EU | Original (Sony)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Rotterdam’s Iguana Death Cult hasn’t exactly been shy about causing havoc on whatever stage they set foot. That’s likely been the one constant since establishing their giddy brand of protopunk and garage rock on debut LP The First Stirrings Of Insect Life. Iguana’s pending follow-up Nude Casino marks a swift and sobering departure from the miasma of psychedelics they purvey so fervently. But no less intense: this band has been sharpening their tools, reemerging from their concrete cavern with a ragged and convulsive post-punk attack akin to Devo, The Gun Club, and Richard Hell. Playing an abundance of shows – at small clubs, squats and festivals such as The Great Escape, Lowlands, c/o pop, Plissken and Reeperbahn – has whipped Iguana into even more ferocious live band, and that experience carries over in the recordings. "Bright Lights" is the lead single from the upcoming effort Nude Casino.

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George Michael & Wham!

OST Last Christmas

Release: 2019 / EU – Original

Genre: Pop, Soundtracks, Christmas

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A Message From The Outpost

Craig Bratley

12" | 2019 | EU | Original (Automatism)

The Outer Circle EP Silverlining Remix

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After a relatively quiet 2018, 2019 has seen Craig Bratley back on form with edits and remixes on Magic Wand, Secret Fusion, Wonder Stories and Rebirth. This first release on new label Automatism sees Bratley continue to develop the themes presented on his ep for Futureboogie. The first track, 'Ursa Minor', is straight up cosmic disco. The influences behind 'Dark Matter' are apparent on hearing the first four bars and should strike a chord with fans of Vangelis and Carpenter. 'Exquisite Corpse' was previously released on a Throne Of Blood compilation. Here we have the Zero Gravity Mix , mixed down again and with the drums removed, we are presented with a new perspective, providing more space and dare I say it 'Gravity' Beautiful. To finish the EP, 'Running To Paradise' sees Bratley in full on Balearic mode and will sound perfect sat by the Adriatic

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Craig Hamilton

12" | 2019 | EU | Original (The Outer Circle)

12" | 2019 | EU | Original (Boogie Box)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The Outer Circle drops a debut release full of flavour and grooves reminiscent of the golden era of UK/US tech house from Glasgow's Craig Hamilton, alongside London's tech house veteran Silverlining on remix duties.

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Otik

Blasphemy

CD | 2019 | US | Original (Thees Handz / Empire)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Airplay on Tom Ravenscroft (BBC Radio 6 Music), Re:lax w/ Re:ni, Laksa & Biggabush (NTS), Gage (NTS), From The Depths with Drakeford (NTS)
Premieres of Four Feet and Blasphemy on Trax Mag and Ransom Note
Review on 2 Hungry Ghosts

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Murs & The Grouch

Thees Handz

Love Honey, Love Heartache

Release: 2019 / US – Original

Genre: Hip Hop

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When hip-hop fans mention the Living Legends Crew - the 8 member collective from California that kicked open the doors for rap music that highlighted the everyday man - they often think of two members: Murs and The Grouch. While the two built a name for themselves within the crew, and as solo artists, they never collaborated on an official project with each other, until now.

The relationship between the two could be likened to college roommates who once shared living spaces together in their formative years, who went on to become successful in their own paths but remained rooted to their beginnings. After years of collaborating with other Living Legends crew members (The Grouch & Eligh, Three Melancholy Gypsies), and people outside of the crew (Atmosphere, Strange Music, Slightly Stoopid), the two decided to make a full project together - Thees Handz. They have both had success in the live space as well; Murs was the first rapper to have his own festival, Paid Dues, and The Grouch with his annual tour, How The Grouch Stole Christmas. While ruminating on who to tour with for the 12th and final year of the Grouch's Christmas Tour, a light bulb went off and The Grouch reached out to his brother, Murs. After discussing joining him on tour the two also decided to give their fans something they never knew they wanted - a joint album from Murs & The Grouch. Clocking in at 10 tracks - a reference to the title, by way of the number of fingers on two hands - the project is effective in it's succinctness. With tracks that run the gamut from braggadocious to introspective, Thees Handz will touch the listener one or another. The production is handled by The Grouch, Ant of Atmosphere, Eligh, DJ Fresh, DJ Rek, and Brady Watt. The album features Reverie, Rabbitt, Brady Watt, with scratches by DJ Abilities.

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Man Friday

7" | 2019 | US | Original (Vinylmania)

Plasmatic Idol Colored Vinyl Edition

Release: 2019 / US – Original

Genre: Organic Grooves

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From the original Vinylmania Records !!! First time on a 7" single !!! The Paradise Garage classic "Love Honey, Love Heartache" Produced by legendary DJ Larry Levan. Writtren by Brodie Williams. Edited DJ Monchan A side and a B Side Acapella

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Giöbia

LP | 2019 | EU | Original (Heavy Psych Sounds)

29,99 €*

Secrets & Escapes Picture Disc Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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The new Giöbia album “Plasmatic Idol” is simply impressive: a collection of different sounds and atmospheres, brings the listener to another sidereal world full of dreams and mind travels. You can clearly feel the influence of certain Pink Floyd in some passages but also pinches of Italian Progressive Rock, Horror Soundtrack from 70’s movies, garage 60’s influences, US West Coast Psychedelia, and late 60’s Space Rock a la Hawkwind The production is delicate and smooth, the album flows without interruptions and the music immerses your mind in a cosmic dimension. The vintage organs and synthesizers are used in the best way possible, 8 tracks that capture your attention without distraction. Produced by Bazu the guitar player and singer of the band and Mixed and Mastered By Brett Orrison (Black Angels, Jack White) at Spaceflight Records in Austin, Texas. The Great cover album and artwork is by Metastazis.

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Brother Ali

LP | 2019 | US | Original (Rhymesayers)

23,99 €*

12" | 2019 | EU | Original (Portage Garage Sounds)

Release: 2019 / US – Original

Genre: Hip Hop

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Secrets & Escapes is a compendium of Brother Ali's time with Evidence over the course of three trips to California, recording in a Venice garage with no regard for pleasing the internet or competing with the music industry. Ev chopped up records on old-school samplers and ran them through a compressor (2 track) so they couldn’t be re-arranged or mixed. Brother Ali sat with the mic and spit rhymes as they came to him, without writing or organizing them into songs. Ev smoked a lot of weed, Ali prayed a lot, and their influences on each other can be heard in the recordings. Every time they made something that reminded them of what they’ve become known for, they threw it away and started something new. Talib Kweli, Pharoahe Monch and CS Armstrong all came through to bless the project with contributions too. This album is two friends making rap music for no other reason than because it’s what they love to do

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Gustav Brovold

Hyperbolic Space

16,99 €*

7" | 2019 | EU | Original (Six Tonnes De Chair)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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PGS 011 comes to us from Gustav Brovold, an essential player in Detroit's latest wave of underground electronic music. His début EP, "Hyperbolic Space" is the first release solely dedicated to the local legend, with influences ranging from 90s UK rave, apocalyptic techno, and bright, post-Drexciyan electro. Since the late-aughts, Brovold has been a fixture of Detroit's dance community; first as a member of Randy Chabot's Deastro project, and then a pillar of the after-hours scene through raves with the ADULT Contemporary collective, all the while sprinkling in rare, must-see all-hardware-based live shows around the city. Moments of brilliance have boiled over the surface globally, with appearances on Don't Be Afraid as Radio Brovold in 2015, the Detroit Electronic Quarterly's "DEQ Vol. 7" in 2016, and on the punishing opener of PGS 009's with "Temple of the Circuit" earlier this year.
Following a live show at Detroit's Donovan's Pub in late 2018, Zach (Shigeto) came to the obvious realization–this music is the reason why we started PGS, and needed to release the music to a wider audience. Brovold handed PGS a flash drive with hours of completed music, a gold mine in bits and bites. "Hyperbolic Space" represents a cohesive sampling of the mountain of tracks from Brovold's vaults, propelling PGS into the next decade. Play it in your car, or at unauthorized raves, and dance to the airwaves of Radio Brovold.

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Memes

Blah Blah Blah

10,99 €*

12" | 2019 | EU | Original (Underground Quality)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Memes is John Meme and Paul Meme - a laptop rock duo from Glasgow, formed in February 2019.

"Nine months is what MEMES have taken to get together and release their first 7", " Blah Blah Blah ", whose vinyl will reach the buckets in less than a week through the French label Six Tonnes De Chair Records, happening everything so fast thanks also to Steve Lamacq on the BBC6, who praised the John and Paul hard work behind the eponymous single to the album, whose strategy is based on a saturated lo-fi that makes post-punk and garage go hand in hand before the strings end up taking the control in favour of the motivating rock, implanting also its lyrical message in 'Happy Shopper', which takes it to the Sleaford Mods ground while the instrumentation is approaching a Christmas dyed of BODEGA, getting noticed by the use of a megaphone with which they approach their lyrics to the people, causing the hips to not stop moving at any time, which well taken advantage of by 'Funny Man', means visiting the 70's, chanted by the 50's, generating a mosh whose limits are not yet defined."

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Natahlie Capello

Diggin U

Seeking Thrills Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Nathalie Capello Berlin based DJ/Producer 1st release.
5 tracker From soulful R&B house. Garage to Straight big room banger! This unique 90ty's infused sound is amazing!

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Georgia

LP | 2019 | UK | Original (Domino)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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12" | 2019 | EU | Original (A&R Edits)

Moplen

A Minute / Can't Hide

12" | 2019 | EU | Original (Cr2)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Having returned from a 4-year break in August with its latest release from GW & Henry, A&R Edits follows up with a debut for Moplen. With a recent remix of Frankie Knuckles ft. Jamie Principle and a Salsoul Reworks EP, Luca Moplen has been gaining new traction of late, so it felt fitting to release two of his evergreen edits on vinyl for the first time. Moplen’s edit of Tavares’ classic disco stomper ‘It Only Takes A Minute’ coupled with Greg Wilson’s edit of Moplen’s edit of Larry Levan’s mix of David Joseph’s ‘You Can’t Hide (Your Love From Me)’, if you can follow all that!
An all brother group hailing from Providence, Rhode Island, Tavares were a band that evolved with the disco sound, hitting their peak in 1976 when both ‘Heaven Must Be Missing An Angel’ and ‘Don’t Take Away The Music’ became huge club favourites. They scored their first R&B #1 in ‘1974 with a cover of Hall & Oates ‘She’s Gone’ and in 1975 they returned to the top of the R&B chart whilst going top 10 pop and scoring a #2 Disco hit with ‘It Only Takes A Minute’. In 1992 a cover by boy band Take That would gift them their first top 10 entry, many people unaware that this track had first been recorded 17 years earlier.
Rising to prominence in Brit-funk band Hi-Tension, David Joseph soon found his footing as a solo artist after they’d split, with his first release being ‘You Can’t Hide (Your Love From Me)’ in February 1983. That same month, Greg Wilson appeared on The Tube, mixing between two copies of this very record – the first time mixing had been demonstrated on British TV. It would subsequently enter the UK chart, climbing into the top 20. The track would then be remixed by legendary Paradise Garage DJ Larry Levan, resulting in a #2 placing on the Billboard Dance chart. Upon hearing Moplen’s extended dub edit, Greg worked further into it reintroducing the song – given his history with the track it was unthinkable that he’d play it without the vocal. The result is a unique version where Moplen’s dub sets the vibe during the first half of the edit before the song is finally introduced.

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Paul Rayner & Fevasoul

Seek & Find

LP | 2019 | EU | Original (Groovie)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Hitting the label's 15th year anniversary, Cr2 unleashes it's first of many releases to celebrate the occasion. Paul Rayner & FevaSoul's collab recorded in the 1990's 'Seek & Find' leads the campaign perfectly - 'Seek & Find' is a UK garage track laced with neatly done percussion shuffles, slick bass-lines backed by a leaning house vibe to sweep clubs off their feet.
After 20 years unreleased and stored on DAT, 'Seek & Find' has suddenly surged into a club powerhouse that has so far been championed by the likes of Prospa and the Slapfunk Records crew' Julian Alexander, Samuel Deep, Anril Aras - MC Feva, known for his work with the likes of Jeremy Sylvester and Acetate celebrates the release, saying It's 'Great for this to finally see the light of day. The reactions on the dance floors speaks for itself!'
With a career spanning for more than 25 years, MC Feva is joined by household name Paul Rayner, a veteran electronic music producer known for his remixes of a multitude of artists including Visage, Ysa Ferrer, Mel Merio, Spagna.

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The Cavestompers

The Second Chance

CD | 2019 | US | Original (Rhymesayers)

Release: 2019 / EU – Original

Genre: Rock & Indie

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This album was the last for one of the founders of The Cavestompers! Ivan "Cosmos".His final contribution was the authorship of several songs.Do not look for him on the cover photo-he is Kosmos and invisibly present in our ranks like a phantom.His place at the moment occupied by Paul Petrov ,who together with llya"Crusher" Sterzhanov in the 90s founded the first Russian garage punk band the Crushers.
This is the ultimate russian garage punk!!! fuzz all over...listen it...

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Brother Ali

Secrets & Escapes

16,99 €*

LP | 2019 | EU | Original (Karaoke Kalk)

Release: 2019 / US – Original

Genre: Hip Hop

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Rolf Hansen

Elektrisk Guitar

2LP | 2019 | EU | Reissue (Panache)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Rolf Hansen, who as a guitarist is originally rooted in jazz, has been one of the most in-demand studio and session musician in the Danish rock, pop, and folk scene. Between 2010 and 2017, he toured under the name Il Tempo Gigante as a solo artist and released two albums: ûLost Something Goodë (Speed of Sound, 2010) and ûWatch It Watchë (Resonans, 2014). With subsequent tours throughout Europe, he made a name for himself in the alternative folk scene.After a phase of reorientation, he now releases his first purely instrumental record under his real name through the Berlin-based Karaoke Kalk label in September. On his third album ûElektrisk Guitarë, the many different influences Hansen has gathered as a composer, solo performer, session musician and producer shine through.The concept of limitation - an album composed for and played with solo guitar - is being mirrored in the conception of the album itself. Not only does Hansen resolutely constrain himself to a sole instrument, he also eschews traditional composition techniques and follows an experimental approach.

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Peter Cat Recording Co.

Bismillah

30,99 €*

7" | 2019 | UK | Original (Original Gravity)

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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New Delhi-based Peter Cat Recording Co. will release their debut album, ‘Bismillah’ on June 14, 2019 via French independent label Panache Records. Debut UK live shows are soon also to be announced by the band.

Peter Cat Recording Co. could almost have a question mark on the end of its name. Not least as founder & frontman Suryakant Sawhney refuses to explain where that name really comes from or what it means (perhaps a reference to the Tokyo jazz club owned by Haruki Murakami), but also since the very existence of the band itself raises a raft of questions. When was the last time we fell for an indie rock band for the right reasons? Not because the band in question nostalgically imitate a perceived ‘golden age’ but because they innately embody the fundamentals of such music: fantasy, sincerity and the freedom to make music without rules or career aspi- rations. And when was the last time this kind of band sounded like Sinatra, Barry White, the sweetest doo-wop, humid fanfares and a psychedelic wedding band, all at once? And all of this coming from India? In truth, the story of Peter Cat Recording Co. was written within the triangle of San Francisco, Delhi and Paris. In the first of these cities, Sawhney (a native of Delhi) pitched up to study film-making. More distracted by the city’s peaking live scene of the early noughties, this is where he started to make music and to sketch out an idea for the band.“ The people I lived with supported my idea of writing music, they introduced me to great mu- sic. There used to be a great garage scene in San Francisco, like The Oh Sees [also Ty Seagall, Mikal Conin], all those bands. This is a world I had never seen in my entire life. A big inspiration from San Francisco was that you could record yourself. You don’t need to be in a studio and spend a lot of money to make an album. You can do it”.

At the end of the 2000s, Suryakant returned home to New Delhi, and started his band for real, more or less the same band that plays today. “I wasn’t so concerned about will we be performing, will we be the greatest band, will we be trendy. I just wanted to make something that was consequential and important for us, I think. Something which would last, something people could listen to and be like « this is life changing ». It was for the sake of beauty”.

For the first few years and in India alone, this is exactly what Peter Cat Recording Co. did, in total indifference to the rest of the world. This was until young Parisian label Panache stumbled across the band online via Vice’s Thump subsidiary, stupefied by the band’s cosmic video for seven-minutes-and-counting track, ‘Love De- mons’. And so in spring of 2018, ‘Portrait Of A Time: 2010-2016’ was released on Panache - making the first international release from Peter Cat Recording Co., bizarrely enough, an anthology of re-mastered, hidden gems from the band’s ramshackle back catalogue, previously recorded in Suryakant’s own living room. With Peter Cat’s off-kilter charm hitherto unheard of beyond the fringes of India, the release provided a gateway op- Whilst the title track found its way onto Tracks Of The Year lists at the Guardian & NME, it was tricky for new Pcrc enthusiasts to get a firm grip on the startling push/pull between the immediate, uncanny music this release gathered, and the cultural backdrop of New Delhi at which it was so startlingly at odds.

Opportunity for a wider fanbase to fall in love with their cloud-like, drunken songs for the first time. If discovering your favourite new band via a ‘Best Of’ feels a curious premise, then ‘Bismillah’ does more than hint towards the promise of Peter Cat Recording Co’s future. Blending gypsy jazz, psychedelic cabaret, space disco, bossa supernova, Bollywood and uneasy listening with kaleidoscopic ease, in many senses, the band’s knack hasn’t altered. Always different, paradoxical, unpredictable yet somehow familiar. The new album opens to the strains of bird chatter, the whisper of a city’s soundscape and the first few notes from an instrument which seem to be calling us to the departure lounge, a fore-shadow of the flight ‘Bismillah’ launches its listener on. Suryakant sings with the detached, rueful elegance of Sinatra marooned on a desert island, whilst his band create small space-time capsules which navigate their way through genres and eras – including the future – and between nostalgia and eccentricity.

Peter Cat recently trailed ‘Bismillah’ with the release of ‘Floated By’, an appositely titled musing on failure & missed opportunities, punctuated by the fulsome brass section which weaves through so much of the album.

The languid, blue quality to the track is offset by the attendant music video, created with footage shot, implau- sibly enough, at Suryakant’s own marriage ceremony (needless to say, the wedding band hired for the day was of course, Peter Cat Recording Co.) Sawhney dryly notes; “Hopefully it’s not a many-a-times-in-a-lifetime event. You can’t fake that set, those people actually having a good time, being really emotional and intense.” ‘Bismillah’’s colour-drenched album cover also captures Suryakant’s father-in-law making his wedding toast on that same day - a nod back towards the cover of ‘Portrait Of A Time’, itself a black & white image taken at the wedding ceremony of Suryakant’s own father.

A stumbling but gracious collection of songs rooted in a kind of drunken soul music, the melancholy nature of some of the songs on ‘Bismillah’ renders them almost liquid, before they develop into more dance-like shapes. Suryakant’s rangy voice swoops from the falsetto glide of ‘I’m This’ to the beat-up baritone blown along by the warm breeze of ‘Soulless Friends’. The elliptical structure of album opener ‘Where The Money Flows’ also al- lows for the use of brief bursts of autotune effect on his vocal without feeling incongruous, whilst the desultory lyrics of ‘Heera’ (a Hindi word for diamond) - sharing something with the Morricone school of grand storytelling - have an emotional weight that would impress even coming from a native English speaker. Perhaps the most gleefully unpredictable moment on ‘Bismillah’ comes with the illusory, vocal loops on the intro to ‘Memory Box’, errupting into 8 exhilarating minutes worth of unbridled, string-backed disco joy. A cat might have nine lives, but on ‘Bismillah’ and beyond, Peter Cat Recording Co. are hinting towards an un- knowable multitude of dimensions. Throw them all together, and it equates less to a listening experience and more to an out-of-body experience.

Peter Cat Recording Co. are: Suryakant Sawhney (vocals/guitar/organ), Dhruv Bhola (bass), Kartik S Pillai (organ/guitar/electronics), Rohit Gupta (horns), Karan Singh (drums)

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Melvin Craig

Beggar Man / Medicine

LP | 2019 | EU | Reissue (Karaoke Kalk)

Release: 2019 / UK – Original

Genre: Reggae & Dancehall

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Original limited edition vinyl (500 copies)

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Pink Shabab

Never Stopped Loving You

22,99 €*

Carnage Bargain Yellow Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Pop

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Joseph Carvell returns to Karaoke Kalk with his sophomore album under the Pink Shabab moniker. »Never Stopped Loving You« was for the most part written between Spring and late Summer 2020 in his Camberwell home and like his 2019 debut »Ema by the Sea« recorded in the South of France together with Emmanuel Mario, better known as Astrobal. It’s a record informed by feelings of nostalgia, love, longing, romance and loss and, much like his previous album, displays Carvell's knack for making introversion sound extroverted. As a bassist, his approach to songwriting is both rhythmic and melodic, making the resulting music just as visceral as it is emotive. Much like the record’s title can be understood as both a lament or an expression of joyful dedication, the music on »Never Stopped Loving You« is profoundly ambiguous.

»I was lucky with the timing for this record,« says Carvell and at first that may sound counterintuitive: managing to play only one show in Zurich in early 2020, he had to cancel his planned European tour and go back to the United Kingdom, which soon went into lockdown. He made the best out of the situation, recording electric and upright bass for Nick Krgovich, Daniel O’Sullivan and Zooey’s new records while also working on tracks and demos by himself. »The world seemed to have stopped and I had more time to think about the past and find the best grooves, the suitable keyboard touches and the right words,« says Carvell. Everything came together slowly before he boarded a train to France with his keyboard: »The pace of life completely dropped and between takes Ema and I were going swimming and taking walks,« he says of the sessions.

»Never Stopped Loving You« is notably more electronic than its predecessor, but also full of the small melodic and harmonic details that made »Ema by the Sea« such an outstanding record. »I was listening to more 1990s dance and house music and 1980s pop and also a healthy amount of ambient music,« explains Carvell. These influences are clearly audible on songs like the Chicago House-esque beats of »Show Your Love« or »Why Did I Leave You that Morning«, the skittish rhythms on »Let Go« and the near-Balearic »San Junipero«. Especially the latter makes it clear that Carvell spent much time devoting himself to movies and TV shows, but also incorporated more piano sounds in his songs—he learnt the instrument by playing along to classic Beatles and Beach Boys songs.

Despite being more upbeat on a rhythmic level than before, Carvell’s use of texture and his peculiar voice add another note to the music. Even an anthemic song like »Run Away«, his first composition to follow a classic verse/chorus structure, is profoundly ambivalent, both overjoyed and deeply melancholic. By the same token however, even a torch song like »You Stepped Out of My Life« is enormously consoling. This, after all, has always been Carvell’s strength: creating music that will cheer you up when you’re down while also injecting a sense of futility into every moment of euphoria. It never shone more brightly than on »Never Stopped Loving You.«

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The Paranoyds

LP | 2019 | US | Reissue (Suicide Squeeze)

LP | 2019 | EU | Reissue (Damaged Goods)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Los Angeles punk quartet The Paranoyds channel revelry and revulsion into their debut album Carnage Bargain - a raucous blend of garage rock grit, new wave swagger, horror film soundtrack campiness, and a myriad of other influences. The Paranoyds' beginnings can be traced back to a friendship forged between Staz Lindes and Laila Hashemi in their teens. With the additions of Lexi Funston and David Ruiz, the band found the personnel for their sonic balance of jubilant energy and foreboding undercurrents. Carnage Bargain captures this chemistry through guitar-and-keyboard, genre-mashing weirdness on "Laundry," the fever-dream kitsch of B-52s on "Ratboy," krautrock's motorik groove on "Hungry Sam", and Blondie on the sweet-and-salty highlight "Courtney." Title track "Carnage Bargain" is a perfect example of the band delivering scathing lyrical observations under the guise of a quirky pop hook. The notion of rejecting the status quo and creating your own destiny is evident on the lead single "Girlfriend Degree," which the band calls an ode to "being a badass woman who's taking time to make sure she's doing things for herself." The band may be paranoid, but they offer a solution to our modern ills through the act of being an inspiring, independent, and unflappable force.

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Fabienne Delsol

Four White Vinyl Edition

Live At The Garage 1 & 18 & 2006 Rog Ltd.Edition

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Four has a more nuanced and mature sound, rooted in psych whilst retaining some snappy French pop and '60s garage styles of auld. There is also a mass of complimentary instruments, in particular the Mellotron is a welcome and worthy addition to many of the tracks. The contemporary and original songs 'I'll Never Be Lonely Again' and 'See How They Run' are masterfully crafted for Fabienne's distinct delivery, and both feature a strong '60s groove in-keeping with her trademark sound, the latter being a contender for the highlight of this classy album.Carefully chosen covers are lovingly interpreted - take Lyme and Cybelle's 'Follow Me', a heavy-handed garage-folk jaunt, or the stunning take on the...

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Secret Machines

2LP | 2019 | EU | Reissue (Rhino)

46,99 €*

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Duster Black Vinyl Edition

Duster

LP | 2019 | US | Reissue (Numero Group)

Duster Ghoulish Translucent Vinyl Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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After a 19-year hiatus, Duster came back with their S/T chef-d'oeuvre in 2019. Recorded in band member Clay Parton's garage (aka Low Earth Orbit), the record bears all the hallmarks of the band's early work: gaunt basslines, spindly guitars, and melancholy lyrics that lurk in the background.

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Duster

LP | 2019 | US | Reissue (Numero Group)

Tape | 2019 | US | Reissue (Numero Group)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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After a 19-year hiatus, Duster cameback with their S/T chef-d'oeuvrein 2019. Recorded in band memberClay Parton's garage (aka Low EarthOrbit), the record bears all thehallmarks of the band's early work:gaunt basslines, spindly guitars, andmelancholy lyrics that lurk in thebackground.

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Duster

16,99 €*